1 00:00:00,080 --> 00:00:03,600 Speaker 1: M HM consumed as a production of iHeart Podcasts and 2 00:00:03,720 --> 00:00:09,080 Speaker 1: Grimm and Mild from Aaron Maky. Headphones recommended. Listener discretion advised. 3 00:00:43,720 --> 00:00:45,520 Speaker 2: Didn't never think I missed the Lifetime channel. 4 00:00:45,760 --> 00:00:49,080 Speaker 3: But when your alternative is toing freaking peaks perspective as 5 00:00:49,080 --> 00:00:49,800 Speaker 3: a hell of a drug? 6 00:00:52,440 --> 00:00:54,240 Speaker 2: Jesus do they have that tape on loop? 7 00:00:54,720 --> 00:00:55,120 Speaker 4: Sarruh? 8 00:00:55,440 --> 00:00:57,920 Speaker 3: So things aren't creepy enough already, Sarah? 9 00:00:58,000 --> 00:01:01,480 Speaker 5: What that chanty? Not her recording? 10 00:01:01,840 --> 00:01:04,080 Speaker 2: Oh no, yeah, welcome to the club. 11 00:01:08,120 --> 00:01:11,000 Speaker 5: Oh shit, is that Shaw and Mike McDonald. 12 00:01:11,480 --> 00:01:14,200 Speaker 2: I think they're all headed to the back. Wait, don't move, 13 00:01:14,400 --> 00:01:16,039 Speaker 2: what do talk? 14 00:01:17,880 --> 00:01:19,720 Speaker 5: Okay, we're what just happened? 15 00:01:20,080 --> 00:01:22,280 Speaker 2: I thought I saw someone spot us and that's our 16 00:01:22,360 --> 00:01:23,880 Speaker 2: cue to go to go in. 17 00:01:24,560 --> 00:01:25,560 Speaker 5: You've got to be kidding me? 18 00:01:25,760 --> 00:01:28,200 Speaker 2: Does it sound like I'm kidding this way? Follow me? 19 00:01:29,000 --> 00:01:31,040 Speaker 5: Yes, Gordon, help the new a girl in town. Gordon. 20 00:01:31,200 --> 00:01:32,960 Speaker 5: Sounds like she'll have a drag you into the little 21 00:01:33,120 --> 00:01:34,000 Speaker 5: jaws of the wolf. 22 00:01:34,760 --> 00:01:39,560 Speaker 3: Oh it's not budget. 23 00:01:40,000 --> 00:01:41,039 Speaker 5: That's what lock means. 24 00:01:41,160 --> 00:01:44,800 Speaker 3: Yeah, locked, not welded. Sometimes you can use a little 25 00:01:44,800 --> 00:01:45,559 Speaker 3: ELP grease. 26 00:01:45,840 --> 00:01:46,160 Speaker 4: What is it? 27 00:01:46,440 --> 00:01:47,840 Speaker 5: Oh no, don't tackle the. 28 00:01:47,800 --> 00:01:50,279 Speaker 2: Door, Detta. 29 00:01:51,200 --> 00:01:54,280 Speaker 5: Yes, please announce the murders called this that we've intruded 30 00:01:54,320 --> 00:01:56,640 Speaker 5: in their inner sanctum. I'm sure they won't mind. 31 00:01:56,840 --> 00:01:59,480 Speaker 2: Or better yet, let's get this done before they realize. 32 00:02:00,080 --> 00:02:03,360 Speaker 5: Let's whisper before they what the hell is this? 33 00:02:05,240 --> 00:02:08,200 Speaker 3: Okay, future Sarah, in case you're still alive, to transcribe 34 00:02:08,200 --> 00:02:09,000 Speaker 3: this at a later date. 35 00:02:09,600 --> 00:02:11,080 Speaker 2: This is fucking terrifying. 36 00:02:11,400 --> 00:02:14,440 Speaker 5: This is not my idea of redecorating. 37 00:02:14,800 --> 00:02:16,800 Speaker 2: What plastic sheets on the floor doesn't do it for you. 38 00:02:17,720 --> 00:02:19,280 Speaker 5: It's so last fall. 39 00:02:19,680 --> 00:02:22,720 Speaker 3: Sure fire away to avoid spills, and by spills, of course, 40 00:02:22,760 --> 00:02:24,720 Speaker 3: we're talking about the blood of the innocent. 41 00:02:25,120 --> 00:02:27,320 Speaker 2: Oh my god, is that what these glasses are for? 42 00:02:27,720 --> 00:02:31,760 Speaker 2: You say glasses, I say, Jalice, potato potato. Speaking of food, 43 00:02:31,880 --> 00:02:34,880 Speaker 2: what do you think this is for? Future Sarah? What 44 00:02:34,919 --> 00:02:37,239 Speaker 2: Gordon is referring to would be the dostener So place 45 00:02:37,320 --> 00:02:42,359 Speaker 2: Matt set out on the diner bar. I'm talking fork, sknives, napkins, tablecloths, 46 00:02:43,440 --> 00:02:46,400 Speaker 2: but no plates. Oh don't forget the cannibals. Yeah, all 47 00:02:46,440 --> 00:02:48,720 Speaker 2: three billion of them. Don't worry, I'm getting there. 48 00:02:49,160 --> 00:02:53,720 Speaker 5: I think it's part of the ritual. What was that 49 00:02:54,120 --> 00:02:57,480 Speaker 5: it sucked away? But I think it's a fire extinguisher. 50 00:02:57,680 --> 00:02:59,400 Speaker 2: At least they're practicing fire safety. 51 00:03:00,400 --> 00:03:01,280 Speaker 3: I don't think so. 52 00:03:02,200 --> 00:03:07,519 Speaker 2: Look, that's a lot of gasoline, Sarah. 53 00:03:07,720 --> 00:03:09,520 Speaker 3: I think we need to go, not. 54 00:03:09,680 --> 00:03:11,680 Speaker 2: Until we figure out what's going on here. 55 00:03:11,760 --> 00:03:12,040 Speaker 4: Sarah. 56 00:03:12,120 --> 00:03:14,639 Speaker 5: It's pretty obvious and we are not savior. 57 00:03:15,000 --> 00:03:16,640 Speaker 2: This story isn't finished until we. 58 00:03:21,600 --> 00:03:29,040 Speaker 6: Hear something. Jack, it's not time yet. There, you're not 59 00:03:29,080 --> 00:03:30,040 Speaker 6: supposed to be here. 60 00:03:40,240 --> 00:03:41,440 Speaker 3: We need to call Sheriff Allen. 61 00:03:41,720 --> 00:03:46,440 Speaker 5: I'll get the phone. Please, please, please, please, This is 62 00:03:46,480 --> 00:03:48,320 Speaker 5: not a time for the signal to fail. 63 00:03:48,800 --> 00:03:49,520 Speaker 3: Murphy's law. 64 00:03:49,680 --> 00:03:50,560 Speaker 5: You take that back? 65 00:03:50,640 --> 00:03:50,720 Speaker 7: You? 66 00:03:52,000 --> 00:03:55,160 Speaker 5: Hello? Nice? Just the voice I wanted to hear. 67 00:03:55,400 --> 00:03:58,080 Speaker 3: Tell her about the altar at Shaw's. There was a 68 00:03:58,080 --> 00:04:01,640 Speaker 3: whole sacrificial altar setup. I'm talking real temple of doom shit, 69 00:04:02,000 --> 00:04:04,280 Speaker 3: and Mike and Shaw and Jack were there, and there 70 00:04:04,320 --> 00:04:05,920 Speaker 3: were candles everywhere. 71 00:04:05,480 --> 00:04:07,360 Speaker 5: And they essentially dextered the whole floor. 72 00:04:07,560 --> 00:04:10,360 Speaker 3: But there was also what the hell are you talking about? 73 00:04:10,440 --> 00:04:13,880 Speaker 3: We're talking about ritual sacrifice that the people of this 74 00:04:13,960 --> 00:04:16,400 Speaker 3: town have been privy to for years, and you need 75 00:04:16,400 --> 00:04:17,440 Speaker 3: to get down there to stop it. 76 00:04:18,160 --> 00:04:19,760 Speaker 2: I don't even know where to start. 77 00:04:19,800 --> 00:04:21,679 Speaker 5: What's this? Do you have any silver? 78 00:04:22,320 --> 00:04:22,599 Speaker 6: What? 79 00:04:23,000 --> 00:04:25,480 Speaker 5: We think? It's a when to go, And when we 80 00:04:25,520 --> 00:04:27,520 Speaker 5: spoke to a professor of folklore, he told us it 81 00:04:27,600 --> 00:04:29,599 Speaker 5: required an unwilling sacrifice. 82 00:04:29,600 --> 00:04:33,599 Speaker 3: But it's weak to silver and fire. We hope, what 83 00:04:33,839 --> 00:04:37,240 Speaker 3: digg a monster that may be behind this? And are 84 00:04:37,320 --> 00:04:40,240 Speaker 3: you asking me to believe in monsters now? Whether you 85 00:04:40,279 --> 00:04:42,320 Speaker 3: believe in them or not? The monsters are already down 86 00:04:42,320 --> 00:04:44,320 Speaker 3: there and it's Shaw and Mike and Jack and whoever 87 00:04:44,400 --> 00:04:46,680 Speaker 3: else is going through with this unholy sacrifice? 88 00:04:46,839 --> 00:04:47,520 Speaker 2: Was there a body? 89 00:04:47,800 --> 00:04:48,040 Speaker 6: What? 90 00:04:48,600 --> 00:04:51,320 Speaker 3: Or a captive? Not that we could say? What about 91 00:04:51,360 --> 00:04:55,040 Speaker 3: any blood? Well not yet. So you expect me to 92 00:04:55,080 --> 00:04:58,760 Speaker 3: go in there and arrest these men based on nothing. No, 93 00:04:58,880 --> 00:05:00,600 Speaker 3: I want you to go in there based on what 94 00:05:00,640 --> 00:05:03,800 Speaker 3: you've already heard, but still refuse to believe because it 95 00:05:03,839 --> 00:05:06,000 Speaker 3: is happening again. And excuse me if we didn't get 96 00:05:06,000 --> 00:05:07,920 Speaker 3: a chance to see us in Miami the place hell, 97 00:05:07,960 --> 00:05:09,359 Speaker 3: we had to break in through the back just to 98 00:05:09,360 --> 00:05:12,840 Speaker 3: get a peek. Then Mss Simmons, it sounds like the 99 00:05:12,839 --> 00:05:17,320 Speaker 3: only crime committed here was prespassing by yourself and Gordon, 100 00:05:17,920 --> 00:05:20,839 Speaker 3: O God, are you so afraid to do your job 101 00:05:20,920 --> 00:05:24,479 Speaker 3: wrong again that you're not even gonna try? And you 102 00:05:24,600 --> 00:05:28,880 Speaker 3: wonder why nobody wants to talk to you reporters. Sheriff 103 00:05:30,160 --> 00:05:34,920 Speaker 3: Sheriff Hello, hello, that one? 104 00:05:35,000 --> 00:05:38,760 Speaker 5: Well shit, now what I don't know? 105 00:05:39,880 --> 00:05:40,559 Speaker 2: We go back? 106 00:05:40,960 --> 00:05:41,320 Speaker 6: Yeah? 107 00:05:41,640 --> 00:05:45,080 Speaker 5: Great? Why don't you grab your taser? Oh Wade, that's right. 108 00:05:45,320 --> 00:05:46,159 Speaker 5: We're helpless. 109 00:05:46,360 --> 00:05:49,240 Speaker 3: We have to do something. And Sheriff allansuris and so 110 00:05:49,320 --> 00:05:49,760 Speaker 3: what else? 111 00:05:51,279 --> 00:05:52,560 Speaker 6: What's that sh. 112 00:05:54,160 --> 00:05:54,800 Speaker 2: It's inside? 113 00:05:55,400 --> 00:05:56,320 Speaker 5: Did it follow us? 114 00:05:56,480 --> 00:05:57,159 Speaker 4: Does it matter? 115 00:05:57,320 --> 00:05:58,440 Speaker 5: We need to get to that door. 116 00:05:58,800 --> 00:05:59,400 Speaker 2: It's too late. 117 00:06:00,080 --> 00:06:01,359 Speaker 6: Ah? 118 00:06:01,400 --> 00:06:02,040 Speaker 2: What the fuck? 119 00:06:02,240 --> 00:06:02,600 Speaker 6: Man? 120 00:06:02,800 --> 00:06:03,280 Speaker 3: Avery? 121 00:06:04,040 --> 00:06:04,720 Speaker 6: Yeah? 122 00:06:05,040 --> 00:06:06,839 Speaker 7: Now can you tell boy wonder here to put the 123 00:06:06,880 --> 00:06:07,520 Speaker 7: weapon down? 124 00:06:08,600 --> 00:06:10,880 Speaker 3: Gordon? You were gonna beat up a When to go 125 00:06:11,000 --> 00:06:13,360 Speaker 3: with war and peace? 126 00:06:13,680 --> 00:06:15,559 Speaker 5: I'm sorry? Can you think of a thicker book? 127 00:06:15,760 --> 00:06:18,479 Speaker 3: We'll have to talk about Bruce later. Avery, what happened 128 00:06:18,520 --> 00:06:18,760 Speaker 3: to you? 129 00:06:19,360 --> 00:06:21,559 Speaker 7: This flesh wound? 130 00:06:22,800 --> 00:06:25,200 Speaker 2: A lot of flesh wounds? 131 00:06:25,360 --> 00:06:29,200 Speaker 3: Actually, oh shit, you're the sacrifice, aren't you? 132 00:06:29,240 --> 00:06:29,520 Speaker 6: No? 133 00:06:29,520 --> 00:06:30,800 Speaker 7: No, no, no, you don't understand. 134 00:06:30,800 --> 00:06:32,240 Speaker 3: Why are you here? We need to get you to 135 00:06:32,279 --> 00:06:32,799 Speaker 3: the sheriff. 136 00:06:33,000 --> 00:06:36,680 Speaker 7: No, okay, Sheriff Allen was at my house today and 137 00:06:36,720 --> 00:06:39,720 Speaker 7: she couldn't do anything. I am not going there. 138 00:06:40,200 --> 00:06:40,400 Speaker 4: Then? 139 00:06:40,400 --> 00:06:41,160 Speaker 6: Why are you here? 140 00:06:42,520 --> 00:06:46,320 Speaker 7: I saw you both there at the diner before before 141 00:06:46,360 --> 00:06:47,080 Speaker 7: it all went wrong? 142 00:06:47,279 --> 00:06:47,599 Speaker 6: Avery? 143 00:06:47,600 --> 00:06:48,239 Speaker 2: What happened? 144 00:06:48,640 --> 00:06:51,440 Speaker 7: I wasn't supposed to be like that. No one was 145 00:06:51,640 --> 00:06:52,600 Speaker 7: supposed to get hurt. 146 00:06:52,920 --> 00:06:53,560 Speaker 2: Uh. 147 00:06:53,600 --> 00:06:57,000 Speaker 3: Hey, whatever happened, none of that is your fault. Okay, 148 00:06:57,600 --> 00:06:59,760 Speaker 3: if they were willing to sacrifice your life, but they 149 00:07:00,000 --> 00:07:02,280 Speaker 3: are My dad would never do that. 150 00:07:02,520 --> 00:07:05,520 Speaker 5: Hey, man, I know it's hard to understand right now, but. 151 00:07:05,640 --> 00:07:08,680 Speaker 7: God, you're still treating me like a child, don't you 152 00:07:08,720 --> 00:07:10,960 Speaker 7: get it. I wasn't the sacrifice. 153 00:07:11,480 --> 00:07:12,440 Speaker 6: I was the lure. 154 00:07:13,480 --> 00:07:14,520 Speaker 2: They wanted to kill it. 155 00:07:14,880 --> 00:07:15,720 Speaker 5: They had a whole. 156 00:07:15,520 --> 00:07:21,320 Speaker 7: Plan, gas cans, chains, silver, But that thing, it wasn't 157 00:07:21,360 --> 00:07:22,760 Speaker 7: supposed to be that strong. 158 00:07:23,000 --> 00:07:24,120 Speaker 5: It's just snow, isn't it? 159 00:07:24,360 --> 00:07:26,560 Speaker 3: What The wind to go strikes the hardest come the 160 00:07:26,600 --> 00:07:29,920 Speaker 3: season of starvation. It's not the same creature it was 161 00:07:29,920 --> 00:07:30,440 Speaker 3: a day ago. 162 00:07:30,880 --> 00:07:32,480 Speaker 5: Hey, at least you got out safe. 163 00:07:32,840 --> 00:07:35,840 Speaker 7: Mike didn't the thing. Some kids teeth into his neck, 164 00:07:35,880 --> 00:07:38,600 Speaker 7: and no matter how hard we pulled, it was like 165 00:07:38,640 --> 00:07:40,160 Speaker 7: it had already started hitting him. 166 00:07:40,240 --> 00:07:41,440 Speaker 5: Oh my god. 167 00:07:41,760 --> 00:07:45,400 Speaker 7: But Mike was still breathing. So because he was still breathing, 168 00:07:45,560 --> 00:07:49,760 Speaker 7: he could still scream. All I could do was run. 169 00:07:51,320 --> 00:07:53,840 Speaker 5: Hey. I hate to be crass, but isn't this our 170 00:07:53,880 --> 00:07:57,320 Speaker 5: window with you know that other thing? The professor said, 171 00:07:57,560 --> 00:07:57,840 Speaker 5: how was. 172 00:07:57,800 --> 00:07:58,920 Speaker 2: The weakest After a kill. 173 00:07:59,280 --> 00:08:00,800 Speaker 6: You want to go after that thing. 174 00:08:01,120 --> 00:08:01,960 Speaker 3: It's not a sure. 175 00:08:01,800 --> 00:08:03,600 Speaker 5: Bet, but it might be our only chance. 176 00:08:03,920 --> 00:08:05,000 Speaker 2: It doesn't matter anyways. 177 00:08:05,080 --> 00:08:06,320 Speaker 3: We have no idea where it went. 178 00:08:07,000 --> 00:08:07,440 Speaker 1: I do. 179 00:08:09,040 --> 00:08:11,600 Speaker 7: When I hid, I saw it go into the woods. 180 00:08:12,480 --> 00:08:15,560 Speaker 7: It was headed for the ruins. 181 00:08:14,640 --> 00:08:16,560 Speaker 5: Of the old colonial dreams. 182 00:08:22,240 --> 00:08:25,400 Speaker 6: It got Mike, It got Mike, it dragged him off. 183 00:08:25,560 --> 00:08:28,640 Speaker 6: Shaw snapped the fuck out of it, and it got Avery. 184 00:08:28,800 --> 00:08:32,320 Speaker 6: No it didn't. You don't fucking know that. Where is again? Huh? 185 00:08:32,440 --> 00:08:35,120 Speaker 5: That monster barreled out through everything? 186 00:08:35,280 --> 00:08:35,520 Speaker 7: Saw? 187 00:08:35,840 --> 00:08:36,440 Speaker 5: That's enough? 188 00:08:36,720 --> 00:08:37,840 Speaker 4: What are we gonna do? 189 00:08:38,000 --> 00:08:41,560 Speaker 6: We try again? We haven't failed until we try again. 190 00:08:42,640 --> 00:08:44,480 Speaker 6: Can somebody shut that shit off? 191 00:08:44,559 --> 00:08:47,480 Speaker 5: It's broken, Jack, There's no turning it off. 192 00:08:48,960 --> 00:08:52,280 Speaker 6: There's always a way rama. 193 00:08:53,240 --> 00:08:59,160 Speaker 3: Where the fuck is my son? And as if setting 194 00:08:59,240 --> 00:09:02,520 Speaker 3: us centuries old popilentity of flame wasn't enough, we also 195 00:09:02,559 --> 00:09:06,640 Speaker 3: have to hike there. Oh damn battery? 196 00:09:06,760 --> 00:09:08,920 Speaker 5: Okay, where was I complaining? 197 00:09:09,160 --> 00:09:09,319 Speaker 6: Right? 198 00:09:10,120 --> 00:09:12,600 Speaker 3: The trials and tribulations of our quest to kill a 199 00:09:12,640 --> 00:09:15,439 Speaker 3: weend ago halfway through what we assume will be our 200 00:09:15,480 --> 00:09:20,760 Speaker 3: total trek, directed northwest at approximately eleven twenty three PM, 201 00:09:20,920 --> 00:09:23,559 Speaker 3: about to stake our entire survival on lore that may 202 00:09:23,640 --> 00:09:25,280 Speaker 3: or may not be correct, because how do you fact 203 00:09:25,360 --> 00:09:26,000 Speaker 3: check a legend? 204 00:09:26,280 --> 00:09:27,959 Speaker 2: You don't, you guess. 205 00:09:28,120 --> 00:09:31,000 Speaker 3: And then jump and currently searching for any signs of 206 00:09:31,000 --> 00:09:33,320 Speaker 3: a tremendous beast striking a bloody carcass through the dark 207 00:09:33,320 --> 00:09:36,559 Speaker 3: and misty woods. Can't imagine that'll be too hard to miss. 208 00:09:37,440 --> 00:09:40,640 Speaker 7: We're trying to stop a murder machine, and that's what 209 00:09:40,679 --> 00:09:42,600 Speaker 7: you care about recording it? 210 00:09:43,040 --> 00:09:46,160 Speaker 3: You mean documenting what may be the only confirmed supernatural 211 00:09:46,160 --> 00:09:49,760 Speaker 3: phenomenon in the world on this scale and its subsequent demise. Yeah, 212 00:09:49,800 --> 00:09:52,320 Speaker 3: it's pretty up there in terms of my priorities. People 213 00:09:52,360 --> 00:09:55,400 Speaker 3: fucking died and keeping quiet about it won't bring them back. 214 00:09:56,040 --> 00:09:58,719 Speaker 3: Publishing this story telling the tale of how they died 215 00:09:58,760 --> 00:09:59,120 Speaker 3: and why? 216 00:10:00,240 --> 00:10:00,760 Speaker 2: Better yet? 217 00:10:00,840 --> 00:10:05,120 Speaker 3: Right, what that's gonna make Watergate look like? And no 218 00:10:05,200 --> 00:10:07,040 Speaker 3: offense the dan vilcazette I. 219 00:10:07,080 --> 00:10:10,559 Speaker 5: Used to read that, Oh is that all? How selfless 220 00:10:10,559 --> 00:10:10,760 Speaker 5: of you? 221 00:10:11,320 --> 00:10:11,520 Speaker 6: Hey? 222 00:10:12,040 --> 00:10:14,240 Speaker 3: Look at this haphazard concoction of flamm of liquids I'm 223 00:10:14,280 --> 00:10:16,559 Speaker 3: holding in my hand, and tell me I'm not being selfless. 224 00:10:17,120 --> 00:10:18,760 Speaker 3: I am putting my life on the line to kill 225 00:10:18,800 --> 00:10:21,320 Speaker 3: this thing, armed essentially with what I used to drink 226 00:10:21,320 --> 00:10:23,320 Speaker 3: in college. So if I get a little out of it, 227 00:10:23,360 --> 00:10:25,200 Speaker 3: so be it even Gandhi had to eat? 228 00:10:25,800 --> 00:10:26,280 Speaker 6: Whatever? 229 00:10:27,000 --> 00:10:27,200 Speaker 7: Uh? 230 00:10:27,240 --> 00:10:30,439 Speaker 5: Have you forgotten about the man's entire hunger strike storyline? 231 00:10:30,720 --> 00:10:31,559 Speaker 5: Kind of known for it? 232 00:10:32,240 --> 00:10:32,680 Speaker 2: Do you hear that? 233 00:10:34,000 --> 00:10:34,640 Speaker 6: Hear what. 234 00:10:36,600 --> 00:10:40,120 Speaker 5: The crickets they're all gone means. 235 00:10:39,920 --> 00:10:45,920 Speaker 6: We're close, Rima, I'm gonna get him back. 236 00:10:46,120 --> 00:10:49,000 Speaker 3: You don't even know if he's alive, Avery is he 237 00:10:49,120 --> 00:10:49,600 Speaker 3: has to be. 238 00:10:49,800 --> 00:10:52,440 Speaker 8: You told me to wait, and I did. You told 239 00:10:52,480 --> 00:10:55,959 Speaker 8: me to trust you, and I did. When you told 240 00:10:55,960 --> 00:11:01,559 Speaker 8: me that you'd keep my son safe, you did not look. 241 00:11:02,360 --> 00:11:04,680 Speaker 6: We underestimated how strong the creature would be. 242 00:11:04,840 --> 00:11:09,520 Speaker 8: What a beautiful way of saying you were wrong. Why 243 00:11:09,520 --> 00:11:12,760 Speaker 8: didn't you just do what our fathers did and what 244 00:11:12,880 --> 00:11:13,959 Speaker 8: their fathers did. 245 00:11:14,040 --> 00:11:15,880 Speaker 6: You need to put an end to these killings once 246 00:11:15,920 --> 00:11:18,920 Speaker 6: and for all. You know that I will not allow 247 00:11:19,000 --> 00:11:21,200 Speaker 6: Avery to carry the same burden that I did. 248 00:11:21,360 --> 00:11:24,160 Speaker 8: Then where where is he to carry it? 249 00:11:25,760 --> 00:11:29,360 Speaker 5: Jesus, Reama, put the gun down. 250 00:11:30,000 --> 00:11:33,960 Speaker 2: You wanted to end this, but it's ending us. 251 00:11:37,040 --> 00:11:41,600 Speaker 7: Not there, That's where the drains open up, Ready as. 252 00:11:41,559 --> 00:11:43,679 Speaker 5: I'll ever be, Jesus. 253 00:11:43,760 --> 00:11:46,120 Speaker 3: Why is it getting harder to climb? Is that water 254 00:11:46,200 --> 00:11:48,280 Speaker 3: supposed to go down? Why is the top of the 255 00:11:48,360 --> 00:11:49,120 Speaker 3: hill the mouneyist. 256 00:11:49,559 --> 00:11:53,320 Speaker 5: Uh, Sarah, Yeah, I don't think what's supposed to stain red? 257 00:11:53,760 --> 00:11:56,920 Speaker 3: Oh God, I guess we found the blood trail and 258 00:11:57,040 --> 00:12:04,599 Speaker 3: it's sticky and that's late. Oh future, Sarah, if you 259 00:12:04,640 --> 00:12:06,959 Speaker 3: still exist, I hope one day you forget what I'm 260 00:12:06,960 --> 00:12:09,679 Speaker 3: seeing down the strain because it ain't pretty. 261 00:12:16,559 --> 00:12:20,760 Speaker 6: Rama, Rama, put the gun away, Honey, you don't know 262 00:12:20,840 --> 00:12:21,440 Speaker 6: what you're doing. 263 00:12:21,760 --> 00:12:25,280 Speaker 2: I know that peace requires a sacrifice. 264 00:12:25,600 --> 00:12:26,560 Speaker 6: What's to say? 265 00:12:26,640 --> 00:12:30,600 Speaker 8: It's not too late, please, Rama, I could shoot any 266 00:12:30,800 --> 00:12:33,040 Speaker 8: one of you and it'll all be okay. 267 00:12:33,679 --> 00:12:34,760 Speaker 6: You know that's not right. 268 00:12:35,040 --> 00:12:36,520 Speaker 5: You are you? 269 00:12:37,760 --> 00:12:39,160 Speaker 4: Or you are you? 270 00:12:40,000 --> 00:12:42,679 Speaker 6: Oh God? Why shouldn't die? 271 00:12:44,160 --> 00:12:45,320 Speaker 4: I can give you a reason. 272 00:12:46,120 --> 00:12:47,520 Speaker 2: Put the gun down, Rema. 273 00:12:47,480 --> 00:12:47,560 Speaker 8: No. 274 00:12:54,320 --> 00:12:55,440 Speaker 7: How long until it wakes up. 275 00:12:55,840 --> 00:12:57,080 Speaker 3: Your guess is as good as mine. 276 00:12:57,480 --> 00:12:58,079 Speaker 2: Can you see it? 277 00:12:58,880 --> 00:13:01,880 Speaker 3: It's too dark and too deep. Hell, if I'm getting 278 00:13:01,880 --> 00:13:04,600 Speaker 3: any closer, Gordon got the stuff If. 279 00:13:04,480 --> 00:13:06,360 Speaker 5: By stuff you mean a lighter or rag and a 280 00:13:06,360 --> 00:13:09,199 Speaker 5: bottle of brandy. Yeah, left the silver bullets behind. 281 00:13:10,040 --> 00:13:10,959 Speaker 8: Is this gonna kill it? 282 00:13:11,160 --> 00:13:13,719 Speaker 3: We'll find out pretty quick. But first we need to 283 00:13:13,720 --> 00:13:15,760 Speaker 3: close this grate, otherwise it's getting out. 284 00:13:16,000 --> 00:13:17,199 Speaker 5: You want to deep fry it. 285 00:13:17,440 --> 00:13:19,480 Speaker 3: I'm talking extra Crispy, help me pull this lever? 286 00:13:19,760 --> 00:13:23,040 Speaker 5: Pull the lever crunk? Really now, I can't help who 287 00:13:23,120 --> 00:13:23,360 Speaker 5: I am? 288 00:13:23,480 --> 00:13:24,599 Speaker 3: Whatever? Just grab it? 289 00:13:27,960 --> 00:13:28,400 Speaker 7: What was that? 290 00:13:34,440 --> 00:13:36,400 Speaker 5: Oh my god, Mike's still alive. 291 00:13:36,679 --> 00:13:37,679 Speaker 7: We have to go get him. 292 00:13:37,880 --> 00:13:38,360 Speaker 3: We can't. 293 00:13:38,640 --> 00:13:41,160 Speaker 5: No, he's down there and we have to go get him. 294 00:13:44,200 --> 00:13:44,559 Speaker 6: Oh God. 295 00:13:45,440 --> 00:13:53,199 Speaker 3: If it wasn't up before, it is now. You're not 296 00:13:53,360 --> 00:13:54,960 Speaker 3: gonna shoot me, Sheriff. 297 00:13:55,240 --> 00:13:56,640 Speaker 6: I will if you force me to. 298 00:13:57,040 --> 00:14:00,400 Speaker 8: You don't know what they did, how they use my 299 00:14:00,600 --> 00:14:03,480 Speaker 8: son's life to play their arrogant little game. 300 00:14:03,600 --> 00:14:06,000 Speaker 6: Raima, that's not what we shut up. 301 00:14:07,000 --> 00:14:10,319 Speaker 8: Why do you think our ancestors always obeyed? 302 00:14:10,920 --> 00:14:13,079 Speaker 3: Why do you think you were stronger than that? 303 00:14:13,760 --> 00:14:17,720 Speaker 8: I'm smarder than them, You narcissistic, egotistical man. 304 00:14:17,960 --> 00:14:18,320 Speaker 6: Rema. 305 00:14:18,800 --> 00:14:20,920 Speaker 3: I know you'll do anything to protect your son. 306 00:14:21,000 --> 00:14:21,680 Speaker 6: Then where is he? 307 00:14:21,800 --> 00:14:23,080 Speaker 3: But you don't have to do this? 308 00:14:23,800 --> 00:14:25,160 Speaker 2: And what would you know, Sheriff. 309 00:14:25,240 --> 00:14:26,320 Speaker 8: This isn't even your town. 310 00:14:30,080 --> 00:14:32,160 Speaker 3: Why did it have to be an ancient rusty grate 311 00:14:32,240 --> 00:14:33,160 Speaker 3: that's too heavy? 312 00:14:33,440 --> 00:14:36,120 Speaker 5: That's not the problem. It's stuck and unless we get 313 00:14:36,160 --> 00:14:37,320 Speaker 5: it unstuck before. 314 00:14:37,600 --> 00:14:39,680 Speaker 3: What are you Gordon? Get the fuck out of there 315 00:14:39,800 --> 00:14:40,120 Speaker 3: right now. 316 00:14:40,400 --> 00:14:42,280 Speaker 5: If we don't close this right now, it's the same 317 00:14:42,320 --> 00:14:44,480 Speaker 5: as giving that thing and express ticket to our throats. 318 00:14:44,520 --> 00:14:46,520 Speaker 7: Guys, it's getting closer. 319 00:14:47,680 --> 00:14:50,000 Speaker 5: The great stuck on debris. The only way to close 320 00:14:50,040 --> 00:14:51,840 Speaker 5: it is from the inside. And if I can just 321 00:14:51,960 --> 00:14:53,800 Speaker 5: hang on it from here, maybe I can know. 322 00:14:54,160 --> 00:14:56,760 Speaker 3: No, no, we can close it from the outside. Gordon, 323 00:14:56,960 --> 00:14:57,520 Speaker 3: take my hand. 324 00:14:57,680 --> 00:15:01,840 Speaker 5: Guys, it's closer. I got this almost there. 325 00:15:02,000 --> 00:15:04,680 Speaker 3: Gordon, You're not gonna make it. This isn't noble, it's dumb. 326 00:15:05,080 --> 00:15:05,800 Speaker 5: Just a little more. 327 00:15:05,960 --> 00:15:07,560 Speaker 3: Oh god, damn it. You think I'm letting you pull up? 328 00:15:07,560 --> 00:15:08,080 Speaker 3: Prince Charming? 329 00:15:08,160 --> 00:15:08,560 Speaker 5: Move over. 330 00:15:08,760 --> 00:15:10,720 Speaker 3: I thought this was dumb, then I guess so am 331 00:15:10,760 --> 00:15:11,840 Speaker 3: I now push? 332 00:15:13,160 --> 00:15:13,360 Speaker 7: Yeah? 333 00:15:13,840 --> 00:15:14,640 Speaker 5: No, drop back out. 334 00:15:17,040 --> 00:15:21,120 Speaker 2: I'm taking a step closer, all right, doubt Rema, I 335 00:15:21,280 --> 00:15:24,040 Speaker 2: need you to give me that gun. They deserve this. 336 00:15:24,680 --> 00:15:26,600 Speaker 3: I told them that we should leave. 337 00:15:27,000 --> 00:15:29,640 Speaker 2: But no, what was it that you called this place? 338 00:15:29,760 --> 00:15:31,920 Speaker 3: That's not what is your goddamn birthright? 339 00:15:32,240 --> 00:15:32,360 Speaker 7: Ma? 340 00:15:32,680 --> 00:15:37,600 Speaker 6: Good, come on pull. 341 00:15:38,880 --> 00:15:40,040 Speaker 3: We're not giving birth here. 342 00:15:41,640 --> 00:15:46,880 Speaker 5: Almost there yet. 343 00:15:45,320 --> 00:15:46,240 Speaker 4: To say, guys, but. 344 00:15:46,560 --> 00:15:48,120 Speaker 3: Yeah, we need to get the fuck out of here. 345 00:15:48,680 --> 00:15:49,800 Speaker 3: Lift don't mind if. 346 00:15:49,680 --> 00:15:54,239 Speaker 7: I do, great, ready bullto ready. 347 00:15:54,160 --> 00:15:56,560 Speaker 5: Not to hurry all or anything, but now. 348 00:16:11,480 --> 00:16:14,680 Speaker 4: Can we get missus bridges her Meds and someone please 349 00:16:14,800 --> 00:16:16,480 Speaker 4: change out the bed pans in one oh three. 350 00:16:17,880 --> 00:16:19,880 Speaker 3: I think Missus Milligan will be glad to hear it's over. 351 00:16:20,240 --> 00:16:23,200 Speaker 5: After thirty one years. I think any closure is welcome. 352 00:16:24,000 --> 00:16:27,600 Speaker 4: Excuse me, yes, back so soon. They're not done with 353 00:16:27,680 --> 00:16:28,080 Speaker 4: the books. 354 00:16:28,520 --> 00:16:30,560 Speaker 3: Actually, we were hoping to talk to missus Milligan. 355 00:16:30,800 --> 00:16:31,840 Speaker 2: Do you think we could go in? 356 00:16:32,920 --> 00:16:35,200 Speaker 4: Missus Milligan passed away last night? 357 00:16:36,120 --> 00:16:39,320 Speaker 3: Oh I'm sorry to hear that we're cleaning out her 358 00:16:39,440 --> 00:16:39,880 Speaker 3: room now. 359 00:16:41,280 --> 00:16:43,000 Speaker 2: Really, I'm so sorry. 360 00:16:46,160 --> 00:16:49,040 Speaker 5: Wait, is that Rudy? What's he doing? Back so soon? 361 00:16:49,600 --> 00:16:49,920 Speaker 3: Ruddy? 362 00:16:50,560 --> 00:16:51,600 Speaker 5: The town's I guy. 363 00:16:52,480 --> 00:16:55,680 Speaker 4: Guy lost his son all those years ago. Oh no, 364 00:16:56,000 --> 00:17:00,920 Speaker 4: his wife they were married fifty three years this far now, 365 00:17:01,000 --> 00:17:01,840 Speaker 4: if you excuse me. 366 00:17:03,160 --> 00:17:04,000 Speaker 2: I think he'll want to know. 367 00:17:04,920 --> 00:17:05,560 Speaker 4: Let's find out. 368 00:17:06,960 --> 00:17:07,800 Speaker 2: What do you think that was? 369 00:17:08,320 --> 00:17:08,600 Speaker 4: Nothing? 370 00:17:08,720 --> 00:17:08,960 Speaker 7: Good? 371 00:17:29,800 --> 00:17:33,879 Speaker 1: Consumed Episode eleven, The One for the Rest, written by 372 00:17:34,000 --> 00:17:38,440 Speaker 1: Carlos Folia and Alessandra Hara del Castillo, editing and sound 373 00:17:38,520 --> 00:17:43,600 Speaker 1: design by Rima Ilkali, Starring Rachel Rosenbloom and Arturo Castro, 374 00:17:43,920 --> 00:17:49,919 Speaker 1: with Ruth Connell, Sam Rod, Genevieve Padalaki, Benjamin Stockholm, Charlie, 375 00:17:50,000 --> 00:17:54,440 Speaker 1: David Newell, Mike Korich, Anna East Fairweather Junior A Lobby, 376 00:17:54,880 --> 00:18:01,040 Speaker 1: Alma Martinez, Tracy Martin, Laura Shine, George Vincent, and Rafael Corkill. 377 00:18:01,480 --> 00:18:06,320 Speaker 1: Directed by Alexander Williams, Assistant director Trevor Young, Casting by 378 00:18:06,400 --> 00:18:12,240 Speaker 1: Sunday Bowling CSA and Meg Mormon CSA. Production Coordinator Wayna Calderon. 379 00:18:12,760 --> 00:18:17,000 Speaker 1: Music by Carlos Folia. Consumed The season one score available 380 00:18:17,040 --> 00:18:20,920 Speaker 1: now on Apple Music, Spotify, or wherever music is streamed. 381 00:18:21,280 --> 00:18:25,560 Speaker 1: Executive producers Aaron Mankey, Carlos Folia, S, Matt Frederick and 382 00:18:25,720 --> 00:18:31,040 Speaker 1: Alexander Williams. Supervising producers Trevor Young and Josh Thain. Producers 383 00:18:31,160 --> 00:18:35,720 Speaker 1: Noami Griffin, Jesse Funk, and rima Ilkeale. Recorded at This 384 00:18:35,920 --> 00:18:40,760 Speaker 1: Is Sound Design Studios, Burbank, California, engineered by Ross erroneut 385 00:18:41,160 --> 00:18:45,720 Speaker 1: east Side Studios, Austin, Texas engineered by Austin Sisler and 386 00:18:46,080 --> 00:18:50,640 Speaker 1: Aros Creative In Sound Ohi, California, engineered by Ken Aros. 387 00:18:51,119 --> 00:18:54,800 Speaker 1: Consumed was created by Carlos Folia, inspired by the novel 388 00:18:55,000 --> 00:18:58,119 Speaker 1: by Aaron Manky. Consumed is the newest chapter in the 389 00:18:58,200 --> 00:19:02,000 Speaker 1: Bridgewater universe. To learn more and catch up, visit Grimandmild 390 00:19:02,160 --> 00:19:06,480 Speaker 1: dot com slash Bridgewater Learn more about Consumed at grimanmil 391 00:19:06,560 --> 00:19:10,320 Speaker 1: dot com, slash Consumed and find more podcasts from iHeartRadio 392 00:19:10,560 --> 00:19:14,080 Speaker 1: by visiting the iHeartRadio app, Apple Podcasts, or wherever you 393 00:19:14,320 --> 00:19:15,639 Speaker 1: listen to your favorite shows.