WEBVTT - Emily Post: Ettiquette Queen

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's Chuck,

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<v Speaker 2>and Jerry's here, too, keeping us proper. And this is

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<v Speaker 2>Stuff You Should Know, the Sit Up Straight edition.

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<v Speaker 1>I got to say, after researching this, I am a

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<v Speaker 1>big fan of Emily Post.

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<v Speaker 2>Yeah, she's a surprisingly cool person, especially... for somebody who

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<v Speaker 2>literally wrote a book on etiquette. Yeah.

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<v Speaker 1>I didn't know much about any of this. And now

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<v Speaker 1>I'm like, I want to know about her number one fan.

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<v Speaker 1>I'm sure there's one person on planet earth that likes

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<v Speaker 1>her more than me. Sure.

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<v Speaker 2>Maybe number two, we'll say three. All right. But yeah,

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<v Speaker 2>still a big fan. Are you going to buy the book,

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<v Speaker 2>the blue book?

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<v Speaker 1>Uh, I mean, I probably should. I'm sure it goes

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<v Speaker 1>to something like her foundation or I want to support

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<v Speaker 1>her financially still years after her passing.

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<v Speaker 2>That'll do it. Um, I know that I read some

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<v Speaker 2>think pieces on people who went and read that book

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<v Speaker 2>and were like lessons I learned from reading this book.

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<v Speaker 2>And it's pretty much roundly described as lovely, charming.

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<v Speaker 1>Yeah.

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<v Speaker 2>And also useful still, because one of the things that

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<v Speaker 2>set her apart is because of the way she approached

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<v Speaker 2>etiquette and rules of etiquette and how to, you know,

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<v Speaker 2>learn social graces. The, the, It was like a progressive

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<v Speaker 2>way of doing it. So she was able to basically say,

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<v Speaker 2>this is what's really important. So a lot of the

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<v Speaker 2>stuff that she talks about is completely applicable today.

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<v Speaker 1>Some might say more so.

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<v Speaker 2>Yeah. More needed for sure. Yeah.

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<v Speaker 1>So, I mean, they had etiquette guides for sure. It's

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<v Speaker 1>not like she, even though, you know, you might commonly

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<v Speaker 1>hear people say she literally wrote the book on etiquette.

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<v Speaker 1>She did. But she wrote one of the many books

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<v Speaker 1>on etiquette. Hers was a little bit different than the

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<v Speaker 1>others in a lot of ways that we're going to

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<v Speaker 1>talk about kind of here and there. But one of

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<v Speaker 1>the big ways is she was all about ethics. And

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<v Speaker 1>as we'll see, you know, we're going to detail her life.

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<v Speaker 1>She was born into money, but she was basically like, hey, listen,

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<v Speaker 1>just because you have money doesn't mean that you are respectable.

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<v Speaker 1>You have to have a grounding in ethics. No matter

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<v Speaker 1>who you are and if you don't have money and

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<v Speaker 1>if you're, you know, not born into like a great

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<v Speaker 1>family or something, then that doesn't mean you can't be

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<v Speaker 1>a part of what she called good society. You just

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<v Speaker 1>have to know like you have to be grounded in

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<v Speaker 1>ethics and how to know like how to keep a

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<v Speaker 1>clean house and how to behave with manners.

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<v Speaker 2>Yeah, which is kind of groundbreaking because up to that point,

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<v Speaker 2>most etiquette books were basically like, this is what the

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<v Speaker 2>ultra rich expect of you if you're in their presence.

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<v Speaker 2>And if you don't do this, you're going to embarrass yourself.

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<v Speaker 2>So memorize all of these. And she definitely turned it

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<v Speaker 2>on its head, which, as you said, her being a

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<v Speaker 2>society or socialite, I guess, herself was really something. She

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<v Speaker 2>had like the background to basically say, no, there's a

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<v Speaker 2>better way to do this. Not coming from the outside.

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<v Speaker 2>She was on the inside and that helped.

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<v Speaker 1>Yeah. And also like she wasn't so stodgy that she

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<v Speaker 1>didn't embrace change when it was like kind of clearly happening.

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<v Speaker 1>And as we'll see, you know, this book she started

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<v Speaker 1>to write and came out during the Roaring Twenties. So

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<v Speaker 1>it was a lot of people, including her sons, thought

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<v Speaker 1>like this probably isn't the right time for this kind

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<v Speaker 1>of thing. Like that kind of stuff is old fashioned.

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<v Speaker 1>And she just said, just hold my tea and I'll

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<v Speaker 1>take care of this.

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<v Speaker 2>Yeah. So the U.S. in particular has long had a

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<v Speaker 2>preoccupation with etiquette for a big reason. One is we

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<v Speaker 2>established our country as a society of equals. There's not

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<v Speaker 2>an aristocracy, which is where people receive their etiquette from, say,

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<v Speaker 2>in like England or the U.K. You just did what

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<v Speaker 2>the aristocrats did or, you know, that was your etiquette.

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<v Speaker 2>We don't have an aristocracy here. So it was like

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<v Speaker 2>the wealthy. And like I said, up to that point,

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<v Speaker 2>Up to the point of Emily Post, the wealthy were

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<v Speaker 2>just like, or etiquette books were like, here's what the

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<v Speaker 2>wealthy tell you to do. The problem is, is there

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<v Speaker 2>are a lot of people in the middle class who

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<v Speaker 2>were kind of working their way up because in the

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<v Speaker 2>United States, wealth equals aristocracy, not being born with a title.

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<v Speaker 2>And those people resented the heck out of the upper

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<v Speaker 2>classes who were just ready and waiting to embarrass them

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<v Speaker 2>when they slipped up. And so Emily Post came and

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<v Speaker 2>was like, hey, like you said, you don't have to

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<v Speaker 2>be born wealthy. You don't have to. Your ancestors didn't

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<v Speaker 2>have to come on the Mayflower. Anybody can learn etiquette

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<v Speaker 2>and everybody should practice good etiquette. And that was, again, revolutionary.

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<v Speaker 1>Yeah, for sure. So she was born into a rich family.

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<v Speaker 1>Like I said, her dad, Bruce Price, she was born

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<v Speaker 1>Emily Price in October of 1872. But her dad was

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<v Speaker 1>a pretty prominent architect in Baltimore. Her mom, Josephine Lee Price,

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<v Speaker 1>was an heiress to a coal fortune. And she was

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<v Speaker 1>basically an only child. She very sadly had a brother

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<v Speaker 1>who died in infancy. So she was raised an only child.

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<v Speaker 1>And at five, they moved to New York City. And

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<v Speaker 1>they were a part of the good society there because

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<v Speaker 1>they had money. They were not part of that of

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<v Speaker 1>what was called the 400, which was the super elite

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<v Speaker 1>upper crust that, you know, a lot of them had

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<v Speaker 1>aristocratic lineage. But She was in New York and like

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<v Speaker 1>going to finishing school, that kind of thing.

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<v Speaker 2>Yeah. And you mentioned the 400. I read that that

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<v Speaker 2>was a way for this elite upper class of old

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<v Speaker 2>money and old lineage to differentiate themselves from the newly

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<v Speaker 2>minted wealthy people who were starting to rub elbows with them.

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<v Speaker 2>That list was one way to do it. Another way

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<v Speaker 2>to do it was to found a little village called

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<v Speaker 2>Tuxedo Park, a little north of New York City. And

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<v Speaker 2>it was created as like an enclave, an escape for

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<v Speaker 2>the incredibly wealthy old money to get away from new money.

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<v Speaker 2>And I want to preface this, Chuck, by telling everybody

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<v Speaker 2>I'm not making this up, but Tuxedo Park in New

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<v Speaker 2>York is where the tuxedo came from, aka the dinner jacket.

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<v Speaker 1>That's right. And her dad in 1885 built four cottages there. And,

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<v Speaker 1>you know, cottage is a It's a loose description. These

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<v Speaker 1>are very lovely, very large homes that he built. I

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<v Speaker 1>looked them up and I was expecting, you know, what

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<v Speaker 1>I think of as a cottage.

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<v Speaker 2>Right.

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<v Speaker 1>Same. Which is something like 1,200 square feet. These are big,

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<v Speaker 1>beautiful houses. Tuxedo Park looks amazing. I would love to

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<v Speaker 1>visit there one day, in fact. But he built four

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<v Speaker 1>of these, rented out three of them, used one for

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<v Speaker 1>the family, and, you know, Everyone started like going there

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<v Speaker 1>in the summers and some people started living there year round.

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<v Speaker 1>And the Prices were one of those families. Yeah.

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<v Speaker 2>And Emily was just doing basically everything that was expected

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<v Speaker 2>of her. Like you said, she went to finishing school

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<v Speaker 2>and at age 17, she premiered at a debutante ball.

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<v Speaker 2>I think this is 1889. Following the script perfectly, she

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<v Speaker 2>met her future husband at that debutante ball. His name

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<v Speaker 2>was Edwin Post, and he didn't come from a ton

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<v Speaker 2>of money, but he could trace his lineage back pretty

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<v Speaker 2>far to old New Amsterdam. So he had that going

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<v Speaker 2>for him. And Emily brought the money to the marriage.

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<v Speaker 2>This is apparently not unusual at the time. And they

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<v Speaker 2>just went ahead and had two sons, Ned and Bruce.

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<v Speaker 2>I guess Bruce the Two, the Deuce. Bruce the Deuce.

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<v Speaker 2>They got there eventually.

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<v Speaker 1>Would they call him? How do you handle that if

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<v Speaker 1>you're just named after a grandparent?

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<v Speaker 2>I think they differentiated him by calling him Bruce Lee Post.

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<v Speaker 1>Oh, is that it?

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<v Speaker 2>I don't know. Different last name. Little Bruce, Old Bruce,

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<v Speaker 2>Wrinkly Bruce, Chubby Bruce. Who knows?

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<v Speaker 1>I didn't know if there was an official way you

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<v Speaker 1>honor someone besides just the name.

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<v Speaker 2>I think it's the second. Is it really?

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<v Speaker 1>I thought that was just if you're named after your parent.

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<v Speaker 2>That's Junior.

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<v Speaker 1>Junior. Oh, okay. So it's the second, huh?

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<v Speaker 2>I believe so. I'm making this up as I go along,

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<v Speaker 2>but it's based on 50 years of paying attention on Earth.

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<v Speaker 1>I got you. So that's my problem.

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<v Speaker 2>What?

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<v Speaker 1>Don't pay attention.

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<v Speaker 2>That is not true.

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<v Speaker 1>I probably would have picked this up.

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<v Speaker 2>You just pay attention to stuff that's important to you.

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<v Speaker 1>So, yeah, Ned was born in 1893, and Bruce II,

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<v Speaker 1>Deuce Bruce, Bruce the Deuce, was born in 1895.

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<v Speaker 2>Very.

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<v Speaker 1>disappointedly, I guess she didn't have a very good marriage. Uh,

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<v Speaker 1>Edwin doesn't seem like a very good dude. He was

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<v Speaker 1>into sailing. Uh, she was prone to seasickness. So they

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<v Speaker 1>didn't spend a lot of time together, like with shared passions. Uh,

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<v Speaker 1>at one point he said that he had committed matrimony

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<v Speaker 1>and was sentenced to life, uh, for it. So not

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<v Speaker 1>cool to say something like that. Uh, and when her

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<v Speaker 1>dad died, she was, she was a daddy's girl for sure.

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<v Speaker 1>Very close to her father when he died in 1903

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<v Speaker 1>on his deathbed. Apparently, she had a flair for writing,

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<v Speaker 1>and he said, you should go write. Do that. That's

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<v Speaker 1>what you're passionate about. And over the next year, after

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<v Speaker 1>he passed away, she wrote and published her first novel,

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<v Speaker 1>The Flight of the Moth.

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<v Speaker 2>Yes. It's like a society novel about a woman who

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<v Speaker 2>falls in love with a man who's already engaged. And

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<v Speaker 2>this is actually one of six novels that she wrote,

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<v Speaker 2>some of which were really popular. I only saw that

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<v Speaker 2>one was poorly reviewed. One was mixed reviewed and the

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<v Speaker 2>other four were pretty well received. So she was a

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<v Speaker 2>good writer, a fiction writer. And that's what she wanted

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<v Speaker 2>to be. Unfortunately, as her career's taking off, her marriage

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<v Speaker 2>is deteriorating. Edwin's love of his ship or boating and

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<v Speaker 2>her seasickness is not their only incompatibility. One of the

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<v Speaker 2>big ones I think you could probably point to was

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<v Speaker 2>him cheating on her all the time. Yeah. And he

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<v Speaker 2>was the kind who I think didn't make too much

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<v Speaker 2>of a secret of it. I don't think he talked

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<v Speaker 2>about it openly because it's not clear whether she had

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<v Speaker 2>full knowledge of it before he finally told her. But

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<v Speaker 2>the reason he finally told her is because he was

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<v Speaker 2>being blackmailed. And rather than submit to this blackmailing scheme

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<v Speaker 2>that had been going on for a while, he decided

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<v Speaker 2>he was going to be the hero of their circle

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<v Speaker 2>of friends, I guess most of whom had been blackmailed

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<v Speaker 2>as well, and expose the blackmailers. The problem is, is

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<v Speaker 2>like this brought tremendous amounts of shame onto their marriage

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<v Speaker 2>and onto Emily in particular. Yeah.

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<v Speaker 1>I mean, I guess hell hath no fury like a

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<v Speaker 1>man being blackmailed. because he was willing to throw it

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<v Speaker 1>all away and embarrass, I guess he didn't feel too

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<v Speaker 1>much embarrassment, but definitely embarrass Emily with all this stuff.

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<v Speaker 1>Later on, she would basically say that they agreed that

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<v Speaker 1>they would expose the blackmailers as a sort of a team.

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<v Speaker 1>But according to her biographer, Laura Claridge, that was just

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<v Speaker 1>something she said to sort of make it look better.

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<v Speaker 1>Like she had some agency because apparently He just said, hey,

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<v Speaker 1>I'm doing this and that's going to happen.

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<v Speaker 2>Yeah, he was basically like, heads up, your life's about

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<v Speaker 2>to get really terrible. I just wanted to let you

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<v Speaker 2>know the day before it happens. Essentially, he protected her

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<v Speaker 2>in no way, shape or form on top of humiliating her.

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<v Speaker 2>So they got divorced the next year and she moved

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<v Speaker 2>on with the kids. I didn't get the impression that

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<v Speaker 2>she shed too many tears over it, which is good.

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<v Speaker 2>I mean, a guy who says he committed matrimony is

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<v Speaker 2>not exactly a catch, you know?

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<v Speaker 1>Yeah, agreed.

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<v Speaker 2>So how about we take a break and we'll rejoin

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<v Speaker 2>newly single Happening Lady Emily Post.

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<v Speaker 1>Thank you. Okay, Chuck.

0:12:19.970 --> 0:12:22.730
<v Speaker 2>So Emily has a lot more free time on her hands,

0:12:23.610 --> 0:12:26.390
<v Speaker 2>not having to keep tabs on her gallivanting husband because

0:12:26.410 --> 0:12:30.110
<v Speaker 2>she's now divorced. So she threw herself into a book,

0:12:30.390 --> 0:12:33.960
<v Speaker 2>another novel, Purple and Fine Linen. Could not find anything

0:12:34.040 --> 0:12:37.720
<v Speaker 2>about what that was about. That had some positive reviews.

0:12:38.250 --> 0:12:40.569
<v Speaker 2>Two years later, she came out with Woven in the

0:12:40.610 --> 0:12:43.850
<v Speaker 2>Tapestry that did not impress viewers. That was the one

0:12:43.870 --> 0:12:45.870
<v Speaker 2>I was talking about that didn't get very well reviewed.

0:12:46.590 --> 0:12:49.890
<v Speaker 2>And then shortly after that, she released another one, The

0:12:49.929 --> 0:12:54.170
<v Speaker 2>Title Market, which was about European titled people marrying American

0:12:54.530 --> 0:12:57.390
<v Speaker 2>wealthy people. And all of these are like people are

0:12:57.460 --> 0:12:59.900
<v Speaker 2>fascinated by this, just like they are today. It's like.

0:13:00.480 --> 0:13:05.820
<v Speaker 2>inside scoops of how society lives. But one of the

0:13:05.880 --> 0:13:08.860
<v Speaker 2>things that I think gets overlooked about Emily Post, she

0:13:08.900 --> 0:13:11.740
<v Speaker 2>was not just dishing gossip. She was not being salacious.

0:13:11.800 --> 0:13:17.900
<v Speaker 2>She was providing a very clear picture into society without

0:13:18.110 --> 0:13:20.530
<v Speaker 2>going all Truman Capote and making everybody hate her.

0:13:21.870 --> 0:13:25.850
<v Speaker 1>For sure. So while she's doing this, putting out novel

0:13:25.890 --> 0:13:29.980
<v Speaker 1>after novel, she's also writing articles in various periodicals. She

0:13:30.040 --> 0:13:33.360
<v Speaker 1>wrote one for the delineator called What Makes a Young

0:13:33.380 --> 0:13:37.520
<v Speaker 1>Girl Popular in Society. So at this point, she's she's

0:13:37.580 --> 0:13:40.569
<v Speaker 1>sort of edging toward what she would eventually get, like,

0:13:40.750 --> 0:13:43.230
<v Speaker 1>you know, widespread acclaim for kind of writing about some

0:13:43.250 --> 0:13:45.990
<v Speaker 1>of this stuff, a little bit of society, a little

0:13:46.010 --> 0:13:50.010
<v Speaker 1>bit of ethics. She published another novel in 1911 called

0:13:50.030 --> 0:13:53.010
<v Speaker 1>The Eagle's Feather, kind of mixed reviews on that one.

0:13:54.170 --> 0:13:56.699
<v Speaker 1>And then she starts writing articles on like, hey, if

0:13:56.720 --> 0:13:58.500
<v Speaker 1>you're going to have a baby, here's how you should

0:13:58.540 --> 0:14:03.480
<v Speaker 1>plan for expenses. She wrote about Tuxedo Park. So, again,

0:14:03.540 --> 0:14:05.900
<v Speaker 1>she's just sort of inching toward what would be her,

0:14:06.080 --> 0:14:07.570
<v Speaker 1>you know, her big tome.

0:14:08.660 --> 0:14:11.890
<v Speaker 2>I'm talking about having a baby reminds me of, I guess,

0:14:11.929 --> 0:14:15.150
<v Speaker 2>a tweet or something I saw recently. It said, how

0:14:15.170 --> 0:14:17.150
<v Speaker 2>does somebody look at a baby and think I'm going

0:14:17.170 --> 0:14:18.350
<v Speaker 2>to name that kid Gary?

0:14:19.980 --> 0:14:20.960
<v Speaker 1>Oh, poor Gary's.

0:14:21.120 --> 0:14:23.229
<v Speaker 2>I know. But it is true that it's not a

0:14:23.280 --> 0:14:26.190
<v Speaker 2>baby's name. You know what I mean? Yeah.

0:14:26.630 --> 0:14:28.990
<v Speaker 1>It's also a name you don't hear a lot anymore

0:14:29.090 --> 0:14:29.850
<v Speaker 1>for new names.

0:14:30.470 --> 0:14:34.330
<v Speaker 2>True. But it's also a middle-aged man's name, very clearly.

0:14:34.990 --> 0:14:36.880
<v Speaker 2>But that middle-aged man had to be a baby at

0:14:37.000 --> 0:14:37.410
<v Speaker 2>one point.

0:14:38.020 --> 0:14:38.540
<v Speaker 1>Yeah, that's true.

0:14:39.140 --> 0:14:42.720
<v Speaker 2>So- There's something that's going on here. Just like she

0:14:42.760 --> 0:14:47.040
<v Speaker 2>basically told everybody that she and Edwin had kind of

0:14:47.720 --> 0:14:51.970
<v Speaker 2>collaborated to come up with the way to expose these blackmailers.

0:14:52.270 --> 0:14:54.330
<v Speaker 2>She also told people that she was kind of pushed

0:14:54.470 --> 0:15:01.250
<v Speaker 2>into becoming an etiquette writer, an advice columnist, basically. Again,

0:15:01.390 --> 0:15:04.170
<v Speaker 2>Laura Claridge has basically dug up that. No, she was

0:15:04.350 --> 0:15:07.140
<v Speaker 2>basically going after it. And even her agent was like,

0:15:07.200 --> 0:15:08.920
<v Speaker 2>you don't want to do that. It's going to bore you.

0:15:08.980 --> 0:15:11.900
<v Speaker 2>It's beneath you. And she still kept at it until

0:15:11.920 --> 0:15:15.680
<v Speaker 2>she got a project in. Oh, I don't know. I

0:15:15.700 --> 0:15:18.060
<v Speaker 2>think it was the lady's home journal. She finally got

0:15:18.140 --> 0:15:20.400
<v Speaker 2>one or no, it was Collier's, I think one of

0:15:20.440 --> 0:15:20.780
<v Speaker 2>the two.

0:15:21.400 --> 0:15:24.090
<v Speaker 1>Yes, she she went on a road trip, actually. She

0:15:24.110 --> 0:15:27.970
<v Speaker 1>wrote another book that was serialized, but not picked up

0:15:27.990 --> 0:15:30.690
<v Speaker 1>for publishing in book form. So she was like, all right,

0:15:30.850 --> 0:15:34.690
<v Speaker 1>I need to clear my head. My sons are adults

0:15:34.850 --> 0:15:37.630
<v Speaker 1>and they're going on a road trip in Europe. They

0:15:37.810 --> 0:15:40.130
<v Speaker 1>apparently were all super close because it wasn't a drag

0:15:40.150 --> 0:15:42.800
<v Speaker 1>for mom to come along. And then not only that,

0:15:43.400 --> 0:15:46.000
<v Speaker 1>after that road trip, Ned was like, hey, I'm going

0:15:46.020 --> 0:15:47.859
<v Speaker 1>to keep going. They built this new Lincoln Highway. I'm

0:15:47.880 --> 0:15:50.560
<v Speaker 1>going to do a cross country trip across across the

0:15:50.580 --> 0:15:53.520
<v Speaker 1>United States. And mom, I can't think of anyone I'd

0:15:53.560 --> 0:15:56.820
<v Speaker 1>rather have along with me. So she goes on this

0:15:56.820 --> 0:15:59.550
<v Speaker 1>45 day trip across country. And that's where Collier is.

0:15:59.970 --> 0:16:02.690
<v Speaker 1>was like, hey, why don't you write about your road

0:16:02.730 --> 0:16:06.830
<v Speaker 1>trip or whatever? She wrote these articles, compiled into a

0:16:06.850 --> 0:16:09.690
<v Speaker 1>book later called By Motor to the Golden Gate. But

0:16:09.890 --> 0:16:11.310
<v Speaker 1>that didn't do so well either.

0:16:12.130 --> 0:16:14.590
<v Speaker 2>No, I read that on that road trip, they had

0:16:14.630 --> 0:16:17.330
<v Speaker 2>to ship the heavy silver picnic set that they had

0:16:17.370 --> 0:16:20.220
<v Speaker 2>brought with them back east because it was weighing the

0:16:20.290 --> 0:16:21.510
<v Speaker 2>car down too much.

0:16:22.140 --> 0:16:22.540
<v Speaker 1>Amazing.

0:16:23.080 --> 0:16:26.010
<v Speaker 2>So I misspoke earlier, Chuck. I said that she was–

0:16:26.410 --> 0:16:29.770
<v Speaker 2>angling for like a monthly column or something on etiquette.

0:16:29.850 --> 0:16:31.650
<v Speaker 2>She already had those, like you said, she had a

0:16:31.670 --> 0:16:34.650
<v Speaker 2>couple of them. But rather than get like that monthly

0:16:34.770 --> 0:16:37.850
<v Speaker 2>regular one that she wanted, she jumped over that and

0:16:37.950 --> 0:16:42.150
<v Speaker 2>ended up with a book deal. The thing was, when

0:16:42.210 --> 0:16:45.410
<v Speaker 2>she got this book deal, I think in 1920, to

0:16:45.450 --> 0:16:48.290
<v Speaker 2>write a book on etiquette, between the time where she

0:16:48.330 --> 0:16:51.290
<v Speaker 2>had been writing those columns and 1920, the world had

0:16:51.330 --> 0:16:55.040
<v Speaker 2>changed drastically. Because World War I had killed so many

0:16:55.120 --> 0:16:57.500
<v Speaker 2>people and the Spanish flu had killed so many people

0:16:58.100 --> 0:17:00.680
<v Speaker 2>that the people who were left were like really happy

0:17:00.700 --> 0:17:03.480
<v Speaker 2>to be alive. And the idea of following books of

0:17:03.600 --> 0:17:06.810
<v Speaker 2>etiquette was not in the zeitgeist, which is why, like

0:17:06.830 --> 0:17:09.350
<v Speaker 2>you said, her sons at the time were like, this

0:17:09.410 --> 0:17:12.210
<v Speaker 2>doesn't seem like the right time for this kind of project.

0:17:12.910 --> 0:17:16.310
<v Speaker 1>Yeah, but she was excited about it. She was like,

0:17:16.369 --> 0:17:18.570
<v Speaker 1>all right, I'm going to bang this thing out. It'll

0:17:18.590 --> 0:17:20.350
<v Speaker 1>be a short little book on etiquette with my own

0:17:20.410 --> 0:17:26.129
<v Speaker 1>spin on it. meticulous researcher and organizer. She was never like, hey,

0:17:26.150 --> 0:17:30.510
<v Speaker 1>I'm the expert on this thing. I know all of

0:17:30.730 --> 0:17:32.729
<v Speaker 1>like everything about etiquette. So you got to listen to me.

0:17:32.810 --> 0:17:35.970
<v Speaker 1>She was asking friends. She was asking random people on

0:17:35.990 --> 0:17:38.389
<v Speaker 1>the street. She was taking polls like from the public

0:17:38.850 --> 0:17:40.629
<v Speaker 1>on what they thought to, you know, she wanted to

0:17:40.650 --> 0:17:45.129
<v Speaker 1>put out something really thorough and well-researched. And so, you know,

0:17:45.150 --> 0:17:48.290
<v Speaker 1>we like her. And she ended up writing a 619

0:17:48.290 --> 0:17:58.080
<v Speaker 1>page book called Etiquette, colon, in society and politics, in

0:17:58.140 --> 0:18:01.919
<v Speaker 1>business and at home. And it was expensive. It would

0:18:01.940 --> 0:18:05.340
<v Speaker 1>have been about $ 75 in today's money. And it was

0:18:05.440 --> 0:18:09.260
<v Speaker 1>super long, but people loved it. It became really popular

0:18:09.320 --> 0:18:11.899
<v Speaker 1>pretty quickly. And I think she reached the top of

0:18:11.980 --> 0:18:16.520
<v Speaker 1>the Publishers Weekly nonfiction bestseller list about eight months after

0:18:16.580 --> 0:18:16.980
<v Speaker 1>it came out.

0:18:17.570 --> 0:18:20.619
<v Speaker 2>Yes. I think they renamed it at some point to

0:18:20.650 --> 0:18:23.760
<v Speaker 2>the Blue Book of Social Usage, which I don't think

0:18:23.780 --> 0:18:27.320
<v Speaker 2>is any better a title than the original one. And

0:18:27.359 --> 0:18:29.360
<v Speaker 2>she wasn't the only one coming out with the Book

0:18:29.400 --> 0:18:32.840
<v Speaker 2>of Etiquette at the time. But so Jane McGrath, who

0:18:33.160 --> 0:18:35.050
<v Speaker 2>we used to work with, who is a great writer

0:18:35.070 --> 0:18:37.389
<v Speaker 2>at How Stuff Works and just a great person all around.

0:18:38.770 --> 0:18:41.490
<v Speaker 2>She wrote the article that we're basing this episode on.

0:18:42.330 --> 0:18:44.389
<v Speaker 2>And she was clearly a fan. I don't know if

0:18:44.430 --> 0:18:45.530
<v Speaker 2>you picked up on that, did you?

0:18:47.460 --> 0:18:49.560
<v Speaker 1>I mean, it seemed like she was into the article.

0:18:49.780 --> 0:18:53.880
<v Speaker 2>For sure. She uses a rival or a competitor who

0:18:53.920 --> 0:18:56.260
<v Speaker 2>released a book around the same time, a woman named

0:18:56.320 --> 0:18:59.080
<v Speaker 2>Lillian Eichler, who revised a book of etiquette that had

0:18:59.119 --> 0:19:01.800
<v Speaker 2>already been out by Emily Holt. And the premise of

0:19:01.859 --> 0:19:04.699
<v Speaker 2>this was learn this stuff or you'll be embarrassed in

0:19:04.800 --> 0:19:11.050
<v Speaker 2>social events or whatever. And Emily Post was not like that,

0:19:11.200 --> 0:19:14.370
<v Speaker 2>as we've said a few times, like, It was everybody

0:19:14.380 --> 0:19:16.710
<v Speaker 2>should learn etiquette because it's a lot more than just

0:19:16.930 --> 0:19:19.270
<v Speaker 2>how to use a dinner fork or what to, you know,

0:19:19.310 --> 0:19:21.970
<v Speaker 2>how to greet somebody. Those are all very important. Those

0:19:22.010 --> 0:19:24.350
<v Speaker 2>are part of etiquette. But that is not the basis

0:19:24.390 --> 0:19:28.169
<v Speaker 2>of etiquette. And anybody who says that is wrong, wrong, wrong.

0:19:28.390 --> 0:19:30.410
<v Speaker 2>I think that was the blurb on the dust jacket.

0:19:31.510 --> 0:19:35.250
<v Speaker 1>So, you know, it's 619 pages. So there's a lot

0:19:35.330 --> 0:19:38.450
<v Speaker 1>in it. But she talks about, you know, how to

0:19:38.490 --> 0:19:42.380
<v Speaker 1>have a proper conversation with someone. Um, obviously all kinds

0:19:42.420 --> 0:19:46.199
<v Speaker 1>of things about like invitation cards, thank you notes, how

0:19:46.220 --> 0:19:48.470
<v Speaker 1>to keep up your house in a way that's presentable.

0:19:49.820 --> 0:19:53.340
<v Speaker 1>You know, you when introducing people, younger people are introduced

0:19:53.540 --> 0:19:56.909
<v Speaker 1>to older people. But if you're a gentleman, you are

0:19:56.990 --> 0:20:00.730
<v Speaker 1>always presented to a lady first. Don't put on airs

0:20:00.770 --> 0:20:03.409
<v Speaker 1>like I don't want to say mixed messages, but at

0:20:03.450 --> 0:20:05.890
<v Speaker 1>times she was like, you know, don't put on airs

0:20:05.950 --> 0:20:08.840
<v Speaker 1>with your vocabulary. But at other times she was like,

0:20:08.900 --> 0:20:11.119
<v Speaker 1>but you shouldn't say this. You should probably say this.

0:20:13.210 --> 0:20:16.570
<v Speaker 1>And it was just, you know, reflected like what she

0:20:16.609 --> 0:20:18.649
<v Speaker 1>like I said earlier, what she called good society.

0:20:19.230 --> 0:20:22.490
<v Speaker 2>Yeah. So good society or she says that best society.

0:20:22.570 --> 0:20:24.890
<v Speaker 2>And this is her her whole philosophy in a nutshell.

0:20:25.950 --> 0:20:28.090
<v Speaker 2>It's not a fellowship of the wealthy, nor does it

0:20:28.170 --> 0:20:30.889
<v Speaker 2>seek to exclude those who are not of exalted birth.

0:20:31.350 --> 0:20:34.119
<v Speaker 2>But it is an association of gentle folk, which is

0:20:34.160 --> 0:20:34.920
<v Speaker 2>my new favorite word.

0:20:35.530 --> 0:20:35.850
<v Speaker 1>I love it.

0:20:35.950 --> 0:20:39.409
<v Speaker 2>Of which good form and speech, charm of manner, knowledge

0:20:39.430 --> 0:20:43.209
<v Speaker 2>of the social amenities and instinctive consideration for the feelings

0:20:43.250 --> 0:20:46.389
<v Speaker 2>of others are the credentials by which society the world

0:20:46.510 --> 0:20:50.760
<v Speaker 2>over recognizes its chosen members. So to heck with being

0:20:51.190 --> 0:20:54.399
<v Speaker 2>rich and automatically having manners, you know, and at the

0:20:54.440 --> 0:20:56.760
<v Speaker 2>same time to heck with being poor and never being

0:20:56.840 --> 0:21:00.810
<v Speaker 2>able to reach people. a station in good society. And

0:21:00.850 --> 0:21:04.510
<v Speaker 2>this is just completely turning convention on its head. And

0:21:04.650 --> 0:21:08.430
<v Speaker 2>this is why Emily Post is revered and loved still today,

0:21:08.490 --> 0:21:12.650
<v Speaker 2>because that is the ethos that America, at the very least,

0:21:12.990 --> 0:21:15.190
<v Speaker 2>was like, we're going to keep going with this. This

0:21:15.270 --> 0:21:16.670
<v Speaker 2>is right up our alley.

0:21:17.530 --> 0:21:20.929
<v Speaker 1>Yeah, like it was that like while she was writing about,

0:21:21.790 --> 0:21:23.709
<v Speaker 1>you know, how a lady sits in a chair or

0:21:23.810 --> 0:21:26.090
<v Speaker 1>when to take off your hat in an elevator if

0:21:26.109 --> 0:21:28.850
<v Speaker 1>you're a gentleman. or how to host a tea or

0:21:28.869 --> 0:21:32.290
<v Speaker 1>a wedding, but there's this undercurrent of here's how to

0:21:32.330 --> 0:21:35.369
<v Speaker 1>be a good human. And I think that's why it

0:21:35.550 --> 0:21:38.810
<v Speaker 1>really like jumped out to me, especially like these days

0:21:38.850 --> 0:21:41.369
<v Speaker 1>when it just seems like all of this stuff is

0:21:41.410 --> 0:21:44.240
<v Speaker 1>kind of decorum and all this. And I'm not, I mean,

0:21:44.260 --> 0:21:48.220
<v Speaker 1>trust me, I'm no big etiquette guy or anything, but

0:21:48.640 --> 0:21:50.700
<v Speaker 1>I just feel like there's been so much lost in

0:21:50.840 --> 0:21:55.020
<v Speaker 1>just everyday sort of dealings with people that she, it

0:21:55.060 --> 0:21:56.220
<v Speaker 1>seemed important to her.

0:21:57.140 --> 0:22:00.010
<v Speaker 2>Well, I think it is. I think even people who

0:22:00.070 --> 0:22:04.850
<v Speaker 2>are like the most triggering, like purposefully, if you got

0:22:04.869 --> 0:22:08.140
<v Speaker 2>them on, you know, under the right circumstances and got

0:22:08.180 --> 0:22:10.080
<v Speaker 2>them to just let their guard down and be normal,

0:22:10.500 --> 0:22:12.860
<v Speaker 2>they would probably say like, yeah, I think I think,

0:22:13.540 --> 0:22:16.970
<v Speaker 2>you know, like having good manners is important. Right. And

0:22:17.010 --> 0:22:20.209
<v Speaker 2>I think the undercurrent of all of this, Chuck, is

0:22:20.410 --> 0:22:22.909
<v Speaker 2>being courteous to others. That was like the basis of

0:22:22.950 --> 0:22:26.260
<v Speaker 2>what she's saying. And that, I think, is what's lacking today.

0:22:26.300 --> 0:22:29.139
<v Speaker 2>People are not courteous to other people or we're not

0:22:29.220 --> 0:22:32.060
<v Speaker 2>courteous to one another like we were years ago. And

0:22:32.140 --> 0:22:37.820
<v Speaker 2>I mean, 20 years ago, maybe. Yeah, I think it's

0:22:37.859 --> 0:22:41.320
<v Speaker 2>just it's just courtesy and courteousness and just treating other

0:22:41.340 --> 0:22:44.619
<v Speaker 2>people like they're a worthwhile human being as a default.

0:22:45.460 --> 0:22:49.850
<v Speaker 1>Yeah, for sure. Some of the stuff that she wrote about, obviously,

0:22:50.230 --> 0:22:52.910
<v Speaker 1>you know, when she's writing about the various, you know,

0:22:53.150 --> 0:22:56.429
<v Speaker 1>chambermaids and butlers and things like that, like most of

0:22:56.450 --> 0:23:00.430
<v Speaker 1>that stuff, you can't really apply as much today, I guess,

0:23:00.450 --> 0:23:02.689
<v Speaker 1>unless you're super wealthy and have a chambermaid. I don't

0:23:02.710 --> 0:23:06.440
<v Speaker 1>even know if that's still a thing. But a lot

0:23:06.460 --> 0:23:09.120
<v Speaker 1>of the stuff that she laid down is still like,

0:23:09.520 --> 0:23:11.380
<v Speaker 1>you know, kind of rules around a wedding and stuff

0:23:11.400 --> 0:23:14.060
<v Speaker 1>like that, like who pays for what, who like the bride.

0:23:14.400 --> 0:23:19.020
<v Speaker 1>picks the bridesmaids' dresses and the bridesmaids pay for those.

0:23:19.040 --> 0:23:21.960
<v Speaker 1>Like that stuff is kind of locked in for life.

0:23:22.000 --> 0:23:23.980
<v Speaker 1>And it's not like she didn't make this stuff up.

0:23:24.020 --> 0:23:25.540
<v Speaker 1>Like this is what was going on at the time,

0:23:25.560 --> 0:23:26.570
<v Speaker 1>but she kind of codified it.

0:23:27.320 --> 0:23:29.860
<v Speaker 2>Yeah, for sure. She also, one of the other things

0:23:29.880 --> 0:23:33.950
<v Speaker 2>that she was remarkable in doing was creating characters. Because remember,

0:23:33.970 --> 0:23:38.150
<v Speaker 2>she had a background in fiction and also a background

0:23:38.490 --> 0:23:41.429
<v Speaker 2>in living among society as a member of it. So

0:23:41.470 --> 0:23:44.080
<v Speaker 2>she put these together and she created these characters with–

0:23:44.540 --> 0:23:47.240
<v Speaker 2>Funny names that really kind of got across what their

0:23:47.300 --> 0:23:51.740
<v Speaker 2>purpose was in these narratives. The Worldlies, the Kindhearts, I

0:23:51.780 --> 0:23:56.910
<v Speaker 2>love them. The Wellborns, the Guildings, the Toplofties.

0:23:57.530 --> 0:23:57.930
<v Speaker 1>That's fun.

0:23:58.030 --> 0:24:01.230
<v Speaker 2>There's another one, the Rich and Vulgars and the New

0:24:01.290 --> 0:24:05.270
<v Speaker 2>Old Riches. each of these played like a different part

0:24:05.330 --> 0:24:07.210
<v Speaker 2>and she could use them to say like this is

0:24:07.270 --> 0:24:09.550
<v Speaker 2>what this this group of person this group of people

0:24:09.570 --> 0:24:12.030
<v Speaker 2>would do and this is why you wouldn't do that

0:24:12.810 --> 0:24:17.450
<v Speaker 2>um and so in these uh like with these characters

0:24:17.490 --> 0:24:21.530
<v Speaker 2>i should say she creates narratives like mostly i think

0:24:21.650 --> 0:24:24.450
<v Speaker 2>i was skimming it and i think every chapter had

0:24:24.530 --> 0:24:27.010
<v Speaker 2>some sort of like narrative first and then she would

0:24:27.050 --> 0:24:31.350
<v Speaker 2>break down different like the different components of that narrative

0:24:31.369 --> 0:24:34.980
<v Speaker 2>like Dining or sending invitations or whatever to be a

0:24:35.000 --> 0:24:37.399
<v Speaker 2>narrative and then the nuts and bolts of it.

0:24:38.100 --> 0:24:39.920
<v Speaker 1>Yeah, that's such a fun way to do it. Like

0:24:39.960 --> 0:24:45.210
<v Speaker 1>create a little hypothetical dinner party where some guy, you know,

0:24:46.450 --> 0:24:51.629
<v Speaker 1>farts when the soup comes. I would say that's probably Mr. Toplofty.

0:24:53.030 --> 0:24:54.600
<v Speaker 1>And then she can write about how that's not the

0:24:54.619 --> 0:24:57.460
<v Speaker 1>thing to do. So it grabbed the reader's attention. I

0:24:57.480 --> 0:25:00.060
<v Speaker 1>think it was way more fun than any etiquette book

0:25:00.140 --> 0:25:03.070
<v Speaker 1>that had preceded it. And she also wrote some about

0:25:03.090 --> 0:25:06.890
<v Speaker 1>like fashion. You know, she she was like, you should

0:25:06.910 --> 0:25:09.670
<v Speaker 1>be like try to keep up with the latest fashions,

0:25:09.730 --> 0:25:12.330
<v Speaker 1>but don't be sheep either and just follow it blindly.

0:25:13.230 --> 0:25:15.730
<v Speaker 1>But she didn't like what she called frumps or dowds

0:25:15.750 --> 0:25:18.649
<v Speaker 1>who like didn't make any attempts. So, you know, some

0:25:18.670 --> 0:25:21.209
<v Speaker 1>of that stuff is is not really etiquette. I think

0:25:21.250 --> 0:25:22.770
<v Speaker 1>she was just kind of throwing her own two cents

0:25:22.810 --> 0:25:24.390
<v Speaker 1>in about modern society in a way.

0:25:24.859 --> 0:25:27.850
<v Speaker 2>Yeah, for sure. OK, Chuck, let's take a break. When

0:25:27.890 --> 0:25:29.710
<v Speaker 2>we come back, I really want to talk about my

0:25:29.770 --> 0:25:33.980
<v Speaker 2>favorite part of the book, The New Ed's Disastrous Dinner Party.

0:25:34.040 --> 0:26:07.380
<v Speaker 1>OK, great. We'll be right back. OK. All right. Let's

0:26:07.400 --> 0:26:08.350
<v Speaker 1>hear about your favorite part.

0:26:08.850 --> 0:26:10.950
<v Speaker 2>So did you see that little excerpt that I sent

0:26:10.990 --> 0:26:13.570
<v Speaker 2>you about their disastrous dinner party?

0:26:14.410 --> 0:26:14.750
<v Speaker 1>I did.

0:26:15.650 --> 0:26:18.149
<v Speaker 2>Did it just did it make you laugh out loud

0:26:18.210 --> 0:26:22.140
<v Speaker 2>at just how horrible this Mrs. Newwood felt?

0:26:23.350 --> 0:26:26.430
<v Speaker 1>I thought it was funny, but LOLing, that's too specific

0:26:26.510 --> 0:26:27.790
<v Speaker 1>of a ask for me.

0:26:27.800 --> 0:26:30.660
<v Speaker 2>Okay, fair enough. I'll take that. But there was– so Mrs.

0:26:30.740 --> 0:26:34.080
<v Speaker 2>Newwood throws this dinner party, and at the end, Emily

0:26:34.119 --> 0:26:38.840
<v Speaker 2>Post explains what– all these different things go wrong. But

0:26:38.940 --> 0:26:41.020
<v Speaker 2>what Emily Post explained at the end was that what

0:26:41.080 --> 0:26:43.620
<v Speaker 2>really went wrong is that Mrs. Newwood took too big

0:26:43.660 --> 0:26:46.150
<v Speaker 2>of a swing right out of the gate to mix

0:26:46.190 --> 0:26:49.530
<v Speaker 2>my sports metaphors. And that she should have thrown a

0:26:49.570 --> 0:26:51.550
<v Speaker 2>bunch of little dinner parties with people she was more

0:26:51.630 --> 0:26:55.630
<v Speaker 2>comfortable with and throwing this really extravagant high end dinner

0:26:55.670 --> 0:26:59.430
<v Speaker 2>party with the most important people in town. Right. So

0:26:59.570 --> 0:27:02.660
<v Speaker 2>one of the things that happened was like the plates

0:27:02.720 --> 0:27:07.359
<v Speaker 2>were collected in like a terrible manner. And so Mrs.

0:27:07.420 --> 0:27:11.639
<v Speaker 2>Worldly is watching this with almost hypnotized fascination as her

0:27:11.680 --> 0:27:15.000
<v Speaker 2>attention might be drawn to a street accident. against her will.

0:27:15.380 --> 0:27:18.300
<v Speaker 2>So basically the way that the, the server took up

0:27:18.340 --> 0:27:22.040
<v Speaker 2>the plates was equal to, uh, looking at a car

0:27:22.119 --> 0:27:23.609
<v Speaker 2>accident and how you can't look away.

0:27:23.619 --> 0:27:24.730
<v Speaker 1>It's pretty good.

0:27:25.790 --> 0:27:28.649
<v Speaker 2>And it gets so bad that, uh, Mrs. Newwood, uh,

0:27:29.210 --> 0:27:31.830
<v Speaker 2>she says, there's no use in apologizing. There's no way

0:27:31.850 --> 0:27:35.460
<v Speaker 2>of dropping through the floor or waking yourself up. So

0:27:35.520 --> 0:27:39.880
<v Speaker 2>essentially this goes really, really horribly. And, um, it doesn't,

0:27:39.920 --> 0:27:42.560
<v Speaker 2>there's no resolution. Like Emily Post is like, yeah, that

0:27:42.600 --> 0:27:45.840
<v Speaker 2>was a really horrible dinner party. Here's how to avoid

0:27:45.900 --> 0:27:48.740
<v Speaker 2>that kind of stuff. So that was, yeah, I love

0:27:48.780 --> 0:27:51.490
<v Speaker 2>it too. It's such a great little narrative, but poor Mrs. Newwood,

0:27:51.530 --> 0:27:53.550
<v Speaker 2>like really goes through the ringer. Yeah.

0:27:53.630 --> 0:27:55.750
<v Speaker 1>And just a great example of why this stood out

0:27:55.830 --> 0:27:57.950
<v Speaker 1>from the others. Like if you can make a book

0:27:58.010 --> 0:28:00.370
<v Speaker 1>on etiquette, a fun read, like you've done your job,

0:28:00.410 --> 0:28:01.230
<v Speaker 1>I think as an author.

0:28:03.310 --> 0:28:05.440
<v Speaker 2>And as a human being, I think as a legend.

0:28:05.640 --> 0:28:07.620
<v Speaker 1>Yeah. And, you know, she also kind of, I feel

0:28:07.660 --> 0:28:11.230
<v Speaker 1>like would take, That seems like veiled pot shots at

0:28:11.250 --> 0:28:15.790
<v Speaker 1>her ex-husband because she was writing about how like all

0:28:15.830 --> 0:28:19.640
<v Speaker 1>about core values and how like she says at one point,

0:28:19.660 --> 0:28:21.359
<v Speaker 1>like a man is not a gentleman if he doesn't

0:28:21.400 --> 0:28:23.919
<v Speaker 1>live up to a code of honor. It's more important

0:28:23.940 --> 0:28:26.560
<v Speaker 1>than any mere dictum of etiquette. Like I think she's

0:28:26.600 --> 0:28:30.200
<v Speaker 1>definitely taking a veiled shot like, hey, just because you

0:28:30.359 --> 0:28:33.090
<v Speaker 1>put on airs like you're this, you know, person that

0:28:33.130 --> 0:28:37.750
<v Speaker 1>maybe came from, you know, Dutch nobility. Like you're not

0:28:37.790 --> 0:28:39.959
<v Speaker 1>a real man. I doubt if you read this. Who

0:28:39.980 --> 0:28:41.110
<v Speaker 1>knows if you read it? Probably not.

0:28:42.200 --> 0:28:45.990
<v Speaker 2>Surely one of his like chaps at the sports club

0:28:46.050 --> 0:28:47.330
<v Speaker 2>or something was like, oh, did.

0:28:47.230 --> 0:28:49.910
<v Speaker 1>You write this quote at the cricket grounds?

0:28:50.530 --> 0:28:54.070
<v Speaker 2>Yeah. And yeah, ultimately, what she was saying was certainly

0:28:54.090 --> 0:28:56.050
<v Speaker 2>this is a quote. Certainly what one is is a

0:28:56.090 --> 0:28:59.650
<v Speaker 2>far greater importance than what one appears to be. So, yeah,

0:29:00.170 --> 0:29:02.130
<v Speaker 2>you can learn all this stuff. And if you're a

0:29:02.670 --> 0:29:06.870
<v Speaker 2>SOB or a POS or anything like that. It's not

0:29:06.890 --> 0:29:08.710
<v Speaker 2>going to add up to a lot. People are going

0:29:08.760 --> 0:29:11.390
<v Speaker 2>to see you eventually for what you are. And you're

0:29:11.410 --> 0:29:14.300
<v Speaker 2>not going to get invited to dinner parties anymore until

0:29:14.320 --> 0:29:15.220
<v Speaker 2>you clean up your act.

0:29:15.260 --> 0:29:17.500
<v Speaker 1>That's right. If you're any set of letters, you're probably

0:29:17.540 --> 0:29:17.880
<v Speaker 1>in trouble.

0:29:19.180 --> 0:29:20.560
<v Speaker 2>Unless you're a BFF.

0:29:20.860 --> 0:29:24.160
<v Speaker 1>That's right. So another kind of cool thing she did

0:29:24.220 --> 0:29:27.180
<v Speaker 1>was kind of issue a charge to the upper class,

0:29:27.220 --> 0:29:30.380
<v Speaker 1>which was like, hey, you got to like be cool,

0:29:30.700 --> 0:29:34.620
<v Speaker 1>dudes and ladies. there are new people coming up the

0:29:34.660 --> 0:29:37.460
<v Speaker 1>ranks with money. There are other people that don't have

0:29:37.530 --> 0:29:40.100
<v Speaker 1>money and you need to be nicer to them and

0:29:40.140 --> 0:29:43.080
<v Speaker 1>more understanding if they're not like living up to whatever

0:29:43.120 --> 0:29:46.480
<v Speaker 1>standard that you've set. She's talking about in one part

0:29:46.520 --> 0:29:48.320
<v Speaker 1>about how to be a good guest. And she says,

0:29:49.180 --> 0:29:51.850
<v Speaker 1>you must learn as it were not to notice if

0:29:51.880 --> 0:29:54.290
<v Speaker 1>hot soup is poured down your back. Like you have

0:29:54.310 --> 0:29:57.340
<v Speaker 1>to ignore if you have a bad dinner guest and

0:29:57.640 --> 0:29:59.240
<v Speaker 1>maybe they, you know, hand them a copy of this

0:29:59.300 --> 0:30:00.900
<v Speaker 1>book and don't turn your nose up at them.

0:30:02.240 --> 0:30:05.650
<v Speaker 2>Yes, exactly. You can't look down on the lower classes

0:30:05.710 --> 0:30:08.870
<v Speaker 2>just because they're lower classes or they're not doing this perfectly.

0:30:08.890 --> 0:30:10.970
<v Speaker 2>And again, I think that was kind of one of

0:30:11.030 --> 0:30:15.830
<v Speaker 2>the lessons from poor Mrs. New Wed's terrible dinner party,

0:30:16.350 --> 0:30:20.310
<v Speaker 2>because in it, one of the one of the characters, Mr. Kindheart,

0:30:20.750 --> 0:30:23.050
<v Speaker 2>leans over and says, cheer up, little girl. It doesn't

0:30:23.090 --> 0:30:25.880
<v Speaker 2>really matter. And that was nice of the Kindhearts, but

0:30:26.040 --> 0:30:29.160
<v Speaker 2>in the narrative, it actually seals it for Mrs. Newwood

0:30:29.200 --> 0:30:33.000
<v Speaker 2>that it was a complete disaster, so much so that Mr.

0:30:33.060 --> 0:30:35.380
<v Speaker 2>Kindheart felt comfortable saying it out loud.

0:30:35.820 --> 0:30:39.510
<v Speaker 1>Yeah, for sure. And this is the 1920s, and she

0:30:41.550 --> 0:30:46.890
<v Speaker 1>closes the book with a bit on understanding that things

0:30:46.990 --> 0:30:51.600
<v Speaker 1>change and not to condemn the younger generation's for being

0:30:51.660 --> 0:30:54.110
<v Speaker 1>too fun and too loose with stuff. Like this was a,

0:30:54.780 --> 0:30:56.220
<v Speaker 1>I mean, to put that out there in print in

0:30:56.240 --> 0:31:00.860
<v Speaker 1>the 1920s of her saying like, hey, things change. Every

0:31:00.900 --> 0:31:02.940
<v Speaker 1>generation is going to think the one below them is

0:31:03.020 --> 0:31:05.620
<v Speaker 1>not doing it right. And that's not the way forward.

0:31:05.700 --> 0:31:07.810
<v Speaker 1>It's just, it's kind of crazy that she had the foresight.

0:31:08.030 --> 0:31:10.390
<v Speaker 1>Like people today don't have that kind of wisdom, I

0:31:10.410 --> 0:31:11.750
<v Speaker 1>feel like. It's true.

0:31:12.110 --> 0:31:14.930
<v Speaker 2>You're right. And she also went the other route too.

0:31:15.450 --> 0:31:18.650
<v Speaker 2>And she basically was speaking to that younger generation and

0:31:18.690 --> 0:31:21.310
<v Speaker 2>basically saying like, yeah, You guys have your own standards.

0:31:21.690 --> 0:31:25.630
<v Speaker 2>You're the future. Here's the stuff that's really important that

0:31:25.690 --> 0:31:28.390
<v Speaker 2>the old guard who you can, you know, feel some

0:31:28.430 --> 0:31:30.930
<v Speaker 2>resentment or roll your eyes about. They had a lot

0:31:30.970 --> 0:31:33.370
<v Speaker 2>of stuff that they really worked out over the years

0:31:33.390 --> 0:31:36.230
<v Speaker 2>that actually is great. Here's that stuff that you need

0:31:36.270 --> 0:31:38.470
<v Speaker 2>to learn. And then here's the other stuff that doesn't

0:31:38.530 --> 0:31:41.620
<v Speaker 2>really matter that much. Or here's some of the silly

0:31:41.760 --> 0:31:44.150
<v Speaker 2>jerks that you're going to encounter along your way.

0:31:44.880 --> 0:31:47.959
<v Speaker 1>And maybe be kind to us when you're explaining new technologies.

0:31:48.760 --> 0:31:53.400
<v Speaker 2>Yeah. For sure. Don't just say move and take over

0:31:53.440 --> 0:31:54.110
<v Speaker 2>the computer.

0:31:54.950 --> 0:31:58.650
<v Speaker 1>So obviously, you know, I said earlier, pretty soon people

0:31:58.670 --> 0:32:00.469
<v Speaker 1>would be saying like she wrote the book on etiquette

0:32:00.490 --> 0:32:05.150
<v Speaker 1>that despite her achievements writing books. And like you said,

0:32:05.190 --> 0:32:09.840
<v Speaker 1>she had some pretty popular novels. She was the etiquette

0:32:09.860 --> 0:32:12.800
<v Speaker 1>lady after that book came out three years after it

0:32:12.840 --> 0:32:16.090
<v Speaker 1>came out. She tried one more novel, a society novel

0:32:16.110 --> 0:32:20.500
<v Speaker 1>called Parade. And in the advertising campaign, they were just like, hey,

0:32:20.510 --> 0:32:23.010
<v Speaker 1>this is Emily Post, the etiquette lady, like buy her

0:32:23.190 --> 0:32:25.290
<v Speaker 1>her new book. And, you know, I think it did well.

0:32:25.370 --> 0:32:28.570
<v Speaker 1>But that was the last novel that she wrote. Like

0:32:28.630 --> 0:32:31.050
<v Speaker 1>it was pretty clear that people wanted to hear one

0:32:31.090 --> 0:32:32.170
<v Speaker 1>thing out of her from then on.

0:32:32.890 --> 0:32:35.160
<v Speaker 2>Yeah. Plus, she'd run out of ideas. It was just

0:32:35.160 --> 0:32:38.660
<v Speaker 2>300 pages describing a single parade. And the parade wasn't

0:32:38.700 --> 0:32:43.870
<v Speaker 2>even that great. Oh. So let's bring it down a

0:32:43.910 --> 0:32:47.230
<v Speaker 2>second here, Chuck, because tragedy strikes in Emily's life in

0:32:47.230 --> 0:32:52.800
<v Speaker 2>1927 when her beloved son, Bruce, the deuce, died of

0:32:52.840 --> 0:32:56.360
<v Speaker 2>a ruptured appendix. He had a stomach ache leading up

0:32:56.420 --> 0:32:58.800
<v Speaker 2>to it. Plenty of warning, but for some reason was

0:32:58.840 --> 0:33:01.740
<v Speaker 2>being stubborn and wouldn't go to the hospital, despite his

0:33:01.780 --> 0:33:04.700
<v Speaker 2>mother pleading with him to him. When he finally went,

0:33:04.740 --> 0:33:08.090
<v Speaker 2>it was too late. He made it just past 32

0:33:08.090 --> 0:33:11.469
<v Speaker 2>years old. So. He died quite young. And, you know,

0:33:11.530 --> 0:33:14.510
<v Speaker 2>he was one of two. And Emily was quite devastated

0:33:14.570 --> 0:33:15.030
<v Speaker 2>by this.

0:33:16.170 --> 0:33:20.490
<v Speaker 1>Yeah, as anybody would be, obviously. So she does what

0:33:20.510 --> 0:33:22.210
<v Speaker 1>a lot of people do and face with this kind

0:33:22.250 --> 0:33:25.930
<v Speaker 1>of loss. She throws herself into work, tries to learn

0:33:25.970 --> 0:33:29.050
<v Speaker 1>some new things like gardening. She became really into gardening.

0:33:29.070 --> 0:33:31.450
<v Speaker 1>And she was like, I'm also, you know, my father

0:33:31.490 --> 0:33:34.160
<v Speaker 1>was an architect. I'm going to honor him. She was

0:33:34.220 --> 0:33:38.160
<v Speaker 1>obviously way into design and architecture. So She wrote a

0:33:38.180 --> 0:33:42.320
<v Speaker 1>textbook on architecture and then continued to just pump out

0:33:42.360 --> 0:33:45.290
<v Speaker 1>new versions of her etiquette book. I think in the

0:33:45.330 --> 0:33:50.330
<v Speaker 1>end there were 10 updates and 90 different printings. But

0:33:50.510 --> 0:33:55.530
<v Speaker 1>she I think the first revision of etiquette appeared after

0:33:55.550 --> 0:33:59.100
<v Speaker 1>I think the same year her son died. And, you know,

0:33:59.320 --> 0:34:03.140
<v Speaker 1>she in each version, she would make more concessions. She

0:34:03.160 --> 0:34:04.840
<v Speaker 1>would kind of roll with the times a little bit

0:34:04.900 --> 0:34:07.610
<v Speaker 1>and see, you know, it wasn't just a. sort of

0:34:07.750 --> 0:34:09.989
<v Speaker 1>useless update. She was she was trying to update it

0:34:10.070 --> 0:34:10.810
<v Speaker 1>and stay current.

0:34:10.910 --> 0:34:13.960
<v Speaker 2>Yeah. Like she dropped, you know, the the proper way

0:34:13.980 --> 0:34:16.299
<v Speaker 2>to behave in an opium den like that was no

0:34:16.340 --> 0:34:17.880
<v Speaker 2>longer nearly as relevant.

0:34:18.580 --> 0:34:20.319
<v Speaker 1>Exactly. Do whatever you want in there.

0:34:21.280 --> 0:34:21.959
<v Speaker 2>Pretty much.

0:34:22.300 --> 0:34:24.100
<v Speaker 1>One of the things she obviously had to roll with

0:34:24.180 --> 0:34:28.910
<v Speaker 1>was like girls and dating and how that changed in

0:34:28.950 --> 0:34:32.010
<v Speaker 1>the first edition. She talks about like chaperoning on dates

0:34:32.050 --> 0:34:33.969
<v Speaker 1>and how like that's a good thing because you can

0:34:33.989 --> 0:34:36.109
<v Speaker 1>be more free as a young woman with a chaperone there.

0:34:36.630 --> 0:34:40.029
<v Speaker 1>But in the very next edition, she was like, OK,

0:34:40.239 --> 0:34:42.739
<v Speaker 1>almost like an acknowledgement. She was like, yeah, you know,

0:34:43.400 --> 0:34:45.219
<v Speaker 1>you can probably go out with a man alone at

0:34:45.239 --> 0:34:48.620
<v Speaker 1>this point. It's fine. Right. And one of the kind

0:34:48.640 --> 0:34:50.620
<v Speaker 1>of final things she did, you know, while she was

0:34:50.739 --> 0:34:52.480
<v Speaker 1>not final thing she did. But as far as other

0:34:52.540 --> 0:34:56.210
<v Speaker 1>kinds of writing, she put out a book under a

0:34:56.230 --> 0:34:58.509
<v Speaker 1>pen name. I think she everyone knew her as an

0:34:58.550 --> 0:35:01.009
<v Speaker 1>etiquette lady. So she wanted to see how she would

0:35:01.050 --> 0:35:03.710
<v Speaker 1>do if like her name wasn't all over something.

0:35:03.790 --> 0:35:03.930
<v Speaker 2>So.

0:35:04.520 --> 0:35:07.060
<v Speaker 1>She wrote a series of I think they were published

0:35:07.140 --> 0:35:10.060
<v Speaker 1>in a magazine and then compiled into a book. It

0:35:10.100 --> 0:35:12.509
<v Speaker 1>was a parody with a pen named Muriel called How

0:35:12.550 --> 0:35:17.010
<v Speaker 1>to Behave Though a Debutant. And it was some racy stuff.

0:35:17.070 --> 0:35:19.890
<v Speaker 1>It was very bawdy. It was about a young woman

0:35:19.930 --> 0:35:23.589
<v Speaker 1>who like talked about sex and all this stuff. And

0:35:23.910 --> 0:35:27.149
<v Speaker 1>in the book, she talks about like encouraging the older

0:35:27.239 --> 0:35:30.480
<v Speaker 1>generation to respect the youths and stuff like that and

0:35:30.500 --> 0:35:34.860
<v Speaker 1>to accept change. But yeah. It was a pretty big hit.

0:35:35.020 --> 0:35:37.859
<v Speaker 1>And then I think a few months after she came

0:35:37.900 --> 0:35:41.690
<v Speaker 1>out was like, surprise, that's not Muriel. That's me, Emily Post.

0:35:42.170 --> 0:35:43.630
<v Speaker 2>She had sparklers and everything.

0:35:43.810 --> 0:35:44.669
<v Speaker 1>That's right. It's pretty cool.

0:35:45.310 --> 0:35:48.310
<v Speaker 2>Yeah. And everybody was like, oh, well, you're a little

0:35:48.350 --> 0:35:49.590
<v Speaker 2>racier than we thought, Emily.

0:35:49.930 --> 0:35:50.339
<v Speaker 1>Exactly.

0:35:51.140 --> 0:35:53.540
<v Speaker 2>I want to point out, you said that she wrote

0:35:53.560 --> 0:35:58.690
<v Speaker 2>a textbook on architecture. That is mind boggling. That's not

0:35:58.750 --> 0:36:01.779
<v Speaker 2>something the average person walking around could do. You could

0:36:01.800 --> 0:36:03.979
<v Speaker 2>write a book, be like, this is a pretty neat house.

0:36:04.040 --> 0:36:06.060
<v Speaker 2>And here's a little bit about it. She wrote a

0:36:06.420 --> 0:36:09.640
<v Speaker 2>how to be an architect type book called The Personality

0:36:09.680 --> 0:36:14.219
<v Speaker 2>of a House. And I saw that it was basically like, yeah,

0:36:14.280 --> 0:36:16.259
<v Speaker 2>this is a good textbook on architecture.

0:36:17.020 --> 0:36:17.500
<v Speaker 1>That's awesome.

0:36:18.360 --> 0:36:21.190
<v Speaker 2>So, yes, she was pretty accomplished. And she was also

0:36:21.650 --> 0:36:24.149
<v Speaker 2>very much looked up to during her lifetime. She lived

0:36:24.190 --> 0:36:29.629
<v Speaker 2>till 1960. And 10 years before that, Pageant Magazine, which

0:36:29.670 --> 0:36:32.870
<v Speaker 2>was named after the failed parade in her book Parade,

0:36:32.890 --> 0:36:37.009
<v Speaker 2>they had a poll that said that Emily Post is

0:36:37.070 --> 0:36:41.339
<v Speaker 2>second only to Eleanor Roosevelt for the list of most

0:36:41.390 --> 0:36:42.910
<v Speaker 2>powerful women in America.

0:36:42.930 --> 0:36:43.970
<v Speaker 1>It's pretty good.

0:36:44.640 --> 0:36:47.040
<v Speaker 2>An etiquette writer. Yeah.

0:36:47.380 --> 0:36:50.880
<v Speaker 1>I mean, like I said, 10 updates and 90 printing.

0:36:50.960 --> 0:36:55.220
<v Speaker 1>She ended up on radio. She had an advice column called,

0:36:55.660 --> 0:36:57.820
<v Speaker 1>or I guess just a syndicated column, a daily column

0:36:57.840 --> 0:37:01.839
<v Speaker 1>called In Good Taste that was in 200 newspapers. So

0:37:02.040 --> 0:37:04.620
<v Speaker 1>she really was out there, like one of the most

0:37:04.680 --> 0:37:08.140
<v Speaker 1>famous women in the United States in the 30s and 40s,

0:37:08.160 --> 0:37:08.450
<v Speaker 1>I think.

0:37:09.300 --> 0:37:12.549
<v Speaker 2>For sure. And then there's the Emily Post Institute, which

0:37:12.610 --> 0:37:15.730
<v Speaker 2>is still around today, and they're making relevant stuff still today.

0:37:15.770 --> 0:37:20.210
<v Speaker 2>I think it's largely carried on by her heirs and descendants.

0:37:21.790 --> 0:37:24.430
<v Speaker 2>And they have stuff on like, You know, when it's

0:37:24.530 --> 0:37:27.750
<v Speaker 2>okay and not okay to whip out your smartphone and

0:37:27.770 --> 0:37:29.890
<v Speaker 2>just look at it in the middle of a crowd

0:37:29.930 --> 0:37:33.569
<v Speaker 2>or in a conversation, like stuff that's relevant. And I

0:37:33.610 --> 0:37:38.040
<v Speaker 2>came across something about, you know, how to interact with

0:37:38.080 --> 0:37:41.600
<v Speaker 2>somebody who's grieving. And there is a lot of really

0:37:41.640 --> 0:37:43.980
<v Speaker 2>good stuff in there. Like sometimes it's best just not

0:37:44.000 --> 0:37:46.700
<v Speaker 2>to say anything and just be there with them. But

0:37:46.739 --> 0:37:49.480
<v Speaker 2>they had a list of stuff not to say. And

0:37:49.760 --> 0:37:51.660
<v Speaker 2>most of it makes sense. A couple of them jumped

0:37:51.760 --> 0:37:55.500
<v Speaker 2>out at me like, who says this? One is everything

0:37:55.540 --> 0:37:56.509
<v Speaker 2>happens for a reason.

0:37:57.489 --> 0:37:57.790
<v Speaker 1>Worst.

0:37:58.750 --> 0:38:03.790
<v Speaker 2>This one got me. If somebody whose child has died,

0:38:04.110 --> 0:38:07.529
<v Speaker 2>don't say you can have other children. Oh, God. Who

0:38:08.110 --> 0:38:09.130
<v Speaker 2>would say that?

0:38:09.610 --> 0:38:11.650
<v Speaker 1>Yeah. That seems old fashioned.

0:38:12.489 --> 0:38:14.569
<v Speaker 2>This is new. This is on their website right now.

0:38:14.860 --> 0:38:16.740
<v Speaker 1>No, no, no. I mean, it seems like something people

0:38:17.080 --> 0:38:18.540
<v Speaker 1>like used to say more.

0:38:19.130 --> 0:38:22.629
<v Speaker 2>Oh, yeah. When you had like a dozen kids as farmhands. Sure.

0:38:23.800 --> 0:38:26.900
<v Speaker 2>It is God's will. You're not ready for that yet.

0:38:27.719 --> 0:38:31.480
<v Speaker 2>I know just how you feel. And then the kicker.

0:38:32.160 --> 0:38:35.700
<v Speaker 2>Did he have life insurance? Don't say that to somebody

0:38:35.780 --> 0:38:37.460
<v Speaker 2>whose spouse has just died.

0:38:37.880 --> 0:38:41.610
<v Speaker 1>Yeah. And in fact, if someone has any tragedy in

0:38:41.640 --> 0:38:44.850
<v Speaker 1>their life, don't use the word I at all.

0:38:45.370 --> 0:38:47.339
<v Speaker 2>Oh, that's a good one, Chuck. That's a great one.

0:38:47.440 --> 0:38:50.160
<v Speaker 1>Doesn't matter if you've been through the same thing. That

0:38:50.200 --> 0:38:52.900
<v Speaker 1>is not a time for you to one-up or share

0:38:53.080 --> 0:38:54.160
<v Speaker 1>your experience.

0:38:54.739 --> 0:38:57.980
<v Speaker 2>Yeah. They said basically if you want to help, you say,

0:38:58.000 --> 0:38:59.799
<v Speaker 2>I want to blank.

0:38:59.860 --> 0:39:00.390
<v Speaker 1>No, don't say I.

0:39:00.390 --> 0:39:01.510
<v Speaker 2>Whatever specific thing.

0:39:01.530 --> 0:39:01.710
<v Speaker 1>Yeah.

0:39:01.969 --> 0:39:03.810
<v Speaker 2>The person who's standing in front of you.

0:39:04.170 --> 0:39:04.690
<v Speaker 1>Me want to.

0:39:04.870 --> 0:39:08.130
<v Speaker 2>Would like to. And then blank whatever thing you want

0:39:08.150 --> 0:39:10.469
<v Speaker 2>to help with, like buy groceries or cook dinners or

0:39:10.510 --> 0:39:13.259
<v Speaker 2>something like that. I'll get in touch with you soon

0:39:13.280 --> 0:39:15.399
<v Speaker 2>to try to figure out the best time for you.

0:39:15.420 --> 0:39:17.480
<v Speaker 2>So it's not like let me know if I can

0:39:17.520 --> 0:39:19.779
<v Speaker 2>do anything because the person's not going to let you

0:39:19.840 --> 0:39:21.620
<v Speaker 2>know if you can do anything, even if they need

0:39:21.660 --> 0:39:24.050
<v Speaker 2>you to. You're saying I'm going to help you with this.

0:39:24.430 --> 0:39:26.090
<v Speaker 2>I'll get in touch to make it as easy as

0:39:26.150 --> 0:39:28.509
<v Speaker 2>possible on you. You don't have to do anything right now.

0:39:28.530 --> 0:39:29.950
<v Speaker 2>I just wanted to put that on your radar.

0:39:30.280 --> 0:39:31.100
<v Speaker 1>Yeah. Bye.

0:39:31.440 --> 0:39:36.339
<v Speaker 2>Nice. Okay. Can I give one more Emily Post quote

0:39:36.380 --> 0:39:39.630
<v Speaker 2>that I think really kind of holds true today, especially

0:39:39.650 --> 0:39:41.750
<v Speaker 2>in this day and age that we've kind of been

0:39:41.770 --> 0:39:42.870
<v Speaker 2>talking about? Yeah.

0:39:43.450 --> 0:39:43.669
<v Speaker 1>Okay.

0:39:43.710 --> 0:39:44.390
<v Speaker 2>Here it is. You ready?

0:39:45.350 --> 0:39:45.549
<v Speaker 1>Yes.

0:39:45.830 --> 0:39:49.150
<v Speaker 2>The best ingredients for likableness. So this is how to

0:39:49.170 --> 0:39:53.920
<v Speaker 2>be likable. A happy expression of countenance, sure. An unaffected manner,

0:39:54.280 --> 0:39:57.160
<v Speaker 2>like you said, not putting on airs. And a sympathetic attitude,

0:39:57.600 --> 0:40:02.549
<v Speaker 2>caring about other people's life, lives. That's it. That's all

0:40:02.570 --> 0:40:03.950
<v Speaker 2>you have to do for people to like you.

0:40:04.170 --> 0:40:05.000
<v Speaker 1>Yeah, I love it.

0:40:06.310 --> 0:40:09.509
<v Speaker 2>Okay, well, that's it for Emily Post. And Chuck said

0:40:09.550 --> 0:40:12.609
<v Speaker 2>he loves it, so obviously it's time for Listener Mail.

0:40:15.090 --> 0:40:17.759
<v Speaker 1>We heard from a few Canadians about a mispronunciation that

0:40:17.780 --> 0:40:20.879
<v Speaker 1>we're going to correct. Hey, guys, not trying to start

0:40:20.910 --> 0:40:22.930
<v Speaker 1>a Josh fight here, even though I think covering the

0:40:22.969 --> 0:40:27.819
<v Speaker 1>real one would be a hilarious short stuff. Josh is

0:40:28.640 --> 0:40:32.239
<v Speaker 1>salt of the earth. How about that? Whose mind and

0:40:32.260 --> 0:40:34.080
<v Speaker 1>sense of humor remind me of my own. But what

0:40:34.100 --> 0:40:38.339
<v Speaker 1>I'm afraid is that some Canadians might sue Josh for

0:40:38.380 --> 0:40:43.420
<v Speaker 1>pronouncing Sue St. Marie as salt St. Marie.

0:40:44.340 --> 0:40:46.440
<v Speaker 2>How do you know the Canadians aren't mispronouncing it?

0:40:47.110 --> 0:40:50.430
<v Speaker 1>Good point. Hey, guys, I know you never look at Wikipedia,

0:40:50.469 --> 0:40:52.370
<v Speaker 1>but here's a link to that article, which begins with

0:40:52.390 --> 0:40:56.330
<v Speaker 1>the pronunciation. But I'm just kidding. No Canadian would sue you,

0:40:56.370 --> 0:40:58.489
<v Speaker 1>of course. It was just a play on words. Love

0:40:58.510 --> 0:41:00.450
<v Speaker 1>the show. That is from Terrence Ward.

0:41:01.270 --> 0:41:04.549
<v Speaker 2>Thank you, Terrence. And you hit peak Canadian when you

0:41:04.590 --> 0:41:07.830
<v Speaker 2>explained that you were joking about Canadians suing us. So

0:41:07.850 --> 0:41:09.589
<v Speaker 2>we love you even more for that now.

0:41:09.670 --> 0:41:10.069
<v Speaker 1>That's right.

0:41:10.910 --> 0:41:12.710
<v Speaker 2>If you want to be like Terrence and show off

0:41:12.750 --> 0:41:15.650
<v Speaker 2>your Canadian-ness, we love that kind of thing. You can

0:41:15.690 --> 0:41:18.430
<v Speaker 2>put it in an email and send it to stuffpodcasts

0:41:18.530 --> 0:41:19.920
<v Speaker 2>at iheartradio.com.

0:41:23.500 --> 0:41:26.360
<v Speaker 1>Stuff You Should Know is a production of iHeartRadio. For

0:41:26.400 --> 0:41:30.509
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app. Apple Podcasts

0:41:30.670 --> 0:41:32.450
<v Speaker 1>are wherever you listen to your favorite shows.