WEBVTT - Irreconcilable Similarities (S1 EP25) 0:00:05.680 --> 0:00:09.400 Still the Place with Laura Layton, Courtney Thorn Smith. 0:00:09.400 --> 0:00:12.400 And Daphne's Aniga an iHeartRadio podcast. 0:00:14.840 --> 0:00:18.240 Hi ladies, Hi, good to see us. Welcome to another 0:00:18.280 --> 0:00:19.840 recap of Still the Place. 0:00:20.160 --> 0:00:22.480 Always Fun, Always fun. This is going to be a 0:00:22.520 --> 0:00:23.000 good one. 0:00:23.200 --> 0:00:26.440 Yes, So, Daphne, you've been reading some comments on Instagram 0:00:26.440 --> 0:00:27.920 and you want to talk about what they're saying. 0:00:28.040 --> 0:00:29.800 I just briefly want to say that we're trying this 0:00:29.840 --> 0:00:31.960 new format and we hope that y'all. 0:00:32.000 --> 0:00:33.400 We're glad that you're sticking with us. 0:00:33.400 --> 0:00:35.239 Some of you are watching along, some of you are 0:00:35.280 --> 0:00:37.360 just listening to the podcast, and we're going to give 0:00:37.360 --> 0:00:38.080 this another. 0:00:37.880 --> 0:00:41.000 Go and hopefully this will be clearer to people. 0:00:41.080 --> 0:00:43.000 And that you are having fun with us, because we're 0:00:43.040 --> 0:00:45.440 having a blast and this is a great episode. 0:00:45.520 --> 0:00:47.800 We're trying something. It's a little less linear because we 0:00:47.920 --> 0:00:49.680 kind of felt stuck, So stick with us. If it 0:00:49.680 --> 0:00:51.720 doesn't work, we can always bring back stuff that worked 0:00:51.800 --> 0:00:53.640 or didn't. But we just wanted to have it be 0:00:53.720 --> 0:00:56.040 more free form so we could talk and tell stories 0:00:56.040 --> 0:00:57.200 and just have more fun with it. 0:00:57.280 --> 0:00:58.320 So just working. 0:00:58.360 --> 0:01:00.960 Give us a second. None of us are fans of change, 0:01:01.160 --> 0:01:03.319 but let's see how much fields. Give us a few 0:01:03.320 --> 0:01:06.560 weeks see if we can get our footage. So this episode, 0:01:06.600 --> 0:01:10.479 episode twenty five, it's so busy. I love it because 0:01:10.520 --> 0:01:12.720 Jane and Michael are back in the episode, Amanda and 0:01:12.760 --> 0:01:16.000 Billy are in the episode. Robstie's is in the episode 0:01:16.040 --> 0:01:19.200 playing Sam Marcia Cross is back playing Kimberly. 0:01:19.720 --> 0:01:25.000 Matt has a line, and Jake does he has a line? 0:01:25.160 --> 0:01:27.440 No, he doesn't, I'll tell you. 0:01:28.120 --> 0:01:31.199 I will do yeah, exactly what math is a line. 0:01:31.480 --> 0:01:34.880 He's also roasting a marshmallow, which is very exciting. That's right. 0:01:35.480 --> 0:01:37.000 I will tell you that he does have a line 0:01:37.000 --> 0:01:38.440 in this episode, So that's exciting. 0:01:38.480 --> 0:01:41.520 Go and Jake, unfortunately are not making out. We're all disappointed. 0:01:41.520 --> 0:01:43.640 They're kind of support stuff in this episode. 0:01:43.760 --> 0:01:45.240 They should considerable restraint. 0:01:45.280 --> 0:01:49.639 I think the theme in this Courtney quite appropriately, I think, 0:01:50.000 --> 0:01:52.600 is change, big time change. 0:01:52.240 --> 0:01:55.200 For a lot of our character, bringing it back around, 0:01:56.280 --> 0:01:59.920 and it's also being uncomfortable with change. So the show's 0:02:00.080 --> 0:02:02.440 starts and we come in on Billy. It's directed by 0:02:02.480 --> 0:02:04.520 Nancy Malone, who's one of our favorite directors, and she 0:02:04.640 --> 0:02:06.520 does this shock coming in on Billy, who can't get 0:02:06.520 --> 0:02:09.800 comfortable in Amanda's fancy apartment, which is, you know, a 0:02:09.840 --> 0:02:12.360 metaphor for him not being comfortable in her life. And 0:02:12.360 --> 0:02:16.400 the episode for Billy and Amanda is really about them 0:02:16.480 --> 0:02:18.800 trying to find a way. He moves his chair and 0:02:18.840 --> 0:02:21.480 she doesn't like his chair. She doesn't like his rules. 0:02:21.480 --> 0:02:23.440 She's trying to be easy. He wants her to watch 0:02:23.480 --> 0:02:25.079 a movie. She doesn't want to watch a movie. It's 0:02:25.120 --> 0:02:28.240 them seeing if they can make it work together. We 0:02:28.320 --> 0:02:30.079 find out whether or not they can by the end, 0:02:31.120 --> 0:02:35.160 Alison and Keith, this will shock everyone. Allison's cranky and confused, 0:02:35.200 --> 0:02:37.320 which I mean we all find very shocking, I know, 0:02:37.880 --> 0:02:44.240 and Allison, and he's annoyingly. He's annoying. Alison's annoying. He 0:02:44.520 --> 0:02:47.680 decides to move to Seattle with Keith, so stupid right. 0:02:47.560 --> 0:02:49.720 Away, so super mad at her about that. 0:02:49.880 --> 0:02:52.440 We're already mad at her. And she is going through 0:02:52.440 --> 0:02:55.280 life just sort of steamrolling through the entire episode saying, yeah, 0:02:55.400 --> 0:02:57.120 I'm moving to Seattle. I feel really good about it. 0:02:57.120 --> 0:02:58.840 I'm moving to Seattle, I feel really good about it. 0:02:58.880 --> 0:02:59.280 On Monday. 0:02:59.320 --> 0:03:03.240 On Monday, why, Yeah, it's so funny, Conny, you just 0:03:03.240 --> 0:03:06.600 said you said I'm moving to Seattle so fast I 0:03:06.639 --> 0:03:08.040 thought you said, I'm just gonna settle. 0:03:08.080 --> 0:03:10.440 I'm gonna settle. I'm going to Seattle. I'm like, yeah, 0:03:10.760 --> 0:03:11.840 that's what she was doing. 0:03:11.600 --> 0:03:12.919 And I was taking my notes. 0:03:12.960 --> 0:03:16.080 It kept saying settle. I was like, yes, So Alison's 0:03:16.080 --> 0:03:18.320 moving to Seattle. We're all super annoyed. She's presenting it 0:03:18.360 --> 0:03:20.760 to everybody. There's a great scene where we'll talk about it. 0:03:20.800 --> 0:03:23.320 But she comes in when Joe and Jake are helping 0:03:23.400 --> 0:03:25.320 Billy move, which is so psyched as he's moving, and 0:03:25.320 --> 0:03:27.519 she's gonna announce this. You know, I'm going too. I'm 0:03:27.520 --> 0:03:29.239 going to Seattle. I think it's a really good idea. 0:03:29.320 --> 0:03:30.360 I'm going to go get some boxes. 0:03:30.680 --> 0:03:31.560 She's just gone. 0:03:31.680 --> 0:03:37.400 Right now, what happened Alison and Amanda. Allison's already getting 0:03:37.400 --> 0:03:40.760 really mad at Amanda because she's leaving D and D 0:03:40.880 --> 0:03:43.040 because she's got this great idea to move to Seattle. 0:03:43.080 --> 0:03:46.200 What could be wrong? Amanda is annoyed, and at one 0:03:46.240 --> 0:03:50.000 point Allison says, you're jealous of me, and Amanda says 0:03:50.000 --> 0:03:53.200 something like, well, I have Billy. So there's that conflict. 0:03:53.240 --> 0:03:56.680 That relationship isn't working. Billion and Billy and Allison are 0:03:56.720 --> 0:04:00.480 heartbreaking because Billy's leaving the apartment, Alison leaves, Billy watches 0:04:00.560 --> 0:04:02.960 her leave. Then later on in the show, Allison's on 0:04:03.000 --> 0:04:07.839 an airplane and Billy watches Hurley. It's heartbreaking all through it. 0:04:08.560 --> 0:04:11.720 Alison and Billy are leading these parallel lives. And Billy 0:04:11.840 --> 0:04:14.160 is trying to get Amanda to watch No Saratu and 0:04:14.240 --> 0:04:16.359 he's going jogging in the same place in time they 0:04:16.440 --> 0:04:19.000 used to go. Alison's trying to get Keith to watch 0:04:19.080 --> 0:04:22.200 No Sparratu and she's going jogging in the same place, and. 0:04:22.200 --> 0:04:27.040 You with massive piles of popcorn. They obviously have their 0:04:27.120 --> 0:04:28.440 routine from the past. 0:04:28.600 --> 0:04:31.040 They want to watch it in the same way, same world. 0:04:31.040 --> 0:04:33.080 They should have done split screen right, like they're each 0:04:33.120 --> 0:04:35.159 trying to and Keith is trying to kiss Alison and 0:04:35.160 --> 0:04:36.520 we all just want to hit him in the head. 0:04:36.880 --> 0:04:39.560 And Amanda is not paying any attention. She doesn't like it, 0:04:39.600 --> 0:04:41.280 and you just, you know, you're screaming at the tv. 0:04:41.800 --> 0:04:45.520 Just be together, Aga, go over yourself. Why can't they 0:04:45.680 --> 0:04:49.120 just be together? And there's a scene that will also 0:04:49.200 --> 0:04:53.200 address when Joe and Jake have dinner with Amanda and Billy, 0:04:53.839 --> 0:04:57.839 which I'm furious about, but Jake gives Billy some great advice, 0:04:57.880 --> 0:05:02.039 which is, don't like trade your life for her, like 0:05:02.080 --> 0:05:04.000 you know what I mean, don't trade your life for her. 0:05:04.080 --> 0:05:06.080 So that's kind of what we see going in everywhere, 0:05:06.480 --> 0:05:10.440 people trading their lives for this idea. And then super 0:05:10.480 --> 0:05:17.080 exciting Michael. Jane and Michael are back and Michael's old friend. 0:05:16.880 --> 0:05:19.920 And they don't talk about where they've been, but they 0:05:19.920 --> 0:05:20.480 were gone for. 0:05:20.480 --> 0:05:23.400 A while, just behind closed doors. They were running it. 0:05:23.440 --> 0:05:24.039 They were a target. 0:05:24.200 --> 0:05:26.760 They were. Now they've got a very cool storyline and they're. 0:05:26.640 --> 0:05:30.080 Now they're back. So Rob Esti's who is Josie's real 0:05:30.120 --> 0:05:34.080 life husband, comes back as Sam, who's Michael's old college friend. 0:05:34.200 --> 0:05:37.040 Michael's working so he can't go to dinner. 0:05:37.520 --> 0:05:41.840 Josie and Rob just got married basically this now they're 0:05:41.839 --> 0:05:43.360 doing these in real life. 0:05:43.240 --> 0:05:46.680 Yeah, they were newly woods at the time, just insanely attractive. 0:05:46.720 --> 0:05:48.320 Right when they're on a scene together, you're just like, 0:05:48.440 --> 0:05:50.440 stop it. You're both your attractive. 0:05:50.080 --> 0:05:50.760 So beautiful. 0:05:51.160 --> 0:05:53.560 So Jane goes out to dinner with Sam and he 0:05:53.680 --> 0:05:57.680 confesses his feelings and kisses her and she's not quite 0:05:57.760 --> 0:06:01.200 resistant enough. And when Michael goes back to guess who's back. 0:06:01.760 --> 0:06:04.640 Marsha Cross is Kimberly. So it's interesting how they set 0:06:04.680 --> 0:06:08.200 that up because we know that something happens with Michael 0:06:08.200 --> 0:06:11.600 and Kimberly. But they had Jane make the first mistake 0:06:12.279 --> 0:06:14.520 right even though Sam kissed her, she kind of kissed 0:06:14.560 --> 0:06:16.400 him back, so that gave him the out. 0:06:16.720 --> 0:06:18.520 So so much. 0:06:18.600 --> 0:06:21.680 Oh my god, there's so much. It's so exciting. Let's 0:06:21.680 --> 0:06:23.360 talk about all of the relationships. 0:06:23.400 --> 0:06:28.279 The title of this episode is Irreconcilable Similarities. 0:06:29.160 --> 0:06:30.840 Also, it's written by Chuck. 0:06:30.680 --> 0:06:33.560 Pratt, and it just is like such a All the 0:06:33.560 --> 0:06:38.159 parallels that you described are so cool and irreconcilable Himilarity 0:06:38.480 --> 0:06:41.440 is such a good title for Yeah. 0:06:41.480 --> 0:06:44.279 And also I feel like the in a meta sort 0:06:44.279 --> 0:06:48.640 of way, Melrose Place is now there were more Melrose moments, 0:06:49.120 --> 0:06:53.200 the familiar Melrose It's like becoming more to the forefront. 0:06:53.320 --> 0:06:54.760 Like there were a couple of lines. 0:06:54.520 --> 0:06:59.320 I had that Amanda says to Alison, like when you 0:06:59.400 --> 0:07:02.239 said when you said. Towards the beginning of the episode, 0:07:02.240 --> 0:07:04.920 Allison's like, oh, yeah, I'm going to moving to Seattle 0:07:05.040 --> 0:07:06.520 and has nothing to do with you and Billy, and 0:07:06.520 --> 0:07:10.280 she's like, don't forget your raincoat, Like that was such 0:07:10.280 --> 0:07:14.640 an Amanda line, don't forget, oh Alison, don't forget your raincoat, 0:07:14.840 --> 0:07:17.000 And there were a couple other lines like that, and 0:07:17.000 --> 0:07:20.760 then you know, so you see there were a few of. 0:07:20.680 --> 0:07:25.880 Those Melrose uh kind of like what did she just say? Moment. 0:07:25.960 --> 0:07:29.240 Well, it is the first time we're seeing Amanda's character 0:07:29.440 --> 0:07:32.200 decide it's okay to be bitchy, Like I see her 0:07:32.240 --> 0:07:34.680 as like coming into the scene trying to be nice 0:07:35.200 --> 0:07:37.000 to Alison, like, hey, are we okay? 0:07:37.280 --> 0:07:38.840 Is kind of how she started the scene. 0:07:39.200 --> 0:07:42.360 But Allison's in her defensive mode and goes off without well, 0:07:42.440 --> 0:07:46.040 I heard about how you've you know, treated other employees, 0:07:46.080 --> 0:07:48.680 and nobody likes it. You're acting all professional and you 0:07:48.760 --> 0:07:50.720 got your game face on, but nobody really likes it. 0:07:50.760 --> 0:07:52.800 And Amanda says except for Billy. 0:07:52.720 --> 0:07:54.240 Yeah, I wrote that line, dog because I liked it 0:07:54.240 --> 0:07:56.600 so much. She says, the truth is that Allison says, 0:07:56.720 --> 0:07:58.800 the truth is that everything you say is a disguise 0:07:58.840 --> 0:08:01.480 for something else, and I'm tired of it. Everyone is 0:08:01.520 --> 0:08:06.880 tired of it. And Amanda goes everyone except Billy game on, right, 0:08:06.920 --> 0:08:09.920 I mean, starting to see Amanda really Amanda. 0:08:09.960 --> 0:08:12.200 There they go, Then we'll see at the end of 0:08:12.240 --> 0:08:16.320 this episode, you know, Allison has her say with Amanda 0:08:16.320 --> 0:08:19.440 at the barbecue, at the bonfire, so it's it's really 0:08:19.600 --> 0:08:22.119 picking up. And then the re entry of Marcia after 0:08:22.640 --> 0:08:25.600 we haven't seen her since Christmas episode the. 0:08:25.280 --> 0:08:26.280 Middle of this season. 0:08:26.320 --> 0:08:28.440 Now we're in episode what twenty five or something, but 0:08:29.360 --> 0:08:33.959 Marsha's back, Kimberly's back, and she's very Kimberly like, and it. 0:08:34.000 --> 0:08:39.120 Gives those relationships every reason to think about like, hmmm, 0:08:39.640 --> 0:08:42.400 this other person over here is the grass greener, and 0:08:42.440 --> 0:08:49.679 this irreconcilable similarities theme really shows, and all the relationships. 0:08:49.120 --> 0:08:51.839 And everybody making these crazy decisions, like you see that 0:08:51.880 --> 0:08:54.400 Billy's making this crazy decision to move into the Amanda 0:08:54.440 --> 0:08:56.080 without really thinking because he doesn't know what to do 0:08:56.080 --> 0:08:58.520 with Allison. And then she goes to Seattle. We've got 0:08:58.520 --> 0:09:01.679 everybody leaving. There's a big going away party. And did 0:09:01.720 --> 0:09:03.360 you guys notice I'm going back to the scene with 0:09:03.400 --> 0:09:06.760 Alison and Amanda because I didn't understand this when Amanda lee, oh, 0:09:06.840 --> 0:09:08.959 it's raincoats. I was just going, why did you say, 0:09:09.000 --> 0:09:10.120 don't forget your ring and. 0:09:11.720 --> 0:09:12.480 It's raincoat? 0:09:14.800 --> 0:09:17.040 It just literally just can't take bad notes. 0:09:18.400 --> 0:09:20.400 Ring your auto spelling is. 0:09:20.400 --> 0:09:25.359 A little let's don't forget your ring. 0:09:25.520 --> 0:09:26.560 Those are just bad notes. 0:09:26.600 --> 0:09:27.560 Don't forget your ring. 0:09:27.640 --> 0:09:29.280 I wish Billy would just put a ring on it, 0:09:29.320 --> 0:09:31.360 for God's sakes, but then we wouldn't have a show. 0:09:31.400 --> 0:09:31.880 I guess. 0:09:32.480 --> 0:09:35.240 Oh, I really wanted to know, Duff because I'm furious 0:09:35.280 --> 0:09:39.080 about it. What are Joe and Jake doing at dinner 0:09:39.600 --> 0:09:40.640 with Billy and Amanda? 0:09:41.040 --> 0:09:44.400 Well, I have an answer for you because the scene before, 0:09:44.679 --> 0:09:48.240 you said I'm going to Seattle bye, and you kind 0:09:48.240 --> 0:09:51.160 of just looked at us, and I think in Allison's 0:09:51.200 --> 0:09:55.000 protection with just saying like I'm out, I'm out of here. 0:09:55.080 --> 0:09:58.199 And I said, well, when have you told your boss? 0:09:58.320 --> 0:09:59.160 What about your work? 0:09:59.200 --> 0:10:02.880 What about us? Based when you say it. 0:10:03.640 --> 0:10:10.640 Was the ugliest lamp from like the buglest Lamp, and that's. 0:10:10.440 --> 0:10:11.400 Supposed to be enough. 0:10:14.160 --> 0:10:15.439 Oh my gosh. 0:10:15.480 --> 0:10:17.760 Anyways, so it was just dinner. So then we had 0:10:17.760 --> 0:10:18.760 dinner with Amanda. 0:10:18.840 --> 0:10:20.760 So you're looking for a new friend. You think maybe 0:10:20.800 --> 0:10:22.199 Amanda will be your new friend. 0:10:23.000 --> 0:10:25.760 But the funniest part years later, you guys are. 0:10:27.800 --> 0:10:31.920 Wait, we should have asked Chuck when he was here 0:10:32.080 --> 0:10:35.520 just a couple episodes ago, because he wrote this thing. 0:10:35.760 --> 0:10:39.120 But I think, but don't you guys, I think like this, 0:10:39.600 --> 0:10:42.200 let's let's talk about the chair. It's not just this chair. 0:10:42.280 --> 0:10:45.079 It's a squeaky old ugly chair. 0:10:45.200 --> 0:10:47.720 Like there should be a name for that, the squeaky 0:10:47.880 --> 0:10:50.120 old ugly chair suit. 0:10:50.640 --> 0:10:52.880 Kind of like Fraser. Remember in Fraser, the dad had 0:10:52.920 --> 0:10:55.439 that chair. Well, Billy's version of the Fraser chair. It's 0:10:55.440 --> 0:10:57.000 I don't think it's a bad looking chair. It's a 0:10:57.000 --> 0:10:58.559 big leather chair. 0:10:58.440 --> 0:11:02.080 Big leather, but it's squeak, the metaphor for their you 0:11:02.120 --> 0:11:03.000 know first. 0:11:02.840 --> 0:11:07.920 But yeah, and at that dinner scene every time, like 0:11:07.960 --> 0:11:09.800 it squeaks like the sound. 0:11:09.480 --> 0:11:10.000 Guy was like. 0:11:11.080 --> 0:11:13.120 And then Amanda sits on his lap trying to be 0:11:13.320 --> 0:11:14.120 coy and it's like. 0:11:14.200 --> 0:11:15.640 Eh, they're both in it together. 0:11:17.640 --> 0:11:20.600 Yeah, and during that dinner party they decide to throw 0:11:20.640 --> 0:11:23.560 the chair away, like Billy concedes about thrawinway. So I actually, 0:11:23.640 --> 0:11:25.680 little Sidner, I thought a good idea for Meloy's men. 0:11:25.760 --> 0:11:28.600 It would be when you've had to merge your houses 0:11:29.120 --> 0:11:31.200 with a partner, because I have a lot of stories 0:11:31.200 --> 0:11:33.160 about that. That would be fun. Stick a pin in it. 0:11:33.920 --> 0:11:36.920 But so he's moving it out and Jake is following 0:11:37.000 --> 0:11:41.240 him and giving him some really good advice. Right, he's saying, 0:11:41.640 --> 0:11:44.200 you know, Jake is saying, you gotta be careful, Billy, like, 0:11:44.280 --> 0:11:45.719 you don't want to give it all away. This is 0:11:45.760 --> 0:11:47.280 a woman who likes control. You don't want to give 0:11:47.320 --> 0:11:49.400 it all away. Didn't you think that was some really 0:11:49.440 --> 0:11:50.199 solid advice? 0:11:50.440 --> 0:11:53.640 Yeah, he said, Well, he says, what what's next? You're 0:11:53.679 --> 0:11:57.080 sacrificing this this old chair that's so comfortable to you. 0:11:57.120 --> 0:11:59.199 It's your comfort, it's your world, it's who you are. 0:11:59.320 --> 0:12:01.880 So are the old things that t shirts that you 0:12:01.880 --> 0:12:05.360 wear around the house, Like that's you, that's not her. 0:12:05.520 --> 0:12:08.559 But also like, yeah, what's she gonna ask you to 0:12:08.559 --> 0:12:10.520 give up next guys night, you know, night with the 0:12:10.559 --> 0:12:11.200 guys or whatever. 0:12:11.240 --> 0:12:13.800 And what's she given up for you? Is the last 0:12:13.880 --> 0:12:14.839 question he and. 0:12:14.760 --> 0:12:18.200 Billy says relationships are about sacrifice. I'm like, well, they 0:12:18.240 --> 0:12:19.480 should be a fun and. 0:12:19.559 --> 0:12:24.240 Love and compromise, not compromise. Yeah, not sacrifice. I like 0:12:24.280 --> 0:12:27.080 compromise better, yeah yeah. 0:12:26.520 --> 0:12:29.760 And then Billy goes, I'm not keeping score, and Jake goes, 0:12:29.920 --> 0:12:32.480 if I were you, i'd start Yeah, maybe I should. 0:12:33.160 --> 0:12:36.559 Apparently he's not a huge fan of Amanda and Apparently. 0:12:36.120 --> 0:12:39.439 He can talk because his girlfriend and he live right 0:12:39.480 --> 0:12:41.800 next door to each other and they don't have to 0:12:41.840 --> 0:12:45.160 sacrifice anything because of each other. O an apartment in 0:12:45.200 --> 0:12:48.720 their own decorp nice. Easy for you to say, Jake, helpful. 0:12:48.800 --> 0:12:50.240 But you guys are equal, don't you think? 0:12:50.280 --> 0:12:52.440 Like Joe and Jake, the sweet thing about them is 0:12:52.440 --> 0:12:55.360 their equals. And I think what he's seeing with Amanda 0:12:55.400 --> 0:12:59.120 and Billy is that it's It's so funny because as 0:12:59.160 --> 0:13:01.000 I start saying it, I like, I have so much 0:13:01.080 --> 0:13:03.400 rage about that relationship, and it really comes up like 0:13:03.559 --> 0:13:05.720 that's stupid relationship. It's so stupid. 0:13:06.000 --> 0:13:08.559 And then I hope you have a good therapist because 0:13:08.600 --> 0:13:09.800 I don't want you to relive this. 0:13:10.040 --> 0:13:12.040 You imagine I got the therapy and I said I 0:13:12.080 --> 0:13:14.360 need to talk about Billy and Amanda. She'd be like, who, 0:13:14.400 --> 0:13:16.320 I'm like their characters on a TV show for thirty 0:13:16.400 --> 0:13:17.640 years ago. I really need to talk about it. 0:13:17.840 --> 0:13:18.960 They're still pissing me off. 0:13:19.400 --> 0:13:26.480 They keep kissing. It really makes me that she kind 0:13:26.520 --> 0:13:28.959 of treats Billy like a little boy, which is really 0:13:29.000 --> 0:13:31.120 shown by he sits on the floor like none of 0:13:31.120 --> 0:13:34.280 the furnit, the finah is all is pretty but uncomfortable, 0:13:34.280 --> 0:13:35.800 so he ends up sitting on the floor, as it 0:13:35.840 --> 0:13:37.439 is more than coffee on the floor. 0:13:37.720 --> 0:13:39.320 More than one scene he's sitting on the floor in 0:13:39.320 --> 0:13:42.640 this episode, and I didn't have a Boxers mentioning that. 0:13:42.559 --> 0:13:43.600 She treats him like a child. 0:13:43.679 --> 0:13:45.800 Well, he actually sort of speaks to her in his 0:13:46.000 --> 0:13:48.760 like a little little cutesy baby voice too, just sort 0:13:48.760 --> 0:13:52.959 of incongruous with their like what seems like her sophistication whatever. 0:13:53.120 --> 0:13:53.520 It's sort of. 0:13:53.520 --> 0:13:55.319 Illuminated by him going, oh, what did it? 0:13:55.400 --> 0:13:58.000 And he's like just all cute and I don't know, 0:13:58.120 --> 0:13:59.080 kind of like a little baby. 0:13:59.640 --> 0:13:59.800 Well. 0:13:59.800 --> 0:14:03.880 This this is also that great moment that where they're 0:14:03.920 --> 0:14:06.000 showing like they did move too quickly, so they had 0:14:06.080 --> 0:14:08.520 things they liked about each other. Obviously, they're both super attractive, 0:14:08.559 --> 0:14:11.439 they're both sexy. They move in and then they start 0:14:11.440 --> 0:14:13.240 to see the differences, like she thought she would help 0:14:13.280 --> 0:14:15.920 him grow up, he thought he would help her loosen up, 0:14:16.200 --> 0:14:17.960 but they find neither of them wants to do that. 0:14:18.400 --> 0:14:21.239 So then you're at this. We've all been in those relationships, 0:14:21.240 --> 0:14:23.840 I'm sure where you each have this idea of I'm 0:14:23.840 --> 0:14:26.040 just going to do a few tweaks here, but there 0:14:26.920 --> 0:14:29.600 are things that the other person doesn't want to change. 0:14:30.120 --> 0:14:33.240 Well, he really came to that conclusion, like super out 0:14:33.280 --> 0:14:35.440 loud by the end of his story arc and by 0:14:35.440 --> 0:14:37.120 the end of the episode when he really has to 0:14:37.120 --> 0:14:39.280 confront her and say, hey, I don't think this was 0:14:39.720 --> 0:14:40.360 a great idea. 0:14:40.400 --> 0:14:41.200 Is moving in together? 0:14:41.560 --> 0:14:44.560 This all went to quickly, and you know, while I'm 0:14:44.600 --> 0:14:47.160 being honest, I don't think I like you very much. 0:14:47.360 --> 0:14:50.000 He was like, Oh, now that I've gotten to know you, 0:14:50.080 --> 0:14:53.040 I don't think I like it. Like he really like, yeah, 0:14:53.080 --> 0:14:54.160 all of it just well. 0:14:54.040 --> 0:14:57.960 He said that, but he blew up after she insulted Allison, 0:14:58.000 --> 0:14:59.360 and I wrote it down, said I love this line 0:14:59.360 --> 0:15:03.440 so much. She says, kind of apropos of nothing. She says, 0:15:03.600 --> 0:15:06.280 I'm glad I'm not Alison. I'm glad I'm not some ditzy, 0:15:06.440 --> 0:15:10.400 indecisive little Midwestern nitwith Yeah. 0:15:09.720 --> 0:15:11.200 That was a lot. 0:15:11.480 --> 0:15:15.000 I mean, I really say things. I would say things 0:15:15.040 --> 0:15:17.120 like that if you're in a fight already. But these 0:15:17.120 --> 0:15:19.360 guys were like letting each other have it, getting in 0:15:19.640 --> 0:15:22.920 like that's what led to the fight, Like, you know, 0:15:23.280 --> 0:15:25.920 I think, which goes back to my argument about the chair. 0:15:25.960 --> 0:15:28.200 I think the chair was more than a chair because 0:15:28.240 --> 0:15:30.840 she was like, in your ugly effing chair, you know, 0:15:31.000 --> 0:15:31.840 like that's. 0:15:31.600 --> 0:15:35.320 Really what the chair is more than a chair? Well 0:15:35.320 --> 0:15:37.640 it was, so it is like the subtitle. 0:15:37.320 --> 0:15:40.400 And then symbolizes him like he wants to bring in 0:15:40.400 --> 0:15:43.200 his full self. She doesn't want it. She wants this 0:15:43.280 --> 0:15:45.400 handsome young guy that she thinks she's going to make 0:15:45.440 --> 0:15:48.360 into the man her husband wants her father not her husband. Upsy, 0:15:48.480 --> 0:15:49.440 there's a little forty. 0:15:49.240 --> 0:15:52.520 Oops what I mean. 0:15:52.760 --> 0:15:54.600 Father wants him to be, but he doesn't want it. 0:15:54.600 --> 0:15:56.480 And that's why it's so sweet. This Chuck did such 0:15:56.480 --> 0:15:58.760 a great job on this, this spread of how much 0:15:58.800 --> 0:16:02.120 Billy and Elison really have common and they're trying to 0:16:02.280 --> 0:16:06.800 make their partners be each other and it's just not 0:16:07.640 --> 0:16:09.840 because there's a scene they run into each other running 0:16:09.920 --> 0:16:12.680 at the same time, same neighborhood, and. 0:16:13.440 --> 0:16:16.120 Well, wait to hold on, and they only they run 0:16:16.160 --> 0:16:19.440 into each other court because he leaves the marina where 0:16:19.440 --> 0:16:22.840 he's living with Amanda to go. He goes, I'm going running, 0:16:22.880 --> 0:16:24.800 and she goes, well, why are you taking your car? 0:16:25.040 --> 0:16:27.920 He's like, because I'm going back to Melrose. So he's 0:16:28.000 --> 0:16:30.000 going to see her at the right time. 0:16:30.800 --> 0:16:35.640 She noticed running. Yeah, so she knows, and they literally 0:16:35.720 --> 0:16:37.440 run into each other and it's so cute, but they 0:16:37.480 --> 0:16:41.040 each say that they're trying to get their partners to 0:16:41.080 --> 0:16:43.360 watch it and neither like Amanda doesn't want butter on 0:16:43.440 --> 0:16:45.800 a popcorn and keep this hitting on Alison like it's 0:16:45.800 --> 0:16:48.840 all wrong. They're both so frustrated and obviously. 0:16:48.320 --> 0:16:49.960 Hitting on her. He's like climbing on her. 0:16:51.280 --> 0:16:52.760 He is climbing, he is. 0:16:52.720 --> 0:16:54.560 He's like draping him and us. 0:16:58.720 --> 0:17:00.880 Pretty soon she's got a pillow over her. She's like, 0:17:01.080 --> 0:17:03.560 more padding, more, start the pillow. 0:17:03.720 --> 0:17:06.120 She started with the barrier, the pillow barrier. 0:17:07.680 --> 0:17:11.320 I think, Courtney, you playing Allison and Keith story must 0:17:11.320 --> 0:17:14.359 have been so hard because it was like a pendulum constantly. 0:17:14.400 --> 0:17:16.119 One scene, you're like, I'm gonna move with you. 0:17:16.119 --> 0:17:18.320 You're in the car together and I'm gonna move with you, 0:17:18.400 --> 0:17:20.439 and yes, of course I'm in love with you. 0:17:20.480 --> 0:17:21.880 Of course I've been thinking about you. And the next 0:17:21.880 --> 0:17:24.920 minute you just keep going goingugh, what stop. 0:17:25.359 --> 0:17:28.399 She's trying to talk herself because in the car, she says, 0:17:28.480 --> 0:17:30.520 it's so hard to have a conversation because you always 0:17:30.520 --> 0:17:31.400 say the right thing. 0:17:31.960 --> 0:17:33.200 Yeah, I did appreciate it. 0:17:33.280 --> 0:17:36.360 That's the right thing, right, Like she's trying to make 0:17:36.400 --> 0:17:38.960 this thing work, but it doesn't really. There's a time 0:17:39.520 --> 0:17:43.080 when they're at the beach and he says he's moving 0:17:43.080 --> 0:17:44.720 in on her and she's trying to get some space, 0:17:44.760 --> 0:17:47.119 and he says, when I find something that's right that 0:17:47.200 --> 0:17:49.320 I know that I want, I grab onto it and 0:17:49.359 --> 0:17:51.480 I don't let it get away. And I was like, oh, 0:17:52.240 --> 0:17:53.640 it's stalker one oh one. 0:17:54.000 --> 0:17:54.880 Yeah. 0:17:54.920 --> 0:17:56.840 He also like there was that was the scene on 0:17:56.840 --> 0:17:57.120 the beach. 0:17:57.160 --> 0:17:59.440 By the way, you're wearing the cutest baseball You look 0:17:59.520 --> 0:18:03.480 a door horrible. You got jeans and a baseball hat 0:18:03.520 --> 0:18:04.200 on on the beach. 0:18:04.480 --> 0:18:06.520 You're so cute. And then but you. 0:18:06.440 --> 0:18:09.120 Were like Allison was trying to be sort of playful 0:18:09.119 --> 0:18:11.760 with him at one point, and like you literally got 0:18:11.800 --> 0:18:14.880