WEBVTT - Ruthie's Table 4: Vanessa Kingori

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

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<v Speaker 1>Adamized Studios.

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<v Speaker 2>Last week I spelled on a paddle with Vanessa king

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<v Speaker 2>Or celebrating International Women's Day. Listening to Vanessa that evening,

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<v Speaker 2>it became apparent that it really wasn't necessary for the

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<v Speaker 2>rest of us to be there. It was her views

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<v Speaker 2>on social justice, women in business, creativity and leadership that

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<v Speaker 2>everybody wanted to hear, most of all me. Her path

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<v Speaker 2>towards Chief Business Officer of Conde Nasty International is a

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<v Speaker 2>story of a young girl from Kenya a chieving remarkable

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<v Speaker 2>amount in a British world through sheer, intelligence, motivation and determination.

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<v Speaker 2>This we all know, but for me, the revelation was

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<v Speaker 2>when Vanessa began talking about the food of her family,

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<v Speaker 2>her culture, especially the cooking of her grandmother. Today we're

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<v Speaker 2>here together to hear more about memory and food, change

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<v Speaker 2>and connectivity. As always, I will listen with awe, with

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<v Speaker 2>love and deep admiration the recipe that you chose. Yes,

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<v Speaker 2>you love artichokes.

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<v Speaker 3>I love artichokes and I love that you can only

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<v Speaker 3>have them for a certain time in the year properly,

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<v Speaker 3>and Italians do them incredibly well. I hope I pronounced

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<v Speaker 3>this correctly, but it's for Carchoffi ala Piperno. You wanted

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<v Speaker 3>to explain a little bit about the Piperno element.

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<v Speaker 2>Well, first of all, carcioffi. They're also called karchoffi, which

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<v Speaker 2>is a word for artichoke in Italian ala Judea. And

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<v Speaker 2>there's an area of Rome which is called the Jewish Quarter,

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<v Speaker 2>which I suppose, like in many Italian cities, was a ghetto,

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<v Speaker 2>and it's right near the Colisseum. And there's a restaurant

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<v Speaker 2>there called piper Now and Richard and I used to

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<v Speaker 2>go there. It's on the top of a little hill

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<v Speaker 2>and you actually can overlook the cabin Ilia and it's

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<v Speaker 2>just a great little restaurant. And like a lot of

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<v Speaker 2>Italian restaurants, you go there for one reason and yeah,

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<v Speaker 2>one dish. And so there it's the artichokes dala Judea.

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<v Speaker 2>And we call them for the cookbook artichokes al Peperna,

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<v Speaker 2>because that's the name of the restaurant. Yeah it's good.

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<v Speaker 3>Well, I mean, get ready to be absolutely swarmed with exactly.

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<v Speaker 2>It might not be there anymore.

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<v Speaker 4>Okay, So this recipe serves six.

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<v Speaker 3>You need twelve reminiscent art chokes, sunflower oil, sea salt,

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<v Speaker 3>and black pepper, and three large lemons. Right, so, you

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<v Speaker 3>heat the oil to one hundred degrees in your deep fryer.

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<v Speaker 4>You need to have a deep fryer.

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<v Speaker 2>First of all, well, you can use a large saucepan

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<v Speaker 2>with olive oil.

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<v Speaker 3>Peel away the leaves of the art choke, cut the

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<v Speaker 3>stalks two centimeters from the heads. Fry the artichokes in

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<v Speaker 3>batches until the leaves begin to crisp and the hearts soften.

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<v Speaker 3>Drain on kitchen paper when cool, peel off the outside leaves,

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<v Speaker 3>trim the tops of the artichokes. Increase the temperature of

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<v Speaker 3>the oil to one hundred and seventy degrees. To fry

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<v Speaker 3>the second time, this is a healthy one.

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<v Speaker 2>It does strain. We off the oil.

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<v Speaker 4>I have to say it's tasty. It's healthy in love.

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<v Speaker 3>So to fry the second time, you place two to

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<v Speaker 3>three art chokes at a time in a hot oil

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<v Speaker 3>and fry until crisp for about two to three minutes.

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<v Speaker 3>Then flatten out the artichokes, set each on a board

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<v Speaker 3>and gently separate out the layer of the head, exposing

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<v Speaker 3>the heart. Squeeze between two plates season and serve with

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<v Speaker 3>lemon amazing recipes.

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<v Speaker 2>But than I said, an choke has a head and a.

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<v Speaker 3>Heart, So I was thinking about myself, what do you

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<v Speaker 3>read it for?

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<v Speaker 2>Can you start for lunch?

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<v Speaker 4>It depends.

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<v Speaker 3>So I'm very lucky because I entertain lot our clients

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<v Speaker 3>and business partners. So we go out to We're in

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<v Speaker 3>Mayfair and we go out to lovely Mayfair restaurants. So

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<v Speaker 3>I'm at Scott's a lot carriages, I love the Mount

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<v Speaker 3>Street restaurant and things which I all now associate with work, right,

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<v Speaker 3>But then there are lots of days where I'm doing

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<v Speaker 3>the business end, so I don't leave my desk all day,

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<v Speaker 3>and my assistant will go and fetch me a salad

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<v Speaker 3>and all some sushi.

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<v Speaker 4>I try to eat raw food in the day.

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<v Speaker 3>But the way it is that Vogue House is each

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<v Speaker 3>magazine kind of dominates a floor.

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<v Speaker 4>So I worked on GQ for years.

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<v Speaker 3>I was running that business, and I was that's the

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<v Speaker 3>first floor, and then you graduate up and Boga's the

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<v Speaker 3>fifth floor. And there was always this idea that nobody

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<v Speaker 3>eats at Vogue, you know, so people would deliver. You'd

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<v Speaker 3>see in the reception of Vogue House. You know, cakes

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<v Speaker 3>and these amazing things being delivered, and we'd all sort

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<v Speaker 3>of scoff, Oh, well, you know they'll be in the

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<v Speaker 3>bin and needs them up there, and you know a GQ.

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<v Speaker 3>We all sort of it was food everywhere all the time,

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<v Speaker 3>you know, and actually is a big misconception because.

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<v Speaker 4>We were Yeah, we work really hard.

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<v Speaker 3>It's a really hard working team, the Vogue team. I

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<v Speaker 3>still now I'm overseeing all of the brands at Conde

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<v Speaker 3>Nas but I still sit with Edward on the fifth floor.

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<v Speaker 3>And he loves to eat.

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<v Speaker 4>We love to eat.

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<v Speaker 3>We love to plan a dinner. We love to incorporate

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<v Speaker 3>a bit of our culture into dinners. So even when

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<v Speaker 3>we did his wedding, his wedding was at long leads

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<v Speaker 3>and it helped him to plan that. It was amazing.

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<v Speaker 3>But we were saying, you know, we need to have

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<v Speaker 3>John Off in there, which caterists can go. Yeah, we did,

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<v Speaker 3>and we had you know, he loves spicy food. Anytime

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<v Speaker 3>he comes here, he'll always say, can I have chili

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<v Speaker 3>and chili Island, So we had chili sauces and everything.

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<v Speaker 3>So it's talking about food eating a lot of times

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<v Speaker 3>he and I eat our lunch at desks you know,

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<v Speaker 3>across from each other. So he'll have steam vegetables and

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<v Speaker 3>you know, some fish or chicken or something, and I'll

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<v Speaker 3>have sushi. But we sit together and eat it if

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<v Speaker 3>we're if we're doing a working lunch. Otherwise I'm out

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<v Speaker 3>with clients.

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<v Speaker 2>When we talked to Edward Nifl, and he just felt

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<v Speaker 2>quite a lot about wanting to change the culture of

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<v Speaker 2>you know, the stick thin model and the denial of

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<v Speaker 2>food and the denial of pleasure and in order to

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<v Speaker 2>show clothes at their best. Now that you're in such

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<v Speaker 2>a senior position at Cande Nast, does that does that

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<v Speaker 2>into your yes world? Yeah, what do you feel about it? Well?

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<v Speaker 3>I think that you know, the reason that Edwind and

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<v Speaker 3>I's partnership kind of is so important to me is

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<v Speaker 3>we had been separately and a bit together talking about

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<v Speaker 3>this challenge in our industry, not just about beauty being

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<v Speaker 3>about stick thin, which is kind of a bit preposterous,

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<v Speaker 3>but just the idea that magazin scenes in media represented

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<v Speaker 3>this kind of one really hard to reach version of

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<v Speaker 3>being a woman, which we didn't grow up surrounded by

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<v Speaker 3>my friends, weren't those people, and yet there were these

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<v Speaker 3>magazines that we loved representing that in an industry which

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<v Speaker 3>we loved and we were a part of, you know,

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<v Speaker 3>and so you know, the joy and beauty for both

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<v Speaker 3>of us was all around, in different shapes and different

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<v Speaker 3>sizes and different color And what we did behind the

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<v Speaker 3>scenes at Vogue was build a group of people who

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<v Speaker 3>didn't think like us. That's how you learn about new,

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<v Speaker 3>exciting things if you're all speaking to each other. And

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<v Speaker 3>you you know, Edwin and I actually have quite similar backgrounds.

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<v Speaker 3>I was laughing with Steve McQueen about our mothers did

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<v Speaker 3>exactly the same thing.

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<v Speaker 4>Nurses in the same hospital did your mother?

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<v Speaker 3>Yeah, and so our background, you know, he can start

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<v Speaker 3>a sentence, I can finish it because our backgrounds are

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<v Speaker 3>so similar. And so what's really fascinating is talking to

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<v Speaker 3>I mean, I could talk to Steve forever in a

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<v Speaker 3>day or Edward forever in a day. But what I

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<v Speaker 3>really love is to talk to people who didn't grow

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<v Speaker 3>up like me. That's where and I think that's what

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<v Speaker 3>I really want to challenge not only the media industry

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<v Speaker 3>but the but any organization to do a little bit more. Is,

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<v Speaker 3>you know, how can you connect with people and wider

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<v Speaker 3>audiences if you don't have them.

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<v Speaker 4>In your midst.

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<v Speaker 2>And food and food is the great connector with him,

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<v Speaker 2>and he remember him talking very much about growing up

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<v Speaker 2>like you, very very interesting conversations about his mother and

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<v Speaker 2>the markets and kind of keeping the food of their

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<v Speaker 2>parents and their grandparents and adapting to the food of

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<v Speaker 2>the culture.

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<v Speaker 3>The keeping food alive through food is everything, you know,

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<v Speaker 3>when when everything was planned around food, I remember all

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<v Speaker 3>of our great excursions on the weekends being about going

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<v Speaker 3>to get food, you know, so particularly in London in

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<v Speaker 3>the nineties late eighties nineties, where a lot of the

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<v Speaker 3>foods that we ate in the Caribbean in particular were

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<v Speaker 3>not readily available. You couldn't pop to, you know, Sainsbury's,

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<v Speaker 3>so you'd go from West London to Dulstone Market because

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<v Speaker 3>somebody told you that there was something there or what

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<v Speaker 3>have you.

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<v Speaker 4>And Wembley Market.

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<v Speaker 3>We used to go to south All Market lots because

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<v Speaker 3>the Indian community had lots of the ingredients and spices

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<v Speaker 3>and so on that we used. And so that's really unifying.

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<v Speaker 3>But I think with one of the best ways to

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<v Speaker 3>get to know people and groups of new people when

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<v Speaker 3>you're trying to connect and create these kind of diversity

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<v Speaker 3>of perspective, spaces where you know it's through food.

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<v Speaker 2>Where were you born?

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<v Speaker 3>So from the very beginning, I was born in Kenya,

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<v Speaker 3>in Nanuki. My father is Kenyan and my mother is

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<v Speaker 3>from Saint Kitts in the Caribbean, Saint Kittenita, it's tiny

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<v Speaker 3>into the islands. And they met here in London. It's

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<v Speaker 3>kind of a strange pairing in the seventies, and it

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<v Speaker 3>was quite a radical relationship.

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<v Speaker 4>There's because.

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<v Speaker 3>At that time Africans and people from the Caribbean did

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<v Speaker 3>not spend that much time together.

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<v Speaker 4>They certainly didn't end up in relationships.

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<v Speaker 3>And London is the great sort of unifying space, right

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<v Speaker 3>It's a true melting plot I think in the world.

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<v Speaker 4>They met here, they.

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<v Speaker 3>Fell in love, and my mother moved with my father

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<v Speaker 3>to this strange land where she knew no language or

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<v Speaker 3>the culture. Lots of her family didn't speak to her

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<v Speaker 3>because of the move, and indeed lots of his family

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<v Speaker 3>didn't speak to him because someone from yeah, from a

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<v Speaker 3>different culture, and he was a very eligible bachelor.

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<v Speaker 4>So I was born in this kind of context.

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<v Speaker 2>Why did they both plan to come to London for

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<v Speaker 2>a short time and then go home or did.

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<v Speaker 4>My father what did he do? He did some of

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<v Speaker 4>his education here.

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<v Speaker 3>He's a military man, but he studied engineering, came to

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<v Speaker 3>London with studies and works and things. And my mother,

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<v Speaker 3>who is a great inspiration in my life, has moved

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<v Speaker 3>here at seventeen on her own. She took the flight

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<v Speaker 3>and came to London to become a nurse with the NHS.

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<v Speaker 3>And it was a time where British were recruiting heavily

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<v Speaker 3>in the Commonwealth to establish the welfare states to come

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<v Speaker 3>and become nurses and.

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<v Speaker 4>Bus drivers and all of those things.

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<v Speaker 3>And she had a big kind of dreamy heart and

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<v Speaker 3>came here thinking this is going to be an incredible life.

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<v Speaker 2>Then to us supported to yeah, Kenny.

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<v Speaker 3>Was it a small village, Quite a small village, yes,

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<v Speaker 3>And it's in a sort of mountainous area. His family

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<v Speaker 3>were in Coffee, so yeah, quite rural, but they were

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<v Speaker 3>very well off. But my mother had a very difficult

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<v Speaker 3>time settling in there. And this is where food comes

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<v Speaker 3>in because she was encountering women who didn't understand her

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<v Speaker 3>literally and figuratively. She only spoke English and they often

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<v Speaker 3>spoke five languages, you know, and so the language barrier

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<v Speaker 3>was there. She didn't speak Swahili, she didn't speak the

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<v Speaker 3>dialect as well, and so food was her way to

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<v Speaker 3>connect with people. She used to say to me, it's

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<v Speaker 3>quicker to learn addition than to learn a language. And

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<v Speaker 3>I think one of the most ingratiating things you can

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<v Speaker 3>do in a new culture is you know, know some

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<v Speaker 3>basic words to greet people. And she looked at food

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<v Speaker 3>in the same way. If you could cook the food

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<v Speaker 3>really well, it was a show of respect. So she

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<v Speaker 3>learned to cook, which I also found strange because she

0:13:04.760 --> 0:13:07.000
<v Speaker 3>had cooks and nannies and all of those things. But

0:13:07.080 --> 0:13:08.800
<v Speaker 3>she loved to cook, and.

0:13:08.880 --> 0:13:10.000
<v Speaker 2>She loved to cook before.

0:13:10.800 --> 0:13:12.880
<v Speaker 4>Yeah, my grandmother was a great cook.

0:13:12.640 --> 0:13:14.120
<v Speaker 2>And grandmother and Saint KITT's.

0:13:14.360 --> 0:13:17.800
<v Speaker 4>Yeah, so we're all over the place, and my.

0:13:19.640 --> 0:13:22.400
<v Speaker 3>Family are not a family who say I love you

0:13:22.440 --> 0:13:27.440
<v Speaker 3>a lot, but we're incredibly loving family and expressed through stories,

0:13:28.120 --> 0:13:30.560
<v Speaker 3>like everyone in my family is a bit of a joker,

0:13:31.120 --> 0:13:32.800
<v Speaker 3>you know, funny stories and food.

0:13:33.679 --> 0:13:35.800
<v Speaker 2>Yeah, she was a kitchen Like do you remember the

0:13:35.880 --> 0:13:36.760
<v Speaker 2>kitchen in the house?

0:13:37.160 --> 0:13:37.959
<v Speaker 4>Well, I didn't.

0:13:38.040 --> 0:13:42.000
<v Speaker 3>I we left Kenya at when I was eighteen months old.

0:13:42.120 --> 0:13:47.319
<v Speaker 3>I don't have any real memories. But again, she would

0:13:47.360 --> 0:13:50.640
<v Speaker 3>cook the dishes to keep I guess the Kenyon in

0:13:50.679 --> 0:13:55.120
<v Speaker 3>me alive. So we left when I was eighteen months old.

0:13:55.440 --> 0:13:57.280
<v Speaker 3>We moved to Saint Kits and then we came to

0:13:57.360 --> 0:14:03.600
<v Speaker 3>London and she would cook ugalley and soka mawiki and

0:14:04.000 --> 0:14:06.040
<v Speaker 3>mung beans and these are Kenyan dishes.

0:14:06.160 --> 0:14:07.880
<v Speaker 2>What are the first two? I know? Mung beans?

0:14:08.400 --> 0:14:13.520
<v Speaker 3>Yeah, So soka mawiki is it's like collared greens or

0:14:13.640 --> 0:14:19.200
<v Speaker 3>kale with tomatoes and onions, and you tend to have

0:14:19.280 --> 0:14:22.760
<v Speaker 3>it with rich dishes, so like a beef stew or

0:14:23.200 --> 0:14:28.800
<v Speaker 3>stewed mung beans and ougalley, which is like a maze

0:14:29.040 --> 0:14:32.680
<v Speaker 3>kind of it's almost like a not a mashed potato,

0:14:32.800 --> 0:14:37.520
<v Speaker 3>but it's quite a firm, dense carrier almost for shoes

0:14:37.560 --> 0:14:39.840
<v Speaker 3>and things. And the soukamwiki is like a palate cleanser.

0:14:40.600 --> 0:14:43.560
<v Speaker 3>So she would make these dishes for us, my sister

0:14:43.640 --> 0:14:46.800
<v Speaker 3>and I, I guess, to keep that Kenyan culture alive

0:14:47.160 --> 0:14:51.880
<v Speaker 3>in us growing up, moving around, living in belonging to

0:14:52.000 --> 0:14:58.320
<v Speaker 3>three places. Food was a brilliant connector to places we'd

0:14:58.400 --> 0:15:02.040
<v Speaker 3>left so that they didn't become lost, but also a

0:15:02.040 --> 0:15:06.720
<v Speaker 3>really good way of connecting with somewhere new, with new people,

0:15:07.720 --> 0:15:12.160
<v Speaker 3>with new communities and within new life almost.

0:15:14.120 --> 0:15:16.040
<v Speaker 4>Well. Okay, So at two we went to live with

0:15:16.080 --> 0:15:19.080
<v Speaker 4>my grandmother. My mother and father got divorced.

0:15:19.600 --> 0:15:22.000
<v Speaker 3>My mother came back to London to try and re

0:15:22.160 --> 0:15:25.320
<v Speaker 3>establish herself by a house and all of those things,

0:15:26.000 --> 0:15:29.720
<v Speaker 3>and we stayed in Sant Kits with her, visiting frequently

0:15:30.320 --> 0:15:32.560
<v Speaker 3>with my grandmother. So I was very young, so I

0:15:32.640 --> 0:15:36.640
<v Speaker 3>was stuck to her all the time. And she is

0:15:37.680 --> 0:15:42.760
<v Speaker 3>definitely the most powerful sort of figure in my life.

0:15:42.960 --> 0:15:45.240
<v Speaker 4>My mother's a very powerful figure. We're very close.

0:15:45.680 --> 0:15:49.920
<v Speaker 3>When my grandmother is almost my heart, you know, and

0:15:50.480 --> 0:15:51.720
<v Speaker 3>I gosh, I'm welling up.

0:15:51.720 --> 0:15:52.760
<v Speaker 4>Even talking about her.

0:15:53.040 --> 0:15:56.280
<v Speaker 3>It's so because when we spoke about this, No, she's not,

0:15:56.560 --> 0:16:00.680
<v Speaker 3>but she's very much alive in me. I think about

0:16:00.680 --> 0:16:06.480
<v Speaker 3>her every day, not only through food but also just

0:16:06.560 --> 0:16:09.280
<v Speaker 3>her advice. Was amazing because it's so funny, it's really

0:16:09.280 --> 0:16:10.400
<v Speaker 3>evocative thinking about this.

0:16:10.440 --> 0:16:11.360
<v Speaker 4>I'm getting emotional.

0:16:12.960 --> 0:16:20.040
<v Speaker 3>No, it's kind of happy to you know, when someone

0:16:20.120 --> 0:16:24.320
<v Speaker 3>leaves a mark on your life that's so powerful and

0:16:24.440 --> 0:16:27.960
<v Speaker 3>kind of runs through everything in my working life, whenever

0:16:27.960 --> 0:16:30.920
<v Speaker 3>I'm up against any kind of challenge, in the way

0:16:30.960 --> 0:16:34.360
<v Speaker 3>I raise my son, in the way that I connect

0:16:34.400 --> 0:16:37.400
<v Speaker 3>to people, and what I place is important. These kind

0:16:37.440 --> 0:16:40.680
<v Speaker 3>of figures are so strong, and I miss her, I

0:16:40.720 --> 0:16:41.400
<v Speaker 3>really miss.

0:16:41.240 --> 0:16:42.200
<v Speaker 4>Her, but she's alive.

0:16:42.560 --> 0:16:44.840
<v Speaker 2>What was her food like? Describe? Was she in the

0:16:44.920 --> 0:16:45.840
<v Speaker 2>kitchen all day long.

0:16:46.080 --> 0:16:48.840
<v Speaker 3>I don't remember her not wearing an apron or some

0:16:48.880 --> 0:16:52.520
<v Speaker 3>sort of overalls. So she made food that was needed,

0:16:52.560 --> 0:16:54.200
<v Speaker 3>constant nurturing, you know.

0:16:54.720 --> 0:16:56.200
<v Speaker 4>Her house was also.

0:16:57.400 --> 0:17:00.800
<v Speaker 3>Where everyone dropped in, so my sister and I lived

0:17:00.840 --> 0:17:05.600
<v Speaker 3>there on and off. Four of my cousins lived there,

0:17:05.640 --> 0:17:08.560
<v Speaker 3>and my uncle's children, and then she was sort of

0:17:08.600 --> 0:17:12.720
<v Speaker 3>everyone's grandmother. So her house was, Oh, it was so fun.

0:17:12.840 --> 0:17:15.920
<v Speaker 3>It was a wash with children all the time. And

0:17:15.960 --> 0:17:18.120
<v Speaker 3>I was the youngest, so I was always with her.

0:17:18.200 --> 0:17:21.280
<v Speaker 3>I slept in her bed, and I was literally on

0:17:21.480 --> 0:17:26.960
<v Speaker 3>her apen strings. So her food was very rich. It

0:17:27.040 --> 0:17:31.880
<v Speaker 3>was like almost like a warm embrace, you know, hearty,

0:17:32.000 --> 0:17:37.080
<v Speaker 3>and lots of sort of stews and meats and heavily

0:17:37.200 --> 0:17:43.680
<v Speaker 3>marinated delicious comfort food, dumplings and you know, sort of starchy,

0:17:43.840 --> 0:17:48.040
<v Speaker 3>delicious things. And she kept her own little farm, at

0:17:48.119 --> 0:17:50.800
<v Speaker 3>least it felt like a farm to me. She grew

0:17:50.800 --> 0:17:54.000
<v Speaker 3>her own vegetables, she had her own fruit tree, She

0:17:54.000 --> 0:17:58.640
<v Speaker 3>would graft her own strains, of mango. She grew herbs

0:17:58.680 --> 0:18:00.960
<v Speaker 3>and things that people would come and visit her to buy,

0:18:01.720 --> 0:18:03.560
<v Speaker 3>and she kept her own animals, and I used to

0:18:03.560 --> 0:18:07.080
<v Speaker 3>help her tend to those little gardens, and then she'd

0:18:07.119 --> 0:18:11.080
<v Speaker 3>make up these amazing dishes from food, and she'd tell

0:18:11.160 --> 0:18:13.840
<v Speaker 3>me stories of the food as well.

0:18:14.040 --> 0:18:16.919
<v Speaker 2>So did she grow up in poverty or did she

0:18:16.960 --> 0:18:18.560
<v Speaker 2>grow up any Yes? She did.

0:18:19.440 --> 0:18:23.440
<v Speaker 3>And I look at sort of my life now, which

0:18:23.520 --> 0:18:26.280
<v Speaker 3>is so much on her shoulders, and all of the

0:18:26.320 --> 0:18:31.040
<v Speaker 3>opportunity I have now, and I think about how important circumstances.

0:18:32.119 --> 0:18:34.959
<v Speaker 3>So she was a really intelligent woman. She was the

0:18:34.960 --> 0:18:38.760
<v Speaker 3>most prolific reader I ever knew. She was either cooking

0:18:38.920 --> 0:18:43.720
<v Speaker 3>or reading. But she was forced to leave school at fourteen.

0:18:44.880 --> 0:18:49.160
<v Speaker 3>Her mother was a She also had a slightly strange

0:18:49.200 --> 0:18:58.120
<v Speaker 3>parentage in that her father was previously a slave and

0:18:58.440 --> 0:18:59.359
<v Speaker 3>her mother.

0:18:59.359 --> 0:19:03.960
<v Speaker 2>Was grandfather was a slave. Yeah in syn kids, yeah,

0:19:04.040 --> 0:19:10.800
<v Speaker 2>and probably like the Civil War probably yeah.

0:19:10.840 --> 0:19:15.600
<v Speaker 3>But her mother, which is really strange, was a Portuguese

0:19:16.240 --> 0:19:19.880
<v Speaker 3>woman from a slave owning family, so it's really really

0:19:19.960 --> 0:19:24.000
<v Speaker 3>unusual that way around. And her mother was not very

0:19:24.040 --> 0:19:28.520
<v Speaker 3>maternal at all, and so they fell upon hard times.

0:19:28.560 --> 0:19:31.960
<v Speaker 3>Her mother was seen I think as having made bad decisions,

0:19:32.359 --> 0:19:36.080
<v Speaker 3>and so she didn't grow up surrounded, as I understand it,

0:19:36.160 --> 0:19:40.000
<v Speaker 3>by lots of love, and so she created this love

0:19:40.400 --> 0:19:42.640
<v Speaker 3>loving world. But the reason that it's important at how

0:19:42.680 --> 0:19:46.320
<v Speaker 3>she grew up is her food was very much worker food.

0:19:46.760 --> 0:19:49.160
<v Speaker 3>You know, she made food that they would have made

0:19:49.240 --> 0:19:51.960
<v Speaker 3>for men and women who worked picking cotton.

0:19:52.000 --> 0:19:53.760
<v Speaker 4>She was picking cotton at fourteen.

0:19:53.480 --> 0:19:57.720
<v Speaker 3>Years old in the fields, and then after that taking

0:19:57.760 --> 0:20:01.520
<v Speaker 3>books under the house to read them in evening and

0:20:02.119 --> 0:20:07.040
<v Speaker 3>cooking and supporting the households and so on. So she

0:20:07.200 --> 0:20:14.480
<v Speaker 3>had this really eclectic upbringing where she really valued education

0:20:15.040 --> 0:20:18.280
<v Speaker 3>and missed her opportunity I think, to have a full education.

0:20:18.880 --> 0:20:22.400
<v Speaker 3>But food was also the key joy.

0:20:22.720 --> 0:20:26.040
<v Speaker 2>Yeah, and so would you sit down? Would you go

0:20:26.080 --> 0:20:28.120
<v Speaker 2>to school and then every evening come home and sit

0:20:28.200 --> 0:20:30.760
<v Speaker 2>down for dinner. Would there be for dinner on the

0:20:30.800 --> 0:20:32.520
<v Speaker 2>table for you? Yes?

0:20:32.760 --> 0:20:37.520
<v Speaker 3>Yeah, So my grandmother always liked us to sit and

0:20:37.600 --> 0:20:41.720
<v Speaker 3>eat together again because I think sharing stories and storytelling

0:20:41.800 --> 0:20:44.800
<v Speaker 3>was really important, and food's a really good way to

0:20:45.040 --> 0:20:47.280
<v Speaker 3>get everyone together and understand what their days were like.

0:20:47.960 --> 0:20:50.600
<v Speaker 3>I was very young, so I was always around the house,

0:20:50.640 --> 0:20:54.880
<v Speaker 3>So I looked forward to people coming home with their

0:20:54.920 --> 0:20:57.600
<v Speaker 3>stories of the day and enjoying that over food.

0:20:58.359 --> 0:20:59.000
<v Speaker 4>And so.

0:21:00.560 --> 0:21:04.240
<v Speaker 3>We would have great mounds of kind of rice and

0:21:04.320 --> 0:21:08.080
<v Speaker 3>vegetables and these kind of incredible with me and everybody

0:21:08.080 --> 0:21:10.600
<v Speaker 3>would pile in and pour in and go for second plates.

0:21:10.640 --> 0:21:14.000
<v Speaker 3>It wasn't a very formal sit and the table was

0:21:14.040 --> 0:21:16.480
<v Speaker 3>also off the kitchen, so it was kind of part

0:21:16.520 --> 0:21:19.240
<v Speaker 3>of the action, and it was just a really lovely

0:21:19.280 --> 0:21:21.840
<v Speaker 3>way to be connected with the people around you.

0:21:22.119 --> 0:21:24.439
<v Speaker 2>Breakfast, what was breakfast? Icen that? Do you remember?

0:21:24.680 --> 0:21:27.400
<v Speaker 4>Do you know what's so funny? I do not remember breakfast.

0:21:27.800 --> 0:21:31.560
<v Speaker 3>What I remember, really really vividly at my grandmother's house

0:21:31.760 --> 0:21:37.160
<v Speaker 3>is the back door of her house was at the.

0:21:37.080 --> 0:21:37.800
<v Speaker 4>Base of it.

0:21:38.280 --> 0:21:40.240
<v Speaker 3>We called it a mountain, but it was really just

0:21:40.280 --> 0:21:43.240
<v Speaker 3>a big hill and there were mango groves and things,

0:21:43.320 --> 0:21:45.800
<v Speaker 3>and so we would take buckets in the morning. We'd

0:21:45.840 --> 0:21:48.399
<v Speaker 3>just run out barefoot, all the kids together with the

0:21:48.440 --> 0:21:51.920
<v Speaker 3>older kids, and go and pick fruit and slightly gorge

0:21:51.920 --> 0:21:53.280
<v Speaker 3>ourselves on the things.

0:21:54.040 --> 0:21:55.879
<v Speaker 2>So you left this kind of your mother took you

0:21:56.080 --> 0:21:57.159
<v Speaker 2>to London, then, did.

0:21:57.000 --> 0:21:59.359
<v Speaker 3>You, Yeah, so my mother, while we were having this

0:21:59.480 --> 0:22:03.720
<v Speaker 3>lovely time, you know, with my grandmother, learning these amazing

0:22:03.800 --> 0:22:07.399
<v Speaker 3>lessons about life and opportunity and food and you know,

0:22:07.440 --> 0:22:10.400
<v Speaker 3>all of those things. My mother was in London, toiling away.

0:22:10.480 --> 0:22:14.399
<v Speaker 3>She was very focused on us moving to London and

0:22:14.440 --> 0:22:17.639
<v Speaker 3>having the kind of cultural access that you could have

0:22:17.800 --> 0:22:20.920
<v Speaker 3>in London. Being part of different communities was a big

0:22:20.960 --> 0:22:24.280
<v Speaker 3>thing for her, and getting a really, really great education.

0:22:24.640 --> 0:22:29.719
<v Speaker 3>So she was working very hard. She'd managed to on

0:22:29.760 --> 0:22:34.720
<v Speaker 3>a nurse's salary by a three bedroom house in West London,

0:22:34.760 --> 0:22:38.920
<v Speaker 3>which was her dream, and were all while coming back

0:22:38.960 --> 0:22:43.399
<v Speaker 3>every three months to sink it to visit us. But

0:22:43.800 --> 0:22:47.640
<v Speaker 3>this sort of sad thing happened where she became this

0:22:47.720 --> 0:22:52.720
<v Speaker 3>kind of glamorous figure in my life. But I didn't.

0:22:51.920 --> 0:22:55.720
<v Speaker 3>I didn't really connect that we were ever going to

0:22:55.760 --> 0:22:59.280
<v Speaker 3>live together. So when we came to London, it was

0:22:59.280 --> 0:23:02.119
<v Speaker 3>a bit of a room awakening, to be honest, Like,

0:23:02.760 --> 0:23:05.360
<v Speaker 3>I missed my grandmother terribly.

0:23:05.960 --> 0:23:09.960
<v Speaker 2>Had you ever experienced, either in Kenya or in Saint

0:23:10.040 --> 0:23:13.720
<v Speaker 2>KITT's any form of racism, you probably hadn't, had you No.

0:23:14.280 --> 0:23:17.240
<v Speaker 3>That was also really strange, and I'm also really grateful

0:23:17.280 --> 0:23:21.679
<v Speaker 3>for that, because when I did encounter any forms of racism,

0:23:22.040 --> 0:23:25.680
<v Speaker 3>it just didn't touch my soul because it just seemed preposterous.

0:23:25.760 --> 0:23:29.960
<v Speaker 3>You know, the idea that I could be anything bad

0:23:30.280 --> 0:23:34.800
<v Speaker 3>or good just because I'm black was silly because I'd

0:23:34.840 --> 0:23:39.760
<v Speaker 3>come from these cultures where everyone's black, good, bad, you know, and.

0:23:39.680 --> 0:23:40.760
<v Speaker 4>Everything in between.

0:23:40.920 --> 0:23:45.679
<v Speaker 3>And so I think I'm really with retrospect, you know,

0:23:46.320 --> 0:23:52.160
<v Speaker 3>grateful to that foundation where I was never affected deeply

0:23:52.359 --> 0:23:55.520
<v Speaker 3>by any kind of racist comments and things like that.

0:23:55.560 --> 0:23:56.840
<v Speaker 4>It just felt a bit silly.

0:23:57.880 --> 0:24:02.520
<v Speaker 3>I went to Catholics, where there's a lot of immigrant

0:24:02.520 --> 0:24:08.280
<v Speaker 3>communities anyway, you know, lots of Irish Catholics, Italians, Eastern Europeans,

0:24:09.160 --> 0:24:15.199
<v Speaker 3>and so there was that unity in difference anyway. And

0:24:15.240 --> 0:24:19.639
<v Speaker 3>then I really think I definitely remember to encounters in

0:24:19.720 --> 0:24:23.480
<v Speaker 3>primary school. I told my mother and she was, of course,

0:24:23.560 --> 0:24:26.359
<v Speaker 3>you know, came down to the school and frustrated, but

0:24:26.440 --> 0:24:30.840
<v Speaker 3>it just didn't really really affect me. I think the

0:24:30.920 --> 0:24:35.720
<v Speaker 3>comments are don't affect me as much as seeing injustice

0:24:36.119 --> 0:24:41.040
<v Speaker 3>so more discrimination. But I didn't I couldn't understand that

0:24:41.160 --> 0:24:44.439
<v Speaker 3>until later on. Yeah, but I was very lucky to

0:24:44.560 --> 0:24:52.120
<v Speaker 3>be surrounded by lots of people who had had their version,

0:24:52.680 --> 0:24:56.280
<v Speaker 3>you know, of the kind of immigrant experience. The other

0:24:56.359 --> 0:24:59.720
<v Speaker 3>thing was my mother is an incredibly charming woman.

0:25:00.200 --> 0:25:01.000
<v Speaker 4>Everybody loves her.

0:25:01.720 --> 0:25:03.840
<v Speaker 3>She just brought people together all the time, and so

0:25:03.920 --> 0:25:06.959
<v Speaker 3>our house was always filled with quite people from all

0:25:06.960 --> 0:25:10.560
<v Speaker 3>different backgrounds. And again I'm really grateful to that. Now

0:25:11.280 --> 0:25:14.240
<v Speaker 3>I tend not to walk into spaces and feel uncomfortable.

0:25:14.640 --> 0:25:16.840
<v Speaker 3>I don't mind being the only person of a I

0:25:16.840 --> 0:25:18.439
<v Speaker 3>don't mind being the only woman in the room, or

0:25:18.440 --> 0:25:21.160
<v Speaker 3>the only personal color or whatever. I think that's because

0:25:21.200 --> 0:25:25.959
<v Speaker 3>of her, because she was hard not to like. And

0:25:26.040 --> 0:25:29.760
<v Speaker 3>I remember my mother used to host these dinners and

0:25:30.080 --> 0:25:33.960
<v Speaker 3>Sunday afternoons and you'd have, you know, her friend, her

0:25:34.080 --> 0:25:37.520
<v Speaker 3>nursing friends, the High Commission of Saint Kits would be

0:25:37.560 --> 0:25:40.719
<v Speaker 3>casually there and like other sort of dignitaries are our

0:25:40.840 --> 0:25:43.520
<v Speaker 3>little house, you know, and these people for you know,

0:25:43.520 --> 0:25:45.600
<v Speaker 3>the woman from a counsel estate around the corner who

0:25:45.640 --> 0:25:48.359
<v Speaker 3>sometimes helped to pick us up from school because she

0:25:48.480 --> 0:25:51.520
<v Speaker 3>was working and things like that. And she just threw

0:25:51.560 --> 0:25:53.399
<v Speaker 3>everyone together and served up food.

0:25:53.680 --> 0:25:56.840
<v Speaker 2>And did she adapt her cooking when she came here,

0:25:57.560 --> 0:25:59.760
<v Speaker 2>did she change to more British cooking or did she

0:25:59.840 --> 0:26:01.160
<v Speaker 2>keep for cooking Kenya?

0:26:01.880 --> 0:26:05.040
<v Speaker 3>She kept the cooking a lot of sink it and Kenya,

0:26:05.680 --> 0:26:11.160
<v Speaker 3>But she did we did do these sort of English

0:26:11.280 --> 0:26:14.720
<v Speaker 3>nights so Fridays we'd have would have like British food,

0:26:15.800 --> 0:26:19.480
<v Speaker 3>and we thought it was really exotic. We'd have egg

0:26:19.520 --> 0:26:23.720
<v Speaker 3>and chips for breakfast, no for dinner, which we kind

0:26:23.760 --> 0:26:26.639
<v Speaker 3>of was. Really this was so bizarre to us, you know,

0:26:26.720 --> 0:26:30.480
<v Speaker 3>that's like, wow, potato and an egg and that's the

0:26:30.520 --> 0:26:34.840
<v Speaker 3>whole meal. And lots of different sort of cuisines that

0:26:34.840 --> 0:26:37.040
<v Speaker 3>you could get here, which you couldn't get so readily

0:26:37.040 --> 0:26:40.480
<v Speaker 3>and sink it and things. So Fridays and sometimes Saturdays

0:26:40.520 --> 0:26:44.640
<v Speaker 3>were days to either eat out or she'd recreate frankly

0:26:44.680 --> 0:26:49.520
<v Speaker 3>with much more flavor, you know. But yeah, no, she cooked,

0:26:49.720 --> 0:26:54.240
<v Speaker 3>and I remember everybody loved her food. I always thoughts

0:26:54.320 --> 0:26:56.240
<v Speaker 3>when my friends came to my house, they came to

0:26:56.240 --> 0:26:58.520
<v Speaker 3>see her rather than going to see me, you know.

0:27:00.080 --> 0:27:02.399
<v Speaker 2>Other people's houses for food. Would it be very different

0:27:02.480 --> 0:27:03.040
<v Speaker 2>from your own?

0:27:03.200 --> 0:27:06.159
<v Speaker 3>Yes, yeah, and it was such a culture shock. I

0:27:06.160 --> 0:27:09.120
<v Speaker 3>always loved to go. A very close friend of mine

0:27:09.160 --> 0:27:14.320
<v Speaker 3>is Polish and she in her house, her grandmother had

0:27:14.320 --> 0:27:17.399
<v Speaker 3>a sort of annex in her house. She was blind,

0:27:17.440 --> 0:27:21.240
<v Speaker 3>actually her babcher and we became very close. And now

0:27:21.280 --> 0:27:23.520
<v Speaker 3>I think about it, it's probably because i'd never really

0:27:23.560 --> 0:27:26.240
<v Speaker 3>made the connection of my relationship with my grandmother, but

0:27:26.359 --> 0:27:29.919
<v Speaker 3>she would teach me to make pierogies and all of

0:27:29.920 --> 0:27:33.560
<v Speaker 3>these amazing sort of Polish dishes which I would never

0:27:33.560 --> 0:27:37.960
<v Speaker 3>have eaten before. And I would have Irish shoes at

0:27:38.040 --> 0:27:39.920
<v Speaker 3>you know, my Irish friends out. I had a friend

0:27:39.960 --> 0:27:44.480
<v Speaker 3>called Margaret who had she was one of thirteen. I

0:27:44.600 --> 0:27:48.639
<v Speaker 3>found initially the food really bland, and my first encounter

0:27:48.760 --> 0:27:51.000
<v Speaker 3>with English food was at school, so it's kind of

0:27:52.280 --> 0:27:56.119
<v Speaker 3>you know, the worst, yeah, and then it sort of

0:27:56.800 --> 0:27:59.800
<v Speaker 3>London opened up to me through having these experiences with

0:28:00.320 --> 0:28:03.959
<v Speaker 3>different families from different immigrant backgrounds and how they cooked

0:28:04.040 --> 0:28:06.560
<v Speaker 3>and so on. So that was really important in me

0:28:07.119 --> 0:28:10.480
<v Speaker 3>falling in love with being in London after arriving in

0:28:10.520 --> 0:28:15.680
<v Speaker 3>that cold October and feeling ripped away from my favorite place.

0:28:27.320 --> 0:28:30.119
<v Speaker 3>The idea of Vogue was that it was at the

0:28:30.200 --> 0:28:38.320
<v Speaker 3>time that Edward took over exclusive really in an excluding way, unfortunately,

0:28:38.920 --> 0:28:43.320
<v Speaker 3>which was the style of the time. But the idea

0:28:43.360 --> 0:28:48.120
<v Speaker 3>that you would critique the industry, which was our bread

0:28:48.160 --> 0:28:52.520
<v Speaker 3>and butter. So the business of Vogue is advertising from

0:28:52.880 --> 0:28:57.920
<v Speaker 3>luxury fashion brands who at the time celebrated very thin,

0:28:58.680 --> 0:29:04.000
<v Speaker 3>very white, a very particular youth, and a very particular

0:29:04.040 --> 0:29:09.719
<v Speaker 3>type of beauty. So although everyone loved Edward's idea and vision,

0:29:10.560 --> 0:29:15.760
<v Speaker 3>there was also this almost unanimous sort of gulp and fearful,

0:29:16.200 --> 0:29:20.680
<v Speaker 3>very fearful, this, this is going to destroy the business evogue.

0:29:21.200 --> 0:29:24.440
<v Speaker 2>I remember before the first issue on the talk about

0:29:25.000 --> 0:29:28.760
<v Speaker 2>you know, the change, the vision of yourself and the

0:29:29.280 --> 0:29:35.520
<v Speaker 2>Edwards and that first issue was amazing. Tell me about

0:29:35.560 --> 0:29:38.360
<v Speaker 2>that first issue, and it kind of does relate to food,

0:29:38.400 --> 0:29:40.280
<v Speaker 2>doesn't it about food?

0:29:41.040 --> 0:29:43.520
<v Speaker 4>It's true, I think that. I think it's very much

0:29:43.560 --> 0:29:44.760
<v Speaker 4>about joy.

0:29:45.720 --> 0:29:50.160
<v Speaker 3>And if you deny yourself anything right, you deny yourself

0:29:51.280 --> 0:29:55.200
<v Speaker 3>getting older, you deny yourself gaining a few pounds for

0:29:55.280 --> 0:29:58.640
<v Speaker 3>the joy of food, you deny who you are in

0:29:58.720 --> 0:30:03.360
<v Speaker 3>terms of your demographic makeup, it's not joyful. And so

0:30:03.920 --> 0:30:07.480
<v Speaker 3>that's what I read, That's what I articulate from what

0:30:07.640 --> 0:30:10.240
<v Speaker 3>Edward's vision was, and it was also my shared views,

0:30:10.920 --> 0:30:13.800
<v Speaker 3>you know, and everything I've described about how I grew up.

0:30:14.880 --> 0:30:20.680
<v Speaker 3>It's about great storytelling, it's about joy, it's about connection,

0:30:21.880 --> 0:30:26.480
<v Speaker 3>it's about acceptance of difference, and so this just spoke

0:30:26.560 --> 0:30:26.760
<v Speaker 3>to me.

0:30:27.520 --> 0:30:30.120
<v Speaker 2>It also instills a sense of failure if you're not

0:30:30.360 --> 0:30:33.720
<v Speaker 2>you know, yes, so damaging too. Definitely, and growing up

0:30:33.840 --> 0:30:36.680
<v Speaker 2>that sense of failure if you don't fit into what

0:30:36.800 --> 0:30:37.200
<v Speaker 2>it was.

0:30:37.400 --> 0:30:40.680
<v Speaker 3>You know what was so incredible in that first year

0:30:40.800 --> 0:30:43.440
<v Speaker 3>is so Edward and I went on this mission where

0:30:44.800 --> 0:30:49.360
<v Speaker 3>he basically said, you know, if this doesn't make money,

0:30:49.520 --> 0:30:51.920
<v Speaker 3>then I'm not going to be doing this for very long.

0:30:52.280 --> 0:30:53.840
<v Speaker 3>I know I can do what I need to do

0:30:53.880 --> 0:30:55.800
<v Speaker 3>and people will love it, but I need to be

0:30:55.840 --> 0:30:58.120
<v Speaker 3>able to do it for a while. And no one

0:30:58.120 --> 0:31:01.200
<v Speaker 3>can see a path to making this business work. And

0:31:01.240 --> 0:31:04.920
<v Speaker 3>so I set about creating a new business. And it

0:31:04.960 --> 0:31:10.760
<v Speaker 3>was scary stuff because Vogue is half of Condinas business.

0:31:11.240 --> 0:31:14.200
<v Speaker 3>So we have ten brands and half of the business

0:31:14.240 --> 0:31:16.760
<v Speaker 3>is Vogue, so you really don't want to mess that up, right,

0:31:17.360 --> 0:31:20.280
<v Speaker 3>So everybody was sort of saying, it ain't broke, you know,

0:31:20.560 --> 0:31:22.440
<v Speaker 3>it ain't broke, leave it alone. But I knew what

0:31:22.600 --> 0:31:25.280
<v Speaker 3>was coming, and so we had to speak to the brands.

0:31:25.320 --> 0:31:27.320
<v Speaker 3>We had to try and ask them to be different.

0:31:27.440 --> 0:31:29.800
<v Speaker 3>We had to say, you are going to need to

0:31:29.880 --> 0:31:34.239
<v Speaker 3>make samples in different sizes. We can create content for

0:31:34.320 --> 0:31:36.440
<v Speaker 3>you because your ad is now going to look slightly

0:31:36.480 --> 0:31:39.800
<v Speaker 3>strange in the backdrop of this kind of melting pot

0:31:39.840 --> 0:31:42.640
<v Speaker 3>with different races and sizes, and so I had to

0:31:42.680 --> 0:31:48.200
<v Speaker 3>create a different business model for Vogue, which invited in

0:31:48.720 --> 0:31:52.840
<v Speaker 3>different brands to work with us, invited our existing brands

0:31:52.840 --> 0:31:56.040
<v Speaker 3>to work differently. Also that we could bolster up this

0:31:56.160 --> 0:32:01.880
<v Speaker 3>incredible vision where women felt seen and they felt like

0:32:02.000 --> 0:32:07.560
<v Speaker 3>they weren't excluded, and that the idea that a magazine

0:32:07.600 --> 0:32:09.960
<v Speaker 3>like Vogue didn't have to be excluding, it could be

0:32:10.040 --> 0:32:18.040
<v Speaker 3>aspirational and inclusive was radical creatively, but it was radical

0:32:18.160 --> 0:32:21.640
<v Speaker 3>from a business perspective as well, because a lot of

0:32:21.640 --> 0:32:25.440
<v Speaker 3>the times when people take those radical creative risks, it's

0:32:25.560 --> 0:32:30.520
<v Speaker 3>on it with a platform which is not so big

0:32:30.560 --> 0:32:34.320
<v Speaker 3>and not so visible and not so scary. And that

0:32:34.360 --> 0:32:38.960
<v Speaker 3>first year issue after issue getting letters, you know, people

0:32:39.000 --> 0:32:41.640
<v Speaker 3>taking the time to write letters or long emails to say,

0:32:42.200 --> 0:32:45.560
<v Speaker 3>thank God, I finally see myself. This is amazing and

0:32:46.240 --> 0:32:49.520
<v Speaker 3>was so gratifying. It just you know, powered us on.

0:32:50.240 --> 0:32:53.200
<v Speaker 3>But it was an amazing time and still is.

0:32:54.080 --> 0:32:57.479
<v Speaker 2>You've changed the world. Would you say as well? In fashion,

0:32:57.600 --> 0:33:01.400
<v Speaker 2>is that you see more runways with different models of

0:33:01.440 --> 0:33:04.720
<v Speaker 2>different sizes and different shapes. You know, the friends that

0:33:04.760 --> 0:33:07.719
<v Speaker 2>I've had who were in models, not many of them,

0:33:07.800 --> 0:33:11.000
<v Speaker 2>but I just saw it was almost painful to see

0:33:11.040 --> 0:33:15.000
<v Speaker 2>the relationship with food to being able to do their job,

0:33:15.160 --> 0:33:15.800
<v Speaker 2>you know, to be.

0:33:15.720 --> 0:33:17.160
<v Speaker 4>Able to I think we still have a lot of

0:33:17.160 --> 0:33:18.040
<v Speaker 4>work to do there.

0:33:18.360 --> 0:33:25.920
<v Speaker 3>I definitely feel that British Vogue has changed the magazine

0:33:25.960 --> 0:33:30.040
<v Speaker 3>world and the content world significantly. I remember the first

0:33:31.280 --> 0:33:35.280
<v Speaker 3>September that we went. Rihanna was our first, the first

0:33:35.280 --> 0:33:37.880
<v Speaker 3>black woman I believe, to be on the cover of

0:33:37.920 --> 0:33:39.800
<v Speaker 3>British Vogue, and in.

0:33:40.080 --> 0:33:43.240
<v Speaker 4>September that was twenty twenty.

0:33:43.600 --> 0:33:47.480
<v Speaker 3>You know, it's very recent, and you know, every time

0:33:47.520 --> 0:33:49.640
<v Speaker 3>we did these and people would say that's the first

0:33:49.760 --> 0:33:52.080
<v Speaker 3>or the first, and you'd say, my god, this is crazy.

0:33:52.120 --> 0:33:54.320
<v Speaker 4>It's not like we're going for someone obscure. It's realnit,

0:33:54.560 --> 0:33:54.800
<v Speaker 4>you know.

0:33:56.600 --> 0:33:59.800
<v Speaker 3>And then I remember the subsequent September after that first set,

0:34:00.000 --> 0:34:02.720
<v Speaker 3>remember issue having a black woman on the cover. I

0:34:02.760 --> 0:34:07.400
<v Speaker 3>went to the newsstands as I do, and every single

0:34:07.600 --> 0:34:08.600
<v Speaker 3>magazine cover had.

0:34:08.480 --> 0:34:10.759
<v Speaker 4>A black woman on it, and I think this is.

0:34:10.719 --> 0:34:13.480
<v Speaker 3>Incredible, you know, because everybody thought, well, this is what

0:34:13.520 --> 0:34:15.759
<v Speaker 3>we need to do now. And then I became a

0:34:15.760 --> 0:34:20.040
<v Speaker 3>bit afraid that it was trend base. So people were saying,

0:34:20.080 --> 0:34:22.759
<v Speaker 3>what would Edward do? What would they do at Vogue

0:34:23.040 --> 0:34:28.520
<v Speaker 3>and let's create the output without the work behind the scenes.

0:34:28.640 --> 0:34:31.840
<v Speaker 3>Talking to different people, having different people create a real

0:34:31.880 --> 0:34:36.640
<v Speaker 3>melting pot. And this idea of diversity of perspective is really.

0:34:36.400 --> 0:34:37.200
<v Speaker 4>Important to me.

0:34:37.800 --> 0:34:40.920
<v Speaker 3>It's one of the big criticisms when Edward was appointed

0:34:40.920 --> 0:34:44.000
<v Speaker 3>and I was appointed, was you're going to appoint two

0:34:44.080 --> 0:34:48.360
<v Speaker 3>black people, you know, so it's like all or nothing,

0:34:48.400 --> 0:34:51.080
<v Speaker 3>and lots of people felt it was kind of fad like.

0:34:51.760 --> 0:34:54.000
<v Speaker 3>And I had been at Conde inass at that point

0:34:54.000 --> 0:34:57.960
<v Speaker 3>for nearly a decade. I transformed GQ. I had, you know,

0:34:58.280 --> 0:35:02.040
<v Speaker 3>a really Jonathan knew how disappointed me without interview to

0:35:02.560 --> 0:35:05.640
<v Speaker 3>the job of running British for based on my track record.

0:35:06.680 --> 0:35:09.200
<v Speaker 4>But what people could see externally.

0:35:09.200 --> 0:35:14.080
<v Speaker 3>Was Okay, they're doing a it's a thing they're they're

0:35:14.080 --> 0:35:14.880
<v Speaker 3>bringing in, you know.

0:35:15.400 --> 0:35:16.960
<v Speaker 4>And so there was lots of criticism.

0:35:16.960 --> 0:35:20.560
<v Speaker 3>It was quite shocking actually that people were quite vocal

0:35:20.600 --> 0:35:21.200
<v Speaker 3>about it.

0:35:22.280 --> 0:35:22.759
<v Speaker 4>And so.

0:35:24.400 --> 0:35:27.080
<v Speaker 3>When I saw those September covers, I initially thought, this

0:35:27.120 --> 0:35:29.600
<v Speaker 3>is amazing, this is what we've always wanted. There are

0:35:29.640 --> 0:35:32.240
<v Speaker 3>plus sized women and women of color, and this is amazing.

0:35:32.800 --> 0:35:35.880
<v Speaker 3>And then I looked at the mass head and I thought, ah,

0:35:36.760 --> 0:35:39.759
<v Speaker 3>not very much has changed Behind the scenes and to

0:35:39.880 --> 0:35:43.560
<v Speaker 3>really make the industry change. And really the new frontier

0:35:43.840 --> 0:35:47.480
<v Speaker 3>is not who's on the cover, it's who works.

0:35:47.239 --> 0:35:55.880
<v Speaker 4>Behind the scenes. And how mixed is it?

0:35:55.920 --> 0:35:59.080
<v Speaker 2>If food is memory and you have so many memories

0:35:59.080 --> 0:36:01.400
<v Speaker 2>and it's been so good here about this journey from

0:36:01.880 --> 0:36:04.920
<v Speaker 2>Kenya to sak Kids to the first Law of g

0:36:05.120 --> 0:36:08.000
<v Speaker 2>Q and the top floor of FO and food is

0:36:08.719 --> 0:36:11.160
<v Speaker 2>all that. It's also comfort. And so the question we

0:36:11.200 --> 0:36:16.360
<v Speaker 2>ask everybody is if you need food for comfort, is

0:36:16.400 --> 0:36:17.600
<v Speaker 2>there something you turn to.

0:36:17.680 --> 0:36:20.600
<v Speaker 4>When you do? I'm going to pick two.

0:36:22.000 --> 0:36:27.200
<v Speaker 3>One is pasta isn't past the universal comfort food?

0:36:27.400 --> 0:36:28.400
<v Speaker 2>Certainly mine?

0:36:28.560 --> 0:36:32.720
<v Speaker 3>I think almost everyone you know, A really good fresh

0:36:32.760 --> 0:36:39.480
<v Speaker 3>pasta is just comfort. But food from my grandmother's kitchen

0:36:39.840 --> 0:36:44.000
<v Speaker 3>is my ultimate. It's the if the food, the European

0:36:44.040 --> 0:36:48.400
<v Speaker 3>food I love is like a kiss, amazing kiss. My

0:36:48.480 --> 0:36:54.960
<v Speaker 3>grandmother's food is like the warm embrace. And so I

0:36:55.000 --> 0:36:58.600
<v Speaker 3>would have. One of the things she would make for

0:36:58.719 --> 0:37:05.440
<v Speaker 3>lunch were something called saltfish fritter. So it's again I

0:37:05.480 --> 0:37:08.319
<v Speaker 3>think from her mother, who's Portuguese. The Portuguese have a

0:37:08.360 --> 0:37:16.520
<v Speaker 3>thing called baccalout Yeah yeah, yeah, salted cord in sync.

0:37:16.560 --> 0:37:20.240
<v Speaker 3>Its my grandmother would make saltfish cakes from them, which

0:37:20.320 --> 0:37:26.120
<v Speaker 3>is just mixed with eggs, onions, chives, peppers, chilis and

0:37:26.160 --> 0:37:28.759
<v Speaker 3>then fried into these patties. And you'd have that with

0:37:28.840 --> 0:37:33.000
<v Speaker 3>planting and some eggs and it's absolutely divided.

0:37:33.040 --> 0:37:33.600
<v Speaker 2>Do you make it?

0:37:33.840 --> 0:37:37.000
<v Speaker 3>Yes, Yeah, that's that is my comfort food that I

0:37:37.160 --> 0:37:38.040
<v Speaker 3>make for myself.

0:37:38.239 --> 0:37:41.160
<v Speaker 4>And yeah, it's slightly adapted.

0:37:41.800 --> 0:37:43.560
<v Speaker 2>But I wish i'd met your grandmother.

0:37:43.760 --> 0:37:46.640
<v Speaker 4>She's amazing. Well you're kind of meeting her. Foo.

0:37:47.560 --> 0:37:49.719
<v Speaker 2>Thank you so much. It's a beautiful conversation.

0:37:49.800 --> 0:37:51.120
<v Speaker 4>Thank you, it's so special.

0:37:51.200 --> 0:37:53.960
<v Speaker 2>Thank you.

0:37:56.520 --> 0:37:59.239
<v Speaker 1>The River Cafe Look Book is now available in bookshops

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