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Speaker 1: Maybe I'm talking right. You know you're about to experience

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Speaker 1: a morning showing like any yo. Breakfast Club. What you

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Speaker 1: guys are doing right now, it's the hub culture. Breakfast

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Speaker 1: Club is my morning sit. I need it and I

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Speaker 1: love it. Something you like, You're really not popping until

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Speaker 1: you do the breakfast Club. I've been waiting come to y'all.

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Speaker 1: Show man. I know you gotta be a big time

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Speaker 1: celebt me to be up and here you gotta be.

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Speaker 1: You gotta be big time. J Atlay and Cholmagne the Guy,

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Speaker 1: the Breakfast Club, Bitchy play. Good morning Usa yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo. Good morning Angela yea Yomagne the Guy.

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Speaker 1: Peace to the planet. It's Monday, Yes, it's monday. We're

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Speaker 1: back for another work week. What's happening? Back to the work.

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Speaker 1: Hopefully everybody had a great Mother's Day. Shout to all

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Speaker 1: the mom's out there all Yes, Happy Mother's Day, Mama.

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Speaker 1: Nice two hour weekend we had. That's who it feels like,

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Speaker 1: right Well, I want to go see Mary j Blist

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Speaker 1: she had at first ever Strength of a woman festival

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Speaker 1: in Summit in Atlanta. It was great. It was a

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Speaker 1: sold out concert and then they had panels all day

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Speaker 1: at the gathering spot, another place I love to frequent

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Speaker 1: when I'm in Atlanta, and it was very successful for

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Speaker 1: the first time for her to be able to do that.

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Speaker 1: So I was talking to Derek Lewis from PEPSI there.

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Speaker 1: They were the main sponsor of it. So they're saying

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Speaker 1: next year, definitely they'll be doing it again. But shout

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Speaker 1: out to Mary. That concert was amazing. It didn't even

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Speaker 1: feel like you know sometimes you go to concert it's

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Speaker 1: kind of It was crazy. It was like a party

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Speaker 1: inside of the State Farm area. So shout out to

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Speaker 1: Mary jay Blige and she was you know, she was

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Speaker 1: doing panels herself. She was very involved. You could tell

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Speaker 1: them meant a lot to her. So I just appreciate

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Speaker 1: being able to be their escape performed metha man came

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Speaker 1: out with Mary, so that was really dope. Dope yeah,

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Speaker 1: on a clothes box to the MGB. There's a lot

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Speaker 1: of women there too. Shout out to all the ladies

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Speaker 1: that were at the strength of a women's festival in summer.

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Speaker 1: It just felt real nice, a lot of sisterhood. Yeah,

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Speaker 1: shout out to I heard it was an amazing shout

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Speaker 1: to Pepsi for sponsor, shout to Derek Lewis. And after

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Speaker 1: putting it together agency CLX for Shanna and great winking

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Speaker 1: full of basketball basketball. Yeah you know what it was.

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Speaker 1: I was at mama house this week and I went

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Speaker 1: to Queens and uh shout the vibes. They catered the

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Speaker 1: event and all man, it was just good to see

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Speaker 1: Mama in the grandkids and then running around the house

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Speaker 1: and then having a good time. And then Mama was like, look,

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Speaker 1: it's getting late, y'all gotta get up out of here.

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Speaker 1: That's the beauty of being a grandmother. You can run

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Speaker 1: everybody out the house when you're ready to. You know,

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Speaker 1: have you have you me times? She was like, I

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Speaker 1: love y'all, had a great time today, but it's time

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Speaker 1: for y'all to go home. Y'all got school in the party,

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Speaker 1: get the hell out of my house. So I dropping

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Speaker 1: the clues box for all the mothers. You enjoyed yourself.

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Speaker 1: All the grandmothers out there, I hope you enjoyed yourself yesterday.

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Speaker 1: I hope you got some are and R this weekend.

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Speaker 1: All right, well, jar Rule will be joining us this morning. Okay, Rule,

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Speaker 1: We're gonna kick it with Ja Rule in a little bit.

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Speaker 1: And then we got front page. I thought we think

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Speaker 1: Marcolmont Hill too, right, we seen an unseen I was

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Speaker 1: on the schedule. I wasn't on the schedule. I don't

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Speaker 1: saw that on the schedule. Okay, all right, well we

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Speaker 1: got front page news. What we're talking about, yes, but

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Speaker 1: since you talked about basketball in the NBA, we'll talk

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Speaker 1: about Chris Paul and he was not happy. But what

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Speaker 1: was going on during the game, and that's what the

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Speaker 1: fans not even on the court. All right, we'll talk

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Speaker 1: about it when we come back. Get into it. Are

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Speaker 1: we about to play the new Kindred? Yes we are.

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Speaker 1: That was big this weekend too. It's called The Heart

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Speaker 1: Part five, bet, and you better enjoy it now the

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Speaker 1: nine times attend. It ain't gonna be on the album

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Speaker 1: because the hearts are never are. But let's get into

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Speaker 1: it right now. It's five minutes low, Sit back, relax,

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Speaker 1: awake your assis. You could see it. I wish you

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Speaker 1: had a way to show you the visual. Yeah you know,

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Speaker 1: I mean that was trending all weekend, but we'll talk

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Speaker 1: about the came out last night. But yeah, all right,

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Speaker 1: it's the Breakfast Club. Good morning. Let's get real, because

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Speaker 1: you can help the world until you help yourself. And

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Speaker 1: I can't blame the hood the day that I was killed.

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Speaker 1: You had to see it. That's the only way to feel.

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Speaker 1: And they're my physical on read the benefits the end

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Speaker 1: that you to carry on and Nick, still I won't you. Kendrick, hey, Dot,

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Speaker 1: you know my good brother Resumemnicum says, trauma and the

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Speaker 1: people decontextualized over time. Looks like culture. Feels like that's

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Speaker 1: what Kendrick is speaking to on the hard part. Five Man, Friday,

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Speaker 1: Friday can't come fast enough. Doesn't make even sense to

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Speaker 1: go to front page news. Man, We might as well

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Speaker 1: do front page news next hour. Man, get it off

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Speaker 1: your chest. Eight hundred five eighty five one oh five one.

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Speaker 1: If you need to vent, call us up right now.

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Speaker 1: Let us know how your week end was, what you did,

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Speaker 1: was it great? If it wasn't great, phone lines are

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Speaker 1: wide open. Eight hundred five eight five one oh five one.

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Speaker 1: It's the Breakfast Club, Good morning, the Breakfast Club. This

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Speaker 1: is your time. To get it off your chest. Whether

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Speaker 1: you're man from you on the breakfast us, you got

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Speaker 1: something on your mind's this here, Good morning brothers club.

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Speaker 1: This is tied from Chicago. Like y'all feel her. What's happening?

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Speaker 1: Get it off your chest? Yeah, man, that it's kind

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Speaker 1: of a rough weekend. But you know, shout out to

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Speaker 1: everybody that you know, didn't really good chance to celebrate

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Speaker 1: with their mothers. My mother and grandmother transition, so that

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Speaker 1: was really more of a time of celebration to me. Remember,

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Speaker 1: sorry that it's all good man, So shout out to

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Speaker 1: everybody that's going through it. But I did have an

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Speaker 1: annoying weekend. I had to like break up my girlfriend

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Speaker 1: and stuff because she said she couldn't really trust me.

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Speaker 1: I had went to a movie twice with doctor Strange

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Speaker 1: and I ain't see it with her and I ain't

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Speaker 1: real to tell us about to do. She was kind

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Speaker 1: of mad about that. Well, you take your queen with

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Speaker 1: you to think that strange, bro, because you don't understand

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Speaker 1: it like our people, man, Like I just want to

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Speaker 1: watch it, understand it and then she gonna has questions

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Speaker 1: and then I'll be able to, you know, talk to

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Speaker 1: her and do all this stuff. But you know, she

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Speaker 1: just felt like just because I ain't lying, right, No,

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Speaker 1: it is lying. And I tell you something, if you

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Speaker 1: went to if you was gonna go see it twice, anyway,

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Speaker 1: you might as well have made one of those times

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Speaker 1: with her. So I'm the first one. That's why I

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Speaker 1: had to go back again. YEA a little shaky. What

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Speaker 1: I'm kidding, I'm kidding, I'm kidding. She thought I was

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Speaker 1: playing around, And I'm like, I can understand that you

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Speaker 1: went to the movie twice, didn't tell it? How do

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Speaker 1: you What were you doing during that time that you

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Speaker 1: just don't mention that? Well I was? She well, she

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Speaker 1: had hit me up. I'll just saying I was chilling, right,

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Speaker 1: you say nothing, that's all. I'll just say I was chilling.

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Speaker 1: Why didn't you tell her? I don't understand. I do

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Speaker 1: agree with you, that's not I do agree. That's not

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Speaker 1: a movie you go see you with a casual, casual

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Speaker 1: comic book fan. But now you that turned it into

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Speaker 1: a big deal. She thinks it, but it's not though.

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Speaker 1: That's the thing, like, I feel like I should be

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Speaker 1: able to go see a movie without having to explain myself.

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Speaker 1: We're not married. You can't you right, but you should

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Speaker 1: have told about myself. Nobody said that you had to

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Speaker 1: explain it. But if you just were missing for a

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Speaker 1: few hours to just say, hey, mom going to the

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Speaker 1: movie to see this, this kind of musically came up

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Speaker 1: and became my away from me on the plot was

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Speaker 1: that j Drakes at the bar man coming up a

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Speaker 1: conversation and he's like, oh, well you are. Now, how

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Speaker 1: come your boy knew that and your girl didn't. If

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Speaker 1: it's not a big deal. Your boy was trying to

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Speaker 1: be funny. And by the way, it's only a violation

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Speaker 1: if it's to show a movie that both of y'all enjoy.

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Speaker 1: Like you know, that's when you feel like somebody did

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Speaker 1: something wrong. Like my wife watches those ark. I don't

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Speaker 1: watch those ARK. I don't care if she watches but

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Speaker 1: you think it was weird and she just went to

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Speaker 1: the movies and just never mentioned it to you, and

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Speaker 1: then you found out from one of her friends. But

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Speaker 1: it seemed a little weird. Well, I mean, I guess,

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Speaker 1: but not really if she you know, if I feel

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Speaker 1: like if she wanted it, you know, not really a

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Speaker 1: big deal. But I just feel like you can go

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Speaker 1: to yourself if you don't gotta tell me every movie, la,

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Speaker 1: just like I just want to say, I just want

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Speaker 1: to say, you gotta look at it from her point

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Speaker 1: of view. Two And I don't think it's anything worth

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Speaker 1: breaking up over. But it's probably a bigger conversation you're saying,

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Speaker 1: I don't gotta tell you every movie I make. Dadada

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Speaker 1: da da. You know she probably just want you how

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Speaker 1: to communicate. Nobody's saying you gotta something small like I

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Speaker 1: went to the store. Bet you went to the movies twice.

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Speaker 1: They broke up though, So get it off your chest

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Speaker 1: eight hundred five eight five one on five one. If

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Speaker 1: you need to hit us up now, it was the

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Speaker 1: Breakfast Club. Good morning, the Breakfast Club, wake up, wake up,

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Speaker 1: your time to get it off your chest. Whether your

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Speaker 1: man or black, we want to hear from you on

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Speaker 1: the Breakfast Club. Hello this, good morning, good morning, the door,

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Speaker 1: good morning, get up. Yes, I'm a big fan of

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Speaker 1: you guys from day one the ray j NAB so

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Speaker 1: I'm a big fan. Thank you. That was early, so listen.

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Speaker 1: I wanted to ask you guys to your opinion. I'm

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Speaker 1: not sure if you guys have heard about the new

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Speaker 1: allegation give the Black Lives Matter. Okay, so what do

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Speaker 1: you guys thoughts about that? What do you think thoughts

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Speaker 1: on what? It's two different topics. I mean, the new

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Speaker 1: allegation was that, you know, they were receiving money from

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Speaker 1: some secret donors, but then it was the and his

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Speaker 1: own things, So what are you talking about? Which one

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Speaker 1: is the thoughts? What I'm talking about, I'm talking about

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Speaker 1: Patrie Colors, miss Juling the fun purchase a million dollar houses,

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Speaker 1: but that hasn't been proven yet, right, I mean, it's

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Speaker 1: still got to be proven improven. I do wish that

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Speaker 1: she would just show the documentation. I feel like she

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Speaker 1: could shut everybody up if if you know, if if

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Speaker 1: she just shows the documentation, But for whatever reason, she's not,

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Speaker 1: so I don't know. Now I gotta research it more.

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Speaker 1: But I thought I was under the impression that they

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Speaker 1: bought at home that was going to be like some

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Speaker 1: headquarters for Black Lives Matters things to take place. I

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Speaker 1: thought it was a couple. I don't know sure, I

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Speaker 1: gotta look more into it, all right, And also I

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Speaker 1: want to talk talk about cancer from Mark. I mean,

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Speaker 1: he's definitely in the league of his own. I mean

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Speaker 1: he's the He's the new culture. That's what I call him.

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Speaker 1: And I'm a big fan of him and I and

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Speaker 1: I love his lyric. I wonder why they took the

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Speaker 1: video down. I just look, I wanted to go. Look,

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Speaker 1: they took the video of the city. I've watched it

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Speaker 1: this morning, about twenty minutes ago. Thank you. It's down there.

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Speaker 1: But I wouldn't say this year. I better stop popping

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Speaker 1: up in people's houses. That's what That's what people need

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Speaker 1: to stop doing. You better stop popping up with people's

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Speaker 1: house bring people's doorbells. Yeah, that's very true. That's what

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Speaker 1: you gotta stop doing that. Why the helly took Kendrick

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Speaker 1: video that? I just seen it? Now? So right? Hello,

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Speaker 1: who's this? This is Mickey Collin from Florida, Florida. How

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Speaker 1: are y'all tr mating the guy? DJ Envy and Miss Angela? Ye.

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Speaker 1: I hope everybody is feeling good. I feel like I'm dragging,

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Speaker 1: but I'm here. I'm here. How is your weekend? It

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Speaker 1: was long? I worked, I worked, and we got short

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Speaker 1: staffs and issues. I work medical, so I know all

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Speaker 1: of us are feeling that. But that being said, Happy

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Speaker 1: nurses Week to all the nurses out there, Happy Nurses Week. Yes,

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Speaker 1: y'all don't get enough credit. I don't know if y'all realize,

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Speaker 1: but a lot of times your nurses know you better

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Speaker 1: than your doctors too. So you know, a shout out

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Speaker 1: to all the nurses out there. But I really wanted

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Speaker 1: to comment on this Kendrick Crack. First of all, love

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Speaker 1: that Marvin Gay sample. Yes, indeed, Marvin Jample crazy love

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Speaker 1: that Marvin Gay sample. Very soul, very very very very soful. Yes,

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Speaker 1: I love that. And then I have to get it

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Speaker 1: to my boy Jack Carlo. I used to kind of

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Speaker 1: keep in and out on him, but I listened to

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Speaker 1: the whole album this weekend because a lot of my

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Speaker 1: working is traveling from place to play, and that whole

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Speaker 1: album was fire. So yes, come home and kid's missing.

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Speaker 1: That's yeah, bad Bunny, Bad Bunny messed it up, messed

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Speaker 1: it up for Jack Carlo. Jackolo probably would have had

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Speaker 1: a number one and Bad Money ain't dropped that sneaky

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Speaker 1: ass album on Friday. Listen. I regard then that Jack Carlo.

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Speaker 1: I thought, my daughter, My daughter is like, what do

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Speaker 1: you know about Jack Carlo? I said, first of all,

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Speaker 1: what do you know about Bertie. Let's get that's what

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Speaker 1: Jack Carlo looked like. He was living it up at

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Speaker 1: the Kentucky Derby this weekend. Oh yeah, I'm beat. I

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Speaker 1: didn't even you know, I didn't realize how bad the

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Speaker 1: Kentucky Derby wasn't until I'm bat at Kentucky in and

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Speaker 1: he was like, yeah, no, girl, it's it's it's the whole,

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Speaker 1: it's the whole movement. I'm like, well, all right then

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Speaker 1: I'm okay. Yeah, I'm loving this. Drink tracks out sided Inde.

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Speaker 1: Congratulations on the book for this year. Thank you so

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Speaker 1: much that I did some time. It's probably gonna be

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Speaker 1: best to do an audio and sometimes one on the road.

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Speaker 1: And he got time to just sick. But otherwise than that,

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Speaker 1: y'all just have a good Monday. Everybody listening, have a

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Speaker 1: good monday. I know it's rough everybody dealing with what

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Speaker 1: they're dealing with, but you're here. That's right, that's right,

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Speaker 1: all right, him's one. Thank y'all. All right, get it

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Speaker 1: off your chest. Eight hundred five eight five one on

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Speaker 1: five one. If you need to vent, you can hit

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Speaker 1: us up now. We got rumors on the way you

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Speaker 1: I mean, let's start it off. Talking about Kenrick Lamar

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Speaker 1: morphing into Nipsey, Kanye O J. Simpson, Well, you know

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Speaker 1: more people just say some myall, lad, Kobe Bryant. Well

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Speaker 1: discuss the video, all right, we'll get into that next.

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Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. This

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Speaker 1: is the rumor report with angela Breakfast Club. Listen. Well,

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Speaker 1: a new Kendrick song dropped yesterday, The Heart Part five

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Speaker 1: where he deep fakes O. J. Simpson, Kanye West, Jesse Smallett,

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Speaker 1: Will Smith, Kobe Bryant, and Nipsey Hustle Hers. He morphs

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Speaker 1: into a number of different famous people throughout the video

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Speaker 1: using the deep fake video technology, and this is a song.

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Speaker 1: This existence of the song was first teased on April nineteenth,

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Speaker 1: when Kendrick's website was updated with the page entitled the Hearts.

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Speaker 1: Then on May seventh, the song was accidentally teased by

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Speaker 1: Spotify with an updated description, and then it was removed

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Speaker 1: shortly thereafter, and then the song and visuals dropped on

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Speaker 1: May eighth. So let's talk about the song a little bit.

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Speaker 1: Here is ken Jack changing and morphing into Kanye West

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Speaker 1: in the video, and you can see he's talking about

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Speaker 1: friends by Polo grabby by your pocket. I said I'd

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Speaker 1: do it for my culture to let you know, black

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Speaker 1: in a bulletpool fro book and my mama sofa was

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Speaker 1: a U Poper hair trick or walk up closer and

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Speaker 1: no photo shopping friends Bot polar Bat, you buy your pockets,

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Speaker 1: no option if you froze up. I always play the offense,

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Speaker 1: going to work and selling work late for work, working late,

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Speaker 1: praying for work for me on pay for work. Just

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Speaker 1: the culture put the finger promotion, promote location whin its protection,

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Speaker 1: they go hold you who the streets got me ufed up?

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Speaker 1: Y'all can miss me. I wanted to represent for us.

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Speaker 1: Now you hear that sample from Marvin Gay. That's how

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Speaker 1: I want you all right now. The Deep Voodoo. The

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Speaker 1: video credits Deep Voodoo for doing the Deep Fake Work,

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Speaker 1: which is the studio run by South Park creators Trey

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Speaker 1: Parker and Matt Stone, and so there's a special things

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Speaker 1: to them in the video as well. Remember he's doing

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Speaker 1: a new live action comedy with them as well, that's

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Speaker 1: been announced and he also directed this alongside Dave Free.

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Speaker 1: Now the part that everyone was talking about where he

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Speaker 1: morphs into Nipsey hustle. New revolution was up and moving.

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Speaker 1: I'm in Nargentina, wiping my tears from the confusion water

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Speaker 1: in between us. Another piers been executed. History repeats again,

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Speaker 1: make a miss the fun and never witness same skin

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Speaker 1: to do it. But that's the coach to crack a bottle.

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Speaker 1: Hard to deal with the pain, sol But tomorrow we

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Speaker 1: would get the remains we start over. That's the problem.

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Speaker 1: Our fdation was trained to accept whatever follows. And here's

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Speaker 1: somewhere of that verse also. But didn't change me staring

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Speaker 1: down the barrel with a gun. Should I feel resentful

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Speaker 1: I didn't see my full potential? Should I feel regret

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Speaker 1: about the good that I was into? Everything? Is everything?

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Speaker 1: This ain't coincidental. I woke up that morning with more

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Speaker 1: hard to give you. As I bleed through the speakers,

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Speaker 1: feel my presence to my brother, to my kids, I'm

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Speaker 1: in heaven, to my mother, to my sis, I'm in heaven,

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Speaker 1: to my father, to my wife. Frim says, this is heaven.

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Speaker 1: To my friends, make sure you killing them blessings. To

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Speaker 1: my friends, make sure you make them investments. And to

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Speaker 1: the killer that spared up my demise, I forgive you.

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Speaker 1: Just know your souls in question. I seen the pain

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Speaker 1: in your pupil when that trigger had squeezed, And though

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Speaker 1: you did me crucib, I was surely relieved. I completed

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Speaker 1: my mission, wasn't ready to leave, but fulfilled my days.

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Speaker 1: My creator was pleased. He's smitten on that boy. My

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Speaker 1: love it man speakers gracious speaking from the perspective of

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Speaker 1: Nipsey from the afterlife, Like what if Nipsey spirit really

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Speaker 1: used Kendrick to convey that message that really made you

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Speaker 1: feel something right there? Absolutely? I love the part where

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Speaker 1: he most in the Will Smith too, and he says

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Speaker 1: in the land where hurt people hurt people, f calling

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Speaker 1: that culture. I love that because I said from the beginning,

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Speaker 1: when I saw Will do what he did to Chris,

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Speaker 1: all I saw with Will, you know, bleeding on someone

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Speaker 1: who didn't didn't cut him. He was a hurt person

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Speaker 1: who hurts somebody, So I like, I love that Kendrick

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Speaker 1: did that as well. And I just loved the era

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Speaker 1: we in where artists can release the content they want

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Speaker 1: how they want and everybody else has to adjust to

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Speaker 1: their art. Yeah. I love that. But the video got

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Speaker 1: taken down, so we're not sure why. You know, maybe

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Speaker 1: you did in himself. Maybe no, No, I mean it's

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Speaker 1: on his page, so we don't know. Yeah, what what's

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Speaker 1: going on? I was gonna ask if you somebody liked

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Speaker 1: this like that, do you got to clear it? I

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Speaker 1: have no idea, but because it's damnated in face and

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Speaker 1: I mean so just I mean five million people, five

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Speaker 1: plus million people already saw it just on his page,

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Speaker 1: so telling how many people saw it around the world,

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Speaker 1: and everybody's reposting it. He got what he needed out

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Speaker 1: of it, and usually the hearts aren't on the album anyway.

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Speaker 1: So right, all right, Well, this final album on Top

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Speaker 1: Dog Entertainment is going to be coming out on Friday,

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Speaker 1: May thirteenth. That's this Friday. Wait, mister Morale and the

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Speaker 1: Big Steppers and I'm ready again. Yeah, the Big Step

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Speaker 1: has got to be, I'm sure to mister Morale, the

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Speaker 1: Kindrick solo album. The Big Step has got to be

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Speaker 1: a compilation of some sorts, right, but we're really excited

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Speaker 1: for that, man, Kendrick. That's probably gonna be the biggest

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Speaker 1: album of the year, like the hip hop don't you think?

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Speaker 1: I think so comes out because the way this has

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Speaker 1: gotten teased has been a while since he put out

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Speaker 1: an album, Damn was in twenty seventeen. Well, I think

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Speaker 1: Future is the biggest release so far this year period. Yeah,

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Speaker 1: but the now Bad Bunny is about to be the

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Speaker 1: biggest release so far this year hip hop. I feel

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Speaker 1: like Kendrick could take I think so, I don't know.

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Speaker 1: I mean Future for hip hop too, but I'm saying

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Speaker 1: Kendrick's gonna be the biggest release period. Yeah. Yeah, I'm

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Speaker 1: just saying the last two releas that came out, the

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Speaker 1: last three releases that came out, Future and Bad Bunny

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Speaker 1: have been the biggest releases of the year. So I'm

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Speaker 1: sure Kindrick trump both of those. All right, well that

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Speaker 1: is your rumor report. Marker took over front Page News

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Speaker 1: and Room and Report this morning. Now we got front

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Speaker 1: Page News coming up though, right the real Frontage news.

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Speaker 1: We can't do a last hour we were talking about, well,

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Speaker 1: I said we were going to talk about Chris Paul.

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Speaker 1: He had some issues. And you know, basically, when the

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Speaker 1: players have quote unquote act up, they get fine. But

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Speaker 1: what happens when the fans in the stands act up

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Speaker 1: will tell you why Chris Paul is mad. All Right,

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00:18:21,800 --> 00:18:23,560
Speaker 1: We're gonna kick it with jah rule. After that, you

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Speaker 1: don't move. It's to breakfast Club. Good morning, So breakfast Club,

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Speaker 1: your morning's will never be the same. Angela year here

390
00:18:31,000 --> 00:18:33,440
Speaker 1: from my friends at the General Insurance. Switch to the

391
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Speaker 1: General and you could save over five hundred dollars on

392
00:18:36,119 --> 00:18:38,639
Speaker 1: your car insurance. Call eight hundred General or visit the

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00:18:38,680 --> 00:18:41,040
Speaker 1: General dot com to find out more. The General Auto

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00:18:41,119 --> 00:18:44,359
Speaker 1: Insurance Services, Inc. An insurance agency in Nashville, Tennessee. Some

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00:18:44,480 --> 00:18:49,560
Speaker 1: restrictions apply. Morning. Everybody is DJ Envy angela ye, Charlomagne

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Speaker 1: the guy. We are to breakfast Club. Let's getting some

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Speaker 1: front page news. Sports over the weekend, the Bucks beat

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Speaker 1: the Celtics one h three, one on one. They lead

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Speaker 1: the series to one. You got a series. Warriors beat

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Speaker 1: the Grizzlies one forty two one twelve. You don't have

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Speaker 1: a series because job mom might not play game four.

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Speaker 1: And yesterday the Mavericks beat the Sons one eleven one

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Speaker 1: oh one. We got a series. That series tied too,

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Speaker 1: all right, now, what else were talking about? Six? And

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Speaker 1: he tied as well? Do you say that? Oh yeah,

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Speaker 1: that's right. In the Sixes beat the heat won six

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Speaker 1: team on a week you got a series all right now.

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Speaker 1: Chris Paul is upset that his mother had hands put

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Speaker 1: on her by Mavericks fans and his wife was also pushed.

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Speaker 1: He actually witnessed the incident, and he said his family

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Speaker 1: felt very unsafe over what happened. He tweeted out one

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Speaker 1: of five players for saying stuff to the fans. But

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Speaker 1: the fans could put their hands on our families ftat

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Speaker 1: and yeah, I think that. Can you imagine how mad

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Speaker 1: you would be? No, I wouldn't be. I couldn't imagine that.

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Speaker 1: I mean, I'm surprised he didn't jump in the stands

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Speaker 1: and really throw some people around, like try like Metal

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Speaker 1: World peace. He tried, you put your hands on my mother. Now,

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Speaker 1: he tried my wife. He tried in front of my kids.

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Speaker 1: He tried. He tried. If I'm on his team and

421
00:19:59,280 --> 00:20:01,320
Speaker 1: we all team remembers, we all jumping in there, whatever,

422
00:20:01,400 --> 00:20:02,920
Speaker 1: we take the suspension. You don't put no hands on

423
00:20:02,920 --> 00:20:05,040
Speaker 1: somebody's mother. Hou was his mother eighty years old? He tried,

424
00:20:05,080 --> 00:20:06,480
Speaker 1: and I don't know if she's eighty, but he tried,

425
00:20:06,760 --> 00:20:08,800
Speaker 1: and they grabbed him and he told the toad, I'll

426
00:20:08,800 --> 00:20:11,119
Speaker 1: see you later. He said, I'll see you later. We

427
00:20:11,160 --> 00:20:12,920
Speaker 1: should have played that all but yeah. Now, the Dallas

428
00:20:13,000 --> 00:20:15,240
Speaker 1: Mavericks said they are aware of an incident between a

429
00:20:15,280 --> 00:20:18,880
Speaker 1: fan and the family of Chris Paul and they reported

430
00:20:18,960 --> 00:20:21,359
Speaker 1: that his family had been harassed by fans some of

431
00:20:21,400 --> 00:20:24,280
Speaker 1: the crowd made physical contact with them. The Mavericks said

432
00:20:24,280 --> 00:20:26,520
Speaker 1: in a statement it was unacceptable behavior and will not

433
00:20:26,640 --> 00:20:30,120
Speaker 1: be tolerated. They Mavericked, along with the American Airlines Center,

434
00:20:30,240 --> 00:20:33,200
Speaker 1: swiftly removed the fan from today's game. He should have

435
00:20:33,240 --> 00:20:37,280
Speaker 1: been arrested. He put hands on too. They definitely get

436
00:20:37,359 --> 00:20:39,400
Speaker 1: arrested for that. You put your hands on my mother

437
00:20:39,520 --> 00:20:42,680
Speaker 1: on Mothers Day, had a game all betched off. He

438
00:20:42,760 --> 00:20:44,959
Speaker 1: was a little young kid too. I seen him look

439
00:20:45,000 --> 00:20:47,160
Speaker 1: like a little long teen or young king. What makes

440
00:20:47,160 --> 00:20:50,760
Speaker 1: you think that's acceptable behavior? But rasting someone's family the

441
00:20:50,880 --> 00:20:53,520
Speaker 1: era that we live in where everybody so desensitized everything,

442
00:20:53,640 --> 00:20:55,960
Speaker 1: and you know, people just don't have any empathy or

443
00:20:56,040 --> 00:20:59,520
Speaker 1: sympathy for nobody. All right. Now, man in Indiana who

444
00:20:59,720 --> 00:21:02,119
Speaker 1: was with the murder and the death of his wife.

445
00:21:02,800 --> 00:21:05,360
Speaker 1: His wife had cancer and recently filed for a divorce,

446
00:21:05,920 --> 00:21:09,879
Speaker 1: has now won a local primary election Republican primary election.

447
00:21:09,960 --> 00:21:13,400
Speaker 1: While he is behind bars His name is Andrew Willhoit

448
00:21:13,520 --> 00:21:16,480
Speaker 1: forty Lebanon. He's charged with felony murder, accused of killing

449
00:21:16,560 --> 00:21:19,840
Speaker 1: his wife, Elizabeth Nicki Willhoit forty one, in March. He

450
00:21:19,880 --> 00:21:21,760
Speaker 1: allegedly hit her in the head with a blunt object

451
00:21:21,800 --> 00:21:24,920
Speaker 1: and dumped her body at a nearby creek in March,

452
00:21:25,320 --> 00:21:28,080
Speaker 1: and autopsy determined the manner of death to be homicide.

453
00:21:28,160 --> 00:21:31,840
Speaker 1: He's being held without bond, but he did, however, advance

454
00:21:31,920 --> 00:21:34,680
Speaker 1: in the Republican primary election for one of three open

455
00:21:34,760 --> 00:21:37,840
Speaker 1: seats on the Clinton Township Board. I'm intrigued to hit

456
00:21:37,880 --> 00:21:41,399
Speaker 1: what he was campaigning on. What was his pol I

457
00:21:41,440 --> 00:21:43,920
Speaker 1: don't understand that. But despite the charges against him, he

458
00:21:44,080 --> 00:21:46,959
Speaker 1: is legally allowed to run. A person is disqualified from

459
00:21:47,000 --> 00:21:50,080
Speaker 1: being a candidate for elected office if he's convicted at

460
00:21:50,119 --> 00:21:52,400
Speaker 1: a jury or bench. Charler and a guilty plea hearing

461
00:21:52,600 --> 00:21:54,760
Speaker 1: either he's really good or a person he was running

462
00:21:54,760 --> 00:21:58,920
Speaker 1: against is really trash. That no. I got to hear more.

463
00:22:00,440 --> 00:22:02,399
Speaker 1: I got to hear more. I need to hear more.

464
00:22:02,440 --> 00:22:04,200
Speaker 1: I need to hear exactly what he was saying to

465
00:22:04,320 --> 00:22:06,440
Speaker 1: people to make them buy into this now. His wife

466
00:22:06,520 --> 00:22:08,720
Speaker 1: was reported missing on March twenty fifth, after she failed

467
00:22:08,760 --> 00:22:11,760
Speaker 1: to report to work. She had filed from divorced on

468
00:22:11,920 --> 00:22:14,800
Speaker 1: March seventeenth, just one week prior to her death, according

469
00:22:14,880 --> 00:22:17,600
Speaker 1: to court records. Now our friend of hers said that

470
00:22:17,680 --> 00:22:20,040
Speaker 1: she had just finished her last chemotherapy treatment for breast

471
00:22:20,119 --> 00:22:22,960
Speaker 1: cancer before she was killed, and they said, according to

472
00:22:23,040 --> 00:22:25,840
Speaker 1: court documents, at first he had lied to detectives about

473
00:22:25,880 --> 00:22:28,280
Speaker 1: what happened to his wife. He later told investigators that

474
00:22:28,320 --> 00:22:30,120
Speaker 1: he and his wife were fighting outside of the house

475
00:22:30,400 --> 00:22:31,919
Speaker 1: when he hit her in the head with a flower

476
00:22:32,000 --> 00:22:35,560
Speaker 1: pot then drove her body to the creek. That's horrible,

477
00:22:35,760 --> 00:22:40,639
Speaker 1: but also, this is America. Is so crazy? Is the

478
00:22:40,680 --> 00:22:43,640
Speaker 1: country that we're all right now? Tennessee will soon strictly

479
00:22:43,680 --> 00:22:47,960
Speaker 1: regulate the dispensing of abortion pills, including imposing harsh penalties

480
00:22:48,000 --> 00:22:51,480
Speaker 1: on doctors who violate them. That measure was signed on Thursday,

481
00:22:51,520 --> 00:22:53,920
Speaker 1: and it will go into effect on January first. Once

482
00:22:53,960 --> 00:22:57,200
Speaker 1: and acted, a medical clinician will be required to physically

483
00:22:57,400 --> 00:23:00,720
Speaker 1: present when abortion pills are administered to a patient, even

484
00:23:00,840 --> 00:23:04,960
Speaker 1: though federal regulations now allow mail delivery. Nation Why this

485
00:23:05,119 --> 00:23:09,399
Speaker 1: issue is bigger than roversus Wade because right now there's

486
00:23:09,480 --> 00:23:13,879
Speaker 1: nineteen states that have placed strict restrictions on accessing medication abortion. Now,

487
00:23:13,960 --> 00:23:16,840
Speaker 1: under this Tennessee version, delivery of abortion pills by mail

488
00:23:16,920 --> 00:23:20,160
Speaker 1: would be outlawed, and anybody who wanted to use abortion

489
00:23:20,200 --> 00:23:22,400
Speaker 1: pills will be required to visit a doctor in advance

490
00:23:22,640 --> 00:23:25,400
Speaker 1: and then return to pick up the pills. So they're

491
00:23:25,400 --> 00:23:28,040
Speaker 1: saying these drugs can only be dispensed by qualified physicians,

492
00:23:28,080 --> 00:23:31,159
Speaker 1: which would include barring pharmacists from doing so. But some

493
00:23:31,240 --> 00:23:34,400
Speaker 1: people are saying, according to law experts, it's an unsettled

494
00:23:34,440 --> 00:23:38,080
Speaker 1: question whether states can restrict access to abortion pills, because

495
00:23:38,240 --> 00:23:41,680
Speaker 1: that is a federal issue. More So, I know this

496
00:23:41,840 --> 00:23:44,119
Speaker 1: is something that they've been working on in anticipation, an

497
00:23:44,119 --> 00:23:47,920
Speaker 1: anticipation of ROVERSUS Wade being overturned. The use of abortion

498
00:23:47,960 --> 00:23:50,280
Speaker 1: pills has been rising in the US for over twenty

499
00:23:50,359 --> 00:23:55,760
Speaker 1: years now. Once they approve that that's so rather than surgery,

500
00:23:55,800 --> 00:23:58,399
Speaker 1: people will use those pills. So we'll see what happens.

501
00:23:58,480 --> 00:24:01,399
Speaker 1: But that is something that people were saying is a

502
00:24:01,480 --> 00:24:05,720
Speaker 1: loophole with all of these restrictions on abortions. All right, Well,

503
00:24:05,800 --> 00:24:09,080
Speaker 1: that is your front page news, all right. Now, when

504
00:24:09,119 --> 00:24:11,280
Speaker 1: we come back, Ja Rule will be joining us. He

505
00:24:11,320 --> 00:24:14,119
Speaker 1: stopped through Friday to have a conversation. Of course. He

506
00:24:14,200 --> 00:24:16,680
Speaker 1: did a Mother's Day show yesterday at the Garden. It

507
00:24:16,760 --> 00:24:20,080
Speaker 1: was him, Fat Joe, Little Mole, Ashanti and Remy Marsh.

508
00:24:20,320 --> 00:24:22,640
Speaker 1: He's been doing these Vibes concerts. He did Ray KWin

509
00:24:22,720 --> 00:24:26,600
Speaker 1: and ghost Face, so they look pretty dope, all right,

510
00:24:26,680 --> 00:24:28,080
Speaker 1: So we'll talk to him when we come back. It's

511
00:24:28,119 --> 00:24:35,000
Speaker 1: the Breakfast Club. Good morning, the Breakfast Club Morning. Everybody

512
00:24:35,040 --> 00:24:38,639
Speaker 1: is cej Envy and Jela Yee, Charlomagne the guy. We

513
00:24:38,760 --> 00:24:40,879
Speaker 1: are the Breakfast Club. We got a special guests in

514
00:24:40,960 --> 00:24:46,680
Speaker 1: the bell. Yes, indeed, rule Ja rules there. You feel

515
00:24:46,680 --> 00:24:50,080
Speaker 1: like people appreciate you more now because I see it's

516
00:24:50,119 --> 00:24:51,880
Speaker 1: I feel like there's a joh love fest. I see

517
00:24:51,880 --> 00:24:53,840
Speaker 1: you performing everywhere. I see you doing every show. I

518
00:24:53,920 --> 00:24:56,359
Speaker 1: see so many people were giving you the love. I mean,

519
00:24:56,440 --> 00:25:01,080
Speaker 1: you know it's crazy because I don't you know the

520
00:25:01,240 --> 00:25:04,240
Speaker 1: love was there. I think people are noticing more now

521
00:25:04,640 --> 00:25:08,000
Speaker 1: that you know, just out there doing this thing. And

522
00:25:09,480 --> 00:25:12,879
Speaker 1: you know it's crazy, man. You the business is. You

523
00:25:12,920 --> 00:25:16,200
Speaker 1: know how the business love again. You know how big

524
00:25:16,280 --> 00:25:20,080
Speaker 1: set is best, but it's it's it's just a crazy industry.

525
00:25:20,160 --> 00:25:22,680
Speaker 1: We ain't and you just gotta keep your feet moving

526
00:25:22,720 --> 00:25:25,399
Speaker 1: like a running back. But about the documentary that you

527
00:25:25,480 --> 00:25:27,680
Speaker 1: guys have coming out, that's going to probably reignite a

528
00:25:27,720 --> 00:25:30,639
Speaker 1: lot more too. You know the doc do you know,

529
00:25:30,960 --> 00:25:37,080
Speaker 1: um how evolved the Yeah every day, No, I got

530
00:25:37,200 --> 00:25:41,399
Speaker 1: a credit When things like that happened. It does get

531
00:25:41,480 --> 00:25:43,760
Speaker 1: people like more in music streaming and then it does

532
00:25:43,840 --> 00:25:48,800
Speaker 1: ignite like maybe the younger generation didn't know that didn't time.

533
00:25:49,240 --> 00:25:52,040
Speaker 1: I hope it does that. You know, Murder inc. We

534
00:25:52,119 --> 00:25:57,560
Speaker 1: had a very very big impact and hip hop. Other

535
00:25:57,600 --> 00:26:00,560
Speaker 1: people like to admit it or not, this is what

536
00:26:00,680 --> 00:26:04,960
Speaker 1: it is. And that's a fact. You know. Um In

537
00:26:05,200 --> 00:26:10,560
Speaker 1: in in any hip hop uh label, you're gonna have

538
00:26:11,560 --> 00:26:13,960
Speaker 1: beasts with in the family. You know, you're gonna have

539
00:26:14,040 --> 00:26:16,600
Speaker 1: your ups and downs with with projects and things of

540
00:26:16,680 --> 00:26:21,440
Speaker 1: that nature. Even with careers. I've seen, you know, doctor

541
00:26:21,480 --> 00:26:23,040
Speaker 1: Dre maybe the best to doing it, you know what

542
00:26:23,080 --> 00:26:26,920
Speaker 1: I'm saying. He had a big fallout with with NWA

543
00:26:27,119 --> 00:26:30,520
Speaker 1: and everybody. Oh Dred's done come back with you know

544
00:26:30,520 --> 00:26:37,160
Speaker 1: what I'm saying. So you know it's it's like I said,

545
00:26:37,200 --> 00:26:39,719
Speaker 1: it's all about keep working. As long as you are

546
00:26:39,880 --> 00:26:42,920
Speaker 1: creative and you and you do what you do well.

547
00:26:43,720 --> 00:26:46,920
Speaker 1: As far as creativity you know, this room always to

548
00:26:47,160 --> 00:26:51,240
Speaker 1: to excite and bring new adventure to the to the

549
00:26:51,359 --> 00:26:53,160
Speaker 1: to the space. I think, I think I think your

550
00:26:53,280 --> 00:26:57,520
Speaker 1: music aged very well. That's another reason. It's probably like

551
00:26:57,840 --> 00:26:59,639
Speaker 1: a resurgence. Like all of you can listen to all

552
00:26:59,680 --> 00:27:02,359
Speaker 1: of those records right now, always on time. Put it

553
00:27:02,440 --> 00:27:04,760
Speaker 1: on me all. It's crazy you say that, Charlotte, because

554
00:27:05,840 --> 00:27:07,359
Speaker 1: some of them. I'm not gonna say some of it.

555
00:27:07,440 --> 00:27:11,080
Speaker 1: But I make records conscious consciously like that, Like I

556
00:27:11,119 --> 00:27:12,800
Speaker 1: don't like to date my records. I don't like to

557
00:27:12,880 --> 00:27:16,159
Speaker 1: put you know, two many cars, references and references of

558
00:27:16,760 --> 00:27:21,280
Speaker 1: you know, you know when you talk about relationships and

559
00:27:21,359 --> 00:27:24,320
Speaker 1: stuff like that, it's timeless. You know, people always gonna

560
00:27:24,480 --> 00:27:27,520
Speaker 1: be in love and you know, always want to get

561
00:27:27,600 --> 00:27:29,879
Speaker 1: you a new hot chick or whatever the case may be.

562
00:27:30,040 --> 00:27:32,840
Speaker 1: That that kind of stuff never really dies out. It

563
00:27:32,920 --> 00:27:35,679
Speaker 1: It just kind of, you know, evolves. So you got

564
00:27:35,760 --> 00:27:41,520
Speaker 1: wedding records, Yeah, seriously, people trust me. I do weddings too.

565
00:27:43,560 --> 00:27:45,680
Speaker 1: I do plenty of weddings. Man. People want me to

566
00:27:45,760 --> 00:27:48,240
Speaker 1: come and and and do put it on me and

567
00:27:48,440 --> 00:27:52,359
Speaker 1: you know they we we we stuff. This song really

568
00:27:52,480 --> 00:27:54,720
Speaker 1: made kids something, So I get that, you know, I

569
00:27:54,760 --> 00:27:56,639
Speaker 1: don't know how many hip hop artists actually get that.

570
00:27:57,200 --> 00:28:00,040
Speaker 1: I don't be all the stings, you know what I'm saying. So,

571
00:28:00,560 --> 00:28:03,440
Speaker 1: but you know that's another thing I being, and I

572
00:28:03,560 --> 00:28:05,320
Speaker 1: made the type of records that I've made, I get

573
00:28:05,359 --> 00:28:11,199
Speaker 1: to sneak in on all kinds of different bags. Yeah, games,

574
00:28:11,640 --> 00:28:14,320
Speaker 1: I want the legends of the streets store. I'm everywhere.

575
00:28:14,400 --> 00:28:16,639
Speaker 1: You know, I can do both sides of that, you

576
00:28:16,680 --> 00:28:19,080
Speaker 1: know what saying me and Eric Eric about on the road,

577
00:28:19,400 --> 00:28:22,760
Speaker 1: Like you know, that's the beauty of what I created,

578
00:28:23,119 --> 00:28:25,359
Speaker 1: and I'm able to do that in such a vast

579
00:28:25,720 --> 00:28:27,879
Speaker 1: you know, do you ever look back at things, and

580
00:28:28,440 --> 00:28:30,920
Speaker 1: maybe maybe you do when I look at Murder inc

581
00:28:31,080 --> 00:28:33,119
Speaker 1: Right and you would a pinnacle artist of Murder inc Right,

582
00:28:33,520 --> 00:28:36,360
Speaker 1: Do you ever wish that maybe after you sold those

583
00:28:36,440 --> 00:28:38,480
Speaker 1: millions of records, you say, okay, I want part of it.

584
00:28:38,520 --> 00:28:40,080
Speaker 1: I want a percentage of a Murder inc Or did

585
00:28:40,080 --> 00:28:43,440
Speaker 1: you have That's I'm asking? Yeah, you know, I got

586
00:28:43,600 --> 00:28:46,880
Speaker 1: I got my little uh you know, things here and then.

587
00:28:47,240 --> 00:28:50,160
Speaker 1: But you know, I don't like to speaker the reason.

588
00:28:50,160 --> 00:28:51,480
Speaker 1: I think because at one time I felt like you

589
00:28:51,560 --> 00:28:53,960
Speaker 1: were you were the Murder Ink artists, the catalyst that

590
00:28:54,040 --> 00:28:57,160
Speaker 1: got so many artists held the flag. The reason why

591
00:28:57,160 --> 00:28:59,800
Speaker 1: I shant signed there, the reason why everybody signed it,

592
00:29:00,040 --> 00:29:02,160
Speaker 1: and me and me and got got a great situation.

593
00:29:03,560 --> 00:29:06,440
Speaker 1: And Rockefeller like yeah, yeah owner and he was a

594
00:29:06,600 --> 00:29:09,040
Speaker 1: known owner. Like I just always thought like, damn, yeah,

595
00:29:09,280 --> 00:29:10,960
Speaker 1: John should have been a known owner. Maybe it was

596
00:29:11,000 --> 00:29:12,440
Speaker 1: maybe I don't know, that's what I'm asking. Yeah, I

597
00:29:12,480 --> 00:29:15,760
Speaker 1: was more of it in the back uh owner things.

598
00:29:15,880 --> 00:29:18,040
Speaker 1: And and that's fine too. You know what I'm saying.

599
00:29:18,200 --> 00:29:19,680
Speaker 1: You said you don't like to speak on murder. Ain't

600
00:29:20,040 --> 00:29:23,160
Speaker 1: no that type or the business got you got you

601
00:29:23,240 --> 00:29:25,239
Speaker 1: got you. I think another reason your nake he's coming

602
00:29:25,320 --> 00:29:27,120
Speaker 1: up in conversation is because of the culture of the music.

603
00:29:27,320 --> 00:29:29,640
Speaker 1: So you have all of these rappers that are doing

604
00:29:29,720 --> 00:29:32,280
Speaker 1: the melodies and they're singing the same things that you

605
00:29:32,440 --> 00:29:35,240
Speaker 1: made popular then got criticized for. So it's like I've

606
00:29:35,280 --> 00:29:37,080
Speaker 1: been here debating with the youngs because they'd be like, oh,

607
00:29:37,080 --> 00:29:41,160
Speaker 1: you gotta get this person credit. I'm like, no, Jah rule, yeah, Jah,

608
00:29:41,280 --> 00:29:44,640
Speaker 1: I started all this shit. I appreciate that. Let people

609
00:29:44,640 --> 00:29:47,480
Speaker 1: forget whoever did it last did it better than the

610
00:29:47,600 --> 00:29:52,240
Speaker 1: first in the first place. And that's just how it is.

611
00:29:52,360 --> 00:29:54,360
Speaker 1: And the dominance. If you've been working at black radio

612
00:29:54,400 --> 00:29:58,000
Speaker 1: for a long time, you understand what Murderin did. Like

613
00:29:58,120 --> 00:30:00,600
Speaker 1: you couldn't escape joh, you couldn't escape with you couldn't

614
00:30:00,640 --> 00:30:03,000
Speaker 1: escape the production. You couln't escape it. We definitely had

615
00:30:03,040 --> 00:30:06,360
Speaker 1: a hold on on We had a dominant moment. You know,

616
00:30:06,480 --> 00:30:10,160
Speaker 1: everybody has that moment in hip hop. You know, somebody

617
00:30:10,240 --> 00:30:11,840
Speaker 1: would you know, kick the ball down the road a

618
00:30:11,880 --> 00:30:13,520
Speaker 1: little longer than you know what I'm saying and that

619
00:30:13,640 --> 00:30:17,160
Speaker 1: and that's cool, you know, um, I think I think,

620
00:30:17,360 --> 00:30:20,200
Speaker 1: you know, hip hop has grown so much now that

621
00:30:20,360 --> 00:30:25,240
Speaker 1: we're getting into a space where you're gonna have contemporary

622
00:30:25,720 --> 00:30:27,640
Speaker 1: hip hop and you should you know, there's another stage.

623
00:30:27,640 --> 00:30:29,880
Speaker 1: I ain't gonna speak over what they playing, just like

624
00:30:29,960 --> 00:30:32,400
Speaker 1: old school hip hop. Oh yeah, absolutely, there's a time

625
00:30:32,680 --> 00:30:37,080
Speaker 1: just now that's coming for those moments where rock made

626
00:30:37,120 --> 00:30:41,760
Speaker 1: that transformation. But it has to be that because it

627
00:30:41,880 --> 00:30:43,800
Speaker 1: has to be that. Look at the white stations and

628
00:30:43,840 --> 00:30:47,640
Speaker 1: they could play older No, we still do that the

629
00:30:47,960 --> 00:30:50,560
Speaker 1: programming station, but we should be able to play Yeah,

630
00:30:50,840 --> 00:30:53,000
Speaker 1: y'all do this with the old when we do the

631
00:30:53,040 --> 00:30:56,400
Speaker 1: throwback max, I mean, I hear like I'll drive from

632
00:30:56,440 --> 00:30:59,120
Speaker 1: time to time. In here a throwback record on the thing.

633
00:30:59,240 --> 00:31:02,280
Speaker 1: But you know you can't listen. We all know the business.

634
00:31:02,640 --> 00:31:05,560
Speaker 1: You got a slot of records that you're able to play.

635
00:31:05,720 --> 00:31:07,800
Speaker 1: You gotta play the new guys. You can't throw all

636
00:31:07,840 --> 00:31:09,800
Speaker 1: old guys in there and just get like. It doesn't

637
00:31:09,840 --> 00:31:12,280
Speaker 1: work that way. So it has to be something dedicated

638
00:31:12,320 --> 00:31:14,360
Speaker 1: to that, right, you know what I'm saying? Because the

639
00:31:14,720 --> 00:31:18,160
Speaker 1: music has grown up. Like I'm forty six, I don't

640
00:31:18,160 --> 00:31:20,000
Speaker 1: want to listen to the same thing Little Rule listen to,

641
00:31:20,360 --> 00:31:22,960
Speaker 1: even though it's all hip hop, is just a different

642
00:31:23,000 --> 00:31:25,000
Speaker 1: hip hop for me, Like I like Nas dropping the

643
00:31:25,040 --> 00:31:31,520
Speaker 1: album right together hip hop week, I couldn't wait. Most

644
00:31:31,640 --> 00:31:34,360
Speaker 1: people just listen to the music and as you grow up,

645
00:31:34,560 --> 00:31:37,680
Speaker 1: you grow with But how about having kids, right, how

646
00:31:37,720 --> 00:31:39,680
Speaker 1: does that affect the music you listen to? Because sometimes

647
00:31:39,720 --> 00:31:42,600
Speaker 1: you hear your kids listening to something like Little Rules.

648
00:31:42,840 --> 00:31:45,760
Speaker 1: He's a rapper too, Yeah, so he's not a rap. Okay,

649
00:31:45,800 --> 00:31:49,800
Speaker 1: so he's a rapper. So let me tell you. So

650
00:31:50,520 --> 00:31:54,240
Speaker 1: I don't know what to categorize. The man's real because

651
00:31:54,480 --> 00:31:58,520
Speaker 1: he does a style of music called hyperpop and apparently

652
00:31:58,720 --> 00:32:03,400
Speaker 1: it's a it's a big underswelling community of this music

653
00:32:03,600 --> 00:32:07,400
Speaker 1: that I know nothing about. So I'm like, son, I

654
00:32:07,560 --> 00:32:10,880
Speaker 1: can't help y'all. I don't know who does this music.

655
00:32:10,960 --> 00:32:14,800
Speaker 1: I don't know who buys this. But it's a mixture

656
00:32:14,880 --> 00:32:18,360
Speaker 1: between rap and rock and like ed M. So he's

657
00:32:18,360 --> 00:32:20,680
Speaker 1: just making music. He's making music and it's and it's

658
00:32:20,720 --> 00:32:23,320
Speaker 1: white and this. You know, he's he's got a deal

659
00:32:23,400 --> 00:32:26,000
Speaker 1: on the table from Sony and stuff like that. So yeah,

660
00:32:26,240 --> 00:32:28,840
Speaker 1: and it's all him. He's doing this. He moved to La,

661
00:32:29,400 --> 00:32:31,640
Speaker 1: he's been out there on his own. Yeah. Yeah, he

662
00:32:31,720 --> 00:32:36,400
Speaker 1: came in. He came in. I was I was very

663
00:32:36,440 --> 00:32:39,480
Speaker 1: excited for him because I like to see the kids. Wife.

664
00:32:39,640 --> 00:32:41,920
Speaker 1: It wasn't that she wasn't excited. She I don't think

665
00:32:41,960 --> 00:32:44,719
Speaker 1: she was ready. It's a difference. She was like, oh,

666
00:32:44,800 --> 00:32:46,400
Speaker 1: here we go again. No, I don't. I don't think

667
00:32:46,440 --> 00:32:50,000
Speaker 1: she was ready for him to leading. You know. Yeah,

668
00:32:50,000 --> 00:32:52,240
Speaker 1: because I said I was immediate, like, if that's what

669
00:32:52,320 --> 00:32:54,200
Speaker 1: you want to do, son, go ahead, and you know

670
00:32:54,280 --> 00:32:56,360
Speaker 1: you've grown man, now go ahead and do that. You

671
00:32:56,360 --> 00:32:59,120
Speaker 1: know what I'm saying. She was more like, he'll be

672
00:32:59,200 --> 00:33:02,840
Speaker 1: back here's and I'm like, hey, once we leave, baby,

673
00:33:03,160 --> 00:33:05,160
Speaker 1: we ain't trying to come back if we can stay

674
00:33:05,640 --> 00:33:08,520
Speaker 1: and be gone, We're not coming back. Like with men,

675
00:33:08,600 --> 00:33:10,160
Speaker 1: you know what I mean. We want to show that

676
00:33:10,280 --> 00:33:11,840
Speaker 1: we can be men on our own, and he's doing

677
00:33:11,920 --> 00:33:13,520
Speaker 1: that and I'm proud of him for that. Did you

678
00:33:13,560 --> 00:33:16,240
Speaker 1: give him any advice, like as far as legal advice,

679
00:33:16,440 --> 00:33:19,280
Speaker 1: lawyers that stuff, you know, yes, of course when he

680
00:33:19,320 --> 00:33:21,680
Speaker 1: brings the contracts, I'll send them to my lawyer. You know, well,

681
00:33:21,920 --> 00:33:24,000
Speaker 1: we'll make sure the business is done right. But as

682
00:33:24,080 --> 00:33:26,680
Speaker 1: far as me, you know, getting my hands dirty and

683
00:33:26,800 --> 00:33:28,760
Speaker 1: trying to bring him around and to no, he needs

684
00:33:28,800 --> 00:33:30,680
Speaker 1: to do that. He needs to be respected in the

685
00:33:30,760 --> 00:33:33,480
Speaker 1: industry on his own merit and then you know, then

686
00:33:33,720 --> 00:33:36,840
Speaker 1: you know it can it can work, Papa manage him. No,

687
00:33:37,320 --> 00:33:38,920
Speaker 1: all right, we got more with YA rule when we

688
00:33:38,960 --> 00:33:40,840
Speaker 1: come back. Let's get into a JA rule. Mini Mixes

689
00:33:40,840 --> 00:33:44,800
Speaker 1: the Breakfast Club. Good morning morning everybody, this DJ Envy

690
00:33:45,000 --> 00:33:48,120
Speaker 1: Angela Yee, Charlomagne the guy we are the Breakfast Club.

691
00:33:48,480 --> 00:33:51,160
Speaker 1: We're still kicking it with JA Rule. Charlomagne. It was crazy.

692
00:33:51,160 --> 00:33:52,960
Speaker 1: The first I've ever heard the term helicopter parent was

693
00:33:52,960 --> 00:33:54,520
Speaker 1: from our thirteen year daughter, and I didn't know what

694
00:33:54,640 --> 00:33:57,560
Speaker 1: it was. So she was like you. You're a helicopter parent.

695
00:33:57,600 --> 00:34:00,440
Speaker 1: I said, I'm a ufo. Oh now they got a

696
00:34:00,480 --> 00:34:05,280
Speaker 1: new turn. This bulldos apparents. Now really the bulldoz apparents.

697
00:34:05,360 --> 00:34:07,200
Speaker 1: They got to move all the pieces off the ball

698
00:34:07,760 --> 00:34:10,080
Speaker 1: so their kids can go. Like. I'm with that too.

699
00:34:10,280 --> 00:34:12,239
Speaker 1: I like that. I'm not with that. I like that.

700
00:34:12,320 --> 00:34:14,320
Speaker 1: I'm not with that. You don't want to move the

701
00:34:14,400 --> 00:34:16,520
Speaker 1: obstacles if you can, I want to give them a

702
00:34:16,600 --> 00:34:19,600
Speaker 1: great headstart, And I think you've done that. You've done

703
00:34:19,640 --> 00:34:22,800
Speaker 1: not moving the obstacles. Moving up. Being a bulldozer is

704
00:34:22,840 --> 00:34:25,320
Speaker 1: like with Home Homegirls and them did buying the college

705
00:34:25,719 --> 00:34:30,399
Speaker 1: that's bu No matter what this is, this is going

706
00:34:31,200 --> 00:34:33,359
Speaker 1: They come too fast and too easy, and you don't

707
00:34:33,400 --> 00:34:35,320
Speaker 1: really appreciate it or you're not ready for it to

708
00:34:35,400 --> 00:34:37,840
Speaker 1: you gotta work. It happen to me. I understand it

709
00:34:38,000 --> 00:34:41,319
Speaker 1: very much like I got rich very early in life.

710
00:34:41,360 --> 00:34:43,399
Speaker 1: I was like twenty two twenty three and I made

711
00:34:43,440 --> 00:34:45,600
Speaker 1: my first million hours. So it's like I made so

712
00:34:45,680 --> 00:34:50,320
Speaker 1: many mistakes in them buying everybody bop running around cars.

713
00:34:50,840 --> 00:34:53,560
Speaker 1: It was just going just have just doing it, and

714
00:34:53,760 --> 00:34:55,440
Speaker 1: you learn from that. You know what I'm saying. You

715
00:34:55,600 --> 00:34:58,399
Speaker 1: did you just think that the money never stops. When

716
00:34:58,400 --> 00:35:00,680
Speaker 1: you're young and you're getting it like that, making fourteen

717
00:35:00,719 --> 00:35:03,520
Speaker 1: fifteen million dollars a year at a clip, like oh,

718
00:35:03,800 --> 00:35:05,879
Speaker 1: you know, so you're thinking like this could never stop.

719
00:35:05,960 --> 00:35:07,640
Speaker 1: All I gotta do go in the studio, make some

720
00:35:07,680 --> 00:35:09,920
Speaker 1: new hits, make some new records, and then and then

721
00:35:10,080 --> 00:35:13,680
Speaker 1: things happen that you could never ever back, and then

722
00:35:13,760 --> 00:35:18,000
Speaker 1: it's like, Okay, now I get it. You know hip hop.

723
00:35:18,080 --> 00:35:20,080
Speaker 1: I learned a lot from going through all of the beef,

724
00:35:21,520 --> 00:35:24,080
Speaker 1: all of that. Learned so much because you learned, And

725
00:35:24,200 --> 00:35:26,759
Speaker 1: that's I learned in that spending time that hip hop

726
00:35:26,880 --> 00:35:29,759
Speaker 1: is subjective. Music is subjective. People don't have to like

727
00:35:29,920 --> 00:35:32,680
Speaker 1: job rule, you don't have to like whoever whatever artists

728
00:35:32,680 --> 00:35:34,879
Speaker 1: it's it's you know, it's your preference or ever. It's

729
00:35:34,920 --> 00:35:37,480
Speaker 1: a privilege to have fans and have people love you

730
00:35:37,600 --> 00:35:40,480
Speaker 1: and adore you. So so a young artists out there,

731
00:35:40,840 --> 00:35:43,160
Speaker 1: just know that, Just know that this ain't promised to you.

732
00:35:43,239 --> 00:35:45,960
Speaker 1: You're hot right now, Tomorrow they turn your lights out

733
00:35:46,120 --> 00:35:48,359
Speaker 1: and anybody hates you for whatever reason because you said

734
00:35:48,400 --> 00:35:50,920
Speaker 1: this on stage or you did you know it happened,

735
00:35:51,800 --> 00:35:53,360
Speaker 1: did you see it happening, or was it one of

736
00:35:53,360 --> 00:35:55,240
Speaker 1: those things that just happened right away. It just happened.

737
00:35:55,280 --> 00:35:57,560
Speaker 1: It was like I'm on top of the world, woke

738
00:35:57,640 --> 00:36:00,200
Speaker 1: up world, on top of job. You know what I'm saying, Like, dam,

739
00:36:00,200 --> 00:36:02,920
Speaker 1: I'm like where, Yeah, this is mad at me for what?

740
00:36:03,320 --> 00:36:06,920
Speaker 1: Because I make good music and and and whatever. You know,

741
00:36:06,960 --> 00:36:08,160
Speaker 1: we ain't got to go down that road. But I'm

742
00:36:08,160 --> 00:36:10,480
Speaker 1: just saying, you know, that's what I learned. That was

743
00:36:10,560 --> 00:36:13,439
Speaker 1: the lesson that came out of that, Like, Okay, now

744
00:36:13,560 --> 00:36:16,680
Speaker 1: you got to get into other businesses, other things where

745
00:36:17,480 --> 00:36:19,920
Speaker 1: they don't necessarily have to like you as long as

746
00:36:19,960 --> 00:36:23,600
Speaker 1: you're providing a service that in product and product that

747
00:36:24,040 --> 00:36:28,040
Speaker 1: they the people the consumer use and it's and it's

748
00:36:28,080 --> 00:36:31,719
Speaker 1: valuable to them. It's different. You understand, Mark Zuckerberg could

749
00:36:31,760 --> 00:36:34,520
Speaker 1: do some sucking tomorrow. We ain't stop using Instagram, you

750
00:36:34,600 --> 00:36:38,520
Speaker 1: know what, and talk about him and he's gonna resign

751
00:36:38,680 --> 00:36:43,640
Speaker 1: and and go off and continue the business. It don't

752
00:36:43,680 --> 00:36:45,400
Speaker 1: work like that in music. I want to ask you

753
00:36:45,400 --> 00:36:47,320
Speaker 1: about the bulldo's a parent thing when it comes to

754
00:36:47,400 --> 00:36:50,680
Speaker 1: the kids, right? Do you think pain is love? Absolutely?

755
00:36:51,640 --> 00:36:53,600
Speaker 1: That's what pain is love is all about. You know,

756
00:36:53,760 --> 00:36:56,200
Speaker 1: people think it's the actual term of what it sounds like.

757
00:36:56,360 --> 00:36:58,800
Speaker 1: Pain is love. You know that's too simple, you know

758
00:36:58,800 --> 00:37:01,520
Speaker 1: what I'm saying, Pain is love about sacrifice. It's the

759
00:37:01,719 --> 00:37:04,600
Speaker 1: pain and the struggle and the heartache that we all

760
00:37:04,680 --> 00:37:07,400
Speaker 1: go through as parents so that our little ones can

761
00:37:07,520 --> 00:37:09,880
Speaker 1: receive the love. That's what pain is love is about.

762
00:37:10,040 --> 00:37:11,880
Speaker 1: And keep them from going through that though, keep them

763
00:37:11,960 --> 00:37:17,360
Speaker 1: from going through hopefully. Yeah, You're gonna experience pain regardless.

764
00:37:17,440 --> 00:37:19,480
Speaker 1: That's what life is about, ups and downs. You know

765
00:37:19,520 --> 00:37:21,560
Speaker 1: what I'm gonna ask you now that you have Icon, right,

766
00:37:21,840 --> 00:37:23,200
Speaker 1: I want to ask you what are some things that

767
00:37:23,280 --> 00:37:26,839
Speaker 1: you learn from Fire then moving on to starting this company. Yeah,

768
00:37:26,880 --> 00:37:28,640
Speaker 1: that was a that was a big learning lesson too.

769
00:37:28,760 --> 00:37:30,920
Speaker 1: You know, I learned to be very hands on with

770
00:37:31,000 --> 00:37:34,239
Speaker 1: everything that I'm doing. You know, Um, with Icon, I'm

771
00:37:35,000 --> 00:37:38,800
Speaker 1: very very hands on everything. Like even with the Vibes concerts,

772
00:37:38,840 --> 00:37:41,520
Speaker 1: Like I'm in the you know, I'm in the in

773
00:37:41,640 --> 00:37:45,000
Speaker 1: the rehearsals and you know me ran big shout to

774
00:37:45,080 --> 00:37:49,640
Speaker 1: my brother's rain ghost Man because yeah, salute to them. Man.

775
00:37:49,719 --> 00:37:51,719
Speaker 1: I loved those brothers. They came in and they did

776
00:37:52,239 --> 00:37:55,799
Speaker 1: this concert. You know, you know they love to get

777
00:37:55,880 --> 00:37:58,439
Speaker 1: flied anyway, That's what people don't know about rain ghoes.

778
00:37:58,560 --> 00:38:01,040
Speaker 1: You know, they think of Wu Tang thinking, you know,

779
00:38:01,520 --> 00:38:04,560
Speaker 1: you know, the only fatigues and they don't know where ghost. Yeah,

780
00:38:04,800 --> 00:38:09,759
Speaker 1: you don't know, ye like dumb. Yeah, because even things

781
00:38:09,800 --> 00:38:11,080
Speaker 1: that don't work out, I feel like there's a lot

782
00:38:11,120 --> 00:38:12,840
Speaker 1: of valuable lessons to me. Yeah, it was. So it

783
00:38:12,920 --> 00:38:15,320
Speaker 1: was a very valuable lesson that I learned. And you know,

784
00:38:15,480 --> 00:38:17,719
Speaker 1: and that was too. If you have a vision and

785
00:38:17,800 --> 00:38:20,280
Speaker 1: you have a dream, you gotta see it. You can't.

786
00:38:20,760 --> 00:38:23,839
Speaker 1: You can't pass it off. It's not you know, it's

787
00:38:24,120 --> 00:38:26,600
Speaker 1: it's not a relay race. You know. If you if

788
00:38:26,640 --> 00:38:28,400
Speaker 1: you if you got the baton and you're running with it,

789
00:38:28,520 --> 00:38:31,720
Speaker 1: keep running. Absolutely not see you got your your degree

790
00:38:31,800 --> 00:38:35,200
Speaker 1: from the Harvard Business School, Yeah, talk about that, your

791
00:38:35,200 --> 00:38:38,319
Speaker 1: business degree? What made you want to It's a business certificate.

792
00:38:38,480 --> 00:38:40,759
Speaker 1: You know what I'm saying. It's like, let's just keep it.

793
00:38:41,920 --> 00:38:46,279
Speaker 1: You person that's been honest about that, I didn't have

794
00:38:46,280 --> 00:38:53,080
Speaker 1: about a cap and gown. And I'm glad you was honest.

795
00:38:53,200 --> 00:38:56,279
Speaker 1: Job ain't. But here's what I will say about it.

796
00:38:57,000 --> 00:38:58,960
Speaker 1: Here's what I will say about it. It is a

797
00:38:59,120 --> 00:39:03,399
Speaker 1: Harvard thing that they, you know, actually put out there

798
00:39:03,560 --> 00:39:06,520
Speaker 1: and it's real professors that actually come on the screen,

799
00:39:06,640 --> 00:39:10,520
Speaker 1: real real uh big minds. Yeah, yeah, you do it virtually.

800
00:39:10,640 --> 00:39:17,080
Speaker 1: I did the I did the entrepreneurs Essentials Entreeur. It

801
00:39:17,160 --> 00:39:19,640
Speaker 1: was dope. It was dope. It was very dope. You know,

802
00:39:20,280 --> 00:39:24,000
Speaker 1: I know a lot of the stuff already, but it

803
00:39:24,280 --> 00:39:27,960
Speaker 1: was good to you know, refresh up on some things

804
00:39:28,080 --> 00:39:30,800
Speaker 1: and also learn a lot of other things, just just

805
00:39:30,960 --> 00:39:34,040
Speaker 1: to know about people's struggles and what they went through

806
00:39:34,120 --> 00:39:37,320
Speaker 1: to to to build their startups. No, people don't understand.

807
00:39:37,440 --> 00:39:41,520
Speaker 1: It's hard to to do a startup company. You know,

808
00:39:43,480 --> 00:39:47,840
Speaker 1: raise equity, you understand, scale the company and then exit

809
00:39:48,239 --> 00:39:51,160
Speaker 1: or go public. That's not easy to do. It sounds

810
00:39:51,239 --> 00:39:54,600
Speaker 1: like steps there is. Yeah, I know the steps. It's

811
00:39:54,640 --> 00:39:57,560
Speaker 1: not easy to do, especially when you this. It's not

812
00:39:57,719 --> 00:40:00,960
Speaker 1: easy to do, you know. So especially you know with

813
00:40:01,480 --> 00:40:03,640
Speaker 1: the things that I've had in my past too, that

814
00:40:03,880 --> 00:40:06,520
Speaker 1: wasn't easy to do, you know. So for me to

815
00:40:06,640 --> 00:40:09,600
Speaker 1: be a part of these amazing investment groups that I'm

816
00:40:09,640 --> 00:40:12,239
Speaker 1: in right now and for them to have my back

817
00:40:12,320 --> 00:40:14,600
Speaker 1: the way they do, big shout to my team man,

818
00:40:14,760 --> 00:40:18,440
Speaker 1: my war with guys, my jpeg Morgan, guys. I love

819
00:40:18,480 --> 00:40:21,480
Speaker 1: all you guys. You guys have welcomed me with open arms,

820
00:40:21,520 --> 00:40:24,520
Speaker 1: and they you know, they showing me, they mentoring me

821
00:40:24,560 --> 00:40:26,720
Speaker 1: in a way that I've never ever could have learned,

822
00:40:27,080 --> 00:40:30,360
Speaker 1: you know, business and and and and tech and and

823
00:40:30,560 --> 00:40:33,960
Speaker 1: and entrepreneurship and investment. So I appreciate all you guys.

824
00:40:34,280 --> 00:40:37,200
Speaker 1: They go to sell Icon at some point, Um, I

825
00:40:37,280 --> 00:40:39,600
Speaker 1: mean yeah, I mean that's that's always an exit strategy,

826
00:40:39,719 --> 00:40:42,640
Speaker 1: you know. Um, I could go public with it or

827
00:40:43,040 --> 00:40:46,040
Speaker 1: sell it. You know, Um, I probably would rather go

828
00:40:46,160 --> 00:40:50,280
Speaker 1: public with it first or not, you know, stay private

829
00:40:50,360 --> 00:40:53,440
Speaker 1: and just you know, make it the biggest company that

830
00:40:53,440 --> 00:40:56,560
Speaker 1: I can possible. You know. Um, It's not easy though,

831
00:40:56,960 --> 00:40:59,600
Speaker 1: But everybody listening right now, go go go out and

832
00:40:59,600 --> 00:41:03,160
Speaker 1: support the brother Man Icon with two Ends Live. It's

833
00:41:03,200 --> 00:41:05,799
Speaker 1: in the Apple app Store. Go check it out, mount

834
00:41:05,880 --> 00:41:08,279
Speaker 1: Rushmore or Rappers for you. Who would you put on

835
00:41:08,360 --> 00:41:16,399
Speaker 1: the dialon dialon dion? Now? Um, you know it's that's

836
00:41:16,600 --> 00:41:19,000
Speaker 1: it's tough just for because it's errors, you know what

837
00:41:19,040 --> 00:41:21,319
Speaker 1: I mean. For me, I mean, you gotta go through errors,

838
00:41:21,360 --> 00:41:23,000
Speaker 1: you know what I mean. But if you if I

839
00:41:23,120 --> 00:41:25,640
Speaker 1: just had to do four, you would have to put

840
00:41:25,760 --> 00:41:29,640
Speaker 1: J on there. Um, I would put poc on there,

841
00:41:30,760 --> 00:41:34,200
Speaker 1: big gotta go on the big one more. It's tough one.

842
00:41:34,760 --> 00:41:38,160
Speaker 1: You ain't even nobody from Queen's yet. You know what

843
00:41:38,320 --> 00:41:41,080
Speaker 1: I would? I would, I would. It would have to

844
00:41:41,200 --> 00:41:44,160
Speaker 1: be between from me. It would be like a toss

845
00:41:44,320 --> 00:41:47,400
Speaker 1: between like three rappers and I gotta pick one, I know,

846
00:41:47,600 --> 00:41:50,560
Speaker 1: but I would go with like old older school guys

847
00:41:50,680 --> 00:41:54,320
Speaker 1: like either Big Daddy Kane, Rock Him or Caress because

848
00:41:54,360 --> 00:41:57,080
Speaker 1: of what they did for the coach and what they

849
00:41:57,160 --> 00:41:59,560
Speaker 1: meant to the coach and what rock Him was to

850
00:42:00,080 --> 00:42:02,160
Speaker 1: nas you know what I'm saying, and what what ca

851
00:42:02,360 --> 00:42:06,920
Speaker 1: Arrest was to a whole generation. Yeah, you know what

852
00:42:06,920 --> 00:42:09,080
Speaker 1: I'm saying. And to me too, like I you know,

853
00:42:09,360 --> 00:42:11,320
Speaker 1: came was the first I seen, Like I was like

854
00:42:11,840 --> 00:42:14,880
Speaker 1: fly you know this is like you know it was.

855
00:42:15,000 --> 00:42:17,560
Speaker 1: He had a different thing with him too, So you

856
00:42:17,880 --> 00:42:20,520
Speaker 1: know it's it's hard. That's hard. But if I had

857
00:42:20,560 --> 00:42:26,359
Speaker 1: to pick one, I'm mad. I don't know. I feel

858
00:42:26,400 --> 00:42:34,120
Speaker 1: like earlier we never put the ladies in there. I think, Yo,

859
00:42:34,239 --> 00:42:40,600
Speaker 1: they come on man mc light soon Pepper, like they pied.

860
00:42:40,880 --> 00:42:43,719
Speaker 1: They are the reason that other women picked up a

861
00:42:43,880 --> 00:42:47,440
Speaker 1: microphone period. How can you leave them off? Correct? You

862
00:42:47,480 --> 00:42:49,000
Speaker 1: know what I'm saying, you gotta take one of them

863
00:42:49,040 --> 00:42:55,719
Speaker 1: and put them on and just business wise, you know

864
00:42:55,960 --> 00:42:59,080
Speaker 1: everything that rappers are doing now La Tifa in Flavor unit.

865
00:42:59,360 --> 00:43:03,759
Speaker 1: Come on, man, I mean, yo, little Kim. Let's little Kim.

866
00:43:04,200 --> 00:43:06,040
Speaker 1: When you look at the Cardies and the Nikkis and

867
00:43:06,400 --> 00:43:10,440
Speaker 1: the man every team and then go listen to the

868
00:43:10,560 --> 00:43:15,400
Speaker 1: hardcore album, I understand why she show with it like that.

869
00:43:16,040 --> 00:43:19,839
Speaker 1: That album is crazy and she's spitting on that album.

870
00:43:19,880 --> 00:43:21,480
Speaker 1: It's not like you know what I'm saying. It's not

871
00:43:21,560 --> 00:43:24,440
Speaker 1: like she's like she's going on that album. So I

872
00:43:24,560 --> 00:43:26,759
Speaker 1: get it. When when these females are like, Yo, Kim,

873
00:43:27,000 --> 00:43:28,640
Speaker 1: was it for me? I get it? I get it now.

874
00:43:29,120 --> 00:43:37,120
Speaker 1: You know now I'm trying like I'm trying, mckimmy. We

875
00:43:37,239 --> 00:43:39,960
Speaker 1: need to get that together. And it's jih role. We

876
00:43:40,000 --> 00:43:42,480
Speaker 1: appreciate you for joining us. Brother. Yeah for sure. It's

877
00:43:42,480 --> 00:43:47,840
Speaker 1: the breakfast Club. Good morning, girls, morning. Everybody is DJ Envy,

878
00:43:48,080 --> 00:43:50,919
Speaker 1: Angela Ye, Charlemagne the guy. We are the breakfast Club.

879
00:43:51,000 --> 00:43:54,279
Speaker 1: Good morning's happening. Good morning, back to the work week.

880
00:43:54,360 --> 00:43:56,800
Speaker 1: Let's get to the rooms. Let's talk. Drag man, you

881
00:43:56,880 --> 00:44:11,319
Speaker 1: are right, he report, Angela Yean the breakfast club. All right, Well,

882
00:44:11,480 --> 00:44:14,440
Speaker 1: Drake was at the Kentucky Derby with Jack Harlow. It

883
00:44:14,520 --> 00:44:16,040
Speaker 1: looks like they were having a great time. I saw

884
00:44:16,160 --> 00:44:19,360
Speaker 1: Drewski was there as well, and they were there to

885
00:44:19,760 --> 00:44:22,680
Speaker 1: reportedly film a music video for Jack Carlo's new Churchill

886
00:44:22,760 --> 00:44:25,759
Speaker 1: Downs track. Obviously Drake is on that song too. You know.

887
00:44:25,800 --> 00:44:27,480
Speaker 1: He just put out Come Home the Kids Miss You

888
00:44:27,600 --> 00:44:32,040
Speaker 1: album and Drake actually bombed his interview. Came in while

889
00:44:32,400 --> 00:44:34,880
Speaker 1: Jack Carlo was doing an interview. Didn't want the interview

890
00:44:34,920 --> 00:44:37,279
Speaker 1: to end. Hey, what's it? What's it like for you

891
00:44:37,360 --> 00:44:39,840
Speaker 1: to get to see the hometown kid here and everybody

892
00:44:39,920 --> 00:44:42,600
Speaker 1: loving so much? You know, I'm so proud of this guy,

893
00:44:42,719 --> 00:44:48,640
Speaker 1: and and we're drunk. He's so I'm drunk. I'm the

894
00:44:48,719 --> 00:44:52,120
Speaker 1: one who only happy Jack. Yeah, honestly, I like it.

895
00:44:52,280 --> 00:44:54,400
Speaker 1: I wanted to put somebody off. I wasn't a happy Aubrey.

896
00:44:54,440 --> 00:44:57,200
Speaker 1: We run that too. Can't give him the wrapping up signally?

897
00:44:57,560 --> 00:45:00,279
Speaker 1: What what are you gonna cut to? Right? What are

898
00:45:00,320 --> 00:45:05,040
Speaker 1: you gonna ceall a shot of like worly manicured ribs

899
00:45:05,120 --> 00:45:07,040
Speaker 1: or something? You know? IMNA tell, I'm gonna tell, just

900
00:45:07,160 --> 00:45:10,440
Speaker 1: hold on, We're going home all right, so he was

901
00:45:10,480 --> 00:45:12,120
Speaker 1: trying to keep that interview going. Looks like they had

902
00:45:12,160 --> 00:45:14,120
Speaker 1: a good time. Though at the Kentucky Derby, it's in

903
00:45:14,200 --> 00:45:16,480
Speaker 1: drama there too. I saw Taylor Rooks was there, sat

904
00:45:16,480 --> 00:45:19,879
Speaker 1: out to her. Kaiser was there, So yeah, I mean,

905
00:45:20,360 --> 00:45:22,680
Speaker 1: clearly the Kentucky Derby's a big deal, y'all. Clearly it

906
00:45:22,800 --> 00:45:25,000
Speaker 1: is because Drama showed up with no hat on. Whenever

907
00:45:25,040 --> 00:45:27,360
Speaker 1: you see DJA Drama and DJ Clue somewhere with no

908
00:45:27,480 --> 00:45:30,279
Speaker 1: hat on this special occasion, you, I thought that was

909
00:45:30,480 --> 00:45:32,919
Speaker 1: a thing. At the Kentucky Derby, hats like fancy hats

910
00:45:32,920 --> 00:45:34,879
Speaker 1: and stuff. We usually the women were the fancy hats.

911
00:45:34,960 --> 00:45:38,239
Speaker 1: Kapar fancy hats too though, right right, but using the

912
00:45:38,320 --> 00:45:41,960
Speaker 1: Kentucky Derby's usually the women all right, now, Wendy Williams

913
00:45:42,200 --> 00:45:45,240
Speaker 1: versus Sherry Shepherd, how did we get here? Well, Wendy

914
00:45:45,280 --> 00:45:47,239
Speaker 1: Williams was talking to Fat Joe when she was talking

915
00:45:47,239 --> 00:45:49,759
Speaker 1: about coming back to her show. Do you miss not

916
00:45:49,960 --> 00:45:52,800
Speaker 1: coming to the show? Yes, I do. I wish I

917
00:45:52,960 --> 00:45:54,879
Speaker 1: was there. I was like there right now to talk

918
00:45:54,920 --> 00:45:57,399
Speaker 1: about it. But I'm glad that I'm able to talk

919
00:45:57,440 --> 00:46:00,120
Speaker 1: about when I come back. So is that plans for

920
00:46:00,160 --> 00:46:02,360
Speaker 1: a new show? Are you coming back to the Wendy

921
00:46:02,400 --> 00:46:07,239
Speaker 1: Williams Show? Actually, Wendy Williams Show. Absolutely, because I know

922
00:46:07,239 --> 00:46:11,400
Speaker 1: what they were talking about, Sherry Shepherd taking over the show.

923
00:46:11,719 --> 00:46:14,319
Speaker 1: I won't be watching her because she's gonna be doing

924
00:46:14,400 --> 00:46:17,439
Speaker 1: and that's really not my thing anyway. I love being

925
00:46:17,600 --> 00:46:20,399
Speaker 1: on my own show, and I love the people love

926
00:46:20,480 --> 00:46:23,719
Speaker 1: to watch it, you know, all of her. I wonder

927
00:46:23,800 --> 00:46:25,640
Speaker 1: Wendy's really coming back though, because I mean we haven't

928
00:46:25,680 --> 00:46:27,919
Speaker 1: heard dead Ball Mercury or anybody seen it. They've heard

929
00:46:27,960 --> 00:46:30,279
Speaker 1: her saying it, so we don't know, right, But you know,

930
00:46:30,400 --> 00:46:34,320
Speaker 1: Sherry Shepherd has been very respectful to Wendy and saying

931
00:46:34,440 --> 00:46:38,279
Speaker 1: nice things about Wendy Williams. And to be clear, I'm

932
00:46:38,280 --> 00:46:40,399
Speaker 1: supposed to be a takeover of the Wendy Williams Show.

933
00:46:40,440 --> 00:46:43,000
Speaker 1: It's her own show that's different, her own new show. Yep. Yeah,

934
00:46:43,040 --> 00:46:45,479
Speaker 1: So here's what Sherry Shepherd had to say. She's out. Well,

935
00:46:46,239 --> 00:46:48,879
Speaker 1: so it's just a lot going on in Wendy's life.

936
00:46:49,080 --> 00:46:51,680
Speaker 1: There was a time at the beginning of my career

937
00:46:51,760 --> 00:46:54,800
Speaker 1: at the View. I used to perform at Carolines and

938
00:46:54,920 --> 00:46:58,840
Speaker 1: Wendy had a comedy night at Carolines, and we were

939
00:46:59,040 --> 00:47:02,520
Speaker 1: very friendly, sometimes stepped on paying out as far as friendships.

940
00:47:03,040 --> 00:47:07,080
Speaker 1: So Wendy was very very honest and transparent. On her show,

941
00:47:07,360 --> 00:47:09,720
Speaker 1: she would say she really wasn't trying to be friends

942
00:47:10,080 --> 00:47:11,759
Speaker 1: with people because it would make it hard for her

943
00:47:11,800 --> 00:47:14,040
Speaker 1: to talk about them. So maybe that was one of

944
00:47:14,080 --> 00:47:18,720
Speaker 1: the reasons why we never had a friendship, because I'm

945
00:47:18,960 --> 00:47:21,719
Speaker 1: I have very strong friendships and I'm definitely a woman

946
00:47:21,800 --> 00:47:26,439
Speaker 1: who likes to uplift other women. So all right, well,

947
00:47:26,719 --> 00:47:29,439
Speaker 1: you know, I don't know. She stopped the rope. You said,

948
00:47:29,480 --> 00:47:31,920
Speaker 1: what she took the hot rope? Yeah, the rope, all

949
00:47:32,000 --> 00:47:35,440
Speaker 1: right now. Stevie j has apologized to Faith publicly on

950
00:47:35,520 --> 00:47:38,440
Speaker 1: social media. He said, Faith Rene Jordan, I've hurt you,

951
00:47:38,560 --> 00:47:41,080
Speaker 1: disrespected you, and humiliated you in front of the world.

952
00:47:41,400 --> 00:47:43,200
Speaker 1: From this day forward, I promised to listen to your

953
00:47:43,239 --> 00:47:45,640
Speaker 1: feelings and be more delicate with your heart. I also

954
00:47:45,680 --> 00:47:47,760
Speaker 1: promised to build you up even more and to communicate

955
00:47:47,880 --> 00:47:49,799
Speaker 1: deally with you, respect you, and love on you until

956
00:47:49,840 --> 00:47:52,120
Speaker 1: you're as happy as you were when we got married.

957
00:47:52,160 --> 00:47:55,200
Speaker 1: I've learned my lesson and I never want to live

958
00:47:55,239 --> 00:47:57,560
Speaker 1: without you, because God knows I'm a better man. With you,

959
00:47:58,040 --> 00:47:59,879
Speaker 1: and I'm asking you to find it in your heart

960
00:48:00,040 --> 00:48:02,600
Speaker 1: to forgive me and allow me to rebuild our trust.

961
00:48:02,680 --> 00:48:07,560
Speaker 1: Happy Mother's Day, I love you. Well. Perhaps the two

962
00:48:07,600 --> 00:48:09,840
Speaker 1: of them will work it out that. I don't know. Guys,

963
00:48:10,040 --> 00:48:12,480
Speaker 1: they've been through a lot, very publicly, Charlemagne, did you

964
00:48:12,480 --> 00:48:15,840
Speaker 1: give him that advice to do that publicly? No? I didn't.

965
00:48:16,280 --> 00:48:17,800
Speaker 1: I didn't give you the advice to do that public

966
00:48:18,840 --> 00:48:21,080
Speaker 1: did all here? I did not. I did not know

967
00:48:21,200 --> 00:48:23,680
Speaker 1: what he was actually going through. Like you should call

968
00:48:23,760 --> 00:48:26,719
Speaker 1: her now and apologize. I don't know if that's how

969
00:48:26,760 --> 00:48:28,040
Speaker 1: I went. I got to go back and listen, but

970
00:48:28,160 --> 00:48:30,680
Speaker 1: I definitely didn't know what interview was going through at

971
00:48:30,680 --> 00:48:32,400
Speaker 1: the time. But we had moved on from that, so

972
00:48:32,480 --> 00:48:35,000
Speaker 1: let's not go back to that space. You did bring

973
00:48:35,040 --> 00:48:36,920
Speaker 1: it up, I said, Stevie J I didn't say me.

974
00:48:37,440 --> 00:48:39,279
Speaker 1: You know, we know what you are alluding to. You

975
00:48:39,400 --> 00:48:42,680
Speaker 1: give him that advice, You knew what you are alluding to.

976
00:48:43,960 --> 00:48:46,840
Speaker 1: All right now, TI says that Kevin Samuel WLS is

977
00:48:46,960 --> 00:48:49,560
Speaker 1: being bullied and that people are ganging up on a

978
00:48:49,640 --> 00:48:53,520
Speaker 1: dead man. Here's what he had to say. Just seet see. Actually,

979
00:48:54,200 --> 00:48:58,240
Speaker 1: because I don't like y'all bullying or dead man basically

980
00:48:58,640 --> 00:49:01,880
Speaker 1: ganging up on her Dad man a travesty of justice.

981
00:49:02,640 --> 00:49:05,080
Speaker 1: I can't I can't stand it. I can't stand it.

982
00:49:05,600 --> 00:49:07,319
Speaker 1: I ain't gonna let you out bully this did man.

983
00:49:07,400 --> 00:49:09,719
Speaker 1: We're gonna let this man rest in peace. Whatever he did,

984
00:49:09,800 --> 00:49:11,400
Speaker 1: he did it, and he gone. He got await with it.

985
00:49:11,640 --> 00:49:13,600
Speaker 1: It's between him and God, him and the Lord gonna

986
00:49:13,600 --> 00:49:14,960
Speaker 1: have to deal with it. You ain't got no hiven

987
00:49:15,040 --> 00:49:19,279
Speaker 1: or no here to put him in. I mean, I

988
00:49:19,320 --> 00:49:21,239
Speaker 1: do think it's quite strange to which death on a

989
00:49:21,320 --> 00:49:24,640
Speaker 1: person just because you didn't agree with their opinion. And

990
00:49:24,760 --> 00:49:28,400
Speaker 1: the fact that they're saying he died of heart attack.

991
00:49:28,480 --> 00:49:30,840
Speaker 1: It's like a heart disease is the number one killer

992
00:49:31,320 --> 00:49:33,520
Speaker 1: of black people, black men, and black women. So I

993
00:49:33,560 --> 00:49:36,160
Speaker 1: wouldn't necessarily call that calm either. Yeah, but if I

994
00:49:36,200 --> 00:49:37,919
Speaker 1: ain't like you when you was alive, I ain't gonna

995
00:49:37,920 --> 00:49:39,560
Speaker 1: like you when you're dead. There's no difference. I'm not

996
00:49:39,600 --> 00:49:41,480
Speaker 1: gonna change up because you die. If I don't like you,

997
00:49:41,560 --> 00:49:43,880
Speaker 1: I don't like you. All show me. I see that

998
00:49:43,920 --> 00:49:46,320
Speaker 1: a lot of people didn't necessarily like Yeah. All this

999
00:49:46,440 --> 00:49:49,080
Speaker 1: shows me is that And I've always said this with

1000
00:49:49,239 --> 00:49:51,840
Speaker 1: Michael K. Williams past. I love to see all the

1001
00:49:51,960 --> 00:49:54,520
Speaker 1: posts and tributes that people did to him. Had nothing

1002
00:49:54,600 --> 00:49:56,880
Speaker 1: to do with his acting. It had everything to do

1003
00:49:57,000 --> 00:49:59,360
Speaker 1: with who he was as a person. Regular people just

1004
00:49:59,520 --> 00:50:03,160
Speaker 1: interact with him every day, Me, my interactions with him,

1005
00:50:03,560 --> 00:50:06,319
Speaker 1: all of us, everybody that ever came across him. That's

1006
00:50:06,360 --> 00:50:08,080
Speaker 1: how you want to be remembered, because you were such

1007
00:50:08,080 --> 00:50:11,080
Speaker 1: an amazing person in life. And it just really reinforced

1008
00:50:11,120 --> 00:50:13,520
Speaker 1: that for me because some people just didn't feel bad

1009
00:50:14,080 --> 00:50:17,160
Speaker 1: because of their thoughts about him, their feelings about him,

1010
00:50:17,640 --> 00:50:19,640
Speaker 1: and so it just made me feel like I got

1011
00:50:19,760 --> 00:50:22,240
Speaker 1: to make sure in life that I do great positive

1012
00:50:22,280 --> 00:50:23,840
Speaker 1: things because you think about how you want to be

1013
00:50:23,960 --> 00:50:26,480
Speaker 1: remembered after you pass. And yeah, I'm not saying you

1014
00:50:26,520 --> 00:50:28,200
Speaker 1: gotta feel bad, but I'm not saying you got to

1015
00:50:28,200 --> 00:50:31,200
Speaker 1: spike the football and make jokes either, especially because it's

1016
00:50:31,320 --> 00:50:34,440
Speaker 1: like I said, it's it's heart disease, right, Heart disease

1017
00:50:34,520 --> 00:50:37,000
Speaker 1: the number one killer Black people. When you run around

1018
00:50:37,000 --> 00:50:39,120
Speaker 1: screaming carma, just you remember things like that can happen

1019
00:50:39,200 --> 00:50:41,319
Speaker 1: to you and people you love to absolutely, but that's all.

1020
00:50:41,360 --> 00:50:43,080
Speaker 1: I'm always supposed to be a good person. I'm not

1021
00:50:43,080 --> 00:50:44,960
Speaker 1: gonna sit here a lie. There's some people. If they die,

1022
00:50:45,080 --> 00:50:48,000
Speaker 1: they die, they die. I don't care. I don't wish anybody.

1023
00:50:48,200 --> 00:50:51,319
Speaker 1: People die heart attack, We don't wish anybody. I would

1024
00:50:51,440 --> 00:50:54,040
Speaker 1: never ever be like I wish this person dies. But

1025
00:50:54,160 --> 00:50:56,920
Speaker 1: sometimes people just don't feel bad when it happens. Well,

1026
00:50:56,920 --> 00:50:59,239
Speaker 1: I mean to me, if I have a problem with

1027
00:50:59,320 --> 00:51:01,000
Speaker 1: you and I never liked you, when you alive, if

1028
00:51:01,040 --> 00:51:02,960
Speaker 1: you die, you die. I don't care if it's heart attack,

1029
00:51:03,000 --> 00:51:05,200
Speaker 1: if it's car accident, if it's called crash. I don't

1030
00:51:05,200 --> 00:51:07,680
Speaker 1: care if you've fallen a trip off a curb. If

1031
00:51:07,760 --> 00:51:09,640
Speaker 1: I don't like you because you're a bad person, you

1032
00:51:09,680 --> 00:51:11,800
Speaker 1: would issuing on me. If you die, you die. But

1033
00:51:11,880 --> 00:51:14,160
Speaker 1: I do feel bad for people family members. I hate

1034
00:51:14,160 --> 00:51:16,399
Speaker 1: that his mom had to find out on social media. Yea,

1035
00:51:16,760 --> 00:51:19,040
Speaker 1: And clearly there's people that love him, that are close

1036
00:51:19,080 --> 00:51:20,600
Speaker 1: to him, that know him in a different way than

1037
00:51:20,640 --> 00:51:22,719
Speaker 1: the rest of the world does. And so that's why

1038
00:51:22,719 --> 00:51:25,239
Speaker 1: I'm always like condolences to the family members, because it's

1039
00:51:25,280 --> 00:51:28,680
Speaker 1: not easy to lose someone. Yeah, I'm not wishing somebody

1040
00:51:28,719 --> 00:51:31,120
Speaker 1: just because I disagree with things that come out of them.

1041
00:51:31,400 --> 00:51:34,400
Speaker 1: I'm not saying him I don't not saying him, but

1042
00:51:34,440 --> 00:51:36,879
Speaker 1: I understand the way that some people feel about certain things.

1043
00:51:37,400 --> 00:51:39,680
Speaker 1: All right, well that is your rumor reports, all right,

1044
00:51:40,840 --> 00:51:44,239
Speaker 1: who are giving that down? Four after the hour? I

1045
00:51:44,360 --> 00:51:46,160
Speaker 1: need Virgin Atlantic Airlines to come in the front of

1046
00:51:46,160 --> 00:51:47,959
Speaker 1: the congregation. We like to have a word within place.

1047
00:51:48,120 --> 00:51:49,960
Speaker 1: All right, we'll get into that next. It's the breakfast

1048
00:51:50,040 --> 00:51:53,520
Speaker 1: club come morning. So breakfast club, your mornings will never

1049
00:51:53,760 --> 00:51:57,040
Speaker 1: be the same. I teamed up with ther Tack for

1050
00:51:57,200 --> 00:52:00,960
Speaker 1: this allergy relief message springtime bring the vibrancy to the

1051
00:52:01,040 --> 00:52:04,680
Speaker 1: air and pollen. So I take Zyrtech when allergy symptoms start,

1052
00:52:05,040 --> 00:52:08,479
Speaker 1: save the tissues and live vibrantly with Zyrtech. Starts working

1053
00:52:08,520 --> 00:52:13,920
Speaker 1: at hour one and stay strong day after day. I

1054
00:52:14,080 --> 00:52:24,840
Speaker 1: was going to donkey the donkey, but don't get that,

1055
00:52:26,000 --> 00:52:33,880
Speaker 1: Charlomne devil. Yeah, it's donkey today for Monday, made nicely.

1056
00:52:34,000 --> 00:52:35,759
Speaker 1: Make sure it's made NiFe, Yes, just made. Knife goes

1057
00:52:35,800 --> 00:52:39,759
Speaker 1: to Virgin Atlantic Airlines. Really nice planes, okay, really nice

1058
00:52:39,760 --> 00:52:41,960
Speaker 1: planes on Virgin Atlantic Airlines. Dropping a clube bombs with

1059
00:52:42,000 --> 00:52:46,200
Speaker 1: Virgin Atlantic Airlines. Listen, I am a proud jet Blumo,

1060
00:52:46,320 --> 00:52:50,640
Speaker 1: saying member, but Virgin Atlantic is very, very very fresh. Okay.

1061
00:52:50,680 --> 00:52:52,680
Speaker 1: I remember getting on one in those flights once and

1062
00:52:52,760 --> 00:52:54,960
Speaker 1: it reminded me of soule play. Not because it was

1063
00:52:54,960 --> 00:52:56,919
Speaker 1: a lot of black people on the flight, because it wasn't,

1064
00:52:56,960 --> 00:53:00,960
Speaker 1: but just how fresh the actual plane was. Okay, I

1065
00:53:01,080 --> 00:53:03,000
Speaker 1: said to myself, this is the closest we are going

1066
00:53:03,080 --> 00:53:05,040
Speaker 1: to get to an actual soul plane. That was great

1067
00:53:05,360 --> 00:53:08,520
Speaker 1: when a flight, you know, looks futuristic and clean and fresh.

1068
00:53:08,600 --> 00:53:11,239
Speaker 1: But what I care about more than anything is who

1069
00:53:11,840 --> 00:53:14,360
Speaker 1: is flying the plane, Okay, dropping a clues bombs for

1070
00:53:14,520 --> 00:53:17,799
Speaker 1: all the pilots out there. When I get on a flight,

1071
00:53:17,920 --> 00:53:20,160
Speaker 1: I speak to the pilots, Okay, I make sure to

1072
00:53:20,239 --> 00:53:22,960
Speaker 1: greet the pilots and send the pilots positive energy, love

1073
00:53:23,040 --> 00:53:26,000
Speaker 1: and light, because we don't need our pilots having a

1074
00:53:26,120 --> 00:53:28,040
Speaker 1: bad day, all right. Do you know how crazy it

1075
00:53:28,160 --> 00:53:31,440
Speaker 1: is that we just get on planes are any form

1076
00:53:31,520 --> 00:53:34,759
Speaker 1: of transportation for that matter, and not speak to the

1077
00:53:34,800 --> 00:53:37,879
Speaker 1: person who's at the helm of said form of transportation.

1078
00:53:38,480 --> 00:53:40,360
Speaker 1: You know how we say be kind to everyone you

1079
00:53:40,440 --> 00:53:42,160
Speaker 1: meet because you don't know what folks are going through.

1080
00:53:42,360 --> 00:53:45,640
Speaker 1: That's especially true for people you are allowing to take

1081
00:53:45,719 --> 00:53:48,640
Speaker 1: you places. Okay, you better beat you better speak and

1082
00:53:48,719 --> 00:53:51,160
Speaker 1: be kind to that uber driver, all right. You better

1083
00:53:51,239 --> 00:53:53,400
Speaker 1: speak and be kind to that bus driver. And you

1084
00:53:53,520 --> 00:53:55,760
Speaker 1: damn sure better speak and be kind to that pilot.

1085
00:53:55,960 --> 00:53:58,160
Speaker 1: All right. We are fifty thousand and sixty thousand feet

1086
00:53:58,160 --> 00:54:00,840
Speaker 1: in the air. I am entrusting you to get us

1087
00:54:00,880 --> 00:54:03,720
Speaker 1: to our destination safely. I need you to feel worthy,

1088
00:54:04,040 --> 00:54:07,080
Speaker 1: all right, mister missus pilot. I need you to feel loved,

1089
00:54:07,239 --> 00:54:10,640
Speaker 1: valued and appreciated. Mister and missus pilot. I am trusting

1090
00:54:10,680 --> 00:54:14,200
Speaker 1: you with my life, my family's life, and everybody else

1091
00:54:14,280 --> 00:54:17,160
Speaker 1: on this plane as you feel the same. Okay. Not

1092
00:54:17,320 --> 00:54:19,520
Speaker 1: only do I speak to the pilot and everyone who

1093
00:54:19,560 --> 00:54:22,239
Speaker 1: works on the flight, I pray for them, Okay. When

1094
00:54:22,280 --> 00:54:24,239
Speaker 1: I sit down in my seat and before take off,

1095
00:54:24,400 --> 00:54:26,880
Speaker 1: I pray for the pilot, everybody, and I pray for

1096
00:54:26,960 --> 00:54:29,279
Speaker 1: everybody who works on the flight, okay, and everyone on

1097
00:54:29,360 --> 00:54:31,080
Speaker 1: the flight, I pray we all get to our destination

1098
00:54:31,200 --> 00:54:33,800
Speaker 1: safely and soundly. And this is why today's donkey or

1099
00:54:33,840 --> 00:54:36,400
Speaker 1: to day hurts, okay, because when we get on these flights,

1100
00:54:36,719 --> 00:54:39,160
Speaker 1: you know, I'm ditting all these eyes and crossing these teas,

1101
00:54:39,200 --> 00:54:41,480
Speaker 1: and you know, asking my God to get us where

1102
00:54:41,520 --> 00:54:43,120
Speaker 1: we need to be. Safely because I want the best

1103
00:54:43,200 --> 00:54:45,719
Speaker 1: possible outcome. But it is the airline thinking about that

1104
00:54:45,880 --> 00:54:48,680
Speaker 1: in regards to us. Does the airline care if we

1105
00:54:48,760 --> 00:54:50,680
Speaker 1: get to where we need to be safely? Does the

1106
00:54:50,719 --> 00:54:53,880
Speaker 1: airline care about who's flying the planes? I'm sure they do.

1107
00:54:54,120 --> 00:54:57,640
Speaker 1: But a Virgin Atlantic flight heading the JFK, you know,

1108
00:54:58,160 --> 00:55:00,520
Speaker 1: an NYC coming from London, had to learned back to

1109
00:55:00,640 --> 00:55:03,360
Speaker 1: London and it was the airline's fault. It was Virgin

1110
00:55:03,440 --> 00:55:06,960
Speaker 1: Atlantic's fault. What reason does the airline have to turn

1111
00:55:07,000 --> 00:55:10,040
Speaker 1: back around? What was the plane lan gas if somebody

1112
00:55:10,120 --> 00:55:12,400
Speaker 1: could get to fill it up? Was it a mechanical issue?

1113
00:55:12,640 --> 00:55:15,400
Speaker 1: Is a pilot sick? Well, let's go to Yahoo financed

1114
00:55:15,400 --> 00:55:17,799
Speaker 1: to see what the hell happened. An interesting story here,

1115
00:55:17,840 --> 00:55:20,840
Speaker 1: a Virgin Atlantic flight had to turn around fourteen minutes

1116
00:55:20,880 --> 00:55:23,800
Speaker 1: into the journey because the first officer hadn't completed this

1117
00:55:23,840 --> 00:55:26,680
Speaker 1: point in le assessment. Captain who was flying with him

1118
00:55:26,719 --> 00:55:29,879
Speaker 1: didn't have the designated trainer status in order to fly

1119
00:55:30,040 --> 00:55:32,440
Speaker 1: with them. Now this is information that would have been

1120
00:55:32,600 --> 00:55:35,560
Speaker 1: very helpful before they got on the plane. You think

1121
00:55:35,600 --> 00:55:37,880
Speaker 1: a Virgin talked this out to a Rostering eerr, But

1122
00:55:37,960 --> 00:55:39,920
Speaker 1: if you were one of these passengers on that London

1123
00:55:39,960 --> 00:55:43,000
Speaker 1: to New York flight were rivally three hours late because

1124
00:55:43,040 --> 00:55:46,839
Speaker 1: of this. That's probably not much comfort. A rostering era,

1125
00:55:47,640 --> 00:55:50,920
Speaker 1: a rostering era. In my first book, Black Privilege, go

1126
00:55:51,080 --> 00:55:53,640
Speaker 1: get that if you haven't. But in my first book,

1127
00:55:53,640 --> 00:55:55,319
Speaker 1: I have a chapter call put the Weed in the bag,

1128
00:55:55,360 --> 00:55:57,719
Speaker 1: and it's based off the classic scene in Belly when

1129
00:55:57,800 --> 00:56:00,600
Speaker 1: Tommy and Sincere are bagging of weed and basement and

1130
00:56:00,719 --> 00:56:03,240
Speaker 1: wise and locked the too young and say I'm tired

1131
00:56:03,239 --> 00:56:05,120
Speaker 1: of this school stuff. We're ready to quit and get

1132
00:56:05,160 --> 00:56:07,400
Speaker 1: money with y'all. And DMX says put the weed in

1133
00:56:07,440 --> 00:56:09,680
Speaker 1: the back first, and didn't get money. The way I

1134
00:56:09,800 --> 00:56:13,040
Speaker 1: interpret that is simple. You can't escape the process. Okay,

1135
00:56:13,080 --> 00:56:16,000
Speaker 1: you can't skip steps. You just can't imagine somebody about

1136
00:56:16,040 --> 00:56:18,399
Speaker 1: to do major heart surgery on you and you find

1137
00:56:18,400 --> 00:56:21,200
Speaker 1: out they haven't finished whatever test or requirements they supposed

1138
00:56:21,200 --> 00:56:23,279
Speaker 1: to and aren't even qualified yet to be holding this

1139
00:56:23,360 --> 00:56:26,080
Speaker 1: capital and cutting you open. And these people on this flight,

1140
00:56:26,160 --> 00:56:28,480
Speaker 1: these pilots, they aren't even new. You heard the news report.

1141
00:56:28,719 --> 00:56:32,160
Speaker 1: The first officer I read joined the company in twenty seventeen,

1142
00:56:32,560 --> 00:56:35,719
Speaker 1: and it's qualified in accordance with UK's flight regulations. But

1143
00:56:36,280 --> 00:56:39,439
Speaker 1: needed to complete the airlines in turn on final assessment flight,

1144
00:56:39,640 --> 00:56:42,359
Speaker 1: and the flight's captain, who's highly experienced and has been

1145
00:56:42,400 --> 00:56:44,840
Speaker 1: with Virgin Atlantic for seventeen years, did not have the

1146
00:56:44,960 --> 00:56:48,040
Speaker 1: designated trainer status. Okay, so the first officer was replaced

1147
00:56:48,080 --> 00:56:49,759
Speaker 1: with a new pilot. I don't even really know what

1148
00:56:49,840 --> 00:56:52,160
Speaker 1: any of that means, Okay, I just know they shouldn't

1149
00:56:52,160 --> 00:56:53,719
Speaker 1: have been flying that plane, all right. And if I

1150
00:56:53,840 --> 00:56:55,680
Speaker 1: was on that plane and they told me the pilot

1151
00:56:55,760 --> 00:56:58,080
Speaker 1: had to fly back because he didn't pass the final

1152
00:56:58,160 --> 00:57:02,120
Speaker 1: assessment test, I would have had a panic attack, all right.

1153
00:57:02,640 --> 00:57:05,880
Speaker 1: I would have had a straight up anxiety attack. I

1154
00:57:05,920 --> 00:57:08,560
Speaker 1: would have been running for the emergency door. Okay. Therefore,

1155
00:57:08,880 --> 00:57:12,640
Speaker 1: everybody on this flight, and my mind is entitled the compensation,

1156
00:57:13,040 --> 00:57:16,520
Speaker 1: all right. You don't know the stress, emotional pain and

1157
00:57:16,920 --> 00:57:20,360
Speaker 1: suffering something like that could cause. Therefore, I need more

1158
00:57:20,360 --> 00:57:23,200
Speaker 1: than free flights and points for this type of stress, okay,

1159
00:57:23,400 --> 00:57:26,320
Speaker 1: s k R E S S stress. All right. Look,

1160
00:57:26,680 --> 00:57:29,360
Speaker 1: you gotta climb the steps, people. You can't skip them,

1161
00:57:29,520 --> 00:57:32,320
Speaker 1: all right. Today's society wants to skip the process, and

1162
00:57:32,440 --> 00:57:35,080
Speaker 1: I don't like that. Okay. I need the professionals doing

1163
00:57:35,120 --> 00:57:37,800
Speaker 1: what professionals do. And I don't care how qualified they

1164
00:57:37,880 --> 00:57:40,040
Speaker 1: say you are. If you haven't taken the final test,

1165
00:57:40,160 --> 00:57:42,920
Speaker 1: well then you are not all the way qualified. Okay,

1166
00:57:43,000 --> 00:57:46,000
Speaker 1: this is one of those times I don't want no Virgin. Okay,

1167
00:57:46,040 --> 00:57:48,240
Speaker 1: I don't want to be in on the airline called Virgin. Nope.

1168
00:57:48,320 --> 00:57:50,880
Speaker 1: I don't want to be the one to pop your chario. Okay.

1169
00:57:50,880 --> 00:57:54,440
Speaker 1: I want qualified professionals who have passed every test, all right.

1170
00:57:54,480 --> 00:57:59,400
Speaker 1: I want slut airlines or airlines, not virgins. Okay. When

1171
00:57:59,440 --> 00:58:03,120
Speaker 1: I'm on I'm in the air, I need experience, right,

1172
00:58:03,640 --> 00:58:06,440
Speaker 1: Please give Virgin Atlantic Airlines the sweet signs of the hamiltones.

1173
00:58:06,680 --> 00:58:15,400
Speaker 1: Oh no, you are the dogee of the day, do

1174
00:58:16,200 --> 00:58:24,520
Speaker 1: Gee oh the day. Ye Maybe I missed it. But

1175
00:58:24,680 --> 00:58:26,760
Speaker 1: how did they know mid air that he didn't have

1176
00:58:26,880 --> 00:58:30,280
Speaker 1: his pop proper qualification? I don't know. I ain't get

1177
00:58:30,320 --> 00:58:32,280
Speaker 1: all that. Was it just a conversation like we're talking

1178
00:58:32,320 --> 00:58:33,919
Speaker 1: to the other pilot like, hey, where'd you go to school?

1179
00:58:34,840 --> 00:58:37,760
Speaker 1: No idea, But somebody could turn around in the middle

1180
00:58:37,840 --> 00:58:39,760
Speaker 1: they said it was a roster aarra, so somebody might

1181
00:58:39,800 --> 00:58:42,280
Speaker 1: have double checked the roster and was like, oh wait

1182
00:58:42,320 --> 00:58:45,120
Speaker 1: a minute. We sent the wrong person already in the row.

1183
00:58:45,360 --> 00:58:46,680
Speaker 1: How did the pilot and I say, like, you know,

1184
00:58:46,760 --> 00:58:49,760
Speaker 1: I don't have the proper qualifications. Turn back around, turn

1185
00:58:49,840 --> 00:58:55,440
Speaker 1: back around, buddy. All right, well, thank you for that

1186
00:58:55,560 --> 00:58:58,240
Speaker 1: donkey of the day. Now, when we come back, Mark

1187
00:58:58,360 --> 00:59:00,560
Speaker 1: Lamont Hill will be joining us. We go when him.

1188
00:59:00,560 --> 00:59:01,960
Speaker 1: When we come back, he got a new book. What's

1189
00:59:01,960 --> 00:59:04,320
Speaker 1: the name of it. It's called Seen An Unseen Technology

1190
00:59:04,440 --> 00:59:07,280
Speaker 1: Social Media in the Fight for Racial Justice. Balk Lamont

1191
00:59:07,360 --> 00:59:09,160
Speaker 1: Hill and Todd Brewster, all right, we're gonna talk to

1192
00:59:09,240 --> 00:59:11,120
Speaker 1: him when we come back. It's the Breakfast Club. Good morning,

1193
00:59:11,560 --> 00:59:18,720
Speaker 1: the Breakfast Club, Come morning. Everybody's DJ Envy Angela Yee,

1194
00:59:18,840 --> 00:59:20,960
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got

1195
00:59:21,040 --> 00:59:24,480
Speaker 1: a special guest in the building, Mark Lamont Hill. Welcome

1196
00:59:24,800 --> 00:59:26,840
Speaker 1: than good to be here. Good to see all the

1197
00:59:26,880 --> 00:59:30,560
Speaker 1: real life. Last time I was on, I'm good man,

1198
00:59:31,200 --> 00:59:33,800
Speaker 1: just grinding. Man. You know, it's been a crazy year.

1199
00:59:34,280 --> 00:59:36,840
Speaker 1: Got real sick in the fall, had blood clots and

1200
00:59:37,080 --> 00:59:39,960
Speaker 1: my heart attack. It was real. Yeah. All came from

1201
00:59:39,960 --> 00:59:42,960
Speaker 1: a rupture to killers playing ball and uh, I mean

1202
00:59:43,080 --> 00:59:47,080
Speaker 1: literally almost died and yeah man, yeah, so it's been

1203
00:59:47,160 --> 00:59:48,920
Speaker 1: like just the recovery trying to eat better, trying to

1204
00:59:49,000 --> 00:59:51,360
Speaker 1: live better, you know, just be healthier. So I'm good,

1205
00:59:51,440 --> 00:59:54,520
Speaker 1: you know, breaking that down from a basketball injury, blood

1206
00:59:54,520 --> 00:59:56,920
Speaker 1: clots in a heart attack. Yeah, so like it happens

1207
00:59:56,920 --> 00:59:59,520
Speaker 1: a lot where like you get old, you old, you

1208
00:59:59,600 --> 01:00:02,200
Speaker 1: get you rupture your achilles. So I wasn't even doing

1209
01:00:02,240 --> 01:00:03,920
Speaker 1: nothing special. I just took one dribble to the right.

1210
01:00:04,160 --> 01:00:06,160
Speaker 1: I felt something popping my leg. Thought I got hit.

1211
01:00:06,640 --> 01:00:08,360
Speaker 1: Actually I thought I got shot because I was playing

1212
01:00:08,360 --> 01:00:11,960
Speaker 1: in a certain neighborhood. Yeah. I was in the hood

1213
01:00:12,000 --> 01:00:13,120
Speaker 1: play and it was like it was like me and

1214
01:00:13,160 --> 01:00:14,600
Speaker 1: a couple, like my young boy and somebody else were

1215
01:00:14,640 --> 01:00:17,720
Speaker 1: just playing and I was like, if this is a

1216
01:00:17,800 --> 01:00:21,800
Speaker 1: real bad way to die forty two. But it wasn't.

1217
01:00:21,840 --> 01:00:24,000
Speaker 1: I was good, right. I turned around so nobody was there.

1218
01:00:24,360 --> 01:00:25,680
Speaker 1: Went to the hospital. They told me it was a

1219
01:00:25,720 --> 01:00:29,920
Speaker 1: completely rupture. About three weeks later, I started getting shortness

1220
01:00:29,920 --> 01:00:30,920
Speaker 1: of breath. I thought it was just because I was

1221
01:00:30,960 --> 01:00:34,280
Speaker 1: hopping around the house. Um, it wasn't that. And then

1222
01:00:34,320 --> 01:00:36,320
Speaker 1: I was typed. I was working on the book and

1223
01:00:36,440 --> 01:00:38,040
Speaker 1: I went to the bathroom and I couldn't breathe. The

1224
01:00:38,120 --> 01:00:40,160
Speaker 1: room was spinning, and I like passed out on the

1225
01:00:40,200 --> 01:00:43,120
Speaker 1: bathroom floor, woked myself up, like I don't know how, honestly,

1226
01:00:43,240 --> 01:00:45,200
Speaker 1: crawled down the steps, got to the ambulance. They said,

1227
01:00:45,240 --> 01:00:46,520
Speaker 1: if I got there just a little bit, a little

1228
01:00:46,520 --> 01:00:48,520
Speaker 1: bit later, I probably would have died. Yeah, called nine

1229
01:00:48,560 --> 01:00:51,720
Speaker 1: one for you, something one for myself. Yeah, yeah, Yeah.

1230
01:00:51,840 --> 01:00:54,919
Speaker 1: It was crazy, man. So you know, I was very lucky.

1231
01:00:54,960 --> 01:00:57,040
Speaker 1: Had blood class covering all my whole left lung, almost

1232
01:00:57,040 --> 01:01:00,960
Speaker 1: all of my right lung and uh yeah, damn. And

1233
01:01:01,040 --> 01:01:03,360
Speaker 1: that all came from an Achilles. From Achilles, I had

1234
01:01:03,400 --> 01:01:05,360
Speaker 1: deep I had a DVT right so basically a clock

1235
01:01:05,440 --> 01:01:08,400
Speaker 1: in my leg that rolls up to my to my lungs.

1236
01:01:08,440 --> 01:01:10,160
Speaker 1: And I didn't notice it right away because you know,

1237
01:01:10,360 --> 01:01:11,880
Speaker 1: I just didn't notice it, and I didn't have some

1238
01:01:11,920 --> 01:01:15,560
Speaker 1: of the symptons you normally have. And yeah, and it

1239
01:01:15,600 --> 01:01:17,520
Speaker 1: happens to a lot of people. Kevin Durant, he told

1240
01:01:17,560 --> 01:01:20,400
Speaker 1: me that. He said that after he repres Achilles, that's

1241
01:01:20,400 --> 01:01:21,800
Speaker 1: the thing he was most terrified of, and so he

1242
01:01:21,920 --> 01:01:24,640
Speaker 1: was constantly like looking at it, getting a check. So

1243
01:01:24,680 --> 01:01:26,600
Speaker 1: what's the treatment for it? None, you can really do.

1244
01:01:26,720 --> 01:01:28,160
Speaker 1: I mean, they pulled the clots out. I was in

1245
01:01:28,200 --> 01:01:29,720
Speaker 1: the hospital for few days and pulled the clots out.

1246
01:01:29,760 --> 01:01:31,280
Speaker 1: And after that, if I take blood thinners, I may

1247
01:01:31,280 --> 01:01:32,360
Speaker 1: have to take him for the rest of my life.

1248
01:01:32,760 --> 01:01:34,720
Speaker 1: But that's okay. That's a small price to pay and

1249
01:01:34,840 --> 01:01:37,760
Speaker 1: still be here. To be here, Yeah, I'm good. Happy

1250
01:01:37,800 --> 01:01:40,080
Speaker 1: you're here, My brothers, and you got the new book

1251
01:01:40,120 --> 01:01:43,240
Speaker 1: Scene and Unseen, and I love the topic you tackle

1252
01:01:43,280 --> 01:01:45,880
Speaker 1: in this book. You talk about visual media and Howard

1253
01:01:45,920 --> 01:01:50,040
Speaker 1: shifting the narrative on race and reignited the push towards justice.

1254
01:01:50,080 --> 01:01:52,520
Speaker 1: So do you think social media is I guess you

1255
01:01:52,560 --> 01:01:55,919
Speaker 1: think social media is helping or hurting. That's a good question.

1256
01:01:55,960 --> 01:01:59,120
Speaker 1: I always say social media takes people who should be

1257
01:02:00,120 --> 01:02:02,080
Speaker 1: closer together and pulls them apart. Like you might be

1258
01:02:02,160 --> 01:02:04,200
Speaker 1: with your family and everybody on their cell phone, or

1259
01:02:04,320 --> 01:02:06,560
Speaker 1: you might be on accouch with your lady or your

1260
01:02:06,600 --> 01:02:09,640
Speaker 1: partner whoever, and you're both doing something different. You know

1261
01:02:10,160 --> 01:02:13,600
Speaker 1: that pulls people apart. But then you have people who

1262
01:02:14,200 --> 01:02:16,600
Speaker 1: are far apart who should be far apart. When you

1263
01:02:16,680 --> 01:02:19,680
Speaker 1: argue with that that troll, or like my man another

1264
01:02:19,760 --> 01:02:23,040
Speaker 1: day arguing with drink. Yeah that was a heart help,

1265
01:02:23,080 --> 01:02:25,800
Speaker 1: but right you end up people who you shouldn't even

1266
01:02:25,800 --> 01:02:28,440
Speaker 1: be engaging it pulls you closer to them. And so

1267
01:02:29,400 --> 01:02:31,840
Speaker 1: that's that's the danger of it. But there's a way

1268
01:02:31,920 --> 01:02:33,640
Speaker 1: that it helps us organized. Man, we wouldn't be talking

1269
01:02:33,640 --> 01:02:35,600
Speaker 1: about George Floyd. We wouldn't have went down in Ferguson

1270
01:02:35,600 --> 01:02:38,320
Speaker 1: if it wasn't for social media and technology. Like you said,

1271
01:02:38,760 --> 01:02:42,200
Speaker 1: somebody film that and then everybody had a chance to

1272
01:02:42,440 --> 01:02:45,640
Speaker 1: actually see what happened, rather than try to recount something

1273
01:02:45,720 --> 01:02:47,720
Speaker 1: that happened from witnesses that were there. Now you have

1274
01:02:47,920 --> 01:02:51,320
Speaker 1: the film. Now you have a whole society of people

1275
01:02:51,360 --> 01:02:53,760
Speaker 1: that are able to witness and visually, there's no way

1276
01:02:53,800 --> 01:02:56,520
Speaker 1: you don't feel something right from watching that. Yes, and

1277
01:02:56,600 --> 01:02:58,959
Speaker 1: the thing is and this is what we're tackling the book.

1278
01:03:00,160 --> 01:03:03,320
Speaker 1: It's not new. We've always used technology that way. We

1279
01:03:03,440 --> 01:03:07,960
Speaker 1: just have better technology now. So think about Rodney King, right,

1280
01:03:08,360 --> 01:03:09,919
Speaker 1: that was a stroke of Look, I mean, the odds

1281
01:03:09,960 --> 01:03:12,240
Speaker 1: are getting somebody getting there behind beat by the police

1282
01:03:12,520 --> 01:03:14,480
Speaker 1: with a cam coort. You don't remember the big campor

1283
01:03:15,480 --> 01:03:16,960
Speaker 1: you needed to tape. You need to make sure the

1284
01:03:17,000 --> 01:03:18,880
Speaker 1: tape was clean, put the tag, you know, little Apron

1285
01:03:18,920 --> 01:03:21,240
Speaker 1: and Janet to make sure you know you can record over.

1286
01:03:21,440 --> 01:03:23,040
Speaker 1: You needed all those things that happened in the instant

1287
01:03:23,080 --> 01:03:25,400
Speaker 1: that somebody's getting beatn Now everybody can pull off the phone.

1288
01:03:26,000 --> 01:03:28,640
Speaker 1: But that moment changed the conversation because all of a sudden, America,

1289
01:03:28,800 --> 01:03:32,000
Speaker 1: especially white America, couldn't say they didn't know. But that

1290
01:03:32,040 --> 01:03:34,440
Speaker 1: wasn't the first time. Look at Martin Luther King when

1291
01:03:34,480 --> 01:03:36,840
Speaker 1: we got beat on the Pettis Bridge fighting for trying

1292
01:03:36,840 --> 01:03:39,400
Speaker 1: to get voting rights, and doctor King said, y'all aren't

1293
01:03:39,400 --> 01:03:41,640
Speaker 1: going to beat us in the dark anymore. Y'all aren't

1294
01:03:41,640 --> 01:03:43,360
Speaker 1: gonna beat us in the woods at Alabama, y'all not

1295
01:03:43,360 --> 01:03:45,960
Speaker 1: gonna beat us in private. We're gonna make all of America.

1296
01:03:46,000 --> 01:03:48,560
Speaker 1: We're gonna sit on this bridge and show the viciousness

1297
01:03:48,600 --> 01:03:51,320
Speaker 1: of white supremacy. And so now the social media was

1298
01:03:51,480 --> 01:03:55,280
Speaker 1: even the news. The technology was the news camera. You

1299
01:03:55,320 --> 01:03:58,200
Speaker 1: know when Emmett till Is killed Jet magazine, that when

1300
01:03:58,240 --> 01:04:01,440
Speaker 1: Emmettill's faces on Jet magazine, that's the media. Yeah, America

1301
01:04:01,480 --> 01:04:03,040
Speaker 1: has done that too, you you know better than me.

1302
01:04:03,120 --> 01:04:05,840
Speaker 1: But the Vietnam War, when they started showing the images

1303
01:04:05,840 --> 01:04:08,400
Speaker 1: of the Vietnam War to get people riled up about

1304
01:04:08,440 --> 01:04:10,720
Speaker 1: like no, this this is an unjust war. Exactly when

1305
01:04:10,720 --> 01:04:13,760
Speaker 1: people saw those bodies and people whose bodies they thought

1306
01:04:13,760 --> 01:04:16,320
Speaker 1: were mournable, because black bodies aren't mournable in this country

1307
01:04:16,400 --> 01:04:19,080
Speaker 1: unless it's something gruesome. But when they started seeing their

1308
01:04:19,160 --> 01:04:22,080
Speaker 1: next door neighbors, when they started seeing their kids, their students,

1309
01:04:22,120 --> 01:04:24,720
Speaker 1: their friends, when they started seeing them dying in this war, now,

1310
01:04:24,760 --> 01:04:26,600
Speaker 1: they said, we got to stop this thing. So so

1311
01:04:26,840 --> 01:04:29,240
Speaker 1: black people have always been tactical about how we use

1312
01:04:29,400 --> 01:04:32,600
Speaker 1: media and technology, especially, and now because everybody has access

1313
01:04:32,600 --> 01:04:35,760
Speaker 1: to everybody has, it's much easier to do. In the

1314
01:04:35,840 --> 01:04:38,520
Speaker 1: first chapter, you talk about the spectacles of death, and

1315
01:04:38,600 --> 01:04:41,520
Speaker 1: you start off with the why. What is the why?

1316
01:04:42,200 --> 01:04:45,280
Speaker 1: You know, it's a good question because if you would

1317
01:04:45,320 --> 01:04:48,720
Speaker 1: have asked me five years ago what the moment for

1318
01:04:48,800 --> 01:04:50,760
Speaker 1: this generation was, I would have said it was Mike Brown.

1319
01:04:52,160 --> 01:04:54,360
Speaker 1: I couldn't imagine anything bigger than Mike Brown laying on

1320
01:04:55,000 --> 01:04:57,360
Speaker 1: campfield for three and a half minutes. You'd ask me

1321
01:04:57,400 --> 01:04:58,680
Speaker 1: before that, I would have said it was it was

1322
01:04:58,720 --> 01:05:01,440
Speaker 1: Trayvon Martin. Right, we were all organized for that, right.

1323
01:05:02,360 --> 01:05:05,160
Speaker 1: But this is the moment, absolutely, this is the moment,

1324
01:05:05,400 --> 01:05:07,840
Speaker 1: and the why of it is well, partly because America

1325
01:05:07,920 --> 01:05:09,480
Speaker 1: had to sit there and look at it, right with

1326
01:05:09,640 --> 01:05:12,640
Speaker 1: Mike Brown. We had testimony, we had stories, we had theories,

1327
01:05:12,920 --> 01:05:14,960
Speaker 1: you know, a trade by Martin. We had George Zimman,

1328
01:05:14,960 --> 01:05:18,400
Speaker 1: who we knew was racist, but but it was still different. Right,

1329
01:05:18,960 --> 01:05:21,560
Speaker 1: America had to sit there in a pandemic when we

1330
01:05:21,600 --> 01:05:23,960
Speaker 1: weren't leaving, we were all in our houses, we had

1331
01:05:24,000 --> 01:05:26,000
Speaker 1: our phones out, and we had to sit there for

1332
01:05:26,200 --> 01:05:28,720
Speaker 1: nine minutes, more than nine minutes, and watch George Floyd

1333
01:05:28,800 --> 01:05:32,520
Speaker 1: be executed. White people can't pretend anymore. They White people

1334
01:05:32,640 --> 01:05:34,440
Speaker 1: like to pretend, They like to be innocent, They like

1335
01:05:34,520 --> 01:05:36,880
Speaker 1: to act like this thing ain't real. But when somebody's

1336
01:05:36,960 --> 01:05:38,840
Speaker 1: dying in front of you, and with the knee on

1337
01:05:38,880 --> 01:05:42,000
Speaker 1: the neck too, there's no tussle, there's no battle, there's

1338
01:05:42,040 --> 01:05:43,520
Speaker 1: no one. What if he had a knife, what would

1339
01:05:43,520 --> 01:05:46,120
Speaker 1: if he was running? What if if he had a

1340
01:05:46,160 --> 01:05:47,960
Speaker 1: gun in this car? You can't say any of that

1341
01:05:48,160 --> 01:05:52,000
Speaker 1: because it's right in front of you, broad daylight, broad daylight.

1342
01:05:52,160 --> 01:05:53,760
Speaker 1: And he didn't do nothing, you know, I mean, at

1343
01:05:53,800 --> 01:05:55,880
Speaker 1: worst you could say he passed the twenty. That ain't

1344
01:05:55,880 --> 01:05:58,960
Speaker 1: worth dying for it to do is bring up his

1345
01:05:59,040 --> 01:06:01,240
Speaker 1: pass and say, well he was this, he was that.

1346
01:06:01,920 --> 01:06:04,920
Speaker 1: And the media, certain media outlets will run with things

1347
01:06:04,960 --> 01:06:07,360
Speaker 1: like that, and then you see that on social media too. Yeah,

1348
01:06:07,560 --> 01:06:10,120
Speaker 1: this guy was no hero, that's one thing. And he's

1349
01:06:10,160 --> 01:06:11,880
Speaker 1: not We wrote that in a book. He's not a hero,

1350
01:06:12,040 --> 01:06:14,040
Speaker 1: but he is a martyr, right. I don't have to

1351
01:06:14,120 --> 01:06:16,640
Speaker 1: be a hero to not die. And that's the thing

1352
01:06:16,680 --> 01:06:18,480
Speaker 1: that they try to tell He got weed and it

1353
01:06:18,520 --> 01:06:23,200
Speaker 1: says who done that? Weed in the system? Like the

1354
01:06:23,360 --> 01:06:26,760
Speaker 1: rules they make up, you know what I'm saying. It's

1355
01:06:26,760 --> 01:06:29,080
Speaker 1: the most ridiculous thing I have ever seen in my life.

1356
01:06:29,440 --> 01:06:31,200
Speaker 1: They go to your suspension records, they talk about what

1357
01:06:31,240 --> 01:06:33,120
Speaker 1: you did in kindergarten. They talked about I mean with

1358
01:06:33,200 --> 01:06:35,680
Speaker 1: Mike Brown, he stole a cigaretta, he stole a blunt

1359
01:06:35,680 --> 01:06:38,200
Speaker 1: out the store. Darren Wilson didn't even know he stole

1360
01:06:38,240 --> 01:06:39,680
Speaker 1: a blunt out the store when he killed him. But

1361
01:06:39,760 --> 01:06:41,760
Speaker 1: even if he did, you don't get the electric chair

1362
01:06:41,800 --> 01:06:43,120
Speaker 1: for that. You don't get a lethal injection for that.

1363
01:06:43,160 --> 01:06:45,960
Speaker 1: You don't get executed for that. But we sometimes, and

1364
01:06:46,040 --> 01:06:48,920
Speaker 1: this is black people too, we were so committed to

1365
01:06:49,040 --> 01:06:51,200
Speaker 1: making ourselves look a certain way in front of white people.

1366
01:06:51,240 --> 01:06:54,400
Speaker 1: They're kind of respectability politics that we only advocate for

1367
01:06:54,480 --> 01:06:57,640
Speaker 1: perfect victims. We only advocate for the people who are

1368
01:06:57,640 --> 01:06:59,959
Speaker 1: about to go to college. We only advocate for straight people.

1369
01:07:00,000 --> 01:07:02,320
Speaker 1: We only advocate for sigienter people. When was that sometimes

1370
01:07:02,320 --> 01:07:05,040
Speaker 1: a national outrage for trans woman who died? Nine black

1371
01:07:05,080 --> 01:07:07,360
Speaker 1: trans women were killed the summer that Mike Browne was killed.

1372
01:07:07,400 --> 01:07:09,280
Speaker 1: We didn't hear none of their names. Right. We don't

1373
01:07:09,280 --> 01:07:12,280
Speaker 1: have any gay male people who we look to and say,

1374
01:07:12,320 --> 01:07:14,439
Speaker 1: you know what, we're riding for him, right, it tends

1375
01:07:14,480 --> 01:07:17,320
Speaker 1: to be Christian, straight heterosexual males, at least at least

1376
01:07:17,320 --> 01:07:19,560
Speaker 1: that's how it looks. And because we want to look

1377
01:07:19,560 --> 01:07:21,240
Speaker 1: a certain way and feel good about it. In middle

1378
01:07:21,240 --> 01:07:23,080
Speaker 1: class black people don't feel good about saying, well, he

1379
01:07:23,120 --> 01:07:27,040
Speaker 1: stole something from the store, so therefore we're gonna, you know,

1380
01:07:27,080 --> 01:07:28,840
Speaker 1: we're gonna still fight for him. Now, we'd be like, ah,

1381
01:07:28,880 --> 01:07:30,440
Speaker 1: I wish we had a better case, all right, we

1382
01:07:30,520 --> 01:07:32,520
Speaker 1: got more with Mark Clamant here when we come back,

1383
01:07:32,560 --> 01:07:35,320
Speaker 1: don't move, it's to breakfast club, Good morning. Can we

1384
01:07:35,360 --> 01:07:36,960
Speaker 1: can we talk about the hero thing? Because I think

1385
01:07:37,000 --> 01:07:38,680
Speaker 1: sometimes when people be like, oh, he wasn't a hero,

1386
01:07:39,000 --> 01:07:41,320
Speaker 1: they necessarily think he was a villain. No, you just

1387
01:07:42,040 --> 01:07:46,400
Speaker 1: normal person people do something like all of us and

1388
01:07:46,440 --> 01:07:49,000
Speaker 1: I'm not excusing anything that George Floyd did or anything

1389
01:07:49,040 --> 01:07:51,040
Speaker 1: that anybody's done. Right, But George Floyd, as we talked

1390
01:07:51,040 --> 01:07:54,200
Speaker 1: about in the book, he was improving. He was fighting

1391
01:07:54,240 --> 01:07:56,840
Speaker 1: for sobriety. He loved his kids, he was working for

1392
01:07:56,920 --> 01:07:58,240
Speaker 1: a job. He's trying to he was trying to do

1393
01:07:58,320 --> 01:07:59,920
Speaker 1: something with them, stuff like so many people in the

1394
01:08:00,040 --> 01:08:02,120
Speaker 1: country trying to do, but especially blackmails in America. He

1395
01:08:02,240 --> 01:08:04,439
Speaker 1: was praying. He went through a lot of trauma, things

1396
01:08:04,480 --> 01:08:06,439
Speaker 1: that he had to deal with in his own personal life.

1397
01:08:08,040 --> 01:08:11,240
Speaker 1: Then the pandemic hit and you have to really humanize

1398
01:08:11,240 --> 01:08:13,880
Speaker 1: what people's circumstances are, something that we all go through

1399
01:08:14,400 --> 01:08:16,360
Speaker 1: that we have to say that though, right, like I

1400
01:08:16,439 --> 01:08:18,000
Speaker 1: hate that, we have to say he was improving, he

1401
01:08:18,080 --> 01:08:21,479
Speaker 1: was doing it doesn't matter matters a human being. Right,

1402
01:08:21,560 --> 01:08:23,639
Speaker 1: that did nothing right. He could have not been improved

1403
01:08:23,880 --> 01:08:26,519
Speaker 1: back right, he could have been terrible. He wasn't, but

1404
01:08:26,560 --> 01:08:30,000
Speaker 1: he could have been a terrible You better just don't

1405
01:08:30,040 --> 01:08:32,320
Speaker 1: feel it and warrant that at a period I can't

1406
01:08:32,400 --> 01:08:35,719
Speaker 1: breathe like, hey, he crying for his mom in public

1407
01:08:35,800 --> 01:08:38,240
Speaker 1: and people don't shout out the Darnella Frasier for shooting

1408
01:08:38,240 --> 01:08:40,920
Speaker 1: it and for videotaping it, because that's courageous too. People

1409
01:08:40,960 --> 01:08:42,479
Speaker 1: act like I mean, I think sometimes we do too

1410
01:08:42,560 --> 01:08:45,080
Speaker 1: much videotaping and not enough intervention. And she felt bad

1411
01:08:45,120 --> 01:08:47,479
Speaker 1: about that, like she said that, you know, you feel

1412
01:08:47,520 --> 01:08:49,880
Speaker 1: some type of trauma from witnessing that and then feel

1413
01:08:49,880 --> 01:08:51,840
Speaker 1: like should I have done something right? And here I am,

1414
01:08:51,880 --> 01:08:53,439
Speaker 1: because then people get mad at you, like, oh, you

1415
01:08:53,600 --> 01:08:55,479
Speaker 1: was just standing there filming it and you didn't even

1416
01:08:55,520 --> 01:08:57,240
Speaker 1: do anything. And I think it depends on the situation.

1417
01:08:57,280 --> 01:08:58,960
Speaker 1: In that case, I don't expect this, this this black

1418
01:08:59,000 --> 01:09:02,639
Speaker 1: girl to jump four cops were standing there. Cops aren't

1419
01:09:02,640 --> 01:09:05,200
Speaker 1: intervene if they're not intervene in. What's she gonna do?

1420
01:09:05,280 --> 01:09:07,040
Speaker 1: And she doesn't intervene, Does she get shot? Does she

1421
01:09:07,040 --> 01:09:09,120
Speaker 1: get a knee on her neck? I understand why she

1422
01:09:09,320 --> 01:09:12,160
Speaker 1: might not have intervene. But a lot of times we

1423
01:09:12,240 --> 01:09:15,120
Speaker 1: will videotape a fight. We will videotape by getting the

1424
01:09:15,200 --> 01:09:18,120
Speaker 1: ass whooped in public and not do anything about trains

1425
01:09:18,200 --> 01:09:20,400
Speaker 1: or street corners. And that's why I get frustrated. It's like,

1426
01:09:20,479 --> 01:09:23,080
Speaker 1: we have to intervene. We can't become so obsessed with

1427
01:09:23,240 --> 01:09:26,280
Speaker 1: the videotape that we don't actually stop the thing from happening.

1428
01:09:26,360 --> 01:09:28,840
Speaker 1: Because the police can't save us. I'm abolitions. The police

1429
01:09:28,880 --> 01:09:30,840
Speaker 1: can't be the answer. We got to be the answer.

1430
01:09:31,000 --> 01:09:33,200
Speaker 1: And and and sometimes we get so caught up in

1431
01:09:33,280 --> 01:09:35,439
Speaker 1: the surveillance and the spectacle of it, because that'll get

1432
01:09:35,479 --> 01:09:38,320
Speaker 1: us likes, that'll get us clicks, that'll get us streams,

1433
01:09:38,600 --> 01:09:40,320
Speaker 1: that we forget that this is about human life, and

1434
01:09:40,360 --> 01:09:43,200
Speaker 1: this is about loving ourselves and in each other. When

1435
01:09:43,200 --> 01:09:45,640
Speaker 1: you talk about um, you know, like we all know

1436
01:09:45,760 --> 01:09:47,560
Speaker 1: all the benefits of social media when it comes to

1437
01:09:47,600 --> 01:09:51,040
Speaker 1: the social justice movement. What bothers me is the trauma

1438
01:09:51,120 --> 01:09:53,240
Speaker 1: that I know it causes. Yeah, these are these are

1439
01:09:53,640 --> 01:09:56,360
Speaker 1: like you're watching these videos, even when you're talking about

1440
01:09:56,360 --> 01:09:58,880
Speaker 1: the George Floyd video, I'm like, damn, I can feel

1441
01:09:58,920 --> 01:10:01,320
Speaker 1: the anxiety at first felt when I watched that video,

1442
01:10:01,439 --> 01:10:03,080
Speaker 1: Like that doesn't leave you when you see it. So

1443
01:10:03,160 --> 01:10:05,519
Speaker 1: that's that's what makes me keep wondering is it helping

1444
01:10:05,640 --> 01:10:09,040
Speaker 1: or is it hurting? What I tell people, is it

1445
01:10:09,160 --> 01:10:12,840
Speaker 1: helps that we know the video exists. Everybody knows there's

1446
01:10:12,840 --> 01:10:14,439
Speaker 1: not a person America doesn't know about Writing King, not

1447
01:10:14,479 --> 01:10:16,519
Speaker 1: a person America doesn't know about George For you don't

1448
01:10:16,520 --> 01:10:18,439
Speaker 1: have to watch it though, So I tell people that

1449
01:10:18,520 --> 01:10:21,240
Speaker 1: engage in some self care about that. But your point

1450
01:10:21,360 --> 01:10:23,920
Speaker 1: is a profound one, which is the steady stream of

1451
01:10:24,000 --> 01:10:26,760
Speaker 1: images of black and it's black death. White people do

1452
01:10:26,880 --> 01:10:28,280
Speaker 1: not have to worry about turning on social media and

1453
01:10:28,280 --> 01:10:30,800
Speaker 1: seeing people who look like them get killed. Right there's

1454
01:10:30,920 --> 01:10:33,360
Speaker 1: Asian people don't don't worry about turning on the evening news,

1455
01:10:33,439 --> 01:10:35,840
Speaker 1: cable news and seeing like themselves be murdered or beating

1456
01:10:36,160 --> 01:10:38,880
Speaker 1: or other things. It does normalize it, and it can

1457
01:10:38,960 --> 01:10:41,599
Speaker 1: objectify our body. So so on the one hand, when

1458
01:10:41,640 --> 01:10:44,479
Speaker 1: you see it, you're outraged, but if you see it

1459
01:10:44,680 --> 01:10:48,360
Speaker 1: all the time, it just makes you one. It traumatizes

1460
01:10:48,439 --> 01:10:50,559
Speaker 1: us because because it's people, we know people who could

1461
01:10:50,560 --> 01:10:52,719
Speaker 1: be George, so it could be us. You know, Tami

1462
01:10:52,720 --> 01:10:55,600
Speaker 1: and Rice could be usum, Brianna Taylor could be us.

1463
01:10:56,160 --> 01:10:58,360
Speaker 1: But it also can make it so normal to people

1464
01:10:58,400 --> 01:11:00,160
Speaker 1: that they stop being outraged. It's like when you here

1465
01:11:00,320 --> 01:11:01,840
Speaker 1: five people in Chicago are shot, or there was a

1466
01:11:01,880 --> 01:11:05,000
Speaker 1: bombing in Lebanon or you know whatever right there, or

1467
01:11:05,160 --> 01:11:07,200
Speaker 1: there's famine in Africa. There's certain things that we hear

1468
01:11:07,280 --> 01:11:09,640
Speaker 1: so much that it's hard to be outraged. Every day

1469
01:11:10,320 --> 01:11:12,640
Speaker 1: and so black death. We have to kind of balance that.

1470
01:11:12,720 --> 01:11:14,320
Speaker 1: But that's the balance we've always had to have either

1471
01:11:14,400 --> 01:11:18,200
Speaker 1: be wells. She took the postcards, She took the images

1472
01:11:18,200 --> 01:11:20,679
Speaker 1: of lynching that white people were using as postcards. They'd

1473
01:11:20,680 --> 01:11:22,800
Speaker 1: be lynching and they would sentimized postcards. They would take

1474
01:11:22,840 --> 01:11:25,400
Speaker 1: black fingers and toes and use them as souvenirs. They

1475
01:11:25,439 --> 01:11:28,000
Speaker 1: were celebrating those images. She took those images to create

1476
01:11:28,280 --> 01:11:30,800
Speaker 1: a moral panic, to say, look, they are killing us,

1477
01:11:30,880 --> 01:11:34,400
Speaker 1: We're hanging from trees. And some people said this causes trauma,

1478
01:11:34,840 --> 01:11:37,240
Speaker 1: but she understood the balancing act of that. Now there

1479
01:11:37,280 --> 01:11:39,360
Speaker 1: are some people on the internet who make them their

1480
01:11:39,439 --> 01:11:43,040
Speaker 1: business on black trauma. They make their whole enterprise just

1481
01:11:43,080 --> 01:11:45,400
Speaker 1: showing black trauma. That's not helpful. There has to be

1482
01:11:45,439 --> 01:11:48,919
Speaker 1: a balance of trauma and healing, of intervention, of support,

1483
01:11:49,240 --> 01:11:52,240
Speaker 1: and of organized action not just for ourselves, but to

1484
01:11:52,320 --> 01:11:54,479
Speaker 1: actually stop from happening. And I think the other thing

1485
01:11:54,560 --> 01:11:57,400
Speaker 1: that bothers me is not changing the culture of policing. Clearly,

1486
01:11:57,439 --> 01:11:59,800
Speaker 1: they don't care. They don't care whether it's on camera

1487
01:12:00,280 --> 01:12:03,080
Speaker 1: off camera. They don't care. That's what we've been saying,

1488
01:12:03,160 --> 01:12:05,200
Speaker 1: and in the abolitionist movement for a long time. It's

1489
01:12:05,240 --> 01:12:09,880
Speaker 1: like reforms don't work. People thought body cameras would save us, right,

1490
01:12:09,960 --> 01:12:12,080
Speaker 1: just like back when when I was I was activist

1491
01:12:12,120 --> 01:12:13,760
Speaker 1: as a teenage eran Rodney King time, it was like

1492
01:12:14,000 --> 01:12:16,519
Speaker 1: fire the police. They just hire more because it's a culture.

1493
01:12:16,600 --> 01:12:19,080
Speaker 1: Then it was get black, get black cops. Then we

1494
01:12:19,120 --> 01:12:20,720
Speaker 1: were getting beaten by black cops. You know what I

1495
01:12:20,760 --> 01:12:22,479
Speaker 1: mean that have them living in your neighborhood, then they

1496
01:12:22,520 --> 01:12:24,320
Speaker 1: know where they know where to find. You know, these

1497
01:12:24,400 --> 01:12:27,400
Speaker 1: aren't the solutions because policing is the problem. And body

1498
01:12:27,439 --> 01:12:30,080
Speaker 1: cameras now sometimes they will help, but body cameras do

1499
01:12:30,160 --> 01:12:33,800
Speaker 1: more to exonerate cops than they do to get justice

1500
01:12:33,800 --> 01:12:36,160
Speaker 1: for the people who are killed. By A solution, in

1501
01:12:36,240 --> 01:12:39,439
Speaker 1: your opinion, abolished police, abolished police, get rid of policing,

1502
01:12:39,479 --> 01:12:42,479
Speaker 1: and imagine a new way in totality. In totality, abolished

1503
01:12:42,479 --> 01:12:45,800
Speaker 1: police and abolished prisons. We gotta do it now. It's

1504
01:12:45,840 --> 01:12:48,800
Speaker 1: a it's an incremental process. So what do you do

1505
01:12:48,960 --> 01:12:50,800
Speaker 1: for people that commit crimes? Where do you put them in?

1506
01:12:50,960 --> 01:12:54,280
Speaker 1: How do you police neighborhoods? Well, first, we gotta we

1507
01:12:54,320 --> 01:12:56,240
Speaker 1: gotta reamagine because even as you're talking about it, or

1508
01:12:56,280 --> 01:12:58,320
Speaker 1: he said, how do you police neighborhoods? And neighbors don't

1509
01:12:58,320 --> 01:13:01,000
Speaker 1: have to be police. Neighbors have to be said, neighbors

1510
01:13:01,080 --> 01:13:04,040
Speaker 1: have to be protected. But there's crime in every neighborhood.

1511
01:13:04,120 --> 01:13:05,920
Speaker 1: There is crime. But SeeMe, all right, let me take

1512
01:13:05,920 --> 01:13:09,640
Speaker 1: one step back. Crime is a social construct. What do

1513
01:13:09,680 --> 01:13:12,759
Speaker 1: I mean by that? People don't commit crimes. They commit acts,

1514
01:13:13,280 --> 01:13:16,760
Speaker 1: and some acts get criminalized. For example, if we were

1515
01:13:16,800 --> 01:13:19,880
Speaker 1: to all smoke weed right now, that would not in

1516
01:13:20,200 --> 01:13:23,240
Speaker 1: that would not be a crime. Ten years ago it

1517
01:13:23,280 --> 01:13:27,160
Speaker 1: would be a crime. The moral nature of it, or

1518
01:13:27,200 --> 01:13:29,000
Speaker 1: the in moral nature of it, hasn't changed. The ethics

1519
01:13:29,040 --> 01:13:30,680
Speaker 1: of it hasn't changed. Whether I thought it was right

1520
01:13:30,760 --> 01:13:32,640
Speaker 1: or wrong doesn't change because my ethics aren't tied to

1521
01:13:32,680 --> 01:13:36,240
Speaker 1: the law exclusively. Right, So crime changes across space and time.

1522
01:13:36,280 --> 01:13:38,679
Speaker 1: If somebody decides something as a crime, black people being free,

1523
01:13:38,680 --> 01:13:40,800
Speaker 1: black people reading was a crime, you know what I mean?

1524
01:13:41,040 --> 01:13:42,599
Speaker 1: So I try not to use the language of crime

1525
01:13:42,600 --> 01:13:44,120
Speaker 1: because crime is a contract. I'm not trying to be

1526
01:13:44,160 --> 01:13:46,080
Speaker 1: all academic as much as no, no, but it's it's

1527
01:13:46,080 --> 01:13:48,639
Speaker 1: a great question for me. It's more about saying people

1528
01:13:48,680 --> 01:13:50,439
Speaker 1: commit harm. How do we deal with acts of harm,

1529
01:13:51,120 --> 01:13:53,439
Speaker 1: And because that allows us to strinthen the net. Because

1530
01:13:53,439 --> 01:13:55,280
Speaker 1: if we say crime, all kinds of stuff as a crime.

1531
01:13:55,400 --> 01:13:56,920
Speaker 1: But if we shrink it, said, how do we reduce

1532
01:13:57,000 --> 01:13:59,200
Speaker 1: harm in our neighborhoods, Well, the first thing we got

1533
01:13:59,320 --> 01:14:02,479
Speaker 1: to do is get at the thing, get at the

1534
01:14:02,560 --> 01:14:04,479
Speaker 1: root causes. As when we say radical rackles is a

1535
01:14:04,760 --> 01:14:07,400
Speaker 1: way of saying, get at the root cause, the root

1536
01:14:07,439 --> 01:14:12,600
Speaker 1: cause of most harm, most crime. It's poverty, it's inequality.

1537
01:14:12,840 --> 01:14:15,040
Speaker 1: Most people don't rob people just to rob people. Some

1538
01:14:15,160 --> 01:14:18,000
Speaker 1: people do, but most people don't. When people have jobs,

1539
01:14:18,040 --> 01:14:20,080
Speaker 1: they commit crime. Lest when people have libraries, they commit

1540
01:14:20,120 --> 01:14:22,880
Speaker 1: crime lists, if they commit when they have school access, coaches,

1541
01:14:23,000 --> 01:14:27,600
Speaker 1: music programs, arts, they commit crime less. Um, So we

1542
01:14:27,720 --> 01:14:31,720
Speaker 1: gotta get it that stuff. We have to reimagine what

1543
01:14:31,880 --> 01:14:34,680
Speaker 1: safety looks like. So for example, even an example a

1544
01:14:34,760 --> 01:14:38,360
Speaker 1: game earlier about videotaping people getting beat up and jump

1545
01:14:38,400 --> 01:14:41,080
Speaker 1: in and stop it. We can complete our own neighborhoods.

1546
01:14:41,120 --> 01:14:43,200
Speaker 1: We can we can have community watches and things like that.

1547
01:14:43,240 --> 01:14:46,240
Speaker 1: We can have public safety forces. When somebody's a man

1548
01:14:46,320 --> 01:14:49,519
Speaker 1: in Atlanta got drunk, fell asleep in the parking lot

1549
01:14:49,880 --> 01:14:52,280
Speaker 1: of a burger king, remember in the police he ran

1550
01:14:52,360 --> 01:14:55,280
Speaker 1: away in the police. And you can say, don't run

1551
01:14:55,320 --> 01:14:56,680
Speaker 1: from the police. That's what a lot of people are, fine,

1552
01:14:56,680 --> 01:14:58,960
Speaker 1: don't run from the police, right, But the fact that

1553
01:14:59,040 --> 01:15:01,040
Speaker 1: the only people you could call the man would sleeping

1554
01:15:01,080 --> 01:15:03,160
Speaker 1: his cart, mind his own business, right, But the only

1555
01:15:03,200 --> 01:15:05,360
Speaker 1: people we could call was an armed police force whose

1556
01:15:05,439 --> 01:15:07,240
Speaker 1: job is to escalate. What if we had a public

1557
01:15:07,240 --> 01:15:09,800
Speaker 1: safety force who could get that man home, right, we would,

1558
01:15:09,840 --> 01:15:12,599
Speaker 1: He wouldn't have committed a crime, and that whole interaction

1559
01:15:12,680 --> 01:15:15,519
Speaker 1: would not have happened. Now. I know, anybody listening to

1560
01:15:15,520 --> 01:15:18,160
Speaker 1: this when I talk about abolition, particularly prison abolition, will say, yeah,

1561
01:15:18,160 --> 01:15:20,000
Speaker 1: that sounds good for drunks, and that sounds good for

1562
01:15:20,160 --> 01:15:22,880
Speaker 1: drugs because we can decriminalize drugs. Correct, But I know

1563
01:15:23,320 --> 01:15:25,920
Speaker 1: it's crazy, or you could say that, you know. I

1564
01:15:26,000 --> 01:15:28,120
Speaker 1: think Angelie reported a couple of days ago that there

1565
01:15:28,240 --> 01:15:31,160
Speaker 1: was so many how many like eighty thousand businesses looking

1566
01:15:31,200 --> 01:15:33,760
Speaker 1: for people to work and nobody wanted to work. Yeah,

1567
01:15:34,280 --> 01:15:36,320
Speaker 1: so you said people looking for job, people need jobs,

1568
01:15:36,360 --> 01:15:39,200
Speaker 1: but now their jobs out there. People don't want to work.

1569
01:15:39,400 --> 01:15:40,680
Speaker 1: Some people don't want to work. But we also need

1570
01:15:40,680 --> 01:15:42,800
Speaker 1: to get people living wage jobs. You know what I mean?

1571
01:15:42,920 --> 01:15:45,320
Speaker 1: And I know that if you pay some eight thousan

1572
01:15:45,320 --> 01:15:47,599
Speaker 1: a hour and you don't have any money. Yeah, I'll

1573
01:15:47,640 --> 01:15:49,479
Speaker 1: tell people work, right. I take care of a lot

1574
01:15:49,520 --> 01:15:50,880
Speaker 1: of people, you know what I mean, and a lot

1575
01:15:50,920 --> 01:15:52,920
Speaker 1: of them don't don't work, you know, and they're like,

1576
01:15:53,000 --> 01:15:55,519
Speaker 1: they're too proud to work for the eight doollars an hour,

1577
01:15:55,800 --> 01:15:57,880
Speaker 1: but they're not too proud to call me. But the

1578
01:15:57,960 --> 01:16:00,080
Speaker 1: cash at requests once every other week for monch. I

1579
01:16:00,200 --> 01:16:03,160
Speaker 1: get the frustration, but at some point we got to

1580
01:16:03,200 --> 01:16:05,200
Speaker 1: get people living wage jobs. You can't have a life

1581
01:16:05,240 --> 01:16:07,400
Speaker 1: of dignity for seven dollars eight dollars nine dollars an hour.

1582
01:16:07,680 --> 01:16:09,880
Speaker 1: If we give people fifteen dollars an hour minimum just

1583
01:16:10,000 --> 01:16:12,920
Speaker 1: to start, I think suddenly people are in a much

1584
01:16:13,000 --> 01:16:16,040
Speaker 1: different place. And then those jobs grow. So that's that,

1585
01:16:16,120 --> 01:16:17,960
Speaker 1: that's part of the issue. So we're gonna figure something

1586
01:16:18,000 --> 01:16:20,559
Speaker 1: else out, you know, we're gonna figure something else out right,

1587
01:16:20,760 --> 01:16:24,360
Speaker 1: Michael mont Hill seeing an unseen out right, now, go

1588
01:16:24,560 --> 01:16:30,439
Speaker 1: get it with Todd Bruster. Yeah, great conversation. Now it's

1589
01:16:30,479 --> 01:16:41,080
Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. This is

1590
01:16:41,120 --> 01:16:44,559
Speaker 1: the rumor report with Angela Yee on the Breakfast Club.

1591
01:16:46,040 --> 01:16:47,960
Speaker 1: But it looks like Chris Rocket is working on his

1592
01:16:48,120 --> 01:16:51,560
Speaker 1: jokes about the Will Smith slap. Now, Dave Chappelle and

1593
01:16:51,640 --> 01:16:53,560
Speaker 1: Chris Rock we're on stage together. You know, there's no

1594
01:16:53,720 --> 01:16:56,479
Speaker 1: phones allowed allegedly, so we don't have video of this.

1595
01:16:57,160 --> 01:17:00,559
Speaker 1: But according to reports, while they were unstage together, they

1596
01:17:00,600 --> 01:17:04,919
Speaker 1: were talking about their different interactions, and according to reports,

1597
01:17:05,280 --> 01:17:06,760
Speaker 1: Chris made a joke he said, at least you got

1598
01:17:06,800 --> 01:17:09,040
Speaker 1: smacked by someone at repute. I got smacked by a

1599
01:17:10,120 --> 01:17:12,280
Speaker 1: homeless guy. Well, this is what Dave Chapelle said, at

1600
01:17:12,320 --> 01:17:13,840
Speaker 1: least you got smacked by someone a repute that got

1601
01:17:13,880 --> 01:17:15,840
Speaker 1: smacked by a homeless guy with leaves in his hair.

1602
01:17:16,240 --> 01:17:19,360
Speaker 1: And then Chris Rock responded and said, I got smacked

1603
01:17:19,400 --> 01:17:22,720
Speaker 1: by the softest M word that ever wrapped. So I

1604
01:17:22,760 --> 01:17:25,320
Speaker 1: don't believe Chris Rock said that. I think Chris Rock

1605
01:17:25,479 --> 01:17:28,800
Speaker 1: is way smarter than whittier than that. And why would

1606
01:17:28,800 --> 01:17:30,599
Speaker 1: he be calling somebody else saw Chris Why, I don't.

1607
01:17:30,920 --> 01:17:32,840
Speaker 1: I don't think Chris would do that. I don't know. Well,

1608
01:17:32,920 --> 01:17:34,640
Speaker 1: a lot of reports are saying from people that were

1609
01:17:35,479 --> 01:17:40,000
Speaker 1: yeah that they heard it. I mean, I also feel

1610
01:17:40,080 --> 01:17:41,599
Speaker 1: like it might have been just the two of them

1611
01:17:41,640 --> 01:17:43,639
Speaker 1: are riffing back and forth on stage as you're working

1612
01:17:43,680 --> 01:17:46,360
Speaker 1: on jokes. Sometimes they're not the funniest right away as

1613
01:17:46,360 --> 01:17:48,479
Speaker 1: you're trying to work on material, And that's what the

1614
01:17:48,520 --> 01:17:49,920
Speaker 1: point of it is. That's why they don't like people

1615
01:17:49,920 --> 01:17:52,200
Speaker 1: to have their phones out, because while you're working on material,

1616
01:17:52,720 --> 01:17:55,920
Speaker 1: he's still doing it. So it could have been something

1617
01:17:56,000 --> 01:17:59,480
Speaker 1: as they were going back and forth that was more spontaneous.

1618
01:18:00,400 --> 01:18:02,720
Speaker 1: All right. Now, the show Queens has been canceled by

1619
01:18:02,800 --> 01:18:06,880
Speaker 1: ABC after one season. Unfortunately, that's the show that Eve,

1620
01:18:07,000 --> 01:18:10,400
Speaker 1: Brandy Na Tory were all in together. I actually saw

1621
01:18:10,520 --> 01:18:12,920
Speaker 1: Nator over the weekend right after she found out the news.

1622
01:18:12,960 --> 01:18:15,120
Speaker 1: She said the showrunner had just called her before she

1623
01:18:15,240 --> 01:18:17,439
Speaker 1: walked into the event and let them know that the

1624
01:18:17,479 --> 01:18:21,120
Speaker 1: show wasn't coming back. Yeah. So, following the finale, Brandy

1625
01:18:21,160 --> 01:18:22,840
Speaker 1: had hoped there would be a second season to flesh

1626
01:18:22,880 --> 01:18:25,200
Speaker 1: out more performance wise from the crew. She said she

1627
01:18:25,280 --> 01:18:28,240
Speaker 1: would have loved to see a season two. So looks

1628
01:18:28,280 --> 01:18:30,160
Speaker 1: like it wasn't going to be able to happen. Weren't

1629
01:18:30,160 --> 01:18:35,800
Speaker 1: you on there, Emmy? Yeah? Okay, they did it from

1630
01:18:35,840 --> 01:18:40,639
Speaker 1: a pair all right now. Snoop Dogg has actually gotten

1631
01:18:40,760 --> 01:18:44,600
Speaker 1: part steak in ice Cube's Big Three. So according to

1632
01:18:44,840 --> 01:18:48,200
Speaker 1: TMZ hip Hop Snoop, along with PayPal co founder Ken Howary,

1633
01:18:48,520 --> 01:18:50,920
Speaker 1: spent six hundred and twenty five thousand dollars to purchase

1634
01:18:50,960 --> 01:18:54,479
Speaker 1: an ownership steak. Here is what Ice Cuban snoopat to say.

1635
01:18:54,720 --> 01:18:57,680
Speaker 1: What's henny? Y'all know what it is? Man? That big

1636
01:18:57,760 --> 01:19:03,080
Speaker 1: three ownership going down, Snoop. So you're gonna buy a

1637
01:19:03,120 --> 01:19:05,720
Speaker 1: uple of teams, guys, and give me a couple of

1638
01:19:05,760 --> 01:19:07,320
Speaker 1: team because I ain't gonna buy one of them, getting

1639
01:19:07,320 --> 01:19:09,080
Speaker 1: a couple of teams because I'm with the move. So

1640
01:19:09,160 --> 01:19:10,640
Speaker 1: y'all better hear him. Get in when you fit in,

1641
01:19:10,720 --> 01:19:14,960
Speaker 1: because it may not be none left. Hello, you heard

1642
01:19:15,000 --> 01:19:17,639
Speaker 1: it from the dog's mouth. Man, get your team, baby,

1643
01:19:17,680 --> 01:19:22,240
Speaker 1: stop tripping and stop playing with us. Yay? What sold

1644
01:19:22,240 --> 01:19:23,840
Speaker 1: the teams that talking? Like? Why do you make it

1645
01:19:23,840 --> 01:19:27,960
Speaker 1: anunds little easy with them? Buy them up? Yeah? What

1646
01:19:28,040 --> 01:19:32,040
Speaker 1: are you at? And maybe they're looking for investments? All right? Now,

1647
01:19:32,160 --> 01:19:35,280
Speaker 1: let's talk about this top fifty female rappers list. I

1648
01:19:35,320 --> 01:19:39,040
Speaker 1: saw people commenting on this. This was done by fifty

1649
01:19:39,200 --> 01:19:43,400
Speaker 1: fifty Entertainment and some people were commenting on social media

1650
01:19:43,479 --> 01:19:46,280
Speaker 1: about that the city girls were left off. JT posted

1651
01:19:46,280 --> 01:19:48,400
Speaker 1: where the city girls. I guess we seen could have

1652
01:19:48,400 --> 01:19:50,880
Speaker 1: at least put us at number fifty and then cast

1653
01:19:50,920 --> 01:19:54,800
Speaker 1: out also commented hilarious. Number one on the list was

1654
01:19:54,920 --> 01:19:59,080
Speaker 1: Nicki Minaj, Number two was Little Kim, three was Missy Elliott,

1655
01:19:59,160 --> 01:20:02,800
Speaker 1: four was Queen Latifa, number five was Lauren Hill, number

1656
01:20:02,840 --> 01:20:05,519
Speaker 1: six was a left Eye seven to Bratt, number eight

1657
01:20:05,600 --> 01:20:08,639
Speaker 1: was even, number nine was Foxy, and number ten was Cardie,

1658
01:20:08,640 --> 01:20:11,760
Speaker 1: followed by number eleven with Trina. Now they did post

1659
01:20:11,800 --> 01:20:14,479
Speaker 1: hare is our top fifty greatest female Rappers of All Time?

1660
01:20:14,560 --> 01:20:18,439
Speaker 1: List revised. Let's argue so a lot of arguments, then

1661
01:20:18,760 --> 01:20:21,640
Speaker 1: clearly ensued after that. I mean a list is just

1662
01:20:21,720 --> 01:20:23,680
Speaker 1: like an NFT. It only has the value that you

1663
01:20:23,880 --> 01:20:26,639
Speaker 1: give it. Correct, you know, like, who'd you say created

1664
01:20:26,680 --> 01:20:30,040
Speaker 1: that list fifty fifty entertainment? No, they respected them. I

1665
01:20:30,120 --> 01:20:31,920
Speaker 1: never heard of them, but saluted them, you know, because

1666
01:20:32,160 --> 01:20:34,920
Speaker 1: clearly people are talking about that list. But it only

1667
01:20:35,000 --> 01:20:37,760
Speaker 1: has the value that you give it. Yeah, everybody knows

1668
01:20:37,760 --> 01:20:40,840
Speaker 1: the list. It doesn't even matter. I saw Janelle. Yeah,

1669
01:20:40,840 --> 01:20:43,400
Speaker 1: I was gonna say Janelle on day it's not a rapper.

1670
01:20:43,960 --> 01:20:45,559
Speaker 1: So it's just like YO, looks like that. It only

1671
01:20:45,600 --> 01:20:48,320
Speaker 1: has the value that you give it, so it's right. Yeah,

1672
01:20:48,439 --> 01:20:50,360
Speaker 1: so I see a lot of people from Detroit on

1673
01:20:50,400 --> 01:20:52,800
Speaker 1: this list too. Well. Cash Dow was number forty three,

1674
01:20:52,880 --> 01:20:55,080
Speaker 1: so she did make the list, but I think she

1675
01:20:55,160 --> 01:20:58,120
Speaker 1: felt like she was too far down because I see

1676
01:20:58,200 --> 01:21:00,160
Speaker 1: Rocky bat Is on the list, Milly Brazy he is

1677
01:21:00,160 --> 01:21:04,160
Speaker 1: on the list there from Detroit. From the Troit could

1678
01:21:04,200 --> 01:21:07,160
Speaker 1: be yeah, maybe I'm not sure where they're from. But

1679
01:21:08,120 --> 01:21:11,120
Speaker 1: you know everything, when you make these lists, it always

1680
01:21:11,120 --> 01:21:14,200
Speaker 1: starts to debate. Lizzo's on the list too, by the way.

1681
01:21:14,720 --> 01:21:16,960
Speaker 1: All right, well that is your rumor report. All right,

1682
01:21:17,080 --> 01:21:20,400
Speaker 1: thank you, miss Yeah again. Shout to everybody that's heading

1683
01:21:20,400 --> 01:21:23,080
Speaker 1: out to Texas. I think with five weeks away from

1684
01:21:23,120 --> 01:21:25,800
Speaker 1: my car show, to drive your dreams car Show, it's

1685
01:21:25,800 --> 01:21:28,320
Speaker 1: gonna be Houston Verse, New York. So if you haven't

1686
01:21:28,320 --> 01:21:31,439
Speaker 1: got your tickets, get your tickets. Family fund, exotic cars,

1687
01:21:31,920 --> 01:21:36,160
Speaker 1: celebrity cars, monster trucks, old school cars, rides and jumpies

1688
01:21:36,200 --> 01:21:38,040
Speaker 1: for kids. It's a lot. It's a family fun day,

1689
01:21:38,080 --> 01:21:39,960
Speaker 1: so get your tickets if you haven't got it already.

1690
01:21:40,000 --> 01:21:41,720
Speaker 1: Now let's get to the mix. Eight hundred five eight

1691
01:21:41,800 --> 01:21:44,000
Speaker 1: five one on five one. Let's start to mix off

1692
01:21:44,040 --> 01:21:47,800
Speaker 1: with some ghost Face Today is ghost faces birthday. But

1693
01:21:47,960 --> 01:21:50,719
Speaker 1: my favorite MC of all time. That's my personal favorite

1694
01:21:50,840 --> 01:21:53,599
Speaker 1: MC of all time, ghost Face. All right, well it's

1695
01:21:53,600 --> 01:21:56,880
Speaker 1: the Breakfast Club. Good morning, So Breakfast Club, your mornings

1696
01:21:56,920 --> 01:22:00,880
Speaker 1: will never be the same. And ye here from my

1697
01:22:00,960 --> 01:22:03,600
Speaker 1: friends at the General Insurance. Switch to the General and

1698
01:22:03,680 --> 01:22:06,639
Speaker 1: you could save over five hundred dollars on your car insurance.

1699
01:22:06,720 --> 01:22:08,960
Speaker 1: Call eight hundred General or visit the General dot com

1700
01:22:09,080 --> 01:22:11,880
Speaker 1: to find out more. The General Auto Insurance Services, Inc.

1701
01:22:11,920 --> 01:22:15,680
Speaker 1: An insurance agency in Nashville, Tennessee. Some restrictions apply. Topr

1702
01:22:15,720 --> 01:22:22,400
Speaker 1: if m HD one New york I Heart radio station Morning.

1703
01:22:22,439 --> 01:22:26,840
Speaker 1: Everybody's DJ Envy Angela Yee Sholomagne the guy. We all

1704
01:22:26,960 --> 01:22:29,200
Speaker 1: the Breakfast Club. Then we got a shout out to

1705
01:22:29,280 --> 01:22:31,439
Speaker 1: Ja Rule for joining us this morning. Salute to jar

1706
01:22:31,560 --> 01:22:33,240
Speaker 1: Rule Man. I love what Ja Rules doing with that

1707
01:22:33,520 --> 01:22:35,400
Speaker 1: icon series. I really wish I could have caught that

1708
01:22:35,800 --> 01:22:39,680
Speaker 1: ghost facing Ray Kun performance Man. Also Marc Lamont Hill

1709
01:22:39,760 --> 01:22:41,519
Speaker 1: for joining us this morning. That's right. Make sure you

1710
01:22:41,600 --> 01:22:44,960
Speaker 1: grab seen and unseen technology, social media and the fight

1711
01:22:45,080 --> 01:22:47,880
Speaker 1: for racial justice from Mark Lamont Hill and Todd Bruce

1712
01:22:47,880 --> 01:22:51,640
Speaker 1: stays out everywhere you buy books now. Absolutely all right,

1713
01:22:51,720 --> 01:22:53,679
Speaker 1: when we come back, we got the positive note again.

1714
01:22:53,880 --> 01:22:56,040
Speaker 1: Shout to Olamm's out there. Hopefully you guys had a

1715
01:22:56,160 --> 01:22:58,200
Speaker 1: happy Mother's Day and a great mother's Day. Yeah, it's

1716
01:22:58,200 --> 01:23:01,240
Speaker 1: heavy Mother's Day everybody. When we come back, positive notice

1717
01:23:01,240 --> 01:23:06,559
Speaker 1: to Breakfast Club. Good morning morning, everybody is DJ Envy

1718
01:23:06,840 --> 01:23:09,840
Speaker 1: Angela Yee, Charlomagne the guy, we are the Breakfast Club.

1719
01:23:09,880 --> 01:23:14,120
Speaker 1: And happy birthday to Catherine Smalls. She turned a hundred

1720
01:23:14,200 --> 01:23:16,360
Speaker 1: and two years old. I guess one of the best.

1721
01:23:16,600 --> 01:23:19,479
Speaker 1: That's her mom or grandmam. I'm sure that is amazing.

1722
01:23:19,640 --> 01:23:24,040
Speaker 1: Want us to shout her out, so happy Birthday's listening yesterday, today,

1723
01:23:24,439 --> 01:23:27,680
Speaker 1: yesterday or Mother's day? Wow? Well yeah, happy birthday to huh.

1724
01:23:27,800 --> 01:23:30,639
Speaker 1: All right now, Charlomagne, you got a positive note, I do, man,

1725
01:23:30,840 --> 01:23:33,240
Speaker 1: and you know, got us to Luke Kendrick Lamar again

1726
01:23:33,320 --> 01:23:37,160
Speaker 1: for the hard part five. Love that record that he

1727
01:23:37,280 --> 01:23:40,080
Speaker 1: put out. You know, he's really speaking to what we

1728
01:23:40,240 --> 01:23:42,640
Speaker 1: call coaching man. And it made me think of a

1729
01:23:42,720 --> 01:23:46,799
Speaker 1: quote from Resume Momenticum and Resumas always says that trauma

1730
01:23:46,880 --> 01:23:51,280
Speaker 1: in a person decontextualize over time looks like personality trauma

1731
01:23:51,360 --> 01:23:55,120
Speaker 1: and a family decontextualize over time looks like family traits, trauma,

1732
01:23:55,160 --> 01:23:59,600
Speaker 1: and the people decontextualize over time looks like culture. So

1733
01:24:00,200 --> 01:24:03,479
Speaker 1: thank you Kendrick for adding some context to what it

1734
01:24:03,640 --> 01:24:07,160
Speaker 1: is we call culture. Breakfast Club, you all finish a

1735
01:24:07,240 --> 01:24:07,720
Speaker 1: y'all dumb