WEBVTT - I Saw What You Did - Cabbage Patch Core

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<v Speaker 1>Hey, everybody, welcome to another episode of I Saw What

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<v Speaker 1>You Did.

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<v Speaker 2>My name is Millie to Jericho.

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<v Speaker 3>I'm Daniel Henderson, and.

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<v Speaker 1>Yeah we're here with y'all. Last couple laps.

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<v Speaker 3>How you feeling feeling good?

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<v Speaker 4>I'm very dark today. I'm in a closet recording. Oh

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<v Speaker 4>at my new place. So hopeful that your bedroom, Yeah,

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<v Speaker 4>but hopefully. This just sounds like a voice from the dark.

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<v Speaker 4>I'm like ragged sounding today. I didn't even do anything

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<v Speaker 4>fun last night. You're hungover, but I didn't do anything

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<v Speaker 4>fun last night.

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<v Speaker 2>Big reveal, I'm hungover today.

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<v Speaker 1>You look like you You look like you were in

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<v Speaker 1>you were This is like a movie about you having

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<v Speaker 1>an extramarital fair, and it's like the morning after where

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<v Speaker 1>you've been processed saying like what are you going to do?

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<v Speaker 2>Like are we going to tell the husband? Or you know,

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<v Speaker 2>like the soft betting.

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<v Speaker 3>There's like a soft.

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<v Speaker 1>Betting behind you and you're kind of like front. It's

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<v Speaker 1>like front of camera, So.

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<v Speaker 4>I'm gonna reveal all And the answer is yes, Fuck everybody,

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<v Speaker 4>I'm kidding.

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<v Speaker 3>I'm kidding.

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<v Speaker 2>Well, I think we it looks like we've both had

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<v Speaker 2>a night.

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<v Speaker 4>I think that's what I mean that I had an

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<v Speaker 4>old person night of just ragged sleep and now my

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<v Speaker 4>glasses are fogging up on the bottom, yeah, which means

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<v Speaker 4>like my face is really hot for some reason. So yeah,

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<v Speaker 4>we both were both in it.

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<v Speaker 3>Yeah.

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<v Speaker 1>Well yeah, I decided to go out last night, very

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<v Speaker 1>last minute. I had, actually I have a lot of

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<v Speaker 1>responsibilities that I needed to attend to, and I was like,

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<v Speaker 1>I should just stay home and like, you know, prepare

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<v Speaker 1>for things that I'm doing, and you know, like I

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<v Speaker 1>don't know, just get the like get the week started early,

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<v Speaker 1>which is so sad because it's like, I don't know, Yeah,

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<v Speaker 1>anytime I use like a weekend to prepare for the

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<v Speaker 1>next week, it makes me want.

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<v Speaker 3>To I know, I'm alive myself, you know, I know,

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<v Speaker 3>so I'm.

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<v Speaker 1>Like, God, what is my life? But then at the

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<v Speaker 1>last minute I decided to go out because I'm friends

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<v Speaker 1>of mine were like where are you?

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<v Speaker 3>Where are you? Which is.

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<v Speaker 1>I cave to that very quickly.

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<v Speaker 3>I don't know if you do.

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<v Speaker 1>If somebody calls and is like where are you at?

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<v Speaker 3>Where are you at?

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<v Speaker 1>How come you're not here? I bet you you don't

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<v Speaker 1>leave the house. I bet you just stay like a

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<v Speaker 1>normal life stay.

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<v Speaker 4>If someone is like, where are you at, it's usually

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<v Speaker 4>nighttime and I'm usually I'm ready for bed at six pm.

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<v Speaker 4>Let's just say that, like, you got to get me

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<v Speaker 4>early in the day if you want me to go

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<v Speaker 4>out at night, if you want to like where you're at?

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<v Speaker 3>Where you at?

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<v Speaker 4>I'm like, I'm I'm where I'm supposed to be. I'm home, yeah,

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<v Speaker 4>and ready for bed. My night routine is done, the

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<v Speaker 4>retainer is in.

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<v Speaker 1>Yeah.

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<v Speaker 4>But I don't know that's that's country Danielle. City Danielle

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<v Speaker 4>might be a different person. If someone's like where you

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<v Speaker 4>at it, you know, eight o'clock, I might be able

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<v Speaker 4>to rally, but usually I stay home because I live

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<v Speaker 4>in the woods.

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<v Speaker 3>Yeah.

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<v Speaker 1>Well, and this is the thing too, is so like

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<v Speaker 1>I just I think I'm just very you know, I

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<v Speaker 1>have a little bit of fomo in me. Where somebody's

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<v Speaker 1>like where are you?

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<v Speaker 2>You're missing the greatest type of old type.

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<v Speaker 1>And if especially if it's like multiple people, like if

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<v Speaker 1>it's multiple friends at the same thing and they'll text you,

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<v Speaker 1>I get so I'm like, fine, I'll just fucking get

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<v Speaker 1>out of my pajamas. But I will say this, it

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<v Speaker 1>doesn't now. I just kind of go as is. I mean,

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<v Speaker 1>I'm not wearing pajamas, but I'm also like not putting

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<v Speaker 1>on the ritz.

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<v Speaker 3>Yeah.

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<v Speaker 1>And it was funny because in my twenties I was

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<v Speaker 1>always like out and I would see sometimes a middle

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<v Speaker 1>aged person, mostly men, who just looked like disheveled, like

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<v Speaker 1>guys in like their car heart outfits, like I don't

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<v Speaker 1>know if they just came from work or whatever, and

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<v Speaker 1>they were not like they were the only person in

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<v Speaker 1>the club that wasn't like kind of dressed up in

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<v Speaker 1>some kind of way, Like they just looked like they

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<v Speaker 1>came off the factory line or you know. And now

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<v Speaker 1>I know why.

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<v Speaker 3>Because their friends dragged them out.

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<v Speaker 1>Yeah, they had fomo as a middle aged person decided

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<v Speaker 1>to just go out because they wanted to experience whatever

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<v Speaker 1>it was. But they didn't want to get ready or anything.

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<v Speaker 1>They were just like I'm just gonna wear my fucking

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<v Speaker 1>sweatsuit and have not coat my hair. I'll maybe brush

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<v Speaker 1>my teeth, but that's about it. I'm not doing anything else.

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<v Speaker 3>You got me?

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<v Speaker 1>Yeah, I rolled out last night like no no makeup,

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<v Speaker 1>Like I just was like I put some lipstick on,

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<v Speaker 1>no makeup. I put on a wool cap I look

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<v Speaker 1>like Mike Nestsmith from The Monkeys just was like whatever,

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<v Speaker 1>and I was like rolling around like and it was.

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<v Speaker 1>It was one of those nights too, where you know,

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<v Speaker 1>it was a it's a fall evening in Atlanta. Everybody's out.

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<v Speaker 3>Yeah, it's crazy.

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<v Speaker 2>Like there's like a dude.

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<v Speaker 1>In, you know, like a Michael Myers mass like shredding

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<v Speaker 1>on a guitar with his ant like on the corner

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<v Speaker 1>on the street. Corner there's like people making out on

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<v Speaker 1>the street, puking in the street.

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<v Speaker 3>Oh my god, I love this for Atlanta. I know.

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<v Speaker 1>No, it's East Atlanta Village, which it's I think we've

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<v Speaker 1>been there, like East Atlanta Village. And I'm not just

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<v Speaker 1>saying this because I'm an East Atlanta gal. Is like

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<v Speaker 1>if a Bourbon Street was punk rock, Like it's nice.

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<v Speaker 1>It is absolutely a mess. It's a mess, but the

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<v Speaker 1>people that go there are cool as fuck, if that

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<v Speaker 1>makes sense.

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<v Speaker 3>So it's not like fucking perfect.

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<v Speaker 1>Yeah, it is like truly kind of perfect, and it's

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<v Speaker 1>like super rough around the edges, like, but it's like

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<v Speaker 1>the cool like it's it's this like beautiful mix of

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<v Speaker 1>like different races, different genders, different ages, but there's like

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<v Speaker 1>no frat boys.

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<v Speaker 4>If you have a corner of your city where you

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<v Speaker 4>can go out and if you're a drinker, if you

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<v Speaker 4>can drink or just hang out with your friends, and

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<v Speaker 4>it hasn't been infiltrated by a frat boye that keep

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<v Speaker 4>it protected, gate, keep it, lock it down. That is

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<v Speaker 4>the pinnacle of wonder.

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<v Speaker 1>Yeah, And I think that's because because it retains a

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<v Speaker 1>little bit of its crime. But like all the bars

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<v Speaker 1>in that neighborhood are like kind of punk rock, heavy

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<v Speaker 1>metal bars. There's like a lot of black clubs down there.

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<v Speaker 1>There's you know, obviously Mary's, There's you know, a bunch

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<v Speaker 1>of places to see concerts. So it's just like cool neighborhood.

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<v Speaker 1>And then when it gets like lit, like when the

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<v Speaker 1>magic the alchemy of the of the fall night happens,

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<v Speaker 1>and it gets just insane. It really feels like anarchy,

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<v Speaker 1>but in the best way.

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<v Speaker 3>That is my favorite.

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<v Speaker 4>I've only experienced it a few times, but that is

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<v Speaker 4>my absolute favorite kind of night out.

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<v Speaker 3>And I bet you looked cool as shit.

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<v Speaker 4>And I say this not just because I know that's

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<v Speaker 4>true that you look cool as shit, but I have

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<v Speaker 4>to believe that anyone who is comfortable, looks great, because

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<v Speaker 4>that is my entire m o.

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<v Speaker 1>Ye.

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<v Speaker 4>Like, I'm to the point where, while I'm here in La,

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<v Speaker 4>I'm considering hiring a friend of mine who's incredibly stylish

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<v Speaker 4>to like teach me how to be a person again,

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<v Speaker 4>Like how do I how do I dress to look nice?

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<v Speaker 4>And I've never known how to put on makeup, so

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<v Speaker 4>I might ask her to help me learn how to

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<v Speaker 4>put on makeup because I just feel like, all right, girl,

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<v Speaker 4>your forty evan. You don't have to change who you are,

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<v Speaker 4>but if you would like to look more awake when

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<v Speaker 4>you leave the house, there are ways that you can

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<v Speaker 4>do that.

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<v Speaker 1>I mean, I'm just gonna tell you lipstick that's really

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<v Speaker 1>the only thing you need. Honestly, that's like that's what

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<v Speaker 1>I'm wearing right now. I have nothing on my face

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<v Speaker 1>except for lipstick. Really, oh yeah right, it's like the

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<v Speaker 1>one thing that I figured out makes me look awake,

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<v Speaker 1>Like I'm just like, oh, I'm up for the day.

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<v Speaker 2>I don't know what it is, it really is the secret.

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<v Speaker 2>Sauce and European woman for generations have believed this.

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<v Speaker 1>So and you have perfect skin, so it's like, just

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<v Speaker 1>wear a little lipstick and you're fine. And it's not

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<v Speaker 1>even about now vanity or anything. It's just a no,

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<v Speaker 1>it's just even a bomb, like a bomb just to.

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<v Speaker 4>I'm gonna i'll I'm gonna dig back in a little

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<v Speaker 4>bit of You might see me at an Alta or

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<v Speaker 4>a Sephora around these parts.

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<v Speaker 3>Yeah, but I don't know.

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<v Speaker 1>You should look at your nipple and find out what

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<v Speaker 1>your perfect nude shade is? What?

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<v Speaker 2>Yeah, that's like how you find out what?

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<v Speaker 3>Ww do people just know this shit? What are you

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<v Speaker 3>talking about?

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<v Speaker 4>I mean, I'm awfully looking at my nips, but for lipstick.

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<v Speaker 1>Well, that's that's like this whole They say that the

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<v Speaker 1>perfect nude shade or the perfect lip color for your

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<v Speaker 1>face is what the color your nipple is.

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<v Speaker 4>See now, the deftly know so much about people out

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<v Speaker 4>in these streets, like everyone I meet. Now I'm gonna

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<v Speaker 4>be like, so that's what your nips look like. I

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<v Speaker 4>don't hear any of this shit.

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<v Speaker 3>I miss all of the.

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<v Speaker 2>Is it or is it?

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<v Speaker 3>You'll never know, boys, you'll never know.

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<v Speaker 4>I love when when people wear bright red lipstick. I'll

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<v Speaker 4>be like, all right, there's some issues going on.

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<v Speaker 3>I know.

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<v Speaker 1>I sometimes I go for that like I used to

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<v Speaker 1>there was like a period of like nine months where

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<v Speaker 1>I wore only hot pink lipstick and people I used

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<v Speaker 1>to get complimented all the time. But then I was like,

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<v Speaker 1>I don't know, that just felt like a moment and

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<v Speaker 1>I don't feel like that's a long term look for me.

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<v Speaker 1>But yeah, yeah, listen, I'm always gonna advocate for if

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<v Speaker 1>you just want to you know, a little a little

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<v Speaker 1>feel good, you know, just throw it in there. It's

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<v Speaker 1>not no commitments, but honestly, like being comfortable going out

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<v Speaker 1>is absolutely crucial, totally everyone.

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<v Speaker 3>Who, everyone who looks who.

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<v Speaker 4>I remember when I used to go out who I

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<v Speaker 4>was like, wow, they look fucking great, effortless, comfortably cool.

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<v Speaker 1>Yeah yeah, I think so too. And like I I

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<v Speaker 1>think it's because of when I was young and I

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<v Speaker 1>was going out, I was so you know, like wanting

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<v Speaker 1>to be in the mix and was really self conscious

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<v Speaker 1>about like wanting to impress, like especially older people. I

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<v Speaker 1>was always like, oh my god, like I like older

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<v Speaker 1>people and like wanting to like fit seamlessly into their scene.

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<v Speaker 1>So I was always so concerned about whether or not

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<v Speaker 1>I looked cool enough or like was able to occupy

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<v Speaker 1>the space so sad, but it's true, that's what your

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<v Speaker 1>twenties are for. And now I'm like, oh no, I'm

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<v Speaker 1>the fucking dude in the car, heart against the wall,

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<v Speaker 1>not giving a fuck, and everybody's like, whoo, who is this?

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<v Speaker 1>Like what a cool customer.

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<v Speaker 3>For for real? For real? And this is where I

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<v Speaker 3>feel like I'm also.

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<v Speaker 4>I've got like lifelong dirt bag problems, maybe because I've

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<v Speaker 4>just never I've done that like twenty year old where

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<v Speaker 4>like you know, the tight thing and the victorious secret underwear,

0:11:32.960 --> 0:11:35.400
<v Speaker 4>and like I've tried that and just instantly decided it

0:11:35.440 --> 0:11:38.320
<v Speaker 4>wasn't for me. So I feel like I've just maybe

0:11:39.080 --> 0:11:43.679
<v Speaker 4>never outwardly expressed how cool I feel inside because I

0:11:43.679 --> 0:11:46.600
<v Speaker 4>think I'm pretty cool, but on the outside, I.

0:11:46.520 --> 0:11:49.240
<v Speaker 3>Look like what is that? What is going on there?

0:11:49.400 --> 0:11:50.920
<v Speaker 3>So I feel like I just want them to match.

0:11:51.360 --> 0:11:54.040
<v Speaker 4>Yeah, now not like changing my style, but I want

0:11:54.040 --> 0:11:55.640
<v Speaker 4>them to match because I think I've just been a

0:11:55.679 --> 0:11:59.240
<v Speaker 4>lifelong dirt bag. Yeah, and I have no reason to

0:11:59.320 --> 0:12:01.360
<v Speaker 4>change if I when I live at home, but then

0:12:01.400 --> 0:12:03.000
<v Speaker 4>I have to come out in the wild like this,

0:12:03.800 --> 0:12:05.520
<v Speaker 4>and I'm like, oh, I've been wearing the same T

0:12:05.600 --> 0:12:07.600
<v Speaker 4>shirts for twenty five years.

0:12:07.760 --> 0:12:10.160
<v Speaker 3>It's literally a T shirt I had twenty five years

0:12:10.200 --> 0:12:14.040
<v Speaker 3>ago because I buy all my T shirts huge. Yeah,

0:12:14.520 --> 0:12:15.920
<v Speaker 3>So yeah, I gotta.

0:12:16.080 --> 0:12:18.280
<v Speaker 4>I just want the outside to match the inside, and

0:12:18.360 --> 0:12:19.560
<v Speaker 4>the inside is cool as shit.

0:12:19.800 --> 0:12:24.520
<v Speaker 1>So yeah, and listen, I'm like, I'll tell you right now, kids,

0:12:26.160 --> 0:12:27.200
<v Speaker 1>kids will worship you.

0:12:27.880 --> 0:12:28.760
<v Speaker 3>They will like.

0:12:30.160 --> 0:12:33.920
<v Speaker 1>One thing that I have figured out, and this is

0:12:33.960 --> 0:12:38.880
<v Speaker 1>no slight to gen Z or to anyone younger, is

0:12:38.920 --> 0:12:44.400
<v Speaker 1>that you know, y'all are really into core, right, I

0:12:44.400 --> 0:12:48.559
<v Speaker 1>think that's been established, is that y'all are into bank core. Yes,

0:12:48.640 --> 0:12:55.439
<v Speaker 1>the aesthetics of things blank core, car hardcore, yeah, lipstick

0:12:55.520 --> 0:12:57.880
<v Speaker 1>only core, whatever the fuck you want to call it.

0:12:57.800 --> 0:13:00.080
<v Speaker 3>Cabbage catch core, cab.

0:13:03.520 --> 0:13:07.280
<v Speaker 1>And most people our age had to really commit to

0:13:07.280 --> 0:13:10.680
<v Speaker 1>a subculture, right. We had to, like, we had to

0:13:10.679 --> 0:13:12.719
<v Speaker 1>commit and we had to we had to like go

0:13:12.760 --> 0:13:14.680
<v Speaker 1>through the motions of going to the club and be

0:13:14.840 --> 0:13:17.280
<v Speaker 1>worried about whether or not older people were gonna like us.

0:13:17.720 --> 0:13:21.120
<v Speaker 1>You know, now, I think these young kids don't have

0:13:21.200 --> 0:13:23.640
<v Speaker 1>that as much as we did. There was no like

0:13:23.760 --> 0:13:26.480
<v Speaker 1>gate keepers that we needed to like, you know, right

0:13:27.320 --> 0:13:30.080
<v Speaker 1>to uh to they had to buy into us or whatever.

0:13:31.000 --> 0:13:34.640
<v Speaker 1>But when it comes to the style part, like they

0:13:34.679 --> 0:13:36.640
<v Speaker 1>don't y'all know what y'all are doing. Y'all are just

0:13:37.000 --> 0:13:40.840
<v Speaker 1>doing the aesthetic. There's no commitment to the lifestyle. Yet

0:13:40.920 --> 0:13:43.960
<v Speaker 1>we got the commitment to the lifestyle. We have like

0:13:44.080 --> 0:13:47.080
<v Speaker 1>the track record of all the fucking Triple xl T

0:13:47.200 --> 0:13:50.679
<v Speaker 1>shirts that we had to like fight for and these concerts,

0:13:50.720 --> 0:13:53.040
<v Speaker 1>and we were like really living it. So it's like

0:13:53.480 --> 0:13:57.679
<v Speaker 1>when when y'all see somebody in gen X that was

0:13:57.760 --> 0:14:04.640
<v Speaker 1>like a stone cold fucking real head, They're like they

0:14:04.679 --> 0:14:06.280
<v Speaker 1>will walk up to you and be like, oh my god,

0:14:06.320 --> 0:14:10.559
<v Speaker 1>you are so hocus pocus core, like really live it.

0:14:11.200 --> 0:14:14.480
<v Speaker 1>You're beautiful. They were like, thank you, Yes, I existed

0:14:14.480 --> 0:14:16.400
<v Speaker 1>before hocus Pocus. By the way, did you know that

0:14:16.480 --> 0:14:20.440
<v Speaker 1>goth existed before hocus Pocus and people were dressed in

0:14:20.440 --> 0:14:24.120
<v Speaker 1>like fucking witches for a very long time? Oh my god,

0:14:24.320 --> 0:14:26.920
<v Speaker 1>we really lived that fucking life.

0:14:27.040 --> 0:14:27.840
<v Speaker 3>Oh for real.

0:14:27.960 --> 0:14:30.240
<v Speaker 4>I was this is I was in a parking lot

0:14:30.240 --> 0:14:32.400
<v Speaker 4>the other day and I was backing up and it

0:14:32.440 --> 0:14:36.240
<v Speaker 4>was a really tight squeeze. So I was backing up

0:14:36.320 --> 0:14:40.080
<v Speaker 4>and there was a like this red SUV behind me

0:14:40.680 --> 0:14:41.400
<v Speaker 4>and I was fine.

0:14:41.480 --> 0:14:44.640
<v Speaker 3>I was completely fine. I wasn't even just completely.

0:14:44.200 --> 0:14:46.640
<v Speaker 4>Fine, and the guy in the car like came out

0:14:46.720 --> 0:14:48.880
<v Speaker 4>of the store and was like just kind of looking

0:14:49.080 --> 0:14:51.160
<v Speaker 4>and it wasn't He wasn't angry about it. He was

0:14:51.240 --> 0:14:53.880
<v Speaker 4>just like, uh, wish I get because LA drivers are

0:14:54.000 --> 0:14:58.640
<v Speaker 4>fucking nuts. And when I finished my little three point turn,

0:14:59.200 --> 0:15:01.080
<v Speaker 4>I rolled down my wind and I was like, you're cool,

0:15:01.120 --> 0:15:02.720
<v Speaker 4>like I didn't hit your car, and he's like, no, no, no,

0:15:02.760 --> 0:15:05.280
<v Speaker 4>It's like I came out because I wasn't worried you

0:15:05.280 --> 0:15:06.000
<v Speaker 4>were gonna hit my car.

0:15:06.080 --> 0:15:08.600
<v Speaker 3>I was just impressed that you were able to do that.

0:15:09.680 --> 0:15:10.920
<v Speaker 4>And I was like, oh, well, I learned how to

0:15:11.000 --> 0:15:13.360
<v Speaker 4>drive in like the eighties and nineties, so I don't

0:15:13.360 --> 0:15:16.480
<v Speaker 4>even use these cameras, like it's all it's all fucking visual,

0:15:16.640 --> 0:15:17.080
<v Speaker 4>Like I'm.

0:15:16.920 --> 0:15:19.880
<v Speaker 3>On, I'm turn that head. I'll even turn that buckinghead.

0:15:19.920 --> 0:15:21.840
<v Speaker 4>So he was like, oh, he's like eighties and nineties

0:15:22.080 --> 0:15:23.600
<v Speaker 4>and he was like, but you look so young, and

0:15:23.640 --> 0:15:25.600
<v Speaker 4>I said, well, you got to keep it tight, but

0:15:25.680 --> 0:15:27.720
<v Speaker 4>I'm old as shit, and then I just drove away.

0:15:32.080 --> 0:15:35.760
<v Speaker 4>It was the funniest and coolest fucking moment of my year.

0:15:35.920 --> 0:15:37.160
<v Speaker 3>Probably Listen.

0:15:37.320 --> 0:15:39.720
<v Speaker 1>I literally just came off of a TikTok where I

0:15:39.760 --> 0:15:43.920
<v Speaker 1>watched Jack Carlow, the rapper Jack Carlow talk about he

0:15:43.920 --> 0:15:47.720
<v Speaker 1>only likes women who were born in the seventies, and

0:15:47.800 --> 0:15:48.200
<v Speaker 1>I was.

0:15:48.240 --> 0:15:52.360
<v Speaker 4>Like, my man, like Jack Carlow knows what's up because

0:15:52.360 --> 0:15:52.800
<v Speaker 4>he was just.

0:15:52.920 --> 0:15:53.720
<v Speaker 3>Like twenty five.

0:15:53.800 --> 0:15:56.520
<v Speaker 4>Like I was like, right, listen, oh my god, no,

0:15:56.640 --> 0:15:58.600
<v Speaker 4>I was just like this this young man was just

0:15:58.640 --> 0:16:01.120
<v Speaker 4>like I'm impressed by and I'm like, if that's all

0:16:01.120 --> 0:16:04.600
<v Speaker 4>it takes, then ask me out, because I know he.

0:16:04.680 --> 0:16:06.640
<v Speaker 3>Was like fucking plummixed.

0:16:07.400 --> 0:16:10.800
<v Speaker 1>That's I think the thing about and this is all

0:16:10.800 --> 0:16:13.240
<v Speaker 1>going to pull back to eventually what I'm going to

0:16:13.320 --> 0:16:16.520
<v Speaker 1>talk about today, even though we've gone about.

0:16:16.240 --> 0:16:17.240
<v Speaker 3>Twenty minutes already.

0:16:18.320 --> 0:16:20.560
<v Speaker 1>That is the thing that's so hard to figure out

0:16:20.920 --> 0:16:24.600
<v Speaker 1>as you get older, is like, what's my value in

0:16:24.640 --> 0:16:26.720
<v Speaker 1>the world, Because the world doesn't value anymore.

0:16:26.720 --> 0:16:28.480
<v Speaker 2>They put you out the pasture, they throw you away

0:16:28.480 --> 0:16:29.280
<v Speaker 2>in the fucking dumpster.

0:16:29.520 --> 0:16:33.560
<v Speaker 1>Yeah. But like, the thing that I have to remember

0:16:33.840 --> 0:16:37.680
<v Speaker 1>is that younger people have no confidence, that they have

0:16:37.840 --> 0:16:42.800
<v Speaker 1>no way to navigate. Uh, you know, simple things like

0:16:42.840 --> 0:16:46.480
<v Speaker 1>we do right, like our lived and experience, our toil

0:16:47.480 --> 0:16:51.960
<v Speaker 1>is equals authenticity to them, and they will always worship

0:16:52.080 --> 0:16:54.200
<v Speaker 1>us for that. For the most part. Like unless you're

0:16:54.200 --> 0:16:58.360
<v Speaker 1>absolute goblin and you're a horrible person. For the most part,

0:16:58.400 --> 0:17:05.240
<v Speaker 1>like most cool individuals will, you know, lean towards authenticity

0:17:05.359 --> 0:17:07.919
<v Speaker 1>and real people, you know, I did when I was

0:17:07.920 --> 0:17:10.159
<v Speaker 1>in my place, like you think I was like riding

0:17:10.240 --> 0:17:12.159
<v Speaker 1>around like trying to find the car heart guys to

0:17:12.200 --> 0:17:14.600
<v Speaker 1>be like can I hang with you against the wall exactly?

0:17:14.600 --> 0:17:17.399
<v Speaker 1>You know, Like I wanted that when I was their age.

0:17:17.400 --> 0:17:20.119
<v Speaker 1>So I feel like now we're just the baton has

0:17:20.160 --> 0:17:24.119
<v Speaker 1>been passed. You know, go out with no fucking makeup on.

0:17:25.160 --> 0:17:27.480
<v Speaker 1>Do whatever you've got to do. Do not use the

0:17:27.640 --> 0:17:31.320
<v Speaker 1>rearview cameras. You can do it yourself. People will literally

0:17:31.359 --> 0:17:33.400
<v Speaker 1>come out of a store and wish it for it.

0:17:35.080 --> 0:17:39.399
<v Speaker 4>So it was I just I it was definitely a

0:17:39.480 --> 0:17:41.920
<v Speaker 4>moment where I realized that some kind of baton had

0:17:41.960 --> 0:17:45.080
<v Speaker 4>been passed. Yeah, because he also at one point when

0:17:45.119 --> 0:17:46.679
<v Speaker 4>I said like, oh, I learned how to drive in

0:17:46.680 --> 0:17:49.240
<v Speaker 4>the eighties and early nineties, and he was like, I

0:17:49.320 --> 0:17:50.680
<v Speaker 4>was born in the eighties, And I was.

0:17:50.680 --> 0:17:55.320
<v Speaker 3>Like like, oh, okay, okay, I gotcha.

0:17:56.760 --> 0:17:59.760
<v Speaker 4>But like a baton has been passed for sure, and

0:17:59.840 --> 0:18:03.720
<v Speaker 4>I'll take that baton. But I just if that's all

0:18:03.760 --> 0:18:06.520
<v Speaker 4>it takes is me just being real. Well, I can't

0:18:06.520 --> 0:18:10.359
<v Speaker 4>do anything but be real, So just saying I'm old

0:18:10.359 --> 0:18:14.400
<v Speaker 4>as shit and zooming away and leaving this man standing

0:18:14.440 --> 0:18:17.199
<v Speaker 4>there like staring after me. I just felt like I

0:18:17.280 --> 0:18:19.560
<v Speaker 4>was like I was getting on a horse and running

0:18:19.560 --> 0:18:22.280
<v Speaker 4>off into the sunset after like robbing a saloon.

0:18:22.320 --> 0:18:22.880
<v Speaker 3>It felt great.

0:18:22.920 --> 0:18:27.280
<v Speaker 1>Oh yeah, it's like the fucking like Smooth Criminal by

0:18:27.320 --> 0:18:28.879
<v Speaker 1>Michael Jackson plays.

0:18:29.440 --> 0:18:31.119
<v Speaker 2>Doom Doom, Do do.

0:18:33.040 --> 0:18:33.399
<v Speaker 1>That's you?

0:18:36.560 --> 0:18:39.240
<v Speaker 4>Well, yeah, you did have something else that you want

0:18:39.280 --> 0:18:40.639
<v Speaker 4>to talk about, though, So I don't want to get

0:18:40.680 --> 0:18:43.040
<v Speaker 4>too meyered down and how cool we are now that

0:18:43.080 --> 0:18:43.960
<v Speaker 4>we're older.

0:18:44.200 --> 0:18:52.280
<v Speaker 1>Well this will glie gently into another round of serial killers.

0:18:52.359 --> 0:18:55.840
<v Speaker 4>Oh hell yeah, it's probably our last round.

0:18:56.240 --> 0:19:02.240
<v Speaker 1>Maybe maybe oh my done one of these you fail.

0:19:04.960 --> 0:19:09.240
<v Speaker 4>Since I failed fucking miserably because I hadn't hung out

0:19:09.240 --> 0:19:10.800
<v Speaker 4>with you in so long, I didn't realize you were

0:19:10.840 --> 0:19:13.239
<v Speaker 4>the kind of bit you put fucking lawn ornaments all

0:19:13.240 --> 0:19:14.400
<v Speaker 4>over her shit anymore.

0:19:17.400 --> 0:19:20.640
<v Speaker 1>You were like, this is a fucking betrayal, and I'm like.

0:19:20.720 --> 0:19:27.800
<v Speaker 5>Man, crumple our relationship for Jesus, No, it was it

0:19:27.840 --> 0:19:29.760
<v Speaker 5>was a stark realization that, like I need to hang

0:19:29.800 --> 0:19:31.639
<v Speaker 5>out with you more than we did, so I fixed it.

0:19:31.760 --> 0:19:34.159
<v Speaker 4>But like that was the true betrayal. Everyone's like, oh,

0:19:34.200 --> 0:19:36.880
<v Speaker 4>your chernobyl answer was the betrayal. No, the true betrayal

0:19:37.040 --> 0:19:40.440
<v Speaker 4>is merely becoming a whole different person in between rounds

0:19:40.640 --> 0:19:41.960
<v Speaker 4>of serial Killer or Self Care.

0:19:44.320 --> 0:19:46.480
<v Speaker 1>Well, you know we throw surprises at each other. We

0:19:46.480 --> 0:19:48.720
<v Speaker 1>can't know each other completely, right. You gotta keep a

0:19:48.720 --> 0:19:50.880
<v Speaker 1>little mystery and the keep it spicy.

0:19:51.000 --> 0:19:52.600
<v Speaker 3>You know all about a mystery.

0:19:53.000 --> 0:19:55.720
<v Speaker 4>I'm angling towards becoming more mysterious as I get older.

0:19:57.600 --> 0:20:00.600
<v Speaker 1>Uh, well, you're already again, like you just said, fucking

0:20:00.640 --> 0:20:03.560
<v Speaker 1>people coming out of stores trying to figure you out.

0:20:03.600 --> 0:20:04.720
<v Speaker 1>I think you're doing a good job.

0:20:06.240 --> 0:20:08.520
<v Speaker 2>Okay, so there's five five of these.

0:20:08.560 --> 0:20:09.440
<v Speaker 1>Are you ready for five?

0:20:09.840 --> 0:20:11.920
<v Speaker 3>I'm ready. I got my coffee, I've got water.

0:20:12.400 --> 0:20:14.320
<v Speaker 1>Okay, good, I'm ready hydrate.

0:20:14.480 --> 0:20:18.159
<v Speaker 3>I am treating this like a sport.

0:20:19.040 --> 0:20:21.679
<v Speaker 1>Okay. So maybe some of this won't make sense, but

0:20:21.720 --> 0:20:24.399
<v Speaker 1>I don't care a fuck. We're ending the podcast Son

0:20:24.480 --> 0:20:34.000
<v Speaker 1>Cares serial Killer Yourself Care question one googling liquor while

0:20:34.200 --> 0:20:35.640
<v Speaker 1>you're standing at the bar.

0:20:39.240 --> 0:20:43.560
<v Speaker 3>Okay, for you self care?

0:20:44.560 --> 0:20:45.720
<v Speaker 1>Absolutely correct?

0:20:47.480 --> 0:20:47.760
<v Speaker 3>For me?

0:20:47.920 --> 0:20:50.560
<v Speaker 4>Serial killer move that person is looking how to poison

0:20:50.640 --> 0:20:53.679
<v Speaker 4>you or get you as drunk as for you. You

0:20:53.760 --> 0:20:56.680
<v Speaker 4>want that information about how to level that drunkness out.

0:20:57.440 --> 0:21:02.119
<v Speaker 1>Okay, here's my because you know, people get there's like

0:21:02.480 --> 0:21:05.640
<v Speaker 1>so people get like super crazy about bar rules about

0:21:05.720 --> 0:21:08.120
<v Speaker 1>like how if you don't like, don't approach a bar

0:21:08.240 --> 0:21:10.520
<v Speaker 1>unless you know exactly what you want, like you know

0:21:10.560 --> 0:21:14.199
<v Speaker 1>all this stuff. Fuck you, Like we're all just you

0:21:14.240 --> 0:21:17.240
<v Speaker 1>know how much alcohol is there is right now in

0:21:17.280 --> 0:21:21.040
<v Speaker 1>the world. Okay, I will admit something is that I

0:21:21.200 --> 0:21:24.399
<v Speaker 1>do not know shit about alcohol.

0:21:24.840 --> 0:21:27.040
<v Speaker 4>Yeah, I mean either because we didn't. That wasn't the

0:21:27.119 --> 0:21:28.680
<v Speaker 4>goal when we were coming up.

0:21:28.960 --> 0:21:32.400
<v Speaker 1>No, no, there are no None of my friends were

0:21:32.640 --> 0:21:38.360
<v Speaker 1>curatorial about drinking whatsoever. Nope, everybody was just like, give

0:21:38.440 --> 0:21:42.920
<v Speaker 1>me a handle of mister Boston's, we will figure out

0:21:43.000 --> 0:21:46.080
<v Speaker 1>a hundred different ways to drink it, you know, like

0:21:46.160 --> 0:21:48.760
<v Speaker 1>there was no I mean, first of all, there weren't

0:21:48.800 --> 0:21:51.520
<v Speaker 1>even a ton of liquor brands. I think it's kind

0:21:51.560 --> 0:21:54.480
<v Speaker 1>of my thing is that people like you're out and

0:21:54.480 --> 0:21:57.760
<v Speaker 1>you're like, oh, let's get you a Tito's and soda,

0:21:57.760 --> 0:22:00.080
<v Speaker 1>and I'm like, and I know what Tito says. Okay,

0:22:00.200 --> 0:22:03.880
<v Speaker 1>But like back before I knew what Tito's, like Tito's

0:22:03.920 --> 0:22:05.399
<v Speaker 1>and soda. I'm like, what the fuck is it?

0:22:05.480 --> 0:22:08.360
<v Speaker 3>Tito's right, we didn't order by the brand.

0:22:08.960 --> 0:22:13.840
<v Speaker 1>Yeah, I'm like is that tequila? Is that whatever? Yeah?

0:22:13.880 --> 0:22:15.520
<v Speaker 1>And I'm just like, I don't know these So I

0:22:15.520 --> 0:22:20.119
<v Speaker 1>don't know the brands. Number one for sure, I'm actually

0:22:20.240 --> 0:22:23.400
<v Speaker 1>unclear about what is even what like the difference between

0:22:23.440 --> 0:22:27.640
<v Speaker 1>bourbon and whiskey and cognognac. How do you I don't

0:22:27.640 --> 0:22:28.800
<v Speaker 1>even know how to say cognac.

0:22:28.880 --> 0:22:29.680
<v Speaker 2>How do you saying.

0:22:29.960 --> 0:22:32.440
<v Speaker 3>Konnac connac konyak?

0:22:32.640 --> 0:22:37.320
<v Speaker 1>Fuck? I don't even know how to say that. So

0:22:37.920 --> 0:22:40.960
<v Speaker 1>that's to that point. So the other night I went

0:22:41.000 --> 0:22:44.680
<v Speaker 1>to the Hawks game. Oh, season opener of the Hawks.

0:22:44.720 --> 0:22:48.600
<v Speaker 1>No big deal, we won, okay, my boys, my boys

0:22:48.680 --> 0:22:51.200
<v Speaker 1>or my boys. So we go to the Hawks game.

0:22:51.240 --> 0:22:53.400
<v Speaker 1>I'm hanging out with you know, we're in this big

0:22:53.440 --> 0:22:55.600
<v Speaker 1>group and I'm hanging out with one of my friends's

0:22:55.680 --> 0:22:57.919
<v Speaker 1>brothers who was in town or whatever. And we go

0:22:58.000 --> 0:23:01.080
<v Speaker 1>to the bar and this woman who who's the bartender,

0:23:01.240 --> 0:23:04.040
<v Speaker 1>was like, do you want to put a couple of

0:23:04.080 --> 0:23:06.600
<v Speaker 1>shots in this lemonade? It's like frozen lemonade. And I

0:23:06.640 --> 0:23:10.920
<v Speaker 1>was like, do people do that? And She's just like yeah,

0:23:11.080 --> 0:23:14.480
<v Speaker 1>and uh he goes. My friend's brother goes, why do

0:23:14.600 --> 0:23:17.520
<v Speaker 1>you pour some Hennessy in there? And I was like,

0:23:18.960 --> 0:23:21.960
<v Speaker 1>I certainly heard of Hennessy because I like rap music,

0:23:22.520 --> 0:23:25.760
<v Speaker 1>but do I even know what Hennessy actually is? So

0:23:25.800 --> 0:23:29.639
<v Speaker 1>I turned, I turned to you know, the side, and

0:23:29.920 --> 0:23:32.920
<v Speaker 1>googled Hennessy because I was like, I'm even not clear

0:23:32.920 --> 0:23:33.719
<v Speaker 1>what hennessy is.

0:23:34.119 --> 0:23:36.680
<v Speaker 4>Ah, I am surprised I didn't get you kicked out

0:23:36.680 --> 0:23:37.280
<v Speaker 4>of Atlanta.

0:23:37.720 --> 0:23:40.399
<v Speaker 1>Well, I'm like, that is to your point. So then

0:23:40.440 --> 0:23:43.040
<v Speaker 1>my other friend walks up and she sees my open

0:23:43.200 --> 0:23:46.480
<v Speaker 1>browser on my phone with like Hennesite, and she goes,

0:23:47.119 --> 0:23:51.000
<v Speaker 1>did you just google Hennessy at the bar? And I

0:23:51.080 --> 0:23:55.879
<v Speaker 1>was like, yes, I did, because I don't know what

0:23:55.920 --> 0:23:57.119
<v Speaker 1>the fuck Hennessy actually is.

0:23:57.160 --> 0:23:59.080
<v Speaker 2>So there you go. I'm gonna admit that to everybody.

0:23:59.080 --> 0:23:59.840
<v Speaker 2>I don't know what it is.

0:24:00.760 --> 0:24:09.440
<v Speaker 3>We're so overwhelmed. Koyak coniac kyak Crown Royal, Hennessy, fucking cognacs.

0:24:10.280 --> 0:24:12.639
<v Speaker 2>Okay, you know how many times had drank Crown in

0:24:12.760 --> 0:24:13.240
<v Speaker 2>high school?

0:24:13.240 --> 0:24:14.199
<v Speaker 1>I didn't even know what it was.

0:24:15.560 --> 0:24:16.280
<v Speaker 3>This is the thing.

0:24:16.920 --> 0:24:21.360
<v Speaker 4>Your commitment to ordering a drink depends on when you

0:24:21.440 --> 0:24:23.720
<v Speaker 4>were what era you were born in, We did not

0:24:23.960 --> 0:24:28.199
<v Speaker 4>have brands. Yeah, when we started drinking, it was the drink,

0:24:28.280 --> 0:24:30.840
<v Speaker 4>like I want a tequila and soda, I want this,

0:24:30.960 --> 0:24:33.000
<v Speaker 4>I want and it was basic shit.

0:24:33.720 --> 0:24:35.520
<v Speaker 3>When fucking cocktail.

0:24:35.160 --> 0:24:38.879
<v Speaker 4>Came out, we were young, we were in our you know,

0:24:38.920 --> 0:24:41.439
<v Speaker 4>ten eleven years old, but yeah, we were floored that

0:24:41.480 --> 0:24:43.800
<v Speaker 4>somebody could flip that cup around and not just pour

0:24:43.840 --> 0:24:47.320
<v Speaker 4>it directly into the fucking glass. Like, we came up

0:24:47.359 --> 0:24:51.160
<v Speaker 4>in a way that was not brand related. So now

0:24:51.160 --> 0:24:53.199
<v Speaker 4>when people are like I want cosamigos, and I'm like,

0:24:53.200 --> 0:24:57.880
<v Speaker 4>why do you want George Clooney specifically to give you tequila?

0:24:58.440 --> 0:25:00.720
<v Speaker 4>Because I know that all tequi it comes from the

0:25:00.760 --> 0:25:05.400
<v Speaker 4>same fucking area of Mexico. It's only one plant, yeah

0:25:05.440 --> 0:25:07.439
<v Speaker 4>and every but so they just put their name on

0:25:07.480 --> 0:25:09.040
<v Speaker 4>it and now it's a different liquor to you, Like

0:25:09.080 --> 0:25:11.840
<v Speaker 4>what is happening? Yeah, I'm with you there, and there's

0:25:11.840 --> 0:25:14.280
<v Speaker 4>so many fucking celebrity brands and.

0:25:14.160 --> 0:25:16.520
<v Speaker 3>Like, yeah, I can't do it.

0:25:16.640 --> 0:25:18.600
<v Speaker 4>I want I don't want to put lemonade in a

0:25:18.680 --> 0:25:21.000
<v Speaker 4>drink and it's this. I'm the same way with coffee

0:25:21.000 --> 0:25:22.879
<v Speaker 4>where I'm like get it to me straight, like do

0:25:23.000 --> 0:25:25.359
<v Speaker 4>not You don't have to fancy it up if my

0:25:25.440 --> 0:25:27.000
<v Speaker 4>goal is to get fucking rocked.

0:25:27.560 --> 0:25:32.760
<v Speaker 1>Yeah, well, I'm like, and I I appreciate people who

0:25:32.840 --> 0:25:38.200
<v Speaker 1>are very knowledgeable about it. Yeah, Like I'm like, hey,

0:25:38.280 --> 0:25:40.960
<v Speaker 1>you know, if you're into whiskey and you got like

0:25:41.800 --> 0:25:44.520
<v Speaker 1>crazy opinions on it, that's fascinating to me.

0:25:44.800 --> 0:25:47.200
<v Speaker 2>Tell me more about passion or whatever.

0:25:47.480 --> 0:25:50.560
<v Speaker 1>But like, I'm also trying to be a real person

0:25:50.920 --> 0:25:53.040
<v Speaker 1>at Like, I'm like, I don't know. I simply do

0:25:53.160 --> 0:25:55.560
<v Speaker 1>not know. You don't mess call. That's not a thing

0:25:55.600 --> 0:25:58.040
<v Speaker 1>that existed when we were in high school.

0:25:58.080 --> 0:26:00.360
<v Speaker 2>Like, I had never heard of mess call. Into moved

0:26:00.400 --> 0:26:01.480
<v Speaker 2>to LA and I.

0:26:01.440 --> 0:26:03.439
<v Speaker 1>Was basically like, oh, I guess people fucking with mescal

0:26:03.560 --> 0:26:05.639
<v Speaker 1>is kind of like a tequila I suppose, but I

0:26:05.760 --> 0:26:07.639
<v Speaker 1>never heard of that shit until. I Mean, that's the

0:26:07.640 --> 0:26:11.760
<v Speaker 1>thing is that, like the it's gotten so complex that

0:26:12.200 --> 0:26:15.679
<v Speaker 1>my you know, high school brain has to like catch up.

0:26:15.720 --> 0:26:18.000
<v Speaker 1>So that's why I'm googling head to see at the fucking.

0:26:17.720 --> 0:26:21.919
<v Speaker 3>Barn self care, I'm with you.

0:26:22.080 --> 0:26:24.560
<v Speaker 1>Thank you, Okay, just try to educate myself. Do not

0:26:24.640 --> 0:26:29.240
<v Speaker 1>embarrass me exactly. Okay, So you got one right, ting

0:26:29.440 --> 0:26:34.280
<v Speaker 1>ting ting all right? There were more serial killer is

0:26:34.320 --> 0:26:42.040
<v Speaker 1>self care? Not paying people for working your events?

0:26:44.160 --> 0:26:45.680
<v Speaker 3>That is a serial killer move.

0:26:46.200 --> 0:26:48.960
<v Speaker 1>Hell yeah it is, and you know it is, and

0:26:49.080 --> 0:26:49.880
<v Speaker 1>you know who you are.

0:26:49.920 --> 0:26:53.120
<v Speaker 2>Serial killers, murderers.

0:26:52.200 --> 0:26:55.439
<v Speaker 4>No hesitation, you're a serial killer. Someone's doing anything for

0:26:55.480 --> 0:26:56.480
<v Speaker 4>you pay them.

0:26:56.920 --> 0:26:57.080
<v Speaker 3>Yo.

0:26:57.400 --> 0:26:57.920
<v Speaker 2>It's like.

0:27:00.040 --> 0:27:02.399
<v Speaker 1>We got a problem. There are so many people who

0:27:02.440 --> 0:27:04.280
<v Speaker 1>are out here being like, hey, will you DJ my

0:27:04.760 --> 0:27:07.639
<v Speaker 1>work party? Will you you know, come and host a

0:27:07.720 --> 0:27:10.639
<v Speaker 1>thing for my job in front of people? This is

0:27:10.680 --> 0:27:14.240
<v Speaker 1>public facing shit. You always us to shit, and you're

0:27:14.280 --> 0:27:18.160
<v Speaker 1>not paying people to do that in any kind of way.

0:27:18.400 --> 0:27:20.520
<v Speaker 1>Like no, you don't even give me one hundred dollars

0:27:20.520 --> 0:27:22.600
<v Speaker 1>gift card to Applebee's nothing.

0:27:23.280 --> 0:27:26.600
<v Speaker 4>No, that is no longer the move we put a

0:27:27.480 --> 0:27:29.920
<v Speaker 4>I say we, but I think that's actually a gen

0:27:30.040 --> 0:27:34.120
<v Speaker 4>z possibly millennial move where they're like, we're not doing

0:27:34.640 --> 0:27:38.879
<v Speaker 4>unpaid internships anymore. Like high five to them for being like,

0:27:39.119 --> 0:27:41.560
<v Speaker 4>uh no, my time is valuable, you got to pay me.

0:27:41.840 --> 0:27:44.080
<v Speaker 3>They shifted the tide.

0:27:44.280 --> 0:27:47.359
<v Speaker 4>So if you are still out here not paying people

0:27:47.359 --> 0:27:50.560
<v Speaker 4>to work your event, not only are you revealing how

0:27:50.600 --> 0:27:54.560
<v Speaker 4>old you are in your heart, but you have no

0:27:55.040 --> 0:27:57.760
<v Speaker 4>there's no conscience, Like there has to be something that

0:27:57.800 --> 0:28:00.600
<v Speaker 4>pay doesn't always have to be financial. It should be

0:28:00.760 --> 0:28:03.960
<v Speaker 4>it should be financial, but like you said, you have

0:28:04.040 --> 0:28:05.840
<v Speaker 4>to offer something.

0:28:06.560 --> 0:28:10.240
<v Speaker 1>Yeah, And I will make this distinction as well, because

0:28:10.240 --> 0:28:13.359
<v Speaker 1>it's like they're also okay, I think it's deplorable that

0:28:13.440 --> 0:28:17.359
<v Speaker 1>if you're gonna go work for somebody and you're doing

0:28:17.440 --> 0:28:21.520
<v Speaker 1>like physical labor, right, if you're like cleaning dishes, if

0:28:21.560 --> 0:28:23.439
<v Speaker 1>you're organizing, if you're doing stuff you that is a

0:28:23.520 --> 0:28:26.600
<v Speaker 1>payd job period like that is Yeah, if you're not

0:28:26.640 --> 0:28:28.760
<v Speaker 1>paying people to do that, then you're an absolute monster.

0:28:29.040 --> 0:28:33.480
<v Speaker 1>But then there's this type of job where it's like, oh,

0:28:33.560 --> 0:28:37.240
<v Speaker 1>it's forward facing like that. It's like something where they can,

0:28:37.720 --> 0:28:39.240
<v Speaker 1>you know, be in front of people, and.

0:28:39.160 --> 0:28:42.800
<v Speaker 2>Maybe that's the reward. Like the reward is me standing.

0:28:42.480 --> 0:28:46.360
<v Speaker 1>In front of people and like talking about whatever, like

0:28:46.440 --> 0:28:49.800
<v Speaker 1>a movie or you know, some kind of concept or

0:28:49.840 --> 0:28:52.920
<v Speaker 1>like a DJ thing or something like that, playing albums.

0:28:52.960 --> 0:28:56.360
<v Speaker 1>I'm like, why is that not a job to you?

0:28:56.440 --> 0:29:00.200
<v Speaker 1>Why why do you think that, especially somebody at my

0:29:00.560 --> 0:29:03.120
<v Speaker 1>age and my level of the game or whatever. I'm like, right,

0:29:03.400 --> 0:29:06.640
<v Speaker 1>you think it's easy for me to like constantly just

0:29:06.640 --> 0:29:09.160
<v Speaker 1>go in public and talk and like I gotta you know,

0:29:09.200 --> 0:29:11.640
<v Speaker 1>it's like, as much as I am kind of okay

0:29:11.680 --> 0:29:14.360
<v Speaker 1>with being a public speaker, but it's like it still

0:29:14.440 --> 0:29:18.040
<v Speaker 1>takes a lot for me to prepare, for me to

0:29:18.080 --> 0:29:20.480
<v Speaker 1>figure out what my nipple color is so I can

0:29:20.600 --> 0:29:24.240
<v Speaker 1>wear the corresponding lipstick, so I could like do my hair,

0:29:24.720 --> 0:29:28.120
<v Speaker 1>take off my car hard, put on a fucking church dress,

0:29:28.200 --> 0:29:31.200
<v Speaker 1>like whatever. It is, Like that is part of it.

0:29:31.280 --> 0:29:34.400
<v Speaker 1>That's part of the labor of this thing.

0:29:34.800 --> 0:29:36.680
<v Speaker 3>And I find that.

0:29:36.240 --> 0:29:39.360
<v Speaker 1>People really don't pay for that shit around here, especially

0:29:39.400 --> 0:29:42.320
<v Speaker 1>here in Atlanta. They're not really doing in LA, but

0:29:42.360 --> 0:29:44.360
<v Speaker 1>they were doing like they don't pay for that here,

0:29:44.400 --> 0:29:46.120
<v Speaker 1>and I'm just kind of like, you know what, Like

0:29:47.360 --> 0:29:48.040
<v Speaker 1>that's work.

0:29:48.480 --> 0:29:53.600
<v Speaker 4>So I will say simply as simply as possible. My

0:29:53.760 --> 0:29:58.840
<v Speaker 4>life and career changed when I started saying no to

0:29:58.960 --> 0:30:00.719
<v Speaker 4>things that people wanted me to do for free.

0:30:01.080 --> 0:30:02.240
<v Speaker 3>Yeah, just say no.

0:30:02.320 --> 0:30:03.959
<v Speaker 4>I'm not even going to get into it about like

0:30:04.040 --> 0:30:06.840
<v Speaker 4>you're not paying me, why don't you pay? Nope, I

0:30:06.880 --> 0:30:09.800
<v Speaker 4>ain't doing it. If you want me, my time is

0:30:09.840 --> 0:30:13.000
<v Speaker 4>worth something. If you want to ask, oh, would you

0:30:13.040 --> 0:30:14.840
<v Speaker 4>consider doing it if we pay, Yeah, then we can have.

0:30:14.760 --> 0:30:16.040
<v Speaker 3>A negotiation, we can talk.

0:30:16.360 --> 0:30:18.280
<v Speaker 4>Yeah, But if you just flat out come at me

0:30:18.400 --> 0:30:19.760
<v Speaker 4>with do this thing for free?

0:30:20.080 --> 0:30:20.440
<v Speaker 3>Nope?

0:30:20.880 --> 0:30:24.239
<v Speaker 1>Right, And if you're a for profit business, like I mean,

0:30:24.280 --> 0:30:27.240
<v Speaker 1>if you're a nonprofit, you know, if it's a charity thing,

0:30:27.360 --> 0:30:29.160
<v Speaker 1>of course, what the fuck course do that all day

0:30:29.160 --> 0:30:29.560
<v Speaker 1>every day.

0:30:29.640 --> 0:30:31.120
<v Speaker 3>But if they're very heavy.

0:30:30.960 --> 0:30:33.800
<v Speaker 1>Money for your business and you're not paying people for things, man,

0:30:33.880 --> 0:30:34.840
<v Speaker 1>come on, like.

0:30:35.280 --> 0:30:36.680
<v Speaker 4>Oh, they just have me all the time when I

0:30:36.720 --> 0:30:38.440
<v Speaker 4>was a freelance writer, like, oh, you can do this

0:30:38.480 --> 0:30:41.160
<v Speaker 4>for the exposure, And I'm like you, mam, are l

0:30:41.280 --> 0:30:43.200
<v Speaker 4>magazine like someone getting paid.

0:30:43.880 --> 0:30:46.320
<v Speaker 3>Yeah, I ain't doing nothing for the exposure.

0:30:47.040 --> 0:30:49.840
<v Speaker 1>Yeah. Well, I just had to throw that in there.

0:30:49.880 --> 0:30:52.040
<v Speaker 1>I knew you would agree with me, so you got

0:30:52.080 --> 0:30:54.240
<v Speaker 1>that one right too. Oh my god.

0:30:54.360 --> 0:30:59.760
<v Speaker 4>I will never charge to do an event that involves charity, children, libraries,

0:30:59.800 --> 0:31:01.920
<v Speaker 4>things like that. But the rest of all, I better

0:31:01.960 --> 0:31:04.280
<v Speaker 4>come with something. Even if I just donate the money,

0:31:04.280 --> 0:31:05.320
<v Speaker 4>you better come with something.

0:31:06.200 --> 0:31:10.200
<v Speaker 1>I mean, a shrink wrapped gift basket goes a long way.

0:31:10.240 --> 0:31:14.600
<v Speaker 1>I'll just throw that out there. Okay, So two for two.

0:31:15.440 --> 0:31:22.280
<v Speaker 1>Third or self care question scheduling a meeting while you're

0:31:22.400 --> 0:31:24.120
<v Speaker 1>currently in a meeting.

0:31:24.480 --> 0:31:28.680
<v Speaker 3>That's a fucking serial killer all around, Ding ding ding ding.

0:31:29.280 --> 0:31:33.640
<v Speaker 2>That is absolutely right. Oh my god, gotta tell you.

0:31:33.920 --> 0:31:36.280
<v Speaker 1>One of my biggest pet peeves in the world is

0:31:36.320 --> 0:31:38.240
<v Speaker 1>being in a meeting with somebody and then there's.

0:31:38.520 --> 0:31:40.680
<v Speaker 2>All of a sudden, it's like ping ping pong.

0:31:40.480 --> 0:31:42.880
<v Speaker 1>And then you're like, what you just scheduled another meeting

0:31:42.880 --> 0:31:44.360
<v Speaker 1>with me as you're talking to me right now.

0:31:44.720 --> 0:31:47.440
<v Speaker 4>No, that is that is pure psychosis. That is that

0:31:47.560 --> 0:31:49.960
<v Speaker 4>is someone who's had too much of the sauce, the

0:31:50.000 --> 0:31:55.000
<v Speaker 4>corporate sauce. Because my real party line is there are

0:31:55.000 --> 0:31:55.880
<v Speaker 4>too many meetings.

0:31:56.400 --> 0:31:59.000
<v Speaker 1>Absolutely, one hundred percent there are.

0:32:00.200 --> 0:32:02.720
<v Speaker 4>I shouldn't be meeting with people more than depending on

0:32:02.760 --> 0:32:06.160
<v Speaker 4>the job, but more than once a week.

0:32:07.000 --> 0:32:11.600
<v Speaker 1>I have to agree with you. I feel like there

0:32:11.040 --> 0:32:15.800
<v Speaker 1>we're in an epidemic of too many meetings. And I

0:32:15.800 --> 0:32:22.200
<v Speaker 1>don't know if it's because there's this perceived like disconnection

0:32:22.600 --> 0:32:27.160
<v Speaker 1>feeling from COVID that is kind of still happening where

0:32:27.160 --> 0:32:29.800
<v Speaker 1>people are like many people are working from home. Still,

0:32:30.360 --> 0:32:33.000
<v Speaker 1>there's people spread out around the world. We got to

0:32:33.440 --> 0:32:37.160
<v Speaker 1>over compensate for it by having meeting after meeting after meeting,

0:32:37.200 --> 0:32:41.920
<v Speaker 1>because otherwise we'll just drift away into you know, unproductiveness.

0:32:41.960 --> 0:32:44.959
<v Speaker 1>And I'm like, nah, bitch, the fucking meeting sometimes is

0:32:45.040 --> 0:32:49.400
<v Speaker 1>the problem? Like nothing is getting done A lot of times, Yes,

0:32:50.160 --> 0:32:54.640
<v Speaker 1>it's just talking to talk, And I'm like, there's like

0:32:55.480 --> 0:33:00.200
<v Speaker 1>just because we're not meeting every day about something does

0:33:00.240 --> 0:33:02.240
<v Speaker 1>not mean that people aren't working. And I just feel

0:33:02.240 --> 0:33:04.480
<v Speaker 1>like sometimes the meeting is just the pump and circumstance

0:33:04.560 --> 0:33:07.800
<v Speaker 1>that needs to get kicked out the door.

0:33:08.080 --> 0:33:10.479
<v Speaker 4>Well, there's also there seems to me to be a

0:33:10.560 --> 0:33:14.520
<v Speaker 4>new layer of the corporate structure. And I don't know

0:33:14.560 --> 0:33:16.680
<v Speaker 4>when it happened, when it came in. I've seen it

0:33:16.720 --> 0:33:19.760
<v Speaker 4>become more prevalent over the last like five years, I'll say,

0:33:20.280 --> 0:33:25.680
<v Speaker 4>but there's a new level where on this level, the

0:33:25.800 --> 0:33:30.760
<v Speaker 4>person's job is to justify having their job. Yeah, so

0:33:30.800 --> 0:33:35.480
<v Speaker 4>they are setting meetings all the time so that it

0:33:35.480 --> 0:33:38.360
<v Speaker 4>looks like they're doing their job or that is the

0:33:38.520 --> 0:33:40.960
<v Speaker 4>job or whatever. There just seems to be this new

0:33:41.080 --> 0:33:43.160
<v Speaker 4>layer of like my job is to prove that I'm

0:33:43.160 --> 0:33:43.840
<v Speaker 4>doing my job.

0:33:44.560 --> 0:33:46.200
<v Speaker 3>I don't need it. I think what makes me.

0:33:46.400 --> 0:33:49.239
<v Speaker 4>Probably a great boss, because I have been told by

0:33:49.240 --> 0:33:51.160
<v Speaker 4>some writers and I'm like the best boss they've had,

0:33:51.240 --> 0:33:53.360
<v Speaker 4>or like it's the best room they've been in, is

0:33:53.400 --> 0:33:55.680
<v Speaker 4>because I hire the best people possible, and then I

0:33:55.760 --> 0:33:59.000
<v Speaker 4>let them do their fucking job. Yes, I'm available to

0:33:59.040 --> 0:34:01.880
<v Speaker 4>you for questions, failable to check in. I will let

0:34:01.960 --> 0:34:04.040
<v Speaker 4>you do your fucking job. We will have a meeting

0:34:04.400 --> 0:34:06.280
<v Speaker 4>if there is something that I need ten people to

0:34:06.320 --> 0:34:10.239
<v Speaker 4>know at once. Otherwise it's an email like what are

0:34:10.239 --> 0:34:12.480
<v Speaker 4>we doing? Yeah, hire the best people, let them do

0:34:12.520 --> 0:34:13.200
<v Speaker 4>their fucking job.

0:34:13.520 --> 0:34:16.160
<v Speaker 1>Yeah. I agree. That's the best kind of boss to

0:34:16.200 --> 0:34:18.400
<v Speaker 1>have is somebody who kind of just leaves you alone.

0:34:18.719 --> 0:34:24.080
<v Speaker 1>I I haven't been a boss very rarely in my life.

0:34:24.480 --> 0:34:26.319
<v Speaker 2>Like I think I was a boss when I was

0:34:26.360 --> 0:34:27.160
<v Speaker 2>in my twenties.

0:34:27.239 --> 0:34:29.400
<v Speaker 1>Actually, like I think my one of my first like

0:34:29.840 --> 0:34:33.880
<v Speaker 1>jobs out of undergrad I worked at a marketing research

0:34:33.920 --> 0:34:37.120
<v Speaker 1>firm and I was technically like a supervisor or like

0:34:37.160 --> 0:34:38.640
<v Speaker 1>a keyholder or something like that.

0:34:39.239 --> 0:34:42.920
<v Speaker 2>But I never want to be in one's boss.

0:34:43.040 --> 0:34:44.480
<v Speaker 1>I don't want to tell you what to do. I

0:34:44.520 --> 0:34:46.720
<v Speaker 1>don't want to be responsible for your life. I don't

0:34:47.320 --> 0:34:51.080
<v Speaker 1>want you to clock, you know, hours with me. I

0:34:51.080 --> 0:34:53.880
<v Speaker 1>don't want to give you goals, none of that. I

0:34:53.960 --> 0:34:57.520
<v Speaker 1>just want us to all be like free floating, you know,

0:34:58.840 --> 0:35:02.080
<v Speaker 1>we can all It's like a a socialist dream of

0:35:02.120 --> 0:35:04.680
<v Speaker 1>everybody's in charge.

0:35:04.719 --> 0:35:07.440
<v Speaker 2>And we just kind of figure things out, you know,

0:35:07.680 --> 0:35:08.120
<v Speaker 2>in that way.

0:35:08.160 --> 0:35:10.800
<v Speaker 1>I know it's a dream, but I'm just saying I

0:35:10.800 --> 0:35:12.200
<v Speaker 1>don't want I don't want a boss, and I don't

0:35:12.200 --> 0:35:16.040
<v Speaker 1>want to be anybody's boss because of this, because of

0:35:16.080 --> 0:35:20.160
<v Speaker 1>the weird kind of like communication styles, like trying to

0:35:20.200 --> 0:35:23.560
<v Speaker 1>figure out like what best way of you know, being

0:35:23.600 --> 0:35:27.279
<v Speaker 1>in touches, and some people do it too little, and

0:35:27.320 --> 0:35:29.719
<v Speaker 1>then some people do it too much, you know, so

0:35:29.760 --> 0:35:32.440
<v Speaker 1>it's like finding a balance is probably the key. But

0:35:32.520 --> 0:35:34.160
<v Speaker 1>it's like man meetings.

0:35:34.760 --> 0:35:38.160
<v Speaker 3>Also, I gotta say, I love being a boss.

0:35:38.280 --> 0:35:41.359
<v Speaker 4>And if you are a boss and you're like experiencing

0:35:41.400 --> 0:35:44.200
<v Speaker 4>some of this and you want to stop having all

0:35:44.200 --> 0:35:47.120
<v Speaker 4>these meetings and feeling like this, I'll see. I will

0:35:47.120 --> 0:35:50.960
<v Speaker 4>also just offer this unsolicited advice. Ask people how they

0:35:51.040 --> 0:35:54.040
<v Speaker 4>like to communicate before you when you're interviewing them, how

0:35:54.040 --> 0:35:56.719
<v Speaker 4>do you like to communicate you if we have a

0:35:56.760 --> 0:35:58.640
<v Speaker 4>pressing need, like you know, would you text me, would

0:35:58.680 --> 0:35:59.480
<v Speaker 4>you call me?

0:35:59.520 --> 0:36:00.520
<v Speaker 3>Would you say a meeting?

0:36:00.640 --> 0:36:02.880
<v Speaker 4>You know, ask them how they like to communicate, make

0:36:02.920 --> 0:36:05.040
<v Speaker 4>a note of it, and then do that.

0:36:08.360 --> 0:36:09.880
<v Speaker 3>Like that's truly all it takes.

0:36:10.040 --> 0:36:12.160
<v Speaker 4>If I tell you, like, look, I just need you

0:36:12.200 --> 0:36:13.840
<v Speaker 4>to be available that if I have a question, I

0:36:13.840 --> 0:36:15.480
<v Speaker 4>can get it answered within three hours.

0:36:15.800 --> 0:36:16.080
<v Speaker 3>Done.

0:36:16.880 --> 0:36:20.040
<v Speaker 1>Yeah, well, and that's it. Like it's so hard too,

0:36:20.160 --> 0:36:21.960
<v Speaker 1>as you know, like I said, I just said I

0:36:22.000 --> 0:36:24.520
<v Speaker 1>didn't want to be a boss, but it is hard

0:36:25.000 --> 0:36:27.160
<v Speaker 1>to know because there's certain people that really really need

0:36:27.160 --> 0:36:30.000
<v Speaker 1>a lot of feedback and really need to be handheld

0:36:30.040 --> 0:36:33.360
<v Speaker 1>and they want that and so and sometimes those people

0:36:33.480 --> 0:36:35.840
<v Speaker 1>will pretend to not need that and then you figure

0:36:35.880 --> 0:36:38.880
<v Speaker 1>it out much later or advice ors. You know, I

0:36:38.920 --> 0:36:41.600
<v Speaker 1>get that it's hard to figure it out, but but yeah,

0:36:41.600 --> 0:36:44.080
<v Speaker 1>I think that's a good plan, is to just sort

0:36:44.120 --> 0:36:46.120
<v Speaker 1>of check in with people. And I would say, check

0:36:46.160 --> 0:36:48.120
<v Speaker 1>in with people like not just in the interview, but

0:36:48.160 --> 0:36:50.600
<v Speaker 1>after they've been hired, and give them some time to

0:36:50.680 --> 0:36:52.040
<v Speaker 1>settle in and be like, all right, so what's your

0:36:52.120 --> 0:36:53.719
<v Speaker 1>vibe now? You want to hear from me?

0:36:54.120 --> 0:36:56.320
<v Speaker 2>You don't you don't want me to use your personal

0:36:56.400 --> 0:36:59.440
<v Speaker 2>phone number, duly noted.

0:36:59.600 --> 0:37:01.840
<v Speaker 4>You don't to ever use your phone at all. You

0:37:01.920 --> 0:37:05.520
<v Speaker 4>let me just just email. That's fine, that's fine.

0:37:06.120 --> 0:37:09.359
<v Speaker 1>All this is to say, you got another one, right,

0:37:10.120 --> 0:37:11.160
<v Speaker 1>Yes I did.

0:37:11.800 --> 0:37:13.280
<v Speaker 2>And you know that that's serial killer.

0:37:13.320 --> 0:37:19.919
<v Speaker 1>Move Okay. Question four, We're almost done. Question four Serial

0:37:20.040 --> 0:37:27.960
<v Speaker 1>Killer self care, being cringe self care absolutely correct.

0:37:29.719 --> 0:37:33.600
<v Speaker 2>Ah, do not give a fuck about being cringe.

0:37:33.800 --> 0:37:36.640
<v Speaker 3>Cringe doesn't exist. It doesn't exist. I mean, cringes is

0:37:36.680 --> 0:37:37.600
<v Speaker 3>only our friend.

0:37:37.400 --> 0:37:42.080
<v Speaker 4>Sarah Brown's former diary reading series that she wrote a

0:37:42.120 --> 0:37:45.640
<v Speaker 4>fantastic book about in two different countries. That's what cringe

0:37:45.640 --> 0:37:47.400
<v Speaker 4>is to me, Sarah Brown, Cringe.

0:37:47.440 --> 0:37:47.920
<v Speaker 3>Look it up.

0:37:48.480 --> 0:37:53.120
<v Speaker 4>Otherwise it does not exist. I'm not going to I'm

0:37:53.120 --> 0:37:56.960
<v Speaker 4>not going to absorb this cultural notion that I should

0:37:57.000 --> 0:37:58.600
<v Speaker 4>be upset about everything I do.

0:37:58.719 --> 0:38:03.399
<v Speaker 1>Fuck off, and then at a certain age you are

0:38:03.640 --> 0:38:07.640
<v Speaker 1>just cringe and you gotta let it go. Yeah, like period,

0:38:07.680 --> 0:38:08.640
<v Speaker 1>point blank. No.

0:38:08.880 --> 0:38:10.120
<v Speaker 2>That's the thing is that like.

0:38:12.000 --> 0:38:12.200
<v Speaker 3>You.

0:38:12.680 --> 0:38:17.719
<v Speaker 1>To me, I refuse to be like you can tell

0:38:17.760 --> 0:38:20.080
<v Speaker 1>me that I'm cringe, and I'm talking to you kids,

0:38:20.280 --> 0:38:23.080
<v Speaker 1>right because you're you're the people that I'm mostly addressing

0:38:23.120 --> 0:38:27.800
<v Speaker 1>in this Calling me cringe you know about some shit, fine,

0:38:28.120 --> 0:38:31.200
<v Speaker 1>but I reject it. I do not listen to it.

0:38:31.280 --> 0:38:34.000
<v Speaker 1>I do not give a shit. It doesn't exist. Like

0:38:34.440 --> 0:38:35.319
<v Speaker 1>I am who I am.

0:38:36.640 --> 0:38:40.600
<v Speaker 4>Cringe to me is just somebody saying I'm uncomfortable with

0:38:40.640 --> 0:38:44.319
<v Speaker 4>how little you give a shit about this. Yeah, and

0:38:44.360 --> 0:38:46.680
<v Speaker 4>you're never going to make me give a shit about

0:38:46.680 --> 0:38:48.959
<v Speaker 4>something I fundamentally don't give a shit about.

0:38:48.960 --> 0:38:50.359
<v Speaker 3>And that could be the way I look, the way

0:38:50.360 --> 0:38:50.920
<v Speaker 3>I talk.

0:38:51.320 --> 0:38:57.200
<v Speaker 4>If I'm not harming someone actively fuck off, cringe doesn't exist.

0:38:57.880 --> 0:39:01.640
<v Speaker 1>Yeah, I mean, like it's it's just another word for

0:39:01.760 --> 0:39:02.640
<v Speaker 1>being uncool.

0:39:03.280 --> 0:39:03.960
<v Speaker 3>Yeah, I'm like.

0:39:05.400 --> 0:39:09.160
<v Speaker 1>I at a certain age that literally never enters my mind,

0:39:09.200 --> 0:39:13.080
<v Speaker 1>Like it never enters my mind to be to be cool,

0:39:13.120 --> 0:39:15.319
<v Speaker 1>to walk out of the house and be cool. You

0:39:15.400 --> 0:39:15.799
<v Speaker 1>know so.

0:39:17.360 --> 0:39:17.520
<v Speaker 3>Well.

0:39:17.640 --> 0:39:19.279
<v Speaker 4>No, I haven't thought about it since I was a

0:39:19.280 --> 0:39:20.120
<v Speaker 4>fucking teenager.

0:39:20.920 --> 0:39:23.439
<v Speaker 2>Yeah, I'm glad you got that right your fourth floor.

0:39:23.480 --> 0:39:25.760
<v Speaker 2>Are you ready for the last one?

0:39:27.040 --> 0:39:28.360
<v Speaker 1>Potentially the hardest?

0:39:28.680 --> 0:39:30.760
<v Speaker 3>Oh god, this is so tense because I've been doing

0:39:30.800 --> 0:39:31.239
<v Speaker 3>so well.

0:39:31.719 --> 0:39:35.879
<v Speaker 2>Okay, the final question for serial killer or self care

0:39:37.440 --> 0:39:38.839
<v Speaker 2>ending this podcast?

0:39:40.760 --> 0:39:45.160
<v Speaker 3>God, damn you. I think self care.

0:39:47.680 --> 0:39:52.040
<v Speaker 1>Okay, I'll give you that to you both. That's a

0:39:52.080 --> 0:39:52.640
<v Speaker 1>true question.

0:39:52.800 --> 0:39:54.759
<v Speaker 2>It's both.

0:39:57.880 --> 0:40:02.200
<v Speaker 4>I thought you might say serial killer, but I know

0:40:02.320 --> 0:40:05.040
<v Speaker 4>it's self care. We just talked about it when we

0:40:05.160 --> 0:40:08.080
<v Speaker 4>told people we were ending the podcast, like it's self care.

0:40:08.960 --> 0:40:11.440
<v Speaker 4>I would have rioted if you said serial killer. I

0:40:11.520 --> 0:40:13.520
<v Speaker 4>know you're trying to throw me. It's self care. I'm

0:40:13.520 --> 0:40:14.240
<v Speaker 4>five or five.

0:40:15.400 --> 0:40:17.760
<v Speaker 2>No, going out like that absolutely correct?

0:40:17.800 --> 0:40:19.040
<v Speaker 3>Okay, ain't going out like that?

0:40:19.200 --> 0:40:21.680
<v Speaker 2>Of course, of course you've got a perfect score.

0:40:22.120 --> 0:40:24.479
<v Speaker 1>I'm just saying if you would have said serial killer,

0:40:24.480 --> 0:40:27.200
<v Speaker 1>I would have said it was correct to It's just

0:40:27.880 --> 0:40:30.040
<v Speaker 1>you know, and I mean this, I mean, obviously this

0:40:30.120 --> 0:40:32.359
<v Speaker 1>is a joke, but I mean this is the best way.

0:40:32.400 --> 0:40:37.160
<v Speaker 1>I mean it is like both sad and happy. I mean, oh,

0:40:37.560 --> 0:40:39.920
<v Speaker 1>it really is. I mean there's gonna be stuff like

0:40:39.960 --> 0:40:42.879
<v Speaker 1>this that we're not gonna do anymore, which is which

0:40:42.880 --> 0:40:45.320
<v Speaker 1>I'm gonna miss, and ending it feels like a serial

0:40:45.400 --> 0:40:48.400
<v Speaker 1>killer move. But then it's also self care to end it. Yeah,

0:40:48.680 --> 0:40:51.319
<v Speaker 1>like we're happy, we're in a good place about it.

0:40:51.400 --> 0:40:56.239
<v Speaker 4>So true, And I'm laughing because it's like, oh wait,

0:40:56.320 --> 0:40:58.799
<v Speaker 4>that's every decision I make in my life where everyone's like,

0:40:58.840 --> 0:41:01.640
<v Speaker 4>why are you stopping? I stopped doing feminist Ryan Gossling.

0:41:01.640 --> 0:41:03.839
<v Speaker 4>They're like, why not keep this going for forty five years?

0:41:03.840 --> 0:41:05.520
<v Speaker 4>And I'm like, oh no, I'm done with it. Serial

0:41:05.600 --> 0:41:08.520
<v Speaker 4>killer moved to just walk away from something successful that

0:41:08.600 --> 0:41:09.280
<v Speaker 4>makes you happy.

0:41:11.000 --> 0:41:14.520
<v Speaker 1>No, there are no water signs on this podcast, not

0:41:14.640 --> 0:41:17.719
<v Speaker 1>a one. So we're not getting sentimental about shit. Once

0:41:17.760 --> 0:41:21.760
<v Speaker 1>it's done. It's done. We're like the bye, like please,

0:41:22.320 --> 0:41:25.680
<v Speaker 1>even Casey's a cap record, he couldn't care less cut ties,

0:41:25.800 --> 0:41:27.239
<v Speaker 1>no problem, move on.

0:41:28.719 --> 0:41:28.919
<v Speaker 3>Well.

0:41:28.960 --> 0:41:34.759
<v Speaker 4>Also, it's kind of fucked up in a way because.

0:41:35.160 --> 0:41:36.400
<v Speaker 3>We're not going anywhere.

0:41:36.400 --> 0:41:40.120
<v Speaker 4>I'm not gonna be missing out anything, but our listeners

0:41:40.200 --> 0:41:42.920
<v Speaker 4>will be, which I'm sad for them. But I feel like, oh,

0:41:42.960 --> 0:41:45.120
<v Speaker 4>nothing's gonna change because we will still be able to

0:41:45.120 --> 0:41:46.759
<v Speaker 4>talk to each other and talk to Casey and have

0:41:46.840 --> 0:41:48.960
<v Speaker 4>our thing. So that is a serial killer move to

0:41:48.960 --> 0:41:50.879
<v Speaker 4>be like, yeah, nothing's gonna change, and then your whole

0:41:50.920 --> 0:41:53.480
<v Speaker 4>audience is like, yeah, everything is changing for us. You're

0:41:53.520 --> 0:41:55.880
<v Speaker 4>fucking psychos. You're not gonna be here for us anymore,

0:41:58.360 --> 0:42:02.760
<v Speaker 4>these cringe bitches. No, I gotta learn how to walk away.

0:42:02.760 --> 0:42:05.200
<v Speaker 4>It is the most valuable lesson in your life. Learn

0:42:05.600 --> 0:42:08.200
<v Speaker 4>how and when to walk away from things.

0:42:08.880 --> 0:42:10.680
<v Speaker 3>Yes, we know how.

0:42:10.560 --> 0:42:13.960
<v Speaker 1>To fold them for sure, or we know when to

0:42:14.040 --> 0:42:17.040
<v Speaker 1>fold them. I should say, Okay, so you've got a

0:42:17.080 --> 0:42:22.040
<v Speaker 1>perfect score. Yeah, do you even handle that curveball I

0:42:22.080 --> 0:42:23.840
<v Speaker 1>threw at the end very nicely?

0:42:24.040 --> 0:42:26.399
<v Speaker 3>So you really tried it? But I ain't going out

0:42:26.440 --> 0:42:26.759
<v Speaker 3>like that.

0:42:27.200 --> 0:42:32.920
<v Speaker 1>No, No, you're absolutely not. Should we start this podcast?

0:42:33.040 --> 0:42:34.080
<v Speaker 1>Or what are we doing whatever?

0:42:34.120 --> 0:42:35.799
<v Speaker 4>I mean, we're like an hour in so why not

0:42:35.880 --> 0:42:37.279
<v Speaker 4>when I talk about a movie or two?

0:42:44.800 --> 0:42:50.480
<v Speaker 1>Okay, so we got a theme stressful. This is stressful.

0:42:50.640 --> 0:42:54.200
<v Speaker 1>But I was gonna ask if you would tell people

0:42:54.200 --> 0:42:54.719
<v Speaker 1>what it is.

0:42:55.120 --> 0:42:57.120
<v Speaker 4>I would love to tell people what it is, because

0:42:57.200 --> 0:43:01.520
<v Speaker 4>our theme this week is eat the Rich. We're talking

0:43:01.520 --> 0:43:03.080
<v Speaker 4>about modern class warfare.

0:43:03.960 --> 0:43:08.640
<v Speaker 1>Yeah, two thousand's style. Would you say, wait, actually it's more.

0:43:08.520 --> 0:43:11.200
<v Speaker 3>Like twenty well yeah, more like twenty twenties.

0:43:11.600 --> 0:43:12.800
<v Speaker 1>Twenty twenties style.

0:43:14.120 --> 0:43:16.720
<v Speaker 4>Mine came out in twenty nineteen, but it's on the CUSP.

0:43:16.800 --> 0:43:19.759
<v Speaker 4>But yeah, like last five years, last, you know, six

0:43:19.840 --> 0:43:22.200
<v Speaker 4>years of Beat the Rich mentality.

0:43:23.000 --> 0:43:24.920
<v Speaker 1>Well, and we have been talking about wanting to do

0:43:25.040 --> 0:43:29.560
<v Speaker 1>your movie for a while. Yes, and I haven't seen

0:43:29.600 --> 0:43:32.400
<v Speaker 1>it since it came out, and glad I saw it again.

0:43:32.480 --> 0:43:35.960
<v Speaker 1>Obviously it's a great, great film.

0:43:35.520 --> 0:43:37.120
<v Speaker 3>Oh, masterpiece.

0:43:37.760 --> 0:43:41.200
<v Speaker 1>Yeah, this is an interesting like I was actually kind

0:43:41.239 --> 0:43:43.719
<v Speaker 1>of trying to figure this out a little bit when

0:43:43.719 --> 0:43:46.799
<v Speaker 1>we were doing research for this week, because I'm like,

0:43:47.640 --> 0:43:52.880
<v Speaker 1>these are two movies that came out relatively close together,

0:43:54.200 --> 0:44:01.239
<v Speaker 1>kind of like post Obama, maybe pre pandemic or at

0:44:01.320 --> 0:44:07.520
<v Speaker 1>least you know, at the heels of the pandemic, and

0:44:07.880 --> 0:44:10.640
<v Speaker 1>they're kind of addressing the same thing.

0:44:11.680 --> 0:44:14.960
<v Speaker 4>Yes, there's so many parallels now that I've watched I've

0:44:14.960 --> 0:44:18.480
<v Speaker 4>watched each of them obviously separately before now that I've

0:44:18.480 --> 0:44:23.640
<v Speaker 4>watched them together, there are some very interesting parallels in

0:44:23.719 --> 0:44:26.839
<v Speaker 4>our films, which we'll get into when we talk about them.

0:44:26.840 --> 0:44:31.480
<v Speaker 4>But it's it's also nice. I think it's a nice

0:44:31.880 --> 0:44:36.160
<v Speaker 4>shift culturally that there are now so many ways to

0:44:36.320 --> 0:44:40.040
<v Speaker 4>look at and confirm that we should be eating the

0:44:40.200 --> 0:44:44.400
<v Speaker 4>rich and engaging and paying attention to modern class warfare

0:44:44.560 --> 0:44:47.160
<v Speaker 4>at least. And I say this as a person who

0:44:47.680 --> 0:44:50.840
<v Speaker 4>in a recent episode commented on how my lifestyle is

0:44:50.840 --> 0:44:53.839
<v Speaker 4>possible because I'm making more money. I'm not rich, I'm

0:44:53.880 --> 0:44:57.000
<v Speaker 4>not I'm not the people we're talking about. I'm just

0:44:57.239 --> 0:45:00.920
<v Speaker 4>I've got a good job. But what I and personally,

0:45:00.960 --> 0:45:03.720
<v Speaker 4>and this is maybe a bridge too far in validating myself,

0:45:03.760 --> 0:45:06.080
<v Speaker 4>but I don't need that much. So when I make

0:45:06.120 --> 0:45:07.680
<v Speaker 4>a certain amount of money, I give the rest away.

0:45:07.760 --> 0:45:10.759
<v Speaker 4>Drives my business manager crazy, But I don't need that much.

0:45:10.800 --> 0:45:11.479
<v Speaker 4>I just give it away.

0:45:13.239 --> 0:45:18.360
<v Speaker 1>Yeah, I mean, honestly, I think that there's generational wealth

0:45:19.680 --> 0:45:22.560
<v Speaker 1>that's happening when some of the characters in these movies

0:45:22.600 --> 0:45:27.360
<v Speaker 1>this week, which gotta say not my experience, I got

0:45:27.680 --> 0:45:28.160
<v Speaker 1>none of that.

0:45:29.120 --> 0:45:31.120
<v Speaker 3>And I don't think generational wealth should exist.

0:45:31.120 --> 0:45:33.479
<v Speaker 4>I think spend your fucking money, let your kids spend

0:45:33.480 --> 0:45:34.000
<v Speaker 4>for themselves.

0:45:34.040 --> 0:45:34.680
<v Speaker 3>What are you doing?

0:45:35.280 --> 0:45:39.280
<v Speaker 4>Yeah, generational wealth does not create instantly create better people

0:45:39.320 --> 0:45:41.680
<v Speaker 4>as far as I'm concerned. It creates hoarders and people

0:45:41.719 --> 0:45:44.600
<v Speaker 4>who then become, you know, generations later, the kind of

0:45:44.640 --> 0:45:48.160
<v Speaker 4>people that we live with now, who think because their

0:45:48.160 --> 0:45:53.239
<v Speaker 4>money isn't earned, that it's better and that they deserve more,

0:45:54.160 --> 0:45:56.200
<v Speaker 4>or that there's their lives are somehow more valuable.

0:45:56.640 --> 0:45:59.759
<v Speaker 1>Yeah. Well, and yeah, and I just you know, I

0:45:59.800 --> 0:46:01.920
<v Speaker 1>think it's really interesting because it really does feel like

0:46:01.920 --> 0:46:04.200
<v Speaker 1>these two movies this week are kind of united by

0:46:04.239 --> 0:46:10.759
<v Speaker 1>this idea of everybody in the world is fighting each

0:46:10.800 --> 0:46:16.200
<v Speaker 1>other at the feet of extremely wealthy people, right, And

0:46:16.320 --> 0:46:17.560
<v Speaker 1>why are we doing that?

0:46:18.160 --> 0:46:19.319
<v Speaker 3>Why aren't we in fighting them?

0:46:20.040 --> 0:46:20.759
<v Speaker 1>Yeah?

0:46:20.880 --> 0:46:21.719
<v Speaker 3>And why.

0:46:22.960 --> 0:46:26.960
<v Speaker 1>Have has the tone shifted? I was reading this one

0:46:27.040 --> 0:46:30.920
<v Speaker 1>article about my movie in reference to like a bunch

0:46:30.920 --> 0:46:33.600
<v Speaker 1>of like there's like a lot you know. I think

0:46:33.840 --> 0:46:37.200
<v Speaker 1>the obvious, you know, parallel to my film would be

0:46:37.200 --> 0:46:39.799
<v Speaker 1>something like White Lotus, where there's this kind of like

0:46:40.840 --> 0:46:44.239
<v Speaker 1>Recent and Glass Onion and all these movies about like

0:46:45.200 --> 0:46:47.960
<v Speaker 1>rich people on yachts and things. Yeah, there's this kind

0:46:47.960 --> 0:46:52.160
<v Speaker 1>of like which is so true, like resort, Like how

0:46:52.160 --> 0:46:57.960
<v Speaker 1>there's this double message happening where it's like, yes, we

0:46:58.000 --> 0:47:03.279
<v Speaker 1>are trying to deconstruct and criticize this wealthy you know,

0:47:04.000 --> 0:47:08.000
<v Speaker 1>elite class and their bullshit and there you know, the

0:47:08.040 --> 0:47:10.160
<v Speaker 1>ways of which they navigate the world and make everybody

0:47:10.160 --> 0:47:10.680
<v Speaker 1>feel like shit.

0:47:10.760 --> 0:47:14.000
<v Speaker 2>But we're also like fascinated by their world.

0:47:14.560 --> 0:47:17.360
<v Speaker 3>That's what locks me up is like it's aspirational to people.

0:47:17.840 --> 0:47:22.360
<v Speaker 1>Yeah, and about how can these things exist at the

0:47:22.360 --> 0:47:29.000
<v Speaker 1>same time. Is it pleasure to watch people drinking expensive

0:47:29.239 --> 0:47:35.440
<v Speaker 1>champagne on you know, super yachts, uh, saying bullshit while

0:47:35.560 --> 0:47:38.560
<v Speaker 1>like the people below the deck are like serving them

0:47:39.320 --> 0:47:42.160
<v Speaker 1>while also criticizing it, Like is there like a double

0:47:42.160 --> 0:47:44.560
<v Speaker 1>thing about it? And I'm like, yeah, I don't know,

0:47:44.760 --> 0:47:48.759
<v Speaker 1>because I texted you when I I hadn't watched my

0:47:48.840 --> 0:47:51.080
<v Speaker 1>movie since it came out, which wasn't that long ago.

0:47:51.440 --> 0:47:53.800
<v Speaker 1>Halfway through it, I had to fucking stop the movie

0:47:54.040 --> 0:47:56.879
<v Speaker 1>and I text you and I said, I'm too, I'm

0:47:56.880 --> 0:47:58.759
<v Speaker 1>about to have a panic attack. I'm so mad at

0:47:58.840 --> 0:48:01.600
<v Speaker 1>rich people right now that I have try the movie off, and.

0:48:01.520 --> 0:48:03.919
<v Speaker 4>I want to know when we get to your movie,

0:48:03.960 --> 0:48:06.040
<v Speaker 4>I want to know exactly what scene that was or

0:48:06.080 --> 0:48:09.000
<v Speaker 4>what moment that was. But I completely agree that I

0:48:09.080 --> 0:48:13.680
<v Speaker 4>find it genuinely physically sickening to watch a gross display

0:48:13.719 --> 0:48:16.600
<v Speaker 4>of wealth. It is physically sickening to me that people

0:48:17.239 --> 0:48:23.319
<v Speaker 4>feel comfortable, ye like having those resources and using them

0:48:23.360 --> 0:48:26.760
<v Speaker 4>to become worse, like more terrible people.

0:48:27.560 --> 0:48:29.000
<v Speaker 3>And yeah, it makes me.

0:48:29.040 --> 0:48:31.880
<v Speaker 4>It makes me fucking sick to see the excess and

0:48:31.920 --> 0:48:35.120
<v Speaker 4>the wiste and the just the focus on things that

0:48:35.280 --> 0:48:38.520
<v Speaker 4>do not fucking matter, like the clothes and the jewelry

0:48:38.560 --> 0:48:40.080
<v Speaker 4>and the fucking things.

0:48:40.600 --> 0:48:43.200
<v Speaker 3>Yeah, it just makes me fucking ill.

0:48:43.880 --> 0:48:51.000
<v Speaker 1>But yeah, and like, what is the psychological moment where

0:48:51.040 --> 0:48:56.000
<v Speaker 1>people are like this is like like ooh, like I

0:48:56.040 --> 0:49:00.680
<v Speaker 1>love watching Jennifer Coolidge be a fucking rich bitch in

0:49:00.760 --> 0:49:05.120
<v Speaker 1>a resort, but I also hate rich people and wish that,

0:49:06.440 --> 0:49:10.200
<v Speaker 1>you know, our current form of capitalism would disappear. Like

0:49:10.320 --> 0:49:12.480
<v Speaker 1>I guess I just don't understand what the worship and

0:49:12.520 --> 0:49:14.880
<v Speaker 1>the hatred is happening at the same time, because it

0:49:14.920 --> 0:49:17.120
<v Speaker 1>feels like I can't do that. I have to just

0:49:17.160 --> 0:49:20.040
<v Speaker 1>hate them, and so I don't know. I think that

0:49:20.040 --> 0:49:22.040
<v Speaker 1>that's that really gave me a lot of food for

0:49:22.360 --> 0:49:24.799
<v Speaker 1>this week. And then these two movies of course, same thing.

0:49:24.840 --> 0:49:27.719
<v Speaker 1>It's like, you know your film in particular, I will

0:49:27.760 --> 0:49:30.000
<v Speaker 1>not shut up about snow Peak. We're gonna get to

0:49:30.080 --> 0:49:35.719
<v Speaker 1>it now. But I'm like, these motherfuckers are iced out

0:49:35.719 --> 0:49:39.479
<v Speaker 1>in snow Peak camping gear, and that's all I gotta

0:49:39.480 --> 0:49:39.920
<v Speaker 1>say about that.

0:49:40.160 --> 0:49:47.959
<v Speaker 4>The water in their refrigerator are several bottles of vas.

0:49:46.400 --> 0:49:50.840
<v Speaker 3>It's that kind of shit, Like I get glass bottles.

0:49:50.880 --> 0:49:52.760
<v Speaker 2>I don't even know if they're plastic, they might be glass.

0:49:52.800 --> 0:49:54.560
<v Speaker 3>I've never even touched one of those bottles. They look

0:49:54.600 --> 0:49:58.120
<v Speaker 3>so rich. They's not water for me. This is not

0:49:58.239 --> 0:49:59.520
<v Speaker 3>water for my dumbass.

0:50:00.560 --> 0:50:02.759
<v Speaker 1>Only the first time I ever drank one of those

0:50:02.840 --> 0:50:05.840
<v Speaker 1>boss bottles was what I went to. I went to

0:50:05.920 --> 0:50:08.120
<v Speaker 1>a rap show like a long time ago. It was

0:50:08.120 --> 0:50:12.880
<v Speaker 1>basically like Ti Twista and the guy that's saying the

0:50:12.880 --> 0:50:16.200
<v Speaker 1>hook on I like the way you move by Big Boy,

0:50:16.600 --> 0:50:19.080
<v Speaker 1>and it was like it cost like fifty dollars to

0:50:19.120 --> 0:50:20.799
<v Speaker 1>get into the club, and then they were serving that

0:50:20.920 --> 0:50:23.680
<v Speaker 1>water and I was like, what's this water? Why is

0:50:23.719 --> 0:50:28.799
<v Speaker 1>it so chic and slim, and I immediately was like, oh,

0:50:28.880 --> 0:50:30.880
<v Speaker 1>it's because this it costs fifty dollars to get in here.

0:50:30.920 --> 0:50:32.960
<v Speaker 1>That's why they're so very stupid water and now it's

0:50:33.040 --> 0:50:35.719
<v Speaker 1>just everywhere, but like, especially in You're a movie.

0:50:36.160 --> 0:50:37.800
<v Speaker 3>Makes me sick.

0:50:37.920 --> 0:50:40.560
<v Speaker 4>So I was reading I like to read on the

0:50:40.880 --> 0:50:44.720
<v Speaker 4>on the Strategist that like things I can't live without,

0:50:45.239 --> 0:50:48.400
<v Speaker 4>celebrity shopping kind of thing, just because it's interesting to

0:50:48.440 --> 0:50:51.759
<v Speaker 4>me to see what people buy, right, And I think

0:50:51.800 --> 0:50:54.720
<v Speaker 4>it was on one of those where I saw someone

0:50:55.440 --> 0:51:00.200
<v Speaker 4>who couldn't live without a four hundred dollars note book

0:51:01.040 --> 0:51:04.000
<v Speaker 4>that they wrote in with a two hundred dollars pen.

0:51:04.520 --> 0:51:07.880
<v Speaker 4>Hell no, And I'm like, this is where I lose

0:51:07.960 --> 0:51:11.560
<v Speaker 4>the plot completely and become apoplectic, like what are you

0:51:11.680 --> 0:51:14.240
<v Speaker 4>fucking you can live without that shit? You can get

0:51:14.800 --> 0:51:17.120
<v Speaker 4>a mead notebook for a dollar if you had to,

0:51:18.080 --> 0:51:21.160
<v Speaker 4>and a fucking ten cent bigpen.

0:51:21.680 --> 0:51:23.000
<v Speaker 3>Yeah, like you might be.

0:51:23.239 --> 0:51:25.440
<v Speaker 4>And I understand that the whole concept of that is

0:51:25.440 --> 0:51:27.120
<v Speaker 4>basically to be like these are the things I like

0:51:27.160 --> 0:51:29.080
<v Speaker 4>the most, which, okay, fine, I get it. I also

0:51:29.120 --> 0:51:33.440
<v Speaker 4>have a favorite pen, but a four hundred dollars notebook

0:51:33.440 --> 0:51:34.880
<v Speaker 4>You're going to act like that's normal.

0:51:35.480 --> 0:51:36.319
<v Speaker 1>Yeah, no, no, no.

0:51:36.440 --> 0:51:38.759
<v Speaker 2>The only time and I like reading it too.

0:51:39.080 --> 0:51:43.799
<v Speaker 1>The only times where I actually like, like am like

0:51:44.120 --> 0:51:48.439
<v Speaker 1>yes are when the celebrity reveals like it's like when

0:51:48.440 --> 0:51:51.360
<v Speaker 1>they are using like a very simple thing that exists

0:51:51.400 --> 0:51:55.280
<v Speaker 1>at like the drug store. It's like Charlie XCX uses

0:51:55.360 --> 0:51:57.799
<v Speaker 1>like an old man foot powder and it's just like

0:51:58.960 --> 0:52:02.480
<v Speaker 1>four dollars at Walgreens. Like That's the only time where

0:52:02.520 --> 0:52:05.319
<v Speaker 1>I'm like this, this should exist, like I care about

0:52:05.360 --> 0:52:09.120
<v Speaker 1>a celebrity's products is when they're just like real simple,

0:52:09.160 --> 0:52:11.399
<v Speaker 1>boring show when they do. Yeah, when you do get

0:52:11.440 --> 0:52:15.120
<v Speaker 1>the one where it's like I only you know, eat

0:52:15.400 --> 0:52:19.200
<v Speaker 1>like strawberries that were you know, picked from the fucking

0:52:19.360 --> 0:52:21.840
<v Speaker 1>base of the Himalayas or whatever the fuck, you're.

0:52:21.640 --> 0:52:24.720
<v Speaker 3>Like, you've lost the plot.

0:52:25.080 --> 0:52:29.120
<v Speaker 1>Yeah, man, and now everyone knows you have because you

0:52:29.280 --> 0:52:31.239
<v Speaker 1>just set it in an interview.

0:52:31.440 --> 0:52:35.040
<v Speaker 4>And that and truly, truly like Debbie Masars is the

0:52:35.080 --> 0:52:36.600
<v Speaker 4>best one if you ask me, if you go look

0:52:36.680 --> 0:52:38.680
<v Speaker 4>up Debbie Mazar when I can't live without or I

0:52:38.680 --> 0:52:40.560
<v Speaker 4>think they even did one that's like one hundred products.

0:52:40.600 --> 0:52:43.200
<v Speaker 4>I love because she leaves in Italy, so she's like

0:52:43.320 --> 0:52:46.120
<v Speaker 4>got a real mix of high low. Yes, but she's

0:52:46.160 --> 0:52:48.319
<v Speaker 4>also like a down home New York girl, so she's

0:52:48.360 --> 0:52:52.040
<v Speaker 4>got like a real mix of high low. But it's

0:52:52.080 --> 0:52:53.880
<v Speaker 4>for me. It's also a way to gauge, like how

0:52:53.960 --> 0:52:56.239
<v Speaker 4>out of touch a celebrity is or how.

0:52:56.040 --> 0:52:58.520
<v Speaker 3>Much money they make, because I'm like, oh, you can't live.

0:52:58.360 --> 0:53:01.839
<v Speaker 4>Without something that costs four hundred dollars that will be

0:53:01.960 --> 0:53:06.040
<v Speaker 4>done in three weeks, You'll be done using it. You're

0:53:06.600 --> 0:53:09.080
<v Speaker 4>you're you make so much money that you literally have

0:53:09.440 --> 0:53:11.160
<v Speaker 4>are not in touch with reality anymore?

0:53:11.480 --> 0:53:16.319
<v Speaker 1>Yeah, oh yeah, it's it's shocking. But oh my god,

0:53:16.480 --> 0:53:20.040
<v Speaker 1>I cannot wait to talk about your movie. Like, all right,

0:53:20.239 --> 0:53:23.120
<v Speaker 1>it's gonna be a good, stressful week, but I'm ready.

0:53:25.040 --> 0:53:30.400
<v Speaker 3>Let's get it a good and stressful week.

0:53:31.360 --> 0:53:36.400
<v Speaker 4>My film was released in twenty nineteen. It was directed

0:53:37.200 --> 0:53:41.120
<v Speaker 4>and written by Bong June Hoe. Han Jin Moon also

0:53:41.160 --> 0:53:43.760
<v Speaker 4>did the screenplay with Bang June Hoe. And my movie

0:53:43.880 --> 0:53:49.400
<v Speaker 4>is called Parasite.

0:53:50.080 --> 0:53:51.880
<v Speaker 1>Little Renois.

0:53:55.239 --> 0:53:56.680
<v Speaker 3>Now I fucking love this movie.

0:53:56.920 --> 0:54:01.200
<v Speaker 4>I'm gonna give you the one sentsin synopsis, a family

0:54:01.320 --> 0:54:06.239
<v Speaker 4>down on their luck infiltrates a rich family one by one.

0:54:06.680 --> 0:54:10.040
<v Speaker 4>Nailed it, of course, So that is just the premise,

0:54:10.920 --> 0:54:13.840
<v Speaker 4>and I'm only going to walk you through about half

0:54:13.880 --> 0:54:18.040
<v Speaker 4>of this film because if you have not seen this

0:54:18.160 --> 0:54:21.560
<v Speaker 4>movie before, I want you to watch it at some

0:54:21.680 --> 0:54:24.840
<v Speaker 4>point and if I explain to you what has happened

0:54:25.040 --> 0:54:28.040
<v Speaker 4>what happens in this film, it will not be the

0:54:28.160 --> 0:54:32.080
<v Speaker 4>experience that I had when I first watched the movie.

0:54:32.239 --> 0:54:35.399
<v Speaker 4>So I'm just gonna say that. I know people would

0:54:35.480 --> 0:54:36.960
<v Speaker 4>love for us to spoil it, but guess what, we

0:54:37.000 --> 0:54:38.840
<v Speaker 4>got two episodes left and we're still not doing it.

0:54:38.880 --> 0:54:40.720
<v Speaker 3>Get over it, get over it.

0:54:42.000 --> 0:54:44.200
<v Speaker 4>Got made it four years, not spoiling ship for you

0:54:44.320 --> 0:54:49.520
<v Speaker 4>most of the time, and happening now either. So what

0:54:49.640 --> 0:54:51.600
<v Speaker 4>I love about this movie and I do think it's

0:54:51.600 --> 0:54:54.799
<v Speaker 4>a fucking masterpiece and it blew me away. And it's

0:54:54.840 --> 0:54:58.600
<v Speaker 4>such a rich and layered and unique story that is

0:54:59.000 --> 0:55:04.360
<v Speaker 4>simultaneously so funny and so terrifying. So the film itself,

0:55:04.480 --> 0:55:10.359
<v Speaker 4>taking these shifts between humor and like abject terror, is

0:55:10.520 --> 0:55:13.640
<v Speaker 4>just a master stroke. Bang June Hoe is an incredible

0:55:13.640 --> 0:55:15.600
<v Speaker 4>director in that way he did you know Memories of

0:55:15.680 --> 0:55:18.440
<v Speaker 4>Murder and Oak John He's He's made a lot of

0:55:18.960 --> 0:55:25.680
<v Speaker 4>unbelievable films. This particular film won so many awards, like

0:55:26.120 --> 0:55:30.440
<v Speaker 4>so many awards. It won the a bunch of Academy

0:55:30.480 --> 0:55:33.560
<v Speaker 4>Awards for Best Picture and Best Directing. In twenty twenty,

0:55:33.600 --> 0:55:37.120
<v Speaker 4>it won the fucking Palm d'Or at Can. It won

0:55:37.160 --> 0:55:40.080
<v Speaker 4>the Golden Globe like anything it could win.

0:55:40.280 --> 0:55:41.520
<v Speaker 3>It won that year.

0:55:42.000 --> 0:55:46.520
<v Speaker 4>And Bong Juneo is also delightful to watch accepting an

0:55:46.560 --> 0:55:49.920
<v Speaker 4>award if you haven't seen any of his acceptance speeches.

0:55:50.480 --> 0:55:52.759
<v Speaker 4>But I think this movie really spoke to people in

0:55:52.800 --> 0:55:56.960
<v Speaker 4>a big way. And again I think it's the way

0:55:57.000 --> 0:55:59.760
<v Speaker 4>that that Bang Juno was able to direct and present

0:55:59.800 --> 0:56:02.839
<v Speaker 4>it that helped with that. But the story itself is

0:56:03.280 --> 0:56:06.799
<v Speaker 4>it's so well written, so I just love it. And

0:56:06.840 --> 0:56:10.400
<v Speaker 4>it's really the story of two families. So we first

0:56:10.400 --> 0:56:14.600
<v Speaker 4>have the Kim family. Chun Suk who's the mom, Kai

0:56:14.680 --> 0:56:18.279
<v Speaker 4>Tech is the dad, Ki Wu is the son, and

0:56:18.400 --> 0:56:20.919
<v Speaker 4>Ki Jung is the daughter. And forgive me if I'm

0:56:21.320 --> 0:56:24.920
<v Speaker 4>mispronouncing those because it could be Kei Jung. But and

0:56:24.960 --> 0:56:26.880
<v Speaker 4>I was listening closely in the movie and I listened

0:56:26.880 --> 0:56:29.520
<v Speaker 4>in some interviews, and I think it's Kei Jung. So

0:56:29.600 --> 0:56:32.120
<v Speaker 4>that's the family that we're starting with, who is completely

0:56:32.160 --> 0:56:34.359
<v Speaker 4>down on their luck, like poor, poor, poor, poor, poor

0:56:35.480 --> 0:56:39.640
<v Speaker 4>sub level poor, and it's really demonstrated in the film

0:56:39.800 --> 0:56:42.759
<v Speaker 4>how poor they are by looking at their surroundings. So

0:56:42.800 --> 0:56:46.640
<v Speaker 4>they live in a they call it a semi basement apartment,

0:56:46.719 --> 0:56:51.000
<v Speaker 4>so it's kind of half underground half above ground. Let

0:56:51.000 --> 0:56:54.120
<v Speaker 4>me put it this way. Their toilet is the is

0:56:54.239 --> 0:56:57.080
<v Speaker 4>higher than their living space. Their toilet is kind of

0:56:57.080 --> 0:57:01.480
<v Speaker 4>on a pedestal that goes above where they sleep and.

0:57:01.480 --> 0:57:02.359
<v Speaker 3>Eat and live.

0:57:02.960 --> 0:57:06.040
<v Speaker 4>Yeah, so that metaphorically and visually is just a way

0:57:06.080 --> 0:57:10.000
<v Speaker 4>to kind of construct how how low they are societally.

0:57:10.640 --> 0:57:12.520
<v Speaker 4>And then you have the Park family, and the Park

0:57:12.600 --> 0:57:16.800
<v Speaker 4>family is dong eke yon Ko. Dong Ek is the dad,

0:57:16.880 --> 0:57:21.640
<v Speaker 4>Yanko is the mom, Da Song is their youngest child

0:57:21.720 --> 0:57:26.040
<v Speaker 4>who's a boy, and Dahi who's their daughter, teenage daughter.

0:57:26.160 --> 0:57:30.400
<v Speaker 4>They also have three dogs, Zuni, Berry, and Fufu, all

0:57:30.400 --> 0:57:34.280
<v Speaker 4>these tiny little dogs running around, so cute. And the

0:57:34.320 --> 0:57:38.200
<v Speaker 4>first scene in the movie is the Kim family in

0:57:38.240 --> 0:57:41.760
<v Speaker 4>their apartment which is kind of drab, and they can't

0:57:41.760 --> 0:57:44.120
<v Speaker 4>get Wi Fi because they've been surfing Wi Fi from

0:57:44.120 --> 0:57:46.000
<v Speaker 4>a neighbor and the neighbor put a password on it.

0:57:46.280 --> 0:57:49.360
<v Speaker 4>So just again conceptually, to live in a world in

0:57:49.400 --> 0:57:52.960
<v Speaker 4>twenty nineteen, twenty twenty where Wi Fi is not available

0:57:53.000 --> 0:57:56.480
<v Speaker 4>to you, or that digital divide is so stark that

0:57:56.560 --> 0:57:59.280
<v Speaker 4>you cannot do anything without the Internet, to the point

0:57:59.280 --> 0:58:02.280
<v Speaker 4>where the the mom chunk suk has been waiting for

0:58:02.360 --> 0:58:06.120
<v Speaker 4>information on WhatsApp about a job that she applied for

0:58:06.280 --> 0:58:08.919
<v Speaker 4>that now she can't access because they don't have Wi Fi.

0:58:09.760 --> 0:58:13.520
<v Speaker 4>And again it's a small apartment. Drunks come and piss

0:58:13.600 --> 0:58:14.600
<v Speaker 4>right in front of their window.

0:58:15.560 --> 0:58:18.640
<v Speaker 3>You learn it. They're peeling mold off of old bread.

0:58:18.640 --> 0:58:22.320
<v Speaker 4>They're surrounded by stink bugs again, and it's for people

0:58:22.320 --> 0:58:26.880
<v Speaker 4>living here. So they're waiting to hear from the pizza

0:58:26.920 --> 0:58:30.120
<v Speaker 4>pizza generation business because the whole family is going to

0:58:30.160 --> 0:58:33.600
<v Speaker 4>make pizza boxes for money. And then the fumigation truck

0:58:33.640 --> 0:58:38.680
<v Speaker 4>comes by and dad decides to leave the windows open

0:58:39.320 --> 0:58:42.280
<v Speaker 4>so that their apartment can also get fumigated. I mean

0:58:42.320 --> 0:58:45.720
<v Speaker 4>the pizza boxes are also getting fumigated now. But that

0:58:45.880 --> 0:58:47.840
<v Speaker 4>is where they are in life, where they're like anything

0:58:47.880 --> 0:58:50.560
<v Speaker 4>that we can get for free that we don't have

0:58:50.600 --> 0:58:54.240
<v Speaker 4>to spend money on we will take because no one

0:58:54.320 --> 0:58:56.040
<v Speaker 4>is working, we're all down on our luck. The kids

0:58:56.040 --> 0:58:58.640
<v Speaker 4>can't afford to go to college. And again these are

0:58:58.680 --> 0:59:01.680
<v Speaker 4>incredibly smart people. As we watch the film, that becomes

0:59:01.720 --> 0:59:05.280
<v Speaker 4>more and more prevalent that everyone is so smart and

0:59:05.320 --> 0:59:07.280
<v Speaker 4>they're pushed to a place where they have to use

0:59:07.880 --> 0:59:14.400
<v Speaker 4>their intelligence in devious ways because of where society has

0:59:14.440 --> 0:59:18.320
<v Speaker 4>placed them. Yes, so they don't do a good job

0:59:18.320 --> 0:59:20.440
<v Speaker 4>on the boxes. And there's this one scene where like

0:59:20.440 --> 0:59:22.640
<v Speaker 4>the whole family kind of and it's right at the

0:59:22.640 --> 0:59:26.480
<v Speaker 4>beginning of the film, so that's a very interesting tone

0:59:26.680 --> 0:59:29.480
<v Speaker 4>because the pizza women comes to collect the boxes and

0:59:29.480 --> 0:59:32.640
<v Speaker 4>she's like half, like a quarter of these are not folded. Well,

0:59:33.320 --> 0:59:35.600
<v Speaker 4>I'm going to dock your pay ten percent. But then

0:59:35.640 --> 0:59:39.000
<v Speaker 4>the whole family kind of slowly starts to surround her

0:59:39.800 --> 0:59:42.640
<v Speaker 4>so that Kiwu can ask for a job. He's like,

0:59:42.680 --> 0:59:43.920
<v Speaker 4>you know, I know that the reason you're in this

0:59:43.960 --> 0:59:46.880
<v Speaker 4>position is because your box guy didn't show up, So

0:59:47.000 --> 0:59:49.160
<v Speaker 4>why don't you just hire me? And then his sister

0:59:49.280 --> 0:59:51.040
<v Speaker 4>kind of comes in and is like, yeah, you should

0:59:51.080 --> 0:59:52.880
<v Speaker 4>hire him, and then the mom kind of comes in,

0:59:53.160 --> 0:59:55.280
<v Speaker 4>and that is the tone of the whole movie. How

0:59:55.320 --> 0:59:58.760
<v Speaker 4>one by one this family is going to surround someone

0:59:58.760 --> 1:00:02.120
<v Speaker 4>of means and get everything they can from them and

1:00:02.160 --> 1:00:05.360
<v Speaker 4>try to influence them so that again a small scene

1:00:05.360 --> 1:00:08.440
<v Speaker 4>that to me is masterful and as a way of

1:00:08.480 --> 1:00:12.960
<v Speaker 4>explaining what this family is willing to do to make money.

1:00:14.600 --> 1:00:16.919
<v Speaker 4>So then the movie really kicks off when a friend

1:00:16.960 --> 1:00:19.960
<v Speaker 4>of Kiwu's comes by. His name is Min and he's

1:00:19.960 --> 1:00:22.920
<v Speaker 4>got this rock, it's called a scholar's rock that he's

1:00:22.960 --> 1:00:28.080
<v Speaker 4>got for Kiwu's dad, Kai Tech, and it's supposed to

1:00:28.080 --> 1:00:29.960
<v Speaker 4>be like, you know, this great prestigious thing that he's

1:00:30.000 --> 1:00:32.440
<v Speaker 4>presenting and his grandfather gave to him. And he's obviously

1:00:32.440 --> 1:00:34.760
<v Speaker 4>been a friend of the family for a while, and

1:00:34.880 --> 1:00:37.600
<v Speaker 4>Kiwu is really upset that he came into the house

1:00:37.640 --> 1:00:41.160
<v Speaker 4>because he's embarrassed by where he lives. But also Men,

1:00:41.280 --> 1:00:43.880
<v Speaker 4>even though they're friends and of the same age, Men

1:00:43.960 --> 1:00:47.320
<v Speaker 4>is doing much better clearly, so they go out for drinks.

1:00:47.920 --> 1:00:51.520
<v Speaker 4>Men is in college, he's about to study abroad, and

1:00:51.600 --> 1:00:53.760
<v Speaker 4>he tells and Kiwu tells him, like, you know, my

1:00:53.840 --> 1:00:56.840
<v Speaker 4>whole family's out of work, were struggling, And Men suggests

1:00:57.840 --> 1:00:59.960
<v Speaker 4>that Kiwu take over for him as a tutor for

1:01:00.200 --> 1:01:02.240
<v Speaker 4>a rich kid while he's studying abroad.

1:01:03.240 --> 1:01:05.360
<v Speaker 3>So the reasoning for this is a little fucked.

1:01:05.360 --> 1:01:07.960
<v Speaker 4>He's like, I want it to be you because I

1:01:08.000 --> 1:01:11.040
<v Speaker 4>actually am in love with this teenage girl who's a

1:01:11.080 --> 1:01:14.680
<v Speaker 4>sophomore in high school. But I'm gonna wait until she

1:01:14.720 --> 1:01:16.800
<v Speaker 4>goes to university to ask her out. And I don't

1:01:16.800 --> 1:01:21.720
<v Speaker 4>want any of these like frat boy assholes like hitting

1:01:21.760 --> 1:01:24.000
<v Speaker 4>on her while I'm gone, and I know that you

1:01:24.280 --> 1:01:28.040
<v Speaker 4>ki Wu would never pose a threat. Essentially, yeah, he.

1:01:28.040 --> 1:01:30.080
<v Speaker 2>Negged him pretty good, I have to say.

1:01:30.120 --> 1:01:32.200
<v Speaker 3>Right, he nagged him into a job.

1:01:32.320 --> 1:01:34.600
<v Speaker 4>So you're like, oh, this is a weird, like you're

1:01:34.640 --> 1:01:38.640
<v Speaker 4>helping him, but also huh. So Keiwu is like, all right,

1:01:38.800 --> 1:01:41.320
<v Speaker 4>but I'm not a college student. He's like, I'll have

1:01:41.320 --> 1:01:44.080
<v Speaker 4>to pretend to be a college student, and men, to

1:01:44.200 --> 1:01:46.240
<v Speaker 4>his credit as a friend, is like, well, you're smart enough,

1:01:46.280 --> 1:01:48.960
<v Speaker 4>you just don't have the piece of paper. And he

1:01:49.000 --> 1:01:52.560
<v Speaker 4>does say that eventually to his parents after his sister

1:01:52.800 --> 1:01:56.320
<v Speaker 4>Kijun doctor's up a fake degree. He's like, well, I'm

1:01:56.320 --> 1:01:58.480
<v Speaker 4>gonna go to this university next year. I just printed

1:01:58.480 --> 1:02:03.280
<v Speaker 4>the degree early, which is like a stunning rationalization. So

1:02:03.320 --> 1:02:08.200
<v Speaker 4>then you watch him literally climb up from their apartment

1:02:08.400 --> 1:02:11.000
<v Speaker 4>to the house. Because one thing I also love about

1:02:11.040 --> 1:02:14.360
<v Speaker 4>this film is you are constantly going to be questioning

1:02:14.680 --> 1:02:19.640
<v Speaker 4>who is the parasite, right and a parasitic relationship in

1:02:19.720 --> 1:02:23.320
<v Speaker 4>general is one where you know, a parasite is viewed negative.

1:02:23.360 --> 1:02:24.160
<v Speaker 3>It's a negative thing.

1:02:24.240 --> 1:02:27.800
<v Speaker 4>It's something that is like affecting you or your life.

1:02:28.400 --> 1:02:31.600
<v Speaker 4>So you're watching them kind of climb up and replicate

1:02:32.520 --> 1:02:36.240
<v Speaker 4>these parasitic bug like moves where they're climbing into it

1:02:36.280 --> 1:02:39.240
<v Speaker 4>to a territory that they don't belong in, right, And

1:02:39.440 --> 1:02:41.960
<v Speaker 4>the difference in the living spaces is so vast because

1:02:41.960 --> 1:02:44.480
<v Speaker 4>when he gets to the Park's house, they have like

1:02:44.560 --> 1:02:47.960
<v Speaker 4>a bamboo lined front entry. They have a huge yard,

1:02:48.080 --> 1:02:51.120
<v Speaker 4>there's tons of sunlight. The inside of the house is

1:02:51.200 --> 1:02:54.440
<v Speaker 4>glass and it's you know, bright, and it's designed by

1:02:54.440 --> 1:02:57.680
<v Speaker 4>a famous architect. And they have a house keeper who's

1:02:57.720 --> 1:03:00.120
<v Speaker 4>like a house manager that they meet, and you know,

1:03:00.120 --> 1:03:02.160
<v Speaker 4>those kind of these perfect photos of the Park.

1:03:02.000 --> 1:03:02.920
<v Speaker 3>Family on the wall.

1:03:03.440 --> 1:03:05.360
<v Speaker 4>The reality of the Park family is a little different.

1:03:05.520 --> 1:03:07.080
<v Speaker 4>Park family is a little bit of a mess. Mom's

1:03:07.080 --> 1:03:10.280
<v Speaker 4>passed out on the table when Kiwu first arrives, just

1:03:10.320 --> 1:03:14.040
<v Speaker 4>like head down, fallen asleep on the outdoor picnic table,

1:03:14.880 --> 1:03:19.200
<v Speaker 4>and he meets his he meets his student da Hi,

1:03:20.160 --> 1:03:23.920
<v Speaker 4>and he crushes it. Mom wants Mom is very discerning.

1:03:24.120 --> 1:03:25.680
<v Speaker 4>She wants to sit in on the first lesson. She

1:03:25.720 --> 1:03:27.800
<v Speaker 4>kind of wants the best for her kids, and you

1:03:27.800 --> 1:03:30.800
<v Speaker 4>can tell that her job is to kind of create

1:03:30.840 --> 1:03:33.240
<v Speaker 4>the perfect family and make sure they have everything they

1:03:33.240 --> 1:03:36.480
<v Speaker 4>need to be the perfect family. And she's very naive

1:03:36.520 --> 1:03:39.000
<v Speaker 4>and very easily influenced, which we will come to find out,

1:03:39.240 --> 1:03:41.520
<v Speaker 4>but she wants to when we first meet her. She's

1:03:42.240 --> 1:03:43.960
<v Speaker 4>got a backbone and she's discerning and she wants to

1:03:44.000 --> 1:03:47.480
<v Speaker 4>sit in on the first lesson. Blows everyone away. She

1:03:47.560 --> 1:03:52.680
<v Speaker 4>starts calling Keewu Kevin, which is I think culturally in

1:03:53.440 --> 1:03:56.480
<v Speaker 4>wealthier families in Korea, because this movie takes place in Korea.

1:03:56.840 --> 1:03:59.320
<v Speaker 4>I think it's common if you're learning English to kind

1:03:59.320 --> 1:04:03.720
<v Speaker 4>of replicate English names. When I used to teach college classes,

1:04:03.720 --> 1:04:06.360
<v Speaker 4>I would have you know, international students, and they would

1:04:06.400 --> 1:04:11.640
<v Speaker 4>always give themselves or have been given a more European name,

1:04:12.280 --> 1:04:13.800
<v Speaker 4>and I always ask, like, you know, like I can

1:04:13.840 --> 1:04:16.320
<v Speaker 4>pronounce your name like like.

1:04:16.240 --> 1:04:16.840
<v Speaker 3>If you prefer.

1:04:16.920 --> 1:04:19.360
<v Speaker 4>But I think that it's a way of assimilating essentially

1:04:19.640 --> 1:04:20.840
<v Speaker 4>A lot a lot of times.

1:04:20.600 --> 1:04:24.480
<v Speaker 1>Those rich kids come to Canada or America or you know,

1:04:24.560 --> 1:04:28.840
<v Speaker 1>English speaking countries like New Zealand and Australia to learn English.

1:04:29.400 --> 1:04:32.320
<v Speaker 1>Right or to go to school, and they get exactly

1:04:32.480 --> 1:04:35.120
<v Speaker 1>they get Americanized English names.

1:04:35.760 --> 1:04:39.960
<v Speaker 4>Yeah, so we're already kind of engaging in this this

1:04:40.080 --> 1:04:42.680
<v Speaker 4>wealth disparity where you get to choose your name, you

1:04:42.720 --> 1:04:44.760
<v Speaker 4>get to kind of choose how how you are in

1:04:44.800 --> 1:04:47.000
<v Speaker 4>the world, and you have a little bit more, a

1:04:47.040 --> 1:04:49.480
<v Speaker 4>little bit more of a pathway to respectability because you

1:04:49.520 --> 1:04:50.000
<v Speaker 4>have money.

1:04:50.720 --> 1:04:56.400
<v Speaker 3>And so as Kiwu is leaving Das.

1:04:56.320 --> 1:04:59.080
<v Speaker 4>Song, the little boy comes in and his mom is

1:04:59.240 --> 1:05:01.720
<v Speaker 4>very concerned that he's not focused. He thinks he's like

1:05:01.760 --> 1:05:05.120
<v Speaker 4>this eccentric, genius artist, but he's really the kind of

1:05:05.160 --> 1:05:07.000
<v Speaker 4>kid who just like lays around with an arrow in

1:05:07.040 --> 1:05:11.160
<v Speaker 4>his butt. And Keiwu is like, oh, you need an

1:05:11.280 --> 1:05:15.400
<v Speaker 4>art tutor for him. I've got the perfect person. And

1:05:15.440 --> 1:05:18.120
<v Speaker 4>he lies and says that this person was an art

1:05:18.160 --> 1:05:22.000
<v Speaker 4>school with his cousin and it's actually his sister.

1:05:22.080 --> 1:05:23.000
<v Speaker 3>It's actually Kijun.

1:05:24.200 --> 1:05:26.560
<v Speaker 4>And there's a really funny scene where he looks at

1:05:26.560 --> 1:05:29.200
<v Speaker 4>one of the kid's paintings and he's like, it's a chimpanzee, right,

1:05:29.320 --> 1:05:33.520
<v Speaker 4>And the mom just says, oh, a self portrait. They

1:05:33.560 --> 1:05:36.040
<v Speaker 4>know nothing about art, they know nothing about any of this,

1:05:37.040 --> 1:05:39.400
<v Speaker 4>but they are absolutely he's going to get his sister

1:05:39.480 --> 1:05:42.480
<v Speaker 4>a job now, right, because he's zoomed in on the

1:05:42.520 --> 1:05:45.520
<v Speaker 4>fact that this woman needs things for her children that

1:05:45.680 --> 1:05:50.240
<v Speaker 4>is her pride and joy. So he suggests his sister

1:05:51.280 --> 1:05:56.080
<v Speaker 4>and when she arrives, his student to Hie is already

1:05:56.160 --> 1:06:00.720
<v Speaker 4>jealous of Keijun. He thinks she doesn't know that their

1:06:00.720 --> 1:06:03.400
<v Speaker 4>brother and sister obviously, and she already has a crush

1:06:03.440 --> 1:06:06.280
<v Speaker 4>on Kiwu, but she's also pissed off because she's like,

1:06:06.680 --> 1:06:08.520
<v Speaker 4>my little brother is pretending to be an artist. He's

1:06:08.520 --> 1:06:10.120
<v Speaker 4>pretending to be this total weirder when he's just a

1:06:10.120 --> 1:06:13.120
<v Speaker 4>fucking freaky little kid. But they kiss and they kind

1:06:13.120 --> 1:06:16.000
<v Speaker 4>of have a moment, and you know, you can tell

1:06:16.000 --> 1:06:18.160
<v Speaker 4>that things are going to get started for them. But

1:06:18.200 --> 1:06:20.680
<v Speaker 4>everyone's trying to be respectful of the fact that she's a

1:06:20.720 --> 1:06:25.600
<v Speaker 4>sophomore and wait till she's in university to make a move,

1:06:25.760 --> 1:06:27.680
<v Speaker 4>but like already making the moves, and I'm like.

1:06:27.680 --> 1:06:29.560
<v Speaker 3>I don't know about this, guys, I don't know about this.

1:06:31.000 --> 1:06:36.040
<v Speaker 4>But basically, the sister is hired and her given name

1:06:36.080 --> 1:06:38.960
<v Speaker 4>is Jessica by the mom whose name we don't know yet,

1:06:39.000 --> 1:06:42.480
<v Speaker 4>by the way, interestingly enough, and it turns out that

1:06:43.360 --> 1:06:50.800
<v Speaker 4>Kijung is so adept at crafting this psychological story about

1:06:50.840 --> 1:06:54.880
<v Speaker 4>her own abilities that she makes it seem like it's

1:06:55.200 --> 1:06:57.680
<v Speaker 4>her decision to take the kid on and not the

1:06:57.760 --> 1:07:01.840
<v Speaker 4>other way around. So she's like eventually when she's talking

1:07:01.880 --> 1:07:03.240
<v Speaker 4>to her parents, she's like, Yeah, I just read some

1:07:03.240 --> 1:07:05.560
<v Speaker 4>shit about art therapy and like I googled some stuff.

1:07:05.600 --> 1:07:08.200
<v Speaker 4>And then like this woman was mesmerized, and her parents

1:07:08.200 --> 1:07:10.240
<v Speaker 4>are actually kind of proud. They're like, oh, in another life,

1:07:10.280 --> 1:07:14.440
<v Speaker 4>she would have been such a great cot heart. But

1:07:14.560 --> 1:07:18.360
<v Speaker 4>she's like worked her way into this family by focusing

1:07:18.400 --> 1:07:21.280
<v Speaker 4>on the thing that the mom is most worried about,

1:07:21.280 --> 1:07:23.880
<v Speaker 4>that her kid is like having some kind of psychological

1:07:23.880 --> 1:07:27.120
<v Speaker 4>issue that he's expressing in art, and she does kind

1:07:27.160 --> 1:07:30.080
<v Speaker 4>of say that something happened to this little boy in

1:07:30.120 --> 1:07:33.040
<v Speaker 4>first grade. We later get the story and there is

1:07:33.080 --> 1:07:36.480
<v Speaker 4>a reason for what happened. There's an explanation for what happened.

1:07:36.520 --> 1:07:38.960
<v Speaker 4>He saw something and there's an explanation for it, but

1:07:39.040 --> 1:07:41.840
<v Speaker 4>she's just like super concerned. So this is how this

1:07:41.880 --> 1:07:45.320
<v Speaker 4>family starts working their way in. So basically, at this point,

1:07:45.360 --> 1:07:47.960
<v Speaker 4>we've got Kei Wu is working three days a week

1:07:47.960 --> 1:07:50.840
<v Speaker 4>in the house two hour sessions for tutoring, and now

1:07:50.960 --> 1:07:53.280
<v Speaker 4>Kijung is working four days a week in the house

1:07:53.360 --> 1:07:56.640
<v Speaker 4>during two hour sessions, so they're basically like full brother

1:07:56.680 --> 1:07:58.200
<v Speaker 4>and sister are full time in this house.

1:07:59.000 --> 1:07:59.840
<v Speaker 3>Then we get to meet the.

1:07:59.800 --> 1:08:04.880
<v Speaker 4>Dad, dung Eke, and let me just tell you this

1:08:04.960 --> 1:08:07.919
<v Speaker 4>cast is also so fucking hot. Lee Soon Qune, who

1:08:07.920 --> 1:08:11.160
<v Speaker 4>plays dung Eke, is so handsome handsome.

1:08:11.440 --> 1:08:12.440
<v Speaker 3>Yeah, unreal.

1:08:13.400 --> 1:08:16.639
<v Speaker 4>Also, I gotta say I kind of like key Wu

1:08:17.000 --> 1:08:19.600
<v Speaker 4>Choi wu seek is very very cute. If you're not

1:08:19.640 --> 1:08:21.280
<v Speaker 4>going to be a British Man, you should be for me,

1:08:21.320 --> 1:08:25.640
<v Speaker 4>you should be Choi woo sikyah very cute. So the

1:08:25.720 --> 1:08:28.120
<v Speaker 4>dad comes in and he's like, you know, he's exactly

1:08:28.120 --> 1:08:30.320
<v Speaker 4>everything you think it like. He has like this uh,

1:08:30.920 --> 1:08:34.080
<v Speaker 4>like this firm that he runs, like this business and

1:08:35.120 --> 1:08:37.280
<v Speaker 4>it's a very nebulous business. You don't know what it is,

1:08:37.320 --> 1:08:39.600
<v Speaker 4>but it's something with tech or whatever. And he's like

1:08:39.840 --> 1:08:43.599
<v Speaker 4>very poised and confident, and you know, kind of walks

1:08:43.640 --> 1:08:48.160
<v Speaker 4>into his house and just owns the space. So, by

1:08:48.200 --> 1:08:52.760
<v Speaker 4>the way, yeah, died like super young, like right after

1:08:52.800 --> 1:08:53.719
<v Speaker 4>this film too, right.

1:08:54.400 --> 1:08:58.720
<v Speaker 1>Yeah, I mean he he unlived himself. I don't know

1:08:58.760 --> 1:09:00.519
<v Speaker 1>if there's a better way to say that, But yeah,

1:09:01.920 --> 1:09:06.360
<v Speaker 1>it's actually sad. And I mean then this is like

1:09:06.360 --> 1:09:09.280
<v Speaker 1>a larger issue I think that's happening within the South

1:09:09.360 --> 1:09:14.720
<v Speaker 1>Korean entertainment industry is just the amount of pressure that

1:09:14.840 --> 1:09:18.120
<v Speaker 1>exists for famous people in that country where they're kind

1:09:18.120 --> 1:09:21.960
<v Speaker 1>of expected to be these like perfect people, you know,

1:09:22.640 --> 1:09:25.640
<v Speaker 1>and you know, by all accounts, I mean, this is

1:09:25.760 --> 1:09:28.080
<v Speaker 1>just you know, stuff that I've read on the internet

1:09:28.160 --> 1:09:31.080
<v Speaker 1>without doing like a huge dive into it. You know,

1:09:31.479 --> 1:09:35.040
<v Speaker 1>like he cheated on his wife perhaps and you know,

1:09:35.280 --> 1:09:39.360
<v Speaker 1>maybe did some smoke some weed and some other types

1:09:39.400 --> 1:09:44.200
<v Speaker 1>of drugs. But it became this huge scandal to the

1:09:44.280 --> 1:09:48.680
<v Speaker 1>point where you know, I think that you know, obviously

1:09:49.120 --> 1:09:51.400
<v Speaker 1>felt the pressure of it to the extent of which

1:09:51.400 --> 1:09:55.800
<v Speaker 1>he you know, basically committed suicide. And it just and

1:09:55.840 --> 1:09:59.120
<v Speaker 1>now that I'm kind of like paying attention a little

1:09:59.120 --> 1:10:03.639
<v Speaker 1>bit more, I think to that entertainment industry, that seems

1:10:03.680 --> 1:10:07.280
<v Speaker 1>like a very like common thing that happens there. I mean,

1:10:07.320 --> 1:10:09.519
<v Speaker 1>I'm not saying it's super common in the extent that,

1:10:09.600 --> 1:10:14.639
<v Speaker 1>but it's happening more there than I think here where

1:10:14.880 --> 1:10:17.840
<v Speaker 1>I think just the celebrity culture there is just so

1:10:18.000 --> 1:10:23.000
<v Speaker 1>tied into respectability, politics and you know, honor and all

1:10:23.000 --> 1:10:26.000
<v Speaker 1>the stuff where I just think that the pressure gets

1:10:26.040 --> 1:10:30.160
<v Speaker 1>to certain individuals. They can't live real lives, you.

1:10:30.120 --> 1:10:35.040
<v Speaker 4>Know, absolutely, which is another facet of wealth and class.

1:10:35.600 --> 1:10:37.839
<v Speaker 4>Like if you reach a certain point in this culture,

1:10:37.920 --> 1:10:40.320
<v Speaker 4>you have to act a certain way and kind of

1:10:40.360 --> 1:10:43.160
<v Speaker 4>fall in line, and if you don't, there are consequences

1:10:43.280 --> 1:10:45.200
<v Speaker 4>one way or the other, by your own hand or

1:10:45.240 --> 1:10:46.639
<v Speaker 4>by our hands, so to speak.

1:10:46.720 --> 1:10:50.839
<v Speaker 1>Yeah, and there's a there are pockets of very toxic

1:10:50.920 --> 1:10:54.000
<v Speaker 1>fantom culture like in that country too. I mean, they're

1:10:54.040 --> 1:10:56.240
<v Speaker 1>are all over the world. I mean, just generally, I

1:10:56.280 --> 1:10:58.920
<v Speaker 1>think that fandom obviously is kind of has reached kind

1:10:58.960 --> 1:11:00.800
<v Speaker 1>of a fevered pitch of talks the city in terms

1:11:00.840 --> 1:11:03.640
<v Speaker 1>of just the ways in which certain people feel like

1:11:03.680 --> 1:11:07.800
<v Speaker 1>they own celebrities, right. I mean this guy was pretty

1:11:07.880 --> 1:11:09.880
<v Speaker 1>much our age. He was forty eight when he died,

1:11:10.280 --> 1:11:13.320
<v Speaker 1>and he couldn't be like like in a way, it's

1:11:13.400 --> 1:11:15.240
<v Speaker 1>it's this feeling. I mean, you know, whether or not

1:11:15.320 --> 1:11:17.559
<v Speaker 1>we don't know his personal life, if he had addiction

1:11:17.680 --> 1:11:20.240
<v Speaker 1>issues or if he was really struggling with mental health.

1:11:20.280 --> 1:11:23.519
<v Speaker 1>But it's like I'm sitting here, go this guy, you know,

1:11:24.240 --> 1:11:26.559
<v Speaker 1>was just sort of living a private life and then

1:11:26.680 --> 1:11:29.000
<v Speaker 1>you know, people criticized him to the point where it

1:11:29.040 --> 1:11:31.679
<v Speaker 1>felt like he I don't know, I just think that's

1:11:31.680 --> 1:11:34.639
<v Speaker 1>so I don't know. We got to examine that as

1:11:34.640 --> 1:11:37.200
<v Speaker 1>a culture, like we got to figure out why that's happening,

1:11:37.240 --> 1:11:39.519
<v Speaker 1>and especially there where it feels like it happens a

1:11:39.560 --> 1:11:42.040
<v Speaker 1>lot more, you know than regular So.

1:11:42.680 --> 1:11:44.120
<v Speaker 3>Which is it is? It's a shame.

1:11:44.160 --> 1:11:47.400
<v Speaker 4>And I know that people, especially young women aren't in

1:11:47.479 --> 1:11:50.120
<v Speaker 4>America at least, you know, famous young women are starting

1:11:50.120 --> 1:11:53.720
<v Speaker 4>to speak at about toxic fan culture thing oh like

1:11:53.840 --> 1:11:54.559
<v Speaker 4>Chapel Road.

1:11:55.120 --> 1:11:58.719
<v Speaker 1>Yeah, I even saw like a thing with Tyler the Creator,

1:11:59.120 --> 1:12:00.840
<v Speaker 1>Like I think that Tyler the Creator, you know, the

1:12:00.920 --> 1:12:03.080
<v Speaker 1>rapper's he's got like a new album out and he

1:12:03.320 --> 1:12:07.640
<v Speaker 1>is basically like, listen, I don't owe you anything, Like

1:12:07.760 --> 1:12:10.160
<v Speaker 1>I am a celebrity, but I I don't know you shit,

1:12:10.320 --> 1:12:12.320
<v Speaker 1>Like you're my fan. You can like the music, but like,

1:12:12.560 --> 1:12:14.559
<v Speaker 1>I'm not a role model. I'm not trying to like

1:12:14.920 --> 1:12:18.599
<v Speaker 1>give you access to my personal life like it ain't happening.

1:12:18.680 --> 1:12:21.439
<v Speaker 4>So you know, good, Yeah, we need good for them

1:12:21.439 --> 1:12:23.360
<v Speaker 4>and we need to address it in a much bigger way.

1:12:23.840 --> 1:12:27.200
<v Speaker 3>Yeah, And you're right, and it is an international issue,

1:12:27.439 --> 1:12:28.400
<v Speaker 3>international issue.

1:12:28.600 --> 1:12:31.160
<v Speaker 1>Sorry to sidebar, but I had to know so important

1:12:31.240 --> 1:12:33.280
<v Speaker 1>sidebar Lisa and Kune.

1:12:33.320 --> 1:12:37.160
<v Speaker 4>So so basically we do meet the dad, like the

1:12:37.439 --> 1:12:42.759
<v Speaker 4>patriarch of the family, and he has this driver June,

1:12:43.040 --> 1:12:46.599
<v Speaker 4>who comes in with him when he comes home, and

1:12:46.720 --> 1:12:52.200
<v Speaker 4>Une gives Ki June a ride home, like the family

1:12:52.240 --> 1:12:54.639
<v Speaker 4>insists that they give her a ride home, and he's

1:12:54.640 --> 1:12:56.640
<v Speaker 4>being a little he's just being very friendly, you know,

1:12:56.640 --> 1:12:57.920
<v Speaker 4>he's really a friendly driver.

1:12:58.080 --> 1:12:59.240
<v Speaker 3>It's kind of chatting with her.

1:13:00.120 --> 1:13:04.280
<v Speaker 4>But Keijun gets an idea while she's sitting in the

1:13:04.280 --> 1:13:08.719
<v Speaker 4>back of that car, and she takes off her underwear

1:13:09.080 --> 1:13:11.599
<v Speaker 4>and leaves it under the seat, And at.

1:13:11.479 --> 1:13:13.519
<v Speaker 3>First you're like, what the fuck is going Like what

1:13:13.680 --> 1:13:14.120
<v Speaker 3>is she doing?

1:13:14.160 --> 1:13:16.240
<v Speaker 4>Because this guy wasn't mean to her or cruel to

1:13:16.280 --> 1:13:20.000
<v Speaker 4>her or anything, like what is she doing? But dong

1:13:20.120 --> 1:13:23.600
<v Speaker 4>Eek finds the underwear and he thinks you and is

1:13:23.640 --> 1:13:25.840
<v Speaker 4>like a total scumbag who's having sex with women in

1:13:25.880 --> 1:13:28.800
<v Speaker 4>his car. So then they like he and his wife

1:13:28.840 --> 1:13:30.920
<v Speaker 4>start speculating about like the kind of woman that he

1:13:31.000 --> 1:13:33.040
<v Speaker 4>slept with, like who would forget her own underwear? She

1:13:33.160 --> 1:13:35.280
<v Speaker 4>must be an addict, Like it's amazing to watch them

1:13:35.320 --> 1:13:38.599
<v Speaker 4>spiral out. It's so hilarious. Yeah, but he basically asked

1:13:38.600 --> 1:13:40.880
<v Speaker 4>his wife to let the driver go, which is another

1:13:40.880 --> 1:13:43.880
<v Speaker 4>one of her duties as the person who manages the house,

1:13:44.320 --> 1:13:47.360
<v Speaker 4>to let her let this driver go. And then, as

1:13:47.479 --> 1:13:50.120
<v Speaker 4>you know, after she does it, she says to Kijung,

1:13:50.640 --> 1:13:53.120
<v Speaker 4>you know, is he weird to you or forward in

1:13:53.160 --> 1:13:54.920
<v Speaker 4>any way? And Keijung is like, no, he was a

1:13:54.920 --> 1:13:57.519
<v Speaker 4>perfect gentleman. He was great. She's like, oh, it sucks.

1:13:57.560 --> 1:13:59.720
<v Speaker 4>It's like we had to let our driver go and

1:13:59.720 --> 1:14:01.599
<v Speaker 4>that's why. Or she jumps in and she's like, oh yeah,

1:14:01.640 --> 1:14:04.840
<v Speaker 4>my uncle had a driver that was really great. And

1:14:04.920 --> 1:14:09.000
<v Speaker 4>because now mom doesn't trust anyone, but somehow she trusts Jessica.

1:14:09.120 --> 1:14:09.360
<v Speaker 3>Again.

1:14:09.400 --> 1:14:13.599
<v Speaker 4>It is this really interesting conversation where she's like, I

1:14:13.680 --> 1:14:16.599
<v Speaker 4>don't trust anyone anymore. My faith has been so rocked.

1:14:16.640 --> 1:14:18.479
<v Speaker 4>I only trust people I know. And I'm like, but

1:14:18.560 --> 1:14:22.320
<v Speaker 4>you just met her, you just met her. But again,

1:14:22.600 --> 1:14:25.400
<v Speaker 4>wealth blinds you to things when people are being nice

1:14:25.400 --> 1:14:29.040
<v Speaker 4>and helpful to you, I guess. So Kijung is basically like,

1:14:29.160 --> 1:14:32.479
<v Speaker 4>I got the driver for you, and who comes in.

1:14:33.640 --> 1:14:34.520
<v Speaker 3>It's Pops.

1:14:34.960 --> 1:14:40.280
<v Speaker 4>Yeah, right, it's Kai Tech. So Pops comes in and

1:14:40.360 --> 1:14:41.040
<v Speaker 4>he's the driver.

1:14:41.200 --> 1:14:46.240
<v Speaker 3>Now we now have three people.

1:14:45.920 --> 1:14:49.679
<v Speaker 4>In this family in this house, and then they all

1:14:49.720 --> 1:14:53.760
<v Speaker 4>together decide to set their sights on the housekeeper. So

1:14:53.840 --> 1:14:57.479
<v Speaker 4>the housekeeper, we eventually learn her name is Moon Gwang

1:14:58.760 --> 1:15:00.960
<v Speaker 4>and she's been there the law longest. She was actually

1:15:00.960 --> 1:15:04.880
<v Speaker 4>the housekeeper for the architect who built it, so she

1:15:05.080 --> 1:15:09.040
<v Speaker 4>came with the house essentially, and the family, the Kim

1:15:09.080 --> 1:15:11.000
<v Speaker 4>family doesn't like it because, like, well, she acts like

1:15:11.040 --> 1:15:14.280
<v Speaker 4>she owns the house and basically, if anyone's gonna find

1:15:14.320 --> 1:15:18.240
<v Speaker 4>them out, it's gonna be her. So they find out

1:15:18.600 --> 1:15:22.280
<v Speaker 4>through Dahai and she's tutoring, you know, in this tutoring

1:15:22.280 --> 1:15:24.120
<v Speaker 4>session with Kiwu, and she's like, oh, I wish I

1:15:24.120 --> 1:15:26.240
<v Speaker 4>could have peaches, but you know, our housekeeper is allergic,

1:15:26.280 --> 1:15:29.200
<v Speaker 4>so we can never have peaches. They fucking jump on that,

1:15:29.360 --> 1:15:32.479
<v Speaker 4>start shaving peach fuzz off of peaches and just kind

1:15:32.479 --> 1:15:36.960
<v Speaker 4>of sprinkling it around moungwog and just giving her all

1:15:36.960 --> 1:15:40.840
<v Speaker 4>these like allergic reactions. Dad takes a picture of her

1:15:40.920 --> 1:15:42.880
<v Speaker 4>at urgent care. He's like, oh, I was there for

1:15:42.960 --> 1:15:45.880
<v Speaker 4>my annual exam and I heard her say she had tuberculosis.

1:15:47.120 --> 1:15:49.840
<v Speaker 4>And then the next and then he tells the mom

1:15:49.920 --> 1:15:51.599
<v Speaker 4>of the family like, oh, yeah, I heard her say

1:15:51.600 --> 1:15:54.320
<v Speaker 4>she had tuberculosis. Like I don't say anything. I'm so sorry,

1:15:54.360 --> 1:15:57.080
<v Speaker 4>but like you should know, and just this whole act

1:15:57.360 --> 1:15:59.599
<v Speaker 4>that they're practicing with each other, like how to talk,

1:16:00.479 --> 1:16:04.800
<v Speaker 4>wild to watch, and they sprinkle peach fuzz near her.

1:16:06.400 --> 1:16:08.840
<v Speaker 4>They cut when they're coming home one day, So the

1:16:08.920 --> 1:16:14.200
<v Speaker 4>mom and Kai Tech come home one day.

1:16:14.280 --> 1:16:16.519
<v Speaker 3>As soon as the housekeeper's.

1:16:16.080 --> 1:16:20.240
<v Speaker 4>Mongwong starts coughing, Kai Tech goes to the garbage can

1:16:20.360 --> 1:16:23.479
<v Speaker 4>and sprays hot sauce on her napkin that she's just

1:16:23.520 --> 1:16:26.760
<v Speaker 4>thrown away so it looks like blood and holds it up,

1:16:26.800 --> 1:16:30.080
<v Speaker 4>and the mom almost passes out, so she's gone. Like

1:16:30.120 --> 1:16:36.679
<v Speaker 4>now housekeeper is also gone, and who comes in? Dad suggests, oh,

1:16:36.760 --> 1:16:40.720
<v Speaker 4>I've got this card for this high class service, you know,

1:16:41.000 --> 1:16:42.880
<v Speaker 4>because you know Don Eek is like, well, I really

1:16:42.880 --> 1:16:45.720
<v Speaker 4>miss her old housekeeper, like she knew how not to cross.

1:16:45.479 --> 1:16:47.080
<v Speaker 3>The line, which was very important for him.

1:16:47.080 --> 1:16:48.920
<v Speaker 4>Which is another thing to discuss about this movie in

1:16:49.000 --> 1:16:52.920
<v Speaker 4>terms of class and wealth disparity, is they don't mind

1:16:52.920 --> 1:16:55.840
<v Speaker 4>being around people who don't have as much money as

1:16:55.880 --> 1:16:58.280
<v Speaker 4>them as long as they don't cross the line, which

1:16:58.280 --> 1:17:02.479
<v Speaker 4>to him is specific, but it feels like everyone kind

1:17:02.479 --> 1:17:04.360
<v Speaker 4>of has their own definition of what that is for

1:17:04.400 --> 1:17:06.120
<v Speaker 4>them when they reach a certain level of wealth.

1:17:07.240 --> 1:17:08.160
<v Speaker 3>So he really misses the.

1:17:08.120 --> 1:17:11.400
<v Speaker 4>Housekeeper and he's like, oh, I've got this perfect person.

1:17:11.840 --> 1:17:14.880
<v Speaker 4>There's the service that was trying to actually, you know,

1:17:15.160 --> 1:17:17.280
<v Speaker 4>head hunt me before I started working for you, and

1:17:17.320 --> 1:17:21.160
<v Speaker 4>they just they just have veteran greed help to vip

1:17:21.320 --> 1:17:26.120
<v Speaker 4>clients like you. So now everyone, the entire Kim family

1:17:27.160 --> 1:17:32.120
<v Speaker 4>is working in the park House and there is a

1:17:32.200 --> 1:17:36.120
<v Speaker 4>moment where Da Song, the little boy kind of sniffs

1:17:36.160 --> 1:17:38.320
<v Speaker 4>the dead and sniffs the sister and he's like, oh,

1:17:38.360 --> 1:17:41.519
<v Speaker 4>you all smell the same, because they basically all smell

1:17:41.600 --> 1:17:47.240
<v Speaker 4>like the basement they live in. So again it comes

1:17:47.320 --> 1:17:50.960
<v Speaker 4>back the importance of how they smell and the fact

1:17:51.080 --> 1:17:54.160
<v Speaker 4>that it's discernible. It's something that you know, this wealthy

1:17:54.240 --> 1:17:59.120
<v Speaker 4>child can can pick out as a discussion point or

1:17:59.160 --> 1:18:01.800
<v Speaker 4>something to just know. Is that people smell different from me,

1:18:02.200 --> 1:18:04.360
<v Speaker 4>and they don't smell good to them.

1:18:04.680 --> 1:18:05.679
<v Speaker 3>And that does come back.

1:18:06.479 --> 1:18:13.760
<v Speaker 1>Not enough people talk about smell as being an indicator

1:18:13.800 --> 1:18:14.559
<v Speaker 1>of class.

1:18:15.200 --> 1:18:19.439
<v Speaker 3>Yeah you know what I mean, I do, But keep

1:18:19.479 --> 1:18:21.439
<v Speaker 3>going the way in.

1:18:21.479 --> 1:18:27.400
<v Speaker 1>Which people can be really compelled by that notion to

1:18:27.520 --> 1:18:32.400
<v Speaker 1>not smell bad, to not want to smell poor. Like

1:18:32.479 --> 1:18:34.439
<v Speaker 1>I don't know why. When I was watching this movie again,

1:18:34.479 --> 1:18:37.920
<v Speaker 1>I really thought about that, you know, right, And I'm

1:18:38.000 --> 1:18:42.240
<v Speaker 1>just like I'm sitting there going like, yeah, I mean,

1:18:42.360 --> 1:18:47.840
<v Speaker 1>what an indictment of poverty to just smell bad, like

1:18:47.920 --> 1:18:50.400
<v Speaker 1>to have that, you know, Like for them, there's a

1:18:50.439 --> 1:18:52.000
<v Speaker 1>scene which I don't know if you'll get to whether

1:18:52.200 --> 1:18:54.799
<v Speaker 1>under the table we're basically like they're forced to listen

1:18:54.840 --> 1:18:57.240
<v Speaker 1>to these rich people like talk about the way in

1:18:57.280 --> 1:19:01.280
<v Speaker 1>which he smells right, and it just crushed me, Like

1:19:01.320 --> 1:19:02.160
<v Speaker 1>I was just like.

1:19:02.720 --> 1:19:04.639
<v Speaker 3>It's felt humiliating.

1:19:04.640 --> 1:19:08.760
<v Speaker 1>So humiliating, and felt like that the kind of it's

1:19:08.840 --> 1:19:11.559
<v Speaker 1>so primal, Like I remember that being such a huge

1:19:11.600 --> 1:19:14.639
<v Speaker 1>issue when we were like in middle school. Like for yeah,

1:19:14.680 --> 1:19:18.799
<v Speaker 1>we're like people would make fun of other people because

1:19:18.840 --> 1:19:21.880
<v Speaker 1>they smelled poor or something, and you're just like, what

1:19:22.080 --> 1:19:25.519
<v Speaker 1>is that is just such a crazy concept to me, I.

1:19:25.439 --> 1:19:28.080
<v Speaker 3>Got made fun of. Oh my god, this fucking fitch.

1:19:28.120 --> 1:19:31.320
<v Speaker 4>I will never reveal her name, but I know her name. Yeah,

1:19:31.920 --> 1:19:34.479
<v Speaker 4>And one day out of nowhere, she's she's like, you

1:19:34.560 --> 1:19:39.439
<v Speaker 4>smell you smell bad? And I was like rocked to

1:19:39.520 --> 1:19:42.080
<v Speaker 4>my core. Yeah, because I'm like, I don't think I do.

1:19:42.600 --> 1:19:46.040
<v Speaker 4>Like I bathe every day, yeah, like I washed my clothes.

1:19:46.120 --> 1:19:47.000
<v Speaker 3>I don't think I do.

1:19:47.800 --> 1:19:50.640
<v Speaker 4>But I also live with like two heavy chainsmokers, and

1:19:50.720 --> 1:19:51.639
<v Speaker 4>yeah we're poor.

1:19:52.040 --> 1:19:53.519
<v Speaker 3>So maybe I do. I don't know.

1:19:53.760 --> 1:19:54.120
<v Speaker 1>Yeah.

1:19:54.200 --> 1:19:54.639
<v Speaker 3>Yeah.

1:19:55.040 --> 1:19:57.400
<v Speaker 1>It was a way to like hurt people's feelings, especially

1:19:57.479 --> 1:20:00.559
<v Speaker 1>when we were kids. Like even like ways in which

1:20:00.600 --> 1:20:03.720
<v Speaker 1>like they like you would be wearing perfume, but it

1:20:03.720 --> 1:20:06.879
<v Speaker 1>would be like the shitty like the what like electric

1:20:06.960 --> 1:20:09.439
<v Speaker 1>youth or something. Yeah, And I'm like, I'm sorry, you're

1:20:09.439 --> 1:20:12.759
<v Speaker 1>in seventh grade? Should I be wearing Tom Ford right now?

1:20:12.800 --> 1:20:14.760
<v Speaker 1>Like what the fuck are you thinking? Like, oh, you

1:20:14.800 --> 1:20:20.200
<v Speaker 1>smell like CBS. My god, what a bitch. I just

1:20:20.240 --> 1:20:24.439
<v Speaker 1>feel like, say that good lord. By the way, like

1:20:24.560 --> 1:20:27.719
<v Speaker 1>some of that shit still hits, okay. If I smell

1:20:27.760 --> 1:20:30.559
<v Speaker 1>a guy, if there's a guy that walks in, he's

1:20:30.560 --> 1:20:33.800
<v Speaker 1>warn't curve from Dwayne Reid.

1:20:33.880 --> 1:20:37.880
<v Speaker 2>I'm like, hello, I don't know what thirty bucks.

1:20:38.120 --> 1:20:39.960
<v Speaker 4>I don't even know what anything smells like because I've

1:20:39.960 --> 1:20:41.960
<v Speaker 4>never been able to afford good perfume. Like I don't

1:20:41.960 --> 1:20:43.600
<v Speaker 4>know what anything smells like.

1:20:43.600 --> 1:20:46.479
<v Speaker 1>Like it's crazy it's crazy, like how people get so

1:20:46.600 --> 1:20:49.320
<v Speaker 1>caught up and like the smell thing as an indicator

1:20:49.439 --> 1:20:52.600
<v Speaker 1>of so of people's worthiness.

1:20:53.560 --> 1:20:56.080
<v Speaker 4>And it's also it's beyond your control because there is

1:20:56.320 --> 1:20:59.000
<v Speaker 4>there is a scene where the family is talking about it,

1:20:59.800 --> 1:21:02.559
<v Speaker 4>and it's before the humiliating scene and they're like, well,

1:21:02.600 --> 1:21:04.600
<v Speaker 4>maybe we should each use a different detergent so we

1:21:04.640 --> 1:21:06.720
<v Speaker 4>don't smell like each other. And then finally it's the

1:21:06.760 --> 1:21:10.280
<v Speaker 4>sister who says that none of that matters. It's because

1:21:10.280 --> 1:21:13.639
<v Speaker 4>we live in this semi basement apartment. It's the building

1:21:13.680 --> 1:21:15.360
<v Speaker 4>we live in, like, we will never get rid of

1:21:15.439 --> 1:21:17.160
<v Speaker 4>the smell as long as we live here.

1:21:17.640 --> 1:21:18.440
<v Speaker 1>It's a lifestyle.

1:21:18.560 --> 1:21:22.519
<v Speaker 4>Yeah, it's a lifestyle. So it's fucking wild. It's wild.

1:21:22.680 --> 1:21:27.120
<v Speaker 4>So the family again, Kim family is all in. Park

1:21:27.200 --> 1:21:31.000
<v Speaker 4>family has hired all of them. They're all like thrilled

1:21:31.080 --> 1:21:34.320
<v Speaker 4>they're making money, like they're happiest.

1:21:34.320 --> 1:21:34.559
<v Speaker 3>Shit.

1:21:35.240 --> 1:21:37.400
<v Speaker 4>Then the Park family decides to go on a camping

1:21:37.439 --> 1:21:40.400
<v Speaker 4>trip for Das Song's birthday, and this is where you

1:21:40.439 --> 1:21:44.479
<v Speaker 4>see the car full of snow peak shit, and they

1:21:44.560 --> 1:21:48.479
<v Speaker 4>overpack like you wouldn't fucking believe, and they have of course,

1:21:49.520 --> 1:21:53.360
<v Speaker 4>their housekeeper is doing all the packing but they are

1:21:53.439 --> 1:21:56.880
<v Speaker 4>like jamming this car full of the most expensive shit

1:21:56.920 --> 1:21:58.680
<v Speaker 4>you've ever seen in your life to take like an

1:21:58.760 --> 1:22:00.759
<v Speaker 4>eight year old on a camping trip for his birthday.

1:22:01.920 --> 1:22:03.880
<v Speaker 1>I just put in the chat a link to the

1:22:03.880 --> 1:22:06.560
<v Speaker 1>snow Peak website where they sell a pair of chopsticks

1:22:06.600 --> 1:22:13.400
<v Speaker 1>for fifty dollars. If you wonder what kind of what

1:22:13.479 --> 1:22:18.160
<v Speaker 1>kind of shit we're talking about? Like, I mean, when

1:22:18.200 --> 1:22:20.760
<v Speaker 1>I saw like their entire house, like they have this,

1:22:21.080 --> 1:22:25.360
<v Speaker 1>you know, I guess a storage area which plays very

1:22:25.360 --> 1:22:29.559
<v Speaker 1>heavily into this. At some point they got like Snowpeak

1:22:29.560 --> 1:22:31.639
<v Speaker 1>boxes up there. They filled the car out with SNOWFG.

1:22:31.640 --> 1:22:34.160
<v Speaker 1>I was like, yo, this is like this is just

1:22:34.600 --> 1:22:39.599
<v Speaker 1>leisure camping equipment, Like this is not year round use.

1:22:39.680 --> 1:22:41.720
<v Speaker 1>This is like, oh, we decided to go camp in

1:22:41.760 --> 1:22:44.000
<v Speaker 1>a couple of times a year, and y'all are putting

1:22:44.040 --> 1:22:47.720
<v Speaker 1>fifty dollars chopsticks in the car like and that's how

1:22:47.920 --> 1:22:49.080
<v Speaker 1>which these people are.

1:22:49.920 --> 1:22:52.439
<v Speaker 4>There are things on this website that are sold out

1:22:52.920 --> 1:22:55.880
<v Speaker 4>that are over seven hundred and fifty dollars for a tent,

1:22:58.520 --> 1:23:01.080
<v Speaker 4>and I am rocked to I feel like I shouldn't

1:23:01.120 --> 1:23:02.840
<v Speaker 4>even be I'm not even I don't make enough.

1:23:02.840 --> 1:23:04.080
<v Speaker 3>I didn't even look at this website.

1:23:04.479 --> 1:23:06.120
<v Speaker 2>Yeah, it's it's beautiful.

1:23:06.240 --> 1:23:11.640
<v Speaker 1>I will say that I have sadly been in pursuit

1:23:11.760 --> 1:23:15.880
<v Speaker 1>of a couple of these items, and I actually have.

1:23:16.640 --> 1:23:20.320
<v Speaker 1>I have the grill, Like there's a fold a foldable

1:23:20.360 --> 1:23:25.960
<v Speaker 1>grill that I've used my ARII dividend to buy because

1:23:26.000 --> 1:23:27.880
<v Speaker 1>I was like, I'm gonna get that grill.

1:23:28.120 --> 1:23:29.479
<v Speaker 2>It was the last thing I do.

1:23:30.560 --> 1:23:35.000
<v Speaker 1>You know, I need a little piece of Japanese design EXPECD,

1:23:35.080 --> 1:23:37.000
<v Speaker 1>like I need some luxury in my life. You know

1:23:37.040 --> 1:23:43.519
<v Speaker 1>how many times I use that thing? One time will

1:23:43.960 --> 1:23:45.840
<v Speaker 1>and then I got stressed. I used it because I

1:23:45.880 --> 1:23:50.599
<v Speaker 1>was like, it's probably now there's burnt charcoal residue. It's

1:23:50.720 --> 1:23:51.639
<v Speaker 1>beautiful grill.

1:23:52.280 --> 1:23:56.160
<v Speaker 4>I'm looking at a three hundred and nine dollars recycled

1:23:56.160 --> 1:24:00.320
<v Speaker 4>cotton denim jacket that looks very stylish, and if you

1:24:00.360 --> 1:24:02.439
<v Speaker 4>ever see me in one, that's how you know I've

1:24:02.479 --> 1:24:02.760
<v Speaker 4>made it.

1:24:03.320 --> 1:24:04.000
<v Speaker 1>Yeah, I know.

1:24:04.200 --> 1:24:06.519
<v Speaker 4>But also this is the kind of website where they

1:24:06.600 --> 1:24:08.040
<v Speaker 4>do not show you the prices.

1:24:08.560 --> 1:24:10.280
<v Speaker 3>You don't know the price, so you click through.

1:24:10.360 --> 1:24:11.760
<v Speaker 4>They're like if you don't, if you have to be

1:24:11.760 --> 1:24:13.200
<v Speaker 4>worried about the price, you shouldn't even be on this

1:24:13.240 --> 1:24:14.000
<v Speaker 4>fucking website.

1:24:14.520 --> 1:24:14.800
<v Speaker 3>Yep.

1:24:15.439 --> 1:24:17.200
<v Speaker 1>Well that's how they go, and.

1:24:17.120 --> 1:24:18.760
<v Speaker 4>That's how it is in this family. They don't even

1:24:18.760 --> 1:24:20.800
<v Speaker 4>think about the money they spend. They just have so

1:24:20.880 --> 1:24:22.439
<v Speaker 4>much of it they don't even think about it. So

1:24:22.439 --> 1:24:25.439
<v Speaker 4>they pack this fucking car full of like you said,

1:24:25.520 --> 1:24:30.479
<v Speaker 4>one use items a year maybe, Yeah, and they pack

1:24:30.560 --> 1:24:32.960
<v Speaker 4>it fucking full and go away for the weekend.

1:24:34.120 --> 1:24:36.160
<v Speaker 3>And it's unreal.

1:24:36.439 --> 1:24:39.360
<v Speaker 4>It's unreal to watch them and their expensive car from

1:24:39.360 --> 1:24:42.640
<v Speaker 4>their fancy house and this that's just again markers of

1:24:42.680 --> 1:24:47.519
<v Speaker 4>wealth everywhere. Yes, but the Kim family is like, yes,

1:24:47.680 --> 1:24:49.840
<v Speaker 4>they're gone, and they take over the house and it's

1:24:49.880 --> 1:24:51.840
<v Speaker 4>pouring rain and they get drunk and it is so

1:24:52.040 --> 1:24:55.200
<v Speaker 4>fucking funny, yeah, to watch them in this scene. But

1:24:55.280 --> 1:24:58.400
<v Speaker 4>they're also kind of speculating because now Kiwu is like, oh, yeah,

1:24:58.439 --> 1:25:01.559
<v Speaker 4>I really like d and I think I'm gonna marry her.

1:25:01.960 --> 1:25:05.439
<v Speaker 4>So now they're speculating like, well, if I do, I'm

1:25:05.439 --> 1:25:07.320
<v Speaker 4>gonna have to bring in actors to play my mother

1:25:07.360 --> 1:25:11.320
<v Speaker 4>and father since you already work here. Yeah, And they're

1:25:11.400 --> 1:25:13.880
<v Speaker 4>kind of like spinning this tale about how much more

1:25:13.920 --> 1:25:16.439
<v Speaker 4>embedded they're gonna get in this family. But they're also

1:25:16.520 --> 1:25:20.000
<v Speaker 4>talking about the family itself and how gullible the parks are,

1:25:20.840 --> 1:25:22.880
<v Speaker 4>and the mom at one point is like, yeah, rich

1:25:22.880 --> 1:25:26.800
<v Speaker 4>people are naive. Money irons out all the creases. They're

1:25:26.840 --> 1:25:29.880
<v Speaker 4>just kind of aware of what they're doing. And again

1:25:29.920 --> 1:25:32.360
<v Speaker 4>it's kind of parasitic what they're doing, but then they're

1:25:32.400 --> 1:25:35.160
<v Speaker 4>also and you don't have to make a direct parasite

1:25:35.520 --> 1:25:39.000
<v Speaker 4>like metaphorical shift here to understand the film. But it

1:25:39.080 --> 1:25:40.800
<v Speaker 4>is interesting is if you watch it more than one

1:25:40.800 --> 1:25:42.880
<v Speaker 4>time to kind of start to make these connections. But

1:25:42.920 --> 1:25:46.519
<v Speaker 4>they're having a great time until the old housekeeper comes

1:25:46.560 --> 1:25:51.000
<v Speaker 4>back because she has left something in the house that

1:25:51.120 --> 1:25:53.599
<v Speaker 4>is directly tied to the basement room that we've seen

1:25:54.439 --> 1:25:58.519
<v Speaker 4>with all the plumb extract and equipment and you know,

1:25:58.600 --> 1:26:02.479
<v Speaker 4>just stuff that this family has. And I gotta say,

1:26:02.520 --> 1:26:04.800
<v Speaker 4>when she comes back, all hell breaks loose.

1:26:06.160 --> 1:26:06.920
<v Speaker 1>What does it?

1:26:08.120 --> 1:26:12.679
<v Speaker 4>The movie shifts into something remarkable, and then the family

1:26:12.760 --> 1:26:16.360
<v Speaker 4>comes back because it's been raining and they're like, they

1:26:16.400 --> 1:26:20.720
<v Speaker 4>give an eight minute eta, So now everyone is trying

1:26:20.760 --> 1:26:23.000
<v Speaker 4>to like clean up their drunken mess, deal with this

1:26:23.040 --> 1:26:26.080
<v Speaker 4>housekeeper that's come back and all the shit that she's

1:26:26.120 --> 1:26:27.679
<v Speaker 4>bringing into the end of the fray.

1:26:28.360 --> 1:26:29.839
<v Speaker 3>They're hiding under the table.

1:26:29.960 --> 1:26:33.080
<v Speaker 4>They're like, it's just I don't want to go beyond

1:26:33.080 --> 1:26:37.200
<v Speaker 4>that point to describe this film because it will ruin

1:26:37.360 --> 1:26:40.640
<v Speaker 4>the movie for you. Just know that when the housekeeper

1:26:40.680 --> 1:26:46.040
<v Speaker 4>comes back, all hell breaks loose and you will find

1:26:46.080 --> 1:26:52.639
<v Speaker 4>yourself questioning who the parasite really is in this movie.

1:26:52.880 --> 1:26:56.080
<v Speaker 4>And I don't think that wealth prevents you from being parasitic.

1:26:57.040 --> 1:26:59.799
<v Speaker 4>But it's just stunning. It's a masterpiece. It's a stunning,

1:27:00.080 --> 1:27:05.120
<v Speaker 4>stunning movie. Incredible topic, incredible presentation. I could obviously talk

1:27:05.160 --> 1:27:07.519
<v Speaker 4>about it forever. It is also over to Both of

1:27:07.560 --> 1:27:09.160
<v Speaker 4>our movies are almost two and a half hours long,

1:27:09.200 --> 1:27:12.360
<v Speaker 4>so you're in for like a five hour masterclass on

1:27:12.960 --> 1:27:16.040
<v Speaker 4>wealth disparity if you watch both of them back to back.

1:27:16.400 --> 1:27:18.200
<v Speaker 4>But I fucking love it. I love this movie. I

1:27:18.240 --> 1:27:21.760
<v Speaker 4>think everyone should watch it multiple times and different times

1:27:21.760 --> 1:27:22.200
<v Speaker 4>in their life.

1:27:22.280 --> 1:27:23.120
<v Speaker 3>It's stunning.

1:27:23.640 --> 1:27:28.880
<v Speaker 1>Yeah, I mean it won the Oscar, it won everything. Yeah,

1:27:28.920 --> 1:27:31.479
<v Speaker 1>like and was the first am I wrong? It was

1:27:31.520 --> 1:27:34.480
<v Speaker 1>the first South Korean film to ever win Best Pictures.

1:27:34.760 --> 1:27:39.240
<v Speaker 1>I mean this, You can't really, honestly, you cannot overstress

1:27:39.240 --> 1:27:43.559
<v Speaker 1>the importance of how this movie, like this was a

1:27:43.600 --> 1:27:49.080
<v Speaker 1>period I think too where South Korean culture was coming

1:27:49.240 --> 1:27:52.519
<v Speaker 1>into America in a huge way, you know, because it

1:27:52.560 --> 1:27:54.600
<v Speaker 1>wasn't just parasite. It was like, you know obviously like

1:27:54.600 --> 1:27:57.920
<v Speaker 1>stuff like BTS and Squid Game and you know, K

1:27:58.200 --> 1:28:01.240
<v Speaker 1>dramas and you know, all this stuff was coming. But

1:28:01.360 --> 1:28:04.280
<v Speaker 1>this movie kind of to me when it won the

1:28:04.280 --> 1:28:09.400
<v Speaker 1>Oscar felt like, okay, like now we're in this cultural

1:28:09.479 --> 1:28:13.080
<v Speaker 1>moment where you know, these kind of self created exports

1:28:13.120 --> 1:28:16.320
<v Speaker 1>are now coming in America and getting like critical acclaim

1:28:16.479 --> 1:28:19.320
<v Speaker 1>and it, you know, which is very interesting to.

1:28:19.280 --> 1:28:20.680
<v Speaker 3>Me, you know, And.

1:28:22.160 --> 1:28:26.040
<v Speaker 2>I think obviously like this movie is saying a lot

1:28:26.080 --> 1:28:29.200
<v Speaker 2>about class in this very specific, you know, time period

1:28:29.200 --> 1:28:30.920
<v Speaker 2>that we're living in, I think we're still living in.

1:28:31.600 --> 1:28:34.920
<v Speaker 2>And there's so many like little layers to it that

1:28:34.960 --> 1:28:38.800
<v Speaker 2>I just really enjoy it. Like I saw after seeing

1:28:38.800 --> 1:28:40.280
<v Speaker 2>it again, I was like, oh, yeah, this movie is

1:28:40.320 --> 1:28:42.720
<v Speaker 2>really textured, and there's a lot going on here in

1:28:42.760 --> 1:28:45.479
<v Speaker 2>the ways in which like, yeah, how do people like

1:28:45.640 --> 1:28:49.400
<v Speaker 2>navigate class? Because you've got like, you know, the obvious

1:28:49.400 --> 1:28:52.720
<v Speaker 2>story where it's like, you know, you've got these you know,

1:28:52.920 --> 1:28:56.600
<v Speaker 2>poor people infiltrating this rich family. But then there's the

1:28:56.680 --> 1:29:01.200
<v Speaker 2>old housekeeper and that story and how those people clash

1:29:01.520 --> 1:29:03.719
<v Speaker 2>and you're kind of like, Okay, so now these people

1:29:04.400 --> 1:29:08.240
<v Speaker 2>who are both effectively poor, how do they fight each

1:29:08.280 --> 1:29:11.559
<v Speaker 2>other for the you know, to stay in the lives

1:29:11.600 --> 1:29:12.679
<v Speaker 2>of this rich family.

1:29:12.880 --> 1:29:15.160
<v Speaker 1>And you're just like, yeah, man.

1:29:15.200 --> 1:29:19.519
<v Speaker 3>And it also becomes a really interesting as does your film.

1:29:20.040 --> 1:29:22.400
<v Speaker 4>When you're talking about class, you also can't help but

1:29:22.439 --> 1:29:25.559
<v Speaker 4>talk about power. So it becomes a really interesting study,

1:29:26.240 --> 1:29:31.120
<v Speaker 4>or at least examination of power dynamics as they relate

1:29:31.160 --> 1:29:35.920
<v Speaker 4>to class dynamics. Because someone in the Kim's position gets

1:29:35.960 --> 1:29:39.120
<v Speaker 4>a little bit of money, suddenly they're treating some people

1:29:39.120 --> 1:29:42.240
<v Speaker 4>a little bit differently, or they act a little differently,

1:29:42.360 --> 1:29:45.040
<v Speaker 4>or they kind of start to again aspire to this

1:29:45.200 --> 1:29:47.840
<v Speaker 4>role of wealth to the point where it changes who

1:29:47.840 --> 1:29:49.439
<v Speaker 4>they are and how they treat people.

1:29:49.920 --> 1:29:56.120
<v Speaker 1>Yeah. Yeah, that is a huge topic in my film.

1:29:56.640 --> 1:30:00.760
<v Speaker 4>Oh yeah, which I also loved. I did not know

1:30:00.840 --> 1:30:04.360
<v Speaker 4>anything about your movie when I watched it the first time,

1:30:04.720 --> 1:30:07.080
<v Speaker 4>and I was riveted.

1:30:07.680 --> 1:30:10.080
<v Speaker 1>Yeah, you want to talk about it a little bit.

1:30:10.360 --> 1:30:11.680
<v Speaker 3>I want to talk about it a lot of it.

1:30:12.240 --> 1:30:12.840
<v Speaker 1>A lot of it.

1:30:19.160 --> 1:30:19.559
<v Speaker 3>All right.

1:30:19.680 --> 1:30:26.160
<v Speaker 1>Well, My movie for the theme Eat Oho Riitch is

1:30:26.640 --> 1:30:31.080
<v Speaker 1>from twenty twenty two. It was written and directed by

1:30:31.200 --> 1:30:35.599
<v Speaker 1>Ruben Ausland and it's called Triangle of Sadness.

1:30:35.640 --> 1:30:38.720
<v Speaker 3>Pain for the tickets not better though, So what do

1:30:38.760 --> 1:30:38.960
<v Speaker 3>you do?

1:30:39.600 --> 1:30:42.160
<v Speaker 1>I sell suit, No, it's really funny because you would,

1:30:42.439 --> 1:30:44.120
<v Speaker 1>like you just said that you didn't know anything about

1:30:44.160 --> 1:30:48.599
<v Speaker 1>this movie too, one of the funnest things to figure out. So, okay,

1:30:48.680 --> 1:30:50.599
<v Speaker 1>when I when I first saw this movie, I knew

1:30:50.680 --> 1:30:53.519
<v Speaker 1>it was a Ruben Auslin movie. He did like force

1:30:53.600 --> 1:31:02.120
<v Speaker 1>majeure in this in the Square is may I yeah,

1:31:02.200 --> 1:31:04.439
<v Speaker 1>and like and like to that point, like, you know,

1:31:04.960 --> 1:31:08.639
<v Speaker 1>I think he specifically is a director that's very very

1:31:09.000 --> 1:31:14.760
<v Speaker 1>much making provocative films that are you know, kind of

1:31:15.720 --> 1:31:20.920
<v Speaker 1>addressing class and the economies of people rich and poor.

1:31:21.520 --> 1:31:25.559
<v Speaker 1>And there are some people that I know that think

1:31:25.640 --> 1:31:28.160
<v Speaker 1>that he's you know, like that is kind of like

1:31:28.200 --> 1:31:31.200
<v Speaker 1>an eye rolly, like oh this another Like, especially when

1:31:31.439 --> 1:31:33.760
<v Speaker 1>Triangle of Sadness came out, I had quite a few

1:31:33.760 --> 1:31:37.080
<v Speaker 1>friends who are like, oh, really, like this is so obvious.

1:31:37.160 --> 1:31:41.479
<v Speaker 1>I'm like, listen, I'll take it. I will take the

1:31:42.560 --> 1:31:48.080
<v Speaker 1>deconstruction of you know, capitalism in its modern form right now.

1:31:48.640 --> 1:31:53.040
<v Speaker 1>I spent I've spent the last year listening to K pop.

1:31:53.160 --> 1:31:55.320
<v Speaker 1>Do you think there's any critical thinking happening in that

1:31:55.360 --> 1:32:00.120
<v Speaker 1>world mostly for the most part, like Sabrina Carpenter's and

1:32:00.200 --> 1:32:03.679
<v Speaker 1>the Ariatic Grandees God bless you. But do you think

1:32:03.680 --> 1:32:07.840
<v Speaker 1>that they're deconstructing like class in a very like deep

1:32:08.520 --> 1:32:09.439
<v Speaker 1>and interesting way.

1:32:09.640 --> 1:32:10.519
<v Speaker 3>No, Nope.

1:32:11.080 --> 1:32:12.479
<v Speaker 1>So like let this.

1:32:12.400 --> 1:32:14.240
<v Speaker 2>Guy cook, Okay, what the fuck?

1:32:14.280 --> 1:32:16.439
<v Speaker 1>Why are we getting so caught up? And like, oh,

1:32:16.479 --> 1:32:19.400
<v Speaker 1>it's like so obvious when he's trying to say, like, oh,

1:32:19.439 --> 1:32:22.080
<v Speaker 1>it's like people on a like yeah, there's like nobody

1:32:22.120 --> 1:32:24.000
<v Speaker 1>out here making that kind of shit right now, just

1:32:24.120 --> 1:32:24.960
<v Speaker 1>let me have that.

1:32:25.479 --> 1:32:28.920
<v Speaker 4>Also, the things that Ruben Auslin is focusing on is

1:32:28.960 --> 1:32:32.439
<v Speaker 4>the nuances that go along with that. That is what's

1:32:32.479 --> 1:32:35.200
<v Speaker 4>interesting to me is it's not just its overall statement

1:32:35.320 --> 1:32:39.080
<v Speaker 4>about wealth. He's looking at the nuances and things that

1:32:39.120 --> 1:32:42.519
<v Speaker 4>you can find within yourself that you replicate that could

1:32:42.560 --> 1:32:44.320
<v Speaker 4>eventually make you one of these people.

1:32:44.880 --> 1:32:49.000
<v Speaker 1>Yes, yes, Like this isn't like I know it's that

1:32:49.160 --> 1:32:52.360
<v Speaker 1>super punk rock to be to this movie isn't super

1:32:52.400 --> 1:32:55.160
<v Speaker 1>fucking punk rock. And I trust me, I am capable

1:32:55.240 --> 1:32:58.519
<v Speaker 1>of that type of thinking. But like, sometimes you just

1:32:58.560 --> 1:33:02.120
<v Speaker 1>have to accept the market are doing its like little

1:33:02.600 --> 1:33:05.200
<v Speaker 1>form of resistance and just let it go and move on.

1:33:05.520 --> 1:33:08.240
<v Speaker 1>Like it's at least in the right it's at least.

1:33:08.000 --> 1:33:09.519
<v Speaker 2>Fighting a good fight, you know what I mean, Like

1:33:09.560 --> 1:33:10.600
<v Speaker 2>the exactly.

1:33:10.520 --> 1:33:13.360
<v Speaker 1>Cinophiles with your fucking opinions.

1:33:14.680 --> 1:33:19.640
<v Speaker 4>Anyway, ran over, not for long because we had a

1:33:19.680 --> 1:33:20.599
<v Speaker 4>lot of talk about.

1:33:22.920 --> 1:33:27.160
<v Speaker 1>So yeah, so this is kind of in the trilogy

1:33:27.640 --> 1:33:33.200
<v Speaker 1>about toxic masculinity, which again I will take all day

1:33:33.240 --> 1:33:37.000
<v Speaker 1>long love a takedown of toxic masculinity. Like, I don't

1:33:37.040 --> 1:33:39.439
<v Speaker 1>care if it swings for the fences, it doesn't matter.

1:33:39.479 --> 1:33:44.280
<v Speaker 1>I'm in. So when this movie came out, I didn't

1:33:44.280 --> 1:33:48.160
<v Speaker 1>know anything about it and I just I saw the

1:33:48.160 --> 1:33:50.800
<v Speaker 1>the poster in it was a boat, right, So I thought,

1:33:50.880 --> 1:33:54.599
<v Speaker 1>triangle of sadness? Are they talking about Bermuda triangle? Perhaps?

1:33:54.680 --> 1:33:57.800
<v Speaker 1>I don't know. I didn't know what that meant. But

1:33:58.800 --> 1:34:01.080
<v Speaker 1>the best part is when the opening moments of the

1:34:01.120 --> 1:34:04.240
<v Speaker 1>film where you find out what that means, what is

1:34:04.400 --> 1:34:08.040
<v Speaker 1>that's in reference to, which is so funny. And I

1:34:08.080 --> 1:34:09.960
<v Speaker 1>was like, I didn't even realize that was a thing

1:34:09.960 --> 1:34:13.519
<v Speaker 1>that people said. And what a stupid thing, What.

1:34:13.560 --> 1:34:15.000
<v Speaker 3>A stupid.

1:34:17.439 --> 1:34:20.920
<v Speaker 2>What a stupid phrase for the stupidest thing.

1:34:21.400 --> 1:34:26.240
<v Speaker 1>So the trigle of sadness, if you haven't heard, if

1:34:26.280 --> 1:34:30.320
<v Speaker 1>you've not read the Internet. It's basically a section of

1:34:30.360 --> 1:34:36.639
<v Speaker 1>someone's forehead that makes you look old and shitty where

1:34:36.640 --> 1:34:38.640
<v Speaker 1>they can like botox that shit out and all of

1:34:38.680 --> 1:34:41.599
<v Speaker 1>a sudden, now you're popular and hot. That's base.

1:34:41.800 --> 1:34:42.920
<v Speaker 2>That's basically what it is.

1:34:46.080 --> 1:34:48.240
<v Speaker 1>And it's like an industry term for like I don't know,

1:34:48.360 --> 1:34:51.719
<v Speaker 1>plastic surgeons and models and other people that care about

1:34:51.720 --> 1:34:55.960
<v Speaker 1>that stuff, where it's like basically the old looking part

1:34:56.000 --> 1:34:57.360
<v Speaker 1>of your forehead that you can.

1:34:57.280 --> 1:34:59.960
<v Speaker 3>Fix, which I never heard about until I watched this.

1:35:00.600 --> 1:35:04.120
<v Speaker 1>Yeah. Yeah, And that is kind of the you know,

1:35:04.320 --> 1:35:06.760
<v Speaker 1>the sort of undercurrent of the film, right because you've

1:35:06.800 --> 1:35:11.120
<v Speaker 1>got this model, actually we've got two models. You've got

1:35:11.520 --> 1:35:15.600
<v Speaker 1>the lead of this film, who is played by the

1:35:15.640 --> 1:35:22.760
<v Speaker 1>actor Harris Dickinson. Okay, Harris Dickinson's having a moment right now,

1:35:24.160 --> 1:35:30.400
<v Speaker 1>having a moment culturally but also in my brain. Most recently,

1:35:30.680 --> 1:35:33.599
<v Speaker 1>he there's been a lot of articles about his new

1:35:33.640 --> 1:35:36.559
<v Speaker 1>movie that's coming out with Nicole Kidman called Baby Girl,

1:35:37.960 --> 1:35:42.040
<v Speaker 1>which is supposed to be like an erotic thriller, older woman,

1:35:42.160 --> 1:35:48.519
<v Speaker 1>younger man type of scenario. Gotta say, I will probably

1:35:48.560 --> 1:35:55.160
<v Speaker 1>watch that film. I also recently, because of that press

1:35:55.280 --> 1:35:58.679
<v Speaker 1>junket I suppose that that they're on for this film

1:35:58.760 --> 1:36:01.400
<v Speaker 1>or whatever is happening promotion for the film. I saw

1:36:01.439 --> 1:36:07.800
<v Speaker 1>an interview with Harris Dickinson and Andrew Garfield where he

1:36:07.920 --> 1:36:12.720
<v Speaker 1>reveals that he's an old man skateboarder. Really both they

1:36:12.760 --> 1:36:16.479
<v Speaker 1>both skate, and then because they're old, they now switched

1:36:16.520 --> 1:36:19.840
<v Speaker 1>to surfing because the bodies can't take the you know,

1:36:20.040 --> 1:36:22.479
<v Speaker 1>constant falling on the ground and shit. And I was like,

1:36:22.520 --> 1:36:26.040
<v Speaker 1>did you just tell me that Harris Dickinson is a skateboarder.

1:36:26.120 --> 1:36:28.559
<v Speaker 3>And Andrew Garfield is a skater? I know?

1:36:29.000 --> 1:36:31.360
<v Speaker 1>And they were like the ways in which they're swapping, like,

1:36:31.640 --> 1:36:35.160
<v Speaker 1>you know, like Old Guy Skate Stories. I was like,

1:36:36.160 --> 1:36:38.759
<v Speaker 1>I'm gonna need a moment here, Wait.

1:36:38.640 --> 1:36:41.160
<v Speaker 4>A minute, Old Guy Skate Stories a movie about an

1:36:41.160 --> 1:36:42.280
<v Speaker 4>older woman, younger man.

1:36:42.320 --> 1:36:43.719
<v Speaker 3>I feel like I can make this happen.

1:36:44.320 --> 1:36:47.200
<v Speaker 1>I mean, I'm not saying that I like looked him

1:36:47.280 --> 1:36:50.479
<v Speaker 1>up on the internet for hours one night, ah, but

1:36:50.560 --> 1:36:53.800
<v Speaker 1>I mean honestly, like I remember him. This is the

1:36:53.800 --> 1:36:56.120
<v Speaker 1>first time I ever saw him is in Trial with

1:36:56.240 --> 1:36:58.799
<v Speaker 1>Sadness Sadness, But then he was also in The Iron Claw,

1:36:59.439 --> 1:37:01.760
<v Speaker 1>you know, so I just was like, he's kind of

1:37:01.800 --> 1:37:06.200
<v Speaker 1>in he's in the in the moment. Yeah, he's like

1:37:06.240 --> 1:37:11.200
<v Speaker 1>in his late twenties. He's hot, he's a skateboarder. He's

1:37:11.280 --> 1:37:15.519
<v Speaker 1>now he's gonna be in the you know, the Sleeping

1:37:15.520 --> 1:37:18.040
<v Speaker 1>with Your Intern movie that we're all gonna watch because

1:37:18.040 --> 1:37:22.200
<v Speaker 1>we're horning old people. I don't know, I like him.

1:37:22.320 --> 1:37:25.600
<v Speaker 1>Let's just say that I like him really. So essentially

1:37:25.640 --> 1:37:31.599
<v Speaker 1>in this movie, Harris Dickinson's character is, uh, he's a model,

1:37:31.880 --> 1:37:34.559
<v Speaker 1>and and the thing about it is that I read

1:37:34.560 --> 1:37:39.280
<v Speaker 1>that Ruben Auslin's wife is a fashion photographer, and so

1:37:39.479 --> 1:37:43.120
<v Speaker 1>he has a lot of you know, firsthand knowledge basically

1:37:43.120 --> 1:37:45.960
<v Speaker 1>about that industry and about you know, this concept that

1:37:46.040 --> 1:37:50.679
<v Speaker 1>male models do not make as much money as female models. Right.

1:37:51.320 --> 1:37:55.040
<v Speaker 1>And this is again going back to this concept of

1:37:55.080 --> 1:37:57.559
<v Speaker 1>like the triangle of sadness, the way in which we

1:37:57.640 --> 1:38:01.479
<v Speaker 1>have to like get this you know a or old er,

1:38:01.800 --> 1:38:05.360
<v Speaker 1>you know, unsightly thing away from us, Like we're always

1:38:05.360 --> 1:38:08.679
<v Speaker 1>in this pursuit of being young and beautiful. Right, it's

1:38:08.720 --> 1:38:11.840
<v Speaker 1>like one of the only industries where male males make

1:38:11.920 --> 1:38:12.599
<v Speaker 1>less than women.

1:38:12.840 --> 1:38:13.000
<v Speaker 3>Right.

1:38:13.160 --> 1:38:17.000
<v Speaker 1>And this is like his anxiety is that he's not

1:38:17.600 --> 1:38:20.960
<v Speaker 1>he's basically treated he's kind of in a feminized position

1:38:21.040 --> 1:38:24.000
<v Speaker 1>where he's being treated, you know, in a way in

1:38:24.040 --> 1:38:27.040
<v Speaker 1>his industry that like he's being debased.

1:38:27.080 --> 1:38:28.080
<v Speaker 3>I suppose.

1:38:29.439 --> 1:38:33.719
<v Speaker 1>He's got this beautiful girlfriend who is also a model.

1:38:34.000 --> 1:38:36.200
<v Speaker 1>His name is Karl, her name is Yayah. She's played

1:38:36.200 --> 1:38:42.200
<v Speaker 1>by Charleby Dean, who sadly also passed away very young. Right,

1:38:43.040 --> 1:38:44.639
<v Speaker 1>But that kind of the thing about both of our

1:38:44.680 --> 1:38:50.040
<v Speaker 1>movies this week, right, is like very sad deaths of

1:38:50.080 --> 1:38:51.200
<v Speaker 1>some cast members.

1:38:51.680 --> 1:38:52.560
<v Speaker 3>Yeah.

1:38:52.600 --> 1:38:57.000
<v Speaker 1>And the crazy thing about her she died of sepsis,

1:38:57.040 --> 1:39:00.640
<v Speaker 1>which I almost died of sepsis. So I feel like

1:39:00.680 --> 1:39:04.320
<v Speaker 1>I have something in common with her. And it was

1:39:04.400 --> 1:39:08.240
<v Speaker 1>because and I noticed this in the film. She has

1:39:08.280 --> 1:39:12.760
<v Speaker 1>a scar that I have. Oh, that's right, So she

1:39:13.000 --> 1:39:15.080
<v Speaker 1>I mean, you can see it's kind of noticeable, but

1:39:15.160 --> 1:39:18.360
<v Speaker 1>it's like, you know, basically like a scar that runs

1:39:18.360 --> 1:39:21.680
<v Speaker 1>down the middle of her body. And I read that

1:39:22.080 --> 1:39:25.640
<v Speaker 1>she had her spleen removed many many years ago, and

1:39:25.880 --> 1:39:29.640
<v Speaker 1>because of that, she was more susceptible to like bacterial infections,

1:39:29.680 --> 1:39:32.759
<v Speaker 1>and that's eventually what killed her, is a bacterial affection.

1:39:33.200 --> 1:39:35.760
<v Speaker 1>And so I don't know, like, you know, obviously, like

1:39:35.800 --> 1:39:38.559
<v Speaker 1>anytime I hear somebody having a bacterial affection and almost

1:39:38.640 --> 1:39:40.880
<v Speaker 1>dying from it. I'm like, I feel connected to you

1:39:42.040 --> 1:39:45.760
<v Speaker 1>because I went through it. It was awful, but but yeah,

1:39:45.800 --> 1:39:48.639
<v Speaker 1>she unfortunately passed away and she was only thirty two,

1:39:49.080 --> 1:39:53.880
<v Speaker 1>so good. Yeah, oh, I know, very tragic. But so

1:39:54.040 --> 1:39:58.320
<v Speaker 1>in this film, basically, you know, Carl and Yaya a couple.

1:39:59.080 --> 1:40:02.280
<v Speaker 1>He is clear really try to navigate this relationship where

1:40:02.320 --> 1:40:06.920
<v Speaker 1>she makes more money than him. She is definitely about

1:40:06.920 --> 1:40:10.759
<v Speaker 1>that influencer life. You know, she takes pictures of herself

1:40:11.000 --> 1:40:13.760
<v Speaker 1>or the jokes are like so funny, like you know,

1:40:13.840 --> 1:40:16.040
<v Speaker 1>she's in a restaurant pretending to eat pasta. She did

1:40:16.160 --> 1:40:21.040
<v Speaker 1>eat pasta, And it's also wild because of her status

1:40:21.080 --> 1:40:23.120
<v Speaker 1>as a model slash influencer.

1:40:23.920 --> 1:40:28.720
<v Speaker 4>They're having this interesting discussion about wealth disparity. Yeah, between them,

1:40:28.880 --> 1:40:31.360
<v Speaker 4>the two of them in their industry and just in

1:40:31.400 --> 1:40:32.559
<v Speaker 4>their personal lives.

1:40:33.240 --> 1:40:34.679
<v Speaker 3>And she gets everything for free.

1:40:34.960 --> 1:40:37.559
<v Speaker 4>So her concept of generosity is like, well I gave

1:40:37.600 --> 1:40:39.160
<v Speaker 4>you this shirt, and he's like, you got the shirt

1:40:39.160 --> 1:40:40.680
<v Speaker 4>for free. Well, I took you on this trip. You

1:40:40.760 --> 1:40:43.360
<v Speaker 4>got the trip for free. You're not being as generous

1:40:43.400 --> 1:40:45.719
<v Speaker 4>as you think. Could you make so much more money

1:40:45.800 --> 1:40:49.639
<v Speaker 4>than me that you are never spending yeah.

1:40:49.120 --> 1:40:52.479
<v Speaker 1>And like they have a very uncomfortable conversation at the

1:40:52.479 --> 1:40:55.559
<v Speaker 1>beginning about paying for dinner, you know, where it's obviously

1:40:55.600 --> 1:40:57.240
<v Speaker 1>she makes a lot more money than him, but she

1:40:57.280 --> 1:40:59.320
<v Speaker 1>expects him to pay all the time, and he kind

1:40:59.320 --> 1:41:02.639
<v Speaker 1>of wants, you know, parody between the two of them,

1:41:02.760 --> 1:41:04.639
<v Speaker 1>and she's just kind of like, what, like you gotta

1:41:04.680 --> 1:41:07.639
<v Speaker 1>pay or my boyfriend type of thing. And it just

1:41:07.840 --> 1:41:11.680
<v Speaker 1>really triggers me because I'm like, my whole life has

1:41:11.680 --> 1:41:16.639
<v Speaker 1>been about making my own money. I never want people

1:41:16.640 --> 1:41:18.519
<v Speaker 1>to pay for me. And I think it's just because

1:41:18.560 --> 1:41:23.439
<v Speaker 1>I have this, like, really it's a deep seated self

1:41:23.439 --> 1:41:26.800
<v Speaker 1>sufficiency that sometimes I need to work on. I gotta

1:41:26.920 --> 1:41:29.760
<v Speaker 1>let that shit go. Sometimes you've got to let people

1:41:29.800 --> 1:41:33.200
<v Speaker 1>pay for you. It really it really slightly, you know,

1:41:33.760 --> 1:41:35.920
<v Speaker 1>But in those moments when I watch this film, I'm

1:41:36.000 --> 1:41:39.000
<v Speaker 1>just like, oh God, this is so uncomfortable. Fuck, like,

1:41:39.120 --> 1:41:41.000
<v Speaker 1>get me out of here. I just so that's this

1:41:41.120 --> 1:41:43.559
<v Speaker 1>beginning of the stress. This is when I started getting

1:41:43.560 --> 1:41:45.400
<v Speaker 1>really stressed out about watching this film. Again.

1:41:47.640 --> 1:41:48.679
<v Speaker 3>Was this the text moment?

1:41:49.280 --> 1:41:52.960
<v Speaker 1>No, no, no, The text moment comes, you know, it

1:41:53.040 --> 1:41:56.439
<v Speaker 1>was fairly soon after. So basically, like you alluded to,

1:41:56.840 --> 1:41:59.880
<v Speaker 1>she gets this free cruise on this like luxury yacht,

1:42:00.080 --> 1:42:02.600
<v Speaker 1>you know, and it becomes so the first part is

1:42:02.680 --> 1:42:06.240
<v Speaker 1>kind of about them, you know, sort of navigating their

1:42:06.720 --> 1:42:12.200
<v Speaker 1>model influencer relationship, right, which is obviously very ridiculous to normal.

1:42:11.920 --> 1:42:12.680
<v Speaker 3>People like us.

1:42:12.800 --> 1:42:16.439
<v Speaker 1>Right, then it moves onto the boat, and then the

1:42:16.479 --> 1:42:19.800
<v Speaker 1>boat section is it's all kind of contained universe, because

1:42:19.840 --> 1:42:22.479
<v Speaker 1>then it becomes a sort of like you know, you've

1:42:22.479 --> 1:42:24.240
<v Speaker 1>seen it in a below deck. It's kind of like

1:42:24.280 --> 1:42:27.040
<v Speaker 1>an upstairs downstairs type of feeling, right, because you've got

1:42:27.040 --> 1:42:32.800
<v Speaker 1>like the guests who are all rich, wealthy industrialists and

1:42:32.880 --> 1:42:35.400
<v Speaker 1>models and influencers, and then the people who are working

1:42:35.400 --> 1:42:37.680
<v Speaker 1>for them, and then even beyond that, you've got like

1:42:37.760 --> 1:42:42.120
<v Speaker 1>the the top of deck, and then you've got the below,

1:42:42.240 --> 1:42:45.160
<v Speaker 1>the guts, the yeah, you know, which is like you

1:42:45.240 --> 1:42:47.960
<v Speaker 1>got the white, pretty people who are the staff, you know,

1:42:48.040 --> 1:42:50.000
<v Speaker 1>and then you've got the people working below who clean

1:42:50.040 --> 1:42:53.000
<v Speaker 1>toilets and cook and our mechanics.

1:42:52.439 --> 1:42:55.080
<v Speaker 3>And whatnot, and they're all brown people.

1:42:56.000 --> 1:43:01.519
<v Speaker 1>Listen, all Filipinos down there, all Filipinos. And we'll talk

1:43:01.560 --> 1:43:03.880
<v Speaker 1>about a very important one in just a second, but like,

1:43:04.280 --> 1:43:08.080
<v Speaker 1>so basically, you know, you've got this scenario where all

1:43:08.120 --> 1:43:11.559
<v Speaker 1>of these different people of these different social statuses and

1:43:11.760 --> 1:43:15.519
<v Speaker 1>wealth uh statuses are interacting with each other. Right, So

1:43:17.240 --> 1:43:20.000
<v Speaker 1>what ends up happening is you're just really really honed

1:43:20.040 --> 1:43:22.639
<v Speaker 1>in on the ways in which like rich people suck.

1:43:23.160 --> 1:43:24.800
<v Speaker 1>And this is the this is where I started get

1:43:24.880 --> 1:43:28.320
<v Speaker 1>stressed out. Where there's a scene where Karl and Yaya

1:43:28.400 --> 1:43:31.720
<v Speaker 1>are interacting with it's like much older couple. There's an

1:43:31.760 --> 1:43:36.160
<v Speaker 1>older guy who is kind of this like Russian uh

1:43:36.200 --> 1:43:38.439
<v Speaker 1>shit salesman as he calls himself. He's kind of like

1:43:38.479 --> 1:43:44.480
<v Speaker 1>an industrialist who sells fertilizer and his wife and his girlfriend.

1:43:44.600 --> 1:43:46.400
<v Speaker 1>I believe that's kind of where he's he's on the

1:43:46.439 --> 1:43:49.040
<v Speaker 1>trip with never explained.

1:43:48.560 --> 1:43:49.720
<v Speaker 3>But completely explicit.

1:43:50.200 --> 1:43:54.200
<v Speaker 1>Yeah. Yeah, So you know, these guy and his his

1:43:54.760 --> 1:43:56.479
<v Speaker 1>you know wife and his girlfriend are kind of hanging

1:43:56.479 --> 1:43:58.960
<v Speaker 1>out in the boat. So there's a scene where I

1:43:59.000 --> 1:44:04.400
<v Speaker 1>guess it's his wife is in the pool, yes, and

1:44:05.160 --> 1:44:08.559
<v Speaker 1>she basically is sitting there while this like young fresh

1:44:08.600 --> 1:44:13.360
<v Speaker 1>faced white girl in her you know, sailor's outfit is

1:44:13.400 --> 1:44:17.439
<v Speaker 1>basically pouring her champagne and this woman is basically like,

1:44:17.960 --> 1:44:19.960
<v Speaker 1>you're so wonderful, get in the pool, and she's like,

1:44:20.080 --> 1:44:23.439
<v Speaker 1>I can't. I'm working, and this woman absolutely insists that

1:44:23.479 --> 1:44:24.280
<v Speaker 1>she gets into.

1:44:24.120 --> 1:44:26.679
<v Speaker 3>The pool well and not take no for an answer.

1:44:26.920 --> 1:44:32.360
<v Speaker 1>This scene is so deeply uncomfortable because you're literally watching

1:44:32.400 --> 1:44:35.960
<v Speaker 1>this girl like trying to, you know, basically do her

1:44:36.080 --> 1:44:40.080
<v Speaker 1>job while this woman is forcing her to do something

1:44:40.640 --> 1:44:44.280
<v Speaker 1>that she feels. Is this like a galitarian statement, like oh,

1:44:44.360 --> 1:44:46.679
<v Speaker 1>we're all one, we can all swim in the pool together.

1:44:46.760 --> 1:44:49.800
<v Speaker 1>And this girl is like, absolutely can't do that, and

1:44:49.840 --> 1:44:52.519
<v Speaker 1>you're making me do it because I'm supposed to be

1:44:52.600 --> 1:44:53.240
<v Speaker 1>serving you.

1:44:53.960 --> 1:44:56.080
<v Speaker 3>I'm supposed to say yes to anything you want.

1:44:56.600 --> 1:45:00.400
<v Speaker 1>Yeah, And then it becomes so ridiculous that this woman,

1:45:00.560 --> 1:45:05.000
<v Speaker 1>this older woman, forces the entire boat to go down

1:45:05.040 --> 1:45:05.839
<v Speaker 1>the water slide.

1:45:07.360 --> 1:45:11.120
<v Speaker 4>It is like a death march watching them go towards

1:45:11.120 --> 1:45:14.320
<v Speaker 4>this slide. If not that part made me stressed out too,

1:45:14.360 --> 1:45:18.479
<v Speaker 4>because I'm like, oh, this is not this is this

1:45:18.520 --> 1:45:21.960
<v Speaker 4>is not enjoyable for anyone. And she's you know this,

1:45:21.960 --> 1:45:26.839
<v Speaker 4>this Russian rich woman is getting some sense of pride

1:45:27.080 --> 1:45:31.439
<v Speaker 4>but also generosity that she is the one who's giving

1:45:31.479 --> 1:45:35.519
<v Speaker 4>these hard working people a day, a moment of fun.

1:45:35.760 --> 1:45:38.479
<v Speaker 4>And I'm like, you're actually fucking dinner, You're fucking the

1:45:38.479 --> 1:45:41.719
<v Speaker 4>whole ship, right, nobody wants to be doing this. You're

1:45:41.840 --> 1:45:44.920
<v Speaker 4>forcing this on people because you have enough money to

1:45:45.040 --> 1:45:46.960
<v Speaker 4>take the kind of trip where nobody can say no

1:45:47.000 --> 1:45:47.200
<v Speaker 4>to you.

1:45:47.560 --> 1:45:50.759
<v Speaker 1>Yeah, Like she thinks that she's liberating all these like poor,

1:45:50.800 --> 1:45:54.160
<v Speaker 1>stressed out, working class people, and really she's just ruining

1:45:54.200 --> 1:45:58.559
<v Speaker 1>people's fucking day. So there's so much of that in

1:45:58.600 --> 1:46:01.720
<v Speaker 1>this film, these like little moments that really kind of

1:46:01.760 --> 1:46:04.160
<v Speaker 1>bring up the questions of like, you know, who has

1:46:04.240 --> 1:46:07.719
<v Speaker 1>power in the scenario, you know, who's subservient to others.

1:46:08.280 --> 1:46:11.599
<v Speaker 1>I won't like go super beat by beat because there's

1:46:11.720 --> 1:46:13.760
<v Speaker 1>again it's a long movie, but I will say that

1:46:13.960 --> 1:46:19.519
<v Speaker 1>eventually there's a event that happens on the boat. I

1:46:19.560 --> 1:46:23.120
<v Speaker 1>think it's probably the what it's known for in terms

1:46:23.160 --> 1:46:25.800
<v Speaker 1>of its notoriety of the film, because it's like, you know,

1:46:26.120 --> 1:46:30.400
<v Speaker 1>it involves you know, puking. Let's just say that. But

1:46:30.560 --> 1:46:36.560
<v Speaker 1>basically the boat ends up for several different reasons basically

1:46:37.920 --> 1:46:38.519
<v Speaker 1>well I don't.

1:46:38.360 --> 1:46:41.360
<v Speaker 2>Know, like sole compromised, I don't know.

1:46:41.400 --> 1:46:45.160
<v Speaker 1>It just the whole apparatus gets shut down and it

1:46:45.200 --> 1:46:49.080
<v Speaker 1>forces the third section, where it's essentially kind of like

1:46:49.200 --> 1:46:52.879
<v Speaker 1>Survivor or Lost, where it moves on to like an

1:46:53.000 --> 1:46:57.360
<v Speaker 1>island where there are some members of the boat who

1:46:57.520 --> 1:46:59.640
<v Speaker 1>have washed up on this island and now they have

1:46:59.680 --> 1:47:03.640
<v Speaker 1>to kind of exist together while they wait to be rescued.

1:47:04.360 --> 1:47:07.280
<v Speaker 1>And this is where I think I mean the message

1:47:07.400 --> 1:47:14.960
<v Speaker 1>of how a crisis in environment like the ways in

1:47:15.040 --> 1:47:20.840
<v Speaker 1>which the playing field gets completely leveled class wise, when

1:47:20.880 --> 1:47:23.080
<v Speaker 1>you are at a survival scenario.

1:47:23.040 --> 1:47:26.719
<v Speaker 4>Right, your money doesn't matter, Yes, when it becomes clear

1:47:26.760 --> 1:47:30.839
<v Speaker 4>that money will not save you right, anything right.

1:47:30.880 --> 1:47:35.480
<v Speaker 1>And as it regularly is, the people of the underclass,

1:47:35.520 --> 1:47:40.040
<v Speaker 1>the working class, the poor have the survival skills and

1:47:40.080 --> 1:47:44.439
<v Speaker 1>these rich focks don't have them. Right, absolutely, So there's

1:47:44.479 --> 1:47:52.920
<v Speaker 1>this inversion that happens where this Philipeda salute named Abigail,

1:47:53.200 --> 1:47:55.680
<v Speaker 1>who is played by the actress Dolly de Leon. She

1:47:55.760 --> 1:47:58.760
<v Speaker 1>got a lot of praise for this role when she

1:47:58.880 --> 1:48:02.720
<v Speaker 1>was in it. She was the former toilet manager on

1:48:02.800 --> 1:48:07.160
<v Speaker 1>the yacht and now she's the captain. And when I

1:48:07.320 --> 1:48:12.760
<v Speaker 1>tell you the scene where she cooks the octopus, there's

1:48:12.800 --> 1:48:18.000
<v Speaker 1>a she catches an octopus with her bare fucking hands,

1:48:18.040 --> 1:48:21.280
<v Speaker 1>just like a fucking Filipino. Auntie Wood, by the way,

1:48:21.720 --> 1:48:26.120
<v Speaker 1>like love love that part. She comes back, she cooks

1:48:26.280 --> 1:48:27.360
<v Speaker 1>the octopus.

1:48:27.600 --> 1:48:28.639
<v Speaker 3>She stops fire.

1:48:29.120 --> 1:48:31.280
<v Speaker 1>Oh yeah, she's just and then she's like, all right,

1:48:31.320 --> 1:48:32.800
<v Speaker 1>you get a piece, you get a piece, you get

1:48:32.800 --> 1:48:36.320
<v Speaker 1>a piece. This is for me. And everyone's like what,

1:48:36.400 --> 1:48:38.639
<v Speaker 1>You're not gonna And then you know, her former boss,

1:48:38.840 --> 1:48:40.640
<v Speaker 1>who was kind of like, I don't know, the like

1:48:40.880 --> 1:48:42.920
<v Speaker 1>entertainment director on the boat, is like trying to tell

1:48:42.920 --> 1:48:45.439
<v Speaker 1>her what to do, and she's like, uh uh not here,

1:48:46.040 --> 1:48:48.599
<v Speaker 1>you are not my boss. Here, I'm the captain. And

1:48:48.640 --> 1:48:50.960
<v Speaker 1>she just walks around. It's like she's like looking at everybody.

1:48:51.000 --> 1:48:53.400
<v Speaker 1>She's like, who am I? And they're like the captain

1:48:53.400 --> 1:48:57.080
<v Speaker 1>and she throws some piece of I swear I stood

1:48:57.160 --> 1:49:00.680
<v Speaker 1>up and clapped in the theater. I stood. It was like,

1:49:02.680 --> 1:49:04.000
<v Speaker 1>this is what I want to see. I want to

1:49:04.040 --> 1:49:08.560
<v Speaker 1>see a philippin, a middle aged Filipino woman weaponizing octopus

1:49:08.640 --> 1:49:11.960
<v Speaker 1>and pretzel sticks. This is what I want out of entertainment.

1:49:13.200 --> 1:49:17.960
<v Speaker 1>Oh good period. And but to that point it gets

1:49:18.000 --> 1:49:21.519
<v Speaker 1>further complicated because that's the kind of constant conversation in

1:49:21.560 --> 1:49:26.000
<v Speaker 1>the film. Is that what happens when the power changes, right,

1:49:26.200 --> 1:49:29.240
<v Speaker 1>Because then it becomes this thing where Albigail is now

1:49:29.439 --> 1:49:32.240
<v Speaker 1>the most powerful person on the island. How does she

1:49:32.479 --> 1:49:38.360
<v Speaker 1>navigate that new role sometimes questionably, and it involves you know,

1:49:39.520 --> 1:49:49.360
<v Speaker 1>Carl essentially where his status changes absolutely. And it's just

1:49:49.479 --> 1:49:52.760
<v Speaker 1>such a fascinating film in that way, because again, it

1:49:52.840 --> 1:49:56.559
<v Speaker 1>is doing a lot, it is saying a lot, it's

1:49:56.640 --> 1:50:00.559
<v Speaker 1>creating little pockets of thought in terms of how we

1:50:00.600 --> 1:50:03.759
<v Speaker 1>think about wealth and power and this kind of stuff.

1:50:04.000 --> 1:50:06.320
<v Speaker 1>And I don't know, Like, like I said, I think

1:50:06.320 --> 1:50:09.200
<v Speaker 1>a lot of people when they watch this movie were like, oh,

1:50:09.280 --> 1:50:12.840
<v Speaker 1>how obvious. Yes, we get it. Rich people are bad.

1:50:12.880 --> 1:50:15.200
<v Speaker 1>I'm like, I'll take it. I will at this point.

1:50:15.360 --> 1:50:18.559
<v Speaker 4>And that's not the only commentary that the film is giving. Again,

1:50:18.640 --> 1:50:21.840
<v Speaker 4>it's a real rich it's a very rich text that

1:50:21.880 --> 1:50:25.000
<v Speaker 4>looks at the dynamics of class and power.

1:50:25.720 --> 1:50:27.639
<v Speaker 3>And it's not just rich people are bad.

1:50:27.760 --> 1:50:29.839
<v Speaker 4>It's look at all the ways that we are complicit

1:50:29.880 --> 1:50:31.680
<v Speaker 4>in this world, Look at all the ways that we

1:50:31.760 --> 1:50:33.639
<v Speaker 4>aspire to this, Look at all the ways that this

1:50:33.720 --> 1:50:36.360
<v Speaker 4>is destructive to us, look at all the ways that

1:50:36.439 --> 1:50:38.400
<v Speaker 4>this is You know that you can have someone who's

1:50:38.439 --> 1:50:41.800
<v Speaker 4>doing objectionably horrible things in the world, like they are

1:50:42.040 --> 1:50:47.080
<v Speaker 4>grenade manufacturers, Yeah, trying to present themselves as if they

1:50:47.080 --> 1:50:50.320
<v Speaker 4>are saviors in some way, Like I think it's so much,

1:50:50.360 --> 1:50:52.840
<v Speaker 4>it goes so much beyond rich people are terrible that

1:50:52.880 --> 1:50:55.479
<v Speaker 4>if that's your takeaway from this movie, I don't know

1:50:55.520 --> 1:50:57.000
<v Speaker 4>if we watch the same film.

1:50:57.360 --> 1:51:01.920
<v Speaker 1>Well, yeah, I agree, and like, honestly like the thing

1:51:02.000 --> 1:51:04.280
<v Speaker 1>that unites our movies this week, and part of the

1:51:04.320 --> 1:51:06.960
<v Speaker 1>reason why I felt like it was so stressful is

1:51:07.000 --> 1:51:10.800
<v Speaker 1>the ways in which poor people have a desperation in

1:51:10.840 --> 1:51:14.479
<v Speaker 1>their lives that rich people just don't like. People who

1:51:14.479 --> 1:51:19.920
<v Speaker 1>are extremely wealthy have no idea what it's like to

1:51:20.080 --> 1:51:23.599
<v Speaker 1>be not on top. They just don't have the skill set,

1:51:23.640 --> 1:51:28.200
<v Speaker 1>they don't have the understanding. And the problem really becomes

1:51:28.240 --> 1:51:33.200
<v Speaker 1>when we're all subject to this dynamic, right because we're

1:51:33.240 --> 1:51:37.639
<v Speaker 1>all infighting. We're all infighting trying to get on their level.

1:51:38.400 --> 1:51:42.040
<v Speaker 4>There's also this message in the film, this subtext in

1:51:42.080 --> 1:51:45.400
<v Speaker 4>the film, I will say, which is about equality and

1:51:45.800 --> 1:51:48.080
<v Speaker 4>how in several points in the film and the modeling

1:51:48.120 --> 1:51:51.599
<v Speaker 4>on the yacht and beyond, there's this notion of the

1:51:51.640 --> 1:51:55.679
<v Speaker 4>most rich and powerful people insisting that everyone is equal

1:51:55.840 --> 1:51:58.640
<v Speaker 4>in this world. Yeah, and the lie that you have

1:51:58.680 --> 1:52:02.000
<v Speaker 4>to tell yourself to believe that is astounding. Yeah, Like,

1:52:02.080 --> 1:52:04.719
<v Speaker 4>while you are enacting all of these privileges of wealth

1:52:05.200 --> 1:52:08.760
<v Speaker 4>and power and insisting that we are equal, which is

1:52:08.800 --> 1:52:12.760
<v Speaker 4>what keeps us fighting with each other right instead of them.

1:52:13.360 --> 1:52:17.519
<v Speaker 4>Is this revelation that you or this notion that well,

1:52:17.520 --> 1:52:19.040
<v Speaker 4>we're not too different from each other.

1:52:19.080 --> 1:52:21.960
<v Speaker 3>You could become me, I could become you, And it's

1:52:22.040 --> 1:52:22.559
<v Speaker 3>not true.

1:52:22.640 --> 1:52:25.320
<v Speaker 4>You are closer to being poor and on the street

1:52:25.360 --> 1:52:27.600
<v Speaker 4>than you will ever be to being a millionaire or

1:52:27.640 --> 1:52:28.320
<v Speaker 4>a billionaire.

1:52:28.840 --> 1:52:32.080
<v Speaker 1>If burken bags make you actually happy, like if you

1:52:32.160 --> 1:52:34.080
<v Speaker 1>go to bed every night thinking about your broken bag

1:52:34.120 --> 1:52:35.519
<v Speaker 1>and being like, man, I'm so glad to have that back.

1:52:35.560 --> 1:52:39.320
<v Speaker 1>It's really great. Quality holds all my things, It's beautiful.

1:52:39.760 --> 1:52:40.920
<v Speaker 1>I love it.

1:52:41.080 --> 1:52:41.640
<v Speaker 3>Fine.

1:52:41.880 --> 1:52:44.679
<v Speaker 1>It's more just about the promotion of this like fucking

1:52:44.960 --> 1:52:48.840
<v Speaker 1>rich lifestyle on you know, social media, and like, you know,

1:52:49.880 --> 1:52:52.080
<v Speaker 1>just basically the flex of it. The flex of it

1:52:52.160 --> 1:52:55.280
<v Speaker 1>is what makes people feel like shit. And there are

1:52:55.320 --> 1:52:58.840
<v Speaker 1>people who are just literally like making money, being able

1:52:58.880 --> 1:53:02.120
<v Speaker 1>to flex wealth. And then that's what's I feel like,

1:53:02.200 --> 1:53:04.840
<v Speaker 1>at least, you know, you know my take of it,

1:53:04.840 --> 1:53:09.280
<v Speaker 1>it's it's creating the weird moment of being like loving

1:53:09.400 --> 1:53:11.840
<v Speaker 1>rich people and wanting to see the kind of shit

1:53:11.920 --> 1:53:15.040
<v Speaker 1>that they own, and then hating them and wishing you know,

1:53:15.240 --> 1:53:16.280
<v Speaker 1>it was different. I don't know.

1:53:16.720 --> 1:53:19.519
<v Speaker 3>It's a losing game of thoughts. Yeah, it's a losing game.

1:53:19.920 --> 1:53:20.120
<v Speaker 1>Yeah.

1:53:20.160 --> 1:53:22.880
<v Speaker 4>One thing that's that's stunning to me about the four

1:53:22.960 --> 1:53:25.320
<v Speaker 4>years we've been doing this podcast is that apparently I'm

1:53:25.320 --> 1:53:27.639
<v Speaker 4>a socialist, who.

1:53:27.479 --> 1:53:28.639
<v Speaker 2>Are Marx's queen?

1:53:28.880 --> 1:53:29.080
<v Speaker 1>Right?

1:53:29.600 --> 1:53:31.600
<v Speaker 3>Apparently apparently.

1:53:32.200 --> 1:53:34.559
<v Speaker 1>Look, I I'm here for it all day, every day.

1:53:34.720 --> 1:53:37.400
<v Speaker 2>I mean, you know, I got that fucking I got

1:53:37.400 --> 1:53:39.200
<v Speaker 2>that punk fire in me too, you know.

1:53:39.640 --> 1:53:43.479
<v Speaker 3>But what a fucking great week, what a week? Stoke

1:53:43.600 --> 1:53:44.120
<v Speaker 3>that fire?

1:53:44.760 --> 1:53:47.280
<v Speaker 1>Okay, I know it's like, you know, we're on the

1:53:47.280 --> 1:53:48.960
<v Speaker 1>final stretch here of the podcast. But if you want

1:53:48.960 --> 1:53:50.320
<v Speaker 1>to email us, we are at A saw she did

1:53:50.320 --> 1:53:53.559
<v Speaker 1>Pot at gmail dot com. We're gonna probably check the

1:53:53.600 --> 1:53:57.599
<v Speaker 1>email for a while after the podcast over, so send

1:53:57.760 --> 1:53:59.400
<v Speaker 1>send us messages at least I will. I don't know

1:53:59.439 --> 1:54:01.960
<v Speaker 1>what you're gonna be doing. You're gonna be like that's it.

1:54:02.280 --> 1:54:04.920
<v Speaker 3>I care. I don't know either.

1:54:04.960 --> 1:54:07.360
<v Speaker 4>Make no promises, but if you want to, you can

1:54:07.360 --> 1:54:09.240
<v Speaker 4>find us on our social media. We are at I

1:54:09.280 --> 1:54:12.120
<v Speaker 4>saw Pot on Instagram, Blue Sky and Twitter. You can

1:54:12.160 --> 1:54:14.280
<v Speaker 4>leave us messages, like I said, like Millie said, we

1:54:14.320 --> 1:54:17.200
<v Speaker 4>will check them for a while after the show itself

1:54:17.280 --> 1:54:21.200
<v Speaker 4>is over, and we might still have merch. If we

1:54:21.240 --> 1:54:23.400
<v Speaker 4>still have merch in the in the exactly right store,

1:54:23.479 --> 1:54:26.679
<v Speaker 4>go snap it up, because that's it, exactly rightstore dot

1:54:26.720 --> 1:54:27.639
<v Speaker 4>com to find it.

1:54:27.960 --> 1:54:28.439
<v Speaker 3>That's right.

1:54:29.280 --> 1:54:32.880
<v Speaker 1>Okay, So for our next episode, we're just gonna have

1:54:32.920 --> 1:54:36.160
<v Speaker 1>some fun. There are There is no homework, There is

1:54:36.240 --> 1:54:41.680
<v Speaker 1>no movies to watch. But come, come with the come

1:54:41.760 --> 1:54:43.320
<v Speaker 1>with the laughs if you want, if you want a

1:54:43.360 --> 1:54:48.120
<v Speaker 1>couple laughs, if you want to go reminisce, Yeah, yeah,

1:54:48.360 --> 1:54:51.360
<v Speaker 1>just come come listen. Uh so, yeah, no homework, just

1:54:51.360 --> 1:54:53.800
<v Speaker 1>come listen. Next week we'll be homework next week though,

1:54:54.240 --> 1:54:56.040
<v Speaker 1>oh yeah, the week after there'll be homework. I'm just saying,

1:54:56.040 --> 1:54:58.200
<v Speaker 1>you get a break. You get a little break, which

1:54:58.240 --> 1:55:04.920
<v Speaker 1>is nice. Danielle, my Marxist queen. A fucking pleasure doing

1:55:04.920 --> 1:55:05.920
<v Speaker 1>this podcast with you.

1:55:06.360 --> 1:55:08.879
<v Speaker 3>Always a pleasure. Make your money and give it away.

1:55:09.680 --> 1:55:13.920
<v Speaker 1>That's right, give it to me, actually, Mail, I'm.

1:55:13.760 --> 1:55:21.560
<v Speaker 4>Gonna use a device nobeak, bye bye.

1:55:23.840 --> 1:55:26.520
<v Speaker 3>This has been an exactly right production. Our senior producer

1:55:26.560 --> 1:55:30.400
<v Speaker 3>is Casey O'Brien. Episode mixing and theme music by Tom Bryfogel,

1:55:30.680 --> 1:55:32.080
<v Speaker 3>artwork by Garrett Ross.

1:55:32.280 --> 1:55:35.280
<v Speaker 4>Our executive producers are Georgia Hertstart Caring, kil Gareff and

1:55:35.360 --> 1:55:38.400
<v Speaker 4>Daniel Kramer. You can follow us on Instagram and Twitter

1:55:38.440 --> 1:55:41.080
<v Speaker 4>at I Saw pod, and you can email us at

1:55:41.160 --> 1:55:43.000
<v Speaker 4>I Saw What You Did Pod at gmail