Speaker 1: Mel here's a highlight from coast to coast AM on iHeartRadio.
Speaker 2: When I think of a holograph, I think of, for example,
Speaker 2: on the credit card, that image, you know, that makes
Speaker 2: it more secure, I suppose, And now they're using it
Speaker 2: on currency money. Holographs often they're produced or I think
Speaker 2: they're entirely produced by lasers. And I'm also thinking of
Speaker 2: you know, there's a digital aspect to them. So you know,
Speaker 2: when I think of digital, I think of ones and zeros.
Speaker 2: So I mean, if you scratch beneath the surface, then
Speaker 2: are we going to find like ones and zeros as
Speaker 2: in the matrix of our universe?
Speaker 3: Yeah. Absolutely, we're finding mathematical codes throughout the known universe.
Speaker 3: We're finding zeros and ones on the Once the observer
Speaker 3: collapses the waves of superposition into reality, and you know,
Speaker 3: you're touching on the hologram itself. One we were talking about.
Speaker 3: It's basically created when a laser beam is split into
Speaker 3: two parts, and so one part shigns are directly on
Speaker 3: the object and the other shines onto a photographic plate.
Speaker 3: And when these two light waves meet, they interfere and
Speaker 3: create a pattern of light, and basically the dark lines
Speaker 3: are called an interference pattern. This interference pattern has to
Speaker 3: do with projecting the actual hologram. When another laser laser
Speaker 3: shines through the recorded interference pattern, it recreates the light waves,
Speaker 3: making it appear as if the object is present in
Speaker 3: three D, and so it has a similar effect that
Speaker 3: we see within the universe and digital medium. For example,
Speaker 3: a hologram is unique because even if you break it
Speaker 3: into smaller pieces, it still contains the entire image, the
Speaker 3: same way as if you're using parabolic downton version with lasers. Also,
Speaker 3: we see the complexity and also the simplicity between the two.
Speaker 3: Both holograms and fractals emerge from simple rules, and we
Speaker 3: can see that these mathematical codes are embedded within nature itself.
Speaker 3: So we can see several patterns within nature. We can
Speaker 3: see Pi five, we can see the Fibonacci sequence. We
Speaker 3: can also see the Golden ratio, and of course we
Speaker 3: can see the Mandel broad set. So when you look
Speaker 3: at all of these things, all of a sudden, you're
Speaker 3: finding out that there's a fingerprint. If the universe. If
Speaker 3: the creation of the universe was a crime scene, and
Speaker 3: we were CSI universal investigators, the evidence left behind a
Speaker 3: fingerprint of a creator would be these mathematical codes and
Speaker 3: of course zeros and one two digital bits of information.
Speaker 2: So if there is a code, there must be a programmer. Who,
Speaker 2: who or what is responsible?
Speaker 3: That is the great question that we seek to ponder
Speaker 3: within my book Fractal Holographic Universe. Who is the pro Now,
Speaker 3: for some people, they believe it's God, they believe it's
Speaker 3: the universe, some people call it nature, whatever you call it,
Speaker 3: there obviously clearly is a programmer. So I believe there's
Speaker 3: a programmer. And from my perception, I'm calling that a God,
Speaker 3: because a god at that level, an entity at that level,
Speaker 3: has the power to program an entire universe. So I
Speaker 3: believe that there's a God. I believe that there's a
Speaker 3: God that's imbued this universe with divine energy and fractal holography.
Speaker 3: And we're living fully immersed in this fractal holographic matrix,
Speaker 3: but we're in viue with divine energy, that spark of
Speaker 3: life that's within all of us, that's within every vibrating
Speaker 3: at them. And I believe that God is us and
Speaker 3: we are godre We're a fractal of God itself. Living
Speaker 3: life subjectively and individually with the illusion of individuality here
Speaker 3: and the third dimension to experience what it's like, like
Speaker 3: I said earlier, to be us, to be individuals, and
Speaker 3: to be other things. And so who is that grand creator?
Speaker 3: You know, that's a question that we truly cannot exactly answer.
Speaker 3: But to put a label on it, I would just
Speaker 3: say that that creator is God. That's the one mass
Speaker 3: known uh in spirituality, consciousness that permeates all of reality.
Speaker 2: Now, not to be flippant, but when I'm thinking of
Speaker 2: a coder, you know, I'm thinking of someone sitting behind
Speaker 2: a computer, you know, using I don't know Fortran or
Speaker 2: whatever the computer ink which you're using to code. I mean,
Speaker 2: how do you see this? How do you see God?
Speaker 3: Yeah, that's a great question. I actually see God as
Speaker 3: a super divine being that has the capability of utilizing
Speaker 3: these codes, not by sitting at some type of grand
Speaker 3: universal computer or a multi versal computer, but probably through
Speaker 3: frequency technology. Frequency and sound. We know that through cimatic frequencies.
Speaker 3: So if you take cladney plate and put a speaker
Speaker 3: underneath it and vibrate a speaker with sand on top
Speaker 3: of the cladney plate, you will get different patterns, different
Speaker 3: geometrical patterns, the same patterns that create life in the
Speaker 3: third dimension. And in the Bible it says in the
Speaker 3: beginning was the word, and the word was God the word?
Speaker 3: What is the word? If somebody is speaking a word,
Speaker 3: that word is a frequency. All words, all spoken word
Speaker 3: are frequencies. So now we're getting into the age of
Speaker 3: frequency healing in actual mainstream science and mainstream health where
Speaker 3: they're utilizing frequencies two to break down cancer cells and
Speaker 3: heal and heal diseases in the body and so forth.
Speaker 3: So they are children that frequencies have power. They can
Speaker 3: shape reality, they can change things, they can heal, and
Speaker 3: so I believe that this divine codeer is using specific
Speaker 3: frequencies to create this entire realm. And to add to that,
Speaker 3: it has to do also with the frequencies creating these crystals.
Speaker 3: And what I mean by that I go over this
Speaker 3: in my book. Scientists in laboratory settings were able to
Speaker 3: create eighth dimensional quasi crystals using specific frequencies. Now, these
Speaker 3: eighth dimensional quasi crystals were then pivoted into a particular
Speaker 3: angle and that angle cast down a fourth dimensional quasi crystal,
Speaker 3: and the fourth dimensional quasi crystal would cast into a
Speaker 3: particular angle, cast down a gigantic shadow of a sphere,
Speaker 3: a sphere of light, not a shadow meaning darkness, but
Speaker 3: a sphere of light. And so they were It was
Speaker 3: completely mind bending because they realized that we're living in
Speaker 3: the shadow of a higher dimension made of frequencies of
Speaker 3: light and vibration, and this could be what is fueling
Speaker 3: and helping to create this fractal holographic matrix.
Speaker 2: So our reality here in the third dimension is we
Speaker 2: are but a shadow of something that exists elsewhere. And this, this,
Speaker 2: I guess, brings us to Plato's allegory of the Cave,
Speaker 2: because that's what he was talking about, right, shadows on
Speaker 2: the cave wall. Was he actually talking about another dimension?
Speaker 2: Do you think?
Speaker 1: Yes?
Speaker 3: He was trying to give an example. But Plato was
Speaker 3: trying to give an example to show people that what
Speaker 3: you think is reality isn't exactly reality, right, So you're
Speaker 3: trying to your initial perception of what's going on may
Speaker 3: not be the totality of all that really is going on.
Speaker 3: And I think that's what Plato was trying to describe
Speaker 3: in the Allegory of the Cave. The allegory of the
Speaker 3: Cave is a very very important work because it really
Speaker 3: gives us the idea of understanding philosophically the metaphor of
Speaker 3: the perception of reality. So he has prisoners that are
Speaker 3: chained up in the cave and they can only see
Speaker 3: their shadows on the wall, or other shadows on the
Speaker 3: wall in front of them and behind the prisoners of
Speaker 3: fire is there, you know, creating this illusion of the
Speaker 3: shadows and all they can see of these casts and shadows.
Speaker 3: When one prisoner is free, he discovers that the objects
Speaker 3: and the fire causing the shadows were really something totally different.
Speaker 3: So his perception was expanded, and so when the prisoners
Speaker 3: let out of the cave into the sunlight, he experiences
Speaker 3: the true world, realizing that the shadows were merely just
Speaker 3: illusions of what's really going on on a grander scale.
Speaker 3: And so the journey that he went on symbolizes the
Speaker 3: enlightenment and the discovery of truth. Beyond the appearance, that
Speaker 3: initial appearance of what we think is, there is only
Speaker 3: a tiny glimpse of reality. And so he's when he
Speaker 3: becomes enlightened by this, he returns back to the cave
Speaker 3: to share them, to share his discovery with the other prisoners,
Speaker 3: and they mock him when they don't want to believe
Speaker 3: his revelations. You know, he's become completely enlightened to the
Speaker 3: true reality of the fullness of life. But because they
Speaker 3: have no context, they can even believe what he's telling them.
Speaker 3: And you know that really relates to the fractals as well,
Speaker 3: because you know, the free prisoner's journey out of the
Speaker 3: cave symbolizes the transition from ignorance to knowledge, and when
Speaker 3: you study the fractals, such as the Mandolbrod set, it
Speaker 3: could be seen really like a metaphysical journey into like
Speaker 3: hidden layers of reality which can unveal the universe and
Speaker 3: all the governing principles that surround it mathematically. So when
Speaker 3: you become enlightened, when you begin to understand truly and
Speaker 3: depthly about the fractal holographic nature of the universe, of
Speaker 3: mathematical codes that bind us all and drive reality, all
Speaker 3: of a sudden you begin to see reality totally different.
Speaker 3: It's like your consciousness has been expanded and you now
Speaker 3: realize that distance is an illusion, individuality is an illusion.
Speaker 3: There's only one consciousness, and we are all a fractal
Speaker 3: of that one God mind, and that we are all
Speaker 3: living life subjectively and for the purpose of, in my opinion,
Speaker 3: the mission to experience life subjectively, to collect information and
Speaker 3: transmit it back to source. Source wants to know what
Speaker 3: it's like to live within this realm and other realms
Speaker 3: most likely as well, maybe even other universes. So we're
Speaker 3: just a we're a small piece on a grand scale.
Speaker 3: But I believe it makes me feel bigger because for me,
Speaker 3: what it tells me is I'm connected to this vastness
Speaker 3: that is so expansive and so incredible, and I'm connected
Speaker 3: to all of that energetically through a frequency, and it's
Speaker 3: all part of me, and I am part of it.
Speaker 3: I don't feel smaller. I actually feel bigger from this information.
Speaker 2: So you mentioned Plato's allegory of the cave. Can you
Speaker 2: give me give us some other examples, maybe from ancient
Speaker 2: texts or ancient literature that seems to indicate the ancients
Speaker 2: they were onto this, They knew that we were living
Speaker 2: in a holographic universe.
Speaker 3: Oh, the ancients were spot on. I mean we keep
Speaker 3: calling these ancient people savages. I mean these people were
Speaker 3: super intelligent. If you look into these ancient cultures, and
Speaker 3: you're like blown away when you compare what they what
Speaker 3: they've said to modern science and you see that it
Speaker 3: matches up. For example, you know the hermetic principles that
Speaker 3: go back and to the Greek teachings is really go
Speaker 3: back even further than that, because they be really originally
Speaker 3: were the chemetic principles of ancient chemt And you're talking
Speaker 3: about as above, so below, the principle of cause and
Speaker 3: effect and all this mind and all these different principles
Speaker 3: which are directly related to the fractoholographic nature of the universe.
Speaker 3: And you know, the Hermetic principle for example, of as above,
Speaker 3: so below in ancient Egypt, which is ancient Chemic Greece,
Speaker 3: it embodies the idea of self similarity across all scales.
Speaker 3: It's a concept of fractals that goes back tens of
Speaker 3: thousands of years. And then you have you know the
Speaker 3: way that they built their structures, all their ancient temples,
Speaker 3: the pyramids and zigarocks, all of them were designed based
Speaker 3: on the semme tree and scaling and all of the
Speaker 3: mimic fractal patterns. And then you look into even the
Speaker 3: uh let's see the Hindu but you can go into
Speaker 3: Handu philosophy. Uh you know, it's that they have the
Speaker 3: concept of the physical world being actually an illusion and
Speaker 3: there's a they say that there's a veil that obscures
Speaker 3: the true infinite nature of reality. So the mayas aligning
Speaker 3: with fractals because both suggest a hidden structure beneath the
Speaker 3: surface appearance, something more grand that's really truly going on
Speaker 3: beyond beyond what we can actually see. In Buddhism, they
Speaker 3: explore the nature of reality and they teach that and
Speaker 3: describe that reality is constantly shifting like an illusion, and
Speaker 3: it's impermanent. They say, so it's dependent upon your perception
Speaker 3: of reality as to what's really going on. And that's
Speaker 3: connecting to fractals because they're saying, well, they're they're saying
Speaker 3: they're saying that there are deeper realities that are revealed
Speaker 3: at the closer that you actually look, and there's no
Speaker 3: app ground levels. You can keep going and going and going.
Speaker 3: How did they know that that fractals are supplemental patterns
Speaker 3: that goes infinantly deeper. And of course you know indigenous
Speaker 3: uh Natives, you know Native American spiritual practices emphasize interconnected
Speaker 3: web of life. Uh at a very small you know scale.
Speaker 3: They talk about this, uh the hope. We talk about
Speaker 3: this world wide web connected that information can travel to
Speaker 3: and pro instantaneously. I mean the Greek philosophers of course,
Speaker 3: you know, the allegory of the ca which we talked about,
Speaker 3: and many other philosophical insights all lead to the fact
Speaker 3: that they believe we're living in a fractal holographic universe
Speaker 3: or that this this universe, what we're experiencing in three
Speaker 3: D is illusory. Even the the indigenous tribes of the Americas,
Speaker 3: they say that we're living in sleepy time, and so
Speaker 3: in dream time they say dream time. But then go
Speaker 3: across the world to Australia, another continent, and the Aboriginal
Speaker 3: elders for thousands of years they are verbal hand it
Speaker 3: down history says we're living in dream time. So how
Speaker 3: can these two separated cultures by thousands of miles have
Speaker 3: the same concept and understanding of our reality. They were
Speaker 3: onto something so incredible and so great. They understood and
Speaker 3: knew that this world, this universe that we're living in
Speaker 3: is an illusion, meaning that it's not not that it
Speaker 3: means it's not real, but meaning that it's made of
Speaker 3: this this code that gives the illusory of what's going
Speaker 3: on here. It's like we're living in a gigantic holid
Speaker 3: deck from star Trek or something.
Speaker 2: Right right, Speaking about the ancients, you know that that
Speaker 2: ancient symbol sometimes called the star tetrahedron. Sometimes I think
Speaker 2: it's called the flower of life. And it's been suggested
Speaker 2: to me that the the flower of life and the
Speaker 2: star tetor he dren is is a two dimensional representation
Speaker 2: of the atom, which is like the building block right
Speaker 2: of the of the of of matter. I mean, do
Speaker 2: you believe that the ancients understood what an atom was
Speaker 2: before you know, the advent of microscopes and so forth.
Speaker 3: Oh yeah, there's no doubt about it. They had a
Speaker 3: vast understanding of not only atoms, even subatomic particles. They had.
Speaker 3: I mean, there's many places where they can they can
Speaker 3: even see microscopic organisms. I mean, there's many depictions of
Speaker 3: sperm entering into ovum that are depicted carved in the stone. Now,
Speaker 3: how can they see the ovary the obum? I'm sorry,
Speaker 3: and how can they actually even see the sperm? Those
Speaker 3: are microscopic things that we can't see with the naked eye.
Speaker 3: Yet there are depictions of that all around the world,
Speaker 3: like just even when saw some in Turkey, there's some
Speaker 3: in India, there's someone even in Indiandigenous Americas. So how
Speaker 3: did they know this? So they had the capability of that.
Speaker 3: But in terms of the atom, we know that even
Speaker 3: back in the Greek philosophers, they learned about atomic structures
Speaker 3: from the ancient people of ancient Chemic predic Egypt, which
Speaker 3: was then taught and brought intoge knowledge was brought into Egypt.
Speaker 3: The Greeks took that as well and learned about that.
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