WEBVTT - Episode 8: Wanting To Hurt Stuff

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<v Speaker 1>The Miniwak Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Maniwak Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television and Psycopia Pictures.

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<v Speaker 2>Were there any other injuries of love there were? And

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<v Speaker 2>can you describe these wounds?

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<v Speaker 3>There were puncture wounds and cuts.

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<v Speaker 2>Was there anything about the pattern of these injuries that

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<v Speaker 2>would indicate that type of weapon used?

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<v Speaker 3>Insized wounds are caused most obviously by knives, but are

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<v Speaker 3>also caused by well, scissors and even blunter instruments like screwdrivers.

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<v Speaker 3>These type wounds have certain They're usually slit like, but

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<v Speaker 3>when the object is removed or pulled from the flesh,

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<v Speaker 3>the skin contracts, leaving a wound that is slightly shorter

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<v Speaker 3>than the blade width. Also, the center wound often widens

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<v Speaker 3>a bit. Scissors stab wounds with closed scissors leave a

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<v Speaker 3>Z shape like the ones found on these victims.

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<v Speaker 2>Yes, so scissors like this pair here found in James

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<v Speaker 2>Pincher's house would certainly cause such injuries.

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<v Speaker 3>Ejection, your honor.

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<v Speaker 4>The expert is here to testify to factual matters.

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<v Speaker 3>Questions presented do not presuppose or suggests the answer.

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<v Speaker 2>Your honor. We are only asking the expert's opinion.

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<v Speaker 5>Here overruled.

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<v Speaker 2>Can the prosecution please rephrase the question in your expert opinion?

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<v Speaker 2>Could scissors like these found in the home with the

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<v Speaker 2>choosed all such injuries?

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<v Speaker 6>Yes, August tenth, it's almost midnight. I'm at Denis Place.

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<v Speaker 6>I remember going to Solomon Smith's place. I remember getting

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<v Speaker 6>out of my car and walking around his house. I

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<v Speaker 6>remember strange, dear, and that's it.

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<v Speaker 5>That's it.

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<v Speaker 6>Next thing I know, I'm sitting in a jail cell

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<v Speaker 6>duly arrested me for arson, But anyone could tell that

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<v Speaker 6>they were just trying to hold me in place while

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<v Speaker 6>they figured out all the short of details of how

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<v Speaker 6>it happened, how the house burned down. They had nothing

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<v Speaker 6>to go on. I called Joe Campbell and she called

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<v Speaker 6>the Blanc.

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<v Speaker 5>Made veil your stuff. Thanks, you got everything I believe,

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<v Speaker 5>so you're freety, go mister Sauce, mister lebloc.

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<v Speaker 6>Look, I'm really sorry for all the trouble.

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<v Speaker 5>I don't know what happened exactly.

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<v Speaker 6>I was just trying to find out more about what

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<v Speaker 6>Solomon Smith.

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<v Speaker 7>Yeah, let's not overthink it. There's a lot happening and

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<v Speaker 7>emotions are all on high.

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<v Speaker 5>How much was my veil?

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<v Speaker 7>Don't worry about that right now. Pulled a few strings,

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<v Speaker 7>I was able to get it considerably reduced. You will

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<v Speaker 7>have to come back for an arrangement, okay, But the

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<v Speaker 7>important thing is that you're all right. I want you

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<v Speaker 7>to get some rest. You and insisted you stay with

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<v Speaker 7>her tonight. But between us, I think it would be

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<v Speaker 7>best for you not to overstay.

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<v Speaker 5>You're welcome.

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<v Speaker 7>We need her calm and collected right now. We don't

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<v Speaker 7>need her playing hostess this week. Of course, she's outside.

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<v Speaker 7>You ride with her, and I'm gonna meet you all

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<v Speaker 7>over there and every group in a bit after I

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<v Speaker 7>take care of some court documents. I still need your signature, though,

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<v Speaker 7>right I'm afraid we're out of time for any changes.

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<v Speaker 7>But this clearly states that your two thousand and seven

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<v Speaker 7>testimony was false.

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<v Speaker 6>And Julian.

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<v Speaker 7>They found Tyler Wilson were on Griff Washington's property. Apparently

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<v Speaker 7>he had some homemade explosives. We think he was trying

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<v Speaker 7>to blow up the entrance to the cave.

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<v Speaker 5>Is he he's dead?

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<v Speaker 8>The piece of.

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<v Speaker 9>Dom to you, the true blood, like the suit.

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<v Speaker 8>To leave behind.

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<v Speaker 10>They were about to press charges, but it was Dinah retaliated.

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<v Speaker 10>The DNA test proven Deacon was the father of her

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<v Speaker 10>own born child. She rebunded with a proof of the

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<v Speaker 10>Happy Boy's own guilt if any legal moves were made

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<v Speaker 10>against her brother, and so she created a stalemate.

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<v Speaker 5>If her brother was going to.

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<v Speaker 10>Jail, so were Bobby Hadley's sons. And if Bobby would

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<v Speaker 10>back down, she'd keep the right out of the papers

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<v Speaker 10>and no one would ever know about it.

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<v Speaker 8>Somebody scream like, hell no, we'll see by Luke.

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<v Speaker 11>When you.

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<v Speaker 12>Totally I'm telling you that's no pluck, not run around

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<v Speaker 12>feel get your hand right.

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<v Speaker 3>They can't.

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<v Speaker 10>We'll be held against you in a court of law,

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<v Speaker 10>don't mocker.

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<v Speaker 4>Dina, I'm so sorry you keep saying that. Jesus, what

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<v Speaker 4>the fuck is wrong with you?

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<v Speaker 11>Jesus? Could you believe this?

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<v Speaker 4>Say the first time I've been to the shriff station today, Julian.

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<v Speaker 4>They also arrested my son last night.

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<v Speaker 8>Oh no, Dina, on you're what.

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<v Speaker 4>Oh wait, let me guess you're sorry. He snuck out

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<v Speaker 4>again and they caught him smashing windows at Carter High School.

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<v Speaker 4>What excellent question. All he said was it wasn't his idea,

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<v Speaker 4>said his friends told him to do it.

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<v Speaker 13>Well, that's the fucking thing, Julian.

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<v Speaker 4>I don't know who Jimmy's friends are, which is why

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<v Speaker 4>I'm so fucking troubled. And also I heard about Tyler.

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<v Speaker 4>I know he was your friend. So now I guess

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<v Speaker 4>it's my turn to say it. I'm sorry, Julia.

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<v Speaker 6>Yeah, well I don't know what to think.

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<v Speaker 11>How about we just be quiet?

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<v Speaker 13>Sure you can't ever escape it, Dina was riding.

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<v Speaker 6>This town is like purgatory for her, most of all

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<v Speaker 6>a series of winding pass all leading the dead hands

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<v Speaker 6>unbreakable cycles. The poor stay poor, the rich day rich,

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<v Speaker 6>the victims stay victimized. She might have made it out

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<v Speaker 6>a long time ago, if it hadn't a been for

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<v Speaker 6>what happened. I found this yearbook on the table here

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<v Speaker 6>in Dena's house, caught her high class of seven.

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<v Speaker 5>We were babies.

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<v Speaker 6>I've forgotten how long my hair was. That finch was

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<v Speaker 6>in there, his eyes like that of a child. During

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<v Speaker 6>the war, and Tyler with his mullet and shit eating grin,

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<v Speaker 6>looking authentically tough. I flipped past his picture before getting

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<v Speaker 6>lost in thought, I'm not yet ready to deal with

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<v Speaker 6>the idea that he's no longer here. Then I saw

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<v Speaker 6>Dina's picture, maybe the last picture taken of her previous self,

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<v Speaker 6>last image from across the border and time and space

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<v Speaker 6>that separates what she is now from who.

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<v Speaker 5>She could have been. Now.

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<v Speaker 6>She's a single mom with a shit job, working her

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<v Speaker 6>ass off to support her delinquente son, Jimmy, no family,

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<v Speaker 6>no support in a town that scorns her, all for

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<v Speaker 6>the slim hope that she can somehow right all the

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<v Speaker 6>wrongs that she herself never committed, Long hours on her feet,

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<v Speaker 6>bagging groceries for people who whisper behind her back, just

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<v Speaker 6>to pay the rent on a rickety shthole house at

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<v Speaker 6>the edge of town, Her child unclaimed by his paternal family, who,

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<v Speaker 6>with the stroke of a pen could cast light into

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<v Speaker 6>a dim present and give hope to an uncertain future.

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<v Speaker 6>Dina was isolated. She and Jimmy were alone, alone in

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<v Speaker 6>the world. Why didn't you take Jimmy and leave this place?

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<v Speaker 8>A beast, get the hell out of Potsville for crass sakes.

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<v Speaker 6>I guess when you're alone in the world, running away

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<v Speaker 6>to some other part of it doesn't really change much.

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<v Speaker 11>Probably a little clutter.

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<v Speaker 6>So oh, seriously, don't worry about it.

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<v Speaker 4>Jimmy, Caroline, Hey, miss Fincher, is is everything?

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<v Speaker 11>Okay? Where's Jimmy?

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<v Speaker 8>He's in his room.

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<v Speaker 11>How was a lesson?

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<v Speaker 14>He wouldn't come out. What do you mean he locked

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<v Speaker 14>himself in his room and wouldn't let me in either.

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<v Speaker 8>He called me some nasty things, well things, It's okay.

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<v Speaker 4>I don't want to talk about it, so there was

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<v Speaker 4>no lesson.

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<v Speaker 8>I tried to call you.

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<v Speaker 4>I'm sorry, Caroline. I don't know what's gotten into him.

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<v Speaker 8>Well, if I may say so, I think it's his friends.

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<v Speaker 11>Friends.

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<v Speaker 8>He keeps talking about them, says they told him to

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<v Speaker 8>call me.

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<v Speaker 4>What he called me were other kids over today?

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<v Speaker 14>No, I maybe his high school friends. I don't I

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<v Speaker 14>have to go home.

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<v Speaker 8>Now, let me just.

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<v Speaker 11>Thirty Okay, it's okay.

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<v Speaker 8>Like I said, there was no lesson.

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<v Speaker 4>So that's not your fault, though, please take it.

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<v Speaker 8>I'm sorry, Miss Fincher. I think this is gonna need

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<v Speaker 8>to be my last session.

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<v Speaker 4>Wait, what what did he say? To you.

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<v Speaker 8>It wasn't that. It's before he went to his room.

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<v Speaker 11>He was.

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<v Speaker 8>Inappropriate. He he touched me, groped me.

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<v Speaker 4>Oh my god, Caroline, I don't know what to say.

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<v Speaker 8>Sorry, I need to go.

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<v Speaker 11>God damn it.

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<v Speaker 4>James Morgan Fincher get out here. Now, you mind brewing

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<v Speaker 4>some coffee filters above the coffee maker grounds or in

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<v Speaker 4>that jar. Joe and Ed are gonna be here any minute, Jimmy,

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<v Speaker 4>I swear to God.

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<v Speaker 15>What the fuck'll comment?

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<v Speaker 4>God?

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<v Speaker 6>I tried not to listen in but that's when I

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<v Speaker 6>noticed the yearbook on the table.

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<v Speaker 5>I picked it up in some truck.

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<v Speaker 11>Did you ever lock the door again?

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<v Speaker 15>I'll take it off the fucking hinges? Now look at me,

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<v Speaker 15>brook me in the eye. What what did you do?

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<v Speaker 4>Nothing?

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<v Speaker 11>What the hell happened with Caroline?

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<v Speaker 15>Jimmy, what happened?

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<v Speaker 6>Said? Nothing?

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<v Speaker 4>Did you touch her?

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<v Speaker 15>They made me do it? Who made you do what?

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<v Speaker 15>It tacked me? Had to tell her she was nothing

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<v Speaker 15>but a fat breader. I'm sorry what I didn't.

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<v Speaker 5>Want to say? Why did you?

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<v Speaker 15>Because I damned me?

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<v Speaker 10>You called me a pussy?

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<v Speaker 15>They said that was gonna hurt my burn?

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<v Speaker 2>Who?

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<v Speaker 4>Who?

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<v Speaker 16>Jimmy?

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<v Speaker 9>Shots?

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<v Speaker 15>What times are these boys from your school? No, then, boo,

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<v Speaker 15>it's none of your damn business. You are mistaken about that?

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<v Speaker 15>Who God's from a cane?

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<v Speaker 5>Wait?

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<v Speaker 15>What what did you just say? I told you to

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<v Speaker 15>never ever ever go there? Have you been going there?

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<v Speaker 4>Jimmy?

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<v Speaker 1>No, I didn't go there.

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<v Speaker 15>They're just from there, Jimmy, we are and I've done

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<v Speaker 15>with this conversation. You are grounded in definitely.

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<v Speaker 4>No video games, no TV, and don't forget the feet

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<v Speaker 4>and start to give the dog as medicine.

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<v Speaker 5>Hey, Dina, I'm fine to find another hotel.

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<v Speaker 6>Standing here is too much.

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<v Speaker 11>What's that?

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<v Speaker 4>Oh?

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<v Speaker 6>I saw this lying on the table with you're old

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<v Speaker 6>year book.

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<v Speaker 5>I figured it was yours or finches.

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<v Speaker 4>No, my, mone come on in hope.

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<v Speaker 11>The driver wasn't too bad for you.

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<v Speaker 14>Ran some weather near Johnson City, But that's to be

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<v Speaker 14>expected this time of.

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<v Speaker 13>Year, ain't Julian.

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<v Speaker 16>We were worried about.

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<v Speaker 4>Who the hell can that?

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<v Speaker 8>We expecting any more surprise guests?

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<v Speaker 11>There know nothing I know of? Can I help you?

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<v Speaker 11>Comm well?

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<v Speaker 4>Who is it?

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<v Speaker 11>Jesus Christ?

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<v Speaker 17>Bobby Hadley, Hey, folks, this is Bobby Hadley of Hadley

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<v Speaker 17>Pontiac Chevrolet.

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<v Speaker 16>And if there's one thing I know, it's the importance

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<v Speaker 16>of family. With my dad had Big Bobby first open

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<v Speaker 16>Hadley Pontiac Chevrolet. He had one goal in mind to

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<v Speaker 16>give you and your family a safe, reliable ride home,

0:14:54.680 --> 0:14:57.760
<v Speaker 16>had a fair price. We've carried on that family tradition.

0:14:57.840 --> 0:15:00.000
<v Speaker 16>Isn't that right, honey, that's right baby.

0:15:00.360 --> 0:15:03.160
<v Speaker 14>This month we're running a special on these gorgeous family

0:15:03.240 --> 0:15:05.320
<v Speaker 14>bands to take your kids to school or to camp

0:15:05.360 --> 0:15:06.720
<v Speaker 14>out during summer break.

0:15:07.240 --> 0:15:10.200
<v Speaker 16>Oh you got something to add, Thomas, just as the

0:15:10.240 --> 0:15:14.400
<v Speaker 16>prices are out of this world. Good job, son, Hey Diacon,

0:15:14.880 --> 0:15:16.040
<v Speaker 16>ain't you got something to say?

0:15:17.080 --> 0:15:20.480
<v Speaker 2>Adlee bonniec Chevrolet e't a family.

0:15:32.520 --> 0:15:34.600
<v Speaker 6>I don't know how Bobby had. They couldn't have known

0:15:34.720 --> 0:15:37.120
<v Speaker 6>he was raising monsters.

0:15:37.960 --> 0:15:38.600
<v Speaker 5>They're checking, but.

0:15:42.320 --> 0:15:49.760
<v Speaker 6>There's a kind of benign neglect that leads to malignancy.

0:15:48.800 --> 0:15:53.400
<v Speaker 6>Being't too soft to parent, leaving children to their own

0:15:53.440 --> 0:15:58.840
<v Speaker 6>devices can make them into monsters.

0:16:00.040 --> 0:16:04.640
<v Speaker 2>Well, and not be such a pussy.

0:16:05.680 --> 0:16:06.640
<v Speaker 5>I'm just messing with you.

0:16:07.360 --> 0:16:11.479
<v Speaker 6>Bobby and Mona were soft parents. Bobby busy with the dealership,

0:16:11.520 --> 0:16:13.880
<v Speaker 6>Mona with her wine and the Women's Club of Pottsville.

0:16:15.120 --> 0:16:19.560
<v Speaker 5>The boys did as they pleased, and.

0:16:19.480 --> 0:16:21.119
<v Speaker 6>We all know how that ended.

0:16:23.080 --> 0:16:23.720
<v Speaker 4>At any rate.

0:16:23.760 --> 0:16:26.120
<v Speaker 6>After the Hathley brothers were found murdered at the mouth

0:16:26.160 --> 0:16:28.680
<v Speaker 6>of the cave, Bobby Havley went underground for a little

0:16:29.040 --> 0:16:29.800
<v Speaker 6>to mourn.

0:16:30.440 --> 0:16:31.760
<v Speaker 5>His whole future wiped away.

0:16:32.960 --> 0:16:36.000
<v Speaker 6>Mona dealt with the loss differently. She left a week

0:16:36.080 --> 0:16:38.720
<v Speaker 6>after the funeral, took half of their savings with her.

0:16:38.840 --> 0:16:43.560
<v Speaker 6>As the story goes, maybe she couldn't stand all the ghosts.

0:16:45.280 --> 0:16:48.400
<v Speaker 6>Bobby slowly returned to his business over the course of months,

0:16:48.680 --> 0:16:51.240
<v Speaker 6>still made it to church Sundays, still went to the

0:16:51.240 --> 0:16:56.680
<v Speaker 6>occasional town hall meeting, but he wasn't the same thinner,

0:16:56.840 --> 0:17:02.600
<v Speaker 6>less joe, feel less, brash, just less, a man who

0:17:02.680 --> 0:17:07.720
<v Speaker 6>had everything except the thing they counted. I know he

0:17:07.800 --> 0:17:11.199
<v Speaker 6>must have known about his grandson, Denis baby Jimmy. Everyone

0:17:11.200 --> 0:17:13.280
<v Speaker 6>else in town did. But he couldn't seem to reconcile

0:17:13.320 --> 0:17:16.080
<v Speaker 6>the thought of his beloved sons being involved in an

0:17:16.080 --> 0:17:18.960
<v Speaker 6>act that would lead to Jimmy's existence. And so he

0:17:19.040 --> 0:17:21.400
<v Speaker 6>created a wall in his mind and in his heart.

0:17:22.520 --> 0:17:25.880
<v Speaker 8>A wall of denial, and he kept his distance.

0:17:26.960 --> 0:17:31.520
<v Speaker 6>Until Jesus Christ.

0:17:33.640 --> 0:17:36.480
<v Speaker 5>Bobby Hadley Deputy Campbell.

0:17:37.440 --> 0:17:38.760
<v Speaker 12>It's just miss Campbell.

0:17:38.800 --> 0:17:42.320
<v Speaker 4>Now, mister Hadley, can you remember Julian Solace from the

0:17:42.359 --> 0:17:46.000
<v Speaker 4>trial alsoome, Oh well I am, and this is James's

0:17:46.000 --> 0:17:52.159
<v Speaker 4>defense attorney, mister the blank, you remember my brother, James Fincher.

0:17:55.359 --> 0:17:58.200
<v Speaker 7>Let's see here to support our kids.

0:17:58.560 --> 0:18:04.160
<v Speaker 5>Uh no, I'm here to talk to miss Fincher Dina

0:18:04.680 --> 0:18:07.040
<v Speaker 5>about what about the.

0:18:09.640 --> 0:18:13.199
<v Speaker 11>About the boy, about Jimmy.

0:18:14.000 --> 0:18:16.879
<v Speaker 5>Uh yeah, I was connor.

0:18:20.680 --> 0:18:22.000
<v Speaker 4>Let me get you some coffee.

0:18:23.000 --> 0:18:25.080
<v Speaker 5>Ok, okay, we.

0:18:25.119 --> 0:18:25.800
<v Speaker 4>Have sugar bowl.

0:18:25.800 --> 0:18:26.440
<v Speaker 11>We're out of milk.

0:18:26.880 --> 0:18:30.399
<v Speaker 5>Oh no, just black, thank you.

0:18:32.000 --> 0:18:34.440
<v Speaker 6>Dina went for the coffee and left Bobby standing there,

0:18:34.880 --> 0:18:38.639
<v Speaker 6>sweat forming on his brow, his face red, struggling to

0:18:38.680 --> 0:18:41.560
<v Speaker 6>Breathe normally staring at the pictures on the wall and

0:18:41.600 --> 0:18:46.080
<v Speaker 6>on the mantel, pictures a little Jimmy in his baseball uniform,

0:18:46.400 --> 0:18:49.080
<v Speaker 6>Pictures of James Fincher too, from when he was a boy.

0:18:50.240 --> 0:18:52.800
<v Speaker 6>I could see the wheel spinning behind his eyes. Maybe

0:18:52.840 --> 0:18:55.280
<v Speaker 6>the first time he'd ever considered either of those people,

0:18:55.520 --> 0:18:59.040
<v Speaker 6>James Fincher or his grandson Jimmy, as actual human beings.

0:19:00.800 --> 0:19:03.520
<v Speaker 6>Nobody said a word until Dina came back with a

0:19:03.600 --> 0:19:04.440
<v Speaker 6>mug of coffee.

0:19:05.280 --> 0:19:05.800
<v Speaker 11>Here you go.

0:19:07.200 --> 0:19:10.240
<v Speaker 4>What you got there the box?

0:19:10.640 --> 0:19:19.159
<v Speaker 5>Oh, it's just some family stuff for your son, for Jimmy,

0:19:21.200 --> 0:19:24.439
<v Speaker 5>in case you in case you want him to know

0:19:24.600 --> 0:19:31.280
<v Speaker 5>about the other side of his family, maybe we should

0:19:31.320 --> 0:19:32.119
<v Speaker 5>step outside.

0:19:32.160 --> 0:19:37.359
<v Speaker 4>No, you can say, everybody stay. What would you want

0:19:37.440 --> 0:19:39.040
<v Speaker 4>him to know about the other side of his family,

0:19:39.040 --> 0:19:40.200
<v Speaker 4>mister Hadley.

0:19:40.840 --> 0:19:44.400
<v Speaker 5>Well, I just I thought, I thought, why are.

0:19:44.280 --> 0:19:47.600
<v Speaker 4>You showing up right now here at my house?

0:19:47.960 --> 0:19:52.280
<v Speaker 5>I just can I put the box down? Go on,

0:19:54.400 --> 0:19:57.680
<v Speaker 5>Miss Spencer. I didn't mean to intrude. I mean, I

0:19:59.160 --> 0:20:05.440
<v Speaker 5>didn't have your number, but I've been thinking about well,

0:20:05.520 --> 0:20:08.960
<v Speaker 5>the past and the future, and I've been thinking about

0:20:08.960 --> 0:20:12.880
<v Speaker 5>all that for a very long time now, and well,

0:20:12.920 --> 0:20:14.880
<v Speaker 5>I didn't know. I didn't know whether I should ever

0:20:14.920 --> 0:20:17.640
<v Speaker 5>try to contact you, or if you'd even well, you'd

0:20:17.680 --> 0:20:21.600
<v Speaker 5>even be willing to listen. But now that I'm here,

0:20:21.800 --> 0:20:26.920
<v Speaker 5>I'm just look, I'm really sorry about everything about how

0:20:27.960 --> 0:20:34.320
<v Speaker 5>my God, about all the things that well, jeez, listen,

0:20:34.680 --> 0:20:40.840
<v Speaker 5>I've been praying about it, yes I have. And Reverend

0:20:40.840 --> 0:20:44.360
<v Speaker 5>Perkins came to me and suggested that maybe I come

0:20:44.440 --> 0:20:49.000
<v Speaker 5>talk to you, and he did it unbidden, and I thought, well,

0:20:49.040 --> 0:20:52.960
<v Speaker 5>I just thought, I thought, maybe that's something. Maybe that's

0:20:53.000 --> 0:20:58.960
<v Speaker 5>the Lord telling me the Lord. Look, all I'm saying

0:20:59.040 --> 0:21:06.040
<v Speaker 5>is is I want to meet him, the boy Jimmy

0:21:07.440 --> 0:21:12.040
<v Speaker 5>and and I don't know, just think about it, just

0:21:12.880 --> 0:21:17.639
<v Speaker 5>pray on it. Maybe I don't know if you pray anyway,

0:21:19.320 --> 0:21:23.800
<v Speaker 5>I guess just consider it and well. In the meantime,

0:21:23.800 --> 0:21:27.520
<v Speaker 5>I brought some things about his history about us. Look

0:21:27.600 --> 0:21:34.000
<v Speaker 5>them over. Please left my number in an envelope in

0:21:34.040 --> 0:21:37.879
<v Speaker 5>the box. I'm gonna leave you all to it.

0:21:40.400 --> 0:21:49.199
<v Speaker 6>Jesus Christ, cigarette break anybody. Dina went through the box immediately.

0:21:49.800 --> 0:21:54.240
<v Speaker 6>Old pictures going back generations, xerox copies of diaries, birth certificates,

0:21:54.359 --> 0:21:56.800
<v Speaker 6>an old copy of the Bible inscribed to Mona Hadley,

0:21:57.200 --> 0:22:01.919
<v Speaker 6>a little cross section of history, and then video tapes

0:22:02.560 --> 0:22:05.719
<v Speaker 6>three or four Thomas and Deacon's names written in a

0:22:05.760 --> 0:22:08.879
<v Speaker 6>neat feminine hand on the label, and an envelope with

0:22:08.960 --> 0:22:12.000
<v Speaker 6>Dina's name and a slop ofier hand inside, a slip

0:22:12.040 --> 0:22:14.639
<v Speaker 6>of paper with Bobby's sell number on it, and a

0:22:14.840 --> 0:22:19.159
<v Speaker 6>check for ten thousand dollars with the memo reading for

0:22:19.240 --> 0:22:23.360
<v Speaker 6>the future. We wrapped up the meeting shortly thereafter.

0:22:25.240 --> 0:22:30.320
<v Speaker 11>Wanna beer, I don't know whiskey.

0:22:32.119 --> 0:22:36.600
<v Speaker 13>Yes, you don't have to watch the tapes, of course

0:22:36.640 --> 0:22:37.000
<v Speaker 13>I do.

0:22:37.240 --> 0:22:38.840
<v Speaker 11>Why do you think I'm offering you booze.

0:22:40.440 --> 0:22:43.359
<v Speaker 6>Huh, you're gonna consider letting them in?

0:22:45.720 --> 0:22:46.199
<v Speaker 4>I don't know.

0:22:48.040 --> 0:22:50.520
<v Speaker 11>On one hand, that family always seemed drawn to the core.

0:22:51.720 --> 0:22:55.040
<v Speaker 11>On the other, it's an escape plan.

0:22:56.080 --> 0:22:59.440
<v Speaker 4>He could go to college, he could get the fuck

0:22:59.480 --> 0:23:03.720
<v Speaker 4>out of here. Yeah, come, old James, think if I

0:23:03.760 --> 0:23:04.399
<v Speaker 4>did let him in.

0:23:06.800 --> 0:23:11.040
<v Speaker 6>I feel like you do understand, Dina, I really do.

0:23:14.320 --> 0:23:17.399
<v Speaker 11>Well the courage Dan.

0:23:19.119 --> 0:23:19.280
<v Speaker 10>Here.

0:23:23.600 --> 0:23:27.720
<v Speaker 6>The videotapes were just what you'd think old family movies

0:23:28.200 --> 0:23:30.280
<v Speaker 6>or with the people you hate most in the world

0:23:31.320 --> 0:23:34.600
<v Speaker 6>Thomas and d can plain t ball, cub Scout.

0:23:34.320 --> 0:23:35.320
<v Speaker 5>Pine with derbies.

0:23:36.720 --> 0:23:39.320
<v Speaker 6>I watched Dina watch these boys at first with a

0:23:39.400 --> 0:23:46.879
<v Speaker 6>cold glare and then an intense sort of curiosity, and

0:23:46.920 --> 0:23:47.800
<v Speaker 6>then I fell asleep.

0:23:49.880 --> 0:23:52.359
<v Speaker 17>Okay, okay, now do the people.

0:23:53.800 --> 0:23:55.040
<v Speaker 11>Julian wake up?

0:24:00.359 --> 0:24:00.679
<v Speaker 4>I'm up.

0:24:00.720 --> 0:24:02.200
<v Speaker 5>I'm up, I'm up.

0:24:02.320 --> 0:24:05.320
<v Speaker 11>Hey, hey, hey, you fell asleep in front of the TV.

0:24:06.640 --> 0:24:08.360
<v Speaker 6>Well so I did.

0:24:09.960 --> 0:24:12.040
<v Speaker 5>Sorry, it's a whiskey.

0:24:12.480 --> 0:24:14.440
<v Speaker 4>Why don't you guy splash some water on your face

0:24:14.440 --> 0:24:15.480
<v Speaker 4>and I'll finish up dinner.

0:24:15.960 --> 0:24:18.920
<v Speaker 6>That sounds good.

0:24:24.040 --> 0:24:25.320
<v Speaker 4>Yeah, thanks.

0:24:31.680 --> 0:24:33.520
<v Speaker 6>A little fucking monstership.

0:24:33.920 --> 0:24:34.320
<v Speaker 17>That's right.

0:24:34.440 --> 0:24:36.400
<v Speaker 5>You're thinking we were born bad? All right?

0:24:37.320 --> 0:24:39.760
<v Speaker 6>I mean that's out the old man things. He thinks

0:24:39.760 --> 0:24:47.879
<v Speaker 6>he made us monsters want the fuck.

0:24:48.160 --> 0:24:48.360
<v Speaker 4>Right.

0:24:48.400 --> 0:24:51.040
<v Speaker 6>Then the lightning strunk a transformer outside of Tina's house

0:24:51.080 --> 0:24:52.040
<v Speaker 6>and the power went out.

0:24:53.400 --> 0:24:53.680
<v Speaker 4>Fuck.

0:24:54.920 --> 0:24:57.320
<v Speaker 6>I moved to the window and saw the fog was back,

0:24:58.040 --> 0:25:01.160
<v Speaker 6>along with hundreds of screeching bats flapping by the window.

0:25:01.200 --> 0:25:10.000
<v Speaker 6>And minute, hey mm, put in the mailbox.

0:25:11.119 --> 0:25:13.400
<v Speaker 13>Oh shit, alright.

0:25:13.560 --> 0:25:14.440
<v Speaker 5>The bottles up.

0:25:16.920 --> 0:25:21.000
<v Speaker 6>Except for the TV. That is, the images of young

0:25:21.040 --> 0:25:23.600
<v Speaker 6>Thomas and Deacon still flickering across the screen.

0:25:23.760 --> 0:25:29.920
<v Speaker 2>I mean that try the best, I guess, but there's

0:25:30.000 --> 0:25:34.160
<v Speaker 2>only so much you can do outside influences and all.

0:25:37.600 --> 0:25:38.200
<v Speaker 4>I ain't shit.

0:25:39.800 --> 0:25:44.520
<v Speaker 5>My earliest memories are wanting to hurt stuff. I guess

0:25:44.600 --> 0:25:46.240
<v Speaker 5>you can turn that out of a kid.

0:25:46.280 --> 0:25:47.520
<v Speaker 4>If you work hard enough.

0:25:48.920 --> 0:25:50.160
<v Speaker 6>It's called a beautiful Leacon.

0:25:52.359 --> 0:25:58.439
<v Speaker 11>Yeah, Jimmy, you'll okay.

0:25:58.480 --> 0:26:00.280
<v Speaker 4>I think a transformer bloo man.

0:26:01.200 --> 0:26:03.760
<v Speaker 5>She seems to be trying her best. But that kid

0:26:03.800 --> 0:26:07.240
<v Speaker 5>in the other room.

0:26:05.800 --> 0:26:07.080
<v Speaker 10>He's got in his blood.

0:26:08.359 --> 0:26:12.320
<v Speaker 16>He had no problem calling that fat bitch babysitter of

0:26:12.400 --> 0:26:14.880
<v Speaker 16>his What she was, yny.

0:26:14.960 --> 0:26:16.600
<v Speaker 6>What the fuck are you talking about?

0:26:16.960 --> 0:26:17.720
<v Speaker 5>That's true?

0:26:18.000 --> 0:26:18.359
<v Speaker 4>True?

0:26:19.240 --> 0:26:22.360
<v Speaker 17>Oh all right, fucking now he's learning anatomy on.

0:26:22.359 --> 0:26:26.720
<v Speaker 5>That little bird. It's too late to stop him. The

0:26:26.720 --> 0:26:28.200
<v Speaker 5>boy isn't quite right.

0:26:28.080 --> 0:26:28.600
<v Speaker 16>In the head.

0:26:31.280 --> 0:26:34.119
<v Speaker 5>Neither were we there it is.

0:26:35.640 --> 0:26:49.639
<v Speaker 7>He's a trouble now.

0:26:45.800 --> 0:26:48.199
<v Speaker 10>Jny, do you know everything?

0:26:48.240 --> 0:26:52.560
<v Speaker 12>Okay, Duday, you know you all right?

0:26:55.160 --> 0:27:04.239
<v Speaker 6>It was too late for the bird. Apparently Jimmy had

0:27:04.320 --> 0:27:07.840
<v Speaker 6>used a paris so and scissors to biseck the poor creature.

0:27:28.560 --> 0:27:34.359
<v Speaker 9>The ghost in a mirror, and the hounds of Hell

0:27:34.600 --> 0:27:36.040
<v Speaker 9>Dancing in your.

0:27:41.000 --> 0:27:41.679
<v Speaker 10>Dancing in.

0:27:44.680 --> 0:27:48.560
<v Speaker 1>The Manawalk Caves stars Jonathan Tucker as Julian Sawas, Eddie

0:27:48.560 --> 0:27:53.000
<v Speaker 1>Gatheggi as James Fincher, Clark Peters as Detective Solomon Smith,

0:27:53.440 --> 0:27:58.160
<v Speaker 1>Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

0:27:58.560 --> 0:28:02.000
<v Speaker 1>Jill Jane Clements as Jill can Hambell, Brad Carter as

0:28:02.080 --> 0:28:06.920
<v Speaker 1>Dooleye Tappert, Scott Poythrus as Reverend Perkins, Samantha Ashley as

0:28:06.920 --> 0:28:11.560
<v Speaker 1>Dena Fincher, Justin Matthew Smith as Paul Sallace, Tara Oakes

0:28:11.560 --> 0:28:16.560
<v Speaker 1>as Laura Sallas, Jonathan Horn as Deacon Hadley, Alden Karanovitch

0:28:16.640 --> 0:28:21.840
<v Speaker 1>as Thomas Hadley, Mike w Anderson as Griff Washington Body,

0:28:21.880 --> 0:28:26.359
<v Speaker 1>Walterroff as Jimmy Fincher, Brian McClure as Ian Speinks, Larry

0:28:26.359 --> 0:28:29.840
<v Speaker 1>Clark as Bobby Hadley, Payden Fallis as ed La Blanc,

0:28:30.400 --> 0:28:34.159
<v Speaker 1>Vic Palisis as William Fowler, Nick Takosky as Richard Rydell,

0:28:34.760 --> 0:28:39.200
<v Speaker 1>and Aileen Loy as The Darkness, with additional performances by

0:28:39.240 --> 0:28:45.080
<v Speaker 1>Clint McGown, Dina Dill, Edward Howard, Henry Foster Brown, Jamie Joseph,

0:28:45.640 --> 0:28:51.640
<v Speaker 1>Juan Monsalvez, Christopher Curry, Bailey Hineman, David Mitchell, and Bernard

0:28:51.720 --> 0:28:56.240
<v Speaker 1>Sataro Clark. Created by Connell Byrne and Dan Bush. Written

0:28:56.280 --> 0:29:00.560
<v Speaker 1>by Dan Bush, Zoe Cooper and Nicholas Takosky, featuring our

0:29:00.600 --> 0:29:05.320
<v Speaker 1>theme song Killer Inside, written produced and performed by lere Lynn.

0:29:05.760 --> 0:29:10.200
<v Speaker 1>Our executive producers are Matt Frederick, Alexander Williams, Michael Monty,

0:29:10.560 --> 0:29:14.640
<v Speaker 1>and Courtney du Frees. Our executive producers at Blumhouse Television

0:29:14.840 --> 0:29:19.360
<v Speaker 1>are Jeremy Gold, Chris Dickey, and Noah Feinberg. Produced by

0:29:19.400 --> 0:29:24.680
<v Speaker 1>Dan Bush, music by Ben Lovett. Additional music by Alexander Rodriguez,

0:29:25.400 --> 0:29:28.800
<v Speaker 1>edited by Dan Bush, Chris Childs, Stephen Perez.

0:29:28.600 --> 0:29:29.360
<v Speaker 5>And David Chen.

0:29:30.080 --> 0:29:34.960
<v Speaker 1>Sound design by Benjamin Malcolm, Additional sound design by Alexander Rodriguez,

0:29:35.200 --> 0:29:38.800
<v Speaker 1>Dialogue editing and sound mixing by Juan Campos. Recorded at

0:29:38.840 --> 0:29:42.400
<v Speaker 1>Studio Awesome in Los Angeles, sound Byte Studio in Atlanta,

0:29:42.680 --> 0:29:46.800
<v Speaker 1>and Echo Mountain in Ashville. Casting by Sunday Bowling, Kennedy

0:29:46.800 --> 0:29:50.400
<v Speaker 1>and Meg Mormon. Our dialect coach is Linda Bessesti, Assistant

0:29:50.400 --> 0:29:55.040
<v Speaker 1>director Michael Monty, second assistant director, script supervisor and production

0:29:55.120 --> 0:30:00.920
<v Speaker 1>coordinator Sarah Klein. Supervising producer Josh Thame. Special thanks to

0:30:01.000 --> 0:30:05.000
<v Speaker 1>Mary Ellen and Jason Davis, Jonathan Dieter, and Joe Rickman.

0:30:05.280 --> 0:30:09.040
<v Speaker 1>The Manowau Caves is a production of iHeartRadio, Blumhouse Television,

0:30:09.440 --> 0:30:10.960
<v Speaker 1>and Psycopia Pictures.

0:30:16.840 --> 0:30:39.160
<v Speaker 9>So