WEBVTT - From the Archive: Dame Judi Dench

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<v Speaker 1>You are listening to Ruthie's Table four in partnership with

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<v Speaker 1>Montclair name Judy Dench is not just a national and

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<v Speaker 1>international treasure, She's an interplanetary treasure if there is life

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<v Speaker 1>on Mars. They're talking about her most recent performance. Judy

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<v Speaker 1>is a woman of warmth, a woman of wit. A

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<v Speaker 1>friend tells a story that when he mentioned to Judy

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<v Speaker 1>hadn't seen the royal family, Judy replied, tell me when

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<v Speaker 1>you're coming, and I'll be sure to overact for you.

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<v Speaker 1>After record this conversation, Judy's having lunch in the river Cafe.

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<v Speaker 1>We are planning to definitely overcook for this woman, a

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<v Speaker 1>friend I admire, respect and adore.

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<v Speaker 2>On the mains while we've got these beautiful, really sweet

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<v Speaker 2>grapes at the moment which passed so well with the grouse.

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<v Speaker 1>And there's turbot and sea bears, oh my worm monsterish

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<v Speaker 1>you can have everything. We have had people come and

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<v Speaker 1>order everything on.

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<v Speaker 3>The and did they stay for a month or per

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<v Speaker 3>a month?

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<v Speaker 1>Yeah? Yeah, for a month. Yeah. I always say a

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<v Speaker 1>recipe is half science and half poetry, and so we're

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<v Speaker 1>going to skip the science and read the poetry. How

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<v Speaker 1>about that?

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<v Speaker 3>Yes, well, I would love to have read a recipe,

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<v Speaker 3>or even given you a recipe, but we'll come to

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<v Speaker 3>that later. But you are talking to the worst cookie

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<v Speaker 3>in Britain. And I think it wasn't a sonnet about food.

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<v Speaker 3>But I just know this one poem, but it's Hilaire Belloc,

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<v Speaker 3>and it's about.

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<v Speaker 1>Henry King, Henry King, Henry King.

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<v Speaker 3>Here he goes. The chief defect of Henry King was

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<v Speaker 3>chewing little bits of string. At last he swallowed some

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<v Speaker 3>that tied itself in ugly knots inside. Physicians of the

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<v Speaker 3>utmost fame were called at once, But when they came,

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<v Speaker 3>they answered, as they took their fees, there is no

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<v Speaker 3>cure for this disease. Henry will very soon be dead.

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<v Speaker 3>His parents stood about his bed, lamenting his untimely death.

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<v Speaker 3>When Henry cried with latest breath, Oh, my friends, be

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<v Speaker 3>warned by me that breakfast, dinner, lunch and tea are

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<v Speaker 3>all the human frame requires. With that, the wretched child expires.

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<v Speaker 1>The wretched child. So as he make of this poem, Well,

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<v Speaker 1>he was quite a lectural Bellock, wasn't he. He liked

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<v Speaker 1>to tell everyone what to do, and children how to

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<v Speaker 1>be polite.

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<v Speaker 3>It's rather sad. He was rather grim.

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<v Speaker 1>I think that Bellock, well, it's you know, there's a message, right,

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<v Speaker 1>don't snack? Is that the message? Or you might don't snack?

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<v Speaker 1>What was it like growing up? You grew up in Yorkshire?

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<v Speaker 3>I did. I was born in York. My brothers were

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<v Speaker 3>born in Lancashire. My mother was from Dublin, my father

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<v Speaker 3>from Dorset and who went to Dublin. And recently in

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<v Speaker 3>the last year I found out that my mother's side

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<v Speaker 3>of the family is Danish and goes back to somebody

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<v Speaker 3>who worked at elsinore in fact Son and was there

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<v Speaker 3>when Shakespeare's first company went over there. I was brought

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<v Speaker 3>up during the war. I was five when the war

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<v Speaker 3>broke out, and we were very lucky because my power

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<v Speaker 3>was a doctor and he used to visit all the

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<v Speaker 3>farms all around York as well as York itself, and

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<v Speaker 3>everyone used to say, Oh, do have a chicken, Do

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<v Speaker 3>have goose? Do have a duck? We were really lucky

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<v Speaker 3>and that way we had we always had food and things.

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<v Speaker 3>And that's also where we had sixteen cats, because there

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<v Speaker 3>was nobody else in the neighbors sixteen cats. We did

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<v Speaker 3>sixteen because nobody wanted their.

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<v Speaker 1>Pets, you know, they all need them.

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<v Speaker 3>Put them out, But they all came round to our place.

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<v Speaker 3>It was a triumph.

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<v Speaker 1>And who would cook the food? Would your mother? Would

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<v Speaker 1>you sit down to family meals?

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<v Speaker 3>Yes?

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<v Speaker 1>Or how many you have siblings? Who did?

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<v Speaker 3>Two brothers, two brothers older than me? But and we

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<v Speaker 3>always had the house full of friends. Meals were a

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<v Speaker 3>great thing. I'm always trying to say. Now, you know,

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<v Speaker 3>do enjoy sitting down at the table and not looking

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<v Speaker 3>at the phone if possible?

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<v Speaker 1>What was it like the meal time at your house?

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<v Speaker 1>Was there always a discussion and.

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<v Speaker 3>Always singing, singing, a lot of singing. My ma playing

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<v Speaker 3>the piano. My father could recite the whole of them, Arthur.

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<v Speaker 3>My brother Jeff, who was an actor long before me

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<v Speaker 3>and at Stratford, used to know reams of Shakespeare and

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<v Speaker 3>it was kind of I think that was in the

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<v Speaker 3>family very much before that. People used to be able

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<v Speaker 3>to I mean, I remember sitting on the stairs and

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<v Speaker 3>hearing friends who were invited around, and somebody singing and

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<v Speaker 3>playing the piano, and you know, you couldn't miss the arts.

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<v Speaker 1>So when you think of your early meals, you think

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<v Speaker 1>more of the performance.

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<v Speaker 3>I think only of family meals round the table, and

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<v Speaker 3>it was a family thing that you wouldn't miss because

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<v Speaker 3>that's when you got to actually discuss things and talk

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<v Speaker 3>about things and.

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<v Speaker 1>Who would cook.

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<v Speaker 3>My mom would cook, or we had a wonderful person

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<v Speaker 3>called Sissy.

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<v Speaker 1>What did she cook? As your actually has a very

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<v Speaker 1>definite regional food.

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<v Speaker 3>It was course, it was mostly what you could afford

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<v Speaker 3>to get. And I remember there was a market in

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<v Speaker 3>New York, a wonderful market. You'd go around and people

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<v Speaker 3>would come in and they'd have a chicken in a basket,

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<v Speaker 3>you know, all prepared for cooking and things. And I

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<v Speaker 3>mean I could get the rations for five people when

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<v Speaker 3>I was six. I could easily go and carry the

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<v Speaker 3>rations which were so minimal for everybody. But I never

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<v Speaker 3>remember Ruthy being hungry or thinking, gosh, you know, I

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<v Speaker 3>wish there was more of this.

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<v Speaker 1>I don't remember remember that we were in red really lucky,

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<v Speaker 1>and your father didn't go away. He was he was

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<v Speaker 1>away in the First World War.

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<v Speaker 3>He was he was a hero. He got the military

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<v Speaker 3>Cross and bar he got so you know where he was.

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<v Speaker 3>He was in Arras and then because of a knee

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<v Speaker 3>injury that he'd got, he was sent home to have

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<v Speaker 3>and that.

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<v Speaker 1>He got.

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<v Speaker 3>He was not at Passiondale was just fantastically well lucky

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<v Speaker 3>is not really the word.

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<v Speaker 1>And so for your father to have been in the

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<v Speaker 1>war and then come home, I.

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<v Speaker 3>Know, it was an extraordinary thing. And I knew, I

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<v Speaker 3>knew about his war record, but I didn't know it

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<v Speaker 3>was quite so illustrious.

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<v Speaker 1>Which was And do you think that Do you think

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<v Speaker 1>your parents wanted to be actors or to be singers

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<v Speaker 1>or part of their nature?

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<v Speaker 3>No, my father there was an amateur group in New

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<v Speaker 3>York called the Settlement Players. My power and were part

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<v Speaker 3>of that. Mammy never wanted to act, which she was

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<v Speaker 3>wonderful seamstress and could make costumes and things like that.

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<v Speaker 3>Then when it came to the mystery plays, the miracle plays,

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<v Speaker 3>when they were done for the first time, Daddy played

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<v Speaker 3>and asked the High Priest and we were a lot

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<v Speaker 3>of us were auditioned by Martin Brown. I were to

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<v Speaker 3>quake a board in school in York, and we were,

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<v Speaker 3>we made angels, we were, We had a wonderful time,

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<v Speaker 3>wonderful time.

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<v Speaker 1>You remember the first auditions that would have been what

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<v Speaker 1>age was your first one?

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<v Speaker 3>It wasn't really an audition they just came and said you, you, you, you,

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<v Speaker 3>and you.

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<v Speaker 1>And when did you know that that's what you wanted

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<v Speaker 1>to do?

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<v Speaker 3>What I wanted to do, not ages, not for not

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<v Speaker 3>until fifty three, because I wanted to be a designer,

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<v Speaker 3>stage design, stage designer. But I was taken to Stratford

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<v Speaker 3>by my parents and saw Michael Redgrave in Lear, and

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<v Speaker 3>I can remember seeing this set which completely changed my idea.

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<v Speaker 3>During your holidays at school, I had assisted vote the

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<v Speaker 3>design at York rep painting sets for him. And I

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<v Speaker 3>only really understood plays by three acts. You know, you

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<v Speaker 3>designed one act and then the curtain would come down.

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<v Speaker 3>You change a few things and we'll go on. But

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<v Speaker 3>for Lear at Stratford, it was the most phenomenal set

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<v Speaker 3>that never changed. It was a huge flat disc that

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<v Speaker 3>revolved with a rock in the middle of it that

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<v Speaker 3>was the throne or the cave or nothing had to

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<v Speaker 3>be changed. The whoby was kind of continuous. And that

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<v Speaker 3>that I thought, No, goodbye, York Art School, I'm going

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<v Speaker 3>to try for Central.

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<v Speaker 1>When you went on these theatrical journeys with your parents,

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<v Speaker 1>you went to Stratford, you went to the theater in

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<v Speaker 1>New York. Would you go to a restaurant before or after?

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<v Speaker 1>Was that part of the evening? Was that part of

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<v Speaker 1>the experience.

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<v Speaker 3>It was partly, but probably we always in a rush,

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<v Speaker 3>always in a rush to get things on time. But

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<v Speaker 3>there was a restaurant that we used to that used

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<v Speaker 3>to be the most enormous street to go to outside York,

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<v Speaker 3>and we used to cycle there.

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<v Speaker 1>This would be post war, this would be that.

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<v Speaker 3>Was post war, yes, but we all had bikes, so

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<v Speaker 3>we that was the greatest and.

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<v Speaker 1>To a restaurant simply wonderful.

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<v Speaker 3>It's called the bid we It was wonderful. It was

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<v Speaker 3>wonderful food. I mean, not investigated in any way, not

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<v Speaker 3>in any way.

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<v Speaker 1>And so what are the dishes of your childhood that

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<v Speaker 1>you remember that? Did you have Yorkshire pudding?

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<v Speaker 3>We did have. I tell you something. Tell me we

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<v Speaker 3>used to have at school. I used to try and

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<v Speaker 3>stay away on a Tuesday because as they used to

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<v Speaker 3>do Yorkshire pudding with treacle. Now even now that's that

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<v Speaker 3>was really.

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<v Speaker 1>So it was a dessert, or they served the treacle

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<v Speaker 1>Yorkshire pudding with beef.

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<v Speaker 3>It's so disgusting. But it was always on a Tuesday.

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<v Speaker 3>And I used to feign illness on a Tuesday and

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<v Speaker 3>on about the third or fourth Tuesday, my ma said,

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<v Speaker 3>this is something about school. This is not to do

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<v Speaker 3>with illness. And it was the Yorkshire pudding with a tree.

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<v Speaker 3>The school was that was at my prep school.

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<v Speaker 1>But that's food was important to you.

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<v Speaker 3>Food matter, It didn't matter because of course during the war,

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<v Speaker 3>of course, it was just something to sustain you. And

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<v Speaker 3>as I say it, because of my power visiting right

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<v Speaker 3>around in the country, we were just so lucky that

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<v Speaker 3>we had enough to eat, but so many people didn't know.

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<v Speaker 1>I often think that when people are very critical of

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<v Speaker 1>food in Britain in the fifties or even the sixties,

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<v Speaker 1>Britain had come out of a war, They came out

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<v Speaker 1>of rationing, they came out of kitchen gardens where people

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<v Speaker 1>didn't have food. And to go from that to you know,

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<v Speaker 1>grand cuisine or to cooking, it seems so unfair to

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<v Speaker 1>criticize a nation that had suffered food wise, to being

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<v Speaker 1>critical of, you know, the way they cooked. You know.

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<v Speaker 1>So I feel it must have been very tough.

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<v Speaker 3>Yes, it was. It was just a question of giving

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<v Speaker 3>you something that filled you, yeah, you know.

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<v Speaker 1>Yeah, But also I mean, I love the idea of

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<v Speaker 1>your mother cooking a goose, or cooking duck, or cooking

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<v Speaker 1>the food that was getting We.

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<v Speaker 3>Grew on vegetables. We grew the vegetables in the garden

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<v Speaker 3>and next door it was the most wonderful pear tree.

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<v Speaker 3>And my brother and I, Jeff, the younger of my jib,

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<v Speaker 3>used to get a rake and rake the pears off

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<v Speaker 3>the tree into the garden. Yeah, it was quite a

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<v Speaker 3>lot of pears.

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<v Speaker 1>What would you do? What would you was illegal? Was it?

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<v Speaker 1>Because it wasn't your tree tree? Okay? There? What would

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<v Speaker 1>you remember? What your mother would cook with the pears?

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<v Speaker 1>Which is st them? Or would you have I.

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<v Speaker 3>Think she would, yes, I think she would student or

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<v Speaker 3>we just get them, you know?

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<v Speaker 1>Yeah, delicious fruit pears, aren't they do? Still like them?

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<v Speaker 1>I like pears.

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<v Speaker 3>I quite like pears. Yeah, I've got a picture of

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<v Speaker 3>few in the garden actually recently.

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<v Speaker 1>What's your garden like? Did you have a garden?

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<v Speaker 3>I have a beauti crow. Yes. I grew trees, mostly trees.

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<v Speaker 3>There were lots of different trees. But we have some

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<v Speaker 3>apples and one of them is a Russic which is

0:13:50.000 --> 0:13:53.480
<v Speaker 3>very nice. And we have, as I say, these pear trees.

0:13:54.080 --> 0:13:56.079
<v Speaker 3>We had a wonderful green gage tree, but it came

0:13:56.120 --> 0:13:56.959
<v Speaker 3>down in a storm.

0:13:57.280 --> 0:14:11.520
<v Speaker 1>Yeah, gage is very very sprink cages. The River Cafe Cafe,

0:14:11.679 --> 0:14:15.040
<v Speaker 1>our all day space and just steps away from the restaurant,

0:14:15.400 --> 0:14:19.680
<v Speaker 1>is now open. In the morning an Italian breakfast with cornetti,

0:14:19.760 --> 0:14:24.040
<v Speaker 1>chiambella and crostada from our pastry kitchen. In the afternoon,

0:14:24.160 --> 0:14:27.800
<v Speaker 1>ice creamed coops and River Cafe classic desserts. We have

0:14:27.880 --> 0:14:32.320
<v Speaker 1>sharing plates Salumi, misti, mozzarella, busquetto red and yellow peppers,

0:14:32.400 --> 0:14:36.280
<v Speaker 1>Vitello tonado and more. Come in the evening for cocktails

0:14:36.320 --> 0:14:39.640
<v Speaker 1>with our resident pianist in the bar. No need to book,

0:14:40.160 --> 0:14:53.280
<v Speaker 1>see you here, so doing the menus. Eliza had a

0:14:53.280 --> 0:14:55.360
<v Speaker 1>blank sheet of paper she came in the morning. It's

0:14:55.440 --> 0:14:57.640
<v Speaker 1>rather like your house. You go in the fridge, you

0:14:57.720 --> 0:15:01.000
<v Speaker 1>see what's there, you see what's been ordered. You've sort

0:15:01.000 --> 0:15:04.200
<v Speaker 1>of also, you know, we're always thinking about what I

0:15:04.200 --> 0:15:08.160
<v Speaker 1>always say, what would I watch you for lunch? Today?

0:15:08.400 --> 0:15:12.360
<v Speaker 3>You're not coming to my house, and I beg you are.

0:15:14.400 --> 0:15:18.000
<v Speaker 2>I was so excited to make this beautiful clam taggerini,

0:15:18.040 --> 0:15:20.920
<v Speaker 2>which I know Ruthie's is one of Ruthie's favorite pastas.

0:15:21.360 --> 0:15:26.600
<v Speaker 2>Where we cook the bongolay in advance with garlic and parsi,

0:15:26.680 --> 0:15:29.320
<v Speaker 2>storks and chili, and then we pick all the clams

0:15:29.320 --> 0:15:33.120
<v Speaker 2>out of their shells and reduce the white wine and

0:15:33.160 --> 0:15:35.720
<v Speaker 2>the olive oil and the butter, and then we toss

0:15:35.760 --> 0:15:38.520
<v Speaker 2>that through fresh handcuff taggoerini, which is one of my

0:15:38.520 --> 0:15:39.960
<v Speaker 2>favorite things that I've ever had.

0:15:40.360 --> 0:15:42.840
<v Speaker 1>Had a bit of a cafe, and.

0:15:42.760 --> 0:15:46.560
<v Speaker 2>We've also got this amazing slow cooked pheasant and partridge

0:15:46.960 --> 0:15:49.720
<v Speaker 2>sauce which is a ragou that we make with lots

0:15:49.760 --> 0:15:52.840
<v Speaker 2>of different wildbirds at this time of year, and we

0:15:52.920 --> 0:15:56.800
<v Speaker 2>put chestnuts and mince panchetta in. That's really wonderful.

0:15:57.160 --> 0:15:59.880
<v Speaker 3>Now we're really talking about perfect.

0:16:03.120 --> 0:16:05.880
<v Speaker 1>We do write our menu every day.

0:16:06.600 --> 0:16:10.160
<v Speaker 3>It makes it special and exciting, which is what a

0:16:10.200 --> 0:16:12.280
<v Speaker 3>restaurant should be and isn't very much.

0:16:15.800 --> 0:16:22.280
<v Speaker 1>When you left this Mother's wonderful family of theater and

0:16:22.720 --> 0:16:26.320
<v Speaker 1>cooking geese and sitting around the table and singing songs

0:16:26.360 --> 0:16:32.160
<v Speaker 1>and having friends over, it sounds so warm and so inclusive.

0:16:32.640 --> 0:16:34.360
<v Speaker 1>What was it like when you actually then came to

0:16:34.440 --> 0:16:37.600
<v Speaker 1>London and food wise? Were you on a budget? Did

0:16:37.640 --> 0:16:45.200
<v Speaker 1>you have to cook it out? What did you do? Never?

0:16:45.760 --> 0:16:49.880
<v Speaker 3>I had to tell you a story. Okay, when I

0:16:50.080 --> 0:16:54.000
<v Speaker 3>was awarded the Obe and my agent at the time

0:16:54.040 --> 0:16:57.120
<v Speaker 3>had been in Central with me, Julian Belfridge. He came

0:16:57.160 --> 0:17:02.880
<v Speaker 3>down to lunch and I gave him lamb cutlets. I

0:17:02.920 --> 0:17:06.040
<v Speaker 3>made an enormous effort. He finished them, and whatever I

0:17:06.080 --> 0:17:10.880
<v Speaker 3>gave him I can't remember for a dessert. And he

0:17:11.200 --> 0:17:13.679
<v Speaker 3>sat back and he said, well, I'll tell you something, Judy,

0:17:14.359 --> 0:17:19.719
<v Speaker 3>He said, you didn't get the open for cooking.

0:17:19.359 --> 0:17:23.760
<v Speaker 1>Nothing like having a support of It's good to be told,

0:17:23.880 --> 0:17:28.919
<v Speaker 1>isn't it. It's good funny there was what did you

0:17:29.000 --> 0:17:30.960
<v Speaker 1>eat there? You are going.

0:17:30.760 --> 0:17:33.320
<v Speaker 3>To when we were old that when we got well,

0:17:33.359 --> 0:17:36.720
<v Speaker 3>when we got to Central, Oh, it was, it was glorious.

0:17:36.720 --> 0:17:41.560
<v Speaker 3>We used to go to it was somewhere in Kensington

0:17:41.720 --> 0:17:45.480
<v Speaker 3>High Street. But we used to also go to a

0:17:45.560 --> 0:17:51.480
<v Speaker 3>restaurant called a Capernina in Soho and that was the

0:17:51.520 --> 0:17:52.639
<v Speaker 3>greatest treat.

0:17:52.840 --> 0:17:55.879
<v Speaker 1>So that was Italian food. That was Italian food. It

0:17:55.920 --> 0:17:58.439
<v Speaker 1>was absolutely and it was affordable. You could do so

0:17:58.520 --> 0:18:00.240
<v Speaker 1>they're on a student budget.

0:18:00.480 --> 0:18:02.960
<v Speaker 3>Just about just about. But you it were nice to

0:18:03.000 --> 0:18:06.080
<v Speaker 3>be taken there. I must say, that was an enormous treat.

0:18:06.240 --> 0:18:09.000
<v Speaker 1>Do you remember a kind of multicultural restaurants. Do you remember

0:18:09.040 --> 0:18:11.560
<v Speaker 1>Indian because a lot of you know, the cheapest food,

0:18:11.760 --> 0:18:16.760
<v Speaker 1>certainly when I came in the sixties was Greek, Indian, Chinese.

0:18:17.680 --> 0:18:19.840
<v Speaker 3>I mean that was a huge treat to be able

0:18:19.880 --> 0:18:26.640
<v Speaker 3>to eat, you know, to eat Chinese and as always say, Italian.

0:18:26.760 --> 0:18:31.000
<v Speaker 3>And it was a real luxury suddenly to be able

0:18:31.080 --> 0:18:33.920
<v Speaker 3>to go to go or be taken to somewhere, and

0:18:34.640 --> 0:18:37.760
<v Speaker 3>you have the luxury of really the choice of things

0:18:37.840 --> 0:18:41.120
<v Speaker 3>to have to eat. And you know, I'll never take

0:18:41.160 --> 0:18:41.840
<v Speaker 3>that for granted.

0:18:41.880 --> 0:18:44.679
<v Speaker 1>I don't think were you ever hungry as a student?

0:18:44.720 --> 0:18:46.160
<v Speaker 1>Did you were the days?

0:18:46.359 --> 0:18:50.280
<v Speaker 3>I don't think so. I don't ever remember that.

0:18:50.400 --> 0:18:52.440
<v Speaker 1>You probably had a grant, did you? In the days

0:18:52.440 --> 0:18:52.960
<v Speaker 1>when they.

0:18:52.880 --> 0:18:56.840
<v Speaker 3>Know I didn't have a grant. I lived in QA

0:18:57.040 --> 0:18:59.719
<v Speaker 3>Queen Alexandra's house, which is right by the Albert Hall

0:18:59.800 --> 0:19:04.720
<v Speaker 3>where Central was, and so all that was I don't

0:19:04.760 --> 0:19:05.640
<v Speaker 3>know how my phone.

0:19:06.320 --> 0:19:09.040
<v Speaker 1>They did they did. That's good.

0:19:10.200 --> 0:19:11.320
<v Speaker 3>So we were lucky.

0:19:11.720 --> 0:19:17.000
<v Speaker 1>Yeah, and suddenly started getting roles at the National Theater and.

0:19:19.320 --> 0:19:22.520
<v Speaker 3>I went straight to the VIC. But I mean, I've

0:19:22.560 --> 0:19:29.160
<v Speaker 3>never been I've never been a good cook or even

0:19:29.200 --> 0:19:32.040
<v Speaker 3>any cook of any kind, so you will I have

0:19:32.200 --> 0:19:35.320
<v Speaker 3>tried I have tried. I can do two things. I

0:19:35.359 --> 0:19:38.680
<v Speaker 3>can make white sauce and I can make gravy.

0:19:39.119 --> 0:19:41.560
<v Speaker 1>Well that's pretty good, I'd say, that's all.

0:19:41.520 --> 0:19:44.720
<v Speaker 3>I can do. But I used to at the VIC.

0:19:45.520 --> 0:19:47.760
<v Speaker 3>Alec mccowran was at the VIC at the same time

0:19:47.800 --> 0:19:49.439
<v Speaker 3>as me, and he used to live in the King's

0:19:49.560 --> 0:19:53.840
<v Speaker 3>Road but three minutes from my flat. We used to

0:19:53.920 --> 0:19:58.159
<v Speaker 3>have Sunday lunch together and he used to cook, and

0:19:58.240 --> 0:20:01.600
<v Speaker 3>he used to always it would be a very usual thing.

0:20:01.680 --> 0:20:04.680
<v Speaker 3>We were in the importance together and you know we

0:20:04.760 --> 0:20:06.560
<v Speaker 3>knew each other, frank, but he used to send me

0:20:06.560 --> 0:20:10.560
<v Speaker 3>a little note saying, would the gravy Queen or the

0:20:10.600 --> 0:20:15.879
<v Speaker 3>white sauce Queen come on Sunday and have lunch? And

0:20:15.960 --> 0:20:17.119
<v Speaker 3>he did all the rest.

0:20:17.720 --> 0:20:20.240
<v Speaker 1>You were at the old firkt. Who are the directors

0:20:20.280 --> 0:20:20.560
<v Speaker 1>that you?

0:20:20.760 --> 0:20:25.119
<v Speaker 3>Oh, Michael Bental, Yeah, Michael Bentle at the VIC and

0:20:25.200 --> 0:20:31.920
<v Speaker 3>Doug his seal and oh it was housey days. I

0:20:31.960 --> 0:20:37.000
<v Speaker 3>loved it. And I despite having had not very good

0:20:37.040 --> 0:20:40.719
<v Speaker 3>notices as Ophelia, which is my first part, I remember

0:20:40.760 --> 0:20:44.520
<v Speaker 3>Michael Bentele said he said, we'll just get over these notices.

0:20:44.560 --> 0:20:47.240
<v Speaker 3>He said, you will get better, and he said I'll

0:20:47.280 --> 0:20:50.119
<v Speaker 3>go on employing you and you can play small parts

0:20:50.119 --> 0:20:52.679
<v Speaker 3>and walk on, but you can stay at the VIC.

0:20:52.960 --> 0:20:58.240
<v Speaker 3>And you know that that was such I was so

0:20:58.440 --> 0:21:03.080
<v Speaker 3>lucky and then a National and then Nottingham Playhouse with

0:21:03.160 --> 0:21:06.240
<v Speaker 3>Johnny Neville, Who's Hamlet? When I went to the VIC

0:21:07.040 --> 0:21:10.360
<v Speaker 3>and we took he was we were the very first

0:21:10.359 --> 0:21:12.200
<v Speaker 3>company to ever go to West Africa.

0:21:12.600 --> 0:21:13.720
<v Speaker 1>Do you remember that very well?

0:21:13.760 --> 0:21:17.359
<v Speaker 3>I remember it very well. Indeed there set plays were

0:21:18.760 --> 0:21:22.720
<v Speaker 3>Twelfth Night, Macbeth and Arms and the Man.

0:21:23.280 --> 0:21:24.200
<v Speaker 1>What was the audience?

0:21:24.800 --> 0:21:26.679
<v Speaker 3>Young children, young people at school?

0:21:26.760 --> 0:21:30.440
<v Speaker 1>And because it was that the British Council was a

0:21:30.480 --> 0:21:34.200
<v Speaker 1>British council And do you remember the culture of food there?

0:21:34.359 --> 0:21:34.600
<v Speaker 2>I do?

0:21:35.280 --> 0:21:39.120
<v Speaker 1>I do? The food the food a kind of stew

0:21:40.280 --> 0:21:41.880
<v Speaker 1>probably are quite meat based.

0:21:42.040 --> 0:21:43.000
<v Speaker 3>Might well have been.

0:21:43.000 --> 0:21:45.119
<v Speaker 1>Which which actually is a question I also like to

0:21:45.160 --> 0:21:47.879
<v Speaker 1>ask would when you act, when you're in a play,

0:21:47.920 --> 0:21:50.000
<v Speaker 1>do you eat before?

0:21:50.240 --> 0:21:51.080
<v Speaker 3>Do you know after?

0:21:51.119 --> 0:21:53.280
<v Speaker 1>You need to tell me about you you're in a play.

0:21:53.520 --> 0:21:55.359
<v Speaker 1>You might be doing a matinee.

0:21:54.880 --> 0:21:56.840
<v Speaker 3>And sometimes, if you're lucky for it, do you get

0:21:56.840 --> 0:21:57.720
<v Speaker 3>to eat in the place.

0:21:58.720 --> 0:22:00.760
<v Speaker 1>I know you have a story about that's one. But

0:22:01.119 --> 0:22:03.480
<v Speaker 1>if you're if you might not be eating in the play.

0:22:03.880 --> 0:22:06.080
<v Speaker 1>So there's a day you're in a play in the

0:22:06.119 --> 0:22:08.120
<v Speaker 1>West End or at the National or at the Old

0:22:08.200 --> 0:22:10.840
<v Speaker 1>Vic and you wake up in the morning and you

0:22:10.920 --> 0:22:13.680
<v Speaker 1>know you have a matinee and you have an evening performance.

0:22:14.400 --> 0:22:17.760
<v Speaker 1>Judy Dench, what would you what would your day be like?

0:22:17.840 --> 0:22:22.280
<v Speaker 3>In terms of I probably, I'd probably I'd have coffee

0:22:22.280 --> 0:22:25.879
<v Speaker 3>in the morning or tea. I wouldn't eat very much.

0:22:26.200 --> 0:22:31.320
<v Speaker 3>I wouldn't eat much before. I'd eat just something before matinee,

0:22:31.560 --> 0:22:40.400
<v Speaker 3>not much, not lunch, and mostly eat afterwards after.

0:22:40.119 --> 0:22:44.320
<v Speaker 1>The evening performance or after the matinee, after the evening before.

0:22:45.040 --> 0:22:47.960
<v Speaker 1>That's a very I like going to see a friend

0:22:48.080 --> 0:22:51.400
<v Speaker 1>of friends I have in the theater and then going out.

0:22:51.400 --> 0:22:53.960
<v Speaker 1>They always like to go out for dinner afterwards, and

0:22:54.000 --> 0:22:56.320
<v Speaker 1>there's some joyousness is dinner.

0:22:57.000 --> 0:22:59.200
<v Speaker 3>It is wonderful as long as you don't have a

0:22:59.280 --> 0:23:02.200
<v Speaker 3>match in the other next stay. Do you know that's tricky,

0:23:03.160 --> 0:23:06.679
<v Speaker 3>But I'm in the luxury of doing do shows and

0:23:06.720 --> 0:23:09.280
<v Speaker 3>knowing you're going out to dinner off TWI yeah, it's

0:23:09.359 --> 0:23:10.400
<v Speaker 3>just glorious.

0:23:10.760 --> 0:23:12.480
<v Speaker 1>And then other nights you would just go home and

0:23:12.520 --> 0:23:16.320
<v Speaker 1>crash or was there a kind of Probably? I always

0:23:16.320 --> 0:23:19.320
<v Speaker 1>say that there's sort of links between the theater of a

0:23:19.359 --> 0:23:21.919
<v Speaker 1>restaurant and the theater of the theater. You know that

0:23:22.000 --> 0:23:25.160
<v Speaker 1>we have a kind of curtain up at a certain time,

0:23:25.280 --> 0:23:29.720
<v Speaker 1>and then there's the performance, and then there's after the performance.

0:23:29.760 --> 0:23:33.320
<v Speaker 1>And if I do an evening, I can sometimes do

0:23:33.400 --> 0:23:37.240
<v Speaker 1>a night where the curtain goes up, somebody walks in

0:23:37.600 --> 0:23:39.960
<v Speaker 1>and you're ready and you know it's going to be

0:23:39.960 --> 0:23:43.399
<v Speaker 1>a great night, or you just know sometimes even just

0:23:43.400 --> 0:23:46.320
<v Speaker 1>by the way the first table sits down, or the

0:23:46.359 --> 0:23:48.440
<v Speaker 1>way perhaps one of the chefs is coming a bit

0:23:48.520 --> 0:23:51.200
<v Speaker 1>late or they seem a bit tired, that maybe it's

0:23:51.240 --> 0:23:54.560
<v Speaker 1>not going to go so well. And then sometimes the

0:23:54.600 --> 0:23:57.520
<v Speaker 1>one the ones that you think won't are the best nights,

0:23:57.520 --> 0:23:59.600
<v Speaker 1>and sometimes the ones you think won't are not the

0:23:59.640 --> 0:24:02.400
<v Speaker 1>best night. But there's a kind of both a kind

0:24:02.400 --> 0:24:06.640
<v Speaker 1>of feeling of energy after the performance and also exhaustion.

0:24:07.359 --> 0:24:13.360
<v Speaker 3>It's terribly similar. It's very very similar, and super nights

0:24:13.400 --> 0:24:15.760
<v Speaker 3>when you want it to go well. I don't know

0:24:15.800 --> 0:24:21.400
<v Speaker 3>whether this applies to well, it never applies to your restaurant, definitely,

0:24:21.440 --> 0:24:24.680
<v Speaker 3>not when I've ever been here, But you know it's

0:24:24.720 --> 0:24:26.240
<v Speaker 3>the night that it doesn't go well.

0:24:26.320 --> 0:24:32.520
<v Speaker 1>Yeah, you don't know why you way have the same script,

0:24:32.600 --> 0:24:36.399
<v Speaker 1>you know, the same the same actors.

0:24:35.920 --> 0:24:40.880
<v Speaker 3>The same set, same place, same and there's no explanation

0:24:41.040 --> 0:24:46.119
<v Speaker 3>for why. That's the excitement of it.

0:24:51.200 --> 0:25:04.560
<v Speaker 1>H In two thousand and eight, the living room in

0:25:04.640 --> 0:25:08.480
<v Speaker 1>our home was transformed into a magical space, not by

0:25:08.520 --> 0:25:11.480
<v Speaker 1>painting the walls a different color or hanging a work

0:25:11.520 --> 0:25:14.639
<v Speaker 1>of art, but solely do to day in Judy Dench

0:25:14.760 --> 0:25:18.959
<v Speaker 1>walking in for two hours, she captivated one hundred people,

0:25:19.400 --> 0:25:24.560
<v Speaker 1>telling stories, singing songs, reciting Shakespeare, all in her unmistakable

0:25:24.640 --> 0:25:28.480
<v Speaker 1>voice and beautiful demeanor. We were all there to raise

0:25:28.560 --> 0:25:32.440
<v Speaker 1>funds for the North Wall and Outreach Arts Lab project,

0:25:32.600 --> 0:25:38.560
<v Speaker 1>close to Judy's heart. I remember that when you did

0:25:38.560 --> 0:25:41.560
<v Speaker 1>that performance at our house, and it was part of

0:25:41.600 --> 0:25:45.000
<v Speaker 1>a whole series that we did of giving performances and

0:25:45.080 --> 0:25:47.440
<v Speaker 1>then we each chose a charity. I think that night

0:25:47.480 --> 0:25:50.480
<v Speaker 1>you chose the Arts project, and I did med Saint

0:25:50.560 --> 0:25:53.960
<v Speaker 1>ramand and we did one with Ian McKellen and Raife.

0:25:54.560 --> 0:25:57.119
<v Speaker 1>What I remember, as I said, was the magic in

0:25:57.160 --> 0:25:59.160
<v Speaker 1>the room. But I also remember that you found it

0:25:59.280 --> 0:26:00.119
<v Speaker 1>kind of intimidated.

0:26:01.400 --> 0:26:04.000
<v Speaker 3>We had I had to walk downstairs.

0:26:03.440 --> 0:26:05.520
<v Speaker 1>Remember, I had to come upstairs and say okay, and

0:26:05.520 --> 0:26:07.440
<v Speaker 1>then Richard Ire had to come upstairs, and I thought,

0:26:07.760 --> 0:26:11.119
<v Speaker 1>I have Judy chefstairs, who has performed in front of

0:26:11.800 --> 0:26:16.320
<v Speaker 1>thousands of people in the Nash Parry. And then and

0:26:16.359 --> 0:26:18.800
<v Speaker 1>then you came down and there were you know, a

0:26:18.920 --> 0:26:21.240
<v Speaker 1>hundred people who are only there to see you, maybe

0:26:21.280 --> 0:26:24.920
<v Speaker 1>even fewer, maybe eighty or sixty, and it was quite overwhelming.

0:26:25.000 --> 0:26:25.880
<v Speaker 1>And remember that.

0:26:26.040 --> 0:26:29.119
<v Speaker 3>I do remember walking down the stairs and George Fenton

0:26:29.160 --> 0:26:29.720
<v Speaker 3>playing the piano.

0:26:29.760 --> 0:26:30.359
<v Speaker 1>George Fenton.

0:26:30.440 --> 0:26:31.720
<v Speaker 3>I can't remember what I sang.

0:26:31.840 --> 0:26:35.560
<v Speaker 1>Okay, well, I found the invitation and the title of

0:26:35.600 --> 0:26:38.399
<v Speaker 1>the evening was These Foolish Things, Yes, And I was

0:26:38.440 --> 0:26:41.120
<v Speaker 1>wondering if you're saying that, I think I know that song.

0:26:41.480 --> 0:26:52.040
<v Speaker 3>I do the lipstreak the remind me of you. But

0:26:52.119 --> 0:26:55.560
<v Speaker 3>I sang something else and I can't remember, because I

0:26:55.560 --> 0:26:58.040
<v Speaker 3>remember hosting it a lot at box with George.

0:26:58.200 --> 0:27:02.159
<v Speaker 1>I did do yeah, yeah, And we did some singing

0:27:02.200 --> 0:27:04.159
<v Speaker 1>with Richard Aire. Do you remember used to sing And

0:27:04.200 --> 0:27:07.200
<v Speaker 1>one night we got a piano and we sang around

0:27:07.240 --> 0:27:11.000
<v Speaker 1>the piano and it was It's something. It's one of

0:27:11.040 --> 0:27:12.880
<v Speaker 1>the great things to do in life, isn't it all?

0:27:12.920 --> 0:27:13.919
<v Speaker 3>Singing around a piano.

0:27:14.600 --> 0:27:17.880
<v Speaker 1>Ye, should we do that? We should really really love

0:27:18.240 --> 0:27:20.080
<v Speaker 1>let's do it. I have a piano in my house.

0:27:20.160 --> 0:27:21.119
<v Speaker 3>I love it.

0:27:21.359 --> 0:27:25.120
<v Speaker 1>You have a night and have something that is organize

0:27:25.560 --> 0:27:28.320
<v Speaker 1>really lovely. What is the play when you said you

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<v Speaker 1>had to cook on your onstage?

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<v Speaker 3>Do you know when the paycock? Oh, it's wonderful play.

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<v Speaker 1>I know the play. But I was one where I had.

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<v Speaker 3>To cook for Norman rod Away. She cooks a sausage

0:27:44.200 --> 0:27:50.080
<v Speaker 3>for him to eat, and she hafter awhile people say,

0:27:50.320 --> 0:27:52.439
<v Speaker 3>you know he's eating that sausage and it's not cooked.

0:27:53.320 --> 0:27:56.880
<v Speaker 3>It's simply there isn't time for her to cook that sausage.

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<v Speaker 1>So you actually put a raw sausage in a frying pan?

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<v Speaker 3>Yes? Oh, yes, so then we pre cooked the sausage.

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<v Speaker 3>Well we're cheating a bit here.

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<v Speaker 1>Yeah. Is that the only play where you've actually cooked one?

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<v Speaker 3>Probably?

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<v Speaker 1>We've talked about theater? What about film sets? What about bond?

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<v Speaker 1>Were They.

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<v Speaker 3>Never sent me anywhere? Kept me in a little room

0:28:25.080 --> 0:28:30.400
<v Speaker 3>at the back. And I once said to Barbara and Michael,

0:28:30.440 --> 0:28:33.240
<v Speaker 3>I said, you know, you go to such glamorous places,

0:28:33.720 --> 0:28:35.840
<v Speaker 3>and all I am I'm in that office at the

0:28:35.880 --> 0:28:38.320
<v Speaker 3>back all the time. So the next time. The next

0:28:38.360 --> 0:28:40.640
<v Speaker 3>film we made, I can't remember which one it was.

0:28:40.880 --> 0:28:44.800
<v Speaker 3>We were at Stowe's School and they gave me a

0:28:44.840 --> 0:28:48.800
<v Speaker 3>trailer my makeup and everything, which had Innsbruck written across

0:28:48.840 --> 0:28:50.680
<v Speaker 3>the side, and Barbara's it to me, you can never

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<v Speaker 3>complain again every day you're going to every day to Innsbrook.

0:28:56.080 --> 0:28:57.280
<v Speaker 3>How did you get to Panama?

0:28:57.960 --> 0:29:00.800
<v Speaker 1>Panama? Which one that was? Do you know it's bond

0:29:00.920 --> 0:29:03.120
<v Speaker 1>take place in Panama? I remember there was.

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<v Speaker 3>I did eight of them because specter I just did

0:29:08.760 --> 0:29:12.080
<v Speaker 3>a morning which was just me giving him the message

0:29:12.120 --> 0:29:18.240
<v Speaker 3>on the television or on his machine. So I can't

0:29:18.280 --> 0:29:19.200
<v Speaker 3>remember which one it was.

0:29:20.640 --> 0:29:22.880
<v Speaker 1>What about did you ever do you ever remember being

0:29:22.960 --> 0:29:25.320
<v Speaker 1>on a set where you ate, well.

0:29:25.240 --> 0:29:27.320
<v Speaker 3>They gave you something you don't kind of in a

0:29:27.320 --> 0:29:31.360
<v Speaker 3>way feel like, yeah, you know afterwards it's quite a different.

0:29:31.440 --> 0:29:33.800
<v Speaker 1>Directors don't like stopping for lunch. If you talk to

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<v Speaker 1>people who have made independent movies or small movies, they

0:29:36.720 --> 0:29:40.960
<v Speaker 1>always say that stopping for lunch stops the kind of process.

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<v Speaker 3>And you know, even in the manud of any kind

0:29:45.080 --> 0:29:48.960
<v Speaker 3>of rehearsal, it's not the treaties to know you're going

0:29:49.520 --> 0:29:53.960
<v Speaker 3>in the evening something that's the greatest treat to look forward.

0:29:54.160 --> 0:29:54.320
<v Speaker 3>You know.

0:29:54.360 --> 0:29:57.520
<v Speaker 1>The question that I ask everyone is the food is

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<v Speaker 1>what we need to sustain our and food is what

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<v Speaker 1>we cook when we want to impress someone or share.

0:30:05.800 --> 0:30:10.000
<v Speaker 1>It's also something we find comfort in food. And so

0:30:10.760 --> 0:30:13.840
<v Speaker 1>named Judy Dench, what is your comfort food?

0:30:14.160 --> 0:30:22.280
<v Speaker 3>Comfort food mashed potato and some really good gravy. Onion,

0:30:22.360 --> 0:30:24.600
<v Speaker 3>gravy and mashed potato. I quite like that.

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<v Speaker 1>Thank you. It's been a wonderful time with you and

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<v Speaker 1>now we'll go have some lunch in the River Cafe.

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<v Speaker 1>Thank you for listening to Ruthie's Table for in partnership

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<v Speaker 1>with Montclair