1
00:00:00,960 --> 00:00:04,559
Speaker 1: Look mayre, Oh, I see you my own bow and

2
00:00:04,600 --> 00:00:08,600
Speaker 1: look over there is that culture Yes, goodness, wow, lost

3
00:00:08,600 --> 00:00:14,440
Speaker 1: cult dang dong last culturista is calling. That's right. Don't

4
00:00:14,440 --> 00:00:19,360
Speaker 1: adjust your dials. It's just bowing today. Matt is taking

5
00:00:19,360 --> 00:00:22,479
Speaker 1: a well deserved break, very well deserved. I mean, you

6
00:00:22,520 --> 00:00:24,960
Speaker 1: all know it's fine. He just had so much fun

7
00:00:25,000 --> 00:00:27,280
Speaker 1: at Kelly Clarkson in Vegas. I could not join him

8
00:00:27,280 --> 00:00:30,639
Speaker 1: because I was at home losing eight pounds to a

9
00:00:30,680 --> 00:00:34,360
Speaker 1: bacterial infection. It's all good, it's all good. Oh and

10
00:00:34,680 --> 00:00:38,720
Speaker 1: my guest got me a bagel burger. And you want

11
00:00:38,720 --> 00:00:40,800
Speaker 1: to know something, I didn't even open the back to

12
00:00:40,840 --> 00:00:42,640
Speaker 1: see what it was or what it looked like, because

13
00:00:42,680 --> 00:00:46,440
Speaker 1: I guess what did not have an appetite. Swallowing felt

14
00:00:46,520 --> 00:00:50,200
Speaker 1: like daggers. I threw it in the garbage. Isn't that terrible? Sorry,

15
00:00:50,240 --> 00:00:54,959
Speaker 1: Greta Thunberg. Well, anyway, I mean, let's just get right

16
00:00:55,000 --> 00:00:59,760
Speaker 1: into it. Our guest is one of the great amuse

17
00:01:00,160 --> 00:01:02,640
Speaker 1: status even to me, at least to my mind. When

18
00:01:02,680 --> 00:01:05,039
Speaker 1: I think, I think, I think she's America's muse in

19
00:01:05,080 --> 00:01:08,520
Speaker 1: a way. She's on her Live and in the Flesh

20
00:01:08,560 --> 00:01:15,160
Speaker 1: tour this summer upcoming dates August twenty fifth in Portland,

21
00:01:15,319 --> 00:01:19,440
Speaker 1: August twenty sixth in Seattle at the Thing Fest, September

22
00:01:19,600 --> 00:01:22,960
Speaker 1: seventh at the hop Scotch Music Festival in Raleigh, September

23
00:01:23,040 --> 00:01:26,639
Speaker 1: eighth in DC, September ninth in Pittsburgh. That's the Beyonce

24
00:01:26,840 --> 00:01:28,959
Speaker 1: makeup show for the Renaissance tour.

25
00:01:29,000 --> 00:01:29,360
Speaker 2: People.

26
00:01:29,560 --> 00:01:32,800
Speaker 1: We're sorry she canceled, but Sarah's coming into town, and

27
00:01:33,160 --> 00:01:37,080
Speaker 1: of course September tenth in Philly and September thirteenth in

28
00:01:37,240 --> 00:01:40,080
Speaker 1: LA I think I got those dates right. This is

29
00:01:40,120 --> 00:01:42,160
Speaker 1: all from memory. This is all from because guess what,

30
00:01:42,200 --> 00:01:45,399
Speaker 1: I love our guests so much and you must go

31
00:01:45,440 --> 00:01:48,640
Speaker 1: see her on tour. Seeing this person live is I

32
00:01:48,640 --> 00:01:52,440
Speaker 1: think a pretty religious experience. I remember the first time

33
00:01:52,440 --> 00:01:56,600
Speaker 1: I saw this girl and I thought, I'm gonna be

34
00:01:56,680 --> 00:01:59,440
Speaker 1: crying to her on Thursdays about my sketch beating polled.

35
00:02:00,160 --> 00:02:02,560
Speaker 1: I know we can't talk about the show that we're

36
00:02:02,600 --> 00:02:05,800
Speaker 1: on together because of this damn strike, these double strikes.

37
00:02:06,240 --> 00:02:08,560
Speaker 1: But you know where to find her, you know her,

38
00:02:08,720 --> 00:02:12,440
Speaker 1: you love her so much. She really is one of

39
00:02:12,480 --> 00:02:18,880
Speaker 1: the great minds, people, styles, aesthetic legends of the world

40
00:02:18,919 --> 00:02:19,799
Speaker 1: and generation.

41
00:02:20,200 --> 00:02:25,840
Speaker 2: Everyone welcome Sarah scorm. So many did their damn homework. Honey.

42
00:02:25,919 --> 00:02:29,120
Speaker 1: I love to go home and right on my little

43
00:02:29,120 --> 00:02:30,360
Speaker 1: work book. Hi, Sarah.

44
00:02:30,440 --> 00:02:32,000
Speaker 2: If you put a gun to my head and said,

45
00:02:32,000 --> 00:02:34,400
Speaker 2: what are your tour dates? And tell me the days

46
00:02:34,560 --> 00:02:36,120
Speaker 2: and tell me the bad news, I would not be

47
00:02:36,120 --> 00:02:36,760
Speaker 2: able to do. Honey.

48
00:02:36,840 --> 00:02:38,959
Speaker 1: Well, you're living it. You're up there performing, you don't.

49
00:02:38,960 --> 00:02:42,280
Speaker 1: You don't have time to worry about dates. I'm hosting

50
00:02:42,280 --> 00:02:44,080
Speaker 1: a damn show where I have a guest done, and

51
00:02:44,120 --> 00:02:45,400
Speaker 1: I need to sort of get up to.

52
00:02:45,360 --> 00:02:48,959
Speaker 2: See you giving pom pilot vibes, pompilot vibes. I don't

53
00:02:49,040 --> 00:02:49,760
Speaker 2: like this sound of that.

54
00:02:50,040 --> 00:02:50,880
Speaker 1: Did you have one?

55
00:02:51,400 --> 00:02:52,720
Speaker 2: No? Did you?

56
00:02:52,400 --> 00:02:56,240
Speaker 1: I remember we got the costco version, the budget costco version,

57
00:02:56,240 --> 00:03:01,680
Speaker 1: and it was a posy. Hey, sorry, palm, you didn't

58
00:03:01,720 --> 00:03:02,760
Speaker 1: slay until the trio.

59
00:03:03,440 --> 00:03:06,080
Speaker 2: You didn't have one? No, because don't you need it

60
00:03:06,120 --> 00:03:08,639
Speaker 2: to schedule? Did your dad have one? Your parents.

61
00:03:09,919 --> 00:03:11,400
Speaker 1: A gender thing? Oh?

62
00:03:11,400 --> 00:03:13,200
Speaker 2: You don't think my school teacher mother had a pomp

63
00:03:13,200 --> 00:03:16,200
Speaker 2: pilot to be scheduling when when's homework and one's quizzes?

64
00:03:16,280 --> 00:03:19,440
Speaker 2: That would be cunty she did. If mom was serving

65
00:03:19,440 --> 00:03:22,160
Speaker 2: pomp pilots down the house, boot down the house boo.

66
00:03:22,919 --> 00:03:26,960
Speaker 2: I want whatever bacterial infection you had tell me more, Yeah,

67
00:03:27,080 --> 00:03:27,720
Speaker 2: I want it.

68
00:03:27,800 --> 00:03:28,440
Speaker 3: I just want to.

69
00:03:28,400 --> 00:03:29,320
Speaker 2: Cleanse you want to.

70
00:03:30,680 --> 00:03:33,239
Speaker 1: I do feel like reborn, Like I think I'm coming

71
00:03:33,280 --> 00:03:35,520
Speaker 1: out of this being like I'm never smoking a cigarette

72
00:03:35,600 --> 00:03:36,640
Speaker 1: ever again in my life.

73
00:03:36,720 --> 00:03:37,240
Speaker 3: Cigarette.

74
00:03:37,280 --> 00:03:39,960
Speaker 2: That's interesting. Like you don't have like a pregnancy craving.

75
00:03:40,000 --> 00:03:42,040
Speaker 2: It's like I'm never gonna eat garlic again or something

76
00:03:42,040 --> 00:03:44,200
Speaker 2: like that. You had a bike to that's a crazy

77
00:03:46,920 --> 00:03:52,400
Speaker 2: what's the opposite of craving? I don't know an anti craving? Me, Hi,

78
00:03:53,600 --> 00:04:00,200
Speaker 2: that's really what I just like thirty seconds. No, it's

79
00:04:00,200 --> 00:04:02,960
Speaker 2: an a to see. You're laughing too much to me

80
00:04:03,320 --> 00:04:04,400
Speaker 2: because you're.

81
00:04:04,200 --> 00:04:06,760
Speaker 3: I haven't been live in the flesh with you actually.

82
00:04:07,080 --> 00:04:07,160
Speaker 1: And.

83
00:04:09,120 --> 00:04:11,640
Speaker 2: You're making me laugh and you are making me feel shy.

84
00:04:12,120 --> 00:04:14,840
Speaker 2: Why because you were going like this next person coming

85
00:04:14,840 --> 00:04:16,640
Speaker 2: to the stage is the muse. She's the icon, she's

86
00:04:16,680 --> 00:04:17,039
Speaker 2: the moment.

87
00:04:17,080 --> 00:04:18,680
Speaker 3: And I was getting shy and I was giggling.

88
00:04:19,080 --> 00:04:20,720
Speaker 1: But you know, this is how I feel about.

89
00:04:20,720 --> 00:04:22,760
Speaker 2: This is not a discovery for you well and not

90
00:04:22,960 --> 00:04:24,599
Speaker 2: you know, for the listeners at home. One of the

91
00:04:24,600 --> 00:04:27,880
Speaker 2: best compliments I've ever received in my life, my short life,

92
00:04:27,960 --> 00:04:31,880
Speaker 2: barely legal life on this planet is that you said

93
00:04:31,880 --> 00:04:34,520
Speaker 2: that the short that I made was a visual feast

94
00:04:34,720 --> 00:04:35,719
Speaker 2: live on Lost Culture.

95
00:04:36,320 --> 00:04:37,880
Speaker 1: But that was when we were on Zoom, and like

96
00:04:37,920 --> 00:04:40,080
Speaker 1: we didn't really know each other that well, but that.

97
00:04:40,160 --> 00:04:42,680
Speaker 2: Was like I put that in my hat as the

98
00:04:42,760 --> 00:04:45,200
Speaker 2: nicest compliment I ever received, and that was live on

99
00:04:45,279 --> 00:04:46,799
Speaker 2: Lost culteresas.

100
00:04:46,320 --> 00:04:50,760
Speaker 1: I've given you at least a baker's dozen more better compliments.

101
00:04:50,800 --> 00:04:54,039
Speaker 2: But there is something about the texture. We didn't know

102
00:04:54,120 --> 00:04:56,400
Speaker 2: each other that well, and for you to just come

103
00:04:56,480 --> 00:04:58,360
Speaker 2: right out and say what you made was a visual feast,

104
00:04:58,440 --> 00:04:59,720
Speaker 2: I said, so you do know me better than I

105
00:04:59,760 --> 00:05:02,720
Speaker 2: know my self actually, but you knew that about yourself.

106
00:05:03,600 --> 00:05:09,160
Speaker 2: You just need to put words to the paper into Yeah.

107
00:05:07,520 --> 00:05:15,520
Speaker 1: Now, where does this come from this? Because no, no, no, no,

108
00:05:16,240 --> 00:05:18,440
Speaker 1: this is a compliment that I was. This is the

109
00:05:18,440 --> 00:05:21,080
Speaker 1: most accurate compliment I've ever given you, which was something

110
00:05:21,200 --> 00:05:23,919
Speaker 1: I told you the other day, which is you are someone.

111
00:05:24,360 --> 00:05:27,800
Speaker 1: You're the person who is the most attuned to literally,

112
00:05:27,880 --> 00:05:31,840
Speaker 1: like in antiquity, when people would describe like genius, it

113
00:05:31,880 --> 00:05:34,440
Speaker 1: would be like the root word is gin, Like it's

114
00:05:34,440 --> 00:05:37,240
Speaker 1: a genius. It's like a fucking demon in the walls

115
00:05:37,720 --> 00:05:39,920
Speaker 1: and it's like you commune with the demon in the walls,

116
00:05:39,920 --> 00:05:41,920
Speaker 1: and it's like and it's kind of a liberating thing

117
00:05:41,920 --> 00:05:44,080
Speaker 1: because of whatever work you make, whether it's great or bad,

118
00:05:44,120 --> 00:05:45,800
Speaker 1: it's like you can't take all the credit for it.

119
00:05:45,960 --> 00:05:49,560
Speaker 2: I'm closing my eyes right now to erase you, so

120
00:05:49,600 --> 00:05:56,120
Speaker 2: I don't even hear because you said planet, well, you're sure.

121
00:05:57,480 --> 00:05:59,480
Speaker 1: Sorry, Okay, I'm being I'm being I'm being alone, you're

122
00:05:59,520 --> 00:06:01,200
Speaker 1: being well.

123
00:06:01,320 --> 00:06:05,120
Speaker 2: No, I do sometimes feel like that. Oftentimes creativity can

124
00:06:05,120 --> 00:06:08,000
Speaker 2: be a demon that does possess you. Yes, because the

125
00:06:08,080 --> 00:06:11,960
Speaker 2: worst feeling. Actually this is something Jack Bensinger, which is

126
00:06:11,960 --> 00:06:14,360
Speaker 2: that sometimes I do feel plagued by like, oh my god,

127
00:06:14,360 --> 00:06:15,560
Speaker 2: I just had an idea, but I don't have a

128
00:06:15,560 --> 00:06:17,279
Speaker 2: pen and paper to write it down. And actually I'd

129
00:06:17,320 --> 00:06:19,400
Speaker 2: rather die than be in this situation right now. And

130
00:06:19,480 --> 00:06:21,839
Speaker 2: Jack said, if you ever have an idea, and I'm

131
00:06:21,839 --> 00:06:22,800
Speaker 2: outing him right now.

132
00:06:23,279 --> 00:06:26,920
Speaker 1: We love Jack ben Singer. Jack Benson readers Katie's PUBLICI

133
00:06:26,920 --> 00:06:27,520
Speaker 1: is finalized.

134
00:06:27,720 --> 00:06:29,880
Speaker 2: Check him out. He's a good one. He is a

135
00:06:29,920 --> 00:06:33,720
Speaker 2: good he's one to watch. He when he has an

136
00:06:33,720 --> 00:06:35,320
Speaker 2: idea and he can't write it down because he's being

137
00:06:35,320 --> 00:06:38,440
Speaker 2: possessed by the demon yes, he goes like this, he

138
00:06:38,480 --> 00:06:41,520
Speaker 2: holds onto it and so then like whatever, whenever the

139
00:06:41,560 --> 00:06:43,479
Speaker 2: movie's over, because he couldn't write it down during the movie,

140
00:06:43,880 --> 00:06:45,320
Speaker 2: he goes, why are my fingers like this? Oh yeah,

141
00:06:45,320 --> 00:06:47,560
Speaker 2: I'm holding onto that idea and he remembers it.

142
00:06:48,160 --> 00:06:49,040
Speaker 1: He's a genius.

143
00:06:49,279 --> 00:06:51,040
Speaker 2: Did I just out him like that's like one of

144
00:06:51,040 --> 00:06:53,120
Speaker 2: the most intimate, vulnerable things about a person, how you

145
00:06:53,120 --> 00:06:54,040
Speaker 2: hold onto your idea.

146
00:06:54,720 --> 00:06:58,960
Speaker 1: But I don't think that's like a naked sort of exposition.

147
00:06:59,040 --> 00:07:01,160
Speaker 1: Though we can ask him.

148
00:07:01,080 --> 00:07:04,279
Speaker 2: After permission, do I have consent to out your creative process?

149
00:07:04,720 --> 00:07:06,480
Speaker 1: And then if he says no, then we're cutting this.

150
00:07:06,680 --> 00:07:07,040
Speaker 2: Cut it.

151
00:07:07,080 --> 00:07:09,039
Speaker 1: But if you're seeing this at home, if you're listening

152
00:07:09,120 --> 00:07:11,040
Speaker 1: to this amazing.

153
00:07:10,960 --> 00:07:13,080
Speaker 2: Incredibly like you're in the shower, you're all SuDS dub

154
00:07:13,160 --> 00:07:15,240
Speaker 2: you couldn't possibly write something now and you're completely wet,

155
00:07:16,120 --> 00:07:17,160
Speaker 2: And then does he tend to okay?

156
00:07:17,200 --> 00:07:19,480
Speaker 1: So so so for people who are listening who can't

157
00:07:19,480 --> 00:07:22,880
Speaker 1: see it's what Jack Ben Singer does is he puts

158
00:07:22,880 --> 00:07:25,400
Speaker 1: his fingertips together, his index and his thumb.

159
00:07:25,560 --> 00:07:27,640
Speaker 2: Right, I forgot a podcast is in a visual medium.

160
00:07:27,680 --> 00:07:31,560
Speaker 1: We forget all the time. And but he puts his

161
00:07:31,720 --> 00:07:34,240
Speaker 1: tips together just to like kind of like kind of

162
00:07:34,280 --> 00:07:36,840
Speaker 1: like not quiet coyote, but the opposite of quie coyote,

163
00:07:36,880 --> 00:07:37,800
Speaker 1: where it's index.

164
00:07:37,560 --> 00:07:39,240
Speaker 2: And the W and what could you possibly be talking

165
00:07:39,240 --> 00:07:41,680
Speaker 2: about about a quiet coyote? This is quiet coyote? And

166
00:07:41,760 --> 00:07:42,320
Speaker 2: who is she?

167
00:07:42,600 --> 00:07:45,000
Speaker 1: This? This is for classrooms. This is like a second

168
00:07:45,000 --> 00:07:46,360
Speaker 1: grade like qui coyote?

169
00:07:46,520 --> 00:07:47,720
Speaker 3: One two three, eyes on me?

170
00:07:48,040 --> 00:07:51,880
Speaker 2: Yeah, drop everything and read could be teaching. I could

171
00:07:51,920 --> 00:07:55,720
Speaker 2: be teaching. We should be teaching because these girls, these

172
00:07:55,720 --> 00:07:59,840
Speaker 2: girls need to know, they need to not you would

173
00:07:59,840 --> 00:08:02,640
Speaker 2: be what great would you teach? I would teach the

174
00:08:02,800 --> 00:08:04,760
Speaker 2: oldest that you could be.

175
00:08:04,920 --> 00:08:07,480
Speaker 1: That is the bravest answer you could be.

176
00:08:07,480 --> 00:08:09,640
Speaker 2: Because I want to come in and be like, every

177
00:08:09,680 --> 00:08:13,360
Speaker 2: single thing you've been taught is wrong and you need

178
00:08:13,400 --> 00:08:16,880
Speaker 2: to go back and respect your mother's of history.

179
00:08:17,680 --> 00:08:21,840
Speaker 1: That is so brave. This is how I know you're fearless.

180
00:08:22,000 --> 00:08:23,440
Speaker 3: No, no, But here's the thing.

181
00:08:23,480 --> 00:08:26,080
Speaker 2: I think it's also because that is like the age

182
00:08:26,120 --> 00:08:29,320
Speaker 2: demographic that I feel the most like I need to

183
00:08:29,320 --> 00:08:31,720
Speaker 2: get to. Like you look to your left and you

184
00:08:31,720 --> 00:08:33,800
Speaker 2: look to your right at Sarah Scormliman in the flesh,

185
00:08:33,840 --> 00:08:36,439
Speaker 2: and you are not seeing those age of people. I'm

186
00:08:36,440 --> 00:08:36,720
Speaker 2: telling you.

187
00:08:36,760 --> 00:08:38,520
Speaker 1: That that, but you want them?

188
00:08:38,640 --> 00:08:41,520
Speaker 2: I want them, I want them becau doesn't that make

189
00:08:41,559 --> 00:08:44,240
Speaker 2: you feel don't you get all the like twenty year

190
00:08:44,280 --> 00:08:47,120
Speaker 2: olds and like the nineteen year olds listening in tuning.

191
00:08:46,840 --> 00:08:48,320
Speaker 1: In, I think they don't like us.

192
00:08:48,600 --> 00:08:49,920
Speaker 2: What do we have to do to get them to

193
00:08:50,000 --> 00:08:55,319
Speaker 2: like us? I'm not like too impressed to impress. I

194
00:08:55,840 --> 00:08:59,120
Speaker 2: feel like they're hey, they're fine. I feel like if

195
00:08:59,120 --> 00:09:01,920
Speaker 2: they like us, they'll us. But I feel like this

196
00:09:01,960 --> 00:09:05,440
Speaker 2: is interesting that you're connecting. Great. I'm going.

197
00:09:06,720 --> 00:09:10,360
Speaker 1: You want these students to be in your audience because

198
00:09:10,840 --> 00:09:14,720
Speaker 1: I also understand that like younger kids. Younger kids, they

199
00:09:14,760 --> 00:09:18,160
Speaker 1: already like love you, colors.

200
00:09:17,400 --> 00:09:26,120
Speaker 2: Shiny your baby, I'm baby, gotta love me. But you know,

201
00:09:26,360 --> 00:09:28,439
Speaker 2: there have been like fourteen year old in my audience

202
00:09:28,480 --> 00:09:30,520
Speaker 2: this summer that the parents took them and I have

203
00:09:30,720 --> 00:09:33,920
Speaker 2: open assholes on the screen during my show, and I

204
00:09:34,000 --> 00:09:36,600
Speaker 2: kind of stand there and I go, should I say something?

205
00:09:38,440 --> 00:09:41,760
Speaker 2: I feel like because it's the poster is a trigger warning,

206
00:09:41,760 --> 00:09:44,679
Speaker 2: there's a on it, there's some blood on it. No

207
00:09:45,120 --> 00:09:47,000
Speaker 2: Sarah squirm, you would think it's gonna I know, but

208
00:09:47,040 --> 00:09:50,640
Speaker 2: I do feel guilt, of course. No, I've created a

209
00:09:50,679 --> 00:09:52,120
Speaker 2: traumatic experience for the family.

210
00:09:52,800 --> 00:09:57,240
Speaker 1: I was just at dinner with a father of adolescence

211
00:09:57,520 --> 00:10:01,600
Speaker 1: go on about this. It was Michael RHUs Kane, wonderful comedian,

212
00:10:02,640 --> 00:10:05,680
Speaker 1: and he was talking about taking his kids to see

213
00:10:06,960 --> 00:10:11,120
Speaker 1: someone's movie that's coming out. I can't say what those.

214
00:10:11,000 --> 00:10:11,840
Speaker 3: Pencils down, we're on.

215
00:10:12,080 --> 00:10:17,280
Speaker 2: Pencils down and acting drama masks down as well. I

216
00:10:17,360 --> 00:10:20,439
Speaker 2: should have put that on shirts. Acting drama masks down

217
00:10:20,480 --> 00:10:21,520
Speaker 2: as well.

218
00:10:21,440 --> 00:10:23,760
Speaker 1: Acting drama masks down as well. I got an invite

219
00:10:23,760 --> 00:10:25,920
Speaker 1: to well, I can't even say to something that you're

220
00:10:25,960 --> 00:10:30,240
Speaker 1: in ah, and I can't partake.

221
00:10:29,960 --> 00:10:31,520
Speaker 3: No, none of us can be partaking.

222
00:10:31,559 --> 00:10:34,360
Speaker 1: Well, I think they were inviting me to have the

223
00:10:34,440 --> 00:10:35,439
Speaker 1: screen or dropped?

224
00:10:35,920 --> 00:10:36,400
Speaker 3: Got it?

225
00:10:36,520 --> 00:10:38,880
Speaker 2: Do you think I should do it? Just to bear witness,

226
00:10:39,120 --> 00:10:41,040
Speaker 2: just a bear witness, anyone has like show up?

227
00:10:41,320 --> 00:10:43,120
Speaker 1: This is okay? Tell me if this is annoying. This

228
00:10:43,200 --> 00:10:46,240
Speaker 1: is the shakest thing, which is that Sarah is in

229
00:10:47,320 --> 00:10:49,319
Speaker 1: but we we can't but we can't talk about it.

230
00:10:49,440 --> 00:10:51,319
Speaker 2: We can't talk about it right right, I'm going to

231
00:10:51,400 --> 00:10:52,840
Speaker 2: hop out your your embarrassment.

232
00:10:57,400 --> 00:11:00,120
Speaker 1: But why do we get this?

233
00:11:00,280 --> 00:11:00,439
Speaker 2: Oh?

234
00:11:00,480 --> 00:11:05,120
Speaker 1: Oh guilt hmmm. I think the parents are like I

235
00:11:05,160 --> 00:11:06,480
Speaker 1: don't care because.

236
00:11:06,240 --> 00:11:08,280
Speaker 2: They're like they've seen everything on the internet.

237
00:11:07,960 --> 00:11:09,800
Speaker 1: And the kids have seen everything on the internet, and

238
00:11:09,800 --> 00:11:14,760
Speaker 1: they've heard everything under the sun, right right.

239
00:11:14,200 --> 00:11:17,839
Speaker 2: I mean, I just like, can you imagine having the

240
00:11:17,880 --> 00:11:21,360
Speaker 2: access that these children be having. What was the ludist

241
00:11:21,480 --> 00:11:22,800
Speaker 2: thing that I had ever seen?

242
00:11:23,120 --> 00:11:25,800
Speaker 1: Right, because like you'd seen like a Cronenberg film by

243
00:11:25,800 --> 00:11:27,040
Speaker 1: the time you were like twelve.

244
00:11:27,720 --> 00:11:30,440
Speaker 2: I saw the Shining when I was eleven, and I

245
00:11:30,480 --> 00:11:30,920
Speaker 2: threw up?

246
00:11:33,720 --> 00:11:34,920
Speaker 1: What part? What part did you throw out?

247
00:11:34,960 --> 00:11:40,000
Speaker 2: That old lady? I didn't understand the blow job? Yeah,

248
00:11:40,040 --> 00:11:42,200
Speaker 2: because I didn't know what it meant. Well, he's like

249
00:11:42,240 --> 00:11:45,960
Speaker 2: in a dog costume or a bear costume, and that

250
00:11:46,120 --> 00:11:48,040
Speaker 2: was the image that kind of stuck with me as

251
00:11:48,080 --> 00:11:51,160
Speaker 2: an after image behind the closed eyelids, and I threw up.

252
00:11:51,679 --> 00:11:52,400
Speaker 2: I was scared.

253
00:11:52,720 --> 00:11:54,880
Speaker 1: That is a little unsettling. It if you don't know

254
00:11:54,880 --> 00:11:57,760
Speaker 1: what it is, your brain literally at that age can't

255
00:11:57,800 --> 00:12:01,240
Speaker 1: fill in the gaps, and you're like, nothing can fill

256
00:12:01,320 --> 00:12:04,920
Speaker 1: in that space. I have nothing to do but empty myself.

257
00:12:05,280 --> 00:12:07,839
Speaker 2: Yes, oh my god, say that.

258
00:12:08,360 --> 00:12:11,120
Speaker 1: We need to talk about the fear of empty. I

259
00:12:11,120 --> 00:12:14,600
Speaker 1: think it's what governs everything. Go start now, it's what

260
00:12:14,760 --> 00:12:19,040
Speaker 1: like fucking that feeling post nut is about like that feeling,

261
00:12:19,360 --> 00:12:22,160
Speaker 1: that feeling when you're like you've just you nutted and

262
00:12:22,200 --> 00:12:23,320
Speaker 1: you go, I feel a.

263
00:12:23,600 --> 00:12:26,000
Speaker 2: Craving empty right now, like you talking about this back

264
00:12:26,040 --> 00:12:26,480
Speaker 2: to your life.

265
00:12:27,200 --> 00:12:28,719
Speaker 3: I'm craving the purge. I want to.

266
00:12:28,679 --> 00:12:29,680
Speaker 2: Start at zero.

267
00:12:30,320 --> 00:12:32,880
Speaker 1: But this is a good thing because you want you

268
00:12:32,920 --> 00:12:37,120
Speaker 1: fetishize the empty, which is which no one does. So

269
00:12:37,160 --> 00:12:40,679
Speaker 1: the fear of empty is like fucking what we experience

270
00:12:40,840 --> 00:12:43,120
Speaker 1: every summer. It's like I got nothing going on. I

271
00:12:43,679 --> 00:12:48,200
Speaker 1: have a fucking breakdown every summer. Totally fear empty is

272
00:12:48,200 --> 00:12:52,400
Speaker 1: having a light show. Let's say, yes, total, well, or

273
00:12:52,400 --> 00:12:53,719
Speaker 1: I don't know, it's not it's not quite that. I'm

274
00:12:53,760 --> 00:12:54,440
Speaker 1: kind of sending this.

275
00:12:54,679 --> 00:12:56,959
Speaker 2: No, I know what you mean, but like I am

276
00:12:57,360 --> 00:13:00,240
Speaker 2: now that we never in my life have I like,

277
00:13:00,720 --> 00:13:02,640
Speaker 2: I have a job, and so I well, I don't.

278
00:13:02,679 --> 00:13:08,959
Speaker 2: Actually I'm pencils down drama mass, the curtains, theaters closed,

279
00:13:09,120 --> 00:13:12,880
Speaker 2: the theaters dark on Monday. But now that, as someone

280
00:13:12,880 --> 00:13:18,560
Speaker 2: who works and is busy, I crave an empty, open schedule,

281
00:13:19,200 --> 00:13:25,040
Speaker 2: and I fantasize about going on a long bohemian walk, yes,

282
00:13:25,360 --> 00:13:27,240
Speaker 2: and just having my little thoughts.

283
00:13:27,840 --> 00:13:31,479
Speaker 1: And this time hasn't really counted, has it? No one has,

284
00:13:31,480 --> 00:13:33,439
Speaker 1: why I wondered, I don't.

285
00:13:33,280 --> 00:13:37,319
Speaker 2: Know you're empty? Is there a book I can read

286
00:13:37,320 --> 00:13:37,720
Speaker 2: about this?

287
00:13:37,880 --> 00:13:43,120
Speaker 1: Yes, it's called Animal Joy and it's about laughter, and

288
00:13:43,160 --> 00:13:44,520
Speaker 1: it's so and.

289
00:13:44,520 --> 00:13:49,440
Speaker 2: What do we always say? Laughter? Laughter is the best medicasion.

290
00:13:49,559 --> 00:13:49,760
Speaker 1: You know?

291
00:13:49,800 --> 00:13:52,120
Speaker 3: Who makes me laugh more? No one makes me laugh

292
00:13:52,120 --> 00:13:53,480
Speaker 3: more than mister mister B.

293
00:13:54,360 --> 00:13:56,080
Speaker 2: Mister B, why thank you?

294
00:13:56,120 --> 00:13:58,720
Speaker 1: But I think someone who makes us as a duo

295
00:13:58,840 --> 00:14:02,000
Speaker 1: laugh more than anybody is Matt Rogers.

296
00:14:02,440 --> 00:14:06,400
Speaker 2: I can't even There have been many a time when

297
00:14:06,440 --> 00:14:08,839
Speaker 2: I text Bowe and I say, I'm currently listening to

298
00:14:08,920 --> 00:14:12,320
Speaker 2: lostcul Teresa's right now laughing my literal ass off.

299
00:14:13,640 --> 00:14:17,240
Speaker 1: I'm just gonna say I'm doing okay right now, flying solo.

300
00:14:17,320 --> 00:14:21,520
Speaker 1: But Matt's the one who really drives.

301
00:14:21,040 --> 00:14:24,120
Speaker 2: The damn laughs. You know what I'm saying? Well, because

302
00:14:24,160 --> 00:14:26,040
Speaker 2: today this today we're doing a Ted talk on if

303
00:14:26,040 --> 00:14:31,120
Speaker 2: you're of empty? Yes, so the laughs will come later,

304
00:14:31,200 --> 00:14:34,360
Speaker 2: but we are. We're being boone and serious, We're.

305
00:14:34,280 --> 00:14:37,280
Speaker 1: Being bow and serious. But I love nothing more than

306
00:14:37,320 --> 00:14:42,760
Speaker 1: to talk with you about this shit. You have such

307
00:14:42,840 --> 00:14:47,640
Speaker 1: a connection to every part of this, the instrument, the

308
00:14:47,800 --> 00:14:52,160
Speaker 1: generative process of it. Like I'm like Sarah is.

309
00:14:52,320 --> 00:14:54,920
Speaker 2: Can I be telling you about things that are unlocking me.

310
00:14:54,960 --> 00:15:01,240
Speaker 2: Actually tell me voice lessons, because there are in your

311
00:15:01,320 --> 00:15:06,320
Speaker 2: throat that you have no idea about. Actually you you

312
00:15:06,360 --> 00:15:08,200
Speaker 2: have control over your voice in a way that many

313
00:15:08,200 --> 00:15:08,680
Speaker 2: people do.

314
00:15:08,680 --> 00:15:12,760
Speaker 1: Not, and stand up, be counted and use your voice. Wait,

315
00:15:12,800 --> 00:15:13,320
Speaker 1: tell me.

316
00:15:13,600 --> 00:15:15,640
Speaker 2: There's just like I've been taking voice lessons and I'm

317
00:15:15,720 --> 00:15:19,160
Speaker 2: learning to scream voice lessons from Melissa Cross Scream Coach

318
00:15:19,240 --> 00:15:22,600
Speaker 2: to the Stars and there You're really good at screaming

319
00:15:22,640 --> 00:15:25,400
Speaker 2: without breaking the instrument, without hurting the instrument.

320
00:15:25,480 --> 00:15:28,760
Speaker 1: I have no control, but I'm blessed with screaming. I

321
00:15:28,800 --> 00:15:32,960
Speaker 1: can scream. I love screaming, especially at work. I love screaming. Yes,

322
00:15:33,440 --> 00:15:35,000
Speaker 1: but you can, thank god I have. I stuffer no

323
00:15:35,040 --> 00:15:36,360
Speaker 1: consequence as well, because you have.

324
00:15:36,320 --> 00:15:38,640
Speaker 2: A connection to your throat chakra that not many people have.

325
00:15:38,680 --> 00:15:39,600
Speaker 2: That's why you're not getting hurt.

326
00:15:39,640 --> 00:15:41,440
Speaker 1: I close my eyes, I think blue. I think blue.

327
00:15:41,800 --> 00:15:42,520
Speaker 2: Is that true?

328
00:15:42,960 --> 00:15:44,720
Speaker 1: Well, not not always, But if I want to align

329
00:15:44,760 --> 00:15:46,440
Speaker 1: my chakras, the first one I go for is blue

330
00:15:46,600 --> 00:15:47,160
Speaker 1: is his throat.

331
00:15:47,200 --> 00:15:47,840
Speaker 3: And that's why you.

332
00:15:47,760 --> 00:15:50,520
Speaker 2: Don't have difficulty expressing yourself. I do do you?

333
00:15:50,680 --> 00:15:51,280
Speaker 1: I do?

334
00:15:51,560 --> 00:15:52,000
Speaker 2: I do?

335
00:15:52,280 --> 00:15:54,320
Speaker 1: It's inflamed sometimes you see in.

336
00:15:55,280 --> 00:15:56,880
Speaker 2: You see this is interesting to me.

337
00:15:57,080 --> 00:15:58,920
Speaker 1: This is orange, which is sacrel?

338
00:15:59,280 --> 00:16:01,680
Speaker 2: Are you and that's no?

339
00:16:01,680 --> 00:16:05,520
Speaker 1: No, no, no, no no sacral which rude sacral solar Tux's

340
00:16:05,560 --> 00:16:07,680
Speaker 1: heart throat, third eye.

341
00:16:08,040 --> 00:16:09,720
Speaker 2: I want to be meaning better connection with my root.

342
00:16:09,760 --> 00:16:10,240
Speaker 2: I'll tell you.

343
00:16:10,160 --> 00:16:14,160
Speaker 1: That my root, my root needs to be uprooted. Okay,

344
00:16:14,720 --> 00:16:16,120
Speaker 1: nothing's been down there.

345
00:16:16,480 --> 00:16:20,280
Speaker 2: My root has been blowing out the toilet lately.

346
00:16:22,960 --> 00:16:25,240
Speaker 1: Okay, so back to your in full effect.

347
00:16:25,680 --> 00:16:28,360
Speaker 2: Oh of course, well maybe that is what's going.

348
00:16:28,400 --> 00:16:29,080
Speaker 3: No, did I tell you?

349
00:16:29,160 --> 00:16:31,320
Speaker 2: I went to the gastron testinal doctor and he was like,

350
00:16:31,560 --> 00:16:32,600
Speaker 2: did every test.

351
00:16:32,400 --> 00:16:34,360
Speaker 3: On the planet put tubes on my throat? Put tubes

352
00:16:34,440 --> 00:16:34,720
Speaker 3: up the.

353
00:16:34,680 --> 00:16:35,640
Speaker 1: Thrown your throat?

354
00:16:35,760 --> 00:16:37,560
Speaker 3: He put, yes, I got an endosco bey.

355
00:16:37,600 --> 00:16:38,560
Speaker 2: Can you believe something like this?

356
00:16:38,600 --> 00:16:39,640
Speaker 1: Did it inspire anything?

357
00:16:39,720 --> 00:16:41,880
Speaker 2: Yes? You might have to see the show and if

358
00:16:41,960 --> 00:16:45,840
Speaker 2: I know, But he literally, and I respect this, He went,

359
00:16:46,160 --> 00:16:48,120
Speaker 2: I don't know what to tell you. You're just Jewish?

360
00:16:48,600 --> 00:16:50,360
Speaker 2: Can you respect? Excuse me?

361
00:16:50,440 --> 00:16:54,800
Speaker 1: I can't respect Jewish? Okay, but still.

362
00:16:55,160 --> 00:16:57,320
Speaker 2: But you shouldn't know better to say that you have

363
00:16:57,360 --> 00:17:00,520
Speaker 2: an incurable disease, which is being Jewish.

364
00:17:00,560 --> 00:17:03,160
Speaker 1: And he went to school. He gets paid so much

365
00:17:03,160 --> 00:17:05,960
Speaker 1: money to say to go beyond you're Jewish.

366
00:17:06,400 --> 00:17:08,840
Speaker 2: But I actually kind of appreciated it because he was like,

367
00:17:09,400 --> 00:17:11,919
Speaker 2: you actually don't have a problem. The problem is so

368
00:17:12,080 --> 00:17:16,879
Speaker 2: deep within you that it's like inseparable for so I

369
00:17:16,920 --> 00:17:20,480
Speaker 2: don't buy it. He was like, basically like, your disability

370
00:17:20,520 --> 00:17:21,240
Speaker 2: is that you're Jewish.

371
00:17:21,520 --> 00:17:23,360
Speaker 1: No, I don't like that.

372
00:17:23,840 --> 00:17:27,040
Speaker 2: I do like it because it's like, you're not crazy.

373
00:17:27,200 --> 00:17:27,919
Speaker 3: You have this.

374
00:17:27,960 --> 00:17:30,840
Speaker 1: Okay, as long as you're you know what I'm saying,

375
00:17:31,359 --> 00:17:33,560
Speaker 1: As long as you're like at ease.

376
00:17:33,840 --> 00:17:36,000
Speaker 2: Well, I'm as as much at ease as I can

377
00:17:36,040 --> 00:17:38,800
Speaker 2: be as someone who's blowing their back out diary style.

378
00:17:38,600 --> 00:17:44,600
Speaker 1: And what I've been blowing my back out diary style

379
00:17:44,680 --> 00:17:48,520
Speaker 1: and tot for my whole adult life. I'm worried that

380
00:17:48,600 --> 00:17:49,240
Speaker 1: it's something.

381
00:17:49,440 --> 00:17:51,280
Speaker 2: I'm going to tell you something and nobody in this

382
00:17:51,359 --> 00:17:54,800
Speaker 2: room is gonna like it. Tell me its stress. Don't

383
00:17:54,840 --> 00:17:57,200
Speaker 2: you hate that when the doctor is like it's stressed

384
00:17:57,200 --> 00:17:59,720
Speaker 2: and you're like, yeah, well I know that, right.

385
00:18:00,160 --> 00:18:03,480
Speaker 1: It's like my doctor telling me like you're Jewish, Like.

386
00:18:03,600 --> 00:18:08,720
Speaker 2: Yeah, I know, I tell you this, but doctor's orders

387
00:18:08,760 --> 00:18:09,280
Speaker 2: are Jewish.

388
00:18:09,560 --> 00:18:16,919
Speaker 1: I know that. Okay. God, I need to get to

389
00:18:16,960 --> 00:18:20,400
Speaker 1: the bottom of voice lessons, tell me, tell me more.

390
00:18:20,440 --> 00:18:22,640
Speaker 2: It's just okay, I'm gonna say something that's not gonna

391
00:18:22,640 --> 00:18:24,840
Speaker 2: make sense. Okay, because it's eleven am the Witching Hour,

392
00:18:24,880 --> 00:18:28,480
Speaker 2: it's too early. That's a rule of culture number six

393
00:18:28,720 --> 00:18:32,080
Speaker 2: sixty seven. Eleven am, the Witching Hour. I love that

394
00:18:32,480 --> 00:18:37,080
Speaker 2: when you guys do that. Dan, No, someone's at the door.

395
00:18:37,080 --> 00:18:38,359
Speaker 2: I hope it's my bagel burger.

396
00:18:38,440 --> 00:18:40,720
Speaker 1: Oh my god, I say that every episode.

397
00:18:41,359 --> 00:18:42,920
Speaker 2: Well, I can't believe you throw it out.

398
00:18:43,040 --> 00:18:43,960
Speaker 1: I'm sorry.

399
00:18:44,560 --> 00:18:47,280
Speaker 2: You can put it in the fridge. I'm not like that.

400
00:18:47,800 --> 00:18:48,200
Speaker 1: I don't.

401
00:18:50,160 --> 00:18:53,080
Speaker 2: Fridge is not the way. You know what I'm saying,

402
00:18:53,960 --> 00:18:58,119
Speaker 2: Know what I'm saying. I Well, it's just I'm unlocking

403
00:18:58,840 --> 00:19:01,359
Speaker 2: different parts of my oat that I didn't know that

404
00:19:01,400 --> 00:19:03,720
Speaker 2: I could use to express myself. And I can make

405
00:19:03,800 --> 00:19:06,359
Speaker 2: sounds in ways that I didn't even know about. And

406
00:19:06,520 --> 00:19:08,240
Speaker 2: how you make sounds, you know how they say like

407
00:19:08,320 --> 00:19:15,439
Speaker 2: language shaped understanding. Couldn't agree more war the tube in

408
00:19:15,440 --> 00:19:17,840
Speaker 2: which you use to express language could actually shape your

409
00:19:17,920 --> 00:19:20,960
Speaker 2: understanding of language, which can actually shape your understanding of ideas.

410
00:19:20,960 --> 00:19:24,400
Speaker 2: If this makes sense, if you can follow me, and

411
00:19:24,440 --> 00:19:26,480
Speaker 2: then I mean not to brag. I've also been taking

412
00:19:26,520 --> 00:19:30,000
Speaker 2: polonius cos and does that affect the tube you use well,

413
00:19:30,040 --> 00:19:33,160
Speaker 2: because it's like they're like, actually, your challenge for today

414
00:19:33,200 --> 00:19:35,639
Speaker 2: is you have to move this specific muscle that you

415
00:19:35,680 --> 00:19:38,000
Speaker 2: didn't even know existed. And you're like, wait, that's actually

416
00:19:38,080 --> 00:19:39,879
Speaker 2: the fact that now I can access this muscle that

417
00:19:39,920 --> 00:19:42,399
Speaker 2: I didn't know it existed, Like now it could be

418
00:19:42,440 --> 00:19:44,119
Speaker 2: weaponized as a tool for laughter.

419
00:19:44,240 --> 00:19:46,120
Speaker 1: It's like therapy. It's like, once I have an awareness

420
00:19:46,119 --> 00:19:50,400
Speaker 1: of the issue, I can either solve or weaponize.

421
00:19:51,440 --> 00:19:54,000
Speaker 2: You know, and you know that my therapist broke up

422
00:19:54,000 --> 00:19:54,199
Speaker 2: with me.

423
00:19:54,240 --> 00:19:56,719
Speaker 1: Of course we want to do We want to get

424
00:19:56,760 --> 00:20:00,159
Speaker 1: into this because I think it's really interesting because has

425
00:20:00,240 --> 00:20:01,840
Speaker 1: this man has done you wrong?

426
00:20:02,200 --> 00:20:03,720
Speaker 2: And we don't have to get into it. We can

427
00:20:03,760 --> 00:20:06,320
Speaker 2: get into I don't know how specific we should get

428
00:20:06,359 --> 00:20:09,159
Speaker 2: into because he can be tracked down easily by the public.

429
00:20:09,400 --> 00:20:12,880
Speaker 1: But he and he might deserve to be tracked down.

430
00:20:14,040 --> 00:20:19,000
Speaker 2: Listen, listen, listen, listen. People just gotta know that he

431
00:20:19,280 --> 00:20:21,520
Speaker 2: told me that I looked as cute as a pumpkin.

432
00:20:22,359 --> 00:20:24,280
Speaker 1: This man, this man is not appropriate.

433
00:20:25,240 --> 00:20:31,960
Speaker 2: Appropriate and by the way, cute as a pumpkin. Oh okay, sir,

434
00:20:32,320 --> 00:20:37,920
Speaker 2: it's July. Sorry that cute as a string.

435
00:20:39,200 --> 00:20:43,000
Speaker 1: Those are adorable. Literally, I was going to say, and

436
00:20:43,000 --> 00:20:47,960
Speaker 1: that is so cute. A Christmas pumpkin is their presence inside.

437
00:20:48,040 --> 00:20:50,560
Speaker 2: I didn't really know what her doesn't she look? What

438
00:20:50,680 --> 00:20:51,640
Speaker 2: do you think this is?

439
00:20:51,960 --> 00:20:56,120
Speaker 1: I think that's the bear hugging a pumpkin wearing the

440
00:20:56,160 --> 00:20:58,600
Speaker 1: cap is a head, but it looks like it's in

441
00:20:58,640 --> 00:21:01,000
Speaker 1: the pumpkin. It's a really interesting picture.

442
00:21:01,240 --> 00:21:04,160
Speaker 2: What did you say that this pumpkin is shockingly red?

443
00:21:04,320 --> 00:21:06,520
Speaker 1: It's a red pumpkin. It's a blood pumpkin.

444
00:21:08,280 --> 00:21:09,600
Speaker 2: Say that from where she can hear?

445
00:21:09,720 --> 00:21:13,040
Speaker 1: She can hear. I'm so sorry. Wait, we don't. We

446
00:21:13,080 --> 00:21:14,480
Speaker 1: don't have to talk about him.

447
00:21:14,840 --> 00:21:17,320
Speaker 3: I just like he's out there and he's listening tonight.

448
00:21:17,720 --> 00:21:21,199
Speaker 2: And if you're listening, just know you walked out on

449
00:21:21,280 --> 00:21:24,040
Speaker 2: the best mind pussy of your life.

450
00:21:25,320 --> 00:21:29,760
Speaker 1: You can't you can't have this. You can't come from

451
00:21:29,760 --> 00:21:31,840
Speaker 1: this place though, because I think.

452
00:21:32,000 --> 00:21:33,840
Speaker 2: Vindictive wanting revenge against my therapists.

453
00:21:33,880 --> 00:21:35,960
Speaker 1: You can want revenge. I just I don't think he

454
00:21:36,200 --> 00:21:39,040
Speaker 1: was the best fit for you in the long term.

455
00:21:39,440 --> 00:21:41,359
Speaker 3: Not didn't help.

456
00:21:41,800 --> 00:21:44,800
Speaker 2: When I texted him, I said, I just need you

457
00:21:44,880 --> 00:21:48,560
Speaker 2: to know I am having constant, intrusive thoughts that I

458
00:21:48,560 --> 00:21:50,600
Speaker 2: am at the bottom of the ocean in the Titan submarine.

459
00:21:50,640 --> 00:21:51,880
Speaker 3: When everyone's like, where's the sub?

460
00:21:51,880 --> 00:21:55,320
Speaker 2: Where's the sub You're like, I'm in it. Like I'm

461
00:21:55,359 --> 00:21:57,639
Speaker 2: in it, and I would like be on stage like

462
00:21:57,680 --> 00:21:59,760
Speaker 2: in the middle of like my hour, and I would

463
00:21:59,760 --> 00:22:02,840
Speaker 2: just be I'm sorry, everybody. I have to just take

464
00:22:02,880 --> 00:22:05,720
Speaker 2: time to acknowledge that I'm currently at the bottom of

465
00:22:05,720 --> 00:22:08,040
Speaker 2: the ocean. Yes, like all of a sudden, I be

466
00:22:08,160 --> 00:22:10,200
Speaker 2: dropped into being them at the bottom of the ocean.

467
00:22:10,480 --> 00:22:13,879
Speaker 1: That's huge of you, though, I is it to be such.

468
00:22:13,640 --> 00:22:15,480
Speaker 2: An EmPATH that I was? I was on the sub

469
00:22:15,520 --> 00:22:15,760
Speaker 2: with them.

470
00:22:15,840 --> 00:22:18,240
Speaker 1: It's not your I don't think it's that you're an mpath. Sure,

471
00:22:18,280 --> 00:22:21,480
Speaker 1: you're an EmPATH. You're connecting, You're connecting to their experience,

472
00:22:21,720 --> 00:22:23,400
Speaker 1: you're absorbing it as your own in some way.

473
00:22:24,160 --> 00:22:26,359
Speaker 2: Was making it about me? Go on, maybe a giant

474
00:22:26,400 --> 00:22:27,439
Speaker 2: tragedy about me? Go on.

475
00:22:27,680 --> 00:22:31,080
Speaker 1: It's that you're so aware of your own state and

476
00:22:31,160 --> 00:22:36,000
Speaker 1: surroundings that you're like, guys, I'm on the Titan submersible. Please,

477
00:22:36,119 --> 00:22:38,160
Speaker 1: I know I'm on stage right now, but we need

478
00:22:38,200 --> 00:22:41,520
Speaker 1: to just take a second to just acknowledge. And I

479
00:22:41,560 --> 00:22:42,440
Speaker 1: think that's amazing.

480
00:22:42,680 --> 00:22:47,000
Speaker 2: I just like couldn't escape, and neither could they.

481
00:22:47,359 --> 00:22:50,320
Speaker 1: Will you do you feel like you've escaped?

482
00:22:50,720 --> 00:22:53,880
Speaker 2: I have. Actually I was released when when they died,

483
00:22:53,920 --> 00:22:57,080
Speaker 2: when they died, when we when we discovered that they died.

484
00:22:57,160 --> 00:22:59,400
Speaker 1: So it's more about like a collective consciousness.

485
00:22:59,480 --> 00:23:02,040
Speaker 2: Yes, I was into sort of a symbology in the

486
00:23:02,040 --> 00:23:04,359
Speaker 2: collective unconscious. Wow. But then when I would like to

487
00:23:04,359 --> 00:23:06,600
Speaker 2: I texted him like I'm having intrusive thoughts that I'm in,

488
00:23:07,440 --> 00:23:10,240
Speaker 2: i am at the bottom of the ocean. He would

489
00:23:10,560 --> 00:23:12,760
Speaker 2: kind of like stoke the fire and send me like

490
00:23:12,800 --> 00:23:15,800
Speaker 2: a bunch of like crazy conspiracy paintings done by like

491
00:23:15,840 --> 00:23:20,320
Speaker 2: a schizophrenic outsider artist about Titanic submarine conspiracy theories connecting

492
00:23:20,359 --> 00:23:23,080
Speaker 2: it to wars in the Middle East, and I was like,

493
00:23:23,280 --> 00:23:24,639
Speaker 2: this is actually not helping.

494
00:23:25,320 --> 00:23:26,800
Speaker 1: And this is what I'm saying, is that that's a

495
00:23:26,840 --> 00:23:32,720
Speaker 1: perfectly illustrative thing where he was not being give. He

496
00:23:32,880 --> 00:23:34,760
Speaker 1: was not giving the give, as Sarah likes to say.

497
00:23:34,960 --> 00:23:36,600
Speaker 1: And then I've kind of copped for my own in

498
00:23:36,640 --> 00:23:37,440
Speaker 1: my own vocabulary.

499
00:23:37,520 --> 00:23:39,720
Speaker 2: I mean, who could of course, I'm not the birth

500
00:23:39,760 --> 00:23:52,480
Speaker 2: mother who couldn't cop what I want to say? Things

501
00:23:52,480 --> 00:23:55,880
Speaker 2: about culture that I shouldn't say muzzle me. No, I'm

502
00:23:55,880 --> 00:23:56,720
Speaker 2: not gonna. I will not.

503
00:23:57,200 --> 00:24:00,240
Speaker 1: I will look into my eyes on God. I would

504
00:24:00,320 --> 00:24:03,040
Speaker 1: never muzzle you. I would never ever signed.

505
00:24:03,080 --> 00:24:04,720
Speaker 2: I just going to say something that's going to get

506
00:24:04,800 --> 00:24:06,720
Speaker 2: me say it. I'm gonna it's gonna get me sent

507
00:24:07,000 --> 00:24:09,879
Speaker 2: it probably won't. We've said we'll cut it off if

508
00:24:09,880 --> 00:24:10,399
Speaker 2: we feel like that.

509
00:24:10,520 --> 00:24:13,800
Speaker 1: Some one explained to me the a you want. Okay,

510
00:24:14,520 --> 00:24:15,679
Speaker 1: we'll explain to you the Aras tour.

511
00:24:15,760 --> 00:24:16,840
Speaker 2: Do you want to go their girlfriend?

512
00:24:16,920 --> 00:24:18,160
Speaker 1: Girlfriend? I would love to go there.

513
00:24:18,240 --> 00:24:18,640
Speaker 2: Girlfriend.

514
00:24:18,640 --> 00:24:21,440
Speaker 1: You are so on, You're so on. By the way,

515
00:24:21,560 --> 00:24:24,119
Speaker 1: she we need to talk about Marianne because well she

516
00:24:24,160 --> 00:24:25,600
Speaker 1: were voting for we're voting for her.

517
00:24:25,640 --> 00:24:26,120
Speaker 2: Yeah, of course.

518
00:24:26,280 --> 00:24:26,680
Speaker 1: Period.

519
00:24:26,960 --> 00:24:28,240
Speaker 3: Well we're actually working in the guts.

520
00:24:28,480 --> 00:24:30,400
Speaker 1: I'm doing her and Cornell West.

521
00:24:30,960 --> 00:24:33,200
Speaker 2: I'm voting for two. You can you can?

522
00:24:33,400 --> 00:24:33,760
Speaker 1: Okay?

523
00:24:33,880 --> 00:24:36,359
Speaker 2: So this is.

524
00:24:36,760 --> 00:24:42,040
Speaker 1: Aras Tour, Well, what questions do you have? It's Taylor Swift.

525
00:24:42,480 --> 00:24:44,960
Speaker 1: She's up there doing three and a half hours of songs.

526
00:24:45,280 --> 00:24:46,280
Speaker 3: Would you have to respect?

527
00:24:46,359 --> 00:24:49,240
Speaker 1: Which you have to respect? That is the one undeniable

528
00:24:49,280 --> 00:24:50,679
Speaker 1: thing that I think, no matter where you're coming from,

529
00:24:50,720 --> 00:24:53,520
Speaker 1: you can go. That's that's something you have to respect.

530
00:24:53,600 --> 00:24:57,240
Speaker 1: You have to respect that. But what else, By the way,

531
00:24:57,280 --> 00:25:00,119
Speaker 1: I think you are setting people free. You are giving

532
00:25:00,359 --> 00:25:04,240
Speaker 1: fucking Moses right now, and there there will be a

533
00:25:04,280 --> 00:25:05,440
Speaker 1: fucking There.

534
00:25:05,359 --> 00:25:07,639
Speaker 2: Will be repercussions for what I'm like, I'm saying.

535
00:25:07,840 --> 00:25:09,919
Speaker 1: But then guess what. Guess what's waiting for you at

536
00:25:09,920 --> 00:25:12,040
Speaker 1: the end of this A treat, A passover?

537
00:25:13,920 --> 00:25:18,439
Speaker 2: You know what I'm saying. I just am like, Okay, listen,

538
00:25:19,440 --> 00:25:21,560
Speaker 2: I got what now.

539
00:25:22,119 --> 00:25:25,919
Speaker 1: Don't be afraid you're musling yourself. I'm not musling, you

540
00:25:25,920 --> 00:25:26,600
Speaker 1: know what I'm saying.

541
00:25:26,920 --> 00:25:29,439
Speaker 2: Did you see me blackout and go somewhere else? Were you?

542
00:25:29,480 --> 00:25:30,399
Speaker 1: Were you in this submersible?

543
00:25:32,400 --> 00:25:34,600
Speaker 2: Well? I just got really distracted actually by how like

544
00:25:34,640 --> 00:25:37,760
Speaker 2: the crazy lights are in the iHeart radio. Yeah, lights

545
00:25:37,760 --> 00:25:38,560
Speaker 2: do be crazy?

546
00:25:38,800 --> 00:25:40,080
Speaker 1: Dooby do they do?

547
00:25:40,080 --> 00:25:44,120
Speaker 2: Do? I just what are we talking about? Yeah? Give

548
00:25:44,160 --> 00:25:49,480
Speaker 2: me Madonna? Give celebration tour, Madonna. If you're listening to this,

549
00:25:49,560 --> 00:25:51,600
Speaker 2: we're gonna be there a celebration tour front row.

550
00:25:51,720 --> 00:25:53,359
Speaker 1: Her dates are crazy, though, it's like right in the

551
00:25:53,359 --> 00:25:55,600
Speaker 1: middle of work, were assuming we're back at work. It's

552
00:25:55,640 --> 00:25:57,719
Speaker 1: like after read through and then Thursday night, and then

553
00:25:57,720 --> 00:25:59,040
Speaker 1: Friday night, and then Saturday.

554
00:25:59,080 --> 00:26:01,200
Speaker 2: It's like, well we can't. I just like, this is

555
00:26:01,240 --> 00:26:02,239
Speaker 2: what really pisses me.

556
00:26:04,840 --> 00:26:06,120
Speaker 1: Cult Come on.

557
00:26:06,400 --> 00:26:10,399
Speaker 2: Would stop making fun of Madonna. That is period, that

558
00:26:10,560 --> 00:26:14,640
Speaker 2: is your mother, their period, and all throughout history, throughout time,

559
00:26:14,720 --> 00:26:18,320
Speaker 2: throughout every era, everyone's been mad at Madonna, making fun

560
00:26:18,320 --> 00:26:22,879
Speaker 2: of Madonna. Mean to Madonna almost lost her wait almost,

561
00:26:23,760 --> 00:26:26,520
Speaker 2: and it was fucking scary, And I go, we need

562
00:26:26,560 --> 00:26:30,840
Speaker 2: to be remembering who the stars are. And it's celebration tour.

563
00:26:30,720 --> 00:26:34,040
Speaker 1: Period, celebration to period. We're going, we're going, We're going. Okay, okay,

564
00:26:34,040 --> 00:26:36,320
Speaker 1: so you're confused the aras to us not celebration tour.

565
00:26:36,920 --> 00:26:39,680
Speaker 2: I just am like, if she is she really our

566
00:26:39,680 --> 00:26:43,159
Speaker 2: generations Madonna? You know she's not. She's not, but that

567
00:26:43,320 --> 00:26:47,920
Speaker 2: is how sheers. She's her own thing.

568
00:26:48,000 --> 00:26:50,440
Speaker 1: And I think she's like, I know this is about

569
00:26:50,480 --> 00:26:58,560
Speaker 1: to sound crazy, sauce crazy. She is our generations beatles

570
00:26:59,359 --> 00:27:02,280
Speaker 1: in that with the breath of the genres are wide.

571
00:27:02,840 --> 00:27:06,560
Speaker 1: It's a wide birth of genres. It's that the mania

572
00:27:06,680 --> 00:27:08,240
Speaker 1: around her is.

573
00:27:08,200 --> 00:27:11,120
Speaker 3: Like you're saying, there's Beatlemania around.

574
00:27:10,840 --> 00:27:14,320
Speaker 1: Her, there's beatlemania around one person in a way that's

575
00:27:14,320 --> 00:27:17,879
Speaker 1: different from like Elvis or fucking like you know, like

576
00:27:18,160 --> 00:27:22,200
Speaker 1: anyone between Elvis and Madonna, it's like people are connecting

577
00:27:22,240 --> 00:27:25,639
Speaker 1: on like a songwriting level and like on an aesthetic

578
00:27:25,720 --> 00:27:29,600
Speaker 1: level that is like neither here nor there.

579
00:27:30,440 --> 00:27:34,760
Speaker 2: It's like, but it's like relatable in a way that

580
00:27:34,840 --> 00:27:38,359
Speaker 2: I can't. I do not want my superstars to be

581
00:27:38,480 --> 00:27:43,080
Speaker 2: relatable at all, aspirational to the point of like they

582
00:27:43,119 --> 00:27:45,840
Speaker 2: are aliens walking the planet and it's like you can't

583
00:27:45,880 --> 00:27:49,800
Speaker 2: even like how could you even aspire to Madonna? How

584
00:27:49,800 --> 00:27:51,440
Speaker 2: could you aspire to be a goddam.

585
00:27:51,119 --> 00:27:54,480
Speaker 1: On bed exactly Like I have a very healthy relationship

586
00:27:54,520 --> 00:27:57,199
Speaker 1: I think with Gaga, let's say where it's like I

587
00:27:57,280 --> 00:27:58,800
Speaker 1: need her to be an alien to me at all

588
00:27:59,520 --> 00:28:00,960
Speaker 1: for the rest of our lives.

589
00:28:00,800 --> 00:28:02,960
Speaker 3: And she is remaining to be alien.

590
00:28:03,119 --> 00:28:05,879
Speaker 1: She's remaining to be alien. That is like and that

591
00:28:06,960 --> 00:28:09,360
Speaker 1: that is something that is a model that is established

592
00:28:09,400 --> 00:28:14,119
Speaker 1: by Madonna, right and even like Michael Jackson, you know

593
00:28:14,160 --> 00:28:16,960
Speaker 1: what I'm saying, It's like Michael Jackson, will, We're not

594
00:28:17,000 --> 00:28:18,960
Speaker 1: going to have that. The person closest to that is

595
00:28:19,000 --> 00:28:21,639
Speaker 1: I guess maybe Beyonce right now, where it's like she

596
00:28:21,760 --> 00:28:24,040
Speaker 1: comes out on stage and people start fainting totally, like

597
00:28:24,119 --> 00:28:28,040
Speaker 1: we're not gonna get that necessarily with anyone else, you know,

598
00:28:28,880 --> 00:28:34,199
Speaker 1: and what I want to say about Michael Jackson, this

599
00:28:34,400 --> 00:28:35,160
Speaker 1: can be cut.

600
00:28:36,440 --> 00:28:39,360
Speaker 2: I just think it's like true, how do I say this?

601
00:28:39,560 --> 00:28:41,479
Speaker 1: No, say whatever you're gonna say, because we have a

602
00:28:41,480 --> 00:28:42,280
Speaker 1: million corollaries.

603
00:28:42,280 --> 00:28:54,000
Speaker 2: Totally, it is like unbelievable that that person was the most.

604
00:28:53,120 --> 00:28:55,520
Speaker 3: Beloved human being on the planet.

605
00:28:55,520 --> 00:28:56,080
Speaker 1: It's crazy.

606
00:28:56,200 --> 00:28:58,520
Speaker 3: And he was a fucking freak.

607
00:28:58,760 --> 00:29:04,800
Speaker 2: Yes, and that is the last time a freak.

608
00:29:05,280 --> 00:29:07,720
Speaker 1: No, I know, I know, I know.

609
00:29:08,000 --> 00:29:10,520
Speaker 2: Like, and we are not, by the way, we are

610
00:29:10,560 --> 00:29:16,240
Speaker 2: not last coulteress excluding the things he is not. No, yeah,

611
00:29:16,240 --> 00:29:19,760
Speaker 2: I think, but it is like amazing that It's like

612
00:29:19,920 --> 00:29:22,560
Speaker 2: I want to live in a world where the biggest

613
00:29:22,920 --> 00:29:25,680
Speaker 2: freak on the place is the most famous person on

614
00:29:25,720 --> 00:29:26,280
Speaker 2: the universe.

615
00:29:26,320 --> 00:29:28,960
Speaker 1: I know, like we've lost something, We've lost.

616
00:29:28,680 --> 00:29:31,360
Speaker 2: Something, and people aren't even like they don't make freaks

617
00:29:31,400 --> 00:29:32,040
Speaker 2: like that anymore.

618
00:29:32,120 --> 00:29:34,320
Speaker 1: They don't make freaks like that anymore, And there won't

619
00:29:34,360 --> 00:29:37,520
Speaker 1: be stars. I don't think there will ever be someone

620
00:29:37,680 --> 00:29:40,760
Speaker 1: like that who is like the New York Times did

621
00:29:40,800 --> 00:29:43,160
Speaker 1: this whole thing where I think it's on still processing

622
00:29:43,160 --> 00:29:45,280
Speaker 1: where it's like this is like right when like the

623
00:29:45,320 --> 00:29:48,480
Speaker 1: Neverland documentaries are coming out. It's like, you can't really

624
00:29:48,640 --> 00:29:52,120
Speaker 1: cancel Michael Jackson because he's baked into every facet of

625
00:29:52,160 --> 00:29:54,760
Speaker 1: pop culture totally. And I'm saying, like, if we're gonna

626
00:29:54,760 --> 00:29:56,520
Speaker 1: talk about a dona, let's talk about Michael. Where it's

627
00:29:56,520 --> 00:30:02,920
Speaker 1: like every dance move, melodic structure, piece of clothing that

628
00:30:02,960 --> 00:30:05,600
Speaker 1: a pop star wears, the root is Michael. Yeah, you

629
00:30:05,640 --> 00:30:06,080
Speaker 1: know what I'm saying.

630
00:30:06,120 --> 00:30:06,880
Speaker 2: The root is Michael.

631
00:30:07,680 --> 00:30:10,760
Speaker 1: Maybe maybe Elvis if you go like a layer, but

632
00:30:11,000 --> 00:30:13,600
Speaker 1: the root is generally Michael Jackson totally.

633
00:30:13,800 --> 00:30:15,240
Speaker 2: You know what I'm saying. You know what I'm saying.

634
00:30:15,440 --> 00:30:17,120
Speaker 2: I was like, what are you gonna do? Not play

635
00:30:17,160 --> 00:30:19,520
Speaker 2: pop music apartments? Was no, of course, you're like pop

636
00:30:19,600 --> 00:30:20,680
Speaker 2: music apartments.

637
00:30:20,440 --> 00:30:23,200
Speaker 1: Of course. And then you explain to your kids, you go, well,

638
00:30:23,280 --> 00:30:26,520
Speaker 1: he was, you know, troubled and she caused a lot

639
00:30:26,560 --> 00:30:27,160
Speaker 1: of harm.

640
00:30:27,320 --> 00:30:28,000
Speaker 2: Are you not.

641
00:30:27,880 --> 00:30:29,600
Speaker 3: Supposed to like play off the wall?

642
00:30:34,360 --> 00:30:36,320
Speaker 2: Well, I say you can't.

643
00:30:36,440 --> 00:30:39,600
Speaker 1: Well, I think you're You're allowed to do whatever you want.

644
00:30:39,680 --> 00:30:42,040
Speaker 2: Nobody knows what I do in the privacy of my

645
00:30:42,160 --> 00:30:47,920
Speaker 2: own home on my kitchen. Sons are you sent to SOS?

646
00:30:48,720 --> 00:30:50,600
Speaker 1: I was sent to so nos. You were sent to Sonas?

647
00:30:50,640 --> 00:30:53,280
Speaker 1: And I call it my kitchen, soas my kitchen. So nos,

648
00:30:53,440 --> 00:30:56,440
Speaker 1: that's a so nos era. I think what do you mean?

649
00:30:56,560 --> 00:30:57,280
Speaker 1: Is it called an era?

650
00:30:57,880 --> 00:30:58,040
Speaker 4: Oh?

651
00:30:58,480 --> 00:31:01,480
Speaker 1: I think it's called Era's Tour. I'man Do you have

652
00:31:01,480 --> 00:31:02,640
Speaker 1: any other questions about Aerostour?

653
00:31:04,280 --> 00:31:05,960
Speaker 3: I do you know what mean?

654
00:31:06,320 --> 00:31:09,400
Speaker 2: Yeah? You know what I mean?

655
00:31:09,520 --> 00:31:10,280
Speaker 1: I know what you mean?

656
00:31:10,600 --> 00:31:12,720
Speaker 3: And just okay, yeah.

657
00:31:12,920 --> 00:31:16,560
Speaker 2: Is it the lyricism and the what is getting you there?

658
00:31:16,800 --> 00:31:19,200
Speaker 3: What is getting you there? What's the storytelling?

659
00:31:19,600 --> 00:31:24,120
Speaker 1: What's getting you there? Is that Taylor Swift is the

660
00:31:24,240 --> 00:31:28,080
Speaker 1: perfect like artist who is also at the same time,

661
00:31:29,520 --> 00:31:31,120
Speaker 1: you know, it's like those dolls that like when you

662
00:31:31,120 --> 00:31:33,240
Speaker 1: flip the skirt, it's one doll. You flip the skirt down,

663
00:31:33,280 --> 00:31:37,160
Speaker 1: it's another doll. She's the perfect person to switch from

664
00:31:37,760 --> 00:31:41,719
Speaker 1: I'm popstar too. I am also the surrogate for the audio.

665
00:31:41,920 --> 00:31:44,800
Speaker 2: So this is what's interesting. I do not want to

666
00:31:44,840 --> 00:31:48,000
Speaker 2: see my life at all reflected in anything. Do you

667
00:31:48,040 --> 00:31:49,800
Speaker 2: know what I'm saying Where it's like I don't want

668
00:31:49,840 --> 00:31:55,920
Speaker 2: to watch real House, unique girl. No, No, I'm escape girl.

669
00:31:55,960 --> 00:31:56,840
Speaker 2: I'm fantasy girl.

670
00:31:57,480 --> 00:32:00,520
Speaker 1: And I'm saying, if you see yourself represented on a

671
00:32:00,600 --> 00:32:03,040
Speaker 1: stage like that, then it's like, well, fuck you you're

672
00:32:03,040 --> 00:32:03,800
Speaker 1: doing my thing.

673
00:32:04,200 --> 00:32:07,520
Speaker 2: Ah, that's interesting, my thing pumpkin spice, spice and cute

674
00:32:07,520 --> 00:32:13,840
Speaker 2: as the pumpkins. I just am like, why would you

675
00:32:13,920 --> 00:32:17,200
Speaker 2: want to see your like a mediocre, boring life reflected

676
00:32:17,280 --> 00:32:21,720
Speaker 2: back day on a stage. I came to this.

677
00:32:21,680 --> 00:32:23,080
Speaker 3: Show so I can forget it.

678
00:32:23,080 --> 00:32:25,120
Speaker 2: It's like when we watch with housewives and it's like,

679
00:32:25,200 --> 00:32:30,120
Speaker 2: I want to see such oppressive wealth, huh that I

680
00:32:30,160 --> 00:32:34,960
Speaker 2: am transported away from my shitty one bedroom apartment that

681
00:32:35,120 --> 00:32:37,680
Speaker 2: stinks a little bit because I burned the incense to

682
00:32:37,720 --> 00:32:40,920
Speaker 2: the core, to the core, and like, I don't want

683
00:32:40,960 --> 00:32:44,280
Speaker 2: to see a fraction of a sliver of my life

684
00:32:44,320 --> 00:32:45,560
Speaker 2: when I'm watching these women.

685
00:32:45,720 --> 00:32:50,080
Speaker 1: See but you're so attuned to like that separation in

686
00:32:50,120 --> 00:32:52,400
Speaker 1: your life, and I think most human beings on this

687
00:32:52,600 --> 00:32:53,360
Speaker 1: earth are not.

688
00:32:53,680 --> 00:32:55,320
Speaker 2: And that's that is what I have to say about

689
00:32:55,360 --> 00:32:59,200
Speaker 2: culture currently as a lost culturesa the culture has got

690
00:32:59,240 --> 00:33:01,680
Speaker 2: to change so totally like you aren't.

691
00:33:01,960 --> 00:33:05,080
Speaker 1: You can be like, there's nothing more whole about a

692
00:33:05,120 --> 00:33:10,320
Speaker 1: person than knowing this is who I am, and this

693
00:33:10,440 --> 00:33:13,120
Speaker 1: means these are the things that I am not, and

694
00:33:13,160 --> 00:33:15,360
Speaker 1: therefore I can more healthily engage with the things that

695
00:33:15,440 --> 00:33:15,800
Speaker 1: I am not.

696
00:33:16,920 --> 00:33:22,040
Speaker 2: Right, Oh, that. I guess new therapists just dropped his bonem.

697
00:33:22,440 --> 00:33:26,800
Speaker 1: This guy, I'm gonna say was not good. This was

698
00:33:26,920 --> 00:33:30,360
Speaker 1: not a good guy. Am I allowed to say.

699
00:33:30,160 --> 00:33:32,640
Speaker 2: That he was not good? Yes? And I would?

700
00:33:32,800 --> 00:33:34,560
Speaker 3: So I was in dream analysis?

701
00:33:34,840 --> 00:33:35,400
Speaker 2: And was he?

702
00:33:35,520 --> 00:33:36,480
Speaker 1: Was he the dream and analysts?

703
00:33:36,520 --> 00:33:36,720
Speaker 2: He was?

704
00:33:36,760 --> 00:33:39,360
Speaker 1: Of course there are better ones out there, heerio.

705
00:33:39,520 --> 00:33:42,520
Speaker 2: Or here's my new thought, here's my new takee Okay,

706
00:33:42,720 --> 00:33:43,680
Speaker 2: maybe we don't need.

707
00:33:43,600 --> 00:33:46,200
Speaker 3: To be doing the dream analysis, Sarah.

708
00:33:46,240 --> 00:33:48,680
Speaker 1: Maybe maybe? But was he coming at it from You're

709
00:33:48,720 --> 00:33:50,880
Speaker 1: Gonna Love this book, by the way, Animal Joy? Because

710
00:33:50,960 --> 00:33:53,719
Speaker 1: was he doing it? Was his dream analysis? Was he

711
00:33:53,840 --> 00:33:56,880
Speaker 1: doing it from the the Freudian school union?

712
00:33:57,360 --> 00:33:58,600
Speaker 2: Huh? Union?

713
00:34:00,160 --> 00:34:03,239
Speaker 1: Is it about like sublimation and like condensation and like

714
00:34:03,320 --> 00:34:04,040
Speaker 1: And it was.

715
00:34:04,080 --> 00:34:12,040
Speaker 2: Like I'd be like I had a dream where well, okay, we're.

716
00:34:12,040 --> 00:34:14,439
Speaker 1: One thing replaced, like one thing stands in for another thing.

717
00:34:14,680 --> 00:34:16,759
Speaker 1: It's not that like, Oh I had a sex dream

718
00:34:16,760 --> 00:34:19,160
Speaker 1: about Tom Cruise. I guess I fucking am attracted to

719
00:34:19,160 --> 00:34:21,800
Speaker 1: Tom Cruise. No, Tom Cruise is standing in for another Yes.

720
00:34:21,640 --> 00:34:25,479
Speaker 2: That's like your super egos like way of managing Yeah,

721
00:34:25,760 --> 00:34:27,759
Speaker 2: the monstrous other and blah blah blah. It's like well,

722
00:34:27,760 --> 00:34:29,399
Speaker 2: maybe I just want to fuck Tom Cruise. Ever thought

723
00:34:29,400 --> 00:34:32,080
Speaker 2: about that? Or was that fucking crazy? No? Well that's

724
00:34:32,120 --> 00:34:34,279
Speaker 2: what Like, I couldn't get my mind around that. I

725
00:34:34,320 --> 00:34:38,200
Speaker 2: was my puny, little limited like monkey brain couldn't even

726
00:34:38,200 --> 00:34:39,919
Speaker 2: fathom for one second. It's like, well, maybe I did

727
00:34:39,920 --> 00:34:41,399
Speaker 2: just want to fuck Tom Cruise, and maybe I don't

728
00:34:41,440 --> 00:34:42,960
Speaker 2: need all your fucking crazy bullshit.

729
00:34:43,840 --> 00:34:48,000
Speaker 1: Maybe so maybe I where are you now with this journey?

730
00:34:48,080 --> 00:34:50,239
Speaker 1: Do you want a new therapist?

731
00:34:50,920 --> 00:34:55,400
Speaker 2: I do? But then I was also like I and

732
00:34:55,400 --> 00:34:57,319
Speaker 2: I'm gonna say another things that'll get me locked up

733
00:34:57,360 --> 00:35:00,239
Speaker 2: and thrown away with that te I think that there

734
00:35:00,280 --> 00:35:08,120
Speaker 2: are me therapists roaming these hollowed halls. Don't he should

735
00:35:08,200 --> 00:35:10,000
Speaker 2: be in jail.

736
00:35:12,040 --> 00:35:12,719
Speaker 1: They are so.

737
00:35:13,360 --> 00:35:17,839
Speaker 2: Fanny fucking therapists and they a lot of them are

738
00:35:18,640 --> 00:35:20,080
Speaker 2: very stupid, stupid.

739
00:35:20,239 --> 00:35:26,400
Speaker 1: I know where to start. Yeah, with the calling Real Housewives.

740
00:35:26,520 --> 00:35:28,920
Speaker 1: Every therapist who goes on Real Housewives, I go go

741
00:35:28,960 --> 00:35:29,359
Speaker 1: to jail.

742
00:35:29,440 --> 00:35:32,759
Speaker 2: Well they're not Do you notice they're not therapists. It's

743
00:35:33,320 --> 00:35:38,000
Speaker 2: like it says like Guru or something. Yeah, yeah, it's

744
00:35:38,000 --> 00:35:40,680
Speaker 2: always Guru or like it's like council or you know

745
00:35:40,719 --> 00:35:46,520
Speaker 2: what I'm saying. Yeah, they need well. During the do

746
00:35:46,560 --> 00:35:49,800
Speaker 2: you remember who was she saying? It didn't say therapists

747
00:35:49,800 --> 00:35:52,080
Speaker 2: In the lower third, it said like L C.

748
00:35:52,320 --> 00:35:55,759
Speaker 1: S W A social work just kidding me. Love them,

749
00:35:55,760 --> 00:35:59,120
Speaker 1: but we're banking pots and pants for them. We're pots

750
00:35:59,160 --> 00:36:00,840
Speaker 1: with seven p M. I'm on the dock. But you know,

751
00:36:00,880 --> 00:36:03,120
Speaker 1: you know, you know, I know I do. On Jessell

752
00:36:03,160 --> 00:36:07,640
Speaker 1: Bryant's Instagram every week is on I go. You need

753
00:36:07,680 --> 00:36:09,480
Speaker 1: to see a therapist. She doesn't want to be on TV.

754
00:36:10,320 --> 00:36:11,080
Speaker 1: Fucking idiot.

755
00:36:11,200 --> 00:36:13,760
Speaker 2: This is why I'm here today because me and Bone

756
00:36:13,760 --> 00:36:16,880
Speaker 2: actually extremely disagree. I'm gonna kill you. I are you

757
00:36:16,880 --> 00:36:23,400
Speaker 2: gonna kill you? My favorite housewives on the planet. You're dead, Zelle, period.

758
00:36:24,040 --> 00:36:26,440
Speaker 2: You don't put a face like that anywhere. She's got

759
00:36:26,520 --> 00:36:27,280
Speaker 2: my face.

760
00:36:27,600 --> 00:36:30,600
Speaker 1: It's the eyes. Looks, study the face a little bit

761
00:36:30,680 --> 00:36:33,239
Speaker 1: more all wrong to.

762
00:36:35,400 --> 00:36:40,080
Speaker 2: Up cheap bones towards the heavens to God, filled with

763
00:36:40,160 --> 00:36:47,200
Speaker 2: thanks to God. She's dressed well, fucking free, exactly exactly

764
00:36:47,280 --> 00:36:48,400
Speaker 2: that's what I want to be seeing.

765
00:36:48,719 --> 00:36:50,360
Speaker 3: I don't want to be seeing a shirt and pants.

766
00:36:50,400 --> 00:36:52,520
Speaker 2: I want to be seeing a Oh I I guess

767
00:36:52,560 --> 00:36:54,200
Speaker 2: we're hot, glowing a feather boa too.

768
00:36:54,239 --> 00:36:56,520
Speaker 3: The neckline of a V neck T shirt or whatever.

769
00:36:56,360 --> 00:36:58,120
Speaker 2: That I wish you would do that.

770
00:36:58,160 --> 00:37:01,480
Speaker 1: She is out here wearing like and yoga pants, but

771
00:37:01,800 --> 00:37:02,279
Speaker 1: and then like.

772
00:37:02,239 --> 00:37:07,399
Speaker 2: A giant like turquoise ear rings. Awesome, awesome specifics, there

773
00:37:07,400 --> 00:37:11,120
Speaker 2: are giant turquoise earrings. I think you're so fucking wrong.

774
00:37:11,160 --> 00:37:14,239
Speaker 2: I think she's one of the best we have. Gets

775
00:37:14,280 --> 00:37:16,840
Speaker 2: on TV and she goes, I'm gonna fuck all of

776
00:37:16,880 --> 00:37:19,560
Speaker 2: your lives up. Guess what, see, your stupid little lives,

777
00:37:19,600 --> 00:37:22,160
Speaker 2: I'm gonna ruin them. And guess what that makes amazing TV?

778
00:37:22,560 --> 00:37:30,240
Speaker 2: Ramona Singer the best housewife in history? So stupid today

779
00:37:30,280 --> 00:37:35,520
Speaker 2: I came Dieheart Radio to defend Michael Jackson Pomonas and

780
00:37:35,520 --> 00:37:35,920
Speaker 2: then you can.

781
00:37:35,960 --> 00:37:44,120
Speaker 1: All bashful you supporting openly racist housewives.

782
00:37:44,680 --> 00:37:46,719
Speaker 2: She is delivering when no one on the planet can have.

783
00:37:48,280 --> 00:37:51,440
Speaker 2: Both of these women are missing the part of the

784
00:37:51,520 --> 00:37:53,920
Speaker 2: human brain that has empathy, compassion and reason.

785
00:37:54,160 --> 00:37:57,399
Speaker 1: Right, so they're like perfect. There's a pathology there.

786
00:37:57,440 --> 00:38:00,000
Speaker 2: There's a pathology there that makes basically the most amazing

787
00:38:00,120 --> 00:38:01,000
Speaker 2: television aplatment.

788
00:38:01,160 --> 00:38:03,160
Speaker 1: By the end, though, I think people were like fed up.

789
00:38:03,200 --> 00:38:04,840
Speaker 1: I well, then Jazelle's still going. But it's like I

790
00:38:04,880 --> 00:38:09,920
Speaker 1: think most all my YouTube algorithm. Now is Karen Huger

791
00:38:10,040 --> 00:38:13,960
Speaker 1: dragging Gazelle for ten minutes? When do yourselfo dragging the

792
00:38:13,960 --> 00:38:16,400
Speaker 1: Green Iron bandits for ten minutes? It's like the internet

793
00:38:16,560 --> 00:38:19,279
Speaker 1: hates these fucking women, Robin and Gazelle specifically.

794
00:38:19,400 --> 00:38:22,080
Speaker 2: Well that and that is like that is what a

795
00:38:22,120 --> 00:38:25,359
Speaker 2: scand of all makes. And by the way, by the way,

796
00:38:25,600 --> 00:38:30,080
Speaker 2: man rules, whatever you have to do to get Rachel

797
00:38:30,239 --> 00:38:33,239
Speaker 2: back on the TV, it's done. Fucking do it. I

798
00:38:33,280 --> 00:38:37,799
Speaker 2: don't care. Continue to film the season. Keep the cameras up.

799
00:38:37,880 --> 00:38:41,120
Speaker 2: My pencils are down, my drama masks are down, but

800
00:38:41,280 --> 00:38:43,920
Speaker 2: your cameras are up. The lights are up, the gaffers

801
00:38:43,920 --> 00:38:45,080
Speaker 2: are laying in weight.

802
00:38:45,440 --> 00:38:47,239
Speaker 3: Uh yes, get her back.

803
00:38:47,280 --> 00:38:48,520
Speaker 2: I don't care what you have to do.

804
00:38:49,239 --> 00:38:51,440
Speaker 3: Why is everyone forgetting what good TV makes?

805
00:38:51,760 --> 00:38:53,000
Speaker 1: Tell? What does good TV make?

806
00:38:53,520 --> 00:38:56,600
Speaker 2: Fucking crazy people? Yeah? Who are insane?

807
00:38:57,360 --> 00:39:00,200
Speaker 1: Does there need to be a level of exploitation there?

808
00:39:00,239 --> 00:39:03,240
Speaker 1: Because now we're getting into this whole like reality reckoning.

809
00:39:03,640 --> 00:39:04,320
Speaker 2: Has it happened?

810
00:39:04,360 --> 00:39:06,680
Speaker 1: I feel like this is all like Bethany paying up

811
00:39:06,719 --> 00:39:09,400
Speaker 1: the ass for like pr right, Well, it's.

812
00:39:09,280 --> 00:39:12,600
Speaker 2: Like they they should be unionized, right, is that what's happening?

813
00:39:12,760 --> 00:39:15,320
Speaker 1: That's part of it, but it's also Bethany like recruiting,

814
00:39:15,360 --> 00:39:18,800
Speaker 1: like Rachel like everybody to be like reality TV bad.

815
00:39:19,440 --> 00:39:22,160
Speaker 1: But I'm also like, I think you're onto something where

816
00:39:22,800 --> 00:39:25,680
Speaker 1: you need these kooky, kooky people to be on TV.

817
00:39:27,160 --> 00:39:28,640
Speaker 1: But that's as far as I can agree with you.

818
00:39:29,080 --> 00:39:32,319
Speaker 2: Well, like Carlton, uh huh, when are we gonna get

819
00:39:32,320 --> 00:39:34,239
Speaker 2: someone like that? Bag? You know what I'm saying. If

820
00:39:34,280 --> 00:39:37,680
Speaker 2: we go down this road of like only finding people

821
00:39:37,680 --> 00:39:39,800
Speaker 2: who do not offend the sensibilities?

822
00:39:40,000 --> 00:39:42,200
Speaker 1: Well, how do you feel about Ronni right now? You

823
00:39:42,200 --> 00:39:44,240
Speaker 1: can be honest, I've kind of dragged Roney on this show.

824
00:39:44,760 --> 00:39:46,719
Speaker 2: I'm going to gather my words. I want to gather

825
00:39:46,800 --> 00:39:47,280
Speaker 2: my words.

826
00:39:47,320 --> 00:39:50,319
Speaker 1: I think we're getting as important, we're getting little glimmers

827
00:39:50,360 --> 00:39:52,960
Speaker 1: of like it's so funny that Jessela is like, are

828
00:39:53,080 --> 00:39:55,600
Speaker 1: the closest thing we have to a Ramona where it's

829
00:39:55,680 --> 00:39:58,239
Speaker 1: someone who is just a little disconnected something's.

830
00:39:57,920 --> 00:39:59,640
Speaker 3: Yes saying there's something amazing about her.

831
00:39:59,760 --> 00:40:06,000
Speaker 2: Yes, Yes, I want to see loathsome human beings on

832
00:40:06,000 --> 00:40:06,520
Speaker 2: my television.

833
00:40:06,520 --> 00:40:08,360
Speaker 3: And this is what I'm talking about the fantasy in

834
00:40:08,400 --> 00:40:08,839
Speaker 3: my life.

835
00:40:08,840 --> 00:40:13,080
Speaker 2: I am not friends with loathsome psychotic individuals, well sort of,

836
00:40:13,440 --> 00:40:20,000
Speaker 2: but I was to say that, I it's like I

837
00:40:20,040 --> 00:40:21,640
Speaker 2: want to be watching the fantasy world.

838
00:40:21,960 --> 00:40:25,800
Speaker 1: Yes, of this disgusting New York underbelt.

839
00:40:26,160 --> 00:40:29,400
Speaker 2: I this is fucking New York City. I want women

840
00:40:29,480 --> 00:40:33,040
Speaker 2: who have been to Little Saint James. Yeah, what is

841
00:40:33,080 --> 00:40:43,240
Speaker 2: that Jeffrey Epstein's pedophile. Okay, this is what I was saying.

842
00:40:43,520 --> 00:40:45,000
Speaker 1: I was saying this like two shows ago, like we

843
00:40:45,040 --> 00:40:48,839
Speaker 1: had a damn Ranziwill who was in Jeffrey Epstein's contact book.

844
00:40:49,040 --> 00:40:50,080
Speaker 3: Gallaine Maxwell.

845
00:40:50,239 --> 00:40:56,520
Speaker 2: Yes, took Carol's author portrait on the back of her

846
00:40:56,719 --> 00:41:00,080
Speaker 2: grieving book. So when you buy her book about grief.

847
00:41:00,040 --> 00:41:02,279
Speaker 1: Says photo critic Gillen Maxwell.

848
00:41:02,200 --> 00:41:04,640
Speaker 2: And that's what I'd be needing to see on my TV.

849
00:41:06,560 --> 00:41:09,239
Speaker 2: Your fucking city.

850
00:41:09,840 --> 00:41:14,000
Speaker 1: You need a fucking princess. You need a ratzwell yeah.

851
00:41:14,000 --> 00:41:17,480
Speaker 2: And you need just like the wealth in New York

852
00:41:17,560 --> 00:41:20,160
Speaker 2: City is the most evil.

853
00:41:20,360 --> 00:41:22,360
Speaker 1: You need like a little flavor of old money.

854
00:41:22,560 --> 00:41:28,440
Speaker 2: Yes, you need old money connected like in bread, in bread,

855
00:41:28,600 --> 00:41:31,960
Speaker 2: like I need like engineers of the war in Iraq.

856
00:41:32,160 --> 00:41:36,040
Speaker 1: Yes, yes, yes, I one hundred agree with you.

857
00:41:36,040 --> 00:41:37,040
Speaker 3: You know what I'm saying.

858
00:41:37,440 --> 00:41:40,560
Speaker 1: See this is I can get behind this, especially as

859
00:41:40,600 --> 00:41:44,239
Speaker 1: it being your like organizing principle around culture. It's like

860
00:41:44,480 --> 00:41:46,960
Speaker 1: you want to see, like you would want to see

861
00:41:46,960 --> 00:41:50,160
Speaker 1: an an architect of the Iraq War as a pop star.

862
00:41:53,160 --> 00:41:56,080
Speaker 2: When Bethany says, mention it all, mention it all, at all,

863
00:41:56,280 --> 00:41:57,640
Speaker 2: mention it all, mentioned it all.

864
00:41:57,760 --> 00:41:59,160
Speaker 3: That's what we need to be seeing.

865
00:41:59,520 --> 00:42:04,840
Speaker 2: I don't need to be like mildly entertained by women

866
00:42:05,600 --> 00:42:09,839
Speaker 2: in high society who haven't like it's like, I want

867
00:42:09,880 --> 00:42:13,640
Speaker 2: to see like the violence exposed. I need to. I

868
00:42:13,719 --> 00:42:17,640
Speaker 2: need Real Housewives to do a mask off on the

869
00:42:17,760 --> 00:42:20,200
Speaker 2: rich of New York because what we're getting right now,

870
00:42:20,760 --> 00:42:24,000
Speaker 2: it's just like nobody's meaning anybody any harm, no harm,

871
00:42:24,080 --> 00:42:24,640
Speaker 2: no foul.

872
00:42:24,880 --> 00:42:27,200
Speaker 1: Everybody's being you know, I'm saying, it's afraid to be

873
00:42:27,320 --> 00:42:28,000
Speaker 1: like a villain.

874
00:42:28,480 --> 00:42:31,239
Speaker 3: Yes, And we almost got We almost got it with Erin.

875
00:42:31,400 --> 00:42:33,640
Speaker 3: We almost got it with Aaron because it was revealed that.

876
00:42:35,400 --> 00:42:37,719
Speaker 2: Act or whatever it was. And then she's kind of

877
00:42:37,719 --> 00:42:39,960
Speaker 2: walking it back, and I go, don't be walking it back.

878
00:42:40,080 --> 00:42:41,799
Speaker 2: Let's expose this, shine the light.

879
00:42:42,000 --> 00:42:44,480
Speaker 1: I think she did expose something in her inadvertently in

880
00:42:44,520 --> 00:42:47,400
Speaker 1: her language. She said she didn't say I never supported Trump.

881
00:42:47,440 --> 00:42:49,600
Speaker 1: She said I never supported stop the Steel, which is

882
00:42:49,600 --> 00:42:53,360
Speaker 1: such a fucking to refer to the insurrection to January

883
00:42:53,440 --> 00:42:55,239
Speaker 1: sixth as stop the steel. It's like, okay, so then

884
00:42:55,280 --> 00:42:56,360
Speaker 1: you're at least like so.

885
00:42:56,400 --> 00:42:57,640
Speaker 3: You're acknowledging there's a steal.

886
00:42:58,719 --> 00:43:01,719
Speaker 1: Well, I'm like, you're at least bit couch like encroached

887
00:43:01,719 --> 00:43:06,879
Speaker 1: in like republican fucking total like jargon, totally, like that

888
00:43:07,000 --> 00:43:09,000
Speaker 1: is something that I'm a little bit fascinated by.

889
00:43:09,200 --> 00:43:12,520
Speaker 2: Totally. Or it's like in with Salt Lake City, it

890
00:43:12,600 --> 00:43:14,759
Speaker 2: was like we found out that Whitney was friends with

891
00:43:14,760 --> 00:43:20,120
Speaker 2: people who stormed the capital. Yes, get those girls, salt

892
00:43:20,200 --> 00:43:25,800
Speaker 2: Like looks like it was in my dream.

893
00:43:26,440 --> 00:43:28,560
Speaker 1: Let's do the dream analysis right here, and.

894
00:43:28,560 --> 00:43:32,640
Speaker 3: Now I don't remember. You just like zung something like.

895
00:43:35,640 --> 00:43:40,239
Speaker 2: We're going, we're going something into the back of my SaraBellum.

896
00:43:40,320 --> 00:43:43,160
Speaker 2: I just went, Meredith Marks, was my dream? I don't remember.

897
00:43:43,160 --> 00:43:44,719
Speaker 1: Why, oh my god, are you going to do a

898
00:43:44,760 --> 00:43:45,880
Speaker 1: show called SaraBellum?

899
00:43:47,080 --> 00:43:51,439
Speaker 2: Talking about the enter the twisted mind of Sarah's, Sara

900
00:43:51,920 --> 00:43:55,680
Speaker 2: I recommanded the English language is like beyond anything anyone.

901
00:43:56,160 --> 00:44:01,319
Speaker 1: It's the immigrants reading through the dictionary or really no, no,

902
00:44:02,560 --> 00:44:04,440
Speaker 1: I said, eating through the dictionary, eating through the diction.

903
00:44:04,560 --> 00:44:06,759
Speaker 2: Yes, said didn't eat enough bagel this morning at Sodell's.

904
00:44:06,880 --> 00:44:10,840
Speaker 1: Sidel's, Oh my god, we love Cidell's. Shouts out, Shouts

905
00:44:10,840 --> 00:44:13,000
Speaker 1: out to Cidel's best Bagels in New York City.

906
00:44:13,120 --> 00:44:15,520
Speaker 2: If you hey, if you want to come kill either

907
00:44:15,640 --> 00:44:17,520
Speaker 2: me or boone, we might be there at some time.

908
00:44:17,920 --> 00:44:20,360
Speaker 2: Come kill us. Please put me out of my misery.

909
00:44:20,400 --> 00:44:21,920
Speaker 1: I need to go with you because I've never I

910
00:44:21,920 --> 00:44:24,080
Speaker 1: have not been with like friends in a while.

911
00:44:24,560 --> 00:44:28,680
Speaker 2: What's your bagel order? Just period in general? So boring, bowing.

912
00:44:28,800 --> 00:44:30,479
Speaker 2: Don't talk about my friend bowing like that.

913
00:44:31,120 --> 00:44:34,200
Speaker 1: Wee bagel, wee bit my god.

914
00:44:34,080 --> 00:44:34,440
Speaker 2: I know.

915
00:44:34,600 --> 00:44:37,400
Speaker 1: And then like a scaling cream cheese, maybe maybe some

916
00:44:37,560 --> 00:44:39,520
Speaker 1: lines and capers.

917
00:44:39,560 --> 00:44:42,359
Speaker 2: I like capers. You're a high class woman. No, that's

918
00:44:43,239 --> 00:44:47,120
Speaker 2: are so base a caper though, My god, I didn't

919
00:44:47,120 --> 00:44:48,719
Speaker 2: know I was in the room with a billionaire. You

920
00:44:48,760 --> 00:44:49,720
Speaker 2: should be on real home.

921
00:44:50,080 --> 00:44:53,680
Speaker 1: I fucking engineered the Iraq war. Say that make me

922
00:44:53,719 --> 00:44:54,200
Speaker 1: a pop star?

923
00:44:54,400 --> 00:45:01,440
Speaker 2: Say that? But what's yours? Toasted? Mm hmm? Flat me bagel?

924
00:45:01,600 --> 00:45:05,360
Speaker 2: This is gonna fucking rock and shock everyone. I'm lactose

925
00:45:05,400 --> 00:45:08,200
Speaker 2: and doller Drew. I was diagnosed with being Jewish. Can't

926
00:45:08,360 --> 00:45:11,920
Speaker 2: touch cream cheese with ten football and I do not

927
00:45:12,080 --> 00:45:14,400
Speaker 2: touch this cream cheese surrogate because it kind of reminds

928
00:45:14,440 --> 00:45:17,919
Speaker 2: me of the ghosts of No, the ghost, the ghost

929
00:45:17,960 --> 00:45:18,480
Speaker 2: seeps in.

930
00:45:18,640 --> 00:45:19,760
Speaker 1: You need to bless the cheese.

931
00:45:20,040 --> 00:45:24,840
Speaker 2: I have been ordering a toasted flat sas me bagel

932
00:45:24,920 --> 00:45:30,919
Speaker 2: with peanut butter. Isn't that kind of crazy peanut butter

933
00:45:30,960 --> 00:45:32,960
Speaker 2: at a restaurant? I think that's like Child's pleads. You

934
00:45:33,000 --> 00:45:36,920
Speaker 2: were punk rocks. I actually am like very punk rock

935
00:45:36,960 --> 00:45:39,359
Speaker 2: today in the sense that my hair looks like it

936
00:45:39,400 --> 00:45:43,160
Speaker 2: has been dragged through the rats on the sea. Amazing.

937
00:45:44,239 --> 00:45:47,600
Speaker 2: You were the most stylish person you are and people

938
00:45:47,680 --> 00:45:51,800
Speaker 2: don't know this about Bowen your sense of design. No,

939
00:45:52,080 --> 00:45:54,040
Speaker 2: I step into your dressing room and pencils down. We're

940
00:45:54,080 --> 00:45:54,839
Speaker 2: not promoting the show.

941
00:45:56,040 --> 00:45:57,760
Speaker 3: Your dassing room.

942
00:45:57,640 --> 00:46:01,600
Speaker 2: Is designed to the like you're like. It's like you

943
00:46:01,640 --> 00:46:04,279
Speaker 2: have one tiny little end table that pulls the room

944
00:46:04,280 --> 00:46:06,440
Speaker 2: together in a way that I can't even possibly come ahend.

945
00:46:06,480 --> 00:46:08,480
Speaker 2: You know what I'm saying. It's like I couldn't just

946
00:46:08,520 --> 00:46:10,840
Speaker 2: like find a tiny little end table that like pulls

947
00:46:10,840 --> 00:46:11,840
Speaker 2: the taste together.

948
00:46:12,200 --> 00:46:12,799
Speaker 1: Under your head.

949
00:46:12,840 --> 00:46:15,600
Speaker 2: You'd find one that pulls it together. I don't know.

950
00:46:15,880 --> 00:46:29,680
Speaker 4: Cut in my head, no one please, please in this country.

951
00:46:32,600 --> 00:46:35,720
Speaker 2: Did you see Barbi? I did?

952
00:46:37,040 --> 00:46:39,480
Speaker 1: I did see Barbie and Oppenheimer.

953
00:46:39,440 --> 00:46:41,279
Speaker 2: I told you this that I call. I was like,

954
00:46:41,360 --> 00:46:43,520
Speaker 2: because everybody was like, oh my god, Barbie, like so

955
00:46:43,800 --> 00:46:46,520
Speaker 2: my childhood. And then everyone's like, oh, the weird Barbie

956
00:46:46,560 --> 00:46:49,480
Speaker 2: that everyone like drew on like classic, like and we

957
00:46:49,520 --> 00:46:51,960
Speaker 2: all had a Barbie that was that. And I was like,

958
00:46:52,360 --> 00:46:55,319
Speaker 2: it wasn't like ringing anything to me. And so I

959
00:46:55,360 --> 00:46:56,799
Speaker 2: called my mom and I was like, did I have

960
00:46:58,239 --> 00:46:59,960
Speaker 2: I was like, didn't I have Barbie? I just assumed

961
00:47:00,000 --> 00:47:01,800
Speaker 2: I had barbiees growing up because it's like, go classic,

962
00:47:01,800 --> 00:47:03,600
Speaker 2: we all had Barbies growing up. My mom was like,

963
00:47:03,640 --> 00:47:05,839
Speaker 2: I don't think we had a single Barbie in the house.

964
00:47:05,840 --> 00:47:08,880
Speaker 2: And I was like, I think I implanted barbiees in the

965
00:47:08,880 --> 00:47:10,960
Speaker 2: house because everybody's like, well, Barbie's in the house.

966
00:47:11,040 --> 00:47:15,719
Speaker 1: Do you think that there is something going on where

967
00:47:15,719 --> 00:47:20,759
Speaker 1: there's like a little Mandela effect situation where everyone's like,

968
00:47:20,960 --> 00:47:24,239
Speaker 1: I loved my Barbie is growing up cut to they

969
00:47:24,239 --> 00:47:25,040
Speaker 1: were never Barbies.

970
00:47:25,280 --> 00:47:26,560
Speaker 3: Cut to open the files.

971
00:47:26,600 --> 00:47:29,960
Speaker 2: I don't see a single Barbie blurry in the in

972
00:47:30,000 --> 00:47:32,080
Speaker 2: the frame in any of these childhood photos.

973
00:47:32,400 --> 00:47:35,480
Speaker 5: And I was like I'm gonna like you.

974
00:47:35,760 --> 00:47:40,960
Speaker 2: I guess I did. Yeah, yeah, I don't think you said,

975
00:47:41,080 --> 00:47:45,880
Speaker 2: like I've heard your mom. She's really just chancausticly, No,

976
00:47:46,200 --> 00:47:49,480
Speaker 2: she's very beautiful, gorgeous woman, gorgeous woman, gorgeous.

977
00:47:50,000 --> 00:47:52,920
Speaker 1: I yeah, I guess I had to check my own

978
00:47:53,000 --> 00:47:55,600
Speaker 1: nostalgia for Barbie and go, well, I guess I had

979
00:47:55,600 --> 00:47:59,680
Speaker 1: an Aladdin one and I was in love with that thing.

980
00:48:00,560 --> 00:48:04,280
Speaker 1: And then I had two maybe garage yard sale Barbies

981
00:48:04,440 --> 00:48:07,239
Speaker 1: and that and those are my sisters, and and that

982
00:48:07,360 --> 00:48:11,080
Speaker 1: is the extent like I'm not gonna like retroactively suffuse

983
00:48:11,120 --> 00:48:14,359
Speaker 1: it with all this meaning and you know, like and shit. So,

984
00:48:14,880 --> 00:48:16,960
Speaker 1: by the way, did not take away from my experience

985
00:48:16,960 --> 00:48:19,120
Speaker 1: watching the movie. You can we can all go into

986
00:48:19,160 --> 00:48:21,680
Speaker 1: these experiences, think especially now that we're gonna I guess

987
00:48:21,719 --> 00:48:25,200
Speaker 1: we're gonna have more and more brand movies going forward.

988
00:48:25,280 --> 00:48:28,200
Speaker 1: It's like you can go into these things being like, oh, yeah,

989
00:48:28,239 --> 00:48:30,200
Speaker 1: I had like I had a couple hot wheels growing

990
00:48:30,320 --> 00:48:34,600
Speaker 1: up period In there, you don't it's not a contest

991
00:48:34,640 --> 00:48:37,000
Speaker 1: about who loves hot Wheels the most.

992
00:48:37,239 --> 00:48:39,000
Speaker 2: So you're saying toy movies are gonna be the new

993
00:48:39,080 --> 00:48:41,560
Speaker 2: superhero now with Barbie.

994
00:48:41,600 --> 00:48:43,960
Speaker 1: There is a new model going forward for like a

995
00:48:44,000 --> 00:48:47,279
Speaker 1: movie about a product that we can get away with

996
00:48:47,360 --> 00:48:49,200
Speaker 1: being like, isn't this meta and fun?

997
00:48:50,080 --> 00:48:52,280
Speaker 2: Well, then you guys better be doing movies about twigs

998
00:48:52,320 --> 00:48:55,560
Speaker 2: and rubber bands, because that's what I was playing with as.

999
00:48:55,480 --> 00:48:57,120
Speaker 3: An intelligent child.

1000
00:48:59,280 --> 00:49:03,560
Speaker 2: I can't wait for the twigs and rocks movie. Honey,

1001
00:49:03,640 --> 00:49:05,680
Speaker 2: let's do it. Let's do the twigs and rocks and

1002
00:49:05,760 --> 00:49:06,560
Speaker 2: books movie.

1003
00:49:06,760 --> 00:49:10,400
Speaker 1: And we're writing a movie, Hollywood, It's called books.

1004
00:49:10,760 --> 00:49:13,440
Speaker 2: Ever heard of it? Fucking babies. I'm done with these

1005
00:49:13,480 --> 00:49:16,799
Speaker 2: movies about toys for children, because when I was a child,

1006
00:49:16,800 --> 00:49:17,920
Speaker 2: I didn't play with toys.

1007
00:49:18,600 --> 00:49:21,759
Speaker 1: I played with twigs rocks.

1008
00:49:21,760 --> 00:49:26,879
Speaker 2: Such a liar, Obviously, toys was addicted. Talk about Long

1009
00:49:26,920 --> 00:49:35,160
Speaker 2: Island was a hundred percent. Don't you don't think I

1010
00:49:35,280 --> 00:49:38,440
Speaker 2: was like, I had a fucking sniper rifle crosshair, and

1011
00:49:38,480 --> 00:49:44,600
Speaker 2: all the gay guys in my s come to I

1012
00:49:46,000 --> 00:49:49,880
Speaker 2: was a theater dorkass, right, you a theater dorkass.

1013
00:49:49,920 --> 00:49:51,760
Speaker 1: I was a theater doreass.

1014
00:49:51,160 --> 00:49:54,560
Speaker 2: I And you of course know my famous story about

1015
00:49:54,560 --> 00:49:59,920
Speaker 2: how how I didn't get apart and into the worl

1016
00:50:00,520 --> 00:50:01,120
Speaker 2: and I was.

1017
00:50:01,960 --> 00:50:03,120
Speaker 1: I don't know the story.

1018
00:50:03,160 --> 00:50:05,960
Speaker 2: I need to know the story tell me. I was like,

1019
00:50:06,320 --> 00:50:11,399
Speaker 2: not to brag amazing at the track running, but I

1020
00:50:11,440 --> 00:50:13,239
Speaker 2: was like, I have to quit the track team to

1021
00:50:13,280 --> 00:50:17,279
Speaker 2: pursue my love of the performing arts. And are so like,

1022
00:50:17,480 --> 00:50:20,520
Speaker 2: oh my god, he was a Long Island track star.

1023
00:50:22,000 --> 00:50:25,440
Speaker 1: Wow you both of you, these are the two pisces loves.

1024
00:50:25,520 --> 00:50:28,719
Speaker 2: Oh my god, and we have the same exact body type.

1025
00:50:28,719 --> 00:50:32,959
Speaker 2: It's like crazy, oh my god, Briddy's a Long Island

1026
00:50:33,000 --> 00:50:36,399
Speaker 2: legend track star. I like quit the track team because

1027
00:50:36,440 --> 00:50:38,960
Speaker 2: I was like, I have to be performing hilarious comedy

1028
00:50:38,960 --> 00:50:42,080
Speaker 2: constantly all the time, and I was a horrible actor

1029
00:50:42,320 --> 00:50:44,640
Speaker 2: and so I never got a part in anything. And

1030
00:50:44,680 --> 00:50:47,360
Speaker 2: everybody my parents were like, you're giving up like possibly

1031
00:50:47,360 --> 00:50:49,839
Speaker 2: a scholarship because of this, and I was like, I

1032
00:50:49,920 --> 00:50:52,840
Speaker 2: literally need to be I'm.

1033
00:50:51,880 --> 00:50:55,880
Speaker 1: A storyteller, I'm a performer. I'm a storyteller, I'm a seer.

1034
00:50:56,239 --> 00:50:59,640
Speaker 3: And I Into the Woods of the musical I.

1035
00:50:59,520 --> 00:51:00,520
Speaker 1: Was not not the play.

1036
00:51:01,680 --> 00:51:06,000
Speaker 2: I'm being stupid, no, of course, and I'm laughing, of course. No. Well,

1037
00:51:06,000 --> 00:51:07,799
Speaker 2: Into the Woods I didn't read the play. I only

1038
00:51:07,840 --> 00:51:12,399
Speaker 2: read the book. I haven't seen the movie and played

1039
00:51:12,400 --> 00:51:12,920
Speaker 2: with the rock.

1040
00:51:15,400 --> 00:51:17,880
Speaker 3: I was cast.

1041
00:51:18,280 --> 00:51:22,239
Speaker 2: Gave up my athlete dreams or whatever. And I was

1042
00:51:22,440 --> 00:51:25,239
Speaker 2: cast in the chorus of Into the Woods, which was

1043
00:51:25,280 --> 00:51:26,960
Speaker 2: behind a scrim the entire time.

1044
00:51:27,280 --> 00:51:29,160
Speaker 1: Wait wait, wait, stary over. You were in the show,

1045
00:51:29,200 --> 00:51:30,320
Speaker 1: but you were behind the scrim.

1046
00:51:30,560 --> 00:51:32,120
Speaker 2: I was cast the chorus.

1047
00:51:32,239 --> 00:51:33,960
Speaker 3: Did not get to be in front of the scrim.

1048
00:51:34,160 --> 00:51:35,880
Speaker 1: That's abominable.

1049
00:51:36,360 --> 00:51:43,120
Speaker 2: So I was in silhouette the entire production behind a scrim.

1050
00:51:43,120 --> 00:51:49,400
Speaker 2: But I've never heard that, and I just like happened

1051
00:51:49,400 --> 00:51:52,880
Speaker 2: to be the most annoying individual planet human Earth. And

1052
00:51:53,160 --> 00:51:55,640
Speaker 2: I went to the costum closet by myself and I

1053
00:51:55,719 --> 00:52:04,360
Speaker 2: got my own right I to know all by myself.

1054
00:52:04,360 --> 00:52:06,840
Speaker 2: It was a red ball gun with like black lace

1055
00:52:07,040 --> 00:52:07,879
Speaker 2: trim all over it.

1056
00:52:08,120 --> 00:52:11,279
Speaker 3: And I was like, I made them put me.

1057
00:52:11,200 --> 00:52:14,520
Speaker 2: In the plame Mail because I was like, oh, this

1058
00:52:14,640 --> 00:52:17,560
Speaker 2: dress is like really Russian, and like informed my character.

1059
00:52:19,400 --> 00:52:22,319
Speaker 2: I made them put me in the play mill as

1060
00:52:22,640 --> 00:52:30,320
Speaker 2: Sarah Sherman the Russians Arena. I was like living my fantasy.

1061
00:52:30,760 --> 00:52:32,720
Speaker 2: And then I was like everyone else is in the chorus,

1062
00:52:32,719 --> 00:52:34,799
Speaker 2: but like I made my own character for myself, like

1063
00:52:34,840 --> 00:52:37,840
Speaker 2: in the chorus behind the scrim. You know why you

1064
00:52:37,880 --> 00:52:41,279
Speaker 2: did that? Because I needed attention. There is just like

1065
00:52:41,320 --> 00:52:43,920
Speaker 2: a gaping void in my soul.

1066
00:52:43,800 --> 00:52:45,240
Speaker 1: Because you're a fucking star.

1067
00:52:46,840 --> 00:52:51,720
Speaker 2: You're a star behavior. I will not be silent.

1068
00:52:53,040 --> 00:52:56,239
Speaker 1: Russians arena not one line, but I have like an

1069
00:52:56,280 --> 00:52:57,840
Speaker 1: accent Russian.

1070
00:53:00,239 --> 00:53:04,280
Speaker 2: Right, a fur cuffy, this scream that no one.

1071
00:53:04,200 --> 00:53:10,520
Speaker 1: Saw and I had the accent. Wow, do you have

1072
00:53:10,560 --> 00:53:11,200
Speaker 1: the accent.

1073
00:53:12,719 --> 00:53:15,680
Speaker 2: A gun to head? I am the Russian Zara.

1074
00:53:17,640 --> 00:53:18,239
Speaker 1: Standing?

1075
00:53:18,400 --> 00:53:22,680
Speaker 2: Oh thank you? Oh my god. That was so.

1076
00:53:22,760 --> 00:53:23,720
Speaker 3: We would have been friends.

1077
00:53:23,800 --> 00:53:25,640
Speaker 1: We would have been unless you wouldn't have liked the

1078
00:53:25,640 --> 00:53:26,239
Speaker 1: annoying bit.

1079
00:53:26,320 --> 00:53:28,480
Speaker 3: She was like, actually, I'm actually the Russians arena.

1080
00:53:28,560 --> 00:53:29,520
Speaker 2: I'm not like you people.

1081
00:53:29,880 --> 00:53:33,160
Speaker 1: Oh, I would have fully supported you, guys.

1082
00:53:33,200 --> 00:53:34,560
Speaker 3: What's the past sense of stand?

1083
00:53:34,560 --> 00:53:36,959
Speaker 2: Stood? Stood? I would have standed and gone.

1084
00:53:37,080 --> 00:53:41,400
Speaker 1: Guys, guys, Sarah is the Russian Czarina if you call it,

1085
00:53:41,480 --> 00:53:45,279
Speaker 1: there's arena that's not incomplete. She's the Russian Czarna.

1086
00:53:45,520 --> 00:53:47,480
Speaker 2: Do you want to hear actually the most I can't

1087
00:53:47,480 --> 00:53:50,040
Speaker 2: stop talking because now you're just un locked up. Please,

1088
00:53:50,080 --> 00:53:51,680
Speaker 2: do you want to hear the most damning thing on

1089
00:53:51,719 --> 00:53:55,560
Speaker 2: the side of the Yes, the side of the rhine. Yeah,

1090
00:53:55,920 --> 00:54:00,440
Speaker 2: they say that sometimes us. I did a show in Houston, Texas,

1091
00:54:00,440 --> 00:54:02,359
Speaker 2: not to brag a couple of weeks ago. I love

1092
00:54:02,560 --> 00:54:05,399
Speaker 2: I love that totally oil money kind of cool.

1093
00:54:05,719 --> 00:54:06,719
Speaker 3: Now is that Dallas?

1094
00:54:07,040 --> 00:54:13,319
Speaker 2: That's all of text, totally shout shouts out, shouts out

1095
00:54:13,560 --> 00:54:18,280
Speaker 2: in respect. I want in the not very good shows

1096
00:54:18,280 --> 00:54:21,839
Speaker 2: for Sarah. There no just kidding, just kidding day. Don't

1097
00:54:21,840 --> 00:54:26,279
Speaker 2: talk to my friend Sarah. He's still to Houston. There

1098
00:54:26,320 --> 00:54:27,960
Speaker 2: was a guy in the front road sitting at my

1099
00:54:28,000 --> 00:54:31,000
Speaker 2: Houston show holding I saw at the corner of my eye,

1100
00:54:31,040 --> 00:54:33,560
Speaker 2: I go, that's our elementary school yearbook.

1101
00:54:34,680 --> 00:54:37,680
Speaker 1: That is scary on him and I went.

1102
00:54:38,000 --> 00:54:40,520
Speaker 2: Something zung in the back of the cerebell and I

1103
00:54:40,600 --> 00:54:43,000
Speaker 2: went oh and he I was like, is that our

1104
00:54:43,040 --> 00:54:46,640
Speaker 2: elementary school yearbook? And he handed it to me and

1105
00:54:46,840 --> 00:54:48,600
Speaker 2: I signed his yearbook.

1106
00:54:49,400 --> 00:54:50,440
Speaker 3: I actually can't even.

1107
00:54:50,360 --> 00:54:52,560
Speaker 1: See this all, lou Do you need to cut this out?

1108
00:54:52,719 --> 00:54:56,319
Speaker 2: No, it's just I might as well be why in

1109
00:54:56,360 --> 00:54:58,799
Speaker 2: between the eyes execution style for what I'm about to

1110
00:54:58,800 --> 00:54:59,120
Speaker 2: tell you?

1111
00:54:59,280 --> 00:55:02,080
Speaker 1: Okay, well, is this the damning part I signed?

1112
00:55:02,160 --> 00:55:05,440
Speaker 2: Is your book? I know my signature isn't worth a

1113
00:55:05,800 --> 00:55:09,040
Speaker 2: but when I'm famous, it'll pay your rent. This was

1114
00:55:09,040 --> 00:55:11,680
Speaker 2: back in the day you said that in elementary school.

1115
00:55:12,080 --> 00:55:14,680
Speaker 1: That's so funny, Sir, that's electrocution.

1116
00:55:15,040 --> 00:55:16,120
Speaker 2: I need electric jockey.

1117
00:55:16,320 --> 00:55:18,040
Speaker 1: Why why is that Electrictrie.

1118
00:55:17,600 --> 00:55:22,480
Speaker 2: Because that is the most invaders zimmed ass hot topic

1119
00:55:22,680 --> 00:55:25,040
Speaker 2: girl ass, annoying ass.

1120
00:55:25,239 --> 00:55:28,719
Speaker 1: I'm about to fucking one up, one up, go now,

1121
00:55:28,920 --> 00:55:33,240
Speaker 1: fifth grade. This this is what I'm signing in people's

1122
00:55:33,239 --> 00:55:37,320
Speaker 1: hear books. I can't believe I'm about to share it. This,

1123
00:55:37,320 --> 00:55:40,440
Speaker 1: this will end me. I won't look at you know,

1124
00:55:40,600 --> 00:55:42,920
Speaker 1: you have to look at it. You want, Okay, you

1125
00:55:42,920 --> 00:55:45,120
Speaker 1: have to hold my hand. This is what I signed.

1126
00:55:45,400 --> 00:55:50,959
Speaker 2: People here, and before you say that I actually love you,

1127
00:55:49,520 --> 00:55:53,399
Speaker 2: I say what anyone else does today, on the day

1128
00:55:53,440 --> 00:55:54,920
Speaker 2: my daughter's running, I love you.

1129
00:55:55,080 --> 00:55:57,279
Speaker 1: I love you on the day of my daughter. This

1130
00:55:57,360 --> 00:56:07,719
Speaker 1: is what I signed. Willist Chinese kid in America, coolest

1131
00:56:07,840 --> 00:56:09,080
Speaker 1: Chinese kid in America.

1132
00:56:09,200 --> 00:56:16,040
Speaker 2: Bowen, Yeah, what if I signed that?

1133
00:56:16,040 --> 00:56:17,239
Speaker 1: That that.

1134
00:56:18,880 --> 00:56:20,800
Speaker 3: No, that is kisses up to Heaven?

1135
00:56:22,560 --> 00:56:24,480
Speaker 1: That is disgusting.

1136
00:56:25,680 --> 00:56:27,640
Speaker 3: Were you were there like, well, here's my question.

1137
00:56:27,719 --> 00:56:29,520
Speaker 2: If there were a lot of Chinese kids at the school,

1138
00:56:29,520 --> 00:56:31,439
Speaker 2: were they all like, hey, I'm right here.

1139
00:56:31,520 --> 00:56:33,719
Speaker 1: I was the only one of the school questions. My

1140
00:56:33,760 --> 00:56:36,080
Speaker 1: sample size was small. I was I was was biased

1141
00:56:36,080 --> 00:56:38,879
Speaker 1: by my own little like cohort. But then you want

1142
00:56:38,880 --> 00:56:41,799
Speaker 1: to know something. This is what all the kids said,

1143
00:56:42,760 --> 00:56:50,640
Speaker 1: Bowen like you are though me like being so validated

1144
00:56:50,640 --> 00:56:56,040
Speaker 1: by all these shocks jocks. Well, Denver is like none

1145
00:56:56,160 --> 00:56:59,320
Speaker 1: of what was to talk about Denver?

1146
00:56:59,560 --> 00:57:05,120
Speaker 2: Okay, literally, paramount, paramount me, Meg Patty giving him last.

1147
00:57:05,160 --> 00:57:11,120
Speaker 2: We're giving them a show. Everybody after the show so

1148
00:57:11,520 --> 00:57:15,360
Speaker 2: out of their mind, like it was an amazing like

1149
00:57:17,040 --> 00:57:18,880
Speaker 2: bog in is that a bog in your pocket? Or

1150
00:57:18,920 --> 00:57:21,800
Speaker 2: you just happy to see me like amazing show man,

1151
00:57:22,520 --> 00:57:27,960
Speaker 2: like drooling high but sweet sweet but like, guys, I'm

1152
00:57:27,960 --> 00:57:32,240
Speaker 2: gonna say something, Okay, say it. We We're gonna be

1153
00:57:32,520 --> 00:57:33,360
Speaker 2: breaks a little bit.

1154
00:57:34,480 --> 00:57:35,000
Speaker 1: I've had to.

1155
00:57:35,120 --> 00:57:42,520
Speaker 2: I've had to really, I mean as someone who cannot

1156
00:57:42,560 --> 00:57:45,640
Speaker 2: partake because last time I smoked weed experienced ego death

1157
00:57:45,680 --> 00:57:47,880
Speaker 2: of the highest order. Oh my god, I love it.

1158
00:57:48,360 --> 00:57:50,640
Speaker 3: You love experiencing ego death of the highest order.

1159
00:57:50,520 --> 00:57:52,200
Speaker 1: Every now, like once every two years.

1160
00:57:52,200 --> 00:57:55,000
Speaker 2: I love doing that. You know a little bit, mister weed,

1161
00:57:55,080 --> 00:57:58,600
Speaker 2: aren't you not? Rule of culture number seventy three five

1162
00:58:00,600 --> 00:58:01,360
Speaker 2: is a little bit of weed?

1163
00:58:01,720 --> 00:58:02,520
Speaker 1: A little would you say?

1164
00:58:03,400 --> 00:58:05,360
Speaker 2: Tell you? I'm gonna tell you.

1165
00:58:05,400 --> 00:58:11,240
Speaker 1: I'm like stone, It's I will say for myself. I

1166
00:58:11,400 --> 00:58:13,280
Speaker 1: was talking about weed as if I was a virgin.

1167
00:58:13,520 --> 00:58:15,400
Speaker 1: I kept being like, Oh, this is the best.

1168
00:58:16,080 --> 00:58:17,800
Speaker 2: Yeah, this is like one of the but you gotta

1169
00:58:17,840 --> 00:58:21,720
Speaker 2: try the girls out cookie And everybody's like, oh, edibles.

1170
00:58:22,120 --> 00:58:25,120
Speaker 2: We're acting like as if an edible isn't like as

1171
00:58:25,160 --> 00:58:29,720
Speaker 2: potent as a crack rock. It's one of the highest.

1172
00:58:30,840 --> 00:58:31,320
Speaker 5: It is the.

1173
00:58:31,360 --> 00:58:34,240
Speaker 2: Hardest drug you could take, is a weed edible And

1174
00:58:34,240 --> 00:58:39,240
Speaker 2: everybody's acting like they can drive a tractor trailer. It's

1175
00:58:39,280 --> 00:58:46,640
Speaker 2: a fucking crazy drug. Absolutely, I am hallucinated on weed edible. Girl,

1176
00:58:48,560 --> 00:58:51,400
Speaker 2: I told her, I've been diagnosed as Jewish. That's not

1177
00:58:51,440 --> 00:58:55,080
Speaker 2: I'm not connecting those dots. I have like fully had

1178
00:58:55,120 --> 00:58:58,040
Speaker 2: like psychosomatic hallucinations where I was like convinced that I

1179
00:58:58,080 --> 00:58:59,480
Speaker 2: ship my pants on weed edible.

1180
00:58:59,520 --> 00:59:02,720
Speaker 1: But I've actually had that, like there's something there. There's

1181
00:59:02,760 --> 00:59:05,760
Speaker 1: a lot my center of gravity and my groin is off.

1182
00:59:05,880 --> 00:59:07,760
Speaker 3: Well actually because any drug.

1183
00:59:07,800 --> 00:59:10,040
Speaker 2: And I found this out from a oh wee guy, huh,

1184
00:59:10,640 --> 00:59:15,920
Speaker 2: like you have a lot of serotonin receptors in your intestine, right,

1185
00:59:15,960 --> 00:59:19,880
Speaker 2: Sarah Sarah, that's my next show after Sarahbellum. It love it,

1186
00:59:20,240 --> 00:59:25,040
Speaker 2: like other reviews are in it's a hit. It's so

1187
00:59:25,120 --> 00:59:28,800
Speaker 2: off Broadway hasn't even happened yet. So off free, girl friend,

1188
00:59:28,800 --> 00:59:30,800
Speaker 2: you are so not off Broadway.

1189
00:59:31,280 --> 00:59:32,160
Speaker 1: We talk about Mariae.

1190
00:59:33,400 --> 00:59:37,920
Speaker 2: No, we have to must, we must. Oh a drug

1191
00:59:38,040 --> 00:59:40,720
Speaker 2: like is to like go crazy on your serotonin. It

1192
00:59:40,720 --> 00:59:43,200
Speaker 2: can make your stomach go du circ do solet flips

1193
00:59:43,240 --> 00:59:43,520
Speaker 2: in there?

1194
00:59:43,640 --> 00:59:47,080
Speaker 1: Han me, Oh my god, why did you make me

1195
00:59:47,120 --> 00:59:47,800
Speaker 1: think about our what?

1196
00:59:47,880 --> 00:59:50,960
Speaker 2: We can't talk about the show. So I know people

1197
00:59:50,960 --> 00:59:53,880
Speaker 2: don't even know what we know. You know what I'm saying, Sarah,

1198
00:59:54,120 --> 00:59:55,400
Speaker 2: You guys have no idea.

1199
00:59:55,440 --> 00:59:58,680
Speaker 1: You guys have no idea. We shouldn't even talk about

1200
00:59:58,680 --> 01:00:01,520
Speaker 1: it because there's something so sacred about totally you and

1201
01:00:01,560 --> 01:00:05,040
Speaker 1: me sitting down going what do we.

1202
01:00:05,000 --> 01:00:08,600
Speaker 2: Do another day at work with Nurse Jackie more like

1203
01:00:08,680 --> 01:00:10,720
Speaker 2: Nurse Bowen the way he's helping me there.

1204
01:00:10,680 --> 01:00:24,120
Speaker 1: Doctor House. Now let's talk about Mary Anneliams. Yeah, because

1205
01:00:24,920 --> 01:00:27,760
Speaker 1: she is someone we could all stand to be a

1206
01:00:27,760 --> 01:00:28,680
Speaker 1: little bit more like her.

1207
01:00:29,000 --> 01:00:33,240
Speaker 2: When she said one hundred, she diagnosed, she said, I'm sorry,

1208
01:00:33,240 --> 01:00:37,040
Speaker 2: there's something in the speaking of collective unconscious. A river

1209
01:00:37,160 --> 01:00:40,280
Speaker 2: runs through the collective unconscious. That's a river of pain.

1210
01:00:41,360 --> 01:00:43,400
Speaker 1: And she keep going.

1211
01:00:43,520 --> 01:00:46,520
Speaker 2: She diagnosed the problem, she did, and it is a

1212
01:00:46,560 --> 01:00:51,600
Speaker 2: spiritual malady that is afflicting this world. And yeah, maybe

1213
01:00:51,640 --> 01:00:53,560
Speaker 2: we should have the president be addressing that.

1214
01:00:53,520 --> 01:00:57,720
Speaker 1: There should be a department piece, Yeah, Department of Peace

1215
01:00:58,920 --> 01:00:59,640
Speaker 1: and State.

1216
01:00:59,400 --> 01:01:02,880
Speaker 2: Mandated decaesi sizions every day Siesta yesta.

1217
01:01:03,800 --> 01:01:07,680
Speaker 1: If we transition to Siesta culture, we would be it

1218
01:01:07,720 --> 01:01:10,000
Speaker 1: would be over for us, hose, honestly, it'd be over

1219
01:01:10,080 --> 01:01:13,640
Speaker 1: for us host we would be Everyone would be.

1220
01:01:13,640 --> 01:01:16,920
Speaker 2: Pan, which is something that I don't respect.

1221
01:01:17,120 --> 01:01:20,240
Speaker 1: But you would if you had cesta culture, totally totally'd

1222
01:01:20,280 --> 01:01:22,520
Speaker 1: be like, I'm pan, your pan, We're all pan.

1223
01:01:23,960 --> 01:01:24,360
Speaker 3: You know what.

1224
01:01:24,520 --> 01:01:27,320
Speaker 2: In a moment of panic, I conflated Pan with Polly,

1225
01:01:28,080 --> 01:01:30,320
Speaker 2: I see. And so I'm like, if we had ces

1226
01:01:30,360 --> 01:01:33,080
Speaker 2: the culture, would everyone be Polly? Because everyone has goddamn

1227
01:01:33,120 --> 01:01:35,680
Speaker 2: time on their hands Jesus.

1228
01:01:36,040 --> 01:01:38,680
Speaker 1: And that's the thing about Polly is that the secret

1229
01:01:38,840 --> 01:01:41,400
Speaker 1: ingredient is time is the.

1230
01:01:41,400 --> 01:01:43,640
Speaker 2: Reason they all fall person there's no time.

1231
01:01:45,080 --> 01:01:46,960
Speaker 1: How many hours in the day among us?

1232
01:01:46,960 --> 01:01:47,720
Speaker 3: Who among us?

1233
01:01:47,760 --> 01:01:48,040
Speaker 2: Not me?

1234
01:01:48,160 --> 01:01:50,600
Speaker 1: Certainly, certainly I think it's time for I don't think so, honey,

1235
01:01:50,600 --> 01:01:51,919
Speaker 1: wouldn't you say, Sarah.

1236
01:01:51,800 --> 01:01:56,120
Speaker 2: Oh what I've completely forgot? Ready?

1237
01:01:56,280 --> 01:01:57,880
Speaker 1: Righty, Okay, this is I don't think, Sony, this is

1238
01:01:57,880 --> 01:01:59,560
Speaker 1: where we take one minute to go off on something

1239
01:01:59,600 --> 01:02:04,880
Speaker 1: in culture. Sure, that's really getting our grinding, our gears,

1240
01:02:04,920 --> 01:02:07,480
Speaker 1: getting our goat. Wouldn't you say, oh my god, what

1241
01:02:07,520 --> 01:02:12,640
Speaker 1: can mine be? You'll you'll, you'll something you will well, Sarah,

1242
01:02:12,640 --> 01:02:13,560
Speaker 1: would you like to time me?

1243
01:02:14,200 --> 01:02:16,040
Speaker 3: Oh my god, it would be my honor.

1244
01:02:16,120 --> 01:02:16,960
Speaker 2: Thank you so much.

1245
01:02:17,120 --> 01:02:19,959
Speaker 1: This is my I don't think so, honey, My time

1246
01:02:20,040 --> 01:02:21,920
Speaker 1: starts now. I don't think so.

1247
01:02:22,000 --> 01:02:26,320
Speaker 2: Honey. Cough drops. You don't do shit.

1248
01:02:26,480 --> 01:02:29,720
Speaker 1: You don't get down there to the throat. You're just

1249
01:02:29,800 --> 01:02:32,000
Speaker 1: kind of like clicking and clacking around the front of

1250
01:02:32,040 --> 01:02:35,000
Speaker 1: my mouth and my teeth. But you're not reaching where

1251
01:02:35,040 --> 01:02:38,320
Speaker 1: you need to reach. Even these medicated lozenges are not

1252
01:02:38,440 --> 01:02:42,560
Speaker 1: giving the give. My throat is screaming, My tonsils are

1253
01:02:43,000 --> 01:02:47,920
Speaker 1: covered in pus, and there's nothing that's touching the syrup

1254
01:02:48,320 --> 01:02:51,880
Speaker 1: from the lozenge. I need you to reach down there. Okay,

1255
01:02:52,120 --> 01:02:55,240
Speaker 1: my throat can handle it. Why are you so scared

1256
01:02:55,320 --> 01:02:57,840
Speaker 1: to get down in the deep rolling in the deep

1257
01:02:57,840 --> 01:03:01,000
Speaker 1: adel style? I need you to reach, really get in there,

1258
01:03:01,200 --> 01:03:05,880
Speaker 1: but the reach is not reaching. Okay, hauls, you're busted.

1259
01:03:06,160 --> 01:03:09,120
Speaker 1: Come up with new flavors. Cherry and honey have you

1260
01:03:09,320 --> 01:03:14,120
Speaker 1: heard of popcorn? Have you heard of barbecue?

1261
01:03:14,200 --> 01:03:14,720
Speaker 2: Mama?

1262
01:03:15,120 --> 01:03:17,880
Speaker 1: I need you to step up the game because the flavors.

1263
01:03:17,920 --> 01:03:21,120
Speaker 1: The labs are churning out flavors, and then the halls.

1264
01:03:21,280 --> 01:03:25,040
Speaker 1: Whoever's doing, you know, liaising between the labs and the Yeah,

1265
01:03:25,080 --> 01:03:27,000
Speaker 1: I was so lost. You was so lost.

1266
01:03:27,040 --> 01:03:27,880
Speaker 2: That's one minute.

1267
01:03:28,000 --> 01:03:30,320
Speaker 1: Do you know what I'm saying. If you ever go,

1268
01:03:30,440 --> 01:03:32,000
Speaker 1: I have a sore throw and someone says I have

1269
01:03:32,040 --> 01:03:34,160
Speaker 1: a cough drop, go, what are you talking about?

1270
01:03:34,360 --> 01:03:38,880
Speaker 2: As someone who is taking vocal lessons experience, guess.

1271
01:03:38,680 --> 01:03:39,200
Speaker 3: What they said.

1272
01:03:39,320 --> 01:03:42,360
Speaker 1: What they say, it doesn't touch your vocal core period,

1273
01:03:42,440 --> 01:03:42,880
Speaker 1: it's a.

1274
01:03:42,880 --> 01:03:44,800
Speaker 2: Different tube entirely.

1275
01:03:44,920 --> 01:03:46,280
Speaker 3: So what are you're kidding yourself?

1276
01:03:46,360 --> 01:03:49,040
Speaker 1: But we've all moved through this life knowing that, and

1277
01:03:49,080 --> 01:03:51,360
Speaker 1: we've all been kidding ourselves, going, I guess, but it

1278
01:03:51,480 --> 01:03:52,720
Speaker 1: literally is in the front.

1279
01:03:52,960 --> 01:03:53,680
Speaker 3: It's in the front.

1280
01:03:53,840 --> 01:03:55,280
Speaker 1: It doesn't go down here.

1281
01:03:55,360 --> 01:03:57,080
Speaker 2: What are we even talking about? Fine, you just had

1282
01:03:57,120 --> 01:03:59,760
Speaker 2: yourself a menfolated candy, You idiot, fucking.

1283
01:03:59,560 --> 01:04:04,360
Speaker 1: Pieces piece of ships chewing on a leaf this whole time.

1284
01:04:04,520 --> 01:04:06,160
Speaker 2: You make me sick. You can make me sick.

1285
01:04:06,320 --> 01:04:09,000
Speaker 3: Throat coat, Yeah, it's throating your coat.

1286
01:04:09,600 --> 01:04:14,480
Speaker 1: Yeah, but what about my tons? I need tonsile console

1287
01:04:14,640 --> 01:04:15,040
Speaker 1: and let me.

1288
01:04:15,040 --> 01:04:17,160
Speaker 2: Tell you something about vocal nebulizer.

1289
01:04:17,760 --> 01:04:18,400
Speaker 1: What is that?

1290
01:04:18,480 --> 01:04:21,600
Speaker 2: I think? So, honey, your time starts now you want

1291
01:04:21,600 --> 01:04:24,000
Speaker 2: to be treating your vocal cords. It's like a it's

1292
01:04:24,040 --> 01:04:29,160
Speaker 2: a it's a saline mist that hydrates your cords because

1293
01:04:29,200 --> 01:04:31,880
Speaker 2: nothing you swallow or drink is going where your cords are.

1294
01:04:32,080 --> 01:04:33,840
Speaker 1: Can't tell me something does a steam thing.

1295
01:04:33,760 --> 01:04:42,240
Speaker 2: Helps someone who's experience of me on tour exact esteem?

1296
01:04:44,200 --> 01:04:44,680
Speaker 1: What does it do?

1297
01:04:45,120 --> 01:04:48,200
Speaker 2: It just like fucking It just gets there in the

1298
01:04:48,200 --> 01:04:50,920
Speaker 2: way that obviously your super little cough drop kneba.

1299
01:04:50,920 --> 01:04:53,080
Speaker 1: The cough drop caneva and it's supposed to like melt

1300
01:04:53,120 --> 01:04:56,240
Speaker 1: in my mouth and then not touch throat.

1301
01:04:56,400 --> 01:04:58,680
Speaker 2: It's not doing anything. It's not hitting your back. While

1302
01:04:58,720 --> 01:05:05,120
Speaker 2: it's not doing anything, Ricola holds and it's actually dehydrating

1303
01:05:05,120 --> 01:05:09,520
Speaker 2: on the I think I'm l O L that's what No.

1304
01:05:09,600 --> 01:05:13,800
Speaker 2: I G BOL the I D T s H what

1305
01:05:13,880 --> 01:05:16,640
Speaker 2: is it? The I just about burst out laughing the

1306
01:05:16,720 --> 01:05:18,040
Speaker 2: new gen Z wave laughing.

1307
01:05:18,240 --> 01:05:21,280
Speaker 1: You connect? You really do?

1308
01:05:21,120 --> 01:05:21,360
Speaker 2: You do?

1309
01:05:21,400 --> 01:05:25,200
Speaker 1: You know the kids in the schools, Shara, do you

1310
01:05:25,200 --> 01:05:26,720
Speaker 1: have some things I do?

1311
01:05:26,800 --> 01:05:29,200
Speaker 3: But I almost wonder if you've already.

1312
01:05:29,080 --> 01:05:30,840
Speaker 1: It doesn't matter. It doesn't mean because.

1313
01:05:30,600 --> 01:05:33,280
Speaker 2: It's like I can't even imagine someone wouldn't have popped

1314
01:05:33,320 --> 01:05:33,760
Speaker 2: off about that.

1315
01:05:33,800 --> 01:05:36,840
Speaker 1: It doesn't matter if someone already has, if you, if

1316
01:05:36,880 --> 01:05:40,360
Speaker 1: it's in your heart. This is Sarah Sherman's Sarah squirms,

1317
01:05:40,360 --> 01:05:42,000
Speaker 1: I don't think, so, honey. Her time starts now.

1318
01:05:42,800 --> 01:05:46,680
Speaker 2: I do not think for one second, so honey, QR

1319
01:05:46,760 --> 01:05:48,120
Speaker 2: cod menus fuck.

1320
01:05:48,840 --> 01:05:50,240
Speaker 3: Someone has to have done this already.

1321
01:05:50,720 --> 01:05:54,360
Speaker 2: Are you serious. I'm going to a restaurant to be

1322
01:05:54,400 --> 01:05:56,560
Speaker 2: gathering and connecting with the people around me. I did

1323
01:05:56,560 --> 01:05:58,439
Speaker 2: not come to a restaurant to sit at a table

1324
01:05:58,480 --> 01:06:01,640
Speaker 2: for everybody to be on their phones, looking at their screens. Smartphones.

1325
01:06:01,640 --> 01:06:03,320
Speaker 2: I don't think, so, honey. They're making has dumber.

1326
01:06:03,320 --> 01:06:06,600
Speaker 5: Phones and phones make me say one man, make me

1327
01:06:06,640 --> 01:06:09,560
Speaker 5: throw up right now. I did not like the experience of, oh.

1328
01:06:09,400 --> 01:06:10,320
Speaker 1: My god, we're romantic.

1329
01:06:10,400 --> 01:06:12,960
Speaker 2: Second, we have romantic lighting with all these little tea

1330
01:06:13,000 --> 01:06:15,600
Speaker 2: light candles lighting the place. Well, now I'm seeing the harsh,

1331
01:06:15,720 --> 01:06:18,360
Speaker 2: garish light of an iPhone with brightness up to one

1332
01:06:18,440 --> 01:06:20,600
Speaker 2: hundred percent, ruining the vibe.

1333
01:06:20,640 --> 01:06:22,000
Speaker 3: I don't want to be on my phone anymore.

1334
01:06:22,000 --> 01:06:23,320
Speaker 2: That is why I am in the room.

1335
01:06:23,120 --> 01:06:27,960
Speaker 5: With people connecting eye contacts. I'm soul contact with people.

1336
01:06:28,240 --> 01:06:31,440
Speaker 2: I want pen to paper, I want a feet to

1337
01:06:31,480 --> 01:06:34,920
Speaker 2: the grindstone. I want bristle and mortar menus in my hands.

1338
01:06:35,120 --> 01:06:36,360
Speaker 1: Said five seconds.

1339
01:06:36,360 --> 01:06:39,160
Speaker 2: I want paper media not to die out. I want

1340
01:06:39,200 --> 01:06:41,400
Speaker 2: the print media to stay strong. And I wanted my

1341
01:06:41,440 --> 01:06:42,720
Speaker 2: menu to have sauce on it.

1342
01:06:42,840 --> 01:06:43,720
Speaker 1: And that's one minute.

1343
01:06:43,760 --> 01:06:45,040
Speaker 3: Yeah, you know what I'm saying.

1344
01:06:45,680 --> 01:06:48,440
Speaker 2: Paper media is not dead. We need to save it.

1345
01:06:48,520 --> 01:06:50,640
Speaker 2: We need to save it. And you know who's saving it,

1346
01:06:50,920 --> 01:06:53,280
Speaker 2: Will ab Bennett Highstan Biety magazine.

1347
01:06:52,880 --> 01:06:54,840
Speaker 1: Will have been a magazine.

1348
01:06:54,960 --> 01:06:57,400
Speaker 3: I saw magazines in a store physically.

1349
01:06:58,160 --> 01:07:01,320
Speaker 1: Yes, Dak, this is the only magazine.

1350
01:07:01,600 --> 01:07:06,960
Speaker 2: This is the only magazine. Dynastics shaking little lacquered boots.

1351
01:07:07,880 --> 01:07:13,840
Speaker 2: I here's listen. Listen these QR code menus. First of all,

1352
01:07:14,400 --> 01:07:17,240
Speaker 2: what are we playing chess? What are we playing checkers? Checkers?

1353
01:07:17,320 --> 01:07:18,280
Speaker 3: What are we playing snake?

1354
01:07:18,440 --> 01:07:19,520
Speaker 1: What are we playing fucking?

1355
01:07:20,000 --> 01:07:21,600
Speaker 3: And by the way, people use.

1356
01:07:21,720 --> 01:07:24,280
Speaker 2: The moment of the QR code menu on their phone

1357
01:07:24,280 --> 01:07:26,400
Speaker 2: to then be sneakily looking at other things in text

1358
01:07:26,400 --> 01:07:28,920
Speaker 2: and applications and such. And I said, this is a

1359
01:07:28,960 --> 01:07:31,840
Speaker 2: no phone time. This is now my friends have kind

1360
01:07:31,840 --> 01:07:34,080
Speaker 2: of because when you open the phone, it opens the

1361
01:07:34,120 --> 01:07:38,040
Speaker 2: portal to now all hell to hell, Oh now all

1362
01:07:38,040 --> 01:07:39,720
Speaker 2: of a sudden, Oh, my friend over here is doing

1363
01:07:39,760 --> 01:07:41,640
Speaker 2: the word for today. I don't think so, Honey, your

1364
01:07:41,680 --> 01:07:43,720
Speaker 2: time starts now again, I go off again and four

1365
01:07:43,800 --> 01:07:44,680
Speaker 2: more mondous.

1366
01:07:44,920 --> 01:07:49,160
Speaker 3: Wordle Come on, when is the word we're going to

1367
01:07:49,200 --> 01:07:50,240
Speaker 3: be bowing for once?

1368
01:07:50,400 --> 01:07:51,000
Speaker 2: For once?

1369
01:07:51,680 --> 01:07:57,440
Speaker 1: Open up word to proper nouns or I'm gonna shut

1370
01:07:57,480 --> 01:07:58,040
Speaker 1: it down.

1371
01:07:58,920 --> 01:08:01,640
Speaker 3: And what is bowen mean? Sarah means princess and Hebrew.

1372
01:08:02,160 --> 01:08:04,240
Speaker 1: Well, in the way that Sarah means princess and Hebrew,

1373
01:08:04,280 --> 01:08:09,080
Speaker 1: bowen means in Celtic son of owen. And you can

1374
01:08:09,360 --> 01:08:12,080
Speaker 1: run and tell that, and it literally means that.

1375
01:08:13,680 --> 01:08:17,599
Speaker 2: Why is making me just about person?

1376
01:08:18,200 --> 01:08:21,880
Speaker 1: I just about every day?

1377
01:08:22,160 --> 01:08:23,040
Speaker 2: That means nothing.

1378
01:08:23,200 --> 01:08:26,880
Speaker 1: It means nothing every day. I'm g bawling with this girl.

1379
01:08:27,240 --> 01:08:31,719
Speaker 1: This girl right here, this girl is my soul food.

1380
01:08:32,160 --> 01:08:36,280
Speaker 2: You are my sister actually from the same Mistif we're

1381
01:08:36,280 --> 01:08:42,120
Speaker 2: talking about Geo in the sky, Geo Geo, the Italian god.

1382
01:08:42,040 --> 01:08:46,439
Speaker 1: Geo, I love it. I love a guy named Geo.

1383
01:08:48,160 --> 01:08:49,800
Speaker 3: Do I know a guy named Geo?

1384
01:08:50,920 --> 01:08:54,120
Speaker 1: There's a guitarist in Muna. He's straight. Oh but he

1385
01:08:54,200 --> 01:08:56,960
Speaker 1: loves being guys in there. They let guys in there.

1386
01:08:57,560 --> 01:09:00,040
Speaker 2: There's a couple of guys in the band of rolling

1387
01:09:00,040 --> 01:09:00,559
Speaker 2: around in there.

1388
01:09:00,560 --> 01:09:04,240
Speaker 1: I'm rolling around in there. But Geo and muna lovely Geo.

1389
01:09:04,400 --> 01:09:06,000
Speaker 2: You know what this is making me think? I just

1390
01:09:06,000 --> 01:09:08,000
Speaker 2: went to Jersey City, and let me tell you, we

1391
01:09:08,120 --> 01:09:12,360
Speaker 2: need to be in Jersey City, period period. There's Geo's

1392
01:09:12,400 --> 01:09:17,880
Speaker 2: running around. Not to be too Italian fetishistic, Oh my god,

1393
01:09:18,000 --> 01:09:20,439
Speaker 2: but Jersey is like the fucking spot, like you have

1394
01:09:20,439 --> 01:09:22,840
Speaker 2: no fucking idea, you don't even know what hit you.

1395
01:09:22,920 --> 01:09:25,040
Speaker 2: I think, so your time starts out Jersey.

1396
01:09:25,320 --> 01:09:29,040
Speaker 1: Slay all day, lay all day. Get me on the

1397
01:09:29,240 --> 01:09:33,560
Speaker 1: damn train path the path train trains. You know what

1398
01:09:33,600 --> 01:09:37,280
Speaker 1: I'm saying, Jersey is somebody.

1399
01:09:37,560 --> 01:09:39,400
Speaker 3: It's like I wanna say cow.

1400
01:09:39,960 --> 01:09:42,120
Speaker 1: But something about I'm gonna go a step further and say,

1401
01:09:42,120 --> 01:09:44,439
Speaker 1: there's something that's Sarah in Jersey.

1402
01:09:44,520 --> 01:09:45,679
Speaker 3: No, do you know what I mean?

1403
01:09:45,960 --> 01:09:47,840
Speaker 1: I need to see you there because you're in your

1404
01:09:47,880 --> 01:09:48,479
Speaker 1: element there.

1405
01:09:48,680 --> 01:09:51,559
Speaker 2: You like basically wouldn't recognize me in Jersey because I'm

1406
01:09:51,600 --> 01:09:52,360
Speaker 2: like finally, like.

1407
01:09:55,320 --> 01:09:57,920
Speaker 3: I think like it's telling about the Long Island girl.

1408
01:09:58,000 --> 01:10:00,760
Speaker 2: That just feels like I can finally take my shoes off,

1409
01:10:01,880 --> 01:10:03,080
Speaker 2: just like locks.

1410
01:10:03,280 --> 01:10:06,879
Speaker 1: The Sick is Manhattan and Brooklyn and Queen's Muscle Muscle.

1411
01:10:07,200 --> 01:10:09,360
Speaker 1: It's well, it's not even that. It's like it's kind

1412
01:10:09,360 --> 01:10:11,280
Speaker 1: of like a sinkhole.

1413
01:10:12,000 --> 01:10:14,080
Speaker 2: And you all think you're all vat in a bag

1414
01:10:14,120 --> 01:10:15,320
Speaker 2: of chips because you live here.

1415
01:10:15,560 --> 01:10:16,200
Speaker 3: You're nothing.

1416
01:10:16,320 --> 01:10:16,960
Speaker 2: You're nothing.

1417
01:10:17,120 --> 01:10:17,559
Speaker 3: And guess what.

1418
01:10:17,600 --> 01:10:22,519
Speaker 2: The people in Jersey have a fucking clue period. You

1419
01:10:22,560 --> 01:10:25,559
Speaker 2: think you oh, you think you're the cat's pajam because

1420
01:10:25,600 --> 01:10:27,040
Speaker 2: you live near the Myrtle.

1421
01:10:26,880 --> 01:10:32,679
Speaker 1: L You idiots, You're fucking idiot. These people live live where.

1422
01:10:32,720 --> 01:10:35,919
Speaker 1: You know. Tom Sharpling used to do a show period period.

1423
01:10:36,320 --> 01:10:38,840
Speaker 1: I know, and love to you Tom, love to love

1424
01:10:38,880 --> 01:10:42,960
Speaker 1: to because there's a radio person as well, radio guy.

1425
01:10:44,560 --> 01:10:48,320
Speaker 1: Everyone check out Sarah Squirm on tour in these.

1426
01:10:47,840 --> 01:10:51,040
Speaker 2: Many of you are not but many of you are

1427
01:10:51,080 --> 01:10:53,200
Speaker 2: not buying tickets and you need to be.

1428
01:10:53,640 --> 01:10:56,160
Speaker 1: You need to be. This is finalance behavior. If you

1429
01:10:56,280 --> 01:11:00,800
Speaker 1: go to August twenty fifth, no, and you are still

1430
01:11:00,800 --> 01:11:04,719
Speaker 1: remembering August twenty sixth in Seattle, the festival Do You Hydrate?

1431
01:11:04,840 --> 01:11:09,320
Speaker 1: November seventh is amazing. At the Hopscotch Music Festival in Rawling,

1432
01:11:09,320 --> 01:11:12,800
Speaker 1: North Carolina. September eighth in d C, September ninth, in

1433
01:11:12,840 --> 01:11:15,639
Speaker 1: Pittsburgh September tenth and Philly, September thirteenth in LA.

1434
01:11:15,560 --> 01:11:17,840
Speaker 3: And let me tell you something about that Washington DC show.

1435
01:11:18,080 --> 01:11:19,759
Speaker 2: They're a lot tickets left.

1436
01:11:20,640 --> 01:11:22,080
Speaker 3: I made a lot of enemies in d C.

1437
01:11:22,360 --> 01:11:24,320
Speaker 2: Well that's okay because that's it's a whole.

1438
01:11:24,120 --> 01:11:27,679
Speaker 1: Town of you know who's engineers and of the world.

1439
01:11:29,280 --> 01:11:32,800
Speaker 2: And bring back Real Housewives of d C.

1440
01:11:33,400 --> 01:11:38,400
Speaker 1: We need the Salah he girl back back on my TV. Sarah.

1441
01:11:38,600 --> 01:11:45,400
Speaker 1: I love you to my core son of Owen, Princess

1442
01:11:45,479 --> 01:11:46,440
Speaker 1: and Jewish.

1443
01:11:48,000 --> 01:11:54,080
Speaker 2: And Hebrew Princess of the Disease of Jewish. I love you.

1444
01:11:54,160 --> 01:11:56,240
Speaker 1: Thank you so much for coming on this show.

1445
01:11:56,320 --> 01:11:57,519
Speaker 2: And you know what, I think I'm going to get

1446
01:11:57,560 --> 01:12:00,519
Speaker 2: back together with my therapist. Wow.

1447
01:12:01,720 --> 01:12:06,240
Speaker 1: No, we had every episode with the song.

1448
01:12:06,760 --> 01:12:13,799
Speaker 2: Whoa Whoa the music.

1449
01:12:14,080 --> 01:12:20,200
Speaker 1: Thank you this schedule, Sual, Bye bye