1
00:00:00,040 --> 00:00:03,640
Speaker 1: Today's episode contains spoilers for episode four and five of

2
00:00:03,760 --> 00:00:07,080
Speaker 1: Arcane season one. Watch those before you listen today, or don't.

3
00:00:07,160 --> 00:00:24,919
Speaker 1: I don't know. Hey everyone, I'm.

4
00:00:24,720 --> 00:00:26,960
Speaker 2: A Boo and I'm Aaron and.

5
00:00:27,120 --> 00:00:30,200
Speaker 1: Welcome to x ray Vision Extras, an X ray Vision

6
00:00:30,200 --> 00:00:33,040
Speaker 1: series where we dive deep into even more of your

7
00:00:33,080 --> 00:00:37,360
Speaker 1: favorite shows, movies, comics, and pop culture. Every superhero team

8
00:00:37,440 --> 00:00:41,159
Speaker 1: needs sade quests, and our rotating panel of producers and

9
00:00:41,280 --> 00:00:43,440
Speaker 1: guest hosts will be suiting up to help Jason and

10
00:00:43,520 --> 00:00:45,960
Speaker 1: Rosie cover all of the amazing nerd content out there.

11
00:00:46,360 --> 00:00:48,880
Speaker 2: Speaking of guest hosts, we have a guest with us today.

12
00:00:48,920 --> 00:00:51,080
Speaker 2: It's not just you and I today, aboo, that's right,

13
00:00:51,280 --> 00:00:54,240
Speaker 2: We have the wonderful Joel here to join us.

14
00:00:54,720 --> 00:00:55,200
Speaker 3: Hey.

15
00:00:55,520 --> 00:00:57,560
Speaker 1: Cool, Okay, so you're seeing her too, not just in

16
00:00:57,600 --> 00:00:58,280
Speaker 1: my imagination.

17
00:00:59,600 --> 00:01:03,640
Speaker 2: Yeah, this is not a JINX haunting happening for you.

18
00:01:03,720 --> 00:01:04,200
Speaker 2: Don't worry.

19
00:01:04,280 --> 00:01:05,440
Speaker 3: Oh my god. Yeah.

20
00:01:05,480 --> 00:01:07,600
Speaker 4: You said you were talking about Arcane and I missed

21
00:01:07,600 --> 00:01:09,160
Speaker 4: out and I was upset about it, and I was like,

22
00:01:09,200 --> 00:01:11,680
Speaker 4: I have to make time in space for round two.

23
00:01:11,800 --> 00:01:12,720
Speaker 3: So I'm excited to be here.

24
00:01:12,800 --> 00:01:13,880
Speaker 1: We're excited to have you here.

25
00:01:13,959 --> 00:01:16,319
Speaker 2: Well, makes sense that you would be joining us after

26
00:01:16,400 --> 00:01:19,240
Speaker 2: the time jump, so you're joining us in our more

27
00:01:19,280 --> 00:01:23,480
Speaker 2: adult forms. And we're back now with episodes four and five,

28
00:01:24,040 --> 00:01:27,080
Speaker 2: continuing our rewatch of Arcane season one in the lead

29
00:01:27,160 --> 00:01:30,000
Speaker 2: up to season two coming out on November ninth.

30
00:01:30,200 --> 00:01:32,160
Speaker 1: That's right, And Aaron, I think folks know the drill

31
00:01:32,240 --> 00:01:35,120
Speaker 1: by now, so maybe today we just got right into it.

32
00:01:35,680 --> 00:01:38,280
Speaker 2: Let's spend maybe twenty five minutes just belaboring the point.

33
00:01:38,640 --> 00:01:41,240
Speaker 1: Yeah, I agree. How was your weekend? All right? All right?

34
00:01:41,480 --> 00:01:45,360
Speaker 2: Arcane one oh four, Episode one oh four, Happy Progress Day.

35
00:01:45,760 --> 00:01:48,560
Speaker 2: What a difference an episode makes, or in this case

36
00:01:48,640 --> 00:01:53,040
Speaker 2: a Netflix credit skip intro because we're skipping the intro obviously.

37
00:01:53,280 --> 00:01:56,400
Speaker 2: We are back in pilt Over the day before Progress Day,

38
00:01:56,400 --> 00:01:59,560
Speaker 2: which is a very important holiday here, and Jason Victor's

39
00:01:59,600 --> 00:02:04,200
Speaker 2: work with hex Tech has completely revolutionized Piltover and has

40
00:02:04,360 --> 00:02:07,640
Speaker 2: established the city as an economic powerhouse, specifically thanks to

41
00:02:07,680 --> 00:02:13,280
Speaker 2: the Heck Gates, which are teleportation easy transport transit between

42
00:02:13,280 --> 00:02:16,960
Speaker 2: major cities. And Heimer Dinger comes in talking to Jase

43
00:02:17,040 --> 00:02:19,240
Speaker 2: and he asks him to be the keynote speaker at

44
00:02:19,320 --> 00:02:22,000
Speaker 2: Progress Day this year. And this is a shock because,

45
00:02:22,000 --> 00:02:25,160
Speaker 2: as we learn, Heimer Dinger has been the speakrit Progress

46
00:02:25,240 --> 00:02:28,680
Speaker 2: Day for I forget how long, but an incredibly long

47
00:02:28,720 --> 00:02:29,280
Speaker 2: amount of time.

48
00:02:29,400 --> 00:02:31,440
Speaker 1: Yeah, he's old enough that I think he has also

49
00:02:31,480 --> 00:02:32,280
Speaker 1: forgotten how long?

50
00:02:32,480 --> 00:02:36,240
Speaker 2: Yes, I think when Heimerdinger started doing I also have

51
00:02:36,400 --> 00:02:39,040
Speaker 2: such a hard time saying his name. When heimer Dinger

52
00:02:39,160 --> 00:02:43,160
Speaker 2: started speeches at Progress Day, we were in like, I

53
00:02:43,200 --> 00:02:46,080
Speaker 2: don't know, early Britney Spears catalog. Yeah, and we have

54
00:02:46,160 --> 00:02:47,800
Speaker 2: now reached like Sabrina Carpenter.

55
00:02:48,040 --> 00:02:50,120
Speaker 1: Right, Hammerdinger remembers when Toxic dropped.

56
00:02:50,840 --> 00:02:53,239
Speaker 2: Wow, that's not even early Britney Spears. A boom. We

57
00:02:53,360 --> 00:02:57,520
Speaker 2: gotta go over this later. Toxic is not early Brittany.

58
00:02:57,560 --> 00:03:00,600
Speaker 1: All right, I'm watching Joelle just collapse to her chair

59
00:03:00,680 --> 00:03:01,200
Speaker 1: on the screen.

60
00:03:01,280 --> 00:03:02,240
Speaker 3: There you call me.

61
00:03:06,600 --> 00:03:10,320
Speaker 1: So. At the Progress Day fair slash Ces, the people

62
00:03:10,320 --> 00:03:14,160
Speaker 1: of Piltover are enjoying demonstrations of all this new gadgetry

63
00:03:14,280 --> 00:03:18,040
Speaker 1: that the great inventors of this city have to show off. Meanwhile,

64
00:03:18,040 --> 00:03:22,080
Speaker 1: missus Kerman is boasting about Jase. She is, of course,

65
00:03:22,160 --> 00:03:25,080
Speaker 1: his patron has helped him get to this spot. Presumably

66
00:03:25,680 --> 00:03:28,799
Speaker 1: she is boasting about Jase to this gathered crowd. It's

67
00:03:29,000 --> 00:03:31,360
Speaker 1: very clear to us by this point that Jace is

68
00:03:31,400 --> 00:03:33,919
Speaker 1: the golden boy of this city. His face is plastered

69
00:03:33,919 --> 00:03:37,840
Speaker 1: all over everything. Jace excuses himself from the crowd and

70
00:03:37,920 --> 00:03:41,520
Speaker 1: goes over to bug Kate, who we learn is now

71
00:03:41,560 --> 00:03:45,119
Speaker 1: an enforcer against the best wishes of her parents, which

72
00:03:45,120 --> 00:03:46,080
Speaker 1: you love to see.

73
00:03:46,160 --> 00:03:48,400
Speaker 2: And I think we didn't really get enough Kate in

74
00:03:48,440 --> 00:03:51,080
Speaker 2: the first couple episodes. I'm excited to see a lot

75
00:03:51,120 --> 00:03:53,760
Speaker 2: more of her in this episode, and obviously her role

76
00:03:54,000 --> 00:03:57,200
Speaker 2: grows in next episode even more. But it's good to

77
00:03:57,240 --> 00:03:59,520
Speaker 2: start getting more of her here, agree, And she's not

78
00:03:59,760 --> 00:04:03,400
Speaker 2: just like sitting at the edge of the gate reading

79
00:04:03,640 --> 00:04:07,200
Speaker 2: waiting for Jace to come talk to her kind of thing. Meanwhile,

80
00:04:07,240 --> 00:04:11,040
Speaker 2: Soko's crew is attempting to smuggle more Shimmer through the

81
00:04:11,080 --> 00:04:15,920
Speaker 2: port and this very strange The shipping guard or whatever

82
00:04:16,560 --> 00:04:18,719
Speaker 2: is trying to find the shipping manifest and he can't

83
00:04:18,720 --> 00:04:21,880
Speaker 2: find it. Oh wait, there it is. That's a strangely

84
00:04:21,960 --> 00:04:24,679
Speaker 2: shaped manifest that looks like a heavy bag of coins.

85
00:04:25,279 --> 00:04:25,960
Speaker 2: That makes sense.

86
00:04:26,760 --> 00:04:27,960
Speaker 1: How do you show that on your taxes?

87
00:04:28,000 --> 00:04:30,240
Speaker 2: I wonder, Yeah, I think you don't. I think that's

88
00:04:30,520 --> 00:04:32,440
Speaker 2: the best part of it. Yeah, you can't file that

89
00:04:32,520 --> 00:04:33,320
Speaker 2: on ajan R block.

90
00:04:33,360 --> 00:04:36,279
Speaker 1: Ohways, smuggling one on one. You don't do your taxes, Yeah,

91
00:04:36,320 --> 00:04:37,479
Speaker 1: you don't do your taxes.

92
00:04:38,880 --> 00:04:42,440
Speaker 2: However, the shipment is attacked by rival gang, the Firelights.

93
00:04:42,960 --> 00:04:44,640
Speaker 2: They come in, they have the upper hand and they

94
00:04:44,680 --> 00:04:47,960
Speaker 2: try going below deck to get the goods. And who

95
00:04:47,960 --> 00:04:52,560
Speaker 2: should we find but Powder, who is clearly no longer

96
00:04:52,640 --> 00:04:56,080
Speaker 2: the innocent child, like not even damsel in distress, like

97
00:04:56,120 --> 00:04:58,880
Speaker 2: the little kid in distress, because now she has an

98
00:04:59,000 --> 00:05:02,560
Speaker 2: enormous gatling gun. The fight ensues. She blows up a

99
00:05:02,600 --> 00:05:05,440
Speaker 2: bunch of stuff and she unmasks one of the firelights,

100
00:05:05,480 --> 00:05:08,320
Speaker 2: who is a girl with pink hair, and she immediately

101
00:05:08,360 --> 00:05:11,560
Speaker 2: loses it, thinking it's VI it's not, but she just

102
00:05:11,680 --> 00:05:15,719
Speaker 2: completely is thrown off by this, unloads the gun everywhere.

103
00:05:15,720 --> 00:05:18,760
Speaker 2: It's just shooting everything up. Some of the Firelights escape

104
00:05:19,040 --> 00:05:21,800
Speaker 2: and the ship is basically destroyed in the process.

105
00:05:22,040 --> 00:05:24,360
Speaker 3: The reveal of Jinx is so delicious.

106
00:05:24,720 --> 00:05:28,279
Speaker 4: Yes, she's so fabulous, Like the long braids, the entire

107
00:05:28,440 --> 00:05:32,360
Speaker 4: like character design, just using really all of her trauma

108
00:05:32,440 --> 00:05:34,040
Speaker 4: as visible armor.

109
00:05:34,279 --> 00:05:35,000
Speaker 3: In like her.

110
00:05:34,960 --> 00:05:37,599
Speaker 4: Stance, like she stands like a kid like pigeon toad.

111
00:05:38,080 --> 00:05:41,080
Speaker 4: You know, she keeps this hairstyle, she never changed.

112
00:05:41,400 --> 00:05:42,799
Speaker 2: She has almost no armor.

113
00:05:42,960 --> 00:05:43,800
Speaker 3: Yeah, That's what I'm.

114
00:05:43,640 --> 00:05:45,520
Speaker 4: Saying though, Like it's not a physical arm, she's not

115
00:05:45,560 --> 00:05:48,600
Speaker 4: physically trying to protect herself, but as like her persona

116
00:05:48,800 --> 00:05:52,839
Speaker 4: is armor, Like she wears entirely all of her damage

117
00:05:52,920 --> 00:05:55,960
Speaker 4: as like an fie to everybody. She's like, then I'll

118
00:05:56,000 --> 00:05:58,800
Speaker 4: just explode. If it's gonna be bad, it'll be the

119
00:05:58,800 --> 00:06:01,479
Speaker 4: fucking worst. I'll be the best at being the most

120
00:06:01,520 --> 00:06:04,640
Speaker 4: awful and have that swing in a character that you

121
00:06:04,800 --> 00:06:08,000
Speaker 4: initially have so much love for, to just drop back

122
00:06:08,040 --> 00:06:10,000
Speaker 4: into her life in a point where you were like, oh,

123
00:06:10,040 --> 00:06:13,560
Speaker 4: you're just a straight terrorist but also not mentally well

124
00:06:13,640 --> 00:06:16,640
Speaker 4: at all, like you deeply need help, but also please

125
00:06:16,680 --> 00:06:17,359
Speaker 4: don't kill people.

126
00:06:17,360 --> 00:06:19,360
Speaker 3: Like it's a whole like hot mess.

127
00:06:19,520 --> 00:06:21,440
Speaker 4: I just have so much respect for the artists and

128
00:06:21,480 --> 00:06:25,039
Speaker 4: how they evolve the character into literally another person for

129
00:06:25,160 --> 00:06:27,480
Speaker 4: us to sort of fall in love with all over again.

130
00:06:27,560 --> 00:06:29,479
Speaker 4: To be honest, if you know where the series goes,

131
00:06:29,720 --> 00:06:32,000
Speaker 4: not skipping ahead, but it's just it's just total like

132
00:06:32,720 --> 00:06:34,839
Speaker 4: to love fest for Powder Slash Jinks.

133
00:06:35,279 --> 00:06:38,159
Speaker 2: I will say along the lines of keeping her a

134
00:06:38,200 --> 00:06:41,920
Speaker 2: little off kilter, and she is this dangerous person now

135
00:06:41,920 --> 00:06:45,120
Speaker 2: who's very exposed. She's wearing like no sleeves since she

136
00:06:45,200 --> 00:06:50,320
Speaker 2: just has tattoos all over. Her pigtails are way too long,

137
00:06:50,839 --> 00:06:53,320
Speaker 2: and I think that that adds to the sense as

138
00:06:53,360 --> 00:06:56,320
Speaker 2: she's whirling around with this gatling gun, like her hair

139
00:06:56,440 --> 00:07:01,119
Speaker 2: is everywhere. It's like dashboard confessional, Like there's too much

140
00:07:01,440 --> 00:07:03,880
Speaker 2: going on with her, and that I think adds to

141
00:07:03,960 --> 00:07:07,200
Speaker 2: us being a little We're drawn into her, but we're

142
00:07:07,200 --> 00:07:10,320
Speaker 2: also thrown off by her because she is she's off

143
00:07:10,480 --> 00:07:13,120
Speaker 2: the hook. Yeah here, that's not the right phrase, but

144
00:07:13,200 --> 00:07:16,360
Speaker 2: she's got me. I've lost my breath thinking about her

145
00:07:16,680 --> 00:07:19,600
Speaker 2: shooting this gatling gun. Yeah, basically because she's aiming at fine.

146
00:07:19,720 --> 00:07:22,200
Speaker 1: Yeah. I wish I could remember my first reaction to

147
00:07:22,240 --> 00:07:25,760
Speaker 1: seeing Jinx and my first reaction to the time skip. Obviously,

148
00:07:25,760 --> 00:07:28,720
Speaker 1: on this rewatch, I knew what was coming, but I

149
00:07:28,800 --> 00:07:32,200
Speaker 1: vaguely remember just being shocked that we had skipped forward

150
00:07:32,200 --> 00:07:34,600
Speaker 1: in time and that everyone had gotten older, and that

151
00:07:34,720 --> 00:07:36,280
Speaker 1: this is what had become of powder.

152
00:07:36,520 --> 00:07:40,040
Speaker 2: And the last time we see her, she's crying. She's

153
00:07:40,120 --> 00:07:43,680
Speaker 2: like heartbroken, her sister has just left her. She's like

154
00:07:43,960 --> 00:07:47,960
Speaker 2: huddled as the smallest possible thing you can imagine. And

155
00:07:48,000 --> 00:07:50,360
Speaker 2: the next time we see her, she's maniacally laughing, and

156
00:07:50,440 --> 00:07:52,480
Speaker 2: she's blowing up all these people and shooting them.

157
00:07:52,680 --> 00:07:55,720
Speaker 1: Also, speaking of character design, I also wanted to call

158
00:07:55,760 --> 00:07:58,280
Speaker 1: out the firelights. How cool are the firelights?

159
00:07:58,560 --> 00:07:59,000
Speaker 3: So cool?

160
00:07:59,040 --> 00:08:04,320
Speaker 1: I mean, hoverr skateboard is like my childhood fascination. Even

161
00:08:04,400 --> 00:08:07,120
Speaker 1: as an adult, I've always wanted an electric skateboard, but

162
00:08:07,520 --> 00:08:10,040
Speaker 1: I haven't made the plunge. Hover skateboards are the next

163
00:08:10,040 --> 00:08:13,360
Speaker 1: best thing. Yes, and I love that the firelights. This

164
00:08:13,440 --> 00:08:15,600
Speaker 1: is maybe me reading too much into the character design,

165
00:08:15,680 --> 00:08:18,240
Speaker 1: maybe not, but when they put their hoverboards on their back,

166
00:08:18,520 --> 00:08:21,040
Speaker 1: they continue to glow because of the little hover of things,

167
00:08:21,480 --> 00:08:24,080
Speaker 1: and so they look like fireflies. Yeah, with lights on

168
00:08:24,120 --> 00:08:24,520
Speaker 1: their back.

169
00:08:24,680 --> 00:08:28,400
Speaker 2: Although the mask gives me Batman cord of the Owls five,

170
00:08:28,760 --> 00:08:29,320
Speaker 2: it does.

171
00:08:30,000 --> 00:08:32,400
Speaker 3: And I'm okay with it. They look cool.

172
00:08:32,440 --> 00:08:34,400
Speaker 4: They said, you know what, that's a dope design and

173
00:08:34,400 --> 00:08:35,920
Speaker 4: they're not doing enough at Court of the Owls and

174
00:08:36,000 --> 00:08:40,760
Speaker 4: mainstream popular culture, so we'll just borrow it subtly. Well,

175
00:08:40,840 --> 00:08:42,480
Speaker 4: it's fine, it's fine. Yeah, In the same way that

176
00:08:42,480 --> 00:08:44,880
Speaker 4: they were like, we love Static Shock. Yeah, we're dropping

177
00:08:44,920 --> 00:08:46,880
Speaker 4: them in this series. We love him, he can stay.

178
00:08:47,000 --> 00:08:49,320
Speaker 4: We'll give him a new name, update his design. Just

179
00:08:49,400 --> 00:08:51,880
Speaker 4: a little bit and he can still hang out and

180
00:08:51,920 --> 00:08:55,160
Speaker 4: it's great. I love when fandom has crossovers like this

181
00:08:55,240 --> 00:08:56,080
Speaker 4: is great for sure.

182
00:08:56,440 --> 00:08:59,560
Speaker 1: Okay, back to our recap. Back in Piltover, Chase and

183
00:08:59,640 --> 00:09:04,720
Speaker 1: Victor show Heimerdinger their newest breakthrough. They have created hex

184
00:09:04,800 --> 00:09:07,959
Speaker 1: Tech for the masses, a hex Tech gemstone that's safe

185
00:09:08,000 --> 00:09:12,360
Speaker 1: to use. This very safe. We promise very safe, am

186
00:09:12,360 --> 00:09:15,800
Speaker 1: I saying safe enough? This very safe technology is an

187
00:09:15,840 --> 00:09:19,200
Speaker 1: easily accessible version of hex Tech and they show it

188
00:09:19,240 --> 00:09:23,120
Speaker 1: off to Heimerdinger in the form of power gauntlets that

189
00:09:23,160 --> 00:09:24,920
Speaker 1: would help for example.

190
00:09:24,600 --> 00:09:26,200
Speaker 2: Miners, Yeah, totally.

191
00:09:26,240 --> 00:09:28,640
Speaker 1: And also they show it off in the form of

192
00:09:28,679 --> 00:09:33,520
Speaker 1: a doc oc esque laser arm thing that shoots lasers

193
00:09:33,559 --> 00:09:36,439
Speaker 1: that would help who knows who, I don't.

194
00:09:36,280 --> 00:09:38,839
Speaker 2: Yeah, I think, he says, architects. I think he said,

195
00:09:38,880 --> 00:09:39,960
Speaker 2: I forget exactly.

196
00:09:40,000 --> 00:09:41,040
Speaker 1: But it just shoots lasers.

197
00:09:41,080 --> 00:09:43,000
Speaker 2: Yeah, No, it shoots lasers. Yeah.

198
00:09:43,120 --> 00:09:47,320
Speaker 1: Now, Heimerdinger obviously very concerned about allowing this type of

199
00:09:47,360 --> 00:09:51,000
Speaker 1: power out into the masses, to have everyone have access

200
00:09:51,040 --> 00:09:55,240
Speaker 1: to what are effectively weapons. He has basically been shown

201
00:09:55,280 --> 00:09:58,920
Speaker 1: these weapons and he wants them to be cautious about

202
00:09:58,960 --> 00:10:02,240
Speaker 1: their approach. Obviously, Jason Victor are a little more hot headed,

203
00:10:02,280 --> 00:10:05,360
Speaker 1: and we're hoping to get this out on Facebook marketplace.

204
00:10:05,480 --> 00:10:09,560
Speaker 2: Like today, He's like, I'm going live on Instagram. I

205
00:10:09,559 --> 00:10:12,760
Speaker 2: gotta show this off man before I even do the

206
00:10:12,960 --> 00:10:17,360
Speaker 2: speech today. I do think it's interesting from this, we

207
00:10:17,400 --> 00:10:20,800
Speaker 2: basically get the idea that Victor and Jase are still

208
00:10:20,840 --> 00:10:22,680
Speaker 2: the only game in town when it comes to Hextech.

209
00:10:23,080 --> 00:10:25,120
Speaker 2: We don't see anyone else next, I mean, later on

210
00:10:25,200 --> 00:10:27,200
Speaker 2: we see some other people working in the lab with them,

211
00:10:27,440 --> 00:10:29,920
Speaker 2: but they are still the be all end all of

212
00:10:29,960 --> 00:10:33,000
Speaker 2: the sex Tech research. And I can't think of any

213
00:10:33,040 --> 00:10:37,120
Speaker 2: time when in real history when a single person having

214
00:10:37,280 --> 00:10:40,800
Speaker 2: all of the technology has ever been a bad thing. No,

215
00:10:41,679 --> 00:10:45,240
Speaker 2: you know, a monopoly on advancement. Sure, I think that

216
00:10:45,400 --> 00:10:47,080
Speaker 2: seems great for everyone involved.

217
00:10:47,120 --> 00:10:48,920
Speaker 4: They can help the whole world as soon as they

218
00:10:48,960 --> 00:10:52,840
Speaker 4: get on their level, you know, right, exactly assimilarly, we're

219
00:10:52,840 --> 00:10:53,520
Speaker 4: all gonna be good.

220
00:10:53,559 --> 00:10:54,000
Speaker 3: It's great.

221
00:10:54,080 --> 00:10:55,400
Speaker 2: Yeah, I am hex tech man.

222
00:10:55,640 --> 00:10:55,880
Speaker 1: Yeah.

223
00:10:56,000 --> 00:10:56,040
Speaker 3: No.

224
00:10:56,360 --> 00:10:59,559
Speaker 1: I like to think Jase went to the patent office

225
00:10:59,600 --> 00:11:02,360
Speaker 1: like the day after they cracked the formula. Right, Like

226
00:11:02,600 --> 00:11:04,880
Speaker 1: we talked in the last episode about good branding, Chase,

227
00:11:04,960 --> 00:11:07,600
Speaker 1: my guy knows that branding is the key to success.

228
00:11:07,880 --> 00:11:09,880
Speaker 1: I think he also knows you lock those patents down

229
00:11:09,920 --> 00:11:10,840
Speaker 1: as soon as you get them.

230
00:11:11,040 --> 00:11:13,840
Speaker 2: Joelle, this is something we gotta prep you for. Aboo

231
00:11:14,640 --> 00:11:17,880
Speaker 2: is thirsty for Jase in a way that makes it?

232
00:11:18,080 --> 00:11:18,160
Speaker 4: Oh?

233
00:11:18,320 --> 00:11:20,080
Speaker 3: Is it thirsty for Jase? Aaron?

234
00:11:20,120 --> 00:11:21,719
Speaker 2: Are you not on the Jase train in a way

235
00:11:21,760 --> 00:11:23,840
Speaker 2: that makes up for me? I am not on the

236
00:11:23,920 --> 00:11:24,520
Speaker 2: Jay's train?

237
00:11:25,240 --> 00:11:28,520
Speaker 3: Okay, wait, pause, explain to me how you are not.

238
00:11:29,160 --> 00:11:31,800
Speaker 4: I don't even like straight couples in the way Jase

239
00:11:31,920 --> 00:11:35,480
Speaker 4: and his new love interest will discuss soon. I was like, oh,

240
00:11:35,559 --> 00:11:38,520
Speaker 4: I am here for this couple. I love a power

241
00:11:38,559 --> 00:11:40,800
Speaker 4: couple on a trip. Oh yeah, what are we not

242
00:11:40,840 --> 00:11:42,120
Speaker 4: liking about jasonn.

243
00:11:41,880 --> 00:11:44,400
Speaker 2: Okay, I mean, let's talk about we're jumping ahead, but

244
00:11:44,440 --> 00:11:47,400
Speaker 2: let's talk about Jace and his lady love and this

245
00:11:47,480 --> 00:11:51,600
Speaker 2: power couple. I personally think there's nothing more romantic than

246
00:11:51,880 --> 00:11:56,720
Speaker 2: getting intimate with someone overlaid, with visions of blood joining

247
00:11:56,760 --> 00:12:00,480
Speaker 2: with technology from my partner who's coughing up the blood. Yeah,

248
00:12:00,840 --> 00:12:04,000
Speaker 2: just a perfect way for me to envision sexy times.

249
00:12:04,040 --> 00:12:05,520
Speaker 1: You aren't just like a little bit turned on?

250
00:12:07,880 --> 00:12:08,199
Speaker 3: All right?

251
00:12:08,240 --> 00:12:10,920
Speaker 1: Whatever floats your boat, Aaron, got a weird that that

252
00:12:10,920 --> 00:12:11,800
Speaker 1: didn't get you with it.

253
00:12:12,000 --> 00:12:15,679
Speaker 4: Listen, we are in a fantasy world and here morals

254
00:12:15,920 --> 00:12:18,560
Speaker 4: don't have to impact actual lives, so we can be

255
00:12:19,120 --> 00:12:23,360
Speaker 4: excited by Jase discovering his mental powers can have Actually,

256
00:12:23,360 --> 00:12:25,959
Speaker 4: he's like, oh wow, I'm actively living my dream.

257
00:12:26,120 --> 00:12:26,679
Speaker 3: Surprised.

258
00:12:26,880 --> 00:12:29,160
Speaker 4: It's so much harder than I thought it would be

259
00:12:29,320 --> 00:12:33,079
Speaker 4: to navigate secondary shock. This partner that I've always been

260
00:12:33,240 --> 00:12:34,479
Speaker 4: cool keeping pace.

261
00:12:34,280 --> 00:12:36,960
Speaker 3: With right our visions are veered.

262
00:12:37,480 --> 00:12:41,360
Speaker 4: I'm romantically linked to a woman who has power ideas

263
00:12:41,400 --> 00:12:45,199
Speaker 4: of her own, and I understand the barricades in front

264
00:12:45,240 --> 00:12:48,400
Speaker 4: of our technology and how to remove them. But my

265
00:12:48,440 --> 00:12:50,240
Speaker 4: partner's not focused on that and doesn't want to think

266
00:12:50,240 --> 00:12:52,560
Speaker 4: about that. They're like, there are people who need help.

267
00:12:52,679 --> 00:12:54,240
Speaker 4: Fuck the red tape, Like, I'll just take it to

268
00:12:54,280 --> 00:12:58,439
Speaker 4: the people. And I love that split for Jase because

269
00:12:58,480 --> 00:13:01,400
Speaker 4: I think, to me, that's just very real and identifiable

270
00:13:01,480 --> 00:13:03,080
Speaker 4: as somebody who's like, oh, I want to do the

271
00:13:03,120 --> 00:13:05,319
Speaker 4: most good and then trying to figure out like how

272
00:13:05,320 --> 00:13:06,360
Speaker 4: to work in bureaucracy.

273
00:13:06,679 --> 00:13:07,199
Speaker 3: Fascinating.

274
00:13:07,240 --> 00:13:11,040
Speaker 4: Plus he's hot, Aaron, I mean, just he's so sexy

275
00:13:11,040 --> 00:13:13,720
Speaker 4: for a cartoon. He's like Aladdin levels of like Okay,

276
00:13:13,720 --> 00:13:14,839
Speaker 4: what are we working with here?

277
00:13:14,880 --> 00:13:17,800
Speaker 2: Like he's really not. He's really not. He doesn't have

278
00:13:17,840 --> 00:13:19,880
Speaker 2: the kind of chin I like I've shown.

279
00:13:20,000 --> 00:13:23,240
Speaker 1: I mean, describe in detail the kind of chin you like.

280
00:13:23,679 --> 00:13:27,480
Speaker 2: Describe in detail literally, Charles Melton. We know, we know

281
00:13:28,320 --> 00:13:33,360
Speaker 2: the what I consider like grade A beauty, and it's

282
00:13:33,440 --> 00:13:35,880
Speaker 2: Charles Melton. We've talked about this at length.

283
00:13:35,880 --> 00:13:39,000
Speaker 4: Okay, we're not here to argue about the Charles Milton's

284
00:13:39,120 --> 00:13:40,080
Speaker 4: established hotness.

285
00:13:40,160 --> 00:13:41,080
Speaker 1: No, no, of course not no.

286
00:13:41,200 --> 00:13:44,559
Speaker 2: Let's not yuck each other's yum. But just know, Joelle,

287
00:13:44,640 --> 00:13:47,400
Speaker 2: as we go throughout the recaps, anything that is very

288
00:13:47,440 --> 00:13:50,800
Speaker 2: pro Jace A Boo wrote that part of the recap.

289
00:13:50,880 --> 00:13:52,800
Speaker 4: I'm understood a Boo, and I will stand on this

290
00:13:52,880 --> 00:13:54,160
Speaker 4: platform and wave to you.

291
00:13:54,280 --> 00:13:55,680
Speaker 3: I can't get off the Jay's chain.

292
00:13:56,120 --> 00:13:58,800
Speaker 4: I really I think Jason's journey is fascinating and I

293
00:13:58,840 --> 00:13:59,559
Speaker 4: really like watching it.

294
00:13:59,600 --> 00:14:01,040
Speaker 3: I think he's really cool character.

295
00:14:01,120 --> 00:14:03,680
Speaker 4: I understand why you would be like this fucking idiot,

296
00:14:03,760 --> 00:14:05,079
Speaker 4: because he walks into every trap.

297
00:14:05,120 --> 00:14:06,559
Speaker 3: He's so beautiful and so dumb.

298
00:14:06,800 --> 00:14:10,840
Speaker 4: He's just straight into every possible missta He's right there,

299
00:14:10,920 --> 00:14:11,440
Speaker 4: but he's cool.

300
00:14:11,480 --> 00:14:13,120
Speaker 3: I like the journey, all right.

301
00:14:13,679 --> 00:14:17,080
Speaker 2: Speaking of characters in this that maybe don't have the

302
00:14:17,120 --> 00:14:21,760
Speaker 2: best visual appearance. We head to the docs. Caitlin, who

303
00:14:21,840 --> 00:14:24,280
Speaker 2: I think is beautiful and it is an incredible character,

304
00:14:24,600 --> 00:14:27,280
Speaker 2: is investigating the crime scene. And then who should appear

305
00:14:27,800 --> 00:14:31,440
Speaker 2: but Marcus. Marcus who now is the sheriff of Piltover

306
00:14:31,760 --> 00:14:36,360
Speaker 2: and who is also sporting an absolutely horrific mustache, so

307
00:14:36,840 --> 00:14:39,760
Speaker 2: you know that he is now a horrible character and

308
00:14:39,800 --> 00:14:42,480
Speaker 2: he's a bad guy. Through and through, Caitlyn gets in trouble.

309
00:14:42,560 --> 00:14:45,000
Speaker 2: She's prying where she shouldn't be. She's supposed to be

310
00:14:45,040 --> 00:14:48,400
Speaker 2: back at her parents tent, keeping everyone safe quote unquote there,

311
00:14:48,840 --> 00:14:52,280
Speaker 2: and it's very clear that like the other enforcers are

312
00:14:52,320 --> 00:14:54,360
Speaker 2: not into Caitlin being an enforcer.

313
00:14:54,480 --> 00:14:56,800
Speaker 1: Yeah, they think she's cosplaying. Yeah, she's just a rich

314
00:14:56,840 --> 00:14:57,520
Speaker 1: girl cosplaying.

315
00:14:57,640 --> 00:14:57,920
Speaker 4: Yeah.

316
00:14:58,000 --> 00:15:00,920
Speaker 2: Again, I think we said it earlier. Love Caitlin. I

317
00:15:00,960 --> 00:15:04,760
Speaker 2: think Kaitlyn's an incredible character, and I can forgive the

318
00:15:04,800 --> 00:15:07,840
Speaker 2: first twenty minutes of this episode where Kaitlin's goal is

319
00:15:07,880 --> 00:15:08,520
Speaker 2: to be a cop.

320
00:15:08,720 --> 00:15:09,520
Speaker 1: Yeah that's fair.

321
00:15:09,600 --> 00:15:12,520
Speaker 4: She doesn't know, Okay, her hero was a cop, and

322
00:15:12,560 --> 00:15:14,400
Speaker 4: so we can forgive her her the icon who was

323
00:15:14,440 --> 00:15:15,840
Speaker 4: a woman who's like, yeah, I know I did on

324
00:15:15,840 --> 00:15:17,160
Speaker 4: my own and I protected my city.

325
00:15:17,200 --> 00:15:19,320
Speaker 3: She's been brainwashed. Her eyes are soon revealed.

326
00:15:19,760 --> 00:15:22,160
Speaker 4: I love Caitlyn and her best friend is Jace, So

327
00:15:22,280 --> 00:15:25,000
Speaker 4: I mean, really, if you love Caitlyn, don't you have

328
00:15:25,080 --> 00:15:26,160
Speaker 4: to love jas.

329
00:15:27,080 --> 00:15:31,920
Speaker 1: The transitive Property. Next, we head back down to the

330
00:15:32,200 --> 00:15:36,400
Speaker 1: under City, where Soko now runs the last drop. This

331
00:15:36,440 --> 00:15:40,160
Speaker 1: is heartbreaking stuff. This is horrifying to see. Savika, who

332
00:15:40,480 --> 00:15:42,280
Speaker 1: was on the ship earlier in the episode when the

333
00:15:42,280 --> 00:15:47,000
Speaker 1: firelights attacked, warns Silko that Jinx is too chaotic, She's

334
00:15:47,000 --> 00:15:49,560
Speaker 1: too much of a liability. I told you so, this

335
00:15:49,680 --> 00:15:52,680
Speaker 1: is gonna bite us in the ass. But Silka doesn't

336
00:15:52,680 --> 00:15:54,200
Speaker 1: want to hear any of it. He's going to stand

337
00:15:54,240 --> 00:15:57,200
Speaker 1: by Jinks. Savika leaves in a huff, and Jinks, who

338
00:15:57,240 --> 00:15:59,760
Speaker 1: has been actually listening from the rafters this entire time,

339
00:16:00,520 --> 00:16:05,120
Speaker 1: drops down and we see how their relationship has evolved

340
00:16:05,400 --> 00:16:08,200
Speaker 1: in the time skip. We see that Silko is now

341
00:16:08,240 --> 00:16:12,960
Speaker 1: clearly a father figure for Jinks, and she even administers

342
00:16:13,000 --> 00:16:14,720
Speaker 1: this little drop of shimmer in his eye with a

343
00:16:14,760 --> 00:16:17,240
Speaker 1: thing that looks really painful. I don't do eye stuff.

344
00:16:17,280 --> 00:16:18,920
Speaker 1: It creeps me out, so I have to look away

345
00:16:18,920 --> 00:16:21,520
Speaker 1: for this scene. But you can see the trust there

346
00:16:21,560 --> 00:16:23,880
Speaker 1: between them. He's a father figure for her, and then

347
00:16:24,200 --> 00:16:28,040
Speaker 1: he trusts her enough to get that close to his

348
00:16:28,160 --> 00:16:29,320
Speaker 1: eye weird eyeball thing.

349
00:16:29,480 --> 00:16:33,880
Speaker 2: Yeah, jinks, you know, a plus cat Burglar level of

350
00:16:33,960 --> 00:16:36,480
Speaker 2: always being able to hear when someone else on the

351
00:16:36,520 --> 00:16:40,320
Speaker 2: show is talking about her. Yeah, she's always there eavesdropping,

352
00:16:40,520 --> 00:16:42,520
Speaker 2: doesn't matter who it is, Jinx, Is.

353
00:16:42,520 --> 00:16:45,640
Speaker 4: There such a good youngest sibling trait? Yes, the youngest

354
00:16:45,640 --> 00:16:49,400
Speaker 4: sibling trait of like yeah, unseen and like listening.

355
00:16:49,040 --> 00:16:50,280
Speaker 1: That is youngest sibling energy.

356
00:16:50,480 --> 00:16:56,880
Speaker 4: Also, this show does relationships between men and women really well.

357
00:16:57,360 --> 00:17:00,600
Speaker 4: I feel like so often, particularly weird in a sci

358
00:17:00,640 --> 00:17:04,719
Speaker 4: fi or heavy action driven plots, men and women are

359
00:17:04,760 --> 00:17:06,919
Speaker 4: always like sexual objects to one another.

360
00:17:07,359 --> 00:17:09,000
Speaker 2: Like how the two of you have talked about Jace

361
00:17:09,280 --> 00:17:09,680
Speaker 2: kind of.

362
00:17:09,960 --> 00:17:12,000
Speaker 3: Listen, do we sexualize Jacey? Yes?

363
00:17:12,119 --> 00:17:16,480
Speaker 4: Yes, but he's a cartoon so I'm allowing it.

364
00:17:16,640 --> 00:17:18,880
Speaker 3: It's okay. He has no real feelings.

365
00:17:19,359 --> 00:17:22,560
Speaker 4: But I just think the relationship between Jason Caitlin, like

366
00:17:22,560 --> 00:17:24,560
Speaker 4: it's one of my favorites, Like he so clearly has

367
00:17:24,560 --> 00:17:26,840
Speaker 4: this little crush on her, and he's constantly like trying

368
00:17:26,840 --> 00:17:29,399
Speaker 4: to protect her, but he like has genuine love for her,

369
00:17:29,480 --> 00:17:32,920
Speaker 4: and she's like actually, nah, He's like cool, Please still

370
00:17:32,960 --> 00:17:34,919
Speaker 4: be safe, and like, can I be in your life? No,

371
00:17:35,000 --> 00:17:37,000
Speaker 4: you're on a whole different thing. I'm gonna go over

372
00:17:37,000 --> 00:17:38,480
Speaker 4: here and do my job and.

373
00:17:38,440 --> 00:17:39,120
Speaker 3: Then here too.

374
00:17:39,800 --> 00:17:44,320
Speaker 4: I think the relationship between Powder and Soto, it's just

375
00:17:45,400 --> 00:17:48,320
Speaker 4: it's like he's looking in a mirror and it's so heartbreaking.

376
00:17:49,080 --> 00:17:51,800
Speaker 4: It's really heartbreaking because one, he's obviously not She's on

377
00:17:51,840 --> 00:17:55,120
Speaker 4: her own, very chaotic journey. Nothing he's doing is helping her.

378
00:17:55,160 --> 00:17:57,320
Speaker 4: But everything he did to get himself to where he

379
00:17:57,440 --> 00:18:00,320
Speaker 4: is now, and he thinks it's helping, it's making so

380
00:18:00,480 --> 00:18:04,160
Speaker 4: much worse. And the way they rely on keep each

381
00:18:04,160 --> 00:18:07,680
Speaker 4: other in these really bad positions and sort of circulate

382
00:18:07,760 --> 00:18:11,640
Speaker 4: that negativity amongst just the two of them. It's heartbreaking

383
00:18:11,840 --> 00:18:14,919
Speaker 4: and it's like the definition of a codependent relationship. And

384
00:18:14,960 --> 00:18:17,720
Speaker 4: that's again always just really fascinating to see on screen.

385
00:18:17,760 --> 00:18:21,399
Speaker 4: They understand relationship dynamics and how to really pull on

386
00:18:21,440 --> 00:18:23,359
Speaker 4: the strings of those so that as an audience member,

387
00:18:23,359 --> 00:18:26,399
Speaker 4: you're like compelled to lean in to these characters and

388
00:18:26,440 --> 00:18:27,240
Speaker 4: these storylines.

389
00:18:27,440 --> 00:18:28,920
Speaker 3: They're so delicious, they're very good.

390
00:18:29,440 --> 00:18:33,119
Speaker 2: It's interesting to compare Vander and Violet's relationship in the

391
00:18:33,119 --> 00:18:37,840
Speaker 2: first three episodes and Solko and Jinks especially here, you know,

392
00:18:37,960 --> 00:18:40,920
Speaker 2: like Vander and Violet, they speak on the same wavelength,

393
00:18:41,119 --> 00:18:44,040
Speaker 2: separate from everyone else. Vander is taking care of these

394
00:18:44,280 --> 00:18:47,080
Speaker 2: four kids, but he has a special relationship with Violet.

395
00:18:47,600 --> 00:18:51,760
Speaker 2: Silko has this entire group of thugs and criminals working

396
00:18:51,760 --> 00:18:54,159
Speaker 2: for him, but he has a special relationship with Jinks.

397
00:18:54,480 --> 00:18:57,640
Speaker 2: And both of them are like these father figures who

398
00:18:57,640 --> 00:19:01,760
Speaker 2: are here both hoping to keep the girl safe but

399
00:19:01,880 --> 00:19:08,159
Speaker 2: also send them into dangerous jobs with real consequences, but

400
00:19:08,240 --> 00:19:11,359
Speaker 2: they both trust them more than anyone else does.

401
00:19:11,400 --> 00:19:15,600
Speaker 3: Even Yeah, it's like Powder was looking to become her sister.

402
00:19:15,320 --> 00:19:19,000
Speaker 1: And yeah, and I think those parallels are obviously very intentional.

403
00:19:19,040 --> 00:19:23,359
Speaker 1: Throughout the show, we see these father daughter and brother,

404
00:19:23,520 --> 00:19:26,920
Speaker 1: sister and best friend, best friend. We see these repeated

405
00:19:26,920 --> 00:19:29,680
Speaker 1: time and time again, with all the generations of characters

406
00:19:29,680 --> 00:19:31,560
Speaker 1: we see. We see it with Vander and his old

407
00:19:31,560 --> 00:19:34,159
Speaker 1: friends from back in the day and Vander and Silko

408
00:19:34,200 --> 00:19:37,560
Speaker 1: as brothers, and the betrayal there obviously last episode, Aaron,

409
00:19:37,560 --> 00:19:40,680
Speaker 1: you and I talked about the betrayal parallels with Vi

410
00:19:41,080 --> 00:19:44,120
Speaker 1: and Powder, and we continue to just see that from

411
00:19:44,160 --> 00:19:47,480
Speaker 1: generation to generation. The repetition of these relationship cycles.

412
00:19:47,760 --> 00:19:49,520
Speaker 2: Yeah, and it's at the end of the day. We

413
00:19:49,560 --> 00:19:53,280
Speaker 2: still have the Piltover under city back and forth relationship

414
00:19:53,320 --> 00:19:56,160
Speaker 2: of these as well. Yeah, we cut to Jinks in

415
00:19:56,240 --> 00:20:00,760
Speaker 2: her home, her lair, her hangout, her t age bedroom.

416
00:20:00,800 --> 00:20:02,160
Speaker 2: I don't know what we want to call it. It's

417
00:20:02,160 --> 00:20:05,760
Speaker 2: basically like this giant propeller or a fan or something

418
00:20:06,119 --> 00:20:11,400
Speaker 2: suspended over a bottomless pit, and she is. We see

419
00:20:11,440 --> 00:20:14,880
Speaker 2: her haunted by the ghosts of Milo and Clagger. She's

420
00:20:14,880 --> 00:20:20,320
Speaker 2: got like dolls of them, basically crafted, and she has

421
00:20:20,359 --> 00:20:24,199
Speaker 2: them speaking in her ear, like flashing on screen. But

422
00:20:24,680 --> 00:20:28,080
Speaker 2: Jinx's she's sitting here. She's upset, and she vows to

423
00:20:28,160 --> 00:20:31,719
Speaker 2: prove to Silko that she's not weak and she's going

424
00:20:31,800 --> 00:20:33,560
Speaker 2: to go do something big on her own.

425
00:20:33,880 --> 00:20:35,040
Speaker 3: Yeah, she's real broken.

426
00:20:35,640 --> 00:20:39,920
Speaker 4: She's really the only friend she's ever had. We're also bullies,

427
00:20:40,440 --> 00:20:43,399
Speaker 4: all except her sister, who's not there at the table.

428
00:20:43,440 --> 00:20:45,400
Speaker 2: I don't think her sister is not there. I don't

429
00:20:45,440 --> 00:20:45,679
Speaker 2: think so.

430
00:20:45,960 --> 00:20:49,000
Speaker 4: Yeah, so it's just she just recreated her bullies to

431
00:20:49,080 --> 00:20:52,360
Speaker 4: be like these really cruel, mean voices in her head

432
00:20:52,400 --> 00:20:55,840
Speaker 4: that she's constantly fighting again to like physically manifest them.

433
00:20:56,119 --> 00:20:58,359
Speaker 4: And then I think It's interesting that she sets up

434
00:20:58,359 --> 00:21:02,160
Speaker 4: like a family dinner table sort of situation in her lab,

435
00:21:02,359 --> 00:21:05,720
Speaker 4: like really trying to bring this essence of homeliness into

436
00:21:06,480 --> 00:21:09,080
Speaker 4: this creative space that she has. This is really her

437
00:21:09,160 --> 00:21:14,040
Speaker 4: only outlet. She clearly has no friends, her mentors, trying

438
00:21:14,040 --> 00:21:16,399
Speaker 4: to mold her in something she just can't ever really be.

439
00:21:17,280 --> 00:21:20,040
Speaker 4: I'm really curious to see how this leads into some

440
00:21:20,160 --> 00:21:23,320
Speaker 4: of the larger art if we're talking about sort of

441
00:21:23,359 --> 00:21:28,800
Speaker 4: the divide of people either trying to preserve, advance or destroy.

442
00:21:29,480 --> 00:21:33,639
Speaker 4: She's so clearly leading the destroy pack, and honestly, no

443
00:21:33,680 --> 00:21:35,879
Speaker 4: one seems prepared for what she's capable of.

444
00:21:36,160 --> 00:21:38,639
Speaker 2: Yeah, yeah, no one is prepared for what she's capable,

445
00:21:39,040 --> 00:21:44,040
Speaker 2: even Silco, especially Silco. Yeah. You know, in a perfect world,

446
00:21:44,320 --> 00:21:47,439
Speaker 2: we would have the last drop sponsoring these episodes, but

447
00:21:47,760 --> 00:21:50,640
Speaker 2: unfortunately Silko never got back to us. So instead, here's

448
00:21:50,640 --> 00:22:03,760
Speaker 2: a word from our other sponsors.

449
00:22:06,400 --> 00:22:09,159
Speaker 1: All right, folks, welcome back. Let's continue with our recap

450
00:22:09,200 --> 00:22:13,200
Speaker 1: of episode four. In the lead up to his Progress

451
00:22:13,240 --> 00:22:17,080
Speaker 1: Day speech, Jace is encouraged to share the news of

452
00:22:17,119 --> 00:22:20,800
Speaker 1: his new discoveries by Mel. She clearly has a vested

453
00:22:20,800 --> 00:22:24,080
Speaker 1: interest here, and by that I mean money, actual money,

454
00:22:24,160 --> 00:22:25,879
Speaker 1: cha ching she can make some money off of this

455
00:22:25,960 --> 00:22:29,320
Speaker 1: hex Tech and she really wants to partner with Jace

456
00:22:29,800 --> 00:22:31,880
Speaker 1: in order to do so, and so she encourages him

457
00:22:31,960 --> 00:22:37,400
Speaker 1: to announce the new iPhone sixteen by Jace invites Victor backstage.

458
00:22:37,520 --> 00:22:39,480
Speaker 1: Jace is talking to Victor and he invites him to

459
00:22:39,480 --> 00:22:41,600
Speaker 1: come on stage. Hey man, we're partners. Let's go up there.

460
00:22:41,920 --> 00:22:44,919
Speaker 1: This is our day. Let's announce this new thing together.

461
00:22:45,000 --> 00:22:47,879
Speaker 1: But Victor's hesitant. He's obviously sickly, as we learn in

462
00:22:47,920 --> 00:22:50,880
Speaker 1: these episodes. And Jace is the one that goes out

463
00:22:50,920 --> 00:22:53,240
Speaker 1: and gives the speech. He's the golden boy, he's the charming,

464
00:22:53,680 --> 00:22:56,280
Speaker 1: charismatic one anyway, so he's the one that crowd is

465
00:22:56,280 --> 00:23:00,359
Speaker 1: waiting for. But when he gets out there, he begins

466
00:23:00,359 --> 00:23:02,520
Speaker 1: his speech, He's got a clipboard in front of him,

467
00:23:02,720 --> 00:23:05,760
Speaker 1: presumably the big announcement is right there written in front

468
00:23:05,760 --> 00:23:08,359
Speaker 1: of him, and at the last minute he gets cold feet.

469
00:23:08,560 --> 00:23:11,600
Speaker 1: He decides not to reveal the new hex Tech technology.

470
00:23:12,000 --> 00:23:15,280
Speaker 2: But he does share we have many exciting things planned,

471
00:23:15,920 --> 00:23:18,119
Speaker 2: you know. He does the equivalent of the LinkedIn like,

472
00:23:18,359 --> 00:23:21,520
Speaker 2: got some big news I'm excited to share. Will reveal

473
00:23:21,560 --> 00:23:24,160
Speaker 2: more later he does the like brag twice for one thing.

474
00:23:24,600 --> 00:23:27,119
Speaker 2: But hey, the crowd loves it, Like you said, he

475
00:23:27,240 --> 00:23:29,959
Speaker 2: is their golden boy. Yeah, and he gets away with it.

476
00:23:30,160 --> 00:23:33,080
Speaker 1: Yeah, I'm curious to hear from both of you. Why

477
00:23:33,080 --> 00:23:35,439
Speaker 1: do you think he got cold feet last minute? Like

478
00:23:35,480 --> 00:23:37,360
Speaker 1: this did Heimerdinger break through to him?

479
00:23:37,440 --> 00:23:39,080
Speaker 3: He knows Heimer Dinger is Is it.

480
00:23:39,119 --> 00:23:41,480
Speaker 1: Some other form of hesitation? Why change his mind? Because

481
00:23:41,520 --> 00:23:43,000
Speaker 1: he was dead set on revealing this.

482
00:23:43,400 --> 00:23:46,480
Speaker 4: Heimerdinger is like not just his mentor, he's also like

483
00:23:46,480 --> 00:23:49,919
Speaker 4: a secondary father figure maybe grandfatherly figure. Like it's a

484
00:23:49,960 --> 00:23:54,359
Speaker 4: really deep connection they have. And he's wise and super

485
00:23:54,400 --> 00:23:58,000
Speaker 4: old and still within his like right mind, and this

486
00:23:58,040 --> 00:24:01,119
Speaker 4: is his very first big thing. Like he's literally on

487
00:24:01,160 --> 00:24:04,040
Speaker 4: the center stage. He's filling in for his footsteps. It

488
00:24:04,160 --> 00:24:06,359
Speaker 4: just seems like such a to me, is like one

489
00:24:06,400 --> 00:24:10,320
Speaker 4: of the only logical steps he makes as far as

490
00:24:10,400 --> 00:24:13,199
Speaker 4: being like like listening to those around him, he is.

491
00:24:13,400 --> 00:24:16,600
Speaker 4: We can see Jace has hero worship bad He like

492
00:24:16,680 --> 00:24:19,159
Speaker 4: his father hero. He put hammers in the hands of

493
00:24:19,160 --> 00:24:22,800
Speaker 4: the people, like his mentor Heimer Dinger. He was like,

494
00:24:22,800 --> 00:24:24,879
Speaker 4: he's just like the greatest and to be fair, harmony

495
00:24:25,000 --> 00:24:27,280
Speaker 4: is pretty great. Later we'll see as he's falling in love,

496
00:24:27,320 --> 00:24:29,200
Speaker 4: He's like, now she's got all she knows what she's doing.

497
00:24:29,240 --> 00:24:30,040
Speaker 3: I'm gonna follow that.

498
00:24:30,160 --> 00:24:33,360
Speaker 4: Like he loves a person with a plan, and he's

499
00:24:33,359 --> 00:24:36,080
Speaker 4: got the face and the product know how to Abou's

500
00:24:36,080 --> 00:24:38,199
Speaker 4: point to really sell that shit. So I think it

501
00:24:38,240 --> 00:24:40,560
Speaker 4: makes sense that he was like, you know, this guy's

502
00:24:40,600 --> 00:24:43,280
Speaker 4: been around, I'm gonna follow through. And I do think

503
00:24:43,359 --> 00:24:45,440
Speaker 4: he's sort of getting to this point in his life

504
00:24:45,480 --> 00:24:48,120
Speaker 4: where he's like, as much as I love my best

505
00:24:48,240 --> 00:24:51,240
Speaker 4: he we're like, maybe not on the same wavelength anymore,

506
00:24:51,280 --> 00:24:52,720
Speaker 4: and I'm gonna start making decisions.

507
00:24:52,800 --> 00:24:57,639
Speaker 2: Yeah, you know Laterally, I think Jace easily succumbs to

508
00:24:57,800 --> 00:25:01,480
Speaker 2: peer pressure, as we will see throughout, but he is.

509
00:25:02,640 --> 00:25:04,399
Speaker 2: It's kind of just like, who's the last person that

510
00:25:04,440 --> 00:25:07,600
Speaker 2: talked to him? Although I guess I guess Mel talked

511
00:25:07,600 --> 00:25:10,760
Speaker 2: to him more recently than Himerdinger, But he's easily swayed.

512
00:25:10,920 --> 00:25:14,800
Speaker 1: I think, Wow, I love the separate but equal interpretations here. Yeah,

513
00:25:14,800 --> 00:25:16,200
Speaker 1: on this choice, I love it.

514
00:25:15,880 --> 00:25:19,280
Speaker 2: It's almost like we have pre existing thoughts and biases

515
00:25:19,320 --> 00:25:22,840
Speaker 2: towards him as we read all of his actions. Meanwhile,

516
00:25:23,080 --> 00:25:26,240
Speaker 2: Jinks sets fire to a building to distract a group

517
00:25:26,240 --> 00:25:28,960
Speaker 2: of enforcers, which includes Caitlin. They're all lounging around on

518
00:25:29,000 --> 00:25:31,840
Speaker 2: their break, just hanging out. They're all making fun of Kaitlin,

519
00:25:32,119 --> 00:25:36,040
Speaker 2: and then this fire breaks out. They go running into

520
00:25:36,040 --> 00:25:39,280
Speaker 2: this building to check it out and hear this little

521
00:25:39,280 --> 00:25:42,719
Speaker 2: girl's voice. She's locked, she's scared, she needs help. And

522
00:25:42,880 --> 00:25:45,320
Speaker 2: turns out it's just a recording of Jinks and they're

523
00:25:45,359 --> 00:25:47,120
Speaker 2: all these bombs and they set off an explosion.

524
00:25:47,200 --> 00:25:48,560
Speaker 1: Oh so creepy, so good.

525
00:25:48,640 --> 00:25:53,399
Speaker 2: Back in Jinks's Propeller Fan hide out, Soko comes in.

526
00:25:53,520 --> 00:25:57,080
Speaker 2: He's furious and he is like, you just endangered all

527
00:25:57,080 --> 00:25:59,960
Speaker 2: these plans? What are you doing? And she's like, chill out,

528
00:26:00,280 --> 00:26:04,400
Speaker 2: look what I stole and she shows him Jace's new

529
00:26:04,600 --> 00:26:05,880
Speaker 2: hex Tech prototypes.

530
00:26:06,080 --> 00:26:08,800
Speaker 1: Yeah, this is a tough look for Soco. Your wild

531
00:26:08,880 --> 00:26:13,440
Speaker 1: card daughter is acting wild? What my guy rain her

532
00:26:13,480 --> 00:26:13,920
Speaker 1: in like?

533
00:26:15,000 --> 00:26:18,280
Speaker 4: He's he's not good at sutting boundaries with his kid.

534
00:26:18,840 --> 00:26:22,680
Speaker 4: He's not a disciplinarian. He's pretty avoidant when it comes

535
00:26:22,760 --> 00:26:26,000
Speaker 4: to like disappointing her or letting her down. He just

536
00:26:26,040 --> 00:26:28,480
Speaker 4: he really can't stomach it, which is kind of sweet.

537
00:26:28,560 --> 00:26:29,200
Speaker 1: Yeah, weird.

538
00:26:29,600 --> 00:26:33,439
Speaker 4: Silcle's a little squishy on the inside. But also the

539
00:26:33,520 --> 00:26:35,880
Speaker 4: problem is there really isn't a solution for like a

540
00:26:36,040 --> 00:26:37,480
Speaker 4: like if you try to think about like all of

541
00:26:37,560 --> 00:26:40,520
Speaker 4: the step Cilcle could take, Like the most logical one

542
00:26:40,600 --> 00:26:43,280
Speaker 4: is like get her in mental health institute, which maybe

543
00:26:43,280 --> 00:26:46,320
Speaker 4: he could do. He has some finances, but in their neighborhood,

544
00:26:46,400 --> 00:26:47,720
Speaker 4: Like how good are the options?

545
00:26:47,840 --> 00:26:49,200
Speaker 3: Is gonna cross over into town?

546
00:26:49,280 --> 00:26:51,520
Speaker 2: Yeah, I was gonna say what is available in the

547
00:26:51,600 --> 00:26:52,120
Speaker 2: under city?

548
00:26:52,240 --> 00:26:56,000
Speaker 4: Right, And so you can't abandon Harry, that would be awful.

549
00:26:56,160 --> 00:26:57,920
Speaker 4: She's not going to listen to you.

550
00:26:58,720 --> 00:26:59,280
Speaker 3: At best.

551
00:26:59,320 --> 00:27:00,440
Speaker 4: You could do the one thing we're going to talk

552
00:27:00,440 --> 00:27:02,640
Speaker 4: about at the end of this episode, but that's gonna

553
00:27:02,640 --> 00:27:03,960
Speaker 4: put you in a lot of hot water, and you'd

554
00:27:03,960 --> 00:27:05,440
Speaker 4: have to be in a position of wanting to take

555
00:27:05,480 --> 00:27:08,639
Speaker 4: responsibility for your actions, and that's not who Silco is. Yeah,

556
00:27:09,359 --> 00:27:11,560
Speaker 4: he's kind of screwed when it comes to reining her in.

557
00:27:11,880 --> 00:27:14,199
Speaker 1: Yeah, he's really just trying to like point her in

558
00:27:14,240 --> 00:27:16,560
Speaker 1: a direction that's useful and hope the gun goes off

559
00:27:16,720 --> 00:27:19,159
Speaker 1: with the rights. You know, he's like taking her energies

560
00:27:19,160 --> 00:27:21,520
Speaker 1: and being like, Okay, I need to protect you, and

561
00:27:21,560 --> 00:27:24,320
Speaker 1: I clearly feel sympathetic towards you in some way, but

562
00:27:24,440 --> 00:27:26,280
Speaker 1: you could be useful to me. I just gotta like

563
00:27:26,560 --> 00:27:29,280
Speaker 1: make sure your chaos goes in this direction. Play in

564
00:27:29,320 --> 00:27:33,359
Speaker 1: the right space, Play in the right space. Right, Okay,

565
00:27:33,400 --> 00:27:35,480
Speaker 1: back to uh oh Man, I love a council meeting.

566
00:27:36,200 --> 00:27:39,760
Speaker 1: We're with the Piltover Council and they are obviously worried

567
00:27:40,000 --> 00:27:42,840
Speaker 1: about the theft of this hex tech. Some of them

568
00:27:43,080 --> 00:27:45,600
Speaker 1: want to just go hard on the under city, right,

569
00:27:45,640 --> 00:27:48,639
Speaker 1: punish the under City. They've taken our technology. They've been

570
00:27:48,640 --> 00:27:51,080
Speaker 1: a thorn in our side for so long. It's time

571
00:27:51,119 --> 00:27:54,080
Speaker 1: to take bold action. Jas on the other hand, suggests

572
00:27:54,359 --> 00:27:57,679
Speaker 1: just shutting down all the hex tech. Shut down the gates,

573
00:27:57,920 --> 00:28:00,199
Speaker 1: turn off all the technology until we know every thing

574
00:28:00,280 --> 00:28:02,760
Speaker 1: is safe, until we get things back under control. I

575
00:28:02,840 --> 00:28:05,159
Speaker 1: take full responsibility. You know, he's really trying to be

576
00:28:05,200 --> 00:28:07,679
Speaker 1: golden boy here and live up to that reputation and

577
00:28:07,760 --> 00:28:11,040
Speaker 1: do the right thing as he sees it. But Mel,

578
00:28:11,160 --> 00:28:14,240
Speaker 1: who's got dollar signs in her eyes, quickly interjects and

579
00:28:14,520 --> 00:28:19,879
Speaker 1: suggests an alternate solution. She nominates Jason for a seat

580
00:28:20,119 --> 00:28:23,760
Speaker 1: on this council, which breaks traditions. There's never been another

581
00:28:23,800 --> 00:28:26,080
Speaker 1: seat on this Council and she's out here saying, hey,

582
00:28:26,119 --> 00:28:29,000
Speaker 1: we love our golden boy. Look how much money his

583
00:28:29,080 --> 00:28:31,720
Speaker 1: hex tech has made us. Let's get him on this

584
00:28:31,800 --> 00:28:34,760
Speaker 1: council and give him the authority to just manage this

585
00:28:34,840 --> 00:28:35,959
Speaker 1: hex tyche problem on his own.

586
00:28:36,040 --> 00:28:39,880
Speaker 4: We need another Supreme Court judge. Okay, happening, let's go,

587
00:28:41,280 --> 00:28:44,760
Speaker 4: time for court expansion. This is a power couple move,

588
00:28:44,840 --> 00:28:48,400
Speaker 4: and it's technically like, man again. I love watching these

589
00:28:48,400 --> 00:28:51,920
Speaker 4: two work and for her to be like, Okay, bet,

590
00:28:52,600 --> 00:28:53,440
Speaker 4: he's pretty cool.

591
00:28:53,640 --> 00:28:56,680
Speaker 3: We vibe. That's another feather in my cap.

592
00:28:56,760 --> 00:29:00,360
Speaker 4: Like you could see her calculating very far out, and

593
00:29:00,440 --> 00:29:03,920
Speaker 4: I really appreciate that, as if the women in this show,

594
00:29:04,160 --> 00:29:06,040
Speaker 4: especially like the run of women we're about to be

595
00:29:06,080 --> 00:29:09,520
Speaker 4: introduced to, are so cool and I just really value that.

596
00:29:09,560 --> 00:29:12,880
Speaker 4: We sort of start with this woman on at the

597
00:29:12,880 --> 00:29:15,640
Speaker 4: start of her rise, like she's just now all finding

598
00:29:15,680 --> 00:29:18,720
Speaker 4: her stride in how to like navigate this particular pool

599
00:29:18,760 --> 00:29:21,120
Speaker 4: of people, and it's so fun to watch her do it.

600
00:29:21,320 --> 00:29:23,520
Speaker 3: Yeah, that's a cool upgrade for Jace. Like wow.

601
00:29:24,600 --> 00:29:28,520
Speaker 2: Meanwhile, Jace's suggestion of shutting down all hex tech, I

602
00:29:28,560 --> 00:29:31,760
Speaker 2: don't understand it. That's like saying, hey, someone stole a

603
00:29:31,840 --> 00:29:35,840
Speaker 2: nuclear bomb. We should turn off all the nuclear reactors. Why,

604
00:29:36,280 --> 00:29:39,040
Speaker 2: they already got what they need. If you shut down

605
00:29:39,080 --> 00:29:41,640
Speaker 2: the ones that are running, that doesn't prevent them from

606
00:29:41,680 --> 00:29:45,440
Speaker 2: researching what they already stole, Jace, not a great suggestion.

607
00:29:45,680 --> 00:29:49,000
Speaker 2: I'm glad someone else had a different idea, because I

608
00:29:49,000 --> 00:29:50,880
Speaker 2: don't think his idea would have done anything.

609
00:29:51,040 --> 00:29:52,920
Speaker 1: That's a really good point, Hearin. I think this is

610
00:29:53,240 --> 00:29:55,959
Speaker 1: Jase a little bit panicking. Yeah, He's like, I have

611
00:29:56,000 --> 00:29:58,520
Speaker 1: a reputation to uphold. I'm the golden boy. I made

612
00:29:58,520 --> 00:30:00,959
Speaker 1: this technology. Now we're all in danger because of it.

613
00:30:01,040 --> 00:30:02,960
Speaker 2: I can appreciate that part, and I think that this.

614
00:30:02,920 --> 00:30:04,760
Speaker 1: Is truly like a panic move on his end to

615
00:30:04,880 --> 00:30:09,440
Speaker 1: just be like, uh, turn it off. I think, like, undo, Undock,

616
00:30:09,440 --> 00:30:12,880
Speaker 1: It's you're absolutely correct. He's really not thinking the logistics

617
00:30:12,920 --> 00:30:14,880
Speaker 1: of this through. He just wants to say face.

618
00:30:16,400 --> 00:30:20,280
Speaker 2: Jason, the aftermath of his newly elected position, goes to

619
00:30:20,280 --> 00:30:23,600
Speaker 2: see Caitlin to a make sure that she's okay after

620
00:30:23,640 --> 00:30:26,120
Speaker 2: this explosion that she was in, but then be also

621
00:30:26,240 --> 00:30:28,960
Speaker 2: asked her to join his cabinet as his head of security.

622
00:30:29,400 --> 00:30:32,120
Speaker 2: She's put off. She's like, that's a do nothing position.

623
00:30:32,600 --> 00:30:34,400
Speaker 2: As soon as I'm healthy, I'm gonna go back to

624
00:30:34,480 --> 00:30:38,400
Speaker 2: the enforcers. And he's like, actually, turns out your parents

625
00:30:38,440 --> 00:30:41,040
Speaker 2: didn't want you to be an enforcer anyway. They pulled

626
00:30:41,040 --> 00:30:44,560
Speaker 2: a few strings and you have been removed. But she

627
00:30:45,200 --> 00:30:48,440
Speaker 2: still wants to do it, still wants to solve this case.

628
00:30:48,520 --> 00:30:50,920
Speaker 2: And she's like, Nope, I'm gonna do this on my

629
00:30:51,000 --> 00:30:54,040
Speaker 2: own if I have to, and we get a really

630
00:30:54,120 --> 00:30:56,680
Speaker 2: good interaction between the two of them, one of my

631
00:30:57,000 --> 00:31:00,200
Speaker 2: favorite one on one interactions in this entire episode actually

632
00:31:00,840 --> 00:31:02,360
Speaker 2: just makes me like Kate even more.

633
00:31:02,880 --> 00:31:04,360
Speaker 3: I like it too, Aaron.

634
00:31:04,560 --> 00:31:07,400
Speaker 4: It's again, I really like these two as friends. They're

635
00:31:07,440 --> 00:31:11,600
Speaker 4: so warm with one another. But even when they're fighting

636
00:31:12,000 --> 00:31:15,560
Speaker 4: or at odds, there's like a tenderness between them. I

637
00:31:15,600 --> 00:31:17,000
Speaker 4: think they're very sweet.

638
00:31:17,120 --> 00:31:19,080
Speaker 3: Yeah, and it gives like real.

639
00:31:18,960 --> 00:31:23,280
Speaker 4: Childhood besties, like almost siblings energy between the two of them.

640
00:31:23,280 --> 00:31:25,040
Speaker 4: And yeah, when she kicks them out, I was like,

641
00:31:25,520 --> 00:31:27,440
Speaker 4: get it, girl, She's like, I don't want you here.

642
00:31:27,480 --> 00:31:29,800
Speaker 3: Actually, yeah, it's not helpful.

643
00:31:29,920 --> 00:31:32,960
Speaker 1: Even they're sort of misunderstanding of each other's wants. Gives

644
00:31:33,000 --> 00:31:36,240
Speaker 1: like sort of childhood sibling energy, Like he's like, I

645
00:31:36,280 --> 00:31:38,360
Speaker 1: just want you to be safe. And she's like, this

646
00:31:38,400 --> 00:31:40,400
Speaker 1: is how my parents treat me. Don't treat me like this.

647
00:31:40,880 --> 00:31:43,600
Speaker 1: And he's on the council, he's doing all this council shit,

648
00:31:43,640 --> 00:31:45,840
Speaker 1: and she's like, you on the council, is this what

649
00:31:45,880 --> 00:31:48,120
Speaker 1: you wanted? Did you want to like make heex tech?

650
00:31:48,200 --> 00:31:49,440
Speaker 1: And that's what was the say science.

651
00:31:49,520 --> 00:31:53,200
Speaker 3: Jace literally turns into her parents. It's so fast, like

652
00:31:53,320 --> 00:31:54,000
Speaker 3: not just.

653
00:31:54,000 --> 00:31:56,280
Speaker 4: In the way he treats her, which has sort of

654
00:31:56,320 --> 00:31:59,080
Speaker 4: always been in a brotherly way of like you just

655
00:31:59,120 --> 00:32:01,920
Speaker 4: need to be safe, but also I'll just swing my

656
00:32:02,080 --> 00:32:05,120
Speaker 4: power around to help you get like, Yeah, she wants

657
00:32:05,120 --> 00:32:05,920
Speaker 4: to earn her place.

658
00:32:06,040 --> 00:32:08,760
Speaker 3: That's the thing she's been saying the whole totally fricking time.

659
00:32:09,240 --> 00:32:10,320
Speaker 3: Please listen.

660
00:32:10,560 --> 00:32:15,000
Speaker 1: This is why she's friend zoning you. Jays, you're not listening, geez.

661
00:32:15,000 --> 00:32:16,760
Speaker 1: I also wanted to point out super quickly this is

662
00:32:16,800 --> 00:32:19,040
Speaker 1: like not literally neither here nor there, but there is

663
00:32:19,080 --> 00:32:22,200
Speaker 1: a shot in this interaction where Kate takes a step

664
00:32:22,240 --> 00:32:23,040
Speaker 1: back onto a.

665
00:32:22,960 --> 00:32:25,120
Speaker 2: Stool to look at the map or something to.

666
00:32:25,040 --> 00:32:27,360
Speaker 1: Look down at the map. She's got that like red

667
00:32:27,400 --> 00:32:32,360
Speaker 1: string investigation thing on the ground. Charlie the Charlie Day meme. Yeah,

668
00:32:32,400 --> 00:32:35,560
Speaker 1: and the camera cuts wide. She steps back and we

669
00:32:35,640 --> 00:32:39,480
Speaker 1: see their height differential, which I was like, no way,

670
00:32:39,600 --> 00:32:41,680
Speaker 1: you're kidding me. She steps back on the stool and

671
00:32:41,720 --> 00:32:45,400
Speaker 1: then matches height with Jace, which confirms that Jace is

672
00:32:45,440 --> 00:32:48,840
Speaker 1: also over six feet tall. Probably I was ranting to

673
00:32:48,920 --> 00:32:51,320
Speaker 1: Aaron in the last episode, Joelle, how Jace just has

674
00:32:51,360 --> 00:32:53,880
Speaker 1: it all. He's good looking, Yeah, he's smart, he's brilliant.

675
00:32:53,960 --> 00:32:56,800
Speaker 1: Everyone loves him. He's charismatic, he's charming, and now he's

676
00:32:56,840 --> 00:32:59,600
Speaker 1: also six feet tall. Next you'll tell me he works

677
00:32:59,600 --> 00:33:01,080
Speaker 1: and find and has blue eyes?

678
00:33:01,320 --> 00:33:02,600
Speaker 3: Yes, yes, right?

679
00:33:03,000 --> 00:33:06,320
Speaker 4: And does he not kind of like maybe government, Like

680
00:33:06,400 --> 00:33:09,800
Speaker 4: he's adjacent. Listen, if Chase had a profile on Bumble,

681
00:33:09,840 --> 00:33:12,000
Speaker 4: it would be over in days, okay, Like the girls

682
00:33:12,040 --> 00:33:14,640
Speaker 4: would be like there's a new number one, please move

683
00:33:14,720 --> 00:33:16,280
Speaker 4: to the side.

684
00:33:16,480 --> 00:33:21,640
Speaker 2: Jase is clearly on Peltov Rayah, for sure, he's on

685
00:33:21,680 --> 00:33:24,200
Speaker 2: the ryot. Yeah, oh yeah, but he hasn't he hasn't

686
00:33:24,240 --> 00:33:27,440
Speaker 2: opened the app in forever, Like he's on there.

687
00:33:27,960 --> 00:33:31,600
Speaker 3: He actually goes to he's too busy. Yeah, I listen.

688
00:33:32,400 --> 00:33:34,920
Speaker 4: It's what makes his character really compelling is like he

689
00:33:35,000 --> 00:33:37,320
Speaker 4: has it all, he wants to do well, and there's

690
00:33:37,320 --> 00:33:38,840
Speaker 4: this constant temptation.

691
00:33:38,920 --> 00:33:40,720
Speaker 3: To be like, no, forget your morals.

692
00:33:40,760 --> 00:33:43,440
Speaker 4: You could have money and power, which is that's what

693
00:33:43,520 --> 00:33:46,280
Speaker 4: everybody really wants anyway, And he's like, I do want

694
00:33:46,320 --> 00:33:49,040
Speaker 4: to help the people, but oh, money and power and

695
00:33:49,080 --> 00:33:49,640
Speaker 4: the hot shake.

696
00:33:49,640 --> 00:33:52,880
Speaker 3: Who wants it too? Like it's a really difficult position

697
00:33:52,920 --> 00:33:54,480
Speaker 3: to be in and I'm so hot. What do I

698
00:33:54,560 --> 00:33:57,800
Speaker 3: do to be Jason? I want a dream.

699
00:33:57,800 --> 00:34:01,200
Speaker 1: Truly to be jas The Trials and Tribulation, Okay, let's

700
00:34:01,200 --> 00:34:06,040
Speaker 1: wrap up Episode four. Kate heads off to Stillwater Prison

701
00:34:06,160 --> 00:34:08,760
Speaker 1: to question one of the survivors from the attack earlier

702
00:34:08,800 --> 00:34:11,319
Speaker 1: in the episode, but it actually turns out that the

703
00:34:11,360 --> 00:34:14,160
Speaker 1: survivor in the prison is in the medical bay right

704
00:34:14,200 --> 00:34:16,440
Speaker 1: now because he has a broken jaw. One of the

705
00:34:16,480 --> 00:34:19,960
Speaker 1: other prisoners beat them up. And that's the big reveal

706
00:34:20,080 --> 00:34:22,239
Speaker 1: at this sort of like big mic drop moment at

707
00:34:22,239 --> 00:34:25,560
Speaker 1: the end of this episode. This other prisoner at Stillwater

708
00:34:26,320 --> 00:34:29,080
Speaker 1: is violent, done, done, done, all grown up.

709
00:34:29,120 --> 00:34:32,000
Speaker 3: Oh thank god she's still here.

710
00:34:32,400 --> 00:34:35,879
Speaker 4: My sleep prices, baby. I was very nervous about it.

711
00:34:36,400 --> 00:34:38,640
Speaker 4: This is so great. It explains so much.

712
00:34:38,560 --> 00:34:42,319
Speaker 3: Because you're really like, what happened? Where is she?

713
00:34:42,640 --> 00:34:42,680
Speaker 2: Like?

714
00:34:42,800 --> 00:34:45,600
Speaker 4: Oh no, this thing is making sense right now, and

715
00:34:45,640 --> 00:34:48,520
Speaker 4: are we just abandoning that entire like line.

716
00:34:48,280 --> 00:34:49,239
Speaker 3: Of what was it?

717
00:34:49,440 --> 00:34:51,720
Speaker 4: And to be like, Okay, this is the world without

718
00:34:51,880 --> 00:34:55,400
Speaker 4: Vie is a really compelling way to reintroduce her to

719
00:34:55,440 --> 00:34:59,920
Speaker 4: the storyline because it's chaotic, it's advancing quickly and allegian

720
00:35:00,080 --> 00:35:03,080
Speaker 4: to start changing every two seconds, like where people are

721
00:35:03,120 --> 00:35:07,160
Speaker 4: who hold power. It's really quickly changing. Zi really is

722
00:35:07,200 --> 00:35:09,759
Speaker 4: like with her dad, he was sort of this thing

723
00:35:09,800 --> 00:35:13,240
Speaker 4: that was holding this tentative situation together. So he's gone,

724
00:35:13,680 --> 00:35:15,759
Speaker 4: things fall apart. She's taken out of the equation at

725
00:35:15,800 --> 00:35:19,200
Speaker 4: the same time, and she's his progeny. So now that

726
00:35:19,239 --> 00:35:21,480
Speaker 4: she's back in the mix, how is that going to

727
00:35:21,560 --> 00:35:24,360
Speaker 4: change everything? And I think, of course we're particularly concerned

728
00:35:24,360 --> 00:35:27,080
Speaker 4: about our dear Powder. How does she she does she

729
00:35:27,120 --> 00:35:29,799
Speaker 4: didn't react well to thinking she saw her sister her

730
00:35:29,880 --> 00:35:32,480
Speaker 4: sure to actually back chaotic.

731
00:35:33,080 --> 00:35:36,400
Speaker 1: Yes, uh, it sets up a very juicy rest of

732
00:35:36,440 --> 00:35:39,920
Speaker 1: the season for sure, But holy sprockets, guys, look at

733
00:35:39,920 --> 00:35:41,879
Speaker 1: the time, we have to go to another ad break,

734
00:35:42,000 --> 00:35:44,600
Speaker 1: So stick around, folks. We'll be back to talk about

735
00:35:44,760 --> 00:36:02,640
Speaker 1: Arcane episode five in just a minute. Okay, we are back.

736
00:36:03,080 --> 00:36:06,880
Speaker 1: Let's talk about Arcane episode five. This one's titled Everybody

737
00:36:06,960 --> 00:36:09,440
Speaker 1: Wants to Be My Enemy, which is an Imagine Dragons

738
00:36:09,440 --> 00:36:11,200
Speaker 1: song that I actually sometimes run two. I have to

739
00:36:11,239 --> 00:36:12,080
Speaker 1: admit that, wait.

740
00:36:11,920 --> 00:36:14,680
Speaker 2: A minute, we didn't get Oh my god, keep going.

741
00:36:15,560 --> 00:36:18,120
Speaker 2: You know what music Jase works out to. It is

742
00:36:18,239 --> 00:36:22,400
Speaker 2: literally just Imagine Dragons. He doesn't listen to anything else

743
00:36:22,840 --> 00:36:23,719
Speaker 2: when he works out.

744
00:36:24,160 --> 00:36:26,680
Speaker 1: It is I know, I've been thinking about this all

745
00:36:26,719 --> 00:36:28,520
Speaker 1: week Like, I spent all weekend being like, do I

746
00:36:28,560 --> 00:36:31,440
Speaker 1: tell Eron that I listened to Imagine Dragons or do

747
00:36:31,520 --> 00:36:34,600
Speaker 1: I just play along and pretend I don't. But here

748
00:36:34,600 --> 00:36:37,759
Speaker 1: we are, okay. This episode opens up on a flashback

749
00:36:37,760 --> 00:36:41,880
Speaker 1: to young Caitlin and the late Great Sheriff Grayson in

750
00:36:41,920 --> 00:36:46,359
Speaker 1: a friendly shooting competition. Caitlyn wins the competition, but at

751
00:36:46,360 --> 00:36:48,799
Speaker 1: the after party, she gets a little suspicious. She sees

752
00:36:48,800 --> 00:36:52,640
Speaker 1: her parents schmoozing, and she asks Grayson if the Sheriff

753
00:36:52,680 --> 00:36:55,400
Speaker 1: fletter win because of a bribe. Her parents have always

754
00:36:55,520 --> 00:36:57,640
Speaker 1: done things to make life easy for her, was this

755
00:36:57,680 --> 00:37:01,239
Speaker 1: one of those things too? Grayson admits that she did

756
00:37:01,440 --> 00:37:04,160
Speaker 1: let the child win, but just because she's like a

757
00:37:04,200 --> 00:37:07,080
Speaker 1: cute child who shows some promise, and not because any

758
00:37:07,120 --> 00:37:11,319
Speaker 1: money was involved, and Grayson actually leaves Kate with what

759
00:37:11,360 --> 00:37:15,200
Speaker 1: will clearly become like a life defining question. Quote. It

760
00:37:15,239 --> 00:37:18,080
Speaker 1: begs the question, young kierman, what are you shooting for?

761
00:37:18,719 --> 00:37:21,319
Speaker 1: End quote, which I think is something Kate is still

762
00:37:21,360 --> 00:37:22,960
Speaker 1: exploring even to present day.

763
00:37:23,719 --> 00:37:26,640
Speaker 2: We cut back to Stillwater Prison in the present day

764
00:37:26,840 --> 00:37:31,040
Speaker 2: and Kate's questioning the v Sorry, VI. It's tough because

765
00:37:31,080 --> 00:37:34,840
Speaker 2: she now has the joker fied six Roman numeral tattoo

766
00:37:34,920 --> 00:37:37,800
Speaker 2: under the eye that says VI. It's a little not

767
00:37:37,920 --> 00:37:42,440
Speaker 2: my favorite transition character design wise, but she's questioning Violet,

768
00:37:42,560 --> 00:37:45,959
Speaker 2: and after some unpleasant back and forth, Caitlyn realizes that

769
00:37:46,239 --> 00:37:50,000
Speaker 2: she really needs her, and she goes and uses Jace's

770
00:37:50,040 --> 00:37:54,439
Speaker 2: newly appointed position to forge documents to get ye out

771
00:37:54,480 --> 00:37:57,600
Speaker 2: what Jace has just been elected. We're really speed running

772
00:37:57,640 --> 00:38:00,720
Speaker 2: election to corruption in Yeah, I don't know a day

773
00:38:00,840 --> 00:38:01,560
Speaker 2: basically here.

774
00:38:01,800 --> 00:38:04,680
Speaker 1: Yeah, incredible. She shows a lot of gumption, Yes, gets

775
00:38:04,680 --> 00:38:06,600
Speaker 1: things done. I think Sheriff Grayson had the right idea.

776
00:38:07,400 --> 00:38:10,840
Speaker 1: Back in Piltover, Your guy, Aaron, your guy. Sheriff Marcus

777
00:38:11,120 --> 00:38:13,279
Speaker 1: is giving a speech at the funeral of the dead

778
00:38:13,400 --> 00:38:17,400
Speaker 1: enforcers from Powder's attack earlier. He is genuinely broken up

779
00:38:17,480 --> 00:38:21,719
Speaker 1: about these losses, and he even visits Grayson's tombstone with

780
00:38:21,760 --> 00:38:24,520
Speaker 1: his daughter. You can tell he's very affected by the

781
00:38:24,640 --> 00:38:28,640
Speaker 1: death of his comrades. We then cut to an absolutely

782
00:38:28,760 --> 00:38:32,880
Speaker 1: furious Marcus yelling at Silko, demanding that he'd be allowed

783
00:38:33,120 --> 00:38:38,200
Speaker 1: to arrest Powder. But Silko obviously has another suggestion. Hey,

784
00:38:38,400 --> 00:38:41,080
Speaker 1: remember the firelights. She use them as a scapegoat.

785
00:38:41,160 --> 00:38:43,120
Speaker 2: So win win, which I mean kind of.

786
00:38:43,040 --> 00:38:46,560
Speaker 3: Makes sense, crooked police. Yeah, when will you learn?

787
00:38:46,640 --> 00:38:48,719
Speaker 1: What does this kind of really makes sense? Why is

788
00:38:48,719 --> 00:38:49,799
Speaker 1: Marcus not thinking of that?

789
00:38:50,160 --> 00:38:53,200
Speaker 4: Well, because Marcus wants to be a good cop. Marcus

790
00:38:53,239 --> 00:38:54,960
Speaker 4: is out here being like, I want to be an

791
00:38:54,960 --> 00:38:58,200
Speaker 4: outstanding cop. I got caught up. Yeah, maybe I can

792
00:38:58,239 --> 00:39:00,680
Speaker 4: make the best of a situation and make it worse.

793
00:39:00,680 --> 00:39:02,880
Speaker 4: But no, you're already in bed with the criminal, Marcus.

794
00:39:02,920 --> 00:39:04,640
Speaker 4: The only thing you can do is turn yourself in.

795
00:39:04,719 --> 00:39:07,560
Speaker 4: You're screwed. This never works out for the crooked Coughs.

796
00:39:07,840 --> 00:39:09,319
Speaker 4: I don't know why I haven't figured this out.

797
00:39:09,480 --> 00:39:13,120
Speaker 2: Yeah, you're in too deep, Surpuco. Let's keep going at

798
00:39:13,120 --> 00:39:16,000
Speaker 2: the Hexgate. Doc Jase is taking his new council position

799
00:39:16,360 --> 00:39:21,120
Speaker 2: very seriously, and he's uncovering months and months of shipping discrepancies.

800
00:39:21,440 --> 00:39:25,160
Speaker 2: This corruption has been running rampant since I guess as

801
00:39:25,200 --> 00:39:27,880
Speaker 2: long as he created the hexgates, however long ago that was,

802
00:39:28,280 --> 00:39:31,480
Speaker 2: and he's here to drain the swamp. Victor is annoyed

803
00:39:31,520 --> 00:39:34,040
Speaker 2: that his friend is too busy focused on the council

804
00:39:34,120 --> 00:39:37,120
Speaker 2: work to be focused on the hex tech work. So

805
00:39:37,600 --> 00:39:40,600
Speaker 2: Victor is complaining, and then he coughs up a little

806
00:39:40,640 --> 00:39:45,160
Speaker 2: bit of blood and his head rushes, and he rushes

807
00:39:45,200 --> 00:39:46,840
Speaker 2: to the lap with a brand new idea.

808
00:39:46,960 --> 00:39:49,560
Speaker 1: Right, he has a sort of epiphany here. Now back

809
00:39:49,560 --> 00:39:53,040
Speaker 1: in her layer, Jinx is trying to figure out Jase

810
00:39:53,360 --> 00:39:56,560
Speaker 1: and Victor's hex Tech. She's got the notes, she's got

811
00:39:56,560 --> 00:39:58,800
Speaker 1: the gemstone. She's trying to crack it all on her own,

812
00:39:59,120 --> 00:40:02,319
Speaker 1: and she does to activate it, causing like a sort

813
00:40:02,320 --> 00:40:05,680
Speaker 1: of chaotic explosion, and this is obviously deeply traumatic for her.

814
00:40:05,760 --> 00:40:08,640
Speaker 1: She flashed back to the explosion back in the cannery

815
00:40:08,719 --> 00:40:12,680
Speaker 1: that killed all her friends, that killed Vander, and it's

816
00:40:12,719 --> 00:40:15,360
Speaker 1: a pretty horrifying scene. And we see that Powder is

817
00:40:15,400 --> 00:40:20,160
Speaker 1: still deeply hurt from that incident, and this brings a

818
00:40:20,160 --> 00:40:22,680
Speaker 1: lot of that grief back up to the surface for her.

819
00:40:23,080 --> 00:40:25,000
Speaker 1: Witnessing another hexstack explosion.

820
00:40:25,680 --> 00:40:30,360
Speaker 2: Kate and Violet are at the escalator shaped the circular

821
00:40:30,600 --> 00:40:34,400
Speaker 2: escalator Bathosphere ticket office, and Kitlin's like, we should make

822
00:40:34,400 --> 00:40:35,879
Speaker 2: sure we get a ticket, you know, we should get

823
00:40:35,880 --> 00:40:38,120
Speaker 2: an aisle seat. I don't know what the inflight movie

824
00:40:38,160 --> 00:40:39,920
Speaker 2: is today, but I think we might be able to

825
00:40:39,960 --> 00:40:44,759
Speaker 2: watch Joker on the ride down, and Violet is like, no, no, no, no,

826
00:40:44,880 --> 00:40:48,279
Speaker 2: we're parkouring ourselves down and that's the fastest way to

827
00:40:48,320 --> 00:40:52,759
Speaker 2: the under city, and impressively, Caitlin, a little slowly does

828
00:40:52,840 --> 00:40:55,759
Speaker 2: manage to follow her down. I don't know if as

829
00:40:55,760 --> 00:40:57,479
Speaker 2: someone who's afraid of heights, I don't think that would

830
00:40:57,480 --> 00:40:59,759
Speaker 2: have been I probably would have stuck in to see

831
00:40:59,800 --> 00:41:02,879
Speaker 2: what in flight meal was. But as Violet gets down

832
00:41:02,920 --> 00:41:07,840
Speaker 2: there first she steals, not steals, she borrows some clothing

833
00:41:08,080 --> 00:41:12,080
Speaker 2: to help her new partner, Caitlyn blend in because she

834
00:41:12,080 --> 00:41:14,839
Speaker 2: can't be dressed in an enforce her outfit. And as

835
00:41:14,880 --> 00:41:17,960
Speaker 2: she's doing it, or as Caitlyn comes down, Violet's like,

836
00:41:18,560 --> 00:41:20,560
Speaker 2: my sister could have done that faster than you when

837
00:41:20,560 --> 00:41:23,719
Speaker 2: she was seven, So clearly she's still thinking about her

838
00:41:23,760 --> 00:41:24,319
Speaker 2: sister too.

839
00:41:24,640 --> 00:41:26,600
Speaker 1: Yeah. I really felt like this was an important line

840
00:41:26,920 --> 00:41:30,279
Speaker 1: because we know that Powder still thinks about Violet, and

841
00:41:30,480 --> 00:41:32,840
Speaker 1: it's important for us as the audience to also recognize

842
00:41:32,880 --> 00:41:35,520
Speaker 1: that Violet has also not forgotten about Powder all these

843
00:41:35,560 --> 00:41:37,640
Speaker 1: years later, and the two sisters are still thinking about

844
00:41:37,640 --> 00:41:41,840
Speaker 1: each other in equal but also dramatically different ways. Powder

845
00:41:41,920 --> 00:41:45,680
Speaker 1: clearly sort of traumatized by even someone with similar hair

846
00:41:45,719 --> 00:41:50,239
Speaker 1: to Violet, whereas Violet uses it to flirt exactly and

847
00:41:50,280 --> 00:41:52,799
Speaker 1: remembers the things her sister was good at. You know,

848
00:41:53,239 --> 00:41:54,360
Speaker 1: this is a fond memory.

849
00:41:54,760 --> 00:41:57,919
Speaker 4: It's also an important moment in buying Caitlyn's relationship because

850
00:41:57,960 --> 00:42:01,839
Speaker 4: it shows the first time we see how everyone is like, God,

851
00:42:01,880 --> 00:42:04,759
Speaker 4: you're slowing us down and you're terrible at this. Yeah,

852
00:42:04,800 --> 00:42:09,680
Speaker 4: And so either VIA's remembering Powder as being better at

853
00:42:09,760 --> 00:42:13,919
Speaker 4: doing this stuff than she actually was, or it's really

854
00:42:13,920 --> 00:42:17,799
Speaker 4: showcasing the distance between Vi and Caitlin as far as

855
00:42:17,840 --> 00:42:20,040
Speaker 4: like what you need to be aware of and how

856
00:42:20,080 --> 00:42:23,280
Speaker 4: to survive in this space, Like you're you are worse

857
00:42:23,320 --> 00:42:23,920
Speaker 4: than a child.

858
00:42:24,000 --> 00:42:27,080
Speaker 3: It's really bad. Yeah, And it's an important line doing so.

859
00:42:27,160 --> 00:42:31,080
Speaker 4: With so little words, really exploring a lot of relationships

860
00:42:31,120 --> 00:42:31,600
Speaker 4: at one time.

861
00:42:31,880 --> 00:42:35,239
Speaker 1: Yeah, amazing point, Joelle, You're spot on all right. Back

862
00:42:35,239 --> 00:42:39,720
Speaker 1: in the lab, Victor is obsessively working with the ruins

863
00:42:39,960 --> 00:42:42,960
Speaker 1: on the hex Tech machine to try and build what,

864
00:42:43,160 --> 00:42:47,120
Speaker 1: to my understanding is basically just hex Tech GPT trying

865
00:42:47,120 --> 00:42:50,880
Speaker 1: to make AI happen, while Jasons in the background clearly

866
00:42:50,960 --> 00:42:53,759
Speaker 1: just checking his hair. Does this guy do any work

867
00:42:53,760 --> 00:42:56,560
Speaker 1: in the lab anymore? No, I haven't seen him put

868
00:42:56,600 --> 00:43:00,120
Speaker 1: any hours in honestly the faith now it's wild and

869
00:43:00,239 --> 00:43:03,080
Speaker 1: understand Victor's frustrations. Like if I was here recording this

870
00:43:03,120 --> 00:43:05,120
Speaker 1: episode and Aaron was just like off in the corner

871
00:43:05,640 --> 00:43:08,440
Speaker 1: combing his hair, I'd be like, are we recording right now?

872
00:43:08,480 --> 00:43:09,080
Speaker 3: Or what are we doing?

873
00:43:09,320 --> 00:43:11,120
Speaker 2: The amazing thing is with my hair, I can do

874
00:43:11,200 --> 00:43:13,320
Speaker 2: it at any time, just with my hands, or I

875
00:43:13,360 --> 00:43:15,840
Speaker 2: can fix it, so I don't need to leave screen

876
00:43:15,960 --> 00:43:17,239
Speaker 2: for that. Don't worry.

877
00:43:19,040 --> 00:43:22,240
Speaker 1: Now. Meanwhile, down in the under City, Violet is eating

878
00:43:22,280 --> 00:43:26,839
Speaker 1: a delicious Undercity meal of sloppy fish while a frustrated

879
00:43:26,960 --> 00:43:29,560
Speaker 1: Caitlin is trying to get her to focus. We're here

880
00:43:29,600 --> 00:43:31,640
Speaker 1: to do a job. We got to crack this case.

881
00:43:31,880 --> 00:43:34,040
Speaker 1: Tell me about the soko, tell me about this investigation.

882
00:43:34,160 --> 00:43:37,319
Speaker 1: Let's go do stuff. The stall owner after the meal

883
00:43:37,400 --> 00:43:40,000
Speaker 1: secretly hands Via a note and they walk off, and

884
00:43:40,040 --> 00:43:42,080
Speaker 1: clearly this was more than just a meal. This was

885
00:43:42,120 --> 00:43:46,120
Speaker 1: a subtle business transaction as well, and an exchange of

886
00:43:46,160 --> 00:43:50,239
Speaker 1: information happened here. And I liked how this You know,

887
00:43:50,280 --> 00:43:52,759
Speaker 1: once again, Joel, to your point about Caitlin maybe not

888
00:43:52,840 --> 00:43:55,160
Speaker 1: knowing how to operate in the under city, This shows

889
00:43:55,200 --> 00:43:57,080
Speaker 1: us that Caitlin is out of her depth. She doesn't

890
00:43:57,160 --> 00:44:00,680
Speaker 1: understand the subtle ways that you oper right down here.

891
00:44:00,840 --> 00:44:02,440
Speaker 1: You don't just go around asking questions.

892
00:44:02,480 --> 00:44:10,279
Speaker 4: She's literally an enforcer. Subtle subtlety is not in her handbooks.

893
00:44:10,280 --> 00:44:13,520
Speaker 4: She's she is somewhat the pampered princess. She doesn't want

894
00:44:13,520 --> 00:44:15,400
Speaker 4: to be in that She's always had a lot of

895
00:44:15,400 --> 00:44:19,040
Speaker 4: privilege and ability and access. And then on top of that,

896
00:44:19,320 --> 00:44:21,640
Speaker 4: her job is an enforcer. Like nobody tells you not

897
00:44:21,719 --> 00:44:23,839
Speaker 4: to go somewhere except your commander, who she didn't listen

898
00:44:23,840 --> 00:44:26,600
Speaker 4: to anyway, Like she has no subtlety is not in

899
00:44:26,680 --> 00:44:30,480
Speaker 4: this girl's menu. I love in opposites the tract storyline.

900
00:44:30,600 --> 00:44:34,920
Speaker 4: I love the banter chemistry between these two, these enemies.

901
00:44:34,920 --> 00:44:38,719
Speaker 4: To love her storyline. It's not quite enemies, but definitely

902
00:44:38,800 --> 00:44:41,000
Speaker 4: the other side of the tracks.

903
00:44:40,600 --> 00:44:42,239
Speaker 3: Angle for sure with these two.

904
00:44:42,560 --> 00:44:46,480
Speaker 4: And like these opening scenes of them just trying to

905
00:44:46,520 --> 00:44:48,960
Speaker 4: get through the city like they're really not to anything

906
00:44:49,000 --> 00:44:51,600
Speaker 4: but talking to mostly friendly people and it's such a

907
00:44:51,600 --> 00:44:53,880
Speaker 4: train wreck for them because are so opposites.

908
00:44:54,040 --> 00:44:54,759
Speaker 3: That's a lot of fun.

909
00:44:55,040 --> 00:44:56,120
Speaker 1: Yeah, definitely.

910
00:44:56,560 --> 00:44:59,240
Speaker 2: We head back up to Piltover and at the Piltover

911
00:44:59,320 --> 00:45:03,320
Speaker 2: Opera House, Mel is giving Jason little politics one O

912
00:45:03,440 --> 00:45:06,640
Speaker 2: one lesson, and she's basically explaining, you've done a great

913
00:45:06,719 --> 00:45:09,960
Speaker 2: job of rooting out all the corruption. Unfortunately, a lot

914
00:45:10,000 --> 00:45:13,520
Speaker 2: of the corruption around the hex Gates was with members

915
00:45:13,560 --> 00:45:16,000
Speaker 2: of the council, and you kind of put a target

916
00:45:16,040 --> 00:45:17,720
Speaker 2: on your back, and you kind of gotta go grease

917
00:45:17,760 --> 00:45:20,600
Speaker 2: some palms and make up for the little dust storm

918
00:45:20,600 --> 00:45:23,160
Speaker 2: that you kicked up here because so and so wants

919
00:45:23,200 --> 00:45:26,439
Speaker 2: their wine brought in from this part of the town,

920
00:45:26,600 --> 00:45:29,120
Speaker 2: and so and so over here has been skimming a

921
00:45:29,160 --> 00:45:32,640
Speaker 2: little off the top. And that's okay. You gotta learn

922
00:45:32,680 --> 00:45:34,439
Speaker 2: all this, but it's time for you to make nice

923
00:45:34,480 --> 00:45:37,279
Speaker 2: with everyone. Everyone that is except heimer Dinger, who is

924
00:45:37,360 --> 00:45:40,839
Speaker 2: just focused on loving the performance. Heimer Dinger is out

925
00:45:40,880 --> 00:45:43,919
Speaker 2: there like a boo listening to imagine dragons on a run.

926
00:45:44,000 --> 00:45:45,880
Speaker 2: Heimer Dinger's just like losing it.

927
00:45:45,920 --> 00:45:51,160
Speaker 1: Oh wow, shots fired. Yeah, yeah, I loved these cutaways.

928
00:45:51,160 --> 00:45:53,960
Speaker 1: We see all of this like politicking happening during this scene,

929
00:45:54,280 --> 00:45:57,160
Speaker 1: and every so often we just cut back to Heimerdinger, who's.

930
00:45:57,040 --> 00:45:59,240
Speaker 3: Just adorable teddy bear, clapping.

931
00:45:59,360 --> 00:46:03,040
Speaker 1: Eating his snack and being like, this is my favorite violinist. Woo.

932
00:46:04,080 --> 00:46:05,120
Speaker 3: It's so good.

933
00:46:05,480 --> 00:46:09,040
Speaker 4: And I think, what's really like that scene again, just

934
00:46:09,120 --> 00:46:11,880
Speaker 4: artistically in the way they shape these scenes, the way

935
00:46:11,920 --> 00:46:17,560
Speaker 4: they're filmed so beautiful and sunning, because you understand, like

936
00:46:17,880 --> 00:46:20,879
Speaker 4: Heimerdinger's negligence on this look, he doesn't understand the beast

937
00:46:20,920 --> 00:46:22,800
Speaker 4: that he's created within Jase.

938
00:46:23,000 --> 00:46:24,680
Speaker 3: Oh yeah, because what he.

939
00:46:24,719 --> 00:46:27,799
Speaker 4: Knows of him is his good, sweet boy heart. They're like,

940
00:46:28,400 --> 00:46:31,080
Speaker 4: that's just young Jace. He just wants to help the people,

941
00:46:31,120 --> 00:46:32,840
Speaker 4: and he's really smart and I gave him a leg

942
00:46:32,920 --> 00:46:34,799
Speaker 4: up and I'm just so proud of him.

943
00:46:35,000 --> 00:46:35,880
Speaker 3: And he's getting a corruption.

944
00:46:35,960 --> 00:46:38,880
Speaker 4: He's doing all the things that I taught him. Congratulations us.

945
00:46:39,239 --> 00:46:41,279
Speaker 4: He doesn't see this change coming at all. I don't

946
00:46:41,280 --> 00:46:44,920
Speaker 4: think Jace really sees it. But oh the seduction of

947
00:46:45,000 --> 00:46:48,360
Speaker 4: being like, Babe, I'm gonna help you maximalize your potential.

948
00:46:49,719 --> 00:46:51,760
Speaker 4: I mean, this couple really won for the ages.

949
00:46:53,200 --> 00:46:56,240
Speaker 2: We cut to the lanes and Jinks visits the gang's

950
00:46:56,239 --> 00:46:58,800
Speaker 2: old hangout with the boxing machine and the shooting gallery,

951
00:46:59,160 --> 00:47:03,520
Speaker 2: and she starts us using violets boxing training machine to

952
00:47:03,840 --> 00:47:08,160
Speaker 2: uh burn off some steam and trauma, and we get

953
00:47:08,200 --> 00:47:10,800
Speaker 2: like a boo you had mentioned this. We get Jinks

954
00:47:10,920 --> 00:47:14,360
Speaker 2: kind of mimicking her sister here, which is pretty powerful.

955
00:47:14,520 --> 00:47:17,240
Speaker 1: Oh my gosh, so beautiful. Yeah. It sort of fades

956
00:47:17,280 --> 00:47:20,239
Speaker 1: in and out of young Violet practicing and we see

957
00:47:20,320 --> 00:47:23,719
Speaker 1: Jinks just mimicking her sister's moves on this machine. But

958
00:47:23,960 --> 00:47:26,919
Speaker 1: I want to note this feels important. She still only

959
00:47:26,920 --> 00:47:27,239
Speaker 1: comes in.

960
00:47:27,239 --> 00:47:28,480
Speaker 3: Second place, second right.

961
00:47:28,560 --> 00:47:31,239
Speaker 1: Violet still holds the record on the arcade machine at

962
00:47:31,280 --> 00:47:33,440
Speaker 1: the Pizza Hut. No one is better than her at

963
00:47:33,480 --> 00:47:34,160
Speaker 1: punching this thing.

964
00:47:34,640 --> 00:47:38,040
Speaker 2: This is like a Costanza needing to move the arcade

965
00:47:38,040 --> 00:47:39,719
Speaker 2: out before the pizza place shuts down.

966
00:47:40,000 --> 00:47:42,000
Speaker 3: Bob me Jimmy Pestow's high score.

967
00:47:42,760 --> 00:47:49,200
Speaker 1: Yeah yeah, all right, let's check back in with Vi

968
00:47:49,400 --> 00:47:52,520
Speaker 1: and Kate. They go to a pleasure house to try

969
00:47:52,520 --> 00:47:56,160
Speaker 1: and go get information. Via tells Kate to blend in

970
00:47:56,360 --> 00:47:59,360
Speaker 1: impersonate one of the workers here. You're a hottie, mccatti.

971
00:47:59,800 --> 00:48:02,120
Speaker 1: Just do your thing, blend in, do your job, get

972
00:48:02,120 --> 00:48:04,840
Speaker 1: some information for us, and go over there. Leave me alone.

973
00:48:05,320 --> 00:48:07,720
Speaker 4: Meanwhile, no, no, no, aboo, I'm sorry, I'm sorry.

974
00:48:07,840 --> 00:48:12,080
Speaker 3: One second, one moment because.

975
00:48:11,760 --> 00:48:16,880
Speaker 4: Also the important hand against the wall like men or women,

976
00:48:17,120 --> 00:48:19,920
Speaker 4: check of are you into this girl or not?

977
00:48:20,560 --> 00:48:25,279
Speaker 3: Like wow, we cannot have this very important moment be

978
00:48:25,360 --> 00:48:28,960
Speaker 3: glossed lesbian iconic moment.

979
00:48:29,520 --> 00:48:32,680
Speaker 1: I'm sorry, Continia, Yeah, no, definitely steamy.

980
00:48:33,520 --> 00:48:36,400
Speaker 2: So Violet heads to the back of the business to

981
00:48:36,440 --> 00:48:38,279
Speaker 2: meet with the proprietor and get a little bit of

982
00:48:38,360 --> 00:48:42,000
Speaker 2: information on her sister in Soco, and she doesn't learn

983
00:48:42,239 --> 00:48:46,600
Speaker 2: too much, but she does get information on Sophika. And

984
00:48:47,200 --> 00:48:51,239
Speaker 2: Marcus is meeting with Soko again. He's trying to stand

985
00:48:51,320 --> 00:48:53,680
Speaker 2: up for himself, but surprise, surprise, he just doesn't have

986
00:48:53,719 --> 00:48:56,960
Speaker 2: the guts and he can't stop working with him. He's

987
00:48:56,960 --> 00:49:00,239
Speaker 2: in too deep, we already said. But Soko's feel the

988
00:49:00,239 --> 00:49:03,160
Speaker 2: pressure to right now, and so he tells Jinks to

989
00:49:03,480 --> 00:49:08,840
Speaker 2: hurry up and figuring out hextech. And you stole these prototypes,

990
00:49:09,360 --> 00:49:12,480
Speaker 2: and I know that two episodes ago you couldn't even

991
00:49:12,480 --> 00:49:15,080
Speaker 2: make a bomb that worked, but why don't you, without

992
00:49:15,120 --> 00:49:18,560
Speaker 2: any notes, figure out this brand new technology? On your

993
00:49:18,600 --> 00:49:21,920
Speaker 2: own in a cave with a box of scraps, and

994
00:49:22,000 --> 00:49:25,319
Speaker 2: spoiler alert, she does. We head back to Piltover and

995
00:49:25,360 --> 00:49:28,319
Speaker 2: this is the steamy scene that unfortunately, I'm gonna have

996
00:49:28,320 --> 00:49:31,080
Speaker 2: to do part of the recap by myself because I

997
00:49:31,120 --> 00:49:35,000
Speaker 2: don't think a Boo or Joelle are just mentally able

998
00:49:35,200 --> 00:49:37,680
Speaker 2: to talk about this without blowing all the mics out.

999
00:49:37,760 --> 00:49:41,320
Speaker 2: But Jason mel become intimate.

1000
00:49:41,400 --> 00:49:49,200
Speaker 4: They fall stars motion, the universe collides around them.

1001
00:49:49,239 --> 00:49:50,920
Speaker 3: It isn't epic coupling.

1002
00:49:51,000 --> 00:49:55,560
Speaker 2: Okay, yeah, Jace gets busy. However, let's not forget about Victor,

1003
00:49:55,680 --> 00:49:59,320
Speaker 2: because while this is going on, Victor is low on sleep.

1004
00:49:59,480 --> 00:50:02,120
Speaker 2: He's still a obsessed with figuring out the hex tech.

1005
00:50:02,560 --> 00:50:06,600
Speaker 2: And his cute lab assistant comes in and is like, Oh,

1006
00:50:06,680 --> 00:50:09,320
Speaker 2: I wish someone would walk me home to the restaurant.

1007
00:50:09,760 --> 00:50:11,520
Speaker 2: How late are you going to be working? I could

1008
00:50:11,600 --> 00:50:14,680
Speaker 2: leave whenever you're ready, And he is like, I'm not working.

1009
00:50:14,800 --> 00:50:17,000
Speaker 2: I'm sleeping here tonight, and she's like, oh, well, you

1010
00:50:17,000 --> 00:50:19,920
Speaker 2: probably need something to eat, right, Like, we could walk

1011
00:50:20,080 --> 00:50:23,239
Speaker 2: to the restaurant together, or I think someone maybe left

1012
00:50:23,239 --> 00:50:25,320
Speaker 2: the door open. I'm not strong enough to close it,

1013
00:50:25,360 --> 00:50:28,719
Speaker 2: would you? And he's like, I am busy, please leave

1014
00:50:28,800 --> 00:50:29,080
Speaker 2: me a.

1015
00:50:29,000 --> 00:50:30,120
Speaker 1: Little locked in?

1016
00:50:31,040 --> 00:50:33,200
Speaker 2: Yeah?

1017
00:50:33,760 --> 00:50:37,279
Speaker 4: Do you guys think that he was unaware or he's

1018
00:50:37,320 --> 00:50:40,359
Speaker 4: just genuinely uninterested because we haven't seen him have any

1019
00:50:40,840 --> 00:50:44,279
Speaker 4: romantic inklings or conquest or anything. And I don't know

1020
00:50:44,280 --> 00:50:45,920
Speaker 4: what the read is on that guy. I'm like, does

1021
00:50:45,960 --> 00:50:47,640
Speaker 4: he you know? Is it totally fair if he's just like,

1022
00:50:47,640 --> 00:50:49,480
Speaker 4: I'm not interested? I have science to do.

1023
00:50:50,080 --> 00:50:54,239
Speaker 2: I mean, as we learn. I think if someone was like, hey,

1024
00:50:54,560 --> 00:50:57,200
Speaker 2: you got maybe a couple of days to live unless

1025
00:50:57,239 --> 00:50:59,680
Speaker 2: you solve this, I think I might be pretty locked

1026
00:50:59,680 --> 00:51:00,760
Speaker 2: in on We'll see.

1027
00:51:00,960 --> 00:51:04,200
Speaker 4: I'm going for love. This is too much pressure? Fine,

1028
00:51:04,719 --> 00:51:07,480
Speaker 4: God days left? Great, heism, Let's go.

1029
00:51:10,000 --> 00:51:14,080
Speaker 2: Victor, very frustrated that his research is not yielding any results,

1030
00:51:14,600 --> 00:51:17,920
Speaker 2: costs up more blood and collapses, and as we mentioned

1031
00:51:17,920 --> 00:51:23,040
Speaker 2: before intercut with Jase and Mel we get the hex

1032
00:51:23,080 --> 00:51:26,479
Speaker 2: tech reacting to the blood and truly like a sci

1033
00:51:26,560 --> 00:51:32,080
Speaker 2: fi horror movie montage of like, uh oh, the technology

1034
00:51:32,200 --> 00:51:36,480
Speaker 2: is becoming sentient and alive because it attached to human blood.

1035
00:51:36,520 --> 00:51:39,480
Speaker 2: And now we have this other thing. No way, this

1036
00:51:39,600 --> 00:51:41,480
Speaker 2: is bad, right, I'm sure this will be good.

1037
00:51:41,680 --> 00:51:43,960
Speaker 1: Yeah, the ominous music really gave it away. That this

1038
00:51:44,080 --> 00:51:48,000
Speaker 1: is a good thing. Now back in the under city, Jinks. Oh,

1039
00:51:48,040 --> 00:51:51,200
Speaker 1: this scene is beautiful. I love this. Jinks has a

1040
00:51:51,520 --> 00:51:54,640
Speaker 1: baptism of sorts in the same waters that Soilco nearly

1041
00:51:54,680 --> 00:51:57,800
Speaker 1: drowned in that Silco nearly got drowned in by Vander

1042
00:51:58,440 --> 00:52:02,160
Speaker 1: Silko imparts some advice on his adopted daughter. She's clearly

1043
00:52:02,160 --> 00:52:07,040
Speaker 1: struggling with her trauma and these feelings and these memories

1044
00:52:07,480 --> 00:52:10,040
Speaker 1: of her sister and her friends, and so he imparts

1045
00:52:10,080 --> 00:52:13,600
Speaker 1: some advice. He says, quote, you need to let powder die.

1046
00:52:14,400 --> 00:52:17,840
Speaker 2: Jinks is perfect, great line. Really love this scene, and

1047
00:52:17,880 --> 00:52:21,080
Speaker 2: I love the idea of this is where Silko almost

1048
00:52:21,120 --> 00:52:24,040
Speaker 2: died and was born anew and this is where Jinks

1049
00:52:24,160 --> 00:52:27,759
Speaker 2: will be fully come into her own. We then get

1050
00:52:27,760 --> 00:52:30,880
Speaker 2: to really one of the lowest points of the show's run.

1051
00:52:31,120 --> 00:52:34,600
Speaker 2: We're treated to a montage set to the theme song

1052
00:52:35,080 --> 00:52:39,680
Speaker 2: with the band animated. You know nothing against the members

1053
00:52:39,680 --> 00:52:43,160
Speaker 2: of the band individually. What's going on here, like you're

1054
00:52:43,200 --> 00:52:43,960
Speaker 2: walking down the.

1055
00:52:43,880 --> 00:52:46,640
Speaker 3: Streets as a whole. I have lots of concern.

1056
00:52:47,040 --> 00:52:50,440
Speaker 4: Yes, yeah, individuals are fine, but when you come together,

1057
00:52:50,680 --> 00:52:51,440
Speaker 4: I don't like it.

1058
00:52:51,520 --> 00:52:54,759
Speaker 2: Yeah yeah, And there's no skip intro button here. I

1059
00:52:54,800 --> 00:52:55,720
Speaker 2: don't know what's happening.

1060
00:52:55,840 --> 00:52:59,160
Speaker 4: No, it's really difficult, right, and key things happen while

1061
00:52:59,160 --> 00:53:01,919
Speaker 4: it's playing, so you kind of can't sky. I would

1062
00:53:01,920 --> 00:53:04,040
Speaker 4: just skip it, and I said, no major things happen

1063
00:53:04,160 --> 00:53:07,520
Speaker 4: in this sequence. I think it was a small note

1064
00:53:07,520 --> 00:53:10,440
Speaker 4: to the creators and you've done fabulous, so it's really tiny.

1065
00:53:10,920 --> 00:53:13,399
Speaker 4: If you play the theme song for every episode, don't

1066
00:53:13,440 --> 00:53:15,600
Speaker 4: also stick it in the center of it's way too,

1067
00:53:15,719 --> 00:53:17,399
Speaker 4: and it would be with even with the theme song

1068
00:53:17,440 --> 00:53:20,000
Speaker 4: I loved, I would be like, this is a lot.

1069
00:53:19,800 --> 00:53:24,279
Speaker 2: Too unless unless your theme song is like the X

1070
00:53:24,320 --> 00:53:28,800
Speaker 2: Men and animated series, something instrumental and you use motifs throughout,

1071
00:53:28,880 --> 00:53:30,719
Speaker 2: Like I don't want to go too far down the

1072
00:53:30,800 --> 00:53:33,680
Speaker 2: rabbit hole musically, but there are ways that you can

1073
00:53:33,719 --> 00:53:36,760
Speaker 2: make this effective. And I think just playing the exact

1074
00:53:36,840 --> 00:53:37,600
Speaker 2: same part of.

1075
00:53:37,560 --> 00:53:39,720
Speaker 3: The song totally makes sense.

1076
00:53:39,960 --> 00:53:41,799
Speaker 2: Right, playing the exact same part of the song that

1077
00:53:41,800 --> 00:53:45,480
Speaker 2: plays in the opening credits doesn't work, and like, I

1078
00:53:45,560 --> 00:53:48,920
Speaker 2: get it. Maybe this song was written for this particular

1079
00:53:48,960 --> 00:53:50,720
Speaker 2: scene and then they were like, oh, maybe we should

1080
00:53:50,800 --> 00:53:53,800
Speaker 2: use this for the theme. I'm not entirely sure. The

1081
00:53:53,920 --> 00:53:57,160
Speaker 2: lyrics don't really hit for me on their own, but

1082
00:53:57,160 --> 00:53:59,360
Speaker 2: they don't hit in this part of the scene. I

1083
00:53:59,400 --> 00:54:01,920
Speaker 2: don't know. Anyways, we didn't even talk about what's happening

1084
00:54:01,960 --> 00:54:04,640
Speaker 2: in the scene, just because Imagine Dragons was like we

1085
00:54:05,080 --> 00:54:08,000
Speaker 2: could go through like an entire thing about you know,

1086
00:54:08,080 --> 00:54:10,239
Speaker 2: Game of Thrones would have musicians in it, but they

1087
00:54:10,239 --> 00:54:12,640
Speaker 2: were like kind of hidden and it wasn't like, hey,

1088
00:54:12,680 --> 00:54:14,600
Speaker 2: here's the members of cold Play in the back of

1089
00:54:14,640 --> 00:54:16,520
Speaker 2: the Red or who is in the Red wedding cigaret

1090
00:54:16,560 --> 00:54:18,560
Speaker 2: ROAs I forget who it was, But it wasn't like

1091
00:54:18,880 --> 00:54:21,400
Speaker 2: Coldplay is in Game of Thrones and they're listening to

1092
00:54:21,440 --> 00:54:24,040
Speaker 2: the scientist like at the same time, like he was

1093
00:54:24,080 --> 00:54:27,840
Speaker 2: a little more tastefully done. Vi is going off to

1094
00:54:27,960 --> 00:54:31,920
Speaker 2: confront Sevika. Marcus is struggling with his choices as we know,

1095
00:54:32,040 --> 00:54:35,440
Speaker 2: he's far too deep in the corruption, and Mel wakes

1096
00:54:35,520 --> 00:54:38,200
Speaker 2: up ditched in bed because Jason has actually run off

1097
00:54:38,320 --> 00:54:40,800
Speaker 2: to go try to be at the bedside of Victor,

1098
00:54:40,840 --> 00:54:43,400
Speaker 2: who has collapsed and is in the medical bay. VI

1099
00:54:43,600 --> 00:54:47,480
Speaker 2: and Sevika get into an all out brawl, and Sevika

1100
00:54:47,560 --> 00:54:51,800
Speaker 2: reel reveals to Violet that Powder now Jinx is working

1101
00:54:51,800 --> 00:54:55,759
Speaker 2: for Soco and is like his daughter, and this is like,

1102
00:54:55,880 --> 00:54:58,920
Speaker 2: we get our first look kind of at the body

1103
00:54:58,920 --> 00:55:02,600
Speaker 2: augmentation power by the Shimmer, this opposite tech that we're

1104
00:55:02,640 --> 00:55:05,120
Speaker 2: gonna see as opposed to the hex tech stuff. We've

1105
00:55:05,120 --> 00:55:08,400
Speaker 2: got the Shimmer powered arm and everything. But of course

1106
00:55:08,520 --> 00:55:12,480
Speaker 2: the culminating part of the scene is Violet's gonna lose

1107
00:55:13,320 --> 00:55:16,000
Speaker 2: and then Kate shows up and saves her life.

1108
00:55:16,239 --> 00:55:18,359
Speaker 1: Yeah, and then they stumble off arm in arm. By

1109
00:55:18,400 --> 00:55:20,480
Speaker 1: the way, I feel like Joelle would want me to say.

1110
00:55:20,280 --> 00:55:24,480
Speaker 4: That, thank you so much we're including this. She's like, Hey,

1111
00:55:24,480 --> 00:55:27,520
Speaker 4: guess why I actually am capable. It's you who can

1112
00:55:27,600 --> 00:55:30,880
Speaker 4: sometimes be hot headed and discharging in situations. Sometimes you

1113
00:55:30,960 --> 00:55:34,560
Speaker 4: need a detective know how to handle these situations. Like, hmm,

1114
00:55:35,000 --> 00:55:37,759
Speaker 4: this white lady who is always the powerful fighter has

1115
00:55:37,800 --> 00:55:40,719
Speaker 4: a cloak on any upgrade she might have gotten. Look

1116
00:55:40,800 --> 00:55:42,719
Speaker 4: both ways before you cross the street. Viy, this was

1117
00:55:42,760 --> 00:55:46,239
Speaker 4: reckless as hell. I'm obsessed with Uying Katelyn together. I

1118
00:55:46,320 --> 00:55:49,879
Speaker 4: think they're so lovely and sweet and they push each

1119
00:55:49,880 --> 00:55:52,439
Speaker 4: other to be better people with like the best kind

1120
00:55:52,440 --> 00:55:56,040
Speaker 4: of relationships. Man, this episode sings this is such this.

1121
00:55:56,239 --> 00:55:58,080
Speaker 4: I don't know if it's my favorite episode, but it's

1122
00:55:58,160 --> 00:55:58,480
Speaker 4: up there.

1123
00:55:59,000 --> 00:56:02,000
Speaker 2: We do I think need to just give our flowers.

1124
00:56:02,600 --> 00:56:05,919
Speaker 2: We've dragged him a lot this episode. But Marcus, I think,

1125
00:56:05,960 --> 00:56:08,640
Speaker 2: has done one good thing in this show, and that

1126
00:56:08,840 --> 00:56:11,799
Speaker 2: was at the end of episode three, Marcus saved Violet

1127
00:56:12,040 --> 00:56:15,200
Speaker 2: by what was it ethanol or whatever, knocking her out

1128
00:56:15,280 --> 00:56:18,560
Speaker 2: and preventing her from going after Soco and his gang.

1129
00:56:19,000 --> 00:56:22,680
Speaker 2: Because Sivika comes in and informs Soilco that Violet is back,

1130
00:56:23,000 --> 00:56:26,560
Speaker 2: and he says from the dead, so everyone thought Violet

1131
00:56:27,040 --> 00:56:32,239
Speaker 2: was dead. I guess Silko's corrupt cops didn't inform him

1132
00:56:32,239 --> 00:56:35,280
Speaker 2: when Violet was arrested and put in prison and causing

1133
00:56:35,320 --> 00:56:39,560
Speaker 2: fights and clearly on the wrong side of the jailers

1134
00:56:39,640 --> 00:56:42,840
Speaker 2: as she's been. It's insinuated she's been beaten by the

1135
00:56:42,920 --> 00:56:46,759
Speaker 2: jailers multiple times. So I guess that news didn't leave

1136
00:56:46,840 --> 00:56:50,360
Speaker 2: Stillwater prison. But it is at least something that Marcus

1137
00:56:50,400 --> 00:56:52,080
Speaker 2: saved her until now.

1138
00:56:52,280 --> 00:56:55,040
Speaker 1: Yeah, and to your point, maybe it is Marcus doing

1139
00:56:55,040 --> 00:56:56,920
Speaker 1: a bit of a cover job, just making sure the

1140
00:56:56,960 --> 00:56:59,800
Speaker 1: paperwork from Stillwater just happens to never make it to

1141
00:57:00,160 --> 00:57:00,680
Speaker 1: ghost Desk.

1142
00:57:01,640 --> 00:57:04,160
Speaker 2: All Right. That was the end of our discussion on

1143
00:57:04,239 --> 00:57:09,839
Speaker 2: Ourcane episodes four and five. On tomorrow's episode, Jason and Rosie.

1144
00:57:09,920 --> 00:57:12,520
Speaker 2: We're back to discuss the Greatest Year of Horror nineteen

1145
00:57:12,560 --> 00:57:14,560
Speaker 2: eighty four. A Boo and I will probably not be

1146
00:57:14,600 --> 00:57:16,240
Speaker 2: on that episode because of Boo and I are not

1147
00:57:16,600 --> 00:57:17,680
Speaker 2: we're not horror heads.

1148
00:57:18,160 --> 00:57:19,040
Speaker 1: Too spooky for me.

1149
00:57:19,160 --> 00:57:21,600
Speaker 2: Yeah, not enough imagine dragons, So we really don't have

1150
00:57:21,600 --> 00:57:26,240
Speaker 2: anything to contribute next week. Admitted that next week we'll

1151
00:57:26,240 --> 00:57:29,760
Speaker 2: be back with Penguin episode six on Monday, Agatha episode

1152
00:57:29,840 --> 00:57:32,920
Speaker 2: seven on Tuesday, and Arcane episodes six and seven on Wednesday,

1153
00:57:32,960 --> 00:57:36,400
Speaker 2: and then a very special Halloween episode on Thursday.

1154
00:57:36,640 --> 00:57:38,120
Speaker 1: Thanks for listening, We'll see you next week.

1155
00:57:38,560 --> 00:57:42,120
Speaker 2: Bye.

1156
00:57:43,880 --> 00:57:47,240
Speaker 5: X ray Vision is hosted by Jason Sumsion and Rosie

1157
00:57:47,280 --> 00:57:51,520
Speaker 5: Knight and is a production of iHeart Podcasts. Our executive

1158
00:57:51,520 --> 00:57:55,760
Speaker 5: producers are Joelle Smith and Aaron Kaufman. Our supervising producer

1159
00:57:56,160 --> 00:58:00,840
Speaker 5: is a Boo Zafar. Our producers are Carmen Laurent and

1160
00:58:01,000 --> 00:58:04,440
Speaker 5: Mea Tale. Our theme song is by Brian Basquez.

1161
00:58:04,920 --> 00:58:09,240
Speaker 2: Special thanks to Soul Rubin and Chris Lord. Kenny Goodman

1162
00:58:09,560 --> 00:58:11,640
Speaker 2: and Heidi are Discord moderator