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Speaker 1: It's nine O gene one Engine with Jenny Garth and

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Speaker 1: Tory Spelling.

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Speaker 2: Amy. We missed you last week.

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Speaker 3: I missed you, guys. I can I'll comment. I didn't

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Speaker 3: think it was as bad as you guys did.

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Speaker 4: Really we wondered what you would think. But Jen a

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Speaker 4: bad score? No, and Jen filled in nicely. She was

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Speaker 4: she was the super fan.

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Speaker 3: I g I said it was one of the most

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Speaker 3: boring episodes ever though, or something like that.

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Speaker 1: I said that, yep, I've got a high score because

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Speaker 1: of the because of the death.

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Speaker 4: Yeah, yeah, this is true.

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Speaker 2: Okay, so give us like the two minute like recap

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Speaker 2: of what you would have said.

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Speaker 1: Wait, Amy, okay, tell us what you would think about

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Speaker 1: last week's episodes since you weren't here.

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Speaker 3: I'm very sorry I was not here. Also that all

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Speaker 3: the people that reached out about my arm Jenny when

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Speaker 3: I had arm, are you better? Yeah, I can totally

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Speaker 3: raise my arm now. It was. It's a good episode

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Speaker 3: with a drug ramatic turn. One of my main problems

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Speaker 3: is tone, right, You're going so dramatic in one part

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Speaker 3: and then other parts like don't fit.

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Speaker 4: Yeah, and I would say.

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Speaker 3: The acting was like maybe not at the top of

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Speaker 3: the game.

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Speaker 4: Who are we talking about?

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Speaker 3: If it's us, please say, because I didn't think it

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Speaker 3: was you guys.

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Speaker 2: You know what she's gonna say, Oh no, it's really

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Speaker 2: hard to like hard.

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Speaker 3: To portray what all went down, and just parts I

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Speaker 3: was just like, oh man, this is a lot to

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Speaker 3: take in. It's just a lot to take in.

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Speaker 2: And also did you like Dick's death though, I mean

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Speaker 2: don't not like it.

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Speaker 3: It's just aggressive, too aggressive.

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Speaker 4: And it's also you can't un see it. Well.

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Speaker 3: Also the fact that Steve save me some of that

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Speaker 3: heroine Like, really, dude.

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Speaker 4: I know Steve la'st what we said that would never happen.

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Speaker 3: It was just too crappy doing drugs all of a sudden,

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Speaker 3: and I just don't buy it. But dramatic turn. It

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Speaker 3: leads me to this episode because I think we've got

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Speaker 3: sort of an overall situation going on.

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Speaker 2: Uh oh no, I agree. I know what she's going

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Speaker 2: to say. Oh man, are we talking shark here? Now?

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Speaker 3: We're yeah, we're like, we're not jumping the shark, but

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Speaker 3: we're swimming with the shark.

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Speaker 1: We're swimming with the shark.

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Speaker 3: Something is happening and I cannot wait to get into

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Speaker 3: this episode. Because there are some real problems in this.

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Speaker 2: Episode, but we can make a comeback, right everyone, we

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Speaker 2: have to just tell it.

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Speaker 1: Let's tell everybody what we're doing, because she's ready to go.

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Speaker 1: You guys, let's see our super fan is souped up.

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Speaker 2: Give it a scory and maybe from last week before

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Speaker 2: we go in.

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Speaker 3: I'm still going to give that like a nine because

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Speaker 3: of the shocking death, like like okay, you know, I

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Speaker 3: rate it like real out of my gut, like here's

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Speaker 3: what I'm feeling, and like.

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Speaker 2: It was nappy.

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Speaker 3: Wow, there's so much Wow. It's not like I was bored.

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Speaker 4: If that last scene hadn't been in there, what would

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Speaker 4: you have given it?

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Speaker 3: Well, then it was just kind of messy. I just

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Speaker 3: h Claire and Steve will get into that with this one.

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Speaker 3: They are just so done so yeah, and the fact

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Speaker 3: that like they're not just ending it yes is anyway,

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Speaker 3: there's so much to digest in this episode, although I

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Speaker 3: do have mad props to give to somebody, so stand

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Speaker 3: by for that.

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Speaker 1: Okay, we are going to talk about episode twenty two.

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Speaker 1: This is called a Ripe Young Age. It aired March fifth,

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Speaker 1: nineteen ninety seven. You guys, before you do the synopsis.

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Speaker 1: I just realized that date. Yes, I must be pregnant.

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Speaker 4: Oh I was what did you get married on that date?

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Speaker 1: No, nineteen ninety seven is the year Luca was born?

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Speaker 4: What date this aired in March? I don't.

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Speaker 1: I can't figure that out.

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Speaker 3: When I can? When was she born?

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Speaker 1: Good question? Let me think, Yeah, you got the tour?

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Speaker 1: Do you remember all your birthdays?

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Speaker 3: You do?

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Speaker 4: Okay, she's no, no, sorry, I was gonna know. I

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Speaker 4: remember when you gave birth.

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Speaker 1: June twenty ninth.

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Speaker 3: Yeah, then you're definitely pregnant because you filmed this in January.

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Speaker 3: So January, February, March, April, May, June, you're like a

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Speaker 3: little bit pregnant.

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Speaker 4: Yeah, I thought so.

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Speaker 2: The opening of season eight, you had just had Luca.

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Speaker 4: Okay, makes sense. We go to Hawaii and so now.

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Speaker 3: We egleize McGee should be like looking to see if

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Speaker 3: you're carrying grower. It's gonna be fun in a nice way,

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Speaker 3: looking looking a little looking a little puffy. Maybe you're

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Speaker 3: looking a little a little supping.

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Speaker 4: She carried very well, okay. Synopsis.

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Speaker 2: Don't and David take a trip to San Louis Obispo

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Speaker 2: while Donna's Grahama takes a trip down memory lane, Valerie

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Speaker 2: falls for an up and coming actor, while Kelly finds

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Speaker 2: herself caring for a mysterious kid. Meanwhile, Brandon gets busy

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Speaker 2: in the TV station control booth, while Steve's academic ambitions

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Speaker 2: get a little sticky.

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Speaker 1: Directed by Scott Poland Oh we liked him and written

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Speaker 1: by Steve Wasserman. All right, what do you want to

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Speaker 1: start with?

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Speaker 3: I almost couldn't sleep last night because I was so

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Speaker 3: ready to talk about this. Okay, first of all, a story,

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Speaker 3: B story, that's how hard to tell here. We've just

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Speaker 3: got abc D like it's just and there's no enough.

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Speaker 2: It's just for rhythm, totally stories.

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Speaker 3: Now my shout out. First, I want to start with this, Okay,

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Speaker 3: mad props. Maybe a award thirty years later, an award

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Speaker 3: should go to the casting director for this show. Because

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Speaker 3: the fact that so many bit players, guests, ours, small roles,

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Speaker 3: they these people became so famous. Matthew Perry, Hillary Swank

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Speaker 3: mm hmm, Denise Richards, Christina Aguilera, Walton Goggins and who

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Speaker 3: died who you don't know who Walton Goggins is. It's

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Speaker 3: like the biggest star around right now. To make sure,

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Speaker 3: he's like completely gonna win every emmy. What are you

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Speaker 3: guys talking about?

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Speaker 4: Second, he whitely relaxed. Who is this person?

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Speaker 2: Oh my god, the one that had this, the one

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Speaker 2: that had the scandal with the girl in real life?

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Speaker 3: Yes, it is like the Hollywood right now. He's literally

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Speaker 3: on multiple shows.

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Speaker 4: When was he on our show?

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Speaker 3: He played this, right, Mukan at a party in nineteen

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Speaker 3: ninety two.

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Speaker 1: I'm sorry I don't remember him.

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Speaker 3: The reason I bring it up is Smith Jared, Like,

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Speaker 3: are you guys not? We go not freaking out that

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Speaker 3: that's Jason Lewis Smith Jared from Sex and the City.

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Speaker 4: Right, But he did this before Sex and the City, Oh.

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Speaker 3: Many years before. It's nineteen ninety seven. He wasn't on

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Speaker 3: Sex and the City till like two thousand and two

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Speaker 3: or three. So that's why I'm saying the casting person

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Speaker 3: had a real eye.

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Speaker 1: Yes, that wasn't still Tony was it? Who was casting

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Speaker 1: at this point? Do you remember tour.

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Speaker 2: So Tony was the head of casting for all of

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Speaker 2: Spelling But who wouldn't have been for this show?

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Speaker 1: Right?

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Speaker 3: Uh?

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Speaker 4: Diane Young?

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Speaker 2: No?

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Speaker 1: Wait wasn't she the cast?

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Speaker 2: No?

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Speaker 1: She was the script super But no, that was Valentine,

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Speaker 1: Diane Valentine, I think Diane Young but then went on

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Speaker 1: to be but he oversaw all of spelling shows. Maybe

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Speaker 1: he was bringing in the big guns.

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Speaker 3: All I know is.

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Speaker 4: Wow, but my dad gave final approval.

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Speaker 3: So it also Hillary Swank, like I know that's coming

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Speaker 3: next season, but like Notton basically discovered Hillary Swank, but like,

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Speaker 3: I was really happy to see Smith Jared, So we'll

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Speaker 3: talk about that.

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Speaker 4: Okay, what do you guys want to talk about for

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Speaker 4: Let's start with that.

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Speaker 2: I'm a little confused because a lot happened last week,

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Speaker 2: so I thought it would trickle into this episode.

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Speaker 4: But ladies, no, no, no.

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Speaker 3: That doesn't happen.

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Speaker 1: Remember, but this show used to be a serial show,

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Speaker 1: Like it used to show the storyline would take a

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Speaker 1: while to unfold, but now it seems very choppy. You're right.

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Speaker 3: Oh, the fact that someone died in front of Steve

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Speaker 3: and now he's making rubber cement has just got me

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Speaker 3: like shook to my core.

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Speaker 2: Yes, oh my god, unless there's going to be some

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Speaker 2: reveal that he's this is his way of processing death,

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Speaker 2: Like no, no, and what happened David Anne Valerie taking

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Speaker 2: in the police station question that paparazzi like the photos

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Speaker 2: going like fifty underrated whatever.

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Speaker 4: Nothing so nothing.

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Speaker 1: Nothing, the big article. Yeah, I don't know.

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Speaker 2: Both's not coming.

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Speaker 1: Out unless they skip to another episode.

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Speaker 4: I don't know.

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Speaker 1: But doesn't look like it.

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Speaker 4: Doesn't. It feel like we skip to.

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Speaker 1: Another episode, like another season.

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Speaker 4: Yes, I feel like we missed one.

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Speaker 3: Can we talk about the There's so many things in

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Speaker 3: this episode that they're actually.

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Speaker 1: A valor ridiculous acting. Her spotting the guy.

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Speaker 3: Up front and that he recognized her voice. I know

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Speaker 3: she stalked him and found his number. She doesn't say

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Speaker 3: who she is.

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Speaker 4: She literally says hi, and she just has so much

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Speaker 4: compassion when he can't get in her face.

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Speaker 1: Is hot because he's.

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Speaker 3: Hot, He's super hot. He's freaking awesome. I actually feel

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Speaker 3: their chemistry. But who what movie star is like?

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Speaker 4: Oh, Hi, I mean for.

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Speaker 3: Five seconds, would you like to come down to my workplace?

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Speaker 1: Yes? But he's very he's very lonely. He doesn't get

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Speaker 1: one there.

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Speaker 2: You know, she's a hot young girl, like what why

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Speaker 2: wouldn't he? Of course he'd be like come here.

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Speaker 3: Of course she'd be like, okay, recognizing her voice just

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Speaker 3: out of nowhere.

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Speaker 2: Hi.

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Speaker 4: Right, that was one of the big stretches.

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Speaker 1: Yeah, no, caller id nothing, and they claim he's going

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Speaker 1: to be the next James Dean. And I was watching

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Speaker 1: him do a dr for the kissing scene in the movie,

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Speaker 1: and I was like, those are not James Dean kisses.

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Speaker 1: I'm sorry, it's I don't think he can. And then

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Speaker 1: I was like, are they? Is this based off of

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Speaker 1: Luke Luke's real life? Like coming from you know where

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Speaker 1: he came from? It seems like Luke was at the

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Speaker 1: core and like he had a construction job and he

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Speaker 1: came from you know, no, Tennessee. So I was wondering.

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Speaker 1: But then I was like, I don't think so.

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Speaker 4: I mean makes sense, makes sense.

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Speaker 3: And I like it. I like him, right, So this

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Speaker 3: is not even my least favorite storyline. This might be

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Speaker 3: my favorite storyline in the whole thing. No, No, I

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Speaker 3: like him.

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Speaker 4: Yeah, well who doesn't.

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Speaker 1: He's dreamy, she's so hot.

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Speaker 3: Did you not watch Sex in the City?

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Speaker 1: Yeah, oh I don't remember, honestly, when Oh my.

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Speaker 3: God, how do you not remember? He totally dated Samantha.

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Speaker 2: And he's like he plays like the same character basically.

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Speaker 4: Yeah, I think I jumped around.

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Speaker 1: I watched it once in a while.

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Speaker 3: That's actually so funny, toy. He plays the exact same

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Speaker 3: character Zaxon characters. What else has he been in? I

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Speaker 3: don't know really, that's.

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Speaker 4: You know what I mean.

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Speaker 2: I'm really famous for Sex and the City. Was he

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Speaker 2: in the first movie as well?

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Speaker 3: Yeah, he was in the first movie. Remember he's like

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Speaker 3: the he's amazing in the first movie.

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Speaker 2: That was kind of it, right, he was supposed to

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Speaker 2: be the big Hollywood actor.

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Speaker 4: And I don't know.

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Speaker 3: He has a small cameo in the second one too.

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Speaker 3: I'm seeing white lotus here. Okay, look Jason and Lewis

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Speaker 3: and Goggins. You need to be looking Jason.

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Speaker 2: Lewis, Jason Lewis, Sexy City.

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Speaker 4: I know who Walton Goggins is now.

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Speaker 1: I love him. I got it, I.

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Speaker 2: Got you know, I love him.

251
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Speaker 1: We don't know what Jason Lewis looks like now.

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Speaker 3: Jason Lewis did this BBC Andrews like miniseries, I think

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Speaker 3: on Lifetime. But he hasn't like worked that much since

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Speaker 3: Sex and the City, which is like.

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Speaker 4: Kind of I wonder why.

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Speaker 1: I don't know.

257
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Speaker 2: I feel like, and don't hold me to this that

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Speaker 2: they felt there wasn't that much chemistry with him and

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Speaker 2: Tiffany that there.

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Speaker 1: Was a little street too. I don't know more than me.

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Speaker 2: I'm wrong before I could be wrong, but there was

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Speaker 2: a reason why the storyline kind of came to an

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Speaker 2: end when it does.

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Speaker 3: Anyway, he's hunky.

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Speaker 2: They wanted to discover like the big new star, and

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Speaker 2: it didn't quite lead to that.

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Speaker 1: Okay, I'm really good on sex in the City. There's

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Speaker 1: not much more to talk about.

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Speaker 3: Amazing no in this one.

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Speaker 4: But wait, he just did you notice she paid for lunch? No?

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Speaker 3: I did? I did. I did notice that she was

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Speaker 3: signing her credit card.

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Speaker 1: Why would he just he didn't even say anything, He

274
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Speaker 1: just like let her take it without word?

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Speaker 3: Did she maybe like set it up like on the

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Speaker 3: club I'm gonna do lunch? I can't remember us.

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Speaker 1: I mean the waiter did hand her the like the thing.

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Speaker 3: I fully noticed she paid.

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Speaker 4: Do you remember him and Tiffany getting along?

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Speaker 1: How could they not get along?

281
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Speaker 3: Like he's so cute.

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Speaker 1: I don't remember him on the show, So I don't

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Speaker 1: remember the relationship you.

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Speaker 3: Can get on.

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Speaker 4: I don't know. I don't know, But what do you think? Like,

286
00:13:28,640 --> 00:13:29,080
Speaker 4: I don't know.

287
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Speaker 2: I can't put my fingertips on it. But there's something,

288
00:13:32,320 --> 00:13:35,160
Speaker 2: there's something, there's some backstory here, and I don't.

289
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Speaker 3: Know what that he's dreaming.

290
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Speaker 1: I want to know.

291
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Speaker 4: I don't know.

292
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Speaker 2: I think he was supposed to go on to be

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Speaker 2: a regular and be like the new discovered talent and

294
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Speaker 2: it didn't go that direction, and I don't know why.

295
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Speaker 4: Let's let's have him on and ask oh, could we ask? Asked,

296
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Speaker 4: I'm on, Jason, Let's go see slide into his dmschen.

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Speaker 3: He did four episodes, but he was maybe supposed to

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Speaker 3: do like forever.

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Speaker 2: I just remember hearing my dad talk about this actor

300
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Speaker 2: they had discovered and he was going to be the

301
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Speaker 2: next everything, and then it just all went away. So

302
00:14:08,880 --> 00:14:11,040
Speaker 2: I'm not sure what happened. He was very nice. I

303
00:14:11,080 --> 00:14:15,000
Speaker 2: know that we worked with him. He was he was fine.

304
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Speaker 2: I just I don't know something happened.

305
00:14:19,200 --> 00:14:21,880
Speaker 1: Well, how did you feel Amy about when Val turns

306
00:14:21,880 --> 00:14:22,640
Speaker 1: into a realtor?

307
00:14:23,760 --> 00:14:27,960
Speaker 3: I mean, first of all, at that point, I was

308
00:14:28,000 --> 00:14:31,640
Speaker 3: so like, well, whatever he knew or by her five

309
00:14:31,720 --> 00:14:35,720
Speaker 3: second high so whatever. Now she's finding a house that

310
00:14:35,760 --> 00:14:38,960
Speaker 3: I thought wasn't great. I was like, no, yeah, great

311
00:14:39,320 --> 00:14:40,880
Speaker 3: for that guy having a lot of dough for being

312
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Speaker 3: a movie star.

313
00:14:42,560 --> 00:14:44,400
Speaker 1: Maybe it reminded him of home.

314
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Speaker 3: Right, Remember he needed a whole garage space for his tools.

315
00:14:48,920 --> 00:14:49,680
Speaker 1: Plenty of room there.

316
00:14:50,200 --> 00:14:51,840
Speaker 4: Yeah, I'll watch them with tools.

317
00:14:51,960 --> 00:14:52,400
Speaker 2: I'll do that.

318
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Speaker 4: H That guy's just a regular guy from Missouri.

319
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Speaker 1: I don't know where he's from.

320
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Speaker 4: But like Tennessee is so what they said.

321
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Speaker 3: I don't know he's you get vibe. He's just from

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00:15:01,720 --> 00:15:06,480
Speaker 3: like middle of Nowheeresville. And then what he got the

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Speaker 3: starring role.

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Speaker 4: Yeah, it's well.

325
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Speaker 3: I thought his adr was good, So tell me about this.

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00:15:12,360 --> 00:15:13,360
Speaker 3: That was good.

327
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Speaker 1: I was like, whoa exactly when I was watching that.

328
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Speaker 1: When that's got, we call it looping. I don't know

329
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Speaker 1: why we call it looping, but it's a dr where

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Speaker 1: you ad you know, back where maybe there was like

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Speaker 1: a scratch in the mic or something. You couldn't hear

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Speaker 1: it very well. So they would have us go in

333
00:15:27,800 --> 00:15:30,160
Speaker 1: and like re record some of our lines. And you

334
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Speaker 1: stand up to that microphone just like he does, and they.

335
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Speaker 4: Do those beeps. It goes beep beep, beep beep, and

336
00:15:37,240 --> 00:15:39,600
Speaker 4: then your heart's just bounding while.

337
00:15:41,240 --> 00:15:44,600
Speaker 1: Your words to your lips. It's really hard. It is

338
00:15:44,680 --> 00:15:48,360
Speaker 1: so challenging, and you're in this like big black room

339
00:15:48,480 --> 00:15:51,760
Speaker 1: and you're supposed to emote the same emotions. We had

340
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Speaker 1: to do crazy adr where.

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Speaker 4: Go crying scene screaming, like, oh.

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Speaker 3: Is that something you have to do every single episode?

343
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Speaker 4: Correct? Back then? I don't know.

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00:16:01,160 --> 00:16:03,320
Speaker 2: Maybe they can pick things up better now. Back then

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00:16:03,560 --> 00:16:06,320
Speaker 2: I felt like every week we went in craft.

346
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Speaker 3: And do you have to drive somewhere different? Yes, that

347
00:16:10,080 --> 00:16:11,400
Speaker 3: would really be a pain in the butt.

348
00:16:12,360 --> 00:16:14,480
Speaker 1: Yeah, it was. Every time they were like, we need

349
00:16:14,480 --> 00:16:15,920
Speaker 1: you to come into a dr we'd be.

350
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Speaker 4: Like, h wasn't it a CBS Radford the looping.

351
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Speaker 1: Sometimes they had different spots I remember over in Hollywood too.

352
00:16:23,840 --> 00:16:24,760
Speaker 4: Yes, you're right, you're right.

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Speaker 1: It's super weers weird.

354
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Speaker 3: It seems like the little thing. But being an actor,

355
00:16:29,240 --> 00:16:32,320
Speaker 3: you really have to like drive somewhere like all the

356
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Speaker 3: time every day. I'm really into work from home.

357
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Speaker 4: That's like to carely act from home.

358
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Speaker 1: Oh my gosh, show no brought back except.

359
00:16:41,480 --> 00:16:45,320
Speaker 3: For that weird ice Cube movie. Right now, there's like

360
00:16:45,360 --> 00:16:48,080
Speaker 3: the worst ice Cube movie where I thought it was

361
00:16:48,120 --> 00:16:49,880
Speaker 3: going to be so good. I think it's about like,

362
00:16:51,080 --> 00:16:52,440
Speaker 3: I don't know, it's kind of seemed like it was

363
00:16:52,480 --> 00:16:54,600
Speaker 3: gonna be one of those sort of Independence Day type movies,

364
00:16:54,640 --> 00:16:57,960
Speaker 3: but like it's literally shot like on Zoo and I'm like,

365
00:16:58,040 --> 00:17:00,560
Speaker 3: is this the whole movie? I bugged out after ten minutes.

366
00:17:00,560 --> 00:17:03,480
Speaker 3: I was like, this is so bad and even longory,

367
00:17:03,560 --> 00:17:05,960
Speaker 3: isn't it too? Another nine O two one O person?

368
00:17:06,119 --> 00:17:07,480
Speaker 3: I believe she was on nine oh two one?

369
00:17:07,480 --> 00:17:07,680
Speaker 2: Oh?

370
00:17:07,760 --> 00:17:08,040
Speaker 1: Yes?

371
00:17:09,280 --> 00:17:12,920
Speaker 2: Wait when what she was in the episode? I directed?

372
00:17:13,760 --> 00:17:17,960
Speaker 2: And I actually cast her no, which she still remembers

373
00:17:17,960 --> 00:17:18,959
Speaker 2: and gives me credit for.

374
00:17:19,320 --> 00:17:19,840
Speaker 1: Wow.

375
00:17:20,720 --> 00:17:24,160
Speaker 3: Hmm, should we switch to the rubber cement storyline?

376
00:17:24,320 --> 00:17:25,840
Speaker 4: Sure, let's get it over with.

377
00:17:26,320 --> 00:17:28,240
Speaker 1: I did not have one note on the storyline.

378
00:17:28,240 --> 00:17:31,280
Speaker 3: I don't even understand this, you guys. I watched this

379
00:17:31,359 --> 00:17:34,919
Speaker 3: episode twice because I'm not gonna lie. I fell. I

380
00:17:34,920 --> 00:17:39,720
Speaker 3: fell asleep on the first go through, not because of

381
00:17:39,760 --> 00:17:40,480
Speaker 3: the episode, but just.

382
00:17:40,480 --> 00:17:41,159
Speaker 1: Because it was what.

383
00:17:43,240 --> 00:17:47,119
Speaker 3: Tori's cat just came up and it literally reminded me

384
00:17:47,359 --> 00:17:51,480
Speaker 3: of like like a fake cat. Like I was like,

385
00:17:51,880 --> 00:17:56,119
Speaker 3: is that looks feak hi kitty kitty? So here's my question,

386
00:17:56,760 --> 00:17:59,159
Speaker 3: what are we doing? What is he doing? And if

387
00:17:59,160 --> 00:18:02,760
Speaker 3: it's a school, it's so inappropriate that Claire is dressed

388
00:18:02,840 --> 00:18:06,720
Speaker 3: like the Maid and Clue French Maid. I liked that

389
00:18:06,760 --> 00:18:11,160
Speaker 3: part obviously he created rupper cement. Good acting for her though,

390
00:18:11,240 --> 00:18:13,320
Speaker 3: really making it seem like our hand was stuck. But

391
00:18:13,359 --> 00:18:16,840
Speaker 3: then the part that I'm completely befuddled by is they

392
00:18:16,840 --> 00:18:19,679
Speaker 3: go back to the wall shows and they're watching the

393
00:18:19,800 --> 00:18:22,359
Speaker 3: video and then I'm just like, and.

394
00:18:22,280 --> 00:18:25,280
Speaker 4: What is it going somewhere? An assignment?

395
00:18:25,359 --> 00:18:28,639
Speaker 1: Is that I don't know, I don't marketing, maybe a

396
00:18:28,760 --> 00:18:29,840
Speaker 1: marketing class or.

397
00:18:30,280 --> 00:18:32,439
Speaker 2: I was triggered on the first scene when then he

398
00:18:32,520 --> 00:18:34,400
Speaker 2: said the keys. Do you have the keys to the station?

399
00:18:34,480 --> 00:18:37,200
Speaker 2: It's like keys, Oh no, oh, the key again?

400
00:18:37,560 --> 00:18:40,720
Speaker 4: The key again. Because we've we've been had a spoiler alert.

401
00:18:40,800 --> 00:18:42,720
Speaker 1: Someone told us. I can't remember who it is, but

402
00:18:42,760 --> 00:18:45,440
Speaker 1: there's going to be another Lorraine. It's going to be

403
00:18:45,520 --> 00:18:48,200
Speaker 1: another Steve school Handle And I'm just.

404
00:18:48,560 --> 00:18:52,000
Speaker 4: Clinched, like is this it? Is it starting?

405
00:18:52,520 --> 00:18:59,480
Speaker 5: Clinched, clinched, clinch, just don't get it, Like we've got

406
00:18:59,480 --> 00:19:04,560
Speaker 5: this weird Brandon and Trace making out and then.

407
00:19:04,480 --> 00:19:08,320
Speaker 3: Her big racy, let's go back. Isn't that her name? Trace?

408
00:19:09,359 --> 00:19:09,840
Speaker 1: Tracy?

409
00:19:10,160 --> 00:19:15,320
Speaker 3: Nobody called her Trace all the time? Works. Then her

410
00:19:15,320 --> 00:19:18,200
Speaker 3: big fantasy is let's go back to the station and

411
00:19:18,520 --> 00:19:21,680
Speaker 3: finish what we started whatever, But Claire and Steve are

412
00:19:21,720 --> 00:19:25,879
Speaker 3: like presenting the video and I'm like, what is there

413
00:19:25,880 --> 00:19:27,879
Speaker 3: a payoff? Like, it just is nothing.

414
00:19:28,160 --> 00:19:31,760
Speaker 1: There's no rhyme or reason. And he should still be grieving.

415
00:19:32,400 --> 00:19:36,520
Speaker 4: Totally, should still be grieving. He hasn't grieved at all.

416
00:19:36,840 --> 00:19:39,639
Speaker 1: No, he did at the end, right after it happened.

417
00:19:39,680 --> 00:19:41,320
Speaker 1: He grieved and then it went away.

418
00:19:41,680 --> 00:19:44,919
Speaker 2: I did like that sweater that blue, like mock turtlenet

419
00:19:45,400 --> 00:19:49,119
Speaker 2: turtlenet chunky sweater. I like that on him, you liked.

420
00:19:49,119 --> 00:19:49,879
Speaker 3: I did like it.

421
00:19:49,920 --> 00:19:56,000
Speaker 4: Actually, Wow, I know the words you've never said before.

422
00:19:56,160 --> 00:19:58,719
Speaker 2: I know, I understand. But it was like a not

423
00:19:58,760 --> 00:20:02,719
Speaker 2: even a mock turtle. It was barely there chunky though blue.

424
00:20:03,440 --> 00:20:05,960
Speaker 2: I liked it, Okay, it was like it was just

425
00:20:06,080 --> 00:20:08,600
Speaker 2: me like a Lucian Desi moment, right, That was the

426
00:20:08,600 --> 00:20:11,240
Speaker 2: whole shtick with Claire and Steve. But it just didn't.

427
00:20:11,359 --> 00:20:14,960
Speaker 3: But and it's always a tiny bit inappropriate. There's always

428
00:20:14,960 --> 00:20:16,199
Speaker 3: like a hint of being weird.

429
00:20:16,960 --> 00:20:19,159
Speaker 4: Yeah, and I'm just like, oh, God.

430
00:20:19,560 --> 00:20:22,600
Speaker 3: Like her costume is weird. His weird jokes. I was like,

431
00:20:22,680 --> 00:20:24,639
Speaker 3: is he trying to be helf? That's what I was like,

432
00:20:24,720 --> 00:20:27,359
Speaker 3: is he trying to like that? I don't know with

433
00:20:27,440 --> 00:20:31,960
Speaker 3: the makeup talk about with them this episode.

434
00:20:32,280 --> 00:20:36,120
Speaker 2: I just remember that the male writers, older ones were

435
00:20:36,160 --> 00:20:37,280
Speaker 2: really into Claire.

436
00:20:38,560 --> 00:20:42,520
Speaker 4: This is true. Yes, so they made her do things.

437
00:20:42,320 --> 00:20:45,480
Speaker 2: Like I think I think so, like the experience you

438
00:20:45,520 --> 00:20:48,000
Speaker 2: had on Mystery Girls, like when you say into her,

439
00:20:48,080 --> 00:20:53,480
Speaker 2: you know, like weird, like they thought she was cute.

440
00:20:53,880 --> 00:20:55,879
Speaker 1: Yeah, I think they were in hooker by her, like

441
00:20:56,480 --> 00:20:57,240
Speaker 1: beauty in her.

442
00:20:57,960 --> 00:21:00,600
Speaker 2: So we'll do storylines where she might or might not

443
00:21:00,760 --> 00:21:03,600
Speaker 2: be in dress up Yeah.

444
00:21:03,920 --> 00:21:09,480
Speaker 1: Dress up contress. Oh man, Yeah.

445
00:21:09,320 --> 00:21:09,720
Speaker 4: I don't know.

446
00:21:09,760 --> 00:21:11,680
Speaker 1: I don't get it. And Brandon, I don't know why

447
00:21:11,680 --> 00:21:12,919
Speaker 1: he's helping him again.

448
00:21:12,960 --> 00:21:16,000
Speaker 2: Wait is it going somewhere next episode? No, I don't

449
00:21:16,040 --> 00:21:18,879
Speaker 2: think so. It's so ridiculous. He just like made glue,

450
00:21:19,320 --> 00:21:21,960
Speaker 2: but why for what? For his marketing class? So it's

451
00:21:22,359 --> 00:21:24,800
Speaker 2: school related, Yeah.

452
00:21:24,720 --> 00:21:26,720
Speaker 3: School related, and which makes it weird or then he's

453
00:21:26,880 --> 00:21:43,040
Speaker 3: like being so inappropriate? Can we switch to the most

454
00:21:43,119 --> 00:21:46,280
Speaker 3: ridiculous storyline of the episode, which.

455
00:21:46,040 --> 00:21:49,959
Speaker 4: Is wine Jenny Garth, But I'm being the small child

456
00:21:50,000 --> 00:21:51,040
Speaker 4: on your patio.

457
00:21:50,840 --> 00:21:55,480
Speaker 3: And essentially kidnapping him, like nobody in their right mind

458
00:21:55,600 --> 00:22:00,560
Speaker 3: is like, there's a child on my patio. Fake patio

459
00:22:00,600 --> 00:22:03,520
Speaker 3: scene ever, By the way, Oh, clearly that was shot

460
00:22:04,000 --> 00:22:05,280
Speaker 3: in a studio, No.

461
00:22:05,359 --> 00:22:07,880
Speaker 4: On our set. Yeah, and they just had blue paper

462
00:22:07,960 --> 00:22:08,720
Speaker 4: that they pulled.

463
00:22:08,600 --> 00:22:12,560
Speaker 3: Particularly bad, right with like a bad cotton balls to

464
00:22:12,600 --> 00:22:15,720
Speaker 3: make clouds really really bad. But nobody's like, you know

465
00:22:15,720 --> 00:22:17,720
Speaker 3: what I'm gonna do. I'm going to take this kid

466
00:22:17,760 --> 00:22:20,400
Speaker 3: into my house. I'm going to drive him all around town.

467
00:22:20,440 --> 00:22:23,200
Speaker 3: I'm going to take him to the peach pit. And

468
00:22:23,200 --> 00:22:26,479
Speaker 3: immediately I'm like, it's nineteen ninety seven, Like I think

469
00:22:26,480 --> 00:22:29,760
Speaker 3: you're kidnapping him. Like that would be so not okay,

470
00:22:30,160 --> 00:22:32,199
Speaker 3: Like you'd be like, hey, I'm going to help you,

471
00:22:32,280 --> 00:22:34,720
Speaker 3: but I'm immediately going to call the authorities.

472
00:22:35,280 --> 00:22:38,359
Speaker 4: Yeah, that's what Claire recommended. Who does he look like?

473
00:22:38,640 --> 00:22:40,360
Speaker 3: He looks sort of like a mini Steve, I thought.

474
00:22:40,359 --> 00:22:42,880
Speaker 3: And he had a like kind of mullet going. Yeah,

475
00:22:42,920 --> 00:22:46,680
Speaker 3: he actually had the hairstyle the kids are wearing today.

476
00:22:47,640 --> 00:22:50,520
Speaker 2: Wait, sorry, that that's it. When I watched it, I

477
00:22:50,520 --> 00:22:53,679
Speaker 2: thought he looked like Steve. So I thought Steve like

478
00:22:53,920 --> 00:22:57,040
Speaker 2: it was going to pay off the storyline that he

479
00:22:57,160 --> 00:22:59,600
Speaker 2: was grieving and maybe the kid was going to bring

480
00:22:59,640 --> 00:23:01,880
Speaker 2: back memories and Steve was going to help him out.

481
00:23:02,960 --> 00:23:04,720
Speaker 3: It was crazy.

482
00:23:04,840 --> 00:23:07,159
Speaker 1: Oh wait, you said the patio lote fake, but I

483
00:23:07,200 --> 00:23:09,560
Speaker 1: want everybody to know that the plants were real.

484
00:23:10,200 --> 00:23:13,679
Speaker 3: Oh that is a great note because it's the background

485
00:23:13,720 --> 00:23:14,760
Speaker 3: that looks so fake.

486
00:23:14,920 --> 00:23:17,040
Speaker 4: It's like, just no one side.

487
00:23:17,600 --> 00:23:19,200
Speaker 1: You can't shoot towards it.

488
00:23:20,080 --> 00:23:22,560
Speaker 3: No, it looks so bad. But I just was like,

489
00:23:22,680 --> 00:23:27,960
Speaker 3: what is happening? Then he goes into like I don't

490
00:23:28,000 --> 00:23:31,080
Speaker 3: know wherever you go with the police, not police custody,

491
00:23:31,119 --> 00:23:34,920
Speaker 3: but like you're being handled and they lost him.

492
00:23:35,240 --> 00:23:38,840
Speaker 4: They lost him? How did they can't keep him there?

493
00:23:39,200 --> 00:23:40,000
Speaker 2: He just got out.

494
00:23:40,480 --> 00:23:42,800
Speaker 3: They walked out of the house without his backpack. That

495
00:23:42,880 --> 00:23:45,000
Speaker 3: bothered me. I was like, take his backpack?

496
00:23:45,640 --> 00:23:46,280
Speaker 1: Why would they?

497
00:23:46,520 --> 00:23:46,760
Speaker 5: Why?

498
00:23:46,800 --> 00:23:50,480
Speaker 1: How could he get out of like social service custody?

499
00:23:50,680 --> 00:23:53,040
Speaker 4: You can't hello, where's this going?

500
00:23:53,119 --> 00:23:53,399
Speaker 2: Though?

501
00:23:53,560 --> 00:23:58,800
Speaker 4: It's continuing, it's continuing. What oh yeah, don't say that.

502
00:24:00,200 --> 00:24:03,280
Speaker 3: He's gonna find you. He finds you again. The whole

503
00:24:03,280 --> 00:24:03,880
Speaker 3: thing is.

504
00:24:04,320 --> 00:24:05,920
Speaker 4: Bonkers, bonkers.

505
00:24:05,960 --> 00:24:07,320
Speaker 1: I don't want Kelly to be found.

506
00:24:07,760 --> 00:24:10,560
Speaker 3: It so bonkers. There's this guy on Instagram I wish

507
00:24:10,560 --> 00:24:12,600
Speaker 3: I knew his name who makes fun of weird episodes

508
00:24:12,600 --> 00:24:15,199
Speaker 3: of TV, and this one should be he should do

509
00:24:15,240 --> 00:24:19,880
Speaker 3: it because it's just totally bizarre. How can he survive?

510
00:24:20,080 --> 00:24:22,920
Speaker 1: That he's so little, like how did he survive well?

511
00:24:23,720 --> 00:24:27,720
Speaker 4: From Phoenix to Los angeless a bus? Like what wait,

512
00:24:27,800 --> 00:24:28,679
Speaker 4: what's going to happen?

513
00:24:29,560 --> 00:24:30,119
Speaker 1: I don't know.

514
00:24:30,200 --> 00:24:32,520
Speaker 3: He comes back and they probably find his mom and it's.

515
00:24:32,359 --> 00:24:35,040
Speaker 4: All fine, Oh you said bonkers. I thought something cool.

516
00:24:35,080 --> 00:24:35,199
Speaker 2: Now.

517
00:24:35,400 --> 00:24:38,480
Speaker 3: I just think it's crazy that, like this is our storyline,

518
00:24:39,000 --> 00:24:42,160
Speaker 3: Like why maybe because you're pregnant and you just told

519
00:24:42,200 --> 00:24:44,000
Speaker 3: everybody and they wanted you to be motherly because he's like,

520
00:24:44,040 --> 00:24:46,359
Speaker 3: you'd be a great mom and you're like, tell my mom.

521
00:24:46,640 --> 00:24:51,440
Speaker 1: Yeah, I guess they were giving me practice.

522
00:24:51,720 --> 00:24:53,920
Speaker 4: They were like, let's get her warmed up to being

523
00:24:53,920 --> 00:24:54,240
Speaker 4: a mom.

524
00:24:54,320 --> 00:24:57,240
Speaker 2: Let's give He looked great in those overalls, though, I

525
00:24:57,359 --> 00:24:59,480
Speaker 2: want her for those like linen overalls.

526
00:24:59,560 --> 00:25:02,080
Speaker 4: It they were corduroy heavy, they were good.

527
00:25:02,280 --> 00:25:03,000
Speaker 1: I remember.

528
00:25:04,320 --> 00:25:06,600
Speaker 3: For me, I'm picturing a bunch of writers in a

529
00:25:06,600 --> 00:25:09,240
Speaker 3: writer's room being like, we've been doing this for seven years?

530
00:25:09,280 --> 00:25:12,760
Speaker 3: What else can we do? Because then we go to

531
00:25:12,800 --> 00:25:14,760
Speaker 3: the next storyline and also what.

532
00:25:14,680 --> 00:25:16,840
Speaker 1: Does Kelly do with her life? Like why she's just

533
00:25:16,880 --> 00:25:18,840
Speaker 1: always at home? And like, oh, so she finds a

534
00:25:18,920 --> 00:25:20,560
Speaker 1: kid on the porch and then she spends two days

535
00:25:20,560 --> 00:25:22,800
Speaker 1: with them, doesn't she have any plans or life of

536
00:25:22,840 --> 00:25:26,119
Speaker 1: her own, so she can just drop everything and and.

537
00:25:27,040 --> 00:25:30,199
Speaker 3: Not think that there's like what, nobody's just taking in

538
00:25:30,240 --> 00:25:30,760
Speaker 3: a kid?

539
00:25:31,480 --> 00:25:35,800
Speaker 1: I don't know. I don't know. And also the weird

540
00:25:35,840 --> 00:25:39,159
Speaker 1: part is that the episode ends on that storyline, like really,

541
00:25:39,240 --> 00:25:40,200
Speaker 1: that's right, that's.

542
00:25:40,040 --> 00:25:42,840
Speaker 3: A dumb that's our big cliffhanger.

543
00:25:43,040 --> 00:25:44,800
Speaker 4: Whose kid? Was he? Somebody's kid?

544
00:25:44,920 --> 00:25:45,040
Speaker 5: Like?

545
00:25:45,119 --> 00:25:46,600
Speaker 4: Why this storyline?

546
00:25:46,760 --> 00:25:48,560
Speaker 3: I literally am telling you. I think they sat in

547
00:25:48,560 --> 00:25:50,800
Speaker 3: a room and we're like, we don't know what to

548
00:25:50,880 --> 00:25:53,119
Speaker 3: do that she can't be they crap up?

549
00:25:54,080 --> 00:25:57,080
Speaker 4: This is crazy. Then it's crazy.

550
00:25:57,600 --> 00:25:59,840
Speaker 1: Well, maybe it will come in more to focus when

551
00:25:59,880 --> 00:26:00,920
Speaker 1: we see where it goes next.

552
00:26:01,359 --> 00:26:03,920
Speaker 4: He's forty now that kid.

553
00:26:05,000 --> 00:26:07,119
Speaker 1: Wait, we have to talk about the Donna Davis storyland

554
00:26:07,119 --> 00:26:08,800
Speaker 1: because it's so good. This is a really good part

555
00:26:08,800 --> 00:26:10,880
Speaker 1: of the show. You didn't like it, I could tell

556
00:26:10,920 --> 00:26:11,560
Speaker 1: by No.

557
00:26:11,720 --> 00:26:13,800
Speaker 3: I like it a lot. I like it a lot?

558
00:26:14,000 --> 00:26:15,159
Speaker 1: Right, I mean, but is it?

559
00:26:15,160 --> 00:26:16,439
Speaker 4: Does it start out for you?

560
00:26:16,560 --> 00:26:16,639
Speaker 5: That?

561
00:26:17,600 --> 00:26:21,159
Speaker 1: Okay? That is clearly a picture of actually Donna and

562
00:26:21,280 --> 00:26:22,280
Speaker 1: d so crazy.

563
00:26:22,920 --> 00:26:27,000
Speaker 2: We are not stupidest problem with it.

564
00:26:27,080 --> 00:26:28,960
Speaker 4: And you think you think he looks like me?

565
00:26:30,160 --> 00:26:32,439
Speaker 2: It is you first of all, we how cute is

566
00:26:32,520 --> 00:26:34,200
Speaker 2: June Lockheart great?

567
00:26:34,400 --> 00:26:39,840
Speaker 3: She is amazing. She for people that are wondering, he's correct. Lassie.

568
00:26:39,880 --> 00:26:43,600
Speaker 3: She did two hundred and eight episodes of Lassie and

569
00:26:43,600 --> 00:26:51,280
Speaker 3: the six episodes of Petticoat Junction, and then it wasn't

570
00:26:51,280 --> 00:26:55,679
Speaker 3: about one million episodes of everything else. Yeah, why did

571
00:26:55,680 --> 00:26:58,600
Speaker 3: I think she was normal? Because you are thinking of

572
00:26:58,880 --> 00:27:01,879
Speaker 3: I believe Angela kurt Right. No, June Lockhart was in

573
00:27:02,000 --> 00:27:05,200
Speaker 3: Lost in Space. I just don't know how many episodes

574
00:27:05,240 --> 00:27:08,760
Speaker 3: she did. Let me find out. She definitely did like

575
00:27:09,240 --> 00:27:12,560
Speaker 3: jobs of Lassie episodes. Let's see how many episodes.

576
00:27:12,400 --> 00:27:15,880
Speaker 4: I knew her from when? Because when she came once,

577
00:27:16,880 --> 00:27:17,280
Speaker 4: I don't know.

578
00:27:17,320 --> 00:27:20,120
Speaker 1: But that wouldn't be a dream job to be on Lassie.

579
00:27:20,760 --> 00:27:24,120
Speaker 1: I would have liked that. It's to play opposite a dog.

580
00:27:25,080 --> 00:27:27,240
Speaker 4: In June twenty fifth this year, you guys, she turned

581
00:27:27,240 --> 00:27:27,800
Speaker 4: one hundred.

582
00:27:28,400 --> 00:27:32,920
Speaker 3: No, it's amazing. She did do eighty four episodes of

583
00:27:32,960 --> 00:27:35,240
Speaker 3: Lost in Space. Also, sorry, she was on there the

584
00:27:35,280 --> 00:27:35,760
Speaker 3: whole time.

585
00:27:37,240 --> 00:27:38,879
Speaker 4: No, she's one of the Okay sisters.

586
00:27:38,880 --> 00:27:41,720
Speaker 3: But I know he's like, No, she's Maureene Robinson. Yeah,

587
00:27:41,760 --> 00:27:44,720
Speaker 3: I think she might have been the mom. She's the mom.

588
00:27:45,200 --> 00:27:46,560
Speaker 3: I thinks missus Robinson.

589
00:27:49,920 --> 00:27:50,320
Speaker 4: I don't know.

590
00:27:50,440 --> 00:27:52,320
Speaker 1: I just felt like the story started out and I

591
00:27:52,359 --> 00:27:56,840
Speaker 1: was like, Donna and David seem miserable, Like why are

592
00:27:56,840 --> 00:28:00,919
Speaker 1: they going anywhere together in that geep because they just

593
00:28:00,920 --> 00:28:02,360
Speaker 1: don't look like they're having a good time.

594
00:28:03,040 --> 00:28:05,040
Speaker 4: I didn't know what was going to happen, but I

595
00:28:05,119 --> 00:28:07,320
Speaker 4: was like, did we have a fight off camera or something?

596
00:28:07,400 --> 00:28:07,480
Speaker 5: Like?

597
00:28:07,600 --> 00:28:12,080
Speaker 4: It just started? Is the last episode you guys left kissing?

598
00:28:12,160 --> 00:28:12,320
Speaker 1: Right?

599
00:28:12,400 --> 00:28:13,480
Speaker 4: Was that the last back?

600
00:28:13,600 --> 00:28:15,520
Speaker 3: She runs to him?

601
00:28:15,560 --> 00:28:18,960
Speaker 1: I chose him, and then they're just all like depressed

602
00:28:19,000 --> 00:28:19,840
Speaker 1: and angry h other.

603
00:28:19,840 --> 00:28:21,639
Speaker 3: Well, I think we're supposed to think that it's all

604
00:28:21,640 --> 00:28:25,439
Speaker 3: about like because missus Martin doesn't like him and this

605
00:28:25,600 --> 00:28:27,440
Speaker 3: is a real problem, and how are we going to

606
00:28:27,520 --> 00:28:27,959
Speaker 3: deal with this?

607
00:28:28,280 --> 00:28:28,520
Speaker 4: Now?

608
00:28:28,680 --> 00:28:31,480
Speaker 3: My question is, if Grandma has that very beautiful house

609
00:28:31,560 --> 00:28:34,439
Speaker 3: in San Luis Obispo, why are you staying in the

610
00:28:34,480 --> 00:28:36,879
Speaker 3: grossest motel six of all time?

611
00:28:38,000 --> 00:28:38,280
Speaker 4: Yeah?

612
00:28:38,480 --> 00:28:38,959
Speaker 1: I don't know.

613
00:28:39,240 --> 00:28:43,800
Speaker 4: Yeah, they both have money. It's weird. I remember filming that.

614
00:28:43,920 --> 00:28:48,320
Speaker 3: Set that this set design was very good at this Yeah.

615
00:28:48,200 --> 00:28:50,320
Speaker 2: It was on our set, it wasn't I love it.

616
00:28:50,680 --> 00:28:53,200
Speaker 1: How do we feel about ginger snaps? I'm just curious,

617
00:28:54,760 --> 00:28:56,760
Speaker 1: is that as a common grandma snack, Like when you

618
00:28:56,800 --> 00:28:58,720
Speaker 1: go to grandma's house, they gave ginger snaps.

619
00:28:58,880 --> 00:29:00,120
Speaker 2: Are you asking me that?

620
00:29:00,240 --> 00:29:01,160
Speaker 4: Yeah, I don't know.

621
00:29:01,840 --> 00:29:03,440
Speaker 1: I don't that's alive.

622
00:29:04,760 --> 00:29:06,920
Speaker 2: One of the writers must have said, my grandma always

623
00:29:06,960 --> 00:29:08,080
Speaker 2: gave me ginger snaps.

624
00:29:08,360 --> 00:29:11,440
Speaker 1: Oh my gosh, but you're dancing in your costumes and

625
00:29:11,480 --> 00:29:15,320
Speaker 1: your hair and your makeup. I loved every second of it.

626
00:29:15,480 --> 00:29:17,360
Speaker 1: I was sucked in. I wanted to watch a whole

627
00:29:17,400 --> 00:29:21,160
Speaker 1: movie about Donna in that era. I really did.

628
00:29:22,040 --> 00:29:24,920
Speaker 2: They always, the writers and producers always would say to

629
00:29:24,960 --> 00:29:27,360
Speaker 2: me like, oh my gosh, with your eyes now, your

630
00:29:27,360 --> 00:29:29,720
Speaker 2: hair dark, like you should have been an old movie star.

631
00:29:30,160 --> 00:29:32,400
Speaker 4: And they would always say like Clara Bell and like

632
00:29:32,640 --> 00:29:33,720
Speaker 4: you know from the Ford.

633
00:29:33,800 --> 00:29:36,640
Speaker 2: I don't know, so, but this is so much inspired

634
00:29:36,640 --> 00:29:39,280
Speaker 2: by like my dad was in World War Two. He

635
00:29:39,320 --> 00:29:43,000
Speaker 2: had that near fatal accident, never flew again, So there's

636
00:29:43,040 --> 00:29:45,320
Speaker 2: a lot of pull from that with I.

637
00:29:45,400 --> 00:29:47,480
Speaker 3: Thought so too. Yeah, there was a lot of that.

638
00:29:47,680 --> 00:29:48,320
Speaker 3: I noticed.

639
00:29:48,880 --> 00:29:51,600
Speaker 1: How do you think that happens? Because like, the writers

640
00:29:51,600 --> 00:29:54,280
Speaker 1: are doing their thing and your dad's been a whole different,

641
00:29:54,600 --> 00:29:57,600
Speaker 1: you know, part of the city doing his thing, And

642
00:29:57,840 --> 00:30:00,840
Speaker 1: how do you think that Like stuff from his life

643
00:30:01,320 --> 00:30:02,400
Speaker 1: got into the writer's room.

644
00:30:02,840 --> 00:30:04,400
Speaker 3: They're doing it on purpose as like a wink.

645
00:30:04,520 --> 00:30:07,080
Speaker 2: But you tell to no, no, no, I agree, I

646
00:30:07,080 --> 00:30:08,920
Speaker 2: mean because they all know his story and everything. And

647
00:30:08,960 --> 00:30:14,000
Speaker 2: I'm sure just you know, rubber Cement in World War two,

648
00:30:14,120 --> 00:30:14,880
Speaker 2: Aaron I was.

649
00:30:15,240 --> 00:30:18,920
Speaker 3: The timeline track that they didn't mess up. The timeline,

650
00:30:19,120 --> 00:30:22,880
Speaker 3: like all the dates worked. That would be when your

651
00:30:23,000 --> 00:30:26,400
Speaker 3: dad was born. All that worked, because that would have

652
00:30:26,440 --> 00:30:28,760
Speaker 3: been a bummer if they like had the history wrong.

653
00:30:29,040 --> 00:30:30,760
Speaker 3: I felt like they did do a good job there.

654
00:30:30,920 --> 00:30:34,800
Speaker 1: It was so devastating though, when she kisses him goodbye

655
00:30:34,880 --> 00:30:36,240
Speaker 1: and she says I'm pregnant.

656
00:30:36,680 --> 00:30:37,800
Speaker 3: I know, we know.

657
00:30:37,960 --> 00:30:40,360
Speaker 1: She says, I never saw him again. It was so Titanic.

658
00:30:40,480 --> 00:30:44,960
Speaker 2: I loved it, right, Titanic mixed with like the notebook.

659
00:30:45,400 --> 00:31:00,440
Speaker 2: Oh yeah, I loved all those costs.

660
00:31:00,520 --> 00:31:01,160
Speaker 3: That's all I know.

661
00:31:01,960 --> 00:31:02,360
Speaker 4: I bet.

662
00:31:02,440 --> 00:31:05,040
Speaker 1: However, did you have to learn that dance or what?

663
00:31:05,880 --> 00:31:08,840
Speaker 2: Oh my god? So a choreographer came and then Louis

664
00:31:09,880 --> 00:31:11,800
Speaker 2: Yes was our stand in.

665
00:31:11,840 --> 00:31:12,600
Speaker 4: Our stand in?

666
00:31:12,720 --> 00:31:15,360
Speaker 2: And also was was he in Soul Train or like

667
00:31:15,480 --> 00:31:19,360
Speaker 2: remember he was? He was, but I really never he

668
00:31:19,400 --> 00:31:22,600
Speaker 2: was a pro dance great, but he was a pro

669
00:31:22,680 --> 00:31:25,959
Speaker 2: dancer in like his early years, and so he they

670
00:31:26,000 --> 00:31:27,320
Speaker 2: had somebody and then he did.

671
00:31:27,240 --> 00:31:28,800
Speaker 4: All the moves with us as well.

672
00:31:29,320 --> 00:31:31,920
Speaker 2: I just remember Brian and I practiced for so long

673
00:31:32,040 --> 00:31:34,440
Speaker 2: and we had all these like flips.

674
00:31:35,040 --> 00:31:36,240
Speaker 4: Brian and I could still.

675
00:31:36,040 --> 00:31:37,920
Speaker 2: Do the like one where he picks me up and

676
00:31:38,160 --> 00:31:41,280
Speaker 2: puts me on one side the other side and then

677
00:31:41,320 --> 00:31:45,160
Speaker 2: I split into the middle. But I remember we filmed

678
00:31:45,200 --> 00:31:47,760
Speaker 2: all day and it was super hot, and I was

679
00:31:47,760 --> 00:31:51,280
Speaker 2: feeling really sick that night that they didn't get to

680
00:31:51,320 --> 00:31:53,680
Speaker 2: that scene, the dancing scene, until it was like after

681
00:31:53,800 --> 00:31:56,840
Speaker 2: midnight that night, and we had been like filming everywhere,

682
00:31:57,240 --> 00:32:00,040
Speaker 2: and when we went to do it, I did some

683
00:32:00,200 --> 00:32:01,920
Speaker 2: of it but felt like I was going to pass out.

684
00:32:02,160 --> 00:32:04,600
Speaker 4: So I think the big flip and everything they've cut,

685
00:32:05,960 --> 00:32:09,200
Speaker 4: she just gets whatever was there. It was fun to watch.

686
00:32:09,800 --> 00:32:13,000
Speaker 3: My only beef is that your nail color as Donna

687
00:32:13,400 --> 00:32:15,280
Speaker 3: was exactly the same nail color.

688
00:32:15,880 --> 00:32:17,880
Speaker 4: There's no time to change it your.

689
00:32:17,760 --> 00:32:20,320
Speaker 3: Grandmother, And I felt like they show, oh my god,

690
00:32:20,520 --> 00:32:21,400
Speaker 3: you noticed that.

691
00:32:21,400 --> 00:32:22,480
Speaker 4: That's hilarious.

692
00:32:22,920 --> 00:32:25,960
Speaker 1: Well it makes sense because she's holding the letters a lot,

693
00:32:27,040 --> 00:32:30,440
Speaker 1: but yeah, I mean, yeah, it is really hurt. So

694
00:32:30,920 --> 00:32:32,880
Speaker 1: I mean, according to the picture, it's just Donna.

695
00:32:33,440 --> 00:32:36,800
Speaker 2: That was the part where I was like, the red nails,

696
00:32:36,880 --> 00:32:39,240
Speaker 2: that's what, that's what staying off the deep end in

697
00:32:39,240 --> 00:32:41,240
Speaker 2: the set, the shark right there.

698
00:32:41,920 --> 00:32:44,760
Speaker 3: Well, and also just like I almost think it would

699
00:32:44,800 --> 00:32:47,560
Speaker 3: have been I don't know, because I get why they

700
00:32:47,600 --> 00:32:51,480
Speaker 3: had you and and Brian playing the grandparents, but it

701
00:32:51,560 --> 00:32:53,880
Speaker 3: was just a little bit hard for me to like

702
00:32:55,520 --> 00:32:59,080
Speaker 3: to not realize like maybe I needed I don't know,

703
00:32:59,560 --> 00:33:02,480
Speaker 3: Jason Priestley makeup like he played the jewelry guy. I

704
00:33:02,480 --> 00:33:04,480
Speaker 3: don't know. That was a little bit for me, Like,

705
00:33:07,080 --> 00:33:08,560
Speaker 3: I don't know, I really.

706
00:33:09,080 --> 00:33:12,240
Speaker 1: So apparently I think I'm jumping back to one thing,

707
00:33:12,360 --> 00:33:14,840
Speaker 1: but I wanted to tell everybody that the house that

708
00:33:14,880 --> 00:33:17,400
Speaker 1: the guide the actor guy buys, oh yeah, it's in

709
00:33:17,520 --> 00:33:18,960
Speaker 1: Eagle Rock and it's still there.

710
00:33:19,440 --> 00:33:21,760
Speaker 3: And does it look like that has it been redone?

711
00:33:22,080 --> 00:33:27,840
Speaker 1: I don't think so from the looks of this picture.

712
00:33:27,960 --> 00:33:31,080
Speaker 1: Come over with his hammer and nails. But wait back

713
00:33:31,080 --> 00:33:36,200
Speaker 1: to you because I just thought, like, okay, Grammy just

714
00:33:36,320 --> 00:33:39,520
Speaker 1: gave you the okay basically to do the deed.

715
00:33:40,680 --> 00:33:43,160
Speaker 4: I now, I think was that like the.

716
00:33:43,120 --> 00:33:46,960
Speaker 1: Deciding factor for Donna because it seemed pretty leading to

717
00:33:47,080 --> 00:33:48,120
Speaker 1: like I'm going to do it and.

718
00:33:48,160 --> 00:33:52,880
Speaker 2: IP, yeah, yeah, I know. All I kept thinking is

719
00:33:53,160 --> 00:33:58,120
Speaker 2: where's that cross that'd be worth a pretty penny? Maybe

720
00:33:58,160 --> 00:34:01,560
Speaker 2: Iron has its kidding. I'm just saying that because he

721
00:34:01,600 --> 00:34:05,040
Speaker 2: always talks about having things and having we have nothing,

722
00:34:05,440 --> 00:34:08,960
Speaker 2: and we have nothing. Oh my gosh, my.

723
00:34:08,960 --> 00:34:10,120
Speaker 4: Gosh, it was good.

724
00:34:10,200 --> 00:34:11,560
Speaker 1: I enjoyed that part so much.

725
00:34:11,600 --> 00:34:12,319
Speaker 4: So great job.

726
00:34:12,600 --> 00:34:16,960
Speaker 2: I have to admit, though this episode my storyline, I

727
00:34:17,000 --> 00:34:19,799
Speaker 2: had built it up way more in my head. So

728
00:34:19,840 --> 00:34:22,280
Speaker 2: I was super excited to reconnect and see it again

729
00:34:22,400 --> 00:34:26,800
Speaker 2: with fresh eyes. And I was a little let down.

730
00:34:27,680 --> 00:34:30,840
Speaker 2: Why this episode mattered so much to me and it

731
00:34:30,920 --> 00:34:34,120
Speaker 2: stood out to me over these thirty years in such

732
00:34:34,120 --> 00:34:37,719
Speaker 2: an impactful way, and watching it back, I guess in

733
00:34:37,760 --> 00:34:41,240
Speaker 2: my mind it was a bigger storyline and more happened.

734
00:34:41,440 --> 00:34:43,879
Speaker 4: Why do you think it was so impactful? I don't know.

735
00:34:44,040 --> 00:34:45,680
Speaker 4: That's what I'm trying to search for. I don't.

736
00:34:45,960 --> 00:34:48,719
Speaker 1: I think it gave you, as an actress, opportunity.

737
00:34:48,200 --> 00:34:51,080
Speaker 4: To show that side of you and to show your.

738
00:34:51,120 --> 00:34:54,360
Speaker 1: Channge, like to show you that you know, I think

739
00:34:54,800 --> 00:34:57,680
Speaker 1: everybody wants to do a period piece like that's true

740
00:34:57,719 --> 00:35:00,040
Speaker 1: now and so I can get I get that.

741
00:35:00,440 --> 00:35:03,319
Speaker 2: And I'm just such a believer in love that. I

742
00:35:03,360 --> 00:35:05,759
Speaker 2: think it was like such an old time movie I

743
00:35:05,800 --> 00:35:07,880
Speaker 2: would have watched and been in love with when I

744
00:35:07,920 --> 00:35:10,560
Speaker 2: was that age, So I think that has always stayed

745
00:35:10,560 --> 00:35:10,840
Speaker 2: with me.

746
00:35:11,280 --> 00:35:17,080
Speaker 4: It was the Notebook basically, yeah, before the Notebook, correct, Yeah.

747
00:35:16,960 --> 00:35:18,600
Speaker 3: Yeah, no, yeah, the Notebook. I don't know when the

748
00:35:18,600 --> 00:35:21,799
Speaker 3: book was written early two thousands, right, I mean it's

749
00:35:21,840 --> 00:35:24,680
Speaker 3: not totally the Notebook because it's not you picking two people,

750
00:35:24,719 --> 00:35:26,439
Speaker 3: but it's a vibe.

751
00:35:26,640 --> 00:35:29,879
Speaker 1: The letters, and yeah, I liked it so much. Though, Wait,

752
00:35:29,920 --> 00:35:31,440
Speaker 1: what do you guys give this episode?

753
00:35:31,920 --> 00:35:32,120
Speaker 2: Do you?

754
00:35:32,160 --> 00:35:34,160
Speaker 4: I think I looked a little bit like June Lockhart,

755
00:35:34,160 --> 00:35:34,720
Speaker 4: don't you think?

756
00:35:34,960 --> 00:35:38,320
Speaker 3: No, you looked like you for sure, but you were you?

757
00:35:38,320 --> 00:35:39,520
Speaker 3: You exactly were you.

758
00:35:39,719 --> 00:35:41,319
Speaker 4: But then when I looked at her face sitting there,

759
00:35:41,320 --> 00:35:45,439
Speaker 4: I'm like, I could see, yeah, I see they think yeah, Amy.

760
00:35:45,480 --> 00:35:48,680
Speaker 4: I was telling Jen last week that I.

761
00:35:48,360 --> 00:35:52,440
Speaker 2: Kept it's somewhere here a polaroid of me and June Lockhart,

762
00:35:52,719 --> 00:35:55,279
Speaker 2: and I never took it was polaroids back then, but

763
00:35:55,280 --> 00:35:58,360
Speaker 2: I never sad pictures with guest cast or anything. But

764
00:35:58,719 --> 00:36:01,200
Speaker 2: I loved working with her so much. She was so

765
00:36:01,320 --> 00:36:05,560
Speaker 2: kind and it felt like such a real connection, and

766
00:36:05,640 --> 00:36:08,239
Speaker 2: I guess I wanted that gramm. I never My grandparents

767
00:36:08,320 --> 00:36:10,640
Speaker 2: died when I was really young, so I never had that.

768
00:36:11,040 --> 00:36:11,799
Speaker 4: And it went so much.

769
00:36:11,800 --> 00:36:14,680
Speaker 2: And I kept that polaroid through my entire life, like

770
00:36:14,719 --> 00:36:15,799
Speaker 2: it always moved with me.

771
00:36:15,840 --> 00:36:18,080
Speaker 4: It would go in my bathroom. I have to find

772
00:36:18,120 --> 00:36:18,800
Speaker 4: it's here somewhere.

773
00:36:18,840 --> 00:36:21,880
Speaker 3: But yeah, she also seemed very like she did not

774
00:36:21,960 --> 00:36:24,480
Speaker 3: need that cane, like, because I think about it, if

775
00:36:24,480 --> 00:36:26,720
Speaker 3: she's one hundred now, thirty years ago she was seventy.

776
00:36:27,200 --> 00:36:28,400
Speaker 3: I mean that lady's amazing.

777
00:36:28,480 --> 00:36:30,400
Speaker 2: She did not see I went back and looked, and

778
00:36:30,400 --> 00:36:32,799
Speaker 2: I was like, yeah, no, seventy. Wow, she wasn't like that.

779
00:36:32,840 --> 00:36:36,760
Speaker 2: She was feisty and fun and such an amazing woman.

780
00:36:37,120 --> 00:36:39,960
Speaker 1: Well, well, seventy is the new fifty now, so.

781
00:36:41,840 --> 00:36:43,440
Speaker 3: She's one hundred.

782
00:36:43,719 --> 00:36:44,640
Speaker 4: What do you guys rate it?

783
00:36:45,239 --> 00:36:47,360
Speaker 3: Nine? Eight point five? Seven?

784
00:36:47,680 --> 00:36:51,280
Speaker 4: Do you get finally it's settling into seven?

785
00:36:51,320 --> 00:36:53,840
Speaker 2: Okay, you said you go with your gut always and

786
00:36:53,840 --> 00:36:55,360
Speaker 2: then you just changed it three times.

787
00:36:55,400 --> 00:36:58,399
Speaker 3: Told me I was definitely overstating it.

788
00:37:00,400 --> 00:37:01,560
Speaker 4: I would give it.

789
00:37:02,440 --> 00:37:04,640
Speaker 1: I want to give the part that I loved, which

790
00:37:04,800 --> 00:37:08,040
Speaker 1: was the throwback stuff, a ten, but I want to

791
00:37:08,160 --> 00:37:10,760
Speaker 1: give the rest of it like a seven.

792
00:37:11,840 --> 00:37:15,400
Speaker 3: Yeah, it's unfortunately to your storyline. That's also really dragging

793
00:37:15,440 --> 00:37:15,880
Speaker 3: it down.

794
00:37:16,080 --> 00:37:17,480
Speaker 1: Yeah, I'm sorry, guys.

795
00:37:17,239 --> 00:37:18,600
Speaker 3: It's just so bizarre.

796
00:37:19,280 --> 00:37:20,400
Speaker 2: It was the kid, it wasn't you.

797
00:37:20,880 --> 00:37:23,000
Speaker 3: Yeah, you played it well, you played it well.

798
00:37:23,440 --> 00:37:23,600
Speaker 5: Well.

799
00:37:23,600 --> 00:37:25,920
Speaker 2: Now I feel the need to have to like up

800
00:37:25,960 --> 00:37:28,200
Speaker 2: it because you guys have gone down. But I'm going

801
00:37:28,239 --> 00:37:29,160
Speaker 2: to settle at an eight.

802
00:37:29,480 --> 00:37:31,000
Speaker 1: I think you should give it a ten because it

803
00:37:31,040 --> 00:37:34,440
Speaker 1: meant so much to you and you should just acknowledge that,

804
00:37:34,560 --> 00:37:35,560
Speaker 1: be proud of it, own it.

805
00:37:35,640 --> 00:37:38,839
Speaker 2: Yeah, okay, thank you, Okay, ten, give it a ten.

806
00:37:39,080 --> 00:37:43,680
Speaker 4: Ten. Okay, what have we got next week?

807
00:37:44,239 --> 00:37:46,120
Speaker 3: Something crazy, something unhippen.

808
00:37:46,239 --> 00:37:48,640
Speaker 4: Let's hope it gets a little bit better. Yeah, I

809
00:37:48,719 --> 00:37:51,520
Speaker 4: missed crazy on this show, like soap us up.

810
00:37:51,840 --> 00:37:57,360
Speaker 1: Let's see we have a storm warning episode twenty three. Ooh,

811
00:37:57,480 --> 00:37:58,560
Speaker 1: I like storms.

812
00:37:58,760 --> 00:38:01,680
Speaker 4: Yeah, it's always good when when fluids are involved.

813
00:38:02,239 --> 00:38:04,959
Speaker 3: That kid's definitely back, Oh, the little kid.

814
00:38:05,000 --> 00:38:07,279
Speaker 1: What about the Hondey guy, the actor boy, he's bad

815
00:38:07,400 --> 00:38:09,239
Speaker 1: Jason Lewis, Yeah, he's going back.

816
00:38:09,400 --> 00:38:10,960
Speaker 3: He's around for like four episodes.

817
00:38:11,080 --> 00:38:13,040
Speaker 1: Yeah, I don't I just don't want to see the

818
00:38:13,080 --> 00:38:15,040
Speaker 1: kid again. No offense, kid, but like I don't know,

819
00:38:15,080 --> 00:38:15,560
Speaker 1: I was boring.

820
00:38:16,960 --> 00:38:17,479
Speaker 3: He's back.

821
00:38:19,280 --> 00:38:22,640
Speaker 1: Well, that's it for this episode. You guys, hope you

822
00:38:22,880 --> 00:38:24,719
Speaker 1: had a good time with us today.

823
00:38:24,920 --> 00:38:27,440
Speaker 4: Bye bye,