1 00:00:02,400 --> 00:00:06,920 Speaker 1: Picture this. It's the eighties. The music is bumping from 2 00:00:06,960 --> 00:00:10,160 Speaker 1: the beaches of La to South Beach. The kids are 3 00:00:10,280 --> 00:00:12,400 Speaker 1: blasting music on their boomboxes. 4 00:00:13,440 --> 00:00:17,840 Speaker 2: I see the mihita wearing bandana's short shorts, no shirt, 5 00:00:17,960 --> 00:00:19,680 Speaker 2: all those sweaty bansitas. 6 00:00:20,360 --> 00:00:26,400 Speaker 1: Oh yo, exactly beautiful sun kissed people roller skating with 7 00:00:26,560 --> 00:00:29,480 Speaker 1: walkman's in their hands, moving their bodies to songs like 8 00:00:29,560 --> 00:00:31,680 Speaker 1: let It Loose, Give It Up, and. 9 00:00:32,200 --> 00:00:35,040 Speaker 2: The ragm is gonna get you, The rhythm is gonna 10 00:00:35,120 --> 00:00:37,280 Speaker 2: get you, the rythm is gonna get you. 11 00:00:38,159 --> 00:00:40,520 Speaker 3: To night Dun Dun. 12 00:00:41,159 --> 00:00:42,800 Speaker 1: I feel like we sound just like them. 13 00:00:43,159 --> 00:00:44,040 Speaker 3: I mean seriously. 14 00:00:48,479 --> 00:00:51,440 Speaker 1: I'm your host, Lilianavoscaz. 15 00:00:50,600 --> 00:00:54,920 Speaker 3: And I'm Joseph Carrio And this is Becoming an Icon. 16 00:00:55,400 --> 00:00:57,920 Speaker 1: A weekly podcast where we give you the rundown on 17 00:00:57,960 --> 00:01:02,279 Speaker 1: how today's most famous latinx have shaped pop culture. 18 00:01:02,200 --> 00:01:04,680 Speaker 3: And given the world some extra level. 19 00:01:04,920 --> 00:01:07,200 Speaker 1: Sit back and get comfortable. 20 00:01:07,000 --> 00:01:10,920 Speaker 2: Because we are going in the only way we know how, 21 00:01:11,200 --> 00:01:14,119 Speaker 2: with buenos buenas, visas. 22 00:01:15,240 --> 00:01:18,360 Speaker 1: And a lot of opinions, as we relive their greatest 23 00:01:18,360 --> 00:01:21,480 Speaker 1: achievements on our journey to find out what makes them 24 00:01:21,520 --> 00:01:32,560 Speaker 1: so iconic. The Miami Sound Machine returned to the studio 25 00:01:32,680 --> 00:01:36,560 Speaker 1: in early nineteen eighty seven with Jorge George Gasas on bass, 26 00:01:36,800 --> 00:01:41,520 Speaker 1: keyboardist Clay Oswald, and guitarist John Defadia. Kika Garcia was 27 00:01:41,560 --> 00:01:44,880 Speaker 1: the only remaining core member. Now that Gloria Stefan was 28 00:01:44,920 --> 00:01:46,120 Speaker 1: given top billing. 29 00:01:46,560 --> 00:01:50,040 Speaker 2: Henny, she hypnotized the fans I mean, the band's name 30 00:01:50,160 --> 00:01:53,680 Speaker 2: was changed to Gloria Es Stefan and the Miami Sound Machine. 31 00:01:53,880 --> 00:01:56,240 Speaker 3: To capitalize on that ass. 32 00:01:56,120 --> 00:01:59,560 Speaker 1: The album Let It Loose went multi platinum, with three 33 00:01:59,680 --> 00:02:03,320 Speaker 1: million copies sold in the US alone. The songs Can't 34 00:02:03,320 --> 00:02:05,840 Speaker 1: Stay Away from You, Anything for You, and one two 35 00:02:05,880 --> 00:02:09,960 Speaker 1: three were all top charting singles on the Adult Contemporary. 36 00:02:09,400 --> 00:02:14,880 Speaker 2: Hits Adult Contemporary That's Giving leg Warmers, shoulder Pads, and 37 00:02:15,120 --> 00:02:17,880 Speaker 2: perm Vibesa. 38 00:02:17,040 --> 00:02:20,560 Speaker 1: Don't Forget Success vibes Joseph because it also featured the 39 00:02:20,600 --> 00:02:23,760 Speaker 1: song anything for You, that did reach number one on 40 00:02:23,800 --> 00:02:26,880 Speaker 1: the Billboard Hot one hundred. This song was their very 41 00:02:26,919 --> 00:02:28,440 Speaker 1: first number one hit. 42 00:02:30,280 --> 00:02:33,639 Speaker 3: Gloria and you know what, My Blue The rhythm did get. 43 00:02:33,520 --> 00:02:37,239 Speaker 1: To them, well, not all of them. Gloria had always 44 00:02:37,280 --> 00:02:40,160 Speaker 1: spoken out against the Castro regime, and all that success 45 00:02:40,360 --> 00:02:42,920 Speaker 1: gave her a big platform where people really listened to 46 00:02:42,960 --> 00:02:46,320 Speaker 1: what she had to say about it, and the Cuban government, well, 47 00:02:46,520 --> 00:02:49,720 Speaker 1: they weren't very happy about it. She was declared persona 48 00:02:49,960 --> 00:02:54,079 Speaker 1: non grata out, but that did not stop her or 49 00:02:54,320 --> 00:02:57,440 Speaker 1: her massive fame. In nineteen eighty nine, the group's name 50 00:02:57,520 --> 00:03:02,560 Speaker 1: was changed one last time. Glodia Stefan was now on 51 00:03:02,720 --> 00:03:04,960 Speaker 1: her own as a solo artist. 52 00:03:05,320 --> 00:03:09,160 Speaker 2: Hey listen, it happened to Selena justin Timberlake, Beyonce. 53 00:03:10,360 --> 00:03:13,280 Speaker 1: After the worldwide chart success of the single Anything for You, 54 00:03:13,560 --> 00:03:16,880 Speaker 1: her Let It Loose album was repackaged as Anything for You, 55 00:03:16,960 --> 00:03:20,280 Speaker 1: with only her name on it. The album included the 56 00:03:20,360 --> 00:03:23,760 Speaker 1: hit singles Don't Want to Lose You, Oyamikanto, Here we Are, 57 00:03:24,040 --> 00:03:27,360 Speaker 1: Cuts both Ways, and get on Your Feet. It was 58 00:03:27,400 --> 00:03:30,600 Speaker 1: her best selling album to date, and with so many 59 00:03:30,639 --> 00:03:33,680 Speaker 1: successful singles, she made writing look easy. 60 00:03:33,800 --> 00:03:36,720 Speaker 2: In both English and in Spanish. It was like she 61 00:03:36,840 --> 00:03:39,920 Speaker 2: knew no boundaries and those curls on the cover of 62 00:03:40,000 --> 00:03:44,800 Speaker 2: the album were to die for. They were hydrated and bouncy. 63 00:03:44,880 --> 00:03:46,960 Speaker 2: It was like the Vo five commercials. 64 00:03:47,560 --> 00:03:50,200 Speaker 1: I love her with the curly hair. I think she 65 00:03:50,240 --> 00:03:53,920 Speaker 1: looks so beautiful, it's so youthful, and I love that 66 00:03:53,960 --> 00:03:56,680 Speaker 1: she wore her hair curly on the cover. Remember when 67 00:03:56,720 --> 00:03:58,520 Speaker 1: Mariah did that. It was such a big deal, too, 68 00:03:59,040 --> 00:04:01,160 Speaker 1: so good. Why was it such a big deal to 69 00:04:01,200 --> 00:04:02,920 Speaker 1: wear curly hair back then? Like, who cares? 70 00:04:03,280 --> 00:04:05,520 Speaker 3: It just meant you were different and you can't be different. 71 00:04:05,800 --> 00:04:08,280 Speaker 1: I guess everybody wanted straight hair, and I'm like, no, 72 00:04:08,480 --> 00:04:16,880 Speaker 1: let these curly divas shine. With the success of the 73 00:04:16,920 --> 00:04:19,440 Speaker 1: album came a tour, and Glodia was on tour in 74 00:04:19,440 --> 00:04:23,240 Speaker 1: Pennsylvania when on March twentieth, nineteen ninety, a near fatal 75 00:04:23,360 --> 00:04:26,400 Speaker 1: accident almost stripped us and the rest of the world 76 00:04:26,520 --> 00:04:32,000 Speaker 1: of her amazing voice. There was a snowstorm and as 77 00:04:32,000 --> 00:04:35,080 Speaker 1: her bus hit the road that day, a semi truck 78 00:04:35,360 --> 00:04:38,640 Speaker 1: crashed into them. 79 00:04:39,040 --> 00:04:41,919 Speaker 3: Stop it, it was Emilio there, No, he was not. 80 00:04:43,160 --> 00:04:46,320 Speaker 1: Emilio was returning from a meeting with President George Bush 81 00:04:46,360 --> 00:04:49,440 Speaker 1: to discuss participation in an anti drugs campaign when he 82 00:04:49,520 --> 00:04:51,800 Speaker 1: found out that his wife's tour bus had been in 83 00:04:51,839 --> 00:04:57,480 Speaker 1: a major accident. She was critically injured with a fractured spine. 84 00:04:57,720 --> 00:05:00,599 Speaker 1: She was flown by helicopter the following day York City, 85 00:05:00,760 --> 00:05:04,520 Speaker 1: where she underwent surgery that included implanting two titanium rods. 86 00:05:04,560 --> 00:05:08,880 Speaker 1: To stabilize her vertebral column. Her rehab included almost a 87 00:05:09,000 --> 00:05:13,040 Speaker 1: year of intensive physical therapy, and she said there were 88 00:05:13,080 --> 00:05:15,400 Speaker 1: times when the pain was so bad I prayed I'd 89 00:05:15,440 --> 00:05:16,000 Speaker 1: pass out. 90 00:05:16,760 --> 00:05:20,520 Speaker 3: My God, my body just aches imagining this. I know. 91 00:05:21,120 --> 00:05:24,360 Speaker 1: Thankfully she did make a complete recovery. 92 00:05:24,920 --> 00:05:27,400 Speaker 2: Okay, so hold on, what was happening to the Miami 93 00:05:27,440 --> 00:05:30,680 Speaker 2: Sound Machine all this time? Were they like still a 94 00:05:30,720 --> 00:05:32,000 Speaker 2: thing without Gladia? 95 00:05:33,080 --> 00:05:37,240 Speaker 1: Not quite. Emilil tried to create an offshoot Miami Sound 96 00:05:37,320 --> 00:05:41,040 Speaker 1: Machine with a completely different lineup, but without Gloria's signature 97 00:05:41,040 --> 00:05:44,480 Speaker 1: of vocals or any real connection to the original Miami 98 00:05:44,520 --> 00:05:47,440 Speaker 1: Sound Machine musicians. The new project failed to chart in 99 00:05:47,440 --> 00:05:48,279 Speaker 1: the United States. 100 00:05:48,800 --> 00:05:50,640 Speaker 3: I mean, what did he expect. 101 00:05:50,640 --> 00:05:53,680 Speaker 2: The lead singer is a lead singer period, Like Honey 102 00:05:53,720 --> 00:05:55,560 Speaker 2: to the Bees, It's like this show. 103 00:05:55,760 --> 00:05:57,640 Speaker 3: I'm the Gloria, You're the sound machine. 104 00:05:57,839 --> 00:05:59,920 Speaker 1: But I love you though I know you do, and yes, 105 00:06:00,080 --> 00:06:03,080 Speaker 1: my love, you are the Gloria. But now back to 106 00:06:03,360 --> 00:06:07,560 Speaker 1: the real Gloria. It was the early nineties when a 107 00:06:07,560 --> 00:06:10,920 Speaker 1: Stefan officially returned to the stage and to the charts. 108 00:06:11,480 --> 00:06:14,599 Speaker 1: Ten months after her accident. She performed Coming Out of 109 00:06:14,600 --> 00:06:18,560 Speaker 1: the Dark at the American Music Awards to a standing Oh. 110 00:06:18,160 --> 00:06:21,800 Speaker 2: Coming out of the Dark. Did she be coming out 111 00:06:22,000 --> 00:06:24,560 Speaker 2: like the speed of light? Honey, that recovery? 112 00:06:25,360 --> 00:06:26,239 Speaker 1: You said it earlier. 113 00:06:26,320 --> 00:06:28,400 Speaker 3: She's Wolverine serious. 114 00:06:28,720 --> 00:06:32,040 Speaker 1: The fans were thrilled to have her back. Coming Out 115 00:06:32,040 --> 00:06:34,320 Speaker 1: of the Dark reached number one in the US as 116 00:06:34,320 --> 00:06:37,200 Speaker 1: a single, and the album went double platinum in the 117 00:06:37,320 --> 00:06:41,359 Speaker 1: US one year after her recovery, as Stefan proved she 118 00:06:41,800 --> 00:06:45,919 Speaker 1: was back by performing in the Super Bowl twenty six halftime. 119 00:06:45,480 --> 00:06:47,280 Speaker 3: Show like an icon. 120 00:06:47,440 --> 00:07:01,479 Speaker 1: Baby, It's the early nineties, nineteen ninety two to be precise. 121 00:07:01,720 --> 00:07:05,080 Speaker 1: Gloria has just released Glodia Stefan's Greatest Hits, and the 122 00:07:05,120 --> 00:07:08,200 Speaker 1: album includes the US hit ballads Always Tomorrow and I 123 00:07:08,240 --> 00:07:11,240 Speaker 1: See You Smile, along with the international hit dance track 124 00:07:11,400 --> 00:07:11,880 Speaker 1: go Away. 125 00:07:12,480 --> 00:07:16,840 Speaker 2: Nineteen ninety two, So big Hair, Bigger Hoops. The Cold 126 00:07:16,880 --> 00:07:20,720 Speaker 2: War was officially over and Clinton is president. Like, what 127 00:07:21,080 --> 00:07:22,200 Speaker 2: a time to be alive. 128 00:07:22,920 --> 00:07:25,680 Speaker 1: I was little in nineteen ninety two. I mean not 129 00:07:26,240 --> 00:07:31,760 Speaker 1: just physically little. I was true physically little. I probably 130 00:07:31,800 --> 00:07:33,880 Speaker 1: in the same size today that I was in nineteen 131 00:07:33,920 --> 00:07:34,400 Speaker 1: ninety two. 132 00:07:34,680 --> 00:07:38,320 Speaker 3: No joke, you guys, lid to really, but I was little. 133 00:07:38,360 --> 00:07:41,680 Speaker 1: I was twelve and I was in middle school, and 134 00:07:41,760 --> 00:07:46,360 Speaker 1: I definitely remember Gloria being the queen of pop in 135 00:07:46,440 --> 00:07:50,120 Speaker 1: my house. Oh have that playing? Was that the soundtrack 136 00:07:50,160 --> 00:07:51,400 Speaker 1: to your early nineties years? 137 00:07:51,760 --> 00:07:52,000 Speaker 3: You know? 138 00:07:52,240 --> 00:07:54,840 Speaker 2: I'll say this, my parents didn't really like They grew 139 00:07:54,920 --> 00:07:57,280 Speaker 2: up with very different music, obviously, but I think at 140 00:07:57,320 --> 00:07:59,760 Speaker 2: this time my brother was older, so he was listening 141 00:07:59,840 --> 00:08:02,640 Speaker 2: to like Lisa Lobe and a little bit more like 142 00:08:02,720 --> 00:08:06,679 Speaker 2: alternative stuff like Guns N' Roses, Metallica, Lisa Lobe. Something 143 00:08:06,760 --> 00:08:09,200 Speaker 2: was happening there because I wasn't listening to Gloria. 144 00:08:09,320 --> 00:08:11,120 Speaker 1: Then well, I think for me, I don't know that 145 00:08:11,240 --> 00:08:13,360 Speaker 1: I would have chosen Glodia. It's just that I never 146 00:08:13,400 --> 00:08:15,360 Speaker 1: had a choice. In the car, it was my mom. 147 00:08:15,440 --> 00:08:18,120 Speaker 1: My mom was like, what's the adult contemporary channel? One 148 00:08:18,160 --> 00:08:23,240 Speaker 1: oh two point one line? And so every time we 149 00:08:23,280 --> 00:08:25,040 Speaker 1: got in the car, if we were listening to that 150 00:08:25,120 --> 00:08:28,040 Speaker 1: type of music, it was that. And I will say 151 00:08:28,080 --> 00:08:30,880 Speaker 1: I think it was also a little bit interesting to 152 00:08:30,960 --> 00:08:34,600 Speaker 1: watch my mom loved Gloria in all of her Spanish 153 00:08:34,679 --> 00:08:40,200 Speaker 1: glory and then to also hoop on in English because 154 00:08:40,600 --> 00:08:42,840 Speaker 1: my mom didn't listen to a ton of English music. 155 00:08:43,000 --> 00:08:45,559 Speaker 1: I don't remember it at least Gloria was probably one 156 00:08:45,600 --> 00:08:48,600 Speaker 1: of the first times I remember my mom specifically listening 157 00:08:48,920 --> 00:08:54,240 Speaker 1: to call it pop adult contemporary music in ingles. Normally 158 00:08:54,280 --> 00:08:57,280 Speaker 1: she only listened to Spanish music. But my mom really 159 00:08:57,280 --> 00:09:00,960 Speaker 1: only listened to Spanish music until Gloria did her official crossover. 160 00:09:01,280 --> 00:09:02,120 Speaker 1: Isn't that crazy? 161 00:09:02,600 --> 00:09:05,280 Speaker 3: She's the one person that gave like English Latin. 162 00:09:05,520 --> 00:09:06,920 Speaker 2: I don't know if that's true, right, I'm just saying 163 00:09:06,920 --> 00:09:08,559 Speaker 2: that for me, Like, she's the one person that it 164 00:09:08,640 --> 00:09:09,679 Speaker 2: sounded like Spanish but it. 165 00:09:09,640 --> 00:09:12,120 Speaker 3: Was English, So whatever that means. 166 00:09:12,120 --> 00:09:14,240 Speaker 2: It's just like, you know, I can see that your 167 00:09:14,240 --> 00:09:16,360 Speaker 2: mom would would go like that. I think even the 168 00:09:16,440 --> 00:09:18,520 Speaker 2: music of the nineties she had such a big influence 169 00:09:18,559 --> 00:09:22,240 Speaker 2: because like they sang music in English that sounded like Spanish. 170 00:09:22,400 --> 00:09:24,640 Speaker 3: How could you do that? Is what I'm saying, Like. 171 00:09:24,640 --> 00:09:27,400 Speaker 1: I think what you're getting at is that the soul 172 00:09:27,559 --> 00:09:31,760 Speaker 1: of the song feels connected to you in your native language. 173 00:09:32,200 --> 00:09:36,040 Speaker 1: Thank you, let me transfer. 174 00:09:35,760 --> 00:09:37,600 Speaker 2: All of my Yeah, those were all of my words 175 00:09:37,600 --> 00:09:39,400 Speaker 2: for you, guys. That's what I meant to say. 176 00:09:40,040 --> 00:09:42,800 Speaker 1: What he meant is this, the soul of the song 177 00:09:42,920 --> 00:09:45,440 Speaker 1: feels connected to him in his native language of Spanish. 178 00:09:45,480 --> 00:09:50,040 Speaker 1: And I think that same thing applied to other first 179 00:09:50,040 --> 00:09:54,280 Speaker 1: generation or immigrants that were enjoying Spanish music and all 180 00:09:54,320 --> 00:09:56,200 Speaker 1: of a sudden found themselves in cars with their children 181 00:09:56,240 --> 00:09:57,520 Speaker 1: listening to English music. 182 00:09:58,200 --> 00:09:59,640 Speaker 3: I love it because I wonder if they were, like, 183 00:09:59,720 --> 00:10:01,160 Speaker 3: bet do I know Inglass? 184 00:10:01,200 --> 00:10:01,440 Speaker 2: Yeah? 185 00:10:01,440 --> 00:10:02,400 Speaker 3: They were probably know what I mean? 186 00:10:02,559 --> 00:10:04,360 Speaker 1: Well, I think a lot of people, if you think 187 00:10:04,400 --> 00:10:09,120 Speaker 1: about singers, learn a new language by singing the songs, right, 188 00:10:09,520 --> 00:10:12,520 Speaker 1: you can learn a new language by singing songs. My 189 00:10:12,600 --> 00:10:15,320 Speaker 1: mom learned English by watching TV. So it was just 190 00:10:15,360 --> 00:10:18,040 Speaker 1: an extension of that. And you brought up a really 191 00:10:18,280 --> 00:10:22,280 Speaker 1: important part of the nineties that people have probably forgotten about. 192 00:10:22,320 --> 00:10:24,760 Speaker 1: Because I'm gonna call it. He was a one hit wonder, 193 00:10:26,000 --> 00:10:30,640 Speaker 1: John Sicata Sicata, So yes, the year is nineteen ninety two, 194 00:10:31,320 --> 00:10:36,120 Speaker 1: and Laura, with all of her success, her global thing, 195 00:10:36,320 --> 00:10:39,559 Speaker 1: all of the number one hits, saying back up for 196 00:10:39,720 --> 00:10:45,520 Speaker 1: fellow Cuban American John Sicata on just another day. 197 00:10:46,280 --> 00:10:47,280 Speaker 3: Just another day. 198 00:10:48,960 --> 00:10:51,480 Speaker 2: I feel so bad that he last or wherever he is, John, 199 00:10:51,559 --> 00:10:55,960 Speaker 2: we miss you. Do a revival song, do another day song. 200 00:10:56,559 --> 00:11:00,240 Speaker 1: And he, by the way, was just the first a 201 00:11:00,280 --> 00:11:03,640 Speaker 1: long line of musicians that the Stephans would go on 202 00:11:03,760 --> 00:11:07,480 Speaker 1: to help We've talked about that before with Shakira sitting 203 00:11:07,480 --> 00:11:10,280 Speaker 1: down for writing sessions with her for Ricky Martin. So 204 00:11:10,440 --> 00:11:14,120 Speaker 1: clearly this was something that was nay like, helping other 205 00:11:14,200 --> 00:11:17,600 Speaker 1: Latino succeed in the US was something that was innate 206 00:11:17,640 --> 00:11:19,760 Speaker 1: to them. It was natural. It's what they wanted to do. 207 00:11:19,840 --> 00:11:22,439 Speaker 1: They wanted to use their fame, not just to continue 208 00:11:22,480 --> 00:11:24,600 Speaker 1: to rack up number one hits and awards and of 209 00:11:24,600 --> 00:11:26,800 Speaker 1: course all the monies that comes with it, but to 210 00:11:26,840 --> 00:11:29,360 Speaker 1: help their fellow Cubans and their fellow Latinos. It's a 211 00:11:29,360 --> 00:11:29,960 Speaker 1: beautiful thing. 212 00:11:30,240 --> 00:11:34,600 Speaker 3: There are good people out there. Yeah. Sicata had that 213 00:11:34,800 --> 00:11:36,119 Speaker 3: smooth voice. 214 00:11:36,360 --> 00:11:40,959 Speaker 2: I remember giving me a reason, give me a reason 215 00:11:41,360 --> 00:11:46,200 Speaker 2: because I I don't want. 216 00:11:46,480 --> 00:11:48,800 Speaker 3: To say or stay I don't really remember. 217 00:11:48,840 --> 00:11:54,880 Speaker 1: Whatever that was was beautiful. I'm sorry, where's Joseph is? 218 00:11:54,960 --> 00:11:56,439 Speaker 1: Just the day? 219 00:11:57,280 --> 00:11:59,960 Speaker 3: Whatever? John sis Johnson? 220 00:12:00,720 --> 00:12:02,360 Speaker 1: That was amazing And I don't want you to come 221 00:12:02,400 --> 00:12:05,600 Speaker 1: back to me. Stay exactly where you were and stay there. 222 00:12:05,640 --> 00:12:10,920 Speaker 1: Because after helping John Sicata reach US fame, Gloria released 223 00:12:10,920 --> 00:12:15,600 Speaker 1: her first Spanish language album, Meet Thiira as a solo artist. 224 00:12:16,080 --> 00:12:18,320 Speaker 1: It was an instant hit. It peaked at number twenty 225 00:12:18,360 --> 00:12:20,720 Speaker 1: seven on the Billboard Album Chart and number one on 226 00:12:20,800 --> 00:12:24,840 Speaker 1: the Top Latin Albums chart in the US. The singles Mitthieira, 227 00:12:24,960 --> 00:12:29,679 Speaker 1: the romantic tropical ballad Go and Me buen More all 228 00:12:29,720 --> 00:12:32,679 Speaker 1: climbed to number one on the Hot Latin. 229 00:12:32,400 --> 00:12:37,959 Speaker 2: Tracks Chartgallon is one of the most romantic songs ever. 230 00:12:38,640 --> 00:12:41,200 Speaker 1: Don't you think it's beautiful? 231 00:12:42,200 --> 00:12:43,920 Speaker 3: Will you sing that? No? I will not. 232 00:12:44,040 --> 00:12:47,400 Speaker 1: I will spare our listeners the pain and I will 233 00:12:47,600 --> 00:12:51,240 Speaker 1: not can be. And I also won't disrespect Clodia like that. 234 00:12:51,400 --> 00:12:53,679 Speaker 1: Nobody wants to hear me saying except my son, and 235 00:12:53,760 --> 00:12:54,320 Speaker 1: even then. 236 00:12:54,240 --> 00:12:59,240 Speaker 2: Take down, make look at you. I'm not going to 237 00:12:59,320 --> 00:13:02,320 Speaker 2: go more because I can't sing like her. I'm just 238 00:13:02,360 --> 00:13:05,720 Speaker 2: gonna say that one part. I mean, if someone dedicates 239 00:13:05,760 --> 00:13:08,720 Speaker 2: this song to you, it's like your lovers from other 240 00:13:08,920 --> 00:13:10,000 Speaker 2: lifetimes who. 241 00:13:09,800 --> 00:13:12,800 Speaker 3: Get to meet again. Don't you think it's like love 242 00:13:13,360 --> 00:13:14,160 Speaker 3: love love. 243 00:13:14,120 --> 00:13:16,880 Speaker 1: It's like another type of love. It's like in another life, 244 00:13:16,920 --> 00:13:19,720 Speaker 1: love bringing itself into the present. Like it's what her 245 00:13:19,800 --> 00:13:22,160 Speaker 1: and Emelia have, It's what we all wish we had. 246 00:13:22,679 --> 00:13:23,240 Speaker 3: I want that. 247 00:13:27,480 --> 00:13:31,680 Speaker 1: The album went on to sell over eight million copies worldwide, 248 00:13:31,920 --> 00:13:34,320 Speaker 1: and it went on to become multi platinum in Spain. 249 00:13:34,559 --> 00:13:37,760 Speaker 1: And in the US, and it earned the Grammy Award 250 00:13:38,000 --> 00:13:40,160 Speaker 1: for Best Tropical Latin Album. 251 00:13:40,679 --> 00:13:43,760 Speaker 2: And you forgot because she looks absolutely gorgeous with that 252 00:13:43,880 --> 00:13:44,920 Speaker 2: twenties haired you. 253 00:13:45,679 --> 00:13:49,240 Speaker 3: It's vintage, it's classy, very Hollywood. 254 00:13:49,360 --> 00:13:53,600 Speaker 2: It's giving Maria Felix or the Lords Delrio such. 255 00:13:53,400 --> 00:13:57,680 Speaker 1: A good reference as Joseph Una Diva in the true 256 00:13:57,679 --> 00:13:58,360 Speaker 1: sense of the word. 257 00:13:58,480 --> 00:13:59,080 Speaker 3: That's right. 258 00:14:00,480 --> 00:14:03,440 Speaker 1: You think Glodia would take a break given all her success, 259 00:14:03,679 --> 00:14:07,000 Speaker 1: but she didn't stop working for a second. After Midiira, 260 00:14:07,240 --> 00:14:09,360 Speaker 1: she released her first Christmas album. 261 00:14:09,720 --> 00:14:12,840 Speaker 2: This was the first album Emilio didn't produce, and you 262 00:14:12,880 --> 00:14:16,080 Speaker 2: can tell. I mean it was good, but it's definitely 263 00:14:16,240 --> 00:14:19,840 Speaker 2: not Latino at all, like zero, no Satasa, no spice, 264 00:14:20,000 --> 00:14:26,280 Speaker 2: no cozy Latin vibes, and na this sena and it's. 265 00:14:26,080 --> 00:14:28,680 Speaker 1: What are cozy Latin vibes? How do I get that 266 00:14:28,720 --> 00:14:29,360 Speaker 1: in my house? 267 00:14:29,720 --> 00:14:31,480 Speaker 3: You know? They just exist? 268 00:14:32,640 --> 00:14:35,000 Speaker 1: Oh my god, you're so funny. I love you, and yes, 269 00:14:35,080 --> 00:14:38,520 Speaker 1: I agree with you. But This Christmas and Silent Night 270 00:14:38,680 --> 00:14:41,440 Speaker 1: did go platinum in the US, So while it might 271 00:14:41,480 --> 00:14:44,720 Speaker 1: not be your favorite Christmas album, but the singles This 272 00:14:44,840 --> 00:14:47,960 Speaker 1: Christmas and Silent Night went platinum in the US, so 273 00:14:48,240 --> 00:14:51,360 Speaker 1: it was liked by many. Did you know that almost 274 00:14:51,440 --> 00:14:53,520 Speaker 1: every year in the nineties she released an. 275 00:14:53,400 --> 00:14:57,040 Speaker 3: Album Wait for Real? That's like five hundred and eighty 276 00:14:57,080 --> 00:14:59,239 Speaker 3: six years. 277 00:14:59,080 --> 00:15:02,560 Speaker 1: She remade disco hits from her past. She did another 278 00:15:02,640 --> 00:15:06,000 Speaker 1: Spanish album, I Mean this Woman didn't stop. 279 00:15:06,760 --> 00:15:09,280 Speaker 2: She made the official theme of the nineteen ninety six 280 00:15:09,400 --> 00:15:13,040 Speaker 2: Atlanta Summer Olympics, Reach, which she would perform at the 281 00:15:13,040 --> 00:15:16,200 Speaker 2: Summer Olympics closing ceremony. I mean, can we all agree 282 00:15:16,240 --> 00:15:20,800 Speaker 2: you should become officially a Latin institution? Uh? 283 00:15:21,120 --> 00:15:24,360 Speaker 1: Yes, we are all in agreement for sure. And after 284 00:15:24,400 --> 00:15:26,640 Speaker 1: the accident, it did take her five years to go 285 00:15:26,680 --> 00:15:29,520 Speaker 1: back on the road, but her comeback was for the 286 00:15:29,720 --> 00:15:35,160 Speaker 1: entire world to see. The Evolution World Tour covered the US, Canada, Europe, 287 00:15:35,400 --> 00:15:39,240 Speaker 1: Latin America, Australia and Asia. Wow. 288 00:15:39,600 --> 00:15:43,760 Speaker 3: Before the decade ended, she had released twenty one records 289 00:15:43,800 --> 00:15:45,640 Speaker 3: if we include the Miami Saw Machine ones. 290 00:15:45,840 --> 00:15:49,240 Speaker 2: This woman was all whack whack, whack, whack whack Why. 291 00:15:50,120 --> 00:15:53,440 Speaker 1: And just before the year two k she said goodbye 292 00:15:53,520 --> 00:15:56,960 Speaker 1: to the century by performing at the Super Bowl thirty 293 00:15:57,040 --> 00:16:00,200 Speaker 1: three halftime show. And yes, if you're keeping track, that 294 00:16:00,400 --> 00:16:02,280 Speaker 1: was her second appearance. 295 00:16:03,040 --> 00:16:05,240 Speaker 3: This was a big deal. I mean she was on 296 00:16:05,360 --> 00:16:11,160 Speaker 3: the world's biggest stage twice. Not one Latino can say that. 297 00:16:11,960 --> 00:16:13,960 Speaker 1: And just to give it some context for you guys. 298 00:16:14,240 --> 00:16:16,520 Speaker 1: Before her, the Latinos who had made it to the 299 00:16:16,560 --> 00:16:19,480 Speaker 1: halftime show were some performers from Up with the People 300 00:16:19,520 --> 00:16:22,920 Speaker 1: in the seventies and eighties, and Jordan Knight who is 301 00:16:23,040 --> 00:16:28,280 Speaker 1: Puerto Rican and of course a member of NKOTB. New 302 00:16:28,360 --> 00:16:30,920 Speaker 1: Kids on the Block for all of you youngins. 303 00:16:30,680 --> 00:16:34,040 Speaker 3: Yes, exactly, new Kids on the Block. You still have 304 00:16:34,120 --> 00:16:35,640 Speaker 3: the post strap, don't you. I do. 305 00:16:36,120 --> 00:16:41,120 Speaker 1: And before this there was no big Latino star that 306 00:16:41,560 --> 00:16:45,080 Speaker 1: could have performed in the Super Bowl. Glordia paved the 307 00:16:45,200 --> 00:16:47,800 Speaker 1: way for I don't want to say it, so I'm 308 00:16:47,840 --> 00:16:48,840 Speaker 1: going to let you say. 309 00:16:48,640 --> 00:16:51,120 Speaker 3: It, the Latin Explosion. 310 00:17:02,640 --> 00:17:05,560 Speaker 1: Glodia Stephan was the first Latina to be at the 311 00:17:05,640 --> 00:17:08,680 Speaker 1: center stage of the Super Bowl halftime show. Her reach 312 00:17:08,800 --> 00:17:12,720 Speaker 1: to stardom paved the way for so many Latino musicians. 313 00:17:13,160 --> 00:17:16,520 Speaker 2: Henny, she brought up spice and made that road slay in. 314 00:17:16,880 --> 00:17:20,520 Speaker 2: I mean to sing with the coolest boy band baby. 315 00:17:20,320 --> 00:17:21,240 Speaker 3: Bye Bye Bye. 316 00:17:22,520 --> 00:17:26,480 Speaker 1: That's right, I forgot. Glodia performed with in sync on 317 00:17:26,560 --> 00:17:29,000 Speaker 1: the single Music of My Heart which is a song 318 00:17:29,080 --> 00:17:31,520 Speaker 1: featured in the film Music of the Heart, in which 319 00:17:31,560 --> 00:17:34,960 Speaker 1: she also appeared. This song peaked at number two on 320 00:17:35,040 --> 00:17:38,800 Speaker 1: the Billboard chart and was nominated for an Academy Award. 321 00:17:39,320 --> 00:17:41,879 Speaker 3: Did you watch Music of the Heart, because I have 322 00:17:42,000 --> 00:17:43,520 Speaker 3: to tell you I did not. 323 00:17:45,160 --> 00:17:48,600 Speaker 1: It's, first of all, it's Meryl Streep, so yes I have. 324 00:17:49,119 --> 00:17:50,600 Speaker 3: Oh that would change my mind. 325 00:17:50,680 --> 00:17:53,520 Speaker 1: Though, yes, well it's a big deal. I mean, if 326 00:17:53,560 --> 00:17:55,720 Speaker 1: you're acting next to Meryl Streep, I don't know that 327 00:17:55,800 --> 00:17:58,160 Speaker 1: it matters what I think of your acting skills because 328 00:17:58,800 --> 00:18:03,160 Speaker 1: Meryll co signed you being in this film, so it's 329 00:18:03,200 --> 00:18:07,119 Speaker 1: her debut film as an actress, which is a big deal. Again, like, 330 00:18:07,200 --> 00:18:09,520 Speaker 1: if you're sharing the screen with Meryl Streep, I'm having 331 00:18:09,640 --> 00:18:14,440 Speaker 1: so much imposter syndrome. But Gloria actually is really good 332 00:18:14,480 --> 00:18:17,359 Speaker 1: in it. I mean, Meryl got an Oscar nomination for it, 333 00:18:17,560 --> 00:18:20,639 Speaker 1: and Glodia got a nomination for a song in it. 334 00:18:20,960 --> 00:18:25,960 Speaker 1: So it's good. It's not great, not my favorite. 335 00:18:25,880 --> 00:18:28,879 Speaker 2: When it's also Gloria. I'll say this, she has been performing, 336 00:18:29,000 --> 00:18:30,560 Speaker 2: like not that you're an actor in a singer, but 337 00:18:30,680 --> 00:18:34,200 Speaker 2: she's been performing for a very long time that I 338 00:18:34,200 --> 00:18:36,920 Speaker 2: imagine she's able to go into a character, is what 339 00:18:37,040 --> 00:18:39,600 Speaker 2: I'll say that, not that this came easy, but for 340 00:18:39,720 --> 00:18:42,440 Speaker 2: her to be next to Meryl Streep, did it feel 341 00:18:42,600 --> 00:18:44,800 Speaker 2: to you? Did it look like she was acting or 342 00:18:44,840 --> 00:18:46,560 Speaker 2: were you like WHOA? I kind of believe this. 343 00:18:47,560 --> 00:18:49,840 Speaker 1: I felt like she was acting. But I think it's 344 00:18:49,920 --> 00:18:55,199 Speaker 1: hard to be on screen next to Meryl. And by 345 00:18:55,200 --> 00:18:57,920 Speaker 1: the way, it's also like Angela Bassett. I mean, it's 346 00:18:58,440 --> 00:19:00,600 Speaker 1: there's a lot of really good people in this film. 347 00:19:00,760 --> 00:19:03,520 Speaker 1: But I will say good for her, and by the way, 348 00:19:03,600 --> 00:19:05,919 Speaker 1: I love her and Father of the Bride. 349 00:19:05,720 --> 00:19:08,160 Speaker 3: Too, So I did see that one. 350 00:19:08,400 --> 00:19:10,960 Speaker 1: It's very good. It's so I love her as an actress. 351 00:19:11,000 --> 00:19:13,840 Speaker 1: I say, go for it, Glodia, do all of those things. 352 00:19:13,920 --> 00:19:15,520 Speaker 1: I don't want to put people in a box. I'm 353 00:19:15,560 --> 00:19:17,200 Speaker 1: not putting her in a box. You go out and 354 00:19:17,280 --> 00:19:21,960 Speaker 1: do whatever makes your heart happy, and her success would continue. 355 00:19:22,119 --> 00:19:26,680 Speaker 1: In twenty eleven, she released a song produced by Pharrell Williams. 356 00:19:26,359 --> 00:19:32,320 Speaker 2: Can talk about being musically pluri potential, pop checked, belcanto, done, 357 00:19:32,640 --> 00:19:33,199 Speaker 2: jazz a. 358 00:19:33,359 --> 00:19:36,520 Speaker 1: You got it, Oh, and of course don't forget acting, Joseph. 359 00:19:37,680 --> 00:19:39,760 Speaker 1: She also gave her voice to a song in the 360 00:19:39,840 --> 00:19:43,840 Speaker 1: Lynn Manuel Miranda movie Vivo and made cameos on Fraser 361 00:19:43,920 --> 00:19:48,400 Speaker 1: Niptuck Lee. And lastly, let's talk about our favorite Glodia movie, 362 00:19:48,760 --> 00:19:51,560 Speaker 1: Father of the Bride with Andy Garcia. 363 00:19:52,240 --> 00:19:53,720 Speaker 3: Really and like, is that all? 364 00:19:55,359 --> 00:20:01,000 Speaker 1: It's Gloria. We're not done yet. Funds have made themselves 365 00:20:01,119 --> 00:20:06,560 Speaker 1: a household name, not only in music but everywhere. Glodia 366 00:20:06,600 --> 00:20:10,399 Speaker 1: and Emilio aren't just about the music. They own restaurants, hotels. 367 00:20:10,880 --> 00:20:12,879 Speaker 3: I heard she even wrote children's books. 368 00:20:13,280 --> 00:20:16,920 Speaker 1: Oh yeah, that's right. She authored two children's books, The 369 00:20:17,040 --> 00:20:22,520 Speaker 1: Magically Mysterious Adventures of Noel the Bulldog and Noel's Treasure Tale. FYI, 370 00:20:23,000 --> 00:20:26,159 Speaker 1: that last one is a New York Times bestseller. 371 00:20:26,680 --> 00:20:30,000 Speaker 2: She is a She also wrote a cookbook called Estefan Kitchen. 372 00:20:30,800 --> 00:20:33,360 Speaker 2: Tell me how does she find time to do all 373 00:20:33,440 --> 00:20:36,359 Speaker 2: of this? Is she everything everywhere all at once? 374 00:20:37,440 --> 00:20:40,320 Speaker 1: I love that movie. And she's an icon. Joseph, you 375 00:20:40,400 --> 00:20:42,920 Speaker 1: know that sign or that meme that always says, like, 376 00:20:43,359 --> 00:20:47,240 Speaker 1: even Beyonce has twenty four hours in a day, it 377 00:20:47,320 --> 00:20:51,160 Speaker 1: doesn't matter. Those twenty four hours are exponentially better when 378 00:20:51,240 --> 00:20:54,800 Speaker 1: you're Beyonce or when you're someone like Gloria. They just 379 00:20:54,920 --> 00:21:00,480 Speaker 1: never stop. Simply put, she's an icon. Joseph of I 380 00:21:00,680 --> 00:21:03,120 Speaker 1: know it. You know it, our listeners know it. Even 381 00:21:03,200 --> 00:21:06,600 Speaker 1: Barack Obama knows it. He awarded the Stephans with the 382 00:21:06,680 --> 00:21:10,480 Speaker 1: Presidential Medal of Freedom in twenty fifteen and said this, 383 00:21:11,440 --> 00:21:14,480 Speaker 1: some worried they were two American for Latins and two 384 00:21:14,640 --> 00:21:19,000 Speaker 1: Latin for Americans. Turns out everybody just wanted to dance 385 00:21:19,200 --> 00:21:20,120 Speaker 1: and do the gunga. 386 00:21:23,119 --> 00:21:28,639 Speaker 3: Basically, she is topped everything like what's missing? 387 00:21:29,080 --> 00:21:31,720 Speaker 1: Not a lot. But this year I will say she 388 00:21:32,040 --> 00:21:36,120 Speaker 1: also took another top honor and became the first Latina 389 00:21:36,280 --> 00:21:40,280 Speaker 1: inducted into the Songwriters Hall of Fame. So as for 390 00:21:40,400 --> 00:21:44,920 Speaker 1: what's next for Santa Glodia, well that's a whole other episode. 391 00:21:48,800 --> 00:21:50,560 Speaker 3: On the next Becoming an Icon. 392 00:21:51,960 --> 00:21:55,120 Speaker 1: Join us along with our very special guest to chat 393 00:21:55,200 --> 00:21:58,600 Speaker 1: more about the legacy of Gloria and Emilio Stefan, not 394 00:21:58,800 --> 00:22:07,480 Speaker 1: just in music, but also in our kamuni that Becoming 395 00:22:07,520 --> 00:22:11,160 Speaker 1: an Icon is presented by Sonoo and Iheart's Michael Duda 396 00:22:11,280 --> 00:22:15,960 Speaker 1: podcast network. Listen to Becoming an Icon on the iHeartRadio app, 397 00:22:16,119 --> 00:22:19,320 Speaker 1: Apple podcast, or wherever you get your podcast