1 00:00:03,040 --> 00:00:15,159 Speaker 1: Dog dog log u gog, she's sheen. I'm me no ma, 2 00:00:15,880 --> 00:00:18,080 Speaker 1: not my ny yo yo? 3 00:00:19,680 --> 00:00:22,079 Speaker 2: What is your child in Trada? 4 00:00:22,840 --> 00:00:30,760 Speaker 1: I am a cook, choky. What's going down before round? 5 00:00:39,800 --> 00:00:41,559 Speaker 1: Welcome to Like a Virgin, the show where we give 6 00:00:41,640 --> 00:00:44,800 Speaker 1: yesterday's pop culture today's takes. I'm Ra's domin, I'm Fran 7 00:00:44,880 --> 00:00:48,559 Speaker 1: Torodo and Fran. If I see your goddamn elf bar, 8 00:00:49,440 --> 00:00:52,519 Speaker 1: I'm going to piss all over your bed in our 9 00:00:52,520 --> 00:00:56,160 Speaker 1: fire Island house. You should, I mean, look, we at 10 00:00:56,320 --> 00:00:58,000 Speaker 1: Like a Virgin. And I did notice that you gave 11 00:00:58,040 --> 00:00:59,600 Speaker 1: yourself the only king bed in the house. 12 00:01:00,720 --> 00:01:02,760 Speaker 3: Yeah, I gave myself the only king bed in the house, 13 00:01:02,960 --> 00:01:05,360 Speaker 3: you betcha. I've been doing a lot of labor to 14 00:01:05,520 --> 00:01:08,320 Speaker 3: earn that you have, and I think we are all 15 00:01:08,319 --> 00:01:11,360 Speaker 3: in agreement there. You are welcome to share the king 16 00:01:11,360 --> 00:01:13,360 Speaker 3: bed with me anytime you want, rose if you want 17 00:01:13,360 --> 00:01:14,080 Speaker 3: to come cuddles, so. 18 00:01:14,080 --> 00:01:16,399 Speaker 1: Maybe i'll maybe I'll sneak in there for a little 19 00:01:16,480 --> 00:01:17,720 Speaker 1: cuddle at some point. 20 00:01:19,440 --> 00:01:22,520 Speaker 3: I'm so well wait, I just have to say once again, 21 00:01:22,640 --> 00:01:25,160 Speaker 3: we at Loretta LLC do not endorse elf bars. 22 00:01:25,160 --> 00:01:26,319 Speaker 1: They are nasty and disgusting. 23 00:01:26,360 --> 00:01:28,679 Speaker 3: I'm throwing this one away and replacing it with the 24 00:01:28,720 --> 00:01:31,080 Speaker 3: three packs of camel crushes Rose will be bringing to 25 00:01:31,200 --> 00:01:35,360 Speaker 3: fire ifolate. Well, apparently camel crushes have been like outlawed 26 00:01:35,440 --> 00:01:38,319 Speaker 3: or something, which is great, but all can't buy them anymore. 27 00:01:38,640 --> 00:01:40,720 Speaker 3: But I'm pretty sure I can hunt down a pack 28 00:01:40,800 --> 00:01:42,600 Speaker 3: or two in at a bodega somewhere. 29 00:01:42,680 --> 00:01:43,399 Speaker 1: I'm pretty sure. 30 00:01:43,240 --> 00:01:45,280 Speaker 3: They've been outlawed for that for a similar reason that 31 00:01:45,360 --> 00:01:47,120 Speaker 3: elf bars have been out lot, which is like you're 32 00:01:47,160 --> 00:01:51,640 Speaker 3: not allowed to have flavored nicotine available in certain stores 33 00:01:51,720 --> 00:01:54,560 Speaker 3: or places. I know that that was definitely specific to California, 34 00:01:54,640 --> 00:01:56,400 Speaker 3: but it sounds like New York is on that is 35 00:01:56,440 --> 00:01:56,680 Speaker 3: on that. 36 00:01:57,960 --> 00:01:58,200 Speaker 4: Well. 37 00:01:58,240 --> 00:02:00,880 Speaker 1: Also, something I've noticed is so since I moved back 38 00:02:00,920 --> 00:02:03,840 Speaker 1: to New York, I've been buying weed from the smoke 39 00:02:03,880 --> 00:02:07,720 Speaker 1: shops around me in Brooklyn because you know, like since decriminalization, 40 00:02:08,000 --> 00:02:11,160 Speaker 1: like you just like that has been a thing. And 41 00:02:12,600 --> 00:02:15,320 Speaker 1: last week, the week before before I went out of town, 42 00:02:15,680 --> 00:02:18,399 Speaker 1: I went to to smoke shops near me to try 43 00:02:18,400 --> 00:02:23,359 Speaker 1: to buy weed, and both of them didn't have it, 44 00:02:23,400 --> 00:02:26,160 Speaker 1: And I'm like, oh, is like did something change? 45 00:02:26,280 --> 00:02:26,639 Speaker 4: Are they? 46 00:02:27,080 --> 00:02:29,520 Speaker 3: It's about going to a specific bodega. You have to 47 00:02:29,560 --> 00:02:34,280 Speaker 3: know a specific guy, a specific specific deal a specific. 48 00:02:34,320 --> 00:02:38,359 Speaker 1: These were my specific places. They always had they always 49 00:02:38,360 --> 00:02:41,400 Speaker 1: had weed, they had pre rolls, and now they don't. Well, no, 50 00:02:41,440 --> 00:02:43,760 Speaker 1: they know they had everything. They had pre rolls, gummies, 51 00:02:43,800 --> 00:02:47,959 Speaker 1: flower vabes, everything. That's kind of wow. So I guess 52 00:02:48,000 --> 00:02:50,919 Speaker 1: I'm gonna have to go back to like my old 53 00:02:51,280 --> 00:02:54,560 Speaker 1: delivery service, like drug dealers that I used to buy 54 00:02:54,560 --> 00:02:57,880 Speaker 1: weed from, which feels so like vintage. 55 00:02:58,000 --> 00:03:00,000 Speaker 3: Can I be a snob real quick? In the world 56 00:03:00,040 --> 00:03:05,919 Speaker 3: weed buying territory? I became a stoner in California. We 57 00:03:05,919 --> 00:03:12,080 Speaker 3: were spoiled, rotten baby. The weed over there is phenom on. 58 00:03:12,040 --> 00:03:12,680 Speaker 4: A different level. 59 00:03:14,840 --> 00:03:15,280 Speaker 1: Yeah. 60 00:03:15,560 --> 00:03:18,880 Speaker 3: I literally came back to New York trying to ditch 61 00:03:18,960 --> 00:03:21,400 Speaker 3: my weed habit, and New York made. 62 00:03:21,280 --> 00:03:25,120 Speaker 1: It so easy because the weed here is ship. 63 00:03:25,160 --> 00:03:27,920 Speaker 3: Compared to what I'm smoking in LA And that is 64 00:03:27,960 --> 00:03:31,240 Speaker 3: like on one level, it's like all the dealers, all 65 00:03:31,280 --> 00:03:34,720 Speaker 3: the places only have hybrids, and these hybrids are probably 66 00:03:35,240 --> 00:03:37,440 Speaker 3: the crumbles left over from whatever they're doing. 67 00:03:37,920 --> 00:03:39,400 Speaker 1: They're making me feel groggy. 68 00:03:39,560 --> 00:03:42,440 Speaker 3: They're not giving any sort of lyft, they don't feel 69 00:03:42,440 --> 00:03:46,040 Speaker 3: like anything special or different, Like it's just not the same. 70 00:03:47,120 --> 00:03:49,360 Speaker 1: So if anybody all this to say, if you are 71 00:03:49,400 --> 00:03:52,680 Speaker 1: like a if you're like a boutique millennial weed business 72 00:03:52,680 --> 00:03:55,600 Speaker 1: and you want to send us something, yes, stuff please do. 73 00:03:55,720 --> 00:03:58,200 Speaker 3: Or if you are flying from LA and visiting New York, 74 00:03:58,240 --> 00:04:02,080 Speaker 3: you can please bring me. Oh please, I keep forgetting 75 00:04:02,280 --> 00:04:05,440 Speaker 3: that that I want to ask people coming in from 76 00:04:05,560 --> 00:04:06,080 Speaker 3: LA to do that. 77 00:04:06,120 --> 00:04:08,840 Speaker 1: Actually, Laala is coming back here later this month. Oh 78 00:04:09,000 --> 00:04:10,720 Speaker 1: ask her to bring me some week. I make myself 79 00:04:10,760 --> 00:04:14,560 Speaker 1: a little mental notation that I'll absolutely forget because we 80 00:04:14,640 --> 00:04:18,359 Speaker 1: know that I have the memory of a calender, Goleander. 81 00:04:18,560 --> 00:04:21,440 Speaker 1: That's really funny, you know what I do remember, even 82 00:04:21,480 --> 00:04:24,560 Speaker 1: though it's now been a week since it came out, 83 00:04:24,760 --> 00:04:27,440 Speaker 1: was the most recent episode to us of and just 84 00:04:27,560 --> 00:04:29,960 Speaker 1: like that Virgins, I know that you're listening to this 85 00:04:30,120 --> 00:04:33,560 Speaker 1: on a Thursday and a new episode has already come out, 86 00:04:33,600 --> 00:04:35,760 Speaker 1: So this is very much old news at this point. 87 00:04:35,800 --> 00:04:38,280 Speaker 1: But this is just how our release schedule works. And 88 00:04:38,400 --> 00:04:42,440 Speaker 1: since our Patreon episode this week was the recording of 89 00:04:42,440 --> 00:04:44,520 Speaker 1: our live show, which you should definitely go listen to 90 00:04:44,880 --> 00:04:49,359 Speaker 1: patreon dot com slash like a Virgin, we thought that 91 00:04:49,400 --> 00:04:51,719 Speaker 1: we would move that and just like that discussion to 92 00:04:52,360 --> 00:04:55,599 Speaker 1: the main show just for this week and talk about 93 00:04:55,920 --> 00:04:58,240 Speaker 1: what we're thinking of the season so far, so I 94 00:04:58,240 --> 00:05:02,560 Speaker 1: don't know how you felt, but this third episode, I 95 00:05:02,560 --> 00:05:06,680 Speaker 1: thought it was fun. I thought like after the second 96 00:05:06,680 --> 00:05:10,719 Speaker 1: and third episode, I think were somewhat of a return 97 00:05:10,800 --> 00:05:14,679 Speaker 1: to form, ish of giving us a little bit more 98 00:05:15,160 --> 00:05:18,880 Speaker 1: sex and the City vibes. And also something that I 99 00:05:18,920 --> 00:05:21,720 Speaker 1: appreciated is a return to form of Carrie Bradshaw being 100 00:05:21,760 --> 00:05:23,040 Speaker 1: a horrible, annoying person. 101 00:05:23,200 --> 00:05:25,800 Speaker 3: Yes, we love this, this is why we watch. I 102 00:05:25,839 --> 00:05:28,080 Speaker 3: think we forget that, this is why we watch sometimes. 103 00:05:28,400 --> 00:05:32,840 Speaker 3: And I honestly feel like, just as we said before, 104 00:05:33,080 --> 00:05:36,760 Speaker 3: like this season, especially like the kind of first moments 105 00:05:36,839 --> 00:05:39,679 Speaker 3: of the first episode of season two, but also just throughout, 106 00:05:39,680 --> 00:05:41,880 Speaker 3: they're definitely putting sex back into the city and I 107 00:05:41,920 --> 00:05:48,520 Speaker 3: appreciate that, which is why in episode three, this very prolonged, 108 00:05:48,680 --> 00:05:52,080 Speaker 3: belabored plotline about Carrie being able to read the chapter 109 00:05:52,200 --> 00:05:55,919 Speaker 3: of her memoir where Big dies is like, once again, 110 00:05:56,040 --> 00:05:58,760 Speaker 3: like I don't want to watch this, Sorry, I don't, 111 00:05:59,040 --> 00:06:02,279 Speaker 3: I'm sorry, I'm sorry, I'm sorry. I appreciate the writers 112 00:06:02,600 --> 00:06:05,159 Speaker 3: of the show. I appreciate what they're bringing to the show, 113 00:06:05,200 --> 00:06:07,279 Speaker 3: which is a story that is not really relevant to me, 114 00:06:07,440 --> 00:06:09,479 Speaker 3: and that's fine, and I'm sure this will be very 115 00:06:09,520 --> 00:06:12,360 Speaker 3: impactful for people who have had lovers and family members who. 116 00:06:12,240 --> 00:06:12,839 Speaker 1: Have died. 117 00:06:14,960 --> 00:06:17,400 Speaker 4: That said, Wow, you are heartless. 118 00:06:17,400 --> 00:06:19,760 Speaker 1: It's just not fun. It's so unfun. 119 00:06:19,800 --> 00:06:22,599 Speaker 3: And it's the same reason why the other three cast 120 00:06:22,640 --> 00:06:28,919 Speaker 3: members of the show, Seema, LTW and Nya Nya Nya, 121 00:06:29,000 --> 00:06:31,480 Speaker 3: who I fucking hates annoying. 122 00:06:31,520 --> 00:06:34,920 Speaker 1: She's annoying, she's so boring. Get her off the show. 123 00:06:35,120 --> 00:06:36,240 Speaker 1: I'm not watching that. 124 00:06:36,440 --> 00:06:41,200 Speaker 3: LTW is also extremely ancillary, Like she's fabulous, and Seema 125 00:06:41,279 --> 00:06:44,640 Speaker 3: is also fabulous, But when they are cogs in the 126 00:06:44,680 --> 00:06:46,919 Speaker 3: machine of the plot and they are like supporting the 127 00:06:47,040 --> 00:06:50,640 Speaker 3: other girls plot lines, like I am legitimately interested in that. 128 00:06:50,720 --> 00:06:52,960 Speaker 3: And I feel like it's almost problematic of me to 129 00:06:53,000 --> 00:06:56,080 Speaker 3: say that because these are the only characters of color 130 00:06:56,120 --> 00:06:58,560 Speaker 3: that are in support of the very white cast members 131 00:06:58,560 --> 00:06:58,960 Speaker 3: of the show. 132 00:06:59,000 --> 00:07:00,000 Speaker 1: But that's the original show. 133 00:07:00,400 --> 00:07:04,920 Speaker 3: Divas, Like, stop trying to spoon feed of something that 134 00:07:05,480 --> 00:07:10,440 Speaker 3: quite frankly, the writers don't are not qualified to write 135 00:07:10,440 --> 00:07:14,840 Speaker 3: on a lot of the time, Like it doesn't feel 136 00:07:14,880 --> 00:07:18,200 Speaker 3: like any sort of lived in experience for the average 137 00:07:18,200 --> 00:07:20,880 Speaker 3: sex and the city viewer. And I am not hearing 138 00:07:20,920 --> 00:07:24,720 Speaker 3: from any people who are along these kind of backgrounds 139 00:07:24,720 --> 00:07:27,680 Speaker 3: and Margins of these three characters that feel seen in 140 00:07:27,720 --> 00:07:28,960 Speaker 3: any way you know what I mean? 141 00:07:29,680 --> 00:07:33,960 Speaker 1: Yeah, I do know what you mean, and like, excuse 142 00:07:34,040 --> 00:07:36,600 Speaker 1: me for voicing this, but I don't really care about 143 00:07:36,640 --> 00:07:40,480 Speaker 1: that stuff. I care about the show being entertaining to 144 00:07:40,600 --> 00:07:44,160 Speaker 1: the show, the show being the show and it and 145 00:07:44,840 --> 00:07:48,800 Speaker 1: I disagree with you about the Carrie's grief plotline. I 146 00:07:48,800 --> 00:07:52,960 Speaker 1: actually thought that was pretty well done, and I mean 147 00:07:53,240 --> 00:07:57,559 Speaker 1: incredible acting from Sarah Jessca Parker was always like, knocks 148 00:07:57,600 --> 00:07:59,680 Speaker 1: it out of the ballpark on that. But I liked 149 00:08:00,720 --> 00:08:03,880 Speaker 1: that stuff as a vehicle to get us to something 150 00:08:03,880 --> 00:08:06,160 Speaker 1: that I've really been missing for a man, just like that, 151 00:08:06,960 --> 00:08:10,920 Speaker 1: which is Carrie being a shitty person. And this is 152 00:08:11,000 --> 00:08:14,960 Speaker 1: such a byproduct of this thing that has been talked about, 153 00:08:15,320 --> 00:08:18,400 Speaker 1: notably by Kennie Bushnell who wrote the original column that 154 00:08:18,440 --> 00:08:21,120 Speaker 1: the original show is based on, which is that the 155 00:08:22,040 --> 00:08:25,119 Speaker 1: Venn diagram of the characters and the actresses has become 156 00:08:25,160 --> 00:08:29,400 Speaker 1: a circle. And you can see this so much, especially 157 00:08:29,440 --> 00:08:32,280 Speaker 1: with Cynthia Nixon and Sarah Jessica Parker. And I think 158 00:08:32,760 --> 00:08:35,679 Speaker 1: with like with Cynthia Nixon, obviously, it's like about her 159 00:08:35,840 --> 00:08:38,559 Speaker 1: journey with her sexuality and her Queerness and with Sarah 160 00:08:38,640 --> 00:08:43,040 Speaker 1: Jessica Parker, it is really about sanitizing Carrie Bradshaw and 161 00:08:43,080 --> 00:08:47,160 Speaker 1: making her a much more toothless and less edgy character, 162 00:08:47,480 --> 00:08:51,360 Speaker 1: because Carrie was always a mess who made really bad decisions, 163 00:08:51,840 --> 00:08:54,200 Speaker 1: and so much of that has been sanded away to 164 00:08:54,280 --> 00:08:57,839 Speaker 1: make her a nicer person, which is not why I 165 00:08:57,880 --> 00:09:01,200 Speaker 1: watch the show. I want imperfect Carrie who made bad 166 00:09:01,200 --> 00:09:05,120 Speaker 1: decisions and smoked cigarettes. And so this episode where she 167 00:09:05,760 --> 00:09:09,000 Speaker 1: lies about having COVID to get out of doing a 168 00:09:09,000 --> 00:09:11,800 Speaker 1: professional thing and also then to get out of social engagements, 169 00:09:11,800 --> 00:09:15,160 Speaker 1: which relatable. I loved that because it felt like a 170 00:09:15,200 --> 00:09:19,240 Speaker 1: return was exactly Carrie would do. It was exactly something 171 00:09:19,320 --> 00:09:22,280 Speaker 1: Carrie would do, Yes, and I and and then it 172 00:09:22,360 --> 00:09:24,720 Speaker 1: led to her like her going shopping and buying all 173 00:09:24,760 --> 00:09:28,720 Speaker 1: those shoes, like it did I cut a glimpse of 174 00:09:28,760 --> 00:09:31,920 Speaker 1: the Carrie we know and love, and then you know, 175 00:09:32,040 --> 00:09:36,320 Speaker 1: it was just like, those moments are so brief, But 176 00:09:36,520 --> 00:09:39,120 Speaker 1: that's what keeps me watching, and I'm sure that's what 177 00:09:39,200 --> 00:09:42,400 Speaker 1: keeps a lot of people watching because as a whole, 178 00:09:44,120 --> 00:09:45,920 Speaker 1: and you know, I said last week, I'm trying to 179 00:09:45,920 --> 00:09:49,560 Speaker 1: be positive and like blah blah blah, But as a whole. 180 00:09:50,040 --> 00:09:53,400 Speaker 1: I just don't know what this show is because it's 181 00:09:53,440 --> 00:09:59,000 Speaker 1: not Sex and the City and I hate the City. 182 00:09:59,200 --> 00:10:01,920 Speaker 1: It's because it's learning how to edge into our fifties 183 00:10:01,920 --> 00:10:04,559 Speaker 1: in the city. I hate to always be referencing every outfit, 184 00:10:04,640 --> 00:10:06,800 Speaker 1: but like I do love them and they cover the 185 00:10:06,800 --> 00:10:09,040 Speaker 1: show really well. And something they've been saying a lot 186 00:10:09,080 --> 00:10:12,800 Speaker 1: recently is that, especially with all of the kid plot lines, 187 00:10:12,880 --> 00:10:15,120 Speaker 1: and just like that is really feeling like a rated 188 00:10:15,280 --> 00:10:17,440 Speaker 1: Our Modern Family, And. 189 00:10:17,960 --> 00:10:20,360 Speaker 4: Unfortunately that's very true. 190 00:10:20,640 --> 00:10:25,000 Speaker 1: Yeah, and I wish the kids were just not part 191 00:10:25,000 --> 00:10:26,199 Speaker 1: of it, you know, I. 192 00:10:26,720 --> 00:10:31,360 Speaker 3: You know, Hm, Modern Family is like really insulting. I'm 193 00:10:31,360 --> 00:10:35,240 Speaker 3: not gonna lie, but I that's like really really like dirty. 194 00:10:35,360 --> 00:10:36,200 Speaker 3: That's a dirty word. 195 00:10:36,240 --> 00:10:38,079 Speaker 4: But it's a pretty act read it is. 196 00:10:38,200 --> 00:10:40,640 Speaker 3: And I will say really quickly, I wish there was 197 00:10:40,679 --> 00:10:44,600 Speaker 3: another comparison, But like, I actually don't mind a rated 198 00:10:44,679 --> 00:10:51,040 Speaker 3: Our Modern Family if the other three characters weren't so 199 00:10:51,520 --> 00:10:55,120 Speaker 3: distracting at times. And I also wouldn't mind it if 200 00:10:55,200 --> 00:11:00,720 Speaker 3: there was just more r The sex is not the forefront. 201 00:11:00,840 --> 00:11:03,920 Speaker 3: The fun and the Shenanigans and the hygiens is not 202 00:11:04,160 --> 00:11:06,240 Speaker 3: on the forefront as much, which. 203 00:11:06,040 --> 00:11:08,840 Speaker 1: Is why when we get it. It feels so delicious. 204 00:11:10,320 --> 00:11:13,320 Speaker 3: I think that there's something really interesting and funny and 205 00:11:13,440 --> 00:11:17,520 Speaker 3: stupid about Chadeas and Miranda's kind of like, I think, 206 00:11:17,920 --> 00:11:23,200 Speaker 3: very realistic codependency, like when you first become queer and 207 00:11:23,240 --> 00:11:27,680 Speaker 3: you have your first like boyfriend girlfriend they friend like ooh, mama, 208 00:11:27,800 --> 00:11:30,960 Speaker 3: you attach and it's unhealthy, and like I think that 209 00:11:31,040 --> 00:11:33,440 Speaker 3: they're you know, there's a lot in that that I'm 210 00:11:33,520 --> 00:11:35,800 Speaker 3: actually like warming up to and see as like a 211 00:11:35,880 --> 00:11:38,920 Speaker 3: viable plot for the show, especially in comparison to the 212 00:11:39,000 --> 00:11:42,080 Speaker 3: really boring plots. It's just like there's so much time 213 00:11:42,240 --> 00:11:48,640 Speaker 3: taken away from our three girls to support three independent 214 00:11:48,679 --> 00:11:53,760 Speaker 3: plot lines that are so not the show, not because 215 00:11:54,120 --> 00:11:56,240 Speaker 3: the plot isn't but from the show, not because the 216 00:11:56,320 --> 00:12:02,400 Speaker 3: characters aren't for the show, but because they're not about Charlotte, Miranda, 217 00:12:02,440 --> 00:12:03,000 Speaker 3: and Carrie. 218 00:12:03,440 --> 00:12:06,920 Speaker 1: And they're certainly not about Charlotte, who again is the 219 00:12:06,960 --> 00:12:11,040 Speaker 1: most disrespected character on the show. And I'm like making 220 00:12:11,080 --> 00:12:16,160 Speaker 1: her lust after a teenager is just so bizarre, but 221 00:12:16,280 --> 00:12:19,079 Speaker 1: not even in a way where it's like actually transgressive. 222 00:12:19,880 --> 00:12:26,439 Speaker 1: I'm I'm just like so continuously upset by the by 223 00:12:26,679 --> 00:12:29,960 Speaker 1: making Charlotte so small when she is one of the 224 00:12:30,120 --> 00:12:33,040 Speaker 1: few people from the original series. 225 00:12:33,240 --> 00:12:37,679 Speaker 3: I will concede that if Charlotte follows through on lust 226 00:12:37,720 --> 00:12:41,319 Speaker 3: for or for this, like, is it a college student, No. 227 00:12:41,360 --> 00:12:47,359 Speaker 4: He's a high schooler, way seventeen. No, school with our daughter. Yeah. 228 00:12:47,720 --> 00:12:50,600 Speaker 1: No, I thought it was like prep you will block that. 229 00:12:50,960 --> 00:12:51,120 Speaker 5: No. 230 00:12:51,200 --> 00:12:54,000 Speaker 3: I thought it was like prep school. Okay, prep school 231 00:12:54,080 --> 00:12:54,760 Speaker 3: is high school? 232 00:12:54,920 --> 00:12:55,560 Speaker 1: My god. 233 00:12:55,720 --> 00:12:58,000 Speaker 3: I thought like in prep school that they integrate with 234 00:12:58,040 --> 00:13:01,640 Speaker 3: like freshman or something. Whoa No, oh my god. Well, okay, 235 00:13:01,720 --> 00:13:05,080 Speaker 3: so that's really wrong. But also here's the thing. No, no, 236 00:13:05,200 --> 00:13:07,760 Speaker 3: but here's the thing though, it's so wrong that it's 237 00:13:07,800 --> 00:13:10,319 Speaker 3: right for me because Sex and the City and I'm 238 00:13:10,360 --> 00:13:12,360 Speaker 3: not endorsing pedophilia, but Sex and the. 239 00:13:12,320 --> 00:13:14,120 Speaker 1: City has always been wrong. 240 00:13:14,320 --> 00:13:16,800 Speaker 3: They love to go in the direction where it's like 241 00:13:17,200 --> 00:13:19,320 Speaker 3: this is a bad, bad and you know it and 242 00:13:19,400 --> 00:13:20,960 Speaker 3: I know it, and we're gonna do it anyways. 243 00:13:21,000 --> 00:13:23,400 Speaker 1: Like that to me is still Sex and the City. 244 00:13:23,440 --> 00:13:24,960 Speaker 1: That's like funny and stupid. 245 00:13:24,960 --> 00:13:29,680 Speaker 3: It's just kind of humiliating for Charlotte because it doesn't 246 00:13:29,960 --> 00:13:33,880 Speaker 3: need to be high schooler what. Yeah, And it's and 247 00:13:33,920 --> 00:13:36,679 Speaker 3: it's also so out of step with everything that's going 248 00:13:36,720 --> 00:13:38,280 Speaker 3: on in the rest of the show like you're gonna 249 00:13:38,360 --> 00:13:42,800 Speaker 3: give me Cha Pasa and all this fucking representation matters, 250 00:13:43,160 --> 00:13:46,559 Speaker 3: all this representation mattershit and then have Charlotte lusting over 251 00:13:46,600 --> 00:13:49,520 Speaker 3: a seventeen year old Like it's so that's what I 252 00:13:49,559 --> 00:13:51,520 Speaker 3: mean when I say, like I don't get what this 253 00:13:51,600 --> 00:13:55,400 Speaker 3: show is. Well to bring it to Shay to Chay, 254 00:13:54,720 --> 00:13:58,200 Speaker 3: to Shay to Shade all shake ula. 255 00:13:58,880 --> 00:13:59,760 Speaker 1: Shake cool ideas. 256 00:13:59,840 --> 00:14:04,240 Speaker 3: I really feel like now in season two, Chay has 257 00:14:04,320 --> 00:14:09,199 Speaker 3: kind of earned their spot as a bad partner, right, 258 00:14:09,360 --> 00:14:14,640 Speaker 3: Like there is always a kind of series regular, like 259 00:14:14,840 --> 00:14:16,840 Speaker 3: a kind of boyfriend or girlfriend that will like go 260 00:14:16,960 --> 00:14:19,520 Speaker 3: into the show for like three, four or five episodes 261 00:14:19,520 --> 00:14:22,280 Speaker 3: and then come out when it's dysfunctional. For me, Chay 262 00:14:22,360 --> 00:14:25,760 Speaker 3: has now been in too many episodes. But you know, 263 00:14:25,960 --> 00:14:29,080 Speaker 3: if Chay just started to be in this season, I 264 00:14:29,120 --> 00:14:32,040 Speaker 3: would I will happily allow and want to see how 265 00:14:32,080 --> 00:14:36,200 Speaker 3: this is seen out And I am excited for whatever 266 00:14:36,280 --> 00:14:39,960 Speaker 3: happens between them because it does feel interesting and real 267 00:14:40,160 --> 00:14:42,800 Speaker 3: and something that actually feels true to the show. 268 00:14:42,880 --> 00:14:44,320 Speaker 1: I don't know that I agree that Chay is a 269 00:14:44,360 --> 00:14:48,040 Speaker 1: bad partner. Well, I think the show. I think the 270 00:14:48,120 --> 00:14:51,920 Speaker 1: show wants us to think that Chay is asking these 271 00:14:51,960 --> 00:14:54,320 Speaker 1: like really ridiculous things of Miranda. 272 00:14:54,960 --> 00:14:57,160 Speaker 4: But I don't know that I agree. 273 00:14:57,320 --> 00:15:01,000 Speaker 3: Well, I don't think that Chay is asking Miranda for 274 00:15:01,160 --> 00:15:04,280 Speaker 3: some ridiculous things. I just think that Chay is very 275 00:15:04,360 --> 00:15:09,200 Speaker 3: clearly a player, and that in these in this moment 276 00:15:09,240 --> 00:15:12,200 Speaker 3: where they're now starting to have an actual relationship with 277 00:15:12,240 --> 00:15:15,000 Speaker 3: Miranda and learn how to have real intimacy in their life, 278 00:15:15,480 --> 00:15:19,040 Speaker 3: in their life and lives, they're not really in their. 279 00:15:18,800 --> 00:15:22,440 Speaker 4: Lives and they're live. They're alive, honey. 280 00:15:23,280 --> 00:15:26,720 Speaker 3: It really feels like Chay is like has earned their spot. 281 00:15:26,800 --> 00:15:29,400 Speaker 3: It's just like they're not compatible at all. Like Miranda's 282 00:15:29,400 --> 00:15:33,200 Speaker 3: needs and Chay's needs are not compatible periods. So I 283 00:15:33,280 --> 00:15:35,400 Speaker 3: don't see a future where they can work out, which 284 00:15:35,440 --> 00:15:37,400 Speaker 3: is why I'm excited to see how it all goes 285 00:15:37,440 --> 00:15:41,600 Speaker 3: to shit. I don't really love what I'm finding to 286 00:15:41,680 --> 00:15:45,880 Speaker 3: be genuine empathy for Chadas as a character, which feels 287 00:15:46,120 --> 00:15:51,080 Speaker 3: really hamphested and probably a product of sata Amira's involvement, 288 00:15:51,200 --> 00:15:54,040 Speaker 3: if I'm going to be honest, because the character was 289 00:15:54,080 --> 00:15:55,880 Speaker 3: not really well received in season one, and so now 290 00:15:55,880 --> 00:15:58,280 Speaker 3: they're trying to make this character more human and likable, 291 00:15:59,080 --> 00:15:59,840 Speaker 3: which is not working. 292 00:15:59,880 --> 00:16:00,240 Speaker 1: On me. 293 00:16:00,400 --> 00:16:05,200 Speaker 3: Sorry, it's warning that they're there. I'm happy that it's 294 00:16:06,520 --> 00:16:09,520 Speaker 3: it's better than the other three. Are you and I 295 00:16:09,560 --> 00:16:13,720 Speaker 3: as a podcast going to watch the Flash so we 296 00:16:13,760 --> 00:16:15,320 Speaker 3: can talk about it starring as. 297 00:16:15,280 --> 00:16:18,000 Speaker 4: No, I was not planning. I was not planning. 298 00:16:18,120 --> 00:16:20,320 Speaker 3: Do you have any desire to watch it just to 299 00:16:20,440 --> 00:16:23,280 Speaker 3: discuss just for the sake of discussing it, because. 300 00:16:23,080 --> 00:16:25,920 Speaker 1: Apparently I suppose, I suppose good or. 301 00:16:25,880 --> 00:16:28,960 Speaker 3: Something, and I think it's specifically something that you and 302 00:16:29,000 --> 00:16:31,520 Speaker 3: I would want to critique just because of the Azra 303 00:16:31,600 --> 00:16:32,360 Speaker 3: Miller of it all. 304 00:16:32,400 --> 00:16:35,640 Speaker 1: But I don't know. Yeah, yeah, I'm willing to see 305 00:16:35,680 --> 00:16:38,440 Speaker 1: it so that we can talk about it. I don't 306 00:16:38,480 --> 00:16:42,720 Speaker 1: know if it's worth the discussion, because what I've heard 307 00:16:42,800 --> 00:16:45,120 Speaker 1: is either people saying it's amazing, which feels like they 308 00:16:45,120 --> 00:16:49,120 Speaker 1: were paid to say that, or people saying it's suck. 309 00:16:49,680 --> 00:16:56,200 Speaker 1: It's like sucked to mid and that's kind of It 310 00:16:56,320 --> 00:16:59,920 Speaker 1: was also a huge box office flop, Oh it was. 311 00:17:00,200 --> 00:17:02,240 Speaker 1: That's kind of depressing, yes, but also it. 312 00:17:02,240 --> 00:17:04,520 Speaker 4: Was like it was the I think it made the 313 00:17:04,600 --> 00:17:06,240 Speaker 4: least money of any DC movie. 314 00:17:06,240 --> 00:17:09,680 Speaker 3: Okay, actually rejected, that's not depressing. I hope like DC 315 00:17:09,880 --> 00:17:15,080 Speaker 3: learns from this. Tyra voice learn from this anyways. 316 00:17:15,720 --> 00:17:16,879 Speaker 4: I will consider seeing it. 317 00:17:16,960 --> 00:17:20,800 Speaker 3: Speaking of things that aren't really worth discussion, you told 318 00:17:20,800 --> 00:17:23,040 Speaker 3: me that you are maybe going to watch The Bear. 319 00:17:24,560 --> 00:17:27,960 Speaker 4: Yeah, I don't. 320 00:17:28,040 --> 00:17:30,520 Speaker 1: I don't have any particular reason why I haven't watched 321 00:17:30,560 --> 00:17:33,879 Speaker 1: it besides just that like that when the first season 322 00:17:33,920 --> 00:17:36,879 Speaker 1: came out, like the premise was not super compelling to me, 323 00:17:37,000 --> 00:17:39,359 Speaker 1: so I just never watched it. But now as I'm 324 00:17:39,400 --> 00:17:41,679 Speaker 1: hearing more and more people talk about it, I and 325 00:17:41,880 --> 00:17:47,760 Speaker 1: you know, I love Io and that guy from Girls. 326 00:17:47,920 --> 00:17:50,760 Speaker 3: The guy from Girls is so my no spoiler, so 327 00:17:50,800 --> 00:17:53,679 Speaker 3: I've watched almost all of the second season. Now my 328 00:17:53,800 --> 00:17:57,159 Speaker 3: no spoiler kind of pitch to you is that the 329 00:17:57,160 --> 00:18:00,720 Speaker 3: guy from Girls, whatever his name is, is amazing and 330 00:18:01,760 --> 00:18:05,320 Speaker 3: gets this narrative arc that could only be built over 331 00:18:05,320 --> 00:18:08,560 Speaker 3: the course of two full seasons to get you to 332 00:18:08,600 --> 00:18:11,159 Speaker 3: a place with this character where you finally understand what 333 00:18:11,160 --> 00:18:15,080 Speaker 3: they're all about. It's so beautiful and such good TV. 334 00:18:15,119 --> 00:18:18,400 Speaker 3: Writing this show as a whole. The reason I said 335 00:18:18,480 --> 00:18:21,480 Speaker 3: it's like not really worth discussion discussing sometimes is because 336 00:18:21,520 --> 00:18:23,800 Speaker 3: the show is it's just like a good show, like 337 00:18:24,080 --> 00:18:26,639 Speaker 3: and sometimes the show that's like just good is like 338 00:18:26,760 --> 00:18:29,119 Speaker 3: not really interesting to talk about, especially when it's like 339 00:18:29,119 --> 00:18:32,399 Speaker 3: pretty much only about like heterosexual people in it in 340 00:18:32,440 --> 00:18:33,960 Speaker 3: an industry that we have nothing to do with. 341 00:18:35,240 --> 00:18:37,800 Speaker 1: But I could use the show that just like is 342 00:18:37,880 --> 00:18:41,000 Speaker 1: good that I can just kind of speed my way through. 343 00:18:41,240 --> 00:18:47,080 Speaker 3: I'm like, I am currently in the middle of. 344 00:18:45,520 --> 00:18:48,320 Speaker 1: Of binging a series. I'm in the middle of a rewatch. 345 00:18:48,400 --> 00:18:51,840 Speaker 1: I am rewatching queer as Folk the original. 346 00:18:52,160 --> 00:18:55,119 Speaker 3: Whoa wait, we need to do a Queers Folk episode 347 00:18:55,119 --> 00:18:56,680 Speaker 3: because I would love to rewatch that too. 348 00:18:56,720 --> 00:18:58,800 Speaker 1: I would. I mean, I've never seen it. I've never 349 00:18:58,800 --> 00:18:59,680 Speaker 1: seen it. You've never seen it. 350 00:19:00,040 --> 00:19:00,280 Speaker 2: Watch. 351 00:19:00,320 --> 00:19:03,360 Speaker 1: Yes, I've seen the first two episodes. Okay, so we'll 352 00:19:03,400 --> 00:19:05,760 Speaker 1: make that a project. You're gonna watch Queers Folks. I'm 353 00:19:05,760 --> 00:19:08,520 Speaker 1: rewatching it. I'm also finally going to watch the lay same. 354 00:19:08,720 --> 00:19:12,000 Speaker 1: I'm watching this to say all this to say, I 355 00:19:12,040 --> 00:19:15,480 Speaker 1: do want something like The Bear that I feel like 356 00:19:15,520 --> 00:19:20,040 Speaker 1: will be a quick watch. I it is a pretty 357 00:19:20,119 --> 00:19:21,120 Speaker 1: quick I have some I have. 358 00:19:21,119 --> 00:19:23,560 Speaker 4: Some free time this summer, you know, I need something 359 00:19:23,600 --> 00:19:23,840 Speaker 4: to do. 360 00:19:24,160 --> 00:19:28,280 Speaker 3: The show is amazing. I do not recommend a passive watch, 361 00:19:28,320 --> 00:19:30,960 Speaker 3: like don't look at your phone. It's like a really rewarding, 362 00:19:31,200 --> 00:19:32,320 Speaker 3: intentional watch. 363 00:19:32,920 --> 00:19:34,080 Speaker 1: IO is amazing. 364 00:19:34,119 --> 00:19:35,240 Speaker 4: You're saying that I am. 365 00:19:35,320 --> 00:19:38,080 Speaker 1: I am, I mean, I really am. I'm projected. 366 00:19:38,320 --> 00:19:39,640 Speaker 4: Are you practicing what you preach? 367 00:19:39,720 --> 00:19:45,080 Speaker 3: Those No, I'm projecting. IO is amazing. Jeremy ellen White 368 00:19:45,200 --> 00:19:48,520 Speaker 3: is so fine. He okay, wait, we need to bring 369 00:19:48,560 --> 00:19:50,080 Speaker 3: back our oscars. But what did we call it? 370 00:19:50,119 --> 00:19:52,399 Speaker 1: Suck on? He doesn't really do it for me? The 371 00:19:54,080 --> 00:19:56,800 Speaker 1: low dometer? Yeah, how many low? That's what we call it, 372 00:19:56,920 --> 00:20:02,679 Speaker 1: not suck suckometer. The the load ometer can can some 373 00:20:02,960 --> 00:20:07,520 Speaker 1: like enterprising virgin like create likemeter, like a micro site 374 00:20:07,520 --> 00:20:11,720 Speaker 1: with a load ometer or something like, you know, like that. 375 00:20:11,720 --> 00:20:14,399 Speaker 3: Would be so fun. That would be we would absolutely 376 00:20:14,440 --> 00:20:17,400 Speaker 3: post about that. You know, the loadometer is a very 377 00:20:17,440 --> 00:20:19,800 Speaker 3: strong for me. And I shook that you're not into it, 378 00:20:19,840 --> 00:20:25,480 Speaker 3: considering that he is pretty much a kind of he 379 00:20:25,800 --> 00:20:29,760 Speaker 3: is just kind of the poor man's Aaron Taylor Johnson. Yeah, 380 00:20:30,000 --> 00:20:31,680 Speaker 3: working class Aaron Taylor Johnson. 381 00:20:32,000 --> 00:20:32,760 Speaker 4: I'm not into it. 382 00:20:32,840 --> 00:20:35,480 Speaker 1: But speaking of loads, though, you know whose load I 383 00:20:35,520 --> 00:20:41,320 Speaker 1: need Harrison Ford's because I saw the new Indiana Jones 384 00:20:41,400 --> 00:20:45,920 Speaker 1: movie yesterday and he's years old, by the way, Yeah, 385 00:20:46,000 --> 00:20:49,080 Speaker 1: and I and I want to suck him dry until 386 00:20:49,080 --> 00:20:50,399 Speaker 1: he's the crypt keeper. 387 00:20:50,520 --> 00:20:54,240 Speaker 3: Yes, I saw until he's the dried up Mummy at 388 00:20:54,280 --> 00:20:56,320 Speaker 3: the end of Temple of Doom. 389 00:20:56,520 --> 00:20:56,879 Speaker 1: Yeah. 390 00:20:56,920 --> 00:20:57,639 Speaker 4: So here's the thing. 391 00:20:57,640 --> 00:20:59,560 Speaker 1: I don't really get that reference because I don't actually 392 00:20:59,560 --> 00:21:03,159 Speaker 1: know India Jones that well. Like I definitely am like 393 00:21:03,520 --> 00:21:08,240 Speaker 1: Haunted by the Snakes from childhood, but I have never 394 00:21:08,600 --> 00:21:12,240 Speaker 1: rewatched the movies as an adult, and I've probably only 395 00:21:12,280 --> 00:21:14,000 Speaker 1: seen one or two of them. I think I should 396 00:21:14,080 --> 00:21:18,520 Speaker 1: watch Raiders of the Lost Arc again. Maybe I'll do 397 00:21:18,560 --> 00:21:21,040 Speaker 1: that this week. That actually might be a good movie 398 00:21:21,600 --> 00:21:23,880 Speaker 1: to watch on Fire Island if it gets rainy at 399 00:21:23,880 --> 00:21:29,320 Speaker 1: some point. So, you know, but I think I was. 400 00:21:29,520 --> 00:21:32,240 Speaker 1: I felt fine going into this movie with very little 401 00:21:32,240 --> 00:21:34,960 Speaker 1: context because it's like Indiana Jones. He like has a 402 00:21:34,960 --> 00:21:39,760 Speaker 1: whip and doesn't like snakes and like likes adventures. Yeah, 403 00:21:39,800 --> 00:21:41,240 Speaker 1: that was all I needed to know. And then in 404 00:21:41,280 --> 00:21:43,280 Speaker 1: the first twenty minutes of the movie, it takes place 405 00:21:43,840 --> 00:21:47,280 Speaker 1: in like the original timeline of the series, like World 406 00:21:47,280 --> 00:21:50,240 Speaker 1: War two, and they see gi him to look young 407 00:21:50,840 --> 00:21:55,560 Speaker 1: and it's so effective. What and I needed his cock 408 00:21:56,359 --> 00:21:57,720 Speaker 1: and balls. I believe that. 409 00:21:58,000 --> 00:22:01,119 Speaker 3: I believe they did that for the last Ndiana Jones too, 410 00:22:01,200 --> 00:22:05,119 Speaker 3: if I'm not mistaken. This kind of cgi flashback, but 411 00:22:05,160 --> 00:22:08,480 Speaker 3: I don't really remember watching that movie, if I'm completely honest. 412 00:22:08,600 --> 00:22:11,640 Speaker 4: But in this one it looks like it looks real. 413 00:22:11,720 --> 00:22:14,560 Speaker 1: And I'm sure, I'm sure that's really helped by the 414 00:22:14,600 --> 00:22:19,240 Speaker 1: fact that like technology has progressed. And also we have 415 00:22:19,440 --> 00:22:22,760 Speaker 1: so much footage of young Harrison Ford, so it probably 416 00:22:22,960 --> 00:22:25,399 Speaker 1: made it easier. But he was so hot, and then 417 00:22:25,480 --> 00:22:27,680 Speaker 1: also he was hot when he was older too. When 418 00:22:27,720 --> 00:22:31,960 Speaker 1: they flash forward to his like current self, he the 419 00:22:32,040 --> 00:22:36,280 Speaker 1: first scene he's in, he shirtless, and I would lick 420 00:22:36,400 --> 00:22:41,000 Speaker 1: that white, gnarly hair off his chest. Well, on the lodometer, 421 00:22:41,119 --> 00:22:43,640 Speaker 1: who's scoring higher? Old Indiana Jones Are. 422 00:22:43,560 --> 00:22:47,280 Speaker 3: Young Indiana Jones? Yeng okay, I thought so, but you 423 00:22:47,440 --> 00:22:48,520 Speaker 3: can always surprise me. 424 00:22:50,320 --> 00:22:53,240 Speaker 1: Yeah, he's got He's got a nice like eight loads 425 00:22:53,240 --> 00:22:56,080 Speaker 1: on the lotometer. I don't actually know the metrics of 426 00:22:56,080 --> 00:22:57,399 Speaker 1: how the lowdometer works. 427 00:22:57,400 --> 00:22:59,240 Speaker 3: We're going to figure it out, but that's not for 428 00:22:59,320 --> 00:23:01,120 Speaker 3: us to figure out. That's not our job. I think 429 00:23:01,119 --> 00:23:04,359 Speaker 3: it works. I think it works as needed. I haven't 430 00:23:04,440 --> 00:23:07,359 Speaker 3: used the AMC Stubs rewards membership in a while, so 431 00:23:07,600 --> 00:23:10,119 Speaker 3: Indiana Jones is exactly a movie I don't want to 432 00:23:10,160 --> 00:23:12,840 Speaker 3: pay for and therefore will be We'll go and see it. 433 00:23:12,800 --> 00:23:16,119 Speaker 1: But you you definitely should. I also, I hate to 434 00:23:16,160 --> 00:23:20,359 Speaker 1: tell you this, but I have a new film membership 435 00:23:20,400 --> 00:23:25,080 Speaker 1: service that is not AMC stubs, and it's not movie right, 436 00:23:25,119 --> 00:23:29,879 Speaker 1: you're not getting no. I I joined the Alamo Draft House. 437 00:23:30,600 --> 00:23:33,159 Speaker 1: That's good thing because I live so close to the 438 00:23:33,200 --> 00:23:36,720 Speaker 1: Alamo downtown Brooklyn, and because of that, I have seen 439 00:23:36,800 --> 00:23:42,080 Speaker 1: The Little Mermaid four times in theaters work Diva. That's 440 00:23:42,160 --> 00:23:43,840 Speaker 1: so many times. Rose. 441 00:23:43,960 --> 00:23:49,120 Speaker 3: We have so many times Rose. This episode very easily. 442 00:23:49,800 --> 00:23:51,119 Speaker 3: I feel like we say this all the time, but 443 00:23:51,160 --> 00:23:53,560 Speaker 3: this time like we mean it, mean it. This is 444 00:23:53,800 --> 00:23:55,560 Speaker 3: like a virgin hall of fame for us. 445 00:23:56,720 --> 00:24:00,280 Speaker 1: Yes, so this has been a long time coming. It's 446 00:24:00,280 --> 00:24:03,960 Speaker 1: been a long time. On the Lonometer, we are finally 447 00:24:04,119 --> 00:24:06,440 Speaker 1: talking about Lady. 448 00:24:06,240 --> 00:24:09,880 Speaker 3: Gaga, which is why today's episode is probably extra long. 449 00:24:10,480 --> 00:24:13,879 Speaker 3: So you're gonna enjoy it. Okay, you're gonna send through it. 450 00:24:14,280 --> 00:24:15,760 Speaker 3: And it is that long on purpose. 451 00:24:33,840 --> 00:24:38,000 Speaker 1: That's another sense. I am beyond repentense. Fame, hooker, prostitute 452 00:24:38,000 --> 00:24:41,359 Speaker 1: wench vomits our mind. But in the cultural sense, I 453 00:24:41,480 --> 00:24:44,320 Speaker 1: just speak in future tense, Judius. If me as a 454 00:24:44,440 --> 00:24:48,760 Speaker 1: fence to wear ear condom next time, what I want 455 00:24:48,800 --> 00:24:52,320 Speaker 1: to love you. Okay, what is it? Well, it's you 456 00:24:52,600 --> 00:24:59,800 Speaker 1: way from Jesus is my verse, and Judas is the demon. 457 00:24:59,440 --> 00:25:00,160 Speaker 4: A clear. 458 00:25:02,640 --> 00:25:04,800 Speaker 1: I cling to you. 459 00:25:05,119 --> 00:25:10,000 Speaker 3: Speaking those lyrics out loud is such a disorienting word, salad, 460 00:25:10,280 --> 00:25:13,520 Speaker 3: and I have to say here and now today in 461 00:25:13,560 --> 00:25:17,000 Speaker 3: our Gaga episode, it is an episode about first and 462 00:25:17,080 --> 00:25:24,440 Speaker 3: foremost slant rhymes. And this woman will stretch anything into 463 00:25:24,480 --> 00:25:27,439 Speaker 3: a rhyme if she needs to, and more often than not, 464 00:25:28,400 --> 00:25:30,720 Speaker 3: it's giving rhyme zone dot com. 465 00:25:30,920 --> 00:25:35,240 Speaker 1: You know what I mean. Yes, it's giving rhyme zone. 466 00:25:35,440 --> 00:25:37,920 Speaker 1: It's giving she only knows a certain amount of words 467 00:25:39,080 --> 00:25:41,320 Speaker 1: and it's not willing to learn anymore. 468 00:25:41,760 --> 00:25:43,840 Speaker 3: Well, I did tell you that when wait you saw 469 00:25:43,880 --> 00:25:46,160 Speaker 3: CHROMATICA two write the CHROMATICA ball, I did not see 470 00:25:46,160 --> 00:25:48,600 Speaker 3: the chromatical Okay, I did in our in my CHROMATICA 471 00:25:48,640 --> 00:25:51,760 Speaker 3: Ball recap, I did tell you that when Gaga does 472 00:25:51,840 --> 00:25:55,240 Speaker 3: her like intermittent like speaking moments, that she is giving 473 00:25:55,400 --> 00:25:56,760 Speaker 3: talk to text prediction. 474 00:25:57,800 --> 00:26:01,040 Speaker 1: Well, yeah, I mean I think her brain is chat GPT. 475 00:26:01,680 --> 00:26:04,520 Speaker 3: Yeah, yeah, I think with the cocktail that she's on. 476 00:26:04,720 --> 00:26:07,399 Speaker 1: I remember vividly where I was the first time I 477 00:26:07,440 --> 00:26:10,760 Speaker 1: watched the Just Dance music video, which was my introduction 478 00:26:10,920 --> 00:26:16,000 Speaker 1: to Stephanie Germanada. And so it was when I was 479 00:26:16,000 --> 00:26:18,960 Speaker 1: a nanny for Do you know that I used to 480 00:26:19,040 --> 00:26:21,160 Speaker 1: be a nanny for Judy Gold. Have I talked about this. 481 00:26:21,119 --> 00:26:22,919 Speaker 3: Yes, we have or not on the podcast now, But 482 00:26:23,000 --> 00:26:24,679 Speaker 3: I didn't. I didn't know that, and I remember you 483 00:26:24,720 --> 00:26:25,040 Speaker 3: telling me. 484 00:26:25,160 --> 00:26:29,760 Speaker 1: So famed Jewish lesbian comedian Judy Gold is the reason. Well, no, 485 00:26:29,840 --> 00:26:32,199 Speaker 1: she's not the reason why I was going to be 486 00:26:32,200 --> 00:26:35,000 Speaker 1: played a part in the story because she and her 487 00:26:35,280 --> 00:26:38,000 Speaker 1: ex wife lived in the same building. They had different 488 00:26:38,040 --> 00:26:41,040 Speaker 1: apartments in the same building. And one day, this is 489 00:26:41,160 --> 00:26:44,440 Speaker 1: very lesbian, one day the kids were in one apartment 490 00:26:44,480 --> 00:26:46,280 Speaker 1: and I really needed to get away from them, so 491 00:26:46,320 --> 00:26:50,560 Speaker 1: I went to the other apartment and and watched Just 492 00:26:50,680 --> 00:26:53,520 Speaker 1: Dance on my computer. And it was the first time 493 00:26:53,560 --> 00:26:56,680 Speaker 1: I had ever heard of this woman, Lady Gaga. Oh wow, 494 00:26:56,760 --> 00:26:59,400 Speaker 1: And you were doing it, ditching work, ditching work, leaving 495 00:26:59,480 --> 00:27:04,720 Speaker 1: children and endangering them. So I think that really makes sense. 496 00:27:04,800 --> 00:27:07,560 Speaker 3: I honestly, when you had started talking about Judy Gold 497 00:27:07,560 --> 00:27:08,840 Speaker 3: and you were like she, and I thought you were 498 00:27:08,840 --> 00:27:12,040 Speaker 3: gonna say Judy Gold discovered me, and I was like 499 00:27:12,240 --> 00:27:15,080 Speaker 3: work in a way, maybe the same way that Lady 500 00:27:15,119 --> 00:27:16,960 Speaker 3: Starlight discovered Lady Gaga. 501 00:27:17,119 --> 00:27:19,720 Speaker 1: Maybe wait, is that is that is Lady Starlight the 502 00:27:19,840 --> 00:27:22,359 Speaker 1: who's the one? Who's the girl? Oh? No, Lady Lady 503 00:27:22,359 --> 00:27:24,000 Speaker 1: morganas Lena Morgana. 504 00:27:24,160 --> 00:27:28,040 Speaker 3: Lena Morgana and Lady Starlight are two different mythological figures 505 00:27:28,080 --> 00:27:31,160 Speaker 3: in the history the historic retelling of Gaga's story. 506 00:27:31,240 --> 00:27:33,480 Speaker 1: Well there, they're both real people. But one of them's dead. 507 00:27:33,800 --> 00:27:36,840 Speaker 3: Well that I mean Lena Morgana remains to be seen. 508 00:27:37,240 --> 00:27:39,919 Speaker 3: We have not seen the remains. No, Lena Morgana is 509 00:27:40,000 --> 00:27:43,520 Speaker 3: confirmed dead. She fell off a roof. So Lena Morgana 510 00:27:43,840 --> 00:27:46,400 Speaker 3: is this? I can't believe this is how we're starting, 511 00:27:46,480 --> 00:27:48,760 Speaker 3: No talk about this is a perfect way to start 512 00:27:48,880 --> 00:27:52,840 Speaker 3: Lena Moore from the beginning, Lena Morgana was in the 513 00:27:52,880 --> 00:27:56,639 Speaker 3: same circle as Gaga when Gaga was starting out in 514 00:27:56,640 --> 00:27:58,960 Speaker 3: her career. You know the story she always tells about 515 00:27:58,960 --> 00:28:01,679 Speaker 3: how she used to drag her ass over to the 516 00:28:01,720 --> 00:28:06,560 Speaker 3: Bitter End with her keyboard to perform. Lena Morgana was 517 00:28:06,640 --> 00:28:09,800 Speaker 3: doing the same kind of thing as her. But from 518 00:28:09,960 --> 00:28:12,879 Speaker 3: all the accounts we have, Lena Morgana was the one 519 00:28:12,920 --> 00:28:17,719 Speaker 3: who was doing the cuckoo crazy costumes and stuff. But 520 00:28:17,840 --> 00:28:21,800 Speaker 3: she died falling off a roof and according to some people, 521 00:28:21,920 --> 00:28:27,439 Speaker 3: Gaga then sort of appropriated her esthetic and became the 522 00:28:27,480 --> 00:28:31,240 Speaker 3: figure we now know and maybe kilter and maybe kilter. 523 00:28:31,680 --> 00:28:33,679 Speaker 3: I'm I don't know if I actually have heard the 524 00:28:33,720 --> 00:28:36,399 Speaker 3: full tea that is kind of gaggy, but she did. 525 00:28:36,520 --> 00:28:40,040 Speaker 1: She definitely one killed her. There is like, there's no 526 00:28:40,600 --> 00:28:44,440 Speaker 1: I don't know, there's no really, there's a really iconic 527 00:28:45,200 --> 00:28:47,200 Speaker 1: I mean yeah, actually a lot of people on drugs 528 00:28:47,280 --> 00:28:49,480 Speaker 1: fall off roofs all the time. There's a really iconic 529 00:28:49,560 --> 00:28:54,320 Speaker 1: Ayisha erotica song about Lena Morgana that I do want 530 00:28:54,440 --> 00:28:59,720 Speaker 1: to play just a little bit of She murdered her 531 00:29:00,120 --> 00:29:05,720 Speaker 1: Drest in peace to Nina Morgana. Go to hell if 532 00:29:05,800 --> 00:29:08,280 Speaker 1: you did anything Gaga. All right, all right, all right, 533 00:29:08,320 --> 00:29:09,720 Speaker 1: all right, no, no, no way, you have to let 534 00:29:09,800 --> 00:29:11,080 Speaker 1: just listen to the end of the course of course 535 00:29:14,080 --> 00:29:17,440 Speaker 1: I do it. I don't know Lena Morgana had to go. 536 00:29:19,760 --> 00:29:23,240 Speaker 1: My name is Ganga? Incredible? Okay, Well, so. 537 00:29:23,280 --> 00:29:23,640 Speaker 3: What was you? 538 00:29:23,840 --> 00:29:27,800 Speaker 1: What was your like entree into the world of Gaga? 539 00:29:28,760 --> 00:29:32,920 Speaker 3: My entree I was in my kind of maybe junior 540 00:29:32,960 --> 00:29:36,520 Speaker 3: senior year of high school. I was dating my very 541 00:29:36,640 --> 00:29:43,400 Speaker 3: first boyfriend discovering that I'm into homosexuals. 542 00:29:44,040 --> 00:29:49,320 Speaker 1: And not men, just homosexuals kind of yeah, okay, not 543 00:29:49,440 --> 00:29:49,840 Speaker 1: gonna lie. 544 00:29:50,000 --> 00:29:54,640 Speaker 3: Unfortunately, that's somewhat somewhat true. Anyways, it's probably better than 545 00:29:54,720 --> 00:29:57,040 Speaker 3: being into straight men. I'm gonna oh yeah, I actually 546 00:29:57,200 --> 00:29:59,920 Speaker 3: am famously like kind of deterred and turned off by 547 00:30:00,360 --> 00:30:03,560 Speaker 3: straight dudes like a I can admire a straight guy 548 00:30:03,680 --> 00:30:06,480 Speaker 3: the way I could admire like a statue. 549 00:30:06,800 --> 00:30:07,720 Speaker 4: You don't at a museum. 550 00:30:07,880 --> 00:30:11,240 Speaker 1: You don't like porn where they're both straight men, No, like, no, 551 00:30:11,800 --> 00:30:14,840 Speaker 1: if I I only I am only into that, as 552 00:30:14,880 --> 00:30:17,440 Speaker 1: I've discussed in our porn episode. If it's like a 553 00:30:17,600 --> 00:30:23,480 Speaker 1: little if there's some power play Phoebe, Yeah no. 554 00:30:23,880 --> 00:30:26,560 Speaker 3: Not that that actually is not the narrative, but but 555 00:30:26,960 --> 00:30:30,200 Speaker 3: but you know, if there's consent between both parties and 556 00:30:30,240 --> 00:30:33,080 Speaker 3: they both are into power play. Anyways, I'm going back 557 00:30:33,120 --> 00:30:36,440 Speaker 3: to the story. Okay, I love the Rabbit Trail. Though 558 00:30:37,640 --> 00:30:39,800 Speaker 3: I was dating this guy who was had been out 559 00:30:39,840 --> 00:30:42,960 Speaker 3: longer than me. I had just come out, and he 560 00:30:43,360 --> 00:30:43,720 Speaker 3: was like. 561 00:30:45,280 --> 00:30:46,800 Speaker 1: I would. I'm not gonna say he's like he was 562 00:30:46,840 --> 00:30:48,760 Speaker 1: like out and proud, but everybody knew that he was gay. 563 00:30:48,800 --> 00:30:50,280 Speaker 1: He was making jokes about being gay. 564 00:30:50,440 --> 00:30:52,720 Speaker 3: I like it was he was the school fag. He 565 00:30:52,880 --> 00:30:56,080 Speaker 3: wasn't the school fag. He were No, he was in 566 00:30:56,400 --> 00:31:02,040 Speaker 3: a a toxic love quadrangle, gay love quadrangle that I 567 00:31:02,280 --> 00:31:06,080 Speaker 3: became enveloped in when I came out and the four 568 00:31:07,080 --> 00:31:11,320 Speaker 3: the four gays, who about right, and yes, yeah it is. 569 00:31:11,680 --> 00:31:15,080 Speaker 3: Literally I was just a little life, but like seventeen 570 00:31:15,160 --> 00:31:17,960 Speaker 3: year olds, seventeen year old gays being a littler life, 571 00:31:20,840 --> 00:31:32,400 Speaker 3: tiny life, a very small life, and okay, and. 572 00:31:36,000 --> 00:31:38,160 Speaker 1: It was in this toxic love quadrangle. None of this 573 00:31:38,280 --> 00:31:41,040 Speaker 1: I now, I'm just thinking of like a children's show 574 00:31:41,200 --> 00:31:46,080 Speaker 1: called a Littler Life. It's like The Stranger Things Kids. 575 00:31:46,120 --> 00:31:48,880 Speaker 3: It's like still really traumatic and they're all like dying 576 00:31:49,080 --> 00:31:53,920 Speaker 3: and like being sexually abusing. No, oh my god, it's 577 00:31:53,960 --> 00:32:04,240 Speaker 3: like the Babies drama, Anya would Okay, Okay, so none 578 00:32:04,280 --> 00:32:06,120 Speaker 3: of this information is relevant to the story, by the way, 579 00:32:06,800 --> 00:32:09,640 Speaker 3: love quadrangle. Anyways, he was more out and proud like 580 00:32:09,760 --> 00:32:11,920 Speaker 3: than me. And I'm just like at the I was, 581 00:32:12,120 --> 00:32:13,640 Speaker 3: as we all know on the show, living in a 582 00:32:13,680 --> 00:32:17,480 Speaker 3: cultural vacuum and not really in with the kids. I 583 00:32:17,600 --> 00:32:19,680 Speaker 3: was being like, hello, my fellow kids, kind of but 584 00:32:19,760 --> 00:32:23,360 Speaker 3: with actual my fellow kids and not being able to, 585 00:32:23,680 --> 00:32:26,480 Speaker 3: you know, tap into them. But you were wearing a pants, yes, yes, 586 00:32:26,640 --> 00:32:30,120 Speaker 3: And I remember being at a cast party and we 587 00:32:30,320 --> 00:32:33,440 Speaker 3: know the girls popped off at the cast party for 588 00:32:33,520 --> 00:32:38,440 Speaker 3: what show. I don't remember if Christy Dunlinger was there. 589 00:32:39,160 --> 00:32:44,040 Speaker 3: I'm gonna guess it was maybe The Hobbit or maybe 590 00:32:44,400 --> 00:32:45,840 Speaker 3: the Hobbit. Maybe the Hobbit. 591 00:32:45,920 --> 00:32:48,560 Speaker 1: Oh my god, so Lord of the Rings was part 592 00:32:48,640 --> 00:32:49,800 Speaker 1: of your Gaga Awakens. 593 00:32:49,920 --> 00:32:53,000 Speaker 3: Maybe when we were at a cast party and someone 594 00:32:53,120 --> 00:32:56,440 Speaker 3: turned on poker Face, and I don't think it was 595 00:32:56,520 --> 00:32:58,760 Speaker 3: the first time I'd ever heard poker Face, but it 596 00:32:58,840 --> 00:33:02,400 Speaker 3: was definitely the first time ikes burienced poker Face. And 597 00:33:02,520 --> 00:33:06,880 Speaker 3: I remember my boyfriend knowing every single lyric and then 598 00:33:06,960 --> 00:33:10,040 Speaker 3: becoming something of the center of a dance circle moment. 599 00:33:10,800 --> 00:33:14,080 Speaker 3: I know he was white, by the way, and he 600 00:33:14,200 --> 00:33:17,760 Speaker 3: was probably wearing he was probably wearing blue plaid American 601 00:33:17,840 --> 00:33:24,800 Speaker 3: apparel shorts and a polo and like like leather slides, 602 00:33:26,080 --> 00:33:26,640 Speaker 3: nothing more. 603 00:33:28,840 --> 00:33:32,600 Speaker 1: Like canvas thong flip flops is what I was giving. 604 00:33:33,160 --> 00:33:34,520 Speaker 3: And he knew every single word and he was so 605 00:33:34,680 --> 00:33:37,640 Speaker 3: confident he was dancing exactly to poker Vace and he 606 00:33:37,800 --> 00:33:41,760 Speaker 3: was so embodied and so like into thought something. 607 00:33:41,920 --> 00:33:46,120 Speaker 1: Well, yeah, exactly, you thought he was doing something I did. 608 00:33:46,280 --> 00:33:49,280 Speaker 3: I did truly because like I didn't, I never experienced 609 00:33:49,320 --> 00:33:50,000 Speaker 3: Gaga phantom. 610 00:33:50,000 --> 00:33:52,040 Speaker 1: I didn't really know who Gaga was. I wasn't. 611 00:33:52,120 --> 00:33:54,240 Speaker 3: It was all out there, and I think the way 612 00:33:54,280 --> 00:33:56,800 Speaker 3: he channeled it and like the kind of self possession. 613 00:33:57,160 --> 00:33:59,800 Speaker 3: In that very moment, I was just like, oh, like 614 00:34:00,320 --> 00:34:02,640 Speaker 3: this woman is like and everyone was so buzzing. I 615 00:34:02,800 --> 00:34:03,920 Speaker 3: was like, what's going on? 616 00:34:04,320 --> 00:34:11,120 Speaker 1: And that was that Phoebe's losing her mind? Maybecause okay, 617 00:34:11,120 --> 00:34:13,440 Speaker 1: Phoebe was saying before we started recording, Phoebe was saying, like, 618 00:34:13,520 --> 00:34:15,840 Speaker 1: this is like Gaga is a religion, and this is 619 00:34:15,840 --> 00:34:18,320 Speaker 1: a great little transfertion like a religion, like a true 620 00:34:18,520 --> 00:34:24,680 Speaker 1: like cult. Yes, when I discovered Gaga, I became indoctrinated 621 00:34:25,520 --> 00:34:29,880 Speaker 1: so quickly. And I mean the early days of her career, 622 00:34:30,239 --> 00:34:34,959 Speaker 1: pre Bad Romance, which is the thing that really broke 623 00:34:35,040 --> 00:34:38,800 Speaker 1: her out and made her into the cultural juggernaut that 624 00:34:38,840 --> 00:34:39,440 Speaker 1: she had become. 625 00:34:40,000 --> 00:34:40,719 Speaker 5: I was. 626 00:34:42,320 --> 00:34:47,239 Speaker 1: Obsessed, like I consumed every possible thing I could about her. 627 00:34:47,520 --> 00:34:50,400 Speaker 1: It was the first time in my life that I 628 00:34:51,120 --> 00:34:54,200 Speaker 1: latched onto a diva in that way. I had never 629 00:34:54,880 --> 00:34:59,480 Speaker 1: experienced that before, And I do think the main reason, 630 00:34:59,560 --> 00:35:01,240 Speaker 1: besides the the fact that I was a gay weirdo, 631 00:35:01,840 --> 00:35:04,640 Speaker 1: is because I was a theater kid. And Gaga is 632 00:35:04,760 --> 00:35:06,719 Speaker 1: the patron saint of weird theater kid. 633 00:35:06,800 --> 00:35:10,000 Speaker 3: She is perhaps the most famous theater kid, the most 634 00:35:10,040 --> 00:35:14,920 Speaker 3: power the world's most powerful theater kid. That yeah, I mean, 635 00:35:15,160 --> 00:35:17,960 Speaker 3: who else I could only think of, like Kate Bush, 636 00:35:18,680 --> 00:35:19,240 Speaker 3: it's Gaga. 637 00:35:19,480 --> 00:35:22,840 Speaker 1: Gaga is a theater faggot. Well, I mean then Timore. 638 00:35:22,920 --> 00:35:24,759 Speaker 1: Were we talking about this recently? Is that when you 639 00:35:24,880 --> 00:35:27,080 Speaker 1: peel back the layers on a lot of famous people, 640 00:35:27,160 --> 00:35:28,719 Speaker 1: you discovered there just theater kid. 641 00:35:30,320 --> 00:35:31,120 Speaker 4: Yeah, not know. 642 00:35:31,560 --> 00:35:35,160 Speaker 3: But the thing about Gaga is that she is like 643 00:35:35,640 --> 00:35:38,440 Speaker 3: thea ta. She is giving what did you do to 644 00:35:38,560 --> 00:35:43,200 Speaker 3: die today? She is giving a nunciation like the way 645 00:35:43,360 --> 00:35:46,640 Speaker 3: that Gaga will put some diction on a song is 646 00:35:47,480 --> 00:35:49,040 Speaker 3: showing off the fact that. 647 00:35:49,560 --> 00:35:51,759 Speaker 1: She didn't go to Juilliard. Right, No, she went to 648 00:35:51,920 --> 00:35:54,120 Speaker 1: n Yu famously, right she I remember. 649 00:35:54,480 --> 00:35:57,200 Speaker 3: I think I remember a story that she almost went 650 00:35:57,320 --> 00:36:00,440 Speaker 3: to Juilliard and then decided to just you know, try 651 00:36:00,480 --> 00:36:01,240 Speaker 3: and make it in the street. 652 00:36:01,360 --> 00:36:03,080 Speaker 1: Maybe she said that. I don't know if she got 653 00:36:03,160 --> 00:36:05,479 Speaker 1: into Juilliard, but I don't remember a lot of people 654 00:36:05,800 --> 00:36:07,280 Speaker 1: almost went to Juliard. 655 00:36:07,400 --> 00:36:11,799 Speaker 3: Yeah yeah, yeah, yeah, but I don't know. But she yeah, 656 00:36:11,840 --> 00:36:13,160 Speaker 3: she's giving theater. She's giving theater. 657 00:36:13,280 --> 00:36:13,400 Speaker 4: Kid. 658 00:36:14,760 --> 00:36:17,720 Speaker 1: Yes, That's what I loved about her from the beginning 659 00:36:17,920 --> 00:36:21,759 Speaker 1: was that, you know, it was this whole she was 660 00:36:22,040 --> 00:36:26,560 Speaker 1: bringing taking pop music back to art. I mean, as 661 00:36:26,600 --> 00:36:29,520 Speaker 1: she would you know, later do very explicitly on art pop. 662 00:36:29,600 --> 00:36:33,440 Speaker 1: But in the beginning that first, I mean I played 663 00:36:33,760 --> 00:36:39,040 Speaker 1: the Fame to death. But then when the Fame Monster 664 00:36:39,280 --> 00:36:43,040 Speaker 1: came out, that's what radicalized me. Like I was, I 665 00:36:43,320 --> 00:36:48,160 Speaker 1: was into it before, and then the Fame Monster that's 666 00:36:48,200 --> 00:36:52,160 Speaker 1: when I became a convert. That's when I became a 667 00:36:52,320 --> 00:36:53,720 Speaker 1: supplicant at the altar. 668 00:36:55,200 --> 00:36:57,840 Speaker 3: Can you describe the what was added on with the 669 00:36:57,920 --> 00:37:01,360 Speaker 3: Fame Monster. Well, the Fame Monster is is like an 670 00:37:01,440 --> 00:37:03,960 Speaker 3: EP that she released that has oh it was an 671 00:37:04,000 --> 00:37:07,239 Speaker 3: EP and then they just mushed them together. Yes, but yes, 672 00:37:08,120 --> 00:37:11,480 Speaker 3: it's like retroactively they've been combined into one album. But 673 00:37:11,600 --> 00:37:14,680 Speaker 3: the Fame Monster was specifically that album where she was 674 00:37:14,680 --> 00:37:18,640 Speaker 3: where it had the Blonde Bob, it has bad romance 675 00:37:18,760 --> 00:37:23,279 Speaker 3: telephone Alejandro like, and that is what really broke her 676 00:37:23,320 --> 00:37:26,279 Speaker 3: out into the mainstream like Bad Romance. Like before that, 677 00:37:26,920 --> 00:37:30,040 Speaker 3: she was still a big pop cultural figure, but in 678 00:37:30,280 --> 00:37:34,400 Speaker 3: the way of like he he isn't she weird? And 679 00:37:34,560 --> 00:37:39,120 Speaker 3: then bad Romance is what it was her like global domination. Yes, 680 00:37:39,360 --> 00:37:41,879 Speaker 3: bad Romance was, and I think it has a lot 681 00:37:41,960 --> 00:37:46,560 Speaker 3: to do with her visual language and world that was 682 00:37:47,239 --> 00:37:50,759 Speaker 3: truly like first of its kind in a lot of ways. 683 00:37:50,840 --> 00:37:53,920 Speaker 3: A lot of people can can try and say, who 684 00:37:54,040 --> 00:37:57,160 Speaker 3: did Gaga before Gaga? But I really do feel like 685 00:37:57,360 --> 00:37:59,600 Speaker 3: Gaga is like a once in a generation, once in 686 00:37:59,640 --> 00:38:02,880 Speaker 3: a life time point of view, and I think that 687 00:38:03,120 --> 00:38:07,120 Speaker 3: bat Romance was that thing where it's like truly anointed, 688 00:38:07,239 --> 00:38:10,560 Speaker 3: like we need to now make you the most powerful 689 00:38:10,560 --> 00:38:11,799 Speaker 3: pop star in the world, and she. 690 00:38:12,200 --> 00:38:15,440 Speaker 1: Was, yeah, and you know she is. I think one 691 00:38:15,520 --> 00:38:18,919 Speaker 1: of the last pop stars who really put that much 692 00:38:19,040 --> 00:38:25,080 Speaker 1: effort into her visuals, into music videos specifically, because you 693 00:38:25,160 --> 00:38:28,880 Speaker 1: think about the early years of Gaga, all of her 694 00:38:29,680 --> 00:38:34,160 Speaker 1: huge songs are inextricably linked to either a really iconic 695 00:38:34,239 --> 00:38:37,919 Speaker 1: music video or a really iconic live performance or both, 696 00:38:38,160 --> 00:38:41,560 Speaker 1: like with Paparazzi that video was iconic, and also the 697 00:38:41,640 --> 00:38:43,839 Speaker 1: live performance of the VMA's like one of the great 698 00:38:44,120 --> 00:38:50,080 Speaker 1: live performances, possibly the greatest, No, maybe only edged out 699 00:38:50,200 --> 00:38:53,880 Speaker 1: by like Whitney Houston singing the Star Spangle banner or 700 00:38:54,040 --> 00:38:56,840 Speaker 1: Lady Gaga doing her Sound of Music suite at the Oscar. 701 00:38:56,880 --> 00:39:01,320 Speaker 1: I really love Beyonce's cochella performance. We don't need to 702 00:39:01,360 --> 00:39:02,960 Speaker 1: do that, We don't need to do that. Well, we're not. 703 00:39:03,160 --> 00:39:05,319 Speaker 3: The girls are not fighting today. Yeah, the girls are 704 00:39:05,400 --> 00:39:07,200 Speaker 3: not fighting. And also they have nothing to do with 705 00:39:07,320 --> 00:39:09,200 Speaker 3: each other, honestly, Like, That's what I'm saying is like 706 00:39:09,280 --> 00:39:14,239 Speaker 3: Gaga was truly in her own lane, and at the 707 00:39:14,280 --> 00:39:17,400 Speaker 3: time Katy Perry was still was like edging in right 708 00:39:17,520 --> 00:39:20,640 Speaker 3: and like and right like in terms of like pop 709 00:39:20,719 --> 00:39:21,520 Speaker 3: music at the time. 710 00:39:22,120 --> 00:39:27,279 Speaker 1: And then well and very much like pitted against each other, 711 00:39:27,480 --> 00:39:34,400 Speaker 1: like like applause versus roar, oh God moment in the 712 00:39:34,480 --> 00:39:37,879 Speaker 1: stand War Wait describe that. Well, they came out around 713 00:39:37,920 --> 00:39:41,880 Speaker 1: the same time, and they were kind of publicly battling 714 00:39:41,960 --> 00:39:44,560 Speaker 1: on Twitter. This and the better these are in the 715 00:39:44,719 --> 00:39:48,759 Speaker 1: days back when the girls used to fight on Twitter? Right, Well, 716 00:39:48,920 --> 00:39:52,000 Speaker 1: which was better? Roar applause? Applause is better? Applause is 717 00:39:52,040 --> 00:39:52,520 Speaker 1: a better song? 718 00:39:52,600 --> 00:39:53,120 Speaker 4: It is? It is. 719 00:39:53,280 --> 00:39:55,160 Speaker 1: I just I don't think I thought you would surprise me. 720 00:39:55,239 --> 00:39:58,400 Speaker 1: But yet Applause should not have been the lead single 721 00:39:58,520 --> 00:40:03,480 Speaker 1: off of Art Pop because because it's not, I don't 722 00:40:03,520 --> 00:40:07,200 Speaker 1: think it's a good representation of what that album is. 723 00:40:07,400 --> 00:40:10,759 Speaker 1: I think if Guy had been the lead single off 724 00:40:10,800 --> 00:40:14,520 Speaker 1: of Art Pop, art Pop would have handed out very differently. 725 00:40:34,719 --> 00:40:39,960 Speaker 1: What's your favorite Gaga album? Obviously? Oh no, not obviously, 726 00:40:40,080 --> 00:40:42,480 Speaker 1: it's Born this Way? Yes, that is the correct answer. 727 00:40:42,680 --> 00:40:45,600 Speaker 1: Oh wow, I thought you were gonna say The Fame 728 00:40:45,760 --> 00:40:48,200 Speaker 1: Well or The Fame Monster or whatever. The Fame I mean, 729 00:40:48,400 --> 00:40:50,920 Speaker 1: it's the correct answer that Born this Way is your 730 00:40:51,000 --> 00:40:55,200 Speaker 1: favorite album, and I do think it's her best. It 731 00:40:55,360 --> 00:40:57,960 Speaker 1: is her best album. I really the Fame Monster. Yeah, 732 00:40:58,000 --> 00:41:00,800 Speaker 1: and I agree, The Fame Monster is a very close 733 00:41:02,239 --> 00:41:05,120 Speaker 1: to number two for me, and on some days it 734 00:41:05,480 --> 00:41:07,920 Speaker 1: edges Born this Way out. But I do believe that 735 00:41:08,080 --> 00:41:16,239 Speaker 1: Born this Way is the most cohesive artistic product she's 736 00:41:16,400 --> 00:41:21,440 Speaker 1: ever made, and somewhat to her detriment, because I do 737 00:41:21,719 --> 00:41:24,759 Speaker 1: think that she was riding such a high off of 738 00:41:25,880 --> 00:41:29,200 Speaker 1: her breakout success that she made Born this Way and 739 00:41:29,480 --> 00:41:33,400 Speaker 1: did not really think about how it would be received, 740 00:41:33,560 --> 00:41:39,160 Speaker 1: and she leaned really hard into being kooky weirdo and 741 00:41:40,040 --> 00:41:43,880 Speaker 1: that worked out incredibly in terms of the creative output, 742 00:41:44,360 --> 00:41:49,040 Speaker 1: but it did somewhat I think alienate the people who 743 00:41:49,160 --> 00:41:54,279 Speaker 1: had latched onto her from Bad Romance. Interesting, and then 744 00:41:56,040 --> 00:41:59,120 Speaker 1: when art pop came out, that allowed those people who 745 00:41:59,239 --> 00:42:02,640 Speaker 1: had kind of moved to the fringes to then like 746 00:42:02,800 --> 00:42:03,879 Speaker 1: kind of fully check out. 747 00:42:04,440 --> 00:42:07,200 Speaker 3: Interesting. I've actually never heard it described that way, but 748 00:42:07,400 --> 00:42:10,839 Speaker 3: it does make perfect sense. I honestly, you're such a traditionalist. 749 00:42:11,040 --> 00:42:12,719 Speaker 3: I assumed you were going to say The Fame was 750 00:42:12,800 --> 00:42:13,640 Speaker 3: your favorite album. 751 00:42:15,120 --> 00:42:15,319 Speaker 1: Yeah. 752 00:42:15,440 --> 00:42:18,600 Speaker 3: The thing about ar Pup and Joanne, which were like 753 00:42:18,719 --> 00:42:22,560 Speaker 3: her flop albums following flop quote unquote flop in quotations, 754 00:42:22,560 --> 00:42:24,640 Speaker 3: I would never call them that, but like albums that 755 00:42:25,239 --> 00:42:29,640 Speaker 3: came after Born this way, part of me almost feels 756 00:42:29,719 --> 00:42:32,919 Speaker 3: like those albums were also like Gaga wasn't thinking about 757 00:42:32,920 --> 00:42:36,280 Speaker 3: the audience to her detriment, you know, Like it doesn't 758 00:42:36,600 --> 00:42:39,560 Speaker 3: neither of those albums like who were those albums? For 759 00:42:40,000 --> 00:42:42,080 Speaker 3: a lot of art Pup is kind of amazing, and 760 00:42:42,160 --> 00:42:44,640 Speaker 3: I think a lot of arpup actually is tried and true. 761 00:42:45,120 --> 00:42:47,680 Speaker 3: O g Gaga, I'm a fucking weirdo, which is kind 762 00:42:47,719 --> 00:42:49,839 Speaker 3: of why I like it, But they do both those 763 00:42:49,840 --> 00:42:53,600 Speaker 3: albums didn't really feel like they were for her fans, 764 00:42:53,760 --> 00:42:55,239 Speaker 3: and so I was like, they must be for you. 765 00:42:56,200 --> 00:43:00,400 Speaker 1: I mean, the big problem with art pop was it's release. 766 00:43:00,480 --> 00:43:02,759 Speaker 1: I'm like, I don't want to rehash or relitigate it. 767 00:43:02,920 --> 00:43:06,640 Speaker 1: I actually wrote a story for Paper magazine a couple 768 00:43:06,680 --> 00:43:10,000 Speaker 1: of years ago called in Defense of art Pops. So 769 00:43:10,440 --> 00:43:17,840 Speaker 1: if you want a more articulate, like comprehensive breakdown of 770 00:43:18,600 --> 00:43:22,160 Speaker 1: why art pop actually is an incredible album and actually 771 00:43:22,400 --> 00:43:25,800 Speaker 1: was very commercially successful, then you can go read that. 772 00:43:26,280 --> 00:43:30,400 Speaker 1: But art pop is one of my favorites. Actually, I 773 00:43:30,440 --> 00:43:34,120 Speaker 1: guess we can do our Gaga album ranking or I'll 774 00:43:34,160 --> 00:43:39,000 Speaker 1: do the official like a Virgin Gaga album rank. I know, 775 00:43:39,080 --> 00:43:42,479 Speaker 1: but I want I want your input, Okay, okay, okay. 776 00:43:42,560 --> 00:43:47,520 Speaker 1: So we're saying number one is born this way? Okay, Yes, 777 00:43:47,960 --> 00:43:53,120 Speaker 1: number two the fame Monster, Yes, number three, yes art 778 00:43:53,160 --> 00:44:02,120 Speaker 1: pop mmm mmm okay. What would be number four? The fame? 779 00:44:03,440 --> 00:44:08,239 Speaker 3: Oh really, I disagree. I think the fame should go 780 00:44:08,320 --> 00:44:12,360 Speaker 3: above art pop, don't you think. I'm well, I'm okay 781 00:44:12,480 --> 00:44:15,960 Speaker 3: with that, and I'm I'm willing to move it there. 782 00:44:16,360 --> 00:44:22,360 Speaker 3: My brain would also put chromatica over art pop because 783 00:44:22,480 --> 00:44:25,400 Speaker 3: of the cohesion and because of the number of songs 784 00:44:25,480 --> 00:44:27,760 Speaker 3: I returned to versus the number of songs I returned 785 00:44:27,800 --> 00:44:30,320 Speaker 3: to on our pop. But I actually do see the 786 00:44:30,480 --> 00:44:33,600 Speaker 3: argument for our pop to be something that's stylistically more 787 00:44:33,680 --> 00:44:34,120 Speaker 3: out there. 788 00:44:35,480 --> 00:44:39,240 Speaker 1: I do think art pop and the Fame are not interchangeable, 789 00:44:39,320 --> 00:44:42,480 Speaker 1: but they're very close, interesting, and I think they kind 790 00:44:42,480 --> 00:44:47,200 Speaker 1: of It kind of depends on the gaga you're going for. Yeah, 791 00:44:47,280 --> 00:44:49,239 Speaker 1: it does, and it can kind of shift from day 792 00:44:49,239 --> 00:44:51,600 Speaker 1: to day. But so after those, then it would be 793 00:44:53,040 --> 00:44:58,719 Speaker 1: chromatica Adica. Then Cheek to Cheek Cheek to Cheek, which 794 00:44:58,840 --> 00:45:03,480 Speaker 1: is definitely better then the Star Is Born soundtrack. Oh 795 00:45:03,680 --> 00:45:05,840 Speaker 1: we're counting that, yeah, because she did produce things, so 796 00:45:06,000 --> 00:45:09,200 Speaker 1: she did it all. Sure, Yeah, and then Joanne dead Last. 797 00:45:09,520 --> 00:45:12,640 Speaker 3: I actually is the Stars Born No, no, no, chee 798 00:45:12,800 --> 00:45:14,360 Speaker 3: chek is better than Starsborne soundtrack? 799 00:45:14,440 --> 00:45:16,880 Speaker 1: One hundred percent. Wow, that is I signed off, signed, 800 00:45:16,960 --> 00:45:20,560 Speaker 1: co sign done. Yesh. I'm so happy that we agree 801 00:45:20,560 --> 00:45:24,120 Speaker 1: able to agree. Well, there's a little discreption, but like 802 00:45:24,200 --> 00:45:26,279 Speaker 1: we we agree. Okay, Well, do you want to talk 803 00:45:26,320 --> 00:45:29,839 Speaker 1: about favorite songs now? Should should we do favorite songs next? 804 00:45:29,920 --> 00:45:32,120 Speaker 3: Or should we do a top Okay, well, do you 805 00:45:32,239 --> 00:45:36,000 Speaker 3: have like a top five Gaga songs, Top ten Gaga 806 00:45:36,120 --> 00:45:37,160 Speaker 3: song I have top ten. 807 00:45:37,320 --> 00:45:40,160 Speaker 1: They're not in order, but these are just my top 808 00:45:40,239 --> 00:45:43,239 Speaker 1: ten and I can say I can say which one is, 809 00:45:43,320 --> 00:45:46,440 Speaker 1: like jokingly my favorite, and then which one is legitimately 810 00:45:46,520 --> 00:45:47,360 Speaker 1: my favorite, and. 811 00:45:47,440 --> 00:45:50,160 Speaker 3: Maybe give us like a not a not I know 812 00:45:50,239 --> 00:45:52,399 Speaker 3: you're not giving a ranking, but like there's a few 813 00:45:52,480 --> 00:45:54,120 Speaker 3: at the top. Yeah, I want to hear the ones 814 00:45:54,160 --> 00:45:59,960 Speaker 3: at the top. Okay, so legitimately my favorite. Lady got 815 00:46:00,320 --> 00:46:02,200 Speaker 3: song all the time, and this is not like the joke. 816 00:46:02,280 --> 00:46:04,600 Speaker 3: One that I say, which still is on the list 817 00:46:05,440 --> 00:46:06,239 Speaker 3: is Dance in the Dark. 818 00:46:07,040 --> 00:46:12,279 Speaker 1: Oh oh, okay okay. And then the one that I 819 00:46:12,400 --> 00:46:15,600 Speaker 1: kind of jokingly say is my favorite is a nothing else. 820 00:46:15,640 --> 00:46:19,759 Speaker 1: I can say nothing, but it still slaps. And I 821 00:46:19,880 --> 00:46:22,480 Speaker 1: love the music video where she's on the Vespa. It's 822 00:46:22,560 --> 00:46:25,799 Speaker 1: like iconic Gaga with the hairbo It's like the most 823 00:46:25,880 --> 00:46:27,560 Speaker 1: Italian X she's ever been. 824 00:46:28,239 --> 00:46:32,640 Speaker 3: It is I will say my top two as we 825 00:46:32,760 --> 00:46:38,480 Speaker 3: bop around, I will I would definitely say you and 826 00:46:38,640 --> 00:46:43,760 Speaker 3: I is probably I'm pretty gosh darn sure. 827 00:46:45,200 --> 00:46:49,720 Speaker 1: My favorite or second favorite. Muscle cars drove a truck 828 00:46:50,000 --> 00:46:50,800 Speaker 1: right through. 829 00:46:50,800 --> 00:46:55,960 Speaker 3: My heart and I really need you to hold space 830 00:46:57,239 --> 00:47:02,040 Speaker 3: for my other answer, for my other number one favorite, because. 831 00:47:01,760 --> 00:47:03,960 Speaker 1: You know I'm not gonna be happy about it. 832 00:47:04,320 --> 00:47:09,239 Speaker 3: Okay, my other favorite, which I would say easily can 833 00:47:09,320 --> 00:47:12,800 Speaker 3: be in the number one spot and I don't. And 834 00:47:12,960 --> 00:47:16,160 Speaker 3: when I say this, I don't think it's Lady Gaga's 835 00:47:16,320 --> 00:47:20,560 Speaker 3: best song, Like critically, it is a song that means 836 00:47:20,719 --> 00:47:23,279 Speaker 3: more to me than the rest of her discographield and 837 00:47:23,400 --> 00:47:24,839 Speaker 3: it is stupid love. 838 00:47:26,680 --> 00:47:29,680 Speaker 1: Oh my god, the face rend was just made like 839 00:47:29,800 --> 00:47:32,440 Speaker 1: I told her, like I was coming out to her as, 840 00:47:32,520 --> 00:47:35,080 Speaker 1: oh my god, you're having Oh my god, I'm so sorry. 841 00:47:35,360 --> 00:47:41,120 Speaker 1: She looks pained. Oh god, I'm not. I'm not mad. 842 00:47:41,719 --> 00:47:50,480 Speaker 1: I'm just disappointed that I don't know I actually write. Yes, 843 00:47:50,920 --> 00:47:53,200 Speaker 1: I can't describe it. I really don't. 844 00:47:53,600 --> 00:47:57,160 Speaker 3: And let me tell you. I decided this like like 845 00:47:57,440 --> 00:47:59,560 Speaker 3: within a few weeks of the song coming out. But 846 00:47:59,640 --> 00:48:01,120 Speaker 3: then I was like, you know, this is kind of 847 00:48:01,160 --> 00:48:05,080 Speaker 3: a crazy album. Maybe it won't really stick you put 848 00:48:05,200 --> 00:48:07,440 Speaker 3: I put it on like black, like just a few 849 00:48:07,520 --> 00:48:10,360 Speaker 3: days ago, and I was like, oh my got like 850 00:48:10,560 --> 00:48:12,920 Speaker 3: full body like and it just it brings me to 851 00:48:13,000 --> 00:48:13,960 Speaker 3: a specific point in. 852 00:48:14,040 --> 00:48:17,680 Speaker 1: Time, the pandemic. Yes it does. 853 00:48:18,200 --> 00:48:21,080 Speaker 3: I was living alone, I had literally no joy, no 854 00:48:21,200 --> 00:48:23,160 Speaker 3: friends in my life. I had nothing to do and 855 00:48:23,280 --> 00:48:27,200 Speaker 3: you missed that? Yes, no, and then no, it's like 856 00:48:27,320 --> 00:48:32,400 Speaker 3: and stupid love? Was this this like bright light from Heaven? 857 00:48:32,719 --> 00:48:36,320 Speaker 3: That just like a complete dopamine boost. And I know 858 00:48:36,640 --> 00:48:40,719 Speaker 3: it's like not like structurally her best song whatever, it 859 00:48:40,960 --> 00:48:43,920 Speaker 3: is one hundred percent my favorite song next to you 860 00:48:44,000 --> 00:48:44,200 Speaker 3: and I. 861 00:48:44,719 --> 00:48:48,359 Speaker 1: Okay, all right, well I thank you really did hold 862 00:48:48,400 --> 00:48:50,759 Speaker 1: space for that. Thank you? Thank you so the rest 863 00:48:50,800 --> 00:48:54,239 Speaker 1: of my top ten yes, yes, speechless. Also on my 864 00:48:54,320 --> 00:48:58,120 Speaker 1: top ten Summer Boy. Hmmm, I clicked into Summer Boy 865 00:48:58,200 --> 00:49:02,080 Speaker 1: because of you. I feel a lahah and you and 866 00:49:02,239 --> 00:49:07,520 Speaker 1: I okay, Papa Razzi, Oh you're reading these like nominations 867 00:49:07,560 --> 00:49:08,080 Speaker 1: that an awards. 868 00:49:08,280 --> 00:49:08,440 Speaker 6: Yeah. 869 00:49:10,000 --> 00:49:14,439 Speaker 1: Fashion of His Love also a very slept on song. 870 00:49:14,960 --> 00:49:17,879 Speaker 1: We have really queened out together while listening. 871 00:49:17,600 --> 00:49:19,480 Speaker 3: To I will say Fashion of His Love is definitely 872 00:49:19,960 --> 00:49:21,840 Speaker 3: maybe my number two number three spot. 873 00:49:22,200 --> 00:49:28,840 Speaker 1: Venus Venus and Marry the Night, Marry the Night? Is 874 00:49:28,960 --> 00:49:30,000 Speaker 1: Mary the Night? On my top? 875 00:49:31,239 --> 00:49:31,400 Speaker 7: Is it? 876 00:49:33,480 --> 00:49:41,279 Speaker 1: The others on my top are telephone, government hooker for sure, 877 00:49:41,360 --> 00:49:42,919 Speaker 1: my god, government hooker is no on my list. 878 00:49:43,400 --> 00:49:46,359 Speaker 3: You can't no take backs, no takesies, bacsies, no takes 879 00:49:46,400 --> 00:49:48,920 Speaker 3: these baxies Roses shook. 880 00:49:49,040 --> 00:49:52,279 Speaker 1: Okay, Judas It's number eleven is Judas on yours? Did 881 00:49:52,320 --> 00:49:54,759 Speaker 1: you say that Judas is Judas is definitely on my 882 00:49:54,840 --> 00:49:59,440 Speaker 1: top fashion? Fashion? 883 00:49:59,760 --> 00:50:02,040 Speaker 3: I'm i wanna say and again, not because I think 884 00:50:02,080 --> 00:50:04,200 Speaker 3: it's like one of Gaga's best songs. I'm saying my 885 00:50:04,440 --> 00:50:07,040 Speaker 3: fate went top ten favor writ Gaga song. 886 00:50:07,120 --> 00:50:09,879 Speaker 1: You know she has two songs called fashion. What Yeah, 887 00:50:10,040 --> 00:50:15,440 Speaker 1: there's a song that is was like a a bonus 888 00:50:15,560 --> 00:50:18,839 Speaker 1: track on the Fame or maybe but it was used 889 00:50:18,880 --> 00:50:21,319 Speaker 1: in It's actually in an episode of Ugly Betty. It's 890 00:50:21,360 --> 00:50:25,320 Speaker 1: the episode Bad Amanda where they're where Betty and Amanda 891 00:50:25,400 --> 00:50:28,319 Speaker 1: are doing this the like digital story where they're trying 892 00:50:28,360 --> 00:50:31,880 Speaker 1: to like do stuff without spending money. Oh, I love 893 00:50:32,080 --> 00:50:34,480 Speaker 1: that episode. There's a Gaga song called fashion that goes 894 00:50:34,719 --> 00:50:37,080 Speaker 1: fashion put it all on May. Don't you want to 895 00:50:37,120 --> 00:50:39,839 Speaker 1: see these clothes on Spotify? Or is it like one 896 00:50:39,840 --> 00:50:42,200 Speaker 1: of those Erasis songs. It might not be on Spotify. 897 00:50:42,239 --> 00:50:45,520 Speaker 1: I actually think it's only on YouTube. What yeah? 898 00:50:45,719 --> 00:50:45,919 Speaker 2: Wait? 899 00:50:46,680 --> 00:50:50,279 Speaker 1: What where if there is there are there Gaga like 900 00:50:51,000 --> 00:50:53,880 Speaker 1: unrecorded songs? Yeah, like there's lots of them. Wait, can 901 00:50:53,960 --> 00:50:55,719 Speaker 1: you give me a little. Do you know it more 902 00:50:55,719 --> 00:50:58,120 Speaker 1: about that? I actually don't. I mean Brooklyn Knights is 903 00:50:58,200 --> 00:51:02,480 Speaker 1: the most famous one. I mean just Disco Heaven, Oh 904 00:51:02,560 --> 00:51:05,239 Speaker 1: my god, I've never heard what Disco Heaven is like 905 00:51:05,280 --> 00:51:07,720 Speaker 1: a B side. It is on the Fame Monster proper 906 00:51:07,880 --> 00:51:11,759 Speaker 1: and I love Disco Heaven. Yeah, there's a there's a 907 00:51:11,800 --> 00:51:15,040 Speaker 1: bunch of She doesn't have like as much unreleased music 908 00:51:15,120 --> 00:51:18,239 Speaker 1: assay Lona del Ray, but there there's a bit of 909 00:51:18,280 --> 00:51:18,680 Speaker 1: it out there. 910 00:51:18,800 --> 00:51:23,040 Speaker 3: Okay, wow, I mean I have heard Christmas Tree well 911 00:51:23,560 --> 00:51:26,480 Speaker 3: that is oh wait, that is on Spotify. Yeah, unfortunately, 912 00:51:27,000 --> 00:51:29,759 Speaker 3: are you finished with your I think Mary the Night 913 00:51:30,000 --> 00:51:31,920 Speaker 3: is also my top I don't know. I think that's 914 00:51:32,040 --> 00:51:33,680 Speaker 3: nine total, but that's all I have. 915 00:51:34,080 --> 00:51:35,959 Speaker 1: What's your favorite music video? 916 00:51:41,680 --> 00:51:49,480 Speaker 3: Hmmm, yeah, it's Telephone. It's Telephone. I'm trying to guess yours. 917 00:51:51,600 --> 00:51:51,759 Speaker 4: Is it? 918 00:51:53,840 --> 00:51:55,520 Speaker 1: I actually don't know. It's a Lejandro. 919 00:51:56,239 --> 00:51:59,920 Speaker 3: Oh, I was gonna because there's a Judas music video, right, 920 00:52:00,080 --> 00:52:02,440 Speaker 3: and I like I was thinking maybe Judas. 921 00:52:02,680 --> 00:52:04,360 Speaker 1: I knew it was going to be from like Fameer 922 00:52:04,440 --> 00:52:08,920 Speaker 1: Fame Monster. It's Alejandro. I think that is the hottest 923 00:52:09,080 --> 00:52:12,120 Speaker 1: she's ever looked. It's also the skinniest she's ever been 924 00:52:13,200 --> 00:52:16,600 Speaker 1: problematic in my part, but I love when she's like 925 00:52:16,840 --> 00:52:23,400 Speaker 1: riding the models. It's so sexy. I also met her 926 00:52:23,719 --> 00:52:24,400 Speaker 1: the day. 927 00:52:24,520 --> 00:52:27,600 Speaker 3: After the Alejandro video came out, Right, you've told this 928 00:52:27,680 --> 00:52:29,880 Speaker 3: story on the pod had a bar. Yeah, so it 929 00:52:30,320 --> 00:52:34,680 Speaker 3: is special, but it is the Gaga era, an aesthetic 930 00:52:34,840 --> 00:52:59,399 Speaker 3: that I just connect with the most. So Phoebe wants 931 00:52:59,480 --> 00:53:02,080 Speaker 3: to know, like when we felt the most connected to Gaga. 932 00:53:02,239 --> 00:53:06,320 Speaker 3: So I Gaga came out when I was a Gaga 933 00:53:06,520 --> 00:53:08,160 Speaker 3: like came on the scene when I was a sophomore 934 00:53:08,200 --> 00:53:11,400 Speaker 3: in college, and then my junior year of college, I 935 00:53:13,040 --> 00:53:17,759 Speaker 3: went back to Florida for like six months because of 936 00:53:17,920 --> 00:53:20,279 Speaker 3: like family stuff, and during that time, I felt so 937 00:53:20,440 --> 00:53:23,480 Speaker 3: disconnected from my friends and from New York City, and 938 00:53:23,560 --> 00:53:24,920 Speaker 3: I was like, oh my god, I'm back in this 939 00:53:25,040 --> 00:53:27,160 Speaker 3: life that I never wanted to be back in. And 940 00:53:27,520 --> 00:53:31,640 Speaker 3: Gaga like got me through that in a very real way. 941 00:53:31,800 --> 00:53:36,000 Speaker 1: Like I was always watching YouTube videos of her in concert, 942 00:53:36,239 --> 00:53:41,320 Speaker 1: like listening to her music constantly, like wearing crazy like 943 00:53:42,520 --> 00:53:44,560 Speaker 1: inspired looks and. 944 00:53:44,760 --> 00:53:47,400 Speaker 3: Did you did you ever wear like pleasers or something? 945 00:53:47,719 --> 00:53:49,799 Speaker 3: I've worn pleasers before, but no, I mean in your 946 00:53:49,840 --> 00:53:51,880 Speaker 3: Gaga area. No, no, no, this was no, this was 947 00:53:52,000 --> 00:53:56,040 Speaker 3: pre like any kind of like gender fuckery at all. 948 00:53:56,160 --> 00:53:59,719 Speaker 1: Okay, how did you how did you give Gaga without gender? 949 00:54:00,000 --> 00:54:01,239 Speaker 1: It was like when she was wearing a lot of 950 00:54:01,400 --> 00:54:05,919 Speaker 1: biker jackets and like denims, you know Born this Way. Yeah, 951 00:54:06,040 --> 00:54:11,640 Speaker 1: so that's Joe Calrone, Joe calderone. Yes. And then when 952 00:54:11,680 --> 00:54:14,080 Speaker 1: I moved back to New York was right around the 953 00:54:14,120 --> 00:54:16,120 Speaker 1: time when Born this Way came out, and so it 954 00:54:16,400 --> 00:54:22,400 Speaker 1: was like, oh, these things are converging. And I was 955 00:54:22,520 --> 00:54:24,640 Speaker 1: living on the Lower East Side where she used to 956 00:54:25,040 --> 00:54:28,640 Speaker 1: hang out all the time, so I felt so connected 957 00:54:28,680 --> 00:54:28,880 Speaker 1: to her. 958 00:54:30,000 --> 00:54:33,680 Speaker 3: I feel I definitely I was living in Chicago at 959 00:54:33,719 --> 00:54:35,720 Speaker 3: the time. If I'm thinking about like my most connected 960 00:54:35,800 --> 00:54:41,920 Speaker 3: Gaga moment, I was living in Chicago. I was interning 961 00:54:42,840 --> 00:54:45,319 Speaker 3: somewhere in the city, or maybe I was still going 962 00:54:45,360 --> 00:54:49,040 Speaker 3: to school there. I'm not exactly sure, but I just 963 00:54:49,160 --> 00:54:54,360 Speaker 3: remember Born this Way coming out and and me on 964 00:54:54,640 --> 00:54:58,400 Speaker 3: first listen getting some of the songs and not getting 965 00:54:58,440 --> 00:55:01,040 Speaker 3: all of it, and then going on runs. I used 966 00:55:01,040 --> 00:55:02,880 Speaker 3: to like run every day, and going to runs, and 967 00:55:02,960 --> 00:55:05,239 Speaker 3: then by listening to the album all the way through 968 00:55:05,239 --> 00:55:07,360 Speaker 3: over and over again, I was like, oh my god, 969 00:55:07,520 --> 00:55:08,000 Speaker 3: I get it. 970 00:55:08,120 --> 00:55:10,439 Speaker 1: I get it. I get it. I think that there's 971 00:55:10,520 --> 00:55:17,640 Speaker 1: something about her story and the kind of her story 972 00:55:17,719 --> 00:55:19,959 Speaker 1: that she's like a rich kid from the Upper West Side? 973 00:55:21,840 --> 00:55:25,160 Speaker 1: Is she yeah, Yeah, she's rich. I guess yeah. 974 00:55:25,280 --> 00:55:27,000 Speaker 3: And I feel I feel like for me, like the 975 00:55:27,080 --> 00:55:31,120 Speaker 3: story and the thing that has always through all my 976 00:55:31,280 --> 00:55:33,480 Speaker 3: throughout my life connected me to Gaga over and over 977 00:55:33,480 --> 00:55:38,080 Speaker 3: again is the way she started at dive bars, like 978 00:55:38,239 --> 00:55:42,640 Speaker 3: performing for nobody, like for twenty dollars or whatever, on 979 00:55:43,040 --> 00:55:47,480 Speaker 3: bad microphones, wearing crazy shit. And this quote wherein she 980 00:55:47,640 --> 00:55:51,160 Speaker 3: says something to the effect of, like, you know, before 981 00:55:51,200 --> 00:55:55,520 Speaker 3: I was famous, I would walk into any bar, any 982 00:55:55,560 --> 00:55:58,160 Speaker 3: post office, any restaurant and pretend like I was. I 983 00:55:58,200 --> 00:56:02,160 Speaker 3: would carry myself like a fucking star are until everyone 984 00:56:02,200 --> 00:56:06,680 Speaker 3: else caught up to that. And I so viscerally latched 985 00:56:06,760 --> 00:56:10,200 Speaker 3: onto that mentality. And I don't think I ever, you know, 986 00:56:11,560 --> 00:56:13,400 Speaker 3: lived and breathed that then, but I do. 987 00:56:13,719 --> 00:56:15,960 Speaker 1: I am kind of like that now you are, well, 988 00:56:16,280 --> 00:56:19,759 Speaker 1: I feel similarly like that is the I latched onto that, 989 00:56:19,920 --> 00:56:23,040 Speaker 1: But I think I latched onto a different version of that. 990 00:56:23,239 --> 00:56:27,920 Speaker 1: The thing that I've always seen about seeing of myself 991 00:56:28,120 --> 00:56:34,040 Speaker 1: in her is her naked, try hard ambition. Yes, like, yes, 992 00:56:34,520 --> 00:56:35,400 Speaker 1: is so relatable. 993 00:56:35,480 --> 00:56:36,160 Speaker 4: She is so. 994 00:56:38,120 --> 00:56:42,239 Speaker 1: She is so hungry, she cares and she is clearly yes, 995 00:56:42,719 --> 00:56:47,120 Speaker 1: she cares so much, and she is clearly someone who 996 00:56:47,360 --> 00:56:50,920 Speaker 1: was deeply uncool at one point in her life and 997 00:56:51,320 --> 00:56:55,359 Speaker 1: faked it until people thought she was cool. But she's 998 00:56:55,480 --> 00:56:58,759 Speaker 1: still fucking nerds. She's a musical theater kid. Yeah, yeah, 999 00:56:58,960 --> 00:57:00,520 Speaker 1: she is and musical. 1000 00:57:00,880 --> 00:57:05,880 Speaker 3: That's honestly, like tryhard and theater kid are synonyms, like 1001 00:57:06,000 --> 00:57:09,320 Speaker 3: they are like actually, like to be a theater kid is. 1002 00:57:09,440 --> 00:57:13,359 Speaker 3: To be a tryhard is to care way too much 1003 00:57:13,480 --> 00:57:17,440 Speaker 3: about something that has virtually no stakes. Gaga obviously has 1004 00:57:17,480 --> 00:57:18,120 Speaker 3: really has stakes. 1005 00:57:18,160 --> 00:57:20,600 Speaker 1: But yeah, that is another reason why the theater kid 1006 00:57:20,720 --> 00:57:23,040 Speaker 1: thing is actually really not a joke, like she is 1007 00:57:23,160 --> 00:57:26,840 Speaker 1: that Yeah, just look at the whole A star is 1008 00:57:26,920 --> 00:57:31,480 Speaker 1: born erab She wasn't just being an actress. She was 1009 00:57:31,680 --> 00:57:38,360 Speaker 1: performing an actress in a big Hollywood oscar bait movie. 1010 00:57:38,920 --> 00:57:43,080 Speaker 1: She what, and the same way that when Joker comes out, 1011 00:57:43,440 --> 00:57:47,000 Speaker 1: she will be performing a newer version of that. She 1012 00:57:48,080 --> 00:57:52,400 Speaker 1: is always I mean, not as much these days, just 1013 00:57:52,520 --> 00:57:56,680 Speaker 1: because she's like she's fucking tired. I guess at this 1014 00:57:56,800 --> 00:58:01,440 Speaker 1: point she's puts used to put so much effort into 1015 00:58:02,400 --> 00:58:05,400 Speaker 1: the behind the scenes of fame, because you know, the 1016 00:58:05,440 --> 00:58:08,880 Speaker 1: beginning of her career was about cause playing being famous. 1017 00:58:09,000 --> 00:58:12,240 Speaker 1: That's literally like the point of the fame she walks 1018 00:58:12,280 --> 00:58:15,880 Speaker 1: in I'm a motherfucking star. Yeah, and that performance has 1019 00:58:16,200 --> 00:58:21,240 Speaker 1: you know, either expanded or contracted or whatever throughout her career. 1020 00:58:21,440 --> 00:58:26,440 Speaker 1: And now I'm just I mean, this is it's so 1021 00:58:26,600 --> 00:58:29,720 Speaker 1: hard for me to talk about God without with thinking 1022 00:58:29,760 --> 00:58:33,479 Speaker 1: about where she is now, where she's like laying down 1023 00:58:33,640 --> 00:58:36,720 Speaker 1: on her couch doing spawn for her makeup line and 1024 00:58:37,120 --> 00:58:40,640 Speaker 1: for pharmaceutical brands and the nerd tech and I mean 1025 00:58:40,840 --> 00:58:43,440 Speaker 1: for years, I've been in this place with Gaga. And 1026 00:58:43,680 --> 00:58:47,760 Speaker 1: you know, this is why I butt heads with other 1027 00:58:47,920 --> 00:58:50,360 Speaker 1: little monsters and why I really don't consider myself part 1028 00:58:50,400 --> 00:58:53,520 Speaker 1: of that because I no, I am a little just 1029 00:58:53,600 --> 00:58:58,600 Speaker 1: not a part of the community. Yeah, well, littler monster, 1030 00:58:59,240 --> 00:59:03,880 Speaker 1: I'm a big month her because I have never felt 1031 00:59:03,880 --> 00:59:06,240 Speaker 1: about Gaga that being a fan of her means being 1032 00:59:06,360 --> 00:59:08,400 Speaker 1: uncritical of her. And that's the problem I have with 1033 00:59:09,000 --> 00:59:12,040 Speaker 1: a lot of little monsters and also with stand culture 1034 00:59:12,120 --> 00:59:16,520 Speaker 1: in general. Is is the idea that loving someone means 1035 00:59:17,080 --> 00:59:21,080 Speaker 1: that you accept and celebrate everything that that person does, 1036 00:59:21,280 --> 00:59:25,560 Speaker 1: even when it's bad or lackluster or offensive or whatever. 1037 00:59:26,040 --> 00:59:27,960 Speaker 1: With Gaga, it's like I love her so much that 1038 00:59:28,080 --> 00:59:33,160 Speaker 1: I hold her to the standard that she set. And unfortunately, 1039 00:59:33,920 --> 00:59:36,760 Speaker 1: because of so many things, because of the hip of 1040 00:59:36,880 --> 00:59:40,440 Speaker 1: it all, and like you know, the chronic pain and all, 1041 00:59:40,560 --> 00:59:44,200 Speaker 1: and like the relationships and you know, changing managers and 1042 00:59:44,320 --> 00:59:46,120 Speaker 1: like all the stuff that she's been through. She just 1043 00:59:46,320 --> 00:59:48,160 Speaker 1: is a very different artist than she used to be. 1044 00:59:48,800 --> 00:59:52,600 Speaker 1: But I still hold her to that standard that she set, 1045 00:59:52,880 --> 00:59:54,160 Speaker 1: and I don't think that's wrong to do. 1046 00:59:55,520 --> 01:00:00,240 Speaker 3: I remember seeing Gaga, I mean, first of all, to 1047 01:00:00,280 --> 01:00:04,080 Speaker 3: everything you said, like I do feel like digesting Gaga 1048 01:00:04,760 --> 01:00:08,760 Speaker 3: now is It's just it's all she's doing. 1049 01:00:08,680 --> 01:00:09,960 Speaker 1: Is giving us memes. 1050 01:00:10,480 --> 01:00:12,560 Speaker 3: Like she's giving us great memes and great things to 1051 01:00:12,640 --> 01:00:16,880 Speaker 3: joke about on Twitter. It's like Chromatica felt like such 1052 01:00:16,960 --> 01:00:20,440 Speaker 3: a relief because there was legitimate art to celebrate in 1053 01:00:20,560 --> 01:00:25,640 Speaker 3: that moment after a long kind of dry point, you 1054 01:00:25,720 --> 01:00:26,240 Speaker 3: know what I mean. 1055 01:00:26,560 --> 01:00:30,080 Speaker 1: I felt like Chromatica or for me, stupid Love specifically, 1056 01:00:30,920 --> 01:00:31,120 Speaker 1: was this. 1057 01:00:32,680 --> 01:00:35,840 Speaker 3: Like finally we get a Gaga song that I can 1058 01:00:35,960 --> 01:00:38,400 Speaker 3: like bop to again, because I didn't really love the cure. 1059 01:00:38,560 --> 01:00:40,760 Speaker 3: I didn't really like applause. I was not an art 1060 01:00:40,760 --> 01:00:43,960 Speaker 3: pop diva. I was not a Joanne diva. I feel 1061 01:00:44,000 --> 01:00:47,240 Speaker 3: like now retroactively, I've caught on more to our pop, 1062 01:00:47,320 --> 01:00:49,960 Speaker 3: but at its release did not like it. 1063 01:00:51,880 --> 01:00:55,480 Speaker 1: But also chromatica. As much as it felt like our return, 1064 01:00:56,200 --> 01:01:00,000 Speaker 1: it also felt likewell or regression. Yeah, it felt like 1065 01:01:01,000 --> 01:01:04,920 Speaker 1: this was probably the last album like that we might 1066 01:01:05,040 --> 01:01:07,280 Speaker 1: get from her. Let's not try to aifess that baby. 1067 01:01:07,480 --> 01:01:08,400 Speaker 1: Let's let's I do. 1068 01:01:08,720 --> 01:01:11,360 Speaker 3: But I would be fine with if she wants to, 1069 01:01:11,520 --> 01:01:14,000 Speaker 3: like have a baby and get fat and do cheek 1070 01:01:14,080 --> 01:01:16,360 Speaker 3: to cheek five six, seven and twelve. 1071 01:01:16,960 --> 01:01:17,640 Speaker 1: I'm okay with that. 1072 01:01:17,760 --> 01:01:20,640 Speaker 3: I would love for her to do that. Actually, I 1073 01:01:20,680 --> 01:01:23,360 Speaker 3: would like for her to do something as long as 1074 01:01:23,720 --> 01:01:28,480 Speaker 3: she has like a human life. It doesn't feel like 1075 01:01:28,560 --> 01:01:33,880 Speaker 3: she has like a human life. Like she like she's destroyed, Yes, destroyed, 1076 01:01:34,280 --> 01:01:39,120 Speaker 3: she was destroyed by her level, Like her tweet fame 1077 01:01:39,240 --> 01:01:41,680 Speaker 3: is a prisoner whatever, like a stupid tweet, but like 1078 01:01:41,840 --> 01:01:44,880 Speaker 3: she You can tell through all of the commentary and 1079 01:01:45,000 --> 01:01:48,400 Speaker 3: all of the art that she specifically has made about fame, 1080 01:01:48,960 --> 01:01:53,400 Speaker 3: which sometimes feels like cliche, archetypal bullshit about fame, really 1081 01:01:53,680 --> 01:01:58,680 Speaker 3: is inside of her. She is so deeply traumatized by 1082 01:01:58,720 --> 01:02:02,080 Speaker 3: the experience of being the biggest pop star in the world. 1083 01:02:02,320 --> 01:02:04,360 Speaker 3: And that sounds like a really stupid thing to like, 1084 01:02:04,640 --> 01:02:07,360 Speaker 3: you know, say in defense for order to create sympathy 1085 01:02:07,400 --> 01:02:10,320 Speaker 3: for her. But like we as humans actually are not 1086 01:02:11,400 --> 01:02:14,640 Speaker 3: We are not physically we should not be physically able 1087 01:02:14,800 --> 01:02:17,840 Speaker 3: to take on the amount of exposure that it is 1088 01:02:17,920 --> 01:02:20,960 Speaker 3: when you are that level of famous, like psychologically it's 1089 01:02:21,320 --> 01:02:24,480 Speaker 3: very bad for you. Yeah, And you can tell that 1090 01:02:24,680 --> 01:02:28,600 Speaker 3: now that she's like sorry, like meded up, like she 1091 01:02:29,120 --> 01:02:33,400 Speaker 3: has way way too many drugs in her body. 1092 01:02:33,560 --> 01:02:36,520 Speaker 1: Now, I'm worried she's gonna Michael Jackson off this mortal 1093 01:02:36,600 --> 01:02:39,480 Speaker 1: coil that is I'm so yes, that is exactly what 1094 01:02:39,560 --> 01:02:39,959 Speaker 1: it's giving. 1095 01:02:39,960 --> 01:02:43,240 Speaker 3: It's something worries someome And I really hope that if 1096 01:02:43,280 --> 01:02:46,320 Speaker 3: we get to this point where some of these signs 1097 01:02:46,320 --> 01:02:48,600 Speaker 3: are like more explicit, that we don't do like what 1098 01:02:48,720 --> 01:02:50,920 Speaker 3: happened to Brittany or what happened to like these other girls. 1099 01:02:51,000 --> 01:02:53,080 Speaker 1: Like I want to protect Gaga. I care about her 1100 01:02:53,120 --> 01:02:56,720 Speaker 1: a lot, and you know, maybe I should be more 1101 01:02:56,840 --> 01:03:02,600 Speaker 1: charitable and think the sort of lackluster energy she's given 1102 01:03:02,680 --> 01:03:06,880 Speaker 1: currently is her way of protecting herself. Probably, but I 1103 01:03:07,000 --> 01:03:10,960 Speaker 1: don't know. Just like the energy feels so misplaced, like 1104 01:03:11,080 --> 01:03:15,360 Speaker 1: the House Labs of it, all the chromatica oreos, so 1105 01:03:15,760 --> 01:03:18,080 Speaker 1: the weird fake boomerangs and. 1106 01:03:18,480 --> 01:03:23,160 Speaker 3: Oh the boom ranks are so bad. The oreos are unforgivable. 1107 01:03:23,520 --> 01:03:25,800 Speaker 3: The House Labs, however, you have. 1108 01:03:25,920 --> 01:03:29,920 Speaker 1: Some I did. I showed the other night. I was 1109 01:03:29,960 --> 01:03:34,360 Speaker 1: wearing the new House Labs blush and the shade lavender blonde. Okay, Oh, 1110 01:03:34,840 --> 01:03:36,720 Speaker 1: I love so happy I could die and I bought it. 1111 01:03:37,040 --> 01:03:39,880 Speaker 1: I bought that shade literally just because of the name, 1112 01:03:40,280 --> 01:03:42,120 Speaker 1: but it is actually a good. Wait wait, so happy 1113 01:03:42,160 --> 01:03:44,760 Speaker 1: I could die? Oh wait, it's it's so happy I 1114 01:03:44,800 --> 01:03:48,200 Speaker 1: could die. The song the lyric, I love that lavender blonde. 1115 01:03:48,320 --> 01:03:51,200 Speaker 1: Oh the color of the blush is the shade is 1116 01:03:51,280 --> 01:03:52,040 Speaker 1: lavender blonde? 1117 01:03:52,320 --> 01:03:52,640 Speaker 4: Work? 1118 01:03:53,080 --> 01:03:55,440 Speaker 1: Wait what else? So wait you I've seen you wear 1119 01:03:55,440 --> 01:03:58,400 Speaker 1: a lip by House Labs. Yeah, the the lip crans 1120 01:03:58,440 --> 01:04:02,800 Speaker 1: are fine. What's the is it like? Oh? The best? 1121 01:04:03,280 --> 01:04:05,640 Speaker 1: I think the best product they make is their lip oil. 1122 01:04:05,680 --> 01:04:08,200 Speaker 1: I think they're litil I heard. I think their lip 1123 01:04:08,280 --> 01:04:11,680 Speaker 1: oil is the best lip oil on the market period. 1124 01:04:12,120 --> 01:04:16,120 Speaker 1: I oh, better than Amy Coole. I haven't used their 1125 01:04:16,160 --> 01:04:18,560 Speaker 1: lip oil. I always yet targeted instagrams for that ship 1126 01:04:18,680 --> 01:04:22,960 Speaker 1: better than do your better than the Knicks, do your 1127 01:04:23,080 --> 01:04:25,160 Speaker 1: ripoff better than the Fentie, which I think is a 1128 01:04:25,200 --> 01:04:25,760 Speaker 1: close second. 1129 01:04:25,800 --> 01:04:27,640 Speaker 3: I know you don't have the wear foundation, but I've 1130 01:04:27,680 --> 01:04:29,680 Speaker 3: also heard the House Lives Foundation is excellent. 1131 01:04:29,760 --> 01:04:32,040 Speaker 1: Well, I've heard like various things. Some people say it's 1132 01:04:32,040 --> 01:04:33,920 Speaker 1: really good, some people say it's really bad. Okay, good 1133 01:04:33,920 --> 01:04:39,960 Speaker 1: to know. Also there there eye paints are are okay, Okay, 1134 01:04:40,560 --> 01:04:43,760 Speaker 1: I'm now gonna go get me some blush. But it's 1135 01:04:43,800 --> 01:04:47,520 Speaker 1: powder blush, not cream. But it's almost it's almost powder. 1136 01:04:48,120 --> 01:04:50,920 Speaker 1: It's almost a powder to cream formula. 1137 01:04:51,920 --> 01:04:57,720 Speaker 3: Okay, and coming up are sponsored by House Lab segment. 1138 01:04:57,760 --> 01:05:00,000 Speaker 3: I wish she would have taken out out on our podcast. 1139 01:05:00,160 --> 01:05:02,000 Speaker 3: I would love for the whole house lap Speed. 1140 01:05:23,360 --> 01:05:25,840 Speaker 1: I know that I've met her before and I've seen 1141 01:05:25,920 --> 01:05:30,160 Speaker 1: her several times. I don't ever want to have a 1142 01:05:30,240 --> 01:05:33,680 Speaker 1: conversation with her. Yeah not again, I mean I did, 1143 01:05:33,800 --> 01:05:40,600 Speaker 1: I want. I can't because I've had one really good 1144 01:05:40,800 --> 01:05:44,560 Speaker 1: interaction with her at the time when she was the 1145 01:05:44,760 --> 01:05:48,880 Speaker 1: most important to me, like her peak era, and it 1146 01:05:49,040 --> 01:05:52,760 Speaker 1: was the best kind of interaction. She was like funny, 1147 01:05:52,880 --> 01:05:55,160 Speaker 1: she was a little mean, she was a little bitchy 1148 01:05:55,680 --> 01:05:57,960 Speaker 1: and I was great, And I don't know that I 1149 01:05:58,040 --> 01:06:01,360 Speaker 1: want to meet this Gaga now, even though I was 1150 01:06:01,520 --> 01:06:03,520 Speaker 1: very pissed when I went on a press trip and 1151 01:06:04,560 --> 01:06:06,520 Speaker 1: right you did right and did not get to meet 1152 01:06:06,560 --> 01:06:08,800 Speaker 1: Gaga because I wasn't one of the influencers who. 1153 01:06:08,800 --> 01:06:12,400 Speaker 3: Was there, remember, Well, So that's how I feel about Share. 1154 01:06:13,480 --> 01:06:16,360 Speaker 3: I don't want Share to ruin share for me. Yeah, Gaga, 1155 01:06:16,680 --> 01:06:20,000 Speaker 3: I would love to meet. However, I would never want 1156 01:06:20,040 --> 01:06:22,280 Speaker 3: to meet her as a fan, like I would never 1157 01:06:22,440 --> 01:06:24,760 Speaker 3: want the dynamic to be like, oh, I'm like walking 1158 01:06:24,840 --> 01:06:26,280 Speaker 3: up to her in a public place or like something 1159 01:06:26,280 --> 01:06:29,000 Speaker 3: like that. It would need to be like I'm friends 1160 01:06:29,040 --> 01:06:32,520 Speaker 3: with one of her friends, or I'm working on something 1161 01:06:32,560 --> 01:06:34,320 Speaker 3: that she's working on, or like something like that. 1162 01:06:34,920 --> 01:06:35,960 Speaker 1: And I feel that way. 1163 01:06:35,840 --> 01:06:39,000 Speaker 3: About a lot of kind of celebs that I could 1164 01:06:39,320 --> 01:06:43,400 Speaker 3: maybe meet, because I don't I hate the conversational dynamic 1165 01:06:43,560 --> 01:06:48,040 Speaker 3: of fan and not you know, and the notoriety person. 1166 01:06:48,160 --> 01:06:50,760 Speaker 1: I mean, I do think the circumstances are really important 1167 01:06:50,800 --> 01:06:54,600 Speaker 1: with her because she commits fully to the drag of 1168 01:06:54,720 --> 01:06:57,200 Speaker 1: whatever she's doing at the moment. Yeah, so I'm sure 1169 01:06:57,320 --> 01:07:00,560 Speaker 1: like if you met her, like I'm she probably doesn't 1170 01:07:00,560 --> 01:07:02,560 Speaker 1: go out. But like, if you met her in more 1171 01:07:02,680 --> 01:07:06,640 Speaker 1: casual circumstances exactly, she would be doing casual drag. If 1172 01:07:06,720 --> 01:07:08,960 Speaker 1: you met her at like a house labs event, she 1173 01:07:09,000 --> 01:07:11,080 Speaker 1: would be in business woman drag. If you met her 1174 01:07:11,240 --> 01:07:13,360 Speaker 1: like at a meet and greet at a show, she 1175 01:07:13,440 --> 01:07:15,240 Speaker 1: would be doing Gaga drag. 1176 01:07:15,400 --> 01:07:19,440 Speaker 3: Gaga is a drag artist, but she's not performing womanhood. 1177 01:07:19,520 --> 01:07:21,560 Speaker 3: She's performing Gaga. 1178 01:07:21,720 --> 01:07:26,960 Speaker 1: Yeah yeah, yeah yeah she I yeah. 1179 01:07:27,040 --> 01:07:29,160 Speaker 3: I feel that way about a lot of celebs, honestly. 1180 01:07:29,200 --> 01:07:31,800 Speaker 3: I mean, I'll never meet Gaga probably, but like I do, 1181 01:07:32,080 --> 01:07:33,800 Speaker 3: like if I see like a celeb, like at a 1182 01:07:33,880 --> 01:07:36,240 Speaker 3: party or at a bar, or like if I'm or 1183 01:07:36,240 --> 01:07:38,360 Speaker 3: at like a red carpet event or whatever, like, I 1184 01:07:38,480 --> 01:07:39,000 Speaker 3: don't want to. 1185 01:07:39,200 --> 01:07:40,680 Speaker 1: I don't want to walk out to them and. 1186 01:07:40,720 --> 01:07:43,280 Speaker 3: Say hi, I'm blah blah blah, because I'd much rather 1187 01:07:43,720 --> 01:07:47,960 Speaker 3: wait for a maybe possible, potential moment where our paths 1188 01:07:48,000 --> 01:07:50,960 Speaker 3: intersect in an organic way where we feel more like peers. 1189 01:07:51,080 --> 01:07:52,840 Speaker 1: But sometimes you just got to go for it. No, 1190 01:07:52,960 --> 01:07:54,360 Speaker 1: because might not have another chance. 1191 01:07:54,520 --> 01:07:56,439 Speaker 3: No, never, I don't. That's the thing is, I don't 1192 01:07:56,480 --> 01:07:58,960 Speaker 3: want to meet them. I don't want to eat It's 1193 01:07:58,960 --> 01:08:00,840 Speaker 3: either I meet them in that context, or I don't 1194 01:08:00,840 --> 01:08:03,360 Speaker 3: want to meet them at all because and that sounds 1195 01:08:03,400 --> 01:08:06,439 Speaker 3: like kind of egoistical, but like, look, I've worked very hard, 1196 01:08:06,520 --> 01:08:09,160 Speaker 3: Like I'm in a lot of cool celebrity circles sometimes, 1197 01:08:09,280 --> 01:08:11,960 Speaker 3: and yeah, I don't want to walk up and say hi, 1198 01:08:12,080 --> 01:08:14,200 Speaker 3: I want to wait till i'm there peer. 1199 01:08:14,720 --> 01:08:17,760 Speaker 1: I'll never be Gaga's peer. You'll never be I'll never 1200 01:08:17,840 --> 01:08:20,680 Speaker 1: be anything close to that. But you know, you'll just 1201 01:08:20,760 --> 01:08:24,240 Speaker 1: be some fag. Yeah, I'll just be some fag. I 1202 01:08:24,360 --> 01:08:27,479 Speaker 1: told you she didn't have a dick. Wait, wait, wait, 1203 01:08:28,720 --> 01:08:31,160 Speaker 1: we need to talk about that. Oh about how everyone 1204 01:08:31,160 --> 01:08:31,840 Speaker 1: thought she was trans. 1205 01:08:32,040 --> 01:08:36,120 Speaker 3: Yes, yes, this is crazy. This is actually like like 1206 01:08:36,320 --> 01:08:41,200 Speaker 3: a massive cultural massive cock. A massive yes, a massive 1207 01:08:41,280 --> 01:08:45,880 Speaker 3: she cock, a massive cultural scandal, a massive she is 1208 01:08:46,080 --> 01:08:48,879 Speaker 3: a massive shen take. 1209 01:08:48,760 --> 01:08:57,240 Speaker 1: Off to the planet, to the planet. I it was a. 1210 01:08:57,560 --> 01:09:03,920 Speaker 3: Massive cultural scandal that took over news cycles. I heard 1211 01:09:03,960 --> 01:09:06,599 Speaker 3: about it as a kid and so like, and yet 1212 01:09:06,680 --> 01:09:09,400 Speaker 3: it's like kind of like never, it kind of never happened. 1213 01:09:09,720 --> 01:09:14,840 Speaker 3: It's wild that that was such a thing. Like it 1214 01:09:15,000 --> 01:09:16,960 Speaker 3: was not the same as when we all said Sierra 1215 01:09:17,040 --> 01:09:18,679 Speaker 3: had a dick, or when we said Jamie Lee Curtis 1216 01:09:18,720 --> 01:09:22,160 Speaker 3: had a dick, when Gaga had it, Sigourney Weaver that 1217 01:09:22,240 --> 01:09:24,880 Speaker 3: we thought had to dick. No Jamie as well. Oh, 1218 01:09:24,960 --> 01:09:26,519 Speaker 3: Sigourney Weaver maybe has no. 1219 01:09:26,600 --> 01:09:27,200 Speaker 1: I'm just kidding. 1220 01:09:27,240 --> 01:09:29,360 Speaker 3: These are all rivers. But like when everyone was saying 1221 01:09:29,360 --> 01:09:32,120 Speaker 3: Goga has it, God, it was like what. And then 1222 01:09:32,439 --> 01:09:35,000 Speaker 3: she in that interview with Anderson Cooper when he was like, so, 1223 01:09:35,200 --> 01:09:37,439 Speaker 3: people say you have a dick and She's like, yeah, 1224 01:09:38,160 --> 01:09:40,560 Speaker 3: which obviously like part of it is shocked that it 1225 01:09:40,680 --> 01:09:44,639 Speaker 3: like something like that feels like shock value, great pr 1226 01:09:44,800 --> 01:09:46,920 Speaker 3: and she's smart. She was on the cusp of fame. 1227 01:09:47,240 --> 01:09:50,960 Speaker 3: She was like, let me write it without saying transphobic shit. 1228 01:09:51,640 --> 01:09:53,000 Speaker 3: And he was like, so, do you have more to 1229 01:09:53,000 --> 01:09:55,680 Speaker 3: say about it? And she was like what if I did, Like, 1230 01:09:56,000 --> 01:09:57,160 Speaker 3: would it be so bad? 1231 01:09:57,439 --> 01:10:01,880 Speaker 1: Her early interviews are so so phenomenal, iconic, like around 1232 01:10:02,400 --> 01:10:04,880 Speaker 1: Born this Way, There's one where this woman asks her 1233 01:10:05,000 --> 01:10:06,600 Speaker 1: what's the one thing in the world she wants to 1234 01:10:06,760 --> 01:10:08,240 Speaker 1: the one experience of the world she wants to have 1235 01:10:08,320 --> 01:10:12,000 Speaker 1: the most and she just goes, dah, yes, yes, yes, 1236 01:10:12,640 --> 01:10:14,360 Speaker 1: it's very you, it is very me. 1237 01:10:14,720 --> 01:10:14,920 Speaker 7: Yeah. 1238 01:10:15,479 --> 01:10:18,200 Speaker 3: All of her Honestly, interview, Gaga is the Gaga an 1239 01:10:18,360 --> 01:10:22,000 Speaker 3: early interview. Gaga, thank you for that clarification is actually 1240 01:10:22,240 --> 01:10:25,479 Speaker 3: the thing that I'll remember forever and why I'll always 1241 01:10:25,520 --> 01:10:25,800 Speaker 3: love her. 1242 01:10:25,960 --> 01:10:28,880 Speaker 1: That's maybe the one circumstance in which I would want 1243 01:10:29,040 --> 01:10:31,880 Speaker 1: to like interact with her now interview is if I 1244 01:10:31,960 --> 01:10:36,479 Speaker 1: got to do like a proper like profile or like 1245 01:10:36,880 --> 01:10:41,920 Speaker 1: on camera moment, because she would be in full drag 1246 01:10:42,400 --> 01:10:45,639 Speaker 1: for that experience and I would get a really good 1247 01:10:46,040 --> 01:10:49,680 Speaker 1: version of her. Yeah, because she I think the thing 1248 01:10:49,800 --> 01:10:53,000 Speaker 1: now is that she keeps it so turned off all 1249 01:10:53,120 --> 01:10:55,680 Speaker 1: the time, so that in the moments when she has 1250 01:10:55,800 --> 01:10:58,599 Speaker 1: to turn it on, it can be at one hundred 1251 01:10:58,920 --> 01:10:59,759 Speaker 1: thousand percent. 1252 01:11:00,040 --> 01:11:00,360 Speaker 4: Hmmm. 1253 01:11:01,400 --> 01:11:03,080 Speaker 1: I love I mean I do love her and I 1254 01:11:03,160 --> 01:11:08,479 Speaker 1: will I will always love her more than anyone else period. 1255 01:11:08,760 --> 01:11:09,599 Speaker 1: I mean, he's my girl. 1256 01:11:10,160 --> 01:11:14,759 Speaker 3: Gaga is your diva, Beyonce, she Gaga's my number two easily, 1257 01:11:14,880 --> 01:11:16,240 Speaker 3: and they hold completely different spaces. 1258 01:11:16,360 --> 01:11:20,320 Speaker 1: Gaga has made me cry so many times. The first 1259 01:11:20,360 --> 01:11:25,560 Speaker 1: time I saw Starsborn, I sobbed my way through it, 1260 01:11:25,840 --> 01:11:28,439 Speaker 1: and I honestly was convinced it was going to win 1261 01:11:28,520 --> 01:11:31,840 Speaker 1: Best Picture of the Oscars. And then the second time 1262 01:11:31,880 --> 01:11:35,840 Speaker 1: I saw it, I was like, Okay, no, I do 1263 01:11:36,280 --> 01:11:39,320 Speaker 1: kind of want to rewatch it. It's been a while 1264 01:11:39,400 --> 01:11:41,439 Speaker 1: since I saw it. I mean, it's a bad movie, 1265 01:11:42,000 --> 01:11:43,400 Speaker 1: but she's very compelling in it. 1266 01:11:43,560 --> 01:11:45,760 Speaker 3: She's amazing. I don't think it's a bad movie. I 1267 01:11:45,800 --> 01:11:47,800 Speaker 3: think that the last third is bad, and I think 1268 01:11:47,840 --> 01:11:51,000 Speaker 3: the rest of the movie is amazing. It's a movie 1269 01:11:51,160 --> 01:11:51,960 Speaker 3: that feels. 1270 01:11:51,680 --> 01:11:52,120 Speaker 4: Like a movie. 1271 01:11:53,120 --> 01:11:56,599 Speaker 3: You're my boyfriend, I mean my husband. You're looking You're 1272 01:11:56,800 --> 01:12:01,439 Speaker 3: so fucking ugly. You could never be my fucking dad. 1273 01:12:01,880 --> 01:12:03,559 Speaker 3: You never be my fucking dad. 1274 01:12:03,640 --> 01:12:08,800 Speaker 1: I'm moortown. You got your fucking body, fucking body, you're 1275 01:12:08,960 --> 01:12:11,760 Speaker 1: so fucking so fucking hey, some of your come here 1276 01:12:12,040 --> 01:12:19,120 Speaker 1: and what that fucking makeup ass? Fuck your She go right, okay, 1277 01:12:27,600 --> 01:12:29,760 Speaker 1: slid into our dms at like a Virgin four twenty 1278 01:12:29,800 --> 01:12:32,080 Speaker 1: sixty nine And let us know what's your favorite Gaga song? 1279 01:12:32,160 --> 01:12:35,120 Speaker 4: Gaga album? Do you think Lady Gaga killed Lena MORGANA? 1280 01:12:35,200 --> 01:12:37,040 Speaker 1: Do you think she has a dick still? 1281 01:12:37,680 --> 01:12:38,080 Speaker 4: She does? 1282 01:12:38,640 --> 01:12:41,120 Speaker 1: And next week make sure to tune in for an 1283 01:12:41,200 --> 01:12:44,400 Speaker 1: episode all about chain restaurants. 1284 01:12:44,560 --> 01:12:47,880 Speaker 4: Yes, we are saying it all. 1285 01:12:48,080 --> 01:12:53,680 Speaker 1: When it comes to the cheesecake Factory, Olive Garden, Chilis, 1286 01:12:54,280 --> 01:12:55,120 Speaker 1: et cetera, et. 1287 01:12:55,160 --> 01:12:57,800 Speaker 3: Cetera, you would think that I would have chimed in there, 1288 01:12:57,880 --> 01:13:00,920 Speaker 3: but you know, we have so many restaurants that we 1289 01:13:01,000 --> 01:13:04,439 Speaker 3: went through its honestly cantors, they could not be counted 1290 01:13:04,680 --> 01:13:05,200 Speaker 3: by our merch. 1291 01:13:05,360 --> 01:13:07,519 Speaker 1: At Like a Virgin four twenty sixty nine dot com, 1292 01:13:07,680 --> 01:13:10,559 Speaker 1: you can also become a patron at Patreon dot com 1293 01:13:10,680 --> 01:13:15,320 Speaker 1: slash like a Virgin for weekly bonus episodes. And we 1294 01:13:15,600 --> 01:13:18,960 Speaker 1: have a little preview of this week's Patreon episode at 1295 01:13:19,280 --> 01:13:21,840 Speaker 1: the end of this episode, So if you've been on 1296 01:13:21,920 --> 01:13:24,000 Speaker 1: the fence and want to check it out, listen for 1297 01:13:24,080 --> 01:13:27,679 Speaker 1: a little tease and follow us at Like a Virgin 1298 01:13:27,720 --> 01:13:31,040 Speaker 1: four twenty sixty nine On Instagram. You can also follow 1299 01:13:31,120 --> 01:13:33,080 Speaker 1: me anywhere you want at Rosdam, you. 1300 01:13:33,120 --> 01:13:35,400 Speaker 3: Can follow me at Friends, squish Goo, anywhere you like, 1301 01:13:35,479 --> 01:13:37,679 Speaker 3: and not just to our own horn. But this live 1302 01:13:37,760 --> 01:13:40,360 Speaker 3: show was pretty juicy. In fact, I did say a 1303 01:13:40,439 --> 01:13:41,040 Speaker 3: few things. 1304 01:13:40,880 --> 01:13:42,000 Speaker 1: On the mic that I forgot. 1305 01:13:42,160 --> 01:13:45,320 Speaker 3: We're going to be in a recording, So if you 1306 01:13:45,400 --> 01:13:47,640 Speaker 3: want some like exclusive hot goss and you want to 1307 01:13:47,640 --> 01:13:50,160 Speaker 3: feel like you're right there in the room, follow us 1308 01:13:50,240 --> 01:13:53,519 Speaker 3: for that amazing all star lineup that evening. 1309 01:13:53,960 --> 01:13:58,000 Speaker 1: Get into our Patreon Yes, become a paywell princess today 1310 01:13:58,680 --> 01:14:01,479 Speaker 1: like a Virgin is an iHeartRadio production. Our producer is 1311 01:14:01,520 --> 01:14:04,719 Speaker 1: Phoebe Unter, with support from Lindsay Hoffman and Nikki Etur 1312 01:14:05,120 --> 01:14:14,679 Speaker 1: Until next week. Bye me, and here's a special clip 1313 01:14:14,880 --> 01:14:18,240 Speaker 1: from this week's Patreon episode, Become a Patron at patreon 1314 01:14:18,280 --> 01:14:22,360 Speaker 1: dot com slash like a Virgin? Divas? Who are they? 1315 01:14:22,520 --> 01:14:25,920 Speaker 1: What do they do? What do we do in relation 1316 01:14:26,120 --> 01:14:30,160 Speaker 1: to them? Divas leave us with so many questions? Was 1317 01:14:30,200 --> 01:14:33,800 Speaker 1: this written by chat GBT? Yeah? All of our banter 1318 01:14:34,040 --> 01:14:37,400 Speaker 1: was written by chat GBT. Everything we say on the 1319 01:14:37,479 --> 01:14:42,280 Speaker 1: podcast is written by chat GPT. But you know who 1320 01:14:42,600 --> 01:14:45,760 Speaker 1: isn't written by a chat gpt? Who either of our 1321 01:14:45,920 --> 01:14:48,920 Speaker 1: next guests. That's right, let's bring them out. Let's right, 1322 01:14:49,040 --> 01:14:51,960 Speaker 1: bring them out right now? Please welcome to the stage. 1323 01:14:52,640 --> 01:14:56,240 Speaker 1: Hi Pluton and Joel Kim Booster. 1324 01:15:02,600 --> 01:15:03,040 Speaker 4: Started. 1325 01:15:07,520 --> 01:15:11,360 Speaker 1: I'm so sorry. We're so tangled in wires and web cheer. 1326 01:15:11,680 --> 01:15:14,200 Speaker 1: It's like a polycule. Oh my god, we are a 1327 01:15:14,280 --> 01:15:18,840 Speaker 1: polycule now. Oh yay, Happy pride, Happy Pride. I didn't 1328 01:15:18,840 --> 01:15:23,800 Speaker 1: get to that chapter of polysecure yet, but are you 1329 01:15:23,880 --> 01:15:25,160 Speaker 1: all ready to play a game? 1330 01:15:26,240 --> 01:15:26,439 Speaker 2: Yeah? 1331 01:15:26,560 --> 01:15:26,880 Speaker 3: I did. 1332 01:15:27,240 --> 01:15:29,519 Speaker 5: I'll in full disclosure, I did smoke a joint before 1333 01:15:29,560 --> 01:15:32,519 Speaker 5: getting here. Because oh we love that, because I don't 1334 01:15:32,800 --> 01:15:33,280 Speaker 5: respect you. 1335 01:15:35,000 --> 01:15:39,320 Speaker 3: No, no, babe, babe, the feeling is absolutely mutual, Diva. 1336 01:15:39,960 --> 01:15:41,120 Speaker 2: But no, I'm really I'm ready. 1337 01:15:41,160 --> 01:15:43,280 Speaker 1: I feel free, I feel ready to talk. 1338 01:15:43,439 --> 01:15:46,679 Speaker 3: Okay, great, because we're going to play a game of Diva, 1339 01:15:48,320 --> 01:15:50,680 Speaker 3: which like does not have much to do with the 1340 01:15:50,800 --> 01:15:53,840 Speaker 3: actual game, but it was a fun name, so it was. 1341 01:15:54,200 --> 01:15:57,600 Speaker 1: Yeah. So we are going to ask producer Phoebe to 1342 01:15:57,680 --> 01:16:00,800 Speaker 1: be the voice of God and ask us a series 1343 01:16:00,840 --> 01:16:03,280 Speaker 1: of questions and we're going to answer honestly from the heart. 1344 01:16:03,560 --> 01:16:08,120 Speaker 6: Okay, from the heart and the whole and the whole. 1345 01:16:08,200 --> 01:16:11,320 Speaker 1: Hearts and wholes, the dichotomy. Yes, Okay, give us the 1346 01:16:11,320 --> 01:16:11,840 Speaker 1: first question. 1347 01:16:11,880 --> 01:16:15,439 Speaker 6: The first question is what diva do you want to 1348 01:16:15,520 --> 01:16:18,960 Speaker 6: sing at your wedding? She will also sing in the 1349 01:16:19,000 --> 01:16:21,679 Speaker 6: hotel room on your wedding night as you're making love, 1350 01:16:22,760 --> 01:16:25,519 Speaker 6: and we'll be cooking you breakfast the next morning. This 1351 01:16:25,680 --> 01:16:27,400 Speaker 6: is a multiple choice question. 1352 01:16:27,560 --> 01:16:28,719 Speaker 1: Okay, what are the choices? 1353 01:16:28,840 --> 01:16:34,439 Speaker 6: The choices are A Megan Trainer, do you two trainers 1354 01:16:34,520 --> 01:16:35,200 Speaker 6: make some noise? 1355 01:16:35,320 --> 01:16:36,320 Speaker 1: You two trainers? 1356 01:16:37,439 --> 01:16:44,080 Speaker 6: B Kelly Clarkson see Carrie Underwood. D Rita Aura or like. 1357 01:16:44,320 --> 01:16:49,840 Speaker 1: Other Rita Aur is kind of the other of the 1358 01:16:49,920 --> 01:16:54,160 Speaker 1: pop world. What do y'all think? 1359 01:16:55,520 --> 01:16:59,880 Speaker 7: Okay, okay, my other would be I don't know why 1360 01:17:00,080 --> 01:17:02,680 Speaker 7: this I came to be so quickly, and even though 1361 01:17:02,800 --> 01:17:06,479 Speaker 7: she isn't a singer, she is a diva. But what's 1362 01:17:06,520 --> 01:17:07,519 Speaker 7: in what's her name? 1363 01:17:07,600 --> 01:17:07,880 Speaker 2: Again? 1364 01:17:08,160 --> 01:17:10,559 Speaker 4: From from. 1365 01:17:11,920 --> 01:17:14,479 Speaker 7: Getting as I had half an ipay and feeling crazy, 1366 01:17:15,200 --> 01:17:21,880 Speaker 7: she's bisexual and wait, Carroen, Carol Basket, Carol. 1367 01:17:24,360 --> 01:17:26,760 Speaker 2: Yeah, I did not realize she was a by icon. 1368 01:17:27,439 --> 01:17:29,120 Speaker 1: Yeah, she's a BiCon. 1369 01:17:29,400 --> 01:17:31,519 Speaker 7: My issue with this question and I will answer, but 1370 01:17:31,680 --> 01:17:35,360 Speaker 7: like not to have oppositional defiance disorder, is that I 1371 01:17:35,520 --> 01:17:38,320 Speaker 7: don't really know the catalog well enough from any of 1372 01:17:38,400 --> 01:17:43,960 Speaker 7: those women, like as a transgender male bisexual entity. So 1373 01:17:45,120 --> 01:17:52,320 Speaker 7: I will choose Megan Trainer because I would hope that 1374 01:17:52,360 --> 01:17:55,240 Speaker 7: her plus one would be the little twunk from Spy Kids. 1375 01:17:56,400 --> 01:17:57,639 Speaker 1: Who's your husband? Right? Yeah? 1376 01:17:57,640 --> 01:18:00,280 Speaker 4: Who she poops next to? Yeah, that's my answer. 1377 01:18:01,840 --> 01:18:04,000 Speaker 5: First of all, I would like to apologize. I'm still 1378 01:18:04,080 --> 01:18:06,440 Speaker 5: reeling from the fact that you said the word bisexual 1379 01:18:06,560 --> 01:18:08,719 Speaker 5: and my first thought was Tila Tequila. 1380 01:18:08,920 --> 01:18:09,160 Speaker 1: Yeah. 1381 01:18:10,320 --> 01:18:17,040 Speaker 2: Yeah, to the bisexual community. I feel really bad about 1382 01:18:17,080 --> 01:18:18,040 Speaker 2: that my other. 1383 01:18:20,040 --> 01:18:23,360 Speaker 5: If my other would be I think somebody who encompasses 1384 01:18:23,400 --> 01:18:25,320 Speaker 5: a lot of different vibes in that sizza. 1385 01:18:26,880 --> 01:18:28,639 Speaker 1: I think I don't know if you can be such 1386 01:18:28,680 --> 01:18:29,960 Speaker 1: a sad wedding night. 1387 01:18:30,200 --> 01:18:32,400 Speaker 4: Yeah, I got Sexy One. 1388 01:18:32,600 --> 01:18:35,040 Speaker 2: It's a sexy one. I fucked that album all the time. 1389 01:18:35,120 --> 01:18:36,880 Speaker 1: Oh yeah, I definitely love fucking and says it's like 1390 01:18:37,040 --> 01:18:38,960 Speaker 1: I have pimples. It's really hot. 1391 01:18:41,439 --> 01:18:42,720 Speaker 5: But I guess if I had to choose one of 1392 01:18:42,760 --> 01:18:45,120 Speaker 5: those ladies, I'd be spending a lot of time with them. 1393 01:18:45,160 --> 01:18:47,840 Speaker 5: And I do think Kelly Clarkson can hang. 1394 01:18:48,240 --> 01:18:52,240 Speaker 1: I do think so Kelly Clarkson will be singing in 1395 01:18:52,400 --> 01:18:53,360 Speaker 1: the hotel room. 1396 01:18:53,200 --> 01:18:55,880 Speaker 2: With you as you It's gonna be rough, and I. 1397 01:18:57,600 --> 01:18:58,120 Speaker 1: I will be. 1398 01:18:59,080 --> 01:19:02,000 Speaker 5: I guess I I'm gonna have to do side behavior 1399 01:19:02,760 --> 01:19:06,519 Speaker 5: the whole time because I just can't imagine Kelly seeing 1400 01:19:06,560 --> 01:19:08,679 Speaker 5: anal I can. 1401 01:19:10,600 --> 01:19:13,880 Speaker 1: I think she's seen a lot of anal Actually, all. 1402 01:19:13,840 --> 01:19:14,559 Speaker 4: Right, Next question? 1403 01:19:14,680 --> 01:19:18,639 Speaker 6: Next question, question is who would you trust to drive 1404 01:19:18,720 --> 01:19:23,840 Speaker 6: you home from top surgery? Caitlyn Jenner or Chris Jenner. 1405 01:19:24,439 --> 01:19:30,559 Speaker 1: Oh if the answer kind of OBVIU. 1406 01:19:30,560 --> 01:19:36,920 Speaker 7: Okay, honestly, it's only hey. My answer is is site specific. 1407 01:19:37,080 --> 01:19:42,000 Speaker 7: I live in New York City and so therefore it's Caitlin, Use, 1408 01:19:42,040 --> 01:19:44,280 Speaker 7: I don't think aggressive driving. Yeah, I don't think that, 1409 01:19:44,479 --> 01:19:48,559 Speaker 7: Chris Jenner. There's too many like like, I need someone 1410 01:19:48,560 --> 01:19:52,439 Speaker 7: who's on uppers, not downers, you know what I mean? 1411 01:19:53,240 --> 01:19:56,559 Speaker 7: And Chris is so fucking barred out all the time. 1412 01:19:57,479 --> 01:19:59,840 Speaker 7: You can't drive you home from Midtown where I got 1413 01:19:59,840 --> 01:20:03,080 Speaker 7: my top surgery, and like an escalade like we will die, 1414 01:20:04,640 --> 01:20:06,720 Speaker 7: But didn't Kaitlyn kill someone in the car? 1415 01:20:07,920 --> 01:20:12,599 Speaker 1: Oh, your answer has been sealed. You can't take it back. Yeah, 1416 01:20:13,080 --> 01:20:14,679 Speaker 1: I mean then it's definitely Caitlyn. 1417 01:20:17,520 --> 01:20:19,479 Speaker 4: The answer sands you know who. 1418 01:20:19,479 --> 01:20:21,040 Speaker 1: Drove you home after your top surgery? 1419 01:20:21,840 --> 01:20:25,519 Speaker 2: But yes, me plans, plants. 1420 01:20:25,560 --> 01:20:27,679 Speaker 1: You're like, I'm too high to process this question. 1421 01:20:29,360 --> 01:20:32,400 Speaker 5: No, I think like I'm thinking about who would ask 1422 01:20:32,520 --> 01:20:36,600 Speaker 5: the least annoying questions on the way home about what 1423 01:20:36,800 --> 01:20:40,680 Speaker 5: it is to be someone? Would you know that of 1424 01:20:40,880 --> 01:20:44,960 Speaker 5: trans experience? And I actually think Chris would be less annoying. 1425 01:20:46,080 --> 01:20:49,559 Speaker 1: Than a solid answer, and she would already have plans 1426 01:20:49,600 --> 01:20:50,880 Speaker 1: about how to monetize it. 1427 01:20:51,080 --> 01:20:52,599 Speaker 2: Yeah, yeah, exactly. 1428 01:20:52,640 --> 01:20:54,519 Speaker 1: Wait can I say a non secutor? 1429 01:20:54,840 --> 01:20:56,479 Speaker 7: Of course, only because I had half of an I 1430 01:20:56,560 --> 01:21:00,400 Speaker 7: p a yes, because we told her like Kelly Clarkson, anal. 1431 01:21:00,760 --> 01:21:03,160 Speaker 1: Now I'm like Simon Cowell. 1432 01:21:04,240 --> 01:21:06,639 Speaker 7: And thinking about how growing up we were all really 1433 01:21:06,800 --> 01:21:11,160 Speaker 7: like mesmerized by his nipples. I want the Simon Cowell 1434 01:21:11,240 --> 01:21:12,800 Speaker 7: peck implant, is what I'm saying. 1435 01:21:13,320 --> 01:21:19,280 Speaker 3: Oh, okay, universal healthcare, thank you, and kay, we'll drive 1436 01:21:19,320 --> 01:21:19,679 Speaker 3: you home. 1437 01:21:20,320 --> 01:21:20,559 Speaker 2: Okay. 1438 01:21:20,680 --> 01:21:27,320 Speaker 6: Next question, if you were in the Titanic submersible, heard 1439 01:21:27,360 --> 01:21:31,000 Speaker 6: of it, what is the last diva anthem you'd stream 1440 01:21:31,080 --> 01:21:34,600 Speaker 6: on Spotify before it imploded? 1441 01:21:37,880 --> 01:21:40,160 Speaker 1: No choices, you have to come up from scratch. 1442 01:21:40,640 --> 01:21:44,120 Speaker 7: Hey, let me start by saying that I thought all 1443 01:21:44,240 --> 01:21:48,120 Speaker 7: of I thought submersible was an inside joke in a way. 1444 01:21:48,400 --> 01:21:50,559 Speaker 7: I didn't know it was actually a noun that we're 1445 01:21:50,560 --> 01:21:53,520 Speaker 7: all calling it like instead of summarine, like the submersible. 1446 01:21:54,120 --> 01:21:55,200 Speaker 1: I was like, gay people are so. 1447 01:21:55,520 --> 01:22:04,360 Speaker 7: Funny, but it is noun. Last diva anthem? Oh, definitely, 1448 01:22:05,040 --> 01:22:11,639 Speaker 7: Britney spears. Wisom till the world ends? Oh it would 1449 01:22:11,680 --> 01:22:14,200 Speaker 7: be till the world ends Britney spears. And that's a 1450 01:22:14,280 --> 01:22:14,960 Speaker 7: gay guy answer. 1451 01:22:15,000 --> 01:22:19,519 Speaker 1: You're welcome. I honestly, my first song was married j Blanche. 1452 01:22:19,680 --> 01:22:24,679 Speaker 1: I'm going down? Is that too obvious? 1453 01:22:25,439 --> 01:22:25,479 Speaker 7: No? 1454 01:22:25,640 --> 01:22:26,000 Speaker 4: It works. 1455 01:22:26,240 --> 01:22:28,040 Speaker 1: I feel like I already know your answer, Rose, which 1456 01:22:28,080 --> 01:22:30,000 Speaker 1: would be the Nanny theme song. It would be the 1457 01:22:31,800 --> 01:22:33,720 Speaker 1: yeah you know me so well. 1458 01:22:34,720 --> 01:22:39,599 Speaker 5: Another question, Sorry, no, I know, Joel, listen, it's not funny. 1459 01:22:39,640 --> 01:22:41,320 Speaker 5: It's just my favorite song in the whole world. 1460 01:22:41,320 --> 01:22:41,920 Speaker 2: And that's Diana. 1461 01:22:42,040 --> 01:22:45,880 Speaker 5: Ross's the boss, and in many ways it was the 1462 01:22:45,960 --> 01:22:48,679 Speaker 5: boss's fault that that all happened in the first place. 1463 01:22:49,760 --> 01:22:52,200 Speaker 1: That's very true. Okay, next question. 1464 01:22:52,680 --> 01:22:55,720 Speaker 6: If you were trapped in the woods like the Lesbians 1465 01:22:55,760 --> 01:23:00,080 Speaker 6: and Yellow Jackets, which of these divas would you you 1466 01:23:00,280 --> 01:23:06,360 Speaker 6: most want to cannibalize A Laana del Rey, the Florence 1467 01:23:06,439 --> 01:23:12,200 Speaker 6: Welch see Lord de Gloria Stefan. 1468 01:23:15,960 --> 01:23:18,799 Speaker 1: Gloria would be delicious exactly. 1469 01:23:19,479 --> 01:23:22,360 Speaker 7: The answer has to be Lana because obviously it's like, 1470 01:23:22,760 --> 01:23:24,960 Speaker 7: if we can just just safely assume that the human 1471 01:23:25,040 --> 01:23:27,880 Speaker 7: flesh tastes like what the human was eating, I want 1472 01:23:28,080 --> 01:23:32,519 Speaker 7: Lana flesh, you know, I want like parliaments, chili, cheese, 1473 01:23:32,600 --> 01:23:37,400 Speaker 7: dog elf bar. Yeah, I want like combos like gas 1474 01:23:37,439 --> 01:23:38,480 Speaker 7: station snacks. 1475 01:23:38,760 --> 01:23:39,439 Speaker 1: That would be good. 1476 01:23:40,360 --> 01:23:42,240 Speaker 7: And then like Florence Welch, it would just be like 1477 01:23:42,680 --> 01:23:46,000 Speaker 7: Spirulina and like Lilax. 1478 01:23:46,160 --> 01:23:48,280 Speaker 5: Like well, and if there's somebody that you want a 1479 01:23:48,320 --> 01:23:51,160 Speaker 5: round in the woods, it's Florence welch okay, like it 1480 01:23:51,240 --> 01:23:54,080 Speaker 5: feels like a natural habitat for her. I think it's 1481 01:23:54,160 --> 01:23:57,360 Speaker 5: got to be Lana because of the whole hopex boyfriend. 1482 01:23:58,280 --> 01:24:00,519 Speaker 5: I feel like she probably internalized a lot of politics 1483 01:24:00,560 --> 01:24:01,680 Speaker 5: and I don't want to be around it. 1484 01:24:04,080 --> 01:24:06,560 Speaker 1: I support that, and I do think she would taste delicious. 1485 01:24:06,800 --> 01:24:10,880 Speaker 2: Yeah, well, pussy tastes like whatever, Cherry Coler or whatever. 1486 01:24:11,120 --> 01:24:16,240 Speaker 1: So yeah, exactly, there's no way it tastes like cherry Colon. No, 1487 01:24:16,680 --> 01:24:21,240 Speaker 1: it really, I know experience it tastes like Cherry Cole. 1488 01:24:21,360 --> 01:24:23,280 Speaker 7: I think it tastes it's I think her pussy is 1489 01:24:23,320 --> 01:24:24,640 Speaker 7: like carbonated, like. 1490 01:24:28,320 --> 01:24:28,599 Speaker 4: CrOx. 1491 01:24:28,840 --> 01:24:33,759 Speaker 1: Yeah, exactly. Okay, next question if sorry god. 1492 01:24:33,680 --> 01:24:36,639 Speaker 6: Okay, if you were Lily rose Deep in the idol, 1493 01:24:37,000 --> 01:24:39,920 Speaker 6: which pop star would you want to play? The cult leader? 1494 01:24:40,000 --> 01:24:40,760 Speaker 4: Who fucks you? 1495 01:24:42,040 --> 01:24:44,280 Speaker 6: There's only two choices. 1496 01:24:44,160 --> 01:24:46,639 Speaker 1: Because we couldn't think of any male diva. 1497 01:24:46,800 --> 01:24:54,080 Speaker 6: There's two Elton John or Rue Paul and and if 1498 01:24:54,120 --> 01:24:57,759 Speaker 6: you can think of another male diva, please use this time. 1499 01:24:57,760 --> 01:24:59,560 Speaker 1: To share with us who that is. 1500 01:25:00,479 --> 01:25:03,280 Speaker 2: This is kind of a stretch, but I would like it. 1501 01:25:05,600 --> 01:25:07,040 Speaker 2: Adam Lambert count. 1502 01:25:09,680 --> 01:25:16,200 Speaker 3: I actually say absolutely mono cultural in the moment, Adam Lambert. 1503 01:25:16,320 --> 01:25:18,960 Speaker 1: But I mean, I've never listened to this Tom Jones. 1504 01:25:18,640 --> 01:25:23,320 Speaker 7: Count Can you imagine getting top and you're like, what's new, 1505 01:25:23,400 --> 01:25:24,000 Speaker 7: pussy cat? 1506 01:25:24,160 --> 01:25:24,519 Speaker 1: Whoa? 1507 01:25:25,240 --> 01:25:25,479 Speaker 4: Whoa? 1508 01:25:27,120 --> 01:25:31,360 Speaker 1: He absolutely counts. So would you Jones? So would you 1509 01:25:31,400 --> 01:25:37,559 Speaker 1: want to have sex with Bob Joan, Adam Lambert, Bob 1510 01:25:37,920 --> 01:25:44,920 Speaker 1: the Bible College Founder? I obviously Adam Lambert, Rue Paul 1511 01:25:45,200 --> 01:25:46,200 Speaker 1: or Elton John. 1512 01:25:48,000 --> 01:25:51,120 Speaker 7: I think Elton John of the two original ones, knows 1513 01:25:51,160 --> 01:25:52,439 Speaker 7: how to have sex better. 1514 01:25:53,400 --> 01:25:58,120 Speaker 1: I think that Rue Paul has sex like a clone simulation. 1515 01:25:58,400 --> 01:26:00,960 Speaker 7: Yeah, where it's like he knows what it's like because 1516 01:26:00,960 --> 01:26:03,080 Speaker 7: he lived through the seventies and the eighties. 1517 01:26:03,160 --> 01:26:05,320 Speaker 1: But now it's just like having sex with a really 1518 01:26:05,439 --> 01:26:06,360 Speaker 1: sad mirage. 1519 01:26:07,479 --> 01:26:09,880 Speaker 7: And we saw those pictures of Elison John on that boat, 1520 01:26:10,560 --> 01:26:12,840 Speaker 7: you know what, He's in the jumpsuit and his little dick, 1521 01:26:13,320 --> 01:26:16,920 Speaker 7: you know talking about he's in a romper, so he's. 1522 01:26:16,760 --> 01:26:17,240 Speaker 4: A party it. 1523 01:26:18,560 --> 01:26:20,479 Speaker 1: Okay, So that's where the show will take place on 1524 01:26:20,600 --> 01:26:23,679 Speaker 1: the boat on the boat the Idle season two, Lost 1525 01:26:23,720 --> 01:26:26,519 Speaker 1: at Sea, and the stays on during sex. 1526 01:26:27,840 --> 01:26:28,120 Speaker 4: Okay. 1527 01:26:28,479 --> 01:26:30,000 Speaker 1: I think we can go to the next. 1528 01:26:29,920 --> 01:26:34,840 Speaker 6: Question, which is which diva should star in the next 1529 01:26:34,960 --> 01:26:39,519 Speaker 6: remake of a star is born. The options are A. 1530 01:26:39,760 --> 01:26:47,160 Speaker 6: Tyra Banks, B Kim Petres See Rosalia and de Gaga 1531 01:26:47,280 --> 01:26:49,200 Speaker 6: again but in Drag as Joe Calderome. 1532 01:26:51,520 --> 01:26:52,719 Speaker 4: Now we're cooking with fire. 1533 01:26:54,880 --> 01:26:55,240 Speaker 1: I don't know. 1534 01:26:55,439 --> 01:26:58,599 Speaker 5: I can never quite twell where we stand with her, 1535 01:26:59,520 --> 01:27:02,439 Speaker 5: But I do you think Rosalia? I saw her Coachella 1536 01:27:02,520 --> 01:27:05,040 Speaker 5: said it was quite wonderful, and I think it would 1537 01:27:05,040 --> 01:27:09,600 Speaker 5: be really interesting to see another white person. 1538 01:27:11,520 --> 01:27:15,519 Speaker 1: Doing that role. The role so important, it is a 1539 01:27:15,600 --> 01:27:17,000 Speaker 1: culturally white object. 1540 01:27:17,640 --> 01:27:21,679 Speaker 7: I want Tyra Banks, but she plays both parts, yes, 1541 01:27:22,240 --> 01:27:24,479 Speaker 7: because that's what That's what the rewriter right, because there's 1542 01:27:24,600 --> 01:27:27,519 Speaker 7: no way I want her as Bradley Cooper and a's 1543 01:27:27,600 --> 01:27:31,320 Speaker 7: Lady Gaga like, and that's what I want. 1544 01:27:31,400 --> 01:27:36,160 Speaker 1: Final answer, Okay, where Galaxy Brain? I'm astream more. Yeah, 1545 01:27:36,200 --> 01:27:39,560 Speaker 1: I think we are at our final question for me. 1546 01:27:39,680 --> 01:27:41,559 Speaker 1: More take it away, just one more? 1547 01:27:42,560 --> 01:27:45,880 Speaker 6: All right, here's the last question. You have been cast 1548 01:27:46,160 --> 01:27:49,200 Speaker 6: as a series regular in the next season of and 1549 01:27:49,479 --> 01:27:53,280 Speaker 6: just like that, as one of the many rotating diversity 1550 01:27:53,400 --> 01:28:00,040 Speaker 6: quota characters, filling in the place of Samantha Jones. What 1551 01:28:00,439 --> 01:28:03,760 Speaker 6: is your character's name and profession? 1552 01:28:04,600 --> 01:28:07,760 Speaker 2: Okay, okay, I've thought about this for a long time. 1553 01:28:10,400 --> 01:28:11,240 Speaker 4: You auditioned for this. 1554 01:28:12,200 --> 01:28:12,400 Speaker 1: Yeah. 1555 01:28:12,720 --> 01:28:16,519 Speaker 5: No, I think my character would be Lily's birth father, 1556 01:28:18,479 --> 01:28:25,080 Speaker 5: a gay, a gay sperm bank dude, and of course 1557 01:28:25,160 --> 01:28:26,400 Speaker 5: his name would be something. 1558 01:28:26,160 --> 01:28:28,000 Speaker 2: Awful like Satchel Kim. 1559 01:28:29,479 --> 01:28:30,120 Speaker 4: Cho Chang. 1560 01:28:30,320 --> 01:28:33,599 Speaker 5: Yeah, exactly, and I think he would you know, they're 1561 01:28:33,720 --> 01:28:36,640 Speaker 5: they're trying to subtly replace all of them together. I 1562 01:28:36,720 --> 01:28:39,800 Speaker 5: think he would sort of be the replacement for Stanford 1563 01:28:40,439 --> 01:28:42,880 Speaker 5: in some ways, and they would be would really butt 1564 01:28:42,920 --> 01:28:45,280 Speaker 5: heads with Anthony because Anthony would be like. 1565 01:28:45,720 --> 01:28:47,479 Speaker 4: I think siss is a slur or something. 1566 01:28:47,640 --> 01:28:52,080 Speaker 1: You know it is, So I love that and I 1567 01:28:52,120 --> 01:28:53,559 Speaker 1: can't wait to watch you on the show. 1568 01:28:54,400 --> 01:28:55,479 Speaker 4: Hi, you know. 1569 01:28:55,680 --> 01:28:58,280 Speaker 1: Oh yeah, so I have I have one And this 1570 01:28:58,479 --> 01:29:00,880 Speaker 1: I was just spitballing. So my character would be called 1571 01:29:02,160 --> 01:29:09,200 Speaker 1: Amanda Chimalley, and I think she like works in marketing 1572 01:29:10,080 --> 01:29:10,960 Speaker 1: for sure. Yeah. 1573 01:29:11,520 --> 01:29:15,320 Speaker 7: I would be like Jay Diaza's like non binary sidekick, 1574 01:29:16,479 --> 01:29:21,240 Speaker 7: and my name would be like Triangle, and they would 1575 01:29:21,439 --> 01:29:24,879 Speaker 7: force me to get a side shave that matches Shay's. 1576 01:29:26,040 --> 01:29:29,000 Speaker 7: And then I think we would just like do buddy 1577 01:29:29,080 --> 01:29:30,840 Speaker 7: comedies where we like smoke. 1578 01:29:30,600 --> 01:29:32,000 Speaker 4: Weed backwards or something. 1579 01:29:32,800 --> 01:29:35,200 Speaker 3: I would just be some kind of series regular and 1580 01:29:35,479 --> 01:29:38,920 Speaker 3: x Y and me Chad AS's TV show, and I 1581 01:29:39,000 --> 01:29:42,480 Speaker 3: feel like my name would probably be like Gabrielle, Garcia 1582 01:29:42,640 --> 01:29:43,920 Speaker 3: Rodriguez or something. 1583 01:29:45,439 --> 01:29:48,120 Speaker 1: Well, we'll see all of you on season three of them, 1584 01:29:48,240 --> 01:29:51,960 Speaker 1: just like that, unless it gets canceled. And please give 1585 01:29:51,960 --> 01:29:57,160 Speaker 1: a big run of applause to our amazing chandelists. Thank you, 1586 01:29:57,280 --> 01:30:05,080 Speaker 1: thank you so much. Oh my god, this is what 1587 01:30:05,280 --> 01:30:09,280 Speaker 1: Joel's gonna hear on his wedding night as he's making 1588 01:30:09,360 --> 01:30:30,719 Speaker 1: the Sweet Tender Love so beautiful, say the EU in Judas. 1589 01:30:30,880 --> 01:30:36,560 Speaker 1: The You is better than the Beatles' entire discography. And 1590 01:30:36,680 --> 01:30:42,599 Speaker 1: that's a fact. Government Hooker should have been played at 1591 01:30:42,600 --> 01:30:46,040 Speaker 1: the inauguration and we haven't talked about that enough as 1592 01:30:46,120 --> 01:30:50,599 Speaker 1: a society. Oh wait, these are all tweets. Fuck you Rose, 1593 01:30:51,320 --> 01:30:53,160 Speaker 1: fuck you keep that Phoebe