1 00:00:05,720 --> 00:00:07,880 Speaker 1: Hey, welcome to Stuff to Blow your Mind. My name 2 00:00:07,920 --> 00:00:11,080 Speaker 1: is Robert Lamb and I'm Joe McCormick. And it's Saturday. 3 00:00:11,080 --> 00:00:13,240 Speaker 1: Time to go into the old vault. Uh. This time 4 00:00:13,280 --> 00:00:16,280 Speaker 1: we're following up the episode that played last Saturday, so 5 00:00:16,360 --> 00:00:19,479 Speaker 1: we're bringing you The Voyage Manuscript, Part two. This was 6 00:00:19,520 --> 00:00:27,440 Speaker 1: originally published on September nineteen. We hope you enjoy Welcome 7 00:00:27,440 --> 00:00:29,120 Speaker 1: to Stuff to Blow Your Mind, a production of I 8 00:00:29,160 --> 00:00:38,080 Speaker 1: Heart Radios How Stuff Work. Hey, you welcome to Stuff 9 00:00:38,080 --> 00:00:40,279 Speaker 1: to Blow your Mind. My name is Robert Lamb and 10 00:00:40,320 --> 00:00:42,720 Speaker 1: I'm Joe McCormick, and we are back with part two 11 00:00:42,720 --> 00:00:46,680 Speaker 1: of our exploration of the Voyage Manuscript or the Vantage Manuscript. 12 00:00:46,680 --> 00:00:50,800 Speaker 1: We've been saying both this medieval manuscript that his fascinated 13 00:00:51,040 --> 00:00:55,640 Speaker 1: UH scholars cryptographers for for decades now, or actually not 14 00:00:55,680 --> 00:00:59,200 Speaker 1: just decades, for centuries, but especially since it was reintroduced 15 00:00:59,240 --> 00:01:02,240 Speaker 1: to the world around nineteen twelve and has become the 16 00:01:02,320 --> 00:01:05,760 Speaker 1: subject of intense interest because it is full of this 17 00:01:05,920 --> 00:01:10,280 Speaker 1: text that has not been successfully decoded if it is 18 00:01:10,319 --> 00:01:13,600 Speaker 1: in fact a code, or has not been translated, if 19 00:01:13,640 --> 00:01:17,520 Speaker 1: it is in fact a language, accompanied with these amazing, 20 00:01:17,920 --> 00:01:24,280 Speaker 1: strange illustrations of alien plants and and women bathing in 21 00:01:24,319 --> 00:01:29,000 Speaker 1: these strange horns with crocodile ten drils. Is this absolutely 22 00:01:29,080 --> 00:01:32,400 Speaker 1: captivating document that is in a library at Yale now 23 00:01:32,480 --> 00:01:35,399 Speaker 1: and today we wanted to go further by exploring the 24 00:01:35,480 --> 00:01:38,680 Speaker 1: history of people trying to understand this document, to come 25 00:01:38,760 --> 00:01:41,120 Speaker 1: up with a theory of its origin, or to explain 26 00:01:41,200 --> 00:01:44,200 Speaker 1: what it says, if it says anything. Yeah, So again, 27 00:01:44,480 --> 00:01:47,400 Speaker 1: definitely listen to part one if you have not. Absolutely 28 00:01:47,440 --> 00:01:49,920 Speaker 1: this is definitely a part one part two scenario. Yeah, 29 00:01:50,280 --> 00:01:52,320 Speaker 1: I think you'll probably be very confused if you try 30 00:01:52,320 --> 00:01:54,120 Speaker 1: to jump in in the middle here, So go back 31 00:01:54,160 --> 00:01:57,440 Speaker 1: to part one first. But so I thought we should 32 00:01:57,440 --> 00:02:03,480 Speaker 1: start off today by separating the different theories of of 33 00:02:03,520 --> 00:02:07,800 Speaker 1: this manuscript into two basic camps, and then within these 34 00:02:07,840 --> 00:02:11,360 Speaker 1: camps there will be different theories. But the two main camps, 35 00:02:11,360 --> 00:02:14,440 Speaker 1: I think we should look at our signal theory and 36 00:02:14,560 --> 00:02:18,640 Speaker 1: noise theory. And so signal theory looks at the Voyage 37 00:02:18,680 --> 00:02:22,600 Speaker 1: manuscript and proposes that there is some underlying meaning to 38 00:02:22,680 --> 00:02:26,200 Speaker 1: the text that it could, at least in theory, actually 39 00:02:26,200 --> 00:02:29,840 Speaker 1: be translated to yield a signal signal or a message. 40 00:02:29,880 --> 00:02:32,680 Speaker 1: And of course it's not necessarily saying that we have 41 00:02:32,880 --> 00:02:35,519 Speaker 1: understood what the messages, or that we ever will understand 42 00:02:35,520 --> 00:02:37,720 Speaker 1: what the messages. But at least in theory it could 43 00:02:37,720 --> 00:02:42,280 Speaker 1: be understood. It says something that's signal theory. Noise theory, 44 00:02:42,360 --> 00:02:46,200 Speaker 1: we would say, proposes that there is no underlying message. 45 00:02:46,280 --> 00:02:51,400 Speaker 1: It's just gibberish, whether intentionally or unintentionally. Yeah, and and 46 00:02:51,400 --> 00:02:53,240 Speaker 1: and indeed that does cut to the chase. Either this 47 00:02:53,320 --> 00:02:56,520 Speaker 1: is a document that means something or it means nothing, 48 00:02:56,639 --> 00:03:00,040 Speaker 1: and and both are are kind of enthralling possibilities and 49 00:03:00,480 --> 00:03:03,480 Speaker 1: is filled with wonder and old and and gives way 50 00:03:03,480 --> 00:03:06,240 Speaker 1: to all sorts of you know, conspiracy theories if you 51 00:03:06,320 --> 00:03:08,440 Speaker 1: gaze into it long enough. And the other is is 52 00:03:08,520 --> 00:03:12,519 Speaker 1: kind of equally terrifying that this thing that has captivated 53 00:03:12,639 --> 00:03:17,519 Speaker 1: and just in overwhelmed so many you know, intensely intelligent 54 00:03:17,600 --> 00:03:20,600 Speaker 1: and in many cases that you know, very well educated individuals. 55 00:03:20,840 --> 00:03:23,440 Speaker 1: They could old, but they could ultimately be a work 56 00:03:23,480 --> 00:03:25,679 Speaker 1: of nonsense. That it's just you know, it's kind of 57 00:03:25,720 --> 00:03:28,640 Speaker 1: like just pure chaos. And there could be multiple reasons 58 00:03:28,680 --> 00:03:30,440 Speaker 1: why it could be a work of nonsense, or at 59 00:03:30,480 --> 00:03:33,720 Speaker 1: least nonsense to us. And I think we'll explore these individually. 60 00:03:33,800 --> 00:03:35,360 Speaker 1: But first I think we should look at some of 61 00:03:35,400 --> 00:03:40,360 Speaker 1: the possibilities for understanding this document under the signal theory, 62 00:03:40,400 --> 00:03:42,800 Speaker 1: the theory that it actually does say something. So what 63 00:03:42,840 --> 00:03:45,520 Speaker 1: would some of these explanations be. Well, one of the 64 00:03:45,680 --> 00:03:48,400 Speaker 1: big theories is that the cipher theory, the idea that 65 00:03:48,440 --> 00:03:51,520 Speaker 1: the text is protected by a letter based cipher. Uh. 66 00:03:51,640 --> 00:03:54,000 Speaker 1: It's a very popular approach to trying to figure out 67 00:03:54,040 --> 00:03:56,240 Speaker 1: what's going on with a vantage manuscript. Right, So the 68 00:03:56,280 --> 00:04:01,080 Speaker 1: idea could be that it's something like a letter substitution system. Right. 69 00:04:01,200 --> 00:04:04,080 Speaker 1: So these characters that we don't recognize, that you know, 70 00:04:04,200 --> 00:04:06,960 Speaker 1: roughly maybe fifteen to twenty five or up to thirty 71 00:04:07,080 --> 00:04:10,360 Speaker 1: characters that are used to make the words in this 72 00:04:10,440 --> 00:04:15,760 Speaker 1: book somehow correspond to letters in a known language, or 73 00:04:15,880 --> 00:04:20,600 Speaker 1: letters in some coded language or or something like that. 74 00:04:20,600 --> 00:04:22,960 Speaker 1: That that that there's a way of breaking the code 75 00:04:23,000 --> 00:04:26,080 Speaker 1: and it de tran and it can be retranslated into 76 00:04:26,120 --> 00:04:29,120 Speaker 1: a an actual language. Getting into the idea here that 77 00:04:29,240 --> 00:04:32,080 Speaker 1: it could be in a code and it requires a codebook. 78 00:04:32,240 --> 00:04:35,880 Speaker 1: And since we don't have the codebook, it's the cryptographers, uh, 79 00:04:35,960 --> 00:04:38,400 Speaker 1: you know, a goal to try and figure out what 80 00:04:38,440 --> 00:04:40,880 Speaker 1: the code might be. Oh, Okay, So a codebook could 81 00:04:40,920 --> 00:04:43,880 Speaker 1: mean that it wouldn't even necessarily have to be a 82 00:04:43,960 --> 00:04:47,680 Speaker 1: straight like letter substitution type cipher. It could just be 83 00:04:47,839 --> 00:04:51,360 Speaker 1: that there are you know, like known translations of certain 84 00:04:51,440 --> 00:04:54,400 Speaker 1: word forms or something like that to other known words. 85 00:04:55,360 --> 00:04:57,920 Speaker 1: Another possibility is that it's written in some form of 86 00:04:57,960 --> 00:05:02,880 Speaker 1: shorthand that that we have you know, lost understanding of. 87 00:05:03,400 --> 00:05:08,440 Speaker 1: There's also, uh, the the idea of steganography. This is 88 00:05:08,480 --> 00:05:11,600 Speaker 1: the idea that the text itself is meaningless, but key 89 00:05:11,720 --> 00:05:17,360 Speaker 1: signs would indicate hidden useful information, like little details on 90 00:05:17,680 --> 00:05:21,520 Speaker 1: the illustrations or the text itself or some combination. Um. 91 00:05:21,640 --> 00:05:23,200 Speaker 1: This would be kind of like, I guess, kind of 92 00:05:23,240 --> 00:05:26,480 Speaker 1: like a you know, a cheap spy novel. Version of 93 00:05:26,520 --> 00:05:29,400 Speaker 1: this is like counting the dotted eyes on a page 94 00:05:29,839 --> 00:05:32,200 Speaker 1: sort of thing, and that tells you something. Sure. Yeah. 95 00:05:32,320 --> 00:05:35,279 Speaker 1: Another variation that is brought up is that you could 96 00:05:35,279 --> 00:05:39,080 Speaker 1: obtain the necessary info info by placing a plate um 97 00:05:39,080 --> 00:05:42,240 Speaker 1: over the page with spaces in that plate to reveal 98 00:05:42,560 --> 00:05:45,559 Speaker 1: the important characters. Oh yeah, okay, so this would be 99 00:05:45,680 --> 00:05:47,920 Speaker 1: you know, like one of those uh uh, you know, 100 00:05:48,000 --> 00:05:50,640 Speaker 1: decode or ring kinds of things. Oh no, that that 101 00:05:50,680 --> 00:05:54,280 Speaker 1: actually I think it has letter substitution. There are there 102 00:05:54,279 --> 00:05:57,120 Speaker 1: are codes like this like this, and toys and stuff 103 00:05:57,120 --> 00:05:59,120 Speaker 1: that you can buy that like you put a plate 104 00:05:59,160 --> 00:06:01,560 Speaker 1: over it's got certain holes on any read the letters 105 00:06:01,560 --> 00:06:03,920 Speaker 1: that appear in the holes, right, And it's my understanding 106 00:06:03,960 --> 00:06:06,880 Speaker 1: that if if those plates were random enough, that in 107 00:06:06,920 --> 00:06:10,240 Speaker 1: and of itself could make it extremely difficult, if not impossible, 108 00:06:10,320 --> 00:06:14,040 Speaker 1: to crack the code. Uh you know the Vantage manuscript. Sure, 109 00:06:14,279 --> 00:06:17,520 Speaker 1: But then there are other theories that are less about 110 00:06:17,600 --> 00:06:20,080 Speaker 1: code and that might still present to us as codes, 111 00:06:20,120 --> 00:06:22,400 Speaker 1: but maybe it wasn't intended as a code. Yeah. Like 112 00:06:22,400 --> 00:06:24,440 Speaker 1: a big one is that it is some form of 113 00:06:24,560 --> 00:06:28,760 Speaker 1: natural language that has been forgotten in various possibilities from 114 00:06:28,760 --> 00:06:32,320 Speaker 1: Eurasia have been presented. Yeah, So the idea here would 115 00:06:32,360 --> 00:06:35,040 Speaker 1: just be we've got no other documents written in this 116 00:06:35,120 --> 00:06:38,800 Speaker 1: language or written in this uh, in this transliteration of 117 00:06:38,839 --> 00:06:42,040 Speaker 1: the language. Right. And then another idea, to come back 118 00:06:42,080 --> 00:06:44,080 Speaker 1: to something we discussed in the last episode, is that 119 00:06:44,120 --> 00:06:48,120 Speaker 1: it could be a constructed language, so like a language 120 00:06:48,160 --> 00:06:51,800 Speaker 1: that somebody made up on purpose, like Klingon or doth Rocky, 121 00:06:51,920 --> 00:06:55,880 Speaker 1: but the fifteenth century version of that right now, and 122 00:06:55,880 --> 00:06:59,320 Speaker 1: now another intriguing idea and This was apparently presented by 123 00:07:00,240 --> 00:07:04,120 Speaker 1: Jerry Kennedy and Rob Churchill that it could be a 124 00:07:04,480 --> 00:07:07,440 Speaker 1: what is what is called a gloss a alia. Yeah, 125 00:07:07,600 --> 00:07:10,560 Speaker 1: so this would have been essentially like a work that 126 00:07:10,640 --> 00:07:14,280 Speaker 1: is a stream of consciousness work that is created via 127 00:07:14,400 --> 00:07:19,360 Speaker 1: speaking in tongues, similar to the work of Christianistic Hildegard 128 00:07:19,400 --> 00:07:22,160 Speaker 1: of Bingen. Yeah, this would be uh. I mean you 129 00:07:22,160 --> 00:07:24,720 Speaker 1: could look at it as a form of automatic writing, 130 00:07:25,280 --> 00:07:27,880 Speaker 1: you know that. That's so there. There could be a 131 00:07:28,360 --> 00:07:32,120 Speaker 1: this could be a weird transcription of spoken gloss a 132 00:07:32,120 --> 00:07:35,280 Speaker 1: alia like speaking in tongues, or it could be a 133 00:07:35,320 --> 00:07:37,920 Speaker 1: written version of it. Directly, it would be kind of 134 00:07:37,920 --> 00:07:42,360 Speaker 1: weird if it was a transliteration of sounds made orally 135 00:07:42,440 --> 00:07:45,880 Speaker 1: by gloss a alia into a script that didn't exist anyway. 136 00:07:45,960 --> 00:07:49,120 Speaker 1: But you can imagine it's certainly being like automatic writing 137 00:07:49,120 --> 00:07:51,280 Speaker 1: of some kind. People that the spirits are writing through 138 00:07:51,320 --> 00:07:54,400 Speaker 1: my hand. And I think that would mean in this 139 00:07:54,480 --> 00:07:56,840 Speaker 1: case that while it might not be meaningless to the 140 00:07:56,880 --> 00:08:00,200 Speaker 1: person writing it, it would be meaningless to any re eater. 141 00:08:00,520 --> 00:08:03,440 Speaker 1: So I think this would fall under the noise category right, 142 00:08:03,520 --> 00:08:06,040 Speaker 1: that there would be there is no way to understand 143 00:08:06,080 --> 00:08:09,600 Speaker 1: what this says because there is no underlying signal because 144 00:08:09,600 --> 00:08:13,480 Speaker 1: in this case, presumably the context for the piece would 145 00:08:13,480 --> 00:08:17,320 Speaker 1: be very personal and then also would probably deal a 146 00:08:17,320 --> 00:08:21,000 Speaker 1: lot with personal reevaluation of the text. You know, it's 147 00:08:21,000 --> 00:08:24,600 Speaker 1: almost like look less than a dream journal in a way, 148 00:08:24,640 --> 00:08:28,280 Speaker 1: you know, where the dream is not even even taken 149 00:08:28,280 --> 00:08:31,680 Speaker 1: and put into the into the form of language, but 150 00:08:31,760 --> 00:08:35,920 Speaker 1: like the dream is is in language. Yeah, it would 151 00:08:35,960 --> 00:08:37,880 Speaker 1: be like if if you had a dream journal, yeah, 152 00:08:37,920 --> 00:08:41,120 Speaker 1: where you never translated it into any real language, You 153 00:08:41,200 --> 00:08:44,559 Speaker 1: just made notes about your dreams in random other symbols 154 00:08:44,679 --> 00:08:47,240 Speaker 1: that don't mean anything to anybody else. And then, of course, 155 00:08:47,400 --> 00:08:50,280 Speaker 1: another big idea is that it's simply a hoax, right, 156 00:08:50,480 --> 00:08:53,400 Speaker 1: that it doesn't mean anything. There's no encoded signals, just 157 00:08:53,559 --> 00:08:58,439 Speaker 1: noise because somebody was intentionally trying to create an object 158 00:08:58,520 --> 00:09:02,200 Speaker 1: that would maybe confuse people or trick them, or maybe 159 00:09:02,280 --> 00:09:06,000 Speaker 1: just trick them into thinking that it did say something. Right, 160 00:09:06,080 --> 00:09:08,760 Speaker 1: And if and if that is indeed the reason for 161 00:09:09,559 --> 00:09:12,559 Speaker 1: the origin story of this document, then it is still succeeding. 162 00:09:12,559 --> 00:09:15,840 Speaker 1: It's it has probably succeeded remarkably well, because if it 163 00:09:15,920 --> 00:09:19,000 Speaker 1: is a hoax, it is still tricking people to this day. 164 00:09:19,679 --> 00:09:22,120 Speaker 1: Another idea is that if it were a hoax, if 165 00:09:22,120 --> 00:09:25,000 Speaker 1: it were a completely fraudulent document, you could also make 166 00:09:25,000 --> 00:09:26,640 Speaker 1: a case that it was a you know, a way 167 00:09:26,679 --> 00:09:29,320 Speaker 1: to try and make a quick buck off of you know, 168 00:09:29,360 --> 00:09:32,800 Speaker 1: a cult fanboys with a lot of money, such as 169 00:09:33,000 --> 00:09:36,120 Speaker 1: the Holy Roman Emperor who who purchased it. So we 170 00:09:36,160 --> 00:09:38,240 Speaker 1: know it was sold to Rudolph the Second, we think 171 00:09:38,280 --> 00:09:41,920 Speaker 1: around fifteen eighty six, that's when the historical records indicate. 172 00:09:42,360 --> 00:09:45,400 Speaker 1: But the carbon dating of the vellum says that this 173 00:09:45,400 --> 00:09:49,000 Speaker 1: this this parchment at least was probably produced in like 174 00:09:49,160 --> 00:09:52,760 Speaker 1: the early fourteen hundreds. Now maybe maybe we think like 175 00:09:52,960 --> 00:09:55,840 Speaker 1: it's possible to parchment the vellums sat around for a 176 00:09:55,840 --> 00:09:58,440 Speaker 1: long time before it was made into this document. But 177 00:09:58,520 --> 00:10:00,880 Speaker 1: if you think that the creation of the pages on 178 00:10:00,920 --> 00:10:03,720 Speaker 1: which it was written was sometime close to when the 179 00:10:03,800 --> 00:10:06,560 Speaker 1: document was written, then it would have been written long 180 00:10:06,640 --> 00:10:08,960 Speaker 1: before there was a chance to sell it to Rudolph 181 00:10:09,000 --> 00:10:10,720 Speaker 1: the Second, So it would be hard to imagine that 182 00:10:10,760 --> 00:10:14,040 Speaker 1: it was created specifically for that purpose. Now, one of 183 00:10:14,080 --> 00:10:16,880 Speaker 1: the things is that people have tried to do various 184 00:10:16,960 --> 00:10:21,520 Speaker 1: kinds of statistical analysis of the text to say, okay, 185 00:10:21,559 --> 00:10:24,880 Speaker 1: does even though we can't translate it yet does this 186 00:10:25,040 --> 00:10:27,640 Speaker 1: look like a natural language? Does it look like it 187 00:10:27,679 --> 00:10:32,079 Speaker 1: could somehow be decoded to or translated to a natural language? 188 00:10:32,400 --> 00:10:35,360 Speaker 1: And I would say that the answer there is inconclusive. 189 00:10:35,400 --> 00:10:38,679 Speaker 1: There are pieces of evidence pointing both ways, right, Like 190 00:10:38,800 --> 00:10:42,679 Speaker 1: one commonly cited weird feature of the text that really 191 00:10:43,040 --> 00:10:46,080 Speaker 1: makes it look like not a natural language is the 192 00:10:46,120 --> 00:10:49,760 Speaker 1: fact that in some cases words are repeated in line 193 00:10:49,880 --> 00:10:52,840 Speaker 1: up to three times in a row. Is that normal 194 00:10:52,960 --> 00:10:56,760 Speaker 1: for a language? Is that normal? Normal? Normal? Not really 195 00:10:56,840 --> 00:11:00,360 Speaker 1: really really, I mean, I don't know poetically uh recally 196 00:11:01,000 --> 00:11:03,320 Speaker 1: uh shanti shan shan. I mean, we can all think 197 00:11:03,360 --> 00:11:08,520 Speaker 1: of examples from songs and poetry and writing where that's interesting, 198 00:11:09,120 --> 00:11:11,440 Speaker 1: you know, there's something maybe said three times to uh, 199 00:11:11,720 --> 00:11:14,600 Speaker 1: to add emphasis. But I mean, I I am not 200 00:11:14,920 --> 00:11:18,120 Speaker 1: I'm not the expert comment commenting on this from It's 201 00:11:18,120 --> 00:11:21,959 Speaker 1: saying Sunday, Sunday, Sunday. This does remind me though, when 202 00:11:21,960 --> 00:11:24,000 Speaker 1: I was a kid sometimes I would like try and 203 00:11:24,080 --> 00:11:26,440 Speaker 1: create like documents that looked like they were, you know, 204 00:11:26,520 --> 00:11:31,160 Speaker 1: magical documents in another language, you know, with weird rooms. Um. 205 00:11:31,200 --> 00:11:33,640 Speaker 1: And actually I do that still, sometimes, like doodling, you know, 206 00:11:33,679 --> 00:11:35,880 Speaker 1: in the corners of a page. If I'm supposed to 207 00:11:35,920 --> 00:11:39,200 Speaker 1: be taking notes on something. Uh but I even even 208 00:11:39,240 --> 00:11:40,839 Speaker 1: as a kid, I would I would look back at 209 00:11:40,840 --> 00:11:43,000 Speaker 1: what I had done and I would realize, what this 210 00:11:43,000 --> 00:11:46,000 Speaker 1: This doesn't look like language like, it doesn't like there's 211 00:11:46,000 --> 00:11:49,480 Speaker 1: not enough variety in the these the signal, the little 212 00:11:49,559 --> 00:11:52,960 Speaker 1: signals that I've I've concocted or something I just essentially 213 00:11:53,000 --> 00:11:56,320 Speaker 1: pulled out of my head. They're like, it's not matching 214 00:11:56,400 --> 00:11:58,360 Speaker 1: up with what one would expect from any kind of 215 00:11:58,360 --> 00:12:01,360 Speaker 1: writing or coded writing system. Yeah. So I mentioned in 216 00:12:01,360 --> 00:12:03,480 Speaker 1: the last episode there was a good article about this 217 00:12:03,520 --> 00:12:06,160 Speaker 1: from two thousand eleven and skeptical inquirer by the German 218 00:12:06,160 --> 00:12:10,920 Speaker 1: computer scientist Klaus schmi who who I think he looked 219 00:12:10,960 --> 00:12:13,720 Speaker 1: at a lot of the statistical qualities of the text 220 00:12:14,000 --> 00:12:16,720 Speaker 1: from a cryptography point of view, and it seemed like 221 00:12:16,720 --> 00:12:19,560 Speaker 1: he said, yeah, there there's evidence both ways, and we 222 00:12:19,600 --> 00:12:23,160 Speaker 1: can continue to talk about some of that evidence as 223 00:12:23,160 --> 00:12:26,160 Speaker 1: we go on in the episodes. One interesting claim I 224 00:12:26,240 --> 00:12:29,080 Speaker 1: came across. I'm sorry that I feel like I can't 225 00:12:29,160 --> 00:12:31,760 Speaker 1: evaluate whether this is a correct claim or not, but 226 00:12:31,800 --> 00:12:35,199 Speaker 1: at least it's a claim that's made against the noise 227 00:12:35,320 --> 00:12:40,000 Speaker 1: theory or any theory recommending an interpretation of nonsense is 228 00:12:40,040 --> 00:12:43,320 Speaker 1: that the document uh at least appears to follow something 229 00:12:43,360 --> 00:12:48,560 Speaker 1: called Ziff's law, which concerns the statistical distribution of words 230 00:12:48,600 --> 00:12:52,000 Speaker 1: and natural languages. So basically, Ziff's law claims that in 231 00:12:52,040 --> 00:12:55,560 Speaker 1: any natural language, the frequency with which a word is 232 00:12:55,760 --> 00:12:59,400 Speaker 1: used will be directly proportional to how how high it 233 00:12:59,480 --> 00:13:02,520 Speaker 1: ranks in the ranking of most common words. So the 234 00:13:02,600 --> 00:13:05,120 Speaker 1: first most common word will be used twice as often 235 00:13:05,160 --> 00:13:07,959 Speaker 1: as the second most common word, three times as often 236 00:13:07,960 --> 00:13:10,760 Speaker 1: as the third most common word, and so forth. Now 237 00:13:10,800 --> 00:13:14,320 Speaker 1: this isn't exactly law in like the physical or mathematical sense, 238 00:13:14,320 --> 00:13:16,560 Speaker 1: but if for some reason it does appear to hold 239 00:13:16,679 --> 00:13:20,880 Speaker 1: true for all or almost all natural languages, and so 240 00:13:21,000 --> 00:13:23,679 Speaker 1: if and and, the document appears to match this So 241 00:13:23,720 --> 00:13:26,640 Speaker 1: like if you look at it from a Zif's law distribution, 242 00:13:26,720 --> 00:13:29,400 Speaker 1: it lines up pretty close. So if the frequency count 243 00:13:29,400 --> 00:13:32,920 Speaker 1: of words in this document follows this law, if that is, 244 00:13:33,080 --> 00:13:35,720 Speaker 1: if that claim is correct, meaning it has a similar 245 00:13:35,760 --> 00:13:40,120 Speaker 1: distribution of words to real documents in real languages. That 246 00:13:40,200 --> 00:13:42,040 Speaker 1: seems to make it a little harder to believe it's 247 00:13:42,080 --> 00:13:45,800 Speaker 1: just total nonsense generated but out of somebody's head. Another 248 00:13:45,840 --> 00:13:50,120 Speaker 1: thing is that different words appear with different frequencies in 249 00:13:50,120 --> 00:13:52,959 Speaker 1: different sections. So remember we've got these different sections of 250 00:13:53,000 --> 00:13:56,400 Speaker 1: the document, like the astrological stuff versus the herbal stuff, 251 00:13:56,920 --> 00:13:59,760 Speaker 1: and so you have some words that might appear in 252 00:13:59,800 --> 00:14:03,320 Speaker 1: the supposed astrological section but not in the plants section, 253 00:14:03,360 --> 00:14:06,600 Speaker 1: and vice versa. This would I think be expected if 254 00:14:06,640 --> 00:14:09,319 Speaker 1: these were written in a real language with a real message, 255 00:14:09,320 --> 00:14:11,600 Speaker 1: like you would image, you would probably expect the words 256 00:14:11,640 --> 00:14:14,960 Speaker 1: star to appear in the astrological section but not in 257 00:14:15,000 --> 00:14:18,280 Speaker 1: the plants section. So just looking at the symbols, the 258 00:14:18,520 --> 00:14:22,200 Speaker 1: frequency distribution of symbols and how they break out, and 259 00:14:22,520 --> 00:14:25,720 Speaker 1: how well they resemble a real language, it seems like 260 00:14:25,760 --> 00:14:28,200 Speaker 1: it can push us kind of in both directions that 261 00:14:28,480 --> 00:14:32,720 Speaker 1: we don't get a clear reading from either way. From that, 262 00:14:33,200 --> 00:14:35,920 Speaker 1: and and again this just comes back to the what 263 00:14:36,120 --> 00:14:40,440 Speaker 1: makes this document so mysterious, It's so resistant to unraveling. 264 00:14:40,600 --> 00:14:43,560 Speaker 1: So and a number of theories have been put forth 265 00:14:44,040 --> 00:14:47,200 Speaker 1: for the origins and the true nature of the text. Uh, 266 00:14:47,200 --> 00:14:51,360 Speaker 1: you know, so much so that in when an American 267 00:14:51,440 --> 00:14:56,200 Speaker 1: cryptologist and computer programmer married, the Imperio composed the Vontage 268 00:14:56,200 --> 00:14:59,760 Speaker 1: Manuscript and Elegant Enigma for the U. S Military, because 269 00:15:00,280 --> 00:15:03,840 Speaker 1: by the US military cryptography, I mean, that's a of 270 00:15:03,920 --> 00:15:06,240 Speaker 1: massive state importance, it is. Yeah, so this is not 271 00:15:06,400 --> 00:15:08,480 Speaker 1: like some sort of weird, you know, Area fifty one 272 00:15:08,560 --> 00:15:12,600 Speaker 1: type of Shenanigan going on here. But in this, uh, 273 00:15:12,920 --> 00:15:15,560 Speaker 1: this paper, which is readily available online you can find 274 00:15:15,560 --> 00:15:17,720 Speaker 1: a PDF of the full thing, she admits that she 275 00:15:17,880 --> 00:15:23,000 Speaker 1: quote unwittingly retraced the steps of all my predecessors, rediscovering 276 00:15:23,080 --> 00:15:27,600 Speaker 1: their sources, repeating their experiments, growing excited over the same 277 00:15:27,680 --> 00:15:31,520 Speaker 1: promising leads that excited them, and learning only later that 278 00:15:31,640 --> 00:15:34,960 Speaker 1: all these things had already been tried and had failed, 279 00:15:35,320 --> 00:15:39,200 Speaker 1: often several times. And I found that to just be very, 280 00:15:39,440 --> 00:15:42,000 Speaker 1: very fitting, because this does seem to be a theme, 281 00:15:42,480 --> 00:15:44,880 Speaker 1: uh is that you know, certainly in the last century. 282 00:15:45,360 --> 00:15:47,480 Speaker 1: Well it's not hard to see why. Again, this is 283 00:15:47,520 --> 00:15:51,920 Speaker 1: like it's sort of the holy grail of of of decoding, right, Yeah, yes, 284 00:15:52,120 --> 00:15:54,560 Speaker 1: it's the mount everest of code breaking. If you could 285 00:15:54,560 --> 00:15:57,400 Speaker 1: crack it, you'd be you'd be like the hottest, you know, 286 00:15:57,880 --> 00:16:01,400 Speaker 1: code cracker in the world. Yeah, And so crackers have 287 00:16:01,400 --> 00:16:03,479 Speaker 1: have tried to have taken a shot at it. Linguists 288 00:16:03,520 --> 00:16:06,440 Speaker 1: have have have taken a shot at it, various scholar 289 00:16:06,520 --> 00:16:11,560 Speaker 1: all manner of scholars, amateurs, and of course outright quacks 290 00:16:11,280 --> 00:16:14,240 Speaker 1: that have taken taking their hand to the Vantage manuscript. 291 00:16:14,280 --> 00:16:16,200 Speaker 1: I think we alluded to this in the last episode, 292 00:16:16,200 --> 00:16:18,680 Speaker 1: but the internet is full of people who claim to 293 00:16:18,720 --> 00:16:21,840 Speaker 1: have decoded the Voytage manuscript to the point where when 294 00:16:21,840 --> 00:16:23,520 Speaker 1: we were preparing for the episode, I mean a lot 295 00:16:23,560 --> 00:16:26,160 Speaker 1: of these were just like, you know, somebody in the 296 00:16:26,240 --> 00:16:29,400 Speaker 1: last year or two has published a you know, a 297 00:16:29,440 --> 00:16:32,840 Speaker 1: YouTube video or or an article somewhere where they're like, 298 00:16:32,880 --> 00:16:35,720 Speaker 1: I did it. I cracked it. Here's the answer. And 299 00:16:35,840 --> 00:16:38,080 Speaker 1: I'm like, I don't know. Maybe one of these people 300 00:16:38,080 --> 00:16:41,040 Speaker 1: actually did and it just hasn't really been analyzed or 301 00:16:41,080 --> 00:16:43,400 Speaker 1: reported on yet. I have no way of knowing because 302 00:16:43,400 --> 00:16:45,960 Speaker 1: I don't have an expertise obviously in the relevant fields, 303 00:16:46,200 --> 00:16:49,120 Speaker 1: so I can't like evaluate it on my own. But 304 00:16:49,440 --> 00:16:52,200 Speaker 1: it's funny, like there's so many people trying and claiming 305 00:16:52,200 --> 00:16:54,840 Speaker 1: to have done it that you somebody could have done 306 00:16:54,880 --> 00:16:56,640 Speaker 1: it and we might not even know for a while 307 00:16:56,640 --> 00:16:59,080 Speaker 1: because it would just get lost in the sea of 308 00:16:59,080 --> 00:17:01,680 Speaker 1: of of all these claims. Yeah, all right, on that note, 309 00:17:01,680 --> 00:17:03,640 Speaker 1: we're gonna take a quick break when we come back. 310 00:17:04,040 --> 00:17:09,359 Speaker 1: We're going to discuss the possibility, um pretty much discredited 311 00:17:09,359 --> 00:17:12,960 Speaker 1: possibility that Roger Bacon actually had a hand in creating this. 312 00:17:13,880 --> 00:17:18,320 Speaker 1: Than all right, we're back. Time to talk about Mr Bacon. Now, 313 00:17:18,359 --> 00:17:21,199 Speaker 1: you remember from the last episode the it came with 314 00:17:21,240 --> 00:17:24,800 Speaker 1: a certificate of authenticity. Originally when Rudolph the Second, the 315 00:17:24,840 --> 00:17:28,720 Speaker 1: Holy Roman Emperor bought this, uh bought the Voytage manuscript 316 00:17:28,800 --> 00:17:32,960 Speaker 1: for six hundred ducats or Ducket's he it came along 317 00:17:32,960 --> 00:17:34,840 Speaker 1: with a letter that said, well, by the way, Roger 318 00:17:34,840 --> 00:17:38,760 Speaker 1: Bacon made this. Yeah. And according to Josephine Livingstone, who 319 00:17:38,800 --> 00:17:41,399 Speaker 1: wrote a really nice piece in The New Yorker about this, 320 00:17:41,440 --> 00:17:42,960 Speaker 1: actually a couple of pieces. One was kind of the 321 00:17:42,960 --> 00:17:46,520 Speaker 1: follow up where she talked about just internet fascination of 322 00:17:46,640 --> 00:17:49,440 Speaker 1: the Voytage manuscript. She points out, yeah, that this does 323 00:17:49,480 --> 00:17:52,439 Speaker 1: not seem to be the case though, uh, though it 324 00:17:52,520 --> 00:17:55,000 Speaker 1: was kind of a popular idea for a while or 325 00:17:55,040 --> 00:17:58,840 Speaker 1: its like repopularized and you know, well before the carbon 326 00:17:58,920 --> 00:18:03,960 Speaker 1: dating actually took play. But one William Romaine Newbold, a 327 00:18:04,000 --> 00:18:08,960 Speaker 1: professor of intellectual and moral philosophy at the University of Pennsylvania. 328 00:18:09,280 --> 00:18:12,720 Speaker 1: He argued in favor of the Bacon origin, believing it 329 00:18:12,840 --> 00:18:20,439 Speaker 1: to be an anagrammed micrographic shorthand required transposition, abbreviation, and 330 00:18:20,600 --> 00:18:24,600 Speaker 1: microscopic notation. Yeah. His method, from what I've read, was 331 00:18:25,600 --> 00:18:28,239 Speaker 1: a little over the end. I mean, it's like he 332 00:18:28,359 --> 00:18:33,560 Speaker 1: was like looking inside the characters to see little micro 333 00:18:34,840 --> 00:18:39,119 Speaker 1: like strokes of ink that may have indicated actual letters 334 00:18:39,280 --> 00:18:44,000 Speaker 1: or abbreviations of word phonemes. And so his his method 335 00:18:44,000 --> 00:18:49,119 Speaker 1: of decoding it, which he claimed was successful, was incredibly complicated. Yeah. 336 00:18:49,240 --> 00:18:51,800 Speaker 1: But he claimed that he had translated, and he provided 337 00:18:51,840 --> 00:18:54,679 Speaker 1: all these details like drawing it into various you know, 338 00:18:54,760 --> 00:18:57,800 Speaker 1: other writings and ideas of Bacon. Uh. And he was 339 00:18:57,840 --> 00:19:01,280 Speaker 1: apparently a brilliant individual. But but no one could take 340 00:19:01,720 --> 00:19:06,320 Speaker 1: his solution and reproduce the same results using these methods, right, 341 00:19:06,359 --> 00:19:10,239 Speaker 1: it required so many subjective judgment calls about what he 342 00:19:10,320 --> 00:19:13,760 Speaker 1: was seeing on the page in these micro notation marks 343 00:19:13,800 --> 00:19:16,959 Speaker 1: and what that was supposed to correlate to. Yeah. Medieval 344 00:19:17,160 --> 00:19:22,360 Speaker 1: medievalist John Matthews Manly, one of the Army's chief cryptologists 345 00:19:22,400 --> 00:19:26,840 Speaker 1: during World War One, concluded that the quote decipherments were 346 00:19:26,920 --> 00:19:30,719 Speaker 1: not discoveries of secret hidden of secrets hidden by Roger Bacon, 347 00:19:31,080 --> 00:19:35,159 Speaker 1: but the products of new Bold's own intense enthusiasm and 348 00:19:35,280 --> 00:19:39,679 Speaker 1: his learned and ingenious subconscious. According to Schmay's article and 349 00:19:39,680 --> 00:19:43,399 Speaker 1: Skeptical Inquire, new Bold's translation had revealed that Roger Bacon 350 00:19:43,760 --> 00:19:47,040 Speaker 1: already had a telescope in the thirteenth century, predating the 351 00:19:47,080 --> 00:19:49,879 Speaker 1: known invention of the telescope in the first decade of 352 00:19:49,880 --> 00:19:53,360 Speaker 1: the sixteen hundreds by like centuries, and that Bacon had 353 00:19:53,480 --> 00:19:56,159 Speaker 1: used this telescope to discover the spiral structure of the 354 00:19:56,200 --> 00:19:59,359 Speaker 1: Andromeda galaxy. It's just hard to believe though, that like 355 00:19:59,480 --> 00:20:04,320 Speaker 1: you could generate generate text that complex, you know, just 356 00:20:04,359 --> 00:20:08,120 Speaker 1: by subjective interpretations of tiny things. And then of course, 357 00:20:08,160 --> 00:20:11,239 Speaker 1: as we're saying, like nobody else could could come up 358 00:20:11,280 --> 00:20:14,199 Speaker 1: with the same translations based on what he had. So 359 00:20:15,040 --> 00:20:17,520 Speaker 1: I don't know, it just seems like he was he 360 00:20:17,600 --> 00:20:20,600 Speaker 1: was looking for the text he wanted to find, almost 361 00:20:20,640 --> 00:20:24,600 Speaker 1: like like it spells like new Bold is great. Yeah, 362 00:20:24,960 --> 00:20:29,440 Speaker 1: you know. Another great, interesting, insightful description of of this, uh, 363 00:20:29,560 --> 00:20:32,600 Speaker 1: this incident with new Bold comes from Terence mckinna oh, yeah, 364 00:20:32,640 --> 00:20:36,440 Speaker 1: who wrote about the manuscript for Noses magazine in Night 365 00:20:36,520 --> 00:20:39,159 Speaker 1: and what he is, by the way, a purely historical 366 00:20:39,720 --> 00:20:42,359 Speaker 1: linguistic article that has nothing to do with any of 367 00:20:42,359 --> 00:20:45,160 Speaker 1: his writings on psychedelics. Although I can absolutely see why 368 00:20:45,240 --> 00:20:48,040 Speaker 1: McKenna would be interested in this subject because it's this. 369 00:20:48,720 --> 00:20:51,320 Speaker 1: It's this manuscript that seems to sit at the intersection 370 00:20:51,320 --> 00:20:55,199 Speaker 1: of primitive science and magic and plants. Yeah. Uh, this, 371 00:20:55,440 --> 00:20:57,760 Speaker 1: this particular article is that you can find it online 372 00:20:57,760 --> 00:21:00,879 Speaker 1: and PDF form. It's also collected in the Art Kick Revival. 373 00:21:01,080 --> 00:21:04,040 Speaker 1: It is, you know, dated, It's so he was written 374 00:21:04,240 --> 00:21:07,560 Speaker 1: prior to carbon dating. But he sums up the new 375 00:21:07,600 --> 00:21:10,919 Speaker 1: Bold case by saying, quote, the problem with all of 376 00:21:10,960 --> 00:21:13,440 Speaker 1: this was no one else could extract the same plain 377 00:21:13,520 --> 00:21:17,240 Speaker 1: text using Professor Newbold's method. It involves so many choices 378 00:21:17,280 --> 00:21:20,080 Speaker 1: from pools of letters at every given point along the 379 00:21:20,119 --> 00:21:23,360 Speaker 1: way that one could demonstrate that hundreds of different messages 380 00:21:23,400 --> 00:21:26,680 Speaker 1: could be extracted from the same passages. New Bold died 381 00:21:26,720 --> 00:21:30,440 Speaker 1: a broken man, disgraced, his career shattered. He had gone 382 00:21:30,480 --> 00:21:35,440 Speaker 1: too far in the vantage manuscript had claimed its first victim. 383 00:21:35,480 --> 00:21:38,280 Speaker 1: Now McKenna is not actually arguing that there's a curse 384 00:21:38,760 --> 00:21:41,119 Speaker 1: on the document or anything here, but I think he 385 00:21:41,160 --> 00:21:43,119 Speaker 1: does get a little magic here with it. Later on, 386 00:21:43,480 --> 00:21:49,720 Speaker 1: I mean a kind will of his talks in this 387 00:21:49,760 --> 00:21:52,119 Speaker 1: particular paper, he doesn't really tie it into any of 388 00:21:52,160 --> 00:21:57,480 Speaker 1: his more um you know, spiritual shamanistic ideas. It's it's 389 00:21:57,520 --> 00:22:00,919 Speaker 1: ultimately pretty straightforward, though again a dated because when it 390 00:22:00,960 --> 00:22:05,120 Speaker 1: was written. Um but but but but he does touch 391 00:22:05,400 --> 00:22:07,160 Speaker 1: in this on this idea of that claiming its first 392 00:22:07,240 --> 00:22:10,600 Speaker 1: victim on a pattern that one sees to this very 393 00:22:10,680 --> 00:22:14,119 Speaker 1: day in vantage research. It draws so many people in 394 00:22:14,240 --> 00:22:16,919 Speaker 1: and certainly, while there are quacks and conspiracy theory makers 395 00:22:16,920 --> 00:22:19,440 Speaker 1: in the mix, you also see a lot of very intelligent, 396 00:22:19,680 --> 00:22:24,119 Speaker 1: educated and disciplined people diving into the text and initially 397 00:22:24,119 --> 00:22:27,119 Speaker 1: claiming victory, only to realize that they two have failed 398 00:22:27,160 --> 00:22:29,280 Speaker 1: to see through its mysteries and and in some cases 399 00:22:29,359 --> 00:22:32,520 Speaker 1: are kind of broken on the manuscript. Again, Yeah, mckenn 400 00:22:32,520 --> 00:22:34,200 Speaker 1: I also tell I wish I could remember the name 401 00:22:34,240 --> 00:22:36,680 Speaker 1: of this, but he tells an anecdote. I don't know 402 00:22:36,720 --> 00:22:39,240 Speaker 1: if this is one of the commonly circulated stories about 403 00:22:39,280 --> 00:22:42,320 Speaker 1: the translation attempts, but he tells an anecdote about this 404 00:22:42,359 --> 00:22:45,840 Speaker 1: one aging scholar who was in his nineties who claimed 405 00:22:46,520 --> 00:22:49,600 Speaker 1: to some colleagues to have cracked the code to you know, 406 00:22:49,640 --> 00:22:52,080 Speaker 1: to understand what it says and then when somebody was 407 00:22:52,119 --> 00:22:54,639 Speaker 1: trying to follow up with him about that, they were like, okay, 408 00:22:54,640 --> 00:22:56,840 Speaker 1: we'll fly down to meet you. But by the time 409 00:22:56,880 --> 00:22:59,200 Speaker 1: they got there, he had died of a heart attempt. Yes, yes, 410 00:22:59,280 --> 00:23:01,440 Speaker 1: that's something here. It's in the noses piece as well. 411 00:23:01,560 --> 00:23:05,399 Speaker 1: So whatever information that UH expert may have had, it 412 00:23:05,480 --> 00:23:07,400 Speaker 1: was lost with them when they died. Well, I think 413 00:23:07,480 --> 00:23:10,800 Speaker 1: the the implication is that the expert had not actually 414 00:23:10,840 --> 00:23:13,200 Speaker 1: solved it and just happened to die right in time 415 00:23:13,280 --> 00:23:16,760 Speaker 1: to not get found out. Certainly the more likely scenario 416 00:23:16,840 --> 00:23:20,440 Speaker 1: given everything that we've discussed here. Now I mentioned John 417 00:23:20,480 --> 00:23:25,800 Speaker 1: Matthews Manly earlier, the War One Army cryptologist. Well, he 418 00:23:25,880 --> 00:23:31,000 Speaker 1: ends up turning Army cryptographer William F. Friedman onto the manuscript. 419 00:23:31,000 --> 00:23:35,119 Speaker 1: In William and his wife Elizabeth worked on the project 420 00:23:35,160 --> 00:23:38,600 Speaker 1: for forty years. Freedman was considered one of the greatest 421 00:23:38,640 --> 00:23:41,520 Speaker 1: cryptographers of his day. He and his team cracked Japan's 422 00:23:41,560 --> 00:23:43,960 Speaker 1: Code Purple during World War Two, but they were never 423 00:23:44,040 --> 00:23:47,119 Speaker 1: able to figure out that the manuscript either um though 424 00:23:47,400 --> 00:23:50,359 Speaker 1: Freedman did seem to believe that it might have been 425 00:23:50,400 --> 00:23:56,159 Speaker 1: an attempt to construct an artificial or universal language. Robert S. Brumbach, 426 00:23:56,440 --> 00:23:59,439 Speaker 1: also of Yale University, took a crack at it as 427 00:23:59,440 --> 00:24:05,360 Speaker 1: well and produced some confusing decipherings that ultimately lead nowhere um. 428 00:24:05,480 --> 00:24:08,280 Speaker 1: But also Alan Turing apparently took a crack at it 429 00:24:08,320 --> 00:24:11,119 Speaker 1: as well, the King of code Breakers, and even Turing 430 00:24:11,160 --> 00:24:15,720 Speaker 1: couldn't make any sense of it. Now another interesting case here. 431 00:24:15,960 --> 00:24:21,840 Speaker 1: In seven one, Dr Leo levit Levitov presented the idea 432 00:24:21,880 --> 00:24:25,439 Speaker 1: that the book was a liturgical manual for the the 433 00:24:25,520 --> 00:24:29,200 Speaker 1: Catherine religion of the Middle Ages, basically the only surviving 434 00:24:29,240 --> 00:24:33,480 Speaker 1: document of the Cather heresy, a sort of Gnostic revival 435 00:24:33,560 --> 00:24:38,159 Speaker 1: movement was effectively decimated by the Alba, Genzi and Crusade 436 00:24:38,200 --> 00:24:41,600 Speaker 1: of the early thirteenth century, and much of our understanding 437 00:24:41,640 --> 00:24:44,800 Speaker 1: of this religion is lost. But Levitov makes the argument 438 00:24:44,800 --> 00:24:48,600 Speaker 1: that it's a book of Catherine sacraments, including a youth 439 00:24:48,680 --> 00:24:52,200 Speaker 1: and asia practice or perhaps in a ritualized act of 440 00:24:52,280 --> 00:24:56,679 Speaker 1: suicide known as endura um, with which of the illustrations 441 00:24:57,080 --> 00:25:01,680 Speaker 1: is supposed to show that the bathtubs so yeah. He 442 00:25:02,359 --> 00:25:05,640 Speaker 1: Levitav argues that we're seeing a discussion of the vantage 443 00:25:05,720 --> 00:25:07,920 Speaker 1: in the vantage of Endeira as a right of ritual 444 00:25:08,000 --> 00:25:10,119 Speaker 1: opening of the veins and a hot bath as a 445 00:25:10,160 --> 00:25:13,640 Speaker 1: means of consentually ending one's life in a sacred fashion. 446 00:25:13,880 --> 00:25:16,760 Speaker 1: And this ties into like ideas of the Catholis believing 447 00:25:16,800 --> 00:25:20,280 Speaker 1: like that the physical body was inherently you know, debased 448 00:25:20,760 --> 00:25:23,560 Speaker 1: and therefore like the it's part of uh, you know, 449 00:25:23,600 --> 00:25:26,760 Speaker 1: the of ensuring that a refined soul, you know, travels 450 00:25:26,800 --> 00:25:29,439 Speaker 1: beyond this plane of being, that sort of thing. But 451 00:25:29,480 --> 00:25:32,920 Speaker 1: then he also connects uh Catholism to the worship of 452 00:25:32,960 --> 00:25:36,880 Speaker 1: the goddess Isis and he uh, you know, he believed 453 00:25:36,880 --> 00:25:40,800 Speaker 1: that that it was not encrypted at all the manuscript, 454 00:25:40,880 --> 00:25:42,560 Speaker 1: but it was written in this uh this you know, 455 00:25:42,600 --> 00:25:46,879 Speaker 1: this this mixture of medieval Flemish and old Fringe and 456 00:25:47,000 --> 00:25:50,000 Speaker 1: old High German Loan words, all kind of you know, 457 00:25:50,520 --> 00:25:55,640 Speaker 1: formed into this amalgamation of language. Um. But while some 458 00:25:55,760 --> 00:25:59,240 Speaker 1: saw promise in Levitov's argument, there were plenty of people 459 00:25:59,240 --> 00:26:02,840 Speaker 1: who had numerous problems with it. A big one is 460 00:26:02,920 --> 00:26:08,680 Speaker 1: that the induro was definitely a thing. According to Coasta Siamus, 461 00:26:08,720 --> 00:26:12,240 Speaker 1: in writing for the journal Religion in Health in twos sixteen, quote, 462 00:26:12,280 --> 00:26:15,800 Speaker 1: the enduro was the prerequisite act of repentance that allowed 463 00:26:15,840 --> 00:26:19,000 Speaker 1: the fallen soul to return to heaven. But pretty much 464 00:26:19,000 --> 00:26:23,119 Speaker 1: everybody agrees that it was. It was basically a fast. 465 00:26:23,400 --> 00:26:28,520 Speaker 1: It was not a ritual suicide or Euthanasiah. So another 466 00:26:28,560 --> 00:26:31,080 Speaker 1: one is this whole isis connection. This doesn't pop up 467 00:26:31,119 --> 00:26:34,359 Speaker 1: anywhere else. And years later, you know, when we'd finally 468 00:26:34,400 --> 00:26:37,600 Speaker 1: get some carbon dating that dismissed. Uh, you know, the 469 00:26:37,640 --> 00:26:40,679 Speaker 1: idea that a bacon a bacon origin was possible, and 470 00:26:40,760 --> 00:26:43,680 Speaker 1: certainly a pre bacon origin of the text was equally 471 00:26:44,600 --> 00:26:49,080 Speaker 1: unlikely or impossible. Yeah, I'd say that's fairly impossible, given 472 00:26:49,080 --> 00:26:52,320 Speaker 1: that the vellum was not from before the early fifteenth century, 473 00:26:53,320 --> 00:26:56,320 Speaker 1: unless again we're dealing with like a copy of an 474 00:26:56,320 --> 00:26:59,840 Speaker 1: earlier text, which again it doesn't necessarily look like. Now, 475 00:27:00,359 --> 00:27:02,199 Speaker 1: when we look at other theories as to you know, 476 00:27:02,200 --> 00:27:05,000 Speaker 1: where it came from, um, you know they're there, have 477 00:27:05,040 --> 00:27:08,120 Speaker 1: been various and most of them haven't really endured. There 478 00:27:08,240 --> 00:27:12,800 Speaker 1: is the interesting notion that sixteenth century occultist mathematician and 479 00:27:12,840 --> 00:27:16,920 Speaker 1: cryptographer John d along with Edward Kelly, may have been 480 00:27:16,920 --> 00:27:21,080 Speaker 1: involved with the manuscript in some some form or another. Now, 481 00:27:21,160 --> 00:27:24,600 Speaker 1: this is mckinnis theory. He's got a complicated argument that 482 00:27:25,160 --> 00:27:28,280 Speaker 1: that like, yes, it probably was John D and Edward 483 00:27:28,400 --> 00:27:33,200 Speaker 1: Kelly who wrote this document. Yeah, yeah, Mickey McKenna did 484 00:27:33,240 --> 00:27:36,640 Speaker 1: present that idea that he though he also readily admitted 485 00:27:36,680 --> 00:27:39,440 Speaker 1: that it was just more, you know more basically a 486 00:27:39,480 --> 00:27:41,800 Speaker 1: conjecture on his part, and he he had he had 487 00:27:41,840 --> 00:27:43,600 Speaker 1: not done a rigorous work to back it up, and 488 00:27:43,600 --> 00:27:48,000 Speaker 1: there were numerous potential holes in the situation. But but 489 00:27:48,119 --> 00:27:51,960 Speaker 1: Kelly and and D did dabble in not dabble. They 490 00:27:52,000 --> 00:27:54,920 Speaker 1: had more than dabble than occult practices. So I mean, 491 00:27:55,119 --> 00:27:57,639 Speaker 1: it's again, it's speculative, but it's not hard to see 492 00:27:57,680 --> 00:28:00,840 Speaker 1: somebody like John D coming up with a with a 493 00:28:00,920 --> 00:28:06,480 Speaker 1: strange constructed document that's got kind of magical suggestions in it. Yeah, 494 00:28:06,480 --> 00:28:08,639 Speaker 1: we have two older episodes of stuff to bule your 495 00:28:08,640 --> 00:28:11,040 Speaker 1: mind about John D that will probably be running his 496 00:28:11,119 --> 00:28:14,879 Speaker 1: vault episodes here in the immediate future. But yeah, he was. 497 00:28:15,040 --> 00:28:16,800 Speaker 1: He was one of the most brilliant minds of his day. 498 00:28:16,800 --> 00:28:21,400 Speaker 1: He was involved in cryptography, spycraft, occultism, and mathematics. Edward 499 00:28:21,480 --> 00:28:24,280 Speaker 1: Kelly has accomplished here with an It was an occultist 500 00:28:24,320 --> 00:28:28,000 Speaker 1: and and most agree a con man or a scoundrel 501 00:28:28,040 --> 00:28:32,680 Speaker 1: of some fashion. Um it is it's generally described that 502 00:28:32,880 --> 00:28:36,679 Speaker 1: Edward Kelly's ears were both missing, uh you know, his 503 00:28:36,760 --> 00:28:41,400 Speaker 1: punishment for some deed in his past. But yeah, but 504 00:28:41,520 --> 00:28:43,520 Speaker 1: between the two of them, I I often have sort 505 00:28:43,560 --> 00:28:45,880 Speaker 1: of tried to figure out, like what what is the energy? 506 00:28:45,960 --> 00:28:49,720 Speaker 1: What is the nature of of their collaboration? You know, 507 00:28:49,760 --> 00:28:51,560 Speaker 1: they're in a way they're they're a perfect duo, but 508 00:28:51,560 --> 00:28:55,320 Speaker 1: they're also kind of the strange duo where uh, you 509 00:28:55,360 --> 00:28:57,880 Speaker 1: know d there's nobody else like him. And then you wondered, like, 510 00:28:57,920 --> 00:29:01,000 Speaker 1: to what extent is uh is Kelly like taking advantage 511 00:29:01,000 --> 00:29:04,920 Speaker 1: of the situation um? Or is he able to to 512 00:29:05,040 --> 00:29:08,280 Speaker 1: actually an a d and in some of his various 513 00:29:08,280 --> 00:29:11,640 Speaker 1: operations here? But again, like the interest in cryptography, was 514 00:29:11,680 --> 00:29:15,160 Speaker 1: there the interest in occultism? They also both wrote of 515 00:29:15,200 --> 00:29:20,720 Speaker 1: communication with angels in the Enochian tongue um, which which 516 00:29:20,800 --> 00:29:22,480 Speaker 1: we have an alph of that for by the way, 517 00:29:22,680 --> 00:29:26,240 Speaker 1: and it is not the Enochian language that we see 518 00:29:26,600 --> 00:29:31,000 Speaker 1: in the Vonage manuscript. But certainly if you're looking for 519 00:29:31,040 --> 00:29:34,280 Speaker 1: people at that time period, people who you know would 520 00:29:34,320 --> 00:29:36,920 Speaker 1: have been traveling in this area and have had contact 521 00:29:37,080 --> 00:29:40,280 Speaker 1: with with the Holy Roman emperor um, you know, these 522 00:29:40,320 --> 00:29:44,200 Speaker 1: are these are two prime suspects. Yeah, and I do think, um, 523 00:29:44,480 --> 00:29:45,520 Speaker 1: maybe you were going to get to the s in 524 00:29:45,640 --> 00:29:49,560 Speaker 1: a minute, But I do think it's a decent hypothesis 525 00:29:49,600 --> 00:29:52,560 Speaker 1: that even if John D didn't write this, that John 526 00:29:52,640 --> 00:29:56,160 Speaker 1: D was the source who brought the Voytage manuscript to 527 00:29:57,280 --> 00:30:00,320 Speaker 1: the Holy Roman Emperor Rudolph the Second. Yes. In in 528 00:30:00,360 --> 00:30:04,320 Speaker 1: the book by Benjamin Woolley, The Queen's Conjuror, which is 529 00:30:04,360 --> 00:30:06,600 Speaker 1: biography of D that I I read a few years 530 00:30:06,600 --> 00:30:09,000 Speaker 1: back for the Stuff of your Mind episode, the author 531 00:30:09,200 --> 00:30:12,440 Speaker 1: does mention that Rudolph may well have acquired the manuscript 532 00:30:12,520 --> 00:30:15,560 Speaker 1: from D, but he does not entertain or dismissed the 533 00:30:15,560 --> 00:30:18,640 Speaker 1: idea that D was involved in his production. But but 534 00:30:18,720 --> 00:30:21,280 Speaker 1: he at least acknowledges that it's it's possible that D 535 00:30:21,720 --> 00:30:25,480 Speaker 1: is the individual who sold it to the emperor. And 536 00:30:25,520 --> 00:30:27,480 Speaker 1: if that is the case, like well then we can 537 00:30:27,600 --> 00:30:30,640 Speaker 1: we can add one more step, you know, to the 538 00:30:30,680 --> 00:30:33,120 Speaker 1: beginning of the history of the book. But we still 539 00:30:33,200 --> 00:30:36,520 Speaker 1: don't know where D acquired it, so the mystery remains. 540 00:30:36,720 --> 00:30:39,280 Speaker 1: But John D is a fascinating individual. I mean, he 541 00:30:39,360 --> 00:30:42,719 Speaker 1: is is essentially not only is he the Merlin of 542 00:30:42,760 --> 00:30:45,120 Speaker 1: the day, but a lot of our ideas that we 543 00:30:45,160 --> 00:30:50,440 Speaker 1: associate with the mythical and fictional wizard uh Merlin kind 544 00:30:50,440 --> 00:30:53,560 Speaker 1: of stem from d I think it's believed that he 545 00:30:53,640 --> 00:30:57,320 Speaker 1: was the inspiration for Shakespeare's Prospero in the Tempest, Right, 546 00:30:57,480 --> 00:31:01,560 Speaker 1: I've read that as well. Uh So, yeah, an astounding figure, 547 00:31:01,880 --> 00:31:04,040 Speaker 1: you know, to whatever degree he was involved with a 548 00:31:04,080 --> 00:31:08,480 Speaker 1: vantage manuscript. Um, there's still plenty of mysterious and wonderful 549 00:31:08,520 --> 00:31:11,240 Speaker 1: things about about the himself. For instance, to what extent 550 00:31:11,320 --> 00:31:15,080 Speaker 1: he was involved, uh in in statecraft and and and 551 00:31:15,280 --> 00:31:17,560 Speaker 1: worked as a spy. Like. There's some that argue that 552 00:31:17,560 --> 00:31:19,840 Speaker 1: he was like totally a spy and that many of 553 00:31:19,880 --> 00:31:22,680 Speaker 1: these occult manuscripts that he was uh, you know, peddling 554 00:31:22,720 --> 00:31:26,160 Speaker 1: around and discussing in occult ideas, they were essentially codes 555 00:31:26,320 --> 00:31:29,560 Speaker 1: for things um and others say that, no, he was 556 00:31:29,600 --> 00:31:31,880 Speaker 1: more purely on the the occultist end of the spectrum. 557 00:31:32,200 --> 00:31:34,840 Speaker 1: I My read, and I think this has been the 558 00:31:34,840 --> 00:31:37,600 Speaker 1: read of other commentators, is that it's probably somewhere in between, 559 00:31:38,080 --> 00:31:40,800 Speaker 1: you know, one of these situations where you know, he 560 00:31:40,840 --> 00:31:45,040 Speaker 1: was definitely fascinating with with the occult. He was definitely 561 00:31:45,200 --> 00:31:48,800 Speaker 1: and he was a poly math, but being a poly 562 00:31:48,920 --> 00:31:51,520 Speaker 1: math of the day and the one that that traveled 563 00:31:51,680 --> 00:31:54,880 Speaker 1: throughout Europe he ended up, you know, and and also 564 00:31:54,920 --> 00:31:57,400 Speaker 1: being a devout servant to Elizabeth the first you know 565 00:31:57,440 --> 00:31:59,680 Speaker 1: he was, he was more than happy to engage in 566 00:31:59,720 --> 00:32:02,440 Speaker 1: a little spycraft from time to time. Another weird connection. 567 00:32:02,520 --> 00:32:05,080 Speaker 1: I believe John d is also supposed to be the 568 00:32:05,120 --> 00:32:10,920 Speaker 1: inspiration for Christopher Marlowe's incarnation of Dr faust Us from 569 00:32:10,960 --> 00:32:12,880 Speaker 1: from of course Dr you know, who makes a deal 570 00:32:12,920 --> 00:32:15,520 Speaker 1: with the devil to get all knowledge and you know, 571 00:32:15,600 --> 00:32:19,600 Speaker 1: all earthly scientific power. And then Christopher Marlowe, who wrote 572 00:32:19,680 --> 00:32:23,080 Speaker 1: the English play Dr faust Us, was also I believe 573 00:32:23,120 --> 00:32:26,840 Speaker 1: involved in state craft and being a spy. Fascinating, all right, 574 00:32:26,920 --> 00:32:30,600 Speaker 1: So there are various other um origin stories that we're 575 00:32:30,600 --> 00:32:33,000 Speaker 1: not going to get into, but but just to really 576 00:32:33,080 --> 00:32:36,440 Speaker 1: drive home how this is still a thing, How how 577 00:32:36,480 --> 00:32:39,280 Speaker 1: people are still not, you know, not only attempting to 578 00:32:39,280 --> 00:32:43,600 Speaker 1: crack but claiming that they did, we should discuss two 579 00:32:43,880 --> 00:32:48,000 Speaker 1: recent attempts, one extremely recent attempts to crack it that 580 00:32:48,120 --> 00:32:51,040 Speaker 1: have also fallen short. Yeah, it seems like there's at 581 00:32:51,120 --> 00:32:54,200 Speaker 1: least one claim every couple of years that gets picked 582 00:32:54,280 --> 00:32:56,800 Speaker 1: up by real like news sites and then it always 583 00:32:56,840 --> 00:32:59,400 Speaker 1: kind of like, oh no, never mind. Well, in two 584 00:32:59,440 --> 00:33:02,800 Speaker 1: thousands seven, team we saw just such a case. Um. 585 00:33:03,000 --> 00:33:06,320 Speaker 1: There was a history researcher and television writer by the 586 00:33:06,360 --> 00:33:10,600 Speaker 1: name of Nicholas Gibbs, and he published it was published 587 00:33:10,600 --> 00:33:14,640 Speaker 1: in The Times Literary Supplement. Uh. He believed he'd identified 588 00:33:14,720 --> 00:33:18,080 Speaker 1: quote a common form of medieval Latin abbreviations often used 589 00:33:18,080 --> 00:33:21,360 Speaker 1: in medical treatises about herbs, and this led him to 590 00:33:21,400 --> 00:33:23,960 Speaker 1: illustrations in other texts, and he believed resemble those in 591 00:33:23,960 --> 00:33:27,280 Speaker 1: the Vonage manuscript. And so this guy. This was widely covered, 592 00:33:27,480 --> 00:33:30,040 Speaker 1: in large part, of course, because it was initially published 593 00:33:30,040 --> 00:33:32,840 Speaker 1: in The Times Literary Supplement, was picked out by picked 594 00:33:32,880 --> 00:33:36,680 Speaker 1: up by numerous media outlets, including UH, Ours Technica SO 595 00:33:36,760 --> 00:33:40,960 Speaker 1: and initially at Ours Technica editor Annalie Knewitz wrote quote 596 00:33:41,640 --> 00:33:45,200 Speaker 1: this is again before it became discredited. Quote. Gibbs concluded 597 00:33:45,320 --> 00:33:48,680 Speaker 1: that it's likely the Vontage Manuscript was a customized book, 598 00:33:48,720 --> 00:33:52,120 Speaker 1: possibly created for one person, devoted mostly to women's medicine. 599 00:33:52,320 --> 00:33:55,000 Speaker 1: Other medieval Latin scholars will certainly want to weigh in, 600 00:33:55,040 --> 00:33:58,240 Speaker 1: but the sheer uh mondanity of gibbs discovery makes it 601 00:33:58,280 --> 00:34:02,040 Speaker 1: sound plausible. Okay, so it's always like it helps you 602 00:34:02,080 --> 00:34:04,400 Speaker 1: with the claim to have decoded something. If the message 603 00:34:04,440 --> 00:34:07,520 Speaker 1: you decoded is not delicious, I think it does help 604 00:34:07,520 --> 00:34:09,759 Speaker 1: the other believability because I think that's that's ultimately part 605 00:34:09,760 --> 00:34:12,279 Speaker 1: of the mystery, right, And the allure and danger of 606 00:34:12,280 --> 00:34:15,160 Speaker 1: the mystery is that if that it is solved, is 607 00:34:15,200 --> 00:34:17,800 Speaker 1: it is, it's not going to be ground baking anymore 608 00:34:17,880 --> 00:34:20,040 Speaker 1: like the groundbreaking. And the amazing thing about the Vontage 609 00:34:20,040 --> 00:34:23,440 Speaker 1: manuscript is not that it contains something definite, but that 610 00:34:23,480 --> 00:34:26,680 Speaker 1: we just have no ability to grasp what it contains. Right, 611 00:34:26,719 --> 00:34:29,160 Speaker 1: You'd have to be more suspicious if it says, like 612 00:34:29,280 --> 00:34:33,240 Speaker 1: I know the location of the Holy Grail or something. Yeah, 613 00:34:33,560 --> 00:34:36,360 Speaker 1: but okay. But after this piece came out then experts 614 00:34:36,360 --> 00:34:38,799 Speaker 1: began to weigh in and knew it also wrote an 615 00:34:38,840 --> 00:34:43,480 Speaker 1: excellent retraction piece, UH which you know, citing the various 616 00:34:43,480 --> 00:34:47,800 Speaker 1: experts who responded to that initial Uh Times Literary Supplement paper, 617 00:34:48,239 --> 00:34:50,920 Speaker 1: and the various experts concluded that while they think the 618 00:34:50,960 --> 00:34:53,840 Speaker 1: text might actually turn out to be a medical treatise 619 00:34:53,840 --> 00:34:57,440 Speaker 1: on women's health, like that's not impossible, but they think 620 00:34:57,440 --> 00:35:00,840 Speaker 1: that his translations were not grammatically correct and it according 621 00:35:00,880 --> 00:35:05,000 Speaker 1: to Medical Academy of America director Lisa Fagan Davis in 622 00:35:05,000 --> 00:35:07,880 Speaker 1: the Atlantic quote, if they had simply sent it to 623 00:35:07,920 --> 00:35:11,440 Speaker 1: the Banecki Library, they would have rebutted it in a heartbeat. 624 00:35:11,800 --> 00:35:13,920 Speaker 1: And this is the library Yale that actually has the 625 00:35:13,960 --> 00:35:17,879 Speaker 1: Vontagey script. I think they do WANTAGE scholarship there right, So, 626 00:35:18,040 --> 00:35:20,200 Speaker 1: um so, just I guess that's a little bit of 627 00:35:20,239 --> 00:35:22,880 Speaker 1: advice out there. If you were an editor potential of 628 00:35:22,920 --> 00:35:27,040 Speaker 1: any kind of publication and you're potentially um publishing something 629 00:35:27,080 --> 00:35:30,440 Speaker 1: about someone cracking the Vonage manuscript, Um, make a phone call, 630 00:35:30,480 --> 00:35:33,400 Speaker 1: send an email to the Bnecki Library and see if 631 00:35:33,440 --> 00:35:36,080 Speaker 1: you can get somebody to to to weigh in on 632 00:35:36,120 --> 00:35:38,200 Speaker 1: it before you publish. Yeah. I think that would be 633 00:35:38,239 --> 00:35:41,920 Speaker 1: a smart move. Now, have there been any cases this year? Yes, 634 00:35:42,080 --> 00:35:45,319 Speaker 1: into in twenty nineteen, um, this one prop popped up. 635 00:35:45,320 --> 00:35:49,520 Speaker 1: You might have seen this headline Bristol academic cracks Vontage code, 636 00:35:49,719 --> 00:35:52,800 Speaker 1: solving century old mystery of a midie of medieval text. 637 00:35:53,320 --> 00:35:55,840 Speaker 1: And yeah, I remember seeing this one. I want to 638 00:35:55,840 --> 00:35:58,920 Speaker 1: say that it even popped up on a fairly notable 639 00:35:59,000 --> 00:36:02,680 Speaker 1: like Science Release website that I use and was but 640 00:36:02,800 --> 00:36:07,520 Speaker 1: then was later removed. Dr Gerard Cheshire, research assistant at 641 00:36:07,560 --> 00:36:11,200 Speaker 1: Bristol University, claimed that it was a therapeutic reference book 642 00:36:11,239 --> 00:36:14,000 Speaker 1: written in a lost language called proto Romance, and this 643 00:36:14,120 --> 00:36:16,960 Speaker 1: article appeared on the university's website, but then was later 644 00:36:17,000 --> 00:36:21,080 Speaker 1: taken down after experts chimed in and question the validity 645 00:36:21,120 --> 00:36:24,880 Speaker 1: of the research and uh another there had I looked. 646 00:36:24,880 --> 00:36:27,560 Speaker 1: There hasn't been like an additional follow up on that, 647 00:36:27,640 --> 00:36:30,800 Speaker 1: but it would it would seem to be the case 648 00:36:31,400 --> 00:36:35,000 Speaker 1: that it is another situation where, um, you know, someone 649 00:36:35,080 --> 00:36:37,480 Speaker 1: thought they'd cracked it and they had not that they 650 00:36:37,480 --> 00:36:41,719 Speaker 1: had perhaps, in the words of Mary the Imperio, you know, 651 00:36:42,680 --> 00:36:45,480 Speaker 1: recreated the same steps and missteps of those that came 652 00:36:45,520 --> 00:36:49,480 Speaker 1: before trying to crack the Vantage manuscript. And of course, 653 00:36:49,480 --> 00:36:51,239 Speaker 1: in addition to this, like we said, there's just a 654 00:36:51,239 --> 00:36:55,480 Speaker 1: lot of baseless speculation surrounding the manuscript. Online. It features 655 00:36:55,480 --> 00:36:58,520 Speaker 1: into historical conspiracy theory. Yeah, you'll find it on the YouTube, 656 00:36:58,520 --> 00:37:02,960 Speaker 1: you'll find it on various Reddit words. Um. According to 657 00:37:03,440 --> 00:37:06,600 Speaker 1: Raymond Clemens, a curator of early books and manuscripts at 658 00:37:06,600 --> 00:37:10,799 Speaker 1: the Banecky Library, one of the most fun examples that 659 00:37:10,800 --> 00:37:13,440 Speaker 1: they've run across is that the Vontage manuscript is an 660 00:37:13,440 --> 00:37:16,040 Speaker 1: alien is the work of an alien visitor to Earth 661 00:37:16,120 --> 00:37:19,399 Speaker 1: from the Andromeda galaxy who was making notes about our 662 00:37:19,400 --> 00:37:23,000 Speaker 1: planet and then dropped their notebook before they return. But wait, 663 00:37:23,000 --> 00:37:25,080 Speaker 1: why would it be notes about our planet if none 664 00:37:25,080 --> 00:37:30,040 Speaker 1: of the plants can be identified? Maybe the alien vision 665 00:37:30,120 --> 00:37:32,400 Speaker 1: I vision, you know, it's weird. I don't know, you know, 666 00:37:32,480 --> 00:37:35,120 Speaker 1: maybe they were. There are a lot of holes in 667 00:37:35,120 --> 00:37:37,880 Speaker 1: this theory, Joe's what I'm saying. Yeah, all right, we 668 00:37:37,920 --> 00:37:39,360 Speaker 1: need to take one more break, but we will be 669 00:37:39,440 --> 00:37:44,160 Speaker 1: right back with more where we're back now, We've talked 670 00:37:44,200 --> 00:37:46,640 Speaker 1: about evidence going in both directions of people who just 671 00:37:46,719 --> 00:37:50,759 Speaker 1: try to look at the text statistically or mathematically as 672 00:37:50,760 --> 00:37:53,400 Speaker 1: a text and say, does it look like a text 673 00:37:53,560 --> 00:37:56,759 Speaker 1: in a real language, even coded in a real language, 674 00:37:57,280 --> 00:38:01,200 Speaker 1: and the answer there is some indications kind of point 675 00:38:01,200 --> 00:38:03,440 Speaker 1: to yes, and some indications kind of point to know. 676 00:38:03,920 --> 00:38:05,879 Speaker 1: I think one thing I wanted to look at now 677 00:38:05,960 --> 00:38:07,960 Speaker 1: is something that was pointed out in that in that 678 00:38:08,040 --> 00:38:12,400 Speaker 1: Skeptical Inquirer article by Klaus Schmay who was who he 679 00:38:12,520 --> 00:38:15,560 Speaker 1: pointed out some interesting research from the early two thousands 680 00:38:15,600 --> 00:38:18,640 Speaker 1: by the British linguist Gordon Rugg. So I'm just going 681 00:38:18,719 --> 00:38:22,000 Speaker 1: to read this section from MS article, smy writes quote 682 00:38:22,080 --> 00:38:25,120 Speaker 1: the British linguist Gordon Rugg is among the most reputable 683 00:38:25,200 --> 00:38:30,160 Speaker 1: voytage researchers. He conducted a most interesting cryptological experiment. For 684 00:38:30,280 --> 00:38:34,480 Speaker 1: his experiment, Rugg generated a table with random combinations of 685 00:38:34,600 --> 00:38:39,040 Speaker 1: characters that he used as prefixes, roots, or suffixes of 686 00:38:39,120 --> 00:38:42,960 Speaker 1: new words. He positioned a quadratic stencil, like the one 687 00:38:43,080 --> 00:38:46,400 Speaker 1: used for encryption in the sixteenth century over the table. 688 00:38:46,719 --> 00:38:49,480 Speaker 1: In this manner, he obtained a sequence of letters that 689 00:38:49,560 --> 00:38:53,160 Speaker 1: bore great resemblance to the text of the Voyage manuscript. 690 00:38:53,520 --> 00:38:57,640 Speaker 1: Rugg's experiment supports the hypothesis that the manuscript is nothing 691 00:38:57,719 --> 00:39:01,360 Speaker 1: but a compilation of meaningless line and letters, which is 692 00:39:01,600 --> 00:39:05,400 Speaker 1: of course the hoax hypothesis. And then Schmidt also points 693 00:39:05,400 --> 00:39:10,200 Speaker 1: out a study by the Austrian physicist Andreas Shinner that 694 00:39:10,360 --> 00:39:13,279 Speaker 1: also supports the idea that even though there are some 695 00:39:13,320 --> 00:39:16,320 Speaker 1: things about this that do look like a text, it's possible, 696 00:39:16,640 --> 00:39:19,600 Speaker 1: like a real text and a real natural language, it's 697 00:39:19,640 --> 00:39:22,839 Speaker 1: possible to generate a text like this without it being 698 00:39:22,880 --> 00:39:25,799 Speaker 1: based on a real language. And and Shinner's analysis, I 699 00:39:25,800 --> 00:39:28,560 Speaker 1: think was primarily based on the fact that there are 700 00:39:29,160 --> 00:39:33,960 Speaker 1: unnatural regularities in the order of words appearing in the 701 00:39:33,960 --> 00:39:38,319 Speaker 1: manuscript that don't mirror sequences of words that appear in 702 00:39:38,440 --> 00:39:41,560 Speaker 1: real languages. So I don't think that completely settles it. 703 00:39:41,600 --> 00:39:43,800 Speaker 1: But that's more fuel back on the on the fire 704 00:39:43,840 --> 00:39:45,799 Speaker 1: of the side that says, Okay, this is just a 705 00:39:45,840 --> 00:39:49,240 Speaker 1: hoax document or glossal alia or something something that somebody 706 00:39:49,320 --> 00:39:53,280 Speaker 1: made up and doesn't correlate to real words. That makes sense. 707 00:39:53,719 --> 00:39:56,000 Speaker 1: But and then ultimately this, yeah, this gives credence to 708 00:39:56,200 --> 00:39:59,759 Speaker 1: just the its power to break those that that desperately 709 00:40:00,280 --> 00:40:02,839 Speaker 1: to find meaning in it. Like it just kind of 710 00:40:03,080 --> 00:40:05,520 Speaker 1: it almost seems like it does point people to the 711 00:40:05,840 --> 00:40:08,879 Speaker 1: you know, near the threshold of madness where they they 712 00:40:08,920 --> 00:40:11,000 Speaker 1: make that leap and they say I've done it, I 713 00:40:11,040 --> 00:40:14,080 Speaker 1: figured it out, and and believe that they have you know, 714 00:40:14,160 --> 00:40:17,000 Speaker 1: I mean, uh, none of the none of the individuals 715 00:40:17,000 --> 00:40:20,160 Speaker 1: that we've we've named here, um you know, from from 716 00:40:20,200 --> 00:40:23,680 Speaker 1: the Avontage manuscripts, uh, you know, recent history. You know. 717 00:40:23,719 --> 00:40:25,880 Speaker 1: I don't think any of them have, you know, have 718 00:40:26,280 --> 00:40:28,719 Speaker 1: been trying to pull anything over on anyone. I think 719 00:40:28,760 --> 00:40:31,439 Speaker 1: they have. They've reached a point where they genuinely think 720 00:40:31,480 --> 00:40:36,280 Speaker 1: they found the clue they found, you know, the missing 721 00:40:36,400 --> 00:40:39,040 Speaker 1: piece that has enabled us to understand this document. Well. 722 00:40:39,080 --> 00:40:41,480 Speaker 1: As satisfying as it is to solve a puzzle, it 723 00:40:41,600 --> 00:40:45,200 Speaker 1: is equally maddening to work on a puzzle without solving it. 724 00:40:45,520 --> 00:40:48,000 Speaker 1: And I think that can kind of drive people like 725 00:40:48,120 --> 00:40:52,960 Speaker 1: it creates unreasonable incentives in the mind to toil over 726 00:40:53,040 --> 00:40:55,759 Speaker 1: a puzzle or a code for so long without breaking it. 727 00:40:55,840 --> 00:40:59,880 Speaker 1: Like you, the desire to have broken it becomes incredibly strong. 728 00:41:00,760 --> 00:41:03,040 Speaker 1: I will say this one lesson I've taken home from 729 00:41:03,080 --> 00:41:06,040 Speaker 1: all of this is friends. Don't let friends claim they've 730 00:41:06,239 --> 00:41:10,080 Speaker 1: cracked the Vontage manuscript. That's right if you if you 731 00:41:10,120 --> 00:41:12,160 Speaker 1: know somebody and they're like, hey, you know, I think 732 00:41:12,200 --> 00:41:15,360 Speaker 1: I've I've translated the Vontage manuscript. I'm going public with 733 00:41:15,360 --> 00:41:18,200 Speaker 1: this tomorrow, you know, talk him down from that. Maybe 734 00:41:18,680 --> 00:41:22,120 Speaker 1: maybe you know, to ask him just to settle down 735 00:41:22,120 --> 00:41:24,720 Speaker 1: a little and uh and rethink before you go public 736 00:41:24,800 --> 00:41:27,239 Speaker 1: with this this new translation. I just want to say, 737 00:41:27,360 --> 00:41:30,520 Speaker 1: though this is not conclusive, from that interesting article by 738 00:41:30,800 --> 00:41:35,080 Speaker 1: by Schmi about his conclusion, just his opinion is that 739 00:41:35,200 --> 00:41:38,160 Speaker 1: it's very likely, it's it's possible that it's a hoax. 740 00:41:38,200 --> 00:41:41,279 Speaker 1: Of course, he thinks the author was probably an anonymous 741 00:41:41,400 --> 00:41:44,640 Speaker 1: artist living in the first half of the fourteen hundreds. Uh, 742 00:41:44,640 --> 00:41:47,240 Speaker 1: and if it is actually encrypted. One thing he points 743 00:41:47,239 --> 00:41:49,040 Speaker 1: to that I think is interesting is he says it's 744 00:41:49,080 --> 00:41:53,279 Speaker 1: easier to encrypt a text if the encrypted text generates 745 00:41:53,320 --> 00:41:57,160 Speaker 1: far more characters than the original text. So if a 746 00:41:57,280 --> 00:42:00,520 Speaker 1: fifty thousand character original document was in ripted in a 747 00:42:00,520 --> 00:42:03,879 Speaker 1: way that generates a hundred and seventy thousand characters, then 748 00:42:03,920 --> 00:42:06,640 Speaker 1: it's easier to see how it could still be hiding 749 00:42:06,640 --> 00:42:09,279 Speaker 1: its meaning, right if there's there's tons of if there 750 00:42:09,280 --> 00:42:11,399 Speaker 1: are tons of characters in there that don't code out 751 00:42:11,400 --> 00:42:14,360 Speaker 1: to anything, like, how do you separate the coding letters 752 00:42:14,400 --> 00:42:17,400 Speaker 1: from the filler letters. So that's a possible explanation for 753 00:42:17,560 --> 00:42:19,520 Speaker 1: if there is a code in there, why it hasn't 754 00:42:19,520 --> 00:42:22,880 Speaker 1: been cracked. Yet, another thing that he does find plausible 755 00:42:22,960 --> 00:42:25,200 Speaker 1: is he finds it plausible that this is an artificial 756 00:42:25,560 --> 00:42:29,080 Speaker 1: created language. Somebody just made up a language of their own, 757 00:42:29,600 --> 00:42:32,760 Speaker 1: and that's why it doesn't translate to anything else based 758 00:42:32,800 --> 00:42:35,680 Speaker 1: on whatever. That also seems plausible to me. I can 759 00:42:35,719 --> 00:42:40,000 Speaker 1: imagine this being I don't know, a language unique to 760 00:42:40,120 --> 00:42:42,560 Speaker 1: one person who was you know, toiling away in their 761 00:42:42,600 --> 00:42:45,600 Speaker 1: turret or something in a monastery, or maybe shared by 762 00:42:45,600 --> 00:42:48,400 Speaker 1: a small number of people for some kind of esoteric 763 00:42:48,480 --> 00:42:51,840 Speaker 1: purpose or some kind of a cult purpose maybe, But 764 00:42:51,920 --> 00:42:54,600 Speaker 1: the key being if it's an invented language rather than 765 00:42:54,640 --> 00:42:57,919 Speaker 1: a code for an existing language, that would explain why 766 00:42:57,960 --> 00:43:02,000 Speaker 1: it doesn't code out whatever it's origins, whatever it's meaning 767 00:43:02,280 --> 00:43:05,920 Speaker 1: or lack of meaning, it continues to enthrall us and 768 00:43:06,000 --> 00:43:10,480 Speaker 1: perplexus and uh and I'd likely will continue to do so. 769 00:43:11,200 --> 00:43:13,879 Speaker 1: I don't I do not expect that we will reach 770 00:43:13,920 --> 00:43:17,120 Speaker 1: the point where we need to you know, add there 771 00:43:17,160 --> 00:43:20,520 Speaker 1: may be additional you know, arguments, there's some new ideas 772 00:43:20,560 --> 00:43:23,000 Speaker 1: that are brought up. But I am not expecting to 773 00:43:23,040 --> 00:43:25,960 Speaker 1: see anybody cracked this uh in in the future. Yeah, 774 00:43:26,000 --> 00:43:27,480 Speaker 1: I will say, as much as I would like to 775 00:43:27,520 --> 00:43:31,880 Speaker 1: see it cracked, my the walls of my skeptical fortress 776 00:43:31,920 --> 00:43:35,600 Speaker 1: here have been fortified. And I now when I see 777 00:43:35,600 --> 00:43:37,879 Speaker 1: an article, as they do tend to pop up once 778 00:43:37,920 --> 00:43:40,480 Speaker 1: every year or two, an article about how somebody has 779 00:43:40,480 --> 00:43:45,040 Speaker 1: cracked the Voyage manuscript, I think now I will probably conclude, Okay, 780 00:43:45,040 --> 00:43:48,279 Speaker 1: I bet that's not right, right, and then then I'll 781 00:43:48,280 --> 00:43:50,600 Speaker 1: go another thing about it too, is like if it 782 00:43:50,680 --> 00:43:52,839 Speaker 1: was cracked, the magic would be gone, like the part 783 00:43:52,840 --> 00:43:55,719 Speaker 1: of the man that the whole reason we're enthralled by 784 00:43:55,760 --> 00:43:58,280 Speaker 1: this document is that we don't know what it's meaning 785 00:43:58,440 --> 00:44:02,200 Speaker 1: or meaninglessness really consists of. Well, it's about it's It's 786 00:44:02,239 --> 00:44:04,200 Speaker 1: like how you know, the best part of a mystery 787 00:44:04,239 --> 00:44:07,160 Speaker 1: is always the middle. It's almost never the end. When 788 00:44:07,200 --> 00:44:08,600 Speaker 1: you get to the end and you find out who 789 00:44:08,680 --> 00:44:11,719 Speaker 1: done it, it's almost always disappointing. Yeah, because there're only 790 00:44:11,760 --> 00:44:14,279 Speaker 1: so many ways it can go right, I'd say. Actually, though, 791 00:44:14,320 --> 00:44:16,200 Speaker 1: to tie it back to the subject, one of the 792 00:44:16,239 --> 00:44:19,040 Speaker 1: only example counter examples I can think of is the 793 00:44:19,120 --> 00:44:21,200 Speaker 1: Name of the Rose, where the solution of the mystery 794 00:44:21,360 --> 00:44:25,640 Speaker 1: is supremely satisfying. Yeah. Yeah, I think that there's a 795 00:44:25,640 --> 00:44:29,000 Speaker 1: strong case to be made there. Yeah. Um. Interesting to 796 00:44:29,239 --> 00:44:32,960 Speaker 1: the other mystery book that I mentioned, um, The Club 797 00:44:33,080 --> 00:44:37,000 Speaker 1: Dumb by Perez Roverta, also a mystery. That's the book 798 00:44:37,080 --> 00:44:40,600 Speaker 1: that The Ninth Gate was based on. Uh. And It's 799 00:44:40,600 --> 00:44:42,200 Speaker 1: been a while since I've seen The Ninth Gate, but 800 00:44:42,440 --> 00:44:46,080 Speaker 1: I definitely remember enjoying the book. It's a fun little uh, 801 00:44:46,160 --> 00:44:48,680 Speaker 1: you know, a cult themed filler, a thriller, I've never 802 00:44:48,680 --> 00:44:50,960 Speaker 1: read it. I actually check that out. How's the ending 803 00:44:51,760 --> 00:44:54,200 Speaker 1: um pretty good as I recall, Yeah, it's different from 804 00:44:54,239 --> 00:44:58,200 Speaker 1: the movie again based on my my fading memory of it. 805 00:44:58,840 --> 00:45:01,520 Speaker 1: But I'd love to clo Is out here with the one. 806 00:45:01,719 --> 00:45:06,040 Speaker 1: One more quote from that Terence mckinnipie's from from Moses Magazine, 807 00:45:06,200 --> 00:45:08,440 Speaker 1: which I think he sums up a lot of the 808 00:45:08,560 --> 00:45:12,120 Speaker 1: like the power and the you know, our fascination with 809 00:45:12,160 --> 00:45:15,360 Speaker 1: this document, he said, quote it is a kind of 810 00:45:15,400 --> 00:45:20,080 Speaker 1: Borhesian concept that there must be somewhere an unreadable book, 811 00:45:20,480 --> 00:45:24,359 Speaker 1: and perhaps this is it. The unreadable book hints at 812 00:45:24,400 --> 00:45:27,440 Speaker 1: an idea, at the idea that the world is in information. 813 00:45:28,000 --> 00:45:30,880 Speaker 1: We have cognizance of the world by ordering all of 814 00:45:30,920 --> 00:45:34,120 Speaker 1: the information we can't we come upon in relation to 815 00:45:34,239 --> 00:45:39,440 Speaker 1: information that we have already accumulated through patterns. An unreadable 816 00:45:39,440 --> 00:45:42,960 Speaker 1: book in a non English script with no dictionary attached 817 00:45:43,040 --> 00:45:47,520 Speaker 1: is very puzzling. We become like linguistic oysters. We secrete 818 00:45:47,520 --> 00:45:51,520 Speaker 1: around it, we insisted into our metaphysics, but we don't 819 00:45:51,520 --> 00:45:54,279 Speaker 1: know what it says, which always carries with it the 820 00:45:54,320 --> 00:45:57,919 Speaker 1: possibility that it says something that would unhinge our conceptions 821 00:45:57,920 --> 00:46:01,839 Speaker 1: of things. Or that it's real message is its unreadability. 822 00:46:02,160 --> 00:46:05,120 Speaker 1: It points to the otherness of the nature of information, 823 00:46:05,560 --> 00:46:08,680 Speaker 1: and it's what is called in structuralism, a limit text. 824 00:46:09,040 --> 00:46:13,200 Speaker 1: Certainly the Vontage Manuscript is the limit text of Western occultism. 825 00:46:13,239 --> 00:46:16,279 Speaker 1: It is truly an occult book, one that no one 826 00:46:16,440 --> 00:46:20,439 Speaker 1: can read the literal meaning of a cult. Yeah's it's 827 00:46:20,480 --> 00:46:24,080 Speaker 1: a mystery in the dark. Absolutely, all right, So there 828 00:46:24,120 --> 00:46:27,680 Speaker 1: you have it, the Vontage Manuscript. Obviously we would love 829 00:46:27,719 --> 00:46:30,960 Speaker 1: to hear from everybody out there because if you have 830 00:46:30,360 --> 00:46:33,520 Speaker 1: you cracked it. I there's it's very possible we will 831 00:46:33,560 --> 00:46:36,160 Speaker 1: hear from someone who believes that they have or at 832 00:46:36,160 --> 00:46:38,040 Speaker 1: the very least, perhaps you can turn us on to 833 00:46:38,160 --> 00:46:41,720 Speaker 1: some other wild theories. Uh, some of the crazier theories 834 00:46:41,719 --> 00:46:44,399 Speaker 1: that we didn't get into, uh you know, involving it's 835 00:46:44,440 --> 00:46:46,680 Speaker 1: its origin. Uh yeah, there's there are some other ones 836 00:46:46,719 --> 00:46:50,239 Speaker 1: we didn't discuss. And what involving like the uh you 837 00:46:50,280 --> 00:46:53,920 Speaker 1: know what, the various other like a cult, conspiracy theories, 838 00:46:54,400 --> 00:46:59,120 Speaker 1: the Rosicrucians and stuff. McKenna talks about that. So certainly, 839 00:46:59,160 --> 00:47:00,839 Speaker 1: if you have I do you have any of those 840 00:47:00,840 --> 00:47:03,279 Speaker 1: ideas who want to chat with us about you can 841 00:47:03,320 --> 00:47:04,960 Speaker 1: reach out to us in the meantime. Check out more 842 00:47:04,960 --> 00:47:06,960 Speaker 1: episodes of Stuff to Blow Your Mind at stuff to 843 00:47:07,000 --> 00:47:09,319 Speaker 1: bow your Mind dot com and make sure that you 844 00:47:09,360 --> 00:47:12,000 Speaker 1: have subscribed to the podcast. Make sure you've subscribed to 845 00:47:12,040 --> 00:47:15,800 Speaker 1: Invention as well. Invention is our our step by step 846 00:47:15,880 --> 00:47:18,680 Speaker 1: journey through human techno history, and you can find that 847 00:47:18,719 --> 00:47:21,920 Speaker 1: an Invention pod dot com. Wherever you listen to our shows, 848 00:47:21,960 --> 00:47:24,399 Speaker 1: just make sure that you have rate, rated and reviewed them, 849 00:47:24,440 --> 00:47:27,760 Speaker 1: because that helps us out immensely huge thanks as always 850 00:47:27,800 --> 00:47:31,680 Speaker 1: to our excellent audio producers, Maya Cole and Seth Nicholas Johnson. 851 00:47:32,080 --> 00:47:33,520 Speaker 1: If you would like to get in touch with us 852 00:47:33,600 --> 00:47:35,960 Speaker 1: with feedback on this episode or any other, to suggest 853 00:47:35,960 --> 00:47:38,680 Speaker 1: a topic for the future, to show us your code, 854 00:47:39,160 --> 00:47:42,359 Speaker 1: your your method of decoding the Voytage manuscript, you can 855 00:47:42,400 --> 00:47:45,600 Speaker 1: email us at contact at stuff to Blow your Mind 856 00:47:45,760 --> 00:47:56,920 Speaker 1: dot com. Stuff to Blow Your Mind as a production 857 00:47:56,920 --> 00:47:59,280 Speaker 1: of I Heart Radios How Stuff Works. For more podcasts 858 00:47:59,320 --> 00:48:02,280 Speaker 1: from my heart Radio, visit the iHeart Radio app, Apple Podcasts, 859 00:48:02,360 --> 00:48:16,000 Speaker 1: or wherever you listen to your favorite shows.