WEBVTT - Episode 203 w/ Jaz-O

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<v Speaker 1>And his Drink Chats motherfucking podcast Mason, he's a legendary

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<v Speaker 1>Queen's rapper. He's agreed, it's your boy in o R.

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<v Speaker 1>He's a Miami hippoper lioneer. One up is d j

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<v Speaker 1>e f N. Together they drinking up with some of

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<v Speaker 1>the biggest players in the most professional unprofessional podcast and

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<v Speaker 1>yet number one source for drunk back drinks. Motherfucks New year' z.

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<v Speaker 1>That's time for drink champs. Trick up? Motherfuck? Would it

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<v Speaker 1>could be hopelet's this is your boy in O R.

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<v Speaker 1>What up his dj e FN. That's middle to me,

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<v Speaker 1>crazy Royal radio drink chaps, yappy y'all. Motherfucker. Look dude,

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<v Speaker 1>how are you gonna do? Makes up? Right now? When

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<v Speaker 1>you talk about one of the originators, one of the

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<v Speaker 1>people that has been there, still still this test of time,

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<v Speaker 1>still ill here, monkey foot in the game, got an

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<v Speaker 1>ill distribution deal right now, we're gonna get into all

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<v Speaker 1>of that. I'm getting into how they got there. But

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<v Speaker 1>the man has been doing it. He's frong. We've seen him.

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<v Speaker 1>The first time I've seen New York niggas in London

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<v Speaker 1>is with him. First time I see New York city,

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<v Speaker 1>niggas go something where other than even from ship even

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<v Speaker 1>I see them in Virginia. That was like Jesus, that

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<v Speaker 1>was like, you know, that's Virginia was like fucking Jamaica.

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<v Speaker 1>Like I thought you needed a passport to go to

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<v Speaker 1>Virginia at that time. Like the man has been true

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<v Speaker 1>to hip hop, has been one of the most lyrical

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<v Speaker 1>guys here. I've seen him. I'm kicking Rome the other

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<v Speaker 1>day and he still got it. But the beautiful thing

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<v Speaker 1>about is the relationship that you know, you know from

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<v Speaker 1>from the beginning and and you know even the termorial

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<v Speaker 1>to now where they at. I um, I what is

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<v Speaker 1>that applaud that I commend that I loot that you

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<v Speaker 1>know what I'm saying to see where they are, and

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<v Speaker 1>the fact that people from Title's going hard for this.

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<v Speaker 1>I was really, I really think that's commendable. Man, you

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<v Speaker 1>know what I'm saying all these years. But in case

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<v Speaker 1>you don't know what we're talking about, motherfucking jazz. So

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<v Speaker 1>one thing about googled you right, you had you had

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<v Speaker 1>you have a neighbor um Eric Oliver. Yeah, Eric, that

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<v Speaker 1>was the first person to tell you should write away.

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<v Speaker 1>Did your research money because you know, why that name is.

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<v Speaker 1>Listen to what I said. I said, that's a director's

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<v Speaker 1>name in my mind, like that's just sound like somebody

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<v Speaker 1>who's gonna direct Bad Boys five and Ship but ahead.

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<v Speaker 1>So so, how does the person come up to you

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<v Speaker 1>and says, yeo, I think you should write a ride? Well,

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<v Speaker 1>you know basically, um And how old were you when

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<v Speaker 1>when he said this ship? Well he was about he

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<v Speaker 1>was about nine, so I was I was like yeah.

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<v Speaker 1>And it was around the time where you know they was,

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<v Speaker 1>you know, taking the electricity from the light pole having

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<v Speaker 1>you know, so you know he got the music out,

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<v Speaker 1>just cat Lenney Morgan from the building every time they

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<v Speaker 1>had the music out, Like I think, it was just crazy.

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<v Speaker 1>He's just he was good, good, crazy, you know what

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<v Speaker 1>I'm saying. He just run through the lane. So I'm like, jo,

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<v Speaker 1>they got the music out, they got the music out.

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<v Speaker 1>So yes, that's exactly so um So Eric Oliver actually

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<v Speaker 1>lived on the fifth floor. I lived on the sixth

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<v Speaker 1>floor and six park at and his mother and my

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<v Speaker 1>mother were very very good friends. So one day he

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<v Speaker 1>was like, man, yo, you see how they'd be rhyming

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<v Speaker 1>on the mic. You know you should rhymb on the

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<v Speaker 1>mic just like that. I was like making out on

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<v Speaker 1>my face. You know, He's like, I'm telling you, I'm

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<v Speaker 1>telling you the mic. I bet you kid. So he

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<v Speaker 1>did the reverse psychology ship on me. I bet you can't. Yeah,

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<v Speaker 1>so can you remember the guys that were rhyming on

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<v Speaker 1>the mic that he was telling you should be like them? Uh,

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<v Speaker 1>way way back then, if you were a DJ, you

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<v Speaker 1>more than likely you were an MC two. When you've

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<v Speaker 1>got somebody back then, back then the DJ. But I

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<v Speaker 1>wouldn't be here, it wasn't I remember like actually actually

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<v Speaker 1>being like the second like that's why Eric B and

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<v Speaker 1>Rock Kemp right right, but continue to continue. Yeah, so

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<v Speaker 1>he you know, so he did the reverse psychology ship

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<v Speaker 1>on me. So you know, my ego got the best

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<v Speaker 1>of me. And so I wrote an eight ball run

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<v Speaker 1>and he was like, yo, you should say that you

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<v Speaker 1>should do this, this down and the other. So you know,

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<v Speaker 1>I kept it quiet, you know, but secret you know,

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<v Speaker 1>secretly I was right more. I saw ascribing more ship.

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<v Speaker 1>So um, then it happened that, um we went Red

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<v Speaker 1>Hook Projects and uh, one of my boys are Ronald Henley.

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<v Speaker 1>He's calling ron do. Um. We used to always go

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<v Speaker 1>and because his uncle Mango. Everybody got to have a

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<v Speaker 1>nicker name wrong dude, Like, if you're from the front,

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<v Speaker 1>you don't have a nicker name. Wrong. Ex don't ye

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<v Speaker 1>like this. We're going let's go there. So so Uncle

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<v Speaker 1>so Uncle Mango. You know, he used to do house

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<v Speaker 1>parties a thing else. So one night we went out

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<v Speaker 1>the Red Hook and he was doing a house party.

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<v Speaker 1>So I, man, Ron put me on the spot. He

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<v Speaker 1>was like, yo, don't you be rhyming and ship. I

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<v Speaker 1>was like, now, I don't really be rhyming and ship,

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<v Speaker 1>but I was. He was like, go ahead, man, because

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<v Speaker 1>you know how the house party was set up, the

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<v Speaker 1>DJ set up was in the bedroom and everybody was

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<v Speaker 1>in the living room, you know, and they had the

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<v Speaker 1>extension call all that ship. So anyway, so I started,

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<v Speaker 1>I started rhyming. Then we started hearing the reacts and

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<v Speaker 1>they're like whoa. My head said like I got two

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<v Speaker 1>three more. So I just went at it and that's

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<v Speaker 1>what really started it. So what what you um was

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<v Speaker 1>that prior to you going to Virginia going to college

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<v Speaker 1>or that was after that? Was that was before? Okay? Okay,

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<v Speaker 1>so you was in college already and you must have

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<v Speaker 1>been like man, uh because but at that time, I'm

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<v Speaker 1>gonna be honest and I'm sorry for Virginia people. But

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<v Speaker 1>at that time, if you was from New York, he

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<v Speaker 1>was like from Brazil. Like we was excited to Virginia

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<v Speaker 1>and boredom are because like we had to slang. So

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<v Speaker 1>it must have been like good for you out there

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<v Speaker 1>in Virginia. Most definitely, most definitely. Um I went to

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<v Speaker 1>um Old Domenion University for two years, and um, I

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<v Speaker 1>really I really went to college for my mom and

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<v Speaker 1>for my grandmother because I damn sure wasn't going for myself.

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<v Speaker 1>I didn't want to go. You know what I'm saying.

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<v Speaker 1>I was, I was, I was in the street. You know,

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<v Speaker 1>I wanted to rhyme. I wanted to do everything is said.

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<v Speaker 1>You know what they said right like somewhat because like

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<v Speaker 1>I went through your good thing is I was sick yesterday,

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<v Speaker 1>so I had a great long time to to stay

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<v Speaker 1>in the bed and just go through your ship. Is

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<v Speaker 1>that when you get your vocal vocabulary from Is that

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<v Speaker 1>something that helped it was going to college or something

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<v Speaker 1>like that, or um I think you had that prior. Yeah,

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<v Speaker 1>it was my mom. Okay, we'll be honest, yeah, it

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<v Speaker 1>was my mother because like, um, I told his story before,

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<v Speaker 1>but like she used to always, um, just introduce new

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<v Speaker 1>words to me, like um, like one day I was

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<v Speaker 1>either five or six and I was being silly and

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<v Speaker 1>she was like, oh, Johnny, you're being so facetious. I

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<v Speaker 1>was like, you know what's like? So you know, and

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<v Speaker 1>I and she already knew I was very inquisitive, so

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<v Speaker 1>I always asked her like what does that mean? How

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<v Speaker 1>do you use with you know everything? So it just

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<v Speaker 1>went on like that. So I always and she knew

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<v Speaker 1>I was gonna I was gonna dive in because I

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<v Speaker 1>was always asking her questions anything. Like I used to

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<v Speaker 1>ask a ship like what does nothing look like? You

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<v Speaker 1>know what I'm saying? And she said and she'd be like,

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<v Speaker 1>and I was five, I was yeah, yeah, that's it

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<v Speaker 1>blown me away right now? What does nothing look like? Wow?

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<v Speaker 1>That's you think that's what makes artists? Because so many

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<v Speaker 1>people right right UM, I don't remember who exactly it was,

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<v Speaker 1>but it was like high school dropout, right and then

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<v Speaker 1>everyone kind of like at that moment, like especially in

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<v Speaker 1>the eighties, nineties, early nineties, everyone was claiming that there

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<v Speaker 1>was high school dropouts. But now, now, if you would

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<v Speaker 1>pay attention to that, this generation, those high school dropouts

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<v Speaker 1>of our generation, that generation has made the dumbest children ever.

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<v Speaker 1>For this generation. You're not sorry, but you understand, do

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<v Speaker 1>you do you feel like we fail them? Like we

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<v Speaker 1>are direct the Senate because when you hear these niggas

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<v Speaker 1>right nowadays, you're like, damn, they definitely didn't go to

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<v Speaker 1>miss Ebanks class. Definitely studies. I think, yeah, yeah, I

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<v Speaker 1>think that. Um, I think that we we we are

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<v Speaker 1>definitely a part of the failure, but we were sort

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<v Speaker 1>of like an knowing part of the failure. I think

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<v Speaker 1>that the failure or if you want to call it, that,

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<v Speaker 1>it was a gradual thing over over really like decades,

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<v Speaker 1>you know, decades of us um you know, becoming um,

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<v Speaker 1>you know, coming to the cities, you know, coming from

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<v Speaker 1>self destruction to drink something like yeah, because I mean

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<v Speaker 1>we you know, when I came out, you know, I

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<v Speaker 1>was talking about Islam. You know what I'm saying, black

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<v Speaker 1>unity exactly. And it's just crazy like somebody said it, like, um,

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<v Speaker 1>I saw it on Facebook. Actually what they said. Um.

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<v Speaker 1>You know, in the in the late eighties and nineties,

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<v Speaker 1>you know, you had the um. You had the the

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<v Speaker 1>rappers who really talked about being drug dealers down us

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<v Speaker 1>and crowded it though flip like like a right cool.

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<v Speaker 1>Not to compare them to crackheads, but our day not

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<v Speaker 1>to compare themself. So good, you just compared, you know,

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<v Speaker 1>I'm sorry, right, So what I'm saying in our day,

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<v Speaker 1>crack was the ship. Hold on, let me finish it out.

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<v Speaker 1>What I mean is this ship and only assholes was

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<v Speaker 1>actually smoking smoking it, like at first when it first

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<v Speaker 1>came out, and motherfucker smoked in motherfucker's and because you

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<v Speaker 1>know it was cocaine, was cool at first, and then

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<v Speaker 1>mother smoke crack. And then when people feel like you're

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<v Speaker 1>a victim, you're fucking you're addict. It has songs. We

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<v Speaker 1>had mirrors in the hood, crack kills all this. That

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<v Speaker 1>is the exact opposite. They have mirrors in the hood

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<v Speaker 1>with people with double cups, and they have mirrles in

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<v Speaker 1>with people with percocet, and like that. It's perpetuate that

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<v Speaker 1>I never listened. I have a lot of nerves because

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<v Speaker 1>I'm sitting here with all this alcohol with a blood

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<v Speaker 1>in my hand, and I'm about to open some ace

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<v Speaker 1>of Spade. But what I'm saying, I hadn't I never

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<v Speaker 1>hip hop, well dumb will be just dumb, like and

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<v Speaker 1>don't I don't want to say that dumb because the

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<v Speaker 1>kids there's a lot of dope artists, but the kid

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<v Speaker 1>these kids, Um, I'm making great money and I got

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<v Speaker 1>to salute that. But I'm saying when I say dump

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<v Speaker 1>dump the content being so dumbed down that you know

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<v Speaker 1>what I mean, like, um, do you think that that

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<v Speaker 1>that we would be at this level of hip hop?

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<v Speaker 1>Na is crazy? Yeah, And I got to say this,

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<v Speaker 1>and I say it often like you know, um, as

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<v Speaker 1>far as the skills set and the you know, the

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<v Speaker 1>basic like the level is far set in the ball

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<v Speaker 1>as far as like songs and stuff like. But I mean, yeah,

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<v Speaker 1>that niggas that was trash back when of course, you

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<v Speaker 1>know what I'm saying. So a lot of people, you know,

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<v Speaker 1>they want to rally the troops and say, like, you know,

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<v Speaker 1>this was the Golden Age and everything that came out

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<v Speaker 1>was crazy hot and now everything is everything is trash

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<v Speaker 1>And that's not the case. I mean, it's you got

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<v Speaker 1>that ship regardless, you know. But there's a difference, like

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<v Speaker 1>the differences that you're talking about, And it's the amount

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<v Speaker 1>of artists to now because everybody could be an artists

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<v Speaker 1>because they could record their crib and it's just like

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<v Speaker 1>you have millions of arts. Before there was a funnel.

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<v Speaker 1>You got to get in the studio, you had someone

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<v Speaker 1>to put your man's on into the label and then

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<v Speaker 1>they put you out. It's limited were now everybody's an artist.

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<v Speaker 1>Right now. I'm just bouncing around because that's what we're doing.

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<v Speaker 1>Drink chance down now. One of the things I would

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<v Speaker 1>have I want to ask, it's like when when Jay

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<v Speaker 1>and Nas was going through that right and there's a

0:12:31.280 --> 0:12:34.480
<v Speaker 1>certain time and I believe he said from Hawaiian Sophie

0:12:34.480 --> 0:12:37.240
<v Speaker 1>Fame or something like that, how did that make you feel?

0:12:37.320 --> 0:12:40.400
<v Speaker 1>Because I don't know how. I just how did they

0:12:40.440 --> 0:12:45.800
<v Speaker 1>make it? It was awkward, But it was awkward because um,

0:12:45.840 --> 0:12:56.840
<v Speaker 1>I was accused of, you know, giving Nas information. It's like, yeah, yeah,

0:12:56.880 --> 0:13:00.920
<v Speaker 1>I thank you for keeping it real and and me

0:13:01.000 --> 0:13:03.000
<v Speaker 1>and No, we didn't talk like that. You know, we

0:13:03.040 --> 0:13:07.079
<v Speaker 1>had great Paul, but we didn't you know, we didn't talk. Um.

0:13:07.120 --> 0:13:09.679
<v Speaker 1>So I was accused of that because people were saying,

0:13:09.679 --> 0:13:11.600
<v Speaker 1>like people in the circle, they were saying like well

0:13:11.600 --> 0:13:13.040
<v Speaker 1>how did he know this? How did he know that?

0:13:13.080 --> 0:13:15.280
<v Speaker 1>I was like, he saw it, you know what I'm saying.

0:13:15.640 --> 0:13:18.160
<v Speaker 1>You know, when I was signed the e M I, um,

0:13:18.640 --> 0:13:20.520
<v Speaker 1>we did a college So, by the way, the first

0:13:20.600 --> 0:13:25.760
<v Speaker 1>hip hop artist signed to just say that, just skip over,

0:13:25.800 --> 0:13:28.000
<v Speaker 1>we don't get it. That's the first hip hop artist.

0:13:29.360 --> 0:13:33.960
<v Speaker 1>Chili Peppers and niggas like that, right, were different niggas

0:13:34.200 --> 0:13:38.600
<v Speaker 1>deal at all. Like we'll get to that, but let's

0:13:38.600 --> 0:13:42.040
<v Speaker 1>go into the wow. Okay. Yeah, So you know it

0:13:42.120 --> 0:13:44.960
<v Speaker 1>was a situation whereas um, you know, they said, well,

0:13:45.000 --> 0:13:46.720
<v Speaker 1>how did he know all that? And I was like, well,

0:13:46.760 --> 0:13:48.960
<v Speaker 1>you know, we want a college store. Like he didn't.

0:13:48.960 --> 0:13:51.160
<v Speaker 1>He didn't stay on the tour, but you know, he

0:13:51.800 --> 0:13:54.080
<v Speaker 1>came out for main sorts. He came out, you know,

0:13:54.160 --> 0:13:58.120
<v Speaker 1>for large professor when they did exactly. So we went

0:13:58.160 --> 0:14:00.640
<v Speaker 1>in Norfolk State. That's where I'm met now, you know

0:14:00.640 --> 0:14:03.120
<v Speaker 1>what I'm saying. And he got on stage and they

0:14:03.120 --> 0:14:07.040
<v Speaker 1>did the song and you know, me and J was

0:14:07.120 --> 0:14:10.840
<v Speaker 1>standing there. Me was like, yeah, this dude, he's gonna

0:14:10.880 --> 0:14:13.760
<v Speaker 1>be something, you know what I'm saying. Like that, we

0:14:13.760 --> 0:14:16.320
<v Speaker 1>we went analysts that like that's how we did everything,

0:14:16.360 --> 0:14:21.960
<v Speaker 1>Like we watched everything, but so I lost my thought.

0:14:22.160 --> 0:14:29.680
<v Speaker 1>Yeah he was the accused of giving Yeah, so that's

0:14:29.680 --> 0:14:34.400
<v Speaker 1>just pretty good. Yeah, so I was accused of that,

0:14:34.800 --> 0:14:38.760
<v Speaker 1>and I didn't give him any information, like and I

0:14:38.800 --> 0:14:45.080
<v Speaker 1>mean no, because I mean everybody who really knew me,

0:14:45.080 --> 0:14:47.040
<v Speaker 1>they know I ain't that type of you know what

0:14:47.080 --> 0:14:49.640
<v Speaker 1>I'm saying. And if I got something to tell you

0:14:49.720 --> 0:14:52.560
<v Speaker 1>that you may not like, I feel that in the

0:14:52.760 --> 0:14:56.760
<v Speaker 1>greater or or in the big picture. If it's something

0:14:56.800 --> 0:14:59.960
<v Speaker 1>that I feel it's beneficial to your well being, I'm

0:15:00.120 --> 0:15:01.960
<v Speaker 1>tell you anywhere. You ain't gotta like me. I don't

0:15:02.000 --> 0:15:03.720
<v Speaker 1>need you to like me. I don't give a funk.

0:15:03.760 --> 0:15:06.160
<v Speaker 1>If I love you, if I care about you, then

0:15:06.200 --> 0:15:08.520
<v Speaker 1>I care about your well being. You can hate my guts,

0:15:08.960 --> 0:15:10.360
<v Speaker 1>you know what I'm saying. I don't care. I live

0:15:10.400 --> 0:15:13.320
<v Speaker 1>with that because I don't. I don't breathe and eat

0:15:13.560 --> 0:15:15.640
<v Speaker 1>and pay my bills off or whether you love me

0:15:15.720 --> 0:15:18.680
<v Speaker 1>or that, So I don't need it. What I do

0:15:18.800 --> 0:15:21.240
<v Speaker 1>need is to be myself and my self determined that

0:15:21.320 --> 0:15:25.280
<v Speaker 1>I love everybody. So just to to to go back

0:15:25.280 --> 0:15:27.280
<v Speaker 1>to that, like, yeah, I was accused of that ship

0:15:27.440 --> 0:15:31.240
<v Speaker 1>and um, I think in a way that caused a

0:15:31.280 --> 0:15:34.600
<v Speaker 1>little friction between you know, I was, yes, sort of

0:15:34.640 --> 0:15:38.160
<v Speaker 1>like the beginning of things. Yeah, okay, so we're gonna

0:15:38.160 --> 0:15:40.320
<v Speaker 1>get back to that because bounce around, because how did

0:15:40.360 --> 0:15:44.440
<v Speaker 1>it fail to be um the first person on first

0:15:44.480 --> 0:15:47.120
<v Speaker 1>hip hop on E M I because now the group

0:15:47.120 --> 0:15:49.960
<v Speaker 1>now when people say A M if you think of uh,

0:15:50.000 --> 0:15:51.800
<v Speaker 1>you know, I think Ray Kuan had to deal over there.

0:15:51.880 --> 0:15:54.760
<v Speaker 1>Now you think of that. But obviously if you're the

0:15:54.760 --> 0:15:57.480
<v Speaker 1>first hip I wasn't first from your neighborhood. No, this

0:15:57.600 --> 0:16:02.200
<v Speaker 1>is first hip hop deal from THEE Yeah, I was

0:16:02.240 --> 0:16:06.360
<v Speaker 1>the first, same thing. Yeah, so it was It was weird,

0:16:06.640 --> 0:16:11.320
<v Speaker 1>and you know, I felt like what I was fucking

0:16:11.320 --> 0:16:15.840
<v Speaker 1>guinea pig when I was like yeah, because they didn't

0:16:16.480 --> 0:16:18.440
<v Speaker 1>see the thing is this they didn't really know what

0:16:18.520 --> 0:16:21.840
<v Speaker 1>to do. They just knew like they saw cold chilling

0:16:21.880 --> 0:16:26.120
<v Speaker 1>at the time they started. They wanted to be involved quiet,

0:16:26.120 --> 0:16:28.320
<v Speaker 1>you know, cold chilling and all that other stuff. So

0:16:28.320 --> 0:16:32.680
<v Speaker 1>they're like, yo, that's popping for them. Let's do the eighties.

0:16:33.240 --> 0:16:38.040
<v Speaker 1>Yeah eight eight eight mm hmm getting money since eight?

0:16:43.040 --> 0:16:46.880
<v Speaker 1>What up? What up? So you felt that they didn't

0:16:46.960 --> 0:16:50.760
<v Speaker 1>understand Now, they didn't understand it all. And and the

0:16:50.760 --> 0:16:54.680
<v Speaker 1>thing is they I was being promoted and marketed through

0:16:54.720 --> 0:16:59.280
<v Speaker 1>the Urban Music Department, which actually they called it the

0:16:59.360 --> 0:17:05.200
<v Speaker 1>Black Black Music Promotions Department. Yeah so yeah, they weren't

0:17:05.200 --> 0:17:13.320
<v Speaker 1>even politically correct back then, you know what I'm saying.

0:17:16.600 --> 0:17:22.080
<v Speaker 1>So so um so yeah it was crazy. Um. After

0:17:22.160 --> 0:17:25.679
<v Speaker 1>a couple of years, um, a man who you know,

0:17:26.440 --> 0:17:29.680
<v Speaker 1>he's with me in spirit always and with all of

0:17:29.760 --> 0:17:33.879
<v Speaker 1>us in spirit, My man Harry Fobbs. Um. He was

0:17:34.160 --> 0:17:36.760
<v Speaker 1>a close friend j C who used to run we

0:17:36.840 --> 0:17:41.439
<v Speaker 1>came um so yeah yeah so he so he and

0:17:41.520 --> 0:17:45.000
<v Speaker 1>I became real cool and you know, he was like, yo,

0:17:45.080 --> 0:17:47.080
<v Speaker 1>why ain't pushing your music through? I was like, they

0:17:47.119 --> 0:17:48.879
<v Speaker 1>don't know what they're doing. He was like, yo, you

0:17:48.920 --> 0:17:51.399
<v Speaker 1>should ask some money. And I was like, damn, that

0:17:51.440 --> 0:17:53.600
<v Speaker 1>ship is real crazy, but that ship makes a lot

0:17:53.640 --> 0:17:57.040
<v Speaker 1>of sense. So I, you know, I inquired and they

0:17:57.080 --> 0:17:59.760
<v Speaker 1>were like, you know, having come up. So he came up.

0:17:59.800 --> 0:18:03.639
<v Speaker 1>They interviewed them, you know, none of that corporate paperworkship

0:18:03.800 --> 0:18:08.000
<v Speaker 1>was like you won't. He became a and all. Unfortunately

0:18:08.119 --> 0:18:11.040
<v Speaker 1>a few months after that he passed. Oh god, bless

0:18:11.520 --> 0:18:13.639
<v Speaker 1>Yeah shout that Harry FIBs. I know you hear me,

0:18:13.720 --> 0:18:18.200
<v Speaker 1>bro bless God bless. So Um and then Hawaiian Hawaiian Sophie.

0:18:18.280 --> 0:18:20.560
<v Speaker 1>Let's get to the actually making that record. Did that

0:18:20.640 --> 0:18:25.159
<v Speaker 1>go to Hawaii for the video? Oh? Man, my childhood? Right,

0:18:26.480 --> 0:18:32.520
<v Speaker 1>it was like right, that was ahead. But you know,

0:18:32.960 --> 0:18:34.840
<v Speaker 1>I guess, you know, I guess that was they were

0:18:34.840 --> 0:18:37.680
<v Speaker 1>in the process, you know, cleaning that money and ship.

0:18:38.359 --> 0:18:42.080
<v Speaker 1>You know how they're doing. You know, you know, you

0:18:42.280 --> 0:18:47.879
<v Speaker 1>go right the house over exactly, and that's exactly what

0:18:47.920 --> 0:18:52.920
<v Speaker 1>they did. But I mean, I think it turned out great. Um,

0:18:52.960 --> 0:18:55.280
<v Speaker 1>they showed a lot of support and what they did

0:18:55.400 --> 0:18:58.200
<v Speaker 1>and what they were aware of, you know, so I

0:18:58.480 --> 0:19:01.680
<v Speaker 1>appreciate officially the first jay Z was ever on like

0:19:01.680 --> 0:19:05.440
<v Speaker 1>like like video yeah, and like a video music box

0:19:05.480 --> 0:19:07.720
<v Speaker 1>for everything. It's first like vidual got there makes some

0:19:07.800 --> 0:19:13.360
<v Speaker 1>noise for jazz like that. When he could technically say

0:19:13.520 --> 0:19:15.320
<v Speaker 1>I discovered jay Z. He could do it. He can

0:19:15.359 --> 0:19:21.400
<v Speaker 1>do It's not people can say that. I can say

0:19:21.400 --> 0:19:23.280
<v Speaker 1>that now, can you has something to do early on

0:19:23.359 --> 0:19:25.560
<v Speaker 1>with you guys to write because was it you who

0:19:25.560 --> 0:19:27.359
<v Speaker 1>linked up with Kine and then you broke him around?

0:19:27.480 --> 0:19:29.840
<v Speaker 1>Oh this is what happened. So this we're gonna we're

0:19:29.840 --> 0:19:32.359
<v Speaker 1>gonna throw queens in the mixt Okay, let's let's get it,

0:19:32.440 --> 0:19:35.280
<v Speaker 1>you know what I'm saying. So, um, shirt Kings, Oh,

0:19:35.320 --> 0:19:37.680
<v Speaker 1>that's goddammit, that's you know, you know, Nice couldn't I

0:19:37.680 --> 0:19:41.200
<v Speaker 1>couldn't afford shirt Kings back then. But let's go, yeah

0:19:41.200 --> 0:19:45.240
<v Speaker 1>that was the young back then. Ye. But but Nike

0:19:45.359 --> 0:19:48.040
<v Speaker 1>from the Shirt King's Nike actually lived around the same

0:19:48.080 --> 0:19:52.360
<v Speaker 1>way that Jay did. So what happened was, Um, I

0:19:52.400 --> 0:19:55.439
<v Speaker 1>was coming home from from college after those two years,

0:19:55.920 --> 0:19:58.320
<v Speaker 1>you know, I basically dropped out of that ship. So

0:19:58.600 --> 0:20:01.280
<v Speaker 1>Nike found out, you know that I was back, you know,

0:20:01.320 --> 0:20:04.240
<v Speaker 1>in Brooklyn, you know. So I guess he had a

0:20:04.280 --> 0:20:07.040
<v Speaker 1>heated discussion with somebody else because they were talking about

0:20:07.080 --> 0:20:10.199
<v Speaker 1>this young cat that's supposed to be nice and and everybody,

0:20:10.640 --> 0:20:13.160
<v Speaker 1>and then, um, you know, Nike was like, I think

0:20:13.200 --> 0:20:15.919
<v Speaker 1>it ain't nicer than Jazz, Jazz and nice Nika period,

0:20:15.920 --> 0:20:18.200
<v Speaker 1>point blank. Boo boo boo. You know what I'm saying.

0:20:18.480 --> 0:20:21.240
<v Speaker 1>So they were going back and forth. It was like, well,

0:20:21.320 --> 0:20:25.000
<v Speaker 1>let's find out. So he set up he set up

0:20:25.040 --> 0:20:27.200
<v Speaker 1>the meeting, you know, and that's when me and Jay

0:20:27.280 --> 0:20:30.200
<v Speaker 1>first met. So I say that, you know, we had

0:20:30.359 --> 0:20:33.800
<v Speaker 1>like a um, you know, rhyn first Jay was like

0:20:35.119 --> 0:20:37.920
<v Speaker 1>and then he rhym and I was like, you know

0:20:37.920 --> 0:20:40.199
<v Speaker 1>what I'm saying. And he was the first he was

0:20:40.240 --> 0:20:45.000
<v Speaker 1>the first person that I ever heard Rohm exactly. So

0:20:45.040 --> 0:20:47.200
<v Speaker 1>I was like, yeah, you know, I gotta I gotta

0:20:47.280 --> 0:20:51.200
<v Speaker 1>keep eyeing on him, you know what I mean. So

0:20:51.200 --> 0:20:57.359
<v Speaker 1>so to fast forward that Nike was like the Yeah,

0:20:57.480 --> 0:20:59.919
<v Speaker 1>he was like a broker for all of this, you know,

0:21:00.160 --> 0:21:03.080
<v Speaker 1>putting people together type of ship. So you know, I

0:21:03.119 --> 0:21:05.480
<v Speaker 1>guess Kane was getting some ship. You know, Kane and

0:21:05.600 --> 0:21:09.040
<v Speaker 1>a lot of other rap artists of that time before

0:21:09.119 --> 0:21:12.520
<v Speaker 1>Dad or wasn't before. It was around the same same time.

0:21:12.560 --> 0:21:18.560
<v Speaker 1>It's just a different you know, different Yeah. So, um,

0:21:18.600 --> 0:21:22.240
<v Speaker 1>so we had a situation like, um, the same ship

0:21:22.400 --> 0:21:26.120
<v Speaker 1>came up with Kane and me like, no, I came

0:21:26.320 --> 0:21:29.240
<v Speaker 1>just just that you looked like Nick ain't better in

0:21:29.280 --> 0:21:31.800
<v Speaker 1>the jazz. You know, he was always screaming that then

0:21:31.840 --> 0:21:35.240
<v Speaker 1>it ain't better the jazz. So so he set it up. Um.

0:21:35.280 --> 0:21:39.080
<v Speaker 1>I don't know if you guys remember Fresh Gordon. Fresh Gordon,

0:21:39.480 --> 0:21:41.439
<v Speaker 1>he was a producer. He produced some stuff for the

0:21:41.480 --> 0:21:45.680
<v Speaker 1>Fat Boys. He had a deal with Tommy Boy. Um,

0:21:45.720 --> 0:21:48.840
<v Speaker 1>I'm gonna tell you another side story about what he's

0:21:48.880 --> 0:21:53.640
<v Speaker 1>what he should be more known and recognized for. But anyway, so,

0:21:54.400 --> 0:21:58.040
<v Speaker 1>um so Nike basically set up the meeting. So it

0:21:58.119 --> 0:22:00.480
<v Speaker 1>was supposed to be a battle again, but you know

0:22:00.600 --> 0:22:03.080
<v Speaker 1>in this came, this is eight and a half stepping came. Yeah,

0:22:03.119 --> 0:22:07.480
<v Speaker 1>this big daddy came. He came, came already and ship. Yeah, okay,

0:22:07.520 --> 0:22:18.959
<v Speaker 1>let's go, you know. But so he said, so night

0:22:19.119 --> 0:22:21.719
<v Speaker 1>set that up and we all met at Fresh Cards

0:22:21.800 --> 0:22:27.240
<v Speaker 1>Crib and we did this. We did this little I

0:22:27.240 --> 0:22:29.600
<v Speaker 1>guess back then you call it a mix tape, you

0:22:29.640 --> 0:22:33.960
<v Speaker 1>know what I'm saying. So we recorded that and from

0:22:34.000 --> 0:22:37.679
<v Speaker 1>then on, like we all, we all just became cool,

0:22:38.400 --> 0:22:40.959
<v Speaker 1>you know, because um it was supposed to be a battle.

0:22:41.240 --> 0:22:43.879
<v Speaker 1>But Jay was there and you know j and no

0:22:44.200 --> 0:22:46.960
<v Speaker 1>like should he be rhyming ut this that? I'm like,

0:22:47.640 --> 0:22:50.520
<v Speaker 1>come on, man, like if this means you, let's go.

0:22:50.960 --> 0:22:54.760
<v Speaker 1>So we just did it, you know, Gordon, he ten minutes,

0:22:55.080 --> 0:22:58.880
<v Speaker 1>whipped up a beat. We just made a record. Yeah

0:22:59.359 --> 0:23:02.880
<v Speaker 1>it wasn't a but it's like I'm going to be yeah,

0:23:02.920 --> 0:23:08.520
<v Speaker 1>I'm doing yeah. Yeah. So we started and we we

0:23:08.720 --> 0:23:12.840
<v Speaker 1>established a relationship from them, you know, being Jay's go

0:23:12.920 --> 0:23:16.600
<v Speaker 1>out to Queen's check on Kane and he started he

0:23:16.840 --> 0:23:19.440
<v Speaker 1>you know, he started coming to Brooklyn and he was

0:23:19.480 --> 0:23:23.680
<v Speaker 1>in Brooklyn and queens around it and yeah, yeah all

0:23:23.680 --> 0:23:26.400
<v Speaker 1>from Marcy or you from Mary to or no, yeah,

0:23:26.880 --> 0:23:29.960
<v Speaker 1>the race. And I'm source money to correct source money. Yeah,

0:23:30.000 --> 0:23:33.439
<v Speaker 1>because that's the funniest thing. Right when I was googled yesterday,

0:23:33.440 --> 0:23:35.840
<v Speaker 1>I was pulling up the thing, it was like it

0:23:35.920 --> 0:23:39.120
<v Speaker 1>was like almost like the roles is almost reversed, right. Yeah,

0:23:39.280 --> 0:23:41.639
<v Speaker 1>it was like at one point, you know, he was

0:23:41.720 --> 0:23:46.920
<v Speaker 1>voicing your opinion, right and you know, got worked out

0:23:47.000 --> 0:23:49.199
<v Speaker 1>or whatever, and I see it, so I said it,

0:23:49.240 --> 0:23:53.000
<v Speaker 1>So suce Money interview popped up. So the sce Money interview,

0:23:53.040 --> 0:23:55.600
<v Speaker 1>he said, he said your jazz. Oh, and he's talking

0:23:55.640 --> 0:23:57.960
<v Speaker 1>about you because at the time and then now it's

0:23:58.000 --> 0:24:01.240
<v Speaker 1>like the roles reversed. Now it's like, you know, you

0:24:01.240 --> 0:24:04.360
<v Speaker 1>you got business with Jay and you're like, you know whatever,

0:24:04.520 --> 0:24:06.720
<v Speaker 1>and now it's so much money, like sitting back and

0:24:06.760 --> 0:24:09.240
<v Speaker 1>he's saying like, oh, Jay didn't do right. I can't

0:24:09.240 --> 0:24:12.680
<v Speaker 1>really understand what what's going on. So I'm just being

0:24:12.760 --> 0:24:15.200
<v Speaker 1>honest from the outside of looking in that trying to

0:24:15.240 --> 0:24:18.240
<v Speaker 1>do my research. But I could tell there's nothing I

0:24:18.240 --> 0:24:21.119
<v Speaker 1>can ever get unless I got your brother standing in

0:24:21.200 --> 0:24:23.399
<v Speaker 1>front of me, what what do you what in your opinion?

0:24:23.480 --> 0:24:25.560
<v Speaker 1>What do you how can you break that situation? Now?

0:24:25.960 --> 0:24:30.080
<v Speaker 1>It's very simple, you know, um, one of the greatest

0:24:30.119 --> 0:24:34.240
<v Speaker 1>axioms I've ever heard is ship happens. Okay. But what

0:24:34.359 --> 0:24:37.360
<v Speaker 1>you say axioms? They need to take that one? What

0:24:37.359 --> 0:24:44.520
<v Speaker 1>the fund? Does that mean that I need that from

0:24:44.520 --> 0:24:48.400
<v Speaker 1>the later text me because I need to use that.

0:24:48.400 --> 0:24:55.720
<v Speaker 1>That was hard right now talking at the same time hard.

0:24:56.320 --> 0:25:03.399
<v Speaker 1>That's hard to make that ship happens okay. But the

0:25:03.400 --> 0:25:07.560
<v Speaker 1>flip side of ship happens is that people react a

0:25:07.640 --> 0:25:10.440
<v Speaker 1>certain way. So the thing that's and that's the key

0:25:10.480 --> 0:25:13.320
<v Speaker 1>to it. Everybody focuses on the ship happens part, but

0:25:13.400 --> 0:25:17.560
<v Speaker 1>nobody focuses on how do you respond to certain things? So,

0:25:18.600 --> 0:25:25.400
<v Speaker 1>like you said, similar circumstances, right roles, reverse different responses.

0:25:25.880 --> 0:25:28.560
<v Speaker 1>Keep it right there, y'all think all of y'all get it,

0:25:30.800 --> 0:25:32.119
<v Speaker 1>And we need to have some money here to it

0:25:32.160 --> 0:25:34.399
<v Speaker 1>to take you know. I'm I'm gonna be honest, I

0:25:34.400 --> 0:25:37.480
<v Speaker 1>don't know where this rumor started up. We wouldn't that

0:25:37.840 --> 0:25:40.760
<v Speaker 1>he's been black balled for drinks. Absolutely not true at all.

0:25:40.760 --> 0:25:43.560
<v Speaker 1>I mean, no one will tell you the tooth. No

0:25:43.640 --> 0:25:46.560
<v Speaker 1>one in this deal. And we've just because we've only

0:25:46.560 --> 0:25:49.639
<v Speaker 1>been in this deal, like not even a year. No title,

0:25:49.800 --> 0:25:52.760
<v Speaker 1>everybody tell you the truth. The first people Title has

0:25:52.800 --> 0:25:55.960
<v Speaker 1>ever called for is deal. Yeah. They never asked for

0:25:56.119 --> 0:25:58.399
<v Speaker 1>somebody to be on and someone not to be on

0:25:58.480 --> 0:26:02.240
<v Speaker 1>that never they have, never the first time. That's why

0:26:02.280 --> 0:26:04.679
<v Speaker 1>I was impressed. I was like, this is dumb. I

0:26:04.760 --> 0:26:06.320
<v Speaker 1>was like, you know what, me knowing the history because

0:26:06.440 --> 0:26:08.400
<v Speaker 1>that's something I would like to do for trash something

0:26:08.840 --> 0:26:10.399
<v Speaker 1>you know, Trash actually put me on. You know what

0:26:10.400 --> 0:26:12.960
<v Speaker 1>I'm saying. We had our descriptancies and we still have

0:26:13.000 --> 0:26:14.919
<v Speaker 1>our descriptcy. I'll still seeing ship and be like this

0:26:15.000 --> 0:26:18.199
<v Speaker 1>nigg is out of his mind, but he's mama. And

0:26:18.240 --> 0:26:20.640
<v Speaker 1>I was like, that's that's real ship because it's one

0:26:20.680 --> 0:26:23.040
<v Speaker 1>thing that you're doing business and it's a whole another

0:26:23.080 --> 0:26:25.800
<v Speaker 1>thing that's to reach out and make ship happen. And that,

0:26:25.880 --> 0:26:28.160
<v Speaker 1>to me, I have to applaud that. Let's applaud that.

0:26:28.359 --> 0:26:33.440
<v Speaker 1>You know, it's a flawed that. But now now, because

0:26:35.440 --> 0:26:39.640
<v Speaker 1>now where does the original flavor come in? They come

0:26:39.680 --> 0:26:43.359
<v Speaker 1>in with Dame dash. Oh, that's why they hall of

0:26:43.520 --> 0:26:48.359
<v Speaker 1>Names right right, okay, and actually yeah but actually um

0:26:48.600 --> 0:26:52.840
<v Speaker 1>Ski is from North Carolina, but he was he was

0:26:52.880 --> 0:26:58.520
<v Speaker 1>living in Harlem. So hold on, that's that's that's not

0:26:58.600 --> 0:27:02.920
<v Speaker 1>totally different, completely different is different? Yeah yeah, ok yeah,

0:27:03.040 --> 0:27:06.960
<v Speaker 1>yeah yeah yeah. See that's where Dame Dash comes in.

0:27:07.160 --> 0:27:09.240
<v Speaker 1>That's because probably to that there was no Dame that

0:27:09.359 --> 0:27:13.040
<v Speaker 1>there was no bigs right when you and okay, all right,

0:27:13.080 --> 0:27:16.480
<v Speaker 1>so this is this is good ship. It's good ship

0:27:16.520 --> 0:27:22.560
<v Speaker 1>for hipoply Gas. So yeah, so, um so actually one

0:27:22.640 --> 0:27:28.399
<v Speaker 1>of your previous guests, um Clark Kent, introduced Dame Dash

0:27:29.160 --> 0:27:32.520
<v Speaker 1>to Jay and then me and the rest of us

0:27:33.000 --> 0:27:37.720
<v Speaker 1>and give you a little uh something. Y'all might not

0:27:37.840 --> 0:27:42.080
<v Speaker 1>have known that. Um, the whole set up originally was

0:27:42.160 --> 0:27:47.840
<v Speaker 1>for Jay, myself and Sauce. We were a group and

0:27:48.000 --> 0:27:52.119
<v Speaker 1>we actually the name of the group, yeah, Paul's hard Pack,

0:27:53.359 --> 0:27:59.760
<v Speaker 1>hard Pack. There was a game in Miami careed hard Packs. Okay,

0:28:00.280 --> 0:28:02.280
<v Speaker 1>so that I was about to ask you with you

0:28:02.320 --> 0:28:05.160
<v Speaker 1>and j ever a group too, what was it the originators?

0:28:05.160 --> 0:28:08.160
<v Speaker 1>A no, no, that was just the record. Yeah yeah,

0:28:08.359 --> 0:28:09.840
<v Speaker 1>but hard pack. Let's take it from the hard Pack.

0:28:09.840 --> 0:28:13.200
<v Speaker 1>I like it. So so we did about we did

0:28:13.240 --> 0:28:19.639
<v Speaker 1>about I know, I'm gonna get calls behind. Um. So

0:28:19.680 --> 0:28:22.640
<v Speaker 1>we did about we did about six or seven songs together.

0:28:23.200 --> 0:28:26.960
<v Speaker 1>Um and uh, you know, Clark produced something, Ski produced

0:28:26.960 --> 0:28:30.159
<v Speaker 1>a couple. I produced a couple. And just to be

0:28:30.160 --> 0:28:32.600
<v Speaker 1>clear again, so everybody knows it's Jay Sauce money and

0:28:32.680 --> 0:28:35.359
<v Speaker 1>you Yeah, that's hard pack. Yeah, I just want to

0:28:35.359 --> 0:28:41.600
<v Speaker 1>make sure. So Jay Z gotta relax. Just black his

0:28:41.640 --> 0:28:43.920
<v Speaker 1>face out for the rest of the evers. It's not

0:28:43.960 --> 0:28:48.400
<v Speaker 1>gonna be that hard. Just stop. I'm not doing it

0:28:48.440 --> 0:28:56.400
<v Speaker 1>for you. Uh So. So, UM, there were slight descraping

0:28:56.480 --> 0:29:00.320
<v Speaker 1>seeds as far as like, um, you know, the decision

0:29:00.560 --> 0:29:04.280
<v Speaker 1>was sort of made that you know, Dane would would manager,

0:29:04.400 --> 0:29:09.040
<v Speaker 1>so he wanted everybody to sign and um to Rocket

0:29:09.040 --> 0:29:13.400
<v Speaker 1>Feller to Dane, to Dame's management, like to sign to

0:29:13.560 --> 0:29:19.000
<v Speaker 1>him his management, and everybody didn't want to do it.

0:29:19.720 --> 0:29:23.400
<v Speaker 1>You know, I didn't feel like I should do it.

0:29:23.400 --> 0:29:27.120
<v Speaker 1>It had nothing to do with um my report with Dane,

0:29:27.640 --> 0:29:30.239
<v Speaker 1>you know what I'm saying. It was just something that

0:29:30.280 --> 0:29:33.800
<v Speaker 1>I felt didn't do. Yeah, and I think at that

0:29:33.840 --> 0:29:36.800
<v Speaker 1>time Sauce felt the same way. So that's what happened

0:29:36.800 --> 0:29:39.760
<v Speaker 1>with that. But um, but yeah, that was the that

0:29:39.840 --> 0:29:43.600
<v Speaker 1>was the beginning of that, Clark uh introduced all of us.

0:29:44.360 --> 0:29:46.680
<v Speaker 1>You guys had records though, is that six right? I

0:29:46.720 --> 0:29:49.959
<v Speaker 1>wouldn't say records, I'd say recordings. Where they are? I

0:29:50.000 --> 0:29:55.200
<v Speaker 1>don't know wherever they are? Police surface, Yeah, I got yeah,

0:29:55.240 --> 0:30:01.320
<v Speaker 1>you know if you like ster Rynds, Buster Rounds got

0:30:01.400 --> 0:30:04.240
<v Speaker 1>DA's from eight. Do you ever hang out with Busting

0:30:04.320 --> 0:30:07.280
<v Speaker 1>round your listen? He is crazy? He having the he'd

0:30:07.280 --> 0:30:09.880
<v Speaker 1>be having the old school dats. I'll be wanting to say, yo,

0:30:09.920 --> 0:30:11.920
<v Speaker 1>how the fund? Do you even remember where he sent

0:30:12.040 --> 0:30:15.000
<v Speaker 1>his at like I'm doing. You never seen? He has

0:30:15.080 --> 0:30:17.200
<v Speaker 1>the rails, he has everything. But I'm sorry to cut

0:30:17.200 --> 0:30:19.240
<v Speaker 1>you off. No, no, it's cool, it's cool. So you

0:30:19.240 --> 0:30:22.200
<v Speaker 1>don't know what these records exists at all? No, Yeah,

0:30:22.640 --> 0:30:38.160
<v Speaker 1>some engineer is somewhere like this, somebody whatever. So it

0:30:38.320 --> 0:30:40.640
<v Speaker 1>just didn't make for a good joke. You know, that's

0:30:40.640 --> 0:30:44.440
<v Speaker 1>the hard packer. I definitely definitely that's hard man, that's hard.

0:30:44.560 --> 0:30:49.160
<v Speaker 1>That's hard. But um so now this London trip, right,

0:30:49.680 --> 0:30:52.600
<v Speaker 1>it's so it's so iconic because we get to hear

0:30:52.680 --> 0:30:55.640
<v Speaker 1>Jay even talk about like him going to London or whatever,

0:30:55.880 --> 0:30:59.920
<v Speaker 1>but ironically this London trip he actually went with you.

0:31:00.560 --> 0:31:03.080
<v Speaker 1>He was like, so came you to describe that for

0:31:03.120 --> 0:31:05.280
<v Speaker 1>the people, because the people, I mean, that's dope when

0:31:05.280 --> 0:31:07.960
<v Speaker 1>they see j and the Beama and it's like his history.

0:31:08.240 --> 0:31:10.760
<v Speaker 1>But it's it's it's it's it's dope and it's humbling

0:31:10.960 --> 0:31:13.239
<v Speaker 1>to know that that. When I found out, I was like,

0:31:13.280 --> 0:31:16.000
<v Speaker 1>it was actually a trip that jazz oh from Jay

0:31:16.520 --> 0:31:19.720
<v Speaker 1>So so you could describe that. Yeah, So it was

0:31:19.760 --> 0:31:24.480
<v Speaker 1>the um you know, it was I don't know. I

0:31:24.520 --> 0:31:26.400
<v Speaker 1>don't well, I know why. I just don't want to

0:31:26.920 --> 0:31:29.360
<v Speaker 1>bro you know, do that to people. But we we

0:31:29.440 --> 0:31:33.360
<v Speaker 1>went to London to record my album, so it was myself,

0:31:33.480 --> 0:31:37.960
<v Speaker 1>J and RV Gotti and still the m R. Yeah,

0:31:38.000 --> 0:31:41.080
<v Speaker 1>this was yeah, this was Goody told us that it

0:31:41.200 --> 0:31:46.560
<v Speaker 1>was so yeah, so we um. So we were there

0:31:46.600 --> 0:31:50.040
<v Speaker 1>for like two months. EARV got homesick, he broke out

0:31:50.960 --> 0:31:55.880
<v Speaker 1>and we stayed. But it was it was a very

0:31:55.960 --> 0:31:59.520
<v Speaker 1>good experience. Besides the food, you didn't know how to

0:31:59.520 --> 0:32:04.400
<v Speaker 1>eat rot back there. I couldn't find a rollti. They

0:32:04.440 --> 0:32:07.760
<v Speaker 1>wouldn't take us to it. They wouldn't take us to

0:32:07.800 --> 0:32:12.400
<v Speaker 1>Brixton because photographers from London. Yeah, my first time, that's

0:32:12.400 --> 0:32:13.760
<v Speaker 1>the first thing they said they said, go see the

0:32:13.920 --> 0:32:18.000
<v Speaker 1>roster them and I went straight to the roster on them.

0:32:18.280 --> 0:32:21.800
<v Speaker 1>Now they told us, they told us go to the

0:32:21.840 --> 0:32:25.000
<v Speaker 1>studio because they know, you know what I'm saying, go

0:32:25.080 --> 0:32:27.840
<v Speaker 1>to the studio. We went to the y you know

0:32:27.960 --> 0:32:31.760
<v Speaker 1>sometimes you know, play some ball and back. You know.

0:32:31.920 --> 0:32:36.040
<v Speaker 1>I did have a flat in this affluent area somewhere.

0:32:36.080 --> 0:32:38.200
<v Speaker 1>I don't know where the hell we were, but we

0:32:38.200 --> 0:32:43.560
<v Speaker 1>were living good. But uh so, um that that was.

0:32:43.840 --> 0:32:48.600
<v Speaker 1>That wasn't a very great experience. It was. I couldn't

0:32:48.600 --> 0:32:53.960
<v Speaker 1>believe it, and I really I really couldn't grasp what

0:32:54.040 --> 0:32:58.760
<v Speaker 1>was going on until I had an actual um release

0:32:59.200 --> 0:33:02.280
<v Speaker 1>uh celebration shan you know, uh you know really for

0:33:02.320 --> 0:33:07.240
<v Speaker 1>the completion of the album in London, and we were

0:33:07.280 --> 0:33:12.040
<v Speaker 1>in a Cadillac stretch, which was almost like having a

0:33:12.120 --> 0:33:15.360
<v Speaker 1>Bentley stretch at that time. Here that was a ghost

0:33:17.240 --> 0:33:21.120
<v Speaker 1>you know what I'm saying. So basically, um, then it

0:33:21.200 --> 0:33:25.640
<v Speaker 1>hit me. I was like I'm doing it, you know,

0:33:25.640 --> 0:33:28.080
<v Speaker 1>because the whole time it's just like regular ship on

0:33:28.240 --> 0:33:31.000
<v Speaker 1>me Irvan j We clowning around ship. We go to

0:33:31.080 --> 0:33:35.240
<v Speaker 1>this this restaurant every Wednesday and we run into all

0:33:35.280 --> 0:33:37.719
<v Speaker 1>types of people that's coming through like I'm at Anita

0:33:37.760 --> 0:33:41.880
<v Speaker 1>Baker out there, Keith Sweat came out there, George duke

0:33:42.040 --> 0:33:46.280
<v Speaker 1>Man Live forever, um. So yeah, so it was it

0:33:46.360 --> 0:33:49.360
<v Speaker 1>was a great experience. But that's when I realized I

0:33:49.440 --> 0:33:52.360
<v Speaker 1>was like, oh, oh, this ship is real hip hop

0:33:52.400 --> 0:33:54.880
<v Speaker 1>and go it could really go exactly now you fort

0:33:54.960 --> 0:33:59.360
<v Speaker 1>to have jay Z on your cover? This is your album?

0:33:59.360 --> 0:34:01.959
<v Speaker 1>What made you? What made you say that? Like, Yo,

0:34:02.200 --> 0:34:05.560
<v Speaker 1>that's that's who? Then are you saying yeah, Like I

0:34:06.640 --> 0:34:09.799
<v Speaker 1>wasn't the label. This is what I heard. The label

0:34:09.880 --> 0:34:12.160
<v Speaker 1>was like, what this is your album? You should be

0:34:12.200 --> 0:34:16.440
<v Speaker 1>on here solo? And what I heard you said that

0:34:16.480 --> 0:34:17.800
<v Speaker 1>this is what I want to do. But I just

0:34:17.840 --> 0:34:22.840
<v Speaker 1>want to hear from your mouth, like is that was

0:34:22.880 --> 0:34:26.600
<v Speaker 1>my bro? You know? And I felt like, let's make

0:34:26.640 --> 0:34:32.320
<v Speaker 1>some noise f man ship the real ship and I

0:34:32.440 --> 0:34:34.719
<v Speaker 1>st me stop you because poison't doing that at the time.

0:34:35.040 --> 0:34:39.719
<v Speaker 1>I you've seen it with Ray and Ghosts, right, Yeah,

0:34:40.560 --> 0:34:43.279
<v Speaker 1>you didn't know that came from here, that this was.

0:34:43.320 --> 0:34:48.120
<v Speaker 1>That was the first time someone put like every now

0:34:48.120 --> 0:34:50.000
<v Speaker 1>and then these pody see somebody with their HOMEBOARLD, their

0:34:50.120 --> 0:34:53.359
<v Speaker 1>dancers or their dances or somebody like that. You never

0:34:53.400 --> 0:34:57.560
<v Speaker 1>see somebody d D but was in a group together.

0:34:57.880 --> 0:35:00.759
<v Speaker 1>First I've ever seen the artists have another artist on

0:35:00.840 --> 0:35:03.239
<v Speaker 1>their couple. What's this? This is? This is the first time.

0:35:03.280 --> 0:35:05.720
<v Speaker 1>I don't know if I'm you know, and I don't remember.

0:35:06.120 --> 0:35:08.760
<v Speaker 1>I didn't remember. I remember you being the first one. Yeah,

0:35:08.800 --> 0:35:11.439
<v Speaker 1>that's all I remember. Goddam, I remember I got there. Okay,

0:35:11.480 --> 0:35:13.960
<v Speaker 1>So here just the three years agree where I was

0:35:14.000 --> 0:35:15.839
<v Speaker 1>just asking, like, what made you want to do that?

0:35:15.920 --> 0:35:19.960
<v Speaker 1>Like you know what I mean, that's just who I am. Man,

0:35:20.840 --> 0:35:24.840
<v Speaker 1>I can't help it, Like you know, I'm not it.

0:35:25.400 --> 0:35:30.600
<v Speaker 1>You know, it's intellect behind it. It's like he deserved it.

0:35:31.000 --> 0:35:34.680
<v Speaker 1>And I felt like, damn all this bullshit I gotta

0:35:34.719 --> 0:35:37.560
<v Speaker 1>go through or that I went through to get to

0:35:37.600 --> 0:35:41.560
<v Speaker 1>that point. You know, he shouldn't have to go through that,

0:35:42.000 --> 0:35:43.399
<v Speaker 1>you know what I'm saying. So if I can make

0:35:43.400 --> 0:35:46.480
<v Speaker 1>it easy show his face and everybody like, well, what

0:35:46.520 --> 0:35:48.680
<v Speaker 1>does he do this time? I was like, she wrong,

0:35:49.040 --> 0:35:53.600
<v Speaker 1>you know, And so I basically that was just how

0:35:53.640 --> 0:35:56.440
<v Speaker 1>it was. You know, I didn't have I didn't have

0:35:56.520 --> 0:36:01.160
<v Speaker 1>like a steady DJ. So I was like, you know,

0:36:01.280 --> 0:36:03.399
<v Speaker 1>and I could be on here by myself, but that's

0:36:03.400 --> 0:36:06.480
<v Speaker 1>not that's just not how I feel about myself. And

0:36:06.520 --> 0:36:11.200
<v Speaker 1>I feel like, you know, our greatest value is our

0:36:11.360 --> 0:36:17.240
<v Speaker 1>value too up. Yeah, I'll you know whoever you whoever,

0:36:17.280 --> 0:36:21.000
<v Speaker 1>you express yourself too, and you know that to me,

0:36:21.080 --> 0:36:24.360
<v Speaker 1>that's your value. And I just that's what I was

0:36:24.400 --> 0:36:26.920
<v Speaker 1>just compelled to do, and I told I fought for it.

0:36:26.960 --> 0:36:29.399
<v Speaker 1>I was like, Yo, that's my man. And it's like,

0:36:30.400 --> 0:36:32.560
<v Speaker 1>you know, you're gonna have problems if he ain't on

0:36:32.600 --> 0:36:35.640
<v Speaker 1>them on the album, least on the back. They didn't

0:36:35.640 --> 0:36:38.640
<v Speaker 1>put him on the front, but on the back, it's like,

0:36:38.719 --> 0:36:41.000
<v Speaker 1>y'all gonna have problems. I'm not gonna cooperate and you

0:36:41.080 --> 0:36:48.000
<v Speaker 1>already gave me money. Let's let's salute to that man.

0:36:48.040 --> 0:36:54.719
<v Speaker 1>Come on, that'slute. That expect that meet a lot, like

0:36:54.880 --> 0:36:56.960
<v Speaker 1>a lot of them, tell your something. I know I

0:36:56.960 --> 0:36:58.920
<v Speaker 1>said it off camera, but I had to meet you

0:36:58.920 --> 0:37:02.320
<v Speaker 1>a lot that saying diego. I still haven't stopped shipping

0:37:02.320 --> 0:37:07.400
<v Speaker 1>from that from nine years ago, my bro because to

0:37:07.440 --> 0:37:09.880
<v Speaker 1>my boy cows. But I ain't gonna front. That's how

0:37:09.960 --> 0:37:12.880
<v Speaker 1>quiet taste, right. I think a rapper mixes brand as

0:37:12.880 --> 0:37:15.719
<v Speaker 1>a matter of fact, the rapper from the West. I

0:37:15.719 --> 0:37:17.560
<v Speaker 1>think it's something that shot I got, I got a

0:37:17.560 --> 0:37:20.879
<v Speaker 1>shot at me. I want to that's not gonna happen.

0:37:21.880 --> 0:37:24.200
<v Speaker 1>That is not gonna happen, Sarah, We're gonna do a shot.

0:37:24.840 --> 0:37:29.040
<v Speaker 1>Come on, let's do a shot something. I'll tell you.

0:37:29.040 --> 0:37:35.440
<v Speaker 1>I gotta take my swetter off now to compone. You know,

0:37:35.800 --> 0:37:39.360
<v Speaker 1>a Cossi clothing. Jesus, you know what I'm saying. I

0:37:39.440 --> 0:37:46.840
<v Speaker 1>gotta support your homie. So um, alright, it's gonna start sweating.

0:37:47.719 --> 0:37:50.400
<v Speaker 1>We gotta start remember learning how to make sweaters without

0:37:50.400 --> 0:37:53.799
<v Speaker 1>the ship that stick to your ship. I just put

0:37:53.800 --> 0:37:56.120
<v Speaker 1>this shot on one time. Come on, remember there, it's

0:37:56.160 --> 0:37:59.279
<v Speaker 1>limited now, there's no more, no more time, especially with

0:37:59.320 --> 0:38:03.560
<v Speaker 1>the corona of virus. Ship got the stretcher, right, So listen,

0:38:03.600 --> 0:38:04.960
<v Speaker 1>let me just tell you something. I don't know if

0:38:05.000 --> 0:38:08.359
<v Speaker 1>you know, but our show is about bigging all legends up,

0:38:08.800 --> 0:38:12.680
<v Speaker 1>you know, every other every other culture. When you have

0:38:12.840 --> 0:38:15.560
<v Speaker 1>ten years or more, they call you season. There's people

0:38:15.640 --> 0:38:18.440
<v Speaker 1>right now getting seventy years old, having contracts and touring

0:38:18.440 --> 0:38:22.120
<v Speaker 1>the mother phone world and continue, and they call them season.

0:38:22.120 --> 0:38:24.799
<v Speaker 1>And our culture. No other culture is a word called

0:38:24.840 --> 0:38:28.799
<v Speaker 1>washed up. Only our culture. And I fucking hate that

0:38:29.120 --> 0:38:31.399
<v Speaker 1>me personally. I want to I want to say that

0:38:31.440 --> 0:38:33.600
<v Speaker 1>we are legends and we are superheroes, and we're going

0:38:33.640 --> 0:38:37.439
<v Speaker 1>to continue to motherfucking keep our legends and our superheroes

0:38:37.520 --> 0:38:40.680
<v Speaker 1>alive and keep your motherfucking relevant. That's what this show

0:38:40.760 --> 0:38:43.640
<v Speaker 1>was about. So we celebrate your life, we celebrate your legacy,

0:38:43.640 --> 0:38:45.600
<v Speaker 1>and we celebrate your career. And that's what the fun

0:38:46.360 --> 0:38:51.480
<v Speaker 1>Job said. So little old Sunny you got a shot?

0:38:52.080 --> 0:38:56.560
<v Speaker 1>Why you got the shot there today? I hope I

0:38:56.600 --> 0:38:59.600
<v Speaker 1>got a stretch over there for you. We just drink

0:39:00.120 --> 0:39:06.560
<v Speaker 1>virus the way you gave me the broken Yeah, let's

0:39:06.600 --> 0:39:08.600
<v Speaker 1>let's stop with the coronavirus. That's it too close in

0:39:08.680 --> 0:39:16.040
<v Speaker 1>my hood? Yeah, that's it was late. That's called tiger bones.

0:39:16.080 --> 0:39:22.200
<v Speaker 1>Actually it's actually a herb. It's actually not supposed to

0:39:21.920 --> 0:39:24.360
<v Speaker 1>be many herbs. It's not just one. Yeah yeah, but

0:39:24.440 --> 0:39:26.160
<v Speaker 1>you see one shot. That's we're supposed to do it.

0:39:26.719 --> 0:39:30.399
<v Speaker 1>So now now the rumor is, you know you want

0:39:30.440 --> 0:39:33.680
<v Speaker 1>you want jail, you're good Originators drop one of the

0:39:33.719 --> 0:39:38.360
<v Speaker 1>illest records. First, I'll subscribe that, like, because this is

0:39:38.400 --> 0:39:41.879
<v Speaker 1>the first time you see your man like like he's

0:39:41.880 --> 0:39:43.759
<v Speaker 1>shining and then he comes and he puts you on.

0:39:43.800 --> 0:39:47.359
<v Speaker 1>Originators is that how that or I'm missing a couple

0:39:47.400 --> 0:39:50.560
<v Speaker 1>of things. No, No, it was we you know, it

0:39:50.600 --> 0:39:53.319
<v Speaker 1>was during that that time and you know he was

0:39:53.400 --> 0:39:58.359
<v Speaker 1>bubbling and uh, you know, I guess the idea came up,

0:39:58.400 --> 0:40:01.960
<v Speaker 1>and I think that, um, they felt it inappropriate to

0:40:02.080 --> 0:40:06.160
<v Speaker 1>do a song like that, and it would be, um,

0:40:06.200 --> 0:40:08.799
<v Speaker 1>it would just be bigger to have me on song.

0:40:09.040 --> 0:40:13.040
<v Speaker 1>Oh you know what I'm saying. Um, so you know,

0:40:13.400 --> 0:40:16.160
<v Speaker 1>love is love and you know he called me, I'm

0:40:16.160 --> 0:40:20.920
<v Speaker 1>actually I'm actually writing a book, um that that gives

0:40:20.920 --> 0:40:24.240
<v Speaker 1>the account, you know, the backstory to all the events

0:40:24.320 --> 0:40:27.040
<v Speaker 1>leading up the student. You gotta have a script to

0:40:27.080 --> 0:40:30.440
<v Speaker 1>that book. Well, actually it's it's gonna be. Um, it's

0:40:30.480 --> 0:40:34.520
<v Speaker 1>a volume of um what I foresee as numerous volumes,

0:40:34.520 --> 0:40:38.640
<v Speaker 1>and it's basically gonna be like an analyzation of some

0:40:38.760 --> 0:40:43.280
<v Speaker 1>of my landmark versus and gives lessons in poetic license

0:40:43.360 --> 0:40:47.120
<v Speaker 1>like MoDiP is similarly metaphors. That's the right time to

0:40:47.280 --> 0:40:49.800
<v Speaker 1>say that, you know, because we want to tell you,

0:40:50.000 --> 0:40:51.640
<v Speaker 1>because the right time to do ship like that, because

0:40:51.640 --> 0:40:54.279
<v Speaker 1>content if you produce that ship or you produce it

0:40:54.560 --> 0:40:56.520
<v Speaker 1>and just you know what he's saying the book right

0:40:56.520 --> 0:41:03.879
<v Speaker 1>now that like me personally, I'm not a read book

0:41:03.920 --> 0:41:11.600
<v Speaker 1>a round. You know what I'm saying, Like watched the

0:41:11.600 --> 0:41:13.840
<v Speaker 1>Ship out of something, though you watched I watched the

0:41:13.880 --> 0:41:17.080
<v Speaker 1>ship and watch my next movie wait more than I

0:41:17.120 --> 0:41:20.160
<v Speaker 1>read your books. But I love the book to man. Listen.

0:41:20.200 --> 0:41:23.560
<v Speaker 1>I'm not in the audio books yet. Okay, I'm not

0:41:23.640 --> 0:41:25.759
<v Speaker 1>into it yet. I feel like I'm gonna get into

0:41:25.760 --> 0:41:27.960
<v Speaker 1>it eventually, but I feel like I gotta go back

0:41:28.000 --> 0:41:30.640
<v Speaker 1>to reading some more. I'm reading Message to the Millennials.

0:41:30.760 --> 0:41:35.560
<v Speaker 1>UM's it Islam came he um, and he gave me

0:41:35.600 --> 0:41:38.319
<v Speaker 1>a book. I read the front praise today. I felt good,

0:41:38.920 --> 0:41:43.080
<v Speaker 1>um yeah, but then I realized the color. Yeah I read.

0:41:43.200 --> 0:41:45.080
<v Speaker 1>I read that. I read the one page and then

0:41:45.120 --> 0:41:49.520
<v Speaker 1>I read the back. I said stuck start start started,

0:41:53.600 --> 0:41:57.839
<v Speaker 1>and we yeah yeah. So okay, so what what what? What?

0:41:58.200 --> 0:42:00.960
<v Speaker 1>All right? What is your favor it thing in hip hop?

0:42:01.280 --> 0:42:05.120
<v Speaker 1>Is it making the record or performing the record? Mm

0:42:05.160 --> 0:42:10.640
<v Speaker 1>hmm ma. That's that's a tough one. But I will

0:42:10.920 --> 0:42:14.799
<v Speaker 1>I will say performing the record. And the reason why

0:42:14.840 --> 0:42:20.279
<v Speaker 1>I say that is because it's you well know, yeah, yeah,

0:42:20.640 --> 0:42:25.640
<v Speaker 1>how do you know what works exactly? You're gonna stand

0:42:25.640 --> 0:42:31.000
<v Speaker 1>in the way, but you know, as we all know

0:42:31.640 --> 0:42:37.800
<v Speaker 1>everybody doesn't really perform to the same extent as they're recording.

0:42:38.280 --> 0:42:41.120
<v Speaker 1>So to me, it's sort of like a crown achievement

0:42:41.160 --> 0:42:43.080
<v Speaker 1>when you could get on stage and you could give

0:42:43.120 --> 0:42:45.520
<v Speaker 1>it up the same way that ship sound on the record.

0:42:46.000 --> 0:42:48.760
<v Speaker 1>You know what I'm saying, it's special and it's special

0:42:48.840 --> 0:42:52.560
<v Speaker 1>and it's unique because everybody can't do it. You know,

0:42:52.760 --> 0:42:57.800
<v Speaker 1>everybody can't do it. So like I've always prided myself

0:42:57.880 --> 0:43:01.080
<v Speaker 1>on that on breath control, like all the technical ship

0:43:01.520 --> 0:43:04.200
<v Speaker 1>that you know, nobody gives a funk about when they

0:43:04.239 --> 0:43:06.600
<v Speaker 1>listen to a record, like, oh that ship banging when

0:43:06.640 --> 0:43:08.239
<v Speaker 1>it's in the club, and just do the other on

0:43:08.440 --> 0:43:11.080
<v Speaker 1>his riding music. That's all they're thinking about. That's all

0:43:11.080 --> 0:43:13.560
<v Speaker 1>they're supposed to think about. Your job is to do

0:43:13.719 --> 0:43:17.840
<v Speaker 1>all of the other things, the intangibles that make the

0:43:17.840 --> 0:43:20.680
<v Speaker 1>record what it is that makes them not think about

0:43:20.719 --> 0:43:23.000
<v Speaker 1>any of that ship. You know, that's that's ill because

0:43:23.239 --> 0:43:25.759
<v Speaker 1>that's you know again, you know, I could take this

0:43:25.800 --> 0:43:28.239
<v Speaker 1>young generation because I have to write. And that's the

0:43:28.239 --> 0:43:30.239
<v Speaker 1>difference between their music and all music is you can

0:43:30.280 --> 0:43:32.040
<v Speaker 1>tell we didn't punch in. You can tell we didn't

0:43:32.040 --> 0:43:36.400
<v Speaker 1>have the technology the technology to go, you know, stop this,

0:43:36.560 --> 0:43:38.440
<v Speaker 1>and that's why you see these guys, they all they

0:43:38.520 --> 0:43:40.600
<v Speaker 1>flows and going like this, and it's it's not that

0:43:41.200 --> 0:43:57.360
<v Speaker 1>they're going, which is exactly that's imps. And that was

0:43:57.400 --> 0:44:01.200
<v Speaker 1>my next question. It's ever been somebody who was scared

0:44:01.280 --> 0:44:04.400
<v Speaker 1>to say I don't I don't want to perform after him?

0:44:04.440 --> 0:44:08.480
<v Speaker 1>Oh hell no, never, never, never ever got to make

0:44:08.520 --> 0:44:15.560
<v Speaker 1>some noise for that. I mean on stage, stage, stage, stage, okay, club,

0:44:15.680 --> 0:44:18.160
<v Speaker 1>I don't give a funk. You're that confidence, I'm jazz.

0:44:18.200 --> 0:44:23.960
<v Speaker 1>Oh right right right after the way this, I gotta

0:44:24.000 --> 0:44:25.640
<v Speaker 1>ask you that right now you're getting a record withhold.

0:44:25.680 --> 0:44:28.279
<v Speaker 1>Right now, you're taking whole head off. I ain't trying

0:44:28.320 --> 0:44:30.600
<v Speaker 1>to take his head off. I'm saying that you ain't

0:44:30.640 --> 0:44:36.799
<v Speaker 1>trying to take his head off. You just playing. But

0:44:37.120 --> 0:44:39.120
<v Speaker 1>now he's gonna he's gonna put his best foot forward

0:44:39.120 --> 0:44:41.439
<v Speaker 1>and put my best foot forward. I got. I got

0:44:41.800 --> 0:44:45.120
<v Speaker 1>great confidence in myself and I got great confidence in him.

0:44:45.680 --> 0:44:49.600
<v Speaker 1>And you know, I've told people like it's like y'all

0:44:49.640 --> 0:44:55.920
<v Speaker 1>think is sleeping, like you know, like it's it's so

0:44:56.000 --> 0:45:01.000
<v Speaker 1>crazy like for what we here, like he's still that

0:45:01.200 --> 0:45:07.200
<v Speaker 1>far beyond the nine percent. How you know what I'm saying,

0:45:07.840 --> 0:45:10.640
<v Speaker 1>and you gotta you gotta respect it. And and now

0:45:11.160 --> 0:45:13.200
<v Speaker 1>that's one thing I did for see. I was like,

0:45:13.239 --> 0:45:16.680
<v Speaker 1>as long as he maintains his normal health and everything

0:45:16.719 --> 0:45:19.319
<v Speaker 1>like that, he's gonna be able to go. You're gonna

0:45:19.360 --> 0:45:23.320
<v Speaker 1>always be able to go. And you know, Nigga is young,

0:45:24.120 --> 0:45:28.719
<v Speaker 1>middle age old whatever, like they still like I hear

0:45:28.800 --> 0:45:30.520
<v Speaker 1>stuff I don't. And I'm gonna tell you right now,

0:45:30.560 --> 0:45:32.960
<v Speaker 1>I don't really listen to too much ship. I barely

0:45:33.000 --> 0:45:37.120
<v Speaker 1>listened to my own ship. And like, I don't really

0:45:37.160 --> 0:45:40.759
<v Speaker 1>see nobody you know, fucking with him like that. And

0:45:40.800 --> 0:45:42.680
<v Speaker 1>if they do, they need to turn off all of

0:45:42.760 --> 0:45:46.680
<v Speaker 1>the auto tune and the super punchings and all that

0:45:46.719 --> 0:45:48.719
<v Speaker 1>other ship. We don't have no punch of Like, so

0:45:48.880 --> 0:45:53.680
<v Speaker 1>what timing was off is like, nah, I gotta do that.

0:45:58.880 --> 0:46:03.480
<v Speaker 1>You don't remember that ship eighteen pounds right? And it

0:46:03.680 --> 0:46:06.440
<v Speaker 1>was crazy. I used to be in D and D

0:46:07.320 --> 0:46:10.600
<v Speaker 1>where they had like, um, you know, they had sessions

0:46:10.600 --> 0:46:13.040
<v Speaker 1>where they had like you know, house music and ship

0:46:13.120 --> 0:46:16.200
<v Speaker 1>like that. So you know these little parts where Nigga's

0:46:16.440 --> 0:46:22.719
<v Speaker 1>going Nigga with the motherfucking um raised the blade yea,

0:46:24.160 --> 0:46:26.680
<v Speaker 1>Like I saw this one cat I can't remember his name.

0:46:27.120 --> 0:46:30.680
<v Speaker 1>He had like if somebody, if somebody slammed the door,

0:46:30.760 --> 0:46:34.120
<v Speaker 1>like he probably killed him. But because he had, like yo,

0:46:34.239 --> 0:46:39.000
<v Speaker 1>I'm telling you, they had like thirty little slithers that

0:46:39.160 --> 0:46:42.319
<v Speaker 1>he had lined up that he had to take, you

0:46:42.320 --> 0:46:45.040
<v Speaker 1>know on as an edit you know, to do some

0:46:45.280 --> 0:46:50.759
<v Speaker 1>ill last crazy you know. You know. That's what I'm

0:46:50.760 --> 0:46:53.120
<v Speaker 1>saying when these kids be like I did, I did

0:46:53.200 --> 0:46:56.960
<v Speaker 1>the record that like it sounds like you did, Yo.

0:46:58.040 --> 0:47:00.960
<v Speaker 1>I think I sit in five minutes. I know you

0:47:01.040 --> 0:47:04.239
<v Speaker 1>put no affort at all, and your engineer didn't care.

0:47:07.000 --> 0:47:09.520
<v Speaker 1>Just aside, like they just aside. The engineer said, D

0:47:09.600 --> 0:47:12.080
<v Speaker 1>and D shout out to Premiere. You work with Premiere, right, Oh,

0:47:12.160 --> 0:47:14.239
<v Speaker 1>most definitely. Yeah, you know, I'm just you know, I'm

0:47:14.280 --> 0:47:17.520
<v Speaker 1>just saying it for the Premiere produce one of the

0:47:17.640 --> 0:47:20.439
<v Speaker 1>jay Z disc records. This is awkward. Let's just be clear.

0:47:20.520 --> 0:47:26.200
<v Speaker 1>I mean that we got to talk about it, I believe,

0:47:26.280 --> 0:47:28.480
<v Speaker 1>so that's popped up so as I don't know, because

0:47:28.520 --> 0:47:30.319
<v Speaker 1>like I said, you had so many beach you just

0:47:30.320 --> 0:47:33.879
<v Speaker 1>go yeah, and then I don't really really kid man,

0:47:34.560 --> 0:47:37.240
<v Speaker 1>like I was, I was more listening to that stuff

0:47:37.239 --> 0:47:40.399
<v Speaker 1>like I would listen less to anybody else. If I

0:47:40.440 --> 0:47:42.880
<v Speaker 1>was tracking ship, I would be tracking who was listening

0:47:42.920 --> 0:47:46.520
<v Speaker 1>to my ship? You know, however that sounded, it is

0:47:46.560 --> 0:47:49.040
<v Speaker 1>what it is, and what was the actual discrepancy because

0:47:49.040 --> 0:47:50.920
<v Speaker 1>everyone when you when you google, like I said, I

0:47:50.960 --> 0:47:52.600
<v Speaker 1>had to do my research, and it's great that I

0:47:52.680 --> 0:47:55.160
<v Speaker 1>was like kind of like, you know, out of it yesterday,

0:47:55.160 --> 0:47:57.359
<v Speaker 1>so I had all the time to keep going. And

0:47:57.480 --> 0:48:00.400
<v Speaker 1>one of the stories it says, um that it was

0:48:00.440 --> 0:48:06.160
<v Speaker 1>over a contract. Nay. The truth of the matter is,

0:48:06.320 --> 0:48:08.320
<v Speaker 1>and I hate to burst a lot of people's bubble,

0:48:08.880 --> 0:48:13.000
<v Speaker 1>but it really wasn't anything. It was between the media

0:48:13.239 --> 0:48:19.400
<v Speaker 1>and certain crab as bullshit weak motherfucker's in the circle.

0:48:20.239 --> 0:48:23.720
<v Speaker 1>That was basically it, you know, saying saying certain things

0:48:23.760 --> 0:48:28.600
<v Speaker 1>like all right, I give you example, like like um,

0:48:28.640 --> 0:48:31.560
<v Speaker 1>and I'm not, I'm not I'm not boosting myself. I'm not.

0:48:31.719 --> 0:48:35.880
<v Speaker 1>I'm not saying this egotistically, but I'm I'm sincere to

0:48:35.960 --> 0:48:39.440
<v Speaker 1>a fault sometimes because I give people too much credit.

0:48:39.840 --> 0:48:44.080
<v Speaker 1>So like if somebody says something or they'll say it

0:48:44.120 --> 0:48:47.920
<v Speaker 1>to me and they're disgrunted about something, and then it's like,

0:48:47.960 --> 0:48:50.880
<v Speaker 1>all right, that's confidential. I respect it. You know what

0:48:50.920 --> 0:48:55.840
<v Speaker 1>I'm saying. So then if somebody, if you turn around

0:48:55.920 --> 0:48:58.920
<v Speaker 1>and the same person that said that to me goes

0:48:59.239 --> 0:49:05.319
<v Speaker 1>to the person and and they say something about me

0:49:05.840 --> 0:49:08.400
<v Speaker 1>and then say and try to fix what they said,

0:49:08.760 --> 0:49:11.319
<v Speaker 1>and then the person that they're talking to comes back

0:49:11.320 --> 0:49:15.400
<v Speaker 1>to me, then I gotta let it go because the

0:49:15.480 --> 0:49:17.959
<v Speaker 1>same thing you're asking me to do, you ain't do it.

0:49:18.600 --> 0:49:20.279
<v Speaker 1>You just you you know what I'm saying. You just

0:49:20.360 --> 0:49:22.960
<v Speaker 1>let that ship loose. So it's like, nah, I'm not

0:49:23.000 --> 0:49:25.399
<v Speaker 1>gonna do it to the point where I'm gonna take

0:49:25.400 --> 0:49:28.560
<v Speaker 1>a blow for you and make myself look a certain way.

0:49:28.600 --> 0:49:30.440
<v Speaker 1>So it's like I'm gonna give it up. You know

0:49:30.480 --> 0:49:32.240
<v Speaker 1>what I'm saying. This is what happened, is what happened.

0:49:32.320 --> 0:49:33.880
<v Speaker 1>You can put the nigga on the phone right now,

0:49:33.920 --> 0:49:35.680
<v Speaker 1>I'm and say the same ship that I'm saying in

0:49:35.719 --> 0:49:38.640
<v Speaker 1>your face right now. So I'm sincere to a fault.

0:49:38.840 --> 0:49:41.000
<v Speaker 1>And I think a lot of niggas around that time

0:49:41.560 --> 0:49:44.600
<v Speaker 1>in that circle, they ain't like that. They ain't like that.

0:49:44.680 --> 0:49:47.360
<v Speaker 1>And then you know some of them niggas, it was

0:49:47.440 --> 0:49:50.440
<v Speaker 1>just bitch ass niggas. They just wanted to be closer

0:49:50.480 --> 0:49:52.520
<v Speaker 1>to this dude, and they knew that there was nobody

0:49:52.560 --> 0:49:55.800
<v Speaker 1>closer to him than me because we was bros. You

0:49:55.840 --> 0:49:59.000
<v Speaker 1>know what I'm saying, And that you know, that's just

0:49:59.160 --> 0:50:01.560
<v Speaker 1>that was that's it. That was just it. I don't

0:50:01.600 --> 0:50:03.640
<v Speaker 1>want to name names because I don't want nobody coming

0:50:03.680 --> 0:50:07.160
<v Speaker 1>at me and then I gotta hurt somebody, somebody hurt me.

0:50:07.480 --> 0:50:10.560
<v Speaker 1>I'm not impervious to paint to to to um injury,

0:50:10.680 --> 0:50:19.240
<v Speaker 1>but I am almost yet. But you know, it's it's beautiful.

0:50:19.280 --> 0:50:21.279
<v Speaker 1>It's beautiful to see men be men, you know what

0:50:21.360 --> 0:50:24.040
<v Speaker 1>I'm saying. Because the thing about it is they say,

0:50:24.080 --> 0:50:26.120
<v Speaker 1>how you come in is how you go out? Right.

0:50:26.280 --> 0:50:28.800
<v Speaker 1>If you come in, you come in butt nicking, and

0:50:28.800 --> 0:50:30.640
<v Speaker 1>how you go out you go out. But Nick, and

0:50:30.680 --> 0:50:33.680
<v Speaker 1>the thing is if you can, you know, make amends

0:50:33.719 --> 0:50:35.640
<v Speaker 1>of the people you started with and y'all can get

0:50:35.640 --> 0:50:38.360
<v Speaker 1>some money together and do some business together, that's a

0:50:38.400 --> 0:50:41.120
<v Speaker 1>beautiful thing. So like, how did that like how did

0:50:41.160 --> 0:50:43.279
<v Speaker 1>that comes seen? The first picture I believe was with

0:50:43.400 --> 0:50:45.840
<v Speaker 1>no I d yeah, so um And I don't know

0:50:45.840 --> 0:50:47.680
<v Speaker 1>I forget where that was that. I figured that first

0:50:47.680 --> 0:50:53.960
<v Speaker 1>picture in Chicago, Okay, okay, and he's from from from

0:50:54.000 --> 0:50:56.520
<v Speaker 1>the show so how did that happen? Like, because well

0:50:56.840 --> 0:50:58.799
<v Speaker 1>there was tell you something, not not the only the

0:50:58.840 --> 0:51:01.560
<v Speaker 1>industry was shocked, but they were happy. It's like the

0:51:01.600 --> 0:51:05.400
<v Speaker 1>first time they was like oh yes, like finally like

0:51:05.400 --> 0:51:08.440
<v Speaker 1>like you know, all the Jay's discrepancies, we you know,

0:51:08.600 --> 0:51:10.799
<v Speaker 1>we we can see without but this was something that

0:51:11.000 --> 0:51:13.200
<v Speaker 1>I think everyone was just like that's dope, Like this

0:51:13.280 --> 0:51:16.000
<v Speaker 1>is like sincerely a dope thing. Now the business part

0:51:16.080 --> 0:51:18.560
<v Speaker 1>was later, but let's subscribe that first picture when we've

0:51:18.560 --> 0:51:20.920
<v Speaker 1>seen it was you j and no idea. This is

0:51:20.960 --> 0:51:23.880
<v Speaker 1>for years of termoil going on in that boom. This

0:51:23.960 --> 0:51:28.200
<v Speaker 1>is it. Yeah. So for um, firstly, there was somebody

0:51:28.239 --> 0:51:32.520
<v Speaker 1>I was doing some business with in Chicago who's from Chicago. Um,

0:51:32.600 --> 0:51:35.680
<v Speaker 1>they're actually from Detroit, but they live in Chicago, and

0:51:37.080 --> 0:51:41.400
<v Speaker 1>you know, one of their main things was to put

0:51:41.719 --> 0:51:45.560
<v Speaker 1>us together. And I was like that's cool, that's great,

0:51:45.840 --> 0:51:50.720
<v Speaker 1>but you know, let me let me press the button

0:51:50.760 --> 0:51:55.000
<v Speaker 1>on that. So they just jumped the gun, and you know,

0:51:55.040 --> 0:51:57.600
<v Speaker 1>it's like, you know, it's the perfect opportunity. This is

0:51:57.640 --> 0:52:00.200
<v Speaker 1>that and the other. So I'm like I'm a half

0:52:00.239 --> 0:52:02.520
<v Speaker 1>the least resistance guy, you know what I'm saying. So

0:52:02.560 --> 0:52:04.040
<v Speaker 1>I was like all right, let's see what happens. You

0:52:04.080 --> 0:52:07.520
<v Speaker 1>know what I'm saying, I'm not worried. So um so

0:52:07.600 --> 0:52:10.319
<v Speaker 1>he said he you know, he talked actually talked to

0:52:10.520 --> 0:52:16.960
<v Speaker 1>uh Emery Jones, so homie. Yeah, so we so we

0:52:17.080 --> 0:52:22.759
<v Speaker 1>basically he so Emery set it up and um so

0:52:22.840 --> 0:52:25.759
<v Speaker 1>we got you know, we went to will Call and

0:52:27.040 --> 0:52:30.560
<v Speaker 1>we met in the green room and it was just

0:52:30.600 --> 0:52:33.239
<v Speaker 1>regular ship. Like I ain't seen him since last month

0:52:33.360 --> 0:52:36.120
<v Speaker 1>or something like that. He's like jazz, It's like Jay

0:52:36.239 --> 0:52:40.520
<v Speaker 1>was good, you know, handshake, hug. I could literally see

0:52:40.560 --> 0:52:44.239
<v Speaker 1>this going on, but literally and and and it was

0:52:44.320 --> 0:52:48.160
<v Speaker 1>it was. It was beautiful. It was beautiful. Um, And

0:52:48.280 --> 0:52:50.399
<v Speaker 1>I always liked my chances with ships, so I didn't

0:52:50.400 --> 0:52:53.960
<v Speaker 1>expect any I didn't expect anything negative, you know, because

0:52:54.000 --> 0:52:56.279
<v Speaker 1>I mean everything was you know, I wouldn't have got

0:52:56.320 --> 0:52:59.839
<v Speaker 1>that fall if it was you know, something was you know, right.

0:53:00.120 --> 0:53:04.759
<v Speaker 1>But um, the beautiful part about it was, Um, he

0:53:04.880 --> 0:53:07.160
<v Speaker 1>just stood in front of me and you know, I

0:53:07.200 --> 0:53:09.239
<v Speaker 1>didn't say much, and he didn't say much, but he

0:53:09.280 --> 0:53:12.720
<v Speaker 1>just went like this, and I was like, that said everything.

0:53:13.120 --> 0:53:14.719
<v Speaker 1>And I was like that takes me off the hook

0:53:14.719 --> 0:53:17.600
<v Speaker 1>because now I ain't gotta be awkward and say anything

0:53:17.680 --> 0:53:20.000
<v Speaker 1>and ship and he ain't gotta say nothing. So we

0:53:20.120 --> 0:53:22.360
<v Speaker 1>just thought some yes, what you've been up tune? You know,

0:53:22.400 --> 0:53:24.879
<v Speaker 1>a little ship, you know, nudges and ship like that.

0:53:25.440 --> 0:53:27.560
<v Speaker 1>You know, so it was beautiful. Now I ain't gonna

0:53:27.560 --> 0:53:29.840
<v Speaker 1>lie act the same and just being honest with you

0:53:29.960 --> 0:53:32.759
<v Speaker 1>like like like like it's it's the smoothness that's with you.

0:53:33.200 --> 0:53:35.160
<v Speaker 1>It's the same smoothness like you can tell like I

0:53:35.239 --> 0:53:40.400
<v Speaker 1>knew you weren't gonna yell this whole interview. I like,

0:53:40.760 --> 0:53:42.640
<v Speaker 1>you know what I'm saying, Like that's like that's the

0:53:42.640 --> 0:53:44.520
<v Speaker 1>good thing. Like I said, I was just sold exhausted

0:53:44.600 --> 0:53:47.280
<v Speaker 1>that I don't want to subscribe myself as being sick yesterday,

0:53:47.320 --> 0:53:49.399
<v Speaker 1>but I was like I was exhausted, But the good

0:53:49.400 --> 0:53:52.120
<v Speaker 1>thing was I can still move my motherfucking fingers. So

0:53:52.160 --> 0:53:55.880
<v Speaker 1>I just kept watching everything like I watched everything about you,

0:53:55.920 --> 0:53:57.600
<v Speaker 1>like this is the thing is like I get into

0:53:57.640 --> 0:54:02.440
<v Speaker 1>our when I'm out the interview you, I'm you like

0:54:02.840 --> 0:54:05.080
<v Speaker 1>that's how much like I want to be in Cotnegro,

0:54:05.360 --> 0:54:08.560
<v Speaker 1>you know what I mean? And I just knew. And

0:54:08.680 --> 0:54:11.879
<v Speaker 1>the crazy thing is is that a marsy thing like

0:54:12.120 --> 0:54:15.560
<v Speaker 1>with y'all y'all, y'alln't blow y'all cool now, It's it's

0:54:15.600 --> 0:54:18.080
<v Speaker 1>not that because I mean I know a lot of

0:54:18.120 --> 0:54:21.839
<v Speaker 1>things like I got like, yo, man, chill out, they

0:54:21.920 --> 0:54:28.440
<v Speaker 1>just said what's up? But no, I think sometimes, I

0:54:28.480 --> 0:54:31.520
<v Speaker 1>mean it's an expression of our own egos when you

0:54:32.480 --> 0:54:38.960
<v Speaker 1>coming into contact with someone and you tend to, um,

0:54:39.000 --> 0:54:43.360
<v Speaker 1>you know, you have kendred spirits, So you like, I

0:54:43.440 --> 0:54:45.359
<v Speaker 1>like that, dude, he's cool. You know what I'm saying.

0:54:45.360 --> 0:54:48.200
<v Speaker 1>It's because you see the things that you like about

0:54:48.239 --> 0:54:51.719
<v Speaker 1>yourself and somebody else. So I think that has a

0:54:51.760 --> 0:54:54.600
<v Speaker 1>lot to do with it. And then around that time

0:54:54.800 --> 0:54:57.520
<v Speaker 1>up until like for so many years, like we were

0:54:57.560 --> 0:55:00.400
<v Speaker 1>around each other all the time, so it would be

0:55:00.480 --> 0:55:05.080
<v Speaker 1>times where somebody would say something and we would respond

0:55:05.160 --> 0:55:10.319
<v Speaker 1>with the same phrase at the same exact time that type.

0:55:10.680 --> 0:55:15.400
<v Speaker 1>So so yeah, maybe you know it resonates to this

0:55:15.520 --> 0:55:18.120
<v Speaker 1>day in some form of fashion. So then after you

0:55:18.200 --> 0:55:22.000
<v Speaker 1>got to see each other, Um, how does this business

0:55:22.120 --> 0:55:24.279
<v Speaker 1>deal happen? How does this happen? Because you know you

0:55:24.360 --> 0:55:27.840
<v Speaker 1>gotta see each other, that's great. Just making amends, That's

0:55:27.880 --> 0:55:30.600
<v Speaker 1>that's good enough. Like for me, like, yeah, you know, um,

0:55:30.680 --> 0:55:32.080
<v Speaker 1>if I have be for one of them a while

0:55:32.120 --> 0:55:34.600
<v Speaker 1>ago too. When that happened, right like like two or

0:55:34.600 --> 0:55:36.399
<v Speaker 1>three years ago, I think something like that. But then

0:55:36.560 --> 0:55:41.640
<v Speaker 1>now this deal is announced, your imprint, this is your

0:55:41.640 --> 0:55:45.080
<v Speaker 1>ship right, correct me if I'm wrong, and it's a

0:55:45.120 --> 0:55:47.960
<v Speaker 1>it's a distribution deal. Yes, it's a distribution deal. So

0:55:48.560 --> 0:55:51.880
<v Speaker 1>how does this happen? Like? Well, I mean it really

0:55:51.920 --> 0:55:56.799
<v Speaker 1>wasn't that complicated. Um, this happened. Um months later. This

0:55:56.920 --> 0:56:01.880
<v Speaker 1>was on the On the Run Too tour and he

0:56:01.920 --> 0:56:06.919
<v Speaker 1>was in Detroit and so I told him, I said,

0:56:06.920 --> 0:56:08.759
<v Speaker 1>I was, you know, I was doing some business in

0:56:08.840 --> 0:56:11.560
<v Speaker 1>Detroit around the time, because one of my people told me,

0:56:11.560 --> 0:56:14.200
<v Speaker 1>he's like, yo, you know, um, same time you in Detroit.

0:56:14.800 --> 0:56:16.920
<v Speaker 1>You know your man is gonna be out there. I

0:56:17.000 --> 0:56:19.160
<v Speaker 1>was like word. I was like, so, let me see

0:56:19.760 --> 0:56:22.600
<v Speaker 1>what's going on. And then UM like yeah, man'd be

0:56:22.640 --> 0:56:25.200
<v Speaker 1>great to see you. And he was like, yeah, that's perfect.

0:56:25.600 --> 0:56:29.200
<v Speaker 1>So you know, same ship will call and we were

0:56:29.280 --> 0:56:32.800
<v Speaker 1>chopping it up and you know, he was just doing

0:56:32.800 --> 0:56:38.680
<v Speaker 1>this thing, relaxing, um. But he kept asking me like, so, yeah,

0:56:38.760 --> 0:56:41.319
<v Speaker 1>what's up, what you're doing, what's going on? You know?

0:56:41.360 --> 0:56:45.080
<v Speaker 1>And I was you know, I'm usually very transparent, but

0:56:45.200 --> 0:56:49.000
<v Speaker 1>I wasn't you know, And you know, I said, you know,

0:56:49.040 --> 0:56:51.080
<v Speaker 1>I'm just but I did tell the truth. You know

0:56:51.120 --> 0:56:53.520
<v Speaker 1>what I'm saying. You know, I still you know, doing music.

0:56:54.040 --> 0:56:57.200
<v Speaker 1>You know, I'm waiting for the right opportunity, you know,

0:56:57.280 --> 0:57:01.880
<v Speaker 1>to to make certain things happen. Press some buttons. And

0:57:01.920 --> 0:57:03.560
<v Speaker 1>he was like all right, So he let it go.

0:57:03.719 --> 0:57:06.200
<v Speaker 1>He saw that I was sort of being a little

0:57:06.200 --> 0:57:11.160
<v Speaker 1>bit evasive. But long story short, you know, he was saying, um,

0:57:11.200 --> 0:57:13.400
<v Speaker 1>he was about to you know, prepare for you know,

0:57:13.440 --> 0:57:18.920
<v Speaker 1>the stage and everything, you know, so I basically pull

0:57:19.000 --> 0:57:20.800
<v Speaker 1>them to the side and chop it up with you

0:57:20.880 --> 0:57:23.440
<v Speaker 1>for a second, like you know. And I asked him.

0:57:23.480 --> 0:57:25.920
<v Speaker 1>I was like, you know, I know you got you know,

0:57:26.040 --> 0:57:28.280
<v Speaker 1>this this strow and this that and the other, and

0:57:28.320 --> 0:57:30.520
<v Speaker 1>that's what I needs. Like can you help me with that?

0:57:30.600 --> 0:57:32.280
<v Speaker 1>He was like saying, no more. Ill connect you with

0:57:32.320 --> 0:57:40.080
<v Speaker 1>my people now. Is it a goddamn at that moment

0:57:40.120 --> 0:57:41.760
<v Speaker 1>you had to humble yourself to do that or not.

0:57:42.800 --> 0:57:45.640
<v Speaker 1>Because some people feel like egotistical, they can't do it.

0:57:45.640 --> 0:57:48.240
<v Speaker 1>They can't ego is a big thing. They can't go

0:57:48.240 --> 0:57:50.760
<v Speaker 1>in Like some people can't can't remember their little homies.

0:57:50.920 --> 0:57:54.440
<v Speaker 1>Turn it into the big homie, you can't see you

0:57:54.440 --> 0:57:56.760
<v Speaker 1>you even though you see opportunity, you won't go for

0:57:56.800 --> 0:58:00.040
<v Speaker 1>the opportunity because the ego is in the way of it.

0:58:00.280 --> 0:58:03.480
<v Speaker 1>Like I can't do that because of this pride I have. Yeah, No,

0:58:03.680 --> 0:58:06.440
<v Speaker 1>but I mean I looked at the big picture, like

0:58:07.320 --> 0:58:12.400
<v Speaker 1>you know, opportunity knocks, you know, and and also um,

0:58:12.480 --> 0:58:15.000
<v Speaker 1>and deserving as well, because you could even be deserving

0:58:15.040 --> 0:58:18.439
<v Speaker 1>and not take the shot because of the pride, right right,

0:58:18.600 --> 0:58:21.960
<v Speaker 1>and and I felt like, um, and I still feel

0:58:21.960 --> 0:58:25.800
<v Speaker 1>that way. Um. You know, people say like, oh, it's great,

0:58:25.920 --> 0:58:28.400
<v Speaker 1>you know these things that are happening. You deserve it.

0:58:28.800 --> 0:58:31.840
<v Speaker 1>And I and I stopped him, and I tell them, like,

0:58:32.200 --> 0:58:36.560
<v Speaker 1>I don't deserve the ship unless I take it. You know,

0:58:36.720 --> 0:58:39.040
<v Speaker 1>it could be I could have all these accolades and

0:58:39.080 --> 0:58:41.960
<v Speaker 1>all that ship, but if I don't get it, I

0:58:42.000 --> 0:58:45.200
<v Speaker 1>don't deserve it, what I'm saying. So that's and and

0:58:45.240 --> 0:58:47.440
<v Speaker 1>I you know, that's when I just asked them. And

0:58:47.960 --> 0:58:50.400
<v Speaker 1>you know, it wasn't it wasn't a big thing for

0:58:50.520 --> 0:58:54.280
<v Speaker 1>him to do, and it wasn't a big thing for

0:58:54.320 --> 0:58:56.800
<v Speaker 1>me to ask. You know what I'm saying. That's a

0:58:56.840 --> 0:58:59.440
<v Speaker 1>beautiful thing though. Let me just say that outside of

0:58:59.440 --> 0:59:02.320
<v Speaker 1>looking at it. You know what I'm saying, I mean

0:59:02.480 --> 0:59:06.360
<v Speaker 1>because um to me, to me, that's exactly what it is.

0:59:06.400 --> 0:59:09.080
<v Speaker 1>Man like you know, um, I know your brothers are brothers.

0:59:09.160 --> 0:59:10.840
<v Speaker 1>Like you know what I'm saying. That history y'all got

0:59:11.080 --> 0:59:14.880
<v Speaker 1>so rich that it's like that's rich, that that's rich

0:59:14.920 --> 0:59:16.800
<v Speaker 1>in itself. That's the definition that rich to me is

0:59:16.800 --> 0:59:18.840
<v Speaker 1>when you have the rich history, when you have that

0:59:19.080 --> 0:59:21.440
<v Speaker 1>type of ship like that, and um to see it

0:59:21.480 --> 0:59:24.840
<v Speaker 1>coming back together in three sixty yeah yeah, hell yeah,

0:59:24.960 --> 0:59:27.640
<v Speaker 1>hell yeah, that's that's motherfucking dope ship. So I just

0:59:27.640 --> 0:59:29.800
<v Speaker 1>want to commend that. I want to salute that. I

0:59:29.800 --> 0:59:31.960
<v Speaker 1>want to salute you. I want to thank you for

0:59:32.080 --> 0:59:33.480
<v Speaker 1>being a part. But we ain't gonna be in there.

0:59:33.520 --> 0:59:35.880
<v Speaker 1>I don't know. I'm gonna take some more. No, no

0:59:35.960 --> 0:59:40.320
<v Speaker 1>more shots, right yeah, one of one more? But then

0:59:40.360 --> 0:59:42.760
<v Speaker 1>you know three is my lucky number. We could do

0:59:42.760 --> 0:59:46.320
<v Speaker 1>one more. I heard you how you running up and

0:59:46.360 --> 0:59:49.880
<v Speaker 1>down the beach. I can't take to me because it's

0:59:50.000 --> 0:59:56.040
<v Speaker 1>scarce right now, okay, all right, well, so um now

0:59:56.040 --> 0:59:59.200
<v Speaker 1>when you see you come from the era, I know,

0:59:59.480 --> 1:00:01.800
<v Speaker 1>I know this little crazy we well you come from

1:00:01.880 --> 1:00:04.080
<v Speaker 1>error and then I come from the error right after you,

1:00:04.080 --> 1:00:08.680
<v Speaker 1>where we avoided cameras at all costs exactly, like it

1:00:08.760 --> 1:00:13.720
<v Speaker 1>was just totally different. Like now you walk around, these

1:00:13.720 --> 1:00:16.640
<v Speaker 1>people are just filming you without how do you adapt

1:00:16.680 --> 1:00:22.400
<v Speaker 1>self surveillance now, like everyone Jesus you don't like me

1:00:22.440 --> 1:00:25.920
<v Speaker 1>and so gave me that. That's okay, I'll take it

1:00:25.920 --> 1:00:29.640
<v Speaker 1>down times tonight. But how do you adapt to that

1:00:29.720 --> 1:00:32.720
<v Speaker 1>like that? I mean with me. You come from the

1:00:32.800 --> 1:00:41.600
<v Speaker 1>super drug dealer era and and and I don't know, yes,

1:00:41.760 --> 1:00:43.680
<v Speaker 1>super drunk, you know what I mean. And no one

1:00:43.880 --> 1:00:46.160
<v Speaker 1>wanted cameras. I don't know when people will be heated

1:00:46.200 --> 1:00:49.600
<v Speaker 1>you take a picture of them. But so so so

1:00:49.760 --> 1:00:54.520
<v Speaker 1>two stories. One as a child, like it was like

1:00:54.680 --> 1:00:57.439
<v Speaker 1>I never like and I had like one of those

1:00:57.480 --> 1:01:01.480
<v Speaker 1>fathers is like trying to you know, just calling you,

1:01:01.680 --> 1:01:04.680
<v Speaker 1>bribe you into it, like come on, let's take this picture.

1:01:04.720 --> 1:01:06.160
<v Speaker 1>And I'm like, I don't want to take a picture.

1:01:06.760 --> 1:01:08.920
<v Speaker 1>You like, I get your quarter. You know back then

1:01:09.080 --> 1:01:16.120
<v Speaker 1>quarter was like ten dollars a lot, so you know, um,

1:01:16.560 --> 1:01:25.800
<v Speaker 1>back then the bag was down. Else said that, so um,

1:01:25.960 --> 1:01:29.360
<v Speaker 1>so I don't really want to see a type of bone.

1:01:30.320 --> 1:01:37.400
<v Speaker 1>That's what you cheated, not to you know, um, yeah,

1:01:37.440 --> 1:01:40.800
<v Speaker 1>so as I got older, like yeah, you know, with

1:01:40.840 --> 1:01:43.720
<v Speaker 1>the with the things going on, like nobody wants wanted

1:01:43.760 --> 1:01:47.360
<v Speaker 1>to be in pictures and what was so funny? I

1:01:47.480 --> 1:01:51.640
<v Speaker 1>just recently UM shot the video for the first single

1:01:52.200 --> 1:01:54.600
<v Speaker 1>uh M A R C Y And of course I

1:01:54.640 --> 1:01:57.320
<v Speaker 1>shot it in Marcy and you know, some of the

1:01:57.800 --> 1:02:00.760
<v Speaker 1>ogs came out and I was like, yo, y'all want

1:02:00.800 --> 1:02:03.960
<v Speaker 1>to getting this shot and he's like, now you gotta do.

1:02:06.800 --> 1:02:09.880
<v Speaker 1>I'm like, come on, man, a hundred years old, you

1:02:10.000 --> 1:02:15.600
<v Speaker 1>can like you're still You're still do it. Ain't even

1:02:15.640 --> 1:02:18.600
<v Speaker 1>that it's that cold they exactly, it's the cold. They

1:02:18.680 --> 1:02:23.040
<v Speaker 1>fall like cold. My code is keeps a lotting my brothers,

1:02:23.360 --> 1:02:26.640
<v Speaker 1>my people in there. I literally got the biggest shot

1:02:26.680 --> 1:02:36.520
<v Speaker 1>here now I am here. Now will be little on

1:02:36.560 --> 1:02:40.560
<v Speaker 1>the plane. Lassy projects got you, you got jail, you

1:02:40.600 --> 1:02:45.040
<v Speaker 1>got source, you gotta fleek. What's the new generation coming from? Right?

1:02:45.160 --> 1:02:48.400
<v Speaker 1>Because you because I understand your dealer is a label

1:02:48.480 --> 1:02:54.280
<v Speaker 1>dere Yeah, well you can sign other people, correct, you

1:02:54.280 --> 1:02:57.760
<v Speaker 1>can have other people to distribution there excuse me, Okay,

1:02:57.800 --> 1:03:00.960
<v Speaker 1>no problem, let's talk about might just so weg wine

1:03:01.440 --> 1:03:03.400
<v Speaker 1>that that's the only thing that makes it work less,

1:03:03.480 --> 1:03:07.040
<v Speaker 1>drink some more like I'm sorry to be honest, I

1:03:07.080 --> 1:03:09.920
<v Speaker 1>mean I'm game. Okay, let's do it so you can

1:03:09.960 --> 1:03:13.000
<v Speaker 1>actually sign other people. What what would you look for

1:03:13.160 --> 1:03:16.120
<v Speaker 1>in a new artist? Would you go back to Marcy?

1:03:16.200 --> 1:03:19.160
<v Speaker 1>Or what would you do if I got to? Okay,

1:03:19.600 --> 1:03:26.560
<v Speaker 1>I have to because so many, so many people fail

1:03:27.760 --> 1:03:30.720
<v Speaker 1>where they where they come from, like and for us,

1:03:31.120 --> 1:03:33.720
<v Speaker 1>that's a large that's that's a big part. It's an

1:03:33.720 --> 1:03:38.640
<v Speaker 1>integral part of what we are is where we came from.

1:03:38.640 --> 1:03:42.360
<v Speaker 1>So it's important to go back to where you came from,

1:03:42.520 --> 1:03:47.200
<v Speaker 1>find what you are or what you were, and and

1:03:47.320 --> 1:03:53.400
<v Speaker 1>nurture that. It's like helping yourself and if you could

1:03:53.440 --> 1:03:55.400
<v Speaker 1>have that, you're trying to that for somebody else. Right,

1:03:55.400 --> 1:03:57.720
<v Speaker 1>it's the key to being a master and the servant.

1:03:58.040 --> 1:04:01.080
<v Speaker 1>Like people look at a master and not realize that

1:04:01.200 --> 1:04:03.720
<v Speaker 1>a true master is to serving the vote. You know

1:04:03.720 --> 1:04:07.560
<v Speaker 1>what I'm saying. So it's so you know, so it

1:04:07.600 --> 1:04:10.400
<v Speaker 1>just keeps going in the cycle for the most part.

1:04:10.520 --> 1:04:17.240
<v Speaker 1>So that was hard. A true master is a servant.

1:04:17.640 --> 1:04:20.600
<v Speaker 1>You can't really be that guy unless you serve someone else.

1:04:20.720 --> 1:04:24.880
<v Speaker 1>That's so, what's the next step? So now we got

1:04:24.880 --> 1:04:27.960
<v Speaker 1>the deal? You say you gotta take it. M hmmm.

1:04:28.040 --> 1:04:32.720
<v Speaker 1>So what's the next step from man, Um, just push

1:04:32.760 --> 1:04:35.360
<v Speaker 1>the hell out of this single project. You gotta tell

1:04:35.400 --> 1:04:39.480
<v Speaker 1>us about the project project. The project is called the

1:04:39.520 --> 1:04:43.840
<v Speaker 1>warm Up, which is more controversy. If anybody familiar with

1:04:44.200 --> 1:04:48.640
<v Speaker 1>you know another project that which is out now by

1:04:48.680 --> 1:04:50.520
<v Speaker 1>the time this comes out, it's out now. People need

1:04:50.600 --> 1:04:54.040
<v Speaker 1>to go pick it up now. Yes, UM, all all

1:04:54.120 --> 1:04:59.160
<v Speaker 1>major platforms. Um it's ten joints. UM. I recently had

1:04:59.360 --> 1:05:04.120
<v Speaker 1>a a listening party in Chicago that turned out really well,

1:05:04.920 --> 1:05:09.320
<v Speaker 1>and UM, the consensus of what I'm getting is everybody saying, Yo,

1:05:09.400 --> 1:05:14.600
<v Speaker 1>it sounds like a motion picture and you remember your thought.

1:05:14.800 --> 1:05:17.600
<v Speaker 1>But you real hip hop? You're not. You're not you know,

1:05:17.680 --> 1:05:20.120
<v Speaker 1>you don't got t pain on your ship, but do

1:05:20.280 --> 1:05:24.440
<v Speaker 1>mean nothing pains not hipp not not pain, not real

1:05:24.520 --> 1:05:27.320
<v Speaker 1>hip hop. I'm not a rapper, but I'm not. But

1:05:27.400 --> 1:05:30.000
<v Speaker 1>you know the atal tune. What I mean, you ain't know,

1:05:30.120 --> 1:05:32.200
<v Speaker 1>you ain't got you ain't got a future joking about um,

1:05:32.280 --> 1:05:36.000
<v Speaker 1>you know what I mean? Lane gay not one. And

1:05:36.040 --> 1:05:41.000
<v Speaker 1>that's that's no disrespect to anybody, no disrespecting myself. You

1:05:41.080 --> 1:05:44.200
<v Speaker 1>gotta keep it. It's authentic to you. Yeah, yeah, So

1:05:44.240 --> 1:05:47.760
<v Speaker 1>how difficult is that? Because making music and this time,

1:05:47.800 --> 1:05:50.480
<v Speaker 1>do you try to cater to these new guys or

1:05:50.480 --> 1:05:53.080
<v Speaker 1>do you say, funck these motherfucker's Let me stay in

1:05:53.160 --> 1:05:58.280
<v Speaker 1>my lane? Well, what do we say? My The saying

1:05:58.320 --> 1:06:02.200
<v Speaker 1>I always say to myself is is stick to my guns.

1:06:02.360 --> 1:06:06.000
<v Speaker 1>When people ask earlier correlatively, ship happens? What was it

1:06:06.120 --> 1:06:11.960
<v Speaker 1>called that word or axiom? What axiom? Axiom? What's the

1:06:12.000 --> 1:06:14.440
<v Speaker 1>axiom for this one? Stick to your guns? Stick to

1:06:14.520 --> 1:06:21.120
<v Speaker 1>your motherfucking comes the axiome? Goddamnit. So you kept hip hop? Yeah?

1:06:21.160 --> 1:06:23.000
<v Speaker 1>I kept what I feel is hip hop. You know,

1:06:23.040 --> 1:06:24.680
<v Speaker 1>I had to give them that triplet ship and then

1:06:24.760 --> 1:06:27.280
<v Speaker 1>double up ship, which is ahead of his time when

1:06:27.320 --> 1:06:29.280
<v Speaker 1>you did it, like, if you were ahead of your time,

1:06:29.320 --> 1:06:31.919
<v Speaker 1>then doesn't mean you can't be ahead of your time now,

1:06:32.200 --> 1:06:34.440
<v Speaker 1>because let's let's be clear. Let's be clear. If you

1:06:34.520 --> 1:06:38.000
<v Speaker 1>listen to originators and you hear how y'all motherfucker's was

1:06:38.240 --> 1:06:41.000
<v Speaker 1>hitting the cadence is a lot of people will call

1:06:41.040 --> 1:06:43.360
<v Speaker 1>that like a down stoup style. They will say that,

1:06:43.920 --> 1:06:47.280
<v Speaker 1>you know, all that flowed it was a certain rhyme style,

1:06:48.560 --> 1:06:51.640
<v Speaker 1>and that's I kind of feel like that song was

1:06:51.680 --> 1:06:55.480
<v Speaker 1>even called the Originators, that's why. And I'm not and

1:06:55.480 --> 1:06:58.040
<v Speaker 1>that's not to douns out people because downshop people actually

1:06:58.080 --> 1:06:59.800
<v Speaker 1>what I'm different. But when you when a person trying

1:06:59.840 --> 1:07:02.440
<v Speaker 1>to do down South actual flow, I feel like they

1:07:02.560 --> 1:07:05.200
<v Speaker 1>go when they like listen to Originators. Am I don't

1:07:05.240 --> 1:07:08.040
<v Speaker 1>line for saying that or no, okay, no, that's the

1:07:08.360 --> 1:07:12.560
<v Speaker 1>to me, that's the um, that's the foundation because wasn't

1:07:12.560 --> 1:07:15.400
<v Speaker 1>nobody doing it. I think I think people say down

1:07:15.440 --> 1:07:19.960
<v Speaker 1>South flow because of outcast who made that that south.

1:07:20.120 --> 1:07:23.120
<v Speaker 1>I think down South more popular, but down South flow

1:07:23.240 --> 1:07:25.880
<v Speaker 1>was really an accent of down South. When I say that,

1:07:25.920 --> 1:07:27.840
<v Speaker 1>I don't mean down South people doing it. When people

1:07:27.920 --> 1:07:32.480
<v Speaker 1>immulate the down South flow when you this is my

1:07:32.520 --> 1:07:36.520
<v Speaker 1>down South flow, and I kind of feel like like

1:07:37.240 --> 1:07:40.560
<v Speaker 1>they but the original one was the Originators and bucking

1:07:40.640 --> 1:07:42.960
<v Speaker 1>on like nah, it's true, Okay, it's true. That was

1:07:43.000 --> 1:07:50.240
<v Speaker 1>the original one. Um and it was actually the original Originators,

1:07:50.280 --> 1:07:55.800
<v Speaker 1>which was on my second album. You know I had

1:07:55.840 --> 1:08:00.800
<v Speaker 1>that flow back then. Yeah, and and and actually um,

1:08:00.880 --> 1:08:03.440
<v Speaker 1>what that flow was it was a triplet. It was

1:08:03.480 --> 1:08:07.280
<v Speaker 1>a triplet as opposed to like how they double time nowadays.

1:08:07.320 --> 1:08:10.800
<v Speaker 1>It was a triplet style. Yeah, nobody was doing that.

1:08:14.280 --> 1:08:16.000
<v Speaker 1>I'm not gonna lie. I just felt good about this.

1:08:16.080 --> 1:08:18.120
<v Speaker 1>Hold on. I just didn't want to stop it. Like

1:08:18.160 --> 1:08:24.080
<v Speaker 1>I just like, listen, we are friendly. Didn't put it

1:08:24.080 --> 1:08:28.559
<v Speaker 1>over your no, no, hold on, hold on, this is space.

1:08:28.600 --> 1:08:30.439
<v Speaker 1>We don't put that in the trash. Put it back down,

1:08:31.000 --> 1:08:33.920
<v Speaker 1>put it back We're feeling good. We have motherfucking jazz

1:08:33.960 --> 1:08:39.639
<v Speaker 1>O on the building. Man the Originator, one of the

1:08:39.720 --> 1:08:42.479
<v Speaker 1>super legends. That's what this show was about. Man, the

1:08:42.520 --> 1:08:44.920
<v Speaker 1>show was about. When we started this show, we wanted

1:08:44.960 --> 1:08:48.000
<v Speaker 1>salute legends like you wanted to salute you know. Uh.

1:08:48.280 --> 1:08:50.840
<v Speaker 1>The ellest thing about I always say the illest thing

1:08:50.880 --> 1:08:54.840
<v Speaker 1>about motherfucking Batman. It's Clark Kent, right, that's Batman. No, no,

1:08:54.920 --> 1:09:07.439
<v Speaker 1>that's Superman. That Superman saying by saying that hip hop

1:09:07.479 --> 1:09:10.440
<v Speaker 1>to me is both like hip hop to me is

1:09:10.439 --> 1:09:13.440
<v Speaker 1>is The illest thing about us is the our superhero capability,

1:09:13.600 --> 1:09:16.000
<v Speaker 1>but then our normal capability. And that's what I love

1:09:16.160 --> 1:09:19.360
<v Speaker 1>about our generation is that we just have to continue.

1:09:19.520 --> 1:09:21.360
<v Speaker 1>And the thing is the thing that me and my

1:09:21.439 --> 1:09:24.599
<v Speaker 1>partner we sat here and we thought about we said, Yo, listen, man,

1:09:24.840 --> 1:09:27.360
<v Speaker 1>these people don't salute the people that have been here

1:09:27.439 --> 1:09:30.280
<v Speaker 1>too long. They want to kick these people out and

1:09:30.320 --> 1:09:32.960
<v Speaker 1>I gotta change that. We want to change that, and

1:09:33.000 --> 1:09:37.679
<v Speaker 1>I believe we are changing that. So I just want

1:09:37.680 --> 1:09:39.360
<v Speaker 1>to salute you, Jazz. I want to say how much

1:09:39.400 --> 1:09:41.240
<v Speaker 1>you appreciate it. I want to say how much that

1:09:41.439 --> 1:09:43.200
<v Speaker 1>I You know, I'm a hip hop fan, you know

1:09:43.240 --> 1:09:45.360
<v Speaker 1>what I mean. So I've seen you, Like when I

1:09:45.439 --> 1:09:48.680
<v Speaker 1>seen you know the history, Google everything, and I was

1:09:48.720 --> 1:09:50.559
<v Speaker 1>just like, this is so dope. This is and and

1:09:50.640 --> 1:09:53.479
<v Speaker 1>you know, for you and homie um, you know, to

1:09:53.520 --> 1:09:55.880
<v Speaker 1>start out together, you know, go through, your go through

1:09:55.880 --> 1:09:58.320
<v Speaker 1>and you're coming back together, that is a beautiful thing.

1:09:58.400 --> 1:10:00.800
<v Speaker 1>I think this should be a man actified. That's what

1:10:00.840 --> 1:10:04.640
<v Speaker 1>they're called, right. It makes that is bigger magnified. I

1:10:04.680 --> 1:10:06.599
<v Speaker 1>feel I should be magnified. I feel like it should

1:10:06.600 --> 1:10:08.719
<v Speaker 1>be saluted, and I feel like it should be praised.

1:10:08.880 --> 1:10:10.639
<v Speaker 1>You know what I'm saying. And if anybody else ain't

1:10:10.640 --> 1:10:13.519
<v Speaker 1>gonna do it, guess what, I'll be very happy to

1:10:13.600 --> 1:10:17.960
<v Speaker 1>be the first one. And you have more than welcome,

1:10:18.160 --> 1:10:20.639
<v Speaker 1>you know, on drink Champs anytime. You know what I'm saying.

1:10:20.680 --> 1:10:22.439
<v Speaker 1>You want to promote some other ship, you want to

1:10:22.520 --> 1:10:25.240
<v Speaker 1>go on here, you want to do your motherfucker you know,

1:10:25.360 --> 1:10:26.840
<v Speaker 1>you know this is hip hop. This is what we

1:10:27.160 --> 1:10:29.360
<v Speaker 1>made this for. We made this for legends, and I'll

1:10:29.400 --> 1:10:32.280
<v Speaker 1>be gosh damn if every legend in the world don't

1:10:32.280 --> 1:10:34.840
<v Speaker 1>feel welcome, and your motherfucking if you don't feel it,

1:10:35.000 --> 1:10:43.559
<v Speaker 1>you have the motherfucking pass god damn thing. Let's pitch

1:10:43.600 --> 1:10:46.960
<v Speaker 1>it and take some drops and I'm gonna finish. Thanks

1:10:46.960 --> 1:10:49.439
<v Speaker 1>for joining us for another episode of Drink Champs, hosten

1:10:49.520 --> 1:10:51.800
<v Speaker 1>by yours truly, d J E. F Fenn and n

1:10:52.040 --> 1:10:54.080
<v Speaker 1>R E. Please make sure to follow us on all

1:10:54.080 --> 1:10:57.800
<v Speaker 1>our socials. Let's add Drink Champs across all platforms at

1:10:57.800 --> 1:11:01.880
<v Speaker 1>the Real Noriagan I g Noriega on Twitter, mine is

1:11:01.920 --> 1:11:05.000
<v Speaker 1>at Who's Crazy on I g at, d J E

1:11:05.080 --> 1:11:07.439
<v Speaker 1>f n on Twitter, and most importantly, stay up to

1:11:07.560 --> 1:11:10.800
<v Speaker 1>date with the latest releases, news and merch by going

1:11:10.840 --> 1:11:20.840
<v Speaker 1>to drink Champs dot com