WEBVTT - Short Stuff: The Number 23

0:00:04.200 --> 0:00:07.480
<v Speaker 1>Hello, and welcome to these short stuff. I'm Josh, there's Chuck,

0:00:07.680 --> 0:00:10.760
<v Speaker 1>there's Josh. But the three of us together, this is

0:00:10.920 --> 0:00:15.560
<v Speaker 1>short stuff. It's so short. Yeah, and we should mention that,

0:00:15.600 --> 0:00:17.640
<v Speaker 1>you know, Josh is in here with this guest producer.

0:00:18.239 --> 0:00:20.080
<v Speaker 1>And he asked what we're recording on and I said

0:00:20.120 --> 0:00:22.040
<v Speaker 1>the number twenty three, and he said, oh, I'm into that,

0:00:22.920 --> 0:00:25.160
<v Speaker 1>and I said, well, I apologize because I'm probably gonna

0:00:25.160 --> 0:00:28.440
<v Speaker 1>make fun of it a lot. That's funny. So, Josh,

0:00:28.920 --> 0:00:33.880
<v Speaker 1>then you're a is what they're called the number two,

0:00:33.960 --> 0:00:36.839
<v Speaker 1>the number three, the letter R, the letter D, the

0:00:36.920 --> 0:00:40.080
<v Speaker 1>letter I, the letter A, the letter N, and then

0:00:40.280 --> 0:00:42.839
<v Speaker 1>because there's more than one, the letter S. And we

0:00:42.880 --> 0:00:46.279
<v Speaker 1>know that's real because there's a Facebook page. Yeah. Facebook

0:00:46.360 --> 0:00:52.360
<v Speaker 1>basically legitimizes everything. So we're talking about the number twenty three. Um,

0:00:52.400 --> 0:00:56.240
<v Speaker 1>apparently a lot of people put some stock into this number. Yeah,

0:00:56.240 --> 0:00:59.120
<v Speaker 1>not just Josh. No, he's not the only one they made,

0:00:59.160 --> 0:01:01.880
<v Speaker 1>are he does two? They made a very bad Jim

0:01:01.920 --> 0:01:04.560
<v Speaker 1>Carrey movie called The Number twenty three. Did you see

0:01:04.600 --> 0:01:06.640
<v Speaker 1>it or are you just presuming it was bad? I'm

0:01:06.640 --> 0:01:09.000
<v Speaker 1>presuming it was bad from all the people that said

0:01:09.040 --> 0:01:11.960
<v Speaker 1>it's bad. I have never seen it, and I presumed

0:01:11.959 --> 0:01:14.840
<v Speaker 1>it was bad too, But I have gotten just desperate

0:01:14.959 --> 0:01:17.800
<v Speaker 1>enough on like Netflix and Amazon Prime to let's try it.

0:01:17.840 --> 0:01:19.560
<v Speaker 1>There's so much good stuff out there, and you're gonna

0:01:19.600 --> 0:01:25.080
<v Speaker 1>watch that? Is there? Oh? I don't know, does everything stink?

0:01:25.880 --> 0:01:27.800
<v Speaker 1>I don't know if everything stinks. I don't want to

0:01:27.840 --> 0:01:30.840
<v Speaker 1>say that, but I think I am at the number

0:01:30.880 --> 0:01:34.720
<v Speaker 1>twenty three level right now. All right, Okay, let's follow up.

0:01:34.720 --> 0:01:36.440
<v Speaker 1>I want to hear about it. All right, you got it?

0:01:36.680 --> 0:01:39.040
<v Speaker 1>All right? So the number twenty three, Um, you've seen

0:01:39.080 --> 0:01:43.560
<v Speaker 1>it on Michael Jordan's uniform. Uh. He picked it apparently

0:01:43.640 --> 0:01:47.120
<v Speaker 1>because that was as close as he could get to

0:01:47.480 --> 0:01:50.760
<v Speaker 1>half of forty six, which was his older brother's number.

0:01:50.960 --> 0:01:57.360
<v Speaker 1>I think his older brothers was would be exactly. Uh.

0:01:57.560 --> 0:02:00.640
<v Speaker 1>And then of course since then, other people, um have

0:02:00.760 --> 0:02:03.800
<v Speaker 1>tried to emulate Michael, like Lebron and so the other

0:02:03.880 --> 0:02:06.480
<v Speaker 1>twenty three you see in basketball and even some other

0:02:06.520 --> 0:02:09.040
<v Speaker 1>sports sometimes or a tribute to Michael Jordan's. Yeah, like

0:02:09.120 --> 0:02:12.720
<v Speaker 1>David Beckham's twenty three when he went to Real Madrid

0:02:13.280 --> 0:02:16.680
<v Speaker 1>was an homage to Jordan's two. So yeah, Organs the first.

0:02:16.880 --> 0:02:21.280
<v Speaker 1>Every other twenty three was an homage to Jordan's which

0:02:21.320 --> 0:02:24.160
<v Speaker 1>is that's great, but that's not where the number twenty

0:02:24.200 --> 0:02:28.880
<v Speaker 1>three ends. Actually, that's not where the number twenty three started. No,

0:02:29.280 --> 0:02:32.440
<v Speaker 1>it's so well it did. It started elsewhere. Um, the

0:02:32.560 --> 0:02:34.440
<v Speaker 1>number twenty three has been with us for as long

0:02:34.480 --> 0:02:39.840
<v Speaker 1>as Arabic numerals have. But um, the obsession with the

0:02:39.919 --> 0:02:44.120
<v Speaker 1>number twenty three. They've tried to trace back as far

0:02:44.160 --> 0:02:46.480
<v Speaker 1>as they can. And there's actually a guy who came

0:02:46.560 --> 0:02:49.120
<v Speaker 1>up with a book, um that came out in two

0:02:49.960 --> 0:02:51.720
<v Speaker 1>This guy's got one of the better names of herd

0:02:51.720 --> 0:02:55.000
<v Speaker 1>in a while, Barnaby Rogerson. Yeah, and this book title

0:02:55.120 --> 0:02:59.840
<v Speaker 1>is just out of hand. Rogerson's Book of Numbers Colon

0:03:00.320 --> 0:03:05.120
<v Speaker 1>the Culture of Numbers hyphen from one thousand one Nights

0:03:05.160 --> 0:03:07.920
<v Speaker 1>to the Seven Wonders of the World. That's the end

0:03:07.960 --> 0:03:10.440
<v Speaker 1>of the title. It has a colon and a hyphen. Yeah.

0:03:10.480 --> 0:03:14.200
<v Speaker 1>He should have ended that with a exclamation point, because

0:03:14.240 --> 0:03:15.800
<v Speaker 1>I think you have to when you say the seven

0:03:15.840 --> 0:03:18.280
<v Speaker 1>Wonders of the World. Yeah, I don't. I don't know

0:03:18.320 --> 0:03:21.480
<v Speaker 1>anybody who says it like without an exclamation point. Yeah.

0:03:21.480 --> 0:03:25.760
<v Speaker 1>So Barnaby Rogerson traces the obsession with the number twenty

0:03:25.800 --> 0:03:31.600
<v Speaker 1>three to a little writer that was drugged out named

0:03:31.600 --> 0:03:34.600
<v Speaker 1>william S Burrows. Yeah, the man who's shot a million

0:03:34.600 --> 0:03:37.560
<v Speaker 1>bucks in his arm, says Matt Dillon. Really was that

0:03:37.680 --> 0:03:40.560
<v Speaker 1>the thing? The quote? Yeah, it was from drug store Cowboy.

0:03:41.680 --> 0:03:45.480
<v Speaker 1>William S Burrows played an old aged heroin addict and

0:03:45.480 --> 0:03:47.800
<v Speaker 1>and Matt Dillon said he must have shot a million

0:03:47.840 --> 0:03:50.200
<v Speaker 1>bucks into that arm. So he watched that again instead

0:03:50.240 --> 0:03:53.200
<v Speaker 1>of the number twenty three. Okay, all right, you got it.

0:03:53.640 --> 0:03:57.440
<v Speaker 1>That's your assignment. Okay. So supposedly in nineteen sixty this

0:03:57.480 --> 0:04:01.120
<v Speaker 1>story has many many holes, but uh and probably because

0:04:01.120 --> 0:04:04.800
<v Speaker 1>of all the drugs. Burrows was in Tangier. Probably because

0:04:04.800 --> 0:04:07.760
<v Speaker 1>of the drugs, and said he met a sea captain

0:04:07.840 --> 0:04:11.480
<v Speaker 1>named Clark, not me, who said he had never been

0:04:11.520 --> 0:04:15.520
<v Speaker 1>in an accident in twenty three years. Later that day

0:04:16.000 --> 0:04:20.320
<v Speaker 1>Clark sank his ship and died. Which that'll that'll perk

0:04:20.400 --> 0:04:24.960
<v Speaker 1>your antennae up. And then supposedly later that same day,

0:04:25.120 --> 0:04:29.200
<v Speaker 1>that night, Burrows heard a radio story news story about

0:04:29.240 --> 0:04:33.080
<v Speaker 1>a flight twenty three that crashed in Florida, also piloted

0:04:33.120 --> 0:04:37.080
<v Speaker 1>by Captain Clark. This all sounds very interesting until you

0:04:37.160 --> 0:04:41.440
<v Speaker 1>realize that that didn't happen. Well, there was a flight

0:04:41.480 --> 0:04:44.280
<v Speaker 1>twenty three. I didn't see whether it was piloted by

0:04:44.279 --> 0:04:47.280
<v Speaker 1>Clark or not. So it's possibly heard a story, um,

0:04:47.320 --> 0:04:50.160
<v Speaker 1>from twenty seven years earlier. Yeah, but like maybe they

0:04:50.160 --> 0:04:52.720
<v Speaker 1>were recounting the story or something like that, you know

0:04:52.760 --> 0:04:54.240
<v Speaker 1>what I mean. Sure, And we also have to remember

0:04:54.279 --> 0:04:58.479
<v Speaker 1>again he's hopped up on Smack right either way, I

0:04:58.480 --> 0:05:01.040
<v Speaker 1>think Smack was just one of any at any given

0:05:01.080 --> 0:05:04.719
<v Speaker 1>time going through his bloodstream. But um, he is usually

0:05:04.800 --> 0:05:08.080
<v Speaker 1>the guy who is first credited with becoming obsessed with

0:05:08.120 --> 0:05:11.559
<v Speaker 1>the number twenty three. And he was you could say,

0:05:11.600 --> 0:05:15.400
<v Speaker 1>fairly influential in the underground scene in the sixties and

0:05:15.440 --> 0:05:17.960
<v Speaker 1>then into the seventies and so on. And one of

0:05:18.000 --> 0:05:21.400
<v Speaker 1>his friends was named Robert Anton Wilson, and Robert Anton

0:05:21.480 --> 0:05:24.800
<v Speaker 1>Wilson went on to co write, um, the very famous

0:05:24.800 --> 0:05:28.679
<v Speaker 1>Illuminatus trilogy. Have you ever read any of those? I haven't,

0:05:28.720 --> 0:05:32.359
<v Speaker 1>But that that's Josh's main interest. Okay, they're fascinating books,

0:05:32.360 --> 0:05:37.719
<v Speaker 1>they're wonderfully written, they're they're hilarious, they're engrossing, they're really interesting. Um.

0:05:37.760 --> 0:05:40.040
<v Speaker 1>But he was friends with Burrows and so the number

0:05:40.080 --> 0:05:44.800
<v Speaker 1>twenty three is a major foundation of the Illuminatus trilogy,

0:05:44.880 --> 0:05:50.200
<v Speaker 1>which also draws from another kind of underground UM school

0:05:50.200 --> 0:05:52.400
<v Speaker 1>of thought. I guess that the in the sixties and

0:05:52.520 --> 0:05:56.200
<v Speaker 1>seventies UM which is called Discordianism, which is kind of

0:05:56.240 --> 0:05:59.279
<v Speaker 1>like a made up parody religion that actually makes a

0:05:59.279 --> 0:06:01.599
<v Speaker 1>lot of sense, so much so that it kind of

0:06:01.640 --> 0:06:04.680
<v Speaker 1>blurs the lines between reality and non reality when you

0:06:04.760 --> 0:06:07.640
<v Speaker 1>when you look into it. And number twenty three is

0:06:07.680 --> 0:06:10.839
<v Speaker 1>a holy number for Discordianism. So if you kind of

0:06:10.880 --> 0:06:14.800
<v Speaker 1>take all that together, Discordingism, the Illuminatus trilogy, and William

0:06:14.880 --> 0:06:17.599
<v Speaker 1>S Burrows and put it all together, that seems to

0:06:17.640 --> 0:06:22.839
<v Speaker 1>be where the kind of cult like um awareness or

0:06:22.920 --> 0:06:25.960
<v Speaker 1>obsession with the number twenty three came from. All Right,

0:06:26.000 --> 0:06:27.680
<v Speaker 1>So we're gonna take a break and we're gonna come

0:06:27.680 --> 0:06:31.640
<v Speaker 1>back and talk about more twenty three coincidences right after this.

0:06:51.480 --> 0:06:53.719
<v Speaker 1>So I should mention when I said that that's a

0:06:53.760 --> 0:06:56.200
<v Speaker 1>guest producer Josh's main interest, I didn't mean in life.

0:06:56.600 --> 0:06:59.160
<v Speaker 1>I just read as far as the number twenty three goes.

0:06:59.240 --> 0:07:01.760
<v Speaker 1>He was like, yeah, I read Robert Anton Wilson. Yeah,

0:07:01.800 --> 0:07:03.440
<v Speaker 1>So I thought it might be fun just to kind

0:07:03.480 --> 0:07:05.960
<v Speaker 1>of tick through a bunch of the uh, the things

0:07:06.000 --> 0:07:10.520
<v Speaker 1>you might find on Facebook page, where people are like,

0:07:10.680 --> 0:07:15.760
<v Speaker 1>look man twenty three again. Uh. Darwin's Origin of the

0:07:15.800 --> 0:07:20.120
<v Speaker 1>Species was released in eighteen fifty nine. You add up one, eight, five,

0:07:20.160 --> 0:07:23.400
<v Speaker 1>and nine and you get twenty three. That's one of

0:07:23.400 --> 0:07:25.680
<v Speaker 1>the more interesting ones. Some of them are just pictures

0:07:25.680 --> 0:07:27.920
<v Speaker 1>of like a truck with the number twenty three on it.

0:07:29.160 --> 0:07:32.520
<v Speaker 1>Like there it is again. Those are a little but

0:07:32.600 --> 0:07:36.880
<v Speaker 1>there are some, mister inter interesting coincidences that pop up

0:07:36.920 --> 0:07:39.840
<v Speaker 1>when you look around, Like Kurt Cobain. Um, he was

0:07:39.880 --> 0:07:42.600
<v Speaker 1>born in nineteen sixty seven, and if you add those up,

0:07:42.720 --> 0:07:46.320
<v Speaker 1>it comes to twenty three. He died in And if

0:07:46.320 --> 0:07:48.560
<v Speaker 1>you add those numbers up, they come to twenty three

0:07:48.560 --> 0:07:51.640
<v Speaker 1>as well. Okay, much more interesting than a truck with

0:07:51.680 --> 0:07:55.120
<v Speaker 1>the number twenty three on it, uh for sure. UM.

0:07:55.240 --> 0:07:59.360
<v Speaker 1>Conspiracy theorists will point to the nine eleven tragedy. You

0:07:59.440 --> 0:08:04.120
<v Speaker 1>add up nine eleven UM to zero, zero and one

0:08:04.240 --> 0:08:07.320
<v Speaker 1>and you get twenty three. That's a good one. Shakespeare

0:08:07.400 --> 0:08:11.200
<v Speaker 1>was born and died on the same day, April, but

0:08:11.480 --> 0:08:16.920
<v Speaker 1>years apart, obviously, Uh. Julius Caesar was supposedly, if you

0:08:16.960 --> 0:08:21.720
<v Speaker 1>look at detailed reports, stabbed three times. That's not bad.

0:08:21.960 --> 0:08:26.080
<v Speaker 1>I like this one. Um, there's one called the birthday paradox.

0:08:26.120 --> 0:08:28.160
<v Speaker 1>Have you heard about that? I did see that, and

0:08:28.320 --> 0:08:31.000
<v Speaker 1>after reading it four times and not fully on understanding it,

0:08:31.040 --> 0:08:34.119
<v Speaker 1>I just walked away in tears. It's it's really fascinating.

0:08:34.160 --> 0:08:35.760
<v Speaker 1>I was like, oh, we should do one just on that,

0:08:35.800 --> 0:08:38.439
<v Speaker 1>but it's actually too simple. So the birthday paradox is

0:08:38.480 --> 0:08:41.520
<v Speaker 1>where if you get twenty three people into a room,

0:08:41.880 --> 0:08:44.400
<v Speaker 1>you now have enough people to where there's a fifty

0:08:44.480 --> 0:08:46.880
<v Speaker 1>fifty chance that two of them are going to have

0:08:46.920 --> 0:08:49.960
<v Speaker 1>the same birthday, which makes zero sense. Since there's three

0:08:50.000 --> 0:08:52.800
<v Speaker 1>hundred and sixty five days in a year, you would

0:08:52.800 --> 0:08:55.920
<v Speaker 1>think that you would need um that times two to

0:08:56.040 --> 0:09:01.760
<v Speaker 1>have a figure I guess three. But no, because paradox,

0:09:02.120 --> 0:09:05.560
<v Speaker 1>each of those twenty three people have the opportunity to

0:09:05.600 --> 0:09:08.360
<v Speaker 1>be compared to the other twenty two people. You get

0:09:08.400 --> 0:09:11.640
<v Speaker 1>a number way more than than twenty three, a number

0:09:11.679 --> 0:09:14.320
<v Speaker 1>of comparisons way more than twenty three, and it turns

0:09:14.320 --> 0:09:17.280
<v Speaker 1>out it's enough to have a fifty chance of having

0:09:17.320 --> 0:09:19.520
<v Speaker 1>the same birthday among two people. And has that been

0:09:19.559 --> 0:09:24.640
<v Speaker 1>proven out? Yeah, oh yeah, it's mathematic it's it's mathematical. Yeah, no,

0:09:24.800 --> 0:09:28.320
<v Speaker 1>it's very it's very well proven it's interesting once you

0:09:28.360 --> 0:09:30.560
<v Speaker 1>look into just the probabilities of your like, oh, it

0:09:30.600 --> 0:09:34.840
<v Speaker 1>makes way more sense. Okay. I took statistics in college. Actually,

0:09:34.920 --> 0:09:37.040
<v Speaker 1>that was one of the maths that I took. I

0:09:37.120 --> 0:09:42.400
<v Speaker 1>took statistics, chuck on two twa times. Did you get

0:09:42.440 --> 0:09:45.599
<v Speaker 1>an F and F and a D? Finally, yes, the

0:09:45.679 --> 0:09:47.240
<v Speaker 1>last time I got a D because I had the

0:09:47.280 --> 0:09:49.840
<v Speaker 1>same instructor all three times, and last time she's like,

0:09:49.920 --> 0:09:53.000
<v Speaker 1>D just go just go away. Well, you're never going

0:09:53.040 --> 0:09:55.040
<v Speaker 1>to get this. Yeah, you and I were Liberal arts guys.

0:09:55.040 --> 0:09:57.360
<v Speaker 1>I was an English major and they before that class,

0:09:57.360 --> 0:09:59.959
<v Speaker 1>they actually had a math class called Math for Poets

0:10:00.160 --> 0:10:02.600
<v Speaker 1>was the nickname, and it was basically like the math

0:10:02.640 --> 0:10:05.679
<v Speaker 1>class all English majors took because it was very simple arithmetic,

0:10:05.960 --> 0:10:08.840
<v Speaker 1>not bad. Um, let's get back to a couple of

0:10:09.320 --> 0:10:12.520
<v Speaker 1>twenty three things. Oh yeah, Princess Leah Josh and the

0:10:12.600 --> 0:10:15.240
<v Speaker 1>very first Star Wars film is held in detention block

0:10:15.320 --> 0:10:20.199
<v Speaker 1>A A to three. Okay, And apparently in George Lucas's

0:10:20.800 --> 0:10:24.080
<v Speaker 1>first film th h X eleven thirty eight, there is

0:10:24.840 --> 0:10:27.720
<v Speaker 1>another twenty three in there, so some people might think

0:10:27.760 --> 0:10:30.000
<v Speaker 1>that was that was his little way of giving a

0:10:30.040 --> 0:10:32.720
<v Speaker 1>nod to that number. I would guess so, and George

0:10:32.800 --> 0:10:35.600
<v Speaker 1>Lucas wouldn't be the only person who's a famous UM

0:10:37.040 --> 0:10:41.680
<v Speaker 1>of twenty yeah. Famous. One of the most famous, uh

0:10:41.800 --> 0:10:45.560
<v Speaker 1>is John Nash, the guy who's the mathematician whose life

0:10:45.600 --> 0:10:49.000
<v Speaker 1>was dramatized in A Beautiful Mind, both the book and

0:10:49.120 --> 0:10:53.120
<v Speaker 1>the movie, which is a great movie if I remember correctly.

0:10:53.600 --> 0:10:57.400
<v Speaker 1>But he was obsessed with twenty the number twenty three. UM.

0:10:57.440 --> 0:10:59.720
<v Speaker 1>He said it was his favorite prime number. That's not

0:10:59.760 --> 0:11:02.600
<v Speaker 1>where the obsession ends. He also says that he or

0:11:02.640 --> 0:11:05.920
<v Speaker 1>he said that he appeared on the cover of Life

0:11:05.960 --> 0:11:11.720
<v Speaker 1>magazine once disguised as Pope John the three right and

0:11:12.080 --> 0:11:15.000
<v Speaker 1>Pope John the twenty three really did appear on Life magazine,

0:11:15.000 --> 0:11:17.360
<v Speaker 1>but it was him. John Nash was saying, well, that

0:11:17.440 --> 0:11:23.520
<v Speaker 1>was me. Yeah, I shouldn't laugh. Uh. In the Bible, um,

0:11:23.559 --> 0:11:28.000
<v Speaker 1>which is a book, the there is ah. I was

0:11:28.000 --> 0:11:30.200
<v Speaker 1>about to call it a chapter, but I guess they

0:11:30.240 --> 0:11:35.360
<v Speaker 1>aren't called that the Book of Numbers and the verses. Uh,

0:11:35.440 --> 0:11:39.040
<v Speaker 1>it's numbers twenty three If you look that up, what

0:11:39.360 --> 0:11:43.000
<v Speaker 1>hath God wrought? That is also the very first message

0:11:43.440 --> 0:11:49.600
<v Speaker 1>sent by telegraph in code by Samuel morrise In. So

0:11:49.720 --> 0:11:53.400
<v Speaker 1>if you if you take all of this and you um,

0:11:53.520 --> 0:11:55.839
<v Speaker 1>you look at it a certain way, it becomes plain

0:11:56.040 --> 0:11:58.480
<v Speaker 1>that there's something very special about the number twenty three.

0:11:58.760 --> 0:12:01.360
<v Speaker 1>If you look at it a different way, it becomes

0:12:01.440 --> 0:12:06.280
<v Speaker 1>plain that people have invested a lot of UM like

0:12:06.400 --> 0:12:10.200
<v Speaker 1>mystical significance to twenty three that isn't actually there, that

0:12:10.600 --> 0:12:13.520
<v Speaker 1>that it could be any other number, especially any other

0:12:13.640 --> 0:12:18.080
<v Speaker 1>number that is within UM one to thirty, because a

0:12:18.080 --> 0:12:21.760
<v Speaker 1>lot of people ascribe dates, you know, significance to dates.

0:12:21.800 --> 0:12:24.880
<v Speaker 1>I should say John Nash died on the twenty three

0:12:24.880 --> 0:12:28.000
<v Speaker 1>of May in two thousand fifteen, and so that just

0:12:28.080 --> 0:12:31.040
<v Speaker 1>proves it to people who are is obviously twenty three

0:12:31.040 --> 0:12:34.320
<v Speaker 1>means something, but if it could also be fifteen or

0:12:34.400 --> 0:12:38.520
<v Speaker 1>seven or three. There's a lot of like numbers that

0:12:38.600 --> 0:12:41.360
<v Speaker 1>we ascribe a lot as significance too. And if you

0:12:41.440 --> 0:12:44.560
<v Speaker 1>ask a cognitive psychologist what's going on, they will just

0:12:44.640 --> 0:12:50.960
<v Speaker 1>basically say that our brains contain a mechanism for detecting patterns.

0:12:51.040 --> 0:12:53.400
<v Speaker 1>We search out patterns how we make sense of things.

0:12:53.400 --> 0:12:56.480
<v Speaker 1>It's how we save brain energy is finding patterns so

0:12:56.559 --> 0:12:58.800
<v Speaker 1>we can predict things and just make sense of the

0:12:58.840 --> 0:13:03.319
<v Speaker 1>world around us. And sometimes we force patterns onto things

0:13:03.720 --> 0:13:08.920
<v Speaker 1>that don't actually have any significance, that don't actually mean anything,

0:13:09.240 --> 0:13:11.840
<v Speaker 1>and that could be things like the number twenty three

0:13:11.880 --> 0:13:15.679
<v Speaker 1>popping up suddenly or randomly. Yeah, when you look at

0:13:15.720 --> 0:13:17.640
<v Speaker 1>the clock and it's eleven eleven and you make a

0:13:17.640 --> 0:13:20.080
<v Speaker 1>big deal about it, it's more likely that you just

0:13:20.120 --> 0:13:21.959
<v Speaker 1>don't make a big deal about every other time of

0:13:22.080 --> 0:13:24.880
<v Speaker 1>day that you look at the clock. Exactly, Chuck, I

0:13:25.000 --> 0:13:29.640
<v Speaker 1>got nothing else except for twenty three chromosomes. Hey, well

0:13:29.640 --> 0:13:35.640
<v Speaker 1>with that short, stuff is out. Stuff you should know

0:13:35.720 --> 0:13:38.559
<v Speaker 1>is production of iHeart Radios How stuff works. For more

0:13:38.600 --> 0:13:41.200
<v Speaker 1>podcasts for my Heart Radio, visit the iHeart Radio app,

0:13:41.280 --> 0:13:44.080
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.