WEBVTT - #112 - Jillian Jacqueline (Part 2)

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<v Speaker 1>Okay, let me talk about Blue Apron before we get

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<v Speaker 1>going here. Blue Apron delivers fresh, preportion ingredients and step

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<v Speaker 1>by step recipes right to your door. They can be

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<v Speaker 1>cooked under forty five minutes. Can I play music I

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<v Speaker 1>have to talk about Blue Apron or no? Yeah? I can. Yeah.

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<v Speaker 1>The menu changes every week based on what's in season

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<v Speaker 1>and designed by Blue Aprons and house culinary team. What

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<v Speaker 1>happens to my house is a box comes to my

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<v Speaker 1>house and it has all the ingredients are all preportioned.

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<v Speaker 1>There's a car that tells me how to make this stuff,

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<v Speaker 1>and then I make it. It's awesome. I have to

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<v Speaker 1>make it right then it can make two days from then.

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<v Speaker 1>I love Blue Apron. You know you listen to the

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<v Speaker 1>Bobby Cast right now. If you go to Blue Apron

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<v Speaker 1>dot com slash Bobby Cast, you two can get thirty

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<v Speaker 1>bucks off your first order. There's the pan fried chicken

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<v Speaker 1>breast with sweet and tangy zucchini. You can make that

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<v Speaker 1>the Italian style shrimp and sweet peppers. Over for goal

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<v Speaker 1>less arta pasta, you can make that the Parmesan crusted

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<v Speaker 1>steaks and mash. But I feel like there's a big

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<v Speaker 1>build up to me the food I don't hear, Yeah,

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<v Speaker 1>are the quick bout yeah yeah? Or listen, there's a

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<v Speaker 1>lot just go look at it. Blue Apron dot Com

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<v Speaker 1>slash Bobby Cast a great sponsor of the Bobby Cast.

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<v Speaker 1>As we get into part two of this, Blue Apron

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<v Speaker 1>is a better way to cook. Thank you for listening.

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<v Speaker 1>I use it. I think it's really fantastic. So as

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<v Speaker 1>we're here, here were you? We are the second part

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<v Speaker 1>of this with Jillian Jacqueline and it was going so

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<v Speaker 1>well the first time, I thought, let's just break it

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<v Speaker 1>up into two, So the first time I've ever done

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<v Speaker 1>a part two with an artist. If you listen to

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<v Speaker 1>this now, check out part one with Jillian because some

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<v Speaker 1>of this may not make sense if you don't hear

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<v Speaker 1>part one, so check that out. In part two, there's

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<v Speaker 1>a whole story that coming up about a monk I'll

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<v Speaker 1>just leave it there, or how she met a monk

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<v Speaker 1>and it changed her course of her life, and it's

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<v Speaker 1>pretty wildly. Let me recommend to you the Red Aikins

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<v Speaker 1>episode and the Morgan Number two episode and the Bobby

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<v Speaker 1>Cast as well. Jake Owen has a good podcast called

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<v Speaker 1>Good Company with Jake Owen. The guys at Whiskey Riff

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<v Speaker 1>have a very fan oriented podcast called Whiskey Riff Raff,

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<v Speaker 1>so check that out. And then new one from Velvet's Edge,

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<v Speaker 1>which is Style Fashion that starts April fourth. So I

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<v Speaker 1>don't know when you hear this, but thank you very much.

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<v Speaker 1>Let's get into episode part number two. There we go,

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<v Speaker 1>Thank you very much. Is episode one last twelve Holy

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<v Speaker 1>keep all right, Jillian Jacqueline, here you go. All right,

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<v Speaker 1>back part two of the Jillian Jacqueline Bobby Cast. You

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<v Speaker 1>like the chairs, I really like them. It's sort of

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<v Speaker 1>one of those chairs where you can't sit up. You

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<v Speaker 1>have to sit back and relax, so you just kind

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<v Speaker 1>of feel like you're doing like an awkward lean back

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<v Speaker 1>and your neck feels weird. But and then all of

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<v Speaker 1>a sudden you've become still relaxed. You just still like

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<v Speaker 1>crying and talking about your mom. People have cried in

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<v Speaker 1>here before. Yeah, yeah, well we talked about this. Um

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<v Speaker 1>let me say this because the last one we left

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<v Speaker 1>off on was I got the weirdest text from Jillian

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<v Speaker 1>before you get to my house, Because first of all,

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<v Speaker 1>I said, hey, if you want to bring your fiance,

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<v Speaker 1>bring them because I like them most of the time

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<v Speaker 1>people to come do this, they may bring somebody if

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<v Speaker 1>I know that very well. Um so a lot of

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<v Speaker 1>times they won't. Sometimes they won't. It just depends. But

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<v Speaker 1>I was like, hey, I like your fiance. If you

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<v Speaker 1>guys are just tell him to come over. I'm cool,

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<v Speaker 1>like I'm going out, yeah, and you're like, no, now

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<v Speaker 1>coming alone. So I said, okay, cool, cool, cool, And

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<v Speaker 1>then you said yeah, but give me water. And I

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<v Speaker 1>was like, you know, this is a newer model home,

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<v Speaker 1>like we have an icebox. That was just me being weird,

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<v Speaker 1>but I just I was really thirsty and I didn't

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<v Speaker 1>know if I should stop at a gas station for

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<v Speaker 1>some water. We had water like bottles water, it's drinks

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<v Speaker 1>in smart water. Yeah I did. I don't I have to.

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<v Speaker 1>I have to peel a lot, usually too much information,

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<v Speaker 1>but I don't want to have to get up. I

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<v Speaker 1>have a whole peeing thing where I try to hydrate

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<v Speaker 1>myself because we're always dehydrated, always humans, always dehydrated, and

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<v Speaker 1>if we don't, even if we don't feel it, we're

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<v Speaker 1>still dehydrated. But if you drink the right amount of water,

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<v Speaker 1>you have to pee all the time, which it keeps

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<v Speaker 1>you up at night and you're not giving the right sleep.

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<v Speaker 1>It's just a mess. I know on plane, this mess

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<v Speaker 1>as you would say that I just made on the floor,

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<v Speaker 1>because yeah, on trains, train, on planes, um and plays,

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<v Speaker 1>you know, you gotta keep drinking water for your skin

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<v Speaker 1>to stay hydrated. But then you have to get up.

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<v Speaker 1>I am always the person on planes who's like everyone's

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<v Speaker 1>like she's walking back there again, like constantly just going

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<v Speaker 1>back to go pe. So do you eyele it? Then

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<v Speaker 1>if you have to be all the time, because if

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<v Speaker 1>you don't aiel it in your windowing it, you have

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<v Speaker 1>to make people move. Yeah, I always try to eyeland. Well.

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<v Speaker 1>The good thing with me and Brian, my fiance, we

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<v Speaker 1>he travels with me because he plays guitar for me,

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<v Speaker 1>so I always have a guaranteed like seat holder. And

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<v Speaker 1>he is one of those people that he goes on

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<v Speaker 1>the app for the UM airline like two days before

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<v Speaker 1>to make sure he has the right seat. I'm not

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<v Speaker 1>that kind of person, but he always makes sure he

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<v Speaker 1>will never sit at the window. That would make him panic.

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<v Speaker 1>So I only said at the window, what if you

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<v Speaker 1>have to climb over? What if they fall asleep? That's

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<v Speaker 1>my worst nightmare. Well, so that happens, and I will

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<v Speaker 1>if I don't know the person, I won't. I'll just

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<v Speaker 1>hold it internally injured myself. I know, well, but most

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<v Speaker 1>of the time I'm not. Might Be always travels with

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<v Speaker 1>me because he produces the radio show on the road

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<v Speaker 1>or he didn't really does that. He does ten minutes

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<v Speaker 1>stand up before I go out, He sell merch, he

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<v Speaker 1>does everything, so he rides and he either was sitting

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<v Speaker 1>aisle or he also knows if I don't want to

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<v Speaker 1>sit by anyone, so he just eliminates the person syndrome.

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<v Speaker 1>He's always feel like somebody's sitting next to me and

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<v Speaker 1>they're sick, and I mean it's sick, I can't do

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<v Speaker 1>the show. Yeah, you wear those little masks, ever I don't, Yes,

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<v Speaker 1>if I think they scare people, So I don't want

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<v Speaker 1>to wear one if I'm sick because I'm worried about

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<v Speaker 1>other people, because I wish they would be worried about me,

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<v Speaker 1>which they're not. I'll cover my mouth. Yeah. When I

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<v Speaker 1>was in Japan, everybody wore them, everybody, and I said,

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<v Speaker 1>this is the greatest culture ever. There's no litter. People

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<v Speaker 1>have on masks. They're kind. I was like an NBA player.

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<v Speaker 1>I was walking around having a duct was on that.

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<v Speaker 1>And I've never been anywhere in my life. I go

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<v Speaker 1>up in Arkansas until I was twenty seven. Any vacation,

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<v Speaker 1>right and ever? Anywhere? Yeah? What did Japan? I was like, what,

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<v Speaker 1>it's a different world. I've never been there. My mom's been.

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<v Speaker 1>She said it was very clean. She said, what you said,

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<v Speaker 1>and she said on like the public transportation. Everyone sits

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<v Speaker 1>like not. They don't touch each other like in New

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<v Speaker 1>York City. They don't get close, and they if they cough,

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<v Speaker 1>you know, the coffer quiet the Yeah, it's amazing. It's

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<v Speaker 1>pretty cool. And I'm tall, Yeah you'd be you'd be average.

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<v Speaker 1>Yeah that's awesome. Oh well, so I went to Thailand

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<v Speaker 1>after college for three months and I was like a

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<v Speaker 1>giant white Wow, just went to Thailand for three months. Yeah. Well,

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<v Speaker 1>I went to Thailand and then Vietnam and Cambodia with

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<v Speaker 1>my mom. She lives in Thailand, so I went with

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<v Speaker 1>her right like literally the day after I graduated college,

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<v Speaker 1>I flew to Bangkok and I lived there. I taught

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<v Speaker 1>English at a school. Yeah, what is happening here? Yeah,

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<v Speaker 1>tell me about this and what's that. What's that experience? Like, Um,

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<v Speaker 1>it's incredible. It was. I got restless after a while

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<v Speaker 1>because I needed something to do. But I randomly met

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<v Speaker 1>this monk when I was like at a temple walking

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<v Speaker 1>around just as a tourist. Yeah, and I it is

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<v Speaker 1>such a weird story. But you know the monks, they

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<v Speaker 1>wear orange robes, but they also carry cellphones like in

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<v Speaker 1>their robes today. This was, I mean how many years ago?

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<v Speaker 1>Seven years ago? So anyway, I this monk came up

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<v Speaker 1>to me and he was like, I had this cell phone.

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<v Speaker 1>He was talking to someone on the phone and he

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<v Speaker 1>handed it to me and this woman he knew I

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<v Speaker 1>was American obviously, and so this woman was on the

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<v Speaker 1>other end of the line and she was like, Hello,

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<v Speaker 1>do you speak English? And I said yes, and she

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<v Speaker 1>said hi, I'm so and so, um, he handed me

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<v Speaker 1>the phone because he knows you can speak English. Um,

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<v Speaker 1>our English teacher just broke her leg. She like tripped

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<v Speaker 1>on the street. Um do you want to teach English

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<v Speaker 1>at our school? I'm not kidding? And I was like,

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<v Speaker 1>um sure, And I actually had wanted to get my

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<v Speaker 1>teaching certificate to teach English. So I was like, the

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<v Speaker 1>gods have like shined down on me, and I just

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<v Speaker 1>did it. I taught these kids at this school at

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<v Speaker 1>the temple for about a month and I had no

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<v Speaker 1>idea what he was doing, but I just kind of

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<v Speaker 1>like so I didn't speak high so all they wanted

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<v Speaker 1>me to do was read them English words. They wanted

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<v Speaker 1>me to read to these kids in English and explain like,

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<v Speaker 1>you know, show a picture of a ug and say bug,

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<v Speaker 1>show a picture of fork and say fork, like that

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<v Speaker 1>kind of thing. They were like six and seven years old.

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<v Speaker 1>So a monk with a cell phone got you a

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<v Speaker 1>job teaching English in Thailand? Is that the greatest story

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<v Speaker 1>you've ever heard in the podcast? But this is the

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<v Speaker 1>point of the story, is he knew I was American

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<v Speaker 1>because I I was massive compared to all these tiny

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<v Speaker 1>Thai people. And I was like sweating all the time

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<v Speaker 1>because I wasn't used to the heat, and you know,

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<v Speaker 1>I yeah, I just like stood out like a sore thumb.

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<v Speaker 1>So I did that, and then um, you know, we

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<v Speaker 1>went to Vietnam and Cambodi and just kind of explored

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<v Speaker 1>and then I honestly I had one of my crying

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<v Speaker 1>on the bathroom floor moments there and I was like

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<v Speaker 1>what am I doing. I have to go back to

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<v Speaker 1>start my life because I just graduated, and I I

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<v Speaker 1>really wanted to get to Nashville. So I I left

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<v Speaker 1>and flew back, and then I was at my dad's

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<v Speaker 1>house for like a couple of weeks, and then he

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<v Speaker 1>flew me down in Nashville with I had like one bag,

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<v Speaker 1>and my sisters already lived here. They were signed to

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<v Speaker 1>Sony Bobby shaming me my mouth noises, That's just how

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<v Speaker 1>I cleared my throat to go before the podcast said, Hey,

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<v Speaker 1>you're popping a bit like the first time. All right,

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<v Speaker 1>all right, I'm very conscious of it now. Um So, anyway,

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<v Speaker 1>my sisters were already living in Nashville, signed to Sony

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<v Speaker 1>as the Luna Bells, and so I moved in with them.

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<v Speaker 1>I like slept on a foodton in my sister's room. No.

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<v Speaker 1>Two older and one younger. So they were a band,

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<v Speaker 1>all of them without you. Um, we grew up in

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<v Speaker 1>a family band to the four of us. Now I

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<v Speaker 1>knew you did that. I knew there was a group,

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<v Speaker 1>a sister dynamic. What are you called, like the Little

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<v Speaker 1>Women or something? Okay, yeah, but wait, how did you

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<v Speaker 1>get disconnected from them? Though? When I was sixteen and

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<v Speaker 1>when our parents around the time that our parents were

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<v Speaker 1>getting divorced. It took a couple of years. I decided

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<v Speaker 1>to leave the band. I wanted to go back to

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<v Speaker 1>high school for two years, and I wanted to do

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<v Speaker 1>my own thing creatively as an artist. So I was

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<v Speaker 1>working with my own producer and um, going to high

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<v Speaker 1>school and yeah, I just kind of exited the family group.

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<v Speaker 1>You left, the group of sisters. Yeah, and then they

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<v Speaker 1>moved to Nashville without me and they got a deal.

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<v Speaker 1>Are you like, what was that thinking? Yeah, for a minute,

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<v Speaker 1>I was pretty like, Wow, would they have let you

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<v Speaker 1>back in? I don't think so. My sister took over

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<v Speaker 1>lead singing and so I band. Yeah, dah yeah, but

0:10:33.880 --> 0:10:36.280
<v Speaker 1>it's all it worked out the way. What are they

0:10:36.280 --> 0:10:39.360
<v Speaker 1>doing now? Um, they're in New York City in l

0:10:39.400 --> 0:10:43.319
<v Speaker 1>A and one of them is a mom. Yeah, oh

0:10:43.360 --> 0:10:46.440
<v Speaker 1>my gosh. My youngest sister, Gaby is an incredible artist.

0:10:46.840 --> 0:10:50.640
<v Speaker 1>She just randomly started painting and she's incredible. I'm not kidding. Like,

0:10:50.679 --> 0:10:56.520
<v Speaker 1>she has an Instagram. It's Gabrielle Luccia. It's Gabriella Luccia, Gabriella,

0:10:56.760 --> 0:11:00.800
<v Speaker 1>Gabriella with one ELM, Gabriella Lucci l u c I

0:11:00.880 --> 0:11:06.920
<v Speaker 1>A and I think it's Gabrielle Lucia Arts. That's her Instagram.

0:11:07.120 --> 0:11:09.199
<v Speaker 1>She's so great, she's she's so good. She was the

0:11:09.280 --> 0:11:12.000
<v Speaker 1>drummer and she's a really good drummer. And honestly, when

0:11:12.040 --> 0:11:15.079
<v Speaker 1>I can, I want to bring her on the road

0:11:15.120 --> 0:11:17.439
<v Speaker 1>with me. I want her to be my drummer. Yeah,

0:11:17.480 --> 0:11:19.640
<v Speaker 1>that would be really cool. But right now she's in

0:11:19.679 --> 0:11:21.319
<v Speaker 1>New York City and she loves it there. And then

0:11:21.760 --> 0:11:24.960
<v Speaker 1>my other sister, Dominique, is in l A. She actually

0:11:25.040 --> 0:11:28.400
<v Speaker 1>dates Shawn Watkins from Nickel Creek and they tour together.

0:11:28.520 --> 0:11:31.880
<v Speaker 1>She plays piano. They make records and they're happy and

0:11:31.920 --> 0:11:34.720
<v Speaker 1>in love and they have chickens and silver Lake very

0:11:34.880 --> 0:11:37.520
<v Speaker 1>l A. That's cool. Yeah, wow, look at you. You You

0:11:37.960 --> 0:11:43.040
<v Speaker 1>leave the sister band where you're the lead singer. What balls? Yeah? Yeah,

0:11:43.080 --> 0:11:48.520
<v Speaker 1>it was time. They were pissed, and my mom was

0:11:48.920 --> 0:11:51.640
<v Speaker 1>pretty upset too because she had sort of been our

0:11:51.640 --> 0:11:54.600
<v Speaker 1>manager for most of our childhood and she didn't want

0:11:54.679 --> 0:11:58.200
<v Speaker 1>us to be broken up. But it started happening more

0:11:58.280 --> 0:12:00.480
<v Speaker 1>so when I was young, because I was with Kenny

0:12:00.559 --> 0:12:03.520
<v Speaker 1>Rogers and his management company only wanted to sign me

0:12:04.080 --> 0:12:06.640
<v Speaker 1>when I was because you were the singer. Yeah, because

0:12:06.679 --> 0:12:09.280
<v Speaker 1>I was the singer and and uh, you know, I

0:12:09.320 --> 0:12:12.600
<v Speaker 1>had started sort of the whole thing. So that sort

0:12:12.640 --> 0:12:15.600
<v Speaker 1>of became an issue because I was getting opportunities on

0:12:15.640 --> 0:12:18.480
<v Speaker 1>my own without them, and I kind of liked that.

0:12:18.760 --> 0:12:20.959
<v Speaker 1>But they were still good enough without you to get

0:12:20.960 --> 0:12:23.120
<v Speaker 1>a record deal. They were great. You guys must have

0:12:23.160 --> 0:12:26.880
<v Speaker 1>been phenomenon. The lead singer and the group. Well, we're

0:12:26.880 --> 0:12:29.760
<v Speaker 1>all very driven, passionate people, and nothing was going to

0:12:29.840 --> 0:12:32.720
<v Speaker 1>stop them. And they were very talented. They are very talented,

0:12:32.800 --> 0:12:35.720
<v Speaker 1>so and they wanted it, you know. So you come,

0:12:36.120 --> 0:12:39.360
<v Speaker 1>first of all, where are you born? Chester Springs, Pennsylvania. Okay,

0:12:39.360 --> 0:12:43.720
<v Speaker 1>so what's Chester Springs, Pensylvania Like. It's a boring suburb

0:12:44.360 --> 0:12:47.440
<v Speaker 1>outside of Philadelphia. It's got a couple of high schools.

0:12:47.480 --> 0:12:50.960
<v Speaker 1>It's like it kind of looks like Franklin, Tennessee when

0:12:51.000 --> 0:12:52.520
<v Speaker 1>you drive out too. So how did you get into

0:12:52.520 --> 0:12:56.640
<v Speaker 1>country music? My mom is from Charleston, South Carolina, and

0:12:56.679 --> 0:12:59.160
<v Speaker 1>she just only ever listened to country, and so from

0:12:59.200 --> 0:13:01.480
<v Speaker 1>the time I was a baby, I mean, we only

0:13:01.480 --> 0:13:03.960
<v Speaker 1>listen to country. Patsy Klein was the first thing I

0:13:04.000 --> 0:13:07.880
<v Speaker 1>heard and then you know, all the nineties country. I

0:13:07.920 --> 0:13:10.719
<v Speaker 1>really didn't grow up with the super traditional, like I

0:13:10.760 --> 0:13:12.880
<v Speaker 1>didn't listen to a lot of Whalen Jennings or Merle

0:13:12.920 --> 0:13:15.560
<v Speaker 1>Haggard or Johnny Cash. I got into that stuff later.

0:13:16.200 --> 0:13:18.280
<v Speaker 1>It was more so nineties like whatever was on the

0:13:18.360 --> 0:13:22.040
<v Speaker 1>radio on like the popular country radio station. So you know,

0:13:22.040 --> 0:13:25.480
<v Speaker 1>Tricia Yearwood and Patty Lovelace and um. I was a

0:13:25.559 --> 0:13:27.800
<v Speaker 1>huge fan of just you know, all of them. I mean,

0:13:27.880 --> 0:13:31.559
<v Speaker 1>Garth Brooks, Trace Adkins, whatever, Dwight Yoakum. You know. So

0:13:31.679 --> 0:13:35.040
<v Speaker 1>you go and you're playing music with your sisters, you're

0:13:35.080 --> 0:13:39.360
<v Speaker 1>being schooled, I'm assuming on the road, yeah, but out

0:13:39.559 --> 0:13:41.440
<v Speaker 1>I mean homeschool feels like you're in the only in

0:13:41.440 --> 0:13:44.439
<v Speaker 1>the house, but you're traveling, right. Yeah. Yeah, we did

0:13:44.480 --> 0:13:47.600
<v Speaker 1>a lot of road tripping. We actually had laptops and

0:13:47.679 --> 0:13:50.680
<v Speaker 1>there was a curriculum on the laptop that we would

0:13:50.720 --> 0:13:53.560
<v Speaker 1>all learn from. Drink water. I think you pulled it up.

0:13:53.600 --> 0:13:56.040
<v Speaker 1>Have a drinking yeah so much. Yeah. No, we were

0:13:56.080 --> 0:13:59.640
<v Speaker 1>all sort of taught to gravitate towards the things that

0:13:59.679 --> 0:14:01.560
<v Speaker 1>we really enjoyed, and we had to obviously do all

0:14:01.559 --> 0:14:04.720
<v Speaker 1>the subjects. But like I loved history and language arts,

0:14:04.760 --> 0:14:06.720
<v Speaker 1>and I wanted to write and read books all day.

0:14:06.760 --> 0:14:10.640
<v Speaker 1>So that's what I did most of the time. Yes,

0:14:10.720 --> 0:14:15.439
<v Speaker 1>I have, I want to. Yeah I will eventually, at

0:14:15.480 --> 0:14:18.600
<v Speaker 1>some point we'll hold up somewhere and start writing everything

0:14:18.640 --> 0:14:23.880
<v Speaker 1>down because my childhood was was pretty insane. So you

0:14:23.880 --> 0:14:26.760
<v Speaker 1>want to write a nonfiction Oh yeah, I want to

0:14:26.800 --> 0:14:31.080
<v Speaker 1>write like my the story. Yeah yeah, it's interesting. I mean,

0:14:31.120 --> 0:14:32.800
<v Speaker 1>maybe not like for anyone else to read, but I

0:14:32.840 --> 0:14:35.400
<v Speaker 1>just want to write. I want to process it though.

0:14:35.400 --> 0:14:38.480
<v Speaker 1>I was talking about this with Brian the other day, Sorry,

0:14:38.520 --> 0:14:42.320
<v Speaker 1>my fiance, and I was saying how I read books

0:14:42.320 --> 0:14:45.920
<v Speaker 1>when I was younger, these autobiographical books by incredible authors,

0:14:46.440 --> 0:14:49.280
<v Speaker 1>and they would describe to me their lives and when

0:14:49.360 --> 0:14:51.240
<v Speaker 1>when they were kids and their parents, and they would

0:14:51.240 --> 0:14:53.920
<v Speaker 1>do it with such reality that I would relate my

0:14:53.960 --> 0:14:56.080
<v Speaker 1>own life to them, and and it would make me

0:14:56.160 --> 0:14:59.040
<v Speaker 1>think about my parents the way they thought about theirs.

0:14:59.040 --> 0:15:01.320
<v Speaker 1>And so I think there's like power to sort of

0:15:01.360 --> 0:15:03.800
<v Speaker 1>telling your story because it encourages other people to think

0:15:03.800 --> 0:15:06.240
<v Speaker 1>about there's that way too. I think you bring up

0:15:06.240 --> 0:15:07.840
<v Speaker 1>a good point and something I didn't learn until I

0:15:07.880 --> 0:15:10.520
<v Speaker 1>actually wrote a book. And I never planned to write

0:15:10.560 --> 0:15:13.480
<v Speaker 1>a book, like a book that adults would read. I

0:15:13.560 --> 0:15:15.920
<v Speaker 1>wanted to write a kid's book, and I put out

0:15:15.920 --> 0:15:18.320
<v Speaker 1>a kid's record and the record was actually pretty good

0:15:18.320 --> 0:15:19.800
<v Speaker 1>for a kid's record. I thought it was, and it

0:15:19.920 --> 0:15:22.360
<v Speaker 1>sold well. Cracker Barrel bought it and they just sold it.

0:15:22.440 --> 0:15:24.520
<v Speaker 1>Cracker Barrel was like it was it was a good

0:15:24.600 --> 0:15:29.040
<v Speaker 1>enough kids record to like matter, and I said, okay, Like,

0:15:29.440 --> 0:15:32.240
<v Speaker 1>I want to provide an influence for children because I

0:15:32.240 --> 0:15:35.360
<v Speaker 1>didn't have many positive influences. And so I started shopping

0:15:35.360 --> 0:15:38.280
<v Speaker 1>this kid's book idea. Nobody wants it. No one knows

0:15:38.280 --> 0:15:39.880
<v Speaker 1>who I am. You're not supposed to. I'm going to

0:15:39.920 --> 0:15:41.440
<v Speaker 1>New York in la office. They don't have think about

0:15:41.440 --> 0:15:44.240
<v Speaker 1>contry music. I don't think about my radio show, nor

0:15:44.320 --> 0:15:46.960
<v Speaker 1>should they. But nope, nope, nope, over and over nope,

0:15:46.960 --> 0:15:50.840
<v Speaker 1>no no, so n no. I'm in the office and

0:15:50.880 --> 0:15:53.280
<v Speaker 1>they say, hey, the idea of the kids book idea.

0:15:53.320 --> 0:15:55.160
<v Speaker 1>There's there's a lot of kids books and they're expensive,

0:15:55.160 --> 0:15:59.080
<v Speaker 1>but you should hire an illustrator. And but your life story,

0:15:59.120 --> 0:16:01.600
<v Speaker 1>we were wicked pitting you tell us about your life story.

0:16:01.600 --> 0:16:04.320
<v Speaker 1>I said, okay, here's what happened. To tell my story.

0:16:04.840 --> 0:16:06.600
<v Speaker 1>So when you write a book about that, And I thought,

0:16:07.920 --> 0:16:10.600
<v Speaker 1>I'll try, but I don't think anybody can relate. And

0:16:10.640 --> 0:16:12.280
<v Speaker 1>I don't think anyone wants to hear my story because

0:16:12.320 --> 0:16:14.640
<v Speaker 1>who cares? That's what I really what I thought, like,

0:16:14.640 --> 0:16:16.800
<v Speaker 1>who's gonna care what I have to say? And so

0:16:16.840 --> 0:16:19.360
<v Speaker 1>I write this book and I'm miserable the whole time.

0:16:21.040 --> 0:16:23.040
<v Speaker 1>No I'm telling you that to me because I haven't

0:16:23.560 --> 0:16:25.520
<v Speaker 1>reliving it sucks, but I you know, I go to

0:16:25.520 --> 0:16:29.240
<v Speaker 1>a therapist for that, and sometimes I just hide it

0:16:29.320 --> 0:16:31.240
<v Speaker 1>and stuff in the hole and doesn't come out. But

0:16:32.000 --> 0:16:34.280
<v Speaker 1>I just felt embarrassed because I thought, here's this book

0:16:34.320 --> 0:16:35.720
<v Speaker 1>that I put a lot of me into that nobody's

0:16:35.720 --> 0:16:37.800
<v Speaker 1>gonna care about because no one's gonna understand that. No

0:16:37.880 --> 0:16:39.960
<v Speaker 1>one's gonna read it. But I would go out too

0:16:39.960 --> 0:16:42.560
<v Speaker 1>shows and listeners will go, hey, you know what, it

0:16:42.640 --> 0:16:45.600
<v Speaker 1>really resonant and it was one of the small details.

0:16:45.600 --> 0:16:47.720
<v Speaker 1>And I thought, knowing what every even, it has to

0:16:47.760 --> 0:16:49.440
<v Speaker 1>be like with music, when you put a song out

0:16:50.240 --> 0:16:53.680
<v Speaker 1>and someone goes, oh that song, I get, this is

0:16:53.680 --> 0:16:55.320
<v Speaker 1>how it relates. And that's what happened to me with

0:16:55.360 --> 0:16:58.040
<v Speaker 1>my book. Did I I just thought it was the

0:16:58.040 --> 0:17:03.600
<v Speaker 1>most uninteresting self and all get times the piece of garbage.

0:17:04.720 --> 0:17:08.720
<v Speaker 1>But it was honest, interesting and I felt horribly embarrassed. Well,

0:17:08.760 --> 0:17:11.400
<v Speaker 1>you're so right, though, Like I don't think we all

0:17:11.440 --> 0:17:16.280
<v Speaker 1>realize how alike we are in our stories, you know.

0:17:16.359 --> 0:17:18.199
<v Speaker 1>I think when we all really start looking at like

0:17:18.240 --> 0:17:21.760
<v Speaker 1>the intricacies of our lives, we all have really weird

0:17:21.760 --> 0:17:23.680
<v Speaker 1>ship going on, and we don't talk about it. We

0:17:23.720 --> 0:17:27.560
<v Speaker 1>don't talk about it, which is but it's not it's

0:17:27.600 --> 0:17:29.560
<v Speaker 1>normal for all of us if we were honest. You

0:17:29.600 --> 0:17:33.560
<v Speaker 1>know that. My second book it's really about that. It's

0:17:33.560 --> 0:17:35.440
<v Speaker 1>about how we don't talk about all the crappy stuff

0:17:35.440 --> 0:17:37.960
<v Speaker 1>we go through, the failures because it's not cool to

0:17:38.000 --> 0:17:42.200
<v Speaker 1>share it, so then we feel like we're doing it alone. Totally. Yeah.

0:17:42.240 --> 0:17:45.560
<v Speaker 1>I talked to Lori McKenna about this, because you know,

0:17:45.720 --> 0:17:48.919
<v Speaker 1>I've always looked at her songs as these like microscopes

0:17:49.080 --> 0:17:52.520
<v Speaker 1>on life and on marriage and family. And she puts

0:17:52.520 --> 0:17:55.000
<v Speaker 1>in all the details like the color of the dress

0:17:55.119 --> 0:17:58.760
<v Speaker 1>and the water coming from the kitchen sink and the

0:17:58.480 --> 0:18:00.680
<v Speaker 1>where where the sun was and whatever the dirt on

0:18:00.720 --> 0:18:04.600
<v Speaker 1>the floor, and it's so specific. That's why it resonates,

0:18:04.640 --> 0:18:07.159
<v Speaker 1>because she's actually painting the picture for you and you

0:18:07.200 --> 0:18:10.800
<v Speaker 1>can see yourself in that story. And um, you know,

0:18:10.880 --> 0:18:15.359
<v Speaker 1>I think sometimes what frustrates me about popular music is

0:18:15.400 --> 0:18:18.280
<v Speaker 1>the lack of color, the lack of truth, Like I

0:18:18.320 --> 0:18:21.520
<v Speaker 1>want to know what you were doing in that moment,

0:18:21.560 --> 0:18:23.560
<v Speaker 1>you know, not just what like anyone can relate to.

0:18:24.160 --> 0:18:27.000
<v Speaker 1>And I'm sorry, I'm trying. I'm pulling this over into songwriting.

0:18:27.000 --> 0:18:30.600
<v Speaker 1>But for me, yeah, I mean for me, that's like,

0:18:31.680 --> 0:18:35.840
<v Speaker 1>you know, that's what I'm always trying to figure out

0:18:35.880 --> 0:18:39.160
<v Speaker 1>how to do better in songs, is to like tell

0:18:39.160 --> 0:18:41.600
<v Speaker 1>people something that no one else could tell them except me,

0:18:41.720 --> 0:18:47.760
<v Speaker 1>but that they will understand. Yeah, that feels hard to do. Yeah,

0:18:47.760 --> 0:18:49.080
<v Speaker 1>I think that's why a few people can do it.

0:18:49.080 --> 0:18:51.040
<v Speaker 1>AT's just such a high level. Yeah, that's why Laurie

0:18:51.119 --> 0:18:53.840
<v Speaker 1>is fantastic at what she does. You know, you hear

0:18:53.840 --> 0:18:57.479
<v Speaker 1>a humbling kind Laura. That's prob girl. I meant, just

0:18:57.520 --> 0:18:59.560
<v Speaker 1>google Laura McKenna and you'll see all the big songs

0:18:59.560 --> 0:19:04.320
<v Speaker 1>she's written. But I think the simplicity yet the depth

0:19:04.359 --> 0:19:07.040
<v Speaker 1>of humble and kind if you can nail them both,

0:19:07.480 --> 0:19:10.360
<v Speaker 1>and she did in that song. She did. She's one

0:19:10.359 --> 0:19:15.560
<v Speaker 1>of the few that her natural instincts have turned into

0:19:16.320 --> 0:19:19.000
<v Speaker 1>hit songs like that. She writes them all by herself,

0:19:19.080 --> 0:19:23.960
<v Speaker 1>and uh, you know it's yeah, that's that's rare because

0:19:24.040 --> 0:19:26.440
<v Speaker 1>that's just what she does, like as an artist herself.

0:19:26.480 --> 0:19:30.639
<v Speaker 1>But when Tim mcgrassings it actually works too, So you know,

0:19:30.760 --> 0:19:33.960
<v Speaker 1>that's an incredible accomplishment. I'm still learning from her all

0:19:33.960 --> 0:19:36.359
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0:19:36.440 --> 0:19:40.040
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0:19:40.040 --> 0:19:42.520
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0:19:42.800 --> 0:19:45.720
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0:19:45.760 --> 0:19:47.359
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0:19:47.400 --> 0:19:49.880
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0:19:49.920 --> 0:19:52.359
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0:19:52.359 --> 0:19:54.159
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0:19:54.160 --> 0:19:57.640
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0:20:29.000 --> 0:20:31.320
<v Speaker 1>bones for an additional ten percent off. You played the

0:20:31.359 --> 0:20:35.239
<v Speaker 1>song here, You've got all of this is reasons. This

0:20:35.320 --> 0:20:38.560
<v Speaker 1>is the one that's making a big play at the

0:20:38.640 --> 0:20:42.119
<v Speaker 1>radio chart right now. So how did you guys decide

0:20:42.160 --> 0:20:44.000
<v Speaker 1>on this song? You have? You know, you go, you

0:20:44.000 --> 0:20:46.679
<v Speaker 1>have this whole packet of songs because you didn't just

0:20:46.720 --> 0:20:49.080
<v Speaker 1>make one and go this is the one. Get a

0:20:49.080 --> 0:20:52.520
<v Speaker 1>whole handful of songs. This was the song I was

0:20:52.640 --> 0:20:56.919
<v Speaker 1>most excited about. Honestly, this song felt really brave and

0:20:57.040 --> 0:21:00.399
<v Speaker 1>bold and production wise, it really excited I did me.

0:21:01.080 --> 0:21:03.080
<v Speaker 1>I felt like tofer and I kind of did something

0:21:03.119 --> 0:21:07.560
<v Speaker 1>that we hadn't done before and it felt like really new. Um,

0:21:07.720 --> 0:21:13.720
<v Speaker 1>it felt like me like I haven't heard I don't

0:21:13.760 --> 0:21:15.399
<v Speaker 1>want to be a quit or. I don't want to

0:21:15.440 --> 0:21:19.639
<v Speaker 1>have to day answer, Like everybody asked me, why what

0:21:19.720 --> 0:21:21.719
<v Speaker 1>do you think hearing this song now? For the time,

0:21:21.760 --> 0:21:24.000
<v Speaker 1>Like what's going through your head? Right? Then it can

0:21:24.000 --> 0:21:25.159
<v Speaker 1>be maybe just want to get out of here? But

0:21:25.200 --> 0:21:31.800
<v Speaker 1>what's going Uh? It feels weird that that's like that

0:21:31.920 --> 0:21:37.400
<v Speaker 1>actually happened to me. What happened to you? Um that

0:21:37.640 --> 0:21:41.719
<v Speaker 1>after being with someone for that long, like it completely

0:21:41.760 --> 0:21:43.879
<v Speaker 1>just like fell apart and then I wrote songs about it.

0:21:43.880 --> 0:21:47.080
<v Speaker 1>I've never been that person. So when I like really

0:21:47.080 --> 0:21:50.639
<v Speaker 1>started writing songs in Nashville, I was dating that person,

0:21:51.200 --> 0:21:55.199
<v Speaker 1>so and I was writing pretty um songs that had

0:21:55.200 --> 0:21:57.359
<v Speaker 1>nothing to do with love. I actually was like, adamantly,

0:21:57.359 --> 0:21:59.640
<v Speaker 1>I don't want to write about relationships. I have other

0:21:59.680 --> 0:22:02.359
<v Speaker 1>things to say. I put out an entire EP that

0:22:02.480 --> 0:22:05.439
<v Speaker 1>was not about love and relationships at all. I was like,

0:22:05.480 --> 0:22:07.040
<v Speaker 1>I'm bored. I don't want I don't want to be

0:22:07.080 --> 0:22:09.639
<v Speaker 1>a female talking about that stuff. So I avoided it

0:22:09.680 --> 0:22:13.720
<v Speaker 1>at all costs. And also, I don't know how to

0:22:13.760 --> 0:22:16.879
<v Speaker 1>say this, but I really didn't have the inspiration to

0:22:16.960 --> 0:22:20.199
<v Speaker 1>write love songs in the relationship that I was in.

0:22:20.480 --> 0:22:22.800
<v Speaker 1>And that sounds harsh, but it's kind of true. I

0:22:22.840 --> 0:22:26.200
<v Speaker 1>just I wasn't there in my heart. So now hearing

0:22:26.240 --> 0:22:30.840
<v Speaker 1>this back and realizing that I literally that happened, and

0:22:30.960 --> 0:22:35.720
<v Speaker 1>that happening to me became the the moment that my

0:22:36.040 --> 0:22:38.960
<v Speaker 1>entire perspective as a songwriter shifted. It was almost like

0:22:40.320 --> 0:22:42.199
<v Speaker 1>it had to happen. It had to happen for me

0:22:42.240 --> 0:22:45.080
<v Speaker 1>to get to where I am now, because I mean,

0:22:45.119 --> 0:22:49.320
<v Speaker 1>those songs wouldn't exist, obviously, and that level of transparency

0:22:49.480 --> 0:22:52.080
<v Speaker 1>in me as an artist wouldn't exist. I mean, I

0:22:52.119 --> 0:22:55.800
<v Speaker 1>put my story into these songs, and he was a

0:22:55.840 --> 0:22:58.359
<v Speaker 1>real person. He is a real person, you know, we

0:22:58.400 --> 0:23:02.320
<v Speaker 1>had a real life together. And oh now it's sad,

0:23:02.359 --> 0:23:04.640
<v Speaker 1>I guess, but it also feels weird that, like all

0:23:04.720 --> 0:23:08.840
<v Speaker 1>these wonderful things have happened in my career because of

0:23:08.880 --> 0:23:14.240
<v Speaker 1>that honesty. Do you feel that your pain has has

0:23:14.560 --> 0:23:18.000
<v Speaker 1>been what's been the catapult of your creativity, so therefore

0:23:18.000 --> 0:23:21.080
<v Speaker 1>you must suffer more pain to create more? Are you

0:23:21.119 --> 0:23:23.679
<v Speaker 1>one of those Well, I agree with the first half.

0:23:24.240 --> 0:23:26.320
<v Speaker 1>I'm still struggling with the second half of what you

0:23:26.400 --> 0:23:29.040
<v Speaker 1>said of I need to suffer more. I think I

0:23:29.119 --> 0:23:31.119
<v Speaker 1>believe that for a long time, I think part of

0:23:31.119 --> 0:23:37.320
<v Speaker 1>me still feels like art is suffering, and um, life

0:23:37.320 --> 0:23:39.840
<v Speaker 1>isn't supposed to be happy, you know. I think life

0:23:39.840 --> 0:23:42.280
<v Speaker 1>is supposed to be interesting. Um, they're supposed to be

0:23:42.320 --> 0:23:44.600
<v Speaker 1>happy moments. But I think I've always sort of found

0:23:44.600 --> 0:23:48.399
<v Speaker 1>this beauty in like the very dark stuff. And uh,

0:23:49.160 --> 0:23:53.680
<v Speaker 1>I'm trying to figure out if if I know how

0:23:53.720 --> 0:23:58.040
<v Speaker 1>to be an artist without without the heavy stuff. You know,

0:23:58.480 --> 0:24:00.879
<v Speaker 1>I'm a big believer that pain is the only reason

0:24:00.880 --> 0:24:03.199
<v Speaker 1>that I'm able to do anything creative. And it's a

0:24:03.200 --> 0:24:04.719
<v Speaker 1>bad place, and I'm told I have to get out

0:24:04.760 --> 0:24:08.960
<v Speaker 1>of the Yeah, I probably do too, But again, Adele

0:24:09.040 --> 0:24:11.600
<v Speaker 1>is Adele for a reason. I mean, we love listening

0:24:11.600 --> 0:24:15.920
<v Speaker 1>to her sing about her heartbreak because it feels so

0:24:16.040 --> 0:24:19.199
<v Speaker 1>raw and real when she does it. So I I

0:24:19.240 --> 0:24:22.040
<v Speaker 1>have argued that for a long time that all of

0:24:22.080 --> 0:24:25.680
<v Speaker 1>the greatest people in the world were so tortured, I mean,

0:24:25.680 --> 0:24:28.320
<v Speaker 1>the greatest of anything that they could do. The artists,

0:24:28.400 --> 0:24:31.760
<v Speaker 1>you know, the painters, the singers, the writers were i

0:24:31.800 --> 0:24:36.159
<v Speaker 1>mean alcoholics and just completely miserable for most of their existence.

0:24:36.320 --> 0:24:39.679
<v Speaker 1>Why maybe, because that level of suffering allows you to

0:24:39.720 --> 0:24:43.800
<v Speaker 1>tap into like the most real form of being a human.

0:24:44.240 --> 0:24:45.760
<v Speaker 1>I have this argument with one of my friends. All

0:24:45.760 --> 0:24:49.000
<v Speaker 1>the time that I think to be truly different and creative,

0:24:49.119 --> 0:24:50.879
<v Speaker 1>something has to be off about you or you're not

0:24:50.920 --> 0:24:54.040
<v Speaker 1>able to produce something that's off. What do your friends say? No, no, no,

0:24:54.119 --> 0:24:56.000
<v Speaker 1>he's he says, no, man, you can just be really

0:24:56.000 --> 0:24:59.040
<v Speaker 1>good at something. So yeah, there's a difference. Yeah. I

0:24:59.080 --> 0:25:01.199
<v Speaker 1>think in order to do something that's off, you have

0:25:01.320 --> 0:25:04.400
<v Speaker 1>to kind of be off someone from a well adjusted

0:25:05.400 --> 0:25:08.920
<v Speaker 1>with no sign of mental illness. Because I think I

0:25:08.960 --> 0:25:11.080
<v Speaker 1>have a bit of that, like I really do. And

0:25:11.240 --> 0:25:13.320
<v Speaker 1>I don't say it's a stigma because I I what

0:25:13.359 --> 0:25:16.639
<v Speaker 1>do you mean? I think that you have to produce

0:25:16.640 --> 0:25:19.520
<v Speaker 1>something that's different. You have to be different, and something

0:25:19.560 --> 0:25:21.199
<v Speaker 1>has to be affecting that different. It could be how

0:25:21.200 --> 0:25:23.680
<v Speaker 1>you're going up, It could be something chemically, it could

0:25:23.680 --> 0:25:26.480
<v Speaker 1>be something you put in yourself with chemicals. But I

0:25:26.520 --> 0:25:29.040
<v Speaker 1>think that to put out different, you have to be different.

0:25:30.400 --> 0:25:32.159
<v Speaker 1>And he just doesn't agree. No, No, a lot of

0:25:32.200 --> 0:25:35.119
<v Speaker 1>well adjusted Uh you know, yeah, I would agree with

0:25:35.160 --> 0:25:39.680
<v Speaker 1>you on that. I think that people people that have

0:25:39.760 --> 0:25:43.680
<v Speaker 1>something a little bit off or unique, or they just

0:25:43.960 --> 0:25:46.680
<v Speaker 1>seem sort of like hell bent to make their life

0:25:46.680 --> 0:25:51.240
<v Speaker 1>really difficult. Those are the people that are crazy enough

0:25:51.920 --> 0:25:55.679
<v Speaker 1>to really sit in like the ship of life. Like

0:25:55.720 --> 0:25:57.600
<v Speaker 1>they will sit there and they will think about it,

0:25:57.640 --> 0:25:59.400
<v Speaker 1>and they will write about it, and they will cry

0:25:59.480 --> 0:26:02.240
<v Speaker 1>about it, and I will feel it or they'll like

0:26:02.359 --> 0:26:06.199
<v Speaker 1>do something to know how much they feel it. But

0:26:06.280 --> 0:26:09.240
<v Speaker 1>it has to be an extreme one way or the other. Yeah.

0:26:09.280 --> 0:26:11.120
<v Speaker 1>I think it's hard to produce something different if you're

0:26:11.160 --> 0:26:15.439
<v Speaker 1>not different. And I think that it's hard to actually

0:26:15.440 --> 0:26:20.199
<v Speaker 1>talk about the difficulties without having been in them. You know.

0:26:20.280 --> 0:26:23.840
<v Speaker 1>I if I go, let's say I'm getting married, I'm

0:26:23.840 --> 0:26:25.480
<v Speaker 1>not gonna go to a priest. It's never been married.

0:26:26.240 --> 0:26:28.359
<v Speaker 1>And I have this problem with therapist. If they haven't

0:26:28.359 --> 0:26:31.520
<v Speaker 1>been through some real garbage times, how are they going

0:26:31.560 --> 0:26:34.160
<v Speaker 1>to understand what I've been through? And I don't think

0:26:34.160 --> 0:26:35.720
<v Speaker 1>I've been to the worst, but I need someone that

0:26:35.800 --> 0:26:39.040
<v Speaker 1>can only understand which So do you like vet them

0:26:39.840 --> 0:26:42.400
<v Speaker 1>sit down? So what's your childhood? Like you can laugh

0:26:42.400 --> 0:26:44.680
<v Speaker 1>at that's exactly where. Yeah, And they don't want to

0:26:44.680 --> 0:26:46.919
<v Speaker 1>share a lot of times, but that's okay. I can

0:26:46.960 --> 0:26:48.919
<v Speaker 1>feel them out because I need to know how they

0:26:48.960 --> 0:26:51.440
<v Speaker 1>grew up, because how are they going to understand me

0:26:53.160 --> 0:26:55.800
<v Speaker 1>if they don't understand what I've come from? Again, not

0:26:55.880 --> 0:26:58.119
<v Speaker 1>the best not the worst. So you don't think like

0:26:58.200 --> 0:27:02.960
<v Speaker 1>a healthy objective viewpoint is necessary. I think healthy is relative. Yeah,

0:27:03.000 --> 0:27:05.280
<v Speaker 1>I guess you're right. I think healthy is completely relative.

0:27:05.320 --> 0:27:07.480
<v Speaker 1>And I don't think anyone really has a healthy viewpoint

0:27:07.640 --> 0:27:10.399
<v Speaker 1>an objective, yes, and that's why I go. But I

0:27:10.440 --> 0:27:13.560
<v Speaker 1>don't think anyone's healthy. I don't think that exists. Well,

0:27:13.600 --> 0:27:15.760
<v Speaker 1>I think a good therapist should be able to tell

0:27:15.800 --> 0:27:18.359
<v Speaker 1>you about their stuff, like I think they should divulge

0:27:18.640 --> 0:27:22.240
<v Speaker 1>and not make you feel so alone. So with me, now,

0:27:22.280 --> 0:27:24.560
<v Speaker 1>I'm have a guy, I'm not I can't stay with

0:27:24.560 --> 0:27:26.879
<v Speaker 1>a guy and he's fantastic. I just I grew up

0:27:26.920 --> 0:27:29.800
<v Speaker 1>with a mom. Then I was adopting my grandma for

0:27:29.800 --> 0:27:32.560
<v Speaker 1>a bit, and my mom left and my mom, uh

0:27:32.640 --> 0:27:34.000
<v Speaker 1>my grandma had me, and then I had a bunch

0:27:34.000 --> 0:27:37.359
<v Speaker 1>of sisters. So only I'm comfortable with women. So to

0:27:37.440 --> 0:27:40.399
<v Speaker 1>talk to a dude is so uncomfortable for me, and

0:27:40.440 --> 0:27:43.320
<v Speaker 1>it's not fair to him. But if I can't feel

0:27:43.640 --> 0:27:48.840
<v Speaker 1>like in a safe spot, yeah, you're gonna have a

0:27:48.880 --> 0:27:53.080
<v Speaker 1>break up coming, I know, but I don't. I just

0:27:53.119 --> 0:27:58.160
<v Speaker 1>don't feel comfortable. It's and I have trouble anyway connecting. Yeah, Well,

0:27:58.400 --> 0:28:02.040
<v Speaker 1>I lie in my song last night, This song I played,

0:28:02.359 --> 0:28:06.160
<v Speaker 1>um tragic. You know, it says I found a cheap therapist.

0:28:06.240 --> 0:28:09.480
<v Speaker 1>I haven't. I don't. I went to someone like two

0:28:09.480 --> 0:28:13.120
<v Speaker 1>times and she's awesome, but I have yet to find

0:28:13.119 --> 0:28:15.679
<v Speaker 1>like an actual therapist that I want. Though, until you

0:28:15.720 --> 0:28:19.720
<v Speaker 1>spend five times with them, you just didn't go enough. Yeah,

0:28:20.000 --> 0:28:21.879
<v Speaker 1>you just, I mean really well, I'm the kind of

0:28:21.920 --> 0:28:23.920
<v Speaker 1>person I walk in there and I'm like, okay, beyond

0:28:23.920 --> 0:28:26.520
<v Speaker 1>your best behavior, just say all the right things, like

0:28:26.560 --> 0:28:30.200
<v Speaker 1>I try to win them over. Like that's so counterproductive

0:28:30.240 --> 0:28:33.280
<v Speaker 1>to what's happening here. It's like dating or a reality show,

0:28:33.400 --> 0:28:36.159
<v Speaker 1>meaning eventually the cameras are just there at first, like

0:28:36.480 --> 0:28:38.600
<v Speaker 1>cameras there. We gotta be act a certain ways that

0:28:38.720 --> 0:28:42.760
<v Speaker 1>eventually you're just on the real world and the cameras

0:28:42.760 --> 0:28:45.320
<v Speaker 1>are there and it's just a part of life. Yeah.

0:28:45.440 --> 0:28:50.200
<v Speaker 1>I found that if I don't invest time and dating them,

0:28:50.360 --> 0:28:51.800
<v Speaker 1>how am I going to marry them? So I have

0:28:51.920 --> 0:28:54.920
<v Speaker 1>to date. And it's what's the longest relationship you've had

0:28:54.920 --> 0:28:59.720
<v Speaker 1>with a therapist? Probably four years? And I moved from

0:28:59.760 --> 0:29:02.920
<v Speaker 1>all and I still would FaceTime and then it was

0:29:03.000 --> 0:29:06.000
<v Speaker 1>just like a long distance relationship with face and then

0:29:06.040 --> 0:29:09.640
<v Speaker 1>I just so you know, you needed the physical concept.

0:29:09.840 --> 0:29:12.840
<v Speaker 1>I needed to be held accountable and on FaceTime, you're

0:29:12.840 --> 0:29:15.680
<v Speaker 1>not held accountable. And this other guy went too, was younger.

0:29:15.800 --> 0:29:19.240
<v Speaker 1>He's like a fe years younger than Yeah. I was like,

0:29:19.760 --> 0:29:23.880
<v Speaker 1>you're talking about you younger than I felt like going, hey, dude,

0:29:24.240 --> 0:29:27.000
<v Speaker 1>I'll call the shots here. I'm a few years older. Yeah,

0:29:27.360 --> 0:29:29.640
<v Speaker 1>this session is over. Well. I kind of always feel

0:29:29.680 --> 0:29:33.320
<v Speaker 1>like I have the worst, darkest thoughts that I could

0:29:33.360 --> 0:29:35.360
<v Speaker 1>tell no one, and I don't. I don't want to

0:29:35.400 --> 0:29:37.840
<v Speaker 1>be sitting across from this person thinking, oh my god,

0:29:37.840 --> 0:29:40.520
<v Speaker 1>if they knew that what I've thought, like, that would

0:29:40.560 --> 0:29:42.920
<v Speaker 1>be horrible. Like I I need to be with someone

0:29:43.000 --> 0:29:45.800
<v Speaker 1>that can get in the trenches with me, which they

0:29:45.800 --> 0:29:48.400
<v Speaker 1>need to understand. She's back to my point. Yeah, you

0:29:48.400 --> 0:29:50.840
<v Speaker 1>don't want someone that has never been in the trenches

0:29:50.880 --> 0:29:54.080
<v Speaker 1>to get in the trenches, right, Yeah, that's true. But

0:29:54.520 --> 0:29:56.680
<v Speaker 1>you know, I don't listen. I don't know you're meant

0:29:56.880 --> 0:29:59.680
<v Speaker 1>I have to go to someone sometimes just no, I

0:29:59.680 --> 0:30:02.640
<v Speaker 1>should probably going regularly with the way my life is

0:30:02.760 --> 0:30:06.600
<v Speaker 1>right now, there's a lot of things changing and happening,

0:30:06.640 --> 0:30:09.000
<v Speaker 1>and you know, I'm one of those people where I

0:30:09.080 --> 0:30:11.800
<v Speaker 1>will go until I break, like until I have to

0:30:11.800 --> 0:30:13.960
<v Speaker 1>be in bed for a full day because I can't function,

0:30:14.240 --> 0:30:17.080
<v Speaker 1>Like I will do that just because have you done

0:30:17.080 --> 0:30:20.160
<v Speaker 1>the angiogram? No, but everybody talks about it, right, Well,

0:30:20.160 --> 0:30:24.200
<v Speaker 1>you're definitely a three, So I'm a three anyway. I

0:30:25.760 --> 0:30:28.240
<v Speaker 1>we are the achiever, but I'm pretty sure you're three.

0:30:28.440 --> 0:30:31.720
<v Speaker 1>But like the three is so good at when everything's

0:30:31.760 --> 0:30:34.640
<v Speaker 1>busy and there's chaos and lots going on, we're like, yes,

0:30:34.880 --> 0:30:39.440
<v Speaker 1>like coasting, so happy, functional, yes, But the minute that

0:30:39.560 --> 0:30:43.360
<v Speaker 1>something changes from that, we panic and we like spiral

0:30:43.640 --> 0:30:47.040
<v Speaker 1>so fast and we just crave like busy, busy, busy,

0:30:47.080 --> 0:30:50.160
<v Speaker 1>always busy. And so to actually have to look ourselves

0:30:50.160 --> 0:30:54.520
<v Speaker 1>in the mirror and like think about ourselves and our

0:30:54.560 --> 0:30:57.960
<v Speaker 1>lives is so painful. Like I can't meditate to save

0:30:58.120 --> 0:31:01.080
<v Speaker 1>my life. I have tried and tried. You it's so

0:31:01.120 --> 0:31:03.760
<v Speaker 1>hard for me. Yeah, I just ended turning TV LAMB

0:31:03.760 --> 0:31:06.200
<v Speaker 1>back on, and I'm like a screw it, turned mom

0:31:06.280 --> 0:31:10.040
<v Speaker 1>or friends back on because I've tried. It's really hard.

0:31:10.120 --> 0:31:12.320
<v Speaker 1>I had a terrible PTSD. I've been robbed and jumped

0:31:12.320 --> 0:31:16.080
<v Speaker 1>a few times, and so just in different places with work,

0:31:16.160 --> 0:31:17.800
<v Speaker 1>people have put guns to my head and you know,

0:31:17.920 --> 0:31:20.640
<v Speaker 1>just a man, I've had some crazy experience and it

0:31:20.800 --> 0:31:23.040
<v Speaker 1>really eff me up. Yeah, I've never had that, and

0:31:23.120 --> 0:31:25.520
<v Speaker 1>so I couldn't sleep for years, and now I got

0:31:25.600 --> 0:31:27.840
<v Speaker 1>addicted sleeping bills because it's the only way I was sleeping.

0:31:28.760 --> 0:31:31.080
<v Speaker 1>And so I was like, okay, I'm just gonna meditate.

0:31:31.400 --> 0:31:35.080
<v Speaker 1>I'm gonna turn everything off. I'm gonna set like Buddha does.

0:31:36.520 --> 0:31:39.280
<v Speaker 1>And I tried. I like I swear to god, I tried. Yeah,

0:31:39.400 --> 0:31:41.320
<v Speaker 1>I tried as hard as I effort, and I would

0:31:41.320 --> 0:31:43.680
<v Speaker 1>go okay, and I would try to find my place

0:31:43.760 --> 0:31:45.880
<v Speaker 1>and just center on it, and then all of a sudden, well,

0:31:45.880 --> 0:31:47.760
<v Speaker 1>I stick fifteen tomorrow, I gonna do this, and I okay,

0:31:47.760 --> 0:31:51.320
<v Speaker 1>stop it, stop, push everything back away, and then all

0:31:51.320 --> 0:31:53.600
<v Speaker 1>of a sudden, what a my friends, my dogs up

0:31:53.840 --> 0:31:57.320
<v Speaker 1>on Twitter. I couldn't focus. I know, I feel you.

0:31:57.440 --> 0:31:59.360
<v Speaker 1>I'm the same way. I don't know what it's going

0:31:59.400 --> 0:32:01.560
<v Speaker 1>to take, but someday I will crack that meditation. I

0:32:01.600 --> 0:32:06.240
<v Speaker 1>just don't think you are, because because we're about the

0:32:06.280 --> 0:32:12.560
<v Speaker 1>rays on the idio idiot scam what's it called. That's amazing? No,

0:32:12.760 --> 0:32:15.000
<v Speaker 1>I say that too, but you've already shown with your

0:32:15.040 --> 0:32:19.640
<v Speaker 1>lack of commitment to a therapist. That chaos. You're like me,

0:32:19.760 --> 0:32:21.959
<v Speaker 1>you chase chaos. I do sort of believe that if

0:32:21.960 --> 0:32:24.480
<v Speaker 1>I get like healthy, like whatever healthy is, I won't

0:32:24.560 --> 0:32:26.720
<v Speaker 1>have Yeah, I like won't know who I am any

0:32:26.960 --> 0:32:28.680
<v Speaker 1>This is what I just asked you do. You have

0:32:28.760 --> 0:32:31.800
<v Speaker 1>to be in a bad place and that doesn't mean relationship.

0:32:32.080 --> 0:32:34.560
<v Speaker 1>But you're answering all the questions like five paragraphs later.

0:32:34.880 --> 0:32:37.080
<v Speaker 1>I can't help it. I'm a rambler. No, it's not

0:32:37.760 --> 0:32:40.880
<v Speaker 1>fashion radio talk. You're talking yourself into answers. You just

0:32:40.960 --> 0:32:45.560
<v Speaker 1>said way later that you need this crap and if

0:32:45.560 --> 0:32:48.120
<v Speaker 1>you don't have it, yes, you have to go find it.

0:32:48.360 --> 0:32:50.920
<v Speaker 1>So what you just said, like the way you just

0:32:50.960 --> 0:32:53.880
<v Speaker 1>described how I answer things is the way I live

0:32:53.960 --> 0:32:56.760
<v Speaker 1>my life. I think I have it all figured out,

0:32:56.800 --> 0:32:59.240
<v Speaker 1>but I'm going through it and then years later it's

0:32:59.280 --> 0:33:02.959
<v Speaker 1>like late Lumor times a thousand, I'm like, oh, oh,

0:33:03.000 --> 0:33:05.680
<v Speaker 1>I get it now. Okay, that's embarrassing that that took

0:33:05.720 --> 0:33:10.600
<v Speaker 1>me that long. Like, I don't my processing is it's

0:33:10.800 --> 0:33:15.640
<v Speaker 1>very meandering, But you know I get there eventually. Isn't

0:33:15.680 --> 0:33:19.840
<v Speaker 1>that all the matters that you get there eventually? I

0:33:19.960 --> 0:33:24.400
<v Speaker 1>need to do a commercial anything quickly? No good, Okay,

0:33:26.400 --> 0:33:29.040
<v Speaker 1>this is bleacher. This one feels I've been different than

0:33:29.040 --> 0:33:30.520
<v Speaker 1>the rest of the record. Would you agree with that

0:33:30.920 --> 0:33:34.640
<v Speaker 1>than the rest of the the body of music? Yeah,

0:33:34.760 --> 0:33:40.040
<v Speaker 1>and maybe just because it feels super happy. Yeah, this

0:33:40.120 --> 0:33:44.040
<v Speaker 1>is probably maybe like alter ego song, But that part

0:33:44.040 --> 0:33:46.520
<v Speaker 1>of me exists, you know, I have that, and there

0:33:46.560 --> 0:33:48.800
<v Speaker 1>are a lot of songs coming on the rest of

0:33:48.840 --> 0:33:52.200
<v Speaker 1>the album that I feel like that. Uh, you know,

0:33:52.200 --> 0:33:54.520
<v Speaker 1>because there's songs like Holier than Thou too that sort

0:33:54.560 --> 0:33:58.760
<v Speaker 1>of have a sense of humor. But um, yeah, that's

0:33:58.800 --> 0:34:01.000
<v Speaker 1>that's part of me. There's a I mean I've always

0:34:01.080 --> 0:34:03.239
<v Speaker 1>argued this about artists because it wasn't a bad thing.

0:34:03.240 --> 0:34:06.240
<v Speaker 1>I was making an observation when I listened to the record,

0:34:06.280 --> 0:34:10.120
<v Speaker 1>It's like, because I love sad music too, It's all

0:34:10.160 --> 0:34:12.480
<v Speaker 1>I listened to. If I'm picking the music, it's all

0:34:12.480 --> 0:34:14.279
<v Speaker 1>sad music. So I think that's why. I also was

0:34:14.600 --> 0:34:17.480
<v Speaker 1>like down with your sound, was like this is it?

0:34:17.560 --> 0:34:19.640
<v Speaker 1>I love it, and then Bleachers comes on. I'm like

0:34:21.840 --> 0:34:25.799
<v Speaker 1>next time. I think it's a great song. But it

0:34:25.880 --> 0:34:30.360
<v Speaker 1>was just different than the risk, Like sonically it is different.

0:34:30.560 --> 0:34:32.960
<v Speaker 1>We had fun with it. Yeah, how I got funky.

0:34:33.400 --> 0:34:34.879
<v Speaker 1>I like it. You made me feel like I said

0:34:34.880 --> 0:34:36.600
<v Speaker 1>I I never said anything about it. I don't know

0:34:36.640 --> 0:34:39.360
<v Speaker 1>how to do whatever it's Yeah, I'm glad you like it.

0:34:39.440 --> 0:34:42.799
<v Speaker 1>I do like I do. Know that song is sort

0:34:42.840 --> 0:34:46.920
<v Speaker 1>of um one of those we do. Yeah, we play

0:34:46.960 --> 0:34:48.640
<v Speaker 1>it love with the full band. We really can't do

0:34:48.680 --> 0:34:50.360
<v Speaker 1>it like any other way. Maybe that's why, because I

0:34:50.360 --> 0:34:51.920
<v Speaker 1>haven't heard you play it. Yeah, we can't do it

0:34:51.920 --> 0:34:56.080
<v Speaker 1>with just guitar guitarists. We need rhythm, so don't we all?

0:34:57.080 --> 0:34:59.239
<v Speaker 1>Don't we all need rhythm? Speaking of I don't have any,

0:34:59.400 --> 0:35:01.880
<v Speaker 1>but no, somehow I make it. Can't dance it all.

0:35:03.239 --> 0:35:06.040
<v Speaker 1>It's weird. You know that only a few what dancing

0:35:06.120 --> 0:35:09.720
<v Speaker 1>is considered in society. I can't do. You don't have rhythm?

0:35:10.400 --> 0:35:14.920
<v Speaker 1>You can dance? Do you dance in public? Yeah? If

0:35:14.920 --> 0:35:17.280
<v Speaker 1>I've had like a few, that's all the matters really

0:35:17.440 --> 0:35:22.719
<v Speaker 1>at this point in our lives. Who cares? So you'll dance? Oh? Yeah? Good? Yeah?

0:35:23.080 --> 0:35:27.399
<v Speaker 1>I mean I used to be really good dancing. Yeah yeah, yeah,

0:35:27.600 --> 0:35:30.560
<v Speaker 1>Like what do you mean I have decent rhythm? Like

0:35:31.280 --> 0:35:34.560
<v Speaker 1>hip hop moves? Or I mean, aren't they all the same? No,

0:35:34.600 --> 0:35:38.240
<v Speaker 1>I don't have I did take countryline dancing to meet girls,

0:35:38.520 --> 0:35:41.120
<v Speaker 1>and then it was all I was what kind of girls?

0:35:41.280 --> 0:35:43.319
<v Speaker 1>First of all, I was twenty one years old, right.

0:35:43.840 --> 0:35:46.440
<v Speaker 1>Second of all, I thought it would be it was

0:35:46.440 --> 0:35:48.840
<v Speaker 1>a college class. I was in college. And then it

0:35:48.880 --> 0:35:51.040
<v Speaker 1>turns out they were all non traditional students that came back,

0:35:51.040 --> 0:35:53.399
<v Speaker 1>so they were all like forty year olds. They would come.

0:35:53.719 --> 0:35:57.640
<v Speaker 1>I didn't meet. It was all moms. So I lined

0:35:57.719 --> 0:36:00.600
<v Speaker 1>dance with with Yeah, it was not, but I gotta a.

0:36:00.760 --> 0:36:05.879
<v Speaker 1>I was good. I gotta a for effort. That's awesome. Yeah,

0:36:05.880 --> 0:36:08.160
<v Speaker 1>but I'll dance a little bit. But I grew up.

0:36:08.760 --> 0:36:12.080
<v Speaker 1>I went to h Yeah, I went to score. We

0:36:12.239 --> 0:36:16.239
<v Speaker 1>dance a lot. Wow. Yeah, I mean like the hip thing,

0:36:16.480 --> 0:36:18.320
<v Speaker 1>like you know when people can do stuff with their hips.

0:36:18.400 --> 0:36:21.279
<v Speaker 1>I can't do that. I've lost a bit of I

0:36:21.400 --> 0:36:23.719
<v Speaker 1>lost half step. But yeah, I think if I got

0:36:23.719 --> 0:36:25.400
<v Speaker 1>back into it, i'd be pretty good. Yeah. I should

0:36:25.440 --> 0:36:27.440
<v Speaker 1>probably take some like salsa lessons or something. But you

0:36:27.440 --> 0:36:29.120
<v Speaker 1>won't you go want to be like, yeah, I'm good.

0:36:30.239 --> 0:36:32.000
<v Speaker 1>Something I would do? Yeah, you got me figured out. Yeah,

0:36:32.040 --> 0:36:35.440
<v Speaker 1>I'm probably go to the next thing. What about this?

0:36:35.480 --> 0:36:48.000
<v Speaker 1>If I played this song here? So game I figured out, Wait,

0:36:48.280 --> 0:36:57.440
<v Speaker 1>and where's to change and catch my next hard like mine?

0:37:03.440 --> 0:37:06.759
<v Speaker 1>Do you know what you do? So I will like it.

0:37:08.719 --> 0:37:10.960
<v Speaker 1>There's one move in there that so signats are like

0:37:11.040 --> 0:37:20.360
<v Speaker 1>of that person. I feel like, okay, so too good.

0:37:20.400 --> 0:37:21.840
<v Speaker 1>I mean if it's hard to hear it with you,

0:37:21.880 --> 0:37:27.440
<v Speaker 1>but it sounds like yes, okay, yeah, So what's up

0:37:27.480 --> 0:37:29.520
<v Speaker 1>that song? Yeah? So that was the first song I

0:37:29.600 --> 0:37:32.759
<v Speaker 1>released as an artist after moving to Nashville. And this

0:37:32.840 --> 0:37:35.960
<v Speaker 1>was like at the beginning of like Spotify and everything.

0:37:36.080 --> 0:37:40.040
<v Speaker 1>So I just randomly put it out and didn't have

0:37:40.040 --> 0:37:41.920
<v Speaker 1>any I didn't have publishing, I didn't have anything, and

0:37:41.960 --> 0:37:44.400
<v Speaker 1>I just I wrote it with tofur and I was

0:37:44.440 --> 0:37:49.040
<v Speaker 1>working with Richard Marx at the time, like yeah, yeah,

0:37:49.480 --> 0:37:51.560
<v Speaker 1>he was doing some stuff here in town, and so

0:37:51.640 --> 0:37:53.920
<v Speaker 1>I was introduced to him through a mutual friend and

0:37:53.960 --> 0:37:56.239
<v Speaker 1>he heard me, and I guess he was looking for

0:37:56.280 --> 0:37:58.319
<v Speaker 1>a project to produce, and so he was like, hey,

0:37:58.360 --> 0:38:01.120
<v Speaker 1>do you want to do something? So we did five songs.

0:38:01.160 --> 0:38:03.960
<v Speaker 1>That was one of them, and the intent was to

0:38:04.080 --> 0:38:06.359
<v Speaker 1>like pitch two labels and get me a record deal,

0:38:06.400 --> 0:38:09.440
<v Speaker 1>which never happened. But um, he was friends with Vince

0:38:09.480 --> 0:38:13.600
<v Speaker 1>and so he asked Vince if he would sing backgroundvocason

0:38:13.640 --> 0:38:15.640
<v Speaker 1>and Vince said yes, and then we got to write

0:38:15.680 --> 0:38:20.799
<v Speaker 1>together and that was amazing. Yeah, but that song is

0:38:20.840 --> 0:38:23.759
<v Speaker 1>just really special to me because I mean, obviously Vince

0:38:23.840 --> 0:38:26.680
<v Speaker 1>is on it, but that song was very true at

0:38:26.680 --> 0:38:29.440
<v Speaker 1>the time, and um, you know, I really I have

0:38:29.520 --> 0:38:32.160
<v Speaker 1>to say I appreciate about that song that we were

0:38:32.160 --> 0:38:36.440
<v Speaker 1>talking earlier about the pain with my breakup inspiring all

0:38:36.480 --> 0:38:39.680
<v Speaker 1>these songs on Sidday. That song right there proved to

0:38:39.760 --> 0:38:44.399
<v Speaker 1>me that the narrative you know, already existed before all

0:38:44.440 --> 0:38:47.040
<v Speaker 1>that happened. Because that song feels like me still, like

0:38:47.080 --> 0:38:48.839
<v Speaker 1>if I play it at a show, like and people

0:38:48.840 --> 0:38:50.839
<v Speaker 1>asked me to play it, yeah, and you're not too

0:38:50.880 --> 0:38:57.440
<v Speaker 1>cool to play it's cool. So I did want to

0:38:57.440 --> 0:39:00.800
<v Speaker 1>bring this up. By the way, stream Jillian music, download

0:39:00.800 --> 0:39:02.640
<v Speaker 1>of music, go to a show, who you're out with

0:39:02.680 --> 0:39:04.800
<v Speaker 1>that you have a cool tour Hull this year. Yeah,

0:39:04.920 --> 0:39:09.160
<v Speaker 1>Well next we can we go out with Thomas Rhetts time. Yeah,

0:39:09.239 --> 0:39:11.680
<v Speaker 1>and then we do the Brett Eldridge tour with Devin Dawson,

0:39:12.080 --> 0:39:14.560
<v Speaker 1>which is like going to be my first actual tour

0:39:14.760 --> 0:39:18.000
<v Speaker 1>like night after night playing cities and with my band.

0:39:18.080 --> 0:39:22.000
<v Speaker 1>So I'm very very excited. That's cool. Yeah, especially with

0:39:22.000 --> 0:39:25.720
<v Speaker 1>with Tom's Rhett, like he's notoriously good to his opening

0:39:25.719 --> 0:39:29.120
<v Speaker 1>acts really like super Yeah, that's he's a good dude though,

0:39:29.400 --> 0:39:31.080
<v Speaker 1>And I feel like he's a good dude. We haven't

0:39:31.120 --> 0:39:34.840
<v Speaker 1>met yet because I know you a bit and I

0:39:34.920 --> 0:39:37.880
<v Speaker 1>know him. He's a good dude. That's awesome. And this

0:39:37.960 --> 0:39:40.000
<v Speaker 1>comes off all the bad people, but some people everybody

0:39:40.080 --> 0:39:43.120
<v Speaker 1>just so worried about themselves. Yeah, that he's he takes

0:39:43.160 --> 0:39:45.480
<v Speaker 1>care of others. That's really cool. Yeah, he's a good one. Yeah.

0:39:45.920 --> 0:39:51.919
<v Speaker 1>He seems like he's been able to keep his perspective

0:39:52.600 --> 0:39:55.720
<v Speaker 1>on on everything, on his life and his family everything,

0:39:56.120 --> 0:39:58.480
<v Speaker 1>even as his career is kind of just blown up.

0:39:58.640 --> 0:40:00.800
<v Speaker 1>Like he seems like a really a down to earth,

0:40:01.200 --> 0:40:04.160
<v Speaker 1>awesome guy. You know, it was funny last night we

0:40:04.160 --> 0:40:06.000
<v Speaker 1>were doing the show you were playing and I was

0:40:06.040 --> 0:40:08.439
<v Speaker 1>hosting it, and you said, hey, I want to show

0:40:08.440 --> 0:40:11.359
<v Speaker 1>you my engagement video. And you remember the first thing

0:40:11.400 --> 0:40:14.000
<v Speaker 1>I said back to you was I said how long

0:40:14.080 --> 0:40:17.840
<v Speaker 1>is it? Oh? No? And you looked at it. You

0:40:17.880 --> 0:40:20.200
<v Speaker 1>kind of had like it shouldn't matter how long I

0:40:20.280 --> 0:40:23.080
<v Speaker 1>watched my video. But I like to explain why I

0:40:23.120 --> 0:40:25.600
<v Speaker 1>said that, because I haven't I haven't shaken this because

0:40:25.680 --> 0:40:28.120
<v Speaker 1>I saw like a grandmace on your face that I

0:40:28.160 --> 0:40:30.640
<v Speaker 1>even asked I should just watch the video. No, I

0:40:30.719 --> 0:40:32.680
<v Speaker 1>that wasn't like I didn't take that personally. I thought

0:40:32.680 --> 0:40:34.480
<v Speaker 1>it was funny. Well have you ever I was just

0:40:34.480 --> 0:40:36.799
<v Speaker 1>being honest too, Yeah, for sure. Have you ever had

0:40:36.840 --> 0:40:38.239
<v Speaker 1>someone go how you should check this out in this show?

0:40:38.239 --> 0:40:39.560
<v Speaker 1>And it's like they're like, hey, look at this YouTube.

0:40:39.560 --> 0:40:42.640
<v Speaker 1>It's like seven minutes long, and then it's like seven minutes.

0:40:43.360 --> 0:40:45.279
<v Speaker 1>So I wanted to ask ahead of time because I

0:40:45.320 --> 0:40:47.120
<v Speaker 1>was going to be completely honest to go, if it's

0:40:47.160 --> 0:40:48.680
<v Speaker 1>like three and a half minute, I' probably gonna check

0:40:48.680 --> 0:40:51.359
<v Speaker 1>out a minute one through two fifty. I appreciate that.

0:40:51.600 --> 0:40:52.960
<v Speaker 1>I mean I still would have tried to make you

0:40:52.960 --> 0:40:54.479
<v Speaker 1>watch and I would have watched it, but I wanted,

0:40:54.520 --> 0:40:56.000
<v Speaker 1>you know, ahead of time, and I'm probably gonna be

0:40:56.080 --> 0:41:00.279
<v Speaker 1>wandering in my head. But it wasn't. It was really beautiful. Sure,

0:41:00.320 --> 0:41:04.520
<v Speaker 1>it was seconds kissing parts. Yeah, it is the favorite

0:41:04.680 --> 0:41:06.359
<v Speaker 1>length I've ever seen to a video, in all lengths

0:41:06.360 --> 0:41:09.160
<v Speaker 1>of video. So it was you and your fiance and

0:41:09.160 --> 0:41:11.239
<v Speaker 1>you were in Paris in front of the Apple Tower,

0:41:11.280 --> 0:41:12.560
<v Speaker 1>and what did he say to you? He said, just

0:41:12.760 --> 0:41:14.680
<v Speaker 1>look at the Yeah, he said, we should take a

0:41:14.719 --> 0:41:16.920
<v Speaker 1>video for our family back home of when the Eiffel

0:41:16.920 --> 0:41:19.520
<v Speaker 1>Tower sparkles, because it sparkles on the hour every hour.

0:41:20.200 --> 0:41:22.440
<v Speaker 1>And it was almost one am, and so we walked

0:41:22.520 --> 0:41:24.440
<v Speaker 1>up there and he's like, all right, get your phone out,

0:41:24.480 --> 0:41:25.719
<v Speaker 1>we'll take a video. I was like, all right, cool.

0:41:25.719 --> 0:41:28.439
<v Speaker 1>So we're standing there the Apple towers behind us, and

0:41:28.960 --> 0:41:32.319
<v Speaker 1>mid video, you know, we're kissing and talking whatever. And

0:41:32.360 --> 0:41:35.120
<v Speaker 1>then he pulled out the ring, you know, from the

0:41:35.200 --> 0:41:37.359
<v Speaker 1>left side, and so he sort of brings the ring

0:41:37.440 --> 0:41:39.680
<v Speaker 1>up into the frame of the video. So I'm watching

0:41:39.760 --> 0:41:41.839
<v Speaker 1>us on the video screen and it takes me a

0:41:41.840 --> 0:41:45.239
<v Speaker 1>second to focus my eyes onto the actual real life ring,

0:41:45.320 --> 0:41:49.080
<v Speaker 1>and then I go through about six different facial expressions

0:41:49.120 --> 0:41:51.520
<v Speaker 1>before I just started crying. But it was really awesome.

0:41:51.600 --> 0:41:55.920
<v Speaker 1>It was really great because it's genuine confusion, happiness, and

0:41:57.080 --> 0:42:00.720
<v Speaker 1>again the perfect length of expressions, like I really enjoyed.

0:42:01.560 --> 0:42:04.600
<v Speaker 1>But but they did hang with me because I thought, oh,

0:42:04.680 --> 0:42:06.680
<v Speaker 1>at this point, you and I've had conversations where I'm like, oh,

0:42:06.680 --> 0:42:08.080
<v Speaker 1>some of people think I'm a date because I'm just

0:42:08.120 --> 0:42:11.239
<v Speaker 1>a very matter of fact like, Hi, this is how

0:42:11.280 --> 0:42:13.839
<v Speaker 1>I feel I hope it's cool. If not, that's cool too.

0:42:13.960 --> 0:42:16.319
<v Speaker 1>But let's let's move on with our lives, good or bad.

0:42:17.480 --> 0:42:19.680
<v Speaker 1>But I felt I was like, oh, maybe I should

0:42:19.719 --> 0:42:23.040
<v Speaker 1>have before she asked me, just taken the video ten minutes,

0:42:24.239 --> 0:42:27.160
<v Speaker 1>just watched it all, okay, because that home with me

0:42:27.160 --> 0:42:29.600
<v Speaker 1>a little bit. Really? Yeah, man, I didn't even think

0:42:29.600 --> 0:42:33.840
<v Speaker 1>about it. Good. Um, how long is this one? Okay?

0:42:33.880 --> 0:42:36.879
<v Speaker 1>Well we'll kind of call it here, but check out

0:42:36.920 --> 0:42:40.040
<v Speaker 1>Side A from Jelly and Jacqueline with such song and

0:42:40.040 --> 0:42:42.759
<v Speaker 1>just side it. Now. These podcasts live forever. Next year,

0:42:42.800 --> 0:42:44.800
<v Speaker 1>you could be a huge star and you're on side

0:42:44.880 --> 0:42:46.600
<v Speaker 1>F at this point. Yeah, you know, I mean, I

0:42:46.600 --> 0:42:49.080
<v Speaker 1>hope I didn't say anything I shouldn't have said. Probably

0:42:49.080 --> 0:42:50.640
<v Speaker 1>you'll get home and go. Man, that hour and a

0:42:50.680 --> 0:42:52.759
<v Speaker 1>half I said so many things. Has anybody called you

0:42:52.800 --> 0:42:55.480
<v Speaker 1>and been like, can you please not put that part in? Okay?

0:42:55.600 --> 0:42:59.959
<v Speaker 1>So I won't do that. Well it goes up quick. Yeah.

0:43:00.160 --> 0:43:04.799
<v Speaker 1>So but also, if you said something I didn't defamatory, yeah,

0:43:04.800 --> 0:43:08.239
<v Speaker 1>I don't think I'd say, let's let's probably beat that. Yeah.

0:43:08.400 --> 0:43:12.759
<v Speaker 1>So anyway, you've got reasons. I just play some here,

0:43:13.040 --> 0:43:20.560
<v Speaker 1>what a good one or my favorite? Hate me? Relate

0:43:20.600 --> 0:43:22.120
<v Speaker 1>to that song. I talked it out and realized why

0:43:22.160 --> 0:43:26.960
<v Speaker 1>I liked that song. Podcast yea god, bless this mess,

0:43:27.120 --> 0:43:32.319
<v Speaker 1>this mass this as good as sugar and salt. That's

0:43:32.320 --> 0:43:42.520
<v Speaker 1>a jam, dude, I love it. It's good. Sometimes it's

0:43:42.520 --> 0:43:47.080
<v Speaker 1>a I'm spit when it cost to you, when it

0:43:47.200 --> 0:43:56.920
<v Speaker 1>cost some me loving lizard. Same enough. Most of time

0:43:56.920 --> 0:43:58.600
<v Speaker 1>the artist things with them. It's kind of cool, but

0:43:58.680 --> 0:44:01.360
<v Speaker 1>I like to say no, no, no, I like to

0:44:01.400 --> 0:44:08.040
<v Speaker 1>sing with them because I really like the song. I know.

0:44:08.120 --> 0:44:10.359
<v Speaker 1>I'm just playing songs also without me from the little

0:44:10.360 --> 0:44:23.480
<v Speaker 1>one go ahead, you know I had that ready? Oh

0:44:23.600 --> 0:44:27.279
<v Speaker 1>my god, good that? No, please don't play that again?

0:44:27.760 --> 0:44:30.520
<v Speaker 1>Are you kidding me? Where did you find? What? You?

0:44:30.719 --> 0:44:39.560
<v Speaker 1>What do you mean? Why don't you like that? Where

0:44:39.600 --> 0:44:43.440
<v Speaker 1>did you find that? Oh? Man? That is like massive

0:44:43.600 --> 0:44:47.719
<v Speaker 1>levels of embarrassment. Um. I was probably like thirteen years

0:44:47.760 --> 0:44:50.200
<v Speaker 1>old when that song was written and recorded. Then why

0:44:50.280 --> 0:44:52.040
<v Speaker 1>are you? I don't know, I don't know what you're

0:44:52.040 --> 0:44:54.360
<v Speaker 1>gonna do? Can I see what is? Where did you

0:44:54.440 --> 0:44:57.360
<v Speaker 1>even get that? Don't worry about how you guys? That

0:44:57.560 --> 0:45:01.080
<v Speaker 1>is impressive? Yeah, did you find a to grow? Don't

0:45:01.120 --> 0:45:03.480
<v Speaker 1>worry about we found there's some dark stuff in there.

0:45:03.520 --> 0:45:09.680
<v Speaker 1>I actually just found out that that that that album

0:45:09.840 --> 0:45:12.680
<v Speaker 1>is out on Spotify as somewhere the Little Women band exists,

0:45:12.719 --> 0:45:14.440
<v Speaker 1>and I don't know none of us put it up,

0:45:14.440 --> 0:45:15.880
<v Speaker 1>so I don't know who put it up. But I

0:45:15.960 --> 0:45:20.800
<v Speaker 1>think it's just embarrassing because I those songs are like

0:45:20.960 --> 0:45:22.480
<v Speaker 1>we were thirteen and had no idea what we were

0:45:22.520 --> 0:45:25.960
<v Speaker 1>singing about, and we just that's okay, what are those

0:45:26.040 --> 0:45:35.920
<v Speaker 1>lyrics without me? Got her hands on her head and

0:45:36.080 --> 0:45:50.759
<v Speaker 1>shame it's like kids. Yeah, definitely, that's horrible. No, I said,

0:45:50.840 --> 0:45:56.719
<v Speaker 1>who that was embarrassing? Thank you? Yeah, so side and

0:45:56.719 --> 0:45:58.400
<v Speaker 1>then there's the other songs. I was just setting you

0:45:58.480 --> 0:46:00.800
<v Speaker 1>up for that final thank you. But no, that was

0:46:00.880 --> 0:46:03.880
<v Speaker 1>blasphem in the past that I didn't want. Okay, um

0:46:04.840 --> 0:46:06.839
<v Speaker 1>to your producer, I've talked about doing some hip hop

0:46:06.840 --> 0:46:09.040
<v Speaker 1>stuff together. He wanted to say, Hi, I don't I

0:46:09.120 --> 0:46:11.279
<v Speaker 1>can't believe you guys haven't met yet. Now he came

0:46:11.320 --> 0:46:13.040
<v Speaker 1>on the studio, but we didn't really he played with

0:46:13.160 --> 0:46:15.440
<v Speaker 1>you in the studio, right, No, that was briant. No,

0:46:15.520 --> 0:46:17.000
<v Speaker 1>I thought you had two players. Maybe I've just seen

0:46:17.080 --> 0:46:21.160
<v Speaker 1>him on TV with you and Go when you played. Yeah,

0:46:21.160 --> 0:46:22.640
<v Speaker 1>he played on that he always comes to just the

0:46:22.680 --> 0:46:24.839
<v Speaker 1>fun stuff. Okay, that's where I've seen in this. Yeah,

0:46:25.080 --> 0:46:27.440
<v Speaker 1>he was on TV with us, but we have, we've

0:46:27.480 --> 0:46:30.200
<v Speaker 1>texted a bunch of times. He is one of the

0:46:30.320 --> 0:46:33.880
<v Speaker 1>greatest humans on the planet. Very lucky. I do like

0:46:34.000 --> 0:46:36.520
<v Speaker 1>great humans. Yeah, yeah, that's it. That's cool about like

0:46:36.560 --> 0:46:38.319
<v Speaker 1>you know, you guys would get along very well. He's

0:46:38.400 --> 0:46:41.759
<v Speaker 1>he's awesome tober. If you're listening, I got it. I

0:46:41.800 --> 0:46:47.960
<v Speaker 1>got a little special song for you, Rexes. We should

0:46:47.960 --> 0:46:50.240
<v Speaker 1>put this on the album, I think, yeah on side

0:46:50.600 --> 0:46:53.120
<v Speaker 1>we should do an E D M remix. Yeah, well

0:46:53.680 --> 0:47:01.640
<v Speaker 1>listen pretty much and everything we said, everything we can say.

0:47:01.960 --> 0:47:04.320
<v Speaker 1>Do you think that Ryan Adams will listen to this podcast?

0:47:06.239 --> 0:47:07.960
<v Speaker 1>I think if he's a fan of you and he

0:47:08.000 --> 0:47:10.600
<v Speaker 1>stumbles across it, I don't think this will come up

0:47:10.680 --> 0:47:15.080
<v Speaker 1>in his feed, his R feed or whatever. But no,

0:47:15.360 --> 0:47:18.080
<v Speaker 1>I don't think so. Okay, that would be cool if

0:47:18.120 --> 0:47:20.239
<v Speaker 1>he did. He may he may be a Jillian. Have

0:47:20.360 --> 0:47:22.279
<v Speaker 1>you spoken to him since you Yeah, oh yeah, we

0:47:22.320 --> 0:47:25.200
<v Speaker 1>talk on Twitter a lot. Doesn't sell him by the

0:47:25.280 --> 0:47:28.640
<v Speaker 1>way you watch Wildhall Country, Yes I did. I'm not

0:47:28.760 --> 0:47:32.640
<v Speaker 1>done yet. I'm not done yet. Episode on We are

0:47:32.920 --> 0:47:37.440
<v Speaker 1>on work how many isn't there like one season? Six episodes? Okay,

0:47:37.560 --> 0:47:40.319
<v Speaker 1>so we're I think we're on the fourth, two more

0:47:40.360 --> 0:47:44.160
<v Speaker 1>to go. So what's her name? Just left? Sheila left,

0:47:44.320 --> 0:47:46.320
<v Speaker 1>which I thought was so kind of abrupt and weird.

0:47:46.480 --> 0:47:48.239
<v Speaker 1>I was like, where are you going? Why? Which is

0:47:48.320 --> 0:47:51.200
<v Speaker 1>why I liked it because very Game of Thrones where

0:47:51.200 --> 0:47:52.920
<v Speaker 1>you don't know what's going to happen, and then you go, oh,

0:47:53.000 --> 0:47:55.480
<v Speaker 1>I can expect anything because it's not falling into the

0:47:55.520 --> 0:47:58.440
<v Speaker 1>timeline of what normally happens. Right, Is there like something

0:47:58.680 --> 0:48:00.680
<v Speaker 1>mass suicidal going to have And I'm not going to

0:48:00.760 --> 0:48:02.360
<v Speaker 1>tell you about it, but what was craziest to me?

0:48:02.520 --> 0:48:04.640
<v Speaker 1>By the way, Wild Wild Country, the show on Netflix

0:48:04.680 --> 0:48:08.040
<v Speaker 1>is a documentary series. Yes it happened. Or again with

0:48:08.200 --> 0:48:11.680
<v Speaker 1>this cult, they bought eighty tho acres of land, a

0:48:11.800 --> 0:48:13.960
<v Speaker 1>hundred square miles. When you start to wrap your hand,

0:48:14.040 --> 0:48:17.640
<v Speaker 1>run that that's driving two hours. I own all of that.

0:48:18.200 --> 0:48:21.160
<v Speaker 1>The airport. Yeah, so, and they put a call up

0:48:21.160 --> 0:48:24.200
<v Speaker 1>there and I can't believe I didn't know the story,

0:48:24.320 --> 0:48:27.400
<v Speaker 1>Like I'm really interested. Have you read the book Sapiens? No?

0:48:28.280 --> 0:48:30.239
<v Speaker 1>Oh man, it's not about cults, but it's about humans,

0:48:30.280 --> 0:48:32.399
<v Speaker 1>and read it I'm meant to it, and I think

0:48:32.440 --> 0:48:34.520
<v Speaker 1>you'd really like it. Yeah, I'll read it. Yeah. No,

0:48:34.719 --> 0:48:36.640
<v Speaker 1>this is the best documentary I've seen it along. But

0:48:36.640 --> 0:48:38.640
<v Speaker 1>it's great. Yeah, yeah, it's great because and also I

0:48:38.640 --> 0:48:42.680
<v Speaker 1>didn't know that I knew everything about like big crazy

0:48:42.760 --> 0:48:46.000
<v Speaker 1>things in our history. It almost seems like someone like

0:48:46.320 --> 0:48:48.600
<v Speaker 1>got it massively covered up after the fact. It's like

0:48:48.719 --> 0:48:52.680
<v Speaker 1>they did it without me. It just got getting clear everything.

0:48:54.680 --> 0:48:57.160
<v Speaker 1>I'm bright red and I wish he would stop playing

0:48:57.200 --> 0:49:01.400
<v Speaker 1>the song. Um, well, listen to this has been a

0:49:01.480 --> 0:49:03.960
<v Speaker 1>good talk. I like to end it. I hate that

0:49:04.080 --> 0:49:09.600
<v Speaker 1>you that, but really it's kind of fun, right, okay, cool?

0:49:10.320 --> 0:49:12.759
<v Speaker 1>Have have you had fun? I have had so much fun. Yeah,

0:49:12.800 --> 0:49:14.719
<v Speaker 1>I could do this for ten more hours, but then

0:49:14.719 --> 0:49:16.200
<v Speaker 1>you'd be like, get out of my house. That's true.

0:49:16.520 --> 0:49:18.080
<v Speaker 1>You can do on all the water and then you've

0:49:18.120 --> 0:49:21.239
<v Speaker 1>taken all the water. Jillian Jacqueline, listen to side A

0:49:21.440 --> 0:49:23.680
<v Speaker 1>or if it's you know, months months later. Just check

0:49:23.680 --> 0:49:25.399
<v Speaker 1>her out so you wish you to get up see

0:49:25.440 --> 0:49:29.360
<v Speaker 1>her live. I watch her live many times. Fantastic artists.

0:49:29.400 --> 0:49:31.400
<v Speaker 1>And thanks for coming over the house. Pretty thanks for

0:49:31.440 --> 0:49:33.200
<v Speaker 1>having me about it. Yeah all right, Jillian Jacqueline and

0:49:33.200 --> 0:49:34.200
<v Speaker 1>we'll see you next time. Everybody