WEBVTT - Xtras: Arcane Ep 104 and 105

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<v Speaker 1>Today's episode contains spoilers for episode four and five of

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<v Speaker 1>Arcane season one. Watch those before you listen today, or don't.

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<v Speaker 1>I don't know. Hey everyone, I'm.

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<v Speaker 2>A Boo and I'm Aaron and.

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<v Speaker 1>Welcome to x ray Vision Extras, an X ray Vision

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<v Speaker 1>series where we dive deep into even more of your

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<v Speaker 1>favorite shows, movies, comics, and pop culture. Every superhero team

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<v Speaker 1>needs sade quests, and our rotating panel of producers and

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<v Speaker 1>guest hosts will be suiting up to help Jason and

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<v Speaker 1>Rosie cover all of the amazing nerd content out there.

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<v Speaker 2>Speaking of guest hosts, we have a guest with us today.

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<v Speaker 2>It's not just you and I today, aboo, that's right,

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<v Speaker 2>We have the wonderful Joel here to join us.

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<v Speaker 3>Hey.

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<v Speaker 1>Cool, Okay, so you're seeing her too, not just in

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<v Speaker 1>my imagination.

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<v Speaker 2>Yeah, this is not a JINX haunting happening for you.

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<v Speaker 2>Don't worry.

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<v Speaker 3>Oh my god. Yeah.

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<v Speaker 4>You said you were talking about Arcane and I missed

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<v Speaker 4>out and I was upset about it, and I was like,

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<v Speaker 4>I have to make time in space for round two.

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<v Speaker 3>So I'm excited to be here.

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<v Speaker 1>We're excited to have you here.

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<v Speaker 2>Well, makes sense that you would be joining us after

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<v Speaker 2>the time jump, so you're joining us in our more

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<v Speaker 2>adult forms. And we're back now with episodes four and five,

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<v Speaker 2>continuing our rewatch of Arcane season one in the lead

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<v Speaker 2>up to season two coming out on November ninth.

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<v Speaker 1>That's right, And Aaron, I think folks know the drill

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<v Speaker 1>by now, so maybe today we just got right into it.

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<v Speaker 2>Let's spend maybe twenty five minutes just belaboring the point.

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<v Speaker 1>Yeah, I agree. How was your weekend? All right? All right?

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<v Speaker 2>Arcane one oh four, Episode one oh four, Happy Progress Day.

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<v Speaker 2>What a difference an episode makes, or in this case

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<v Speaker 2>a Netflix credit skip intro because we're skipping the intro obviously.

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<v Speaker 2>We are back in pilt Over the day before Progress Day,

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<v Speaker 2>which is a very important holiday here, and Jason Victor's

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<v Speaker 2>work with hex Tech has completely revolutionized Piltover and has

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<v Speaker 2>established the city as an economic powerhouse, specifically thanks to

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<v Speaker 2>the Heck Gates, which are teleportation easy transport transit between

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<v Speaker 2>major cities. And Heimer Dinger comes in talking to Jase

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<v Speaker 2>and he asks him to be the keynote speaker at

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<v Speaker 2>Progress Day this year. And this is a shock because,

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<v Speaker 2>as we learn, Heimer Dinger has been the speakrit Progress

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<v Speaker 2>Day for I forget how long, but an incredibly long

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<v Speaker 2>amount of time.

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<v Speaker 1>Yeah, he's old enough that I think he has also

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<v Speaker 1>forgotten how long?

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<v Speaker 2>Yes, I think when Heimerdinger started doing I also have

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<v Speaker 2>such a hard time saying his name. When heimer Dinger

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<v Speaker 2>started speeches at Progress Day, we were in like, I

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<v Speaker 2>don't know, early Britney Spears catalog. Yeah, and we have

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<v Speaker 2>now reached like Sabrina Carpenter.

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<v Speaker 1>Right, Hammerdinger remembers when Toxic dropped.

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<v Speaker 2>Wow, that's not even early Britney Spears. A boom. We

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<v Speaker 2>gotta go over this later. Toxic is not early Brittany.

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<v Speaker 1>All right, I'm watching Joelle just collapse to her chair

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<v Speaker 1>on the screen.

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<v Speaker 3>There you call me.

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<v Speaker 1>So. At the Progress Day fair slash Ces, the people

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<v Speaker 1>of Piltover are enjoying demonstrations of all this new gadgetry

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<v Speaker 1>that the great inventors of this city have to show off. Meanwhile,

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<v Speaker 1>missus Kerman is boasting about Jase. She is, of course,

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<v Speaker 1>his patron has helped him get to this spot. Presumably

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<v Speaker 1>she is boasting about Jase to this gathered crowd. It's

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<v Speaker 1>very clear to us by this point that Jace is

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<v Speaker 1>the golden boy of this city. His face is plastered

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<v Speaker 1>all over everything. Jace excuses himself from the crowd and

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<v Speaker 1>goes over to bug Kate, who we learn is now

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<v Speaker 1>an enforcer against the best wishes of her parents, which

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<v Speaker 1>you love to see.

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<v Speaker 2>And I think we didn't really get enough Kate in

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<v Speaker 2>the first couple episodes. I'm excited to see a lot

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<v Speaker 2>more of her in this episode, and obviously her role

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<v Speaker 2>grows in next episode even more. But it's good to

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<v Speaker 2>start getting more of her here, agree, And she's not

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<v Speaker 2>just like sitting at the edge of the gate reading

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<v Speaker 2>waiting for Jace to come talk to her kind of thing. Meanwhile,

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<v Speaker 2>Soko's crew is attempting to smuggle more Shimmer through the

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<v Speaker 2>port and this very strange The shipping guard or whatever

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<v Speaker 2>is trying to find the shipping manifest and he can't

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<v Speaker 2>find it. Oh wait, there it is. That's a strangely

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<v Speaker 2>shaped manifest that looks like a heavy bag of coins.

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<v Speaker 2>That makes sense.

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<v Speaker 1>How do you show that on your taxes?

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<v Speaker 2>I wonder, Yeah, I think you don't. I think that's

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<v Speaker 2>the best part of it. Yeah, you can't file that

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<v Speaker 2>on ajan R block.

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<v Speaker 1>Ohways, smuggling one on one. You don't do your taxes, Yeah,

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<v Speaker 1>you don't do your taxes.

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<v Speaker 2>However, the shipment is attacked by rival gang, the Firelights.

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<v Speaker 2>They come in, they have the upper hand and they

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<v Speaker 2>try going below deck to get the goods. And who

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<v Speaker 2>should we find but Powder, who is clearly no longer

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<v Speaker 2>the innocent child, like not even damsel in distress, like

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<v Speaker 2>the little kid in distress, because now she has an

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<v Speaker 2>enormous gatling gun. The fight ensues. She blows up a

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<v Speaker 2>bunch of stuff and she unmasks one of the firelights,

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<v Speaker 2>who is a girl with pink hair, and she immediately

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<v Speaker 2>loses it, thinking it's VI it's not, but she just

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<v Speaker 2>completely is thrown off by this, unloads the gun everywhere.

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<v Speaker 2>It's just shooting everything up. Some of the Firelights escape

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<v Speaker 2>and the ship is basically destroyed in the process.

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<v Speaker 3>The reveal of Jinx is so delicious.

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<v Speaker 4>Yes, she's so fabulous, Like the long braids, the entire

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<v Speaker 4>like character design, just using really all of her trauma

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<v Speaker 4>as visible armor.

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<v Speaker 3>In like her.

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<v Speaker 4>Stance, like she stands like a kid like pigeon toad.

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<v Speaker 4>You know, she keeps this hairstyle, she never changed.

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<v Speaker 2>She has almost no armor.

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<v Speaker 3>Yeah, That's what I'm.

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<v Speaker 4>Saying though, Like it's not a physical arm, she's not

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<v Speaker 4>physically trying to protect herself, but as like her persona

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<v Speaker 4>is armor, Like she wears entirely all of her damage

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<v Speaker 4>as like an fie to everybody. She's like, then I'll

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<v Speaker 4>just explode. If it's gonna be bad, it'll be the

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<v Speaker 4>fucking worst. I'll be the best at being the most

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<v Speaker 4>awful and have that swing in a character that you

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<v Speaker 4>initially have so much love for, to just drop back

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<v Speaker 4>into her life in a point where you were like, oh,

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<v Speaker 4>you're just a straight terrorist but also not mentally well

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<v Speaker 4>at all, like you deeply need help, but also please

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<v Speaker 4>don't kill people.

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<v Speaker 3>Like it's a whole like hot mess.

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<v Speaker 4>I just have so much respect for the artists and

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<v Speaker 4>how they evolve the character into literally another person for

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<v Speaker 4>us to sort of fall in love with all over again.

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<v Speaker 4>To be honest, if you know where the series goes,

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<v Speaker 4>not skipping ahead, but it's just it's just total like

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<v Speaker 4>to love fest for Powder Slash Jinks.

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<v Speaker 2>I will say along the lines of keeping her a

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<v Speaker 2>little off kilter, and she is this dangerous person now

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<v Speaker 2>who's very exposed. She's wearing like no sleeves since she

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<v Speaker 2>just has tattoos all over. Her pigtails are way too long,

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<v Speaker 2>and I think that that adds to the sense as

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<v Speaker 2>she's whirling around with this gatling gun, like her hair

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<v Speaker 2>is everywhere. It's like dashboard confessional, Like there's too much

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<v Speaker 2>going on with her, and that I think adds to

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<v Speaker 2>us being a little We're drawn into her, but we're

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<v Speaker 2>also thrown off by her because she is she's off

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<v Speaker 2>the hook. Yeah here, that's not the right phrase, but

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<v Speaker 2>she's got me. I've lost my breath thinking about her

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<v Speaker 2>shooting this gatling gun. Yeah, basically because she's aiming at fine.

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<v Speaker 1>Yeah. I wish I could remember my first reaction to

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<v Speaker 1>seeing Jinx and my first reaction to the time skip. Obviously,

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<v Speaker 1>on this rewatch, I knew what was coming, but I

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<v Speaker 1>vaguely remember just being shocked that we had skipped forward

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<v Speaker 1>in time and that everyone had gotten older, and that

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<v Speaker 1>this is what had become of powder.

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<v Speaker 2>And the last time we see her, she's crying. She's

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<v Speaker 2>like heartbroken, her sister has just left her. She's like

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<v Speaker 2>huddled as the smallest possible thing you can imagine. And

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<v Speaker 2>the next time we see her, she's maniacally laughing, and

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<v Speaker 2>she's blowing up all these people and shooting them.

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<v Speaker 1>Also, speaking of character design, I also wanted to call

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<v Speaker 1>out the firelights. How cool are the firelights?

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<v Speaker 3>So cool?

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<v Speaker 1>I mean, hoverr skateboard is like my childhood fascination. Even

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<v Speaker 1>as an adult, I've always wanted an electric skateboard, but

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<v Speaker 1>I haven't made the plunge. Hover skateboards are the next

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<v Speaker 1>best thing. Yes, and I love that the firelights. This

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<v Speaker 1>is maybe me reading too much into the character design,

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<v Speaker 1>maybe not, but when they put their hoverboards on their back,

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<v Speaker 1>they continue to glow because of the little hover of things,

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<v Speaker 1>and so they look like fireflies. Yeah, with lights on

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<v Speaker 1>their back.

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<v Speaker 2>Although the mask gives me Batman cord of the Owls five,

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<v Speaker 2>it does.

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<v Speaker 3>And I'm okay with it. They look cool.

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<v Speaker 4>They said, you know what, that's a dope design and

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<v Speaker 4>they're not doing enough at Court of the Owls and

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<v Speaker 4>mainstream popular culture, so we'll just borrow it subtly. Well,

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<v Speaker 4>it's fine, it's fine. Yeah, In the same way that

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<v Speaker 4>they were like, we love Static Shock. Yeah, we're dropping

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<v Speaker 4>them in this series. We love him, he can stay.

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<v Speaker 4>We'll give him a new name, update his design. Just

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<v Speaker 4>a little bit and he can still hang out and

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<v Speaker 4>it's great. I love when fandom has crossovers like this

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<v Speaker 4>is great for sure.

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<v Speaker 1>Okay, back to our recap. Back in Piltover, Chase and

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<v Speaker 1>Victor show Heimerdinger their newest breakthrough. They have created hex

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<v Speaker 1>Tech for the masses, a hex Tech gemstone that's safe

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<v Speaker 1>to use. This very safe. We promise very safe, am

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<v Speaker 1>I saying safe enough? This very safe technology is an

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<v Speaker 1>easily accessible version of hex Tech and they show it

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<v Speaker 1>off to Heimerdinger in the form of power gauntlets that

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<v Speaker 1>would help for example.

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<v Speaker 2>Miners, Yeah, totally.

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<v Speaker 1>And also they show it off in the form of

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<v Speaker 1>a doc oc esque laser arm thing that shoots lasers

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<v Speaker 1>that would help who knows who, I don't.

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<v Speaker 2>Yeah, I think, he says, architects. I think he said,

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<v Speaker 2>I forget exactly.

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<v Speaker 1>But it just shoots lasers.

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<v Speaker 2>Yeah, No, it shoots lasers. Yeah.

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<v Speaker 1>Now, Heimerdinger obviously very concerned about allowing this type of

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<v Speaker 1>power out into the masses, to have everyone have access

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<v Speaker 1>to what are effectively weapons. He has basically been shown

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<v Speaker 1>these weapons and he wants them to be cautious about

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<v Speaker 1>their approach. Obviously, Jason Victor are a little more hot headed,

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<v Speaker 1>and we're hoping to get this out on Facebook marketplace.

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<v Speaker 2>Like today, He's like, I'm going live on Instagram. I

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<v Speaker 2>gotta show this off man before I even do the

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<v Speaker 2>speech today. I do think it's interesting from this, we

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<v Speaker 2>basically get the idea that Victor and Jase are still

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<v Speaker 2>the only game in town when it comes to Hextech.

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<v Speaker 2>We don't see anyone else next, I mean, later on

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<v Speaker 2>we see some other people working in the lab with them,

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<v Speaker 2>but they are still the be all end all of

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<v Speaker 2>the sex Tech research. And I can't think of any

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<v Speaker 2>time when in real history when a single person having

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<v Speaker 2>all of the technology has ever been a bad thing. No,

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<v Speaker 2>you know, a monopoly on advancement. Sure, I think that

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<v Speaker 2>seems great for everyone involved.

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<v Speaker 4>They can help the whole world as soon as they

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<v Speaker 4>get on their level, you know, right, exactly assimilarly, we're

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<v Speaker 4>all gonna be good.

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<v Speaker 3>It's great.

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<v Speaker 2>Yeah, I am hex tech man.

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<v Speaker 1>Yeah.

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<v Speaker 3>No.

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<v Speaker 1>I like to think Jase went to the patent office

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<v Speaker 1>like the day after they cracked the formula. Right, Like

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<v Speaker 1>we talked in the last episode about good branding, Chase,

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<v Speaker 1>my guy knows that branding is the key to success.

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<v Speaker 1>I think he also knows you lock those patents down

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<v Speaker 1>as soon as you get them.

0:11:11.040 --> 0:11:13.840
<v Speaker 2>Joelle, this is something we gotta prep you for. Aboo

0:11:14.640 --> 0:11:17.880
<v Speaker 2>is thirsty for Jase in a way that makes it?

0:11:18.080 --> 0:11:18.160
<v Speaker 4>Oh?

0:11:18.320 --> 0:11:20.080
<v Speaker 3>Is it thirsty for Jase? Aaron?

0:11:20.120 --> 0:11:21.719
<v Speaker 2>Are you not on the Jase train in a way

0:11:21.760 --> 0:11:23.840
<v Speaker 2>that makes up for me? I am not on the

0:11:23.920 --> 0:11:24.520
<v Speaker 2>Jay's train?

0:11:25.240 --> 0:11:28.520
<v Speaker 3>Okay, wait, pause, explain to me how you are not.

0:11:29.160 --> 0:11:31.800
<v Speaker 4>I don't even like straight couples in the way Jase

0:11:31.920 --> 0:11:35.480
<v Speaker 4>and his new love interest will discuss soon. I was like, oh,

0:11:35.559 --> 0:11:38.520
<v Speaker 4>I am here for this couple. I love a power

0:11:38.559 --> 0:11:40.800
<v Speaker 4>couple on a trip. Oh yeah, what are we not

0:11:40.840 --> 0:11:42.120
<v Speaker 4>liking about jasonn.

0:11:41.880 --> 0:11:44.400
<v Speaker 2>Okay, I mean, let's talk about we're jumping ahead, but

0:11:44.440 --> 0:11:47.400
<v Speaker 2>let's talk about Jace and his lady love and this

0:11:47.480 --> 0:11:51.600
<v Speaker 2>power couple. I personally think there's nothing more romantic than

0:11:51.880 --> 0:11:56.720
<v Speaker 2>getting intimate with someone overlaid, with visions of blood joining

0:11:56.760 --> 0:12:00.480
<v Speaker 2>with technology from my partner who's coughing up the blood. Yeah,

0:12:00.840 --> 0:12:04.000
<v Speaker 2>just a perfect way for me to envision sexy times.

0:12:04.040 --> 0:12:05.520
<v Speaker 1>You aren't just like a little bit turned on?

0:12:07.880 --> 0:12:08.199
<v Speaker 3>All right?

0:12:08.240 --> 0:12:10.920
<v Speaker 1>Whatever floats your boat, Aaron, got a weird that that

0:12:10.920 --> 0:12:11.800
<v Speaker 1>didn't get you with it.

0:12:12.000 --> 0:12:15.679
<v Speaker 4>Listen, we are in a fantasy world and here morals

0:12:15.920 --> 0:12:18.560
<v Speaker 4>don't have to impact actual lives, so we can be

0:12:19.120 --> 0:12:23.360
<v Speaker 4>excited by Jase discovering his mental powers can have Actually,

0:12:23.360 --> 0:12:25.959
<v Speaker 4>he's like, oh wow, I'm actively living my dream.

0:12:26.120 --> 0:12:26.679
<v Speaker 3>Surprised.

0:12:26.880 --> 0:12:29.160
<v Speaker 4>It's so much harder than I thought it would be

0:12:29.320 --> 0:12:33.079
<v Speaker 4>to navigate secondary shock. This partner that I've always been

0:12:33.240 --> 0:12:34.479
<v Speaker 4>cool keeping pace.

0:12:34.280 --> 0:12:36.960
<v Speaker 3>With right our visions are veered.

0:12:37.480 --> 0:12:41.360
<v Speaker 4>I'm romantically linked to a woman who has power ideas

0:12:41.400 --> 0:12:45.199
<v Speaker 4>of her own, and I understand the barricades in front

0:12:45.240 --> 0:12:48.400
<v Speaker 4>of our technology and how to remove them. But my

0:12:48.440 --> 0:12:50.240
<v Speaker 4>partner's not focused on that and doesn't want to think

0:12:50.240 --> 0:12:52.560
<v Speaker 4>about that. They're like, there are people who need help.

0:12:52.679 --> 0:12:54.240
<v Speaker 4>Fuck the red tape, Like, I'll just take it to

0:12:54.280 --> 0:12:58.439
<v Speaker 4>the people. And I love that split for Jase because

0:12:58.480 --> 0:13:01.400
<v Speaker 4>I think, to me, that's just very real and identifiable

0:13:01.480 --> 0:13:03.080
<v Speaker 4>as somebody who's like, oh, I want to do the

0:13:03.120 --> 0:13:05.319
<v Speaker 4>most good and then trying to figure out like how

0:13:05.320 --> 0:13:06.360
<v Speaker 4>to work in bureaucracy.

0:13:06.679 --> 0:13:07.199
<v Speaker 3>Fascinating.

0:13:07.240 --> 0:13:11.040
<v Speaker 4>Plus he's hot, Aaron, I mean, just he's so sexy

0:13:11.040 --> 0:13:13.720
<v Speaker 4>for a cartoon. He's like Aladdin levels of like Okay,

0:13:13.720 --> 0:13:14.839
<v Speaker 4>what are we working with here?

0:13:14.880 --> 0:13:17.800
<v Speaker 2>Like he's really not. He's really not. He doesn't have

0:13:17.840 --> 0:13:19.880
<v Speaker 2>the kind of chin I like I've shown.

0:13:20.000 --> 0:13:23.240
<v Speaker 1>I mean, describe in detail the kind of chin you like.

0:13:23.679 --> 0:13:27.480
<v Speaker 2>Describe in detail literally, Charles Melton. We know, we know

0:13:28.320 --> 0:13:33.360
<v Speaker 2>the what I consider like grade A beauty, and it's

0:13:33.440 --> 0:13:35.880
<v Speaker 2>Charles Melton. We've talked about this at length.

0:13:35.880 --> 0:13:39.000
<v Speaker 4>Okay, we're not here to argue about the Charles Milton's

0:13:39.120 --> 0:13:40.080
<v Speaker 4>established hotness.

0:13:40.160 --> 0:13:41.080
<v Speaker 1>No, no, of course not no.

0:13:41.200 --> 0:13:44.559
<v Speaker 2>Let's not yuck each other's yum. But just know, Joelle,

0:13:44.640 --> 0:13:47.400
<v Speaker 2>as we go throughout the recaps, anything that is very

0:13:47.440 --> 0:13:50.800
<v Speaker 2>pro Jace A Boo wrote that part of the recap.

0:13:50.880 --> 0:13:52.800
<v Speaker 4>I'm understood a Boo, and I will stand on this

0:13:52.880 --> 0:13:54.160
<v Speaker 4>platform and wave to you.

0:13:54.280 --> 0:13:55.680
<v Speaker 3>I can't get off the Jay's chain.

0:13:56.120 --> 0:13:58.800
<v Speaker 4>I really I think Jason's journey is fascinating and I

0:13:58.840 --> 0:13:59.559
<v Speaker 4>really like watching it.

0:13:59.600 --> 0:14:01.040
<v Speaker 3>I think he's really cool character.

0:14:01.120 --> 0:14:03.680
<v Speaker 4>I understand why you would be like this fucking idiot,

0:14:03.760 --> 0:14:05.079
<v Speaker 4>because he walks into every trap.

0:14:05.120 --> 0:14:06.559
<v Speaker 3>He's so beautiful and so dumb.

0:14:06.800 --> 0:14:10.840
<v Speaker 4>He's just straight into every possible missta He's right there,

0:14:10.920 --> 0:14:11.440
<v Speaker 4>but he's cool.

0:14:11.480 --> 0:14:13.120
<v Speaker 3>I like the journey, all right.

0:14:13.679 --> 0:14:17.080
<v Speaker 2>Speaking of characters in this that maybe don't have the

0:14:17.120 --> 0:14:21.760
<v Speaker 2>best visual appearance. We head to the docs. Caitlin, who

0:14:21.840 --> 0:14:24.280
<v Speaker 2>I think is beautiful and it is an incredible character,

0:14:24.600 --> 0:14:27.280
<v Speaker 2>is investigating the crime scene. And then who should appear

0:14:27.800 --> 0:14:31.440
<v Speaker 2>but Marcus. Marcus who now is the sheriff of Piltover

0:14:31.760 --> 0:14:36.360
<v Speaker 2>and who is also sporting an absolutely horrific mustache, so

0:14:36.840 --> 0:14:39.760
<v Speaker 2>you know that he is now a horrible character and

0:14:39.800 --> 0:14:42.480
<v Speaker 2>he's a bad guy. Through and through, Caitlyn gets in trouble.

0:14:42.560 --> 0:14:45.000
<v Speaker 2>She's prying where she shouldn't be. She's supposed to be

0:14:45.040 --> 0:14:48.400
<v Speaker 2>back at her parents tent, keeping everyone safe quote unquote there,

0:14:48.840 --> 0:14:52.280
<v Speaker 2>and it's very clear that like the other enforcers are

0:14:52.320 --> 0:14:54.360
<v Speaker 2>not into Caitlin being an enforcer.

0:14:54.480 --> 0:14:56.800
<v Speaker 1>Yeah, they think she's cosplaying. Yeah, she's just a rich

0:14:56.840 --> 0:14:57.520
<v Speaker 1>girl cosplaying.

0:14:57.640 --> 0:14:57.920
<v Speaker 4>Yeah.

0:14:58.000 --> 0:15:00.920
<v Speaker 2>Again, I think we said it earlier. Love Caitlin. I

0:15:00.960 --> 0:15:04.760
<v Speaker 2>think Kaitlyn's an incredible character, and I can forgive the

0:15:04.800 --> 0:15:07.840
<v Speaker 2>first twenty minutes of this episode where Kaitlin's goal is

0:15:07.880 --> 0:15:08.520
<v Speaker 2>to be a cop.

0:15:08.720 --> 0:15:09.520
<v Speaker 1>Yeah that's fair.

0:15:09.600 --> 0:15:12.520
<v Speaker 4>She doesn't know, Okay, her hero was a cop, and

0:15:12.560 --> 0:15:14.400
<v Speaker 4>so we can forgive her her the icon who was

0:15:14.440 --> 0:15:15.840
<v Speaker 4>a woman who's like, yeah, I know I did on

0:15:15.840 --> 0:15:17.160
<v Speaker 4>my own and I protected my city.

0:15:17.200 --> 0:15:19.320
<v Speaker 3>She's been brainwashed. Her eyes are soon revealed.

0:15:19.760 --> 0:15:22.160
<v Speaker 4>I love Caitlyn and her best friend is Jace, So

0:15:22.280 --> 0:15:25.000
<v Speaker 4>I mean, really, if you love Caitlyn, don't you have

0:15:25.080 --> 0:15:26.160
<v Speaker 4>to love jas.

0:15:27.080 --> 0:15:31.920
<v Speaker 1>The transitive Property. Next, we head back down to the

0:15:32.200 --> 0:15:36.400
<v Speaker 1>under City, where Soko now runs the last drop. This

0:15:36.440 --> 0:15:40.160
<v Speaker 1>is heartbreaking stuff. This is horrifying to see. Savika, who

0:15:40.480 --> 0:15:42.280
<v Speaker 1>was on the ship earlier in the episode when the

0:15:42.280 --> 0:15:47.000
<v Speaker 1>firelights attacked, warns Silko that Jinx is too chaotic, She's

0:15:47.000 --> 0:15:49.560
<v Speaker 1>too much of a liability. I told you so, this

0:15:49.680 --> 0:15:52.680
<v Speaker 1>is gonna bite us in the ass. But Silka doesn't

0:15:52.680 --> 0:15:54.200
<v Speaker 1>want to hear any of it. He's going to stand

0:15:54.240 --> 0:15:57.200
<v Speaker 1>by Jinks. Savika leaves in a huff, and Jinks, who

0:15:57.240 --> 0:15:59.760
<v Speaker 1>has been actually listening from the rafters this entire time,

0:16:00.520 --> 0:16:05.120
<v Speaker 1>drops down and we see how their relationship has evolved

0:16:05.400 --> 0:16:08.200
<v Speaker 1>in the time skip. We see that Silko is now

0:16:08.240 --> 0:16:12.960
<v Speaker 1>clearly a father figure for Jinks, and she even administers

0:16:13.000 --> 0:16:14.720
<v Speaker 1>this little drop of shimmer in his eye with a

0:16:14.760 --> 0:16:17.240
<v Speaker 1>thing that looks really painful. I don't do eye stuff.

0:16:17.280 --> 0:16:18.920
<v Speaker 1>It creeps me out, so I have to look away

0:16:18.920 --> 0:16:21.520
<v Speaker 1>for this scene. But you can see the trust there

0:16:21.560 --> 0:16:23.880
<v Speaker 1>between them. He's a father figure for her, and then

0:16:24.200 --> 0:16:28.040
<v Speaker 1>he trusts her enough to get that close to his

0:16:28.160 --> 0:16:29.320
<v Speaker 1>eye weird eyeball thing.

0:16:29.480 --> 0:16:33.880
<v Speaker 2>Yeah, jinks, you know, a plus cat Burglar level of

0:16:33.960 --> 0:16:36.480
<v Speaker 2>always being able to hear when someone else on the

0:16:36.520 --> 0:16:40.320
<v Speaker 2>show is talking about her. Yeah, she's always there eavesdropping,

0:16:40.520 --> 0:16:42.520
<v Speaker 2>doesn't matter who it is, Jinx, Is.

0:16:42.520 --> 0:16:45.640
<v Speaker 4>There such a good youngest sibling trait? Yes, the youngest

0:16:45.640 --> 0:16:49.400
<v Speaker 4>sibling trait of like yeah, unseen and like listening.

0:16:49.040 --> 0:16:50.280
<v Speaker 1>That is youngest sibling energy.

0:16:50.480 --> 0:16:56.880
<v Speaker 4>Also, this show does relationships between men and women really well.

0:16:57.360 --> 0:17:00.600
<v Speaker 4>I feel like so often, particularly weird in a sci

0:17:00.640 --> 0:17:04.719
<v Speaker 4>fi or heavy action driven plots, men and women are

0:17:04.760 --> 0:17:06.919
<v Speaker 4>always like sexual objects to one another.

0:17:07.359 --> 0:17:09.000
<v Speaker 2>Like how the two of you have talked about Jace

0:17:09.280 --> 0:17:09.680
<v Speaker 2>kind of.

0:17:09.960 --> 0:17:12.000
<v Speaker 3>Listen, do we sexualize Jacey? Yes?

0:17:12.119 --> 0:17:16.480
<v Speaker 4>Yes, but he's a cartoon so I'm allowing it.

0:17:16.640 --> 0:17:18.880
<v Speaker 3>It's okay. He has no real feelings.

0:17:19.359 --> 0:17:22.560
<v Speaker 4>But I just think the relationship between Jason Caitlin, like

0:17:22.560 --> 0:17:24.560
<v Speaker 4>it's one of my favorites, Like he so clearly has

0:17:24.560 --> 0:17:26.840
<v Speaker 4>this little crush on her, and he's constantly like trying

0:17:26.840 --> 0:17:29.399
<v Speaker 4>to protect her, but he like has genuine love for her,

0:17:29.480 --> 0:17:32.920
<v Speaker 4>and she's like actually, nah, He's like cool, Please still

0:17:32.960 --> 0:17:34.919
<v Speaker 4>be safe, and like, can I be in your life? No,

0:17:35.000 --> 0:17:37.000
<v Speaker 4>you're on a whole different thing. I'm gonna go over

0:17:37.000 --> 0:17:38.480
<v Speaker 4>here and do my job and.

0:17:38.440 --> 0:17:39.120
<v Speaker 3>Then here too.

0:17:39.800 --> 0:17:44.320
<v Speaker 4>I think the relationship between Powder and Soto, it's just

0:17:45.400 --> 0:17:48.320
<v Speaker 4>it's like he's looking in a mirror and it's so heartbreaking.

0:17:49.080 --> 0:17:51.800
<v Speaker 4>It's really heartbreaking because one, he's obviously not She's on

0:17:51.840 --> 0:17:55.120
<v Speaker 4>her own, very chaotic journey. Nothing he's doing is helping her.

0:17:55.160 --> 0:17:57.320
<v Speaker 4>But everything he did to get himself to where he

0:17:57.440 --> 0:18:00.320
<v Speaker 4>is now, and he thinks it's helping, it's making so

0:18:00.480 --> 0:18:04.160
<v Speaker 4>much worse. And the way they rely on keep each

0:18:04.160 --> 0:18:07.680
<v Speaker 4>other in these really bad positions and sort of circulate

0:18:07.760 --> 0:18:11.640
<v Speaker 4>that negativity amongst just the two of them. It's heartbreaking

0:18:11.840 --> 0:18:14.919
<v Speaker 4>and it's like the definition of a codependent relationship. And

0:18:14.960 --> 0:18:17.720
<v Speaker 4>that's again always just really fascinating to see on screen.

0:18:17.760 --> 0:18:21.399
<v Speaker 4>They understand relationship dynamics and how to really pull on

0:18:21.440 --> 0:18:23.359
<v Speaker 4>the strings of those so that as an audience member,

0:18:23.359 --> 0:18:26.399
<v Speaker 4>you're like compelled to lean in to these characters and

0:18:26.440 --> 0:18:27.240
<v Speaker 4>these storylines.

0:18:27.440 --> 0:18:28.920
<v Speaker 3>They're so delicious, they're very good.

0:18:29.440 --> 0:18:33.119
<v Speaker 2>It's interesting to compare Vander and Violet's relationship in the

0:18:33.119 --> 0:18:37.840
<v Speaker 2>first three episodes and Solko and Jinks especially here, you know,

0:18:37.960 --> 0:18:40.920
<v Speaker 2>like Vander and Violet, they speak on the same wavelength,

0:18:41.119 --> 0:18:44.040
<v Speaker 2>separate from everyone else. Vander is taking care of these

0:18:44.280 --> 0:18:47.080
<v Speaker 2>four kids, but he has a special relationship with Violet.

0:18:47.600 --> 0:18:51.760
<v Speaker 2>Silko has this entire group of thugs and criminals working

0:18:51.760 --> 0:18:54.159
<v Speaker 2>for him, but he has a special relationship with Jinks.

0:18:54.480 --> 0:18:57.640
<v Speaker 2>And both of them are like these father figures who

0:18:57.640 --> 0:19:01.760
<v Speaker 2>are here both hoping to keep the girl safe but

0:19:01.880 --> 0:19:08.159
<v Speaker 2>also send them into dangerous jobs with real consequences, but

0:19:08.240 --> 0:19:11.359
<v Speaker 2>they both trust them more than anyone else does.

0:19:11.400 --> 0:19:15.600
<v Speaker 3>Even Yeah, it's like Powder was looking to become her sister.

0:19:15.320 --> 0:19:19.000
<v Speaker 1>And yeah, and I think those parallels are obviously very intentional.

0:19:19.040 --> 0:19:23.359
<v Speaker 1>Throughout the show, we see these father daughter and brother,

0:19:23.520 --> 0:19:26.920
<v Speaker 1>sister and best friend, best friend. We see these repeated

0:19:26.920 --> 0:19:29.680
<v Speaker 1>time and time again, with all the generations of characters

0:19:29.680 --> 0:19:31.560
<v Speaker 1>we see. We see it with Vander and his old

0:19:31.560 --> 0:19:34.159
<v Speaker 1>friends from back in the day and Vander and Silko

0:19:34.200 --> 0:19:37.560
<v Speaker 1>as brothers, and the betrayal there obviously last episode, Aaron,

0:19:37.560 --> 0:19:40.680
<v Speaker 1>you and I talked about the betrayal parallels with Vi

0:19:41.080 --> 0:19:44.120
<v Speaker 1>and Powder, and we continue to just see that from

0:19:44.160 --> 0:19:47.480
<v Speaker 1>generation to generation. The repetition of these relationship cycles.

0:19:47.760 --> 0:19:49.520
<v Speaker 2>Yeah, and it's at the end of the day. We

0:19:49.560 --> 0:19:53.280
<v Speaker 2>still have the Piltover under city back and forth relationship

0:19:53.320 --> 0:19:56.160
<v Speaker 2>of these as well. Yeah, we cut to Jinks in

0:19:56.240 --> 0:20:00.760
<v Speaker 2>her home, her lair, her hangout, her t age bedroom.

0:20:00.800 --> 0:20:02.160
<v Speaker 2>I don't know what we want to call it. It's

0:20:02.160 --> 0:20:05.760
<v Speaker 2>basically like this giant propeller or a fan or something

0:20:06.119 --> 0:20:11.400
<v Speaker 2>suspended over a bottomless pit, and she is. We see

0:20:11.440 --> 0:20:14.880
<v Speaker 2>her haunted by the ghosts of Milo and Clagger. She's

0:20:14.880 --> 0:20:20.320
<v Speaker 2>got like dolls of them, basically crafted, and she has

0:20:20.359 --> 0:20:24.199
<v Speaker 2>them speaking in her ear, like flashing on screen. But

0:20:24.680 --> 0:20:28.080
<v Speaker 2>Jinx's she's sitting here. She's upset, and she vows to

0:20:28.160 --> 0:20:31.719
<v Speaker 2>prove to Silko that she's not weak and she's going

0:20:31.800 --> 0:20:33.560
<v Speaker 2>to go do something big on her own.

0:20:33.880 --> 0:20:35.040
<v Speaker 3>Yeah, she's real broken.

0:20:35.640 --> 0:20:39.920
<v Speaker 4>She's really the only friend she's ever had. We're also bullies,

0:20:40.440 --> 0:20:43.399
<v Speaker 4>all except her sister, who's not there at the table.

0:20:43.440 --> 0:20:45.400
<v Speaker 2>I don't think her sister is not there. I don't

0:20:45.440 --> 0:20:45.679
<v Speaker 2>think so.

0:20:45.960 --> 0:20:49.000
<v Speaker 4>Yeah, so it's just she just recreated her bullies to

0:20:49.080 --> 0:20:52.360
<v Speaker 4>be like these really cruel, mean voices in her head

0:20:52.400 --> 0:20:55.840
<v Speaker 4>that she's constantly fighting again to like physically manifest them.

0:20:56.119 --> 0:20:58.359
<v Speaker 4>And then I think It's interesting that she sets up

0:20:58.359 --> 0:21:02.160
<v Speaker 4>like a family dinner table sort of situation in her lab,

0:21:02.359 --> 0:21:05.720
<v Speaker 4>like really trying to bring this essence of homeliness into

0:21:06.480 --> 0:21:09.080
<v Speaker 4>this creative space that she has. This is really her

0:21:09.160 --> 0:21:14.040
<v Speaker 4>only outlet. She clearly has no friends, her mentors, trying

0:21:14.040 --> 0:21:16.399
<v Speaker 4>to mold her in something she just can't ever really be.

0:21:17.280 --> 0:21:20.040
<v Speaker 4>I'm really curious to see how this leads into some

0:21:20.160 --> 0:21:23.320
<v Speaker 4>of the larger art if we're talking about sort of

0:21:23.359 --> 0:21:28.800
<v Speaker 4>the divide of people either trying to preserve, advance or destroy.

0:21:29.480 --> 0:21:33.639
<v Speaker 4>She's so clearly leading the destroy pack, and honestly, no

0:21:33.680 --> 0:21:35.879
<v Speaker 4>one seems prepared for what she's capable of.

0:21:36.160 --> 0:21:38.639
<v Speaker 2>Yeah, yeah, no one is prepared for what she's capable,

0:21:39.040 --> 0:21:44.040
<v Speaker 2>even Silco, especially Silco. Yeah. You know, in a perfect world,

0:21:44.320 --> 0:21:47.439
<v Speaker 2>we would have the last drop sponsoring these episodes, but

0:21:47.760 --> 0:21:50.640
<v Speaker 2>unfortunately Silko never got back to us. So instead, here's

0:21:50.640 --> 0:22:03.760
<v Speaker 2>a word from our other sponsors.

0:22:06.400 --> 0:22:09.159
<v Speaker 1>All right, folks, welcome back. Let's continue with our recap

0:22:09.200 --> 0:22:13.200
<v Speaker 1>of episode four. In the lead up to his Progress

0:22:13.240 --> 0:22:17.080
<v Speaker 1>Day speech, Jace is encouraged to share the news of

0:22:17.119 --> 0:22:20.800
<v Speaker 1>his new discoveries by Mel. She clearly has a vested

0:22:20.800 --> 0:22:24.080
<v Speaker 1>interest here, and by that I mean money, actual money,

0:22:24.160 --> 0:22:25.879
<v Speaker 1>cha ching she can make some money off of this

0:22:25.960 --> 0:22:29.320
<v Speaker 1>hex Tech and she really wants to partner with Jace

0:22:29.800 --> 0:22:31.880
<v Speaker 1>in order to do so, and so she encourages him

0:22:31.960 --> 0:22:37.400
<v Speaker 1>to announce the new iPhone sixteen by Jace invites Victor backstage.

0:22:37.520 --> 0:22:39.480
<v Speaker 1>Jace is talking to Victor and he invites him to

0:22:39.480 --> 0:22:41.600
<v Speaker 1>come on stage. Hey man, we're partners. Let's go up there.

0:22:41.920 --> 0:22:44.919
<v Speaker 1>This is our day. Let's announce this new thing together.

0:22:45.000 --> 0:22:47.879
<v Speaker 1>But Victor's hesitant. He's obviously sickly, as we learn in

0:22:47.920 --> 0:22:50.880
<v Speaker 1>these episodes. And Jace is the one that goes out

0:22:50.920 --> 0:22:53.240
<v Speaker 1>and gives the speech. He's the golden boy, he's the charming,

0:22:53.680 --> 0:22:56.280
<v Speaker 1>charismatic one anyway, so he's the one that crowd is

0:22:56.280 --> 0:23:00.359
<v Speaker 1>waiting for. But when he gets out there, he begins

0:23:00.359 --> 0:23:02.520
<v Speaker 1>his speech, He's got a clipboard in front of him,

0:23:02.720 --> 0:23:05.760
<v Speaker 1>presumably the big announcement is right there written in front

0:23:05.760 --> 0:23:08.359
<v Speaker 1>of him, and at the last minute he gets cold feet.

0:23:08.560 --> 0:23:11.600
<v Speaker 1>He decides not to reveal the new hex Tech technology.

0:23:12.000 --> 0:23:15.280
<v Speaker 2>But he does share we have many exciting things planned,

0:23:15.920 --> 0:23:18.119
<v Speaker 2>you know. He does the equivalent of the LinkedIn like,

0:23:18.359 --> 0:23:21.520
<v Speaker 2>got some big news I'm excited to share. Will reveal

0:23:21.560 --> 0:23:24.160
<v Speaker 2>more later he does the like brag twice for one thing.

0:23:24.600 --> 0:23:27.119
<v Speaker 2>But hey, the crowd loves it, Like you said, he

0:23:27.240 --> 0:23:29.959
<v Speaker 2>is their golden boy. Yeah, and he gets away with it.

0:23:30.160 --> 0:23:33.080
<v Speaker 1>Yeah, I'm curious to hear from both of you. Why

0:23:33.080 --> 0:23:35.439
<v Speaker 1>do you think he got cold feet last minute? Like

0:23:35.480 --> 0:23:37.360
<v Speaker 1>this did Heimerdinger break through to him?

0:23:37.440 --> 0:23:39.080
<v Speaker 3>He knows Heimer Dinger is Is it.

0:23:39.119 --> 0:23:41.480
<v Speaker 1>Some other form of hesitation? Why change his mind? Because

0:23:41.520 --> 0:23:43.000
<v Speaker 1>he was dead set on revealing this.

0:23:43.400 --> 0:23:46.480
<v Speaker 4>Heimerdinger is like not just his mentor, he's also like

0:23:46.480 --> 0:23:49.919
<v Speaker 4>a secondary father figure maybe grandfatherly figure. Like it's a

0:23:49.960 --> 0:23:54.359
<v Speaker 4>really deep connection they have. And he's wise and super

0:23:54.400 --> 0:23:58.000
<v Speaker 4>old and still within his like right mind, and this

0:23:58.040 --> 0:24:01.119
<v Speaker 4>is his very first big thing. Like he's literally on

0:24:01.160 --> 0:24:04.040
<v Speaker 4>the center stage. He's filling in for his footsteps. It

0:24:04.160 --> 0:24:06.359
<v Speaker 4>just seems like such a to me, is like one

0:24:06.400 --> 0:24:10.320
<v Speaker 4>of the only logical steps he makes as far as

0:24:10.400 --> 0:24:13.199
<v Speaker 4>being like like listening to those around him, he is.

0:24:13.400 --> 0:24:16.600
<v Speaker 4>We can see Jace has hero worship bad He like

0:24:16.680 --> 0:24:19.159
<v Speaker 4>his father hero. He put hammers in the hands of

0:24:19.160 --> 0:24:22.800
<v Speaker 4>the people, like his mentor Heimer Dinger. He was like,

0:24:22.800 --> 0:24:24.879
<v Speaker 4>he's just like the greatest and to be fair, harmony

0:24:25.000 --> 0:24:27.280
<v Speaker 4>is pretty great. Later we'll see as he's falling in love,

0:24:27.320 --> 0:24:29.200
<v Speaker 4>He's like, now she's got all she knows what she's doing.

0:24:29.240 --> 0:24:30.040
<v Speaker 3>I'm gonna follow that.

0:24:30.160 --> 0:24:33.360
<v Speaker 4>Like he loves a person with a plan, and he's

0:24:33.359 --> 0:24:36.080
<v Speaker 4>got the face and the product know how to Abou's

0:24:36.080 --> 0:24:38.199
<v Speaker 4>point to really sell that shit. So I think it

0:24:38.240 --> 0:24:40.560
<v Speaker 4>makes sense that he was like, you know, this guy's

0:24:40.600 --> 0:24:43.280
<v Speaker 4>been around, I'm gonna follow through. And I do think

0:24:43.359 --> 0:24:45.440
<v Speaker 4>he's sort of getting to this point in his life

0:24:45.480 --> 0:24:48.120
<v Speaker 4>where he's like, as much as I love my best

0:24:48.240 --> 0:24:51.240
<v Speaker 4>he we're like, maybe not on the same wavelength anymore,

0:24:51.280 --> 0:24:52.720
<v Speaker 4>and I'm gonna start making decisions.

0:24:52.800 --> 0:24:57.639
<v Speaker 2>Yeah, you know Laterally, I think Jace easily succumbs to

0:24:57.800 --> 0:25:01.480
<v Speaker 2>peer pressure, as we will see throughout, but he is.

0:25:02.640 --> 0:25:04.399
<v Speaker 2>It's kind of just like, who's the last person that

0:25:04.440 --> 0:25:07.600
<v Speaker 2>talked to him? Although I guess I guess Mel talked

0:25:07.600 --> 0:25:10.760
<v Speaker 2>to him more recently than Himerdinger, But he's easily swayed.

0:25:10.920 --> 0:25:14.800
<v Speaker 1>I think, Wow, I love the separate but equal interpretations here. Yeah,

0:25:14.800 --> 0:25:16.200
<v Speaker 1>on this choice, I love it.

0:25:15.880 --> 0:25:19.280
<v Speaker 2>It's almost like we have pre existing thoughts and biases

0:25:19.320 --> 0:25:22.840
<v Speaker 2>towards him as we read all of his actions. Meanwhile,

0:25:23.080 --> 0:25:26.240
<v Speaker 2>Jinks sets fire to a building to distract a group

0:25:26.240 --> 0:25:28.960
<v Speaker 2>of enforcers, which includes Caitlin. They're all lounging around on

0:25:29.000 --> 0:25:31.840
<v Speaker 2>their break, just hanging out. They're all making fun of Kaitlin,

0:25:32.119 --> 0:25:36.040
<v Speaker 2>and then this fire breaks out. They go running into

0:25:36.040 --> 0:25:39.280
<v Speaker 2>this building to check it out and hear this little

0:25:39.280 --> 0:25:42.719
<v Speaker 2>girl's voice. She's locked, she's scared, she needs help. And

0:25:42.880 --> 0:25:45.320
<v Speaker 2>turns out it's just a recording of Jinks and they're

0:25:45.359 --> 0:25:47.120
<v Speaker 2>all these bombs and they set off an explosion.

0:25:47.200 --> 0:25:48.560
<v Speaker 1>Oh so creepy, so good.

0:25:48.640 --> 0:25:53.399
<v Speaker 2>Back in Jinks's Propeller Fan hide out, Soko comes in.

0:25:53.520 --> 0:25:57.080
<v Speaker 2>He's furious and he is like, you just endangered all

0:25:57.080 --> 0:25:59.960
<v Speaker 2>these plans? What are you doing? And she's like, chill out,

0:26:00.280 --> 0:26:04.400
<v Speaker 2>look what I stole and she shows him Jace's new

0:26:04.600 --> 0:26:05.880
<v Speaker 2>hex Tech prototypes.

0:26:06.080 --> 0:26:08.800
<v Speaker 1>Yeah, this is a tough look for Soco. Your wild

0:26:08.880 --> 0:26:13.440
<v Speaker 1>card daughter is acting wild? What my guy rain her

0:26:13.480 --> 0:26:13.920
<v Speaker 1>in like?

0:26:15.000 --> 0:26:18.280
<v Speaker 4>He's he's not good at sutting boundaries with his kid.

0:26:18.840 --> 0:26:22.680
<v Speaker 4>He's not a disciplinarian. He's pretty avoidant when it comes

0:26:22.760 --> 0:26:26.000
<v Speaker 4>to like disappointing her or letting her down. He just

0:26:26.040 --> 0:26:28.480
<v Speaker 4>he really can't stomach it, which is kind of sweet.

0:26:28.560 --> 0:26:29.200
<v Speaker 1>Yeah, weird.

0:26:29.600 --> 0:26:33.439
<v Speaker 4>Silcle's a little squishy on the inside. But also the

0:26:33.520 --> 0:26:35.880
<v Speaker 4>problem is there really isn't a solution for like a

0:26:36.040 --> 0:26:37.480
<v Speaker 4>like if you try to think about like all of

0:26:37.560 --> 0:26:40.520
<v Speaker 4>the step Cilcle could take, Like the most logical one

0:26:40.600 --> 0:26:43.280
<v Speaker 4>is like get her in mental health institute, which maybe

0:26:43.280 --> 0:26:46.320
<v Speaker 4>he could do. He has some finances, but in their neighborhood,

0:26:46.400 --> 0:26:47.720
<v Speaker 4>Like how good are the options?

0:26:47.840 --> 0:26:49.200
<v Speaker 3>Is gonna cross over into town?

0:26:49.280 --> 0:26:51.520
<v Speaker 2>Yeah, I was gonna say what is available in the

0:26:51.600 --> 0:26:52.120
<v Speaker 2>under city?

0:26:52.240 --> 0:26:56.000
<v Speaker 4>Right, And so you can't abandon Harry, that would be awful.

0:26:56.160 --> 0:26:57.920
<v Speaker 4>She's not going to listen to you.

0:26:58.720 --> 0:26:59.280
<v Speaker 3>At best.

0:26:59.320 --> 0:27:00.440
<v Speaker 4>You could do the one thing we're going to talk

0:27:00.440 --> 0:27:02.640
<v Speaker 4>about at the end of this episode, but that's gonna

0:27:02.640 --> 0:27:03.960
<v Speaker 4>put you in a lot of hot water, and you'd

0:27:03.960 --> 0:27:05.440
<v Speaker 4>have to be in a position of wanting to take

0:27:05.480 --> 0:27:08.639
<v Speaker 4>responsibility for your actions, and that's not who Silco is. Yeah,

0:27:09.359 --> 0:27:11.560
<v Speaker 4>he's kind of screwed when it comes to reining her in.

0:27:11.880 --> 0:27:14.199
<v Speaker 1>Yeah, he's really just trying to like point her in

0:27:14.240 --> 0:27:16.560
<v Speaker 1>a direction that's useful and hope the gun goes off

0:27:16.720 --> 0:27:19.159
<v Speaker 1>with the rights. You know, he's like taking her energies

0:27:19.160 --> 0:27:21.520
<v Speaker 1>and being like, Okay, I need to protect you, and

0:27:21.560 --> 0:27:24.320
<v Speaker 1>I clearly feel sympathetic towards you in some way, but

0:27:24.440 --> 0:27:26.280
<v Speaker 1>you could be useful to me. I just gotta like

0:27:26.560 --> 0:27:29.280
<v Speaker 1>make sure your chaos goes in this direction. Play in

0:27:29.320 --> 0:27:33.359
<v Speaker 1>the right space, Play in the right space. Right, Okay,

0:27:33.400 --> 0:27:35.480
<v Speaker 1>back to uh oh Man, I love a council meeting.

0:27:36.200 --> 0:27:39.760
<v Speaker 1>We're with the Piltover Council and they are obviously worried

0:27:40.000 --> 0:27:42.840
<v Speaker 1>about the theft of this hex tech. Some of them

0:27:43.080 --> 0:27:45.600
<v Speaker 1>want to just go hard on the under city, right,

0:27:45.640 --> 0:27:48.639
<v Speaker 1>punish the under City. They've taken our technology. They've been

0:27:48.640 --> 0:27:51.080
<v Speaker 1>a thorn in our side for so long. It's time

0:27:51.119 --> 0:27:54.080
<v Speaker 1>to take bold action. Jas on the other hand, suggests

0:27:54.359 --> 0:27:57.679
<v Speaker 1>just shutting down all the hex tech. Shut down the gates,

0:27:57.920 --> 0:28:00.199
<v Speaker 1>turn off all the technology until we know every thing

0:28:00.280 --> 0:28:02.760
<v Speaker 1>is safe, until we get things back under control. I

0:28:02.840 --> 0:28:05.159
<v Speaker 1>take full responsibility. You know, he's really trying to be

0:28:05.200 --> 0:28:07.679
<v Speaker 1>golden boy here and live up to that reputation and

0:28:07.760 --> 0:28:11.040
<v Speaker 1>do the right thing as he sees it. But Mel,

0:28:11.160 --> 0:28:14.240
<v Speaker 1>who's got dollar signs in her eyes, quickly interjects and

0:28:14.520 --> 0:28:19.879
<v Speaker 1>suggests an alternate solution. She nominates Jason for a seat

0:28:20.119 --> 0:28:23.760
<v Speaker 1>on this council, which breaks traditions. There's never been another

0:28:23.800 --> 0:28:26.080
<v Speaker 1>seat on this Council and she's out here saying, hey,

0:28:26.119 --> 0:28:29.000
<v Speaker 1>we love our golden boy. Look how much money his

0:28:29.080 --> 0:28:31.720
<v Speaker 1>hex tech has made us. Let's get him on this

0:28:31.800 --> 0:28:34.760
<v Speaker 1>council and give him the authority to just manage this

0:28:34.840 --> 0:28:35.959
<v Speaker 1>hex tyche problem on his own.

0:28:36.040 --> 0:28:39.880
<v Speaker 4>We need another Supreme Court judge. Okay, happening, let's go,

0:28:41.280 --> 0:28:44.760
<v Speaker 4>time for court expansion. This is a power couple move,

0:28:44.840 --> 0:28:48.400
<v Speaker 4>and it's technically like, man again. I love watching these

0:28:48.400 --> 0:28:51.920
<v Speaker 4>two work and for her to be like, Okay, bet,

0:28:52.600 --> 0:28:53.440
<v Speaker 4>he's pretty cool.

0:28:53.640 --> 0:28:56.680
<v Speaker 3>We vibe. That's another feather in my cap.

0:28:56.760 --> 0:29:00.360
<v Speaker 4>Like you could see her calculating very far out, and

0:29:00.440 --> 0:29:03.920
<v Speaker 4>I really appreciate that, as if the women in this show,

0:29:04.160 --> 0:29:06.040
<v Speaker 4>especially like the run of women we're about to be

0:29:06.080 --> 0:29:09.520
<v Speaker 4>introduced to, are so cool and I just really value that.

0:29:09.560 --> 0:29:12.880
<v Speaker 4>We sort of start with this woman on at the

0:29:12.880 --> 0:29:15.640
<v Speaker 4>start of her rise, like she's just now all finding

0:29:15.680 --> 0:29:18.720
<v Speaker 4>her stride in how to like navigate this particular pool

0:29:18.760 --> 0:29:21.120
<v Speaker 4>of people, and it's so fun to watch her do it.

0:29:21.320 --> 0:29:23.520
<v Speaker 3>Yeah, that's a cool upgrade for Jace. Like wow.

0:29:24.600 --> 0:29:28.520
<v Speaker 2>Meanwhile, Jace's suggestion of shutting down all hex tech, I

0:29:28.560 --> 0:29:31.760
<v Speaker 2>don't understand it. That's like saying, hey, someone stole a

0:29:31.840 --> 0:29:35.840
<v Speaker 2>nuclear bomb. We should turn off all the nuclear reactors. Why,

0:29:36.280 --> 0:29:39.040
<v Speaker 2>they already got what they need. If you shut down

0:29:39.080 --> 0:29:41.640
<v Speaker 2>the ones that are running, that doesn't prevent them from

0:29:41.680 --> 0:29:45.440
<v Speaker 2>researching what they already stole, Jace, not a great suggestion.

0:29:45.680 --> 0:29:49.000
<v Speaker 2>I'm glad someone else had a different idea, because I

0:29:49.000 --> 0:29:50.880
<v Speaker 2>don't think his idea would have done anything.

0:29:51.040 --> 0:29:52.920
<v Speaker 1>That's a really good point, Hearin. I think this is

0:29:53.240 --> 0:29:55.959
<v Speaker 1>Jase a little bit panicking. Yeah, He's like, I have

0:29:56.000 --> 0:29:58.520
<v Speaker 1>a reputation to uphold. I'm the golden boy. I made

0:29:58.520 --> 0:30:00.959
<v Speaker 1>this technology. Now we're all in danger because of it.

0:30:01.040 --> 0:30:02.960
<v Speaker 2>I can appreciate that part, and I think that this.

0:30:02.920 --> 0:30:04.760
<v Speaker 1>Is truly like a panic move on his end to

0:30:04.880 --> 0:30:09.440
<v Speaker 1>just be like, uh, turn it off. I think, like, undo, Undock,

0:30:09.440 --> 0:30:12.880
<v Speaker 1>It's you're absolutely correct. He's really not thinking the logistics

0:30:12.920 --> 0:30:14.880
<v Speaker 1>of this through. He just wants to say face.

0:30:16.400 --> 0:30:20.280
<v Speaker 2>Jason, the aftermath of his newly elected position, goes to

0:30:20.280 --> 0:30:23.600
<v Speaker 2>see Caitlin to a make sure that she's okay after

0:30:23.640 --> 0:30:26.120
<v Speaker 2>this explosion that she was in, but then be also

0:30:26.240 --> 0:30:28.960
<v Speaker 2>asked her to join his cabinet as his head of security.

0:30:29.400 --> 0:30:32.120
<v Speaker 2>She's put off. She's like, that's a do nothing position.

0:30:32.600 --> 0:30:34.400
<v Speaker 2>As soon as I'm healthy, I'm gonna go back to

0:30:34.480 --> 0:30:38.400
<v Speaker 2>the enforcers. And he's like, actually, turns out your parents

0:30:38.440 --> 0:30:41.040
<v Speaker 2>didn't want you to be an enforcer anyway. They pulled

0:30:41.040 --> 0:30:44.560
<v Speaker 2>a few strings and you have been removed. But she

0:30:45.200 --> 0:30:48.440
<v Speaker 2>still wants to do it, still wants to solve this case.

0:30:48.520 --> 0:30:50.920
<v Speaker 2>And she's like, Nope, I'm gonna do this on my

0:30:51.000 --> 0:30:54.040
<v Speaker 2>own if I have to, and we get a really

0:30:54.120 --> 0:30:56.680
<v Speaker 2>good interaction between the two of them, one of my

0:30:57.000 --> 0:31:00.200
<v Speaker 2>favorite one on one interactions in this entire episode actually

0:31:00.840 --> 0:31:02.360
<v Speaker 2>just makes me like Kate even more.

0:31:02.880 --> 0:31:04.360
<v Speaker 3>I like it too, Aaron.

0:31:04.560 --> 0:31:07.400
<v Speaker 4>It's again, I really like these two as friends. They're

0:31:07.440 --> 0:31:11.600
<v Speaker 4>so warm with one another. But even when they're fighting

0:31:12.000 --> 0:31:15.560
<v Speaker 4>or at odds, there's like a tenderness between them. I

0:31:15.600 --> 0:31:17.000
<v Speaker 4>think they're very sweet.

0:31:17.120 --> 0:31:19.080
<v Speaker 3>Yeah, and it gives like real.

0:31:18.960 --> 0:31:23.280
<v Speaker 4>Childhood besties, like almost siblings energy between the two of them.

0:31:23.280 --> 0:31:25.040
<v Speaker 4>And yeah, when she kicks them out, I was like,

0:31:25.520 --> 0:31:27.440
<v Speaker 4>get it, girl, She's like, I don't want you here.

0:31:27.480 --> 0:31:29.800
<v Speaker 3>Actually, yeah, it's not helpful.

0:31:29.920 --> 0:31:32.960
<v Speaker 1>Even they're sort of misunderstanding of each other's wants. Gives

0:31:33.000 --> 0:31:36.240
<v Speaker 1>like sort of childhood sibling energy, Like he's like, I

0:31:36.280 --> 0:31:38.360
<v Speaker 1>just want you to be safe. And she's like, this

0:31:38.400 --> 0:31:40.400
<v Speaker 1>is how my parents treat me. Don't treat me like this.

0:31:40.880 --> 0:31:43.600
<v Speaker 1>And he's on the council, he's doing all this council shit,

0:31:43.640 --> 0:31:45.840
<v Speaker 1>and she's like, you on the council, is this what

0:31:45.880 --> 0:31:48.120
<v Speaker 1>you wanted? Did you want to like make heex tech?

0:31:48.200 --> 0:31:49.440
<v Speaker 1>And that's what was the say science.

0:31:49.520 --> 0:31:53.200
<v Speaker 3>Jace literally turns into her parents. It's so fast, like

0:31:53.320 --> 0:31:54.000
<v Speaker 3>not just.

0:31:54.000 --> 0:31:56.280
<v Speaker 4>In the way he treats her, which has sort of

0:31:56.320 --> 0:31:59.080
<v Speaker 4>always been in a brotherly way of like you just

0:31:59.120 --> 0:32:01.920
<v Speaker 4>need to be safe, but also I'll just swing my

0:32:02.080 --> 0:32:05.120
<v Speaker 4>power around to help you get like, Yeah, she wants

0:32:05.120 --> 0:32:05.920
<v Speaker 4>to earn her place.

0:32:06.040 --> 0:32:08.760
<v Speaker 3>That's the thing she's been saying the whole totally fricking time.

0:32:09.240 --> 0:32:10.320
<v Speaker 3>Please listen.

0:32:10.560 --> 0:32:15.000
<v Speaker 1>This is why she's friend zoning you. Jays, you're not listening, geez.

0:32:15.000 --> 0:32:16.760
<v Speaker 1>I also wanted to point out super quickly this is

0:32:16.800 --> 0:32:19.040
<v Speaker 1>like not literally neither here nor there, but there is

0:32:19.080 --> 0:32:22.200
<v Speaker 1>a shot in this interaction where Kate takes a step

0:32:22.240 --> 0:32:23.040
<v Speaker 1>back onto a.

0:32:22.960 --> 0:32:25.120
<v Speaker 2>Stool to look at the map or something to.

0:32:25.040 --> 0:32:27.360
<v Speaker 1>Look down at the map. She's got that like red

0:32:27.400 --> 0:32:32.360
<v Speaker 1>string investigation thing on the ground. Charlie the Charlie Day meme. Yeah,

0:32:32.400 --> 0:32:35.560
<v Speaker 1>and the camera cuts wide. She steps back and we

0:32:35.640 --> 0:32:39.480
<v Speaker 1>see their height differential, which I was like, no way,

0:32:39.600 --> 0:32:41.680
<v Speaker 1>you're kidding me. She steps back on the stool and

0:32:41.720 --> 0:32:45.400
<v Speaker 1>then matches height with Jace, which confirms that Jace is

0:32:45.440 --> 0:32:48.840
<v Speaker 1>also over six feet tall. Probably I was ranting to

0:32:48.920 --> 0:32:51.320
<v Speaker 1>Aaron in the last episode, Joelle, how Jace just has

0:32:51.360 --> 0:32:53.880
<v Speaker 1>it all. He's good looking, Yeah, he's smart, he's brilliant.

0:32:53.960 --> 0:32:56.800
<v Speaker 1>Everyone loves him. He's charismatic, he's charming, and now he's

0:32:56.840 --> 0:32:59.600
<v Speaker 1>also six feet tall. Next you'll tell me he works

0:32:59.600 --> 0:33:01.080
<v Speaker 1>and find and has blue eyes?

0:33:01.320 --> 0:33:02.600
<v Speaker 3>Yes, yes, right?

0:33:03.000 --> 0:33:06.320
<v Speaker 4>And does he not kind of like maybe government, Like

0:33:06.400 --> 0:33:09.800
<v Speaker 4>he's adjacent. Listen, if Chase had a profile on Bumble,

0:33:09.840 --> 0:33:12.000
<v Speaker 4>it would be over in days, okay, Like the girls

0:33:12.040 --> 0:33:14.640
<v Speaker 4>would be like there's a new number one, please move

0:33:14.720 --> 0:33:16.280
<v Speaker 4>to the side.

0:33:16.480 --> 0:33:21.640
<v Speaker 2>Jase is clearly on Peltov Rayah, for sure, he's on

0:33:21.680 --> 0:33:24.200
<v Speaker 2>the ryot. Yeah, oh yeah, but he hasn't he hasn't

0:33:24.240 --> 0:33:27.440
<v Speaker 2>opened the app in forever, Like he's on there.

0:33:27.960 --> 0:33:31.600
<v Speaker 3>He actually goes to he's too busy. Yeah, I listen.

0:33:32.400 --> 0:33:34.920
<v Speaker 4>It's what makes his character really compelling is like he

0:33:35.000 --> 0:33:37.320
<v Speaker 4>has it all, he wants to do well, and there's

0:33:37.320 --> 0:33:38.840
<v Speaker 4>this constant temptation.

0:33:38.920 --> 0:33:40.720
<v Speaker 3>To be like, no, forget your morals.

0:33:40.760 --> 0:33:43.440
<v Speaker 4>You could have money and power, which is that's what

0:33:43.520 --> 0:33:46.280
<v Speaker 4>everybody really wants anyway, And he's like, I do want

0:33:46.320 --> 0:33:49.040
<v Speaker 4>to help the people, but oh, money and power and

0:33:49.080 --> 0:33:49.640
<v Speaker 4>the hot shake.

0:33:49.640 --> 0:33:52.880
<v Speaker 3>Who wants it too? Like it's a really difficult position

0:33:52.920 --> 0:33:54.480
<v Speaker 3>to be in and I'm so hot. What do I

0:33:54.560 --> 0:33:57.800
<v Speaker 3>do to be Jason? I want a dream.

0:33:57.800 --> 0:34:01.200
<v Speaker 1>Truly to be jas The Trials and Tribulation, Okay, let's

0:34:01.200 --> 0:34:06.040
<v Speaker 1>wrap up Episode four. Kate heads off to Stillwater Prison

0:34:06.160 --> 0:34:08.760
<v Speaker 1>to question one of the survivors from the attack earlier

0:34:08.800 --> 0:34:11.319
<v Speaker 1>in the episode, but it actually turns out that the

0:34:11.360 --> 0:34:14.160
<v Speaker 1>survivor in the prison is in the medical bay right

0:34:14.200 --> 0:34:16.440
<v Speaker 1>now because he has a broken jaw. One of the

0:34:16.480 --> 0:34:19.960
<v Speaker 1>other prisoners beat them up. And that's the big reveal

0:34:20.080 --> 0:34:22.239
<v Speaker 1>at this sort of like big mic drop moment at

0:34:22.239 --> 0:34:25.560
<v Speaker 1>the end of this episode. This other prisoner at Stillwater

0:34:26.320 --> 0:34:29.080
<v Speaker 1>is violent, done, done, done, all grown up.

0:34:29.120 --> 0:34:32.000
<v Speaker 3>Oh thank god she's still here.

0:34:32.400 --> 0:34:35.879
<v Speaker 4>My sleep prices, baby. I was very nervous about it.

0:34:36.400 --> 0:34:38.640
<v Speaker 4>This is so great. It explains so much.

0:34:38.560 --> 0:34:42.319
<v Speaker 3>Because you're really like, what happened? Where is she?

0:34:42.640 --> 0:34:42.680
<v Speaker 2>Like?

0:34:42.800 --> 0:34:45.600
<v Speaker 4>Oh no, this thing is making sense right now, and

0:34:45.640 --> 0:34:48.520
<v Speaker 4>are we just abandoning that entire like line.

0:34:48.280 --> 0:34:49.239
<v Speaker 3>Of what was it?

0:34:49.440 --> 0:34:51.720
<v Speaker 4>And to be like, Okay, this is the world without

0:34:51.880 --> 0:34:55.400
<v Speaker 4>Vie is a really compelling way to reintroduce her to

0:34:55.440 --> 0:34:59.920
<v Speaker 4>the storyline because it's chaotic, it's advancing quickly and allegian

0:35:00.080 --> 0:35:03.080
<v Speaker 4>to start changing every two seconds, like where people are

0:35:03.120 --> 0:35:07.160
<v Speaker 4>who hold power. It's really quickly changing. Zi really is

0:35:07.200 --> 0:35:09.759
<v Speaker 4>like with her dad, he was sort of this thing

0:35:09.800 --> 0:35:13.240
<v Speaker 4>that was holding this tentative situation together. So he's gone,

0:35:13.680 --> 0:35:15.759
<v Speaker 4>things fall apart. She's taken out of the equation at

0:35:15.800 --> 0:35:19.200
<v Speaker 4>the same time, and she's his progeny. So now that

0:35:19.239 --> 0:35:21.480
<v Speaker 4>she's back in the mix, how is that going to

0:35:21.560 --> 0:35:24.360
<v Speaker 4>change everything? And I think, of course we're particularly concerned

0:35:24.360 --> 0:35:27.080
<v Speaker 4>about our dear Powder. How does she she does she

0:35:27.120 --> 0:35:29.799
<v Speaker 4>didn't react well to thinking she saw her sister her

0:35:29.880 --> 0:35:32.480
<v Speaker 4>sure to actually back chaotic.

0:35:33.080 --> 0:35:36.400
<v Speaker 1>Yes, uh, it sets up a very juicy rest of

0:35:36.440 --> 0:35:39.920
<v Speaker 1>the season for sure, But holy sprockets, guys, look at

0:35:39.920 --> 0:35:41.879
<v Speaker 1>the time, we have to go to another ad break,

0:35:42.000 --> 0:35:44.600
<v Speaker 1>So stick around, folks. We'll be back to talk about

0:35:44.760 --> 0:36:02.640
<v Speaker 1>Arcane episode five in just a minute. Okay, we are back.

0:36:03.080 --> 0:36:06.880
<v Speaker 1>Let's talk about Arcane episode five. This one's titled Everybody

0:36:06.960 --> 0:36:09.440
<v Speaker 1>Wants to Be My Enemy, which is an Imagine Dragons

0:36:09.440 --> 0:36:11.200
<v Speaker 1>song that I actually sometimes run two. I have to

0:36:11.239 --> 0:36:12.080
<v Speaker 1>admit that, wait.

0:36:11.920 --> 0:36:14.680
<v Speaker 2>A minute, we didn't get Oh my god, keep going.

0:36:15.560 --> 0:36:18.120
<v Speaker 2>You know what music Jase works out to. It is

0:36:18.239 --> 0:36:22.400
<v Speaker 2>literally just Imagine Dragons. He doesn't listen to anything else

0:36:22.840 --> 0:36:23.719
<v Speaker 2>when he works out.

0:36:24.160 --> 0:36:26.680
<v Speaker 1>It is I know, I've been thinking about this all

0:36:26.719 --> 0:36:28.520
<v Speaker 1>week Like, I spent all weekend being like, do I

0:36:28.560 --> 0:36:31.440
<v Speaker 1>tell Eron that I listened to Imagine Dragons or do

0:36:31.520 --> 0:36:34.600
<v Speaker 1>I just play along and pretend I don't. But here

0:36:34.600 --> 0:36:37.759
<v Speaker 1>we are, okay. This episode opens up on a flashback

0:36:37.760 --> 0:36:41.880
<v Speaker 1>to young Caitlin and the late Great Sheriff Grayson in

0:36:41.920 --> 0:36:46.359
<v Speaker 1>a friendly shooting competition. Caitlyn wins the competition, but at

0:36:46.360 --> 0:36:48.799
<v Speaker 1>the after party, she gets a little suspicious. She sees

0:36:48.800 --> 0:36:52.640
<v Speaker 1>her parents schmoozing, and she asks Grayson if the Sheriff

0:36:52.680 --> 0:36:55.400
<v Speaker 1>fletter win because of a bribe. Her parents have always

0:36:55.520 --> 0:36:57.640
<v Speaker 1>done things to make life easy for her, was this

0:36:57.680 --> 0:37:01.239
<v Speaker 1>one of those things too? Grayson admits that she did

0:37:01.440 --> 0:37:04.160
<v Speaker 1>let the child win, but just because she's like a

0:37:04.200 --> 0:37:07.080
<v Speaker 1>cute child who shows some promise, and not because any

0:37:07.120 --> 0:37:11.319
<v Speaker 1>money was involved, and Grayson actually leaves Kate with what

0:37:11.360 --> 0:37:15.200
<v Speaker 1>will clearly become like a life defining question. Quote. It

0:37:15.239 --> 0:37:18.080
<v Speaker 1>begs the question, young kierman, what are you shooting for?

0:37:18.719 --> 0:37:21.319
<v Speaker 1>End quote, which I think is something Kate is still

0:37:21.360 --> 0:37:22.960
<v Speaker 1>exploring even to present day.

0:37:23.719 --> 0:37:26.640
<v Speaker 2>We cut back to Stillwater Prison in the present day

0:37:26.840 --> 0:37:31.040
<v Speaker 2>and Kate's questioning the v Sorry, VI. It's tough because

0:37:31.080 --> 0:37:34.840
<v Speaker 2>she now has the joker fied six Roman numeral tattoo

0:37:34.920 --> 0:37:37.800
<v Speaker 2>under the eye that says VI. It's a little not

0:37:37.920 --> 0:37:42.440
<v Speaker 2>my favorite transition character design wise, but she's questioning Violet,

0:37:42.560 --> 0:37:45.959
<v Speaker 2>and after some unpleasant back and forth, Caitlyn realizes that

0:37:46.239 --> 0:37:50.000
<v Speaker 2>she really needs her, and she goes and uses Jace's

0:37:50.040 --> 0:37:54.439
<v Speaker 2>newly appointed position to forge documents to get ye out

0:37:54.480 --> 0:37:57.600
<v Speaker 2>what Jace has just been elected. We're really speed running

0:37:57.640 --> 0:38:00.720
<v Speaker 2>election to corruption in Yeah, I don't know a day

0:38:00.840 --> 0:38:01.560
<v Speaker 2>basically here.

0:38:01.800 --> 0:38:04.680
<v Speaker 1>Yeah, incredible. She shows a lot of gumption, Yes, gets

0:38:04.680 --> 0:38:06.600
<v Speaker 1>things done. I think Sheriff Grayson had the right idea.

0:38:07.400 --> 0:38:10.840
<v Speaker 1>Back in Piltover, Your guy, Aaron, your guy. Sheriff Marcus

0:38:11.120 --> 0:38:13.279
<v Speaker 1>is giving a speech at the funeral of the dead

0:38:13.400 --> 0:38:17.400
<v Speaker 1>enforcers from Powder's attack earlier. He is genuinely broken up

0:38:17.480 --> 0:38:21.719
<v Speaker 1>about these losses, and he even visits Grayson's tombstone with

0:38:21.760 --> 0:38:24.520
<v Speaker 1>his daughter. You can tell he's very affected by the

0:38:24.640 --> 0:38:28.640
<v Speaker 1>death of his comrades. We then cut to an absolutely

0:38:28.760 --> 0:38:32.880
<v Speaker 1>furious Marcus yelling at Silko, demanding that he'd be allowed

0:38:33.120 --> 0:38:38.200
<v Speaker 1>to arrest Powder. But Silko obviously has another suggestion. Hey,

0:38:38.400 --> 0:38:41.080
<v Speaker 1>remember the firelights. She use them as a scapegoat.

0:38:41.160 --> 0:38:43.120
<v Speaker 2>So win win, which I mean kind of.

0:38:43.040 --> 0:38:46.560
<v Speaker 3>Makes sense, crooked police. Yeah, when will you learn?

0:38:46.640 --> 0:38:48.719
<v Speaker 1>What does this kind of really makes sense? Why is

0:38:48.719 --> 0:38:49.799
<v Speaker 1>Marcus not thinking of that?

0:38:50.160 --> 0:38:53.200
<v Speaker 4>Well, because Marcus wants to be a good cop. Marcus

0:38:53.239 --> 0:38:54.960
<v Speaker 4>is out here being like, I want to be an

0:38:54.960 --> 0:38:58.200
<v Speaker 4>outstanding cop. I got caught up. Yeah, maybe I can

0:38:58.239 --> 0:39:00.680
<v Speaker 4>make the best of a situation and make it worse.

0:39:00.680 --> 0:39:02.880
<v Speaker 4>But no, you're already in bed with the criminal, Marcus.

0:39:02.920 --> 0:39:04.640
<v Speaker 4>The only thing you can do is turn yourself in.

0:39:04.719 --> 0:39:07.560
<v Speaker 4>You're screwed. This never works out for the crooked Coughs.

0:39:07.840 --> 0:39:09.319
<v Speaker 4>I don't know why I haven't figured this out.

0:39:09.480 --> 0:39:13.120
<v Speaker 2>Yeah, you're in too deep, Surpuco. Let's keep going at

0:39:13.120 --> 0:39:16.000
<v Speaker 2>the Hexgate. Doc Jase is taking his new council position

0:39:16.360 --> 0:39:21.120
<v Speaker 2>very seriously, and he's uncovering months and months of shipping discrepancies.

0:39:21.440 --> 0:39:25.160
<v Speaker 2>This corruption has been running rampant since I guess as

0:39:25.200 --> 0:39:27.880
<v Speaker 2>long as he created the hexgates, however long ago that was,

0:39:28.280 --> 0:39:31.480
<v Speaker 2>and he's here to drain the swamp. Victor is annoyed

0:39:31.520 --> 0:39:34.040
<v Speaker 2>that his friend is too busy focused on the council

0:39:34.120 --> 0:39:37.120
<v Speaker 2>work to be focused on the hex tech work. So

0:39:37.600 --> 0:39:40.600
<v Speaker 2>Victor is complaining, and then he coughs up a little

0:39:40.640 --> 0:39:45.160
<v Speaker 2>bit of blood and his head rushes, and he rushes

0:39:45.200 --> 0:39:46.840
<v Speaker 2>to the lap with a brand new idea.

0:39:46.960 --> 0:39:49.560
<v Speaker 1>Right, he has a sort of epiphany here. Now back

0:39:49.560 --> 0:39:53.040
<v Speaker 1>in her layer, Jinx is trying to figure out Jase

0:39:53.360 --> 0:39:56.560
<v Speaker 1>and Victor's hex Tech. She's got the notes, she's got

0:39:56.560 --> 0:39:58.800
<v Speaker 1>the gemstone. She's trying to crack it all on her own,

0:39:59.120 --> 0:40:02.319
<v Speaker 1>and she does to activate it, causing like a sort

0:40:02.320 --> 0:40:05.680
<v Speaker 1>of chaotic explosion, and this is obviously deeply traumatic for her.

0:40:05.760 --> 0:40:08.640
<v Speaker 1>She flashed back to the explosion back in the cannery

0:40:08.719 --> 0:40:12.680
<v Speaker 1>that killed all her friends, that killed Vander, and it's

0:40:12.719 --> 0:40:15.360
<v Speaker 1>a pretty horrifying scene. And we see that Powder is

0:40:15.400 --> 0:40:20.160
<v Speaker 1>still deeply hurt from that incident, and this brings a

0:40:20.160 --> 0:40:22.680
<v Speaker 1>lot of that grief back up to the surface for her.

0:40:23.080 --> 0:40:25.000
<v Speaker 1>Witnessing another hexstack explosion.

0:40:25.680 --> 0:40:30.360
<v Speaker 2>Kate and Violet are at the escalator shaped the circular

0:40:30.600 --> 0:40:34.400
<v Speaker 2>escalator Bathosphere ticket office, and Kitlin's like, we should make

0:40:34.400 --> 0:40:35.879
<v Speaker 2>sure we get a ticket, you know, we should get

0:40:35.880 --> 0:40:38.120
<v Speaker 2>an aisle seat. I don't know what the inflight movie

0:40:38.160 --> 0:40:39.920
<v Speaker 2>is today, but I think we might be able to

0:40:39.960 --> 0:40:44.759
<v Speaker 2>watch Joker on the ride down, and Violet is like, no, no, no, no,

0:40:44.880 --> 0:40:48.279
<v Speaker 2>we're parkouring ourselves down and that's the fastest way to

0:40:48.320 --> 0:40:52.759
<v Speaker 2>the under city, and impressively, Caitlin, a little slowly does

0:40:52.840 --> 0:40:55.759
<v Speaker 2>manage to follow her down. I don't know if as

0:40:55.760 --> 0:40:57.479
<v Speaker 2>someone who's afraid of heights, I don't think that would

0:40:57.480 --> 0:40:59.759
<v Speaker 2>have been I probably would have stuck in to see

0:40:59.800 --> 0:41:02.879
<v Speaker 2>what in flight meal was. But as Violet gets down

0:41:02.920 --> 0:41:07.840
<v Speaker 2>there first she steals, not steals, she borrows some clothing

0:41:08.080 --> 0:41:12.080
<v Speaker 2>to help her new partner, Caitlyn blend in because she

0:41:12.080 --> 0:41:14.839
<v Speaker 2>can't be dressed in an enforce her outfit. And as

0:41:14.880 --> 0:41:17.960
<v Speaker 2>she's doing it, or as Caitlyn comes down, Violet's like,

0:41:18.560 --> 0:41:20.560
<v Speaker 2>my sister could have done that faster than you when

0:41:20.560 --> 0:41:23.719
<v Speaker 2>she was seven, So clearly she's still thinking about her

0:41:23.760 --> 0:41:24.319
<v Speaker 2>sister too.

0:41:24.640 --> 0:41:26.600
<v Speaker 1>Yeah. I really felt like this was an important line

0:41:26.920 --> 0:41:30.279
<v Speaker 1>because we know that Powder still thinks about Violet, and

0:41:30.480 --> 0:41:32.840
<v Speaker 1>it's important for us as the audience to also recognize

0:41:32.880 --> 0:41:35.520
<v Speaker 1>that Violet has also not forgotten about Powder all these

0:41:35.560 --> 0:41:37.640
<v Speaker 1>years later, and the two sisters are still thinking about

0:41:37.640 --> 0:41:41.840
<v Speaker 1>each other in equal but also dramatically different ways. Powder

0:41:41.920 --> 0:41:45.680
<v Speaker 1>clearly sort of traumatized by even someone with similar hair

0:41:45.719 --> 0:41:50.239
<v Speaker 1>to Violet, whereas Violet uses it to flirt exactly and

0:41:50.280 --> 0:41:52.799
<v Speaker 1>remembers the things her sister was good at. You know,

0:41:53.239 --> 0:41:54.360
<v Speaker 1>this is a fond memory.

0:41:54.760 --> 0:41:57.919
<v Speaker 4>It's also an important moment in buying Caitlyn's relationship because

0:41:57.960 --> 0:42:01.839
<v Speaker 4>it shows the first time we see how everyone is like, God,

0:42:01.880 --> 0:42:04.759
<v Speaker 4>you're slowing us down and you're terrible at this. Yeah,

0:42:04.800 --> 0:42:09.680
<v Speaker 4>And so either VIA's remembering Powder as being better at

0:42:09.760 --> 0:42:13.919
<v Speaker 4>doing this stuff than she actually was, or it's really

0:42:13.920 --> 0:42:17.799
<v Speaker 4>showcasing the distance between Vi and Caitlin as far as

0:42:17.840 --> 0:42:20.040
<v Speaker 4>like what you need to be aware of and how

0:42:20.080 --> 0:42:23.280
<v Speaker 4>to survive in this space, Like you're you are worse

0:42:23.320 --> 0:42:23.920
<v Speaker 4>than a child.

0:42:24.000 --> 0:42:27.080
<v Speaker 3>It's really bad. Yeah, And it's an important line doing so.

0:42:27.160 --> 0:42:31.080
<v Speaker 4>With so little words, really exploring a lot of relationships

0:42:31.120 --> 0:42:31.600
<v Speaker 4>at one time.

0:42:31.880 --> 0:42:35.239
<v Speaker 1>Yeah, amazing point, Joelle, You're spot on all right. Back

0:42:35.239 --> 0:42:39.720
<v Speaker 1>in the lab, Victor is obsessively working with the ruins

0:42:39.960 --> 0:42:42.960
<v Speaker 1>on the hex Tech machine to try and build what,

0:42:43.160 --> 0:42:47.120
<v Speaker 1>to my understanding is basically just hex Tech GPT trying

0:42:47.120 --> 0:42:50.880
<v Speaker 1>to make AI happen, while Jasons in the background clearly

0:42:50.960 --> 0:42:53.759
<v Speaker 1>just checking his hair. Does this guy do any work

0:42:53.760 --> 0:42:56.560
<v Speaker 1>in the lab anymore? No, I haven't seen him put

0:42:56.600 --> 0:43:00.120
<v Speaker 1>any hours in honestly the faith now it's wild and

0:43:00.239 --> 0:43:03.080
<v Speaker 1>understand Victor's frustrations. Like if I was here recording this

0:43:03.120 --> 0:43:05.120
<v Speaker 1>episode and Aaron was just like off in the corner

0:43:05.640 --> 0:43:08.440
<v Speaker 1>combing his hair, I'd be like, are we recording right now?

0:43:08.480 --> 0:43:09.080
<v Speaker 3>Or what are we doing?

0:43:09.320 --> 0:43:11.120
<v Speaker 2>The amazing thing is with my hair, I can do

0:43:11.200 --> 0:43:13.320
<v Speaker 2>it at any time, just with my hands, or I

0:43:13.360 --> 0:43:15.840
<v Speaker 2>can fix it, so I don't need to leave screen

0:43:15.960 --> 0:43:17.239
<v Speaker 2>for that. Don't worry.

0:43:19.040 --> 0:43:22.240
<v Speaker 1>Now. Meanwhile, down in the under City, Violet is eating

0:43:22.280 --> 0:43:26.839
<v Speaker 1>a delicious Undercity meal of sloppy fish while a frustrated

0:43:26.960 --> 0:43:29.560
<v Speaker 1>Caitlin is trying to get her to focus. We're here

0:43:29.600 --> 0:43:31.640
<v Speaker 1>to do a job. We got to crack this case.

0:43:31.880 --> 0:43:34.040
<v Speaker 1>Tell me about the soko, tell me about this investigation.

0:43:34.160 --> 0:43:37.319
<v Speaker 1>Let's go do stuff. The stall owner after the meal

0:43:37.400 --> 0:43:40.000
<v Speaker 1>secretly hands Via a note and they walk off, and

0:43:40.040 --> 0:43:42.080
<v Speaker 1>clearly this was more than just a meal. This was

0:43:42.120 --> 0:43:46.120
<v Speaker 1>a subtle business transaction as well, and an exchange of

0:43:46.160 --> 0:43:50.239
<v Speaker 1>information happened here. And I liked how this You know,

0:43:50.280 --> 0:43:52.759
<v Speaker 1>once again, Joel, to your point about Caitlin maybe not

0:43:52.840 --> 0:43:55.160
<v Speaker 1>knowing how to operate in the under city, This shows

0:43:55.200 --> 0:43:57.080
<v Speaker 1>us that Caitlin is out of her depth. She doesn't

0:43:57.160 --> 0:44:00.680
<v Speaker 1>understand the subtle ways that you oper right down here.

0:44:00.840 --> 0:44:02.440
<v Speaker 1>You don't just go around asking questions.

0:44:02.480 --> 0:44:10.279
<v Speaker 4>She's literally an enforcer. Subtle subtlety is not in her handbooks.

0:44:10.280 --> 0:44:13.520
<v Speaker 4>She's she is somewhat the pampered princess. She doesn't want

0:44:13.520 --> 0:44:15.400
<v Speaker 4>to be in that She's always had a lot of

0:44:15.400 --> 0:44:19.040
<v Speaker 4>privilege and ability and access. And then on top of that,

0:44:19.320 --> 0:44:21.640
<v Speaker 4>her job is an enforcer. Like nobody tells you not

0:44:21.719 --> 0:44:23.839
<v Speaker 4>to go somewhere except your commander, who she didn't listen

0:44:23.840 --> 0:44:26.600
<v Speaker 4>to anyway, Like she has no subtlety is not in

0:44:26.680 --> 0:44:30.480
<v Speaker 4>this girl's menu. I love in opposites the tract storyline.

0:44:30.600 --> 0:44:34.920
<v Speaker 4>I love the banter chemistry between these two, these enemies.

0:44:34.920 --> 0:44:38.719
<v Speaker 4>To love her storyline. It's not quite enemies, but definitely

0:44:38.800 --> 0:44:41.000
<v Speaker 4>the other side of the tracks.

0:44:40.600 --> 0:44:42.239
<v Speaker 3>Angle for sure with these two.

0:44:42.560 --> 0:44:46.480
<v Speaker 4>And like these opening scenes of them just trying to

0:44:46.520 --> 0:44:48.960
<v Speaker 4>get through the city like they're really not to anything

0:44:49.000 --> 0:44:51.600
<v Speaker 4>but talking to mostly friendly people and it's such a

0:44:51.600 --> 0:44:53.880
<v Speaker 4>train wreck for them because are so opposites.

0:44:54.040 --> 0:44:54.759
<v Speaker 3>That's a lot of fun.

0:44:55.040 --> 0:44:56.120
<v Speaker 1>Yeah, definitely.

0:44:56.560 --> 0:44:59.240
<v Speaker 2>We head back up to Piltover and at the Piltover

0:44:59.320 --> 0:45:03.320
<v Speaker 2>Opera House, Mel is giving Jason little politics one O

0:45:03.440 --> 0:45:06.640
<v Speaker 2>one lesson, and she's basically explaining, you've done a great

0:45:06.719 --> 0:45:09.960
<v Speaker 2>job of rooting out all the corruption. Unfortunately, a lot

0:45:10.000 --> 0:45:13.520
<v Speaker 2>of the corruption around the hex Gates was with members

0:45:13.560 --> 0:45:16.000
<v Speaker 2>of the council, and you kind of put a target

0:45:16.040 --> 0:45:17.720
<v Speaker 2>on your back, and you kind of gotta go grease

0:45:17.760 --> 0:45:20.600
<v Speaker 2>some palms and make up for the little dust storm

0:45:20.600 --> 0:45:23.160
<v Speaker 2>that you kicked up here because so and so wants

0:45:23.200 --> 0:45:26.439
<v Speaker 2>their wine brought in from this part of the town,

0:45:26.600 --> 0:45:29.120
<v Speaker 2>and so and so over here has been skimming a

0:45:29.160 --> 0:45:32.640
<v Speaker 2>little off the top. And that's okay. You gotta learn

0:45:32.680 --> 0:45:34.439
<v Speaker 2>all this, but it's time for you to make nice

0:45:34.480 --> 0:45:37.279
<v Speaker 2>with everyone. Everyone that is except heimer Dinger, who is

0:45:37.360 --> 0:45:40.839
<v Speaker 2>just focused on loving the performance. Heimer Dinger is out

0:45:40.880 --> 0:45:43.919
<v Speaker 2>there like a boo listening to imagine dragons on a run.

0:45:44.000 --> 0:45:45.880
<v Speaker 2>Heimer Dinger's just like losing it.

0:45:45.920 --> 0:45:51.160
<v Speaker 1>Oh wow, shots fired. Yeah, yeah, I loved these cutaways.

0:45:51.160 --> 0:45:53.960
<v Speaker 1>We see all of this like politicking happening during this scene,

0:45:54.280 --> 0:45:57.160
<v Speaker 1>and every so often we just cut back to Heimerdinger, who's.

0:45:57.040 --> 0:45:59.240
<v Speaker 3>Just adorable teddy bear, clapping.

0:45:59.360 --> 0:46:03.040
<v Speaker 1>Eating his snack and being like, this is my favorite violinist. Woo.

0:46:04.080 --> 0:46:05.120
<v Speaker 3>It's so good.

0:46:05.480 --> 0:46:09.040
<v Speaker 4>And I think, what's really like that scene again, just

0:46:09.120 --> 0:46:11.880
<v Speaker 4>artistically in the way they shape these scenes, the way

0:46:11.920 --> 0:46:17.560
<v Speaker 4>they're filmed so beautiful and sunning, because you understand, like

0:46:17.880 --> 0:46:20.879
<v Speaker 4>Heimerdinger's negligence on this look, he doesn't understand the beast

0:46:20.920 --> 0:46:22.800
<v Speaker 4>that he's created within Jase.

0:46:23.000 --> 0:46:24.680
<v Speaker 3>Oh yeah, because what he.

0:46:24.719 --> 0:46:27.799
<v Speaker 4>Knows of him is his good, sweet boy heart. They're like,

0:46:28.400 --> 0:46:31.080
<v Speaker 4>that's just young Jace. He just wants to help the people,

0:46:31.120 --> 0:46:32.840
<v Speaker 4>and he's really smart and I gave him a leg

0:46:32.920 --> 0:46:34.799
<v Speaker 4>up and I'm just so proud of him.

0:46:35.000 --> 0:46:35.880
<v Speaker 3>And he's getting a corruption.

0:46:35.960 --> 0:46:38.880
<v Speaker 4>He's doing all the things that I taught him. Congratulations us.

0:46:39.239 --> 0:46:41.279
<v Speaker 4>He doesn't see this change coming at all. I don't

0:46:41.280 --> 0:46:44.920
<v Speaker 4>think Jace really sees it. But oh the seduction of

0:46:45.000 --> 0:46:48.360
<v Speaker 4>being like, Babe, I'm gonna help you maximalize your potential.

0:46:49.719 --> 0:46:51.760
<v Speaker 4>I mean, this couple really won for the ages.

0:46:53.200 --> 0:46:56.240
<v Speaker 2>We cut to the lanes and Jinks visits the gang's

0:46:56.239 --> 0:46:58.800
<v Speaker 2>old hangout with the boxing machine and the shooting gallery,

0:46:59.160 --> 0:47:03.520
<v Speaker 2>and she starts us using violets boxing training machine to

0:47:03.840 --> 0:47:08.160
<v Speaker 2>uh burn off some steam and trauma, and we get

0:47:08.200 --> 0:47:10.800
<v Speaker 2>like a boo you had mentioned this. We get Jinks

0:47:10.920 --> 0:47:14.360
<v Speaker 2>kind of mimicking her sister here, which is pretty powerful.

0:47:14.520 --> 0:47:17.240
<v Speaker 1>Oh my gosh, so beautiful. Yeah. It sort of fades

0:47:17.280 --> 0:47:20.239
<v Speaker 1>in and out of young Violet practicing and we see

0:47:20.320 --> 0:47:23.719
<v Speaker 1>Jinks just mimicking her sister's moves on this machine. But

0:47:23.960 --> 0:47:26.919
<v Speaker 1>I want to note this feels important. She still only

0:47:26.920 --> 0:47:27.239
<v Speaker 1>comes in.

0:47:27.239 --> 0:47:28.480
<v Speaker 3>Second place, second right.

0:47:28.560 --> 0:47:31.239
<v Speaker 1>Violet still holds the record on the arcade machine at

0:47:31.280 --> 0:47:33.440
<v Speaker 1>the Pizza Hut. No one is better than her at

0:47:33.480 --> 0:47:34.160
<v Speaker 1>punching this thing.

0:47:34.640 --> 0:47:38.040
<v Speaker 2>This is like a Costanza needing to move the arcade

0:47:38.040 --> 0:47:39.719
<v Speaker 2>out before the pizza place shuts down.

0:47:40.000 --> 0:47:42.000
<v Speaker 3>Bob me Jimmy Pestow's high score.

0:47:42.760 --> 0:47:49.200
<v Speaker 1>Yeah yeah, all right, let's check back in with Vi

0:47:49.400 --> 0:47:52.520
<v Speaker 1>and Kate. They go to a pleasure house to try

0:47:52.520 --> 0:47:56.160
<v Speaker 1>and go get information. Via tells Kate to blend in

0:47:56.360 --> 0:47:59.360
<v Speaker 1>impersonate one of the workers here. You're a hottie, mccatti.

0:47:59.800 --> 0:48:02.120
<v Speaker 1>Just do your thing, blend in, do your job, get

0:48:02.120 --> 0:48:04.840
<v Speaker 1>some information for us, and go over there. Leave me alone.

0:48:05.320 --> 0:48:07.720
<v Speaker 4>Meanwhile, no, no, no, aboo, I'm sorry, I'm sorry.

0:48:07.840 --> 0:48:12.080
<v Speaker 3>One second, one moment because.

0:48:11.760 --> 0:48:16.880
<v Speaker 4>Also the important hand against the wall like men or women,

0:48:17.120 --> 0:48:19.920
<v Speaker 4>check of are you into this girl or not?

0:48:20.560 --> 0:48:25.279
<v Speaker 3>Like wow, we cannot have this very important moment be

0:48:25.360 --> 0:48:28.960
<v Speaker 3>glossed lesbian iconic moment.

0:48:29.520 --> 0:48:32.680
<v Speaker 1>I'm sorry, Continia, Yeah, no, definitely steamy.

0:48:33.520 --> 0:48:36.400
<v Speaker 2>So Violet heads to the back of the business to

0:48:36.440 --> 0:48:38.279
<v Speaker 2>meet with the proprietor and get a little bit of

0:48:38.360 --> 0:48:42.000
<v Speaker 2>information on her sister in Soco, and she doesn't learn

0:48:42.239 --> 0:48:46.600
<v Speaker 2>too much, but she does get information on Sophika. And

0:48:47.200 --> 0:48:51.239
<v Speaker 2>Marcus is meeting with Soko again. He's trying to stand

0:48:51.320 --> 0:48:53.680
<v Speaker 2>up for himself, but surprise, surprise, he just doesn't have

0:48:53.719 --> 0:48:56.960
<v Speaker 2>the guts and he can't stop working with him. He's

0:48:56.960 --> 0:49:00.239
<v Speaker 2>in too deep, we already said. But Soko's feel the

0:49:00.239 --> 0:49:03.160
<v Speaker 2>pressure to right now, and so he tells Jinks to

0:49:03.480 --> 0:49:08.840
<v Speaker 2>hurry up and figuring out hextech. And you stole these prototypes,

0:49:09.360 --> 0:49:12.480
<v Speaker 2>and I know that two episodes ago you couldn't even

0:49:12.480 --> 0:49:15.080
<v Speaker 2>make a bomb that worked, but why don't you, without

0:49:15.120 --> 0:49:18.560
<v Speaker 2>any notes, figure out this brand new technology? On your

0:49:18.600 --> 0:49:21.920
<v Speaker 2>own in a cave with a box of scraps, and

0:49:22.000 --> 0:49:25.319
<v Speaker 2>spoiler alert, she does. We head back to Piltover and

0:49:25.360 --> 0:49:28.319
<v Speaker 2>this is the steamy scene that unfortunately, I'm gonna have

0:49:28.320 --> 0:49:31.080
<v Speaker 2>to do part of the recap by myself because I

0:49:31.120 --> 0:49:35.000
<v Speaker 2>don't think a Boo or Joelle are just mentally able

0:49:35.200 --> 0:49:37.680
<v Speaker 2>to talk about this without blowing all the mics out.

0:49:37.760 --> 0:49:41.320
<v Speaker 2>But Jason mel become intimate.

0:49:41.400 --> 0:49:49.200
<v Speaker 4>They fall stars motion, the universe collides around them.

0:49:49.239 --> 0:49:50.920
<v Speaker 3>It isn't epic coupling.

0:49:51.000 --> 0:49:55.560
<v Speaker 2>Okay, yeah, Jace gets busy. However, let's not forget about Victor,

0:49:55.680 --> 0:49:59.320
<v Speaker 2>because while this is going on, Victor is low on sleep.

0:49:59.480 --> 0:50:02.120
<v Speaker 2>He's still a obsessed with figuring out the hex tech.

0:50:02.560 --> 0:50:06.600
<v Speaker 2>And his cute lab assistant comes in and is like, Oh,

0:50:06.680 --> 0:50:09.320
<v Speaker 2>I wish someone would walk me home to the restaurant.

0:50:09.760 --> 0:50:11.520
<v Speaker 2>How late are you going to be working? I could

0:50:11.600 --> 0:50:14.680
<v Speaker 2>leave whenever you're ready, And he is like, I'm not working.

0:50:14.800 --> 0:50:17.000
<v Speaker 2>I'm sleeping here tonight, and she's like, oh, well, you

0:50:17.000 --> 0:50:19.920
<v Speaker 2>probably need something to eat, right, Like, we could walk

0:50:20.080 --> 0:50:23.239
<v Speaker 2>to the restaurant together, or I think someone maybe left

0:50:23.239 --> 0:50:25.320
<v Speaker 2>the door open. I'm not strong enough to close it,

0:50:25.360 --> 0:50:28.719
<v Speaker 2>would you? And he's like, I am busy, please leave

0:50:28.800 --> 0:50:29.080
<v Speaker 2>me a.

0:50:29.000 --> 0:50:30.120
<v Speaker 1>Little locked in?

0:50:31.040 --> 0:50:33.200
<v Speaker 2>Yeah?

0:50:33.760 --> 0:50:37.279
<v Speaker 4>Do you guys think that he was unaware or he's

0:50:37.320 --> 0:50:40.359
<v Speaker 4>just genuinely uninterested because we haven't seen him have any

0:50:40.840 --> 0:50:44.279
<v Speaker 4>romantic inklings or conquest or anything. And I don't know

0:50:44.280 --> 0:50:45.920
<v Speaker 4>what the read is on that guy. I'm like, does

0:50:45.960 --> 0:50:47.640
<v Speaker 4>he you know? Is it totally fair if he's just like,

0:50:47.640 --> 0:50:49.480
<v Speaker 4>I'm not interested? I have science to do.

0:50:50.080 --> 0:50:54.239
<v Speaker 2>I mean, as we learn. I think if someone was like, hey,

0:50:54.560 --> 0:50:57.200
<v Speaker 2>you got maybe a couple of days to live unless

0:50:57.239 --> 0:50:59.680
<v Speaker 2>you solve this, I think I might be pretty locked

0:50:59.680 --> 0:51:00.760
<v Speaker 2>in on We'll see.

0:51:00.960 --> 0:51:04.200
<v Speaker 4>I'm going for love. This is too much pressure? Fine,

0:51:04.719 --> 0:51:07.480
<v Speaker 4>God days left? Great, heism, Let's go.

0:51:10.000 --> 0:51:14.080
<v Speaker 2>Victor, very frustrated that his research is not yielding any results,

0:51:14.600 --> 0:51:17.920
<v Speaker 2>costs up more blood and collapses, and as we mentioned

0:51:17.920 --> 0:51:23.040
<v Speaker 2>before intercut with Jase and Mel we get the hex

0:51:23.080 --> 0:51:26.479
<v Speaker 2>tech reacting to the blood and truly like a sci

0:51:26.560 --> 0:51:32.080
<v Speaker 2>fi horror movie montage of like, uh oh, the technology

0:51:32.200 --> 0:51:36.480
<v Speaker 2>is becoming sentient and alive because it attached to human blood.

0:51:36.520 --> 0:51:39.480
<v Speaker 2>And now we have this other thing. No way, this

0:51:39.600 --> 0:51:41.480
<v Speaker 2>is bad, right, I'm sure this will be good.

0:51:41.680 --> 0:51:43.960
<v Speaker 1>Yeah, the ominous music really gave it away. That this

0:51:44.080 --> 0:51:48.000
<v Speaker 1>is a good thing. Now back in the under city, Jinks. Oh,

0:51:48.040 --> 0:51:51.200
<v Speaker 1>this scene is beautiful. I love this. Jinks has a

0:51:51.520 --> 0:51:54.640
<v Speaker 1>baptism of sorts in the same waters that Soilco nearly

0:51:54.680 --> 0:51:57.800
<v Speaker 1>drowned in that Silco nearly got drowned in by Vander

0:51:58.440 --> 0:52:02.160
<v Speaker 1>Silko imparts some advice on his adopted daughter. She's clearly

0:52:02.160 --> 0:52:07.040
<v Speaker 1>struggling with her trauma and these feelings and these memories

0:52:07.480 --> 0:52:10.040
<v Speaker 1>of her sister and her friends, and so he imparts

0:52:10.080 --> 0:52:13.600
<v Speaker 1>some advice. He says, quote, you need to let powder die.

0:52:14.400 --> 0:52:17.840
<v Speaker 2>Jinks is perfect, great line. Really love this scene, and

0:52:17.880 --> 0:52:21.080
<v Speaker 2>I love the idea of this is where Silko almost

0:52:21.120 --> 0:52:24.040
<v Speaker 2>died and was born anew and this is where Jinks

0:52:24.160 --> 0:52:27.759
<v Speaker 2>will be fully come into her own. We then get

0:52:27.760 --> 0:52:30.880
<v Speaker 2>to really one of the lowest points of the show's run.

0:52:31.120 --> 0:52:34.600
<v Speaker 2>We're treated to a montage set to the theme song

0:52:35.080 --> 0:52:39.680
<v Speaker 2>with the band animated. You know nothing against the members

0:52:39.680 --> 0:52:43.160
<v Speaker 2>of the band individually. What's going on here, like you're

0:52:43.200 --> 0:52:43.960
<v Speaker 2>walking down the.

0:52:43.880 --> 0:52:46.640
<v Speaker 3>Streets as a whole. I have lots of concern.

0:52:47.040 --> 0:52:50.440
<v Speaker 4>Yes, yeah, individuals are fine, but when you come together,

0:52:50.680 --> 0:52:51.440
<v Speaker 4>I don't like it.

0:52:51.520 --> 0:52:54.759
<v Speaker 2>Yeah yeah, And there's no skip intro button here. I

0:52:54.800 --> 0:52:55.720
<v Speaker 2>don't know what's happening.

0:52:55.840 --> 0:52:59.160
<v Speaker 4>No, it's really difficult, right, and key things happen while

0:52:59.160 --> 0:53:01.919
<v Speaker 4>it's playing, so you kind of can't sky. I would

0:53:01.920 --> 0:53:04.040
<v Speaker 4>just skip it, and I said, no major things happen

0:53:04.160 --> 0:53:07.520
<v Speaker 4>in this sequence. I think it was a small note

0:53:07.520 --> 0:53:10.440
<v Speaker 4>to the creators and you've done fabulous, so it's really tiny.

0:53:10.920 --> 0:53:13.399
<v Speaker 4>If you play the theme song for every episode, don't

0:53:13.440 --> 0:53:15.600
<v Speaker 4>also stick it in the center of it's way too,

0:53:15.719 --> 0:53:17.399
<v Speaker 4>and it would be with even with the theme song

0:53:17.440 --> 0:53:20.000
<v Speaker 4>I loved, I would be like, this is a lot.

0:53:19.800 --> 0:53:24.279
<v Speaker 2>Too unless unless your theme song is like the X

0:53:24.320 --> 0:53:28.800
<v Speaker 2>Men and animated series, something instrumental and you use motifs throughout,

0:53:28.880 --> 0:53:30.719
<v Speaker 2>Like I don't want to go too far down the

0:53:30.800 --> 0:53:33.680
<v Speaker 2>rabbit hole musically, but there are ways that you can

0:53:33.719 --> 0:53:36.760
<v Speaker 2>make this effective. And I think just playing the exact

0:53:36.840 --> 0:53:37.600
<v Speaker 2>same part of.

0:53:37.560 --> 0:53:39.720
<v Speaker 3>The song totally makes sense.

0:53:39.960 --> 0:53:41.799
<v Speaker 2>Right, playing the exact same part of the song that

0:53:41.800 --> 0:53:45.480
<v Speaker 2>plays in the opening credits doesn't work, and like, I

0:53:45.560 --> 0:53:48.920
<v Speaker 2>get it. Maybe this song was written for this particular

0:53:48.960 --> 0:53:50.720
<v Speaker 2>scene and then they were like, oh, maybe we should

0:53:50.800 --> 0:53:53.800
<v Speaker 2>use this for the theme. I'm not entirely sure. The

0:53:53.920 --> 0:53:57.160
<v Speaker 2>lyrics don't really hit for me on their own, but

0:53:57.160 --> 0:53:59.360
<v Speaker 2>they don't hit in this part of the scene. I

0:53:59.400 --> 0:54:01.920
<v Speaker 2>don't know. Anyways, we didn't even talk about what's happening

0:54:01.960 --> 0:54:04.640
<v Speaker 2>in the scene, just because Imagine Dragons was like we

0:54:05.080 --> 0:54:08.000
<v Speaker 2>could go through like an entire thing about you know,

0:54:08.080 --> 0:54:10.239
<v Speaker 2>Game of Thrones would have musicians in it, but they

0:54:10.239 --> 0:54:12.640
<v Speaker 2>were like kind of hidden and it wasn't like, hey,

0:54:12.680 --> 0:54:14.600
<v Speaker 2>here's the members of cold Play in the back of

0:54:14.640 --> 0:54:16.520
<v Speaker 2>the Red or who is in the Red wedding cigaret

0:54:16.560 --> 0:54:18.560
<v Speaker 2>ROAs I forget who it was, But it wasn't like

0:54:18.880 --> 0:54:21.400
<v Speaker 2>Coldplay is in Game of Thrones and they're listening to

0:54:21.440 --> 0:54:24.040
<v Speaker 2>the scientist like at the same time, like he was

0:54:24.080 --> 0:54:27.840
<v Speaker 2>a little more tastefully done. Vi is going off to

0:54:27.960 --> 0:54:31.920
<v Speaker 2>confront Sevika. Marcus is struggling with his choices as we know,

0:54:32.040 --> 0:54:35.440
<v Speaker 2>he's far too deep in the corruption, and Mel wakes

0:54:35.520 --> 0:54:38.200
<v Speaker 2>up ditched in bed because Jason has actually run off

0:54:38.320 --> 0:54:40.800
<v Speaker 2>to go try to be at the bedside of Victor,

0:54:40.840 --> 0:54:43.400
<v Speaker 2>who has collapsed and is in the medical bay. VI

0:54:43.600 --> 0:54:47.480
<v Speaker 2>and Sevika get into an all out brawl, and Sevika

0:54:47.560 --> 0:54:51.800
<v Speaker 2>reel reveals to Violet that Powder now Jinx is working

0:54:51.800 --> 0:54:55.759
<v Speaker 2>for Soco and is like his daughter, and this is like,

0:54:55.880 --> 0:54:58.920
<v Speaker 2>we get our first look kind of at the body

0:54:58.920 --> 0:55:02.600
<v Speaker 2>augmentation power by the Shimmer, this opposite tech that we're

0:55:02.640 --> 0:55:05.120
<v Speaker 2>gonna see as opposed to the hex tech stuff. We've

0:55:05.120 --> 0:55:08.400
<v Speaker 2>got the Shimmer powered arm and everything. But of course

0:55:08.520 --> 0:55:12.480
<v Speaker 2>the culminating part of the scene is Violet's gonna lose

0:55:13.320 --> 0:55:16.000
<v Speaker 2>and then Kate shows up and saves her life.

0:55:16.239 --> 0:55:18.359
<v Speaker 1>Yeah, and then they stumble off arm in arm. By

0:55:18.400 --> 0:55:20.480
<v Speaker 1>the way, I feel like Joelle would want me to say.

0:55:20.280 --> 0:55:24.480
<v Speaker 4>That, thank you so much we're including this. She's like, Hey,

0:55:24.480 --> 0:55:27.520
<v Speaker 4>guess why I actually am capable. It's you who can

0:55:27.600 --> 0:55:30.880
<v Speaker 4>sometimes be hot headed and discharging in situations. Sometimes you

0:55:30.960 --> 0:55:34.560
<v Speaker 4>need a detective know how to handle these situations. Like, hmm,

0:55:35.000 --> 0:55:37.759
<v Speaker 4>this white lady who is always the powerful fighter has

0:55:37.800 --> 0:55:40.719
<v Speaker 4>a cloak on any upgrade she might have gotten. Look

0:55:40.800 --> 0:55:42.719
<v Speaker 4>both ways before you cross the street. Viy, this was

0:55:42.760 --> 0:55:46.239
<v Speaker 4>reckless as hell. I'm obsessed with Uying Katelyn together. I

0:55:46.320 --> 0:55:49.879
<v Speaker 4>think they're so lovely and sweet and they push each

0:55:49.880 --> 0:55:52.439
<v Speaker 4>other to be better people with like the best kind

0:55:52.440 --> 0:55:56.040
<v Speaker 4>of relationships. Man, this episode sings this is such this.

0:55:56.239 --> 0:55:58.080
<v Speaker 4>I don't know if it's my favorite episode, but it's

0:55:58.160 --> 0:55:58.480
<v Speaker 4>up there.

0:55:59.000 --> 0:56:02.000
<v Speaker 2>We do I think need to just give our flowers.

0:56:02.600 --> 0:56:05.919
<v Speaker 2>We've dragged him a lot this episode. But Marcus, I think,

0:56:05.960 --> 0:56:08.640
<v Speaker 2>has done one good thing in this show, and that

0:56:08.840 --> 0:56:11.799
<v Speaker 2>was at the end of episode three, Marcus saved Violet

0:56:12.040 --> 0:56:15.200
<v Speaker 2>by what was it ethanol or whatever, knocking her out

0:56:15.280 --> 0:56:18.560
<v Speaker 2>and preventing her from going after Soco and his gang.

0:56:19.000 --> 0:56:22.680
<v Speaker 2>Because Sivika comes in and informs Soilco that Violet is back,

0:56:23.000 --> 0:56:26.560
<v Speaker 2>and he says from the dead, so everyone thought Violet

0:56:27.040 --> 0:56:32.239
<v Speaker 2>was dead. I guess Silko's corrupt cops didn't inform him

0:56:32.239 --> 0:56:35.280
<v Speaker 2>when Violet was arrested and put in prison and causing

0:56:35.320 --> 0:56:39.560
<v Speaker 2>fights and clearly on the wrong side of the jailers

0:56:39.640 --> 0:56:42.840
<v Speaker 2>as she's been. It's insinuated she's been beaten by the

0:56:42.920 --> 0:56:46.759
<v Speaker 2>jailers multiple times. So I guess that news didn't leave

0:56:46.840 --> 0:56:50.360
<v Speaker 2>Stillwater prison. But it is at least something that Marcus

0:56:50.400 --> 0:56:52.080
<v Speaker 2>saved her until now.

0:56:52.280 --> 0:56:55.040
<v Speaker 1>Yeah, and to your point, maybe it is Marcus doing

0:56:55.040 --> 0:56:56.920
<v Speaker 1>a bit of a cover job, just making sure the

0:56:56.960 --> 0:56:59.800
<v Speaker 1>paperwork from Stillwater just happens to never make it to

0:57:00.160 --> 0:57:00.680
<v Speaker 1>ghost Desk.

0:57:01.640 --> 0:57:04.160
<v Speaker 2>All Right. That was the end of our discussion on

0:57:04.239 --> 0:57:09.839
<v Speaker 2>Ourcane episodes four and five. On tomorrow's episode, Jason and Rosie.

0:57:09.920 --> 0:57:12.520
<v Speaker 2>We're back to discuss the Greatest Year of Horror nineteen

0:57:12.560 --> 0:57:14.560
<v Speaker 2>eighty four. A Boo and I will probably not be

0:57:14.600 --> 0:57:16.240
<v Speaker 2>on that episode because of Boo and I are not

0:57:16.600 --> 0:57:17.680
<v Speaker 2>we're not horror heads.

0:57:18.160 --> 0:57:19.040
<v Speaker 1>Too spooky for me.

0:57:19.160 --> 0:57:21.600
<v Speaker 2>Yeah, not enough imagine dragons, So we really don't have

0:57:21.600 --> 0:57:26.240
<v Speaker 2>anything to contribute next week. Admitted that next week we'll

0:57:26.240 --> 0:57:29.760
<v Speaker 2>be back with Penguin episode six on Monday, Agatha episode

0:57:29.840 --> 0:57:32.920
<v Speaker 2>seven on Tuesday, and Arcane episodes six and seven on Wednesday,

0:57:32.960 --> 0:57:36.400
<v Speaker 2>and then a very special Halloween episode on Thursday.

0:57:36.640 --> 0:57:38.120
<v Speaker 1>Thanks for listening, We'll see you next week.

0:57:38.560 --> 0:57:42.120
<v Speaker 2>Bye.

0:57:43.880 --> 0:57:47.240
<v Speaker 5>X ray Vision is hosted by Jason Sumsion and Rosie

0:57:47.280 --> 0:57:51.520
<v Speaker 5>Knight and is a production of iHeart Podcasts. Our executive

0:57:51.520 --> 0:57:55.760
<v Speaker 5>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

0:57:56.160 --> 0:58:00.840
<v Speaker 5>is a Boo Zafar. Our producers are Carmen Laurent and

0:58:01.000 --> 0:58:04.440
<v Speaker 5>Mea Tale. Our theme song is by Brian Basquez.

0:58:04.920 --> 0:58:09.240
<v Speaker 2>Special thanks to Soul Rubin and Chris Lord. Kenny Goodman

0:58:09.560 --> 0:58:11.640
<v Speaker 2>and Heidi are Discord moderator