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Speaker 1: A hi family drama queens here. As you know, our

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Speaker 1: union SAGAFTRA is on strike now.

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Speaker 2: We are no strangers to pushing back against imbalances and

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Speaker 2: abuses of power. It is the very basis of our

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Speaker 2: podcast here, so we're reclaiming a really pivotal chapter in

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Speaker 2: our lives.

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Speaker 3: We are in full support of the strike as well

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Speaker 3: as the writer's strike, and we've checked in personally with

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Speaker 3: multiple representatives and have had our teams do the same

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Speaker 3: so that we maintain an active line of communication.

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Speaker 1: Right now, we have been given the greenlight to honor

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Speaker 1: our iHeart contract, but we are taking this walk down

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Speaker 1: memory lane in an old school way and encourage you

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Speaker 1: to do the same.

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Speaker 4: Bust out those DVDs.

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Speaker 1: Okay, We've signed thousands of box sets, so we know

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Speaker 1: you have them, get together with friends and have watched

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Speaker 1: parties like we did back in the day.

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Speaker 2: This community has always been supportive and proactive whenever we've

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Speaker 2: been in a tough spot, and this moment is no exception.

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Speaker 2: We are grateful to you and encourage all of you

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Speaker 2: to post your pictures with your box set and use

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Speaker 2: those hashtags SAG after Strong and w g A Strong

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Speaker 2: and We're gonna post your pictures in our feed let

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Speaker 2: folks know that.

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Speaker 3: You support the artists who bring you your favorite shows

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Speaker 3: like One Tree Hill. And if you're able, please donate

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Speaker 3: to the Entertainment Community Fund. Our fans are the very

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Speaker 3: best fans, So thank you, and thank you to our

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Speaker 3: reps at sag AFTRA for helping us navigate this complicated moment.

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Speaker 3: We are so proud to be union members. Now onto

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Speaker 3: the drama.

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Speaker 1: First of all, you don't know.

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Speaker 5: All about that high school drama, Girl drama, girl, all

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Speaker 5: about them.

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Speaker 4: High school queens.

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Speaker 6: We'll take you for a ride and our comic girl

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Speaker 6: shared for the right teams.

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Speaker 1: Drama Queens, my girl Fashion, Butch, your tough girl, you

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Speaker 1: could sit with us.

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Speaker 5: Girl Drama, Queens, Drama, Quise Drama, Queens Drama, Drama, Queens,

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Speaker 5: Drama Queens.

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Speaker 4: This was our one hundred episode. This was the host.

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Speaker 4: We're going to have to talk about that party you got.

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Speaker 2: Oh yeah, crazy, yeah, all right, give him the rundown

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Speaker 2: on what the episode was joy.

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Speaker 1: On the one hundredth episode of One Tree Hill, It's

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Speaker 1: Lucas and Lindsay's wedding day. Karen returns to Tree Hill

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Speaker 1: from New Zealand with Cutie Patuiti Andy. Nathan uses the

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Speaker 1: occasion to attempt a reconciliation with Haley, who's super grouch,

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Speaker 1: and Lindsey realizes that the altar that Lucas still loves

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Speaker 1: comment Peyton and says she can't marry him. In all

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Speaker 1: the chaos of Lindsay leaving Lucas at the altar, Jeanie

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Speaker 1: goes missing Nanny Carey and the recently parole Dan, who

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Speaker 1: showed up to the wedding uninvited after sleeping with the

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Speaker 1: hooker that's like the only hooker in tree Hill.

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Speaker 4: Apparently she works at the Sporting Good story. You know,

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Speaker 4: she's got a day job.

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Speaker 1: So confused, he follows Nanny Carey and rescues Jamie.

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Speaker 2: Wow, God, I remember filming this one so well, like

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Speaker 2: the dream sequence of Peyton and Lucas walking out of

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Speaker 2: the church. Yeah, it was the first time I'd ever

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Speaker 2: worn a wedding dress in my life, and I remember

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Speaker 2: in that moment thinking, oh, weird, like this is the

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Speaker 2: first time I've ever worn a wedding dress. And I'm

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Speaker 2: with Chad and it's pretend like it's not real life,

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Speaker 2: but it looks real. What a weird experience. Yeah, that

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Speaker 2: was strange.

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Speaker 1: How did you do anything with it? Or was it

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Speaker 1: just one of those where you're like, I'm just going

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Speaker 1: to put this on a weird show well and leave

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Speaker 1: it alone.

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Speaker 2: I was engaged in real life at the time still,

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Speaker 2: and it like wasn't going great, you know, like we

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Speaker 2: ended up breaking up at the end of season five,

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Speaker 2: and I just remember thinking.

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Speaker 4: Am I actually going to do this in real life

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Speaker 4: and be like, no, no, I'm not.

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Speaker 2: Oh my god, I can't know it. It was a

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Speaker 2: practice run to see how it felt, and I didn't like.

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Speaker 3: It, honestly, respect It's hard Once the trains left the

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Speaker 3: station to do an emergency break. Oh wait, can we

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Speaker 3: talk about the real thing?

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Speaker 4: Like?

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Speaker 3: And I said this when we were watching episode that

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Speaker 3: dress was so good on you.

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Speaker 4: I was gonna say, the dress with the little collar,

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Speaker 4: it was like a but a gown. It was so gorgeous.

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Speaker 4: I like that dress.

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Speaker 2: And that dress is better than the one that Peyton

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Speaker 2: ends up wearing at the actual wedding, but it is

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Speaker 2: totally pregnant.

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Speaker 4: Then, Oh man.

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Speaker 1: I wish you had kept that dress. I know, I

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Speaker 1: wish she kept it and died it.

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Speaker 2: Black Brooke could have let it out, We could have

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Speaker 2: put some panels in the side.

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Speaker 4: We could have totally worked it out.

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Speaker 1: That would have been a fun recall.

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Speaker 2: Sophia made the point that our characters always had our

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Speaker 2: characters always had weddings in churches, and none of us

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Speaker 2: went to church.

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Speaker 3: Oh that's funny, right, Like it's always so weird to me,

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Speaker 3: Like when you see Dan go to confession whatever season

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Speaker 3: that was, that that happened where we all were like, what.

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Speaker 4: Is he doing? And I'm like what.

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Speaker 3: There is no relationship to any version of any kind

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Speaker 3: of faith on our show. But then anytime anyone gets married,

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Speaker 3: it's in a church, and I'm like, these people.

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Speaker 4: Don't go to church. Ironically, Haley did not.

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Speaker 1: She got married out in out in the woods or something,

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Speaker 1: I don't remember where they got married. They got them

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Speaker 1: on the beach, and then like out in the some.

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Speaker 2: Property because you had the hippie parents. Your hippie parents

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Speaker 2: would have ever condoned. Yeah, that's right, that's right.

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Speaker 4: And then Peyton and.

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Speaker 3: Lucas got married. Were we at Aarly gardens? Is that

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Speaker 3: where we did y'all?

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Speaker 2: We're in Greenfield, lad, it was supposed to be. I

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Speaker 2: think we were trying to double it as the place

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Speaker 2: where he and I met, and it's clearly not the

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Speaker 2: same place, and at that point we just didn't care anymore.

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Speaker 3: Well, I was supposed to in season whatever it was,

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Speaker 3: I don't know. I guess would it eight that Brooke

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Speaker 3: and Julian got married and we were supposed to get

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Speaker 3: married at the Biltmore Mansion and do a full like

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Speaker 3: company move to Ashville, And we scouted it and we

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Speaker 3: went and did an episode there where we picked out

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Speaker 3: our venue and then yeah, then they just shot at Biltmore. Yeah,

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Speaker 3: Austin and I went shot at the Biltmore Mansion. And

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Speaker 3: then they did this whole thing where Brooke loses all

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Speaker 3: their money and I get married in.

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Speaker 4: The Lucas and Lindsay Church, I can't wait, sad wedding

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Speaker 4: toy with you like that. I don't know. I was like, guys,

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Speaker 4: that's so dark.

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Speaker 3: And I didn't realize it was the same one until

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Speaker 3: we we looked at this episode and I was like, oh,

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Speaker 3: I remember that wood paneling.

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Speaker 4: Didn't like it then, don't like it now? No, it's

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Speaker 4: right up the street from Karen's Cafe.

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Speaker 2: I feel like our base camp probably stayed where it

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Speaker 2: always is, and we just shuttled between Close Over Bros.

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Speaker 1: And the church. I wonder if it was a numbers thing,

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Speaker 1: like is it Does it help with ratings? The Seventh

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Speaker 1: Heaven was on the air at the time, and you know,

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Speaker 1: there's something about like a church that seems wholesome and

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Speaker 1: people maybe I don't know why, Like why do you?

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Speaker 4: I think it was just cheap.

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Speaker 3: I think it was cheap to shoot there. I think

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Speaker 3: we got to double up on our base camp. And

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Speaker 3: when you shoot inside a building like that, it's really

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Speaker 3: easy to tent it or do day for night.

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Speaker 4: Yeah, so it's like, yeah, it's so much.

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Speaker 3: Easier to control than when we did y'all's weddings outside

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Speaker 3: and we'd run out.

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Speaker 2: A day light.

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Speaker 4: Oh yeah, we'd run out of daylight.

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Speaker 2: There were bugs, there were trains and planes and all

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Speaker 2: sorts of dumb things. No, the church was great because

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Speaker 2: it was walking distance to downtown, so we could go

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Speaker 2: walk to Ports City Java between takes and.

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Speaker 4: Loved that we'd go get a sandwich. I need a sandwich.

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Speaker 2: But it was good that we were saving money on

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Speaker 2: locations because we had everyone in this episode.

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Speaker 1: Yes, except Joe and Chase, but that's Okay, they kind

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Speaker 1: of lift out for this one.

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Speaker 4: They have five they were new.

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Speaker 2: Part of the reason that we had it we went

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Speaker 2: back is because it was our one hundredth episode, which

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Speaker 2: for the people at home that don't work in television,

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Speaker 2: what did it used to mean when you hit one

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Speaker 2: hundred episodes?

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Speaker 1: Ooh, it used to mean syndication got a magic word.

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Speaker 4: Magic word.

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Speaker 1: That's when they would rerun your shows late at night

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Speaker 1: or early in the morning.

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Speaker 3: Or that's how people used to pay their mortgages kids.

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Speaker 1: Yeah, no more, that doesn't happen anymore.

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Speaker 3: Well, yeah, now you do maximum three seasons of a

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Speaker 3: streaming show with like ten episodes, and you're.

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Speaker 4: Like, so, yeah, you did it, and that's it. Got

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Speaker 4: to go have a second job.

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Speaker 2: No. For channels like soap Net where we were, or

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Speaker 2: they were like, I feel like TNT and TBS and

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Speaker 2: a lot of those channels as well, would do a

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Speaker 2: lot of syndicated shows where you had to have a

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Speaker 2: library of at least one hundred so that they knew

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Speaker 2: they had X amount of months of programming out of

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Speaker 2: your show. And once we hit that magic one hundred number,

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Speaker 2: it was It's so rare in the industry to hit

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Speaker 2: that number, and once you do, you're like, oh my god,

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Speaker 2: I'm going to be okay. You know, I might not

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Speaker 2: book another job as the lead on a TV show,

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Speaker 2: but I'm going to be okay and be able to

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Speaker 2: support a family. And unfortunately now that means zero, which

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Speaker 2: is why we're on strike.

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Speaker 4: God, soap No was so cool.

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Speaker 2: It would air like us in Dawson's Creek, back to back,

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Speaker 2: It's a whole Wilmington power hour.

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Speaker 1: They also aired actual soaps that It was really fun

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Speaker 1: for me because I loved watching soaps when I was

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Speaker 1: a teenager. And to be able to go back and

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Speaker 1: watch all my children, all the episodes I missed from

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Speaker 1: the eighties nineties, it was so fun. Girl.

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Speaker 2: The One Life to Live story arcs, I still references, like,

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Speaker 2: oh my god, remember Todd Marty Man.

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Speaker 4: They drew me in.

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Speaker 1: I wasn't even into One Life to Live until Todd

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Speaker 1: Marty was on a couple of times after school and

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Speaker 1: I was done with all my children and just let

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Speaker 1: the TV run.

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Speaker 2: But it was also the beginning of programming for women.

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Speaker 2: You know, there were not a lot of channels that

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Speaker 2: understood that storylines geared towards women were marketable and financially smart,

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Speaker 2: and they were treated as like these dumb, frivolous you know,

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Speaker 2: like Grandma's watching her stories. Meanwhile, you know, for anybody

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Speaker 2: who's a fan of One Tree Hill, we know that

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Speaker 2: telling stories that are character based and empathy based are

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Speaker 2: are great and important. And with the success of Barbie,

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Speaker 2: you know, I think we're seeing that products for women

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Speaker 2: are valuable.

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Speaker 4: We're not dangdongs. We just want a good, good story, man.

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Speaker 2: That's right.

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Speaker 1: We want to spend our money on things that we

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Speaker 1: love and love our stories. So we love character driven things.

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Speaker 2: Imagine having feelings about thinks. Wow, how silly all those feelings. Well,

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Speaker 2: a lot of big feelings in those ones.

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Speaker 4: Oh my goodness. It starts with that eighties song. What

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Speaker 4: was that? It was Springsteen song? Right girl, my hometown?

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Speaker 2: Right?

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Speaker 3: Yeah, we really spent some money.

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Speaker 1: Can we afford that? I don't know. I mean, well,

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Speaker 1: I guess they just caught a bunch of it was

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Speaker 1: Springsteen and Montree Hill dream Team.

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Speaker 3: I mean that was pretty cool. I have to say

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Speaker 3: I liked the Springsteen vibe. I loved this idea that

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Speaker 3: Lucas was mirroring something that he grew up loving. With

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Speaker 3: Keith and Karen, Jamie with Hayley, But why in that voiceover.

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Speaker 4: I hated the fact that.

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Speaker 3: The voiceover never synced with you guys in the car,

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Speaker 3: even with Jamie talking and Luke talking. I was like,

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Speaker 3: sink it up, let them talk to each other and

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Speaker 3: then take it back into the voiceover, and they never

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Speaker 3: did it. And I couldn't concentrate on how cute y'all

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Speaker 3: were being because I was so annoyed that even when

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Speaker 3: we had two and a half minutes on your faces

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Speaker 3: in the car, you were never talking to each other.

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Speaker 4: For real. It made me feel nuts.

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Speaker 1: That's a that's your OCD.

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Speaker 2: That's hilarious, but joy it seems like they shot a

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Speaker 2: scene and then like us parts of it and added

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Speaker 2: voiceover later, like what do you remember.

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Speaker 1: From No, No, it was just we were just on

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Speaker 1: the on the trailer, driving the car. Talking. In the car,

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Speaker 1: Jackson was having a ball, leaning over and steering the

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Speaker 1: wheel and like I mean, obviously he was on the

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Speaker 1: back of the truck, but he was still having a

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Speaker 1: good time. And it was all the you know, look

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Speaker 1: over this, look over the wheel and make that face

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Speaker 1: and just shit chat and yeah, because they knew it

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Speaker 1: was a long voiceover. I really liked the opening a lot,

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Speaker 1: but what I do agree with is that it didn't

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Speaker 1: ever There's no cohesive like it didn't come back in

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Speaker 1: the end. There wasn't a through line throughout the rest

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Speaker 1: of the story. It was just again, this episode felt

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Speaker 1: which is strange because one of our editors directed it,

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Speaker 1: and this may not be his fault, might just be

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Speaker 1: the writing, but it felt choppy to me. There was

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Speaker 1: a lot of stuff that just was kind of like

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Speaker 1: all jumbled and thrown together.

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Speaker 4: This was still the writers strike. Oh yeah, there you go.

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Speaker 1: So including all the Dan and Carey stuff, it was

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Speaker 1: like there wasn't It was like we were in a

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Speaker 1: family drama and then now we're in a horror movie

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Speaker 1: and there was no blend. It was just no seamless blend,

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Speaker 1: which that irritated me. Well, it was more funny than anything,

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Speaker 1: I guess. No, I really like Easter Eggs. But what

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Speaker 1: we noticed is that this episode happened to be really

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Speaker 1: heavy handed and really like pat myself on the back

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Speaker 1: because it was like, look at the comparison Keith, Karen

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Speaker 1: and Lucas to.

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Speaker 2: Hayley, Lucas and Jamie, look at the comparison Nathan to Dan,

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Speaker 2: look at the comparison, you know, Peyton and Brooke, who

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Speaker 2: both just want families to Karen, Like every single thing

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Speaker 2: was a callback. And maybe that was intentional because it

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Speaker 2: was one hundredth episode, but it did feel like we

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Speaker 2: were just constantly ringing a bell and we didn't need

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Speaker 2: to because we had enough actual movement in the narrative.

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Speaker 4: I wonder if.

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Speaker 1: Because of the strike and there were so many, just

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Speaker 1: so many things to try and hit that maybe the

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Speaker 1: episode got rewritten like ten to six to ten times,

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Speaker 1: like somebody just kept coming in and rewriting and rewriting,

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Speaker 1: and they were just all these really weird like leftover

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Speaker 1: ghosts of other drafts.

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Speaker 2: I think it was written before our season even started,

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Speaker 2: so that by the time we got in production for

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Speaker 2: this episode, there was no you weren't allowed to fix things.

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Speaker 1: You were you couldn't, that's right.

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Speaker 4: Yeah, there was no.

301
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Speaker 2: Nuance, so it was yeah, it was one person calling

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Speaker 2: all the shots.

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Speaker 4: Yeah, and it did feel heavy.

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Speaker 3: It was like, let me tie all these themes together

305
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Speaker 3: for you, and you were, like, everyone who's been watching

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Speaker 3: the show for one hundred episodes.

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Speaker 4: Knows what the themes are. You don't have to remind

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Speaker 4: them so hard. God, we have a smart audience, you know,

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Speaker 4: like you don't them over the head.

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Speaker 1: Yeah, oh boy, Well I did love all the dream sequences.

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Speaker 1: I thought those were kind of fun, just the drifting

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Speaker 1: off into thought and seeing Peyton stand up at the

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Speaker 1: wedding and seeing Brooke dreaming of herself in the dress.

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Speaker 1: And I feel like Haley had one, but I can't.

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Speaker 4: Oh, they're kissing in the rain. Oh yeah, So that

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Speaker 4: was the day.

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Speaker 1: We were drinking moonshine and making out in the kitchen,

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Speaker 1: and it's one of my favorite moments by the show.

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Speaker 3: Was supplying you guys with the moonshine?

320
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Speaker 1: Absolutely not was was a friend of ours on the

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Speaker 1: crew supplying you with more shine.

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Speaker 2: The name and everyone we worked with is gonna be

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Speaker 2: like we know exactly who they're talking to.

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Speaker 3: Do I still have two jars left of that moonshine

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Speaker 3: and my freezer like precious cargo in this house?

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Speaker 1: Yeah?

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Speaker 4: Yeah, what I wouldn't give?

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Speaker 3: Come on, Oh girl, I've hoarded it over the last

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Speaker 3: ten years.

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Speaker 4: I've gone down.

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Speaker 2: I just love, like, how do you explain to new

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Speaker 2: people in your life, like a new friend that comes

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Speaker 2: over a new housekeeper, like, don't don't touch that.

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Speaker 4: You just say don't touch.

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Speaker 1: Don't, Yeah, don't touch. That's that's good because it's a

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Speaker 1: little creepy too, like don't I don't know what's in that.

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Speaker 3: It's gasoline. It's North Carolina gasoline.

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Speaker 1: I just dropped my dog off to get trained with

339
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Speaker 1: somebody who lives really out in the sticks in Tennessee,

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Speaker 1: and I pulled up into the yard and it's great.

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00:16:52,480 --> 00:16:55,400
Speaker 1: I'm super excited for But I definitely definitely saw an

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Speaker 1: outdoor bathtub with all the stuff to make moonshine. What

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Speaker 1: you making there? Oh, you know, just to messing around

344
00:17:04,640 --> 00:17:07,840
Speaker 1: with some I'm like, yeah, I know what that is. Yeah,

345
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Speaker 1: we definitely had some moonshine on set. That day was

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Speaker 1: a late it was late we had been shooting. It

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Speaker 1: was the last scene of the day, and it was

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Speaker 1: one of those ones where we were hanging around not

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Speaker 1: sure if we actually were going to get to that

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Speaker 1: scene or not, or if they were just going to

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Speaker 1: bump it and put it on a different day. But

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Speaker 1: you know, it's a lot of special effects. I got

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Speaker 1: to rig hoses up on the ceiling. They got to

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Speaker 1: make sure that the water pressure is dripping at the

355
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Speaker 1: exact right, and the timing because it was drip drip, drip, drip, drip, drip, drip,

356
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Speaker 1: drip drip, and then suddenly a downpour, so they had

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Speaker 1: to time all that out. But practicing that timing is

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Speaker 1: difficult because what are you going to practice on the set,

359
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Speaker 1: And if the set is wet, that makes it extra difficult. Yeah,

360
00:17:47,840 --> 00:17:50,000
Speaker 1: you got to start over. So there was a lot

361
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Speaker 1: of technical difficulties. And I remember us rushing it, and

362
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Speaker 1: but I had been we had been just bored all day,

363
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Speaker 1: just sitting there waiting to see if we were going

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Speaker 1: to get to that scene. So at some point somebody

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Speaker 1: me busted out the moonshine and we had.

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Speaker 4: Did you just say? Somebody me?

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00:18:07,160 --> 00:18:07,520
Speaker 1: I did?

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00:18:11,640 --> 00:18:14,280
Speaker 4: Somebody asked listen.

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Speaker 3: That's how you know you're one hundred episodes in. You're like,

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Speaker 3: we don't even have to talk. Come on, let's have

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Speaker 3: a cocktail.

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Speaker 4: Wait. Did James do it too? Of course he was

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Speaker 4: like James is.

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Speaker 1: Such a professional. He was like no, no, I'm good.

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Speaker 1: And then I was like you want some No, and

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Speaker 1: I'm good. And then like an hour later, I was like, hey, man,

377
00:18:30,520 --> 00:18:36,040
Speaker 1: you want something. He's like, yeah, right we finally started shooting.

378
00:18:36,080 --> 00:18:37,920
Speaker 1: I was like, if I have to be making out

379
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Speaker 1: in the when I was inside rain, inside in the rain,

380
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Speaker 1: and it's like a technical and I was just like,

381
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Speaker 1: you know what, screw it, let's just but it was hot.

382
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Speaker 4: It was like I didn't realize it was a dream.

383
00:18:50,760 --> 00:18:55,119
Speaker 2: And as someone who's been in a very long relationship,

384
00:18:55,520 --> 00:18:57,480
Speaker 2: you don't have a long relationship without having a couple

385
00:18:57,520 --> 00:18:58,320
Speaker 2: of fights here and there.

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Speaker 4: And I have absolutely lived that moment of like what

387
00:19:01,200 --> 00:19:04,320
Speaker 4: are you doing here? Put your face on my face

388
00:19:04,440 --> 00:19:08,000
Speaker 4: right now? Yes, come here, come here.

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00:19:08,800 --> 00:19:14,520
Speaker 1: I love those moments, I know. Yeah, yeah. The makeup

390
00:19:14,640 --> 00:19:15,600
Speaker 1: stuff is good.

391
00:19:23,119 --> 00:19:25,199
Speaker 3: For our friends at home, who are like, why have

392
00:19:25,280 --> 00:19:28,440
Speaker 3: you guys not discussed this yet? We're both in the States,

393
00:19:28,480 --> 00:19:31,280
Speaker 3: now you're in London, which is hilarious. We've traded places,

394
00:19:31,560 --> 00:19:36,080
Speaker 3: I know. I so Joy watched it separately, you guys,

395
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Speaker 3: because she's meeting us after a dinner.

396
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Speaker 4: She had there with the.

397
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Speaker 3: Time change, and when I tell you, Hillary and I

398
00:19:41,400 --> 00:19:44,360
Speaker 3: were watching the episode before you got on the zoom.

399
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Speaker 4: And I was like, is this mad lips? What is happening?

400
00:19:47,840 --> 00:19:50,679
Speaker 3: Like I couldn't I couldn't remember what was coming and

401
00:19:50,680 --> 00:19:52,720
Speaker 3: then there would be these moments where I'd go, oh

402
00:19:52,760 --> 00:19:54,479
Speaker 3: my god, I know what I know what this person's

403
00:19:54,520 --> 00:19:56,639
Speaker 3: going to say. I know what this person's going to do.

404
00:19:57,040 --> 00:20:00,320
Speaker 3: And when the water first started, I didn't realize it

405
00:20:00,359 --> 00:20:02,880
Speaker 3: was your dream sequence, and I was like, Oh my god,

406
00:20:02,920 --> 00:20:04,439
Speaker 3: is the bathtub gonna come through the ceiling?

407
00:20:05,000 --> 00:20:07,840
Speaker 4: I don't remember. I had a panic because I thought

408
00:20:07,840 --> 00:20:11,840
Speaker 4: the ceiling was getting drowned upstairs. Yeah, oh god.

409
00:20:12,160 --> 00:20:15,360
Speaker 3: And then I was like, oh, oh it's oh, it's

410
00:20:15,359 --> 00:20:17,199
Speaker 3: a dream. Oh it's sexy. It's like the rain and

411
00:20:17,240 --> 00:20:19,240
Speaker 3: the Okay, I get what's happening. In high school, I

412
00:20:19,240 --> 00:20:23,359
Speaker 3: got I got I gotta got it. I was ready

413
00:20:23,359 --> 00:20:24,080
Speaker 3: for a disaster.

414
00:20:24,800 --> 00:20:30,480
Speaker 2: I think everyone's fantasies make sense. Yeah except Brooks. Except

415
00:20:30,600 --> 00:20:32,560
Speaker 2: Brooks with the wedding drass.

416
00:20:32,920 --> 00:20:36,200
Speaker 3: It was sweet, but I was confused. You guys, this

417
00:20:36,400 --> 00:20:39,880
Speaker 3: never made sense. As soon as it started. I was like, oh,

418
00:20:40,320 --> 00:20:44,480
Speaker 3: I know what's coming. Because they they wanted.

419
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Speaker 4: To get into the storyline of Brooke wanting to have.

420
00:20:47,280 --> 00:20:53,440
Speaker 3: A kid cool, which so weird, great, fine, weird, super weird. Also,

421
00:20:53,520 --> 00:20:55,040
Speaker 3: I don't like the thing of like I have a

422
00:20:55,119 --> 00:20:57,040
Speaker 3: void and a baby's gonna fill it. A baby is

423
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Speaker 3: not a band aid.

424
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Speaker 1: Thank you. That was such a bad time. I was like,

425
00:21:00,840 --> 00:21:02,880
Speaker 1: do these have to be said in the same sentence?

426
00:21:02,960 --> 00:21:03,680
Speaker 1: This is bad?

427
00:21:03,920 --> 00:21:05,800
Speaker 3: And by the way, you can see who wrote this

428
00:21:05,840 --> 00:21:09,480
Speaker 3: episode as a solo writer, and the misogyny dripping from

429
00:21:09,520 --> 00:21:12,880
Speaker 3: it was like, I'm so unfulfilled. I'm successful, but I'm

430
00:21:12,880 --> 00:21:16,440
Speaker 3: empty inside because as a woman, I can't I can't

431
00:21:16,480 --> 00:21:19,000
Speaker 3: possibly be happy unless I have a baby. And then

432
00:21:19,080 --> 00:21:23,919
Speaker 3: even with you, when you confronted Dan outside and he

433
00:21:24,040 --> 00:21:28,000
Speaker 3: basically like tells you he's having a sexual fantasy about you, I.

434
00:21:27,960 --> 00:21:29,639
Speaker 1: Was like, no, no, was that no?

435
00:21:30,320 --> 00:21:32,000
Speaker 4: Like this whole.

436
00:21:31,680 --> 00:21:35,600
Speaker 3: Episode was dripping with Yeah, we did not have any

437
00:21:35,760 --> 00:21:38,000
Speaker 3: female writers in the room get to edit this or

438
00:21:38,000 --> 00:21:40,760
Speaker 3: do a polish on it grossness.

439
00:21:40,600 --> 00:21:42,960
Speaker 2: Or raise their hand and be like, oh maybe just

440
00:21:43,080 --> 00:21:47,640
Speaker 2: consider like maybe don't even Andy's line about lindsay.

441
00:21:47,440 --> 00:21:50,639
Speaker 4: Ew ew about like yeah until she sees me.

442
00:21:51,359 --> 00:21:54,160
Speaker 3: It's like, dude, that's like your steps on, that's so gross.

443
00:21:54,560 --> 00:21:57,920
Speaker 3: It's all so gross and we know why, but ill gross.

444
00:21:58,280 --> 00:22:01,520
Speaker 3: And for me, the less of ick I was like

445
00:22:01,960 --> 00:22:06,960
Speaker 3: Brooke Davis has established boundaries and become good friends with Lucas.

446
00:22:07,119 --> 00:22:10,280
Speaker 3: She is also Peyton's number one fan like that's my

447
00:22:10,400 --> 00:22:14,679
Speaker 3: ride or die. I would never Brooke would never be like,

448
00:22:14,760 --> 00:22:16,320
Speaker 3: I know you're in love with this man who's about

449
00:22:16,359 --> 00:22:18,240
Speaker 3: to marry someone else, but I'm just gonna ask him

450
00:22:18,240 --> 00:22:22,159
Speaker 3: for a quick organic material donation so I can make.

451
00:22:22,000 --> 00:22:22,800
Speaker 4: A dirty with him.

452
00:22:23,280 --> 00:22:26,880
Speaker 3: No, nobody's doing that.

453
00:22:27,119 --> 00:22:28,280
Speaker 4: I can't say the word.

454
00:22:28,520 --> 00:22:31,360
Speaker 3: I can't be like, you know, sperm down or gross.

455
00:22:31,440 --> 00:22:37,280
Speaker 4: Like organic, don't you guys? It's so out of character.

456
00:22:38,080 --> 00:22:45,240
Speaker 2: Are we making T shirts that say like Scott's organic material, like.

457
00:22:45,920 --> 00:22:47,640
Speaker 4: Scott autobody I die?

458
00:22:47,920 --> 00:22:51,399
Speaker 1: Honestly, we can make that T shirt for Dad's organic

459
00:22:51,440 --> 00:22:52,600
Speaker 1: material donor.

460
00:22:52,560 --> 00:22:57,520
Speaker 2: Yes, super down gross Truly?

461
00:22:57,600 --> 00:23:00,960
Speaker 3: When I tell you I was in fear then, I'm

462
00:23:01,000 --> 00:23:05,040
Speaker 3: infuriated now. It was not based in reality. I hated

463
00:23:05,080 --> 00:23:08,760
Speaker 3: every minute of it. I'm like, this just doesn't track.

464
00:23:09,480 --> 00:23:15,840
Speaker 3: It's so off the charts, insane. And Brooke owns a

465
00:23:15,960 --> 00:23:19,280
Speaker 3: multimillion dollar company. You think she can't go to like

466
00:23:19,520 --> 00:23:22,720
Speaker 3: whatever the version of North Carolina Cryobank is and pay

467
00:23:22,760 --> 00:23:24,800
Speaker 3: twelve hundred dollars for a semen sample.

468
00:23:25,280 --> 00:23:27,640
Speaker 4: Y'all. There were databases.

469
00:23:27,960 --> 00:23:31,880
Speaker 2: There were databases where you could just get like anonymous

470
00:23:32,119 --> 00:23:35,280
Speaker 2: hazel eyes six feet tall do you think she's.

471
00:23:35,119 --> 00:23:39,879
Speaker 1: Not going to Uncle Cooper first, Hello Cooper, she would

472
00:23:39,880 --> 00:23:41,679
Speaker 1: for sure be the daddy like we're not.

473
00:23:42,040 --> 00:23:45,320
Speaker 3: Oh, I can't. This whole storyline is so ridiculous.

474
00:23:45,640 --> 00:23:49,320
Speaker 1: But also, why was she in a wedding dress? Why

475
00:23:49,400 --> 00:23:51,920
Speaker 1: is she fantasizing about a wedding dress?

476
00:23:52,280 --> 00:23:55,640
Speaker 4: Like enough, well, guys, cause she's twenty two years old.

477
00:23:55,800 --> 00:23:58,720
Speaker 3: Oh, because she just needs this man's.

478
00:23:58,680 --> 00:24:00,520
Speaker 4: Her best friend is in love with this man.

479
00:24:00,680 --> 00:24:03,879
Speaker 1: She would never I would rather see a fantasy about

480
00:24:03,920 --> 00:24:07,320
Speaker 1: her mom, like actually dealing with you know, Victoria coming

481
00:24:07,400 --> 00:24:09,639
Speaker 1: in and saying, honey, I'm you know what, I just

482
00:24:09,680 --> 00:24:11,760
Speaker 1: had therapy whatever, I don't know, I'm sorry. I love

483
00:24:11,800 --> 00:24:12,679
Speaker 1: you many way.

484
00:24:13,200 --> 00:24:15,639
Speaker 4: Even if Brooks to your point, I love that idea.

485
00:24:15,720 --> 00:24:19,120
Speaker 3: Joy If brooks fantasy was she's standing there in her

486
00:24:19,160 --> 00:24:21,200
Speaker 3: wedding dress and her mom comes in and says, I'm

487
00:24:21,240 --> 00:24:23,280
Speaker 3: so proud of you, and then it turns out it's

488
00:24:23,359 --> 00:24:26,720
Speaker 3: yesn't like Victoria and Millie both have dark hair. You

489
00:24:26,720 --> 00:24:30,480
Speaker 3: could do a really cool reveal cut something that's about

490
00:24:30,520 --> 00:24:32,720
Speaker 3: like her as a woman and as a daughter.

491
00:24:33,320 --> 00:24:37,600
Speaker 4: But I just was like, are we really doing this? Well?

492
00:24:37,600 --> 00:24:41,120
Speaker 2: Honestly, when Karen came in with her longer dark hair.

493
00:24:41,160 --> 00:24:43,879
Speaker 2: I've never seen her like this. I have a glare

494
00:24:43,960 --> 00:24:48,360
Speaker 2: on my screen. I thought it was Victoria because turns

495
00:24:48,359 --> 00:24:48,720
Speaker 2: around and.

496
00:24:48,760 --> 00:24:50,560
Speaker 4: Is like, oh my god, what are you doing here?

497
00:24:50,720 --> 00:24:53,720
Speaker 2: I was like, yeah, what is Victoria showing up to

498
00:24:53,760 --> 00:24:57,000
Speaker 2: be like helpful or something? And that would have been

499
00:24:57,480 --> 00:25:03,160
Speaker 2: like the fantasy to see Brooke have like a sweet

500
00:25:03,200 --> 00:25:05,920
Speaker 2: but kind of awkward conversation with Karen like a man.

501
00:25:06,000 --> 00:25:08,359
Speaker 4: Definitely wrote the scene where it was like, how do

502
00:25:08,400 --> 00:25:11,880
Speaker 4: you say say staysto strong? I cannot say it, It won't

503
00:25:11,880 --> 00:25:14,600
Speaker 4: come out of my mouth. Guys, in your life, have

504
00:25:14,760 --> 00:25:16,679
Speaker 4: you ever sat down and been like, I need to

505
00:25:16,680 --> 00:25:18,800
Speaker 4: ask you a question? How how could I have so

506
00:25:18,880 --> 00:25:25,040
Speaker 4: much dignity and grace? It was so like fishing, but

507
00:25:26,080 --> 00:25:27,360
Speaker 4: I love the Brooke was.

508
00:25:27,359 --> 00:25:32,280
Speaker 2: Clearly being like I need a maternal validation right now,

509
00:25:33,040 --> 00:25:34,119
Speaker 2: and Karen gives it.

510
00:25:34,400 --> 00:25:38,080
Speaker 3: And what I loved about it like I have such

511
00:25:38,160 --> 00:25:42,040
Speaker 3: I have that visceral sense memory we get from shooting

512
00:25:42,080 --> 00:25:44,800
Speaker 3: that scene with Moira and then with you coming in,

513
00:25:45,359 --> 00:25:50,240
Speaker 3: because to see Moira, I was so excited and like, yeah,

514
00:25:50,600 --> 00:25:54,080
Speaker 3: I know that. My reaction Brookes seeing Karen is how

515
00:25:54,119 --> 00:25:56,280
Speaker 3: I felt about seeing Moira and.

516
00:25:56,240 --> 00:25:58,200
Speaker 4: Then you walk in and you did the same thing,

517
00:25:58,240 --> 00:25:59,760
Speaker 4: and I was like, oh my god. I loved her.

518
00:26:00,400 --> 00:26:01,520
Speaker 4: We just loved her.

519
00:26:01,680 --> 00:26:05,320
Speaker 3: So much and having her back was so special. And

520
00:26:05,640 --> 00:26:08,200
Speaker 3: even though the dialogue in the scene was so clunky,

521
00:26:08,840 --> 00:26:13,320
Speaker 3: I loved how authentic our relationships as the three women

522
00:26:13,640 --> 00:26:15,840
Speaker 3: in the store, in the Karens that.

523
00:26:15,800 --> 00:26:18,239
Speaker 4: Turned into the close over rose like, I loved it.

524
00:26:18,280 --> 00:26:20,439
Speaker 3: I mean, I know why you weren't their joy, but

525
00:26:20,560 --> 00:26:23,480
Speaker 3: like it was so I'm like, God, Haley should have

526
00:26:23,520 --> 00:26:25,119
Speaker 3: also been there, Like we should have had this like

527
00:26:25,240 --> 00:26:28,760
Speaker 3: girls moment all of us Karen because she was like

528
00:26:28,920 --> 00:26:30,240
Speaker 3: our human.

529
00:26:32,040 --> 00:26:34,200
Speaker 4: Yeah, she was the mom to all of us. Really,

530
00:26:34,280 --> 00:26:36,840
Speaker 4: didn't Haley and Karen have a moment?

531
00:26:37,480 --> 00:26:39,440
Speaker 1: I don't know. That was strange, That's what I mean.

532
00:26:39,480 --> 00:26:41,760
Speaker 1: There were all these weird There were all those things

533
00:26:41,760 --> 00:26:44,480
Speaker 1: that were missing, follow through all the things that were missing,

534
00:26:44,560 --> 00:26:46,639
Speaker 1: a lot of things that were choppy, kind of jumping around.

535
00:26:48,160 --> 00:26:51,600
Speaker 1: I appreciated that they wanted to do some bonding with them,

536
00:26:51,640 --> 00:26:53,040
Speaker 1: and I liked the you know that we drove out

537
00:26:53,080 --> 00:26:56,040
Speaker 1: there on the dock and I have I have Chad

538
00:26:56,080 --> 00:26:58,000
Speaker 1: in plaid, which I loved. I thought he looked so

539
00:26:58,080 --> 00:27:01,160
Speaker 1: great in that plaid shirt on the dock. He was fine.

540
00:27:01,280 --> 00:27:03,000
Speaker 4: Little Keith, he was.

541
00:27:03,080 --> 00:27:04,720
Speaker 1: It was like a whole little That's what I mean. Yeah,

542
00:27:04,720 --> 00:27:08,040
Speaker 1: it's like Karen Keith and the whole thing. But I

543
00:27:08,080 --> 00:27:10,719
Speaker 1: did love And I also wrote in my notes that

544
00:27:12,200 --> 00:27:15,400
Speaker 1: the Brook and Peyton in this whole episode, the arc

545
00:27:15,720 --> 00:27:18,720
Speaker 1: of how you guys were together was really fun to watch.

546
00:27:18,920 --> 00:27:22,920
Speaker 1: I feel like we've everybody's been dealing with their own

547
00:27:22,920 --> 00:27:25,119
Speaker 1: stuff the last few episodes, so it was good to

548
00:27:25,119 --> 00:27:28,720
Speaker 1: see you guys back together and reminding everybody of why

549
00:27:28,800 --> 00:27:31,520
Speaker 1: that friendship is so fun and meaningful.

550
00:27:32,119 --> 00:27:35,160
Speaker 2: I loved that we looked naked in that church. We're

551
00:27:35,240 --> 00:27:37,360
Speaker 2: both strapless.

552
00:27:36,760 --> 00:27:41,000
Speaker 4: Dresses shressless, joy just are like tits up. I didn't

553
00:27:41,040 --> 00:27:43,520
Speaker 4: clock it. I didn't clock it. Oh no, I gotta

554
00:27:43,520 --> 00:27:45,159
Speaker 4: go watch we look nude.

555
00:27:45,280 --> 00:27:50,600
Speaker 2: I know it's totally like, not intentional, because wardrobe wasn't

556
00:27:50,800 --> 00:27:53,440
Speaker 2: thinking like that and the camera was thinking like that.

557
00:27:53,600 --> 00:27:57,560
Speaker 2: But there's this metaphor of Brook and Peyton laying themselvesselves

558
00:27:57,560 --> 00:28:00,960
Speaker 2: bear in the church, just like totally naked in their

559
00:28:01,000 --> 00:28:04,479
Speaker 2: discomfort and just like all right, we're gonna sit here

560
00:28:04,520 --> 00:28:06,920
Speaker 2: and here we go.

561
00:28:07,800 --> 00:28:08,560
Speaker 4: And you know who else?

562
00:28:08,640 --> 00:28:11,920
Speaker 3: I thought was such a standout for what was added

563
00:28:11,960 --> 00:28:13,159
Speaker 3: to that dynamic.

564
00:28:13,280 --> 00:28:15,000
Speaker 4: Like, look when when one of.

565
00:28:15,000 --> 00:28:17,040
Speaker 3: Your girlfriends is going through some and you show up

566
00:28:17,040 --> 00:28:17,960
Speaker 3: and you're like, we're a team.

567
00:28:18,040 --> 00:28:18,840
Speaker 4: We don't have dates.

568
00:28:18,840 --> 00:28:22,080
Speaker 3: We're here together because Hailey's dealing with her whole family,

569
00:28:22,200 --> 00:28:24,720
Speaker 3: like are we aren't we? So it's the two of

570
00:28:24,760 --> 00:28:27,000
Speaker 3: us like tweeled and tweeled dumb and the pews right.

571
00:28:27,680 --> 00:28:33,200
Speaker 7: And Skills Anton being like like the little kick stand

572
00:28:33,280 --> 00:28:36,040
Speaker 7: to our bike, just propping up all the drama the

573
00:28:36,119 --> 00:28:37,600
Speaker 7: whole time was great.

574
00:28:38,200 --> 00:28:40,320
Speaker 1: Funny, Yeah, he was.

575
00:28:40,640 --> 00:28:43,960
Speaker 3: He was great, him being like, well, kidnapper, we'll put

576
00:28:44,000 --> 00:28:46,640
Speaker 3: you in the dress. You're gonna stand up when they say,

577
00:28:46,800 --> 00:28:47,720
Speaker 3: like all the ideas.

578
00:28:47,800 --> 00:28:48,720
Speaker 4: It was just so.

579
00:28:49,560 --> 00:28:53,959
Speaker 2: Funny, y'all. I love gallows humor. Gallow's humor at a

580
00:28:54,000 --> 00:28:59,280
Speaker 2: wedding or a funeral is so appreciated because someone's got

581
00:28:59,400 --> 00:29:02,440
Speaker 2: to fall on the sword and be the spicy one, you.

582
00:29:02,480 --> 00:29:02,920
Speaker 4: Know what I mean.

583
00:29:03,440 --> 00:29:07,080
Speaker 2: Yeah, And I didn't anticipate that it would be Skills,

584
00:29:07,160 --> 00:29:09,360
Speaker 2: you know, because he's been so like, oh, Lundcy's great

585
00:29:09,440 --> 00:29:13,800
Speaker 2: and everything's awesome. I like what I noticed is that

586
00:29:14,040 --> 00:29:17,240
Speaker 2: no one is telling Lucas like, oh buddy, this is

587
00:29:17,280 --> 00:29:20,320
Speaker 2: gonna be awesome and we're here for you forever. Literally

588
00:29:20,360 --> 00:29:22,480
Speaker 2: everyone says to him. They're like, hey, man, you're a

589
00:29:22,520 --> 00:29:22,920
Speaker 2: good guy.

590
00:29:23,960 --> 00:29:28,520
Speaker 8: For you Yeah, well Hailey is Hailey is.

591
00:29:28,480 --> 00:29:32,160
Speaker 4: Telling him, Oh, but that's it. She's not saying it's

592
00:29:32,160 --> 00:29:34,520
Speaker 4: gonna be great. No, she tells him the truth.

593
00:29:35,040 --> 00:29:39,600
Speaker 1: Yeah, do she does. But also, I don't know, I

594
00:29:39,640 --> 00:29:42,960
Speaker 1: think she. I was watched I was thinking about that.

595
00:29:43,000 --> 00:29:45,160
Speaker 1: I was like, why isn't she telling him to go

596
00:29:45,280 --> 00:29:46,000
Speaker 1: be with Peyton?

597
00:29:46,080 --> 00:29:49,400
Speaker 3: But don't you feel like she does when she talks

598
00:29:49,400 --> 00:29:52,160
Speaker 3: about the book and she's like, hello, I know what

599
00:29:52,200 --> 00:29:53,760
Speaker 3: your book is about, and he's like, no, it's not.

600
00:29:54,960 --> 00:29:56,840
Speaker 1: Yeah, she does it in her own way, I guess,

601
00:29:57,000 --> 00:29:59,520
Speaker 1: rather than just be. But that's what's weird is their

602
00:29:59,520 --> 00:30:02,880
Speaker 1: relationship has always been She's always been very like just

603
00:30:02,920 --> 00:30:05,400
Speaker 1: giving it to him straight. So it's strange now that

604
00:30:05,560 --> 00:30:09,280
Speaker 1: at this point she's just kind of all right, I'll

605
00:30:09,360 --> 00:30:10,920
Speaker 1: let you do your own thing. But maybe that's part

606
00:30:10,960 --> 00:30:13,680
Speaker 1: of becoming a mother too, and like learning how to

607
00:30:13,720 --> 00:30:16,960
Speaker 1: step back and let people learn their own thing. I

608
00:30:16,960 --> 00:30:18,840
Speaker 1: wanted her to stick up a little bit more for Peyton.

609
00:30:19,040 --> 00:30:21,800
Speaker 2: Is Nathan still sleeping on the couch at Lucas and

610
00:30:21,840 --> 00:30:22,640
Speaker 2: Lindsay's house.

611
00:30:22,800 --> 00:30:23,960
Speaker 4: Yeah, where does he live now?

612
00:30:25,240 --> 00:30:27,400
Speaker 1: Yeah, he's not home, so I guess he's at Lucas

613
00:30:27,560 --> 00:30:30,280
Speaker 1: unless he's at Skills house. Wait where was that.

614
00:30:30,240 --> 00:30:33,800
Speaker 4: Scene at Lucas and Lindsay's house. We're oh the creepy showers?

615
00:30:34,560 --> 00:30:37,520
Speaker 2: Oh yeah, what was that where he comes out of

616
00:30:37,560 --> 00:30:39,600
Speaker 2: the fantasy and is like all bent over in the

617
00:30:39,640 --> 00:30:41,920
Speaker 2: swer he was in the locker room at.

618
00:30:41,760 --> 00:30:44,240
Speaker 4: The high school. You guys, that was uncomfortable.

619
00:30:45,160 --> 00:30:47,320
Speaker 2: We both were like, why is he bet like that?

620
00:30:47,640 --> 00:30:50,080
Speaker 2: And like is it a It looked like cold showery,

621
00:30:50,280 --> 00:30:50,880
Speaker 2: like weird.

622
00:30:52,080 --> 00:30:56,360
Speaker 4: It was suggestive for him. Man, he just wants his

623
00:30:56,440 --> 00:30:57,680
Speaker 4: wife back so bad.

624
00:30:57,960 --> 00:31:01,440
Speaker 2: How old comfortable to have to walk down the aisle

625
00:31:01,880 --> 00:31:04,920
Speaker 2: and like see your spouse who you're in a fight with.

626
00:31:05,200 --> 00:31:08,080
Speaker 2: And by the way, your hair is so good in

627
00:31:08,120 --> 00:31:13,560
Speaker 2: this episode in the dress with the lace over the Oh,

628
00:31:13,560 --> 00:31:17,200
Speaker 2: the whole thing was like an eleven and it just

629
00:31:17,440 --> 00:31:21,520
Speaker 2: killing him, killing him?

630
00:31:21,600 --> 00:31:24,680
Speaker 3: Yeah, and you did that thing or like you walked

631
00:31:24,720 --> 00:31:27,160
Speaker 3: up the aisle looking like a little snack and then

632
00:31:27,200 --> 00:31:28,960
Speaker 3: you like looked at him and wouldn't hold his eyes

633
00:31:29,000 --> 00:31:29,880
Speaker 3: and you get to the ground.

634
00:31:29,920 --> 00:31:32,720
Speaker 4: And I was like, oh, it's Dorger, it's dog.

635
00:31:32,960 --> 00:31:36,720
Speaker 1: Gotta find your moments. You gotta find your moments, especially

636
00:31:36,720 --> 00:31:38,520
Speaker 1: when you've been married a while. You gotta, you know,

637
00:31:38,840 --> 00:31:40,120
Speaker 1: get a milk it a little bit.

638
00:31:42,760 --> 00:31:43,720
Speaker 4: Through the paces.

639
00:31:44,240 --> 00:31:47,200
Speaker 1: But then, okay, I mean, how about the fact that

640
00:31:47,240 --> 00:31:50,120
Speaker 1: Lindsay saw the car was a comment but didn't put

641
00:31:50,120 --> 00:31:53,400
Speaker 1: it together until she was standing at the altar. Hello,

642
00:31:53,560 --> 00:31:56,080
Speaker 1: I mean good for good for Mikayla from pulling that off.

643
00:31:56,240 --> 00:31:59,760
Speaker 1: She did such a beautiful job, she really really did.

644
00:32:00,080 --> 00:32:01,800
Speaker 2: I like the idea that she's like I was in

645
00:32:01,880 --> 00:32:05,080
Speaker 2: New York, I don't know cars, Like she's clearly seen

646
00:32:05,120 --> 00:32:07,360
Speaker 2: Peyton's car before she saw it outside a trick with

647
00:32:07,440 --> 00:32:09,280
Speaker 2: Lucas's car park right next door.

648
00:32:09,640 --> 00:32:13,840
Speaker 3: Hello, But what bride in her dress is gonna go

649
00:32:14,040 --> 00:32:16,880
Speaker 3: walking through the gardens of a church to get her

650
00:32:17,600 --> 00:32:20,560
Speaker 3: soon to be husband's ex girlfriend sweater off the roof

651
00:32:20,560 --> 00:32:22,040
Speaker 3: of her car. I was like, we couldn't have done

652
00:32:22,080 --> 00:32:24,880
Speaker 3: this better. Why is she outside the church where everybody

653
00:32:24,960 --> 00:32:25,920
Speaker 3: can see her? Anyway?

654
00:32:26,520 --> 00:32:29,240
Speaker 2: She should have been doing her like bridesmaid photos, you know,

655
00:32:29,480 --> 00:32:30,440
Speaker 2: she should have been doing.

656
00:32:30,360 --> 00:32:32,600
Speaker 3: Portraits or something where you're like, oh, well, there's a

657
00:32:32,640 --> 00:32:34,400
Speaker 3: reason for her to be out here. She's not just

658
00:32:34,440 --> 00:32:36,960
Speaker 3: standing out here after twirling around for two little kids

659
00:32:36,960 --> 00:32:38,120
Speaker 3: who aren't there anymore.

660
00:32:38,880 --> 00:32:39,920
Speaker 4: She should have been smoking.

661
00:32:40,080 --> 00:32:42,200
Speaker 1: I don't even think she needed to see the car.

662
00:32:42,560 --> 00:32:45,720
Speaker 1: She's seen it before. She knows it's famous. Peyton's car

663
00:32:45,760 --> 00:32:49,520
Speaker 1: is kind of famously a comet. It's something that's she

664
00:32:49,640 --> 00:32:52,200
Speaker 1: has to have seen that before. And wasn't it in

665
00:32:52,240 --> 00:32:54,800
Speaker 1: the original book, in the Raven's book that she edited.

666
00:32:55,680 --> 00:32:57,960
Speaker 1: Oh I just feel it. Yeah, I just feel like

667
00:32:58,000 --> 00:33:00,160
Speaker 1: she would know that. So why do we at this

668
00:33:00,240 --> 00:33:01,280
Speaker 1: whole point of for seeing it?

669
00:33:01,560 --> 00:33:03,160
Speaker 4: Why is Peyton there?

670
00:33:04,120 --> 00:33:04,400
Speaker 1: Why?

671
00:33:05,280 --> 00:33:08,880
Speaker 2: Like I get like, oh, we're all grown ups, we'll

672
00:33:08,880 --> 00:33:12,840
Speaker 2: all be friends. But you know, she could have stayed

673
00:33:12,840 --> 00:33:18,040
Speaker 2: at home and crafted and just made it easier on everybody, Like, yeah,

674
00:33:18,080 --> 00:33:20,640
Speaker 2: we already had the whole basketball thing where she was like,

675
00:33:20,880 --> 00:33:25,040
Speaker 2: you guys are dumping me. We've moved past that. She

676
00:33:25,280 --> 00:33:28,480
Speaker 2: is a lovely Saturday. She could have found something to do.

677
00:33:29,000 --> 00:33:31,920
Speaker 2: She did not need to be there for him or Lindsay.

678
00:33:32,040 --> 00:33:33,400
Speaker 2: She's not on either side.

679
00:33:34,000 --> 00:33:36,920
Speaker 1: M Yeah, it's not like Lucas was begging, like you

680
00:33:37,080 --> 00:33:38,480
Speaker 1: it would really mean a lot to me if you

681
00:33:38,520 --> 00:33:38,960
Speaker 1: were here.

682
00:33:40,240 --> 00:33:43,000
Speaker 4: No, no, no one says that to her. Is she

683
00:33:43,160 --> 00:33:49,320
Speaker 4: just Brooks plus one? Is this just like she's not

684
00:33:49,400 --> 00:33:50,240
Speaker 4: even invited.

685
00:33:51,600 --> 00:33:54,239
Speaker 2: I went to one of my best friend's weddings and

686
00:33:54,280 --> 00:33:56,840
Speaker 2: like there had been this question of like, oh, we

687
00:33:56,880 --> 00:33:59,920
Speaker 2: gonna invite this one specific pert I shouldn't even say

688
00:34:00,240 --> 00:34:04,280
Speaker 2: got hope they're not listening anyway, Well your whole face

689
00:34:04,400 --> 00:34:05,040
Speaker 2: just turned red.

690
00:34:05,240 --> 00:34:06,800
Speaker 4: Just someone you know, listen.

691
00:34:06,920 --> 00:34:08,600
Speaker 2: I went to a wedding of someone that I know,

692
00:34:08,960 --> 00:34:12,319
Speaker 2: and beforehand they were like, oh, we've got this one friend.

693
00:34:12,400 --> 00:34:13,759
Speaker 4: I don't know whether to invite them.

694
00:34:13,760 --> 00:34:16,520
Speaker 2: And this friend showed up as a plus one, like

695
00:34:16,600 --> 00:34:18,360
Speaker 2: they hadn't invited them, but showed about.

696
00:34:18,120 --> 00:34:19,080
Speaker 4: A plus as a plus one.

697
00:34:19,400 --> 00:34:20,080
Speaker 1: Ballsy.

698
00:34:20,239 --> 00:34:23,399
Speaker 2: It was like just sweaty, just like and everything ended

699
00:34:23,480 --> 00:34:26,160
Speaker 2: up being fine, but I just remember it was stressful.

700
00:34:26,320 --> 00:34:28,480
Speaker 4: It was just stressful. So like, why is Peyton there?

701
00:34:28,640 --> 00:34:28,960
Speaker 7: Come on?

702
00:34:30,400 --> 00:34:32,880
Speaker 2: If you ever on the fence of like should I

703
00:34:33,000 --> 00:34:39,440
Speaker 2: go to this person's wedding, don't don't like unless they

704
00:34:39,480 --> 00:34:42,440
Speaker 2: say to you, baby, I want you here, don't do that.

705
00:34:42,440 --> 00:34:43,080
Speaker 4: That'll be weird.

706
00:34:43,239 --> 00:34:46,680
Speaker 1: Yeah, unless you're invited. If you're not invited and somebody

707
00:34:46,840 --> 00:34:48,879
Speaker 1: raised you as a plus one, and it's like, I mean,

708
00:34:48,920 --> 00:34:51,560
Speaker 1: it's my ex boyfriend or it's my ex girlfriend or whatever.

709
00:34:52,080 --> 00:34:54,759
Speaker 1: But it'll be fine. Even though I wasn't invited. You

710
00:34:54,800 --> 00:34:57,440
Speaker 1: probably weren't invited on purpose. Stay home.

711
00:34:57,760 --> 00:35:01,239
Speaker 4: And they've only been engaged to weeks? How did they

712
00:35:01,320 --> 00:35:05,360
Speaker 4: pull this off? Oh my god, that's right, cause Nathan's like,

713
00:35:05,800 --> 00:35:08,759
Speaker 4: I haven't seen you in a week, Jamie. Why did

714
00:35:08,760 --> 00:35:11,680
Speaker 4: they have such a short engagement? Like it's really weird?

715
00:35:11,960 --> 00:35:14,719
Speaker 1: And in tree Hill? And where's her family? We don't

716
00:35:14,760 --> 00:35:16,680
Speaker 1: know anything, man.

717
00:35:16,440 --> 00:35:18,839
Speaker 2: All of these problems would have been solved if they

718
00:35:18,920 --> 00:35:21,319
Speaker 2: just went back to that pond where Lindsay used to

719
00:35:21,360 --> 00:35:25,040
Speaker 2: hang out with her dad, And didn't she tell a

720
00:35:25,040 --> 00:35:26,360
Speaker 2: story about a pondo?

721
00:35:27,320 --> 00:35:31,919
Speaker 3: Yeah, Walden Pond, Walden Ny could have gone and gotten

722
00:35:31,920 --> 00:35:33,080
Speaker 3: married at Walden Pond.

723
00:35:33,360 --> 00:35:33,879
Speaker 1: That's right.

724
00:35:34,040 --> 00:35:36,800
Speaker 4: Lucas made this happen. He knew what would happen.

725
00:35:37,200 --> 00:35:39,120
Speaker 1: I just I don't know why they didn't, couldn't draw

726
00:35:39,120 --> 00:35:40,920
Speaker 1: it all out longer? I think it would have been

727
00:35:40,960 --> 00:35:43,839
Speaker 1: more fun drama, like involve Lindsay's family, have them come

728
00:35:43,880 --> 00:35:45,799
Speaker 1: to tree Hill. Who are her parents? What do they

729
00:35:45,800 --> 00:35:47,560
Speaker 1: think of? Because how's he going to spend all this

730
00:35:47,640 --> 00:35:49,680
Speaker 1: time like trying to impress them? And then what's gonna

731
00:35:49,680 --> 00:35:52,080
Speaker 1: happen when she realizes maybe her dad finds out that

732
00:35:52,120 --> 00:35:53,880
Speaker 1: Peyton's car is the comment or her mom, and then

733
00:35:53,920 --> 00:35:55,879
Speaker 1: we have it just could have gone on for so long.

734
00:35:55,920 --> 00:35:56,680
Speaker 1: It would have been fun.

735
00:35:57,239 --> 00:35:59,920
Speaker 4: Well, her dad's dead. We already made that mistake.

736
00:36:00,120 --> 00:36:05,640
Speaker 2: Oh right, sorry, sorry, Like why are we speeding through this?

737
00:36:06,040 --> 00:36:08,839
Speaker 2: It could have been so juicy and like drawn out.

738
00:36:09,440 --> 00:36:11,560
Speaker 2: I remember, I have a physical memory of having to

739
00:36:11,600 --> 00:36:16,040
Speaker 2: stand up and do that whole little bit about when you.

740
00:36:16,040 --> 00:36:17,719
Speaker 4: Fixed my car, you fixed my heart.

741
00:36:17,719 --> 00:36:20,000
Speaker 3: Oh my god, I literally the fact that you were

742
00:36:20,040 --> 00:36:22,720
Speaker 3: able to do that with a straight, flicking face.

743
00:36:23,160 --> 00:36:25,720
Speaker 2: We all sat around because we were all seated together,

744
00:36:26,400 --> 00:36:28,719
Speaker 2: and we're all talking about it, Like I remember us

745
00:36:28,719 --> 00:36:30,040
Speaker 2: holding the sides.

746
00:36:29,640 --> 00:36:32,439
Speaker 4: In our hand being like, am I gonna do this?

747
00:36:32,440 --> 00:36:34,160
Speaker 4: This is awful, this is terrible.

748
00:36:34,360 --> 00:36:37,200
Speaker 1: Rit You pulled it off, and the fans love it,

749
00:36:37,280 --> 00:36:39,839
Speaker 1: like that line gets quoted back to you all the.

750
00:36:39,800 --> 00:36:43,760
Speaker 2: Time all the time, And I do happen to love

751
00:36:44,280 --> 00:36:46,680
Speaker 2: when you fixed my car, you fixed my heart. Now

752
00:36:47,000 --> 00:36:50,600
Speaker 2: it's the it's the don't leave me again, Lucas. People

753
00:36:50,680 --> 00:36:52,759
Speaker 2: always leave that really just like.

754
00:36:52,719 --> 00:36:54,080
Speaker 4: Got stuck in my crawl.

755
00:36:54,960 --> 00:36:55,560
Speaker 1: That was the nail.

756
00:36:56,280 --> 00:37:00,400
Speaker 2: But I remember Moira being like, just say this fast

757
00:37:00,400 --> 00:37:03,959
Speaker 2: as you can, and I was like, yeah, okay, that's

758
00:37:03,960 --> 00:37:04,799
Speaker 2: what we're going to do.

759
00:37:05,360 --> 00:37:06,160
Speaker 1: And so it was like.

760
00:37:08,040 --> 00:37:11,200
Speaker 4: And that was the right note. It was absolutely the

761
00:37:11,280 --> 00:37:11,800
Speaker 4: right note.

762
00:37:11,840 --> 00:37:14,960
Speaker 1: It was because it was it was a dream sequence anyway,

763
00:37:15,040 --> 00:37:18,880
Speaker 1: so it didn't actually have to be really believable because

764
00:37:18,880 --> 00:37:22,920
Speaker 1: it was kind of like, what, why is Peyton doing this?

765
00:37:23,640 --> 00:37:25,640
Speaker 4: This is so what?

766
00:37:26,440 --> 00:37:29,720
Speaker 1: So then it worked, Yeah, it was a dream sequence.

767
00:37:37,640 --> 00:37:39,400
Speaker 1: And then Jamie goes missing.

768
00:37:39,960 --> 00:37:42,920
Speaker 4: Well. I love the build up to it because it's like.

769
00:37:44,440 --> 00:37:51,280
Speaker 2: Anytime something traumatic happens and you've been kind of spicy

770
00:37:51,400 --> 00:37:53,279
Speaker 2: with people around you and then you're kind of at

771
00:37:53,320 --> 00:37:56,160
Speaker 2: their mercy, that's an uncomfortable place to be in. And

772
00:37:56,239 --> 00:37:58,719
Speaker 2: Haley's so great in this episode because she is like

773
00:37:59,280 --> 00:38:01,960
Speaker 2: not pulling any punches. She's telling her best friend like

774
00:38:02,000 --> 00:38:03,200
Speaker 2: you're marrying the wrong girl.

775
00:38:03,600 --> 00:38:04,319
Speaker 4: She's telling her.

776
00:38:04,280 --> 00:38:08,640
Speaker 2: Husband eh Ahatten and scram you know, like she's just

777
00:38:08,680 --> 00:38:12,480
Speaker 2: being really yelling at Dan, Yeah, yelling at Dan. She's

778
00:38:12,480 --> 00:38:16,480
Speaker 2: being assertive with everybody in a way that's great until

779
00:38:17,520 --> 00:38:20,359
Speaker 2: now she's in the most vulnerable position she's ever been

780
00:38:20,440 --> 00:38:23,319
Speaker 2: in with her child missing, and it's like, now I

781
00:38:23,360 --> 00:38:25,239
Speaker 2: have to rely on the very people that I've just

782
00:38:25,239 --> 00:38:27,600
Speaker 2: been really frank with, and it's like, I.

783
00:38:27,640 --> 00:38:29,799
Speaker 1: Like that you're saying assertive. It's so positive. I just

784
00:38:29,800 --> 00:38:34,719
Speaker 1: felt like she was so grouchy and really had a

785
00:38:34,760 --> 00:38:37,319
Speaker 1: word but just disappeared out of my brain. I just

786
00:38:37,360 --> 00:38:39,200
Speaker 1: felt like she was really grouchy with everybody.

787
00:38:39,800 --> 00:38:42,920
Speaker 4: She had a reason too, though, I validate her grouch.

788
00:38:43,120 --> 00:38:45,680
Speaker 1: All right, that's fair. I appreciate that.

789
00:38:46,320 --> 00:38:47,279
Speaker 4: Yeah, I liked it.

790
00:38:47,440 --> 00:38:50,000
Speaker 1: You're right. It is suddenly like, okay, now I have

791
00:38:50,080 --> 00:38:52,800
Speaker 1: to Now I just need everybody's help, so please please

792
00:38:52,880 --> 00:38:54,960
Speaker 1: just be there. I think it was maybe an insecurity.

793
00:38:55,000 --> 00:38:58,120
Speaker 1: It felt like she was being really really uh like

794
00:38:58,200 --> 00:39:01,520
Speaker 1: it was like a fear based grouch just always it's

795
00:39:01,640 --> 00:39:04,759
Speaker 1: upset and scared about what the future is and there

796
00:39:04,760 --> 00:39:06,720
Speaker 1: were so many things out of her control and unknown,

797
00:39:08,880 --> 00:39:11,000
Speaker 1: and then the anxiety got turned up to eleven when

798
00:39:11,040 --> 00:39:14,120
Speaker 1: Jamie disappeared, which, by the way, I loved that moment

799
00:39:14,320 --> 00:39:17,520
Speaker 1: of Jamie in the hallway when Carrie comes and he's

800
00:39:17,520 --> 00:39:19,640
Speaker 1: walking to the bathroom and he turns around like a

801
00:39:19,680 --> 00:39:20,959
Speaker 1: little like a little man.

802
00:39:21,320 --> 00:39:23,239
Speaker 4: He's like, yeah, man, Harry.

803
00:39:23,000 --> 00:39:23,879
Speaker 1: What are you doing here?

804
00:39:24,000 --> 00:39:24,960
Speaker 4: The way is it?

805
00:39:25,120 --> 00:39:29,960
Speaker 1: Like so sway, that's really funny.

806
00:39:30,400 --> 00:39:33,360
Speaker 4: Yeah, he was so believable in that moment.

807
00:39:34,120 --> 00:39:38,400
Speaker 2: And my I loved, loved, loved Nanny Carey and Jamie

808
00:39:38,440 --> 00:39:41,799
Speaker 2: in the hotel room where we start to see her

809
00:39:41,960 --> 00:39:45,759
Speaker 2: fall apart and the cracks and he's just playing it

810
00:39:45,880 --> 00:39:51,160
Speaker 2: like huh, grown ups are weird, you know, like as

811
00:39:51,200 --> 00:39:55,440
Speaker 2: the audience were. But she's spirally, this could get dangerous.

812
00:39:55,520 --> 00:39:58,640
Speaker 2: And the kid has the candy wrappers on the bed

813
00:39:58,760 --> 00:40:03,279
Speaker 2: next to him. It's so shirt out of his brain cartoons.

814
00:40:03,320 --> 00:40:06,520
Speaker 1: Oh, it's so scary though. That's just such a creepy terror,

815
00:40:06,600 --> 00:40:11,759
Speaker 1: such a creepy thing to see. But it made me

816
00:40:11,920 --> 00:40:13,359
Speaker 1: happy to see Dan show up.

817
00:40:13,520 --> 00:40:17,000
Speaker 4: Yes, let's talk about that. It's so conflicting.

818
00:40:17,719 --> 00:40:19,000
Speaker 1: Yeah, it really is.

819
00:40:19,920 --> 00:40:23,520
Speaker 2: Like the brutality to women in the episode, like him

820
00:40:23,640 --> 00:40:27,240
Speaker 2: strangling Carrie is something that I feel like our show

821
00:40:27,400 --> 00:40:32,000
Speaker 2: wanted the audience to root for, and we probably did

822
00:40:32,719 --> 00:40:34,400
Speaker 2: when this aired, right.

823
00:40:34,239 --> 00:40:35,760
Speaker 4: Like, yeah, get her down.

824
00:40:36,680 --> 00:40:39,040
Speaker 2: And in this moment where it's like, oh my god,

825
00:40:39,160 --> 00:40:41,040
Speaker 2: this guy who just got out of prison has a

826
00:40:41,040 --> 00:40:43,680
Speaker 2: woman by her throat and is telling her I'm going

827
00:40:43,719 --> 00:40:44,400
Speaker 2: to kill you.

828
00:40:44,880 --> 00:40:49,000
Speaker 1: Yeah, okay, but she's a kidnapper. Absolutely, you would expect

829
00:40:49,040 --> 00:40:50,160
Speaker 1: him to do that with a man.

830
00:40:50,840 --> 00:40:54,520
Speaker 2: Yes, it was like a heightened physicality that makes me

831
00:40:54,680 --> 00:40:57,200
Speaker 2: feel very like, oh, she's the bad guy.

832
00:40:57,600 --> 00:40:58,920
Speaker 4: He's also a bad guy.

833
00:40:59,120 --> 00:41:03,040
Speaker 2: Everything's bad here, and maybe like call the cops, maybe

834
00:41:03,040 --> 00:41:03,640
Speaker 2: make a phone call.

835
00:41:03,800 --> 00:41:04,960
Speaker 4: Yeah, well, it feels like.

836
00:41:04,920 --> 00:41:08,600
Speaker 1: He could just go in, grab Jamie and leave, and

837
00:41:08,800 --> 00:41:10,840
Speaker 1: there's other ways to threaten someone.

838
00:41:11,080 --> 00:41:15,000
Speaker 3: Also, he could call the cops and say, I watched

839
00:41:15,040 --> 00:41:18,040
Speaker 3: this woman kidnap my grandson. I'm at this location, she's

840
00:41:18,080 --> 00:41:21,280
Speaker 3: in this really, I followed them from the church. Everybody

841
00:41:21,320 --> 00:41:23,839
Speaker 3: thinks it's me, but it's her. Absolutely, I'm sitting here

842
00:41:24,040 --> 00:41:25,160
Speaker 3: to stay on the phone with me.

843
00:41:25,760 --> 00:41:28,520
Speaker 1: But he had to be the vigilante and go in

844
00:41:28,600 --> 00:41:30,480
Speaker 1: and deal with it and be violent and do what

845
00:41:30,520 --> 00:41:31,080
Speaker 1: he does.

846
00:41:30,920 --> 00:41:34,200
Speaker 4: And get the credit and whatever walk into the house.

847
00:41:35,000 --> 00:41:37,680
Speaker 1: Yeah, yeah, you're right. He could have. He could have

848
00:41:37,760 --> 00:41:41,600
Speaker 1: done that. And even if it I guess maybe it's

849
00:41:41,640 --> 00:41:44,560
Speaker 1: just because the sensitivity level too, is like if it

850
00:41:44,640 --> 00:41:46,759
Speaker 1: had been a man and he needed to go in

851
00:41:46,840 --> 00:41:49,360
Speaker 1: and get the get the kid out as soon as possible.

852
00:41:49,560 --> 00:41:52,120
Speaker 1: That makes sense to me, and I guess we're sort

853
00:41:52,160 --> 00:41:55,280
Speaker 1: of sort of conditioned to watch like we've been watching

854
00:41:55,280 --> 00:41:57,319
Speaker 1: action movies for years where men are fighting each other

855
00:41:57,360 --> 00:42:02,280
Speaker 1: and it's kind of like a whatever, But the putting

856
00:42:02,320 --> 00:42:07,280
Speaker 1: it visually, putting it on camera, a man, especially his size,

857
00:42:07,920 --> 00:42:12,920
Speaker 1: choking a woman regardless of the circumstance. I just don't

858
00:42:12,960 --> 00:42:15,480
Speaker 1: know that we need to see that, Like, could we

859
00:42:15,719 --> 00:42:18,640
Speaker 1: just have had him go in and take Jamie.

860
00:42:18,920 --> 00:42:22,080
Speaker 2: Well, remember when we had all the psychoederic stuff. We

861
00:42:22,080 --> 00:42:24,879
Speaker 2: were told over and over again how our ratings went

862
00:42:25,000 --> 00:42:29,120
Speaker 2: up when the girls got beat up, right, and so

863
00:42:29,200 --> 00:42:32,600
Speaker 2: it feels like, hey, you know what'll work.

864
00:42:32,840 --> 00:42:33,880
Speaker 4: We've done it before.

865
00:42:34,239 --> 00:42:37,359
Speaker 2: Now we'll just get this super hot chick and strangle her.

866
00:42:39,040 --> 00:42:43,239
Speaker 2: Although she plays a dastardly villain like her turns in

867
00:42:43,320 --> 00:42:46,000
Speaker 2: the episode were so juicy and fun to watch.

868
00:42:46,480 --> 00:42:48,879
Speaker 1: So yeah, and what's coming is so good? All this,

869
00:42:49,120 --> 00:42:51,799
Speaker 1: like the misery stuff that's coming up soon.

870
00:42:51,840 --> 00:42:56,720
Speaker 2: It's going to be Yes, I'm your mommy now.

871
00:42:58,160 --> 00:43:01,799
Speaker 1: But I remember that day when we were shooting, because

872
00:43:01,840 --> 00:43:03,319
Speaker 1: there were a lot of days in this episode when

873
00:43:03,360 --> 00:43:08,120
Speaker 1: everyone was there and we were all just killing time.

874
00:43:08,280 --> 00:43:11,040
Speaker 1: Those were the Those are the days when everybody comes

875
00:43:11,040 --> 00:43:13,359
Speaker 1: in to work with whatever their little side projects are.

876
00:43:13,360 --> 00:43:16,320
Speaker 1: If you're writing something or reading something or knitting something

877
00:43:16,400 --> 00:43:20,000
Speaker 1: or whatever, and we're all just there hanging out, our

878
00:43:20,239 --> 00:43:22,960
Speaker 1: making our time useful until it's our time to be

879
00:43:23,040 --> 00:43:27,080
Speaker 1: on the screen. And I remember that being a fun day.

880
00:43:27,600 --> 00:43:30,719
Speaker 1: Everybody was there in Nathan and Haley's house. I mean,

881
00:43:30,760 --> 00:43:33,520
Speaker 1: it's a little stressful. I also remember, Oh that's funny.

882
00:43:33,560 --> 00:43:37,799
Speaker 1: This just hit me. I remember, uh, because there were

883
00:43:37,800 --> 00:43:40,720
Speaker 1: so many people there and the crew was always busy

884
00:43:40,719 --> 00:43:42,239
Speaker 1: and stuff, that it was the one day I had

885
00:43:42,280 --> 00:43:44,719
Speaker 1: to be really really emotional and I was the only

886
00:43:44,760 --> 00:43:48,080
Speaker 1: one that had to be really really emotional so loud

887
00:43:48,160 --> 00:43:50,680
Speaker 1: on set because everybody was talking and everybody it's just

888
00:43:50,719 --> 00:43:53,239
Speaker 1: hard to contain that many people. It wasn't necessarily a

889
00:43:53,320 --> 00:43:55,520
Speaker 1: lack of sensitivity, but it just was. It's just hard

890
00:43:55,520 --> 00:43:59,120
Speaker 1: to contain that many people. But I do, I remember that.

891
00:43:59,200 --> 00:44:02,360
Speaker 1: But I got there and and yeah, it was great

892
00:44:02,360 --> 00:44:06,480
Speaker 1: to be able to see just everybody's faces. And bizarrely,

893
00:44:06,560 --> 00:44:09,120
Speaker 1: you know, we talked about how we attached to our

894
00:44:09,200 --> 00:44:11,439
Speaker 1: characters and you you'll, you know, you'll feel jealous even

895
00:44:11,440 --> 00:44:14,279
Speaker 1: though it's not real life or whatever. I remember looking

896
00:44:14,320 --> 00:44:17,040
Speaker 1: around that room and feeling really comforted by all of

897
00:44:17,520 --> 00:44:19,920
Speaker 1: all of the faces, and it really helped.

898
00:44:19,840 --> 00:44:22,279
Speaker 2: I remember that day really well too, because it was

899
00:44:22,920 --> 00:44:25,319
Speaker 2: the first time everyone was there, and so they made

900
00:44:25,400 --> 00:44:28,440
Speaker 2: us take all those group photos. Remember they were like,

901
00:44:28,920 --> 00:44:31,920
Speaker 2: oh yeah, it was like press there because it was

902
00:44:31,960 --> 00:44:34,600
Speaker 2: our one hundredth episode, and it was just like, okay,

903
00:44:34,640 --> 00:44:36,680
Speaker 2: well Joy has to cry, but if everyone else can

904
00:44:36,719 --> 00:44:39,520
Speaker 2: get to gather, I take this big friend. We're all

905
00:44:39,600 --> 00:44:41,960
Speaker 2: kind of like, guys, she's got to do some Like

906
00:44:42,480 --> 00:44:43,319
Speaker 2: Harry looked in her.

907
00:44:43,400 --> 00:44:46,640
Speaker 4: So it's so awkward they take for granted.

908
00:44:46,719 --> 00:44:48,279
Speaker 1: They think like, oh, you can just turn it on

909
00:44:48,320 --> 00:44:50,080
Speaker 1: and off like a faucet, like you don't need to

910
00:44:50,320 --> 00:44:51,520
Speaker 1: emote entertainment.

911
00:44:51,560 --> 00:44:52,480
Speaker 4: Weekly's here.

912
00:44:53,120 --> 00:44:55,120
Speaker 1: Yeh you can cry right, go cry?

913
00:44:55,880 --> 00:44:57,760
Speaker 4: Okay dude.

914
00:44:58,160 --> 00:45:01,160
Speaker 1: Yeah, it was fun though. It was fun. It was

915
00:45:01,280 --> 00:45:04,400
Speaker 1: fun Jackson run in that room well yeah.

916
00:45:04,520 --> 00:45:07,120
Speaker 4: And also the Lily dynamic.

917
00:45:08,840 --> 00:45:13,200
Speaker 3: Oh yeah, when Lily says to Nathan, can I play

918
00:45:13,239 --> 00:45:16,680
Speaker 3: with this? And you just see it suck the life

919
00:45:16,680 --> 00:45:19,200
Speaker 3: out of him. But she's a little kid, you know.

920
00:45:19,920 --> 00:45:21,279
Speaker 3: That was I thought, really.

921
00:45:21,040 --> 00:45:21,759
Speaker 4: Really well done.

922
00:45:22,560 --> 00:45:22,799
Speaker 3: Yeah.

923
00:45:22,920 --> 00:45:23,400
Speaker 1: I liked that.

924
00:45:24,239 --> 00:45:31,279
Speaker 4: I like that she's Lucas's cousin's sister, Like that's the

925
00:45:31,280 --> 00:45:34,960
Speaker 4: most treatal shit ever. Yeah.

926
00:45:35,200 --> 00:45:38,480
Speaker 2: Yeah, and then I guess same thing for Nathan. She's

927
00:45:38,600 --> 00:45:41,959
Speaker 2: Nathan's cousin sister too or no, just cousin.

928
00:45:42,000 --> 00:45:44,840
Speaker 4: Little sis cause it's so confusing.

929
00:45:45,640 --> 00:45:50,480
Speaker 2: I loved our hundredth episode party because they threw this

930
00:45:51,120 --> 00:45:55,880
Speaker 2: huge party with like a red carpet, and every executive

931
00:45:55,880 --> 00:45:57,720
Speaker 2: from Warner Brothers came into town.

932
00:45:58,280 --> 00:46:00,560
Speaker 4: Where did we do that? Was that like in anfall

933
00:46:00,719 --> 00:46:02,560
Speaker 4: or something? Yeah, I would think it was.

934
00:46:02,719 --> 00:46:04,319
Speaker 1: It was on the water right like blue It was

935
00:46:04,400 --> 00:46:05,040
Speaker 1: jumping room.

936
00:46:05,360 --> 00:46:07,960
Speaker 3: I remember there was like a big tent where we

937
00:46:08,000 --> 00:46:08,920
Speaker 3: all cut the cake.

938
00:46:09,360 --> 00:46:12,120
Speaker 4: I have that picture hanging on my wall. Yeah.

939
00:46:12,200 --> 00:46:15,359
Speaker 1: Yeah, I almost didn't make that photo. What do you mean?

940
00:46:15,520 --> 00:46:17,920
Speaker 1: There was a game room and like a photo booth

941
00:46:18,000 --> 00:46:20,560
Speaker 1: member they had all those like I mean, they really

942
00:46:20,800 --> 00:46:23,520
Speaker 1: decked it out whatever that place was. I feel like

943
00:46:23,560 --> 00:46:26,239
Speaker 1: there was a lot of different rooms and areas, and

944
00:46:26,280 --> 00:46:28,359
Speaker 1: that's why I didn't almost didn't make the photo because

945
00:46:28,400 --> 00:46:30,440
Speaker 1: I was I was in a different room and I

946
00:46:30,560 --> 00:46:33,640
Speaker 1: just didn't hear For whatever reason, I didn't hear everybody

947
00:46:33,680 --> 00:46:35,239
Speaker 1: saying like, let's get together and cut the cake. And

948
00:46:35,239 --> 00:46:36,960
Speaker 1: I remember sneaking in at the last second.

949
00:46:37,040 --> 00:46:39,959
Speaker 4: Did you miss all the speeches I missed?

950
00:46:40,000 --> 00:46:41,799
Speaker 1: I think I missed a lot of speeches. I had

951
00:46:41,800 --> 00:46:42,320
Speaker 1: no idea.

952
00:46:43,080 --> 00:46:45,560
Speaker 2: I mean we were just being a pole standing all

953
00:46:45,560 --> 00:46:47,040
Speaker 2: the side finlay.

954
00:46:47,200 --> 00:46:47,880
Speaker 4: We were just talking.

955
00:46:48,719 --> 00:46:48,919
Speaker 2: Yeah.

956
00:46:49,080 --> 00:46:51,080
Speaker 1: It was like so I'm sorry I missed that.

957
00:46:51,239 --> 00:46:54,000
Speaker 2: That was also like, you know, Kate Vogel was there

958
00:46:54,080 --> 00:46:56,480
Speaker 2: and that poor creature was in the crosshairs with our

959
00:46:56,520 --> 00:46:59,560
Speaker 2: boss at the time, and we were just like surrounding

960
00:46:59,640 --> 00:47:00,879
Speaker 2: her like body men.

961
00:47:01,320 --> 00:47:01,560
Speaker 4: Yeah.

962
00:47:01,640 --> 00:47:02,399
Speaker 1: Oh it's so good.

963
00:47:03,239 --> 00:47:04,160
Speaker 4: Yeah.

964
00:47:04,280 --> 00:47:07,640
Speaker 2: I remember feeling really like Caddy that night, just like

965
00:47:07,920 --> 00:47:09,760
Speaker 2: there are so many girls in this.

966
00:47:09,719 --> 00:47:16,080
Speaker 4: Room right now and we're all on the same It

967
00:47:16,160 --> 00:47:18,200
Speaker 4: sound good to all be in the same room, you

968
00:47:18,239 --> 00:47:20,400
Speaker 4: know what. It makes me think of like the visual.

969
00:47:20,560 --> 00:47:22,759
Speaker 3: I feel like we made a hornet's nest that night.

970
00:47:22,960 --> 00:47:26,200
Speaker 2: We were like we dare you to come in here, ma'am,

971
00:47:27,160 --> 00:47:29,439
Speaker 2: And everybody like looked good that night.

972
00:47:29,719 --> 00:47:30,440
Speaker 4: Yeah, you know.

973
00:47:31,040 --> 00:47:33,520
Speaker 3: We remember Jojo and Tim helped us all get ready.

974
00:47:34,280 --> 00:47:37,080
Speaker 3: It was like we were done up.

975
00:47:37,760 --> 00:47:40,759
Speaker 4: It was fun. Yeah, that was a great party. Yeah.

976
00:47:40,840 --> 00:47:43,799
Speaker 4: I wore my junior year prom dress. Yeah you did

977
00:47:43,800 --> 00:47:47,360
Speaker 4: that brown one. I love that like a bleated dress.

978
00:47:47,440 --> 00:47:49,120
Speaker 4: I uh, I was really mad.

979
00:47:49,160 --> 00:47:51,200
Speaker 2: I only ever wore it once and I was like,

980
00:47:51,239 --> 00:47:53,600
Speaker 2: you know what, I don't want to wear this thing.

981
00:47:54,239 --> 00:47:57,200
Speaker 4: I still have that dress. I'm gonna find another thing

982
00:47:57,239 --> 00:47:58,000
Speaker 4: to wear it too.

983
00:47:58,400 --> 00:48:00,680
Speaker 3: I don't think I have the dress to that party,

984
00:48:00,680 --> 00:48:01,840
Speaker 3: but I remember.

985
00:48:01,719 --> 00:48:04,040
Speaker 4: That it was the best neckline.

986
00:48:04,239 --> 00:48:06,799
Speaker 3: Oh, it had that cool like metal thing, and then

987
00:48:06,840 --> 00:48:08,080
Speaker 3: the chain stress.

988
00:48:08,400 --> 00:48:09,120
Speaker 4: Yeah.

989
00:48:09,239 --> 00:48:12,040
Speaker 3: I loved that dress. And there had been something we'd

990
00:48:12,040 --> 00:48:15,040
Speaker 3: had to do. I don't know, like a press event

991
00:48:15,120 --> 00:48:17,080
Speaker 3: or something, you know when every once in a while

992
00:48:17,120 --> 00:48:19,040
Speaker 3: they'd throw us on a last minute flight to New York,

993
00:48:19,120 --> 00:48:20,760
Speaker 3: be like, you're leaving at six am tomorrow.

994
00:48:20,960 --> 00:48:22,719
Speaker 1: Yeah, I like landed in.

995
00:48:22,719 --> 00:48:25,000
Speaker 3: New York and bought a dress because I hadn't had

996
00:48:25,040 --> 00:48:25,880
Speaker 3: time to get.

997
00:48:25,680 --> 00:48:28,000
Speaker 4: Something, and same thing. I was like, I don't just

998
00:48:28,040 --> 00:48:29,040
Speaker 4: want to wear this once.

999
00:48:29,560 --> 00:48:31,320
Speaker 3: So then I wore it to our one hundredth episode

1000
00:48:31,320 --> 00:48:32,759
Speaker 3: party and I was so excited.

1001
00:48:33,640 --> 00:48:35,000
Speaker 1: Yeah, it was pretty.

1002
00:48:35,200 --> 00:48:37,880
Speaker 4: We didn't have a lot of opportunities to dress up.

1003
00:48:38,080 --> 00:48:40,800
Speaker 1: And I know I saw the belt from that dress,

1004
00:48:40,840 --> 00:48:42,760
Speaker 1: but I think I don't think I have the dress anymore,

1005
00:48:43,239 --> 00:48:45,319
Speaker 1: but I keep the belt, keep thinking that I'm going

1006
00:48:45,400 --> 00:48:46,839
Speaker 1: to use it, and then I never have.

1007
00:48:47,520 --> 00:48:50,880
Speaker 4: Yeah, but it's also sentimental. Now that you've mentioned it,

1008
00:48:50,960 --> 00:48:53,680
Speaker 4: you'll use it like next week. Yeah, that's true.

1009
00:48:53,920 --> 00:48:56,680
Speaker 1: Yeah, that's right. It's gold brocade. It's kind of hard

1010
00:48:56,680 --> 00:48:58,480
Speaker 1: to and it's like a thick so it doesn't really

1011
00:48:58,520 --> 00:49:02,200
Speaker 1: fit in jeans. I don't know. I'll let you know.

1012
00:49:02,280 --> 00:49:04,399
Speaker 1: I'll snap. You'll find stuff. I find the right thing.

1013
00:49:04,719 --> 00:49:07,000
Speaker 3: You'll find some perfect little dress to put it over

1014
00:49:07,040 --> 00:49:07,359
Speaker 3: and be.

1015
00:49:07,360 --> 00:49:11,480
Speaker 4: Like there it is. Yeah, bang, I did love.

1016
00:49:12,040 --> 00:49:14,799
Speaker 3: For as ridiculous as it was, it was really special

1017
00:49:16,000 --> 00:49:19,000
Speaker 3: to have that night with all of us, to be

1018
00:49:19,040 --> 00:49:21,160
Speaker 3: able to celebrate what we did, because.

1019
00:49:21,239 --> 00:49:22,239
Speaker 4: You know, we all had that.

1020
00:49:23,320 --> 00:49:26,719
Speaker 3: It's not like Stockholm syndrome, but whatever, the version of

1021
00:49:26,760 --> 00:49:30,319
Speaker 3: it is where you know you're essentially your parents tell

1022
00:49:30,320 --> 00:49:34,000
Speaker 3: you you're terrible. Like it was like our bosses did that

1023
00:49:34,080 --> 00:49:35,960
Speaker 3: to us for so long. You're on the bubble, you

1024
00:49:36,040 --> 00:49:38,720
Speaker 3: might not get picked up, You're nobody watches your show,

1025
00:49:39,160 --> 00:49:40,960
Speaker 3: and here it is like one of the most successful

1026
00:49:40,960 --> 00:49:44,239
Speaker 3: coming of age TV shows of all time. And we

1027
00:49:44,239 --> 00:49:47,080
Speaker 3: were so used to being told we weren't doing things

1028
00:49:47,160 --> 00:49:50,879
Speaker 3: right that to how a party that we all got

1029
00:49:50,880 --> 00:49:53,040
Speaker 3: to be at, not like three people got sent to

1030
00:49:53,160 --> 00:49:55,279
Speaker 3: Raleigh and two people got sent to dies and two

1031
00:49:55,280 --> 00:49:57,680
Speaker 3: people got sent to New York, Like we all got

1032
00:49:57,719 --> 00:50:01,000
Speaker 3: to be together, and I just I remember looking around

1033
00:50:01,080 --> 00:50:04,040
Speaker 3: when we were doing that cake cutting, and I remember

1034
00:50:04,080 --> 00:50:06,520
Speaker 3: looking at each of you and just being like, whoa,

1035
00:50:07,480 --> 00:50:11,400
Speaker 3: we did this, Like we're really doing this and it

1036
00:50:11,440 --> 00:50:12,200
Speaker 3: felt special.

1037
00:50:12,640 --> 00:50:14,360
Speaker 1: That's a great point. I agree.

1038
00:50:14,400 --> 00:50:16,800
Speaker 2: I love that it had been our reality up until

1039
00:50:16,800 --> 00:50:19,160
Speaker 2: that point, that like we weren't as good as the

1040
00:50:19,200 --> 00:50:23,960
Speaker 2: other shows, and then you hit that milestone where you're like, oh,

1041
00:50:24,000 --> 00:50:27,880
Speaker 2: what if we are? And everything I'm seeing tonight says

1042
00:50:27,920 --> 00:50:28,440
Speaker 2: that we are.

1043
00:50:28,880 --> 00:50:30,359
Speaker 4: Yeah, I think we're pretty great.

1044
00:50:30,480 --> 00:50:32,920
Speaker 2: Actually, it's not like our show's over at one hundred.

1045
00:50:32,960 --> 00:50:35,760
Speaker 2: We're gonna go on for like how man episodes?

1046
00:50:35,800 --> 00:50:38,280
Speaker 4: Did it end up being entirely one hundred and eighty seven?

1047
00:50:38,960 --> 00:50:41,239
Speaker 1: That's ban Us unbelievable.

1048
00:50:41,840 --> 00:50:47,799
Speaker 2: Yeah, just living on the bottle man, Do we have

1049
00:50:48,280 --> 00:50:51,759
Speaker 2: a honorable mention this episode before we get to our

1050
00:50:51,880 --> 00:50:52,680
Speaker 2: fan questions?

1051
00:50:52,920 --> 00:50:54,960
Speaker 4: Skills is so great? He just he came in.

1052
00:50:55,080 --> 00:50:57,120
Speaker 1: He sort of saved the episode for me, Like all

1053
00:50:57,160 --> 00:51:00,080
Speaker 1: the all the pieces that I was like gaps and

1054
00:51:00,120 --> 00:51:02,719
Speaker 1: you weren't really sure, he commented, He just jumped in.

1055
00:51:02,760 --> 00:51:03,839
Speaker 1: It was great. I loved it.

1056
00:51:04,360 --> 00:51:07,720
Speaker 2: His line, baby girl, you are so far from okay,

1057
00:51:07,800 --> 00:51:10,040
Speaker 2: You're not even in the same zip code.

1058
00:51:11,960 --> 00:51:14,040
Speaker 3: That was good, great, and then to pick it up

1059
00:51:14,080 --> 00:51:17,320
Speaker 3: with the Ross and Rachel joke, like, because he really

1060
00:51:17,360 --> 00:51:19,319
Speaker 3: deflated you and then he brought the humor back.

1061
00:51:19,360 --> 00:51:21,440
Speaker 4: It was so well done.

1062
00:51:21,760 --> 00:51:26,760
Speaker 2: I just like that skills watch his friends. We learned

1063
00:51:26,800 --> 00:51:28,600
Speaker 2: a lot about him in this episode.

1064
00:51:28,800 --> 00:51:30,720
Speaker 4: He really really did you guys.

1065
00:51:30,840 --> 00:51:34,640
Speaker 3: My honorable mention, hands down, was the sync to Grace

1066
00:51:34,680 --> 00:51:40,320
Speaker 3: Potter having that whole end sequence be happening over apologies.

1067
00:51:41,320 --> 00:51:44,359
Speaker 3: I had goosebumps the whole time. I was like, okay, okay, okay,

1068
00:51:44,360 --> 00:51:46,560
Speaker 3: I'm finally into the episode. This has been ridiculous, but

1069
00:51:46,600 --> 00:51:49,239
Speaker 3: this is really good, awesome.

1070
00:51:49,560 --> 00:51:50,239
Speaker 4: I loved it.

1071
00:51:50,560 --> 00:51:55,319
Speaker 3: I just think like her music elevates any performance I've

1072
00:51:55,320 --> 00:51:57,200
Speaker 3: ever seen it play under underneath.

1073
00:51:57,960 --> 00:51:58,840
Speaker 1: She's so good.

1074
00:51:59,480 --> 00:52:03,360
Speaker 2: My honor mention goes to all of the secret booze

1075
00:52:03,440 --> 00:52:06,840
Speaker 2: in this episode, because between between learning that you and

1076
00:52:06,920 --> 00:52:09,759
Speaker 2: Nathan were drinking moonshine and knowing that we had water

1077
00:52:09,800 --> 00:52:13,520
Speaker 2: bottles in the church pews during those long wedding hours.

1078
00:52:14,160 --> 00:52:16,920
Speaker 2: I love that we treated this like a real wedding

1079
00:52:17,360 --> 00:52:18,759
Speaker 2: and just came prepared.

1080
00:52:18,960 --> 00:52:21,920
Speaker 4: Everybody sneak it in. It was one hundredth episode.

1081
00:52:21,960 --> 00:52:24,920
Speaker 1: Man, we were like, let's party, let's just just party.

1082
00:52:25,239 --> 00:52:30,279
Speaker 4: What are they going to do? Fire us? Here we go.

1083
00:52:37,920 --> 00:52:42,760
Speaker 3: We've got a question from Jessica. She says, who's wedding

1084
00:52:42,800 --> 00:52:45,160
Speaker 3: on the show. If it happened in real life, do

1085
00:52:45,239 --> 00:52:48,440
Speaker 3: you think would have been the most fun? We're entertaining

1086
00:52:48,560 --> 00:52:49,120
Speaker 3: to a tent.

1087
00:52:49,520 --> 00:52:52,759
Speaker 1: I mean Brooks right, like Brooke would have had. How

1088
00:52:52,800 --> 00:52:53,080
Speaker 1: has that?

1089
00:52:54,760 --> 00:52:56,240
Speaker 4: Yeah, what happened at your wedding?

1090
00:52:56,320 --> 00:53:00,440
Speaker 2: I caught I caught so much at Peyton.

1091
00:53:00,520 --> 00:53:02,880
Speaker 4: Wasn't at Brooks wedding, So what did I miss?

1092
00:53:03,719 --> 00:53:06,719
Speaker 3: It was a pretty good time also, I mean talk

1093
00:53:06,760 --> 00:53:09,759
Speaker 3: about everybody drinking in the pews. By the end of

1094
00:53:09,800 --> 00:53:14,799
Speaker 3: that week, people, everybody was just so tired of being extras.

1095
00:53:17,080 --> 00:53:21,200
Speaker 3: We were running against the clock, and Lisa Goldstein got the.

1096
00:53:21,280 --> 00:53:25,720
Speaker 4: Church giggles and then we all got it, and then.

1097
00:53:25,719 --> 00:53:28,080
Speaker 3: It spread and we were trying to get through a thing,

1098
00:53:28,719 --> 00:53:30,920
Speaker 3: and for whatever reason, I don't know, I had like

1099
00:53:30,960 --> 00:53:34,759
Speaker 3: made eye contact with her or something, and somebody from

1100
00:53:34,760 --> 00:53:37,680
Speaker 3: behind video village basically acted like I did it to

1101
00:53:37,760 --> 00:53:40,000
Speaker 3: you guys, And I finally looked.

1102
00:53:39,760 --> 00:53:42,200
Speaker 4: Over and was like, you guys help me here. Everyone

1103
00:53:42,280 --> 00:53:47,239
Speaker 4: was sorry, sorry, like we just couldn't we could not

1104
00:53:47,520 --> 00:53:50,320
Speaker 4: get our together. It was it was very funny.

1105
00:53:50,560 --> 00:53:56,200
Speaker 1: No, we've never had I've never seen a producer come into.

1106
00:53:57,880 --> 00:54:03,600
Speaker 4: What even finished this? Who wasn't, who wasn't. We'll beep it,

1107
00:54:03,640 --> 00:54:09,680
Speaker 4: We'll beep it. No, it was never talking in angry.

1108
00:54:09,760 --> 00:54:13,279
Speaker 1: Hillary was so mad. It was just the whole lot

1109
00:54:13,360 --> 00:54:15,760
Speaker 1: of us in this one section, in these two pews.

1110
00:54:16,360 --> 00:54:21,239
Speaker 4: And yeah, he was at the extra too. Oh, in

1111
00:54:21,280 --> 00:54:22,359
Speaker 4: front of everybody.

1112
00:54:22,480 --> 00:54:28,160
Speaker 1: Everyone. We we got dreamed, but we were so we

1113
00:54:28,160 --> 00:54:31,200
Speaker 1: were cracking up. We were trying so hard. We really were.

1114
00:54:31,080 --> 00:54:32,720
Speaker 4: Trying to contain it well.

1115
00:54:32,760 --> 00:54:35,240
Speaker 3: And it was in that church with those high ceilings,

1116
00:54:35,239 --> 00:54:38,320
Speaker 3: so the noise that echoed, Oh my god.

1117
00:54:38,480 --> 00:54:40,480
Speaker 4: And I was just like melting up there.

1118
00:54:40,960 --> 00:54:44,080
Speaker 3: And I think he'd gotten really mad because our boss

1119
00:54:44,239 --> 00:54:48,000
Speaker 3: had literally written the most embarrassing wedding vows for Brooke

1120
00:54:48,080 --> 00:54:50,200
Speaker 3: Davis that you've ever heard in your life. So I

1121
00:54:50,280 --> 00:54:53,600
Speaker 3: rewrote them and I literally was like, no, I'm doing it.

1122
00:54:53,640 --> 00:54:55,960
Speaker 3: I wrote them, I'm saying this, and they were like,

1123
00:54:56,000 --> 00:54:57,439
Speaker 3: you can't do that, and I was like, I dare

1124
00:54:57,480 --> 00:54:59,760
Speaker 3: you watch me? Call him, call La, call the writer's

1125
00:55:00,520 --> 00:55:02,600
Speaker 3: I've put my blood, sweat and tears into this woman

1126
00:55:02,640 --> 00:55:04,759
Speaker 3: and I am not letting her say this bullshit like

1127
00:55:04,880 --> 00:55:05,920
Speaker 3: I just had had it.

1128
00:55:06,200 --> 00:55:08,320
Speaker 4: We were eight years in. I didn't care anymore.

1129
00:55:09,000 --> 00:55:12,839
Speaker 3: So I think I think our bosses who were there

1130
00:55:12,960 --> 00:55:15,520
Speaker 3: were a little like whool because they'd lost a battle

1131
00:55:15,520 --> 00:55:19,000
Speaker 3: with me, so they han, yeah, oh, they came in

1132
00:55:19,040 --> 00:55:21,720
Speaker 3: so hot and they yelled at all of us so bad.

1133
00:55:22,520 --> 00:55:24,920
Speaker 2: Isn't it crazy like that they were still treating us

1134
00:55:24,960 --> 00:55:26,520
Speaker 2: like little kids, like.

1135
00:55:26,719 --> 00:55:28,240
Speaker 4: I'm thirty years old.

1136
00:55:28,480 --> 00:55:30,520
Speaker 1: I mean, to be fair, we were, we were acting

1137
00:55:30,560 --> 00:55:31,759
Speaker 1: like we were being had day.

1138
00:55:32,120 --> 00:55:34,120
Speaker 4: It was a mess. I love it.

1139
00:55:34,520 --> 00:55:38,120
Speaker 2: Yeah, we'd really run out. I'm gonna need Brook Davis

1140
00:55:38,160 --> 00:55:41,080
Speaker 2: to get married again, so I couldn't come because I

1141
00:55:41,120 --> 00:55:44,400
Speaker 2: feel like it's like the live band at Brook's wedding

1142
00:55:44,520 --> 00:55:46,400
Speaker 2: is probably really tight.

1143
00:55:48,360 --> 00:55:50,080
Speaker 3: Brook Davis goes how to throw a party, we have

1144
00:55:50,160 --> 00:55:52,399
Speaker 3: that in common. To clarify this, since you were talking

1145
00:55:52,440 --> 00:55:54,920
Speaker 3: about how much you got, I feel like this is

1146
00:55:54,960 --> 00:55:59,040
Speaker 3: a really important moment to tell our fans that we

1147
00:55:59,040 --> 00:56:02,520
Speaker 3: were told Joy and I that you had been invited

1148
00:56:02,560 --> 00:56:05,200
Speaker 3: back for the episode and said no, no, And then

1149
00:56:05,280 --> 00:56:08,000
Speaker 3: obviously when we talked you were like, no, they never

1150
00:56:08,040 --> 00:56:11,840
Speaker 3: asked me to come, but they had essentially asked us

1151
00:56:12,400 --> 00:56:14,200
Speaker 3: in the press to be like oh, well, you know,

1152
00:56:14,360 --> 00:56:16,760
Speaker 3: she was invited to come, but was doing White Callar

1153
00:56:16,880 --> 00:56:19,000
Speaker 3: or whatever you were working on at the time. I

1154
00:56:19,000 --> 00:56:21,279
Speaker 3: think it was that same year. And then when I

1155
00:56:21,320 --> 00:56:23,239
Speaker 3: talked to you and found out that was a lie,

1156
00:56:23,760 --> 00:56:25,839
Speaker 3: I went ballistic.

1157
00:56:26,040 --> 00:56:28,879
Speaker 4: I was so mad. Oh I was mad.

1158
00:56:29,640 --> 00:56:35,480
Speaker 1: So to be clearer, Peyton should have been at Peyton should.

1159
00:56:35,280 --> 00:56:37,200
Speaker 3: Have been there, and it wasn't up to any of us.

1160
00:56:37,600 --> 00:56:40,080
Speaker 2: No. The only time I ever got a phone call

1161
00:56:40,800 --> 00:56:44,320
Speaker 2: was I was pregnant with Gus. It was in October

1162
00:56:44,560 --> 00:56:48,680
Speaker 2: of I Guess season seven, and my manager got a

1163
00:56:48,719 --> 00:56:52,080
Speaker 2: call that was like, Hillary's on the board for this episode,

1164
00:56:52,160 --> 00:56:54,399
Speaker 2: so we're trying to schedule her travel. And we had

1165
00:56:54,440 --> 00:56:58,520
Speaker 2: had an epic fallout as I left the show, and

1166
00:56:59,640 --> 00:57:02,080
Speaker 2: my manager had been told all these things by our

1167
00:57:02,080 --> 00:57:04,480
Speaker 2: bosses that were just like horrific about me and that

1168
00:57:04,560 --> 00:57:07,120
Speaker 2: I'd never work again and all this stuff, and so

1169
00:57:07,160 --> 00:57:09,440
Speaker 2: it's just this really pleasant call from like a secretary,

1170
00:57:09,600 --> 00:57:12,279
Speaker 2: like we're trying to book her, and I was like

1171
00:57:12,600 --> 00:57:16,560
Speaker 2: super pregnant, and I was like, uh, I'm unavailable.

1172
00:57:18,480 --> 00:57:20,600
Speaker 4: You're like I'm not getting on a plane right now,

1173
00:57:20,680 --> 00:57:21,280
Speaker 4: thank you much.

1174
00:57:21,360 --> 00:57:24,400
Speaker 2: Yes, Yeah, that was the only that was the only

1175
00:57:24,440 --> 00:57:28,520
Speaker 2: call that I can remember getting certainly no like Brook's

1176
00:57:28,600 --> 00:57:29,640
Speaker 2: wedding situation.

1177
00:57:31,280 --> 00:57:32,960
Speaker 4: Wow, we'll just have to do it again.

1178
00:57:33,320 --> 00:57:35,400
Speaker 3: They just weren't They weren't prepared for the three of

1179
00:57:35,480 --> 00:57:37,080
Speaker 3: us to be back in the room together again.

1180
00:57:37,120 --> 00:57:38,840
Speaker 4: That's all we need.

1181
00:57:39,040 --> 00:57:41,560
Speaker 1: We need somebody to cut somebody who's a fan, who

1182
00:57:41,680 --> 00:57:46,280
Speaker 1: has all these clips to cut together. Yeah, at Brook's wedding.

1183
00:57:46,160 --> 00:57:49,160
Speaker 3: Put Peyton in the wedding so that we're all there together.

1184
00:57:49,560 --> 00:57:52,120
Speaker 2: There's enough footage of when I was on white collar,

1185
00:57:52,480 --> 00:57:55,760
Speaker 2: like constantly dressed up for because my character was always

1186
00:57:55,880 --> 00:57:58,680
Speaker 2: dressed up, that they can cut that in with Brooke

1187
00:57:58,760 --> 00:57:59,560
Speaker 2: Davis's wedding.

1188
00:58:00,320 --> 00:58:03,080
Speaker 4: I'm like, someone can do that. I'm into it.

1189
00:58:03,320 --> 00:58:08,520
Speaker 1: Yeah, Kiah, seriously, though, you should when this is over,

1190
00:58:09,040 --> 00:58:11,320
Speaker 1: set up your phone and take you look like you're

1191
00:58:11,320 --> 00:58:13,200
Speaker 1: in a Hitchcock movie right now. You need to take

1192
00:58:13,240 --> 00:58:14,160
Speaker 1: some photos in this light.

1193
00:58:15,360 --> 00:58:18,440
Speaker 2: Eve all all right, I'll just sit here and be

1194
00:58:18,520 --> 00:58:22,760
Speaker 2: dark and stormy while we spin a wheel rear window.

1195
00:58:23,480 --> 00:58:25,520
Speaker 4: I love that I just showed Gus all those movies.

1196
00:58:25,720 --> 00:58:29,440
Speaker 1: He dug it so good on theme.

1197
00:58:31,000 --> 00:58:34,320
Speaker 4: Wait, did you guys do this on purpose? Did our

1198
00:58:34,440 --> 00:58:37,760
Speaker 4: producers manipulate this? Tell us?

1199
00:58:37,840 --> 00:58:42,120
Speaker 1: Yes, or no, this is incredible, this is so good.

1200
00:58:42,120 --> 00:58:47,040
Speaker 2: They swear they didn't manipulate this all right, Which one

1201
00:58:47,080 --> 00:58:49,600
Speaker 2: of us is most likely to be late to their

1202
00:58:49,720 --> 00:58:50,640
Speaker 2: own wedding?

1203
00:58:55,840 --> 00:58:59,360
Speaker 4: Well, like all of us have been married a couple times, like.

1204
00:59:02,640 --> 00:59:05,800
Speaker 2: You know what, I was engaged for like ten years,

1205
00:59:05,920 --> 00:59:07,720
Speaker 2: So I would say that was pretty.

1206
00:59:07,480 --> 00:59:11,520
Speaker 4: Late to my own wedding. I've pushed that so far.

1207
00:59:12,040 --> 00:59:13,439
Speaker 4: I was like, why don't we just have a couple

1208
00:59:13,480 --> 00:59:14,360
Speaker 4: of kids first?

1209
00:59:14,800 --> 00:59:16,800
Speaker 1: Yeah, yeah, that is that's pretty funny.

1210
00:59:17,080 --> 00:59:17,360
Speaker 2: Yeah.

1211
00:59:17,480 --> 00:59:19,800
Speaker 1: I feel like my ADHD would make me late because

1212
00:59:19,840 --> 00:59:21,960
Speaker 1: I would at the last second be like, oh I

1213
00:59:22,160 --> 00:59:24,959
Speaker 1: really need some floss and there's a drugstore across the street.

1214
00:59:25,000 --> 00:59:26,120
Speaker 1: Let me just run out real quick.

1215
00:59:26,160 --> 00:59:27,360
Speaker 4: I'll do it myself.

1216
00:59:27,760 --> 00:59:31,480
Speaker 2: Yeah yeah, yeah, you would want to do something yourself exactly.

1217
00:59:31,880 --> 00:59:37,320
Speaker 8: But which character seems like a Nathan thing. Nathan's so

1218
00:59:37,360 --> 00:59:40,120
Speaker 8: afraid he's gonna get in trouble all the time. Yeah,

1219
00:59:40,160 --> 00:59:42,439
Speaker 8: I just feel like happens to him.

1220
00:59:42,480 --> 00:59:45,240
Speaker 1: He just doesn't. I'm sorry, I'm sorry, I'm sorry, I'm sorry.

1221
00:59:45,520 --> 00:59:48,040
Speaker 3: I actually for sure feel like Dan Scott would have

1222
00:59:48,040 --> 00:59:50,720
Speaker 3: been laid to his wedding, but on purpose, as like

1223
00:59:50,760 --> 00:59:52,440
Speaker 3: a manipulative tactic.

1224
00:59:53,160 --> 00:59:53,880
Speaker 1: Yeah, good call.

1225
00:59:54,080 --> 00:59:57,760
Speaker 4: Oh I showed up. Are you surprised? Congratulations?

1226
00:59:58,720 --> 00:59:59,280
Speaker 1: Yeah?

1227
00:59:59,680 --> 00:59:59,960
Speaker 4: Yeah?

1228
01:00:00,160 --> 01:00:00,800
Speaker 2: Oh man.

1229
01:00:01,240 --> 01:00:03,560
Speaker 3: I weirdly don't feel like any of us. I don't

1230
01:00:03,560 --> 01:00:05,560
Speaker 3: feel like Brook, Payton or Haley would have been late.

1231
01:00:06,280 --> 01:00:08,400
Speaker 1: No, none of us. No, I don't think so.

1232
01:00:08,960 --> 01:00:11,560
Speaker 4: No. I can see something like happening to mouth.

1233
01:00:11,680 --> 01:00:14,360
Speaker 2: He's another one of those people that has like high

1234
01:00:14,440 --> 01:00:15,880
Speaker 2: jinks all the time. O.

1235
01:00:16,400 --> 01:00:21,640
Speaker 4: Yeah, Rachel kidnapped me. I didn't mean to be late. Yeah,

1236
01:00:21,960 --> 01:00:22,400
Speaker 4: that one.

1237
01:00:22,480 --> 01:00:22,840
Speaker 1: Yeah.

1238
01:00:22,920 --> 01:00:25,360
Speaker 2: I have no idea what happens in the fallout. I

1239
01:00:25,400 --> 01:00:29,800
Speaker 2: think I only remember storyline wise what happens up to now,

1240
01:00:30,920 --> 01:00:34,440
Speaker 2: to the wedding falling apart. Yeah, but I feel like

1241
01:00:34,520 --> 01:00:37,480
Speaker 2: Lucas is mad at Peyton somehow, and she didn't do it,

1242
01:00:37,560 --> 01:00:38,800
Speaker 2: She didn't do anything.

1243
01:00:39,000 --> 01:00:40,960
Speaker 1: I'm gonna be so annoyed if Lucas shows up at

1244
01:00:40,960 --> 01:00:44,000
Speaker 1: Peyton's door sad SACKI like, oo, come for me.

1245
01:00:46,360 --> 01:00:48,880
Speaker 4: Well, it's Peyton and brookstore, it's the both of us.

1246
01:00:49,240 --> 01:00:50,800
Speaker 1: That's right, that's right, we live together.

1247
01:00:50,920 --> 01:00:52,840
Speaker 3: Oh my god, if he starts sleeping on our couch,

1248
01:00:52,880 --> 01:00:53,840
Speaker 3: I will die laughing.

1249
01:00:54,360 --> 01:00:56,840
Speaker 4: I really don't remember what happens. I don't either. I

1250
01:00:56,840 --> 01:01:00,200
Speaker 4: can't wait to find out. All right you guys, well,

1251
01:01:00,280 --> 01:01:02,240
Speaker 4: all right, hang in there.

1252
01:01:02,560 --> 01:01:08,400
Speaker 3: We will see you next week for Season five, episode thirteen. Echoes, Silence, patience,

1253
01:01:08,440 --> 01:01:12,800
Speaker 3: and grace. Oh boy, here we go, Lions, Tigers and bears,

1254
01:01:12,800 --> 01:01:16,920
Speaker 3: ah Mine, Hey.

1255
01:01:16,720 --> 01:01:17,600
Speaker 1: Thanks for listening.

1256
01:01:17,720 --> 01:01:19,080
Speaker 4: Don't forget to leave us a review.

1257
01:01:19,360 --> 01:01:23,920
Speaker 3: You can also follow us on Instagram at Drama Queen's Oth.

1258
01:01:23,640 --> 01:01:27,800
Speaker 2: Or email us at Drama Queens at iHeartRadio dot com.

1259
01:01:28,080 --> 01:01:32,680
Speaker 4: See you next time. We all about that high school drama.

1260
01:01:32,720 --> 01:01:34,479
Speaker 4: Girl Drama Girl, all about them.

1261
01:01:34,440 --> 01:01:37,640
Speaker 6: High school queens. We'll take you for a ride at

1262
01:01:37,640 --> 01:01:41,200
Speaker 6: our comic girl sharing for the right team Drama Queens

1263
01:01:42,640 --> 01:01:45,120
Speaker 6: up girl Fashion, but your tough girl, you could sit

1264
01:01:45,200 --> 01:01:45,320
Speaker 6: with

1265
01:01:45,400 --> 01:01:49,320
Speaker 5: Us Girl Drama, Queens, Drama, Queens Drama, Queens Drama Drama,

1266
01:01:49,400 --> 01:01:51,400
Speaker 5: Queens Drama Queens