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Speaker 1: I am all in again.

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Speaker 2: Oh, let's you Gilmore Girls Gazette with Amy Sugarman and

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Speaker 2: Danielle Romo, an iHeartRadio podcast.

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Speaker 1: If this boat is a rocking Was this a rocking

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Speaker 1: episode for you? Amy?

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Speaker 3: I thought this was very very good. I thought, look,

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Speaker 3: I think they're all good. I thought last week was

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Speaker 3: just not quite up.

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Speaker 4: To the level, but this one was. I have a

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Speaker 4: lot of thoughts. I also think Crosby shouldn't sell the boat.

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Speaker 3: If there's any chance that Crosby can afford to have

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Speaker 3: the apartment and the boat, keep the boat.

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Speaker 4: I don't get it.

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Speaker 1: Yeah, we can debate that. I have a different take

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Speaker 1: on it. But all right, well, okay, Amy and Zoom

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Speaker 1: all fired up, ready to talk. So before we get

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Speaker 1: into that, how dare you say, Zoom?

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Speaker 4: We showed up to this professional podcast.

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Speaker 1: All professional podcasts are via Zoom, so it's fine.

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Speaker 4: I don't think so.

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Speaker 3: I think some are, like I don't know, some are

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Speaker 3: not on zoom anyway. Shout out two people, shout out?

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Speaker 3: Got to give two shout outs? Okay, number one the

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Speaker 3: person that said, if you like to hear people just ramble,

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Speaker 3: listen to Amy and Danielle.

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Speaker 4: Thank you much.

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Speaker 1: Correct. Correct.

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Speaker 4: They were like, didn't I send it to you? Somebody

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Speaker 4: wrote the nicest comment and I was like, who's mal

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Speaker 4: wrote this?

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Speaker 3: They were like, if you want to just hear two people,

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Speaker 3: just shoot the shit and ramble. These are two great ones,

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Speaker 3: So mad respect to that person. And number two, the

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Speaker 3: person who wrote when is listen if you want to

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Speaker 3: coming I'm low key waiting for it twenty twenty six, baby, listen.

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Speaker 4: If you want to coming to you.

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Speaker 1: Twenty twenty six.

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Speaker 3: We're gonna pop the baby out, We're gonna get Danielle

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Speaker 3: back and then and.

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Speaker 1: We're hopefully going to get through menopause.

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Speaker 4: I don't you never get through menopause. I think it's forever.

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Speaker 3: I've got a whole menopause minute that you won't believe.

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Speaker 3: But anyway, first and foremost, bravo Lauren Graham.

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Speaker 1: Let me synopsize. This is the season two episode eight,

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Speaker 1: Adam come fronts a man in defense of Max, Crosby

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Speaker 1: and Jodel domestic conversations beginning with the selling of Crosby's boat. Meanwhile, Sarah,

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Speaker 1: at least we.

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Speaker 4: Gave them something to do. At least we gave them

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Speaker 4: something to do.

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Speaker 1: Correct. Meanwhile, Sarah and Gordon spent an afternoon together, which

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Speaker 1: carries on until sunrise the next morning. Loved it, Andrew.

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Speaker 4: Loved loved it.

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Speaker 1: Elsewhere, Hattie discovers intriguing information about Alex.

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Speaker 4: Also good, good, yeah, good.

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Speaker 1: So where do you want to start? Amy?

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Speaker 4: Wait?

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Speaker 3: What was Joel and Julia and this one? Did they

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Speaker 3: have anything? I think I interrupted you nineteen times during

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Speaker 3: the synopsis.

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Speaker 5: No no, no, no, no, no, no, no that Joel and Julia don't.

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Speaker 3: Only Yeah, we had a funny little bit when Joel

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Speaker 3: tells Jasmine, oh.

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Speaker 4: Yeah, that was very cute with the shell.

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Speaker 3: And then Eric Christiansen on the boat was kind of

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Speaker 3: you know, first of all, what do you think that

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Speaker 3: they've all snuck onto the boat to do like dirty stuff?

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Speaker 1: I liked it. I liked it.

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Speaker 4: That seems so invasive, like what that's his home?

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Speaker 1: Oh, come on, it is funny.

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Speaker 4: I thought Lauren Graham was amazing.

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Speaker 1: Let's start with Lauren Graham, Aarah Braverman, and Gordon. I mean,

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Speaker 1: my favorite is that the click shooth clicker was DA.

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Speaker 3: And she goes, remember she had some name for Da.

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Speaker 3: She's like, do it again or whatever?

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Speaker 4: Do it do over?

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Speaker 1: Do over again? Yeah?

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Speaker 3: I thought it was so like, first of all, we

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Speaker 3: knew the click her shoe was not going to work

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Speaker 3: because it's a bad idea, Like, no one's losing their

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Speaker 3: shoe that much, although occasionally I do see a random

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Speaker 3: kids shoe out on the street.

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Speaker 1: But whatever, right, and and and look at the end

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Speaker 1: of the day, was it a good idea? Sure? But

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Speaker 1: was it? But was it the idea?

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Speaker 5: No?

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Speaker 4: You know, like it was like it was very clever

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Speaker 4: but not practical.

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Speaker 1: Right, So I guess in you know, when an idea

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Speaker 1: fails miserably, they go out and celebrates, like a tradition

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Speaker 1: of Gordon and Adams.

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Speaker 3: Wait wait, wait, you know what it reminds me of though,

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Speaker 3: I must say, so, my niece has this pig pick

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Speaker 3: right like it's one of those jelly cat pig picks,

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Speaker 3: and she's had it since like birth, and they kept

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Speaker 3: losing it.

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Speaker 4: So now pig pick.

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Speaker 3: Where's like a full choker necklace of the apple tracker.

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Speaker 1: Yeah, airtime.

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Speaker 3: I might have told this story before, but I mean,

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Speaker 3: pig pig just has a full which is basically the

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Speaker 3: clicker shoe, Like basically it is home arrest inklet.

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Speaker 4: Tracker.

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Speaker 3: And then one time my brother dropped, dropped everybody off

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Speaker 3: at the pool and then had to go to Tahoe

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Speaker 3: and pig Pig came all the way to Tahoe, which

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Speaker 3: they tracked, and that was that, there's a backup pig Pig.

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Speaker 4: Anyway, the clicker shoe had bearrit. It just was it

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Speaker 4: was it was too.

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Speaker 1: Soon, right it? And shoes aren't so small that you

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Speaker 1: just lose them like keys. You know you lose your keys.

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Speaker 1: That that makes sense. Shoes, what do you miss? Peace the most?

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Speaker 3: For me, sunglasses are tough sunglasses and my credit card.

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Speaker 3: If I take it out of the wallet and just

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Speaker 3: carry the credit card, the odds of that getting back.

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Speaker 4: To where it's supposed to or slip.

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Speaker 1: My phone is the number one thing that just goes missing,

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Speaker 1: either my son takes it, brings us I'm around the house,

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Speaker 1: or I just pregnancy brain. I don't know where I

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Speaker 1: left it, and I have That's why I have my

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Speaker 1: husband fully tracking me so I can be like, can

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Speaker 1: you please tell me where my phone is?

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Speaker 3: The other one that is a kerfuffle for me.

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Speaker 4: It's not once, but many times I have walked out

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Speaker 4: of the house and left my.

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Speaker 3: Keys in the front door hanging out many mold tiple times.

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Speaker 1: I've done that too, and it's very scary when you.

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Speaker 3: Really going on in my brain when I'm doing that,

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Speaker 3: because like, did I not?

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Speaker 4: Am I not locking it? Like don't you do? Lock?

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Speaker 4: And then turn it back? And like what am I doing?

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Speaker 1: I do the reverse. I come home and my hands

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Speaker 1: are full, I unlock it and then I close the

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Speaker 1: door and lock, you know, lock the door from the inside.

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Speaker 1: I've done that before. We're the next morning, I don't

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Speaker 1: lock the dog, and I'm like, oh my god. The

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Speaker 1: entire night my keys have been in my door waiting

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Speaker 1: for an intruder to welcome.

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Speaker 4: I've done that many times. Here's a good one that

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Speaker 4: I did.

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Speaker 3: I wrote a check to somebody and I wrote it

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Speaker 3: wrong like I wrote I wrote the number correct, and

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Speaker 3: then you know, the words part I wrote it wrong

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Speaker 3: like I wrote, like, you know, two hundred dollars when

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Speaker 3: it's suposed to be two hundred and forty dollars. I

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Speaker 3: rewrote it. The person's like, hey, you wrote the check wrong.

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Speaker 3: I go, no problem, let me rewrite it, rewrote.

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Speaker 1: It, put it out wrong again. Uh no.

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Speaker 3: Then I thought, oh, well, I'm going to throw out

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Speaker 3: the wrong one.

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Speaker 4: Throughout the right one left the wrong one. Like that's

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Speaker 4: so I wrote back to the person, Am I insane?

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Speaker 4: Let me do it again anyway. I don't know why

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Speaker 4: we're talking about this menopause. I have no of course. Okay,

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Speaker 4: back to the limo.

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Speaker 1: Back to Limos. So Sarah and Gordon, you know, they

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Speaker 1: go out to celebrate their failed idea.

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Speaker 3: Real quick note though clearly the Malibu like, they couldn't

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Speaker 3: have been more in Malibu than the Bay Area.

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Speaker 4: If I've ever seen anything look like Malibu in my

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Speaker 4: whole life.

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Speaker 3: I was like, that's not what anything looks like where

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Speaker 3: they say they are.

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Speaker 1: Okay, so there's the whole thing that, like Gordon goes

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Speaker 1: up to Adam's like, we gotta do this is our tradition,

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Speaker 1: and Adam was like, I'm not going shot.

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Speaker 4: I don't know.

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Speaker 3: Adam wasn't going because he just had to lay up

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Speaker 3: seven people are because he's like, this is weird with

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Speaker 3: my sister.

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Speaker 4: I don't know.

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Speaker 1: But yeah, So in that scenario, do you feel like

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Speaker 1: Sarah should have been like, I'm the fricking intern, sit down, Adam,

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Speaker 1: you go before me.

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Speaker 4: First of all, would I go with Joe Jonas if

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Speaker 4: he asked me to go. Of course I would when

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Speaker 4: I go with Brad Pitt. Heck, yeah, that's Billy Baldwin.

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Speaker 1: Of course you're a boss. Though, this is like like if, if,

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Speaker 1: for example, me, you are my boss, if Joe Jonas

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Speaker 1: is like Amy Danielle and I are going to celebrate,

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Speaker 1: you have to come with. And if you're like, I

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Speaker 1: have so much work, I cannot go. I'm to say, Joe,

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Speaker 1: my boss has so much work, which means I have

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Speaker 1: so much work.

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Speaker 3: First of all, that's so thoughtful of you. And I

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Speaker 3: pride myself on being a good person.

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Speaker 4: I really do.

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Speaker 3: But if Joe Jonas or Bracket want me to go

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Speaker 3: to Malibu with them, I'm out. I'm on my way.

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Speaker 1: I think that's the thing. You are my boss, you

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Speaker 1: will be going, which means I will be going. But

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Speaker 1: if you declined for any reason because you're you're way

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Speaker 1: too busy with work and so stressed with work.

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Speaker 3: If you are my boss and you're so busy with

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Speaker 3: work and Joe Jonas wants me to go to Malibu

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Speaker 3: with him, I'd be like, I'm on my way, Jojo.

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Speaker 4: I mean, are you kidding me?

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Speaker 1: Immediately, you know you're in this make.

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Speaker 4: Jo Joas was like, want to go to Jack in

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Speaker 4: the Box with me?

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Speaker 6: I'm going this tracks very well because you are you

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Speaker 6: have very Sarah vibes, like Sarah and Lauraai and Lauren

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Speaker 6: Graham vibes.

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Speaker 1: You just have them all.

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Speaker 3: First of all, there is no better compliment you could

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Speaker 3: ever give me than that one.

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Speaker 1: I agree, I agree, well, thank.

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Speaker 4: You said that. And yes, when I was if I

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Speaker 4: was an intern and Joe Jonas is like, want to

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Speaker 4: come to the doity dooo, yes I do. Joe Jonas

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Speaker 4: immediately thank you so much.

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Speaker 1: And I'm very Adam, but I mean.

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Speaker 4: It, I know, yes, so true. Actually you yeah, Adam.

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Speaker 4: That's why I can't wait to talk about the punch.

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Speaker 1: I know, oh my god, one punch. I would have

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Speaker 1: done three? Should we talk about that?

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Speaker 4: For sure?

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Speaker 3: First of all, I knew I was like so uncomfortable

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Speaker 3: in the scene because I'm like, oh no.

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Speaker 1: Oh, no, oh my god.

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Speaker 2: Who.

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Speaker 3: I felt like Adam should have stepped back sooner instead

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Speaker 3: of engaging engaging, and then the guy was so awful.

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Speaker 7: But then oh, we'll get back to Sarah Gordon in

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Speaker 7: a second, but we have to jump to at them

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Speaker 7: at the grocery store with Zeke and Max.

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Speaker 1: And it is oh my god. I mean, it is

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Speaker 1: one thing to be like a papa mama bear, right,

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Speaker 1: Like I think you just have that instinct in you

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Speaker 1: to protect your children or whatever. But this situation caused

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Speaker 1: so much it made me itch.

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Speaker 3: That just shows that the scene was so well done too,

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Speaker 3: because if we both were like really reacting like that,

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Speaker 3: like even my neck is hurting as we're talking about it.

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Speaker 1: I'm like, right, so we all know those you know

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Speaker 1: lines at the grocery store where it's like, oh yeah,

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Speaker 1: Express slange ten items or less or whatever, and you

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Speaker 1: know people usually ten eleven, all right, right, right?

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Speaker 3: And he kind of liked this gum count or you're like,

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Speaker 3: is two oranges two or is it one?

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Speaker 1: Exactly? I go with exactly. Anyways, this guy has seventeen

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Speaker 1: items in his cart and he is, you know, ten

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Speaker 1: item or less, and Max did not like it. He

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Speaker 1: counted all the items and he was like, dad, Dad,

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Speaker 1: he is seventeen. He shouldn't be here.

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Speaker 5: And he starts, which I thought was so cul He

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Speaker 5: started for moving seven items from this.

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Speaker 1: I thought that was hilarious.

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Speaker 4: I still am confused why Zeke was at the grocery store.

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Speaker 4: But I guess he was just going along.

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Speaker 1: Yeah, he was just going along. But the guy that

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Speaker 1: was in front of them, the other customer, like had

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Speaker 1: a reaction that was like essentially like he was so mad,

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Speaker 1: and Adam was like.

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Speaker 4: An adult was doing and it's a kid like exactly.

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Speaker 1: And he was just like saying things like under his breath,

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Speaker 1: and Adam was like, dude, I mean, you got seventeen

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Speaker 1: items like this is ten items or less, you know whatever,

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Speaker 1: which is like just a whatever comment. But then he

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Speaker 1: literally was like, you need to train your son. Oh

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Speaker 1: my goodness, you need to train your son, and blah

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Speaker 1: blah blah blah blah blah blah. And then he said

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Speaker 1: he called him the R word, and Adam punches him

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Speaker 1: in the face and I said, yes, Adam, punch away.

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Speaker 4: Oh see, I am. I don't like punching.

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Speaker 3: I here's why, it's just escalating the punch.

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Speaker 4: Then that guy gets up and punches.

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Speaker 3: I just am like, oh, but the sentiment I agreed with,

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Speaker 3: this guy's a jerk, But the punching, now, now, I

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Speaker 3: do think the thing I.

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Speaker 4: Love, not love that's the weird word.

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Speaker 3: But the thing I like is that we get the

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Speaker 3: payoff later with Zeke on the boat, with Adam understanding

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Speaker 3: the complexities of the punch and the situation and sort

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Speaker 3: of how it comes back to zek and we get

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Speaker 3: some real insight into.

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Speaker 1: Zeke even before then though Amy, Like in the scene

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Speaker 1: at the grocery store, the camera pans to Zeke and

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Speaker 1: Zeke is like what the hell? Like he he was

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Speaker 1: like super confused, because it's just not an Adam's character

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Speaker 1: correct to punch anybody or to get upset.

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Speaker 3: This is what the thing really is about that I

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Speaker 3: thought was so fascinating and why Parenthood is such a

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Speaker 3: good show. It's not so much about the fact that

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Speaker 3: Adam hit the guy. It's really about Adam and Zeke.

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Speaker 3: And we learn that too at the end when Monica

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Speaker 3: Potter's like, you're not your father, You're not your father,

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Speaker 3: and we sort of learn a side of Zeke that

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Speaker 3: sounds not good that I.

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Speaker 4: Didn't necessarily not know. But I didn't necessarily no.

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Speaker 1: I mean I picked up on that. I picked up

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Speaker 1: that Zeke is like the hot head, like you know,

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Speaker 1: like it's it's his way or the highway. He has

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Speaker 1: a little bit of a temper, like I've I've picked

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Speaker 1: up on that through through since season one, uh, you know,

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Speaker 1: with the the whole shadiness of the things that he

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Speaker 1: did in his relationship. Like I I picked up on

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Speaker 1: that right right day one. But it you're so right.

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Speaker 1: It has nothing to do about Max is you know, outbursts.

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Speaker 1: It has nothing to do with this guy calling Max

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Speaker 1: the R word. It is all about how Adam is

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Speaker 1: showing a lot of similarities to Zeke.

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Speaker 3: And also how Adam is complex, right that Adam is

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Speaker 3: all you can get. Look, we learned right out the

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Speaker 3: gate Adam is the leader of the family. Adam is

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Speaker 3: the prodigal son, if that's the right word.

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Speaker 1: He is steady.

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Speaker 4: He is, he is steady. He go to look to him.

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Speaker 3: And you also really learned right out the gate it's

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Speaker 3: Julia and Adam on one side and Crosby and Sarah

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Speaker 3: on the other. And they really also made that very

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Speaker 3: clear on the boat scene, which we'll talk about. But

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Speaker 3: the thing that I like is these characters are also complex,

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Speaker 3: like Zeke is complex. They're all there are not one

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Speaker 3: note characters, not one of them, not Michael b.

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Speaker 4: Jordan, not Pattie, not Andrew. None of them are one note.

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Speaker 3: And that's what makes this show so good and that

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Speaker 3: the writing is so brilliant that you start to learn

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Speaker 3: about these characters without it being forced down your throat.

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Speaker 1: All right, well, let's talk about that scene where Zeke

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Speaker 1: and Adam like their have their moment.

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Speaker 4: I have to say, Craig t Nelson.

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Speaker 3: Look, craigtie Nelson is like iconic on the show, right

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Speaker 3: because like he's coach, he's alter your guys, he's all

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Speaker 3: these movies, right, I think he's even true Beverly Hills whatever.

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Speaker 4: So his is not saying anything.

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Speaker 3: He said nothing basically, so little other than like I've

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Speaker 3: got your back.

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Speaker 4: He really was listening. I also like like when he

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Speaker 4: said something to Adam and Adam's like who are you?

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Speaker 4: And He's like, I don't even know.

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Speaker 1: He said something like how did you feel? How do

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Speaker 1: you feel?

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Speaker 3: Or something like that, Oh, I'm sorry, who are you?

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Speaker 3: But he says very little. But he's so talented. I mean,

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Speaker 3: these people are so good. That's why you're completely immersed

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Speaker 3: in them. You're never like I'm watching them. I'm like,

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00:17:28,480 --> 00:17:30,320
Speaker 3: I'm I'm just part of.

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Speaker 1: This right right. And then I mean, look, so we

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Speaker 1: have all that with the conversation with Adam and Zeke

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Speaker 1: where you just like really see as much and I

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Speaker 1: feel this way. I don't know if you feel this

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Speaker 1: way as much as sometimes you try not to be

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Speaker 1: like your parents, they're they are embedded in you, Like

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Speaker 1: I I see that with my dad all the time,

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Speaker 1: Like when I grew up. My dad and I are

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Speaker 1: very close now, but growing up we butted heads because

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Speaker 1: we are the same person.

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Speaker 4: Don't use All the kids are a bit more Zeke

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Speaker 4: than Camille. She seems very Camille.

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Speaker 1: There is something in Camille, like in the way she

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Speaker 1: delivers all her lines. I'm like, I need more. I

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Speaker 1: need more of Camille so bad, because.

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Speaker 4: So calm and like present.

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Speaker 3: By the way, I still just trip out that she

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Speaker 3: is Matt colly Culkin's aunt.

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Speaker 1: I know, I know that is crazy, but she's so weird.

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Speaker 1: Well you were saying she's calm and uh present.

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Speaker 3: She's very present, like even with the scenes with Lauren Graham.

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Speaker 1: And there's so much more behind her words. Ye, Like

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Speaker 1: it's just I forgot what she did in this episode

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Speaker 1: with Sarah, but she said something like of course you didn't.

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Speaker 4: Right, and like you should be with someone sweet. She's

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Speaker 4: very like I don't know I like her.

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Speaker 1: Yeah, I'm hoping that we kind of already got a

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Speaker 1: little bit of a midlife crisis with her with you know,

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Speaker 1: the art teacher. But I hope there's like something meaty

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Speaker 1: with her as a center figure in the series to come.

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Speaker 1: I just really enjoy her character. There's just something there

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Speaker 1: that it draws me. But yeah, I mean the Adam

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Speaker 1: and z stuff is just so incredible. And I think

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Speaker 1: Adam realizes in this episode that, like he I think,

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Speaker 1: his whole life he was like, I'm not like my dad,

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Speaker 1: and he's just starting to kind of see that He's right.

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Speaker 3: He's very combined because he does have a lot of

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Speaker 3: the mother character in him too, the calmness, the present.

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Speaker 3: And then we have that interesting scene at the end

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Speaker 3: with Monica Potter where she's like, you're not your father.

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Speaker 4: It's almost like it's this is not the first time they've.

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Speaker 3: Talked about it, right, right, because it's sort of like, oh, wait,

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Speaker 3: why is she It's almost like, oh, is this an

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Speaker 3: overstep of Monica Potter being like you're not your father?

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Speaker 4: Because like, oh what, I don't know.

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Speaker 3: There was a lot to that that I'm like, oh,

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Speaker 3: this is something I didn't really realize.

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Speaker 1: I think kind of what I've what I've gathered so

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00:20:10,119 --> 00:20:13,919
Speaker 1: far is that the four kids they all kind of

387
00:20:13,960 --> 00:20:18,320
Speaker 1: have a slight trauma from their father. Yeah, you like

388
00:20:18,440 --> 00:20:21,800
Speaker 1: kind of gather that maybe Zeke wasn't like and.

389
00:20:21,680 --> 00:20:25,480
Speaker 4: I would say all the significant others. Definitely.

390
00:20:25,720 --> 00:20:30,040
Speaker 3: Monica Potter is not the biggest fan of the Braverman's,

391
00:20:31,000 --> 00:20:34,479
Speaker 3: Like I feel like Joel is like, yeah, I'm in

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00:20:34,560 --> 00:20:36,880
Speaker 3: with these people even though they're nuts. Like I think

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Speaker 3: Monica Potter is the most sort of standoffish to the

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00:20:40,400 --> 00:20:47,520
Speaker 3: to the Braverman's really, Yeah, for sure, especially on Halloween.

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Speaker 4: We see it all the time. She's always like, oh

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Speaker 4: your family, Oh wow.

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Speaker 1: Yeah, yes, right, you're right, you're right.

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00:20:53,400 --> 00:20:57,960
Speaker 3: Compared to Joel, compared to Jasmine, compared to I mean,

399
00:20:58,200 --> 00:21:01,960
Speaker 3: Sarah Braverman doesn't necessarily have someone, but still I can't

400
00:21:02,000 --> 00:21:04,240
Speaker 3: read Sarah sneaking into the house.

401
00:21:04,280 --> 00:21:06,000
Speaker 1: That was the talk about it.

402
00:21:06,080 --> 00:21:08,959
Speaker 3: Tell me, Okay, first of all, I love it. She's like,

403
00:21:09,640 --> 00:21:11,600
Speaker 3: the first of all, I hate limos. There's nothing to

404
00:21:11,600 --> 00:21:12,400
Speaker 3: me worse than a lima.

405
00:21:12,640 --> 00:21:15,320
Speaker 1: I agree, They're so hard to get in and out

406
00:21:15,320 --> 00:21:15,399
Speaker 1: of it.

407
00:21:15,520 --> 00:21:18,240
Speaker 4: If you want to feel car sick.

408
00:21:18,920 --> 00:21:22,480
Speaker 3: What I highly recommend is going in a lima if

409
00:21:22,520 --> 00:21:26,439
Speaker 3: you have any remote car sickness and you want to

410
00:21:26,480 --> 00:21:29,800
Speaker 3: really take that to a level ten, take a limo.

411
00:21:30,280 --> 00:21:33,040
Speaker 4: Number two. Do limos even exist anymore?

412
00:21:33,320 --> 00:21:33,800
Speaker 1: They do?

413
00:21:33,960 --> 00:21:37,640
Speaker 3: And okay, we had to rent that limo. We did

414
00:21:37,680 --> 00:21:40,440
Speaker 3: this thing for The Bachelor, and we had to rent

415
00:21:40,440 --> 00:21:43,480
Speaker 3: a limo and like it wasn't it looked banged up

416
00:21:43,520 --> 00:21:45,879
Speaker 3: a little bit, Like all these limos are like we

417
00:21:45,880 --> 00:21:49,240
Speaker 3: were made in the nineties, because that's when limos were around,

418
00:21:49,400 --> 00:21:51,440
Speaker 3: and now you're still using the same limit.

419
00:21:51,920 --> 00:21:53,840
Speaker 4: Is there a new limo? I don't think so.

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Speaker 1: I don't think so. My brother's wedding, which was a

421
00:21:57,480 --> 00:22:01,760
Speaker 1: few months ago, he had a limo and getting in

422
00:22:01,840 --> 00:22:04,359
Speaker 1: and out of that limo in a poofy dress and

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00:22:04,560 --> 00:22:07,040
Speaker 1: pregnant was the worst thing. Oh my god.

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Speaker 3: First of all, if I was ever at ms, which

425
00:22:10,280 --> 00:22:13,080
Speaker 3: look listen if you want to may really take off

426
00:22:13,119 --> 00:22:17,000
Speaker 3: and it may become a teap V show. We don't know,

427
00:22:17,320 --> 00:22:19,520
Speaker 3: but say that happens, and that Danielle and I are

428
00:22:19,520 --> 00:22:23,520
Speaker 3: at the Emmys to be nominated. I'm driving myself. I

429
00:22:23,560 --> 00:22:25,600
Speaker 3: don't want to go in a black suv. I don't

430
00:22:25,600 --> 00:22:27,840
Speaker 3: want to go in a Limo. I'm just gonna drive myself.

431
00:22:28,240 --> 00:22:31,159
Speaker 3: Just get me a parking pass, like all this limo

432
00:22:32,280 --> 00:22:34,160
Speaker 3: black suv thing that happens in.

433
00:22:34,240 --> 00:22:38,440
Speaker 1: La uh oh, I'll take your car for you.

434
00:22:38,520 --> 00:22:44,280
Speaker 4: Would you say okay? Would you say you know all

435
00:22:44,280 --> 00:22:47,320
Speaker 4: the like limo stuff. Is it that people don't want

436
00:22:47,320 --> 00:22:49,040
Speaker 4: to drive or they don't want to park? What is

437
00:22:49,080 --> 00:22:51,600
Speaker 4: their hang up? Like you know we always get these celebrities,

438
00:22:51,680 --> 00:22:54,400
Speaker 4: can you send a car? Like? Is it they don't

439
00:22:54,440 --> 00:22:56,640
Speaker 4: want to park or they don't like driving?

440
00:22:56,880 --> 00:23:00,800
Speaker 1: Oh y bove, I don't like. I don't like. Uh

441
00:23:01,440 --> 00:23:04,520
Speaker 1: you know, you can't be on your phone when you

442
00:23:04,560 --> 00:23:07,000
Speaker 1: get there. You don't hunt if I'm parking, it that

443
00:23:07,240 --> 00:23:09,800
Speaker 1: you get dropped off exactly where you need to enter,

444
00:23:10,000 --> 00:23:10,600
Speaker 1: so you don't.

445
00:23:10,440 --> 00:23:13,639
Speaker 3: There's no valet at the Emmys, like just valet, like

446
00:23:14,080 --> 00:23:17,760
Speaker 3: I will te. I haven't either, But like I'm assuming

447
00:23:17,920 --> 00:23:21,160
Speaker 3: that if I drove myself that somebody can park my car.

448
00:23:22,320 --> 00:23:25,159
Speaker 4: Let's just park my car, like I want to drive myself.

449
00:23:25,200 --> 00:23:26,760
Speaker 4: I want my own car. I want to know that

450
00:23:26,800 --> 00:23:29,720
Speaker 4: my emergency lip gloss is in my car if I'm

451
00:23:29,720 --> 00:23:32,720
Speaker 4: in a limo. Too many things to remember the thing,

452
00:23:32,880 --> 00:23:36,800
Speaker 4: the emergency things I have in my car dental floss.

453
00:23:36,520 --> 00:23:38,720
Speaker 3: Lip gloss. I might have a spare pair of underwear

454
00:23:38,720 --> 00:23:41,440
Speaker 3: in here. I don't know, But I have so many

455
00:23:41,480 --> 00:23:43,680
Speaker 3: emergency things. I want my own car.

456
00:23:44,840 --> 00:23:46,639
Speaker 1: Fair fair fair like.

457
00:23:46,680 --> 00:23:48,919
Speaker 4: I'm telling you, there's definitely somebody that's like, why did

458
00:23:48,920 --> 00:23:50,200
Speaker 4: I take this limo to the Emmys.

459
00:23:50,520 --> 00:23:55,199
Speaker 3: My car has my emergency you know, Advil probably got

460
00:23:55,200 --> 00:23:58,600
Speaker 3: a granola bar somewhere, Like I have a toilet in

461
00:23:58,640 --> 00:23:59,320
Speaker 3: the back of the car.

462
00:23:59,440 --> 00:24:01,000
Speaker 4: I'm pretty well equipped in this thing.

463
00:24:02,600 --> 00:24:05,359
Speaker 3: Anyway, sidebar the limo definitely gave me like first of all,

464
00:24:05,400 --> 00:24:06,520
Speaker 3: and they're driving the canyon.

465
00:24:06,800 --> 00:24:10,320
Speaker 4: They're definitely on like the canyon.

466
00:24:10,280 --> 00:24:13,520
Speaker 3: That that shot that overshot with their coming down the

467
00:24:13,560 --> 00:24:15,479
Speaker 3: curvy road and you see like a big mansion.

468
00:24:15,760 --> 00:24:18,080
Speaker 4: They are coming down the canyon to PCH.

469
00:24:19,119 --> 00:24:21,920
Speaker 3: Second of all, they pulled over like on pH where

470
00:24:21,920 --> 00:24:24,080
Speaker 3: people you know, you see, because I drive PCH a

471
00:24:24,119 --> 00:24:28,159
Speaker 3: lot where people have those uh have they called motor.

472
00:24:27,920 --> 00:24:32,880
Speaker 1: Homes still Yeah, yeah, RV's r v's yeah.

473
00:24:33,200 --> 00:24:37,679
Speaker 4: So they pulled over there. They obviously did the bound

474
00:24:37,760 --> 00:24:38,600
Speaker 4: chick bound bow.

475
00:24:39,160 --> 00:24:41,560
Speaker 1: And also, I mean the one the one thing I

476
00:24:41,560 --> 00:24:45,240
Speaker 1: thought was cute before the bounce Chickamau is Gordon like

477
00:24:45,400 --> 00:24:49,439
Speaker 1: shows his sketchbook of like all his his past like

478
00:24:49,520 --> 00:24:52,080
Speaker 1: ideas that failed. I thought the golf shoes were a

479
00:24:52,080 --> 00:24:52,920
Speaker 1: good idea.

480
00:24:53,240 --> 00:24:55,399
Speaker 3: First of all, I did too. I act the flip

481
00:24:55,400 --> 00:24:57,919
Speaker 3: flop was bad, but the golf shees were great. Also,

482
00:24:58,760 --> 00:25:00,000
Speaker 3: I might be putting Billy Baldwin.

483
00:25:00,040 --> 00:25:02,120
Speaker 1: That was my favorite bald One, I would say so.

484
00:25:02,520 --> 00:25:05,000
Speaker 4: He always was neck and neck for me with Alec

485
00:25:05,080 --> 00:25:08,159
Speaker 4: back in the day. Look Alec in the in the

486
00:25:08,240 --> 00:25:15,560
Speaker 4: nineties was solid right like solid. But Billy, Hello.

487
00:25:16,040 --> 00:25:18,399
Speaker 1: Billy has I mean, I don't get this from Alec.

488
00:25:18,840 --> 00:25:23,719
Speaker 1: Billy has like there's like some some sign like he's like,

489
00:25:23,800 --> 00:25:28,159
Speaker 1: he's cute, he's got swag, he's got game. Yeah, you know,

490
00:25:28,560 --> 00:25:29,400
Speaker 1: he's got the bill.

491
00:25:29,680 --> 00:25:32,040
Speaker 4: I'm gonna get Billy top Baldwin billing right now.

492
00:25:32,240 --> 00:25:33,399
Speaker 1: I will too.

493
00:25:33,240 --> 00:25:37,320
Speaker 4: I've seen him in Santa Barbara. He looks good. Lots

494
00:25:37,320 --> 00:25:37,840
Speaker 4: to unpack.

495
00:25:37,920 --> 00:25:39,600
Speaker 3: We could do it that that would be an episode

496
00:25:39,600 --> 00:25:41,119
Speaker 3: of Listen if you want to the bald One.

497
00:25:41,280 --> 00:25:44,600
Speaker 1: I like Sarah and Gordon together. I'm just bummed up. Obviously,

498
00:25:44,840 --> 00:25:47,560
Speaker 1: the shoe drops soon, So what happens.

499
00:25:47,400 --> 00:25:49,840
Speaker 3: I don't know, but I love that they she First

500
00:25:49,840 --> 00:25:51,720
Speaker 3: of all the four am. It's like she's kind of

501
00:25:51,720 --> 00:25:55,120
Speaker 3: like a teenager slash mop. She runs into the guest house,

502
00:25:55,160 --> 00:25:58,160
Speaker 3: puts on her pajamas. First of all, blessed Drew who

503
00:25:58,200 --> 00:26:02,119
Speaker 3: woke up and panicked that it's not there. Now I

504
00:26:02,119 --> 00:26:04,680
Speaker 3: put a flag on it though, that at six am,

505
00:26:04,720 --> 00:26:08,240
Speaker 3: a teenager wakes up and gets in the shower and

506
00:26:08,240 --> 00:26:09,960
Speaker 3: gets ready for school, and the mom lives in the

507
00:26:10,000 --> 00:26:10,480
Speaker 3: guest house.

508
00:26:10,560 --> 00:26:12,800
Speaker 4: I don't know that he would have noticed she's.

509
00:26:12,640 --> 00:26:17,640
Speaker 3: Not there, but fine, the panic was real, the fact

510
00:26:17,680 --> 00:26:19,840
Speaker 3: that they all four were up and that she comes

511
00:26:19,880 --> 00:26:22,760
Speaker 3: in and tries to pretend and then they're all and

512
00:26:22,840 --> 00:26:25,600
Speaker 3: like his reaction of being mad was great and amp

513
00:26:25,640 --> 00:26:26,360
Speaker 3: The whole thing was.

514
00:26:26,320 --> 00:26:28,120
Speaker 1: Just, this is my flag on the place. So they're

515
00:26:28,160 --> 00:26:33,960
Speaker 1: all stressed about not finding her or knowing where she's at.

516
00:26:34,080 --> 00:26:36,920
Speaker 1: Yet they're just they're just eating breakfast and.

517
00:26:36,320 --> 00:26:39,520
Speaker 3: The kids why they didn't call, Well, they did call Adam.

518
00:26:39,600 --> 00:26:42,200
Speaker 3: I think they didn't call the police. But her cell

519
00:26:42,200 --> 00:26:46,880
Speaker 3: phone's dead. The whole thing, you know whatever, I hate

520
00:26:46,920 --> 00:26:48,760
Speaker 3: that word cell phone dead. I like to say cell

521
00:26:48,760 --> 00:26:50,720
Speaker 3: phone out of battery. I don't know why that always

522
00:26:50,720 --> 00:26:52,080
Speaker 3: gives me agito when I say it.

523
00:26:52,080 --> 00:26:52,360
Speaker 4: That way.

524
00:26:52,400 --> 00:26:55,399
Speaker 3: So anyway, I laughed, I sort of felt it and

525
00:26:55,600 --> 00:26:56,639
Speaker 3: laughed a little bit.

526
00:26:56,640 --> 00:27:00,840
Speaker 1: Like yeah, like I was super stoved for Sarah to like,

527
00:27:01,359 --> 00:27:05,119
Speaker 1: you know whatever, have have It seems right now. Obviously,

528
00:27:05,119 --> 00:27:06,960
Speaker 1: I feel like the sho's gonna drop. Like I just said,

529
00:27:07,240 --> 00:27:09,760
Speaker 1: it seems right now that Billy and Sarah just have

530
00:27:09,920 --> 00:27:10,880
Speaker 1: this keem.

531
00:27:11,320 --> 00:27:16,160
Speaker 4: Yeah, like is just so cute. He's cute, you said, Billy,

532
00:27:16,200 --> 00:27:16,640
Speaker 4: which I love.

533
00:27:16,720 --> 00:27:17,200
Speaker 1: I don't.

534
00:27:19,320 --> 00:27:22,160
Speaker 3: Now he's been real darling, like saving the girl from

535
00:27:22,160 --> 00:27:23,119
Speaker 3: the pool and like this.

536
00:27:23,560 --> 00:27:26,880
Speaker 4: H No, they're real cute. They're not. I don't think

537
00:27:26,880 --> 00:27:27,639
Speaker 4: they're gonna last.

538
00:27:28,320 --> 00:27:30,840
Speaker 1: No, they're not. Because he only has a few more episodes.

539
00:27:30,400 --> 00:27:30,639
Speaker 2: All right.

540
00:27:30,640 --> 00:27:32,280
Speaker 3: I think we've got like three more episodes with them.

541
00:27:32,280 --> 00:27:33,879
Speaker 3: But anyway, maybe he moves away. I don't remember what

542
00:27:33,880 --> 00:27:35,800
Speaker 3: happens with the shoe company. The whole thing's confusing.

543
00:27:36,040 --> 00:27:37,240
Speaker 1: Who do they fire him?

544
00:27:37,600 --> 00:27:39,680
Speaker 3: No, I think it's his shoe company. Maybe Adam starts

545
00:27:39,720 --> 00:27:41,720
Speaker 3: his own. I can't remember. It's fuzzy, Fuzzy, Fuzzy.

546
00:27:42,400 --> 00:27:47,040
Speaker 4: I don't remember. Jasmine Crosby. You're interesting me a little

547
00:27:47,040 --> 00:27:48,040
Speaker 4: bit more in this episode.

548
00:27:48,800 --> 00:27:52,240
Speaker 3: Yeah, okay, the hot dog scene was the one that

549
00:27:52,320 --> 00:27:55,320
Speaker 3: I loved the most, Like you're a little guy, Like

550
00:27:55,560 --> 00:28:00,800
Speaker 3: that was adorable. That actor is so cute, prey together,

551
00:28:01,640 --> 00:28:05,000
Speaker 3: like the Jasmine, Like I like Jasmine Crosby, but I

552
00:28:05,080 --> 00:28:06,679
Speaker 3: really like is Crosby and Jabbar.

553
00:28:07,800 --> 00:28:09,879
Speaker 1: I completely agree with you.

554
00:28:10,200 --> 00:28:15,280
Speaker 4: There's nothing bad about Jasmine. I'm just like, she's no Joel,

555
00:28:15,320 --> 00:28:15,639
Speaker 4: that's all.

556
00:28:15,960 --> 00:28:16,080
Speaker 2: Well.

557
00:28:16,080 --> 00:28:18,960
Speaker 1: I also think is we're annoyed. We're still annoyed with Jasmine,

558
00:28:19,000 --> 00:28:21,480
Speaker 1: Like we're just annoyed with her. I think that's why

559
00:28:21,920 --> 00:28:24,640
Speaker 1: we're like, back up, yeah.

560
00:28:24,400 --> 00:28:26,920
Speaker 3: I need some more meat to Jasmine, which we will get.

561
00:28:26,920 --> 00:28:38,400
Speaker 3: We're gonna get. I loved the boat scene with the

562
00:28:38,440 --> 00:28:43,000
Speaker 3: four of them, and I loved there was something special

563
00:28:43,040 --> 00:28:49,200
Speaker 3: about Sarah Braverman to Crosby, I'll help you. I'll help you,

564
00:28:49,600 --> 00:28:51,719
Speaker 3: And it was like we needed it from Sarah the

565
00:28:51,760 --> 00:28:54,360
Speaker 3: most because the other two are like mister and miss

566
00:28:54,400 --> 00:28:57,000
Speaker 3: perfect you know, Adam and what's her face?

567
00:28:57,160 --> 00:28:57,440
Speaker 4: Your name?

568
00:28:57,480 --> 00:29:02,560
Speaker 3: Julia Julia Rosby needed Sarah I'll help you. And I

569
00:29:02,600 --> 00:29:04,920
Speaker 3: thought that whole thing was great, really great. We don't

570
00:29:04,960 --> 00:29:06,560
Speaker 3: get a lot of scenes with just the four of.

571
00:29:06,520 --> 00:29:11,320
Speaker 1: Them, and I actually, hmm, ironically, I thought I liked

572
00:29:11,520 --> 00:29:15,760
Speaker 1: the Crosby Julia moment where Julia was like, Crosby, you're

573
00:29:15,840 --> 00:29:17,360
Speaker 1: the grown up, sell the boat.

574
00:29:17,640 --> 00:29:18,920
Speaker 4: I wasn't as crazy about that.

575
00:29:19,000 --> 00:29:20,920
Speaker 3: I felt that somebody should have said to him, if

576
00:29:20,960 --> 00:29:22,320
Speaker 3: you can afford the boat, keep the boat.

577
00:29:22,320 --> 00:29:23,880
Speaker 4: If you can't afford the boat, sell the boat.

578
00:29:23,920 --> 00:29:26,920
Speaker 3: Like to me, you don't have to sell your like

579
00:29:26,960 --> 00:29:29,640
Speaker 3: when you become old and married or whatever. You don't

580
00:29:29,680 --> 00:29:31,480
Speaker 3: have to get rid of everything that made you you

581
00:29:32,160 --> 00:29:34,880
Speaker 3: if you can afford it. If he can't afford the boat,

582
00:29:34,960 --> 00:29:36,680
Speaker 3: the boat's got to go. If he can afford the boat,

583
00:29:36,760 --> 00:29:37,240
Speaker 3: keep the boat.

584
00:29:37,440 --> 00:29:40,440
Speaker 1: Hey, here's the thing we know Crosby. He can't afford

585
00:29:40,480 --> 00:29:42,040
Speaker 1: the boat, sell the boat.

586
00:29:42,280 --> 00:29:44,280
Speaker 4: I mean, I guess, but I haven't seen his big statement.

587
00:29:44,320 --> 00:29:44,719
Speaker 4: I don't know.

588
00:29:45,400 --> 00:29:47,880
Speaker 1: I'm just based off of everything we've known about him.

589
00:29:47,960 --> 00:29:49,080
Speaker 1: He lives on a boat.

590
00:29:49,480 --> 00:29:52,840
Speaker 4: I wasn't as crazy about Julia. I was like Erica Christensen,

591
00:29:52,920 --> 00:29:53,680
Speaker 4: stop No.

592
00:29:53,760 --> 00:29:58,400
Speaker 1: I was like, thank god, somebody just freaking told Crosby.

593
00:29:58,560 --> 00:30:01,240
Speaker 4: The scene that made me laugh so hard.

594
00:30:01,320 --> 00:30:05,000
Speaker 3: My favorite scene in the whole show is when Crosby

595
00:30:05,040 --> 00:30:07,120
Speaker 3: walks in and Adam and Sarah are fighting in.

596
00:30:07,080 --> 00:30:08,640
Speaker 4: The office and he goes, are you guys fighting?

597
00:30:08,720 --> 00:30:08,880
Speaker 2: Oh?

598
00:30:08,880 --> 00:30:10,920
Speaker 3: This is great, like, let me, let me get let

599
00:30:10,960 --> 00:30:14,280
Speaker 3: me sit back. That made me laugh so hard.

600
00:30:14,360 --> 00:30:16,120
Speaker 4: I was like, oh, so good.

601
00:30:16,480 --> 00:30:18,960
Speaker 1: And so you didn't like the last scene where Jasmine

602
00:30:19,000 --> 00:30:20,600
Speaker 1: shows up in lingerie and they do.

603
00:30:20,720 --> 00:30:23,160
Speaker 4: That dirty and actually gave me the wiggies. I'm not

604
00:30:23,200 --> 00:30:25,000
Speaker 4: gonna lie something about that.

605
00:30:25,520 --> 00:30:29,400
Speaker 3: I was like, ew, yeah, it was weird because sometimes

606
00:30:29,440 --> 00:30:31,600
Speaker 3: I like those scenes, like like I happen to be

607
00:30:31,640 --> 00:30:33,800
Speaker 3: watching nine O two and zero and Kelly and Brandon

608
00:30:33,920 --> 00:30:35,080
Speaker 3: just kissed, and that gave.

609
00:30:34,920 --> 00:30:37,440
Speaker 4: Me the like feels. I was like yes. And then

610
00:30:37,480 --> 00:30:38,240
Speaker 4: on Sex and the.

611
00:30:38,200 --> 00:30:42,520
Speaker 3: City, I rewatched three iconic sex in the City scenes

612
00:30:42,520 --> 00:30:46,720
Speaker 3: this week, when Carrie bumps into Big and Natasha, when

613
00:30:47,240 --> 00:30:51,360
Speaker 3: Natasha catches Carrie in her apartment, and when Big and

614
00:30:51,480 --> 00:30:56,840
Speaker 3: Carrie when he's at his engagement party and getting in the.

615
00:30:56,480 --> 00:31:01,640
Speaker 4: Car and she says, your girl's lovely hubble. I felt those.

616
00:31:01,720 --> 00:31:04,320
Speaker 4: I was like, yes, Brandon and.

617
00:31:04,360 --> 00:31:08,440
Speaker 3: Kelly kissing, Yes that something about that one, Oh, I

618
00:31:08,440 --> 00:31:08,800
Speaker 3: don't know.

619
00:31:08,880 --> 00:31:10,880
Speaker 4: I was so fixated on his shoes and.

620
00:31:10,840 --> 00:31:14,560
Speaker 1: I'm like, oh, you see, I liked it. I liked

621
00:31:14,560 --> 00:31:17,160
Speaker 1: it because Okay, so he's selling the boat, but it's

622
00:31:17,160 --> 00:31:19,200
Speaker 1: also jazz and being like I know this is your

623
00:31:19,240 --> 00:31:19,880
Speaker 1: favorite place.

624
00:31:19,920 --> 00:31:22,920
Speaker 4: It's like, you know, I don't know, maybe it's menopause.

625
00:31:22,960 --> 00:31:25,240
Speaker 4: I don't have enough estrogen. But I was like, I

626
00:31:25,280 --> 00:31:25,760
Speaker 4: don't like.

627
00:31:25,760 --> 00:31:30,080
Speaker 1: Him fair enough. I was like, poor, poor Joy.

628
00:31:30,240 --> 00:31:32,440
Speaker 3: I got to get some more estrogen in my body.

629
00:31:32,520 --> 00:31:34,400
Speaker 3: I don't have enough estrogen in my throat. I don't

630
00:31:34,440 --> 00:31:36,800
Speaker 3: have enough estrogen anywhere. Did you know That's why I

631
00:31:36,800 --> 00:31:39,480
Speaker 3: think my raspy voice is because I don't have estrogen.

632
00:31:39,600 --> 00:31:40,200
Speaker 4: I gotta get some.

633
00:31:40,400 --> 00:31:43,360
Speaker 3: I'm gonna I'm trying to eat some at a mommy,

634
00:31:43,480 --> 00:31:44,680
Speaker 3: but then I get diarrhea.

635
00:31:45,120 --> 00:31:46,640
Speaker 1: Oh my goodness.

636
00:31:46,280 --> 00:31:49,520
Speaker 4: Sorry, menopause. Been it? Sorry? I knew today was going

637
00:31:49,600 --> 00:31:50,320
Speaker 4: to be unhinged.

638
00:31:50,360 --> 00:31:51,960
Speaker 3: I had a feeling these were going to be I

639
00:31:51,960 --> 00:31:54,200
Speaker 3: don't know if you listen to Gazette, but people, this

640
00:31:54,360 --> 00:31:55,480
Speaker 3: was a this is a great week.

641
00:31:55,560 --> 00:31:57,200
Speaker 4: We've been really off the rails.

642
00:31:57,640 --> 00:31:59,760
Speaker 1: Well, we have to fin I mean we've gone We've

643
00:31:59,760 --> 00:32:01,080
Speaker 1: gone long on this episode.

644
00:32:01,200 --> 00:32:03,440
Speaker 4: I know That's why I'm like, Raperman's out.

645
00:32:03,720 --> 00:32:06,480
Speaker 1: I don't want the whole time out. You can't just

646
00:32:06,560 --> 00:32:11,400
Speaker 1: braver Man. We haven't talked about Michael Jordan, and oh god.

647
00:32:11,400 --> 00:32:15,440
Speaker 4: You got Michael B. Jordan is so good. She's so good.

648
00:32:15,440 --> 00:32:17,880
Speaker 3: Although the office scene was awkward for me, I was like,

649
00:32:17,960 --> 00:32:21,800
Speaker 3: oh god, but and the kiss was awkward, so much awkwardness,

650
00:32:21,880 --> 00:32:22,560
Speaker 3: but in a great way.

651
00:32:22,640 --> 00:32:23,680
Speaker 1: I love the awkwardness.

652
00:32:23,760 --> 00:32:24,120
Speaker 7: I love it.

653
00:32:24,120 --> 00:32:26,720
Speaker 4: And he's drinking orange juice like out of the jug.

654
00:32:26,800 --> 00:32:27,640
Speaker 4: I was like, I love it.

655
00:32:28,040 --> 00:32:30,680
Speaker 1: But he reveals he's got some props, you know, some

656
00:32:32,120 --> 00:32:34,720
Speaker 1: lay and relationships are good.

657
00:32:34,560 --> 00:32:37,000
Speaker 4: For He should have said what I thought. I don't

658
00:32:37,000 --> 00:32:38,080
Speaker 4: know why he didn't say.

659
00:32:38,200 --> 00:32:40,080
Speaker 3: And I'm not supposed to date someone for a year

660
00:32:40,120 --> 00:32:42,800
Speaker 3: because that would like, you know whatever.

661
00:32:43,000 --> 00:32:45,440
Speaker 1: But I just love that she left her prep browley

662
00:32:45,480 --> 00:32:46,960
Speaker 1: and she was like, I'm going to go for the dude.

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00:32:47,760 --> 00:32:51,080
Speaker 4: And I love ambergoing what are you doing?

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00:32:51,600 --> 00:32:55,840
Speaker 1: That was funny. My favorite was like do you have

665
00:32:55,880 --> 00:32:58,640
Speaker 1: a crush or HoTT He was like, I'm helping move

666
00:32:59,080 --> 00:33:02,200
Speaker 1: a homeless person. Imber goes, you have a crutch on

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00:33:02,280 --> 00:33:03,480
Speaker 1: a homeless guy.

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00:33:04,480 --> 00:33:06,360
Speaker 3: I was like a little bit cringey on that, but

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00:33:06,440 --> 00:33:09,760
Speaker 3: yet I was still like, giggle, giggle, But my Kobe.

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00:33:09,560 --> 00:33:12,960
Speaker 4: Jordan's around, so don't worry about that. He's around for

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Speaker 4: a bit. Good.

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Speaker 1: I love it. Well, now you can go ahead and

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Speaker 1: sign off the episode. We just definitely had to talk about.

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Speaker 5: My ten Braverman's Out, nine eight, Braverman's Out.

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Speaker 2: Everybody don't forget.

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Speaker 3: Follow us on Instagram at i Am All In Podcast,

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Speaker 3: and email us at Gilmour at iHeartRadio dot com