1 00:00:00,720 --> 00:00:14,560 Speaker 1: I am all in. How wan I kiss you? 2 00:00:16,960 --> 00:00:21,080 Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,480 --> 00:00:24,720 Speaker 3: Hey everybody, Scott Patterson, I am all in podcasts coming 4 00:00:24,760 --> 00:00:28,400 Speaker 3: to you live from Columbus, Ohio, and from my bed 5 00:00:28,440 --> 00:00:31,440 Speaker 3: in my hotel along with Amy and her bed in 6 00:00:31,440 --> 00:00:34,400 Speaker 3: her hotel room in Los Angeles, and along with Suzanne 7 00:00:34,440 --> 00:00:39,000 Speaker 3: French go On and only from her basement office in 8 00:00:39,080 --> 00:00:41,239 Speaker 3: her house, which is near her bedroom. 9 00:00:41,600 --> 00:00:44,000 Speaker 2: I'm in my house. But here's what I'll say for 10 00:00:44,080 --> 00:00:46,680 Speaker 2: people that listen earlier this week. The sun is sort 11 00:00:46,720 --> 00:00:48,720 Speaker 2: of coming up, Suzanne, is the sun. 12 00:00:50,240 --> 00:00:50,640 Speaker 4: Daylight? 13 00:00:52,640 --> 00:00:56,960 Speaker 1: The sun is setting over our podcast ladies as we speak. 14 00:00:58,000 --> 00:01:02,040 Speaker 1: Pop Culture, Season six, episode eleven, The Perfect Dress, Here 15 00:01:02,080 --> 00:01:05,160 Speaker 1: we Go. Laura and r are talking about the trip 16 00:01:05,200 --> 00:01:08,679 Speaker 1: to Atlantic City for Rory's twenty first birthday. God, you know, 17 00:01:08,880 --> 00:01:11,240 Speaker 1: don't you wish you could have seen it in Atlantic City? 18 00:01:11,280 --> 00:01:14,440 Speaker 2: Actually, actually yes, that would have been It would. 19 00:01:14,200 --> 00:01:16,360 Speaker 1: Have been a blessed Laurel. I I must say I'm 20 00:01:16,360 --> 00:01:19,400 Speaker 1: pretty proud of how quickly we got them, and also 21 00:01:19,440 --> 00:01:22,040 Speaker 1: the fact that no one questioned us when we said 22 00:01:22,040 --> 00:01:26,200 Speaker 1: our names. And Lisa, Wendy and Lisa, briefly known as 23 00:01:26,720 --> 00:01:32,399 Speaker 1: Girl Brothers or a music duo consisting of Wendy Melvillone 24 00:01:33,360 --> 00:01:37,560 Speaker 1: and Lisa Coleman. They began working with Prince in the 25 00:01:37,600 --> 00:01:39,840 Speaker 1: early eighties, and we're part of his band The Revolution, 26 00:01:40,000 --> 00:01:43,240 Speaker 1: before branching out on their own. What a band The 27 00:01:43,319 --> 00:01:47,080 Speaker 1: Revolution was and may still be. That was a heck 28 00:01:47,120 --> 00:01:50,280 Speaker 1: of a band, Laurelai, I agree is referring to a 29 00:01:50,320 --> 00:01:55,160 Speaker 1: well known musical duo, but nobody in Atlantic City realized 30 00:01:55,360 --> 00:01:56,160 Speaker 1: their reference. 31 00:01:56,720 --> 00:01:59,480 Speaker 2: I don't remember Wendy and Lisa, but I obviously remember 32 00:02:00,040 --> 00:02:01,520 Speaker 2: prints in the Revelation. 33 00:02:01,680 --> 00:02:05,760 Speaker 1: Laurel and Rory telling Luke about their trip to Atlantic City. Rory, 34 00:02:06,080 --> 00:02:10,000 Speaker 1: but we wound up seeing Tony Danza, who was sublime. Laurel, I, oh, 35 00:02:10,080 --> 00:02:16,200 Speaker 1: the tap dancing. That might have been the best play 36 00:02:16,320 --> 00:02:20,200 Speaker 1: the whole day. Tony Dancer actually does actually tap dance 37 00:02:20,240 --> 00:02:23,280 Speaker 1: and sing and really performed in Atlantic City starting in 38 00:02:23,320 --> 00:02:26,560 Speaker 1: nineteen ninety five and has continued to do so throughout 39 00:02:26,760 --> 00:02:28,880 Speaker 1: the years. Did you know there is a metal rock 40 00:02:28,960 --> 00:02:32,240 Speaker 1: band called the Tony Dancer Tap Dance Extrava, an. 41 00:02:35,280 --> 00:02:39,280 Speaker 2: Oh my gosh right name. 42 00:02:39,760 --> 00:02:44,840 Speaker 1: As a joke about Tony Dance's tap dancing talent. Now 43 00:02:44,840 --> 00:02:48,280 Speaker 1: here's the thing the guy has the guts to go 44 00:02:48,360 --> 00:02:51,040 Speaker 1: out there and do something like this, you know, given 45 00:02:51,120 --> 00:02:56,200 Speaker 1: his background as a boxer and then an actor, you 46 00:02:56,240 --> 00:03:00,640 Speaker 1: know who really shot the fame and and now he's 47 00:03:01,520 --> 00:03:05,280 Speaker 1: you know, he wants to try something else. I mean 48 00:03:05,320 --> 00:03:09,200 Speaker 1: I can relate to that. You know, I did an 49 00:03:09,200 --> 00:03:12,640 Speaker 1: EP I released a single, right, So there's like a 50 00:03:12,639 --> 00:03:16,360 Speaker 1: lot of potential embarrassment there and all that, like, oh god, 51 00:03:16,520 --> 00:03:19,160 Speaker 1: you know, what the heck is this guy thinking about? 52 00:03:19,760 --> 00:03:22,160 Speaker 1: But the thing is, it's like, if you want to 53 00:03:22,200 --> 00:03:24,639 Speaker 1: express yourself, if you want to spread your wings a 54 00:03:24,680 --> 00:03:26,679 Speaker 1: little bit and try new things, what the heck's wrong 55 00:03:26,720 --> 00:03:31,280 Speaker 1: with that? So I think that Tony Dance are doing 56 00:03:31,320 --> 00:03:34,600 Speaker 1: the whole tap dancing thing. Yeah, people joke about it 57 00:03:34,639 --> 00:03:36,920 Speaker 1: and all the stuff, But the guy's living his life 58 00:03:36,920 --> 00:03:40,680 Speaker 1: and he's enjoying his life, and he's connecting with people, 59 00:03:40,800 --> 00:03:42,280 Speaker 1: he's connecting with his fans. 60 00:03:43,120 --> 00:03:45,880 Speaker 2: And then the exact opposite of what you're saying, I 61 00:03:45,920 --> 00:03:47,400 Speaker 2: just want to know what happened to the Who's the 62 00:03:47,440 --> 00:03:48,360 Speaker 2: Boss reboot? 63 00:03:51,920 --> 00:03:54,400 Speaker 1: I have no idea. I don't want to know. 64 00:03:54,320 --> 00:03:56,840 Speaker 2: What Tony Mascelli's doing now, And I thought we were 65 00:03:56,920 --> 00:03:57,960 Speaker 2: going to find out. 66 00:03:57,960 --> 00:04:01,000 Speaker 1: But wasn't listen a lot of living in the jungle 67 00:04:01,040 --> 00:04:01,520 Speaker 1: somewhere and. 68 00:04:01,960 --> 00:04:04,600 Speaker 2: No, listen Milano. They've been working on some Who's the 69 00:04:04,600 --> 00:04:06,560 Speaker 2: Boss reboot and I want to know what's happening. 70 00:04:06,600 --> 00:04:09,840 Speaker 1: But I thought I thought Alissa Milana was like one 71 00:04:09,920 --> 00:04:13,240 Speaker 1: hundred percent political. Now she's like hangs out Washington and 72 00:04:13,280 --> 00:04:14,840 Speaker 1: bird dogs report some much. 73 00:04:14,920 --> 00:04:19,640 Speaker 2: I think that is somewhat somewhat true, right, somewhat true? 74 00:04:19,760 --> 00:04:25,000 Speaker 1: Yeah, what do I know? I don't anyway, Amy, you 75 00:04:25,000 --> 00:04:26,039 Speaker 1: want to do this, say. 76 00:04:25,920 --> 00:04:28,920 Speaker 2: You want to do this, I'll go. Sukhi and Loura 77 00:04:28,960 --> 00:04:30,880 Speaker 2: Lai are walking in the street and Suki is trying 78 00:04:30,880 --> 00:04:33,520 Speaker 2: to convince Laura to go to the wedding dress stop shop. 79 00:04:34,040 --> 00:04:37,679 Speaker 2: What are you talking about? You have the golden ticket. 80 00:04:38,320 --> 00:04:40,600 Speaker 2: Suki is referring to the film Willie Wanka in the 81 00:04:40,640 --> 00:04:43,040 Speaker 2: Chocolate Factory, where there was a lottery for a golden 82 00:04:43,080 --> 00:04:46,320 Speaker 2: ticket to enter the chocolate factory. In the film, Charlie 83 00:04:46,360 --> 00:04:49,320 Speaker 2: and his grandpa saying I've got a golden ticket. I'm 84 00:04:49,360 --> 00:04:51,760 Speaker 2: probably not doing the right tune, but Suki says her 85 00:04:51,800 --> 00:04:54,159 Speaker 2: ring is the golden ticket to get them into a 86 00:04:54,200 --> 00:04:57,680 Speaker 2: wedding dress shop, which this was cute Charlie and the 87 00:04:57,760 --> 00:05:01,120 Speaker 2: Chocolate Factory is quite topical because Wonka's coming out with 88 00:05:01,560 --> 00:05:07,480 Speaker 2: Timothy shallow May so all good. I was torn between 89 00:05:08,120 --> 00:05:12,920 Speaker 2: wanting to go to the Chocolate Factory and also being 90 00:05:12,920 --> 00:05:16,120 Speaker 2: a little scared of the chocolate factory in my growing up, 91 00:05:16,839 --> 00:05:20,479 Speaker 2: because like, I'm not so much the Johnny Depp Wonka 92 00:05:20,560 --> 00:05:26,600 Speaker 2: as the one before it. Yeah, who was that? 93 00:05:27,160 --> 00:05:28,080 Speaker 1: Who was was that? 94 00:05:29,640 --> 00:05:31,560 Speaker 2: That was Gene Wilder. That's right, he was the o 95 00:05:31,680 --> 00:05:34,200 Speaker 2: g Yeah, so. 96 00:05:35,839 --> 00:05:36,920 Speaker 1: All right, she's saying, you're. 97 00:05:36,800 --> 00:05:42,119 Speaker 4: Up, all right, Suki and Laurele I are better left, 98 00:05:44,960 --> 00:05:48,440 Speaker 4: so true. Suki and Laurele I are at the wedding 99 00:05:48,480 --> 00:05:51,400 Speaker 4: dress shop seeing an over the top dress, and Laurel 100 00:05:51,440 --> 00:05:53,640 Speaker 4: I says, I think this is the one Divine turned 101 00:05:53,680 --> 00:05:57,680 Speaker 4: down for being too over the top. Harris Glenn Milstead, 102 00:05:57,800 --> 00:06:00,960 Speaker 4: better known by the stage name Divine, was an American actor, 103 00:06:01,080 --> 00:06:03,960 Speaker 4: drag queen, and singer. She's known as the drag Queen 104 00:06:04,000 --> 00:06:06,680 Speaker 4: of the Century. Lorlia is referring to a dress she 105 00:06:06,720 --> 00:06:09,160 Speaker 4: sees that even a drag queen star wouldn't wear. 106 00:06:11,040 --> 00:06:15,599 Speaker 1: Oh well, I remember dress was brath. I remember experiencing 107 00:06:15,800 --> 00:06:19,680 Speaker 1: all those John Waters films. Oh yeah, when they first 108 00:06:19,720 --> 00:06:23,640 Speaker 1: came out What Pink Flaming Goes, and there was a yeah. 109 00:06:23,800 --> 00:06:30,279 Speaker 1: They were definitely what you would call independent films, not 110 00:06:30,960 --> 00:06:38,080 Speaker 1: for mass consumption anyway, Who's up you are? Is it me? 111 00:06:38,760 --> 00:06:40,920 Speaker 1: Is it me? Someone is trying to sell off an 112 00:06:40,920 --> 00:06:46,799 Speaker 1: antique dish, but miss miss Kim, miss miss Kim, Yeah, 113 00:06:47,040 --> 00:06:52,559 Speaker 1: missus Kim knows it's not one. Missus Kim. Look woman 114 00:06:52,640 --> 00:06:56,280 Speaker 1: coming here. Somebody's full sep nine milk lass. She think 115 00:06:56,320 --> 00:06:58,039 Speaker 1: my mother dropped on my head when I'm baky, I 116 00:06:58,080 --> 00:07:00,160 Speaker 1: know to jel lost and when I see it was 117 00:07:00,839 --> 00:07:04,400 Speaker 1: Nigella law sins an English food writer and chef. Missus 118 00:07:04,600 --> 00:07:07,599 Speaker 1: Kim is referring to well known chef who has a 119 00:07:07,680 --> 00:07:11,239 Speaker 1: cook wear line. So Niell Lawson has a whole life. 120 00:07:11,800 --> 00:07:13,520 Speaker 2: Yeah, she sure does. 121 00:07:13,480 --> 00:07:17,000 Speaker 1: Good for her selling it. 122 00:07:19,480 --> 00:07:23,040 Speaker 2: She's sort of like she's no Martha Stewart, No is 123 00:07:23,080 --> 00:07:23,520 Speaker 2: she like? 124 00:07:23,640 --> 00:07:25,640 Speaker 1: Is she is? It? Is? She British? 125 00:07:26,280 --> 00:07:28,560 Speaker 2: I can't remember, but she's to me it doesn't She's 126 00:07:28,600 --> 00:07:32,320 Speaker 2: not like Rachel. What's that Rachel's last name? Suzanne? Come on, 127 00:07:32,400 --> 00:07:37,760 Speaker 2: I know you got it? Yeah, Rachel, Ray, Martha, I 128 00:07:37,800 --> 00:07:40,160 Speaker 2: don't know who. The few others are bigger. 129 00:07:40,680 --> 00:07:43,520 Speaker 1: Yeah, I'll tell you, nobody sells crap like Americans. O say, 130 00:07:43,880 --> 00:07:44,520 Speaker 1: Oh my gosh. 131 00:07:44,680 --> 00:07:47,800 Speaker 2: I love home goods more than anything. I just literally do. 132 00:07:48,600 --> 00:07:51,200 Speaker 2: Rory and Laura Lei are talking about Rory's new apartment. Oh, 133 00:07:51,200 --> 00:07:55,360 Speaker 2: come on, it's not that bad. It's Angela's Ashes. It's basic. 134 00:07:55,600 --> 00:08:01,320 Speaker 2: It's samford AND's son. So Anne Ashes is a film 135 00:08:01,360 --> 00:08:04,760 Speaker 2: based on the book by Frank McCourt that follows the 136 00:08:04,800 --> 00:08:08,080 Speaker 2: experiences of a young Frankie and his family living poverty 137 00:08:08,560 --> 00:08:12,600 Speaker 2: in pre war Limerick, sanford AND's son. Great theme song 138 00:08:13,040 --> 00:08:16,360 Speaker 2: Music is a TV show about a widower and junk 139 00:08:16,400 --> 00:08:20,960 Speaker 2: dealer living in South Oh yeah good one living in 140 00:08:21,040 --> 00:08:25,680 Speaker 2: South central la laurelized comparing Rory's new apartment to a 141 00:08:25,800 --> 00:08:28,000 Speaker 2: junk garage in Sanford and cent are a pre war 142 00:08:28,040 --> 00:08:33,400 Speaker 2: home like Angela's Ashes. All, I still don't hate that apartment. 143 00:08:33,760 --> 00:08:35,640 Speaker 2: I mean, I don't want to live there, but I 144 00:08:35,679 --> 00:08:40,840 Speaker 2: don't College kids can be fine and a lot of junk. 145 00:08:42,240 --> 00:08:44,520 Speaker 1: I could have done without the dark gray wall. 146 00:08:45,559 --> 00:08:48,719 Speaker 2: This next one, yeah, I didn't mind that, Suzanne. This 147 00:08:48,800 --> 00:08:51,600 Speaker 2: next one is so good because this person that you're 148 00:08:51,600 --> 00:08:54,120 Speaker 2: about to reveal just got their star on the Hollywood 149 00:08:54,120 --> 00:08:54,760 Speaker 2: Walk of Fame. 150 00:08:55,080 --> 00:08:56,520 Speaker 4: Yeah, I just saw that yesterday. 151 00:08:56,559 --> 00:08:58,840 Speaker 2: So this is such a cute clip that's going around 152 00:08:58,840 --> 00:09:03,280 Speaker 2: with him because he's like to the Brenda song. It's 153 00:09:03,280 --> 00:09:04,360 Speaker 2: a really cute clip. 154 00:09:04,679 --> 00:09:06,000 Speaker 4: You go, I didn't see that part. 155 00:09:06,280 --> 00:09:06,959 Speaker 2: It's cute. 156 00:09:07,120 --> 00:09:08,320 Speaker 4: Let me read it and then we'll talk about it. 157 00:09:09,040 --> 00:09:11,560 Speaker 4: So Luke is visiting Anna and says he never wanted 158 00:09:11,640 --> 00:09:14,200 Speaker 4: kids when they were together, and it says you would 159 00:09:14,200 --> 00:09:16,480 Speaker 4: flip out if you saw a woman breastfeeding in public, 160 00:09:16,600 --> 00:09:19,079 Speaker 4: you couldn't stand to watch diaper commercials, and you had 161 00:09:19,080 --> 00:09:23,559 Speaker 4: an unnatural hatred of mccaullay culkin. In the nineties, McCauley 162 00:09:23,600 --> 00:09:25,920 Speaker 4: culkin was one of the most famous child stars from 163 00:09:26,080 --> 00:09:29,440 Speaker 4: his hit film Home Alone, and Anna is naming off 164 00:09:29,520 --> 00:09:31,959 Speaker 4: examples of how Luke used to react to children. 165 00:09:32,320 --> 00:09:37,200 Speaker 2: Okay, I mean, let's bring it full around. McCauley Culkin 166 00:09:37,360 --> 00:09:42,640 Speaker 2: was in Richie Rich and Ed Herman was also in 167 00:09:42,760 --> 00:09:50,760 Speaker 2: Richie Rich. So yeah, and look, mccaullay culkin was so 168 00:09:51,280 --> 00:09:55,880 Speaker 2: adorable at the time, but he was so sweet. I'm 169 00:09:55,920 --> 00:09:58,120 Speaker 2: sort of glad he's sort of got making some sort 170 00:09:58,160 --> 00:10:00,480 Speaker 2: of a comeback. I think he makes the back he 171 00:10:00,520 --> 00:10:03,920 Speaker 2: wants to make because He's got enough money to live forever, 172 00:10:04,000 --> 00:10:05,560 Speaker 2: so he does what he wants to do. 173 00:10:06,280 --> 00:10:11,280 Speaker 1: Isn't his brother Kieran His brother is in succession. 174 00:10:11,320 --> 00:10:14,240 Speaker 2: Yes, and the brother is like amazing. 175 00:10:14,000 --> 00:10:18,000 Speaker 1: Secession brilliance, dramatic and comedic brilliance. 176 00:10:19,000 --> 00:10:20,800 Speaker 2: Yeah, he's sort of having his moment. 177 00:10:21,160 --> 00:10:26,280 Speaker 1: I saw the episode on the plane today where Brian 178 00:10:26,360 --> 00:10:27,080 Speaker 1: Cox dies. 179 00:10:28,080 --> 00:10:34,040 Speaker 2: Oh, I didn't even know Boiler. 180 00:10:38,520 --> 00:10:42,560 Speaker 1: I'm just catch succession is over. I don't know, but 181 00:10:42,640 --> 00:10:45,760 Speaker 1: I'm just discovering The Crown for the first time. And 182 00:10:45,760 --> 00:10:48,360 Speaker 1: if people have been obsessed with the show for years 183 00:10:48,360 --> 00:10:51,400 Speaker 1: and I'm just like binging it on off days when 184 00:10:51,400 --> 00:10:54,480 Speaker 1: I have, like, you know, a couple of hours up 185 00:10:54,559 --> 00:10:57,360 Speaker 1: in Halifax, I can't believe upgrade the show is. It's 186 00:10:57,400 --> 00:10:57,880 Speaker 1: really good. 187 00:10:57,920 --> 00:10:58,640 Speaker 4: I love The Crown. 188 00:10:58,840 --> 00:10:59,360 Speaker 1: Oh God. 189 00:11:08,800 --> 00:11:11,160 Speaker 2: Rory on the phone with Lauraai talking about her therapy 190 00:11:11,160 --> 00:11:14,760 Speaker 2: appointment since I went on Francis Farmer and My Psychologist 191 00:11:14,840 --> 00:11:18,640 Speaker 2: evaluation today. Francis Farmer was an actress who gained notoriety 192 00:11:18,679 --> 00:11:22,800 Speaker 2: for sensationalized accounts of her life, especially her involuntary commitment 193 00:11:22,840 --> 00:11:26,040 Speaker 2: to psychiatric hospitals and mental health struggles. I never heard 194 00:11:26,040 --> 00:11:28,480 Speaker 2: of this person. Ory's comparing herself to someone who had 195 00:11:28,480 --> 00:11:32,160 Speaker 2: a psychotic episode, because she went crazy in her appointment 196 00:11:33,160 --> 00:11:35,680 Speaker 2: after she had run into Logan in the hallway and 197 00:11:35,720 --> 00:11:36,800 Speaker 2: he told her he loved her. 198 00:11:37,320 --> 00:11:39,400 Speaker 1: Laurai, well, don't let them put with on any of 199 00:11:39,440 --> 00:11:43,240 Speaker 1: those pills. Tom Cruise will be very upset. Tom Cruise 200 00:11:43,320 --> 00:11:46,200 Speaker 1: is an actor. He doesn't believe in taking pills for 201 00:11:46,280 --> 00:11:51,200 Speaker 1: depression or adh D laurel ies joking. Tom Cruise would 202 00:11:51,280 --> 00:11:55,479 Speaker 1: not approve befo Ory got on any pills for depression. 203 00:11:55,559 --> 00:12:00,240 Speaker 2: This one was funny because this one was funny because 204 00:12:00,240 --> 00:12:02,640 Speaker 2: it made me think when he said to Matt Lower, 205 00:12:02,800 --> 00:12:07,000 Speaker 2: Matt Lower, you're being so glib. Kind of had that tussle. 206 00:12:07,400 --> 00:12:11,080 Speaker 1: Listen. I watched Mission Impossible, Dead Reckoning. 207 00:12:11,440 --> 00:12:12,520 Speaker 2: I didn't like it. 208 00:12:12,679 --> 00:12:13,480 Speaker 1: On the plane. 209 00:12:14,080 --> 00:12:15,080 Speaker 2: Did you like it? 210 00:12:16,480 --> 00:12:21,880 Speaker 1: I did like it. I compare anything Mission Impossibly to 211 00:12:22,360 --> 00:12:25,240 Speaker 1: James Bond, and it's really not a fair to put 212 00:12:25,280 --> 00:12:29,080 Speaker 1: anything up against James Bond, but it's our it's our 213 00:12:29,360 --> 00:12:32,120 Speaker 1: version of James Bond. Tom Cruise is our James Bond 214 00:12:32,280 --> 00:12:33,280 Speaker 1: in Mission Impossible. 215 00:12:33,600 --> 00:12:35,439 Speaker 2: I am three, And. 216 00:12:35,480 --> 00:12:39,360 Speaker 1: I really liked I like that actress that Haley. 217 00:12:39,120 --> 00:12:41,880 Speaker 2: At well, yeah, yeah, yeah, she's. 218 00:12:41,679 --> 00:12:44,840 Speaker 1: A terrific stage actress too. She just won a bunch 219 00:12:44,880 --> 00:12:47,200 Speaker 1: of awards for stage work in London a couple of 220 00:12:47,240 --> 00:12:50,080 Speaker 1: years ago. She's she's a real talent, you know, she's 221 00:12:50,120 --> 00:12:53,400 Speaker 1: a really, really, like the real deal talent. And I 222 00:12:53,400 --> 00:12:55,880 Speaker 1: thought she was great in it. But I didn't see 223 00:12:55,880 --> 00:12:58,240 Speaker 1: the end of it. I only saw it was Scott. 224 00:12:58,280 --> 00:13:00,880 Speaker 2: That's what happened to me. I love to Cruise right like, 225 00:13:00,960 --> 00:13:03,880 Speaker 2: I love Top Gun like I love like, I love 226 00:13:03,880 --> 00:13:06,400 Speaker 2: all this kind of movies. For some reason, I only 227 00:13:06,440 --> 00:13:08,280 Speaker 2: got halfway through it and I was like, I'm out, 228 00:13:08,320 --> 00:13:09,240 Speaker 2: I can't watch no. 229 00:13:08,920 --> 00:13:09,320 Speaker 1: No, no. 230 00:13:09,920 --> 00:13:11,920 Speaker 2: The thing is, we landed and there was a lot 231 00:13:12,559 --> 00:13:15,400 Speaker 2: I show up movie on a plane that you can't finish. 232 00:13:16,679 --> 00:13:19,720 Speaker 1: It's weird. Well, it's like you, it's a free country, 233 00:13:20,080 --> 00:13:20,760 Speaker 1: make choice. 234 00:13:20,800 --> 00:13:23,839 Speaker 2: You were watching it. I'm like, in nineteen eighty nine, 235 00:13:24,040 --> 00:13:26,640 Speaker 2: thinking it's like a movie that the plane had. 236 00:13:26,720 --> 00:13:29,720 Speaker 4: I forgot everybody watches the same thing. 237 00:13:31,080 --> 00:13:32,760 Speaker 1: Literally, clip on the film. 238 00:13:32,679 --> 00:13:36,600 Speaker 2: Dated myself so hard because I haven't been on a 239 00:13:36,600 --> 00:13:42,520 Speaker 2: plane since nineteen ninety seven. So I literally just realized 240 00:13:42,640 --> 00:13:44,880 Speaker 2: you were watching and it's not on like the old 241 00:13:45,120 --> 00:13:47,760 Speaker 2: screen that you Oh my. 242 00:13:47,640 --> 00:13:49,880 Speaker 4: God, headphones. 243 00:13:49,920 --> 00:13:54,200 Speaker 1: Now I'm at the point where I'm at the point 244 00:13:54,280 --> 00:14:02,840 Speaker 1: where his the girl that was the sniper in the 245 00:14:02,880 --> 00:14:06,520 Speaker 1: desert was she's been killed by sign Morales. 246 00:14:07,800 --> 00:14:09,360 Speaker 2: Yeah, yeah, yeah, he's. 247 00:14:09,320 --> 00:14:12,240 Speaker 1: In a knife fight had so she lost the night fight. 248 00:14:12,880 --> 00:14:16,880 Speaker 1: And now they're trying to recruit Hallietwell and their their 249 00:14:16,920 --> 00:14:20,040 Speaker 1: ghost thing. So that's yeah where that's when we landed. 250 00:14:20,160 --> 00:14:22,640 Speaker 1: I'm like, I don't have the thing, and so I got. 251 00:14:22,760 --> 00:14:25,520 Speaker 2: I didn't get that far. But the thing is get 252 00:14:25,560 --> 00:14:25,880 Speaker 2: that far. 253 00:14:25,960 --> 00:14:28,000 Speaker 1: The technology on the plane is really old, so you 254 00:14:28,080 --> 00:14:29,960 Speaker 1: got to sit there and put it on fast forward 255 00:14:30,720 --> 00:14:32,720 Speaker 1: to get to that point. It takes twenty minutes to 256 00:14:32,760 --> 00:14:34,880 Speaker 1: get to the point because it's a slope kind of 257 00:14:34,880 --> 00:14:37,960 Speaker 1: a fast forward, and and then. 258 00:14:38,160 --> 00:14:40,080 Speaker 2: Do you just finish it like on your computer? 259 00:14:40,880 --> 00:14:43,360 Speaker 1: Why not just stop talking about it's not that interesting anywhere. 260 00:14:43,440 --> 00:14:46,320 Speaker 2: Go Wait. No, everybody has to say their favorite all 261 00:14:46,400 --> 00:14:48,280 Speaker 2: time Tom Cruise movie before we move on. 262 00:14:49,320 --> 00:14:54,720 Speaker 1: Oh wow, favorite Tom. I like, I liked him in Collateral. 263 00:14:55,680 --> 00:14:58,840 Speaker 2: Oh yeah, you've said that. That's not my choice. I'm Tom. 264 00:14:59,080 --> 00:15:02,520 Speaker 2: I like Top Gun obviously, but I loved Jerry Maguire. 265 00:15:02,680 --> 00:15:04,480 Speaker 2: I thought that was such an awesome movie. 266 00:15:05,880 --> 00:15:08,400 Speaker 1: He's just been in He's been in so many good things. 267 00:15:08,200 --> 00:15:08,920 Speaker 1: It's hard. 268 00:15:09,800 --> 00:15:12,320 Speaker 4: I'm gonna have to go old school and say risky business. 269 00:15:12,320 --> 00:15:16,880 Speaker 1: I'm going risky business too for his early work, for 270 00:15:16,960 --> 00:15:21,880 Speaker 1: his later work, I'm gonna do uh. But I did 271 00:15:22,000 --> 00:15:25,160 Speaker 1: like Top Gun Maverick me too. 272 00:15:25,240 --> 00:15:25,600 Speaker 2: I love that. 273 00:15:26,080 --> 00:15:29,080 Speaker 1: I really liked it. I it was just because those 274 00:15:29,080 --> 00:15:30,760 Speaker 1: are hard to do. But there was enough time that 275 00:15:30,840 --> 00:15:33,640 Speaker 1: went by, the decades went by before they did the reboot. 276 00:15:33,680 --> 00:15:34,320 Speaker 1: I thought it was weird. 277 00:15:34,360 --> 00:15:36,680 Speaker 2: None of you said Rock of Ages just kidding? 278 00:15:37,280 --> 00:15:39,000 Speaker 1: What was what was that? 279 00:15:39,000 --> 00:15:41,720 Speaker 2: That's you never saw it? You gotta see it. Toms 280 00:15:41,760 --> 00:15:46,720 Speaker 2: like Bully just sings. He's like, it's like Julianne Huff 281 00:15:46,800 --> 00:15:51,520 Speaker 2: and Rock of Ages. Yeah, the stage show that Tom 282 00:15:51,600 --> 00:15:53,240 Speaker 2: Cruise did and it was like very I mean, he 283 00:15:53,280 --> 00:15:56,440 Speaker 2: fully sings in it, but it's not it's not it's. 284 00:15:57,120 --> 00:16:01,480 Speaker 1: That guy's got a billion dollar billion a watt smile. 285 00:16:01,400 --> 00:16:04,880 Speaker 2: Dude, that guy's got a billion dollars too. A lot 286 00:16:04,920 --> 00:16:08,160 Speaker 2: of teeth, a lot of teeth correct correct, Okay. 287 00:16:08,280 --> 00:16:10,920 Speaker 4: Luke is talking to Anna about wanting to be in 288 00:16:10,960 --> 00:16:14,640 Speaker 4: April's life and Anna tells him to go read Deanie, 289 00:16:14,760 --> 00:16:17,680 Speaker 4: and he says, what the hell is Deanie? Anna replies 290 00:16:17,720 --> 00:16:21,480 Speaker 4: the gospel according to Judy Bloom. I love this reference Deanie. 291 00:16:21,480 --> 00:16:25,480 Speaker 2: This was when April had her Deanie stage. That's what 292 00:16:25,520 --> 00:16:28,280 Speaker 2: it was, because remember she went through a Deanie stage. 293 00:16:28,280 --> 00:16:29,920 Speaker 2: And he goes, what the hell is Deanie? 294 00:16:30,320 --> 00:16:33,280 Speaker 4: Yeah, they kind of talked about it in two separate sections, 295 00:16:33,320 --> 00:16:36,040 Speaker 4: but right walking out the door, he says, what the 296 00:16:36,040 --> 00:16:39,400 Speaker 4: hell is Deanie? And the gospel according to and she 297 00:16:39,440 --> 00:16:42,520 Speaker 4: tells him he should read it. So Deani is a 298 00:16:42,560 --> 00:16:46,000 Speaker 4: book written by Judy Bloom. Deanie chronicles the life of 299 00:16:46,080 --> 00:16:49,760 Speaker 4: thirteen year old will Medine Deanie Fenner, whose mother Thelma, 300 00:16:49,800 --> 00:16:52,920 Speaker 4: is determined to have her become a model. But Deanie 301 00:16:53,000 --> 00:16:56,400 Speaker 4: is diagnosed with scoliosis and has prescribed a body brace 302 00:16:56,440 --> 00:16:57,720 Speaker 4: to wear for the next four years. 303 00:16:57,760 --> 00:17:00,760 Speaker 2: Oh my god, Remember, okay, is scolios is still a thing. 304 00:17:01,120 --> 00:17:04,800 Speaker 2: Remember when we were in seventh grade you had to 305 00:17:04,840 --> 00:17:08,640 Speaker 2: get checked. Scolio is kind of awkward because you had 306 00:17:08,640 --> 00:17:12,080 Speaker 2: to like be in the gym in the locker room 307 00:17:12,160 --> 00:17:14,560 Speaker 2: and you had to like I kind of remember that, 308 00:17:14,640 --> 00:17:18,280 Speaker 2: like awkward, like yes, pulling your shirt up thing, and 309 00:17:18,320 --> 00:17:19,720 Speaker 2: I'm like, what is this? 310 00:17:20,160 --> 00:17:22,640 Speaker 1: Remember soap? Remember soap on a rope? 311 00:17:23,520 --> 00:17:25,480 Speaker 2: Of course, I remember soap. 312 00:17:25,160 --> 00:17:30,160 Speaker 1: On a rope. I'm gonna I'm gonna bring that back anyway. 313 00:17:31,560 --> 00:17:31,919 Speaker 1: That's it. 314 00:17:32,000 --> 00:17:36,080 Speaker 2: Everybody, wait, don't let me. I have to talk about 315 00:17:36,160 --> 00:17:39,520 Speaker 2: Judy Bloom. It's awesomeness for at least thirty seconds. 316 00:17:39,680 --> 00:17:41,560 Speaker 1: All right, we're gonna hit the pause button and the 317 00:17:41,600 --> 00:17:44,440 Speaker 1: floor is yours. Thank you, Representative Amy. 318 00:17:47,000 --> 00:17:52,480 Speaker 2: If you're my age or anywhere around, watch the Judy 319 00:17:52,560 --> 00:17:56,840 Speaker 2: Bloom documentary because I obviously grew up on like Judy 320 00:17:56,920 --> 00:17:59,720 Speaker 2: Bloom books, but I did not even realize how like 321 00:18:00,119 --> 00:18:04,679 Speaker 2: controversial the books were and how like edgy and like 322 00:18:05,760 --> 00:18:09,159 Speaker 2: forwards she was to write about all the things she 323 00:18:09,240 --> 00:18:12,919 Speaker 2: wrote about. So like, shout out to Judy Bloom for 324 00:18:13,000 --> 00:18:16,840 Speaker 2: being freaking awesome. Yeah, thank you, thank you for coming 325 00:18:16,840 --> 00:18:17,880 Speaker 2: to my ted talk. 326 00:18:19,640 --> 00:18:25,119 Speaker 1: And uh are you good? Okay, Yeah, I'm good with 327 00:18:25,200 --> 00:18:31,200 Speaker 1: Judy Bloom. Good deal, Good deal, everybody. Next episode, Season six, 328 00:18:31,240 --> 00:18:35,879 Speaker 1: episode twelve, Just like when and Gavin Ladies, it was 329 00:18:36,040 --> 00:18:38,640 Speaker 1: a joyous bedroom. 330 00:18:38,520 --> 00:18:42,960 Speaker 2: Scott like, literally, give me Suzanne and I some projects. 331 00:18:43,160 --> 00:18:44,680 Speaker 1: I'm starting to get low now. 332 00:18:45,280 --> 00:18:50,200 Speaker 2: Yeah, we I know, I'm like literally hole, but. 333 00:18:50,200 --> 00:18:51,520 Speaker 1: I have to get up and go on the floor 334 00:18:51,520 --> 00:18:52,480 Speaker 1: and meet the fans. 335 00:18:52,800 --> 00:18:56,800 Speaker 2: Good on Suzanne for getting up at four fifty five and. 336 00:18:56,880 --> 00:19:00,280 Speaker 1: Four thirty No, what I love you guys. Dedicated, We'll 337 00:19:00,359 --> 00:19:06,080 Speaker 1: talk about dedicated, talk about just showing up for the team. 338 00:19:06,119 --> 00:19:06,560 Speaker 2: Thank you. 339 00:19:07,040 --> 00:19:09,720 Speaker 1: That's awesome. And you don't know, don't go yet. We're 340 00:19:09,720 --> 00:19:16,800 Speaker 1: still talking, still talking night. Don't go anywhere, don't get anywhere. Hey, 341 00:19:17,440 --> 00:19:19,320 Speaker 1: is that a camel in your bedroom? How's the camera? 342 00:19:19,960 --> 00:19:25,080 Speaker 2: Can I please at least mention during this five a m. Session. 343 00:19:25,119 --> 00:19:27,600 Speaker 2: I have gotten three texts from people. 344 00:19:28,119 --> 00:19:33,199 Speaker 1: It's unbelievable. It's unbelievable. All right, everybody that's gonna do it. 345 00:19:33,240 --> 00:19:34,919 Speaker 1: Amy's got to go to bed. I gotta work on 346 00:19:34,960 --> 00:19:36,880 Speaker 1: my soap for the rope collection. She's got to get 347 00:19:36,880 --> 00:19:39,040 Speaker 1: the camel out of her bedroom. So his Anne's got 348 00:19:39,040 --> 00:19:43,600 Speaker 1: a a cat that won't labor alone. Her needs to eat. 349 00:19:43,720 --> 00:19:47,000 Speaker 1: She needs to eat. How's John doing? How's everything going 350 00:19:47,040 --> 00:19:48,600 Speaker 1: with Johnny? Hope? Give them our best? 351 00:19:48,960 --> 00:19:51,920 Speaker 2: John says, you wait till we have the Scott Patterson 352 00:19:52,040 --> 00:19:56,760 Speaker 2: soap on a rope? Fillmore girls soap on a rope? 353 00:19:57,240 --> 00:20:00,680 Speaker 1: No, it's the SGP soap on a rope. It's gonna 354 00:20:00,680 --> 00:20:04,320 Speaker 1: be Alie. Everybody, best fans. All the plane keeps cards, letters, 355 00:20:04,320 --> 00:20:06,399 Speaker 1: come and Susan French. 356 00:20:06,920 --> 00:20:09,680 Speaker 2: Shout out to producer Andrew for filling in because our 357 00:20:09,760 --> 00:20:12,600 Speaker 2: actual producers did not want to get up at four 358 00:20:12,640 --> 00:20:13,199 Speaker 2: in the morning. 359 00:20:14,119 --> 00:20:16,960 Speaker 1: Wow, No they were. They're still there's still a jingle ball. Yeah, 360 00:20:18,200 --> 00:20:19,639 Speaker 1: they're still over there. 361 00:20:21,000 --> 00:21:18,120 Speaker 5: All right bye, everybody, love y'all. Uh, stay safe everyone. 362 00:20:53,600 --> 00:20:57,080 Speaker 1: Everybody, and don't forget. Follow us on Instagram at I 363 00:20:57,119 --> 00:21:02,359 Speaker 1: Am All In podcast and email us Gilmore at iHeartRadio 364 00:21:02,720 --> 00:21:13,080 Speaker 1: dot com.