WEBVTT - Donna is About to do the Deed!

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<v Speaker 1>It's nine O gene one Engine with Jenny Garth and

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<v Speaker 1>Tory Spelling.

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<v Speaker 2>Amy. We missed you last week.

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<v Speaker 3>I missed you, guys. I can I'll comment. I didn't

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<v Speaker 3>think it was as bad as you guys did.

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<v Speaker 4>Really we wondered what you would think. But Jen a

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<v Speaker 4>bad score? No, and Jen filled in nicely. She was

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<v Speaker 4>she was the super fan.

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<v Speaker 3>I g I said it was one of the most

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<v Speaker 3>boring episodes ever though, or something like that.

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<v Speaker 1>I said that, yep, I've got a high score because

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<v Speaker 1>of the because of the death.

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<v Speaker 4>Yeah, yeah, this is true.

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<v Speaker 2>Okay, so give us like the two minute like recap

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<v Speaker 2>of what you would have said.

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<v Speaker 1>Wait, Amy, okay, tell us what you would think about

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<v Speaker 1>last week's episodes since you weren't here.

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<v Speaker 3>I'm very sorry I was not here. Also that all

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<v Speaker 3>the people that reached out about my arm Jenny when

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<v Speaker 3>I had arm, are you better? Yeah, I can totally

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<v Speaker 3>raise my arm now. It was. It's a good episode

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<v Speaker 3>with a drug ramatic turn. One of my main problems

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<v Speaker 3>is tone, right, You're going so dramatic in one part

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<v Speaker 3>and then other parts like don't fit.

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<v Speaker 4>Yeah, and I would say.

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<v Speaker 3>The acting was like maybe not at the top of

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<v Speaker 3>the game.

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<v Speaker 4>Who are we talking about?

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<v Speaker 3>If it's us, please say, because I didn't think it

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<v Speaker 3>was you guys.

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<v Speaker 2>You know what she's gonna say, Oh no, it's really

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<v Speaker 2>hard to like hard.

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<v Speaker 3>To portray what all went down, and just parts I

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<v Speaker 3>was just like, oh man, this is a lot to

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<v Speaker 3>take in. It's just a lot to take in.

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<v Speaker 2>And also did you like Dick's death though, I mean

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<v Speaker 2>don't not like it.

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<v Speaker 3>It's just aggressive, too aggressive.

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<v Speaker 4>And it's also you can't un see it. Well.

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<v Speaker 3>Also the fact that Steve save me some of that

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<v Speaker 3>heroine Like, really, dude.

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<v Speaker 4>I know Steve la'st what we said that would never happen.

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<v Speaker 3>It was just too crappy doing drugs all of a sudden,

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<v Speaker 3>and I just don't buy it. But dramatic turn. It

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<v Speaker 3>leads me to this episode because I think we've got

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<v Speaker 3>sort of an overall situation going on.

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<v Speaker 2>Uh oh no, I agree. I know what she's going

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<v Speaker 2>to say. Oh man, are we talking shark here? Now?

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<v Speaker 3>We're yeah, we're like, we're not jumping the shark, but

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<v Speaker 3>we're swimming with the shark.

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<v Speaker 1>We're swimming with the shark.

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<v Speaker 3>Something is happening and I cannot wait to get into

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<v Speaker 3>this episode. Because there are some real problems in this.

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<v Speaker 2>Episode, but we can make a comeback, right everyone, we

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<v Speaker 2>have to just tell it.

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<v Speaker 1>Let's tell everybody what we're doing, because she's ready to go.

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<v Speaker 1>You guys, let's see our super fan is souped up.

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<v Speaker 2>Give it a scory and maybe from last week before

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<v Speaker 2>we go in.

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<v Speaker 3>I'm still going to give that like a nine because

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<v Speaker 3>of the shocking death, like like okay, you know, I

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<v Speaker 3>rate it like real out of my gut, like here's

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<v Speaker 3>what I'm feeling, and like.

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<v Speaker 2>It was nappy.

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<v Speaker 3>Wow, there's so much Wow. It's not like I was bored.

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<v Speaker 4>If that last scene hadn't been in there, what would

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<v Speaker 4>you have given it?

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<v Speaker 3>Well, then it was just kind of messy. I just

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<v Speaker 3>h Claire and Steve will get into that with this one.

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<v Speaker 3>They are just so done so yeah, and the fact

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<v Speaker 3>that like they're not just ending it yes is anyway,

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<v Speaker 3>there's so much to digest in this episode, although I

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<v Speaker 3>do have mad props to give to somebody, so stand

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<v Speaker 3>by for that.

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<v Speaker 1>Okay, we are going to talk about episode twenty two.

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<v Speaker 1>This is called a Ripe Young Age. It aired March fifth,

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<v Speaker 1>nineteen ninety seven. You guys, before you do the synopsis.

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<v Speaker 1>I just realized that date. Yes, I must be pregnant.

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<v Speaker 4>Oh I was what did you get married on that date?

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<v Speaker 1>No, nineteen ninety seven is the year Luca was born?

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<v Speaker 4>What date this aired in March? I don't.

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<v Speaker 1>I can't figure that out.

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<v Speaker 3>When I can? When was she born?

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<v Speaker 1>Good question? Let me think, Yeah, you got the tour?

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<v Speaker 1>Do you remember all your birthdays?

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<v Speaker 3>You do?

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<v Speaker 4>Okay, she's no, no, sorry, I was gonna know. I

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<v Speaker 4>remember when you gave birth.

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<v Speaker 1>June twenty ninth.

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<v Speaker 3>Yeah, then you're definitely pregnant because you filmed this in January.

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<v Speaker 3>So January, February, March, April, May, June, you're like a

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<v Speaker 3>little bit pregnant.

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<v Speaker 4>Yeah, I thought so.

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<v Speaker 2>The opening of season eight, you had just had Luca.

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<v Speaker 4>Okay, makes sense. We go to Hawaii and so now.

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<v Speaker 3>We egleize McGee should be like looking to see if

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<v Speaker 3>you're carrying grower. It's gonna be fun in a nice way,

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<v Speaker 3>looking looking a little looking a little puffy. Maybe you're

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<v Speaker 3>looking a little a little supping.

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<v Speaker 4>She carried very well, okay. Synopsis.

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<v Speaker 2>Don't and David take a trip to San Louis Obispo

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<v Speaker 2>while Donna's Grahama takes a trip down memory lane, Valerie

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<v Speaker 2>falls for an up and coming actor, while Kelly finds

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<v Speaker 2>herself caring for a mysterious kid. Meanwhile, Brandon gets busy

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<v Speaker 2>in the TV station control booth, while Steve's academic ambitions

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<v Speaker 2>get a little sticky.

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<v Speaker 1>Directed by Scott Poland Oh we liked him and written

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<v Speaker 1>by Steve Wasserman. All right, what do you want to

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<v Speaker 1>start with?

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<v Speaker 3>I almost couldn't sleep last night because I was so

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<v Speaker 3>ready to talk about this. Okay, first of all, a story,

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<v Speaker 3>B story, that's how hard to tell here. We've just

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<v Speaker 3>got abc D like it's just and there's no enough.

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<v Speaker 2>It's just for rhythm, totally stories.

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<v Speaker 3>Now my shout out. First, I want to start with this, Okay,

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<v Speaker 3>mad props. Maybe a award thirty years later, an award

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<v Speaker 3>should go to the casting director for this show. Because

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<v Speaker 3>the fact that so many bit players, guests, ours, small roles,

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<v Speaker 3>they these people became so famous. Matthew Perry, Hillary Swank

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<v Speaker 3>mm hmm, Denise Richards, Christina Aguilera, Walton Goggins and who

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<v Speaker 3>died who you don't know who Walton Goggins is. It's

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<v Speaker 3>like the biggest star around right now. To make sure,

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<v Speaker 3>he's like completely gonna win every emmy. What are you

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<v Speaker 3>guys talking about?

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<v Speaker 4>Second, he whitely relaxed. Who is this person?

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<v Speaker 2>Oh my god, the one that had this, the one

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<v Speaker 2>that had the scandal with the girl in real life?

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<v Speaker 3>Yes, it is like the Hollywood right now. He's literally

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<v Speaker 3>on multiple shows.

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<v Speaker 4>When was he on our show?

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<v Speaker 3>He played this, right, Mukan at a party in nineteen

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<v Speaker 3>ninety two.

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<v Speaker 1>I'm sorry I don't remember him.

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<v Speaker 3>The reason I bring it up is Smith Jared, Like,

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<v Speaker 3>are you guys not? We go not freaking out that

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<v Speaker 3>that's Jason Lewis Smith Jared from Sex and the City.

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<v Speaker 4>Right, But he did this before Sex and the City, Oh.

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<v Speaker 3>Many years before. It's nineteen ninety seven. He wasn't on

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<v Speaker 3>Sex and the City till like two thousand and two

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<v Speaker 3>or three. So that's why I'm saying the casting person

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<v Speaker 3>had a real eye.

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<v Speaker 1>Yes, that wasn't still Tony was it? Who was casting

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<v Speaker 1>at this point? Do you remember tour.

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<v Speaker 2>So Tony was the head of casting for all of

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<v Speaker 2>Spelling But who wouldn't have been for this show?

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<v Speaker 1>Right?

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<v Speaker 3>Uh?

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<v Speaker 4>Diane Young?

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<v Speaker 2>No?

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<v Speaker 1>Wait wasn't she the cast?

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<v Speaker 2>No?

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<v Speaker 1>She was the script super But no, that was Valentine,

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<v Speaker 1>Diane Valentine, I think Diane Young but then went on

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<v Speaker 1>to be but he oversaw all of spelling shows. Maybe

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<v Speaker 1>he was bringing in the big guns.

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<v Speaker 3>All I know is.

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<v Speaker 4>Wow, but my dad gave final approval.

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<v Speaker 3>So it also Hillary Swank, like I know that's coming

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<v Speaker 3>next season, but like Notton basically discovered Hillary Swank, but like,

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<v Speaker 3>I was really happy to see Smith Jared, So we'll

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<v Speaker 3>talk about that.

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<v Speaker 4>Okay, what do you guys want to talk about for

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<v Speaker 4>Let's start with that.

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<v Speaker 2>I'm a little confused because a lot happened last week,

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<v Speaker 2>so I thought it would trickle into this episode.

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<v Speaker 4>But ladies, no, no, no.

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<v Speaker 3>That doesn't happen.

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<v Speaker 1>Remember, but this show used to be a serial show,

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<v Speaker 1>Like it used to show the storyline would take a

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<v Speaker 1>while to unfold, but now it seems very choppy. You're right.

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<v Speaker 3>Oh, the fact that someone died in front of Steve

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<v Speaker 3>and now he's making rubber cement has just got me

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<v Speaker 3>like shook to my core.

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<v Speaker 2>Yes, oh my god, unless there's going to be some

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<v Speaker 2>reveal that he's this is his way of processing death,

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<v Speaker 2>Like no, no, and what happened David Anne Valerie taking

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<v Speaker 2>in the police station question that paparazzi like the photos

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<v Speaker 2>going like fifty underrated whatever.

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<v Speaker 4>Nothing so nothing.

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<v Speaker 1>Nothing, the big article. Yeah, I don't know.

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<v Speaker 2>Both's not coming.

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<v Speaker 1>Out unless they skip to another episode.

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<v Speaker 4>I don't know.

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<v Speaker 1>But doesn't look like it.

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<v Speaker 4>Doesn't. It feel like we skip to.

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<v Speaker 1>Another episode, like another season.

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<v Speaker 4>Yes, I feel like we missed one.

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<v Speaker 3>Can we talk about the There's so many things in

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<v Speaker 3>this episode that they're actually.

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<v Speaker 1>A valor ridiculous acting. Her spotting the guy.

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<v Speaker 3>Up front and that he recognized her voice. I know

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<v Speaker 3>she stalked him and found his number. She doesn't say

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<v Speaker 3>who she is.

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<v Speaker 4>She literally says hi, and she just has so much

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<v Speaker 4>compassion when he can't get in her face.

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<v Speaker 1>Is hot because he's.

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<v Speaker 3>Hot, He's super hot. He's freaking awesome. I actually feel

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<v Speaker 3>their chemistry. But who what movie star is like?

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<v Speaker 4>Oh, Hi, I mean for.

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<v Speaker 3>Five seconds, would you like to come down to my workplace?

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<v Speaker 1>Yes? But he's very he's very lonely. He doesn't get

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<v Speaker 1>one there.

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<v Speaker 2>You know, she's a hot young girl, like what why

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<v Speaker 2>wouldn't he? Of course he'd be like come here.

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<v Speaker 3>Of course she'd be like, okay, recognizing her voice just

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<v Speaker 3>out of nowhere.

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<v Speaker 2>Hi.

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<v Speaker 4>Right, that was one of the big stretches.

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<v Speaker 1>Yeah, no, caller id nothing, and they claim he's going

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<v Speaker 1>to be the next James Dean. And I was watching

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<v Speaker 1>him do a dr for the kissing scene in the movie,

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<v Speaker 1>and I was like, those are not James Dean kisses.

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<v Speaker 1>I'm sorry, it's I don't think he can. And then

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<v Speaker 1>I was like, are they? Is this based off of

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<v Speaker 1>Luke Luke's real life? Like coming from you know where

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<v Speaker 1>he came from? It seems like Luke was at the

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<v Speaker 1>core and like he had a construction job and he

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<v Speaker 1>came from you know, no, Tennessee. So I was wondering.

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<v Speaker 1>But then I was like, I don't think so.

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<v Speaker 4>I mean makes sense, makes sense.

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<v Speaker 3>And I like it. I like him, right, So this

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<v Speaker 3>is not even my least favorite storyline. This might be

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<v Speaker 3>my favorite storyline in the whole thing. No, No, I

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<v Speaker 3>like him.

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<v Speaker 4>Yeah, well who doesn't.

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<v Speaker 1>He's dreamy, she's so hot.

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<v Speaker 3>Did you not watch Sex in the City?

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<v Speaker 1>Yeah, oh I don't remember, honestly, when Oh my.

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<v Speaker 3>God, how do you not remember? He totally dated Samantha.

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<v Speaker 2>And he's like he plays like the same character basically.

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<v Speaker 4>Yeah, I think I jumped around.

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<v Speaker 1>I watched it once in a while.

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<v Speaker 3>That's actually so funny, toy. He plays the exact same

0:11:23.280 --> 0:11:25.719
<v Speaker 3>character Zaxon characters. What else has he been in? I

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<v Speaker 3>don't know really, that's.

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<v Speaker 4>You know what I mean.

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<v Speaker 2>I'm really famous for Sex and the City. Was he

0:11:30.280 --> 0:11:31.640
<v Speaker 2>in the first movie as well?

0:11:32.160 --> 0:11:34.480
<v Speaker 3>Yeah, he was in the first movie. Remember he's like

0:11:34.559 --> 0:11:36.079
<v Speaker 3>the he's amazing in the first movie.

0:11:36.160 --> 0:11:38.000
<v Speaker 2>That was kind of it, right, he was supposed to

0:11:38.000 --> 0:11:39.600
<v Speaker 2>be the big Hollywood actor.

0:11:39.640 --> 0:11:40.319
<v Speaker 4>And I don't know.

0:11:40.440 --> 0:11:43.360
<v Speaker 3>He has a small cameo in the second one too.

0:11:45.400 --> 0:11:48.640
<v Speaker 3>I'm seeing white lotus here. Okay, look Jason and Lewis

0:11:48.640 --> 0:11:50.520
<v Speaker 3>and Goggins. You need to be looking Jason.

0:11:50.320 --> 0:11:52.200
<v Speaker 2>Lewis, Jason Lewis, Sexy City.

0:11:52.240 --> 0:11:53.720
<v Speaker 4>I know who Walton Goggins is now.

0:11:53.760 --> 0:11:57.040
<v Speaker 1>I love him. I got it, I.

0:11:56.920 --> 0:12:00.480
<v Speaker 2>Got you know, I love him.

0:12:01.440 --> 0:12:03.200
<v Speaker 1>We don't know what Jason Lewis looks like now.

0:12:03.280 --> 0:12:06.840
<v Speaker 3>Jason Lewis did this BBC Andrews like miniseries, I think

0:12:06.840 --> 0:12:08.880
<v Speaker 3>on Lifetime. But he hasn't like worked that much since

0:12:08.880 --> 0:12:09.920
<v Speaker 3>Sex and the City, which is like.

0:12:10.040 --> 0:12:11.040
<v Speaker 4>Kind of I wonder why.

0:12:11.960 --> 0:12:12.520
<v Speaker 1>I don't know.

0:12:13.040 --> 0:12:15.840
<v Speaker 2>I feel like, and don't hold me to this that

0:12:16.320 --> 0:12:19.600
<v Speaker 2>they felt there wasn't that much chemistry with him and

0:12:19.640 --> 0:12:22.480
<v Speaker 2>Tiffany that there.

0:12:21.640 --> 0:12:24.959
<v Speaker 1>Was a little street too. I don't know more than me.

0:12:25.080 --> 0:12:28.959
<v Speaker 2>I'm wrong before I could be wrong, but there was

0:12:29.000 --> 0:12:31.400
<v Speaker 2>a reason why the storyline kind of came to an

0:12:31.520 --> 0:12:32.480
<v Speaker 2>end when it does.

0:12:34.080 --> 0:12:34.920
<v Speaker 3>Anyway, he's hunky.

0:12:35.240 --> 0:12:37.640
<v Speaker 2>They wanted to discover like the big new star, and

0:12:37.679 --> 0:12:39.199
<v Speaker 2>it didn't quite lead to that.

0:12:40.080 --> 0:12:42.800
<v Speaker 1>Okay, I'm really good on sex in the City. There's

0:12:42.840 --> 0:12:44.319
<v Speaker 1>not much more to talk about.

0:12:44.080 --> 0:12:46.480
<v Speaker 3>Amazing no in this one.

0:12:46.960 --> 0:12:50.680
<v Speaker 4>But wait, he just did you notice she paid for lunch? No?

0:12:51.520 --> 0:12:54.040
<v Speaker 3>I did? I did. I did notice that she was

0:12:54.080 --> 0:12:55.240
<v Speaker 3>signing her credit card.

0:12:55.520 --> 0:12:57.480
<v Speaker 1>Why would he just he didn't even say anything, He

0:12:57.600 --> 0:12:59.240
<v Speaker 1>just like let her take it without word?

0:13:00.160 --> 0:13:04.400
<v Speaker 3>Did she maybe like set it up like on the

0:13:04.520 --> 0:13:07.440
<v Speaker 3>club I'm gonna do lunch? I can't remember us.

0:13:07.520 --> 0:13:11.160
<v Speaker 1>I mean the waiter did hand her the like the thing.

0:13:11.280 --> 0:13:12.400
<v Speaker 3>I fully noticed she paid.

0:13:12.640 --> 0:13:15.040
<v Speaker 4>Do you remember him and Tiffany getting along?

0:13:15.480 --> 0:13:16.880
<v Speaker 1>How could they not get along?

0:13:17.040 --> 0:13:18.600
<v Speaker 3>Like he's so cute.

0:13:18.760 --> 0:13:21.800
<v Speaker 1>I don't remember him on the show, So I don't

0:13:21.880 --> 0:13:23.520
<v Speaker 1>remember the relationship you.

0:13:23.520 --> 0:13:23.920
<v Speaker 3>Can get on.

0:13:25.160 --> 0:13:28.520
<v Speaker 4>I don't know. I don't know, But what do you think? Like,

0:13:28.640 --> 0:13:29.080
<v Speaker 4>I don't know.

0:13:29.160 --> 0:13:32.160
<v Speaker 2>I can't put my fingertips on it. But there's something,

0:13:32.320 --> 0:13:35.160
<v Speaker 2>there's something, there's some backstory here, and I don't.

0:13:35.040 --> 0:13:36.600
<v Speaker 3>Know what that he's dreaming.

0:13:36.880 --> 0:13:37.520
<v Speaker 1>I want to know.

0:13:37.760 --> 0:13:38.200
<v Speaker 4>I don't know.

0:13:38.280 --> 0:13:39.920
<v Speaker 2>I think he was supposed to go on to be

0:13:40.000 --> 0:13:43.600
<v Speaker 2>a regular and be like the new discovered talent and

0:13:43.640 --> 0:13:46.400
<v Speaker 2>it didn't go that direction, and I don't know why.

0:13:46.760 --> 0:13:51.800
<v Speaker 4>Let's let's have him on and ask oh, could we ask? Asked,

0:13:51.840 --> 0:13:55.920
<v Speaker 4>I'm on, Jason, Let's go see slide into his dmschen.

0:13:56.160 --> 0:13:58.240
<v Speaker 3>He did four episodes, but he was maybe supposed to

0:13:58.320 --> 0:13:59.640
<v Speaker 3>do like forever.

0:13:59.800 --> 0:14:03.040
<v Speaker 2>I just remember hearing my dad talk about this actor

0:14:03.120 --> 0:14:05.760
<v Speaker 2>they had discovered and he was going to be the

0:14:05.800 --> 0:14:08.840
<v Speaker 2>next everything, and then it just all went away. So

0:14:08.880 --> 0:14:11.040
<v Speaker 2>I'm not sure what happened. He was very nice. I

0:14:11.080 --> 0:14:15.000
<v Speaker 2>know that we worked with him. He was he was fine.

0:14:15.760 --> 0:14:19.160
<v Speaker 2>I just I don't know something happened.

0:14:19.200 --> 0:14:21.880
<v Speaker 1>Well, how did you feel Amy about when Val turns

0:14:21.880 --> 0:14:22.640
<v Speaker 1>into a realtor?

0:14:23.760 --> 0:14:27.960
<v Speaker 3>I mean, first of all, at that point, I was

0:14:28.000 --> 0:14:31.640
<v Speaker 3>so like, well, whatever he knew or by her five

0:14:31.720 --> 0:14:35.720
<v Speaker 3>second high so whatever. Now she's finding a house that

0:14:35.760 --> 0:14:38.960
<v Speaker 3>I thought wasn't great. I was like, no, yeah, great

0:14:39.320 --> 0:14:40.880
<v Speaker 3>for that guy having a lot of dough for being

0:14:40.920 --> 0:14:41.560
<v Speaker 3>a movie star.

0:14:42.560 --> 0:14:44.400
<v Speaker 1>Maybe it reminded him of home.

0:14:44.680 --> 0:14:47.680
<v Speaker 3>Right, Remember he needed a whole garage space for his tools.

0:14:48.920 --> 0:14:49.680
<v Speaker 1>Plenty of room there.

0:14:50.200 --> 0:14:51.840
<v Speaker 4>Yeah, I'll watch them with tools.

0:14:51.960 --> 0:14:52.400
<v Speaker 2>I'll do that.

0:14:52.440 --> 0:14:54.800
<v Speaker 4>H That guy's just a regular guy from Missouri.

0:14:54.960 --> 0:14:56.120
<v Speaker 1>I don't know where he's from.

0:14:55.920 --> 0:14:58.800
<v Speaker 4>But like Tennessee is so what they said.

0:14:58.840 --> 0:15:01.280
<v Speaker 3>I don't know he's you get vibe. He's just from

0:15:01.720 --> 0:15:06.480
<v Speaker 3>like middle of Nowheeresville. And then what he got the

0:15:06.520 --> 0:15:07.600
<v Speaker 3>starring role.

0:15:08.520 --> 0:15:09.280
<v Speaker 4>Yeah, it's well.

0:15:09.560 --> 0:15:12.120
<v Speaker 3>I thought his adr was good, So tell me about this.

0:15:12.360 --> 0:15:13.360
<v Speaker 3>That was good.

0:15:13.400 --> 0:15:16.560
<v Speaker 1>I was like, whoa exactly when I was watching that.

0:15:16.600 --> 0:15:18.400
<v Speaker 1>When that's got, we call it looping. I don't know

0:15:18.400 --> 0:15:20.000
<v Speaker 1>why we call it looping, but it's a dr where

0:15:20.000 --> 0:15:23.560
<v Speaker 1>you ad you know, back where maybe there was like

0:15:23.560 --> 0:15:26.040
<v Speaker 1>a scratch in the mic or something. You couldn't hear

0:15:26.080 --> 0:15:27.720
<v Speaker 1>it very well. So they would have us go in

0:15:27.800 --> 0:15:30.160
<v Speaker 1>and like re record some of our lines. And you

0:15:30.240 --> 0:15:33.080
<v Speaker 1>stand up to that microphone just like he does, and they.

0:15:32.920 --> 0:15:37.240
<v Speaker 4>Do those beeps. It goes beep beep, beep beep, and

0:15:37.240 --> 0:15:39.600
<v Speaker 4>then your heart's just bounding while.

0:15:41.240 --> 0:15:44.600
<v Speaker 1>Your words to your lips. It's really hard. It is

0:15:44.680 --> 0:15:48.360
<v Speaker 1>so challenging, and you're in this like big black room

0:15:48.480 --> 0:15:51.760
<v Speaker 1>and you're supposed to emote the same emotions. We had

0:15:51.760 --> 0:15:53.800
<v Speaker 1>to do crazy adr where.

0:15:53.760 --> 0:15:57.280
<v Speaker 4>Go crying scene screaming, like, oh.

0:15:57.160 --> 0:15:59.200
<v Speaker 3>Is that something you have to do every single episode?

0:15:59.280 --> 0:16:01.160
<v Speaker 4>Correct? Back then? I don't know.

0:16:01.160 --> 0:16:03.320
<v Speaker 2>Maybe they can pick things up better now. Back then

0:16:03.560 --> 0:16:06.320
<v Speaker 2>I felt like every week we went in craft.

0:16:06.080 --> 0:16:10.080
<v Speaker 3>And do you have to drive somewhere different? Yes, that

0:16:10.080 --> 0:16:11.400
<v Speaker 3>would really be a pain in the butt.

0:16:12.360 --> 0:16:14.480
<v Speaker 1>Yeah, it was. Every time they were like, we need

0:16:14.480 --> 0:16:15.920
<v Speaker 1>you to come into a dr we'd be.

0:16:15.880 --> 0:16:19.520
<v Speaker 4>Like, h wasn't it a CBS Radford the looping.

0:16:19.440 --> 0:16:23.760
<v Speaker 1>Sometimes they had different spots I remember over in Hollywood too.

0:16:23.840 --> 0:16:24.760
<v Speaker 4>Yes, you're right, you're right.

0:16:24.840 --> 0:16:27.160
<v Speaker 1>It's super weers weird.

0:16:27.160 --> 0:16:29.160
<v Speaker 3>It seems like the little thing. But being an actor,

0:16:29.240 --> 0:16:32.320
<v Speaker 3>you really have to like drive somewhere like all the

0:16:32.400 --> 0:16:35.400
<v Speaker 3>time every day. I'm really into work from home.

0:16:35.680 --> 0:16:37.520
<v Speaker 4>That's like to carely act from home.

0:16:37.640 --> 0:16:41.720
<v Speaker 1>Oh my gosh, show no brought back except.

0:16:41.480 --> 0:16:45.320
<v Speaker 3>For that weird ice Cube movie. Right now, there's like

0:16:45.360 --> 0:16:48.080
<v Speaker 3>the worst ice Cube movie where I thought it was

0:16:48.120 --> 0:16:49.880
<v Speaker 3>going to be so good. I think it's about like,

0:16:51.080 --> 0:16:52.440
<v Speaker 3>I don't know, it's kind of seemed like it was

0:16:52.480 --> 0:16:54.600
<v Speaker 3>gonna be one of those sort of Independence Day type movies,

0:16:54.640 --> 0:16:57.960
<v Speaker 3>but like it's literally shot like on Zoo and I'm like,

0:16:58.040 --> 0:17:00.560
<v Speaker 3>is this the whole movie? I bugged out after ten minutes.

0:17:00.560 --> 0:17:03.480
<v Speaker 3>I was like, this is so bad and even longory,

0:17:03.560 --> 0:17:05.960
<v Speaker 3>isn't it too? Another nine O two one O person?

0:17:06.119 --> 0:17:07.480
<v Speaker 3>I believe she was on nine oh two one?

0:17:07.480 --> 0:17:07.680
<v Speaker 2>Oh?

0:17:07.760 --> 0:17:08.040
<v Speaker 1>Yes?

0:17:09.280 --> 0:17:12.920
<v Speaker 2>Wait when what she was in the episode? I directed?

0:17:13.760 --> 0:17:17.960
<v Speaker 2>And I actually cast her no, which she still remembers

0:17:17.960 --> 0:17:18.959
<v Speaker 2>and gives me credit for.

0:17:19.320 --> 0:17:19.840
<v Speaker 1>Wow.

0:17:20.720 --> 0:17:24.160
<v Speaker 3>Hmm, should we switch to the rubber cement storyline?

0:17:24.320 --> 0:17:25.840
<v Speaker 4>Sure, let's get it over with.

0:17:26.320 --> 0:17:28.240
<v Speaker 1>I did not have one note on the storyline.

0:17:28.240 --> 0:17:31.280
<v Speaker 3>I don't even understand this, you guys. I watched this

0:17:31.359 --> 0:17:34.919
<v Speaker 3>episode twice because I'm not gonna lie. I fell. I

0:17:34.920 --> 0:17:39.720
<v Speaker 3>fell asleep on the first go through, not because of

0:17:39.760 --> 0:17:40.480
<v Speaker 3>the episode, but just.

0:17:40.480 --> 0:17:41.159
<v Speaker 1>Because it was what.

0:17:43.240 --> 0:17:47.119
<v Speaker 3>Tori's cat just came up and it literally reminded me

0:17:47.359 --> 0:17:51.480
<v Speaker 3>of like like a fake cat. Like I was like,

0:17:51.880 --> 0:17:56.119
<v Speaker 3>is that looks feak hi kitty kitty? So here's my question,

0:17:56.760 --> 0:17:59.159
<v Speaker 3>what are we doing? What is he doing? And if

0:17:59.160 --> 0:18:02.760
<v Speaker 3>it's a school, it's so inappropriate that Claire is dressed

0:18:02.840 --> 0:18:06.720
<v Speaker 3>like the Maid and Clue French Maid. I liked that

0:18:06.760 --> 0:18:11.160
<v Speaker 3>part obviously he created rupper cement. Good acting for her though,

0:18:11.240 --> 0:18:13.320
<v Speaker 3>really making it seem like our hand was stuck. But

0:18:13.359 --> 0:18:16.840
<v Speaker 3>then the part that I'm completely befuddled by is they

0:18:16.840 --> 0:18:19.679
<v Speaker 3>go back to the wall shows and they're watching the

0:18:19.800 --> 0:18:22.359
<v Speaker 3>video and then I'm just like, and.

0:18:22.280 --> 0:18:25.280
<v Speaker 4>What is it going somewhere? An assignment?

0:18:25.359 --> 0:18:28.639
<v Speaker 1>Is that I don't know, I don't marketing, maybe a

0:18:28.760 --> 0:18:29.840
<v Speaker 1>marketing class or.

0:18:30.280 --> 0:18:32.439
<v Speaker 2>I was triggered on the first scene when then he

0:18:32.520 --> 0:18:34.400
<v Speaker 2>said the keys. Do you have the keys to the station?

0:18:34.480 --> 0:18:37.200
<v Speaker 2>It's like keys, Oh no, oh, the key again?

0:18:37.560 --> 0:18:40.720
<v Speaker 4>The key again. Because we've we've been had a spoiler alert.

0:18:40.800 --> 0:18:42.720
<v Speaker 1>Someone told us. I can't remember who it is, but

0:18:42.760 --> 0:18:45.440
<v Speaker 1>there's going to be another Lorraine. It's going to be

0:18:45.520 --> 0:18:48.200
<v Speaker 1>another Steve school Handle And I'm just.

0:18:48.560 --> 0:18:52.000
<v Speaker 4>Clinched, like is this it? Is it starting?

0:18:52.520 --> 0:18:59.480
<v Speaker 5>Clinched, clinched, clinch, just don't get it, Like we've got

0:18:59.480 --> 0:19:04.560
<v Speaker 5>this weird Brandon and Trace making out and then.

0:19:04.480 --> 0:19:08.320
<v Speaker 3>Her big racy, let's go back. Isn't that her name? Trace?

0:19:09.359 --> 0:19:09.840
<v Speaker 1>Tracy?

0:19:10.160 --> 0:19:15.320
<v Speaker 3>Nobody called her Trace all the time? Works. Then her

0:19:15.320 --> 0:19:18.200
<v Speaker 3>big fantasy is let's go back to the station and

0:19:18.520 --> 0:19:21.680
<v Speaker 3>finish what we started whatever, But Claire and Steve are

0:19:21.720 --> 0:19:25.879
<v Speaker 3>like presenting the video and I'm like, what is there

0:19:25.880 --> 0:19:27.879
<v Speaker 3>a payoff? Like, it just is nothing.

0:19:28.160 --> 0:19:31.760
<v Speaker 1>There's no rhyme or reason. And he should still be grieving.

0:19:32.400 --> 0:19:36.520
<v Speaker 4>Totally, should still be grieving. He hasn't grieved at all.

0:19:36.840 --> 0:19:39.639
<v Speaker 1>No, he did at the end, right after it happened.

0:19:39.680 --> 0:19:41.320
<v Speaker 1>He grieved and then it went away.

0:19:41.680 --> 0:19:44.919
<v Speaker 2>I did like that sweater that blue, like mock turtlenet

0:19:45.400 --> 0:19:49.119
<v Speaker 2>turtlenet chunky sweater. I like that on him, you liked.

0:19:49.119 --> 0:19:49.879
<v Speaker 3>I did like it.

0:19:49.920 --> 0:19:56.000
<v Speaker 4>Actually, Wow, I know the words you've never said before.

0:19:56.160 --> 0:19:58.719
<v Speaker 2>I know, I understand. But it was like a not

0:19:58.760 --> 0:20:02.719
<v Speaker 2>even a mock turtle. It was barely there chunky though blue.

0:20:03.440 --> 0:20:05.960
<v Speaker 2>I liked it, Okay, it was like it was just

0:20:06.080 --> 0:20:08.600
<v Speaker 2>me like a Lucian Desi moment, right, That was the

0:20:08.600 --> 0:20:11.240
<v Speaker 2>whole shtick with Claire and Steve. But it just didn't.

0:20:11.359 --> 0:20:14.960
<v Speaker 3>But and it's always a tiny bit inappropriate. There's always

0:20:14.960 --> 0:20:16.199
<v Speaker 3>like a hint of being weird.

0:20:16.960 --> 0:20:19.159
<v Speaker 4>Yeah, and I'm just like, oh, God.

0:20:19.560 --> 0:20:22.600
<v Speaker 3>Like her costume is weird. His weird jokes. I was like,

0:20:22.680 --> 0:20:24.639
<v Speaker 3>is he trying to be helf? That's what I was like,

0:20:24.720 --> 0:20:27.359
<v Speaker 3>is he trying to like that? I don't know with

0:20:27.440 --> 0:20:31.960
<v Speaker 3>the makeup talk about with them this episode.

0:20:32.280 --> 0:20:36.120
<v Speaker 2>I just remember that the male writers, older ones were

0:20:36.160 --> 0:20:37.280
<v Speaker 2>really into Claire.

0:20:38.560 --> 0:20:42.520
<v Speaker 4>This is true. Yes, so they made her do things.

0:20:42.320 --> 0:20:45.480
<v Speaker 2>Like I think I think so, like the experience you

0:20:45.520 --> 0:20:48.000
<v Speaker 2>had on Mystery Girls, like when you say into her,

0:20:48.080 --> 0:20:53.480
<v Speaker 2>you know, like weird, like they thought she was cute.

0:20:53.880 --> 0:20:55.879
<v Speaker 1>Yeah, I think they were in hooker by her, like

0:20:56.480 --> 0:20:57.240
<v Speaker 1>beauty in her.

0:20:57.960 --> 0:21:00.600
<v Speaker 2>So we'll do storylines where she might or might not

0:21:00.760 --> 0:21:03.600
<v Speaker 2>be in dress up Yeah.

0:21:03.920 --> 0:21:09.480
<v Speaker 1>Dress up contress. Oh man, Yeah.

0:21:09.320 --> 0:21:09.720
<v Speaker 4>I don't know.

0:21:09.760 --> 0:21:11.680
<v Speaker 1>I don't get it. And Brandon, I don't know why

0:21:11.680 --> 0:21:12.919
<v Speaker 1>he's helping him again.

0:21:12.960 --> 0:21:16.000
<v Speaker 2>Wait is it going somewhere next episode? No, I don't

0:21:16.040 --> 0:21:18.879
<v Speaker 2>think so. It's so ridiculous. He just like made glue,

0:21:19.320 --> 0:21:21.960
<v Speaker 2>but why for what? For his marketing class? So it's

0:21:22.359 --> 0:21:24.800
<v Speaker 2>school related, Yeah.

0:21:24.720 --> 0:21:26.720
<v Speaker 3>School related, and which makes it weird or then he's

0:21:26.880 --> 0:21:43.040
<v Speaker 3>like being so inappropriate? Can we switch to the most

0:21:43.119 --> 0:21:46.280
<v Speaker 3>ridiculous storyline of the episode, which.

0:21:46.040 --> 0:21:49.959
<v Speaker 4>Is wine Jenny Garth, But I'm being the small child

0:21:50.000 --> 0:21:51.040
<v Speaker 4>on your patio.

0:21:50.840 --> 0:21:55.480
<v Speaker 3>And essentially kidnapping him, like nobody in their right mind

0:21:55.600 --> 0:22:00.560
<v Speaker 3>is like, there's a child on my patio. Fake patio

0:22:00.600 --> 0:22:03.520
<v Speaker 3>scene ever, By the way, Oh, clearly that was shot

0:22:04.000 --> 0:22:05.280
<v Speaker 3>in a studio, No.

0:22:05.359 --> 0:22:07.880
<v Speaker 4>On our set. Yeah, and they just had blue paper

0:22:07.960 --> 0:22:08.720
<v Speaker 4>that they pulled.

0:22:08.600 --> 0:22:12.560
<v Speaker 3>Particularly bad, right with like a bad cotton balls to

0:22:12.600 --> 0:22:15.720
<v Speaker 3>make clouds really really bad. But nobody's like, you know

0:22:15.720 --> 0:22:17.720
<v Speaker 3>what I'm gonna do. I'm going to take this kid

0:22:17.760 --> 0:22:20.400
<v Speaker 3>into my house. I'm going to drive him all around town.

0:22:20.440 --> 0:22:23.200
<v Speaker 3>I'm going to take him to the peach pit. And

0:22:23.200 --> 0:22:26.479
<v Speaker 3>immediately I'm like, it's nineteen ninety seven, Like I think

0:22:26.480 --> 0:22:29.760
<v Speaker 3>you're kidnapping him. Like that would be so not okay,

0:22:30.160 --> 0:22:32.199
<v Speaker 3>Like you'd be like, hey, I'm going to help you,

0:22:32.280 --> 0:22:34.720
<v Speaker 3>but I'm immediately going to call the authorities.

0:22:35.280 --> 0:22:38.359
<v Speaker 4>Yeah, that's what Claire recommended. Who does he look like?

0:22:38.640 --> 0:22:40.360
<v Speaker 3>He looks sort of like a mini Steve, I thought.

0:22:40.359 --> 0:22:42.880
<v Speaker 3>And he had a like kind of mullet going. Yeah,

0:22:42.920 --> 0:22:46.680
<v Speaker 3>he actually had the hairstyle the kids are wearing today.

0:22:47.640 --> 0:22:50.520
<v Speaker 2>Wait, sorry, that that's it. When I watched it, I

0:22:50.520 --> 0:22:53.679
<v Speaker 2>thought he looked like Steve. So I thought Steve like

0:22:53.920 --> 0:22:57.040
<v Speaker 2>it was going to pay off the storyline that he

0:22:57.160 --> 0:22:59.600
<v Speaker 2>was grieving and maybe the kid was going to bring

0:22:59.640 --> 0:23:01.880
<v Speaker 2>back memories and Steve was going to help him out.

0:23:02.960 --> 0:23:04.720
<v Speaker 3>It was crazy.

0:23:04.840 --> 0:23:07.159
<v Speaker 1>Oh wait, you said the patio lote fake, but I

0:23:07.200 --> 0:23:09.560
<v Speaker 1>want everybody to know that the plants were real.

0:23:10.200 --> 0:23:13.679
<v Speaker 3>Oh that is a great note because it's the background

0:23:13.720 --> 0:23:14.760
<v Speaker 3>that looks so fake.

0:23:14.920 --> 0:23:17.040
<v Speaker 4>It's like, just no one side.

0:23:17.600 --> 0:23:19.200
<v Speaker 1>You can't shoot towards it.

0:23:20.080 --> 0:23:22.560
<v Speaker 3>No, it looks so bad. But I just was like,

0:23:22.680 --> 0:23:27.960
<v Speaker 3>what is happening? Then he goes into like I don't

0:23:28.000 --> 0:23:31.080
<v Speaker 3>know wherever you go with the police, not police custody,

0:23:31.119 --> 0:23:34.920
<v Speaker 3>but like you're being handled and they lost him.

0:23:35.240 --> 0:23:38.840
<v Speaker 4>They lost him? How did they can't keep him there?

0:23:39.200 --> 0:23:40.000
<v Speaker 2>He just got out.

0:23:40.480 --> 0:23:42.800
<v Speaker 3>They walked out of the house without his backpack. That

0:23:42.880 --> 0:23:45.000
<v Speaker 3>bothered me. I was like, take his backpack?

0:23:45.640 --> 0:23:46.280
<v Speaker 1>Why would they?

0:23:46.520 --> 0:23:46.760
<v Speaker 5>Why?

0:23:46.800 --> 0:23:50.480
<v Speaker 1>How could he get out of like social service custody?

0:23:50.680 --> 0:23:53.040
<v Speaker 4>You can't hello, where's this going?

0:23:53.119 --> 0:23:53.399
<v Speaker 2>Though?

0:23:53.560 --> 0:23:58.800
<v Speaker 4>It's continuing, it's continuing. What oh yeah, don't say that.

0:24:00.200 --> 0:24:03.280
<v Speaker 3>He's gonna find you. He finds you again. The whole

0:24:03.280 --> 0:24:03.880
<v Speaker 3>thing is.

0:24:04.320 --> 0:24:05.920
<v Speaker 4>Bonkers, bonkers.

0:24:05.960 --> 0:24:07.320
<v Speaker 1>I don't want Kelly to be found.

0:24:07.760 --> 0:24:10.560
<v Speaker 3>It so bonkers. There's this guy on Instagram I wish

0:24:10.560 --> 0:24:12.600
<v Speaker 3>I knew his name who makes fun of weird episodes

0:24:12.600 --> 0:24:15.199
<v Speaker 3>of TV, and this one should be he should do

0:24:15.240 --> 0:24:19.880
<v Speaker 3>it because it's just totally bizarre. How can he survive?

0:24:20.080 --> 0:24:22.920
<v Speaker 1>That he's so little, like how did he survive well?

0:24:23.720 --> 0:24:27.720
<v Speaker 4>From Phoenix to Los angeless a bus? Like what wait,

0:24:27.800 --> 0:24:28.679
<v Speaker 4>what's going to happen?

0:24:29.560 --> 0:24:30.119
<v Speaker 1>I don't know.

0:24:30.200 --> 0:24:32.520
<v Speaker 3>He comes back and they probably find his mom and it's.

0:24:32.359 --> 0:24:35.040
<v Speaker 4>All fine, Oh you said bonkers. I thought something cool.

0:24:35.080 --> 0:24:35.199
<v Speaker 2>Now.

0:24:35.400 --> 0:24:38.480
<v Speaker 3>I just think it's crazy that, like this is our storyline,

0:24:39.000 --> 0:24:42.160
<v Speaker 3>Like why maybe because you're pregnant and you just told

0:24:42.200 --> 0:24:44.000
<v Speaker 3>everybody and they wanted you to be motherly because he's like,

0:24:44.040 --> 0:24:46.359
<v Speaker 3>you'd be a great mom and you're like, tell my mom.

0:24:46.640 --> 0:24:51.440
<v Speaker 1>Yeah, I guess they were giving me practice.

0:24:51.720 --> 0:24:53.920
<v Speaker 4>They were like, let's get her warmed up to being

0:24:53.920 --> 0:24:54.240
<v Speaker 4>a mom.

0:24:54.320 --> 0:24:57.240
<v Speaker 2>Let's give He looked great in those overalls, though, I

0:24:57.359 --> 0:24:59.480
<v Speaker 2>want her for those like linen overalls.

0:24:59.560 --> 0:25:02.080
<v Speaker 4>It they were corduroy heavy, they were good.

0:25:02.280 --> 0:25:03.000
<v Speaker 1>I remember.

0:25:04.320 --> 0:25:06.600
<v Speaker 3>For me, I'm picturing a bunch of writers in a

0:25:06.600 --> 0:25:09.240
<v Speaker 3>writer's room being like, we've been doing this for seven years?

0:25:09.280 --> 0:25:12.760
<v Speaker 3>What else can we do? Because then we go to

0:25:12.800 --> 0:25:14.760
<v Speaker 3>the next storyline and also what.

0:25:14.680 --> 0:25:16.840
<v Speaker 1>Does Kelly do with her life? Like why she's just

0:25:16.880 --> 0:25:18.840
<v Speaker 1>always at home? And like, oh, so she finds a

0:25:18.920 --> 0:25:20.560
<v Speaker 1>kid on the porch and then she spends two days

0:25:20.560 --> 0:25:22.800
<v Speaker 1>with them, doesn't she have any plans or life of

0:25:22.840 --> 0:25:26.119
<v Speaker 1>her own, so she can just drop everything and and.

0:25:27.040 --> 0:25:30.199
<v Speaker 3>Not think that there's like what, nobody's just taking in

0:25:30.240 --> 0:25:30.760
<v Speaker 3>a kid?

0:25:31.480 --> 0:25:35.800
<v Speaker 1>I don't know. I don't know. And also the weird

0:25:35.840 --> 0:25:39.159
<v Speaker 1>part is that the episode ends on that storyline, like really,

0:25:39.240 --> 0:25:40.200
<v Speaker 1>that's right, that's.

0:25:40.040 --> 0:25:42.840
<v Speaker 3>A dumb that's our big cliffhanger.

0:25:43.040 --> 0:25:44.800
<v Speaker 4>Whose kid? Was he? Somebody's kid?

0:25:44.920 --> 0:25:45.040
<v Speaker 5>Like?

0:25:45.119 --> 0:25:46.600
<v Speaker 4>Why this storyline?

0:25:46.760 --> 0:25:48.560
<v Speaker 3>I literally am telling you. I think they sat in

0:25:48.560 --> 0:25:50.800
<v Speaker 3>a room and we're like, we don't know what to

0:25:50.880 --> 0:25:53.119
<v Speaker 3>do that she can't be they crap up?

0:25:54.080 --> 0:25:57.080
<v Speaker 4>This is crazy. Then it's crazy.

0:25:57.600 --> 0:25:59.840
<v Speaker 1>Well, maybe it will come in more to focus when

0:25:59.880 --> 0:26:00.920
<v Speaker 1>we see where it goes next.

0:26:01.359 --> 0:26:03.920
<v Speaker 4>He's forty now that kid.

0:26:05.000 --> 0:26:07.119
<v Speaker 1>Wait, we have to talk about the Donna Davis storyland

0:26:07.119 --> 0:26:08.800
<v Speaker 1>because it's so good. This is a really good part

0:26:08.800 --> 0:26:10.880
<v Speaker 1>of the show. You didn't like it, I could tell

0:26:10.920 --> 0:26:11.560
<v Speaker 1>by No.

0:26:11.720 --> 0:26:13.800
<v Speaker 3>I like it a lot. I like it a lot?

0:26:14.000 --> 0:26:15.159
<v Speaker 1>Right, I mean, but is it?

0:26:15.160 --> 0:26:16.439
<v Speaker 4>Does it start out for you?

0:26:16.560 --> 0:26:16.639
<v Speaker 5>That?

0:26:17.600 --> 0:26:21.159
<v Speaker 1>Okay? That is clearly a picture of actually Donna and

0:26:21.280 --> 0:26:22.280
<v Speaker 1>d so crazy.

0:26:22.920 --> 0:26:27.000
<v Speaker 2>We are not stupidest problem with it.

0:26:27.080 --> 0:26:28.960
<v Speaker 4>And you think you think he looks like me?

0:26:30.160 --> 0:26:32.439
<v Speaker 2>It is you first of all, we how cute is

0:26:32.520 --> 0:26:34.200
<v Speaker 2>June Lockheart great?

0:26:34.400 --> 0:26:39.840
<v Speaker 3>She is amazing. She for people that are wondering, he's correct. Lassie.

0:26:39.880 --> 0:26:43.600
<v Speaker 3>She did two hundred and eight episodes of Lassie and

0:26:43.600 --> 0:26:51.280
<v Speaker 3>the six episodes of Petticoat Junction, and then it wasn't

0:26:51.280 --> 0:26:55.679
<v Speaker 3>about one million episodes of everything else. Yeah, why did

0:26:55.680 --> 0:26:58.600
<v Speaker 3>I think she was normal? Because you are thinking of

0:26:58.880 --> 0:27:01.879
<v Speaker 3>I believe Angela kurt Right. No, June Lockhart was in

0:27:02.000 --> 0:27:05.200
<v Speaker 3>Lost in Space. I just don't know how many episodes

0:27:05.240 --> 0:27:08.760
<v Speaker 3>she did. Let me find out. She definitely did like

0:27:09.240 --> 0:27:12.560
<v Speaker 3>jobs of Lassie episodes. Let's see how many episodes.

0:27:12.400 --> 0:27:15.880
<v Speaker 4>I knew her from when? Because when she came once,

0:27:16.880 --> 0:27:17.280
<v Speaker 4>I don't know.

0:27:17.320 --> 0:27:20.120
<v Speaker 1>But that wouldn't be a dream job to be on Lassie.

0:27:20.760 --> 0:27:24.120
<v Speaker 1>I would have liked that. It's to play opposite a dog.

0:27:25.080 --> 0:27:27.240
<v Speaker 4>In June twenty fifth this year, you guys, she turned

0:27:27.240 --> 0:27:27.800
<v Speaker 4>one hundred.

0:27:28.400 --> 0:27:32.920
<v Speaker 3>No, it's amazing. She did do eighty four episodes of

0:27:32.960 --> 0:27:35.240
<v Speaker 3>Lost in Space. Also, sorry, she was on there the

0:27:35.280 --> 0:27:35.760
<v Speaker 3>whole time.

0:27:37.240 --> 0:27:38.879
<v Speaker 4>No, she's one of the Okay sisters.

0:27:38.880 --> 0:27:41.720
<v Speaker 3>But I know he's like, No, she's Maureene Robinson. Yeah,

0:27:41.760 --> 0:27:44.720
<v Speaker 3>I think she might have been the mom. She's the mom.

0:27:45.200 --> 0:27:46.560
<v Speaker 3>I thinks missus Robinson.

0:27:49.920 --> 0:27:50.320
<v Speaker 4>I don't know.

0:27:50.440 --> 0:27:52.320
<v Speaker 1>I just felt like the story started out and I

0:27:52.359 --> 0:27:56.840
<v Speaker 1>was like, Donna and David seem miserable, Like why are

0:27:56.840 --> 0:28:00.919
<v Speaker 1>they going anywhere together in that geep because they just

0:28:00.920 --> 0:28:02.360
<v Speaker 1>don't look like they're having a good time.

0:28:03.040 --> 0:28:05.040
<v Speaker 4>I didn't know what was going to happen, but I

0:28:05.119 --> 0:28:07.320
<v Speaker 4>was like, did we have a fight off camera or something?

0:28:07.400 --> 0:28:07.480
<v Speaker 5>Like?

0:28:07.600 --> 0:28:12.080
<v Speaker 4>It just started? Is the last episode you guys left kissing?

0:28:12.160 --> 0:28:12.320
<v Speaker 1>Right?

0:28:12.400 --> 0:28:13.480
<v Speaker 4>Was that the last back?

0:28:13.600 --> 0:28:15.520
<v Speaker 3>She runs to him?

0:28:15.560 --> 0:28:18.960
<v Speaker 1>I chose him, and then they're just all like depressed

0:28:19.000 --> 0:28:19.840
<v Speaker 1>and angry h other.

0:28:19.840 --> 0:28:21.639
<v Speaker 3>Well, I think we're supposed to think that it's all

0:28:21.640 --> 0:28:25.439
<v Speaker 3>about like because missus Martin doesn't like him and this

0:28:25.600 --> 0:28:27.440
<v Speaker 3>is a real problem, and how are we going to

0:28:27.520 --> 0:28:27.959
<v Speaker 3>deal with this?

0:28:28.280 --> 0:28:28.520
<v Speaker 4>Now?

0:28:28.680 --> 0:28:31.480
<v Speaker 3>My question is, if Grandma has that very beautiful house

0:28:31.560 --> 0:28:34.439
<v Speaker 3>in San Luis Obispo, why are you staying in the

0:28:34.480 --> 0:28:36.879
<v Speaker 3>grossest motel six of all time?

0:28:38.000 --> 0:28:38.280
<v Speaker 4>Yeah?

0:28:38.480 --> 0:28:38.959
<v Speaker 1>I don't know.

0:28:39.240 --> 0:28:43.800
<v Speaker 4>Yeah, they both have money. It's weird. I remember filming that.

0:28:43.920 --> 0:28:48.320
<v Speaker 3>Set that this set design was very good at this Yeah.

0:28:48.200 --> 0:28:50.320
<v Speaker 2>It was on our set, it wasn't I love it.

0:28:50.680 --> 0:28:53.200
<v Speaker 1>How do we feel about ginger snaps? I'm just curious,

0:28:54.760 --> 0:28:56.760
<v Speaker 1>is that as a common grandma snack, Like when you

0:28:56.800 --> 0:28:58.720
<v Speaker 1>go to grandma's house, they gave ginger snaps.

0:28:58.880 --> 0:29:00.120
<v Speaker 2>Are you asking me that?

0:29:00.240 --> 0:29:01.160
<v Speaker 4>Yeah, I don't know.

0:29:01.840 --> 0:29:03.440
<v Speaker 1>I don't that's alive.

0:29:04.760 --> 0:29:06.920
<v Speaker 2>One of the writers must have said, my grandma always

0:29:06.960 --> 0:29:08.080
<v Speaker 2>gave me ginger snaps.

0:29:08.360 --> 0:29:11.440
<v Speaker 1>Oh my gosh, but you're dancing in your costumes and

0:29:11.480 --> 0:29:15.320
<v Speaker 1>your hair and your makeup. I loved every second of it.

0:29:15.480 --> 0:29:17.360
<v Speaker 1>I was sucked in. I wanted to watch a whole

0:29:17.400 --> 0:29:21.160
<v Speaker 1>movie about Donna in that era. I really did.

0:29:22.040 --> 0:29:24.920
<v Speaker 2>They always, the writers and producers always would say to

0:29:24.960 --> 0:29:27.360
<v Speaker 2>me like, oh my gosh, with your eyes now, your

0:29:27.360 --> 0:29:29.720
<v Speaker 2>hair dark, like you should have been an old movie star.

0:29:30.160 --> 0:29:32.400
<v Speaker 4>And they would always say like Clara Bell and like

0:29:32.640 --> 0:29:33.720
<v Speaker 4>you know from the Ford.

0:29:33.800 --> 0:29:36.640
<v Speaker 2>I don't know, so, but this is so much inspired

0:29:36.640 --> 0:29:39.280
<v Speaker 2>by like my dad was in World War Two. He

0:29:39.320 --> 0:29:43.000
<v Speaker 2>had that near fatal accident, never flew again, So there's

0:29:43.040 --> 0:29:45.320
<v Speaker 2>a lot of pull from that with I.

0:29:45.400 --> 0:29:47.480
<v Speaker 3>Thought so too. Yeah, there was a lot of that.

0:29:47.680 --> 0:29:48.320
<v Speaker 3>I noticed.

0:29:48.880 --> 0:29:51.600
<v Speaker 1>How do you think that happens? Because like, the writers

0:29:51.600 --> 0:29:54.280
<v Speaker 1>are doing their thing and your dad's been a whole different,

0:29:54.600 --> 0:29:57.600
<v Speaker 1>you know, part of the city doing his thing, And

0:29:57.840 --> 0:30:00.840
<v Speaker 1>how do you think that Like stuff from his life

0:30:01.320 --> 0:30:02.400
<v Speaker 1>got into the writer's room.

0:30:02.840 --> 0:30:04.400
<v Speaker 3>They're doing it on purpose as like a wink.

0:30:04.520 --> 0:30:07.080
<v Speaker 2>But you tell to no, no, no, I agree, I

0:30:07.080 --> 0:30:08.920
<v Speaker 2>mean because they all know his story and everything. And

0:30:08.960 --> 0:30:14.000
<v Speaker 2>I'm sure just you know, rubber Cement in World War two,

0:30:14.120 --> 0:30:14.880
<v Speaker 2>Aaron I was.

0:30:15.240 --> 0:30:18.920
<v Speaker 3>The timeline track that they didn't mess up. The timeline,

0:30:19.120 --> 0:30:22.880
<v Speaker 3>like all the dates worked. That would be when your

0:30:23.000 --> 0:30:26.400
<v Speaker 3>dad was born. All that worked, because that would have

0:30:26.440 --> 0:30:28.760
<v Speaker 3>been a bummer if they like had the history wrong.

0:30:29.040 --> 0:30:30.760
<v Speaker 3>I felt like they did do a good job there.

0:30:30.920 --> 0:30:34.800
<v Speaker 1>It was so devastating though, when she kisses him goodbye

0:30:34.880 --> 0:30:36.240
<v Speaker 1>and she says I'm pregnant.

0:30:36.680 --> 0:30:37.800
<v Speaker 3>I know, we know.

0:30:37.960 --> 0:30:40.360
<v Speaker 1>She says, I never saw him again. It was so Titanic.

0:30:40.480 --> 0:30:44.960
<v Speaker 2>I loved it, right, Titanic mixed with like the notebook.

0:30:45.400 --> 0:31:00.440
<v Speaker 2>Oh yeah, I loved all those costs.

0:31:00.520 --> 0:31:01.160
<v Speaker 3>That's all I know.

0:31:01.960 --> 0:31:02.360
<v Speaker 4>I bet.

0:31:02.440 --> 0:31:05.040
<v Speaker 1>However, did you have to learn that dance or what?

0:31:05.880 --> 0:31:08.840
<v Speaker 2>Oh my god? So a choreographer came and then Louis

0:31:09.880 --> 0:31:11.800
<v Speaker 2>Yes was our stand in.

0:31:11.840 --> 0:31:12.600
<v Speaker 4>Our stand in?

0:31:12.720 --> 0:31:15.360
<v Speaker 2>And also was was he in Soul Train or like

0:31:15.480 --> 0:31:19.360
<v Speaker 2>remember he was? He was, but I really never he

0:31:19.400 --> 0:31:22.600
<v Speaker 2>was a pro dance great, but he was a pro

0:31:22.680 --> 0:31:25.959
<v Speaker 2>dancer in like his early years, and so he they

0:31:26.000 --> 0:31:27.320
<v Speaker 2>had somebody and then he did.

0:31:27.240 --> 0:31:28.800
<v Speaker 4>All the moves with us as well.

0:31:29.320 --> 0:31:31.920
<v Speaker 2>I just remember Brian and I practiced for so long

0:31:32.040 --> 0:31:34.440
<v Speaker 2>and we had all these like flips.

0:31:35.040 --> 0:31:36.240
<v Speaker 4>Brian and I could still.

0:31:36.040 --> 0:31:37.920
<v Speaker 2>Do the like one where he picks me up and

0:31:38.160 --> 0:31:41.280
<v Speaker 2>puts me on one side the other side and then

0:31:41.320 --> 0:31:45.160
<v Speaker 2>I split into the middle. But I remember we filmed

0:31:45.200 --> 0:31:47.760
<v Speaker 2>all day and it was super hot, and I was

0:31:47.760 --> 0:31:51.280
<v Speaker 2>feeling really sick that night that they didn't get to

0:31:51.320 --> 0:31:53.680
<v Speaker 2>that scene, the dancing scene, until it was like after

0:31:53.800 --> 0:31:56.840
<v Speaker 2>midnight that night, and we had been like filming everywhere,

0:31:57.240 --> 0:32:00.040
<v Speaker 2>and when we went to do it, I did some

0:32:00.200 --> 0:32:01.920
<v Speaker 2>of it but felt like I was going to pass out.

0:32:02.160 --> 0:32:04.600
<v Speaker 4>So I think the big flip and everything they've cut,

0:32:05.960 --> 0:32:09.200
<v Speaker 4>she just gets whatever was there. It was fun to watch.

0:32:09.800 --> 0:32:13.000
<v Speaker 3>My only beef is that your nail color as Donna

0:32:13.400 --> 0:32:15.280
<v Speaker 3>was exactly the same nail color.

0:32:15.880 --> 0:32:17.880
<v Speaker 4>There's no time to change it your.

0:32:17.760 --> 0:32:20.320
<v Speaker 3>Grandmother, And I felt like they show, oh my god,

0:32:20.520 --> 0:32:21.400
<v Speaker 3>you noticed that.

0:32:21.400 --> 0:32:22.480
<v Speaker 4>That's hilarious.

0:32:22.920 --> 0:32:25.960
<v Speaker 1>Well it makes sense because she's holding the letters a lot,

0:32:27.040 --> 0:32:30.440
<v Speaker 1>but yeah, I mean, yeah, it is really hurt. So

0:32:30.920 --> 0:32:32.880
<v Speaker 1>I mean, according to the picture, it's just Donna.

0:32:33.440 --> 0:32:36.800
<v Speaker 2>That was the part where I was like, the red nails,

0:32:36.880 --> 0:32:39.240
<v Speaker 2>that's what, that's what staying off the deep end in

0:32:39.240 --> 0:32:41.240
<v Speaker 2>the set, the shark right there.

0:32:41.920 --> 0:32:44.760
<v Speaker 3>Well, and also just like I almost think it would

0:32:44.800 --> 0:32:47.560
<v Speaker 3>have been I don't know, because I get why they

0:32:47.600 --> 0:32:51.480
<v Speaker 3>had you and and Brian playing the grandparents, but it

0:32:51.560 --> 0:32:53.880
<v Speaker 3>was just a little bit hard for me to like

0:32:55.520 --> 0:32:59.080
<v Speaker 3>to not realize like maybe I needed I don't know,

0:32:59.560 --> 0:33:02.480
<v Speaker 3>Jason Priestley makeup like he played the jewelry guy. I

0:33:02.480 --> 0:33:04.480
<v Speaker 3>don't know. That was a little bit for me, Like,

0:33:07.080 --> 0:33:08.560
<v Speaker 3>I don't know, I really.

0:33:09.080 --> 0:33:12.240
<v Speaker 1>So apparently I think I'm jumping back to one thing,

0:33:12.360 --> 0:33:14.840
<v Speaker 1>but I wanted to tell everybody that the house that

0:33:14.880 --> 0:33:17.400
<v Speaker 1>the guide the actor guy buys, oh yeah, it's in

0:33:17.520 --> 0:33:18.960
<v Speaker 1>Eagle Rock and it's still there.

0:33:19.440 --> 0:33:21.760
<v Speaker 3>And does it look like that has it been redone?

0:33:22.080 --> 0:33:27.840
<v Speaker 1>I don't think so from the looks of this picture.

0:33:27.960 --> 0:33:31.080
<v Speaker 1>Come over with his hammer and nails. But wait back

0:33:31.080 --> 0:33:36.200
<v Speaker 1>to you because I just thought, like, okay, Grammy just

0:33:36.320 --> 0:33:39.520
<v Speaker 1>gave you the okay basically to do the deed.

0:33:40.680 --> 0:33:43.160
<v Speaker 4>I now, I think was that like the.

0:33:43.120 --> 0:33:46.960
<v Speaker 1>Deciding factor for Donna because it seemed pretty leading to

0:33:47.080 --> 0:33:48.120
<v Speaker 1>like I'm going to do it and.

0:33:48.160 --> 0:33:52.880
<v Speaker 2>IP, yeah, yeah, I know. All I kept thinking is

0:33:53.160 --> 0:33:58.120
<v Speaker 2>where's that cross that'd be worth a pretty penny? Maybe

0:33:58.160 --> 0:34:01.560
<v Speaker 2>Iron has its kidding. I'm just saying that because he

0:34:01.600 --> 0:34:05.040
<v Speaker 2>always talks about having things and having we have nothing,

0:34:05.440 --> 0:34:08.960
<v Speaker 2>and we have nothing. Oh my gosh, my.

0:34:08.960 --> 0:34:10.120
<v Speaker 4>Gosh, it was good.

0:34:10.200 --> 0:34:11.560
<v Speaker 1>I enjoyed that part so much.

0:34:11.600 --> 0:34:12.319
<v Speaker 4>So great job.

0:34:12.600 --> 0:34:16.960
<v Speaker 2>I have to admit, though this episode my storyline, I

0:34:17.000 --> 0:34:19.799
<v Speaker 2>had built it up way more in my head. So

0:34:19.840 --> 0:34:22.280
<v Speaker 2>I was super excited to reconnect and see it again

0:34:22.400 --> 0:34:26.800
<v Speaker 2>with fresh eyes. And I was a little let down.

0:34:27.680 --> 0:34:30.840
<v Speaker 2>Why this episode mattered so much to me and it

0:34:30.920 --> 0:34:34.120
<v Speaker 2>stood out to me over these thirty years in such

0:34:34.120 --> 0:34:37.719
<v Speaker 2>an impactful way, and watching it back, I guess in

0:34:37.760 --> 0:34:41.240
<v Speaker 2>my mind it was a bigger storyline and more happened.

0:34:41.440 --> 0:34:43.879
<v Speaker 4>Why do you think it was so impactful? I don't know.

0:34:44.040 --> 0:34:45.680
<v Speaker 4>That's what I'm trying to search for. I don't.

0:34:45.960 --> 0:34:48.719
<v Speaker 1>I think it gave you, as an actress, opportunity.

0:34:48.200 --> 0:34:51.080
<v Speaker 4>To show that side of you and to show your.

0:34:51.120 --> 0:34:54.360
<v Speaker 1>Channge, like to show you that you know, I think

0:34:54.800 --> 0:34:57.680
<v Speaker 1>everybody wants to do a period piece like that's true

0:34:57.719 --> 0:35:00.040
<v Speaker 1>now and so I can get I get that.

0:35:00.440 --> 0:35:03.319
<v Speaker 2>And I'm just such a believer in love that. I

0:35:03.360 --> 0:35:05.759
<v Speaker 2>think it was like such an old time movie I

0:35:05.800 --> 0:35:07.880
<v Speaker 2>would have watched and been in love with when I

0:35:07.920 --> 0:35:10.560
<v Speaker 2>was that age, So I think that has always stayed

0:35:10.560 --> 0:35:10.840
<v Speaker 2>with me.

0:35:11.280 --> 0:35:17.080
<v Speaker 4>It was the Notebook basically, yeah, before the Notebook, correct, Yeah.

0:35:16.960 --> 0:35:18.600
<v Speaker 3>Yeah, no, yeah, the Notebook. I don't know when the

0:35:18.600 --> 0:35:21.799
<v Speaker 3>book was written early two thousands, right, I mean it's

0:35:21.840 --> 0:35:24.680
<v Speaker 3>not totally the Notebook because it's not you picking two people,

0:35:24.719 --> 0:35:26.439
<v Speaker 3>but it's a vibe.

0:35:26.640 --> 0:35:29.879
<v Speaker 1>The letters, and yeah, I liked it so much. Though, Wait,

0:35:29.920 --> 0:35:31.440
<v Speaker 1>what do you guys give this episode?

0:35:31.920 --> 0:35:32.120
<v Speaker 2>Do you?

0:35:32.160 --> 0:35:34.160
<v Speaker 4>I think I looked a little bit like June Lockhart,

0:35:34.160 --> 0:35:34.720
<v Speaker 4>don't you think?

0:35:34.960 --> 0:35:38.320
<v Speaker 3>No, you looked like you for sure, but you were you?

0:35:38.320 --> 0:35:39.520
<v Speaker 3>You exactly were you.

0:35:39.719 --> 0:35:41.319
<v Speaker 4>But then when I looked at her face sitting there,

0:35:41.320 --> 0:35:45.439
<v Speaker 4>I'm like, I could see, yeah, I see they think yeah, Amy.

0:35:45.480 --> 0:35:48.680
<v Speaker 4>I was telling Jen last week that I.

0:35:48.360 --> 0:35:52.440
<v Speaker 2>Kept it's somewhere here a polaroid of me and June Lockhart,

0:35:52.719 --> 0:35:55.279
<v Speaker 2>and I never took it was polaroids back then, but

0:35:55.280 --> 0:35:58.360
<v Speaker 2>I never sad pictures with guest cast or anything. But

0:35:58.719 --> 0:36:01.200
<v Speaker 2>I loved working with her so much. She was so

0:36:01.320 --> 0:36:05.560
<v Speaker 2>kind and it felt like such a real connection, and

0:36:05.640 --> 0:36:08.239
<v Speaker 2>I guess I wanted that gramm. I never My grandparents

0:36:08.320 --> 0:36:10.640
<v Speaker 2>died when I was really young, so I never had that.

0:36:11.040 --> 0:36:11.799
<v Speaker 4>And it went so much.

0:36:11.800 --> 0:36:14.680
<v Speaker 2>And I kept that polaroid through my entire life, like

0:36:14.719 --> 0:36:15.799
<v Speaker 2>it always moved with me.

0:36:15.840 --> 0:36:18.080
<v Speaker 4>It would go in my bathroom. I have to find

0:36:18.120 --> 0:36:18.800
<v Speaker 4>it's here somewhere.

0:36:18.840 --> 0:36:21.880
<v Speaker 3>But yeah, she also seemed very like she did not

0:36:21.960 --> 0:36:24.480
<v Speaker 3>need that cane, like, because I think about it, if

0:36:24.480 --> 0:36:26.720
<v Speaker 3>she's one hundred now, thirty years ago she was seventy.

0:36:27.200 --> 0:36:28.400
<v Speaker 3>I mean that lady's amazing.

0:36:28.480 --> 0:36:30.400
<v Speaker 2>She did not see I went back and looked, and

0:36:30.400 --> 0:36:32.799
<v Speaker 2>I was like, yeah, no, seventy. Wow, she wasn't like that.

0:36:32.840 --> 0:36:36.760
<v Speaker 2>She was feisty and fun and such an amazing woman.

0:36:37.120 --> 0:36:39.960
<v Speaker 1>Well, well, seventy is the new fifty now, so.

0:36:41.840 --> 0:36:43.440
<v Speaker 3>She's one hundred.

0:36:43.719 --> 0:36:44.640
<v Speaker 4>What do you guys rate it?

0:36:45.239 --> 0:36:47.360
<v Speaker 3>Nine? Eight point five? Seven?

0:36:47.680 --> 0:36:51.280
<v Speaker 4>Do you get finally it's settling into seven?

0:36:51.320 --> 0:36:53.840
<v Speaker 2>Okay, you said you go with your gut always and

0:36:53.840 --> 0:36:55.360
<v Speaker 2>then you just changed it three times.

0:36:55.400 --> 0:36:58.399
<v Speaker 3>Told me I was definitely overstating it.

0:37:00.400 --> 0:37:01.560
<v Speaker 4>I would give it.

0:37:02.440 --> 0:37:04.640
<v Speaker 1>I want to give the part that I loved, which

0:37:04.800 --> 0:37:08.040
<v Speaker 1>was the throwback stuff, a ten, but I want to

0:37:08.160 --> 0:37:10.760
<v Speaker 1>give the rest of it like a seven.

0:37:11.840 --> 0:37:15.400
<v Speaker 3>Yeah, it's unfortunately to your storyline. That's also really dragging

0:37:15.440 --> 0:37:15.880
<v Speaker 3>it down.

0:37:16.080 --> 0:37:17.480
<v Speaker 1>Yeah, I'm sorry, guys.

0:37:17.239 --> 0:37:18.600
<v Speaker 3>It's just so bizarre.

0:37:19.280 --> 0:37:20.400
<v Speaker 2>It was the kid, it wasn't you.

0:37:20.880 --> 0:37:23.000
<v Speaker 3>Yeah, you played it well, you played it well.

0:37:23.440 --> 0:37:23.600
<v Speaker 5>Well.

0:37:23.600 --> 0:37:25.920
<v Speaker 2>Now I feel the need to have to like up

0:37:25.960 --> 0:37:28.200
<v Speaker 2>it because you guys have gone down. But I'm going

0:37:28.239 --> 0:37:29.160
<v Speaker 2>to settle at an eight.

0:37:29.480 --> 0:37:31.000
<v Speaker 1>I think you should give it a ten because it

0:37:31.040 --> 0:37:34.440
<v Speaker 1>meant so much to you and you should just acknowledge that,

0:37:34.560 --> 0:37:35.560
<v Speaker 1>be proud of it, own it.

0:37:35.640 --> 0:37:38.839
<v Speaker 2>Yeah, okay, thank you, Okay, ten, give it a ten.

0:37:39.080 --> 0:37:43.680
<v Speaker 4>Ten. Okay, what have we got next week?

0:37:44.239 --> 0:37:46.120
<v Speaker 3>Something crazy, something unhippen.

0:37:46.239 --> 0:37:48.640
<v Speaker 4>Let's hope it gets a little bit better. Yeah, I

0:37:48.719 --> 0:37:51.520
<v Speaker 4>missed crazy on this show, like soap us up.

0:37:51.840 --> 0:37:57.360
<v Speaker 1>Let's see we have a storm warning episode twenty three. Ooh,

0:37:57.480 --> 0:37:58.560
<v Speaker 1>I like storms.

0:37:58.760 --> 0:38:01.680
<v Speaker 4>Yeah, it's always good when when fluids are involved.

0:38:02.239 --> 0:38:04.959
<v Speaker 3>That kid's definitely back, Oh, the little kid.

0:38:05.000 --> 0:38:07.279
<v Speaker 1>What about the Hondey guy, the actor boy, he's bad

0:38:07.400 --> 0:38:09.239
<v Speaker 1>Jason Lewis, Yeah, he's going back.

0:38:09.400 --> 0:38:10.960
<v Speaker 3>He's around for like four episodes.

0:38:11.080 --> 0:38:13.040
<v Speaker 1>Yeah, I don't I just don't want to see the

0:38:13.080 --> 0:38:15.040
<v Speaker 1>kid again. No offense, kid, but like I don't know,

0:38:15.080 --> 0:38:15.560
<v Speaker 1>I was boring.

0:38:16.960 --> 0:38:17.479
<v Speaker 3>He's back.

0:38:19.280 --> 0:38:22.640
<v Speaker 1>Well, that's it for this episode. You guys, hope you

0:38:22.880 --> 0:38:24.719
<v Speaker 1>had a good time with us today.

0:38:24.920 --> 0:38:27.440
<v Speaker 4>Bye bye,