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Speaker 1: Welcome to Stuff You Should Know, a production of iHeartRadio.

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Speaker 2: Hey, and welcome to the podcast. I'm Josh and there's

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Speaker 2: Chuck and Jerry's here too. And this is stuff you

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Speaker 2: should know.

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Speaker 1: That's right. One of our, I'm speaking for me, but

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Speaker 1: I think I can speak for us. One of our

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Speaker 1: favorite traditions is our annual Halloween spooky story reading.

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Speaker 2: Speak.

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Speaker 1: Our ad-free spooky story reading.

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Speaker 2: Yeah, it's in our contract.

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Speaker 1: And we got a couple of good ones this year.

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Speaker 1: One's a little longer, one's a little shorter. I'm ambivalent

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Speaker 1: about which we do first.

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Speaker 3: I think, I.

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Speaker 2: Feel like, I don't know, man. I've been leaning toward

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Speaker 2: yours second.

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Speaker 1: Okay, let's do it then.

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Speaker 4: Okay.

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Speaker 1: Because you picked a stone cold classic, buddy, with the

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Speaker 1: monkey's paw.

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Speaker 2: That's right.

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Speaker 4: By W.W. Jacobs.

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Speaker 1: Can't believe we haven't done this. And by my... Like,

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Speaker 1: you know, we like to just play this fast and

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Speaker 1: loose everyone with the casting. There's mom, dad, son, military guy.

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Speaker 1: And then there's one other minor character at the end, right?

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Speaker 2: Oh, yeah. I hadn't considered him. Yeah, we'll figure that out.

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Speaker 2: But yeah, it's pretty, pretty Spartan.

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Speaker 1: Yeah. So I figure since the military guy, maybe whoever

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Speaker 1: plays the military guy should play the person at the end.

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Speaker 3: Okay.

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Speaker 1: And then we have mom, dad, and son.

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Speaker 2: I was thinking you should definitely be the military guy. Who, me?

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Speaker 2: I already have a mild conception of what you're going

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Speaker 2: to do, and it's better than anything I could do

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Speaker 2: with it.

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Speaker 1: All right, so I'll be him and the person at

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Speaker 1: the end. I can't remember the character, but I read it.

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Speaker 1: And then do you want to be mom, dad, son?

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Speaker 2: I'll be dad and son. Oh, you want to be dad?

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Speaker 2: That's fine.

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Speaker 1: No, I wanted you to be mom.

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Speaker 2: All right. I'll try to be mom.

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Speaker 1: You do the ladies so well.

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Speaker 2: I disagree. I think you do it better. But okay,

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Speaker 2: I'll be mom and son, and then your dad, the

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Speaker 2: military man, and the guy at the end.

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Speaker 1: Okay. All right. Sounds good.

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Speaker 2: And it's confusing at first, but Herbert is the name

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Speaker 2: of the son.

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Speaker 1: That's right.

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Speaker 2: So when you hear Herbert, they're talking about the son.

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Speaker 1: Who's a grown man, by the way.

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Speaker 2: Yeah, he never moved out. He's a planetismal.

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Speaker 4: Yeah.

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Speaker 1: Is that what that's called?

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Speaker 2: Remember I coined it from the asteroid article, the ones

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Speaker 2: that never really become a full planet?

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Speaker 1: That's right, that's right. I was like, where did I

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Speaker 1: hear that? It was two weeks ago or whatever.

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Speaker 2: So who's going to read first?

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Speaker 1: Right, because we also do the reading. Well, I think, well,

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Speaker 1: I don't know. I'll start it out and then you

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Speaker 1: just chime in there with Mrs. White whenever possible. She

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Speaker 1: comes around.

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Speaker 2: And the sun.

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Speaker 1: And the sun. And I'm Mr. White.

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Speaker 4: Yes.

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Speaker 2: Okay.

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Speaker 4: All right.

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Speaker 1: I think I got it.

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Speaker 2: All right. I got to do my doggy clap hand thing. Oh,

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Speaker 2: I'm nervous.

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Speaker 1: And these are British people too, right?

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Speaker 4: Again.

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Speaker 2: Yeah, unfortunately.

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Speaker 1: No, that makes it even better, I think.

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Speaker 2: Nothing against the Brits. It's just hard for me to

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Speaker 2: do the British.

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Speaker 1: I just know that people... are in pins and needles

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Speaker 1: waiting for what Josh Clark has in mind for everyone.

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Speaker 3: I know.

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Speaker 2: And it makes me nervous. I'm never going to top

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Speaker 2: the guy from a couple of years ago.

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Speaker 1: Well, maybe so. Cause that was sort of an all-time

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Speaker 1: great character.

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Speaker 2: All right. Well, I'm just going to do what I can. Everybody.

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Speaker 1: Schmeagle, right?

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Speaker 2: Schmeagle.

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Speaker 1: Yeah.

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Speaker 4: Yeah.

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Speaker 2: Thanks for that. Okay. So you start.

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Speaker 1: All right, here we go, everybody. And a big thanks

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Speaker 1: to Ben ahead of time. Cause Ben is, Ben is

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Speaker 1: doing our sound design, our spooky sound design.

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Speaker 2: Jerry's doing our recording. Thanks. Cheers.

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Speaker 1: That's right. So here we go, everybody, with The Monkey's

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Speaker 1: Paw by W.W. Jacobs. Without, the night was cold and wet.

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Speaker 1: But in the small parlor of Laburnum Villa, the blinds

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Speaker 1: were drawn and the fire burned brightly. Father and son

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Speaker 1: were at chess. the former who possessed ideas about the

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Speaker 1: game involving radical changes putting his king into such sharp

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Speaker 1: and unnecessary perils that it even provoked comment from the

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Speaker 1: white-haired old lady knitting placidly by the fire. Hark at

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Speaker 1: the wind, said Mr. White, who having seen a fatal

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Speaker 1: mistake after it was too late, was amiably desirous of

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Speaker 1: preventing his son from seeing it.

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Speaker 2: I'm listening.

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Speaker 1: Wait, I'm listening, said the latter, grimly surveying the board

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Speaker 1: as he stretched out his hand. checked i should hardly

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Speaker 1: think that he'd come tonight said his father with his

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Speaker 1: hand poised over the board mate replied his son that's

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Speaker 1: the worst of living so far out bawled mr white

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Speaker 1: with sudden and unlooked for violence of all the beastly

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Speaker 1: slushy out-of-the-way places to live in this is the worst

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Speaker 1: pathways a bog and the roads a torrent i don't

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Speaker 1: know what people are thinking about i suppose because only

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Speaker 1: two houses in the road are let they think it

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Speaker 1: doesn't matter.

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Speaker 3: Never mind, dear.

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Speaker 1: Said his wife soothingly.

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Speaker 3: Perhaps you'll win the next one.

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Speaker 1: That's great, by the way. Mr. White looked up sharply

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Speaker 1: just in time to intercept a knowing glance between mother

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Speaker 1: and son. The words died away on his lips and

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Speaker 1: he hid a guilty grin in his thin gray beard.

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Speaker 1: There he is, said Herbert White as the gate banged

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Speaker 1: too loudly and heavy footsteps came toward the door. The

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Speaker 1: old man rose with hospitable haste and, opening the door,

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Speaker 1: was heard condoling with the new arrival. The new arrival

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Speaker 1: also condoled with himself.

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Speaker 2: Yikes.

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Speaker 1: So that Mrs. White said, Tut, tut. And coughed gently

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Speaker 1: as her husband entered the room. Followed by a tall

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Speaker 1: burly man, beady of eye, and Rubicon de visage. Sergeant

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Speaker 1: Major Morris, he said, introducing him. The sergeant major shook hands,

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Speaker 1: and taking the proffered seat by the fire, watched contentedly

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Speaker 1: while his host got out whiskey and tumblers and stood

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Speaker 1: a small copper kettle on the fire. At the third glass,

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Speaker 1: his eyes got brighter, and he began to talk, the

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Speaker 1: little family circle regarding with eager interest this visitor from

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Speaker 1: distant parts, as he squared his broad shoulders in the

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Speaker 1: chair and spoke of wild scenes and doughty deeds, of

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Speaker 1: war and plagues and strange peoples.

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Speaker 4: Twenty-one years of it.

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Speaker 1: Said Mr. White, nodding at his wife and son. When

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Speaker 1: he went away, he was a slip of a youth

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Speaker 1: in the warehouse. Now look at him.

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Speaker 2: He don't look to have taken much.

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Speaker 1: Harm, said Mrs. White politely. I'd like to go to

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Speaker 1: India myself, said the old man, just to look around

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Speaker 1: a bit, you know. Better where you are, said the

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Speaker 1: sergeant major, shaking his head. He put down the empty

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Speaker 1: glass and sighing softly, shook it again. I should like

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Speaker 1: to see those old temples and fakirs and jugglers, said

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Speaker 1: the old man. What was that you started telling me

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Speaker 1: the other day about a monkey's paw or something, Morris? Nothing,

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Speaker 1: said the soldier hastily.

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Speaker 4: Leastways nothing worth hearing.

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Speaker 1: Monkey's paw, said Mrs. White curiously, very curiously.

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Speaker 4: Well, it's just a bit of what you might call.

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Speaker 1: Magic, perhaps, said the sergeant major offhandedly. His three listeners... Listeners? Yeah.

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Speaker 2: We have three listeners, too.

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Speaker 1: That's good. His three listeners leaned forward eagerly. The visitor

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Speaker 1: absentmindedly put his empty glass to his lips and then

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Speaker 1: set it down again. His host filled it for him.

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Speaker 2: That's class four, I want to point out.

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Speaker 1: Yeah, for sure. To look at, said the sergeant major,

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Speaker 1: fumbling in his pocket.

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Speaker 4: It's just an ordinary little paw, dried to a mummy.

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Speaker 1: He took something out of his pocket and proffered it. Mrs.

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Speaker 1: White drew back with a grimace, but her son, taking it,

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Speaker 1: examined it curiously. And what is there special about it?

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Speaker 1: inquired Mr. White as he took it from his son,

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Speaker 1: and having examined it, placed it upon the table.

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Speaker 4: It had a spell put on it by an old fakir,

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Speaker 4: said the sergeant major, a very holy man. He wanted

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Speaker 4: to show that fate ruled people's lives, and that those

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Speaker 4: who interfered with it did so to their sorrow. He

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Speaker 4: put a spell on it, so... that three separate men

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Speaker 4: could each have three wishes from it.

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Speaker 1: His manner was so impressive that his hearers were conscious

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Speaker 1: that their light laughter jarred somewhat.

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Speaker 2: Well, why don't you have three, sir?

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Speaker 1: Said Herbert White cleverly. The soldier regarded him in a

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Speaker 1: way that middle ages want to regard presumptuous youth. I have,

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Speaker 1: he said quietly.

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Speaker 3: I have.

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Speaker 1: He said quietly, and his blotchy face whitened.

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Speaker 3: And did you really have the three wishes granted?

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Speaker 1: Asked Mrs.

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Speaker 4: White.

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Speaker 1: I did, said the sergeant major, and his glass tapped

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Speaker 1: against his strong teeth.

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Speaker 4: Yeah.

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Speaker 2: And has anybody else wished?

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Speaker 1: Persisted the old lady. The first man had three wishes, yes,

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Speaker 1: was the reply. I don't know what the first two were,

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Speaker 1: but the third was for death. That's how I got

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Speaker 1: the paw. His tones were so grave that a hush

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Speaker 1: fell upon the group. Shh, shh, shh.

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Speaker 2: Everybody shut up.

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Speaker 1: If you had three wishes, it's no good to you

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Speaker 1: now then, Morris, said the old man at last. Why

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Speaker 1: do you keep it for? The soldier shook his head. Fancy,

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Speaker 1: I suppose, he said slowly. I did have some idea

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Speaker 1: of selling it, but I don't think I will. It

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Speaker 1: has caused enough mischief already.

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Speaker 4: Besides, people won't buy it.

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Speaker 1: They think it's a fairy tale, some of them, and

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Speaker 1: those who do think anything of it want to try

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Speaker 1: it first and pay me afterward. If you could have

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Speaker 1: another three wishes, said the old man, eyeing him keenly,

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Speaker 1: would you have them? I don't know, said the other.

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Speaker 4: I don't know.

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Speaker 1: You want to switch over?

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Speaker 2: Yeah, that was good, Chuck.

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Speaker 1: All right.

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Speaker 2: Very nice. And you did the Sergeant Major just exactly

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Speaker 2: as I was hoping you would.

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Speaker 1: A little Colonel Mustard to him.

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Speaker 2: Yeah, for sure. Okay, continuing on. You ready?

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Speaker 1: Let's do it.

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Speaker 2: He took the paw, and dangling it between his forefinger

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Speaker 2: and thumb, suddenly threw it upon the fire. White, with

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00:10:59,750 --> 00:11:02,530
Speaker 2: a slight cry, stooped down and snatched it off.

227
00:11:03,270 --> 00:11:03,810
Speaker 4: Better let it.

228
00:11:03,809 --> 00:11:06,230
Speaker 2: Burn, said the soldier solemnly.

229
00:11:07,630 --> 00:11:10,620
Speaker 1: If you don't want it, Morris, said the other, give

230
00:11:10,650 --> 00:11:11,100
Speaker 1: it to me.

231
00:11:11,120 --> 00:11:15,830
Speaker 2: I won't. Said his friend doggedly.

232
00:11:16,150 --> 00:11:18,230
Speaker 4: I threw it on the fire. If you keep it,

233
00:11:18,290 --> 00:11:20,689
Speaker 4: don't blame me for what happens. Pitch it on the

234
00:11:20,730 --> 00:11:22,350
Speaker 4: fire again like a sensible man.

235
00:11:23,110 --> 00:11:26,350
Speaker 2: The other shook his head and examined his new possession closely.

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00:11:26,890 --> 00:11:28,050
Speaker 3: How do you do it?

237
00:11:29,080 --> 00:11:29,790
Speaker 2: He inquired.

238
00:11:30,500 --> 00:11:32,020
Speaker 1: I think my voice is changing. I'm going to stick

239
00:11:32,040 --> 00:11:32,460
Speaker 1: with this one.

240
00:11:33,220 --> 00:11:33,920
Speaker 2: Okay.

241
00:11:34,660 --> 00:11:37,319
Speaker 4: Hold it up in your right hand and wish aloud.

242
00:11:37,920 --> 00:11:39,040
Speaker 2: Said the sergeant major.

243
00:11:39,400 --> 00:11:41,520
Speaker 4: But I warn you of the consequences.

244
00:11:42,679 --> 00:11:46,350
Speaker 2: Sounds like the Arabian Nights, said Mrs. White as she

245
00:11:46,429 --> 00:11:49,450
Speaker 2: rose and began to set the supper. Don't you think

246
00:11:49,490 --> 00:11:52,290
Speaker 2: you might wish for four pairs of hands for me?

247
00:11:52,309 --> 00:11:57,530
Speaker 1: Oh, what a sassy lady.

248
00:11:58,190 --> 00:12:02,790
Speaker 2: Yeah. Her husband drew the talisman from pocket, and then

249
00:12:02,850 --> 00:12:06,170
Speaker 2: all three burst into laughter as the sergeant major, with

250
00:12:06,220 --> 00:12:08,120
Speaker 2: a look of alarm on his face, caught him by

251
00:12:08,160 --> 00:12:08,599
Speaker 2: the arms.

252
00:12:11,780 --> 00:12:16,520
Speaker 4: If you must wish, he said gruffly, wish for something sensible.

253
00:12:17,640 --> 00:12:20,820
Speaker 2: Mr. White dropped it back in his pocket, placing chairs,

254
00:12:21,240 --> 00:12:24,270
Speaker 2: motioned his friend to the table. In the business of supper,

255
00:12:24,610 --> 00:12:28,110
Speaker 2: the talisman was partly forgotten, and afterward the three sat

256
00:12:28,170 --> 00:12:31,710
Speaker 2: listening in an enthralled fashion to a second installment of

257
00:12:31,750 --> 00:12:36,550
Speaker 2: the soldier's adventures in India... If the tale about the

258
00:12:36,610 --> 00:12:39,390
Speaker 2: monkey's paw is not more truthful than those he's been

259
00:12:39,500 --> 00:12:42,740
Speaker 2: telling us, said Herbert, as the door closed behind their guest,

260
00:12:43,100 --> 00:12:44,900
Speaker 2: just in time for him to catch the last train,

261
00:12:45,360 --> 00:12:46,810
Speaker 2: we shan't make much out of it.

262
00:12:47,840 --> 00:12:50,179
Speaker 3: Did you give him anything for father?

263
00:12:50,570 --> 00:12:54,230
Speaker 2: Inquired Mrs. White, regarding her husband-slash-father closely.

264
00:12:54,250 --> 00:12:58,110
Speaker 1: Yeah, they call each other mother and father. I think

265
00:12:58,130 --> 00:12:59,130
Speaker 1: that used to be a thing, right?

266
00:13:00,050 --> 00:13:02,790
Speaker 2: It's that kind of situation. And it's funny, this is 1902,

267
00:13:02,790 --> 00:13:07,860
Speaker 2: I think. So Mr. and Mrs. White, these very old,

268
00:13:08,059 --> 00:13:10,479
Speaker 2: old people are probably like in their late 50s.

269
00:13:11,140 --> 00:13:11,340
Speaker 1: Right.

270
00:13:11,540 --> 00:13:11,719
Speaker 4: Yeah.

271
00:13:12,000 --> 00:13:12,200
Speaker 1: Totally.

272
00:13:12,220 --> 00:13:12,520
Speaker 4: You know?

273
00:13:13,110 --> 00:13:13,280
Speaker 2: Yeah.

274
00:13:13,330 --> 00:13:13,780
Speaker 1: He's my age.

275
00:13:15,290 --> 00:13:15,610
Speaker 3: All right.

276
00:13:15,630 --> 00:13:16,090
Speaker 1: I think this is me.

277
00:13:16,590 --> 00:13:19,510
Speaker 2: A trifle, said he, coloring slightly.

278
00:13:20,470 --> 00:13:22,750
Speaker 1: He didn't want it, but I made him take it

279
00:13:22,850 --> 00:13:24,610
Speaker 1: and he pressed me again to throw it away.

280
00:13:26,550 --> 00:13:30,290
Speaker 2: Likely, said Herbert with pretended horror. Why, we're going to

281
00:13:30,340 --> 00:13:32,240
Speaker 2: be rich. I've lost Herbert.

282
00:13:32,260 --> 00:13:32,880
Speaker 1: I don't think so.

283
00:13:34,100 --> 00:13:36,200
Speaker 2: Well, let me get back in there. Why, we're going

284
00:13:36,220 --> 00:13:38,600
Speaker 2: to be rich and famous and happy. Got him back.

285
00:13:39,040 --> 00:13:41,699
Speaker 2: Wish to be an emperor, father, to begin with. Then

286
00:13:41,740 --> 00:13:45,890
Speaker 2: you can't be hen-pect. He darted round the table, pursued

287
00:13:45,929 --> 00:13:49,290
Speaker 2: by the maligned Mrs. White, armed with an anti-macassar.

288
00:13:49,650 --> 00:13:51,330
Speaker 1: What is that? I'm sure you looked that up.

289
00:13:51,850 --> 00:13:54,670
Speaker 2: I did. Thank you for knowing me. It is one

290
00:13:54,710 --> 00:13:58,929
Speaker 2: of those pieces of cloth with a doily or something

291
00:13:59,000 --> 00:14:01,400
Speaker 2: on it that you put over the headrest of a chair.

292
00:14:03,010 --> 00:14:06,770
Speaker 2: To keep people's nasty, greasy hair from messing up your chair.

293
00:14:07,010 --> 00:14:07,210
Speaker 4: Yeah.

294
00:14:07,309 --> 00:14:08,929
Speaker 1: You don't want that soul glow on the back of

295
00:14:08,950 --> 00:14:09,670
Speaker 1: your recliner.

296
00:14:10,309 --> 00:14:12,250
Speaker 2: Right. That was, I thought of that too, man. That

297
00:14:12,290 --> 00:14:16,440
Speaker 2: was such a great little Easter egg in there.

298
00:14:16,580 --> 00:14:16,820
Speaker 4: Yeah.

299
00:14:17,520 --> 00:14:20,060
Speaker 2: So I guess she's chasing, his mom is chasing him

300
00:14:20,140 --> 00:14:23,960
Speaker 2: with this anti-McCasser, like she's going to snap his butt

301
00:14:24,060 --> 00:14:25,100
Speaker 2: like it's a dish towel.

302
00:14:25,400 --> 00:14:25,540
Speaker 4: Oh.

303
00:14:25,920 --> 00:14:27,660
Speaker 2: That's how I took it. Or else she's going to

304
00:14:27,800 --> 00:14:30,250
Speaker 2: strangle him with it, one of the two. But she's

305
00:14:30,330 --> 00:14:34,270
Speaker 2: mad because he just said that. Essentially, she hempecks his father.

306
00:14:34,410 --> 00:14:36,470
Speaker 1: I gotcha. She is sassy, we've established, so I'm sure

307
00:14:36,530 --> 00:14:37,470
Speaker 1: it's a butt pop.

308
00:14:37,910 --> 00:14:40,790
Speaker 2: She's hilarious. Yeah. Okay, you ready?

309
00:14:40,930 --> 00:14:41,090
Speaker 4: Yeah.

310
00:14:42,130 --> 00:14:44,250
Speaker 2: Mr. White took the paw from his pocket and eyed

311
00:14:44,290 --> 00:14:45,110
Speaker 2: it dubiously.

312
00:14:45,830 --> 00:14:48,110
Speaker 4: I don't know what to wish for, and that's a fact.

313
00:14:48,630 --> 00:14:49,510
Speaker 2: He said slowly.

314
00:14:50,290 --> 00:14:55,290
Speaker 1: It seems to me I've got all I want.

315
00:14:56,710 --> 00:14:59,070
Speaker 2: If you only cleared the house, you'd be quite happy,

316
00:14:59,130 --> 00:15:03,170
Speaker 2: wouldn't you? Said Herbert with his hand on his shoulder. Well,

317
00:15:03,390 --> 00:15:06,660
Speaker 2: wish for 200 pounds then. That'll just do it.

318
00:15:06,990 --> 00:15:08,730
Speaker 1: Okay. If I cleared the house, he means pay off

319
00:15:08,750 --> 00:15:09,370
Speaker 1: the mortgage, right?

320
00:15:09,930 --> 00:15:15,230
Speaker 2: Mm-hmm. And this is 1902. So 200 pounds. Man. Equals

321
00:15:15,290 --> 00:15:20,310
Speaker 2: about 22,000 pounds today or about 29,000 US dollars.

322
00:15:20,470 --> 00:15:20,790
Speaker 4: Oh, wow.

323
00:15:21,130 --> 00:15:21,690
Speaker 1: Is that for real?

324
00:15:21,710 --> 00:15:22,150
Speaker 4: You did that?

325
00:15:22,630 --> 00:15:24,130
Speaker 1: Mm-hmm. Above and beyond.

326
00:15:25,240 --> 00:15:27,890
Speaker 2: Thank you. Special thanks to the Bank of England.

327
00:15:27,910 --> 00:15:29,520
Speaker 1: That's right. For everything.

328
00:15:30,280 --> 00:15:34,510
Speaker 2: And, yeah, and I can't remember where I converted pounds

329
00:15:34,590 --> 00:15:37,410
Speaker 2: into USD for today, but, you know, whatever.

330
00:15:37,610 --> 00:15:39,390
Speaker 1: Yeah.

331
00:15:39,610 --> 00:15:41,370
Speaker 2: Should I still keep going? You want me to finish

332
00:15:41,390 --> 00:15:42,490
Speaker 2: this off to part two?

333
00:15:42,510 --> 00:15:43,850
Speaker 1: Yeah, yeah, through part two. Let's do it.

334
00:15:43,910 --> 00:15:49,250
Speaker 2: Okay. His father, smiling shamefacedly at his own credulity, held

335
00:15:49,320 --> 00:15:52,280
Speaker 2: up the talisman, as his son, with a solemn face,

336
00:15:52,660 --> 00:15:55,760
Speaker 2: somewhat marred by a wink at his mother, ding, sat

337
00:15:55,800 --> 00:15:59,040
Speaker 2: down at the piano and struck a few impressive chords. Ding.

338
00:15:59,840 --> 00:16:03,060
Speaker 4: I wish for two hundred pounds.

339
00:16:04,030 --> 00:16:07,570
Speaker 2: The old man said distinctly. A fine crash from the

340
00:16:07,610 --> 00:16:11,330
Speaker 2: piano greeted the words, interrupted by a shuddering cry from

341
00:16:11,350 --> 00:16:12,030
Speaker 2: the old man.

342
00:16:14,590 --> 00:16:14,770
Speaker 1: Oh!

343
00:16:15,870 --> 00:16:19,620
Speaker 2: Right, his wife and son ran toward him. It moved,

344
00:16:20,240 --> 00:16:22,960
Speaker 2: he cried with a glance of disgust at the object

345
00:16:23,020 --> 00:16:24,140
Speaker 2: as it lay on the floor.

346
00:16:24,660 --> 00:16:27,160
Speaker 1: As I wished, it twisted in my hand like a snake.

347
00:16:28,540 --> 00:16:31,570
Speaker 2: Well, I don't see the money, said his son as

348
00:16:31,610 --> 00:16:33,310
Speaker 2: he picked it up and placed it on the table,

349
00:16:33,550 --> 00:16:35,450
Speaker 2: and I bet I never shall.

350
00:16:36,750 --> 00:16:38,990
Speaker 3: It must have been your fancy father.

351
00:16:39,370 --> 00:16:43,370
Speaker 2: Said wife, regarding him anxiously. He shook his head.

352
00:16:44,410 --> 00:16:46,880
Speaker 1: Never mind, though, there's no harm done, but it gave

353
00:16:46,890 --> 00:16:47,980
Speaker 1: me a shock all the same.

354
00:16:49,300 --> 00:16:51,420
Speaker 2: They sat down by the fire again while the two

355
00:16:51,460 --> 00:16:55,380
Speaker 2: men finished their pipes. Outside, the wind was higher than ever.

356
00:16:56,040 --> 00:16:58,320
Speaker 2: and the old man started nervously at the sound of

357
00:16:58,360 --> 00:17:02,830
Speaker 2: a door banging upstairs. A silence, unusual and depressing, settled

358
00:17:02,890 --> 00:17:06,130
Speaker 2: upon all three, which lasted until the old couple rose

359
00:17:06,190 --> 00:17:11,609
Speaker 2: to retire for the night. I expect you'll find the

360
00:17:11,650 --> 00:17:13,710
Speaker 2: cash tied up in a big bag in the middle

361
00:17:13,730 --> 00:17:16,780
Speaker 2: of your bed, said Herbert as he bade them goodnight.

362
00:17:17,460 --> 00:17:20,700
Speaker 2: And something horrible squatting up on top of the wardrobe

363
00:17:20,740 --> 00:17:24,419
Speaker 2: watching you as you pocket your ill-gotten gains.

364
00:17:25,080 --> 00:17:26,659
Speaker 1: I wonder if the old man is wondering how he

365
00:17:26,700 --> 00:17:28,139
Speaker 1: ended up with a Cockney family.

366
00:17:28,160 --> 00:17:31,679
Speaker 2: I don't know. It's the only British accent I can

367
00:17:31,720 --> 00:17:34,780
Speaker 2: do reliably. That's good. And I'm even hanging it on

368
00:17:34,800 --> 00:17:36,619
Speaker 2: by my fingernails right now with that.

369
00:17:36,640 --> 00:17:37,210
Speaker 1: Perfect. I love it.

370
00:17:38,340 --> 00:17:40,760
Speaker 2: He sat alone. This would be Herbert. He sat alone

371
00:17:40,820 --> 00:17:43,380
Speaker 2: in the darkness, gazing at the dying fire and seeing

372
00:17:43,700 --> 00:17:46,899
Speaker 2: faces in it. The last face was so horrible and

373
00:17:47,160 --> 00:17:51,639
Speaker 2: so simian that he gazed at it in amazement. It

374
00:17:51,680 --> 00:17:57,230
Speaker 2: got so vivid that with a little uneasy laugh, he

375
00:17:57,310 --> 00:17:59,810
Speaker 2: felt on the table for a glass containing a little

376
00:17:59,850 --> 00:18:02,690
Speaker 2: water to throw over it. He grasped the monkey's paw.

377
00:18:03,010 --> 00:18:05,369
Speaker 2: With a little shiver, he wiped his hand on his

378
00:18:05,470 --> 00:18:07,230
Speaker 2: coat and he went up to bed.

379
00:18:12,630 --> 00:18:15,070
Speaker 1: All right. That's part one. So they have made this

380
00:18:15,109 --> 00:18:18,449
Speaker 1: wish for the 200 pounds, even though a dire warning

381
00:18:18,530 --> 00:18:19,370
Speaker 1: from Colonel Mustard.

382
00:18:19,950 --> 00:18:20,170
Speaker 4: Yeah.

383
00:18:20,550 --> 00:18:21,810
Speaker 1: That something bad would come of that.

384
00:18:22,869 --> 00:18:24,390
Speaker 2: I guess we should take an ad break, huh?

385
00:18:24,869 --> 00:18:26,709
Speaker 1: No, buddy. Not on this one.

386
00:18:27,290 --> 00:18:30,050
Speaker 2: Okay. I was just setting you up for that.

387
00:18:30,390 --> 00:18:33,430
Speaker 1: Perfect. I'll pick it up here. Monkey's Paw, part two.

388
00:18:38,350 --> 00:18:40,510
Speaker 1: In the brightness of the wintry sun next morning as

389
00:18:40,570 --> 00:18:43,090
Speaker 1: it streamed over the breakfast table, he laughed at his fears.

390
00:18:43,590 --> 00:18:45,890
Speaker 1: There was an air of prosaic wholesomeness about the room

391
00:18:45,950 --> 00:18:48,250
Speaker 1: which it had lacked on the previous night, and the

392
00:18:48,270 --> 00:18:51,129
Speaker 1: dirty shriveled little paw was pitched on the sideboard with

393
00:18:51,170 --> 00:18:54,370
Speaker 1: a carelessness which betokened no great belief in its virtues.

394
00:18:55,410 --> 00:18:57,600
Speaker 2: I suppose all old soldiers are the.

395
00:18:57,580 --> 00:18:58,740
Speaker 1: Same, said Mrs.

396
00:18:58,780 --> 00:18:59,040
Speaker 4: White.

397
00:18:59,500 --> 00:19:02,900
Speaker 2: The idea of all listening to such nonsense, how could

398
00:19:03,020 --> 00:19:05,040
Speaker 2: wishes be granted these days?

399
00:19:05,440 --> 00:19:09,400
Speaker 3: And if they could, how could two hundred pounds hurt you, father?

400
00:19:09,420 --> 00:19:12,510
Speaker 2: Mike dropped on his head from the sky.

401
00:19:13,080 --> 00:19:17,120
Speaker 1: Said a frivolous Herbert. Morris said the things happened so naturally,

402
00:19:17,380 --> 00:19:20,379
Speaker 1: said his father, that you might, if you so wished,

403
00:19:20,500 --> 00:19:21,899
Speaker 1: attribute it to coincidence.

404
00:19:22,800 --> 00:19:25,280
Speaker 2: Well, don't break into the money before I come.

405
00:19:25,180 --> 00:19:27,460
Speaker 1: Back, said Herbert as he rose from the table.

406
00:19:28,190 --> 00:19:31,810
Speaker 2: I'm afraid it'll turn you into a mean, avaricious man

407
00:19:31,869 --> 00:19:33,970
Speaker 2: and we shall have to disown you.

408
00:19:34,530 --> 00:19:47,609
Speaker 1: His mother laughed. And following him to the door, watched

409
00:19:47,670 --> 00:19:49,970
Speaker 1: him down the road and returning to the breakfast table.

410
00:19:50,140 --> 00:19:52,720
Speaker 1: was very happy at the expense of her husband's credulity.

411
00:19:53,540 --> 00:19:55,580
Speaker 1: All of which did not prevent her from scurrying to

412
00:19:55,600 --> 00:19:58,920
Speaker 1: the door at the postman's knock, nor prevent her from

413
00:19:58,960 --> 00:20:03,550
Speaker 1: referring somewhat shortly to retired sergeant majors of bibulous habits

414
00:20:04,030 --> 00:20:06,310
Speaker 1: when she found that the post brought a tailor's bill.

415
00:20:06,910 --> 00:20:07,050
Speaker 4: Hmm.

416
00:20:08,290 --> 00:20:11,990
Speaker 2: Herbert will have some more of his funny remarks, I expect,

417
00:20:12,070 --> 00:20:13,190
Speaker 2: when he comes.

418
00:20:12,970 --> 00:20:16,169
Speaker 1: Home, she said as they sat at dinner. I dare say,

419
00:20:16,450 --> 00:20:19,370
Speaker 1: said Mr. White, pouring himself out some beer. But for

420
00:20:19,450 --> 00:20:21,790
Speaker 1: all that, the thing moved in my hand. That I'll

421
00:20:21,810 --> 00:20:27,090
Speaker 1: swear to. You thought it did, said the old lady soothingly.

422
00:20:29,750 --> 00:20:31,990
Speaker 1: I say it did, replied the other. There was no

423
00:20:32,040 --> 00:20:32,639
Speaker 1: thought about it.

424
00:20:32,760 --> 00:20:33,260
Speaker 4: I had just.

425
00:20:34,080 --> 00:20:37,639
Speaker 1: What's the matter? His wife made no reply. She was

426
00:20:37,720 --> 00:20:41,240
Speaker 1: watching the mysterious movements of a man outside who, peering

427
00:20:41,300 --> 00:20:43,320
Speaker 1: in an undecided fashion at the house, appeared to be

428
00:20:43,380 --> 00:20:45,680
Speaker 1: trying to make up his mind to enter. In mental

429
00:20:45,720 --> 00:20:48,679
Speaker 1: connection with the 200 pounds, she noticed that the stranger

430
00:20:48,740 --> 00:20:51,359
Speaker 1: was well-dressed and wore a silk hat of glossy newness.

431
00:20:52,440 --> 00:20:55,200
Speaker 1: Three times he paused at the gate and then walked

432
00:20:55,280 --> 00:20:57,220
Speaker 1: on again. The fourth time he stood with his hand

433
00:20:57,280 --> 00:21:00,140
Speaker 1: upon it and then, with sudden resolution, flung it open

434
00:21:00,590 --> 00:21:03,090
Speaker 1: and walked up the path. Mrs. White at the same

435
00:21:03,130 --> 00:21:06,189
Speaker 1: moment placed her hands behind her and hurriedly unfastening the

436
00:21:06,230 --> 00:21:09,220
Speaker 1: strings of her apron put that useful article of apparel

437
00:21:09,520 --> 00:21:10,960
Speaker 1: beneath the cushion of her chair.

438
00:21:11,420 --> 00:21:12,020
Speaker 2: Kind of weird.

439
00:21:12,440 --> 00:21:13,180
Speaker 1: She hid that apron.

440
00:21:13,680 --> 00:21:14,119
Speaker 2: I guess.

441
00:21:15,119 --> 00:21:17,560
Speaker 1: She brought the stranger, who seemed ill at ease, into

442
00:21:17,600 --> 00:21:20,760
Speaker 1: the room. He gazed at her furtively and listened in

443
00:21:20,780 --> 00:21:23,439
Speaker 1: a preoccupied fashion as the old lady apologized for the

444
00:21:23,480 --> 00:21:26,659
Speaker 1: appearance of the room and her husband's coat, a garment

445
00:21:26,700 --> 00:21:29,780
Speaker 1: which he usually reserved for the garden. Then she waited

446
00:21:29,880 --> 00:21:33,640
Speaker 1: as patiently as her sex would permit Sorry. for him

447
00:21:33,700 --> 00:21:37,120
Speaker 1: to broach his business, but he was at first strangely

448
00:21:37,180 --> 00:21:40,070
Speaker 1: silent All right, this guy's me, right?

449
00:21:40,290 --> 00:21:40,970
Speaker 2: Yeah, you're you.

450
00:21:42,530 --> 00:21:44,770
Speaker 1: Let me see. Who is this guy? Who is this guy?

451
00:21:45,510 --> 00:21:47,450
Speaker 2: He's a foppish, dandy gentleman.

452
00:21:48,910 --> 00:21:51,409
Speaker 1: I was asked to call, he said at last, and

453
00:21:51,540 --> 00:21:53,800
Speaker 1: stooped and picked a piece of cotton from his trousers.

454
00:21:54,400 --> 00:21:57,879
Speaker 1: I come from Ma and Megan's. The old lady started.

455
00:21:57,900 --> 00:22:00,380
Speaker 3: Is anything the matter?

456
00:22:01,540 --> 00:22:02,639
Speaker 1: She asked breathlessly.

457
00:22:03,119 --> 00:22:06,669
Speaker 3: Has anything happened to Herbert? What is it? What is it?

458
00:22:07,040 --> 00:22:10,360
Speaker 1: Her husband interposed. There, there, mother, he said hastily. Sit

459
00:22:10,420 --> 00:22:13,580
Speaker 1: down and don't jump to conclusions. You've not brought bad news,

460
00:22:13,660 --> 00:22:18,399
Speaker 1: I'm sure, sir. And he eyed the other wistfully. I'm sorry,

461
00:22:19,060 --> 00:22:19,800
Speaker 1: began the visitor.

462
00:22:20,320 --> 00:22:21,200
Speaker 3: Is he hurt?

463
00:22:21,680 --> 00:22:28,160
Speaker 1: Demanded the mother wildly. The visitor bowed in assent. Badly hurt,

464
00:22:28,500 --> 00:22:31,359
Speaker 1: he said quietly. But he is not in any pain.

465
00:22:32,760 --> 00:22:34,180
Speaker 2: Oh, thank God!

466
00:22:34,970 --> 00:22:36,869
Speaker 1: Said the old woman, clasping her hands.

467
00:22:37,410 --> 00:22:39,750
Speaker 3: Thank God for that! Thank.

468
00:22:40,070 --> 00:22:42,550
Speaker 1: She broke off suddenly as the sinister meaning of the

469
00:22:42,609 --> 00:22:46,450
Speaker 1: assurance dawned upon her, and she the awful confirmation of

470
00:22:46,490 --> 00:22:49,390
Speaker 1: her fears in the other's averted face. She caught her breath,

471
00:22:51,140 --> 00:22:55,260
Speaker 1: and turning to her slower-witted husband, laid her trembling old

472
00:22:55,320 --> 00:22:59,020
Speaker 1: hand upon his. There was a long silence. He was

473
00:22:59,359 --> 00:23:04,369
Speaker 1: caught in the machinery. said the visitor at length in

474
00:23:04,410 --> 00:23:05,050
Speaker 1: a low voice.

475
00:23:06,650 --> 00:23:07,670
Speaker 4: Caught in the machinery?

476
00:23:08,170 --> 00:23:10,010
Speaker 1: Repeated Mr. White in a dazed fashion.

477
00:23:10,950 --> 00:23:11,250
Speaker 3: Yes.

478
00:23:12,670 --> 00:23:15,270
Speaker 1: He sat, staring blankly out at the window and taking

479
00:23:15,310 --> 00:23:17,989
Speaker 1: his wife's hand between his own, pressed it as he

480
00:23:18,030 --> 00:23:20,670
Speaker 1: had want to do in their old courting days nearly

481
00:23:20,710 --> 00:23:25,389
Speaker 1: forty years before. He was the only one left to us,

482
00:23:25,859 --> 00:23:28,580
Speaker 1: he said, turning gently to the visitor. It is hard.

483
00:23:29,480 --> 00:23:34,129
Speaker 1: The other coughed. And rising, walked slowly to the window.

484
00:23:34,770 --> 00:23:37,370
Speaker 1: The firm wished me to convey their sincere sympathy with

485
00:23:37,390 --> 00:23:40,130
Speaker 1: you and your great loss, he said without looking around.

486
00:23:40,530 --> 00:23:42,800
Speaker 1: I beg that you will understand I am only their

487
00:23:42,820 --> 00:23:46,439
Speaker 1: servant and merely obeying orders. It's like, don't shoot the messenger.

488
00:23:46,880 --> 00:23:47,460
Speaker 2: Yeah, for sure.

489
00:23:48,540 --> 00:23:51,160
Speaker 1: There was no reply. The old woman's face was white,

490
00:23:51,220 --> 00:23:54,419
Speaker 1: her eyes staring and her breaths inaudible. On the husband's

491
00:23:54,460 --> 00:23:56,780
Speaker 1: face was a look such as his friend, the sergeant,

492
00:23:57,160 --> 00:24:02,020
Speaker 1: might have carried into his first action. I was to

493
00:24:02,060 --> 00:24:05,960
Speaker 1: say that Ma and Megan's disclaim all responsibility, continued the other.

494
00:24:06,220 --> 00:24:08,760
Speaker 1: They admit no liability at all, but in consideration of

495
00:24:08,780 --> 00:24:12,540
Speaker 1: your son's services, they wish to present you with a

496
00:24:12,619 --> 00:24:14,540
Speaker 1: certain sum as compensation.

497
00:24:15,560 --> 00:24:15,760
Speaker 2: Mr.

498
00:24:15,780 --> 00:24:17,860
Speaker 1: White dropped his wife's hand and, rising to his feet,

499
00:24:18,300 --> 00:24:21,439
Speaker 1: gazed with a look of horror at his visitor. His

500
00:24:21,500 --> 00:24:27,980
Speaker 1: dry lips shaped the words, How much? Two hundred pounds,

501
00:24:28,220 --> 00:24:35,190
Speaker 1: was the answer. Unconscious of his wife's shriek, Oh, heck!

502
00:24:35,869 --> 00:24:39,390
Speaker 1: The old man smiled faintly, put out his hands like

503
00:24:39,430 --> 00:24:42,820
Speaker 1: a sightless man, and dropped a senseless heap to the floor.

504
00:24:46,619 --> 00:24:46,780
Speaker 2: Oh.

505
00:24:47,460 --> 00:24:48,940
Speaker 4: Wow. All right. Yeah.

506
00:24:48,960 --> 00:24:49,320
Speaker 1: There it is.

507
00:24:49,340 --> 00:24:52,260
Speaker 2: I had to catch my own breath because I've been

508
00:24:52,300 --> 00:24:54,160
Speaker 2: trying to breathe inaudibly this whole time.

509
00:24:55,060 --> 00:24:55,440
Speaker 4: You okay?

510
00:24:56,140 --> 00:24:58,200
Speaker 2: Yeah, I'm good now. Now that I'm free of that.

511
00:24:58,510 --> 00:24:59,770
Speaker 1: You need an O2 canister?

512
00:25:01,170 --> 00:25:02,050
Speaker 2: I need a CPAP.

513
00:25:02,410 --> 00:25:02,850
Speaker 4: Yeah, okay.

514
00:25:03,650 --> 00:25:04,230
Speaker 2: All right, you ready?

515
00:25:04,609 --> 00:25:08,550
Speaker 1: Yeah, this is, you know, what the fate has been revealed.

516
00:25:08,930 --> 00:25:12,530
Speaker 1: Sun is mangled to the tune of 200 pounds in compensation.

517
00:25:13,250 --> 00:25:16,750
Speaker 2: Yeah, caught in the machinery definitely equals mangled, right? Yeah,

518
00:25:16,770 --> 00:25:19,780
Speaker 2: I think so. So this is the third and final

519
00:25:19,910 --> 00:25:27,459
Speaker 2: act of The Monkey's Paw, starting right now. The Monkey's

520
00:25:27,520 --> 00:25:32,030
Speaker 2: Paw In the huge new cemetery, some two miles distant,

521
00:25:32,250 --> 00:25:35,210
Speaker 2: the old people buried their dead and came back to

522
00:25:35,260 --> 00:25:38,580
Speaker 2: a house steeped in shadow and silence. It was all

523
00:25:38,660 --> 00:25:41,240
Speaker 2: over so quickly that at first they could hardly realize

524
00:25:41,300 --> 00:25:44,440
Speaker 2: it and remained in a state of expectation, as though

525
00:25:44,720 --> 00:25:47,379
Speaker 2: of something else to happen, something else which was to

526
00:25:47,460 --> 00:25:50,580
Speaker 2: lighten this load, too heavy for old hearts to bear.

527
00:25:51,359 --> 00:25:55,120
Speaker 2: But the days passed, and expectation gave place to resignation,

528
00:25:55,660 --> 00:26:00,520
Speaker 2: the hopeless resignation of the old, sometimes miscalled apathy. Sometimes

529
00:26:00,560 --> 00:26:03,220
Speaker 2: they hardly exchanged a word, for now they had nothing

530
00:26:03,260 --> 00:26:06,139
Speaker 2: to talk about, and their days were long to weariness.

531
00:26:06,940 --> 00:26:09,300
Speaker 2: It was about a week after that that the old man,

532
00:26:09,500 --> 00:26:12,520
Speaker 2: waking suddenly in the night, stretched out his hand and

533
00:26:12,619 --> 00:26:16,439
Speaker 2: found himself alone. The room was in darkness, and the

534
00:26:16,480 --> 00:26:22,129
Speaker 2: sound of subdued weeping came from the window. He raised

535
00:26:22,170 --> 00:26:26,410
Speaker 2: himself in bed and listened. Come back, he said tenderly.

536
00:26:26,430 --> 00:26:27,530
Speaker 3: You will be cold.

537
00:26:28,350 --> 00:26:31,629
Speaker 2: It is colder for my son, said the old woman

538
00:26:31,670 --> 00:26:36,090
Speaker 2: and wept afresh. The sound of her sobs died away

539
00:26:36,190 --> 00:26:38,820
Speaker 2: on his ears. The bed was warm and his eyes

540
00:26:38,859 --> 00:26:42,640
Speaker 2: heavy with sleep. He dozed fitfully and then slept until

541
00:26:42,680 --> 00:26:45,340
Speaker 2: a sudden wild cry from his wife awoke him with

542
00:26:45,380 --> 00:26:45,720
Speaker 2: a start.

543
00:26:46,500 --> 00:26:47,719
Speaker 3: The paw!

544
00:26:48,040 --> 00:26:48,939
Speaker 2: She cried wildly.

545
00:26:49,140 --> 00:26:51,140
Speaker 3: The monkey's paw!

546
00:26:51,880 --> 00:26:53,090
Speaker 2: He started up in alarm.

547
00:26:53,130 --> 00:26:53,390
Speaker 3: Where?

548
00:26:53,510 --> 00:26:54,550
Speaker 4: Where is it? What's the matter?

549
00:26:56,050 --> 00:26:59,530
Speaker 2: She came stumbling across the room toward him. I want it,

550
00:26:59,930 --> 00:27:03,370
Speaker 2: she said quietly. Oh, I want it, she said quietly.

551
00:27:03,730 --> 00:27:07,100
Speaker 2: You've not destroyed it. It's in the parlor on the bracket,

552
00:27:07,600 --> 00:27:08,660
Speaker 2: he replied marveling.

553
00:27:09,320 --> 00:27:09,800
Speaker 4: Why?

554
00:27:10,580 --> 00:27:14,639
Speaker 2: She cried and laughed together and bending over kissed his cheek.

555
00:27:15,420 --> 00:27:18,639
Speaker 2: I only just thought of it, she said hysterically.

556
00:27:18,770 --> 00:27:21,750
Speaker 3: Why didn't I think of it before? Why didn't you

557
00:27:21,869 --> 00:27:22,419
Speaker 3: think of it?

558
00:27:22,890 --> 00:27:23,950
Speaker 1: Think of what?

559
00:27:24,630 --> 00:27:28,950
Speaker 2: He questioned. The other two wishes, she replied rapidly.

560
00:27:29,130 --> 00:27:30,220
Speaker 3: We've only had one.

561
00:27:30,960 --> 00:27:36,720
Speaker 2: Was not that enough, he demanded fiercely. No, she cried triumphantly.

562
00:27:37,060 --> 00:27:40,240
Speaker 3: We'll have one more. Go down and get it quickly,

563
00:27:40,260 --> 00:27:42,379
Speaker 3: then wish our boy alive again.

564
00:27:43,520 --> 00:27:45,880
Speaker 2: The man sat up in bed and flung the bedclothes

565
00:27:45,900 --> 00:27:50,100
Speaker 2: from his quaking limbs. Good God, you're mad, he cried aghast.

566
00:27:51,960 --> 00:27:53,280
Speaker 2: Get it, she panted.

567
00:27:53,320 --> 00:27:57,139
Speaker 3: Get it quickly and wish. Oh, my boy, my boy.

568
00:27:57,840 --> 00:28:02,210
Speaker 2: Her husband struck a match and lit the candle. Get

569
00:28:02,250 --> 00:28:04,389
Speaker 2: back to bed, he said unsteadily.

570
00:28:04,730 --> 00:28:06,169
Speaker 1: You don't know what you're saying.

571
00:28:06,950 --> 00:28:08,090
Speaker 3: We had the first.

572
00:28:07,850 --> 00:28:10,590
Speaker 2: Wish granted, said the old woman feverishly.

573
00:28:10,830 --> 00:28:11,870
Speaker 3: Why not the second?

574
00:28:12,330 --> 00:28:16,070
Speaker 2: A coincidence, stammered the old man. Go and get it

575
00:28:16,150 --> 00:28:18,950
Speaker 2: and wish, cried his wife, quivering with excitement.

576
00:28:18,970 --> 00:28:19,370
Speaker 3: No!

577
00:28:20,580 --> 00:28:23,899
Speaker 2: The old man turned and regarded her, and his voice shook.

578
00:28:23,920 --> 00:28:27,600
Speaker 1: He has been dead ten days, and besides, he, I

579
00:28:28,400 --> 00:28:31,860
Speaker 1: could not tell you else, but I could only recognize

580
00:28:31,900 --> 00:28:34,620
Speaker 1: him by his clothing. If he was too terrible for

581
00:28:34,660 --> 00:28:35,359
Speaker 1: you to see.

582
00:28:35,220 --> 00:28:39,000
Speaker 4: Then, how now, brown cow?

583
00:28:41,220 --> 00:28:45,100
Speaker 2: Bring him back, cried the old woman, and dragged him

584
00:28:45,180 --> 00:28:45,780
Speaker 2: toward the door.

585
00:28:46,080 --> 00:28:48,860
Speaker 3: Do you think I fear the child I have nursed?

586
00:28:49,840 --> 00:28:52,040
Speaker 2: He went down in the darkness, and he felt his

587
00:28:52,100 --> 00:28:55,219
Speaker 2: way to the parlor, and then to the mantelpiece. The

588
00:28:55,260 --> 00:28:58,480
Speaker 2: talisman was in its place, and a horrible fear that

589
00:28:58,520 --> 00:29:01,900
Speaker 2: the unspoken wish might bring his mutilated son before him,

590
00:29:02,270 --> 00:29:05,490
Speaker 2: ere he could escape the room, seized upon him, and

591
00:29:05,510 --> 00:29:07,650
Speaker 2: he caught his breath as he found that he had

592
00:29:07,730 --> 00:29:11,890
Speaker 2: lost the direction of the door. His brow cold with sweat,

593
00:29:12,410 --> 00:29:15,110
Speaker 2: he felt his way around the table, and groped along

594
00:29:15,150 --> 00:29:17,650
Speaker 2: the wall until he found himself in the small passage

595
00:29:18,040 --> 00:29:23,200
Speaker 2: with the unwholesome thing in his hand. Even his wife's

596
00:29:23,300 --> 00:29:26,600
Speaker 2: face seemed changed as he entered the room. It was

597
00:29:26,700 --> 00:29:29,960
Speaker 2: white and expectant, and to his fears seemed to have

598
00:29:30,010 --> 00:29:33,690
Speaker 2: an unnatural look upon him. He was afraid of her.

599
00:29:34,610 --> 00:29:35,330
Speaker 3: Wish!

600
00:29:35,850 --> 00:29:37,210
Speaker 2: she cried in a strong voice.

601
00:29:37,230 --> 00:29:39,510
Speaker 4: It is foolish and wicked!

602
00:29:40,820 --> 00:29:48,010
Speaker 2: He faltered. Wish, repeated his wife. He raised his hand.

603
00:29:48,030 --> 00:29:51,750
Speaker 4: I wish my son alive again.

604
00:29:51,770 --> 00:29:56,390
Speaker 2: The talisman fell to the floor and he regarded it fearfully.

605
00:29:56,750 --> 00:29:59,520
Speaker 2: Then he sank. Trembling into a chair as the old

606
00:29:59,580 --> 00:30:02,600
Speaker 2: woman with burning eyes walked to the window and raised

607
00:30:02,680 --> 00:30:07,120
Speaker 2: the blind. He sat until he was chilled with the cold. Wait,

608
00:30:07,540 --> 00:30:09,520
Speaker 2: maybe you should take over here because I think this

609
00:30:09,560 --> 00:30:11,140
Speaker 2: is a good spot for you to take us home.

610
00:30:11,480 --> 00:30:12,000
Speaker 2: What do you think?

611
00:30:12,560 --> 00:30:16,050
Speaker 1: Okay, sure. And I got to say, they didn't think

612
00:30:16,110 --> 00:30:19,729
Speaker 1: this through because he even said out loud like he

613
00:30:19,770 --> 00:30:22,770
Speaker 1: would be mutilated when he comes back. And all he

614
00:30:22,810 --> 00:30:25,100
Speaker 1: had to do was say, I wish my son alive again. And.

615
00:30:27,900 --> 00:30:30,820
Speaker 1: The manner he was before caught in the machinery.

616
00:30:31,160 --> 00:30:32,360
Speaker 2: Yeah, I thought that too.

617
00:30:33,000 --> 00:30:34,040
Speaker 1: Well, there wouldn't be a story here.

618
00:30:34,540 --> 00:30:34,920
Speaker 2: Right, true.

619
00:30:34,940 --> 00:30:38,900
Speaker 1: All right. All right, taking us home. He sat until

620
00:30:38,940 --> 00:30:41,330
Speaker 1: he was chilled with the cold, glancing occasionally at the

621
00:30:41,370 --> 00:30:43,810
Speaker 1: figure of the old woman peering through the window. The

622
00:30:43,850 --> 00:30:45,890
Speaker 1: candle end, which had burned below the rim of the

623
00:30:45,990 --> 00:30:49,510
Speaker 1: china candlestick, was throwing pulsating shadows on the ceiling and

624
00:30:49,550 --> 00:30:53,370
Speaker 1: walls until, with a flicker larger than the rest, it expired.

625
00:30:54,160 --> 00:30:56,220
Speaker 1: The old man with an unspeakable sense of relief at

626
00:30:56,240 --> 00:30:58,460
Speaker 1: the failure of the talisman crept back to his bed

627
00:30:58,960 --> 00:31:01,160
Speaker 1: and a minute or two afterward the old woman came

628
00:31:01,240 --> 00:31:05,240
Speaker 1: silently and apathetically beside him. Neither spoke but lay silently

629
00:31:05,280 --> 00:31:08,400
Speaker 1: listening to the ticking of the clock. A stare creaked

630
00:31:08,600 --> 00:31:11,560
Speaker 1: and a squeaky mouse scurried noisily through the wall. The

631
00:31:11,600 --> 00:31:14,660
Speaker 1: darkness was oppressive and after lying for some time screwing

632
00:31:14,700 --> 00:31:17,140
Speaker 1: up his courage he took the box of matches and

633
00:31:17,240 --> 00:31:20,850
Speaker 1: striking one went downstairs for a candle. At the foot

634
00:31:20,880 --> 00:31:22,550
Speaker 1: of the stairs the match went out and he paused

635
00:31:22,590 --> 00:31:25,200
Speaker 1: to strike another and At that same moment, a knock,

636
00:31:25,800 --> 00:31:28,880
Speaker 1: so quiet and stealthy as to be scarcely audible, sounded

637
00:31:28,940 --> 00:31:31,560
Speaker 1: at the front door. The matches fell from his hand

638
00:31:31,600 --> 00:31:34,880
Speaker 1: and spilled in the passage. He stood motionless, his breath

639
00:31:34,920 --> 00:31:38,170
Speaker 1: suspended until the knock was repeated. Then he turned and

640
00:31:38,230 --> 00:31:40,670
Speaker 1: fled swiftly back to his room and closed the door

641
00:31:40,710 --> 00:31:43,190
Speaker 1: behind him. A third knock sounded through the house.

642
00:31:44,290 --> 00:31:45,490
Speaker 3: What's that?

643
00:31:46,010 --> 00:31:49,020
Speaker 1: Cried the old woman, starting up. A rat, said the

644
00:31:49,060 --> 00:31:50,260
Speaker 1: old man in shaking tones.

645
00:31:50,940 --> 00:31:51,280
Speaker 2: A rat?

646
00:31:52,060 --> 00:31:53,459
Speaker 4: It passed me on the stairs.

647
00:31:54,520 --> 00:31:56,660
Speaker 1: His wife sat up in bed listening. A loud knock

648
00:31:56,700 --> 00:31:57,740
Speaker 1: resounded through the house.

649
00:31:58,870 --> 00:31:59,910
Speaker 3: It's Herbert!

650
00:32:00,250 --> 00:32:00,930
Speaker 1: She screamed.

651
00:32:01,430 --> 00:32:03,090
Speaker 3: It's Herbert!

652
00:32:04,030 --> 00:32:06,270
Speaker 1: She ran to the door, but her husband was before

653
00:32:06,310 --> 00:32:08,530
Speaker 1: her and, catching her by the arm, held her tightly.

654
00:32:08,550 --> 00:32:10,660
Speaker 4: What are you going to do?

655
00:32:11,380 --> 00:32:12,240
Speaker 1: He whispered hoarsely.

656
00:32:12,880 --> 00:32:14,820
Speaker 3: It's my boy! It's Herbert!

657
00:32:15,320 --> 00:32:17,120
Speaker 1: She cried, struggling mechanically.

658
00:32:17,140 --> 00:32:20,650
Speaker 3: I forgot it was two miles away! What are you

659
00:32:20,710 --> 00:32:23,640
Speaker 3: holding me for? Let go! I must open the door!

660
00:32:23,980 --> 00:32:26,200
Speaker 4: For God's sake, don't let it in!

661
00:32:26,680 --> 00:32:27,960
Speaker 1: Cried the old man, trembling.

662
00:32:27,980 --> 00:32:30,380
Speaker 3: You're afraid of your own son?

663
00:32:30,800 --> 00:32:31,900
Speaker 1: She cried, struggling.

664
00:32:32,570 --> 00:32:36,370
Speaker 3: Let me go! I'm coming, Herbert! I'm coming!

665
00:32:36,830 --> 00:32:39,050
Speaker 1: There was another knock and another. The old woman, with

666
00:32:39,090 --> 00:32:41,650
Speaker 1: a sudden wrench, broke free and ran from the room.

667
00:32:42,270 --> 00:32:45,219
Speaker 1: Her husband followed to the landing and called after her

668
00:32:45,320 --> 00:32:47,600
Speaker 1: appealingly as she hurried downstairs.

669
00:32:48,280 --> 00:32:49,000
Speaker 4: Old lady!

670
00:32:50,440 --> 00:32:52,520
Speaker 1: He heard the chain rattle back and the bottom bolt

671
00:32:52,560 --> 00:32:56,080
Speaker 1: drawn slowly and stiffly from the socket. Then the old

672
00:32:56,120 --> 00:32:58,180
Speaker 1: woman's voice, strained and panting.

673
00:32:59,480 --> 00:33:00,010
Speaker 3: The bolt!

674
00:33:00,470 --> 00:33:01,330
Speaker 1: She cried loudly.

675
00:33:01,810 --> 00:33:03,630
Speaker 3: Come down! I can't reach it!

676
00:33:04,230 --> 00:33:06,550
Speaker 1: But her husband was on his hands and knees, groping

677
00:33:06,630 --> 00:33:08,910
Speaker 1: wildly on the floor in search of the paw. He

678
00:33:08,930 --> 00:33:11,270
Speaker 1: could only find it before the thing outside got in.

679
00:33:11,890 --> 00:33:14,570
Speaker 1: A perfect fusillade of knocks reverberated through the house, and

680
00:33:14,590 --> 00:33:16,470
Speaker 1: he heard the scraping of a chair as his wife

681
00:33:16,870 --> 00:33:19,360
Speaker 1: put it down in the passage against the door. He

682
00:33:19,400 --> 00:33:21,740
Speaker 1: heard the creaking of the bolt as it came slowly back.

683
00:33:21,760 --> 00:33:25,040
Speaker 1: And at that same moment, he found the monkey's paw

684
00:33:25,500 --> 00:33:30,180
Speaker 1: and frantically breathed his third and last wish. The knocking

685
00:33:30,220 --> 00:33:32,940
Speaker 1: ceased suddenly, although the echoes of it were still in

686
00:33:32,960 --> 00:33:35,870
Speaker 1: the house. He heard the chair drawn back and the

687
00:33:35,910 --> 00:33:39,690
Speaker 1: door open. The cold wind rushed up the staircase and

688
00:33:39,730 --> 00:33:43,690
Speaker 1: a long, loud wail of disappointment and misery from his wife.

689
00:33:44,130 --> 00:33:44,520
Speaker 3: Son of a.

690
00:33:45,930 --> 00:33:48,810
Speaker 1: gave him courage to run down to her side and

691
00:33:48,850 --> 00:33:53,310
Speaker 1: then to the gate beyond, the streetlamp flickering opposite, shown

692
00:33:53,330 --> 00:34:00,580
Speaker 1: on a quiet and deserted road. So he wished for

693
00:34:00,600 --> 00:34:01,680
Speaker 1: the streetlamp to flicker?

694
00:34:02,760 --> 00:34:04,480
Speaker 2: Yep, he got his last wish.

695
00:34:05,540 --> 00:34:07,080
Speaker 1: Man, what a stone-cold classic.

696
00:34:07,540 --> 00:34:11,480
Speaker 2: I know, man. W.W. Jacobs did a great job with that,

697
00:34:12,060 --> 00:34:14,520
Speaker 2: the pacing at the end where it just suddenly became

698
00:34:14,620 --> 00:34:16,480
Speaker 2: frantic and frenetic and scary.

699
00:34:16,880 --> 00:34:17,259
Speaker 4: Yeah, yeah.

700
00:34:17,460 --> 00:34:19,960
Speaker 1: I like it. And I love it good. It sort

701
00:34:20,000 --> 00:34:22,810
Speaker 1: of reminds me of the, what's the Christmas one?

702
00:34:24,870 --> 00:34:26,690
Speaker 2: Christmas Story? No. Christmas Carol.

703
00:34:26,969 --> 00:34:31,830
Speaker 1: The fated, you bought combs and sold the hair.

704
00:34:32,250 --> 00:34:33,930
Speaker 2: Oh, the gift of the Magi.

705
00:34:34,010 --> 00:34:36,210
Speaker 1: Yeah, kind of a gift of the Magi vibe, but

706
00:34:36,320 --> 00:34:36,990
Speaker 1: in a spooky way.

707
00:34:37,290 --> 00:34:39,030
Speaker 2: It was written around the same time, too. I wonder

708
00:34:39,070 --> 00:34:40,880
Speaker 2: if it was influenced at all by O. Henry.

709
00:34:40,900 --> 00:34:44,660
Speaker 1: Oh, interesting. I wonder who was first to press.

710
00:34:44,960 --> 00:34:45,799
Speaker 2: Who's zooming who?

711
00:34:46,120 --> 00:34:47,000
Speaker 1: Yeah, exactly.

712
00:34:47,320 --> 00:34:50,000
Speaker 2: You know, the thing that stands out about the monkey

713
00:34:50,020 --> 00:34:52,800
Speaker 2: pod of me today is the whole idea of AI

714
00:34:53,030 --> 00:34:56,489
Speaker 2: friendliness and alignment. Like being careful what you wish for,

715
00:34:56,570 --> 00:35:00,850
Speaker 2: how you train an AI to do things. Or else

716
00:35:00,910 --> 00:35:04,310
Speaker 2: it'll just turn on you in a horrible ironic twist

717
00:35:04,370 --> 00:35:05,819
Speaker 2: and wipe out your entire species.

718
00:35:07,239 --> 00:35:07,479
Speaker 1: I.e.

719
00:35:07,540 --> 00:35:08,060
Speaker 2: Humanity.

720
00:35:08,300 --> 00:35:09,640
Speaker 1: And I love it. Still relevant.

721
00:35:10,080 --> 00:35:10,319
Speaker 4: Yeah.

722
00:35:10,719 --> 00:35:15,490
Speaker 2: Still relevant today. Okay. I think we should take our

723
00:35:15,660 --> 00:35:19,230
Speaker 2: ad break, huh? No. Oh, I almost got you again.

724
00:35:20,230 --> 00:35:22,250
Speaker 1: That's right. We turn now to story number two, a

725
00:35:22,450 --> 00:35:24,930
Speaker 1: bit shorter, which is kind of perfect. I think it

726
00:35:24,969 --> 00:35:27,169
Speaker 1: pairs well with that one. And it's called August Heat

727
00:35:27,950 --> 00:35:32,319
Speaker 1: by another British writer, W.F. Harvey. And there's only two

728
00:35:32,360 --> 00:35:33,379
Speaker 1: characters in this, right?

729
00:35:34,239 --> 00:35:38,049
Speaker 2: Yeah. Yeah, I think the guy's wife is in it,

730
00:35:38,050 --> 00:35:39,710
Speaker 2: but she has no lines.

731
00:35:40,719 --> 00:35:42,610
Speaker 1: Yeah, I mean, this was the turn of the century.

732
00:35:43,239 --> 00:35:46,500
Speaker 2: Yeah, this is a good one, too. This August heat

733
00:35:47,100 --> 00:35:52,460
Speaker 2: apparently changed the way that fiction, like horror fiction was,

734
00:35:52,500 --> 00:35:54,779
Speaker 2: because before it was all Victorian and stuffy, and there

735
00:35:54,800 --> 00:35:58,660
Speaker 2: was somebody in a club in an overstuffed chair counting

736
00:35:58,700 --> 00:36:02,279
Speaker 2: a ghost story, and then it comes back to the club.

737
00:36:02,610 --> 00:36:06,450
Speaker 2: This just changed all that, like almost single-handedly. It started

738
00:36:06,590 --> 00:36:07,989
Speaker 2: weird fiction in a lot of ways.

739
00:36:08,310 --> 00:36:10,810
Speaker 1: Yeah, and I think the ending to this, as you'll see,

740
00:36:11,190 --> 00:36:13,779
Speaker 1: it's sort of that, the thing that you would see

741
00:36:13,800 --> 00:36:16,620
Speaker 1: in movies later on, like the vagaries of what possibly

742
00:36:16,760 --> 00:36:20,120
Speaker 1: would happen is kind of a nice thing. All right,

743
00:36:20,160 --> 00:36:22,480
Speaker 1: so you want to roll with it? August Heat by W.F.

744
00:36:23,020 --> 00:36:23,340
Speaker 4: Harvey?

745
00:36:23,880 --> 00:36:26,020
Speaker 2: Yeah. Do you want me to start, you're saying?

746
00:36:26,440 --> 00:36:28,200
Speaker 1: Yeah, why don't you start it out?

747
00:36:28,239 --> 00:36:29,020
Speaker 4: Wait, who's going to play who?

748
00:36:29,040 --> 00:36:30,819
Speaker 1: Do you want to play the artist or the.

749
00:36:33,150 --> 00:36:33,589
Speaker 1: The other guy.

750
00:36:34,090 --> 00:36:36,150
Speaker 2: I don't, I want to play the artist cause I

751
00:36:36,330 --> 00:36:40,330
Speaker 2: think you can play him a little straighter. I can. So, uh,

752
00:36:40,350 --> 00:36:41,730
Speaker 2: I'm going to leave the other guy to you.

753
00:36:42,090 --> 00:36:42,810
Speaker 4: All right.

754
00:36:42,830 --> 00:36:42,930
Speaker 1: Okay.

755
00:36:42,950 --> 00:36:43,250
Speaker 2: You ready?

756
00:36:43,530 --> 00:36:43,670
Speaker 4: Yep.

757
00:36:44,850 --> 00:36:52,690
Speaker 2: August heat by William Fryer, WF Harvey. I have had

758
00:36:52,730 --> 00:36:55,180
Speaker 2: what I believe to be the most remarkable day in

759
00:36:55,239 --> 00:36:57,779
Speaker 2: my life. And while the events are still fresh in

760
00:36:57,820 --> 00:37:00,300
Speaker 2: my mind, I wish to put them down on paper

761
00:37:00,600 --> 00:37:03,610
Speaker 2: as clearly as possible. Let me say at the outset

762
00:37:03,910 --> 00:37:07,629
Speaker 2: that my name is James Clarence Withencroft. I'm 40 years old,

763
00:37:07,950 --> 00:37:12,230
Speaker 2: in perfect health, never having known a day's illness. By profession,

764
00:37:12,250 --> 00:37:15,040
Speaker 2: I am an artist. Not a very successful one, but

765
00:37:15,140 --> 00:37:17,359
Speaker 2: I earn enough money from my black and white work

766
00:37:17,420 --> 00:37:21,320
Speaker 2: to satisfy my necessary wants. And my only near relative,

767
00:37:21,360 --> 00:37:24,620
Speaker 2: a sister, died five years ago, so that I am independent.

768
00:37:25,600 --> 00:37:28,460
Speaker 2: I breakfasted this morning at nine, and after glancing through

769
00:37:28,480 --> 00:37:31,509
Speaker 2: the morning paper, I lighted my pipe. and proceeded to

770
00:37:31,550 --> 00:37:33,710
Speaker 2: let my mind wander in the hope that I might

771
00:37:33,770 --> 00:37:37,960
Speaker 2: chance upon some subject for my pencil. The room, though

772
00:37:38,020 --> 00:37:41,500
Speaker 2: door and windows were open, was oppressively hot, and I

773
00:37:41,560 --> 00:37:43,640
Speaker 2: had just made up my mind that the coolest and

774
00:37:43,680 --> 00:37:46,100
Speaker 2: most comfortable place in the neighborhood would be the deep

775
00:37:46,200 --> 00:37:49,140
Speaker 2: end of the public swimming bath when the idea came.

776
00:37:50,400 --> 00:37:53,060
Speaker 2: I began to draw. So intent was I on my

777
00:37:53,120 --> 00:37:56,299
Speaker 2: work that I left my lunch untouched, only stopping work

778
00:37:56,340 --> 00:37:59,540
Speaker 2: when the clock of St. Jude struck four. The final

779
00:37:59,600 --> 00:38:03,239
Speaker 2: result for a hurried sketch was, I felt sure, the

780
00:38:03,360 --> 00:38:06,080
Speaker 2: best thing I had done. It showed a criminal in

781
00:38:06,100 --> 00:38:09,719
Speaker 2: the dock immediately after the judge had pronounced sentence. The

782
00:38:09,739 --> 00:38:13,040
Speaker 2: man was fat, enormously fat. The flesh hung in rolls

783
00:38:13,100 --> 00:38:16,320
Speaker 2: about his chin. It creased his huge, stumpy neck. He

784
00:38:16,340 --> 00:38:19,450
Speaker 2: was clean-shaven, perhaps I should say a few days before

785
00:38:19,510 --> 00:38:23,330
Speaker 2: he must have been clean-shaven, and almost bald. He stood

786
00:38:23,370 --> 00:38:26,509
Speaker 2: in the dock, his short, clumsy fingers clasping the rail,

787
00:38:26,830 --> 00:38:29,440
Speaker 2: looking straight in front of him. The feeling that his

788
00:38:29,500 --> 00:38:32,279
Speaker 2: expression conveyed was not so much one of horror as

789
00:38:32,340 --> 00:38:36,219
Speaker 2: of utter, absolute collapse. There seemed nothing in the man

790
00:38:36,300 --> 00:38:41,609
Speaker 2: strong enough to sustain that mountain of flesh. So he's

791
00:38:41,670 --> 00:38:43,690
Speaker 2: drawn a picture, essentially, of where we're at right now.

792
00:38:44,310 --> 00:38:47,230
Speaker 1: Yeah, and he's kind of fat shaming this guy.

793
00:38:48,050 --> 00:38:51,900
Speaker 2: Pretty much, yeah. Continuing on?

794
00:38:52,260 --> 00:38:52,460
Speaker 1: Sure.

795
00:38:52,920 --> 00:38:57,219
Speaker 2: Do you want to? No, go ahead. Okay. I rolled

796
00:38:57,280 --> 00:38:59,960
Speaker 2: up the sketch and, without quite knowing why, placed it

797
00:39:00,000 --> 00:39:03,660
Speaker 2: in my pocket. I almost just did a Herbert impression accident.

798
00:39:03,680 --> 00:39:03,879
Speaker 4: I know.

799
00:39:04,200 --> 00:39:05,529
Speaker 1: He's peeking in there at me.

800
00:39:06,390 --> 00:39:11,750
Speaker 2: He's in my mouth, like Tony. Then, with the rare

801
00:39:11,790 --> 00:39:14,129
Speaker 2: sense of happiness, which the knowledge of a good thing

802
00:39:14,170 --> 00:39:17,489
Speaker 2: well done gives, I left the house. I believe that

803
00:39:17,530 --> 00:39:19,779
Speaker 2: I set out with the idea of calling upon Trenton,

804
00:39:20,010 --> 00:39:22,580
Speaker 2: which I think is a town or neighborhood he's saying. Yeah.

805
00:39:23,030 --> 00:39:25,960
Speaker 2: for I remember walking along Leighton Street and turning to

806
00:39:25,980 --> 00:39:28,390
Speaker 2: the right along Gilchrist Road at the bottom of the

807
00:39:28,410 --> 00:39:29,969
Speaker 2: hill where the men were at work at the time.

808
00:39:30,050 --> 00:39:33,530
Speaker 2: the new tram lines. From there onwards, I have only

809
00:39:33,590 --> 00:39:36,719
Speaker 2: the vaguest recollection of where I went. The one thing

810
00:39:36,760 --> 00:39:39,380
Speaker 2: of which I was fully conscious was the awful heat

811
00:39:39,920 --> 00:39:42,719
Speaker 2: that came up from the dusty asphalt pavement as an

812
00:39:42,760 --> 00:39:46,640
Speaker 2: almost palpable wave. I longed for the thunder promised by

813
00:39:46,680 --> 00:39:50,080
Speaker 2: the great banks of copper-colored cloud. that hung low over

814
00:39:50,120 --> 00:39:53,680
Speaker 2: the western sky. I must have walked five or six

815
00:39:53,739 --> 00:39:56,620
Speaker 2: miles when a small boy roused me from my reverie

816
00:39:56,920 --> 00:39:57,960
Speaker 2: by asking the time.

817
00:39:58,480 --> 00:39:59,310
Speaker 4: What time is it?

818
00:40:00,020 --> 00:40:04,600
Speaker 2: It was twenty minutes to seven. Very nice, Chuck.

819
00:40:05,100 --> 00:40:06,930
Speaker 1: Yeah, threw that in there.

820
00:40:06,989 --> 00:40:08,140
Speaker 2: I think it's your turn.

821
00:40:08,469 --> 00:40:08,660
Speaker 3: All right.

822
00:40:08,680 --> 00:40:10,130
Speaker 2: This is a good transition spot.

823
00:40:12,150 --> 00:40:13,770
Speaker 1: When he left me, I began to take stock of

824
00:40:13,790 --> 00:40:16,350
Speaker 1: my bearings. I found myself standing before a gate that

825
00:40:16,370 --> 00:40:18,570
Speaker 1: led into a yard bordered by a strip of thirsty

826
00:40:18,690 --> 00:40:22,440
Speaker 1: earth for there were flowers, purple stock, and scarlet geranium.

827
00:40:23,000 --> 00:40:26,109
Speaker 1: Above the entrance was a board with the inscription. From

828
00:40:26,150 --> 00:40:29,090
Speaker 1: the yard itself came a cheery whistle, the noise of

829
00:40:29,130 --> 00:40:32,290
Speaker 1: hammer blows, and the cold sound of steel melting stone.

830
00:40:32,930 --> 00:40:35,950
Speaker 1: A sudden impulse made me enter. A man was sitting

831
00:40:35,969 --> 00:40:38,350
Speaker 1: with his back towards me, busy at work on a

832
00:40:38,410 --> 00:40:41,969
Speaker 1: slab of curiously veined marble. He turned around as he

833
00:40:42,010 --> 00:40:44,380
Speaker 1: heard my steps, and I stopped short. It was the

834
00:40:44,440 --> 00:40:47,880
Speaker 1: man I had been drawing, whose portrait lay in my pocket.

835
00:40:48,780 --> 00:40:52,520
Speaker 1: He sat there huge and elephant teen, the sweat pouring

836
00:40:52,580 --> 00:40:55,420
Speaker 1: from his scalp, which he wiped with a red silk handkerchief.

837
00:40:56,120 --> 00:40:58,480
Speaker 1: But though the face was the same, the expression was

838
00:40:58,600 --> 00:41:02,339
Speaker 1: absolutely different. He greeted me smiling as if we were

839
00:41:02,420 --> 00:41:05,800
Speaker 1: old friends and shook my hand. I apologize for my intrusion.

840
00:41:06,580 --> 00:41:09,239
Speaker 2: Everything is hot and glary outside.

841
00:41:10,489 --> 00:41:10,930
Speaker 1: No British.

842
00:41:12,090 --> 00:41:13,630
Speaker 2: Uh, are these Brits? Do they have to be?

843
00:41:13,650 --> 00:41:14,770
Speaker 4: All right.

844
00:41:14,830 --> 00:41:15,260
Speaker 1: They don't have to.

845
00:41:15,270 --> 00:41:19,719
Speaker 2: Oh no, they are Brits. You're right. Uh, Everything is

846
00:41:19,780 --> 00:41:23,580
Speaker 2: hot and glary outside, I said. There seems to be

847
00:41:23,600 --> 00:41:25,040
Speaker 2: an oasis in the wilderness.

848
00:41:26,400 --> 00:41:29,550
Speaker 4: I don't know about the oasis, he replied, but it

849
00:41:29,690 --> 00:41:31,170
Speaker 4: certainly is hot as hell.

850
00:41:31,830 --> 00:41:34,370
Speaker 1: Take a seat, sir. He pointed to the end of

851
00:41:34,410 --> 00:41:36,210
Speaker 1: the gravestone on which he was at work, and I

852
00:41:36,270 --> 00:41:36,830
Speaker 1: sat down.

853
00:41:37,390 --> 00:41:40,310
Speaker 2: That's a beautiful piece of stone you got hold.

854
00:41:40,130 --> 00:41:44,080
Speaker 1: Of, I said. He shook his head. In a way

855
00:41:44,200 --> 00:41:45,340
Speaker 1: it is, he answered.

856
00:41:45,920 --> 00:41:48,399
Speaker 4: The surface here is as fine as anything you could wish,

857
00:41:48,480 --> 00:41:51,440
Speaker 4: but There's a big flaw at the back, though I

858
00:41:51,500 --> 00:41:54,180
Speaker 4: don't expect you to ever notice it. I could never

859
00:41:54,280 --> 00:41:56,460
Speaker 4: make really a good job of a bit of marble

860
00:41:56,480 --> 00:41:59,280
Speaker 4: like that. It would be all right in the summer

861
00:41:59,300 --> 00:42:02,540
Speaker 4: like this. Wouldn't mind the blasted heat, but wait till

862
00:42:02,580 --> 00:42:05,989
Speaker 4: winter comes. There's nothing quite like frost to find out

863
00:42:06,090 --> 00:42:07,590
Speaker 4: the weak points in stone.

864
00:42:09,150 --> 00:42:11,290
Speaker 2: That's a great Donald Pleasance, I feel like.

865
00:42:11,550 --> 00:42:11,870
Speaker 1: Oh, wow.

866
00:42:13,110 --> 00:42:15,330
Speaker 2: Yeah, that is one to reach for, for sure. Nice work.

867
00:42:15,930 --> 00:42:17,790
Speaker 1: You are the Duke, aid number one.

868
00:42:18,580 --> 00:42:22,050
Speaker 2: What's that from? Escape from New York. Is it? Okay.

869
00:42:22,070 --> 00:42:22,910
Speaker 2: He was the president in.

870
00:42:22,870 --> 00:42:23,210
Speaker 3: That, right?

871
00:42:23,430 --> 00:42:23,790
Speaker 4: Yeah. Yeah.

872
00:42:24,050 --> 00:42:24,230
Speaker 2: Yeah.

873
00:42:24,550 --> 00:42:27,609
Speaker 1: Which is weird that he was the British president. I

874
00:42:27,650 --> 00:42:28,790
Speaker 1: never really put that together.

875
00:42:28,810 --> 00:42:32,790
Speaker 2: Then what's it for?

876
00:42:33,330 --> 00:42:35,390
Speaker 1: I asked. The man burst out laughing.

877
00:42:36,670 --> 00:42:38,750
Speaker 4: You'd hardly believe me if I was to tell you

878
00:42:38,810 --> 00:42:42,650
Speaker 4: it's for an exhibition, but it's the truth. Artists have exhibitions.

879
00:42:42,890 --> 00:42:46,480
Speaker 4: So do grocers and butchers. We have them too. All

880
00:42:46,520 --> 00:42:48,279
Speaker 4: the latest little things in headstones.

881
00:42:48,320 --> 00:42:48,620
Speaker 2: You know.

882
00:42:49,780 --> 00:42:52,160
Speaker 1: He went on to talk of marbles, which sort best

883
00:42:52,239 --> 00:42:54,859
Speaker 1: withstood wind and rain and which were easiest to work with.

884
00:42:55,480 --> 00:42:57,759
Speaker 1: Then of his garden and a new sort of carnation

885
00:42:57,800 --> 00:43:00,070
Speaker 1: he had bought. At the end of every other minute,

886
00:43:00,140 --> 00:43:02,779
Speaker 1: he would drop his tools, wiping his shining head and

887
00:43:02,860 --> 00:43:05,450
Speaker 1: curse the heat. You want to take it over?

888
00:43:05,870 --> 00:43:09,990
Speaker 2: Sure. I said little, for I felt uneasy.

889
00:43:11,010 --> 00:43:11,370
Speaker 4: Little.

890
00:43:12,530 --> 00:43:12,710
Speaker 1: Right.

891
00:43:13,870 --> 00:43:18,370
Speaker 2: There was something unnatural, uncanny. in meeting this man. I

892
00:43:18,450 --> 00:43:20,529
Speaker 2: tried at first to persuade myself that I had seen

893
00:43:20,550 --> 00:43:23,469
Speaker 2: him before, that his face, unknown to me, had found

894
00:43:23,510 --> 00:43:26,989
Speaker 2: a place in some out-of-the-way corner of my memory. But

895
00:43:27,030 --> 00:43:29,009
Speaker 2: I knew that I was practicing little more than a

896
00:43:29,070 --> 00:43:34,569
Speaker 2: plausible piece of self-deception. Mr. Atkinson, his name, finished his work,

897
00:43:34,950 --> 00:43:37,320
Speaker 2: spat on the ground, and got up with a sigh

898
00:43:37,360 --> 00:43:37,819
Speaker 2: of relief.

899
00:43:39,880 --> 00:43:41,399
Speaker 4: There, what do you think of that?

900
00:43:41,739 --> 00:43:45,009
Speaker 2: He said with an air of evident pride. The inscription

901
00:43:45,110 --> 00:43:49,270
Speaker 2: which I read for the first time was this. Sacred

902
00:43:49,350 --> 00:43:57,130
Speaker 2: to the memory of James Clarence Withencroft. Born January 18th, 1860.

903
00:43:57,130 --> 00:44:02,989
Speaker 2: He passed away very suddenly on August 20th, 1909. In

904
00:44:03,030 --> 00:44:07,920
Speaker 2: the midst of life, we are in death. For some

905
00:44:07,960 --> 00:44:11,080
Speaker 2: time I sat in silence and a cold shudder ran

906
00:44:11,100 --> 00:44:14,000
Speaker 2: down my spine. I asked him where he'd seen the

907
00:44:14,060 --> 00:44:18,160
Speaker 2: name I didn't see it anywhere, replied Mr. Atkinson.

908
00:44:18,719 --> 00:44:21,259
Speaker 4: I wanted just some name. I put down the first

909
00:44:21,280 --> 00:44:23,379
Speaker 4: that came into my head. Why do you want to know?

910
00:44:24,040 --> 00:44:27,880
Speaker 2: It's a strange coincidence, but it happens to be mine.

911
00:44:28,890 --> 00:44:30,650
Speaker 2: He gave a long, low whistle, Chuck.

912
00:44:33,630 --> 00:44:34,130
Speaker 4: And the dates?

913
00:44:35,250 --> 00:44:37,910
Speaker 2: I can only answer for one of them, and that's correct.

914
00:44:38,850 --> 00:44:42,380
Speaker 2: It's a rum go, he said, but he knew less

915
00:44:42,430 --> 00:44:45,189
Speaker 2: than I did. I told him of my morning's work.

916
00:44:45,630 --> 00:44:47,989
Speaker 2: I took the sketch from my pocket and showed it

917
00:44:48,050 --> 00:44:51,109
Speaker 2: to him. As he looked, the expression of his face

918
00:44:51,270 --> 00:44:53,870
Speaker 2: altered until it became more and more like that of

919
00:44:53,930 --> 00:44:54,930
Speaker 2: the man I had drawn.

920
00:44:56,790 --> 00:44:59,930
Speaker 4: And it was only the day before yesterday, he said,

921
00:45:00,510 --> 00:45:03,810
Speaker 4: that I told Maria there were no such things as ghosts.

922
00:45:04,810 --> 00:45:07,190
Speaker 2: Neither of us had seen a ghost, but I knew

923
00:45:07,250 --> 00:45:11,339
Speaker 2: what he meant. You probably heard my name, I said.

924
00:45:12,450 --> 00:45:15,370
Speaker 4: And you must have seen me somewhere and have forgotten it.

925
00:45:16,010 --> 00:45:18,450
Speaker 4: Were you at Clacton-on-Sea last July?

926
00:45:18,469 --> 00:45:21,950
Speaker 2: I had never been to Clacton in my life. We

927
00:45:21,989 --> 00:45:24,969
Speaker 2: were silent for some time. We were both looking at

928
00:45:25,010 --> 00:45:28,000
Speaker 2: the same thing, the two dates on the gravestone, and

929
00:45:28,160 --> 00:45:28,879
Speaker 2: one was right.

930
00:45:30,180 --> 00:45:31,820
Speaker 4: Come inside and have some supper.

931
00:45:32,219 --> 00:45:37,379
Speaker 2: Said Mr. Atkinson. I feel like this is you taking

932
00:45:37,440 --> 00:45:40,299
Speaker 2: us home? Uh, okay.

933
00:45:40,739 --> 00:45:43,640
Speaker 1: Okay. Does everyone get what's going on? So he has

934
00:45:43,680 --> 00:45:46,160
Speaker 1: drawn a random picture. It turns out to be this guy.

935
00:45:46,400 --> 00:45:46,600
Speaker 4: Sure.

936
00:45:46,900 --> 00:45:49,980
Speaker 1: That's carving headstones. And this guy has carved this dude's

937
00:45:50,080 --> 00:45:54,640
Speaker 1: name and birth date and today's date as the death date.

938
00:45:55,000 --> 00:45:55,219
Speaker 4: Yeah.

939
00:45:55,739 --> 00:45:57,820
Speaker 2: And they don't know each other. They've never heard of

940
00:45:57,880 --> 00:46:00,739
Speaker 2: each other. They've never seen each other. It's just the

941
00:46:00,800 --> 00:46:04,600
Speaker 2: most astounding coincidence you can imagine.

942
00:46:05,140 --> 00:46:05,530
Speaker 1: That's right.

943
00:46:05,620 --> 00:46:05,839
Speaker 4: All right.

944
00:46:05,969 --> 00:46:08,469
Speaker 1: Here we go with the end of August Heat. His

945
00:46:08,510 --> 00:46:10,649
Speaker 1: wife was a cheerful little woman with the flaky red

946
00:46:10,670 --> 00:46:14,120
Speaker 1: cheeks of the country bread. Her husband introduced me as

947
00:46:14,160 --> 00:46:16,320
Speaker 1: a friend of his who was an artist. The result

948
00:46:16,360 --> 00:46:20,060
Speaker 1: was unfortunate for after the sardines and watercress had been removed,

949
00:46:20,680 --> 00:46:24,319
Speaker 1: she brought out a Dwar Bible, which I actually looked

950
00:46:24,340 --> 00:46:28,150
Speaker 1: that up. That's like a woodcut, hand-carved, illustrated Bible.

951
00:46:28,910 --> 00:46:30,850
Speaker 2: I've seen a few of them before.

952
00:46:33,250 --> 00:46:35,370
Speaker 1: And I had to sit and express my admiration for

953
00:46:35,410 --> 00:46:38,250
Speaker 1: nearly half an hour. This guy's not easily impressed. I

954
00:46:38,270 --> 00:46:39,790
Speaker 1: guess his mind is somewhere else.

955
00:46:40,030 --> 00:46:40,549
Speaker 2: Yeah, I think so.

956
00:46:42,500 --> 00:46:45,900
Speaker 1: I went outside and found Atkinson sitting on the gravestone, smoking.

957
00:46:46,560 --> 00:46:49,120
Speaker 1: We resumed the conversation at the point we had left off.

958
00:46:51,030 --> 00:46:53,130
Speaker 2: Uh, you must excuse my asking.

959
00:46:53,590 --> 00:46:53,910
Speaker 1: I said.

960
00:46:54,290 --> 00:46:56,770
Speaker 2: But do you know of anything you've done for which

961
00:46:56,810 --> 00:46:58,350
Speaker 2: you could be put on trial?

962
00:46:59,150 --> 00:46:59,770
Speaker 1: He shook his head.

963
00:46:59,790 --> 00:47:04,959
Speaker 4: I'm not bankrupt. The business is prosperous enough. Three years ago,

964
00:47:05,060 --> 00:47:07,360
Speaker 4: I gave turkeys to some of the guardians at Christmas.

965
00:47:07,940 --> 00:47:10,900
Speaker 4: But that's all I can think of. There were small ones, too.

966
00:47:11,640 --> 00:47:14,560
Speaker 1: He added as an afterthought. He got up, fetched a

967
00:47:14,580 --> 00:47:16,660
Speaker 1: can from the porch, and began to water the flowers.

968
00:47:17,440 --> 00:47:19,879
Speaker 4: Twice a day regular in the hot weather, he said,

969
00:47:20,440 --> 00:47:22,759
Speaker 4: and then the heat sometimes gets the better of the

970
00:47:22,800 --> 00:47:26,200
Speaker 4: delicate ones. And ferns, good lord, they could never stand it.

971
00:47:26,770 --> 00:47:27,450
Speaker 4: Where do you live?

972
00:47:28,510 --> 00:47:30,750
Speaker 1: I told him my address. We take an hour's quick

973
00:47:30,790 --> 00:47:35,290
Speaker 1: walk to get back home. It's like this, he said. Well,

974
00:47:35,310 --> 00:47:37,970
Speaker 1: look at the matter straight. If you go back home tonight,

975
00:47:38,190 --> 00:47:40,950
Speaker 1: you take your chance of accidents. cart may run over

976
00:47:40,989 --> 00:47:43,770
Speaker 1: you and there's always banana skins and orange peel to

977
00:47:43,810 --> 00:47:47,580
Speaker 1: say nothing of fallen ladders he spoke of the improbable

978
00:47:47,640 --> 00:47:50,440
Speaker 1: with an intense seriousness that would have been laughable six

979
00:47:50,460 --> 00:47:54,400
Speaker 1: hours before but i did not laugh the best we

980
00:47:54,420 --> 00:47:57,299
Speaker 1: can do he continued is for you.

981
00:47:57,239 --> 00:47:59,830
Speaker 4: To stay here till 12 o'clock we'll go upstairs and

982
00:47:59,890 --> 00:48:03,210
Speaker 4: smoke it may be cooler inside to my surprise i

983
00:48:03,250 --> 00:48:06,710
Speaker 4: agreed we are sitting now in a long low room

984
00:48:06,750 --> 00:48:09,549
Speaker 4: beneath the eaves atkinson has sent his wife to bed

985
00:48:10,230 --> 00:48:12,430
Speaker 4: He himself is busy sharpening tools.

986
00:48:12,190 --> 00:48:14,970
Speaker 1: At a little oilstone, smoking one of my cigars the while.

987
00:48:15,670 --> 00:48:18,770
Speaker 1: The air seems charged with thunder. I am writing this

988
00:48:18,830 --> 00:48:21,489
Speaker 1: at a shaky table before the open window. The leg

989
00:48:21,530 --> 00:48:24,750
Speaker 1: is cracked, and Atkinson, who seems a handy man with

990
00:48:24,810 --> 00:48:27,390
Speaker 1: his tools, is going to mend it as soon as

991
00:48:27,430 --> 00:48:30,640
Speaker 1: he has finished putting an edge on his chisel. It

992
00:48:30,660 --> 00:48:33,460
Speaker 1: is after eleven now. I shall be gone in less

993
00:48:33,500 --> 00:48:36,779
Speaker 1: than an hour. But the heat is stifling. It is

994
00:48:36,840 --> 00:48:38,020
Speaker 1: enough to send a man mad.

995
00:48:51,420 --> 00:48:52,720
Speaker 2: There's a low whistle too.

996
00:48:52,920 --> 00:48:57,080
Speaker 1: Man i love the ambiguity like uh i'll be gone

997
00:48:57,140 --> 00:48:59,560
Speaker 1: in less than an hour this guy's putting an edge

998
00:48:59,620 --> 00:49:02,220
Speaker 1: on this chisel like the idea here's this guy like

999
00:49:02,260 --> 00:49:03,100
Speaker 1: kills him right.

1000
00:49:03,930 --> 00:49:06,790
Speaker 2: I i guess that's one way to interpret it it's

1001
00:49:06,850 --> 00:49:09,070
Speaker 2: also possible that the whole thing just turns out to

1002
00:49:09,110 --> 00:49:12,230
Speaker 2: be a total coincidence that the guy survives till midnight

1003
00:49:12,410 --> 00:49:14,890
Speaker 2: in which case that the the death date on the

1004
00:49:14,910 --> 00:49:17,589
Speaker 2: gravestone would be wrong which would undermine everything you.

1005
00:49:17,550 --> 00:49:19,810
Speaker 1: Know yeah i like it i like it a lot

1006
00:49:19,870 --> 00:49:24,239
Speaker 1: i wonder how much ambiguity had been used before in

1007
00:49:24,540 --> 00:49:25,239
Speaker 1: stuff like this.

1008
00:49:26,080 --> 00:49:29,540
Speaker 2: None, essentially. Oh, really? Yeah, I don't know that this

1009
00:49:29,580 --> 00:49:32,620
Speaker 2: guy was the ground zero for this stuff, but he

1010
00:49:32,660 --> 00:49:35,259
Speaker 2: was certainly one of the pioneers. And he was even

1011
00:49:35,300 --> 00:49:38,280
Speaker 2: a doctor, too. He wasn't even like a professional horror

1012
00:49:38,320 --> 00:49:38,759
Speaker 2: fiction writer.

1013
00:49:38,780 --> 00:49:40,640
Speaker 1: Oh, wow. Like a medical doctor? Yeah.

1014
00:49:40,880 --> 00:49:43,400
Speaker 2: He's got this and the Beast with Five Fingers is

1015
00:49:43,460 --> 00:49:44,980
Speaker 2: probably his most famous story.

1016
00:49:45,000 --> 00:49:47,860
Speaker 1: Yeah, I had that one picked out, but this one, shorter,

1017
00:49:47,880 --> 00:49:49,160
Speaker 1: I think paired better.

1018
00:49:49,440 --> 00:49:49,760
Speaker 4: Totally.

1019
00:49:49,900 --> 00:49:51,719
Speaker 2: No, I agree. This is a great pairing. This is

1020
00:49:51,760 --> 00:49:57,149
Speaker 2: like Chardonnay and peanut butter. This is great, Chuck.

1021
00:49:57,450 --> 00:49:59,989
Speaker 1: Yeah, I like this story. These are both winners, I think.

1022
00:50:00,310 --> 00:50:04,970
Speaker 2: You knocked it out of the park like a Cleveland Guardian.

1023
00:50:05,469 --> 00:50:05,689
Speaker 4: Yeah.

1024
00:50:05,870 --> 00:50:06,710
Speaker 2: A Milwaukee Brewer.

1025
00:50:07,830 --> 00:50:08,710
Speaker 1: You did great, too, man.

1026
00:50:08,850 --> 00:50:09,150
Speaker 2: Thanks, buddy.

1027
00:50:09,170 --> 00:50:13,410
Speaker 1: I always love hearing the Josh takes. So fun.

1028
00:50:13,730 --> 00:50:16,550
Speaker 2: I think, what is today? Is today Halloween?

1029
00:50:17,510 --> 00:50:19,090
Speaker 1: I think it is Halloween today.

1030
00:50:19,510 --> 00:50:20,710
Speaker 2: Is it really? That's amazing.

1031
00:50:20,730 --> 00:50:23,549
Speaker 1: I think we got lucky that Halloween, oh, no, no, no.

1032
00:50:23,570 --> 00:50:27,340
Speaker 1: Halloween's on a Saturday, so this is the 29th in

1033
00:50:27,580 --> 00:50:28,219
Speaker 1: podcast time.

1034
00:50:28,560 --> 00:50:31,560
Speaker 2: All of you yelling at your speakers or earbuds or whatever,

1035
00:50:31,580 --> 00:50:34,520
Speaker 2: can just calm down, everybody. Just wait a couple more

1036
00:50:34,580 --> 00:50:36,980
Speaker 2: days for your big pillowcase of candy, all right?

1037
00:50:37,380 --> 00:50:40,140
Speaker 1: Yeah, but hopefully people save these for Halloween. That's what

1038
00:50:40,160 --> 00:50:40,480
Speaker 1: I would do.

1039
00:50:41,080 --> 00:50:43,319
Speaker 4: Sure. Sure. Sure.

1040
00:50:45,080 --> 00:50:45,279
Speaker 1: Sure.

1041
00:50:45,780 --> 00:50:47,560
Speaker 2: You could have a whole party and just play this.

1042
00:50:47,840 --> 00:50:51,580
Speaker 2: And I guarantee you'd have at least a third of

1043
00:50:51,620 --> 00:50:53,680
Speaker 2: the people you started out with by the end of this.

1044
00:50:54,120 --> 00:50:54,380
Speaker 4: Yeah.

1045
00:50:54,820 --> 00:50:56,680
Speaker 1: People who are game and drunk.

1046
00:50:57,580 --> 00:51:00,400
Speaker 2: Exactly. Who are on their fourth glass of whiskey.

1047
00:51:00,640 --> 00:51:00,940
Speaker 1: That's right.

1048
00:51:02,400 --> 00:51:06,220
Speaker 2: Yeah, I guess that's it for our annual Halloween Spooktacular, everybody.

1049
00:51:06,260 --> 00:51:08,239
Speaker 2: We hope you loved it, and we hope you have

1050
00:51:08,280 --> 00:51:13,940
Speaker 2: a safe and happy Halloween, a.k.a. Samhain. And if you

1051
00:51:13,980 --> 00:51:16,310
Speaker 2: want to email us something about this, we would love

1052
00:51:16,330 --> 00:51:19,069
Speaker 2: to hear from you. You can send it off to

1053
00:51:19,250 --> 00:51:22,810
Speaker 2: stuffpodcasts at iheartradio.com. Thank you.

1054
00:51:35,910 --> 00:51:38,129
Speaker 1: Stuff You Should Know is a production of iHeartRadio.

1055
00:51:38,650 --> 00:51:42,890
Speaker 4: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1056
00:51:43,070 --> 00:51:44,830
Speaker 4: or wherever you listen to your favorite shows.