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Speaker 1: Welcome back to another episode of Alchemy. There's COVID nineteen edition.

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Speaker 1: I'm your host, Cool Stradon in for KP. Let's meet

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Speaker 1: our Alchemists week. Shelley Craig Takowski. Everybody say the Craig

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Speaker 1: Craig with the Cinerama dome closing with blows. What's your

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Speaker 1: greatest memory there at another movie theater? Oh? So many?

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Speaker 1: So up? Oh man, I do remember an opening day

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Speaker 1: of The Two Towers, which was the I think the

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Speaker 1: first time I went to the dome. The sound got

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Speaker 1: fucked up for like maybe the only time ever at

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Speaker 1: arc Light, and like we watched like an hour of

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Speaker 1: Lord of the Rings with the sound being out of

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Speaker 1: sync and then uh and then just went asked for

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Speaker 1: our our money back. So yeah, that was my That

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Speaker 1: was my greatest memory. It just stands because it was

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Speaker 1: so unusual and the is the the anticipation was so

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Speaker 1: so high. And that's a great movie too. That's a

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Speaker 1: great one alright. Next up, Chris Salverado. Chris, if you

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Speaker 1: had an extra room for a man cave and money

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Speaker 1: is no issue, what would you have in it? Um?

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Speaker 1: I guess cold brew on tap uh four milligram nicarette

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Speaker 1: by the bunches in like bowls around around there and

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Speaker 1: then umkd some hair product, no furniture, smoker's green room. Yeah,

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Speaker 1: there's a place to pace back in to get Really jack,

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Speaker 1: that's kind of my life. That actually sounds fun, all right?

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Speaker 1: Next up, Jackie, Dorothy Jackie. If you could learn an

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Speaker 1: instrument you can't currently play, what would it be? I

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Speaker 1: would love to learn how to play the trumpet. Um,

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Speaker 1: I'm a good whistler, and not really it's not the same,

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Speaker 1: but I feel like it kind of is, and that

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Speaker 1: you you have to change the notes using your your

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Speaker 1: mouth shape and whatever because there are only three buttons

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Speaker 1: to press, you know, so I feel like I could

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Speaker 1: maybe get good at it. I'd like to learn the trumpet.

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Speaker 1: All right, there you go. Next up, he's a man

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Speaker 1: with one hair product water James Heney James. What movie

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Speaker 1: or movie scene scared the crap out of you as

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Speaker 1: a kid? Uh? In the movie Ghostbusters, which I watched

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Speaker 1: over and over and over. My mom would get so

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Speaker 1: mad that I wanted to rent the same movie from

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Speaker 1: the video rental place. Uh, the scene where there's not

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Speaker 1: any ghosts, there's like some laser lights that were like here,

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Speaker 1: and it's like this different change of music when basically

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Speaker 1: they shut down the ghost containment center. I would hide

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Speaker 1: behind the couch and not watch until that music stopped,

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Speaker 1: and then I would continue to watch the movie. I

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Speaker 1: don't know why. It was like the that bank being

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Speaker 1: closed to ghosts, and it scared the ship out of them.

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Speaker 1: That's the thing that scared You're not the librarian turning

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Speaker 1: into it. Yeah, it's by the way, I only I

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Speaker 1: only picture I picture James, a little tiny James, but

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Speaker 1: still with a mustache. It's him, just smaller, that's what. Yeah, exactly,

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Speaker 1: so tiny James is afraid of lighting changes. We all

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Speaker 1: know this. It's still to this day. That's that's the thing. Yep. Finally,

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Speaker 1: last but not least, Joey Greer, Joey, I've heard you've

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Speaker 1: written a new mystery novel. Can we hear a short excerpt?

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Speaker 1: Get the hell out of you think I'm actually gonna

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Speaker 1: do that? Man? My publishers up my ass right now,

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Speaker 1: because I've been going out there leaking all these parts

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Speaker 1: of the story. I thought it was gonna be like

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Speaker 1: George R. Martin style, like you know, get interest and

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Speaker 1: all that stuff, and they made me rewrite it. Every

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Speaker 1: time I go on there and I say what it is,

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Speaker 1: they make me rewrite the entire thing. So good luck.

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Speaker 1: All right, you were the one I tell you this,

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Speaker 1: sausage maker. I mean that was for the last one,

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Speaker 1: so I mean, I've already rewritten it. But the book

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Speaker 1: of yours ends with the sausage maker being did I've

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Speaker 1: been hearing this criticism for a long time, all right,

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Speaker 1: if it was bad that people wouldn't buy them, that's

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Speaker 1: fair point, fair point, all right, let's do a damn show.

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Speaker 1: All of our scene suggestions are gathered from listeners, emails,

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Speaker 1: or from our Patreon v I p s To become

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Speaker 1: a Patreon supporter of the show and enjoy exclusive content

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Speaker 1: and other perks, just head on over to Patreon dot

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Speaker 1: com slash alchemy this. You'd like to submit a scene

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Speaker 1: suggestion via email, please write to the podcast at our

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Speaker 1: new email address, Alchemy This email at gmail dot com.

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Speaker 1: That's Alchemy. Scene one is from Patreon David Rogier, who wrote,

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Speaker 1: dear kp Yo Dog, thanks for all you do. I'll

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Speaker 1: let them know this isn't so much a single scene

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Speaker 1: suggestion as it is a need to hear the finale

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Speaker 1: of a nearly perfect cinematic universe. This, your christ has

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Speaker 1: been made on behalf of the entire alchemy that gang.

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Speaker 1: Will you all please tell us the tale of the

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Speaker 1: Fast and the Furious car parkour. Love you all for

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Speaker 1: thanks for everything you do. David the guy who keeps

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Speaker 1: sending Craig money, but as yes to hear back. Look

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Speaker 1: it's one more race and then you're out. All right,

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Speaker 1: I'm retired, I got kids. I can't do this anymore.

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Speaker 1: You seem so tired and slow these days. Up, I mean,

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Speaker 1: give me some time, some time here. I brought you

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Speaker 1: a growler of coffee. Oh wow, thank you, of course,

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Speaker 1: Please keep it little. My kids are still sleeping. This

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Speaker 1: is a odd time. Are you still up from last

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Speaker 1: night or is this a new know I'm still it's

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Speaker 1: been it's been a few days. But look, man, look

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Speaker 1: you're the only one who can do this. You know

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Speaker 1: that I got two strikes, some of these speeding tickets.

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Speaker 1: I got her felonies. So what so you're just gonna

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Speaker 1: walk away. You're gonna walk away from forever from the crew.

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Speaker 1: Who else is getting together? Bonds Ie purple, eyeball purple?

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Speaker 1: What did she say? Anything about me. Yeah, yeah, of

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Speaker 1: course she said something about you. God damn, every time

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Speaker 1: I go to work, I got these stupid fucking cars

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Speaker 1: in my way. God damn, are you shut up? Dog?

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Speaker 1: Jesus shut up dog? All right, God, God damn it.

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Speaker 1: Look a look at this car. Look at this look

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Speaker 1: on saying this. This is a jet engine holding back

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Speaker 1: this came. You know what, I'm I'm calling the city.

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Speaker 1: I'm calling the city because this is insane. This isn't

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Speaker 1: This car's gotta get told. Hello. So, anyways, my mother

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Speaker 1: is gonna go this week a line cross. Can you

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Speaker 1: just can we have a conversation. My mom's gonna come

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Speaker 1: this weekend, and it told her that she could stay

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Speaker 1: with us for as long as did this line get

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Speaker 1: Am I talking to someone in person? Or is this

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Speaker 1: on the phone? Hello? The phone? Okay, so I was

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Speaker 1: talking to someone in person. You know what? You were

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Speaker 1: behind me. I didn't know that, all right. I thought

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Speaker 1: it was just a weird spe what's going on? Your

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Speaker 1: mom's coming in? This was coming in this week and

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Speaker 1: I told her to stay as long as she wanted.

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Speaker 1: Your mom's got flaky skin. Excuse me, that is genetic,

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Speaker 1: and you know that I am eventually going to have that.

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Speaker 1: So if that's a problem for you, now you're telling me,

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Speaker 1: all right, it's a problem for me. What do you

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Speaker 1: want me to say? There? Every time she comes in here,

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Speaker 1: there's like another human being that just every time she

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Speaker 1: leaves the room, it's like she can you move the car? Body?

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Speaker 1: I'm trying to get out of here from work? Did

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Speaker 1: you hear me on a call? Excuse me? Am I

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Speaker 1: talking to you in person? Or am I on a call?

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Speaker 1: You're looking right now me? What's your problem? I probably

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Speaker 1: you gonna move this guy. I don't know who the

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Speaker 1: hell's in this guddamn house, some kind of you're trying

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Speaker 1: to familia okay, the family that's in there, Okay, but

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Speaker 1: we gotta just we gotta move this out, all right? Hey?

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Speaker 1: I like your style. Are you into committing crime for

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Speaker 1: one night, for one big event? No? What I mean? Uh,

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Speaker 1: I'm picking up some arthritis medication for Bonsai. That last

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Speaker 1: name or first name, just Bonza. Alright, I gotta figured out.

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Speaker 1: I guess it would just be under be whole last second.

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Speaker 1: Uh I found you. Jesus, don't stick up on me

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Speaker 1: like that. Hey, Hey, hey, hi, how you doing pharmacists. Hey, name,

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Speaker 1: what's his name? I don't I don't know what his

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Speaker 1: fucking name is? There he is bon Hey, we'll get

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Speaker 1: the group back together. Oh Jesus, I got I got joint.

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Speaker 1: I got joint problems, and you're gonna have more problems

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Speaker 1: than joint problems if you don't join us. Man, Look,

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Speaker 1: I just got out of the joint and I got

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Speaker 1: problems with my joints. Okay, so it's gotta it's got

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Speaker 1: a double meaning, and I'm I'm double parked right now

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Speaker 1: because you know me. I'm bonds. That's you. Oh, I saw,

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Speaker 1: I saw, I saw. Look, man, I got the whole game.

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Speaker 1: I don't know. I don't know which one is better,

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Speaker 1: one or two. I can't tell. I got one, eye, Doc,

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Speaker 1: I got one. We'll try again, Okay. I'm just the

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Speaker 1: spsable lens is really quick, and you can just tell me.

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Speaker 1: Is it better with one? Now that's two? Is it

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Speaker 1: better with two? Debate? Roughly the same. Excuse me, part

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Speaker 1: of me? Excuse me? Doctor? Hey, can you see me?

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Speaker 1: Oh my god, talk about a blast in the past. Well,

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Speaker 1: doctor has a name. What's her name? I don't know?

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Speaker 1: All right, listen, one eyeball, we're getting back together, the

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Speaker 1: whole crew. I'm talking to you, bonds eye Purple. Do

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Speaker 1: you have a car that doesn't just have wheels but

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Speaker 1: almost has feet? I want this thing to run, baby run?

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Speaker 1: Are you serious? You want a car that has step

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Speaker 1: back over because I can. Do you have probably that

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Speaker 1: doesn't just have wheels, it has feet? Because I want

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Speaker 1: this baby to run, baby run? Well we can because

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Speaker 1: excuse me, Purple, excuse me that that man with a

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Speaker 1: very long name, he was just helping me buy it

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Speaker 1: a special car. Please, Purple, we're getting the group back.

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Speaker 1: We need you. God, you didn't ask me because I

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Speaker 1: don't know his name. Are we doing a Sorry? I

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Speaker 1: didn't mean to say. You guys, I could get either

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Speaker 1: one of you guys into a car. What's your name?

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Speaker 1: My name is John Jeremy Larry Kinson Kinship so long?

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Speaker 1: But yeah, we were talking. We can get you into

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Speaker 1: a really fast car. I just don't know if it's

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Speaker 1: going to have feet, per se. Is this your boyfriend? Now? Look,

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Speaker 1: we got all the nuclear coaches in the world looked

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Speaker 1: up in this vault, plus two hundred billion dollars and

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Speaker 1: a priceless first edition Corvette alright, maybe we should move

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Speaker 1: some of this stuff around. We talked a lot to

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Speaker 1: put in one vault. Well you can do you what

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Speaker 1: do you think you think some familiar some families in

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Speaker 1: the companyears to deal this. Huh. I mean just we

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Speaker 1: can maybe move some of the money of the Caymans

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Speaker 1: at least. What are you talk What are you talking

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Speaker 1: about putting in an island? You want to you want

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Speaker 1: to put the money underwater? If everything's in the one vault.

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Speaker 1: I mean we're just setting ourselves up trailer. Look, I

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Speaker 1: don't know what's kid India, right, but I'm giving you

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Speaker 1: the coach. Do you understand I don't want the codes. No,

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Speaker 1: you're gonna have them. I'm gonna be flying alright. Everybody, welcome, Welcome,

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Speaker 1: Grab a donut, Grab some coffee. Keep you down. This

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Speaker 1: sees my family's house. OK. I'm gonna do a quick

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Speaker 1: roll call eyeball yeah, purple, yeah, I'm here. Bonds are

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Speaker 1: any of these donuts gluten free bonds that you have

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Speaker 1: to say you're here? I'm here. I'm just look rich.

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Speaker 1: These all look rich. I've got acid reflux. Who's dating? Well?

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Speaker 1: I still have acid refa Keep it down, all right,

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Speaker 1: guy who's dating the girl with flaky skin. You here? Uh? Yeah,

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Speaker 1: I am, I am here okay. Uh And first off,

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Speaker 1: thank you for accepting my email. I don't know. I

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Speaker 1: got shuttled over here all right, two and a half

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Speaker 1: hours out of my route to work to go to

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Speaker 1: some defunct oil refinery. This is his family lives here. Okay,

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Speaker 1: so keep the voice, let me just keep it. Can

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Speaker 1: we shorten down that nickname a little bit? Okay? Yeah,

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Speaker 1: we um like flakes or something. Girlfriend like, my name

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Speaker 1: is Paul. My name is Paul Walker. Okay, wellcome back,

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Speaker 1: welcome back to that um is flakes as a placeholder

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Speaker 1: for right now, James, James, Larry Jacob, this is my place. Yeah.

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Speaker 1: Oh ship, Wait a second, dude, that's so crazy. So

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Speaker 1: you're saying, when I'm that other job that I got,

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Speaker 1: I'm trying to be laying low, okay, and you show

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Speaker 1: up there and it gets really awkward. Whoa ship. I

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Speaker 1: feel so awkward because when I came to you earlier,

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Speaker 1: right yesterday morning, to set up this whole thing, I

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Speaker 1: didn't know you were also the guy selling the car.

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Speaker 1: I would be nicer to you. Well, well, you got

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Speaker 1: two strikes and you're trying to get off the crid.

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Speaker 1: Do you think that two strikes? Is anybody here like

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Speaker 1: two hundred billion dollars billions? Uh? No, I just said

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Speaker 1: in Spanish. I'm sorry. I'm doing do a lingo. I'm

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Speaker 1: learning Spanish and English. I'm trying to pair all the

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Speaker 1: words together. So I didn't always say two hundred billion.

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Speaker 1: You tell us, I don't know. Uh, I don't know

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Speaker 1: where we're going, all right, everybody listening up, Listen up

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Speaker 1: those beest. You think yes, but I think it's two built.

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Speaker 1: I think it's too I'm saying, okay, I mean yes, okay, okay, okay, okay, okay.

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Speaker 1: I'm gonna get right to it him. I don't have

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Speaker 1: a prescription, but I was just wondering if you could

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Speaker 1: help me out. Okay, do you do you have any

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Speaker 1: topical cree or even an oral pill um that helps

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Speaker 1: human molting molten? Can you take a step back? You're

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Speaker 1: flaking all over the counter. Sorry, Um, it's actually these

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Speaker 1: are my mom's flakes that have flaked on top of me.

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Speaker 1: And now I'm it's like, oh my gosh, it's so much.

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Speaker 1: But don't worry. I will end up with this heinous

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Speaker 1: uh ailment. Do you have anything for that or should

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Speaker 1: I just go funk myself? Actually, being that we're a pharmacy,

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Speaker 1: we do have something, so you don't need to funk

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Speaker 1: yourself at this occasion. Thank you. Let me see take

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Speaker 1: this this this cream, rub it three times a day.

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Speaker 1: I mean, if this is an entire body that is

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Speaker 1: dealing with this, can I apologize to you? I'm on

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Speaker 1: I'm so stressed out. My mom has been here for

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Speaker 1: actually two months. She supposed to be here for one weekend.

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Speaker 1: I told her to say as long as me for

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Speaker 1: two months. So like, it's just like, I'm just I'm

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Speaker 1: on edge and didn't mean to take that out on you.

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Speaker 1: So I'm so so sorry. Take this cream, rub it

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Speaker 1: on my body, her body. Let's just rub it over

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Speaker 1: the house. Prevent todve care three times, three times a day. Yeah, sure,

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Speaker 1: here's a shower gel too. This might help you. You

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Speaker 1: just put the sign on the showers. So helpful. You

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Speaker 1: are so helpful. Do you know what my boyfriend said

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Speaker 1: when I told him about this, No, no, not at all.

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Speaker 1: He said, God help me, this happens to you. I'm

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Speaker 1: out the door, That's what he said. He said, I'm

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Speaker 1: out the door. I said, what if by then we

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Speaker 1: have children? I mean, what are we gonna do that?

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Speaker 1: And he said, leaving too the wind? Okay, I got

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Speaker 1: a cosmo for the girl with the cream, A lot

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Speaker 1: of creamter skin, and a pharmacist at the Manhattan Here

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Speaker 1: you go? Each want a date? Or what's going on?

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Speaker 1: I'm sorry to pry. What else do I gotta do?

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Speaker 1: It's fine, it's I guess we're from I guess it's

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Speaker 1: just like a friendly unless you want to call it

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Speaker 1: a date. Are you talking to me? Or are you

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Speaker 1: on the phone? Oh I'm okay, Yeah, I'm sorry, sir?

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Speaker 1: You want a date? Or yeah, I'm sorry? Sorry? That

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Speaker 1: was a prescription. All right, and that wraps it up.

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Speaker 1: Any questions? Does anybody have a foam roller? Because I

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00:17:01,960 --> 00:17:04,800
Speaker 1: gotta I've got some really tight fascia that I just gotta.

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Speaker 1: I gotta roll out like at least three times a day.

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Speaker 1: We got three minutes to complete this entire mission. Now,

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Speaker 1: the cars, well, I've souped them up just a little.

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Speaker 1: Take a mobile? What auto mobile? That's how you say?

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Speaker 1: Of flakes? Come on, man, then what the hell's up

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Speaker 1: with this guy named Lingo? It's okay, alrightbile, maybe in

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Speaker 1: your new rides. Wait, those came from the show floor

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Speaker 1: of my work. That's right. I got two strikes. You

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Speaker 1: can't do this to me, Like, what kind of mileage

289
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Speaker 1: does that one get? I afore it was souped up,

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00:17:53,080 --> 00:17:57,640
Speaker 1: It was thirty five city. There was a good mileage cars,

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Speaker 1: But I don't know what that thing on the back

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Speaker 1: of it. These cars can go off of buildings, under buildings,

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Speaker 1: around buildings. They do so much safe safe bonds. I

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Speaker 1: what do you not drive anymore? What do you not

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Speaker 1: drive anymore? Buns? I look, I was look, I was

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Speaker 1: gonna joint no no bonds. I'm interrupting you because because

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Speaker 1: I get the feeling nobody really wants to do with

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Speaker 1: this today. I love all the all the alterations you've

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Speaker 1: done on this one. Here, the helicopter blades at the top.

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Speaker 1: I mean, just thinking souped up. But I gotta tell you,

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Speaker 1: having one eyeball, my depth perception is awful. You probably

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Speaker 1: don't want me driving today. I'm probably gonna rule the mission.

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Speaker 1: I'll do it because you know we're family, but you

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Speaker 1: know it might not be the safest thing. Alright, I

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Speaker 1: bought your out bonds that you're out purple? Are you

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00:18:55,080 --> 00:18:58,719
Speaker 1: still in? Yeah? Of course, as long as those babies

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Speaker 1: can run, baby on. I don't know what that. As

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00:19:04,080 --> 00:19:08,320
Speaker 1: long as these cars can run, baby run, all right,

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00:19:08,440 --> 00:19:11,119
Speaker 1: So let me get this straight from what you were

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Speaker 1: talking about. You want to intercept international Terrorists bounty, which

311
00:19:18,320 --> 00:19:21,560
Speaker 1: holds all of the nuclear codes from around the world.

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00:19:22,480 --> 00:19:28,200
Speaker 1: Two dollars and a rare first edition corvette. Who gets

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Speaker 1: the first edition Corvette? I mean it isn't that like

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00:19:30,840 --> 00:19:32,919
Speaker 1: terminology used for like Pokemon cards or something like that.

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Speaker 1: I don't, I don't know. Oh yeah, so what do

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Speaker 1: you say? Look, I just want you all to move

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Speaker 1: the cars and from my house so I can get

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Speaker 1: out for work. I can't. I can't let you in

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Speaker 1: the vault. I'm sorry. I got to guard it with

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Speaker 1: my life. Fuck me for asking, you man, Fuck me

321
00:19:54,800 --> 00:19:57,960
Speaker 1: for asking. You should have just taken what I wanted.

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Speaker 1: I had to ask. It's been a long a time.

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Speaker 1: I mean, you drove right into the lobby of the bank.

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Speaker 1: Stop to ask. That's on me. You're just doing your

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00:20:09,920 --> 00:20:12,800
Speaker 1: job and I'm fucking up. Or am I providing the

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Speaker 1: perfect diversion? Go flakes, Go go flakes, don't let's go okay.

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Speaker 1: I don't know how to draw who's who's flakes. I

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00:20:27,720 --> 00:20:29,520
Speaker 1: don't know how to drive a stick. I told you

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Speaker 1: this car. Look, if you just want the nuclear codes,

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Speaker 1: I can give you the codes, because I really want

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Speaker 1: to unburden myself. I don't want to know them. I'll

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Speaker 1: take the Yeah, okay, alright, Pakistan's so embarrassing. I just

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00:20:46,680 --> 00:20:55,840
Speaker 1: did that huge ye one toe um dunking um here

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Speaker 1: on the floor, there's no cars. Do you want to

335
00:20:59,800 --> 00:21:02,639
Speaker 1: do and tell me what happened? Or do you want

336
00:21:03,080 --> 00:21:09,240
Speaker 1: the truth? Here's the truth or part of Okay? Well,

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00:21:09,320 --> 00:21:10,880
Speaker 1: I was gonna tell you that. I was gonna tell

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Speaker 1: you a bullshit lie. I'm not dunking. I'm Larry Jerry,

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Speaker 1: and I'm part of a race group. What let's go back?

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00:21:25,320 --> 00:21:35,040
Speaker 1: No group? That was the first? Oh man, I love

341
00:21:35,080 --> 00:21:42,880
Speaker 1: those racing group movies. Scene number two comes from Dave,

342
00:21:42,920 --> 00:21:45,320
Speaker 1: who wrote, Hey, there, you guys are rad I love

343
00:21:45,359 --> 00:21:47,880
Speaker 1: you to bits. Your creative energies have helped me out

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00:21:48,119 --> 00:21:50,159
Speaker 1: some very deep ruts over the years, and for that

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00:21:50,280 --> 00:21:54,800
Speaker 1: I can't thank you enough. Scene suggestion Handy J and

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00:21:54,920 --> 00:22:03,200
Speaker 1: the Blowback Boys Best Dave from midvl utah. Uh, this

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00:22:03,280 --> 00:22:06,720
Speaker 1: is ah, this is a high school prom, and we're

348
00:22:06,800 --> 00:22:08,800
Speaker 1: just not sure that this is a good fit for

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Speaker 1: your band. Is it possible that you'd be willing to

350
00:22:11,720 --> 00:22:14,960
Speaker 1: change your Let us audition. Just let us audition. It's

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00:22:15,000 --> 00:22:17,480
Speaker 1: Handy Day and the Blowback Boys, and you are not

352
00:22:17,560 --> 00:22:21,320
Speaker 1: going to be disappointed. Let us not be disappointed, all right,

353
00:22:23,000 --> 00:22:25,520
Speaker 1: You're not going to be disappointed. You're not. Just looking

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00:22:25,560 --> 00:22:28,919
Speaker 1: at your song title list and some of them seem like,

355
00:22:29,160 --> 00:22:33,400
Speaker 1: I don't know, pushing the limits. I'm a little concerned

356
00:22:33,440 --> 00:22:39,040
Speaker 1: with the U. That song doesn't even sound like okay,

357
00:22:39,080 --> 00:22:41,639
Speaker 1: go ahead, go ahead, go ahead. We's it's it's all

358
00:22:41,640 --> 00:22:44,640
Speaker 1: about teens eat yogurt and it's it's literally all about

359
00:22:44,680 --> 00:22:47,200
Speaker 1: yogurt and just like spitting and just spitting yogurt because

360
00:22:47,200 --> 00:22:50,720
Speaker 1: you're having too much fun. So, you know, don't judge.

361
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Speaker 1: In just the past couple of years, I've gotten a

362
00:22:53,680 --> 00:22:55,399
Speaker 1: little I've gotten to a little bit of trouble with

363
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Speaker 1: the PTA because you know, I like to treat the

364
00:22:58,920 --> 00:23:02,719
Speaker 1: kids like adults and uh, just concerned. Listen. I'm handy.

365
00:23:03,040 --> 00:23:04,760
Speaker 1: I do a lot of work around my own house.

366
00:23:05,119 --> 00:23:08,399
Speaker 1: I can cock floors, I can do that kind of stuff.

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00:23:08,400 --> 00:23:11,200
Speaker 1: So like, that's why my name is Handy Jay and

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00:23:11,240 --> 00:23:14,080
Speaker 1: these are the Black Boys because they're my backups. We've

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00:23:14,160 --> 00:23:17,959
Speaker 1: we've got a whole song about cocking. Yeah really yeah, Okay,

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Speaker 1: So I I guess I don't want to fast. Hi.

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Speaker 1: I'm b J Brown with the Belly Rob Buddies. We

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Speaker 1: heard there's a gig our top rival. Did you hear

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00:23:32,320 --> 00:23:34,000
Speaker 1: that there was a gig or did you see on

374
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Speaker 1: my Instagram that I was coming here? I saw in

375
00:23:38,000 --> 00:23:42,399
Speaker 1: your instagram? From being honest, but you guys saw the

376
00:23:43,920 --> 00:23:48,640
Speaker 1: right You guys saw the ad. No, no, not's so fast?

377
00:23:50,520 --> 00:23:53,520
Speaker 1: There was a gig he Can't keep Away Pussy Buffet

378
00:23:56,880 --> 00:24:02,159
Speaker 1: and the little the jj J Browns Up Rival. How

379
00:24:02,160 --> 00:24:04,840
Speaker 1: do you know is here? Was it from my Instagram? Yeah?

380
00:24:04,880 --> 00:24:10,320
Speaker 1: You both everywhere? You're gonna be always alright? Alright? So

381
00:24:10,680 --> 00:24:14,879
Speaker 1: a little gotten I I was hoping for, just like

382
00:24:14,920 --> 00:24:17,600
Speaker 1: some sort of the Beatles cover band for them something.

383
00:24:18,520 --> 00:24:20,240
Speaker 1: Why don't we all give you a little, a little,

384
00:24:20,280 --> 00:24:22,600
Speaker 1: a little sample. Now, I'm b J Brown with the

385
00:24:22,600 --> 00:24:25,720
Speaker 1: Belly Rob Buddies. They aren't here, but I'm gonna I'll

386
00:24:25,760 --> 00:24:33,240
Speaker 1: give you. I'll give you what oh is getting crowded. Uh,

387
00:24:33,119 --> 00:24:39,280
Speaker 1: who is Mr Asshole and the brown Rings? Oh oh,

388
00:24:39,359 --> 00:24:42,000
Speaker 1: we can't. That's like, there's no way we can have

389
00:24:42,040 --> 00:24:49,760
Speaker 1: a band titled that buffet here I was, it's pretty

390
00:24:49,800 --> 00:24:52,320
Speaker 1: close to the edge with with pussy Buffet. But I

391
00:24:52,320 --> 00:24:55,480
Speaker 1: imagined that we could say that that's not but asshole,

392
00:24:55,760 --> 00:25:00,119
Speaker 1: Like I can't have that Mr Asshole. Uh huh, but

393
00:25:00,840 --> 00:25:04,960
Speaker 1: there's no innuendo to mystery. Hey, hey, any room for

394
00:25:05,040 --> 00:25:08,280
Speaker 1: Dick Penis and the Schloans. We do it, we do it,

395
00:25:08,359 --> 00:25:14,240
Speaker 1: dilet Beetles covers um Robert. I know that this isn't

396
00:25:15,080 --> 00:25:21,280
Speaker 1: like usual or expected, but um, if you didn't have

397
00:25:21,480 --> 00:25:24,600
Speaker 1: a date to the prom already, Um, I did buy

398
00:25:24,600 --> 00:25:31,600
Speaker 1: two tickets and I'm just want me so oh um,

399
00:25:31,760 --> 00:25:37,720
Speaker 1: one's up for grabs. Okay, cheeze um. How can I

400
00:25:37,760 --> 00:25:41,000
Speaker 1: say this? Um, I think you're great. Before you answer,

401
00:25:43,160 --> 00:25:46,400
Speaker 1: I know that I also have a tux that's perfectly

402
00:25:46,440 --> 00:25:49,920
Speaker 1: fitted for your body. That's all there, so you don't

403
00:25:49,920 --> 00:25:53,480
Speaker 1: even have to worry about that. Okay, I want I

404
00:25:53,520 --> 00:25:57,199
Speaker 1: want to go with you, and I would because my band,

405
00:25:57,359 --> 00:25:59,840
Speaker 1: my band might play it. We're up to play it.

406
00:26:00,480 --> 00:26:06,240
Speaker 1: You're a the play our prom? Yeah? Um, it's just

407
00:26:07,000 --> 00:26:13,200
Speaker 1: a count. That's our bands over the U. Um yeah, count,

408
00:26:13,400 --> 00:26:15,480
Speaker 1: and um we're you know we I think we've got

409
00:26:15,480 --> 00:26:18,560
Speaker 1: a chance. Um, but look if we don't, well, you know,

410
00:26:18,680 --> 00:26:20,120
Speaker 1: maybe I could do double D D. I could play

411
00:26:20,119 --> 00:26:21,560
Speaker 1: in the band and then I could go with you

412
00:26:21,760 --> 00:26:25,000
Speaker 1: when I'm not playing in the band. H Yeah, I

413
00:26:26,040 --> 00:26:30,520
Speaker 1: really like that. Hey, sweetheart, I was school today. Um

414
00:26:30,560 --> 00:26:34,639
Speaker 1: it was pretty good. I got a maybe kind of

415
00:26:34,680 --> 00:26:38,080
Speaker 1: as my prom date? My prom date? Have you ever

416
00:26:38,119 --> 00:26:44,359
Speaker 1: considered letting your hair down? Wait? Are you ti to

417
00:26:44,400 --> 00:26:46,760
Speaker 1: say that my super tight slicked back bund is not

418
00:26:48,200 --> 00:26:53,600
Speaker 1: just say or maybe taking those glasses off? My glasses,

419
00:26:54,040 --> 00:26:56,040
Speaker 1: I mean they're so thick without them? How are people

420
00:26:56,040 --> 00:26:58,720
Speaker 1: going to see? No? I mean they define what about

421
00:26:59,119 --> 00:27:02,080
Speaker 1: your head gear? Hey Brandy, I'm so sorry to this,

422
00:27:02,119 --> 00:27:04,360
Speaker 1: but we're gonna have to suspend you with your hair down,

423
00:27:04,440 --> 00:27:07,480
Speaker 1: your glasses off, and you're ed gear off. It's going

424
00:27:07,480 --> 00:27:12,080
Speaker 1: to against school policy. So, um, what's the pot I'm sorry?

425
00:27:12,600 --> 00:27:18,280
Speaker 1: Which policy is just top bun, glasses and headgear? Just

426
00:27:18,320 --> 00:27:20,479
Speaker 1: treat you as an adult? So do you mind if

427
00:27:20,520 --> 00:27:23,280
Speaker 1: he's been calling my father because he actually he's the

428
00:27:23,280 --> 00:27:27,320
Speaker 1: one who kind of made this happen. So, Um, he's

429
00:27:27,359 --> 00:27:29,959
Speaker 1: never gonna let me now that he knows what I

430
00:27:29,960 --> 00:27:32,080
Speaker 1: can be without it, He's never going to let me

431
00:27:32,160 --> 00:27:35,080
Speaker 1: leave the house any other way. And it is weird,

432
00:27:35,240 --> 00:27:37,600
Speaker 1: and it is weird that he wants that for me,

433
00:27:37,680 --> 00:27:43,320
Speaker 1: but he does. So can you call him for with me?

434
00:27:43,640 --> 00:27:46,640
Speaker 1: I wish I could. Look, this is a two charged school.

435
00:27:46,840 --> 00:27:52,760
Speaker 1: We got by laws, So I'll call him. But you know,

436
00:27:53,359 --> 00:27:59,080
Speaker 1: I'm just kidding. Thank you, Hello, Bobby. You gotta choose

437
00:27:59,080 --> 00:28:02,720
Speaker 1: a band. Choo is a band? You have like seventeen audition,

438
00:28:02,880 --> 00:28:05,119
Speaker 1: choose one. We gotta make the book. I get the balloon.

439
00:28:05,800 --> 00:28:08,400
Speaker 1: It's just that I've got a lot rolling here. Um,

440
00:28:08,680 --> 00:28:11,800
Speaker 1: we're supposed to we're kind of we're on the more

441
00:28:11,840 --> 00:28:15,760
Speaker 1: conservative side. And I don't know what's the what's the

442
00:28:15,840 --> 00:28:20,760
Speaker 1: least offensive band that's submitted? It might be it might

443
00:28:20,840 --> 00:28:24,080
Speaker 1: be I feel like that might be my room blad

444
00:28:24,160 --> 00:28:26,040
Speaker 1: is Key. If we leave that room Blood off, then

445
00:28:26,040 --> 00:28:29,920
Speaker 1: people can misconstrue that name with you. But with doom

446
00:28:29,920 --> 00:28:34,320
Speaker 1: Blood it's completely safe. The other ones, I just don't

447
00:28:34,320 --> 00:28:36,720
Speaker 1: think that we can have them at the band A

448
00:28:37,480 --> 00:28:40,800
Speaker 1: hundred times, Okay, I said it's a hundred times no music.

449
00:28:41,000 --> 00:28:44,239
Speaker 1: There should be no music at the prom okay, And

450
00:28:44,320 --> 00:28:47,320
Speaker 1: we considered that, but then they'd look silly dancing, and

451
00:28:47,400 --> 00:28:51,000
Speaker 1: they look really silly. Then there shouldn't be dancing. No, no, no,

452
00:28:51,120 --> 00:28:53,840
Speaker 1: just how just have a bunch of bowls of Nickart

453
00:28:54,000 --> 00:29:00,880
Speaker 1: and just put some called called born to happen that party?

454
00:29:03,520 --> 00:29:08,880
Speaker 1: Is that not a party? That's the party? Thank you, Janice?

455
00:29:09,920 --> 00:29:12,880
Speaker 1: Any Bobby or should I call you vice principal? I

456
00:29:12,920 --> 00:29:14,320
Speaker 1: don't know. I'm I on the phone. Am I talking

457
00:29:14,360 --> 00:29:16,520
Speaker 1: to face? You're right here face to face. Look, man,

458
00:29:17,120 --> 00:29:21,280
Speaker 1: what's what's the deal. What's the my my, my little

459
00:29:21,320 --> 00:29:23,640
Speaker 1: girl want her to uh, you know, flourish. I want

460
00:29:23,640 --> 00:29:27,040
Speaker 1: her to get it. I get it, all right, So

461
00:29:27,160 --> 00:29:29,760
Speaker 1: what's the what's the deal? Well, here at Circle School,

462
00:29:29,880 --> 00:29:32,040
Speaker 1: we have a guidelines and we have by laws that

463
00:29:32,120 --> 00:29:34,680
Speaker 1: we have to up here at Circle School. Bobby, I

464
00:29:34,800 --> 00:29:44,360
Speaker 1: remember when you and I fucked. You're expelled, so you

465
00:29:44,440 --> 00:29:46,320
Speaker 1: can don't know where you're gonna. Well, I well not

466
00:29:46,520 --> 00:29:48,360
Speaker 1: just yet. She hasn't let the campus, so you're still

467
00:29:48,440 --> 00:29:51,840
Speaker 1: hold on, babe, hold on it. This is a squatter's rights.

468
00:29:51,920 --> 00:29:53,560
Speaker 1: She doesn't have a right the education just because she's

469
00:29:53,600 --> 00:29:56,840
Speaker 1: on the front waters Right, squatter baby, speaking of squatters, right,

470
00:29:56,920 --> 00:30:02,520
Speaker 1: this guy's squatted all over my face right him, babe? Okay,

471
00:30:02,720 --> 00:30:05,600
Speaker 1: So anyway, I'm hoping maybe I would get the friend

472
00:30:05,680 --> 00:30:10,720
Speaker 1: discount here on schooling. What what the hell do you

473
00:30:10,800 --> 00:30:15,040
Speaker 1: want you? I'm not going to reduce the tuition because

474
00:30:15,080 --> 00:30:17,520
Speaker 1: she's what are you talking about? I already bought my

475
00:30:17,600 --> 00:30:20,320
Speaker 1: prom tickets? So can I still go to palm? Let

476
00:30:20,360 --> 00:30:22,360
Speaker 1: her go to problem? I mean, I'm going with the

477
00:30:22,440 --> 00:30:26,560
Speaker 1: band's lead singer. Which band? Yeah, we haven't decided on

478
00:30:26,600 --> 00:30:29,360
Speaker 1: a band. Oh, I mean he told me it's pretty

479
00:30:29,440 --> 00:30:33,760
Speaker 1: much a done deal. He was gonna missus doubt fire

480
00:30:33,800 --> 00:30:36,960
Speaker 1: the whole night and be on KUN and then change

481
00:30:37,000 --> 00:30:38,560
Speaker 1: everything to come be with me. And I said, you

482
00:30:38,600 --> 00:30:41,040
Speaker 1: don't need to do that. I mean, I actually like

483
00:30:41,160 --> 00:30:42,800
Speaker 1: that you're in the band. That's like cool points for me.

484
00:30:42,840 --> 00:30:44,720
Speaker 1: And he's like, no, no, no, babe, Like I want

485
00:30:44,720 --> 00:30:47,440
Speaker 1: to do this. I want to take this on. Watch

486
00:30:47,520 --> 00:30:50,440
Speaker 1: me do, watch me do? And I said, I guess.

487
00:30:51,480 --> 00:30:54,640
Speaker 1: I mean if there's no band, all right, listen, Um,

488
00:30:54,960 --> 00:30:57,959
Speaker 1: I'm I'm good. I'm maybe a little distracted. I mean,

489
00:30:58,160 --> 00:31:01,000
Speaker 1: missus doubt find this whole night. I don't know why.

490
00:31:01,080 --> 00:31:03,120
Speaker 1: I have agreed to dress up like an old woman

491
00:31:04,880 --> 00:31:10,040
Speaker 1: for the gig. But I'm gonna be Mrs Doubtfire while

492
00:31:10,080 --> 00:31:11,640
Speaker 1: we're singing, and then I'm going to be a kid

493
00:31:11,680 --> 00:31:15,360
Speaker 1: in the tucks to go with my date. Okay, you

494
00:31:15,400 --> 00:31:21,160
Speaker 1: guys do not look rock and roll. Got Harold stopped

495
00:31:21,240 --> 00:31:26,840
Speaker 1: ruining it? All right? This is is this going to

496
00:31:26,920 --> 00:31:30,440
Speaker 1: effect that we play? What? What is this? This is, Gunther,

497
00:31:30,640 --> 00:31:32,440
Speaker 1: It's not It is not going to affect the way

498
00:31:32,520 --> 00:31:35,000
Speaker 1: we play. Alright. We're coon, we know who we are,

499
00:31:35,160 --> 00:31:40,200
Speaker 1: all right, and sometimes the front man reinvents himself over

500
00:31:40,320 --> 00:31:42,440
Speaker 1: and over and over. He saw David Bowie did this

501
00:31:42,600 --> 00:31:45,120
Speaker 1: is just like that? This is my old lady face. Well,

502
00:31:45,160 --> 00:31:48,480
Speaker 1: I mean you're the you're the lead singer. But you know,

503
00:31:48,640 --> 00:31:50,680
Speaker 1: good Through is really the front man because his last

504
00:31:50,760 --> 00:31:55,200
Speaker 1: name is the band's name. It's kind of my whole idea. Yeah,

505
00:31:55,360 --> 00:31:58,920
Speaker 1: but I mean people don't really remember whoever's not singing.

506
00:31:59,000 --> 00:32:01,160
Speaker 1: I mean that's just the thing hands, you know, unless

507
00:32:01,320 --> 00:32:03,680
Speaker 1: unless you have an edie that Halen, which Gunther is.

508
00:32:03,840 --> 00:32:08,120
Speaker 1: Let's be honest, this is not no. What is happening now?

509
00:32:08,400 --> 00:32:11,200
Speaker 1: This is insane, all of us, Hadden, I find out

510
00:32:11,400 --> 00:32:13,760
Speaker 1: you don't fun to do the thing we said, and

511
00:32:13,800 --> 00:32:16,920
Speaker 1: then you're just degrading me in some way. This isn't

512
00:32:17,040 --> 00:32:19,720
Speaker 1: you know, fut I'm out of here. Good luck with

513
00:32:20,080 --> 00:32:23,480
Speaker 1: We can't lose good good coot from coot uther. No,

514
00:32:23,680 --> 00:32:26,200
Speaker 1: come on, man, I'm sorry. It's just this is I'm

515
00:32:26,240 --> 00:32:32,040
Speaker 1: under a lot of pressure here. Okay, figure that. Oh no,

516
00:32:32,200 --> 00:32:37,440
Speaker 1: he took the old blot. Oh no, they better not

517
00:32:37,560 --> 00:32:47,880
Speaker 1: publicize us. Hey, baby daughter, No, hold on, hold on that. No,

518
00:32:48,080 --> 00:32:51,040
Speaker 1: let me just come in, all right, just put on

519
00:32:51,120 --> 00:32:55,160
Speaker 1: some clothes. It's fine, thinking your whole live all right, Look,

520
00:32:56,480 --> 00:32:59,800
Speaker 1: all right, here's what I'm thinking. I'm thinking you need

521
00:32:59,840 --> 00:33:03,720
Speaker 1: to be at that problem. Yeah, I know, I thought

522
00:33:03,800 --> 00:33:06,600
Speaker 1: really hard to like get this guy to go with me.

523
00:33:06,720 --> 00:33:08,640
Speaker 1: I bought his ticket, his tugs the boot in here.

524
00:33:08,640 --> 00:33:12,000
Speaker 1: I mean, he pretty much did everything for him. I

525
00:33:12,080 --> 00:33:15,760
Speaker 1: gave him the great idea of of of Mrs Doubt

526
00:33:15,800 --> 00:33:19,160
Speaker 1: firing unnecessarily. I mean, come on, you don't think I

527
00:33:19,280 --> 00:33:22,760
Speaker 1: want this? Yeah, no, I know you do. I say,

528
00:33:22,800 --> 00:33:27,080
Speaker 1: you just do it. Some old lady just pulled up

529
00:33:27,120 --> 00:33:35,320
Speaker 1: in a limo. Oh yeah, that's some that's for me. Carol, Carol,

530
00:33:35,560 --> 00:33:38,880
Speaker 1: you're just the cleaning. The hear you don't need to

531
00:33:39,040 --> 00:33:42,760
Speaker 1: like interrupt. This is dead daughter time. Hey, I really

532
00:33:42,840 --> 00:33:44,840
Speaker 1: like it's actually really good for me to have a

533
00:33:44,920 --> 00:33:52,240
Speaker 1: female around that kind of energy. And please don't Carol.

534
00:33:52,360 --> 00:33:54,400
Speaker 1: You're more than that to me. You're more than a

535
00:33:54,480 --> 00:34:01,200
Speaker 1: cleaning lady to be Okay. Uh, Like, I I gotta

536
00:34:01,200 --> 00:34:09,120
Speaker 1: finish scrubbing the toilet alright here. I just wanted to

537
00:34:09,200 --> 00:34:11,320
Speaker 1: offer it because she's more. You know, she's more to me.

538
00:34:11,440 --> 00:34:14,719
Speaker 1: She's family, not the family does. I'll get the door,

539
00:34:14,800 --> 00:34:19,600
Speaker 1: and you make a grand entrance. Okay, okay, I mean

540
00:34:19,600 --> 00:34:20,880
Speaker 1: you can even just wear what you wear it now.

541
00:34:20,960 --> 00:34:23,239
Speaker 1: You look. I think you look great. I was gonna

542
00:34:23,280 --> 00:34:25,120
Speaker 1: wear it. I was gonna wear right now. I was

543
00:34:25,120 --> 00:34:30,120
Speaker 1: just gonna walk out later as a grand entrance. Okay, okay,

544
00:34:30,160 --> 00:34:34,480
Speaker 1: thank you. Hey, how's it going, Bud? It's going well?

545
00:34:34,600 --> 00:34:39,239
Speaker 1: Then it is. It is your torture at home. Yeah,

546
00:34:39,400 --> 00:34:42,560
Speaker 1: come on in, come on in. Don't mind the shotgun.

547
00:34:43,480 --> 00:34:45,759
Speaker 1: I'm just kidding. It's one of those dad jokes, you know.

548
00:34:47,280 --> 00:34:55,640
Speaker 1: So Dad, I'm ready, I'm ready announced me. Okay, I

549
00:34:55,680 --> 00:34:57,400
Speaker 1: expect you'll have her home at a decent time, right,

550
00:34:57,800 --> 00:35:02,839
Speaker 1: Oh yes, sure, she'll be back by How did having Okay,

551
00:35:02,840 --> 00:35:05,080
Speaker 1: I'm gonna write that down any a minute later and

552
00:35:05,360 --> 00:35:11,279
Speaker 1: we will have an issue, all right, now, please may

553
00:35:11,400 --> 00:35:12,920
Speaker 1: give me a carol? Can you get me here for

554
00:35:13,000 --> 00:35:20,640
Speaker 1: one second? Man, you guys are in there for a while.

555
00:35:21,080 --> 00:35:23,880
Speaker 1: It's wild. You haven't driving people for prom for a

556
00:35:23,960 --> 00:35:26,480
Speaker 1: long time. You know. Limos are kind of my thing,

557
00:35:26,640 --> 00:35:29,040
Speaker 1: you know, automatic? Man, You know, doesn't matter if it's

558
00:35:29,040 --> 00:35:31,560
Speaker 1: a Limo, I can drive it. Can you play sixpence

559
00:35:31,680 --> 00:35:34,960
Speaker 1: on the richer? Oh? This doesn't have any DVD players

560
00:35:35,000 --> 00:35:39,400
Speaker 1: in here? Yeah? Yeah, yeah, that's awesome. So you the

561
00:35:39,480 --> 00:35:43,759
Speaker 1: grandma who we're picking up next? What's going on? I'm

562
00:35:43,760 --> 00:35:46,759
Speaker 1: gonna go ahead and put the partition up? All right?

563
00:35:48,280 --> 00:35:50,880
Speaker 1: You look really great? Thanks? So do you know I'm

564
00:35:50,920 --> 00:35:53,040
Speaker 1: gonna drop the character while we're alone and nobody else

565
00:35:53,160 --> 00:35:57,200
Speaker 1: is here? Okay? I hope that. I mean, I can't

566
00:35:57,200 --> 00:35:58,960
Speaker 1: wait for you to see me in my tucks. I

567
00:35:58,960 --> 00:36:00,759
Speaker 1: should have come in the tie and then then miss

568
00:36:00,800 --> 00:36:05,160
Speaker 1: stop everything later. I got him scrambled, but I don't know.

569
00:36:05,200 --> 00:36:08,239
Speaker 1: I'm this is gonna be the greatest night ever. Absolutely,

570
00:36:09,120 --> 00:36:11,320
Speaker 1: there could be an issue with the band tonight. You

571
00:36:11,360 --> 00:36:16,799
Speaker 1: guys want something funny. Okay, but then can you put

572
00:36:16,800 --> 00:36:20,319
Speaker 1: the protesting back up after? Yeah? Yeah, yeah, yeah, there's

573
00:36:20,320 --> 00:36:22,200
Speaker 1: about like if I just do a little detour, there's

574
00:36:22,239 --> 00:36:26,960
Speaker 1: the funniest billboard on the highway. Um, we really just

575
00:36:27,000 --> 00:36:29,080
Speaker 1: want to get to Prong. Yeah, we need to get there,

576
00:36:29,120 --> 00:36:39,960
Speaker 1: but I have six mone the richer from the car

577
00:36:40,080 --> 00:36:56,239
Speaker 1: next door, like demo. M all right, ko, you're on, Hey,

578
00:36:56,920 --> 00:37:01,000
Speaker 1: have fun out there, alright, guy, this is it, this

579
00:37:01,160 --> 00:37:03,640
Speaker 1: is our dream. All right. Don't let the non oomblot

580
00:37:03,719 --> 00:37:07,720
Speaker 1: throw you. They can't see our name. Okay, just remember

581
00:37:07,800 --> 00:37:11,200
Speaker 1: that they can't see our name. I just know that

582
00:37:11,239 --> 00:37:14,600
Speaker 1: theomblots gone. It's throwing me off. Just as long as

583
00:37:14,640 --> 00:37:19,120
Speaker 1: we don't say who we are, we're okay. Um, so

584
00:37:19,320 --> 00:37:23,080
Speaker 1: let's we'll open with of course, are our biggest rocker?

585
00:37:24,000 --> 00:37:31,360
Speaker 1: Um between those legs? Okay, you guys are ready. Hey everybody,

586
00:37:31,400 --> 00:37:38,040
Speaker 1: we're a band and we're here to rock you. Someone

587
00:37:38,120 --> 00:37:43,759
Speaker 1: kind of off drummer cut off? Are you? Are you?

588
00:37:47,360 --> 00:37:51,040
Speaker 1: Are you? I mean I don't really know. I mean

589
00:37:51,120 --> 00:37:53,080
Speaker 1: I guess it's pretty popular. Who song? We could try

590
00:37:53,120 --> 00:37:59,560
Speaker 1: to cover it? Um one, two, three four, you don't

591
00:37:59,600 --> 00:38:01,359
Speaker 1: have to give two principle That was actually a really

592
00:38:01,400 --> 00:38:04,120
Speaker 1: good band, really good party. Everyone was dancing. That was

593
00:38:04,239 --> 00:38:06,480
Speaker 1: That was actually really glad. Everybody seemed to like it.

594
00:38:07,680 --> 00:38:09,760
Speaker 1: It's just that you guys have all kind of cornered

595
00:38:09,800 --> 00:38:13,160
Speaker 1: me in here. I felt like it was a negative response.

596
00:38:13,200 --> 00:38:16,920
Speaker 1: You're going to have to it well here at Circle School,

597
00:38:16,960 --> 00:38:19,560
Speaker 1: you know that every principle has a shelf life of

598
00:38:19,640 --> 00:38:25,879
Speaker 1: three years, and that three years is today. I mean,

599
00:38:26,640 --> 00:38:30,480
Speaker 1: is it today today? It's it's semester, but it is today,

600
00:38:30,520 --> 00:38:33,040
Speaker 1: and you do have to resign immediately. It is weird,

601
00:38:33,200 --> 00:38:36,120
Speaker 1: but Janice is right. I just have plans for the

602
00:38:36,760 --> 00:38:38,640
Speaker 1: to close out the year like this was a really

603
00:38:38,680 --> 00:38:41,800
Speaker 1: good problem and we're each going to take a stone

604
00:38:41,880 --> 00:38:44,920
Speaker 1: and throw it in your face. Hold on, I know

605
00:38:45,040 --> 00:38:51,520
Speaker 1: that that's the tradition, but that's the tradition tradition. It's just,

606
00:38:53,440 --> 00:38:59,000
Speaker 1: oh well, what if what if I just got my

607
00:38:59,080 --> 00:39:13,600
Speaker 1: things hurt? That's a very small one, okay. I thought

608
00:39:13,600 --> 00:39:18,960
Speaker 1: that That's all coming up next on v H one's

609
00:39:19,040 --> 00:39:26,160
Speaker 1: Coop Behind the Music, and that's C number two. Starter

610
00:39:26,280 --> 00:39:39,840
Speaker 1: Schools Like the Sound of Throwing. C three is from Patreon.

611
00:39:40,000 --> 00:39:43,200
Speaker 1: V I P Larry Stewart, who wrote, Hey gang, as always,

612
00:39:43,239 --> 00:39:45,120
Speaker 1: I love and appreciate what you do. And I'm now

613
00:39:45,239 --> 00:39:48,160
Speaker 1: a Patreon member. Also, this is a blast from the past,

614
00:39:48,280 --> 00:39:51,320
Speaker 1: but there was an episode back in when everyone was

615
00:39:51,360 --> 00:39:53,640
Speaker 1: clowning on James from making up calendar Man as a

616
00:39:53,680 --> 00:39:56,640
Speaker 1: batman villain. But the truth is calendar Man is a

617
00:39:56,680 --> 00:39:59,839
Speaker 1: batman villain. James, you were right and they were wrong.

618
00:40:00,480 --> 00:40:02,400
Speaker 1: Thank you, I do. I was on that one. I

619
00:40:02,480 --> 00:40:04,520
Speaker 1: recall that. Sorry for giving you such a hard time,

620
00:40:05,040 --> 00:40:06,640
Speaker 1: but it does sound like a stupid villain. We all

621
00:40:06,640 --> 00:40:09,880
Speaker 1: have to admit that. Anyway, As far as scene suggestions,

622
00:40:09,920 --> 00:40:12,920
Speaker 1: I have one a day in the life of Joey's character,

623
00:40:13,280 --> 00:40:16,680
Speaker 1: the pumper nickel bread lady. That's it. Keep up the

624
00:40:16,719 --> 00:40:19,000
Speaker 1: good work, and I can't hear, wait to hear what's next?

625
00:40:19,120 --> 00:40:21,880
Speaker 1: Best Larry Stewart, All right, so this is pretty much it.

626
00:40:22,000 --> 00:40:24,160
Speaker 1: We got a couple of orders that we always do

627
00:40:24,239 --> 00:40:27,200
Speaker 1: two different restaurants, but in general, I mean, we're always

628
00:40:27,200 --> 00:40:32,319
Speaker 1: gonna be making croissans. What about the birds? What about them?

629
00:40:33,840 --> 00:40:36,560
Speaker 1: We just let this is San Diego. Won't you do

630
00:40:36,680 --> 00:40:40,800
Speaker 1: me a favor and not talk about the birds? Okay? Okay,

631
00:40:41,160 --> 00:40:44,560
Speaker 1: all right, yeah, so we gotta just you know, we're

632
00:40:44,560 --> 00:40:47,160
Speaker 1: just gonna be a couple of loaves, No big deal.

633
00:40:47,560 --> 00:40:49,520
Speaker 1: We've got a sheet right there. Tell you what we got.

634
00:40:49,560 --> 00:40:51,200
Speaker 1: We always want to know, obviously, everything fresh, but like

635
00:40:51,239 --> 00:40:53,520
Speaker 1: what in greetings we've got. So that's pretty much it, man,

636
00:40:53,600 --> 00:40:55,760
Speaker 1: So have at it. All right, I'm gonna be running

637
00:40:55,800 --> 00:40:58,680
Speaker 1: some maarroons, but I'll be background to Hey, thanks for

638
00:40:58,800 --> 00:41:04,200
Speaker 1: the ill ortunity here you will, and we'll let you down.

639
00:41:05,239 --> 00:41:09,720
Speaker 1: I hope not. I won't do it. Okay, great, great, Okay,

640
00:41:10,280 --> 00:41:13,640
Speaker 1: So that's it. I think that's everything. Here are the keys, Uh,

641
00:41:13,880 --> 00:41:17,799
Speaker 1: cell phone numbers are on the fridge. What else? Cash

642
00:41:17,880 --> 00:41:22,439
Speaker 1: registers stocked? Um? Oh my god. Okay, so joelmost forgot

643
00:41:22,440 --> 00:41:27,040
Speaker 1: about this. Uh do you see this woman? Yeah? Okay,

644
00:41:27,160 --> 00:41:30,200
Speaker 1: this this Okay, memorize this photo because she's gonna be

645
00:41:30,280 --> 00:41:35,040
Speaker 1: coming in. Do not serve her? Alright, what not serve her?

646
00:41:35,800 --> 00:41:43,920
Speaker 1: Long story, long violent story. Okay, I gotta go, all right, okay, okay, okay,

647
00:41:45,640 --> 00:41:58,040
Speaker 1: good morning, good morning? Oh okay, Yeah, I was told

648
00:41:58,080 --> 00:42:01,880
Speaker 1: not to ask any questions about the birds from San Diego.

649
00:42:01,960 --> 00:42:03,360
Speaker 1: You got it? What would you like? What would you like?

650
00:42:03,440 --> 00:42:07,520
Speaker 1: We got? We got smells like fresh bread in here. Hey,

651
00:42:07,600 --> 00:42:11,239
Speaker 1: good morning, fucking God, what the fund is going on?

652
00:42:12,239 --> 00:42:15,520
Speaker 1: I'm not eating here? What do you mean you don't

653
00:42:15,520 --> 00:42:19,759
Speaker 1: know about the birds in San Diego? No? No, I'm

654
00:42:19,800 --> 00:42:21,480
Speaker 1: out of here. No hold like, can you tell me

655
00:42:21,560 --> 00:42:24,680
Speaker 1: what's going on? The birds rule this talent? You're feeding

656
00:42:24,719 --> 00:42:26,239
Speaker 1: the birds? What do you think the reads? The birds

657
00:42:26,280 --> 00:42:28,440
Speaker 1: are all down here for it doesn't matter. I'm out.

658
00:42:30,000 --> 00:42:37,799
Speaker 1: Don't listen to them. See I'm crazy. I'm so nice

659
00:42:37,880 --> 00:42:41,000
Speaker 1: and you just want okay okay, yeah yeah, yah, yeah

660
00:42:41,040 --> 00:42:43,200
Speaker 1: yeah yeah. Croissana, croissanza this here you go out there,

661
00:42:43,280 --> 00:42:51,959
Speaker 1: you go, there, you go. Okay, okay, okay, okay, pretty easy,

662
00:42:52,040 --> 00:42:57,480
Speaker 1: gig leg leg Hello? Can I have a loaf of

663
00:42:57,560 --> 00:43:05,919
Speaker 1: pompa nickel? Sure? Of course, of course? What what? I'm sorry?

664
00:43:05,960 --> 00:43:07,600
Speaker 1: Can you turn? Can you turn a little bit to

665
00:43:07,640 --> 00:43:12,600
Speaker 1: your left? Why would I turn to my left? Yeah? Yeah,

666
00:43:12,719 --> 00:43:18,680
Speaker 1: oh oh, I'm sorry. We're out of pumper nickel. I

667
00:43:18,800 --> 00:43:22,279
Speaker 1: see a loaf of pumper nickel right back there. I

668
00:43:22,320 --> 00:43:26,400
Speaker 1: don't want any issues, miss, I don't have any issues.

669
00:43:27,080 --> 00:43:29,880
Speaker 1: I've got you've got bread. Let's make this easy. I've

670
00:43:29,920 --> 00:43:35,080
Speaker 1: been told I can't serve you. What I told the owner.

671
00:43:35,160 --> 00:43:37,840
Speaker 1: He made me memorize your photo. Let me see that.

672
00:43:38,440 --> 00:43:40,880
Speaker 1: Let me see. It's in my head. I memorized it.

673
00:43:40,920 --> 00:43:42,760
Speaker 1: He took the photo with him. He took the photo

674
00:43:42,840 --> 00:43:48,520
Speaker 1: with him. Okay, draw me the photo. Okay, okay. Blue blouse,

675
00:43:49,040 --> 00:43:54,719
Speaker 1: it was floral skirt, head band, braces, Okay, I know

676
00:43:54,880 --> 00:44:00,440
Speaker 1: that's what I'm wearing. That is what I'm wearing. Us me.

677
00:44:00,560 --> 00:44:04,160
Speaker 1: I'd like to get some popa nickel, a loaf of

678
00:44:04,200 --> 00:44:09,279
Speaker 1: pompa nickel bread. Sure, I was das. I was here first. Man, No,

679
00:44:10,080 --> 00:44:16,279
Speaker 1: I didn't even see you getting saved. I got okay, okay, okay, Wait,

680
00:44:16,360 --> 00:44:18,680
Speaker 1: I'm a little confused because I feel like you two

681
00:44:18,719 --> 00:44:23,680
Speaker 1: look very similar. I mean, she's got the headband, you head.

682
00:44:25,120 --> 00:44:31,399
Speaker 1: I want some pop nickel per nickele okay, okay, yeah,

683
00:44:31,400 --> 00:44:34,800
Speaker 1: the crow here, I'm happy to give you some pomper

684
00:44:34,840 --> 00:44:39,680
Speaker 1: nickel crow. There you are. Thank you. Also, you serve

685
00:44:39,719 --> 00:44:42,200
Speaker 1: a crow, but not a paying customer. Look, I was

686
00:44:42,280 --> 00:44:44,839
Speaker 1: just all right, ladies. I always told two things. One,

687
00:44:45,200 --> 00:44:47,359
Speaker 1: you're ware of the birds, to don't serve a lady

688
00:44:47,440 --> 00:44:49,839
Speaker 1: that looks like both of you. To be honest, are

689
00:44:49,920 --> 00:44:52,719
Speaker 1: you kidding me? I just wanted twenty Dallas. I just

690
00:44:52,800 --> 00:44:57,719
Speaker 1: want some pompa nickel for a loaf. It's not the money.

691
00:44:57,800 --> 00:45:02,080
Speaker 1: He comes another lady. Oh god, hello dead line. Oh

692
00:45:02,239 --> 00:45:06,360
Speaker 1: my god, Oh god, I hoped it's a pump nic

693
00:45:06,560 --> 00:45:08,239
Speaker 1: By the time I get to the front of the law,

694
00:45:08,320 --> 00:45:11,799
Speaker 1: do you three know each other? No, look at each other,

695
00:45:11,840 --> 00:45:14,640
Speaker 1: look at yoursel No. I never met any of these

696
00:45:14,680 --> 00:45:20,960
Speaker 1: people before, and by life, it is a similarity. Doctor.

697
00:45:21,080 --> 00:45:24,040
Speaker 1: The cloning machine was open less now and it seems

698
00:45:24,120 --> 00:45:26,360
Speaker 1: that some will run off. I don't know what happened.

699
00:45:26,360 --> 00:45:31,800
Speaker 1: I thought I locked up. I'm so sorry. What the

700
00:45:31,920 --> 00:45:35,520
Speaker 1: cloning machine it? It was powered on, and obviously somebody

701
00:45:35,600 --> 00:45:37,920
Speaker 1: walked through. There's a trail of bread crumbs that lead

702
00:45:38,000 --> 00:45:40,040
Speaker 1: up to it, so I know that someone did. And

703
00:45:40,120 --> 00:45:42,399
Speaker 1: I know it was my job to keep the lab,

704
00:45:42,719 --> 00:45:47,120
Speaker 1: you know, tucked away from everybody. But I'm sorry it failed.

705
00:45:47,920 --> 00:45:51,759
Speaker 1: I can't believe this. The cooning machine was done on

706
00:45:52,440 --> 00:45:58,520
Speaker 1: and then clones were created. My god, but what what

707
00:45:59,520 --> 00:46:04,359
Speaker 1: this is news? This is good news, Reggie. But doctor,

708
00:46:04,440 --> 00:46:06,040
Speaker 1: we don't know what came out of it. We don't

709
00:46:06,040 --> 00:46:07,759
Speaker 1: know what into it. We don't know came out of it.

710
00:46:08,239 --> 00:46:12,799
Speaker 1: Oh my goodness, look at this. Miss My devices worked quick.

711
00:46:12,960 --> 00:46:20,920
Speaker 1: Get the gun, Reggie don't kill me. Ready, kill this close, luky,

712
00:46:24,040 --> 00:46:30,400
Speaker 1: I'm gonna rock through this too, al right. Which one

713
00:46:30,440 --> 00:46:32,399
Speaker 1: of you is real? Yeah? Which one of you is real?

714
00:46:32,600 --> 00:46:34,799
Speaker 1: Which one of us is real? Which one of us

715
00:46:34,920 --> 00:46:43,000
Speaker 1: is real? You knew? What have we done? We didn't

716
00:46:43,080 --> 00:46:47,560
Speaker 1: mention when you've gone through the crooning machine, you've become

717
00:46:47,680 --> 00:46:54,360
Speaker 1: quite violent. It's degrade your personality. So look, I'm just

718
00:46:54,400 --> 00:47:01,000
Speaker 1: gonna close the whole shop, if I'm being honest. Come,

719
00:47:01,120 --> 00:47:07,839
Speaker 1: what is that? Is that a knife? For carrying this? Oh?

720
00:47:07,920 --> 00:47:11,279
Speaker 1: It is? I just like to spread my body on

721
00:47:11,480 --> 00:47:16,480
Speaker 1: my pompa nic cale bread. You're that's gross. That's not

722
00:47:16,600 --> 00:47:22,200
Speaker 1: a knife. This is a knife. Whoa? And I spread

723
00:47:22,239 --> 00:47:27,320
Speaker 1: my button with a gun. Okay, that's how I roll. Okay,

724
00:47:27,440 --> 00:47:30,760
Speaker 1: Look I don't know. I don't listen. Okay, fine, fine, fine, fine,

725
00:47:30,920 --> 00:47:33,719
Speaker 1: take the bread, take the pumper nickel here here, take

726
00:47:33,760 --> 00:47:40,920
Speaker 1: you all, thank you, take take it. It's more, thank you. Okay,

727
00:47:41,120 --> 00:47:49,520
Speaker 1: take this body, please take this dead body. That's okay,

728
00:47:49,560 --> 00:47:55,080
Speaker 1: your's umber, please leave, thank you. They need some help,

729
00:47:55,480 --> 00:47:58,720
Speaker 1: get of it work? How did it go? That's okay.

730
00:48:01,200 --> 00:48:04,120
Speaker 1: I don't know what's happening. Look I could help you.

731
00:48:04,719 --> 00:48:07,440
Speaker 1: I can help you. Still I'm pretty good. I'm pretty

732
00:48:07,440 --> 00:48:10,800
Speaker 1: good getting people have this store, naughty people. You just

733
00:48:10,840 --> 00:48:13,799
Speaker 1: need to give me drugs, drugs and my pretty let

734
00:48:13,960 --> 00:48:20,759
Speaker 1: drugs kind of drugs. Give it the hard stuff. Bring

735
00:48:21,640 --> 00:48:28,480
Speaker 1: bring second bread shop, best bread in San Diego. If

736
00:48:28,560 --> 00:48:31,040
Speaker 1: you try to bet bread better than ours, there's you're

737
00:48:31,080 --> 00:48:33,359
Speaker 1: wrong because ours definitely we're gonna have to get better

738
00:48:33,440 --> 00:48:38,960
Speaker 1: at that. Hey, you know what, I finished the errands early.

739
00:48:39,000 --> 00:48:40,480
Speaker 1: I know I was gonna get around too, but you

740
00:48:40,560 --> 00:48:42,360
Speaker 1: know what, I can get back around at eight am,

741
00:48:42,600 --> 00:48:44,600
Speaker 1: So I'm gonna be back, all right, So don't worry.

742
00:48:44,600 --> 00:48:46,520
Speaker 1: I'm gonna be heading back and I can I can

743
00:48:46,560 --> 00:48:48,719
Speaker 1: help her on the shop. But it's been a bad day.

744
00:48:50,480 --> 00:48:55,520
Speaker 1: What's going on? Some I gave pumper nickel to the lady.

745
00:48:55,560 --> 00:48:58,480
Speaker 1: You said I shouldn't get pumper nickel too. There were

746
00:48:58,560 --> 00:49:01,200
Speaker 1: three of them, and one steff other and these birds

747
00:49:01,239 --> 00:49:03,239
Speaker 1: they're running, they're coming in here, and they're they're they're

748
00:49:03,280 --> 00:49:06,080
Speaker 1: making requests and and I don't really know what I'm doing,

749
00:49:06,719 --> 00:49:12,440
Speaker 1: if I'm being honest. So you did everything well, all right,

750
00:49:12,680 --> 00:49:15,000
Speaker 1: put the bread in the box. So all right, we're

751
00:49:15,040 --> 00:49:22,120
Speaker 1: gonna take this from me, familiar, do you hear that. Jason, Hello,

752
00:49:23,000 --> 00:49:26,400
Speaker 1: I'm being held up. Okay, what do you want? You

753
00:49:26,480 --> 00:49:28,560
Speaker 1: want bread in the box? Yeah, put on the bread

754
00:49:28,640 --> 00:49:30,560
Speaker 1: in the box. I gotta take you back to Purple

755
00:49:30,640 --> 00:49:33,839
Speaker 1: and the rest of the gang. Ye hungry? Okay, did

756
00:49:33,880 --> 00:49:37,000
Speaker 1: you have a particular preference of bread? Oh? No, we

757
00:49:37,080 --> 00:49:41,960
Speaker 1: didn't go over this part of the plan. I'll be

758
00:49:42,000 --> 00:49:44,520
Speaker 1: happy to give you what we have here. Here's obsessing me?

759
00:49:44,840 --> 00:49:50,080
Speaker 1: Is we great? After? I'm just double part because I'm

760
00:49:50,280 --> 00:49:54,600
Speaker 1: waiting for my friend. Well, that's a violation. So either

761
00:49:54,760 --> 00:49:57,680
Speaker 1: moved the car or I wrote you a ticket. Okay.

762
00:49:57,760 --> 00:50:00,359
Speaker 1: It's just hard to find parkting around here. No, it's

763
00:50:00,400 --> 00:50:02,320
Speaker 1: the absolute worst. I mean, this neighborhood has gone to

764
00:50:02,360 --> 00:50:06,520
Speaker 1: ship right gags, I bet you they are. But it's

765
00:50:06,560 --> 00:50:08,880
Speaker 1: something that a smartphone could tell you. I really couldn't tell,

766
00:50:08,880 --> 00:50:10,840
Speaker 1: you know, I don't live where. I actually drive in

767
00:50:10,960 --> 00:50:13,880
Speaker 1: from a two hours out just to do some policing

768
00:50:13,960 --> 00:50:17,640
Speaker 1: over here. Really fuck some people's lives over and back home.

769
00:50:18,160 --> 00:50:20,279
Speaker 1: My friends coming out, and I don't know any thing

770
00:50:20,320 --> 00:50:22,040
Speaker 1: about the city, and I don't really care about the

771
00:50:22,520 --> 00:50:24,319
Speaker 1: city or it's it's people. I just kind of want

772
00:50:24,360 --> 00:50:29,560
Speaker 1: to come assert assert myself and get so you can

773
00:50:29,600 --> 00:50:31,960
Speaker 1: move the car to have a run and just move

774
00:50:32,080 --> 00:50:34,440
Speaker 1: the car. Please move the car. Yeah, you can move

775
00:50:34,480 --> 00:50:36,800
Speaker 1: the car or all write you just so you know

776
00:50:37,239 --> 00:50:41,319
Speaker 1: we're familiar, We're family, all for you in this car.

777
00:50:41,960 --> 00:50:45,480
Speaker 1: I'm not really with them, in fact, I just just

778
00:50:45,600 --> 00:50:48,880
Speaker 1: move the car, please, I can't. This is John Jacob

779
00:50:49,000 --> 00:50:53,000
Speaker 1: jen Oheimer Schmidt. Are you with them or not, sir?

780
00:50:53,200 --> 00:50:54,879
Speaker 1: Because if you're not, then I'm gonna have to ask

781
00:50:55,000 --> 00:50:59,200
Speaker 1: everybody to get out of the car. Come in. Fines

782
00:50:59,280 --> 00:51:04,200
Speaker 1: that come in, go for bonds. I I can't get

783
00:51:04,200 --> 00:51:07,839
Speaker 1: out of that. I'm surrounded by San Diego birds. Oh

784
00:51:07,960 --> 00:51:13,879
Speaker 1: no words, listen, I've gotta I heard that, and that's

785
00:51:13,880 --> 00:51:16,640
Speaker 1: actually a police call too. So I'm gonna just take

786
00:51:16,719 --> 00:51:19,479
Speaker 1: it from your speaker to my ears, to my heart

787
00:51:19,520 --> 00:51:22,720
Speaker 1: and go police this ship out of those birds. Thanks, Officerry.

788
00:51:22,719 --> 00:51:24,520
Speaker 1: I offer you a donut, but I ate them all.

789
00:51:24,680 --> 00:51:27,879
Speaker 1: Oh I'm gluten free. It gives me USID reflux. Yeah,

790
00:51:27,960 --> 00:51:30,200
Speaker 1: none of them, none of them were gluten free. I

791
00:51:30,280 --> 00:51:34,279
Speaker 1: found that out the hard way. Alright, everybody just get

792
00:51:34,320 --> 00:51:37,759
Speaker 1: out of here, thinking what you want? Birds leave, people go.

793
00:51:38,120 --> 00:51:40,560
Speaker 1: I'm so sorry. I'm ruined today. I don't know what

794
00:51:40,680 --> 00:51:42,400
Speaker 1: do you mean leave? What do you mean if I

795
00:51:42,480 --> 00:51:44,320
Speaker 1: helped kill this guy? This guy was bothering you and

796
00:51:44,360 --> 00:51:45,920
Speaker 1: I killed I picked him to death. I picked out

797
00:51:45,920 --> 00:51:47,520
Speaker 1: of sideballs and I picked out plain And now you're

798
00:51:47,520 --> 00:51:50,920
Speaker 1: gonna make me like just okay, you don't just wanted

799
00:51:50,960 --> 00:51:54,480
Speaker 1: to No, No, I helped you. He was giving you

800
00:51:54,560 --> 00:51:56,080
Speaker 1: a hard time and I helped you. And you have

801
00:51:56,200 --> 00:52:02,560
Speaker 1: even giving my trunks? Yeah, okay, yeah, okay, chasing? What

802
00:52:02,680 --> 00:52:04,600
Speaker 1: the hell is this? What if the hell is going

803
00:52:04,680 --> 00:52:08,600
Speaker 1: on in here? It's because the two bodies. It's been

804
00:52:08,640 --> 00:52:12,239
Speaker 1: our day. Where all the loaves of bread? Did you

805
00:52:12,239 --> 00:52:17,600
Speaker 1: give them out? Did you give them away for free? Jason? No, no, no, no, no, no,

806
00:52:17,800 --> 00:52:21,320
Speaker 1: no no no Jason, no no no. You disobeyed me.

807
00:52:23,520 --> 00:52:27,680
Speaker 1: You see that lady right there, one car carrying the

808
00:52:27,719 --> 00:52:31,919
Speaker 1: pupper niggle. I talked to her, talked to her, why

809
00:52:33,760 --> 00:52:39,200
Speaker 1: charge you're a church? No no, Jason, because you disobeyed me,

810
00:52:39,600 --> 00:52:43,040
Speaker 1: you will now know shame. You will now no shame.

811
00:52:43,280 --> 00:52:44,799
Speaker 1: What kind of threat is that? What does that mean?

812
00:52:45,200 --> 00:52:48,640
Speaker 1: All right? You will guilty and shame face the rocks

813
00:52:48,719 --> 00:52:54,520
Speaker 1: at his face picking up a door dash order if

814
00:52:54,560 --> 00:52:58,399
Speaker 1: you loaves for hunt. Sorry no, no, I'm sorry. There's

815
00:52:58,400 --> 00:53:05,960
Speaker 1: a there's an um light here and that's let's thank

816
00:53:06,000 --> 00:53:10,080
Speaker 1: you to alchemists. See what they're up to. James heeney Ah, well,

817
00:53:10,200 --> 00:53:13,560
Speaker 1: I am just so pleased to hear all the people

818
00:53:13,640 --> 00:53:17,160
Speaker 1: that came in and gave us incredible reviews. I mean

819
00:53:17,239 --> 00:53:20,080
Speaker 1: I asked for reviews and then they just started flooding

820
00:53:20,160 --> 00:53:24,160
Speaker 1: in and I'm not entirely sure, um, but I wanted

821
00:53:24,200 --> 00:53:27,919
Speaker 1: to read one really quick. They're just so so good

822
00:53:28,040 --> 00:53:30,880
Speaker 1: and it makes such a huge difference. Here's one. This

823
00:53:31,040 --> 00:53:35,280
Speaker 1: one's from zero morph. Uh. I was lost. The title

824
00:53:35,400 --> 00:53:38,640
Speaker 1: is left out loud in public. I was lost, adrift

825
00:53:38,680 --> 00:53:46,040
Speaker 1: and alone in an improvly scene. See when Sponatonation finished,

826
00:53:46,360 --> 00:53:49,680
Speaker 1: you know you can read another one. Just I honestly

827
00:53:49,719 --> 00:53:55,239
Speaker 1: didn't know it's gonna gop. Then I found this podcast

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00:53:55,320 --> 00:53:58,560
Speaker 1: and it saved my vegan bacon. Um, and just we

829
00:53:58,680 --> 00:54:01,720
Speaker 1: got flooded. Since I asked last and it's so appreciated,

830
00:54:02,320 --> 00:54:05,640
Speaker 1: I probably should have rehearsed the reading of that review first.

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00:54:06,440 --> 00:54:09,839
Speaker 1: Uh So, definitely, everybody right reviews and James will start

832
00:54:09,880 --> 00:54:15,120
Speaker 1: to read them. It'll be pretty amazing. Greig Gkowski, Yeah,

833
00:54:15,239 --> 00:54:17,880
Speaker 1: I'm in a movie called Murder Berry Win that's now

834
00:54:17,880 --> 00:54:22,000
Speaker 1: available for rental or purchase on on iTunes or on

835
00:54:22,200 --> 00:54:26,000
Speaker 1: your other movie purchasing or renting apps. I play an

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00:54:26,000 --> 00:54:30,080
Speaker 1: evil board game director developer. I don't know who I am,

837
00:54:30,360 --> 00:54:34,200
Speaker 1: but the movie is called Murder Berry Win Berry like

838
00:54:34,600 --> 00:54:45,920
Speaker 1: um Bury or like bury Bury murder by w h Jackie,

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00:54:47,000 --> 00:54:50,319
Speaker 1: Yes cool, thank you so much. This is very fun. Um.

840
00:54:50,600 --> 00:54:53,440
Speaker 1: I'm at Jackie Truthee on on the socials and you know,

841
00:54:53,560 --> 00:54:55,080
Speaker 1: and I have fun on there. I think it's I

842
00:54:55,120 --> 00:54:58,800
Speaker 1: think it's pretty good time. Other than that, hey guys

843
00:54:59,160 --> 00:55:03,799
Speaker 1: be cool, Hey guys be cool, be cool. Get there

844
00:55:03,840 --> 00:55:07,640
Speaker 1: you go. Chris Alvarado, man, I have no fear and

845
00:55:08,440 --> 00:55:13,719
Speaker 1: no fear, no fear, no fun on social media because

846
00:55:13,719 --> 00:55:15,919
Speaker 1: I'm full of fear. That's a lot of f's. They're

847
00:55:16,239 --> 00:55:18,520
Speaker 1: no fun on social media is not full of fear.

848
00:55:18,920 --> 00:55:21,399
Speaker 1: So maybe don't follow me at Chris Alvarado because I'm

849
00:55:21,440 --> 00:55:23,120
Speaker 1: not doing much because I'm afraid to put anything on

850
00:55:23,200 --> 00:55:25,680
Speaker 1: There is only judge like what's my voice anyway? When

851
00:55:25,680 --> 00:55:27,960
Speaker 1: am I trying to say? But maybe check out at

852
00:55:28,000 --> 00:55:29,920
Speaker 1: the Comedy Fix. It's my podcast where we you know,

853
00:55:30,080 --> 00:55:33,359
Speaker 1: dissect and uh get nuts with the comedy topics. Thank

854
00:55:33,400 --> 00:55:35,920
Speaker 1: you and I love you. I love you too, Chris,

855
00:55:36,080 --> 00:55:40,600
Speaker 1: Joey Greer. Uh you know Fast nine trailer has dropped.

856
00:55:41,000 --> 00:55:47,480
Speaker 1: Checked that out. It's gonna be wild, It's it's yeah right,

857
00:55:47,520 --> 00:55:50,600
Speaker 1: we just did a little teaser. But I can't wait.

858
00:55:50,640 --> 00:55:52,400
Speaker 1: I remember when one of the I think it was

859
00:55:52,520 --> 00:55:55,880
Speaker 1: Fast four worst? What worre they? What are they in Brazil?

860
00:55:56,000 --> 00:56:00,960
Speaker 1: Fast five five on the street. Yes, it was a

861
00:56:01,880 --> 00:56:05,759
Speaker 1: a m C. It was insane. I didn't hear a

862
00:56:05,800 --> 00:56:07,960
Speaker 1: single word because we were all screaming the entire time.

863
00:56:08,040 --> 00:56:12,799
Speaker 1: So I can't wait for that nice. I'm at Cole

864
00:56:12,840 --> 00:56:17,200
Speaker 1: Stratton on Twitter at Stratton Cole on Instagram. Probably something

865
00:56:17,280 --> 00:56:19,640
Speaker 1: on friends to her, but I don't remember. H Go

866
00:56:19,760 --> 00:56:21,759
Speaker 1: to SF Sketch Fest dot com. Check out our past

867
00:56:21,840 --> 00:56:24,160
Speaker 1: videos and NFS poclo videos up there for rental. We've

868
00:56:24,200 --> 00:56:26,200
Speaker 1: been a lot help support the festival. We hopefully we'll

869
00:56:26,239 --> 00:56:28,759
Speaker 1: be back in January two. That's the hope that we

870
00:56:28,880 --> 00:56:33,360
Speaker 1: shall see. Let's thank our engineer and producer, Doug Babe

871
00:56:35,480 --> 00:56:40,840
Speaker 1: and the fine folks at iHeart Media dot com. Please

872
00:56:40,880 --> 00:56:44,120
Speaker 1: write to us at Alchemy this email at gmail dot com.

873
00:56:44,320 --> 00:57:01,600
Speaker 1: That's alchemy, this email until next time, and a football