1 00:00:04,200 --> 00:00:07,480 Speaker 1: Hello, and welcome to these short stuff. I'm Josh, there's Chuck, 2 00:00:07,680 --> 00:00:10,760 Speaker 1: there's Josh. But the three of us together, this is 3 00:00:10,920 --> 00:00:15,560 Speaker 1: short stuff. It's so short. Yeah, and we should mention that, 4 00:00:15,600 --> 00:00:17,640 Speaker 1: you know, Josh is in here with this guest producer. 5 00:00:18,239 --> 00:00:20,080 Speaker 1: And he asked what we're recording on and I said 6 00:00:20,120 --> 00:00:22,040 Speaker 1: the number twenty three, and he said, oh, I'm into that, 7 00:00:22,920 --> 00:00:25,160 Speaker 1: and I said, well, I apologize because I'm probably gonna 8 00:00:25,160 --> 00:00:28,440 Speaker 1: make fun of it a lot. That's funny. So, Josh, 9 00:00:28,920 --> 00:00:33,880 Speaker 1: then you're a is what they're called the number two, 10 00:00:33,960 --> 00:00:36,839 Speaker 1: the number three, the letter R, the letter D, the 11 00:00:36,920 --> 00:00:40,080 Speaker 1: letter I, the letter A, the letter N, and then 12 00:00:40,280 --> 00:00:42,839 Speaker 1: because there's more than one, the letter S. And we 13 00:00:42,880 --> 00:00:46,279 Speaker 1: know that's real because there's a Facebook page. Yeah. Facebook 14 00:00:46,360 --> 00:00:52,360 Speaker 1: basically legitimizes everything. So we're talking about the number twenty three. Um, 15 00:00:52,400 --> 00:00:56,240 Speaker 1: apparently a lot of people put some stock into this number. Yeah, 16 00:00:56,240 --> 00:00:59,120 Speaker 1: not just Josh. No, he's not the only one they made, 17 00:00:59,160 --> 00:01:01,880 Speaker 1: are he does two? They made a very bad Jim 18 00:01:01,920 --> 00:01:04,560 Speaker 1: Carrey movie called The Number twenty three. Did you see 19 00:01:04,600 --> 00:01:06,640 Speaker 1: it or are you just presuming it was bad? I'm 20 00:01:06,640 --> 00:01:09,000 Speaker 1: presuming it was bad from all the people that said 21 00:01:09,040 --> 00:01:11,960 Speaker 1: it's bad. I have never seen it, and I presumed 22 00:01:11,959 --> 00:01:14,840 Speaker 1: it was bad too, But I have gotten just desperate 23 00:01:14,959 --> 00:01:17,800 Speaker 1: enough on like Netflix and Amazon Prime to let's try it. 24 00:01:17,840 --> 00:01:19,560 Speaker 1: There's so much good stuff out there, and you're gonna 25 00:01:19,600 --> 00:01:25,080 Speaker 1: watch that? Is there? Oh? I don't know, does everything stink? 26 00:01:25,880 --> 00:01:27,800 Speaker 1: I don't know if everything stinks. I don't want to 27 00:01:27,840 --> 00:01:30,840 Speaker 1: say that, but I think I am at the number 28 00:01:30,880 --> 00:01:34,720 Speaker 1: twenty three level right now. All right, Okay, let's follow up. 29 00:01:34,720 --> 00:01:36,440 Speaker 1: I want to hear about it. All right, you got it? 30 00:01:36,680 --> 00:01:39,040 Speaker 1: All right? So the number twenty three, Um, you've seen 31 00:01:39,080 --> 00:01:43,560 Speaker 1: it on Michael Jordan's uniform. Uh. He picked it apparently 32 00:01:43,640 --> 00:01:47,120 Speaker 1: because that was as close as he could get to 33 00:01:47,480 --> 00:01:50,760 Speaker 1: half of forty six, which was his older brother's number. 34 00:01:50,960 --> 00:01:57,360 Speaker 1: I think his older brothers was would be exactly. Uh. 35 00:01:57,560 --> 00:02:00,640 Speaker 1: And then of course since then, other people, um have 36 00:02:00,760 --> 00:02:03,800 Speaker 1: tried to emulate Michael, like Lebron and so the other 37 00:02:03,880 --> 00:02:06,480 Speaker 1: twenty three you see in basketball and even some other 38 00:02:06,520 --> 00:02:09,040 Speaker 1: sports sometimes or a tribute to Michael Jordan's. Yeah, like 39 00:02:09,120 --> 00:02:12,720 Speaker 1: David Beckham's twenty three when he went to Real Madrid 40 00:02:13,280 --> 00:02:16,680 Speaker 1: was an homage to Jordan's two. So yeah, Organs the first. 41 00:02:16,880 --> 00:02:21,280 Speaker 1: Every other twenty three was an homage to Jordan's which 42 00:02:21,320 --> 00:02:24,160 Speaker 1: is that's great, but that's not where the number twenty 43 00:02:24,200 --> 00:02:28,880 Speaker 1: three ends. Actually, that's not where the number twenty three started. No, 44 00:02:29,280 --> 00:02:32,440 Speaker 1: it's so well it did. It started elsewhere. Um, the 45 00:02:32,560 --> 00:02:34,440 Speaker 1: number twenty three has been with us for as long 46 00:02:34,480 --> 00:02:39,840 Speaker 1: as Arabic numerals have. But um, the obsession with the 47 00:02:39,919 --> 00:02:44,120 Speaker 1: number twenty three. They've tried to trace back as far 48 00:02:44,160 --> 00:02:46,480 Speaker 1: as they can. And there's actually a guy who came 49 00:02:46,560 --> 00:02:49,120 Speaker 1: up with a book, um that came out in two 50 00:02:49,960 --> 00:02:51,720 Speaker 1: This guy's got one of the better names of herd 51 00:02:51,720 --> 00:02:55,000 Speaker 1: in a while, Barnaby Rogerson. Yeah, and this book title 52 00:02:55,120 --> 00:02:59,840 Speaker 1: is just out of hand. Rogerson's Book of Numbers Colon 53 00:03:00,320 --> 00:03:05,120 Speaker 1: the Culture of Numbers hyphen from one thousand one Nights 54 00:03:05,160 --> 00:03:07,920 Speaker 1: to the Seven Wonders of the World. That's the end 55 00:03:07,960 --> 00:03:10,440 Speaker 1: of the title. It has a colon and a hyphen. Yeah. 56 00:03:10,480 --> 00:03:14,200 Speaker 1: He should have ended that with a exclamation point, because 57 00:03:14,240 --> 00:03:15,800 Speaker 1: I think you have to when you say the seven 58 00:03:15,840 --> 00:03:18,280 Speaker 1: Wonders of the World. Yeah, I don't. I don't know 59 00:03:18,320 --> 00:03:21,480 Speaker 1: anybody who says it like without an exclamation point. Yeah. 60 00:03:21,480 --> 00:03:25,760 Speaker 1: So Barnaby Rogerson traces the obsession with the number twenty 61 00:03:25,800 --> 00:03:31,600 Speaker 1: three to a little writer that was drugged out named 62 00:03:31,600 --> 00:03:34,600 Speaker 1: william S Burrows. Yeah, the man who's shot a million 63 00:03:34,600 --> 00:03:37,560 Speaker 1: bucks in his arm, says Matt Dillon. Really was that 64 00:03:37,680 --> 00:03:40,560 Speaker 1: the thing? The quote? Yeah, it was from drug store Cowboy. 65 00:03:41,680 --> 00:03:45,480 Speaker 1: William S Burrows played an old aged heroin addict and 66 00:03:45,480 --> 00:03:47,800 Speaker 1: and Matt Dillon said he must have shot a million 67 00:03:47,840 --> 00:03:50,200 Speaker 1: bucks into that arm. So he watched that again instead 68 00:03:50,240 --> 00:03:53,200 Speaker 1: of the number twenty three. Okay, all right, you got it. 69 00:03:53,640 --> 00:03:57,440 Speaker 1: That's your assignment. Okay. So supposedly in nineteen sixty this 70 00:03:57,480 --> 00:04:01,120 Speaker 1: story has many many holes, but uh and probably because 71 00:04:01,120 --> 00:04:04,800 Speaker 1: of all the drugs. Burrows was in Tangier. Probably because 72 00:04:04,800 --> 00:04:07,760 Speaker 1: of the drugs, and said he met a sea captain 73 00:04:07,840 --> 00:04:11,480 Speaker 1: named Clark, not me, who said he had never been 74 00:04:11,520 --> 00:04:15,520 Speaker 1: in an accident in twenty three years. Later that day 75 00:04:16,000 --> 00:04:20,320 Speaker 1: Clark sank his ship and died. Which that'll that'll perk 76 00:04:20,400 --> 00:04:24,960 Speaker 1: your antennae up. And then supposedly later that same day, 77 00:04:25,120 --> 00:04:29,200 Speaker 1: that night, Burrows heard a radio story news story about 78 00:04:29,240 --> 00:04:33,080 Speaker 1: a flight twenty three that crashed in Florida, also piloted 79 00:04:33,120 --> 00:04:37,080 Speaker 1: by Captain Clark. This all sounds very interesting until you 80 00:04:37,160 --> 00:04:41,440 Speaker 1: realize that that didn't happen. Well, there was a flight 81 00:04:41,480 --> 00:04:44,280 Speaker 1: twenty three. I didn't see whether it was piloted by 82 00:04:44,279 --> 00:04:47,280 Speaker 1: Clark or not. So it's possibly heard a story, um, 83 00:04:47,320 --> 00:04:50,160 Speaker 1: from twenty seven years earlier. Yeah, but like maybe they 84 00:04:50,160 --> 00:04:52,720 Speaker 1: were recounting the story or something like that, you know 85 00:04:52,760 --> 00:04:54,240 Speaker 1: what I mean. Sure, And we also have to remember 86 00:04:54,279 --> 00:04:58,479 Speaker 1: again he's hopped up on Smack right either way, I 87 00:04:58,480 --> 00:05:01,040 Speaker 1: think Smack was just one of any at any given 88 00:05:01,080 --> 00:05:04,719 Speaker 1: time going through his bloodstream. But um, he is usually 89 00:05:04,800 --> 00:05:08,080 Speaker 1: the guy who is first credited with becoming obsessed with 90 00:05:08,120 --> 00:05:11,559 Speaker 1: the number twenty three. And he was you could say, 91 00:05:11,600 --> 00:05:15,400 Speaker 1: fairly influential in the underground scene in the sixties and 92 00:05:15,440 --> 00:05:17,960 Speaker 1: then into the seventies and so on. And one of 93 00:05:18,000 --> 00:05:21,400 Speaker 1: his friends was named Robert Anton Wilson, and Robert Anton 94 00:05:21,480 --> 00:05:24,800 Speaker 1: Wilson went on to co write, um, the very famous 95 00:05:24,800 --> 00:05:28,679 Speaker 1: Illuminatus trilogy. Have you ever read any of those? I haven't, 96 00:05:28,720 --> 00:05:32,359 Speaker 1: But that that's Josh's main interest. Okay, they're fascinating books, 97 00:05:32,360 --> 00:05:37,719 Speaker 1: they're wonderfully written, they're they're hilarious, they're engrossing, they're really interesting. Um. 98 00:05:37,760 --> 00:05:40,040 Speaker 1: But he was friends with Burrows and so the number 99 00:05:40,080 --> 00:05:44,800 Speaker 1: twenty three is a major foundation of the Illuminatus trilogy, 100 00:05:44,880 --> 00:05:50,200 Speaker 1: which also draws from another kind of underground UM school 101 00:05:50,200 --> 00:05:52,400 Speaker 1: of thought. I guess that the in the sixties and 102 00:05:52,520 --> 00:05:56,200 Speaker 1: seventies UM which is called Discordianism, which is kind of 103 00:05:56,240 --> 00:05:59,279 Speaker 1: like a made up parody religion that actually makes a 104 00:05:59,279 --> 00:06:01,599 Speaker 1: lot of sense, so much so that it kind of 105 00:06:01,640 --> 00:06:04,680 Speaker 1: blurs the lines between reality and non reality when you 106 00:06:04,760 --> 00:06:07,640 Speaker 1: when you look into it. And number twenty three is 107 00:06:07,680 --> 00:06:10,839 Speaker 1: a holy number for Discordianism. So if you kind of 108 00:06:10,880 --> 00:06:14,800 Speaker 1: take all that together, Discordingism, the Illuminatus trilogy, and William 109 00:06:14,880 --> 00:06:17,599 Speaker 1: S Burrows and put it all together, that seems to 110 00:06:17,640 --> 00:06:22,839 Speaker 1: be where the kind of cult like um awareness or 111 00:06:22,920 --> 00:06:25,960 Speaker 1: obsession with the number twenty three came from. All Right, 112 00:06:26,000 --> 00:06:27,680 Speaker 1: So we're gonna take a break and we're gonna come 113 00:06:27,680 --> 00:06:31,640 Speaker 1: back and talk about more twenty three coincidences right after this. 114 00:06:51,480 --> 00:06:53,719 Speaker 1: So I should mention when I said that that's a 115 00:06:53,760 --> 00:06:56,200 Speaker 1: guest producer Josh's main interest, I didn't mean in life. 116 00:06:56,600 --> 00:06:59,160 Speaker 1: I just read as far as the number twenty three goes. 117 00:06:59,240 --> 00:07:01,760 Speaker 1: He was like, yeah, I read Robert Anton Wilson. Yeah, 118 00:07:01,800 --> 00:07:03,440 Speaker 1: So I thought it might be fun just to kind 119 00:07:03,480 --> 00:07:05,960 Speaker 1: of tick through a bunch of the uh, the things 120 00:07:06,000 --> 00:07:10,520 Speaker 1: you might find on Facebook page, where people are like, 121 00:07:10,680 --> 00:07:15,760 Speaker 1: look man twenty three again. Uh. Darwin's Origin of the 122 00:07:15,800 --> 00:07:20,120 Speaker 1: Species was released in eighteen fifty nine. You add up one, eight, five, 123 00:07:20,160 --> 00:07:23,400 Speaker 1: and nine and you get twenty three. That's one of 124 00:07:23,400 --> 00:07:25,680 Speaker 1: the more interesting ones. Some of them are just pictures 125 00:07:25,680 --> 00:07:27,920 Speaker 1: of like a truck with the number twenty three on it. 126 00:07:29,160 --> 00:07:32,520 Speaker 1: Like there it is again. Those are a little but 127 00:07:32,600 --> 00:07:36,880 Speaker 1: there are some, mister inter interesting coincidences that pop up 128 00:07:36,920 --> 00:07:39,840 Speaker 1: when you look around, Like Kurt Cobain. Um, he was 129 00:07:39,880 --> 00:07:42,600 Speaker 1: born in nineteen sixty seven, and if you add those up, 130 00:07:42,720 --> 00:07:46,320 Speaker 1: it comes to twenty three. He died in And if 131 00:07:46,320 --> 00:07:48,560 Speaker 1: you add those numbers up, they come to twenty three 132 00:07:48,560 --> 00:07:51,640 Speaker 1: as well. Okay, much more interesting than a truck with 133 00:07:51,680 --> 00:07:55,120 Speaker 1: the number twenty three on it, uh for sure. UM. 134 00:07:55,240 --> 00:07:59,360 Speaker 1: Conspiracy theorists will point to the nine eleven tragedy. You 135 00:07:59,440 --> 00:08:04,120 Speaker 1: add up nine eleven UM to zero, zero and one 136 00:08:04,240 --> 00:08:07,320 Speaker 1: and you get twenty three. That's a good one. Shakespeare 137 00:08:07,400 --> 00:08:11,200 Speaker 1: was born and died on the same day, April, but 138 00:08:11,480 --> 00:08:16,920 Speaker 1: years apart, obviously, Uh. Julius Caesar was supposedly, if you 139 00:08:16,960 --> 00:08:21,720 Speaker 1: look at detailed reports, stabbed three times. That's not bad. 140 00:08:21,960 --> 00:08:26,080 Speaker 1: I like this one. Um, there's one called the birthday paradox. 141 00:08:26,120 --> 00:08:28,160 Speaker 1: Have you heard about that? I did see that, and 142 00:08:28,320 --> 00:08:31,000 Speaker 1: after reading it four times and not fully on understanding it, 143 00:08:31,040 --> 00:08:34,119 Speaker 1: I just walked away in tears. It's it's really fascinating. 144 00:08:34,160 --> 00:08:35,760 Speaker 1: I was like, oh, we should do one just on that, 145 00:08:35,800 --> 00:08:38,439 Speaker 1: but it's actually too simple. So the birthday paradox is 146 00:08:38,480 --> 00:08:41,520 Speaker 1: where if you get twenty three people into a room, 147 00:08:41,880 --> 00:08:44,400 Speaker 1: you now have enough people to where there's a fifty 148 00:08:44,480 --> 00:08:46,880 Speaker 1: fifty chance that two of them are going to have 149 00:08:46,920 --> 00:08:49,960 Speaker 1: the same birthday, which makes zero sense. Since there's three 150 00:08:50,000 --> 00:08:52,800 Speaker 1: hundred and sixty five days in a year, you would 151 00:08:52,800 --> 00:08:55,920 Speaker 1: think that you would need um that times two to 152 00:08:56,040 --> 00:09:01,760 Speaker 1: have a figure I guess three. But no, because paradox, 153 00:09:02,120 --> 00:09:05,560 Speaker 1: each of those twenty three people have the opportunity to 154 00:09:05,600 --> 00:09:08,360 Speaker 1: be compared to the other twenty two people. You get 155 00:09:08,400 --> 00:09:11,640 Speaker 1: a number way more than than twenty three, a number 156 00:09:11,679 --> 00:09:14,320 Speaker 1: of comparisons way more than twenty three, and it turns 157 00:09:14,320 --> 00:09:17,280 Speaker 1: out it's enough to have a fifty chance of having 158 00:09:17,320 --> 00:09:19,520 Speaker 1: the same birthday among two people. And has that been 159 00:09:19,559 --> 00:09:24,640 Speaker 1: proven out? Yeah, oh yeah, it's mathematic it's it's mathematical. Yeah, no, 160 00:09:24,800 --> 00:09:28,320 Speaker 1: it's very it's very well proven it's interesting once you 161 00:09:28,360 --> 00:09:30,560 Speaker 1: look into just the probabilities of your like, oh, it 162 00:09:30,600 --> 00:09:34,840 Speaker 1: makes way more sense. Okay. I took statistics in college. Actually, 163 00:09:34,920 --> 00:09:37,040 Speaker 1: that was one of the maths that I took. I 164 00:09:37,120 --> 00:09:42,400 Speaker 1: took statistics, chuck on two twa times. Did you get 165 00:09:42,440 --> 00:09:45,599 Speaker 1: an F and F and a D? Finally, yes, the 166 00:09:45,679 --> 00:09:47,240 Speaker 1: last time I got a D because I had the 167 00:09:47,280 --> 00:09:49,840 Speaker 1: same instructor all three times, and last time she's like, 168 00:09:49,920 --> 00:09:53,000 Speaker 1: D just go just go away. Well, you're never going 169 00:09:53,040 --> 00:09:55,040 Speaker 1: to get this. Yeah, you and I were Liberal arts guys. 170 00:09:55,040 --> 00:09:57,360 Speaker 1: I was an English major and they before that class, 171 00:09:57,360 --> 00:09:59,959 Speaker 1: they actually had a math class called Math for Poets 172 00:10:00,160 --> 00:10:02,600 Speaker 1: was the nickname, and it was basically like the math 173 00:10:02,640 --> 00:10:05,679 Speaker 1: class all English majors took because it was very simple arithmetic, 174 00:10:05,960 --> 00:10:08,840 Speaker 1: not bad. Um, let's get back to a couple of 175 00:10:09,320 --> 00:10:12,520 Speaker 1: twenty three things. Oh yeah, Princess Leah Josh and the 176 00:10:12,600 --> 00:10:15,240 Speaker 1: very first Star Wars film is held in detention block 177 00:10:15,320 --> 00:10:20,199 Speaker 1: A A to three. Okay, And apparently in George Lucas's 178 00:10:20,800 --> 00:10:24,080 Speaker 1: first film th h X eleven thirty eight, there is 179 00:10:24,840 --> 00:10:27,720 Speaker 1: another twenty three in there, so some people might think 180 00:10:27,760 --> 00:10:30,000 Speaker 1: that was that was his little way of giving a 181 00:10:30,040 --> 00:10:32,720 Speaker 1: nod to that number. I would guess so, and George 182 00:10:32,800 --> 00:10:35,600 Speaker 1: Lucas wouldn't be the only person who's a famous UM 183 00:10:37,040 --> 00:10:41,680 Speaker 1: of twenty yeah. Famous. One of the most famous, uh 184 00:10:41,800 --> 00:10:45,560 Speaker 1: is John Nash, the guy who's the mathematician whose life 185 00:10:45,600 --> 00:10:49,000 Speaker 1: was dramatized in A Beautiful Mind, both the book and 186 00:10:49,120 --> 00:10:53,120 Speaker 1: the movie, which is a great movie if I remember correctly. 187 00:10:53,600 --> 00:10:57,400 Speaker 1: But he was obsessed with twenty the number twenty three. UM. 188 00:10:57,440 --> 00:10:59,720 Speaker 1: He said it was his favorite prime number. That's not 189 00:10:59,760 --> 00:11:02,600 Speaker 1: where the obsession ends. He also says that he or 190 00:11:02,640 --> 00:11:05,920 Speaker 1: he said that he appeared on the cover of Life 191 00:11:05,960 --> 00:11:11,720 Speaker 1: magazine once disguised as Pope John the three right and 192 00:11:12,080 --> 00:11:15,000 Speaker 1: Pope John the twenty three really did appear on Life magazine, 193 00:11:15,000 --> 00:11:17,360 Speaker 1: but it was him. John Nash was saying, well, that 194 00:11:17,440 --> 00:11:23,520 Speaker 1: was me. Yeah, I shouldn't laugh. Uh. In the Bible, um, 195 00:11:23,559 --> 00:11:28,000 Speaker 1: which is a book, the there is ah. I was 196 00:11:28,000 --> 00:11:30,200 Speaker 1: about to call it a chapter, but I guess they 197 00:11:30,240 --> 00:11:35,360 Speaker 1: aren't called that the Book of Numbers and the verses. Uh, 198 00:11:35,440 --> 00:11:39,040 Speaker 1: it's numbers twenty three If you look that up, what 199 00:11:39,360 --> 00:11:43,000 Speaker 1: hath God wrought? That is also the very first message 200 00:11:43,440 --> 00:11:49,600 Speaker 1: sent by telegraph in code by Samuel morrise In. So 201 00:11:49,720 --> 00:11:53,400 Speaker 1: if you if you take all of this and you um, 202 00:11:53,520 --> 00:11:55,839 Speaker 1: you look at it a certain way, it becomes plain 203 00:11:56,040 --> 00:11:58,480 Speaker 1: that there's something very special about the number twenty three. 204 00:11:58,760 --> 00:12:01,360 Speaker 1: If you look at it a different way, it becomes 205 00:12:01,440 --> 00:12:06,280 Speaker 1: plain that people have invested a lot of UM like 206 00:12:06,400 --> 00:12:10,200 Speaker 1: mystical significance to twenty three that isn't actually there, that 207 00:12:10,600 --> 00:12:13,520 Speaker 1: that it could be any other number, especially any other 208 00:12:13,640 --> 00:12:18,080 Speaker 1: number that is within UM one to thirty, because a 209 00:12:18,080 --> 00:12:21,760 Speaker 1: lot of people ascribe dates, you know, significance to dates. 210 00:12:21,800 --> 00:12:24,880 Speaker 1: I should say John Nash died on the twenty three 211 00:12:24,880 --> 00:12:28,000 Speaker 1: of May in two thousand fifteen, and so that just 212 00:12:28,080 --> 00:12:31,040 Speaker 1: proves it to people who are is obviously twenty three 213 00:12:31,040 --> 00:12:34,320 Speaker 1: means something, but if it could also be fifteen or 214 00:12:34,400 --> 00:12:38,520 Speaker 1: seven or three. There's a lot of like numbers that 215 00:12:38,600 --> 00:12:41,360 Speaker 1: we ascribe a lot as significance too. And if you 216 00:12:41,440 --> 00:12:44,560 Speaker 1: ask a cognitive psychologist what's going on, they will just 217 00:12:44,640 --> 00:12:50,960 Speaker 1: basically say that our brains contain a mechanism for detecting patterns. 218 00:12:51,040 --> 00:12:53,400 Speaker 1: We search out patterns how we make sense of things. 219 00:12:53,400 --> 00:12:56,480 Speaker 1: It's how we save brain energy is finding patterns so 220 00:12:56,559 --> 00:12:58,800 Speaker 1: we can predict things and just make sense of the 221 00:12:58,840 --> 00:13:03,319 Speaker 1: world around us. And sometimes we force patterns onto things 222 00:13:03,720 --> 00:13:08,920 Speaker 1: that don't actually have any significance, that don't actually mean anything, 223 00:13:09,240 --> 00:13:11,840 Speaker 1: and that could be things like the number twenty three 224 00:13:11,880 --> 00:13:15,679 Speaker 1: popping up suddenly or randomly. Yeah, when you look at 225 00:13:15,720 --> 00:13:17,640 Speaker 1: the clock and it's eleven eleven and you make a 226 00:13:17,640 --> 00:13:20,080 Speaker 1: big deal about it, it's more likely that you just 227 00:13:20,120 --> 00:13:21,959 Speaker 1: don't make a big deal about every other time of 228 00:13:22,080 --> 00:13:24,880 Speaker 1: day that you look at the clock. Exactly, Chuck, I 229 00:13:25,000 --> 00:13:29,640 Speaker 1: got nothing else except for twenty three chromosomes. Hey, well 230 00:13:29,640 --> 00:13:35,640 Speaker 1: with that short, stuff is out. Stuff you should know 231 00:13:35,720 --> 00:13:38,559 Speaker 1: is production of iHeart Radios How stuff works. For more 232 00:13:38,600 --> 00:13:41,200 Speaker 1: podcasts for my Heart Radio, visit the iHeart Radio app, 233 00:13:41,280 --> 00:13:44,080 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.