WEBVTT - 11 | The One for the Rest

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<v Speaker 1>M HM consumed as a production of iHeart Podcasts and

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<v Speaker 1>Grimm and Mild from Aaron Maky. Headphones recommended. Listener discretion advised.

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<v Speaker 2>Didn't never think I missed the Lifetime channel.

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<v Speaker 3>But when your alternative is toing freaking peaks perspective as

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<v Speaker 3>a hell of a drug?

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<v Speaker 2>Jesus do they have that tape on loop?

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<v Speaker 4>Sarruh?

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<v Speaker 3>So things aren't creepy enough already, Sarah?

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<v Speaker 5>What that chanty? Not her recording?

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<v Speaker 2>Oh no, yeah, welcome to the club.

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<v Speaker 5>Oh shit, is that Shaw and Mike McDonald.

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<v Speaker 2>I think they're all headed to the back. Wait, don't move,

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<v Speaker 2>what do talk?

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<v Speaker 5>Okay, we're what just happened?

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<v Speaker 2>I thought I saw someone spot us and that's our

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<v Speaker 2>cue to go to go in.

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<v Speaker 5>You've got to be kidding me?

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<v Speaker 2>Does it sound like I'm kidding this way? Follow me?

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<v Speaker 5>Yes, Gordon, help the new a girl in town. Gordon.

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<v Speaker 5>Sounds like she'll have a drag you into the little

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<v Speaker 5>jaws of the wolf.

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<v Speaker 3>Oh it's not budget.

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<v Speaker 5>That's what lock means.

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<v Speaker 3>Yeah, locked, not welded. Sometimes you can use a little

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<v Speaker 3>ELP grease.

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<v Speaker 4>What is it?

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<v Speaker 5>Oh no, don't tackle the.

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<v Speaker 2>Door, Detta.

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<v Speaker 5>Yes, please announce the murders called this that we've intruded

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<v Speaker 5>in their inner sanctum. I'm sure they won't mind.

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<v Speaker 2>Or better yet, let's get this done before they realize.

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<v Speaker 5>Let's whisper before they what the hell is this?

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<v Speaker 3>Okay, future Sarah, in case you're still alive, to transcribe

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<v Speaker 3>this at a later date.

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<v Speaker 2>This is fucking terrifying.

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<v Speaker 5>This is not my idea of redecorating.

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<v Speaker 2>What plastic sheets on the floor doesn't do it for you.

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<v Speaker 5>It's so last fall.

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<v Speaker 3>Sure fire away to avoid spills, and by spills, of course,

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<v Speaker 3>we're talking about the blood of the innocent.

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<v Speaker 2>Oh my god, is that what these glasses are for?

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<v Speaker 2>You say glasses, I say, Jalice, potato potato. Speaking of food,

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<v Speaker 2>what do you think this is for? Future Sarah? What

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<v Speaker 2>Gordon is referring to would be the dostener So place

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<v Speaker 2>Matt set out on the diner bar. I'm talking fork, sknives, napkins, tablecloths,

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<v Speaker 2>but no plates. Oh don't forget the cannibals. Yeah, all

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<v Speaker 2>three billion of them. Don't worry, I'm getting there.

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<v Speaker 5>I think it's part of the ritual. What was that

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<v Speaker 5>it sucked away? But I think it's a fire extinguisher.

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<v Speaker 2>At least they're practicing fire safety.

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<v Speaker 3>I don't think so.

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<v Speaker 2>Look, that's a lot of gasoline, Sarah.

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<v Speaker 3>I think we need to go, not.

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<v Speaker 2>Until we figure out what's going on here.

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<v Speaker 4>Sarah.

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<v Speaker 5>It's pretty obvious and we are not savior.

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<v Speaker 2>This story isn't finished until we.

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<v Speaker 6>Hear something. Jack, it's not time yet. There, you're not

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<v Speaker 6>supposed to be here.

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<v Speaker 3>We need to call Sheriff Allen.

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<v Speaker 5>I'll get the phone. Please, please, please, please, This is

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<v Speaker 5>not a time for the signal to fail.

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<v Speaker 3>Murphy's law.

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<v Speaker 5>You take that back?

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<v Speaker 7>You?

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<v Speaker 5>Hello? Nice? Just the voice I wanted to hear.

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<v Speaker 3>Tell her about the altar at Shaw's. There was a

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<v Speaker 3>whole sacrificial altar setup. I'm talking real temple of doom shit,

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<v Speaker 3>and Mike and Shaw and Jack were there, and there

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<v Speaker 3>were candles everywhere.

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<v Speaker 5>And they essentially dextered the whole floor.

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<v Speaker 3>But there was also what the hell are you talking about?

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<v Speaker 3>We're talking about ritual sacrifice that the people of this

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<v Speaker 3>town have been privy to for years, and you need

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<v Speaker 3>to get down there to stop it.

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<v Speaker 2>I don't even know where to start.

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<v Speaker 5>What's this? Do you have any silver?

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<v Speaker 6>What?

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<v Speaker 5>We think? It's a when to go, And when we

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<v Speaker 5>spoke to a professor of folklore, he told us it

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<v Speaker 5>required an unwilling sacrifice.

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<v Speaker 3>But it's weak to silver and fire. We hope, what

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<v Speaker 3>digg a monster that may be behind this? And are

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<v Speaker 3>you asking me to believe in monsters now? Whether you

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<v Speaker 3>believe in them or not? The monsters are already down

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<v Speaker 3>there and it's Shaw and Mike and Jack and whoever

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<v Speaker 3>else is going through with this unholy sacrifice?

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<v Speaker 2>Was there a body?

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<v Speaker 6>What?

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<v Speaker 3>Or a captive? Not that we could say? What about

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<v Speaker 3>any blood? Well not yet. So you expect me to

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<v Speaker 3>go in there and arrest these men based on nothing. No,

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<v Speaker 3>I want you to go in there based on what

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<v Speaker 3>you've already heard, but still refuse to believe because it

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<v Speaker 3>is happening again. And excuse me if we didn't get

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<v Speaker 3>a chance to see us in Miami the place hell,

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<v Speaker 3>we had to break in through the back just to

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<v Speaker 3>get a peek. Then Mss Simmons, it sounds like the

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<v Speaker 3>only crime committed here was prespassing by yourself and Gordon,

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<v Speaker 3>O God, are you so afraid to do your job

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<v Speaker 3>wrong again that you're not even gonna try? And you

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<v Speaker 3>wonder why nobody wants to talk to you reporters. Sheriff

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<v Speaker 3>Sheriff Hello, hello, that one?

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<v Speaker 5>Well shit, now what I don't know?

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<v Speaker 2>We go back?

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<v Speaker 6>Yeah?

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<v Speaker 5>Great? Why don't you grab your taser? Oh Wade, that's right.

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<v Speaker 5>We're helpless.

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<v Speaker 3>We have to do something. And Sheriff allansuris and so

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<v Speaker 3>what else?

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<v Speaker 6>What's that sh.

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<v Speaker 2>It's inside?

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<v Speaker 5>Did it follow us?

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<v Speaker 4>Does it matter?

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<v Speaker 5>We need to get to that door.

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<v Speaker 2>It's too late.

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<v Speaker 6>Ah?

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<v Speaker 2>What the fuck?

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<v Speaker 6>Man?

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<v Speaker 3>Avery?

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<v Speaker 6>Yeah?

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<v Speaker 7>Now can you tell boy wonder here to put the

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<v Speaker 7>weapon down?

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<v Speaker 3>Gordon? You were gonna beat up a When to go

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<v Speaker 3>with war and peace?

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<v Speaker 5>I'm sorry? Can you think of a thicker book?

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<v Speaker 3>We'll have to talk about Bruce later. Avery, what happened

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<v Speaker 3>to you?

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<v Speaker 7>This flesh wound?

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<v Speaker 2>A lot of flesh wounds?

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<v Speaker 3>Actually, oh shit, you're the sacrifice, aren't you?

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<v Speaker 6>No?

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<v Speaker 7>No, no, no, you don't understand.

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<v Speaker 3>Why are you here? We need to get you to

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<v Speaker 3>the sheriff.

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<v Speaker 7>No, okay, Sheriff Allen was at my house today and

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<v Speaker 7>she couldn't do anything. I am not going there.

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<v Speaker 4>Then?

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<v Speaker 6>Why are you here?

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<v Speaker 7>I saw you both there at the diner before before

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<v Speaker 7>it all went wrong?

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<v Speaker 6>Avery?

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<v Speaker 2>What happened?

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<v Speaker 7>I wasn't supposed to be like that. No one was

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<v Speaker 7>supposed to get hurt.

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<v Speaker 2>Uh.

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<v Speaker 3>Hey, whatever happened, none of that is your fault. Okay,

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<v Speaker 3>if they were willing to sacrifice your life, but they

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<v Speaker 3>are My dad would never do that.

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<v Speaker 5>Hey, man, I know it's hard to understand right now, but.

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<v Speaker 7>God, you're still treating me like a child, don't you

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<v Speaker 7>get it. I wasn't the sacrifice.

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<v Speaker 6>I was the lure.

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<v Speaker 2>They wanted to kill it.

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<v Speaker 5>They had a whole.

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<v Speaker 7>Plan, gas cans, chains, silver, But that thing, it wasn't

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<v Speaker 7>supposed to be that strong.

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<v Speaker 5>It's just snow, isn't it?

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<v Speaker 3>What The wind to go strikes the hardest come the

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<v Speaker 3>season of starvation. It's not the same creature it was

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<v Speaker 3>a day ago.

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<v Speaker 5>Hey, at least you got out safe.

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<v Speaker 7>Mike didn't the thing. Some kids teeth into his neck,

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<v Speaker 7>and no matter how hard we pulled, it was like

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<v Speaker 7>it had already started hitting him.

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<v Speaker 5>Oh my god.

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<v Speaker 7>But Mike was still breathing. So because he was still breathing,

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<v Speaker 7>he could still scream. All I could do was run.

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<v Speaker 5>Hey. I hate to be crass, but isn't this our

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<v Speaker 5>window with you know that other thing? The professor said,

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<v Speaker 5>how was.

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<v Speaker 2>The weakest After a kill.

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<v Speaker 6>You want to go after that thing.

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<v Speaker 3>It's not a sure.

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<v Speaker 5>Bet, but it might be our only chance.

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<v Speaker 2>It doesn't matter anyways.

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<v Speaker 3>We have no idea where it went.

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<v Speaker 1>I do.

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<v Speaker 7>When I hid, I saw it go into the woods.

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<v Speaker 7>It was headed for the ruins.

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<v Speaker 5>Of the old colonial dreams.

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<v Speaker 6>It got Mike, It got Mike, it dragged him off.

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<v Speaker 6>Shaw snapped the fuck out of it, and it got Avery.

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<v Speaker 6>No it didn't. You don't fucking know that. Where is again? Huh?

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<v Speaker 5>That monster barreled out through everything?

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<v Speaker 7>Saw?

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<v Speaker 5>That's enough?

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<v Speaker 4>What are we gonna do?

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<v Speaker 6>We try again? We haven't failed until we try again.

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<v Speaker 6>Can somebody shut that shit off?

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<v Speaker 5>It's broken, Jack, There's no turning it off.

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<v Speaker 6>There's always a way rama.

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<v Speaker 3>Where the fuck is my son? And as if setting

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<v Speaker 3>us centuries old popilentity of flame wasn't enough, we also

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<v Speaker 3>have to hike there. Oh damn battery?

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<v Speaker 5>Okay, where was I complaining?

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<v Speaker 6>Right?

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<v Speaker 3>The trials and tribulations of our quest to kill a

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<v Speaker 3>weend ago halfway through what we assume will be our

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<v Speaker 3>total trek, directed northwest at approximately eleven twenty three PM,

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<v Speaker 3>about to stake our entire survival on lore that may

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<v Speaker 3>or may not be correct, because how do you fact

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<v Speaker 3>check a legend?

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<v Speaker 2>You don't, you guess.

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<v Speaker 3>And then jump and currently searching for any signs of

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<v Speaker 3>a tremendous beast striking a bloody carcass through the dark

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<v Speaker 3>and misty woods. Can't imagine that'll be too hard to miss.

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<v Speaker 7>We're trying to stop a murder machine, and that's what

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<v Speaker 7>you care about recording it?

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<v Speaker 3>You mean documenting what may be the only confirmed supernatural

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<v Speaker 3>phenomenon in the world on this scale and its subsequent demise. Yeah,

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<v Speaker 3>it's pretty up there in terms of my priorities. People

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<v Speaker 3>fucking died and keeping quiet about it won't bring them back.

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<v Speaker 3>Publishing this story telling the tale of how they died

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<v Speaker 3>and why?

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<v Speaker 2>Better yet?

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<v Speaker 3>Right, what that's gonna make Watergate look like? And no

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<v Speaker 3>offense the dan vilcazette I.

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<v Speaker 5>Used to read that, Oh is that all? How selfless

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<v Speaker 5>of you?

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<v Speaker 6>Hey?

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<v Speaker 3>Look at this haphazard concoction of flamm of liquids I'm

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<v Speaker 3>holding in my hand, and tell me I'm not being selfless.

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<v Speaker 3>I am putting my life on the line to kill

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<v Speaker 3>this thing, armed essentially with what I used to drink

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<v Speaker 3>in college. So if I get a little out of it,

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<v Speaker 3>so be it even Gandhi had to eat?

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<v Speaker 6>Whatever?

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<v Speaker 7>Uh?

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<v Speaker 5>Have you forgotten about the man's entire hunger strike storyline?

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<v Speaker 5>Kind of known for it?

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<v Speaker 2>Do you hear that?

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<v Speaker 6>Hear what.

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<v Speaker 5>The crickets they're all gone means.

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<v Speaker 6>We're close, Rima, I'm gonna get him back.

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<v Speaker 3>You don't even know if he's alive, Avery is he

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<v Speaker 3>has to be.

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<v Speaker 8>You told me to wait, and I did. You told

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<v Speaker 8>me to trust you, and I did. When you told

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<v Speaker 8>me that you'd keep my son safe, you did not look.

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<v Speaker 6>We underestimated how strong the creature would be.

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<v Speaker 8>What a beautiful way of saying you were wrong. Why

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<v Speaker 8>didn't you just do what our fathers did and what

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<v Speaker 8>their fathers did.

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<v Speaker 6>You need to put an end to these killings once

0:11:15.920 --> 0:11:18.920
<v Speaker 6>and for all. You know that I will not allow

0:11:19.000 --> 0:11:21.200
<v Speaker 6>Avery to carry the same burden that I did.

0:11:21.360 --> 0:11:24.160
<v Speaker 8>Then where where is he to carry it?

0:11:25.760 --> 0:11:29.360
<v Speaker 5>Jesus, Reama, put the gun down.

0:11:30.000 --> 0:11:33.960
<v Speaker 2>You wanted to end this, but it's ending us.

0:11:37.040 --> 0:11:41.600
<v Speaker 7>Not there, That's where the drains open up, Ready as.

0:11:41.559 --> 0:11:43.679
<v Speaker 5>I'll ever be, Jesus.

0:11:43.760 --> 0:11:46.120
<v Speaker 3>Why is it getting harder to climb? Is that water

0:11:46.200 --> 0:11:48.280
<v Speaker 3>supposed to go down? Why is the top of the

0:11:48.360 --> 0:11:49.120
<v Speaker 3>hill the mouneyist.

0:11:49.559 --> 0:11:53.320
<v Speaker 5>Uh, Sarah, Yeah, I don't think what's supposed to stain red?

0:11:53.760 --> 0:11:56.920
<v Speaker 3>Oh God, I guess we found the blood trail and

0:11:57.040 --> 0:12:04.599
<v Speaker 3>it's sticky and that's late. Oh future, Sarah, if you

0:12:04.640 --> 0:12:06.959
<v Speaker 3>still exist, I hope one day you forget what I'm

0:12:06.960 --> 0:12:09.679
<v Speaker 3>seeing down the strain because it ain't pretty.

0:12:16.559 --> 0:12:20.760
<v Speaker 6>Rama, Rama, put the gun away, Honey, you don't know

0:12:20.840 --> 0:12:21.440
<v Speaker 6>what you're doing.

0:12:21.760 --> 0:12:25.280
<v Speaker 2>I know that peace requires a sacrifice.

0:12:25.600 --> 0:12:26.560
<v Speaker 6>What's to say?

0:12:26.640 --> 0:12:30.600
<v Speaker 8>It's not too late, please, Rama, I could shoot any

0:12:30.800 --> 0:12:33.040
<v Speaker 8>one of you and it'll all be okay.

0:12:33.679 --> 0:12:34.760
<v Speaker 6>You know that's not right.

0:12:35.040 --> 0:12:36.520
<v Speaker 5>You are you?

0:12:37.760 --> 0:12:39.160
<v Speaker 4>Or you are you?

0:12:40.000 --> 0:12:42.679
<v Speaker 6>Oh God? Why shouldn't die?

0:12:44.160 --> 0:12:45.320
<v Speaker 4>I can give you a reason.

0:12:46.120 --> 0:12:47.520
<v Speaker 2>Put the gun down, Rema.

0:12:47.480 --> 0:12:47.560
<v Speaker 8>No.

0:12:54.320 --> 0:12:55.440
<v Speaker 7>How long until it wakes up.

0:12:55.840 --> 0:12:57.080
<v Speaker 3>Your guess is as good as mine.

0:12:57.480 --> 0:12:58.079
<v Speaker 2>Can you see it?

0:12:58.880 --> 0:13:01.880
<v Speaker 3>It's too dark and too deep. Hell, if I'm getting

0:13:01.880 --> 0:13:04.600
<v Speaker 3>any closer, Gordon got the stuff If.

0:13:04.480 --> 0:13:06.360
<v Speaker 5>By stuff you mean a lighter or rag and a

0:13:06.360 --> 0:13:09.199
<v Speaker 5>bottle of brandy. Yeah, left the silver bullets behind.

0:13:10.040 --> 0:13:10.959
<v Speaker 8>Is this gonna kill it?

0:13:11.160 --> 0:13:13.719
<v Speaker 3>We'll find out pretty quick. But first we need to

0:13:13.720 --> 0:13:15.760
<v Speaker 3>close this grate, otherwise it's getting out.

0:13:16.000 --> 0:13:17.199
<v Speaker 5>You want to deep fry it.

0:13:17.440 --> 0:13:19.480
<v Speaker 3>I'm talking extra Crispy, help me pull this lever?

0:13:19.760 --> 0:13:23.040
<v Speaker 5>Pull the lever crunk? Really now, I can't help who

0:13:23.120 --> 0:13:23.360
<v Speaker 5>I am?

0:13:23.480 --> 0:13:24.599
<v Speaker 3>Whatever? Just grab it?

0:13:27.960 --> 0:13:28.400
<v Speaker 7>What was that?

0:13:34.440 --> 0:13:36.400
<v Speaker 5>Oh my god, Mike's still alive.

0:13:36.679 --> 0:13:37.679
<v Speaker 7>We have to go get him.

0:13:37.880 --> 0:13:38.360
<v Speaker 3>We can't.

0:13:38.640 --> 0:13:41.160
<v Speaker 5>No, he's down there and we have to go get him.

0:13:44.200 --> 0:13:44.559
<v Speaker 6>Oh God.

0:13:45.440 --> 0:13:53.199
<v Speaker 3>If it wasn't up before, it is now. You're not

0:13:53.360 --> 0:13:54.960
<v Speaker 3>gonna shoot me, Sheriff.

0:13:55.240 --> 0:13:56.640
<v Speaker 6>I will if you force me to.

0:13:57.040 --> 0:14:00.400
<v Speaker 8>You don't know what they did, how they use my

0:14:00.600 --> 0:14:03.480
<v Speaker 8>son's life to play their arrogant little game.

0:14:03.600 --> 0:14:06.000
<v Speaker 6>Raima, that's not what we shut up.

0:14:07.000 --> 0:14:10.319
<v Speaker 8>Why do you think our ancestors always obeyed?

0:14:10.920 --> 0:14:13.079
<v Speaker 3>Why do you think you were stronger than that?

0:14:13.760 --> 0:14:17.720
<v Speaker 8>I'm smarder than them, You narcissistic, egotistical man.

0:14:17.960 --> 0:14:18.320
<v Speaker 6>Rema.

0:14:18.800 --> 0:14:20.920
<v Speaker 3>I know you'll do anything to protect your son.

0:14:21.000 --> 0:14:21.680
<v Speaker 6>Then where is he?

0:14:21.800 --> 0:14:23.080
<v Speaker 3>But you don't have to do this?

0:14:23.800 --> 0:14:25.160
<v Speaker 2>And what would you know, Sheriff.

0:14:25.240 --> 0:14:26.320
<v Speaker 8>This isn't even your town.

0:14:30.080 --> 0:14:32.160
<v Speaker 3>Why did it have to be an ancient rusty grate

0:14:32.240 --> 0:14:33.160
<v Speaker 3>that's too heavy?

0:14:33.440 --> 0:14:36.120
<v Speaker 5>That's not the problem. It's stuck and unless we get

0:14:36.160 --> 0:14:37.320
<v Speaker 5>it unstuck before.

0:14:37.600 --> 0:14:39.680
<v Speaker 3>What are you Gordon? Get the fuck out of there

0:14:39.800 --> 0:14:40.120
<v Speaker 3>right now.

0:14:40.400 --> 0:14:42.280
<v Speaker 5>If we don't close this right now, it's the same

0:14:42.320 --> 0:14:44.480
<v Speaker 5>as giving that thing and express ticket to our throats.

0:14:44.520 --> 0:14:46.520
<v Speaker 7>Guys, it's getting closer.

0:14:47.680 --> 0:14:50.000
<v Speaker 5>The great stuck on debris. The only way to close

0:14:50.040 --> 0:14:51.840
<v Speaker 5>it is from the inside. And if I can just

0:14:51.960 --> 0:14:53.800
<v Speaker 5>hang on it from here, maybe I can know.

0:14:54.160 --> 0:14:56.760
<v Speaker 3>No, no, we can close it from the outside. Gordon,

0:14:56.960 --> 0:14:57.520
<v Speaker 3>take my hand.

0:14:57.680 --> 0:15:01.840
<v Speaker 5>Guys, it's closer. I got this almost there.

0:15:02.000 --> 0:15:04.680
<v Speaker 3>Gordon, You're not gonna make it. This isn't noble, it's dumb.

0:15:05.080 --> 0:15:05.800
<v Speaker 5>Just a little more.

0:15:05.960 --> 0:15:07.560
<v Speaker 3>Oh god, damn it. You think I'm letting you pull up?

0:15:07.560 --> 0:15:08.080
<v Speaker 3>Prince Charming?

0:15:08.160 --> 0:15:08.560
<v Speaker 5>Move over.

0:15:08.760 --> 0:15:10.720
<v Speaker 3>I thought this was dumb, then I guess so am

0:15:10.760 --> 0:15:11.840
<v Speaker 3>I now push?

0:15:13.160 --> 0:15:13.360
<v Speaker 7>Yeah?

0:15:13.840 --> 0:15:14.640
<v Speaker 5>No, drop back out.

0:15:17.040 --> 0:15:21.120
<v Speaker 2>I'm taking a step closer, all right, doubt Rema, I

0:15:21.280 --> 0:15:24.040
<v Speaker 2>need you to give me that gun. They deserve this.

0:15:24.680 --> 0:15:26.600
<v Speaker 3>I told them that we should leave.

0:15:27.000 --> 0:15:29.640
<v Speaker 2>But no, what was it that you called this place?

0:15:29.760 --> 0:15:31.920
<v Speaker 3>That's not what is your goddamn birthright?

0:15:32.240 --> 0:15:32.360
<v Speaker 7>Ma?

0:15:32.680 --> 0:15:37.600
<v Speaker 6>Good, come on pull.

0:15:38.880 --> 0:15:40.040
<v Speaker 3>We're not giving birth here.

0:15:41.640 --> 0:15:46.880
<v Speaker 5>Almost there yet.

0:15:45.320 --> 0:15:46.240
<v Speaker 4>To say, guys, but.

0:15:46.560 --> 0:15:48.120
<v Speaker 3>Yeah, we need to get the fuck out of here.

0:15:48.680 --> 0:15:49.800
<v Speaker 3>Lift don't mind if.

0:15:49.680 --> 0:15:54.239
<v Speaker 7>I do, great, ready bullto ready.

0:15:54.160 --> 0:15:56.560
<v Speaker 5>Not to hurry all or anything, but now.

0:16:11.480 --> 0:16:14.680
<v Speaker 4>Can we get missus bridges her Meds and someone please

0:16:14.800 --> 0:16:16.480
<v Speaker 4>change out the bed pans in one oh three.

0:16:17.880 --> 0:16:19.880
<v Speaker 3>I think Missus Milligan will be glad to hear it's over.

0:16:20.240 --> 0:16:23.200
<v Speaker 5>After thirty one years. I think any closure is welcome.

0:16:24.000 --> 0:16:27.600
<v Speaker 4>Excuse me, yes, back so soon. They're not done with

0:16:27.680 --> 0:16:28.080
<v Speaker 4>the books.

0:16:28.520 --> 0:16:30.560
<v Speaker 3>Actually, we were hoping to talk to missus Milligan.

0:16:30.800 --> 0:16:31.840
<v Speaker 2>Do you think we could go in?

0:16:32.920 --> 0:16:35.200
<v Speaker 4>Missus Milligan passed away last night?

0:16:36.120 --> 0:16:39.320
<v Speaker 3>Oh I'm sorry to hear that we're cleaning out her

0:16:39.440 --> 0:16:39.880
<v Speaker 3>room now.

0:16:41.280 --> 0:16:43.000
<v Speaker 2>Really, I'm so sorry.

0:16:46.160 --> 0:16:49.040
<v Speaker 5>Wait, is that Rudy? What's he doing? Back so soon?

0:16:49.600 --> 0:16:49.920
<v Speaker 3>Ruddy?

0:16:50.560 --> 0:16:51.600
<v Speaker 5>The town's I guy.

0:16:52.480 --> 0:16:55.680
<v Speaker 4>Guy lost his son all those years ago. Oh no,

0:16:56.000 --> 0:17:00.920
<v Speaker 4>his wife they were married fifty three years this far now,

0:17:01.000 --> 0:17:01.840
<v Speaker 4>if you excuse me.

0:17:03.160 --> 0:17:04.000
<v Speaker 2>I think he'll want to know.

0:17:04.920 --> 0:17:05.560
<v Speaker 4>Let's find out.

0:17:06.960 --> 0:17:07.800
<v Speaker 2>What do you think that was?

0:17:08.320 --> 0:17:08.600
<v Speaker 4>Nothing?

0:17:08.720 --> 0:17:08.960
<v Speaker 7>Good?

0:17:29.800 --> 0:17:33.879
<v Speaker 1>Consumed Episode eleven, The One for the Rest, written by

0:17:34.000 --> 0:17:38.440
<v Speaker 1>Carlos Folia and Alessandra Hara del Castillo, editing and sound

0:17:38.520 --> 0:17:43.600
<v Speaker 1>design by Rima Ilkali, Starring Rachel Rosenbloom and Arturo Castro,

0:17:43.920 --> 0:17:49.919
<v Speaker 1>with Ruth Connell, Sam Rod, Genevieve Padalaki, Benjamin Stockholm, Charlie,

0:17:50.000 --> 0:17:54.440
<v Speaker 1>David Newell, Mike Korich, Anna East Fairweather Junior A Lobby,

0:17:54.880 --> 0:18:01.040
<v Speaker 1>Alma Martinez, Tracy Martin, Laura Shine, George Vincent, and Rafael Corkill.

0:18:01.480 --> 0:18:06.320
<v Speaker 1>Directed by Alexander Williams, Assistant director Trevor Young, Casting by

0:18:06.400 --> 0:18:12.240
<v Speaker 1>Sunday Bowling CSA and Meg Mormon CSA. Production Coordinator Wayna Calderon.

0:18:12.760 --> 0:18:17.000
<v Speaker 1>Music by Carlos Folia. Consumed The season one score available

0:18:17.040 --> 0:18:20.920
<v Speaker 1>now on Apple Music, Spotify, or wherever music is streamed.

0:18:21.280 --> 0:18:25.560
<v Speaker 1>Executive producers Aaron Mankey, Carlos Folia, S, Matt Frederick and

0:18:25.720 --> 0:18:31.040
<v Speaker 1>Alexander Williams. Supervising producers Trevor Young and Josh Thain. Producers

0:18:31.160 --> 0:18:35.720
<v Speaker 1>Noami Griffin, Jesse Funk, and rima Ilkeale. Recorded at This

0:18:35.920 --> 0:18:40.760
<v Speaker 1>Is Sound Design Studios, Burbank, California, engineered by Ross erroneut

0:18:41.160 --> 0:18:45.720
<v Speaker 1>east Side Studios, Austin, Texas engineered by Austin Sisler and

0:18:46.080 --> 0:18:50.640
<v Speaker 1>Aros Creative In Sound Ohi, California, engineered by Ken Aros.

0:18:51.119 --> 0:18:54.800
<v Speaker 1>Consumed was created by Carlos Folia, inspired by the novel

0:18:55.000 --> 0:18:58.119
<v Speaker 1>by Aaron Manky. Consumed is the newest chapter in the

0:18:58.200 --> 0:19:02.000
<v Speaker 1>Bridgewater universe. To learn more and catch up, visit Grimandmild

0:19:02.160 --> 0:19:06.480
<v Speaker 1>dot com slash Bridgewater Learn more about Consumed at grimanmil

0:19:06.560 --> 0:19:10.320
<v Speaker 1>dot com, slash Consumed and find more podcasts from iHeartRadio

0:19:10.560 --> 0:19:14.080
<v Speaker 1>by visiting the iHeartRadio app, Apple Podcasts, or wherever you

0:19:14.320 --> 0:19:15.639
<v Speaker 1>listen to your favorite shows.