1 00:00:00,080 --> 00:00:03,640 Speaker 1: M HM consumed as a production of iHeart Podcasts and 2 00:00:03,720 --> 00:00:09,080 Speaker 1: Grimm and Mild from Aaron Maky Headphones recommended. Listener discretion advised. 3 00:00:43,720 --> 00:00:45,520 Speaker 2: Didn't never think I missed the Lifetime channel. 4 00:00:45,760 --> 00:00:49,080 Speaker 3: But when your alternative is toing freaking peaks perspective as 5 00:00:49,080 --> 00:00:49,800 Speaker 3: a hell of a drug? 6 00:00:52,440 --> 00:00:55,520 Speaker 2: Jesus do they have that tape on loup sarruh? So 7 00:00:55,600 --> 00:00:57,920 Speaker 2: things aren't creepy enough already, Sarah? 8 00:00:58,000 --> 00:01:00,080 Speaker 1: What that chanty? 9 00:01:00,720 --> 00:01:04,080 Speaker 2: Not her recording? Oh no, yeah, welcome to the cloth? 10 00:01:08,120 --> 00:01:11,679 Speaker 2: Oh shit? Is that Shaw and Mike McDonald? I think 11 00:01:11,680 --> 00:01:14,440 Speaker 2: they're all headed to the back. Wait, don't move? What 12 00:01:15,319 --> 00:01:20,440 Speaker 2: do talk? Okay, we're what just happened? I thought I 13 00:01:20,480 --> 00:01:22,720 Speaker 2: saw someone spot us and that's our cue to go 14 00:01:23,200 --> 00:01:25,920 Speaker 2: to go in. You've got to be kidding me? Does 15 00:01:25,959 --> 00:01:28,200 Speaker 2: it sound like I'm kidding this way? Follow me? 16 00:01:29,000 --> 00:01:29,160 Speaker 4: Yes? 17 00:01:29,280 --> 00:01:30,080 Speaker 2: Gordon helping you? 18 00:01:30,120 --> 00:01:30,720 Speaker 5: A girl in town? 19 00:01:30,760 --> 00:01:32,640 Speaker 2: Gordon, sounds like she'll have a drag you into the 20 00:01:32,680 --> 00:01:40,200 Speaker 2: litteral dolls of the wolf. Oh it's not budget, that's 21 00:01:40,200 --> 00:01:44,200 Speaker 2: what lock means. Yeah, locked, mount wilded. Sometimes you can 22 00:01:44,360 --> 00:01:45,880 Speaker 2: use a little elp grease. 23 00:01:45,840 --> 00:01:46,160 Speaker 6: What is it? 24 00:01:46,440 --> 00:01:47,960 Speaker 5: Oh no, don't tackle. 25 00:01:47,680 --> 00:01:52,320 Speaker 1: The door, Detta, Yes, please. 26 00:01:52,160 --> 00:01:54,520 Speaker 7: Announce the murders called this that we've intruded in their 27 00:01:54,520 --> 00:01:56,400 Speaker 7: inner sanctum. I'm sure they won't mind. 28 00:01:56,840 --> 00:01:59,480 Speaker 2: Or better yet, let's get this done before they realize. 29 00:02:00,080 --> 00:02:01,320 Speaker 5: Let's whisper before. 30 00:02:01,080 --> 00:02:03,360 Speaker 2: They what the hell is this? 31 00:02:05,240 --> 00:02:08,200 Speaker 3: Okay, future Sarah, in case you're still alive, to transcribe 32 00:02:08,200 --> 00:02:11,080 Speaker 3: this at a later date, This is fucking terrifying. 33 00:02:11,400 --> 00:02:15,680 Speaker 2: This is not my idea of redecorating. What plastic sheets 34 00:02:15,680 --> 00:02:18,280 Speaker 2: on the floor doesn't do it for you. It's so 35 00:02:18,560 --> 00:02:22,359 Speaker 2: last fall, sure fire away to avoid spills. And by spills, 36 00:02:22,400 --> 00:02:24,720 Speaker 2: of course, we're talking about the blood of the innocent. 37 00:02:25,120 --> 00:02:27,320 Speaker 2: Oh my god, is that what these glasses are for? 38 00:02:27,720 --> 00:02:30,639 Speaker 7: You say glasses, I say, Jalice, potato potato. 39 00:02:31,000 --> 00:02:33,000 Speaker 2: Speaking of food, what do you think this is. 40 00:02:32,919 --> 00:02:36,280 Speaker 7: For, future Sarah? What Gordon is referring to would be 41 00:02:36,320 --> 00:02:38,120 Speaker 7: the dozen or so place Matt set out on the 42 00:02:38,120 --> 00:02:44,440 Speaker 7: diner bar. I'm talking fork, sknives, napkins, tablecloths, but no plates. 43 00:02:44,520 --> 00:02:47,359 Speaker 2: Oh don't forget the cannibals. Yeah, all three billion of them. 44 00:02:47,400 --> 00:02:49,960 Speaker 2: Don't worry, I'm getting there. I think it's part of 45 00:02:49,960 --> 00:02:54,919 Speaker 2: the ritual. What was that it sucked away? 46 00:02:54,960 --> 00:02:57,480 Speaker 5: But I think it's a fire extinguisher. 47 00:02:57,680 --> 00:02:59,400 Speaker 2: At least they're practicing fire safety. 48 00:03:00,400 --> 00:03:01,280 Speaker 5: I don't think so. 49 00:03:02,200 --> 00:03:07,519 Speaker 6: Look, that's a lot of gasoline, Sarah. 50 00:03:07,720 --> 00:03:09,520 Speaker 5: I think we need to go, not. 51 00:03:09,680 --> 00:03:11,680 Speaker 2: Until we figure out what's going on here. 52 00:03:11,760 --> 00:03:12,040 Speaker 5: Sarah. 53 00:03:12,120 --> 00:03:15,480 Speaker 2: It's pretty obvious and we are not savior. This story 54 00:03:15,560 --> 00:03:16,640 Speaker 2: isn't finished until we. 55 00:03:21,600 --> 00:03:29,040 Speaker 5: Heard something. Jack, it's not time yet. There, you're not 56 00:03:29,080 --> 00:03:30,040 Speaker 5: supposed to be here. 57 00:03:40,240 --> 00:03:46,080 Speaker 2: We need to call Sheriff Allen. I'll get the phone. Please, please, please, please, 58 00:03:46,160 --> 00:03:48,320 Speaker 2: This is not a time for the signal to fail. 59 00:03:48,800 --> 00:03:50,560 Speaker 2: Murphy's law. You take that back? 60 00:03:50,640 --> 00:03:50,720 Speaker 6: You? 61 00:03:52,000 --> 00:03:53,240 Speaker 5: Hello? Nice? 62 00:03:54,080 --> 00:03:55,160 Speaker 2: Just the voice I wanted to hear. 63 00:03:55,400 --> 00:03:58,080 Speaker 8: Tell her about the altar at Shaw's. There was a 64 00:03:58,080 --> 00:04:01,840 Speaker 8: whole sacrificial altar setup. I'm talking real temple of doom shit. 65 00:04:02,000 --> 00:04:04,280 Speaker 2: And Mike and Shaw and Jack were there, and there 66 00:04:04,280 --> 00:04:07,360 Speaker 2: were candles everywhere and they essentially dextered the whole floor. 67 00:04:07,560 --> 00:04:10,360 Speaker 2: But there was also what the hell are you talking about? 68 00:04:10,440 --> 00:04:13,880 Speaker 8: We're talking about ritual sacrifice that the people of this 69 00:04:13,960 --> 00:04:15,080 Speaker 8: town have been privy. 70 00:04:14,800 --> 00:04:16,960 Speaker 2: To for years, and you need to get down there 71 00:04:17,000 --> 00:04:17,440 Speaker 2: to stop it. 72 00:04:18,279 --> 00:04:19,760 Speaker 4: Don't even know where to start. 73 00:04:19,800 --> 00:04:21,680 Speaker 2: What's this? Do you have any silver? 74 00:04:22,320 --> 00:04:22,599 Speaker 5: What? 75 00:04:23,000 --> 00:04:23,440 Speaker 6: We think? 76 00:04:23,520 --> 00:04:25,880 Speaker 7: It's a when to go and when we spoke to 77 00:04:25,920 --> 00:04:28,200 Speaker 7: a professor of folklore, he told us it required an 78 00:04:28,320 --> 00:04:29,599 Speaker 7: unwilling sacrifice. 79 00:04:29,600 --> 00:04:31,120 Speaker 2: But it's weak to silver and fire. 80 00:04:31,920 --> 00:04:36,400 Speaker 8: We hope what diggle a monster that may be behind this? 81 00:04:36,880 --> 00:04:39,520 Speaker 4: And are you asking me to believe in monsters now? 82 00:04:39,880 --> 00:04:41,040 Speaker 2: Whether you believe in them or not? 83 00:04:41,080 --> 00:04:43,200 Speaker 4: The monsters are already down there, and it's Shaw and 84 00:04:43,279 --> 00:04:45,359 Speaker 4: Mike and Jack and whoever else is going through with 85 00:04:45,400 --> 00:04:47,520 Speaker 4: this unholy sacrifice? Was there a body? 86 00:04:47,800 --> 00:04:48,040 Speaker 2: What? 87 00:04:48,600 --> 00:04:49,279 Speaker 3: Or a captive? 88 00:04:49,839 --> 00:04:52,880 Speaker 2: Not that we could say? What about any blood? Well 89 00:04:52,960 --> 00:04:53,440 Speaker 2: not yet. 90 00:04:53,680 --> 00:04:56,200 Speaker 4: So you expect me to go in there and arrest 91 00:04:56,240 --> 00:04:58,240 Speaker 4: these men based on nothing. 92 00:04:58,560 --> 00:05:00,440 Speaker 8: No, I want you to go in there based on 93 00:05:00,480 --> 00:05:03,520 Speaker 8: what you've already heard, but still refuse to believe because 94 00:05:03,560 --> 00:05:05,880 Speaker 8: it is happening again. And excuse me if we didn't 95 00:05:05,880 --> 00:05:07,920 Speaker 8: get a chance to see us in Miami the place hell, 96 00:05:07,960 --> 00:05:09,359 Speaker 8: we had to break in through the back just to 97 00:05:09,360 --> 00:05:09,599 Speaker 8: get a. 98 00:05:09,600 --> 00:05:13,400 Speaker 4: Peek, then, Mss Simmons, it sounds like the only crime 99 00:05:13,440 --> 00:05:19,480 Speaker 4: committed here was prespassing by yourself and Gordon, O God, are. 100 00:05:19,440 --> 00:05:21,560 Speaker 8: You so afraid to do your job wrong again that 101 00:05:21,600 --> 00:05:22,719 Speaker 8: you're not even gonna try? 102 00:05:24,200 --> 00:05:27,880 Speaker 4: And you wonder why nobody wants to talk to you reporters. 103 00:05:28,440 --> 00:05:32,720 Speaker 2: Sheriff Sheriff Hello, hello. 104 00:05:34,560 --> 00:05:34,920 Speaker 9: That one? 105 00:05:35,000 --> 00:05:40,559 Speaker 2: Well shit, now what I don't know? We go back? 106 00:05:40,960 --> 00:05:41,320 Speaker 6: Yeah? 107 00:05:41,640 --> 00:05:41,960 Speaker 1: Great? 108 00:05:42,400 --> 00:05:45,080 Speaker 2: Why don't you grab your taser? Oh Wade, that's right. 109 00:05:45,320 --> 00:05:48,760 Speaker 2: We're helpless. We have to do something. And Sheriff allansur 110 00:05:48,880 --> 00:05:55,599 Speaker 2: is and so what else? What's that it's inside? Did 111 00:05:55,600 --> 00:05:57,159 Speaker 2: it follow us? Does it matter? 112 00:05:57,320 --> 00:05:58,440 Speaker 5: We need to get to that door. 113 00:05:58,800 --> 00:05:59,400 Speaker 2: It's too late. 114 00:06:00,080 --> 00:06:01,359 Speaker 5: Ah? 115 00:06:01,400 --> 00:06:02,600 Speaker 6: What the fuck? Man? 116 00:06:02,800 --> 00:06:03,280 Speaker 2: Avery? 117 00:06:04,040 --> 00:06:06,720 Speaker 6: Yeah? Now, can you tell boy wonder here to put 118 00:06:06,760 --> 00:06:07,520 Speaker 6: the weapon down? 119 00:06:08,600 --> 00:06:10,880 Speaker 2: Gordon? You were gonna beat up a When to go 120 00:06:11,000 --> 00:06:14,240 Speaker 2: with war and peace? I'm sorry? 121 00:06:14,240 --> 00:06:15,559 Speaker 1: Can you think of a thicker book? 122 00:06:15,760 --> 00:06:18,479 Speaker 2: We'll have to talk about Bruce later. Avery, what happened 123 00:06:18,520 --> 00:06:18,760 Speaker 2: to you? 124 00:06:19,360 --> 00:06:21,559 Speaker 6: This flesh wound? 125 00:06:22,800 --> 00:06:25,320 Speaker 5: A lot of flesh wounds? 126 00:06:25,360 --> 00:06:29,200 Speaker 2: Actually, oh shit, you're the sacrifice, aren't you? 127 00:06:29,240 --> 00:06:29,520 Speaker 5: No? 128 00:06:29,520 --> 00:06:30,800 Speaker 6: No, no, no, you don't understand. 129 00:06:30,800 --> 00:06:32,240 Speaker 2: Why are you here? We need to get you to 130 00:06:32,279 --> 00:06:32,799 Speaker 2: the sheriff. 131 00:06:33,000 --> 00:06:36,680 Speaker 6: No, okay, Sheriff Allen was at my house today and 132 00:06:36,720 --> 00:06:39,720 Speaker 6: she couldn't do anything. I am not going there. 133 00:06:40,200 --> 00:06:43,040 Speaker 5: Then? Why are you here? I saw you. 134 00:06:43,040 --> 00:06:47,080 Speaker 6: Both there at the diner before before it all went wrong? 135 00:06:47,279 --> 00:06:48,239 Speaker 2: Avery? What happened? 136 00:06:48,640 --> 00:06:51,440 Speaker 6: I wasn't supposed to be like that. No one was 137 00:06:51,640 --> 00:06:52,600 Speaker 6: supposed to get hurt. 138 00:06:52,920 --> 00:06:57,000 Speaker 2: Uh. Hey, whatever happened, none of that is your fault. Okay. 139 00:06:57,600 --> 00:07:00,080 Speaker 2: If they were willing to sacrifice your life, but they are. 140 00:07:00,839 --> 00:07:03,520 Speaker 6: My dad would never do that. Hey, man, I know 141 00:07:03,560 --> 00:07:06,400 Speaker 6: it's hard to understand right now, but God, you're still 142 00:07:06,440 --> 00:07:09,600 Speaker 6: treating me like a child, don't you get it. I 143 00:07:09,800 --> 00:07:12,440 Speaker 6: wasn't the sacrifice. I was the lure. 144 00:07:13,480 --> 00:07:14,520 Speaker 2: They wanted to kill it. 145 00:07:14,880 --> 00:07:19,040 Speaker 6: They had a whole plan, gas cans, chains, silver, But 146 00:07:19,160 --> 00:07:22,760 Speaker 6: that thing, it wasn't supposed to be that strong. 147 00:07:23,000 --> 00:07:24,120 Speaker 2: It's just snow, isn't it? 148 00:07:24,360 --> 00:07:26,560 Speaker 8: What the wind to go strikes the hardest, come the 149 00:07:26,600 --> 00:07:29,920 Speaker 8: season of starvation. It's not the same creature it was 150 00:07:29,920 --> 00:07:30,440 Speaker 8: a day ago. 151 00:07:30,880 --> 00:07:32,480 Speaker 2: Hey, at least you got out safe. 152 00:07:32,840 --> 00:07:35,840 Speaker 6: Mike didn't the thing some kids teath into his neck 153 00:07:36,000 --> 00:07:38,720 Speaker 6: No matter how hard we pulled. It was like it 154 00:07:38,720 --> 00:07:40,160 Speaker 6: had already started hitting him. 155 00:07:40,280 --> 00:07:41,440 Speaker 4: Oh my god. 156 00:07:41,760 --> 00:07:45,400 Speaker 6: But Mike was still breathing. So because he was still breathing, 157 00:07:45,560 --> 00:07:49,760 Speaker 6: he could still scream. All I could do was run. 158 00:07:51,320 --> 00:07:54,600 Speaker 2: Hey. I hate to be crass, but isn't this our window. 159 00:07:54,680 --> 00:07:56,440 Speaker 5: With you know that other thing? 160 00:07:56,480 --> 00:07:58,920 Speaker 2: The professor said, how was weakest after a kill? 161 00:07:59,280 --> 00:08:00,800 Speaker 6: You want to go after that thing. 162 00:08:01,080 --> 00:08:02,960 Speaker 2: It's not a sure bet, but it might be our 163 00:08:03,000 --> 00:08:05,840 Speaker 2: only chance. It doesn't matter anyways. We have no idea 164 00:08:05,840 --> 00:08:06,320 Speaker 2: where it went. 165 00:08:07,000 --> 00:08:07,440 Speaker 1: I do. 166 00:08:09,040 --> 00:08:11,600 Speaker 6: When I hid, I saw it go into the woods. 167 00:08:12,480 --> 00:08:16,560 Speaker 6: It was headed for the ruins of the old colonial dreams. 168 00:08:22,240 --> 00:08:25,400 Speaker 6: It got Mike, It got Mike, it dragged him off. 169 00:08:25,560 --> 00:08:28,640 Speaker 5: Shaw snapped the fuck out of it, and it got Avery. 170 00:08:28,800 --> 00:08:32,320 Speaker 5: No it didn't. You don't fucking know that. Where is again? Huh? 171 00:08:32,440 --> 00:08:35,520 Speaker 6: That monster barreled out through everything? Saw? 172 00:08:35,840 --> 00:08:36,440 Speaker 1: That's enough? 173 00:08:36,720 --> 00:08:39,839 Speaker 5: What are we gonna do? We try again? We haven't 174 00:08:39,880 --> 00:08:44,480 Speaker 5: failed until we try again. Can somebody shut that shit off? 175 00:08:44,559 --> 00:08:47,480 Speaker 2: It's broken, Jack, There's no turning it off. 176 00:08:48,960 --> 00:08:52,280 Speaker 5: There's always a way rama. 177 00:08:53,240 --> 00:08:54,520 Speaker 2: Where the fuck is my son? 178 00:08:58,400 --> 00:09:00,640 Speaker 8: And as if setting us centuries old the people entity 179 00:09:00,679 --> 00:09:03,199 Speaker 8: of flame wasn't enough, we also have to hike there. 180 00:09:04,000 --> 00:09:09,319 Speaker 2: Oh damn battery? Okay, where was I complaining? Right? 181 00:09:10,120 --> 00:09:12,600 Speaker 4: The trials and tribulations of our quest to kill a 182 00:09:12,640 --> 00:09:15,439 Speaker 4: weend ago halfway through what we assume will be our 183 00:09:15,480 --> 00:09:20,760 Speaker 4: total trek, directed northwest at approximately eleven twenty three PM, 184 00:09:20,920 --> 00:09:23,559 Speaker 4: about to stake our entire survival on lore that may 185 00:09:23,640 --> 00:09:25,280 Speaker 4: or may not be correct, Because how do you fact 186 00:09:25,360 --> 00:09:28,800 Speaker 4: check a legend, you don't, you guess and then jump 187 00:09:29,320 --> 00:09:31,760 Speaker 4: and currently searching for any signs of a tremendous beast 188 00:09:31,760 --> 00:09:34,080 Speaker 4: striking a bloody carcass through the dark and misty woods. 189 00:09:34,920 --> 00:09:36,559 Speaker 2: Can't imagine that'll be too hard to miss. 190 00:09:37,440 --> 00:09:40,640 Speaker 6: We're trying to stop a murder machine, and that's what 191 00:09:40,679 --> 00:09:42,600 Speaker 6: you care about recording it? 192 00:09:43,040 --> 00:09:46,160 Speaker 4: You mean documenting what may be the only confirmed supernatural 193 00:09:46,160 --> 00:09:49,760 Speaker 4: phenomenon in the world on this scale and its subsequent demise. Yeah, 194 00:09:49,800 --> 00:09:51,640 Speaker 4: it's pretty up there in terms of my priorities. 195 00:09:51,960 --> 00:09:54,960 Speaker 8: People fucking died and keeping quiet about it won't bring 196 00:09:55,000 --> 00:09:55,400 Speaker 8: them back. 197 00:09:56,080 --> 00:09:58,719 Speaker 2: Publishing this story telling the tale of how they died 198 00:09:58,760 --> 00:10:03,720 Speaker 2: and why? Better yet? Right, what that's gonna make Watergate 199 00:10:03,720 --> 00:10:04,040 Speaker 2: look like? 200 00:10:04,720 --> 00:10:07,800 Speaker 3: And no offense the dan vilcazette I used to read that, 201 00:10:08,400 --> 00:10:09,200 Speaker 3: Oh is that all? 202 00:10:09,800 --> 00:10:10,760 Speaker 6: How selfless of you? 203 00:10:11,320 --> 00:10:11,520 Speaker 2: Hey? 204 00:10:12,040 --> 00:10:14,240 Speaker 8: Look at this haphazard concoction of flamm of liquids I'm 205 00:10:14,280 --> 00:10:15,480 Speaker 8: holding in my hand and tell me I'm. 206 00:10:15,400 --> 00:10:16,599 Speaker 2: Not being selfless. 207 00:10:17,120 --> 00:10:18,760 Speaker 8: I am putting my life on the line to kill 208 00:10:18,800 --> 00:10:21,320 Speaker 8: this thing, armed essentially with what I used to drink 209 00:10:21,320 --> 00:10:21,880 Speaker 8: in college. 210 00:10:21,960 --> 00:10:23,520 Speaker 2: So if I get a little out of it, so 211 00:10:23,600 --> 00:10:26,280 Speaker 2: be it. Even Gandhi had to eat whatever? 212 00:10:27,000 --> 00:10:30,520 Speaker 6: Uh? Have you forgotten about the man's entire hunger strike storyline? 213 00:10:30,720 --> 00:10:31,559 Speaker 1: Kind of known for it? 214 00:10:32,240 --> 00:10:34,640 Speaker 2: Do you hear that? Hear what. 215 00:10:36,600 --> 00:10:40,120 Speaker 6: The crickets they're all gone means. 216 00:10:39,920 --> 00:10:45,920 Speaker 5: We're close, Rima, I'm gonna get him back. 217 00:10:46,120 --> 00:10:49,000 Speaker 6: You don't even know if he's alive, Avery is he 218 00:10:49,120 --> 00:10:51,560 Speaker 6: has to be. You told me to wait, and I did. 219 00:10:51,800 --> 00:10:54,839 Speaker 2: You told me to trust you, and I did. 220 00:10:55,240 --> 00:10:58,400 Speaker 8: When you told me that you'd keep my son safe, 221 00:10:58,760 --> 00:11:01,559 Speaker 8: You did not look. 222 00:11:02,360 --> 00:11:04,680 Speaker 5: We underestimated how strong the creature would be. 223 00:11:04,840 --> 00:11:08,200 Speaker 2: What a beautiful way of saying you were wrong. 224 00:11:08,960 --> 00:11:12,520 Speaker 6: Why didn't you just do what our fathers did and 225 00:11:12,559 --> 00:11:13,959 Speaker 6: what their fathers did. 226 00:11:14,040 --> 00:11:15,880 Speaker 5: You need to put an end to these killings once 227 00:11:15,920 --> 00:11:18,920 Speaker 5: and for all. You know that I will not allow 228 00:11:19,000 --> 00:11:21,200 Speaker 5: Avery to carry the same burden that I did. 229 00:11:21,360 --> 00:11:24,160 Speaker 9: Then where where is he to carry it? 230 00:11:25,760 --> 00:11:26,360 Speaker 5: Jesus? 231 00:11:27,000 --> 00:11:32,199 Speaker 2: Reama, put duck one down. You wanted to end this, 232 00:11:32,679 --> 00:11:35,240 Speaker 2: but it's ending us. 233 00:11:37,040 --> 00:11:41,880 Speaker 6: Not there, That's where the drains open up, Ready as I'll. 234 00:11:41,720 --> 00:11:43,679 Speaker 5: Ever be, Jesus. 235 00:11:43,760 --> 00:11:46,160 Speaker 4: Why is it getting harder to climb? Is that water 236 00:11:46,200 --> 00:11:48,319 Speaker 4: supposed to go down? Why is the top of the 237 00:11:48,360 --> 00:11:49,160 Speaker 4: hill the mouneyist? 238 00:11:49,559 --> 00:11:49,920 Speaker 9: Uh? 239 00:11:49,960 --> 00:11:50,560 Speaker 1: Sarah. 240 00:11:50,679 --> 00:11:53,360 Speaker 2: Yeah, I don't think what's supposed to stain red? 241 00:11:53,760 --> 00:11:56,960 Speaker 3: Oh God, I guess we found the blood trail and 242 00:11:57,040 --> 00:12:04,640 Speaker 3: it's sticky and that's late. Oh future, Sarah, if you 243 00:12:04,640 --> 00:12:06,200 Speaker 3: still exist, I hope. 244 00:12:05,960 --> 00:12:07,760 Speaker 2: One day you forget what I'm seeing down the strain 245 00:12:08,800 --> 00:12:15,840 Speaker 2: because it ain't pretty. 246 00:12:16,559 --> 00:12:20,800 Speaker 5: Rama, Rama, put the gun away, Honey, you don't know 247 00:12:20,840 --> 00:12:21,480 Speaker 5: what you're doing. 248 00:12:21,760 --> 00:12:25,320 Speaker 4: I know that peace requires a sacrifice. 249 00:12:25,600 --> 00:12:26,600 Speaker 2: What's to say? 250 00:12:26,640 --> 00:12:30,640 Speaker 6: It's not too late, please, Rama, I could shoot any 251 00:12:30,800 --> 00:12:33,319 Speaker 6: one of you and it'll all be okay. 252 00:12:33,679 --> 00:12:36,720 Speaker 5: You know that's not right you Rama? Are you? 253 00:12:37,760 --> 00:12:38,320 Speaker 2: Or you? 254 00:12:38,880 --> 00:12:41,319 Speaker 5: Are you? Oh God? 255 00:12:41,480 --> 00:12:44,160 Speaker 2: Why shouldn't I? 256 00:12:44,160 --> 00:12:45,360 Speaker 9: I can give you a reason. 257 00:12:46,120 --> 00:12:55,000 Speaker 6: Put the gun down, Rema, No, how long until it 258 00:12:55,000 --> 00:12:55,480 Speaker 6: wakes up. 259 00:12:55,840 --> 00:12:58,880 Speaker 2: Your guess is as good as mine. Can you see it? 260 00:12:58,880 --> 00:13:01,880 Speaker 8: It's too dark and too deep. Hell, if I'm getting 261 00:13:01,880 --> 00:13:04,559 Speaker 8: any closer, Gordon got the stuff If. 262 00:13:04,480 --> 00:13:06,360 Speaker 1: By stuff you mean a lighter or rag and a 263 00:13:06,360 --> 00:13:07,160 Speaker 1: bottle of brandy. 264 00:13:07,320 --> 00:13:09,240 Speaker 2: Yeah, left the silver bullets behind. 265 00:13:10,040 --> 00:13:11,040 Speaker 6: Is this gonna kill it? 266 00:13:11,200 --> 00:13:13,719 Speaker 2: We'll find out pretty quick. But first we need to 267 00:13:13,720 --> 00:13:16,520 Speaker 2: close this grate otherwise it's getting out. You want to 268 00:13:16,559 --> 00:13:17,319 Speaker 2: deep fry it. 269 00:13:17,440 --> 00:13:19,960 Speaker 8: I'm talking extra crispy. Help me pull this lever pull 270 00:13:20,040 --> 00:13:23,200 Speaker 8: the lever crunk? Really now, I can't help who I 271 00:13:23,240 --> 00:13:23,800 Speaker 8: am whatever? 272 00:13:24,040 --> 00:13:35,880 Speaker 2: Just grab it? What was that? Oh my god, Mike's 273 00:13:35,880 --> 00:13:36,440 Speaker 2: still alive. 274 00:13:36,679 --> 00:13:37,719 Speaker 6: We have to go get him. 275 00:13:37,840 --> 00:13:38,400 Speaker 2: We can't. 276 00:13:38,640 --> 00:13:44,040 Speaker 6: No, he's down there and we have to go get him. 277 00:13:44,200 --> 00:13:47,520 Speaker 2: Oh God. If it wasn't up before, it is now. 278 00:13:52,920 --> 00:13:55,040 Speaker 2: You're not gonna shoot me, Sheriff. 279 00:13:55,240 --> 00:13:56,680 Speaker 6: I will if you force me to. 280 00:13:57,040 --> 00:14:00,440 Speaker 8: You don't know what they did, how they use my 281 00:14:00,600 --> 00:14:03,480 Speaker 8: son's life to play their arrogant little game. 282 00:14:03,600 --> 00:14:06,160 Speaker 5: Rima, that's not what we shut up. 283 00:14:07,000 --> 00:14:10,360 Speaker 8: Why do you think our ancestors always obeyed? 284 00:14:10,920 --> 00:14:13,079 Speaker 2: Why do you think you were stronger than that? 285 00:14:13,800 --> 00:14:17,800 Speaker 8: I'm smarder than them, you narcissistic, egotistical man. 286 00:14:17,960 --> 00:14:18,360 Speaker 5: Rema. 287 00:14:18,800 --> 00:14:21,160 Speaker 2: I know you'll do anything to protect your son. Then 288 00:14:21,200 --> 00:14:23,160 Speaker 2: where is he? But you don't have to do this? 289 00:14:23,800 --> 00:14:26,360 Speaker 2: And what would you know, Sheriff. This isn't even your town. 290 00:14:30,080 --> 00:14:32,160 Speaker 2: Why did it have to be an ancient rusty grate 291 00:14:32,240 --> 00:14:35,440 Speaker 2: that's too heavy? That's not the problem. It's stuck and 292 00:14:35,560 --> 00:14:38,640 Speaker 2: unless we get it unstuck before, what are you Gordon? 293 00:14:38,760 --> 00:14:40,640 Speaker 2: Get the fuck out of there right now. If we 294 00:14:40,680 --> 00:14:42,760 Speaker 2: don't close this right now, it's the same as giving 295 00:14:42,800 --> 00:14:44,480 Speaker 2: that thing and express ticket to our throats. 296 00:14:44,560 --> 00:14:46,960 Speaker 6: Guys, it's getting closer. 297 00:14:47,680 --> 00:14:48,880 Speaker 5: The great stuck on debris. 298 00:14:49,280 --> 00:14:51,000 Speaker 6: The only way to close it is from the inside, 299 00:14:51,160 --> 00:14:52,920 Speaker 6: and if I can just hang on it from here, 300 00:14:53,160 --> 00:14:53,800 Speaker 6: maybe I can know. 301 00:14:54,160 --> 00:14:56,400 Speaker 8: No, no, we can close it from the outside. 302 00:14:56,440 --> 00:14:57,560 Speaker 2: Gordon, take my hand. 303 00:14:57,680 --> 00:14:58,960 Speaker 6: Guys, it's closer. 304 00:14:59,080 --> 00:15:01,880 Speaker 5: I got this almost there. 305 00:15:02,000 --> 00:15:04,760 Speaker 2: Gordon, You're not gonna make it. This isn't noble, it's dumb. 306 00:15:05,080 --> 00:15:06,800 Speaker 2: Just a little more. Oh god, damn it. You think 307 00:15:06,800 --> 00:15:08,600 Speaker 2: I'm letting you pull up? Prince Charming? Move over. 308 00:15:08,800 --> 00:15:10,720 Speaker 8: I thought this was dumb, and I guess so am 309 00:15:10,760 --> 00:15:12,920 Speaker 8: I now push? 310 00:15:13,160 --> 00:15:14,640 Speaker 6: Yeah, no, drop back out. 311 00:15:17,040 --> 00:15:21,200 Speaker 2: I'm taking a step closer, all right, doubt Rema, I 312 00:15:21,280 --> 00:15:22,520 Speaker 2: need you to give me that gun. 313 00:15:22,680 --> 00:15:24,160 Speaker 6: They deserve this. 314 00:15:24,680 --> 00:15:26,640 Speaker 5: I told them that we should leave. 315 00:15:27,000 --> 00:15:29,680 Speaker 2: But no, what was it that you called this place? 316 00:15:29,760 --> 00:15:31,960 Speaker 2: That's not what is your goddamn birthright? 317 00:15:32,240 --> 00:15:32,360 Speaker 6: Ma? 318 00:15:32,680 --> 00:15:36,800 Speaker 5: Good, come on. 319 00:15:37,040 --> 00:15:40,080 Speaker 2: Pull We're not giving birth here. 320 00:15:41,640 --> 00:15:46,880 Speaker 6: Almost there yet. 321 00:15:45,320 --> 00:15:47,400 Speaker 8: To say you, guys, but yeah, we need to get 322 00:15:47,400 --> 00:15:48,120 Speaker 8: the fuck out of here. 323 00:15:48,360 --> 00:15:49,760 Speaker 2: Na lift, don't mind. 324 00:15:49,560 --> 00:15:50,040 Speaker 5: If I do. 325 00:15:51,560 --> 00:15:54,320 Speaker 8: Great, ready, bullatov ready not. 326 00:15:54,360 --> 00:16:11,680 Speaker 6: To hurry all or anything, but now. 327 00:16:11,480 --> 00:16:14,680 Speaker 9: Can we get missus bridges her meds and someone please 328 00:16:14,800 --> 00:16:16,520 Speaker 9: change out the bed pans in one oh three. 329 00:16:17,880 --> 00:16:19,600 Speaker 8: I think missus Milligan will be glad to hear it's 330 00:16:19,640 --> 00:16:21,440 Speaker 8: over after thirty one years. 331 00:16:21,760 --> 00:16:23,240 Speaker 6: I think any closure is welcome. 332 00:16:24,040 --> 00:16:27,640 Speaker 9: Excuse me, yes, back so soon. They're not done with 333 00:16:27,680 --> 00:16:28,120 Speaker 9: the books. 334 00:16:28,520 --> 00:16:30,880 Speaker 2: Actually, we were hoping to talk to missus Milligan. Do 335 00:16:30,920 --> 00:16:31,880 Speaker 2: you think we could go in? 336 00:16:32,920 --> 00:16:35,240 Speaker 9: Missus Milligan passed away last night? 337 00:16:36,120 --> 00:16:38,200 Speaker 2: Oh I'm sorry to hear that. 338 00:16:38,320 --> 00:16:39,960 Speaker 9: We're cleaning out her room now. 339 00:16:41,280 --> 00:16:43,280 Speaker 6: Really, I'm so sorry. 340 00:16:46,160 --> 00:16:47,240 Speaker 1: Wait, is that Rudy? 341 00:16:47,760 --> 00:16:48,400 Speaker 5: What's he doing? 342 00:16:48,440 --> 00:16:49,960 Speaker 2: Back so soon? Ruddy? 343 00:16:50,560 --> 00:16:54,600 Speaker 9: The town's I guy guy lost his son all those 344 00:16:54,680 --> 00:16:58,640 Speaker 9: years ago. Oh no, his wife they were married fifty 345 00:16:58,680 --> 00:17:02,120 Speaker 9: three years this far now, if you excuse. 346 00:17:01,760 --> 00:17:04,000 Speaker 2: Me, I think he'll want to know. 347 00:17:04,920 --> 00:17:05,560 Speaker 9: Let's find out. 348 00:17:06,960 --> 00:17:07,879 Speaker 2: What do you think that was? 349 00:17:08,280 --> 00:17:08,639 Speaker 9: Nothing? 350 00:17:08,720 --> 00:17:09,360 Speaker 5: Good? 351 00:17:29,800 --> 00:17:33,960 Speaker 1: Consumed Episode eleven, The One for the Rest, Written by 352 00:17:34,000 --> 00:17:38,440 Speaker 1: Carlos Folia and Alessandra Hara del Castillo, editing and sound 353 00:17:38,520 --> 00:17:43,680 Speaker 1: design by Rima Ilkali, Starring Rachel Rosenbloom and Arturo Castro, 354 00:17:43,920 --> 00:17:49,919 Speaker 1: with Ruth Connell, Sam Rod, Genevieve Padalaki, Benjamin Stockholm, Charlie 355 00:17:50,000 --> 00:17:54,440 Speaker 1: David Newell, Mike Korich, Anna east Fairweather, Junior a Lobby 356 00:17:54,880 --> 00:18:01,040 Speaker 1: Alma Martinez, Tracy Martin, Laura Shine, George Vincent, and Rafael Corkill. 357 00:18:01,480 --> 00:18:06,360 Speaker 1: Directed by Alexander Williams, Assistant director Trevor Young, Casting by 358 00:18:06,400 --> 00:18:12,240 Speaker 1: Sunday Bowling CSA and Meg Mormon CSA. Production Coordinator Wayna Calderon. 359 00:18:12,760 --> 00:18:17,000 Speaker 1: Music by Carlos Folia. Consumed The season one score available 360 00:18:17,040 --> 00:18:20,960 Speaker 1: now on Apple Music, Spotify, or wherever music is streamed. 361 00:18:21,320 --> 00:18:25,600 Speaker 1: Executive producers Aaron Mankey, Carlos Folia, S, Matt Frederick and 362 00:18:25,720 --> 00:18:31,040 Speaker 1: Alexander Williams. Supervising producers Trevor Young and Josh Thain. Producers 363 00:18:31,160 --> 00:18:35,760 Speaker 1: Noami Griffin, Jesse Funk, and rima Ilkeali. Recorded at This 364 00:18:35,920 --> 00:18:40,760 Speaker 1: Is Sound Design Studios, Burbank, California, engineered by Ross erroneut 365 00:18:41,160 --> 00:18:45,880 Speaker 1: east Side Studios, Austin, Texas engineered by Austin Sisler and 366 00:18:46,080 --> 00:18:50,720 Speaker 1: Aros Creative In Sound Ohi, California, engineered by Ken Aros. 367 00:18:51,119 --> 00:18:54,840 Speaker 1: Consumed was created by Carlos Folia, inspired by the novel 368 00:18:55,000 --> 00:18:58,159 Speaker 1: by Aaron Manky. Consumed is the newest chapter in the 369 00:18:58,200 --> 00:19:02,000 Speaker 1: Bridgewater universe. To learn more and catch up, visit Grimandmild 370 00:19:02,160 --> 00:19:06,480 Speaker 1: dot com slash Bridgewater. Learn more about Consumed at grimanmil 371 00:19:06,560 --> 00:19:10,360 Speaker 1: dot com, slash consumed and find more podcasts from iHeartRadio 372 00:19:10,560 --> 00:19:14,159 Speaker 1: by visiting the iHeartRadio app, Apple Podcasts, or wherever you 373 00:19:14,320 --> 00:19:15,679 Speaker 1: listen to your favorite shows.