WEBVTT - How “Dr.” Samuel Bennett Became the 'King of the Thimbles'

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<v Speaker 1>Welcome to Criminalia, a production of Shondaland Audio in partnership

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<v Speaker 1>with iHeartRadio.

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<v Speaker 2>You can't have a season about confidence artists and their

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<v Speaker 2>games without talking about one of the classics, the shell game.

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<v Speaker 2>It's been called a lot of things over the years,

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<v Speaker 2>and during the time and place we're going to visit

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<v Speaker 2>in this episode, we'll be calling it thimblerigg. Though it's

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<v Speaker 2>often portrayed as a gambling game, it's actually a confidence

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<v Speaker 2>trick used to perpetrate fraud. It is a long popular

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<v Speaker 2>game among confidence artists, some who became famous for using

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<v Speaker 2>this shortcun on many many marks. Sophie Smith, for instance,

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<v Speaker 2>was a renowned thimble rigger. William Lucky Bill Florington was

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<v Speaker 2>as well, and so was doctor Samuel Bennett, the confidence

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<v Speaker 2>artist in this episode's hot seat Welcome to Criminalia. I'm

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<v Speaker 2>Maria Tremarky.

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<v Speaker 1>And I'm Holly Frye. Samuel Bennett was one of the

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<v Speaker 1>best known so called thimble artists, perhaps ever, depending on

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<v Speaker 1>who you ask, and he made a fortune playing the

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<v Speaker 1>game on steamboats along the Mississippi and Red Rivers in

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<v Speaker 1>the United States in the nineteenth century. Samuel was one

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<v Speaker 1>of thirteen children born in January of seventeen ninety one

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<v Speaker 1>in New Hampshire to Thomas and Sarah Bennett. We unsurprisingly

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<v Speaker 1>have very little detail about his childhood, but we do

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<v Speaker 1>know that before he turned confidence man, and actually during

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<v Speaker 1>his confidence career as well, he did legitimate work. He

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<v Speaker 1>worked as a fur trader, a merchant, and as a

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<v Speaker 1>tavern keeper. You surely noticed Maria referred to him as

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<v Speaker 1>doctor Samuel Bennett. The thing about that is he was

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<v Speaker 1>never actually a real doctor. He had no training whatsoever,

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<v Speaker 1>but he either tired or self styled the honorific title

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<v Speaker 1>at some point early in his adulthood. In eighteen twelve, Samuel,

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<v Speaker 1>at that point in his early twenties, became a father.

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<v Speaker 1>He and a woman named Comfort Batchelder had a daughter

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<v Speaker 1>named Mary Dole Silly Bennett and nicknamed Bammy in Chichester,

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<v Speaker 1>New Hampshire. Mary herself has a big life story of

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<v Speaker 1>her own. She's known as having been a shrewd business

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<v Speaker 1>entrepreneur and is known as the mother of Shreveport, Louisiana.

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<v Speaker 1>Although Samuel and his daughter had what seems to have

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<v Speaker 1>been a pretty good relationship, when her father died, the

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<v Speaker 1>rest of the Bennett sued to have Mary removed from

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<v Speaker 1>his will. If you're wondering what the problem was, Samuel

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<v Speaker 1>and Comfort never got married, which meant that Mary was

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<v Speaker 1>born in a non marital union. At the time, she

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<v Speaker 1>would have been called an illegitimate child, and for that reason,

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<v Speaker 1>Samuel's family wanted to disallow her inheritance. Samuel's family actually

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<v Speaker 1>won their suit.

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<v Speaker 2>So let's go back to Samuel's life, not his death.

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<v Speaker 2>He may have spent the first twenty two years of

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<v Speaker 2>his life in New Hampshire, but Samuel was from Shreveport, Louisiana.

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<v Speaker 2>If you get what we mean, he spent most of

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<v Speaker 2>his adult life there and had a significant impact on

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<v Speaker 2>the growth of the city. In fact, he and several

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<v Speaker 2>other Bennett family members, including his daughter Mary, all played

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<v Speaker 2>roles in the history of Shreveport over many decades before

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<v Speaker 2>landing there, though, Samuel first moved from New Hampshire to Alabama,

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<v Speaker 2>where he became a landowner and enslaver. And for perspective

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<v Speaker 2>on the historical timeline, this was still a few decades

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<v Speaker 2>before the American Civil War would begin. Small local papers

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<v Speaker 2>occasionally wrote little stories about him, and it didn't take

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<v Speaker 2>long for them to report on the details of his

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<v Speaker 2>growing side gig his com career. To quote the press,

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<v Speaker 2>Bennett played checkers unusually well, and I truly liked to

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<v Speaker 2>play that game. Bennett considered it a wilful waste of

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<v Speaker 2>time to play only for the sake of the game,

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<v Speaker 2>and would not play except for a stake of not

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<v Speaker 2>less than ten dollars a game.

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<v Speaker 1>In eighteen thirty three, give or take a year, Samuel

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<v Speaker 1>and his brother William found themselves back in New Hampshire,

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<v Speaker 1>and while there, William fell in love with his niece Mary.

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<v Speaker 1>By today's standards, that's problematic. Despite Samuel's concerns about the pairing,

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<v Speaker 1>the two did marry and moved to Shreveport. The Caddo

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<v Speaker 1>people called the area home before the arrival of Europeans,

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<v Speaker 1>and William and Mary Bennett were among the earliest white

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<v Speaker 1>inhabitants in the region. They set up post along the

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<v Speaker 1>river and also made money through warehouses they owned on

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<v Speaker 1>Cross Bayou. The Bennetts provided food and supplies to travelers

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<v Speaker 1>who were making their way west into Texas. The family

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<v Speaker 1>also operated a ferry to carry travelers across the Red River.

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<v Speaker 1>Many many early settlers came through this region on their

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<v Speaker 1>Way to the American West. By eighteen fifty, more than

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<v Speaker 1>two hundred wagons per week passed through.

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<v Speaker 2>The area to be near his daughter, brother and eventual grandchildren.

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<v Speaker 2>Samuel too relocated to Shreveport. According to the Weekly Shreveport Times,

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<v Speaker 2>quote he was engaged in mercantile and farming pursuits, owning

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<v Speaker 2>the valuable body of Richland opposite the city, and for

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<v Speaker 2>a short while ran a private bank here. He may

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<v Speaker 2>have been involved in legit pursuits upon his arrival in Shreveport,

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<v Speaker 2>but Samuel was already pretty well known throughout the American South,

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<v Speaker 2>especially in cities in Alabama and Georgia, as a great

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<v Speaker 2>trick man a corn artist. The Weekly Shreveport Times began

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<v Speaker 2>to catch on and began to report that he quote

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<v Speaker 2>had the distinguished honor of either inventing or reviving the

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<v Speaker 2>game known as thimblerig, which has been calculated to capture

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<v Speaker 2>the ung Way. They continued, quote a recital of his

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<v Speaker 2>many sharp practices would fill a volume.

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<v Speaker 1>We're going to take a break here for a word

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<v Speaker 1>from our sponsors. When we return, we'll talk about what

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<v Speaker 1>the game known as thimble rig is and how it's played.

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<v Speaker 2>Welcome back, to criminalia. Shell game swindles are still in

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<v Speaker 2>vogue among con artists today around the world. But let's

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<v Speaker 2>talk about how thimble rig was played in the nineteenth century.

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<v Speaker 1>The definition of a thimble rigger ever since the game's

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<v Speaker 1>popularity in the eighteen hundreds, has been one who manipulates

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<v Speaker 1>or controls, generally in deceptive or dishonest ways. The game itself,

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<v Speaker 1>thimblerig is related to another game called cups and balls.

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<v Speaker 1>That's a magic trick that's performed as entertainment. It's not

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<v Speaker 1>anything to do with gambling or anything scammy. It's also

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<v Speaker 1>pretty much the same swindle as three card Monty, just

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<v Speaker 1>the substitute for the cards. Some will tell you it's

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<v Speaker 1>a game of skill and not a swindle. Some people

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<v Speaker 1>will tell you it's all just an illusion. So let's

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<v Speaker 1>talk about how it's played.

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<v Speaker 2>You'd actually probably recognize it if you saw it. It

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<v Speaker 2>can be identified by its three small overturned containers and

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<v Speaker 2>a small object for hiding. Over the years, the containers

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<v Speaker 2>have been everything from fimbles to walnut shells to bottle caps,

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<v Speaker 2>and the small object is usually a small ball, pebble, bead, button,

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<v Speaker 2>You get the picture. There are descriptions of the game

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<v Speaker 2>from the early eighteen hundreds, and though there have been

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<v Speaker 2>slight changes over the decades, it's generally run like this.

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<v Speaker 2>For simplicity, we're going to use thimbles and balls as

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<v Speaker 2>our object examples, as that would have been common in

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<v Speaker 2>nineteenth century thimblerig. It begins with the operator and this

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<v Speaker 2>is the con artist inverting the three thimbles on a

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<v Speaker 2>surface such as a mat or a table. A single

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<v Speaker 2>ball is placed under one of those three inverted thimbles,

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<v Speaker 2>and then then here's where they get you. The thimblerig

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<v Speaker 2>scam works because of an illusion. The secret is a

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<v Speaker 2>second ball. This involves an element of sleight of hand

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<v Speaker 2>to pull off the swindle. The secret ball is placed

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<v Speaker 2>under a second of the three thimbles, and the original

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<v Speaker 2>ball is removed from play palmed by the operator. The

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<v Speaker 2>operator quickly shuffles the containers with the replacement ball under them,

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<v Speaker 2>while the better otherwise known as the mark, and spectators

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<v Speaker 2>unwittingly look on. In his book Suckers Progress, An Informal

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<v Speaker 2>History of Gambling in America from the Colonies to Canfield,

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<v Speaker 2>Herbert Asbury describes the slow height of hand like this

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<v Speaker 2>quote ten times out of ten, unless the bet was

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<v Speaker 2>a come on, the object is between two of the

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<v Speaker 2>thimble rigger's fingers or has been shifted by a confederate

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<v Speaker 2>during the excitement of the betting. Now the action moves

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<v Speaker 2>to the better. The better then chooses which container the

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<v Speaker 2>object is under, and the odds here are super good

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<v Speaker 2>that they do not choose correctly. In addition to this

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<v Speaker 2>light of hand part of this scam, thimble artists often

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<v Speaker 2>also had shills, who were people they paid to help them.

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<v Speaker 2>Spectators watching shills win the game was often the boost

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<v Speaker 2>they needed to try that game themselves.

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<v Speaker 1>Samuel's variation was usually played with three thimbles and a tiny,

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<v Speaker 1>rolled up paper ball. He claimed that he had played

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<v Speaker 1>this game since he was just a kid, true or not.

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<v Speaker 1>As an adult, he was so proficient at it that

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<v Speaker 1>he was given the nicknames the King of Thimbles and

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<v Speaker 1>the Napoleon of thimble Riggers. He was so good at

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<v Speaker 1>the swindle that in the early eighteen forties, in part

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<v Speaker 1>because of him, several states passed laws that specifically prohibited

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<v Speaker 1>this game. Sometimes he's even credited with inventing the thimble

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<v Speaker 1>rig but for certain he did not. He may have

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<v Speaker 1>popularized it during his lifetime, we will absolutely give him that.

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<v Speaker 1>But people were playing this game or running this con

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<v Speaker 1>dating back to the ancient Greeks and Romans, and of

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<v Speaker 1>course the magic trick even predates that. In Great Britain

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<v Speaker 1>in the early nineteenth century, it got the name thimble

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<v Speaker 1>rig from the words thimble the original containers used in

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<v Speaker 1>the game, and rig that's the obsolete term for trick.

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<v Speaker 1>You have rigged the game.

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<v Speaker 2>This swindle was very popular throughout the nineteenth century, and

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<v Speaker 2>games were often set up in or around carnivals and

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<v Speaker 2>other large events. Games of chance also became popular on

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<v Speaker 2>America's new steamboats. In eighteen thirty six, historian and writer

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<v Speaker 2>Benjamin Drake, a writer of popular sketches for newspapers at

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<v Speaker 2>the time, introduced his audience to a new character, a

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<v Speaker 2>riverboat gambler of sorts, what he called an American rascal,

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<v Speaker 2>who rode steamboats up and down the Mississippi to take

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<v Speaker 2>advantage of unsuspecting passengers with various rigged games of chance.

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<v Speaker 2>These men, he wrote, quote, dress with taste and elegance,

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<v Speaker 2>carry gold chronometers in their pockets, and swear with the

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<v Speaker 2>most genteel precision. These men were in fact a real thing,

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<v Speaker 2>and our Samuel Bennett, based out of Shreveport, was one

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<v Speaker 2>of them.

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<v Speaker 1>So we're going to take a break here for a

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<v Speaker 1>word from our sponsors. But when we return we will

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<v Speaker 1>talk about the rise and fall of steamboats in America

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<v Speaker 1>and what that meant for riverboat gamblers like Samuel Bennett.

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<v Speaker 2>Welcome back to Criminalia. Let's talk about what happened when

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<v Speaker 2>gamblers and con artists got on board those steamboats.

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<v Speaker 1>So we need to talk about riverboats for a minute.

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<v Speaker 1>In the early eighteen hundreds in the United States, this

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<v Speaker 1>is of course before rail travel. Transportation was limited. Mostly

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<v Speaker 1>you could go by horse and wagon, ox cart, mule train.

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<v Speaker 1>In the nineteenth century, rivers became the nation's kind of

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<v Speaker 1>unofficial highway system for both traders and travelers. New steam

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<v Speaker 1>powered boats could move upstream nearly as fast as downstream,

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<v Speaker 1>and could travel at what were astonishing speeds for the time,

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<v Speaker 1>as fast as five miles per hour or that's about

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<v Speaker 1>eight kilometers per hour. The Mississippi River flows through ten states,

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<v Speaker 1>and that river has long played a vital role in

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<v Speaker 1>American expansion. In the eighteen hundreds, the river carried just

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<v Speaker 1>about every trade good you might imagine from the time

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<v Speaker 1>first from the Great Lakes and the Missouri River region,

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<v Speaker 1>agricultural staples like corn and wheat from the Midwest, a

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<v Speaker 1>swell as cotton, sugar, and tobacco from the plantations of

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<v Speaker 1>the South. Because of its dominance and significance, the Mississippi

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<v Speaker 1>has often been called the lifeblood of American industry and commerce.

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<v Speaker 2>So we can probably point a finger at Samuel Clemons,

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<v Speaker 2>also known as the legendary author Mark Twain, for the

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<v Speaker 2>romanticized Americana image of paddlewheel steam riverboats floating down the

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<v Speaker 2>Mississippi River. In his memoir, which was called Life on

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<v Speaker 2>the Mississippi, he wrote of his days as a steamboat

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<v Speaker 2>pilot in the years before the American Civil War. Twain

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<v Speaker 2>described the Mississippi River towns as quote comely clean, well built,

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<v Speaker 2>and pleasing to the eye and cheering to the spirit.

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<v Speaker 2>The Mississippi Valley is as a dreamland, nothing worldly about it,

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<v Speaker 2>nothing to hang a fret or worry upon. And he

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<v Speaker 2>described the riverboats as full of passengers playing card games

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<v Speaker 2>and enjoying live music and dancing, all true stuff. He

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<v Speaker 2>also wrote of gamblers and thieves, cheating travelers, out of

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<v Speaker 2>a bunch of money. Also true, and our subject today,

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<v Speaker 2>Samuel Bennett wasn't there for that live music or that dancing.

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<v Speaker 2>He was there for that bunch of money.

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<v Speaker 1>While that five miles per hour was an astounding riverboat

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<v Speaker 1>speed for its time, it was still five miles per hour.

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<v Speaker 1>That meant that passengers weren't going anywhere especially fast. So

0:14:42.640 --> 0:14:46.280
<v Speaker 1>to pass the time, people began to enjoy various entertainments

0:14:46.320 --> 0:14:49.920
<v Speaker 1>on board, and with that need for diversion, it was

0:14:50.160 --> 0:14:52.240
<v Speaker 1>kind of as if the steamboats had hung out a

0:14:52.280 --> 0:14:56.360
<v Speaker 1>welcome sign for professional gamblers and swindlers to come aboard,

0:14:56.880 --> 0:15:00.160
<v Speaker 1>and they did go aboard, probably for a few reasons.

0:15:00.840 --> 0:15:03.720
<v Speaker 1>It was easy to keep a low profile when traveling

0:15:03.760 --> 0:15:07.560
<v Speaker 1>on the river. Plus there were likely plenty of passengers

0:15:07.600 --> 0:15:10.040
<v Speaker 1>on board who were gullible in the ways of games

0:15:10.040 --> 0:15:14.640
<v Speaker 1>of chance, especially when those games are rigged. And also

0:15:15.120 --> 0:15:17.680
<v Speaker 1>it was in part just due to the law certain

0:15:17.720 --> 0:15:22.560
<v Speaker 1>states prohibited gambling, but that only applied on land. Twain

0:15:22.640 --> 0:15:27.080
<v Speaker 1>once described the riverboat gamblers as quote, rough repulsive fellows.

0:15:27.760 --> 0:15:30.360
<v Speaker 1>He wrote of their presence on the river as quote

0:15:30.400 --> 0:15:33.600
<v Speaker 1>I could not help seeing them with some frequency, for

0:15:33.760 --> 0:15:36.760
<v Speaker 1>they gambled in an upper deck stateroom every day and night,

0:15:37.160 --> 0:15:40.080
<v Speaker 1>and in my promenades I often had glimpses of them

0:15:40.120 --> 0:15:43.320
<v Speaker 1>through their door, which stood a little ajar to let

0:15:43.360 --> 0:15:47.000
<v Speaker 1>out the surplus tobacco, smoke, and profanity. They were an

0:15:47.040 --> 0:15:49.640
<v Speaker 1>evil and hateful presence, but I had to put up

0:15:49.640 --> 0:15:50.560
<v Speaker 1>with it. Of course.

0:15:51.800 --> 0:15:55.400
<v Speaker 2>Samuel Bennett's name had become so tightly linked to the

0:15:55.400 --> 0:15:59.080
<v Speaker 2>game of thimble rig that curious passengers on the riverboats

0:15:59.080 --> 0:16:04.560
<v Speaker 2>he frequented began and to approach him and ask for demonstrations. First,

0:16:04.760 --> 0:16:08.800
<v Speaker 2>he quite modestly feigned reluctance to do so. No no,

0:16:08.880 --> 0:16:13.400
<v Speaker 2>but thank you for the interest. Pressed a second time, well,

0:16:14.000 --> 0:16:16.760
<v Speaker 2>doctor Bennett would be happy to show off, and, considering

0:16:16.800 --> 0:16:20.360
<v Speaker 2>the passengers knew who he was when they approached him,

0:16:20.840 --> 0:16:24.360
<v Speaker 2>he would ironically walk away with pocketfuls of cash he'd

0:16:24.360 --> 0:16:29.480
<v Speaker 2>fleeced from them during his demonstration. In eighteen fifty seven,

0:16:29.880 --> 0:16:33.960
<v Speaker 2>gambler turned con exposer Jonathan Green described in his book

0:16:34.120 --> 0:16:38.560
<v Speaker 2>Gambling Exposed a quote merchant from Philadelphia, who, though a

0:16:38.720 --> 0:16:42.720
<v Speaker 2>very intelligent man and a shrewd businessman, was far above

0:16:42.800 --> 0:16:48.000
<v Speaker 2>intrigue and unwittingly lost over sixteen hundred dollars to gamblers

0:16:48.000 --> 0:16:52.560
<v Speaker 2>on the Mississippi to that point. Riverboat confidence man Canada,

0:16:52.600 --> 0:16:56.600
<v Speaker 2>Bill Jones was once quoted saying suckers had no business

0:16:56.680 --> 0:17:00.600
<v Speaker 2>with money, a sentiment said perhaps by every con artist

0:17:00.720 --> 0:17:02.360
<v Speaker 2>we've talked about so far this season.

0:17:02.400 --> 0:17:07.160
<v Speaker 1>I would imagine, as you might imagine, riverboat gambling wasn't

0:17:07.200 --> 0:17:12.240
<v Speaker 1>without potential violence and other crime. Historians report people taking

0:17:12.280 --> 0:17:16.640
<v Speaker 1>the law into their own hands to punish accused cheaters, thieves,

0:17:16.680 --> 0:17:20.400
<v Speaker 1>and other criminals while floating on the river. In eighteen

0:17:20.440 --> 0:17:24.960
<v Speaker 1>thirty five, in Vicksburg, Mississippi, for example, five gamblers were

0:17:25.080 --> 0:17:30.400
<v Speaker 1>lynched after other passengers discovered them cheating at cards. Gambling

0:17:30.440 --> 0:17:34.320
<v Speaker 1>on a riverboat on the Mississippi, which was mainly unregulated

0:17:34.359 --> 0:17:36.760
<v Speaker 1>waters skirted local laws.

0:17:41.880 --> 0:17:45.680
<v Speaker 2>The era of the steamboat began its rise in popularity

0:17:45.760 --> 0:17:49.040
<v Speaker 2>and prominence at the same time as the popularity and

0:17:49.119 --> 0:17:53.680
<v Speaker 2>prominence of card games, in particular poker. But card games

0:17:53.680 --> 0:17:57.200
<v Speaker 2>were really having a moment. By the eighteen thirties, more

0:17:57.240 --> 0:18:00.720
<v Speaker 2>than twelve hundred steamboats for carrying passengers and products around

0:18:00.760 --> 0:18:04.760
<v Speaker 2>America's waterways, and men like Bennett were eager to run

0:18:04.840 --> 0:18:07.400
<v Speaker 2>rigged games on all of them, and by all of them.

0:18:07.440 --> 0:18:09.800
<v Speaker 2>I mean all of the boats and all of the people.

0:18:10.960 --> 0:18:13.960
<v Speaker 2>Some of the earliest tales of poker games date to

0:18:14.040 --> 0:18:18.200
<v Speaker 2>this time period. Many accounts describe all kinds of games

0:18:18.240 --> 0:18:21.680
<v Speaker 2>played on decks, in parlors, bars, and in private rooms

0:18:21.680 --> 0:18:25.760
<v Speaker 2>aboard those riverboats on the Mississippi, the Ohio, and other

0:18:25.880 --> 0:18:30.240
<v Speaker 2>waterways around the country. After the American Civil War, the

0:18:30.359 --> 0:18:34.760
<v Speaker 2>railroad system grew rapidly. The first transcontinental line was completed

0:18:34.800 --> 0:18:39.280
<v Speaker 2>in Running in eighteen sixty nine. Travelers and of course

0:18:39.320 --> 0:18:42.440
<v Speaker 2>the cheats who followed them, began riding the rails, which

0:18:42.560 --> 0:18:44.919
<v Speaker 2>was now the fastest method of travel during the final

0:18:44.960 --> 0:18:48.000
<v Speaker 2>decades of the nineteenth century. By nineteen oh four, some

0:18:48.119 --> 0:18:51.480
<v Speaker 2>states began to soften their gambling laws, luring people from

0:18:51.520 --> 0:18:54.840
<v Speaker 2>the river back ashore. It's also the same year the

0:18:54.840 --> 0:18:59.040
<v Speaker 2>first legitimate riverboat casino, called the City of Traverse set

0:18:59.160 --> 0:19:03.800
<v Speaker 2>sail on Lake Michigan, and that's generally accepted by modern

0:19:03.880 --> 0:19:07.760
<v Speaker 2>historians as the start of riverboat gambling as an organized

0:19:07.840 --> 0:19:12.600
<v Speaker 2>commercial operation. Iowa went on to become the first state

0:19:12.680 --> 0:19:16.400
<v Speaker 2>to legalize riverboat gambling, but that didn't happen until nineteen

0:19:16.640 --> 0:19:17.399
<v Speaker 2>eighty nine.

0:19:18.280 --> 0:19:23.760
<v Speaker 1>But that railroad expansion happened after Samuel's death. In his life,

0:19:23.800 --> 0:19:27.919
<v Speaker 1>he was both a legitimate businessman with an unmistakable influence

0:19:28.280 --> 0:19:31.840
<v Speaker 1>on the growth of Shreveport, Louisiana, and a man who

0:19:31.880 --> 0:19:35.560
<v Speaker 1>got really rich running confidence tricks on the passengers of

0:19:35.600 --> 0:19:40.520
<v Speaker 1>American riverboats. He died on September twenty first, eighteen fifty three,

0:19:40.600 --> 0:19:44.720
<v Speaker 1>in Shreveport. Aptly written by Twain about life on the

0:19:44.800 --> 0:19:47.640
<v Speaker 1>river and it seems like it might apply to Samuel

0:19:48.480 --> 0:19:50.439
<v Speaker 1>now and then we had a hope that if we

0:19:50.520 --> 0:19:53.919
<v Speaker 1>lived and were good, God would permit us to be pirates.

0:19:54.920 --> 0:20:06.560
<v Speaker 2>Sometimes you got to go pirate sometimes. So what kind

0:20:06.600 --> 0:20:08.720
<v Speaker 2>of a drink would you bring to this occasion?

0:20:09.680 --> 0:20:09.720
<v Speaker 1>It?

0:20:10.359 --> 0:20:15.399
<v Speaker 2>Right, we're on riverbod. This is Newfound territory.

0:20:13.960 --> 0:20:15.639
<v Speaker 1>Yes, but this is one of those ones that I

0:20:15.680 --> 0:20:19.040
<v Speaker 1>knew the second I looked at this what I wanted

0:20:19.080 --> 0:20:21.440
<v Speaker 1>to do excellent. So this is a drink that we're

0:20:21.480 --> 0:20:25.160
<v Speaker 1>just gonna call the thimble rig. And of course all

0:20:25.200 --> 0:20:28.480
<v Speaker 1>this talk of thimbles made me have to make a shot,

0:20:28.520 --> 0:20:29.760
<v Speaker 1>which we don't do very often.

0:20:29.760 --> 0:20:31.480
<v Speaker 2>I think have we done one?

0:20:31.840 --> 0:20:35.040
<v Speaker 1>Perhaps one? Maybe two? May so I wanted to make

0:20:35.080 --> 0:20:37.800
<v Speaker 1>a shot in reference to the cups or thimbles. But

0:20:38.680 --> 0:20:42.760
<v Speaker 1>I also wanted something that's very Louisiana. So I wanted

0:20:42.800 --> 0:20:46.080
<v Speaker 1>to do a drink that's very popular in Louisiana, and

0:20:46.119 --> 0:20:48.440
<v Speaker 1>there are several, but the one I focused on was

0:20:48.480 --> 0:20:52.280
<v Speaker 1>a sidecar. Okay, but in this case, it's a shot

0:20:52.480 --> 0:20:56.640
<v Speaker 1>version of a side car that also can transform into

0:20:56.680 --> 0:21:00.280
<v Speaker 1>something new as a cocktail, just as Samuel kind of

0:21:00.680 --> 0:21:03.800
<v Speaker 1>transitioned from role to role in his life. From legitimate

0:21:03.840 --> 0:21:10.000
<v Speaker 1>business too not so much. Yes, so this is a

0:21:10.359 --> 0:21:14.000
<v Speaker 1>very easy shot to make. You are just gonna pour

0:21:14.200 --> 0:21:16.920
<v Speaker 1>an ounce and a half of cognac and a half

0:21:16.960 --> 0:21:20.640
<v Speaker 1>ounce of lemon cello into your shaker with ice. You're

0:21:20.640 --> 0:21:25.800
<v Speaker 1>gonna shake. I add this is an optional a splash

0:21:25.920 --> 0:21:28.960
<v Speaker 1>of vanilla syrup or simple syrup. It just takes the

0:21:29.000 --> 0:21:30.880
<v Speaker 1>bite out of it and it makes it a little

0:21:30.880 --> 0:21:33.800
<v Speaker 1>smoother to drink. So you'll shake that all with ice,

0:21:33.840 --> 0:21:36.080
<v Speaker 1>strain it into a pre chilled shot glass, and you're

0:21:36.119 --> 0:21:38.919
<v Speaker 1>ready to go. This is where I mentioned it is

0:21:39.000 --> 0:21:41.240
<v Speaker 1>perfectly okay to sip a shot. You do not have

0:21:41.280 --> 0:21:43.560
<v Speaker 1>to down it all at once. If anyone tells you

0:21:43.560 --> 0:21:47.920
<v Speaker 1>you have to, there being a jerk. But the other

0:21:48.080 --> 0:21:51.600
<v Speaker 1>thing is that this is also a thing that you

0:21:51.680 --> 0:21:56.560
<v Speaker 1>can make into a proper cocktail that will be something

0:21:56.600 --> 0:22:00.639
<v Speaker 1>different from a sidecar but unique on a own. So

0:22:01.240 --> 0:22:04.800
<v Speaker 1>you can take this shaken up magic, pour it into

0:22:04.840 --> 0:22:08.320
<v Speaker 1>a glass with rocks, and then top it with ginger ale,

0:22:08.400 --> 0:22:13.879
<v Speaker 1>and it becomes this incredibly simpable drink, like just the

0:22:14.000 --> 0:22:16.040
<v Speaker 1>easiest drink on earth to drink.

0:22:16.320 --> 0:22:19.280
<v Speaker 2>A very bright drink to have too. Like as spring starts,

0:22:19.320 --> 0:22:21.520
<v Speaker 2>I start thinking this has citrusy flavors in it.

0:22:22.760 --> 0:22:26.840
<v Speaker 1>The citrus is light. The cognac is really driving the

0:22:26.840 --> 0:22:31.120
<v Speaker 1>flavor profile because there's so much more of it. It's

0:22:31.400 --> 0:22:33.960
<v Speaker 1>one part of the lemon cello to three parts of

0:22:34.000 --> 0:22:38.840
<v Speaker 1>the cognac. A nice, really full bodied but yet not

0:22:39.040 --> 0:22:42.000
<v Speaker 1>heavy drink once you add ginger ale to it. I

0:22:42.040 --> 0:22:46.160
<v Speaker 1>loved it. The mocktail is involves a couple extra steps,

0:22:46.200 --> 0:22:50.520
<v Speaker 1>nothing crazy, but to make a version of a substitute

0:22:50.560 --> 0:22:54.560
<v Speaker 1>for cognac. Here, we're going to actually start with a

0:22:54.680 --> 0:22:59.439
<v Speaker 1>very light version of syrup, similar to a simple but

0:22:59.520 --> 0:23:03.119
<v Speaker 1>not quite I boiled two cups of water with a

0:23:03.200 --> 0:23:06.800
<v Speaker 1>quarter cup of molasses. Oh okay, and let that just

0:23:06.840 --> 0:23:09.640
<v Speaker 1>all simmer a little bit and get incorporated. And then

0:23:09.840 --> 0:23:13.440
<v Speaker 1>I dropped a tea bag of English breakfast in there,

0:23:14.760 --> 0:23:16.720
<v Speaker 1>and I let that steep for a little while, and

0:23:16.760 --> 0:23:19.280
<v Speaker 1>then I pulled the tea bag out. That way you

0:23:19.359 --> 0:23:22.560
<v Speaker 1>have that little bit of sweetness that cognac can often have,

0:23:22.800 --> 0:23:26.280
<v Speaker 1>but it's not overwhelming. The flavor of the English breakfast

0:23:26.480 --> 0:23:29.920
<v Speaker 1>gives that sweetness a little more, a little more of

0:23:29.960 --> 0:23:33.359
<v Speaker 1>a layered flavor. It's not just like, oh, that tastes

0:23:33.400 --> 0:23:35.520
<v Speaker 1>like a little bit like molasses. It's the I can't

0:23:35.520 --> 0:23:39.360
<v Speaker 1>realize there's something else, but it's also not too terrific.

0:23:40.080 --> 0:23:43.760
<v Speaker 1>That's how you make your substitute for cognac in this version,

0:23:44.560 --> 0:23:47.000
<v Speaker 1>in lieu of lemon cello, you can use a lemon syrup.

0:23:47.240 --> 0:23:50.760
<v Speaker 1>You can't find a lemon syrup. Simple syrup, one cup

0:23:50.800 --> 0:23:53.280
<v Speaker 1>of water, one cup of sugar, some cut up lemons.

0:23:53.359 --> 0:23:55.119
<v Speaker 1>Let that simmer for a little bit, and then you

0:23:55.160 --> 0:23:57.760
<v Speaker 1>strain it off and you're good doo, and then you

0:23:57.800 --> 0:24:01.159
<v Speaker 1>can do everything else the same. So that is the

0:24:01.200 --> 0:24:04.760
<v Speaker 1>thimble rig, a drink that I think might carry me

0:24:04.840 --> 0:24:09.120
<v Speaker 1>through spring this year because it's easy to make. It

0:24:09.160 --> 0:24:12.800
<v Speaker 1>tastes really different and unique, but not in a way

0:24:12.840 --> 0:24:16.240
<v Speaker 1>that's especially as salted. Nothing is nothing. There are no

0:24:16.400 --> 0:24:19.000
<v Speaker 1>heavy flavors about it once you've made it into a cocktail,

0:24:19.960 --> 0:24:21.920
<v Speaker 1>and I quite enjoyed it for that reason. The shot

0:24:21.960 --> 0:24:24.400
<v Speaker 1>is also great. But if you don't want that much

0:24:24.520 --> 0:24:30.879
<v Speaker 1>concentrated ABV in your mouth, and you just back it

0:24:30.920 --> 0:24:33.360
<v Speaker 1>off with a little bit of jigger ale, and you're golden,

0:24:33.600 --> 0:24:38.240
<v Speaker 1>both literally and figuratively. As we sip our magical cocktails,

0:24:38.280 --> 0:24:41.080
<v Speaker 1>we're going to enjoy this one. We would like to

0:24:41.080 --> 0:24:43.320
<v Speaker 1>make sure we thank you for spending this time with us.

0:24:43.720 --> 0:24:45.679
<v Speaker 1>We will be right back here again next week with

0:24:45.760 --> 0:24:49.240
<v Speaker 1>another tail of a scoundrel who might want to take

0:24:49.280 --> 0:25:02.560
<v Speaker 1>your money and a yummy, delicious drink. Criminalia is a

0:25:02.600 --> 0:25:06.600
<v Speaker 1>production of Shondaland Audio in partnership with iHeartRadio. For more

0:25:06.640 --> 0:25:11.680
<v Speaker 1>podcasts from Shondaland Audio, please visit the iHeartRadio app, Apple Podcasts,

0:25:11.800 --> 0:25:13.760
<v Speaker 1>or wherever you listen to your favorite shows.