1 00:00:05,160 --> 00:00:11,559 Speaker 1: I'm marching, marching, saying hi, hello, I'm here, Me and 2 00:00:12,039 --> 00:00:20,200 Speaker 1: Harvey uh pea car, Harvey peacar, and we're going like wait, luck, 3 00:00:20,280 --> 00:00:22,639 Speaker 1: louis enough of this, and we're like holding the science 4 00:00:22,680 --> 00:00:26,400 Speaker 1: and stuff protesting. We're next to a grocery store, so 5 00:00:26,480 --> 00:00:32,040 Speaker 1: I guess food, but like, why wasn't sure which one 6 00:00:32,200 --> 00:00:34,559 Speaker 1: of the food I think it was. 7 00:00:39,520 --> 00:00:42,120 Speaker 2: I don't know if it was one or one kind? 8 00:00:42,560 --> 00:00:46,960 Speaker 2: Uh huh. But you're fuckings so pissed. 9 00:00:47,240 --> 00:00:49,599 Speaker 1: Yeah, Like, honestly, looking back on, I know it was 10 00:00:49,640 --> 00:00:53,520 Speaker 1: like for a good reason, but not to be We're 11 00:00:53,560 --> 00:00:57,280 Speaker 1: also marching really fast. It wasn't like, you know, like 12 00:00:57,320 --> 00:00:59,720 Speaker 1: a lot of these protests like they'll like go around. 13 00:00:59,760 --> 00:01:03,240 Speaker 2: Really they look lazy, and it doesn't I don't believe 14 00:01:03,280 --> 00:01:05,080 Speaker 2: that they care as much as they say, because it's 15 00:01:05,160 --> 00:01:08,119 Speaker 2: like they're just kind of wandering. Yes, but we get 16 00:01:08,200 --> 00:01:16,839 Speaker 2: some fucking speech greeving through the park, kicking up dust, 17 00:01:17,120 --> 00:01:21,360 Speaker 2: bumping into each other. Oh yeah that's if Hey, if 18 00:01:21,400 --> 00:01:25,360 Speaker 2: nobody's getting hurt at a protest, I mean amongst themselves, 19 00:01:26,120 --> 00:01:32,080 Speaker 2: then like how do I know? Yeah that you're what 20 00:01:32,120 --> 00:01:34,520 Speaker 2: we've been saying on the show, the term we've been 21 00:01:34,560 --> 00:01:38,320 Speaker 2: using is the real real And that's something we've been 22 00:01:38,360 --> 00:01:40,800 Speaker 2: saying a lot of the show that's like, how do 23 00:01:40,840 --> 00:01:45,280 Speaker 2: I know a different ways? Yeah? And so Harvey is there. 24 00:01:46,319 --> 00:01:48,360 Speaker 2: Judah is Judah Friedlander. 25 00:01:49,320 --> 00:01:53,880 Speaker 1: And his hat is like potato no, and well he's 26 00:01:53,920 --> 00:01:55,960 Speaker 1: not wearing the hat because he is doing that character 27 00:01:56,040 --> 00:02:00,760 Speaker 1: again from American Splendor, And people are like, huh is 28 00:02:00,840 --> 00:02:07,800 Speaker 1: this okay? Do we need to reckon with this today 29 00:02:08,200 --> 00:02:09,840 Speaker 1: of all days while we're running? 30 00:02:10,560 --> 00:02:13,600 Speaker 2: Yeah, that seems like something you would want to at 31 00:02:13,680 --> 00:02:17,160 Speaker 2: least hit a light job to talk about because you 32 00:02:17,200 --> 00:02:20,760 Speaker 2: want your breath right because it's gonna be a complex 33 00:02:20,800 --> 00:02:24,560 Speaker 2: thing to untangle. That was two thousand and four. It 34 00:02:24,600 --> 00:02:27,800 Speaker 2: wasn't that long ago. Yeah, but then again, two thousand 35 00:02:27,840 --> 00:02:30,079 Speaker 2: and four was longer ago than you think. I want 36 00:02:30,080 --> 00:02:32,960 Speaker 2: to feel old. Hey, welcome to Hollywood Handbook and Hi, 37 00:02:33,080 --> 00:02:35,600 Speaker 2: welcome to Hollywood Handbook and Insiders God. Today we're doing 38 00:02:35,600 --> 00:02:38,800 Speaker 2: an Insider's guy and you're gonna love it. We've got 39 00:02:38,800 --> 00:02:42,200 Speaker 2: a guest. Guest, do you want to say something to 40 00:02:42,280 --> 00:02:46,919 Speaker 2: the listeners? Hio and you know that voice? 41 00:02:46,919 --> 00:02:51,680 Speaker 3: Can I comment that with the protests? You are correct 42 00:02:51,960 --> 00:02:55,280 Speaker 3: if that protest isn't in motion? Then you're just a 43 00:02:55,400 --> 00:02:58,000 Speaker 3: target for people to disagree with you. 44 00:02:58,080 --> 00:02:58,560 Speaker 2: Absolutely. 45 00:02:58,600 --> 00:03:00,960 Speaker 3: But if you are in motion, if you're flying, you're 46 00:03:01,000 --> 00:03:04,760 Speaker 3: a tornado. Oh what are people afraid of tornadoes? 47 00:03:05,320 --> 00:03:08,640 Speaker 2: Well? Yes, And when people say you know that they're 48 00:03:08,639 --> 00:03:11,600 Speaker 2: willing to cross the picket line if you're, for instance, 49 00:03:11,639 --> 00:03:13,079 Speaker 2: having a potato strike. 50 00:03:13,000 --> 00:03:15,359 Speaker 1: It was actually, now you said too, tornadoes remind me 51 00:03:15,480 --> 00:03:16,200 Speaker 1: is tomatoes? 52 00:03:16,600 --> 00:03:18,880 Speaker 2: That's what it was. Yeah, and this and this whole time, 53 00:03:18,880 --> 00:03:21,560 Speaker 2: I was going, this can't be tornadoes because they're pretty good, 54 00:03:23,120 --> 00:03:28,839 Speaker 2: but tomatoes, let's get them. Yeah, And it's like sure, yeah, 55 00:03:28,840 --> 00:03:32,160 Speaker 2: you cross the picket line, good luck. Yeah, because we're 56 00:03:32,200 --> 00:03:37,320 Speaker 2: gonna fucking trample. You'll get trampled, you'll be bloody. Yeah. 57 00:03:38,320 --> 00:03:40,640 Speaker 2: So I think that's a yeah, that's a very smart 58 00:03:40,640 --> 00:03:43,920 Speaker 2: point that like, if you're holding still, then people can 59 00:03:43,960 --> 00:03:46,800 Speaker 2: talk to you, they can walk past, they can ask you, 60 00:03:46,840 --> 00:03:48,920 Speaker 2: they can challenge you. Yeah, they can go, hey, wait 61 00:03:48,960 --> 00:03:51,440 Speaker 2: a minute, that doesn't make sense. Tomatoes are actually nice. 62 00:03:51,520 --> 00:03:53,440 Speaker 2: You're not there to be challenged. It's not a debate. 63 00:03:54,600 --> 00:03:58,000 Speaker 2: You're there to stir ship and the listeners are. 64 00:03:58,160 --> 00:04:01,960 Speaker 1: That's a fun protest too. This, like these observations are 65 00:04:02,000 --> 00:04:06,040 Speaker 1: familiar to me. This brand of observation and it's Rory 66 00:04:06,480 --> 00:04:07,600 Speaker 1: and it's Rory's here. 67 00:04:07,800 --> 00:04:13,880 Speaker 2: Yeah, yeah, Rory, Yeah, talk about comedy for just a moment. 68 00:04:17,040 --> 00:04:19,240 Speaker 2: What does it mean to you do a bit of 69 00:04:19,520 --> 00:04:22,200 Speaker 2: you do make these sort of observations hunts? And why 70 00:04:23,000 --> 00:04:26,159 Speaker 2: why now? Why comedy? Now? Why now? Why do we 71 00:04:26,200 --> 00:04:27,440 Speaker 2: need this right now more than ever? 72 00:04:27,560 --> 00:04:31,760 Speaker 3: Why you Well, when people say laughter is the best medicine, 73 00:04:33,040 --> 00:04:35,400 Speaker 3: I say, thinking is actually the best medicine. 74 00:04:35,440 --> 00:04:38,039 Speaker 2: Yes, so when I think so, I want. 75 00:04:37,839 --> 00:04:41,320 Speaker 3: To be clear that our definitions of comedy maybe exist 76 00:04:41,560 --> 00:04:44,640 Speaker 3: on the same bookshelf, because I don't. I'm not there 77 00:04:44,680 --> 00:04:49,640 Speaker 3: for laughs, for agreement. I'm there for people to say, 78 00:04:49,720 --> 00:04:53,000 Speaker 3: this guy gets it, this guy, this guy has a voice. 79 00:04:53,080 --> 00:04:56,040 Speaker 1: Yeah, And people say I didn't like that answer. People 80 00:04:56,080 --> 00:04:58,320 Speaker 1: say Matt funny, and we say, thank you, did that 81 00:04:58,400 --> 00:05:02,200 Speaker 1: up purpose? Yes, yes, we go not funny. I go good, Yeah, 82 00:05:02,560 --> 00:05:05,320 Speaker 1: that's actually good. Now we can start Yeah. You know 83 00:05:05,320 --> 00:05:07,840 Speaker 1: what I say, people, Yeah, not funny? I go, now, well, 84 00:05:07,880 --> 00:05:08,520 Speaker 1: now we're talking. 85 00:05:09,040 --> 00:05:13,000 Speaker 3: Now we are literally talking and figuratively start a communication, 86 00:05:13,600 --> 00:05:14,600 Speaker 3: literally communicating. 87 00:05:14,720 --> 00:05:17,560 Speaker 2: We started a conversation. Yeah, the conversation happens to be 88 00:05:17,600 --> 00:05:20,000 Speaker 2: at this point about how my joke isn't funny. Yeah, 89 00:05:20,120 --> 00:05:23,080 Speaker 2: but that's the first step on a journey of a 90 00:05:23,120 --> 00:05:25,880 Speaker 2: million miles. Now the training wheels are off. Yeah. 91 00:05:26,160 --> 00:05:28,880 Speaker 3: My next special is uh, this is the title, so 92 00:05:28,960 --> 00:05:32,200 Speaker 3: it's the word comedy and then ed y is crossed 93 00:05:32,279 --> 00:05:35,839 Speaker 3: out and then added to it is communicate communication. 94 00:05:36,080 --> 00:05:36,719 Speaker 2: Ah. 95 00:05:36,760 --> 00:05:40,160 Speaker 3: And when people say what style comedy do you do? 96 00:05:40,320 --> 00:05:43,880 Speaker 3: I say, well, I communicate and I don't. I'm not 97 00:05:44,040 --> 00:05:47,560 Speaker 3: so shallow. I'm not so shallow that I would still 98 00:05:47,560 --> 00:05:48,279 Speaker 3: do comedy. 99 00:05:48,400 --> 00:05:50,839 Speaker 2: Do you know what I mean? Oh my god? No, 100 00:05:51,160 --> 00:05:57,840 Speaker 2: how do you pronounce that title? Come? Maybe comedy? 101 00:05:57,960 --> 00:05:58,159 Speaker 4: No? 102 00:05:58,160 --> 00:05:58,360 Speaker 2: No? 103 00:05:59,120 --> 00:06:02,960 Speaker 3: Yeah x Or we're thinking of a scratch to make 104 00:06:03,000 --> 00:06:05,000 Speaker 3: it look like it's sort of graffiti, like sort of 105 00:06:05,040 --> 00:06:12,080 Speaker 3: a rogue rebel misbehave and the cam yeah, yes, yes, 106 00:06:12,640 --> 00:06:15,200 Speaker 3: I'm at the bottom with the cam. But like arms 107 00:06:15,200 --> 00:06:18,680 Speaker 3: are cross banks banks scarf. I'm wearing a scarf that 108 00:06:18,800 --> 00:06:21,440 Speaker 3: says banks overalls. 109 00:06:21,440 --> 00:06:24,200 Speaker 2: What the flap opens so you can see. 110 00:06:23,920 --> 00:06:26,240 Speaker 3: And on my back is just a peace sign to 111 00:06:26,240 --> 00:06:28,000 Speaker 3: be like, hey, I might be doing this, but it's 112 00:06:28,040 --> 00:06:28,760 Speaker 3: for a good reason. 113 00:06:29,080 --> 00:06:34,080 Speaker 2: Hm, calmmmunication. So rat eating a flower you go and 114 00:06:34,120 --> 00:06:37,640 Speaker 2: people go, okay, all right, I think this guy has 115 00:06:37,680 --> 00:06:40,280 Speaker 2: something to say. I'm listening, so I have a pitch 116 00:06:40,360 --> 00:06:43,840 Speaker 2: and it could be comedy. Keep the E cross out 117 00:06:43,880 --> 00:06:47,839 Speaker 2: the d Y and say, come talk to me about 118 00:06:47,880 --> 00:06:51,000 Speaker 2: how my jokes aren't funny, and then let's see where 119 00:06:51,000 --> 00:06:53,600 Speaker 2: it goes from there, and then let's see where we land. 120 00:06:53,720 --> 00:06:56,440 Speaker 2: Yeah yeah, because that's the first step in the journey 121 00:06:56,440 --> 00:06:58,520 Speaker 2: of a billion miles. Yeah yeah. 122 00:06:58,600 --> 00:06:59,880 Speaker 3: I say that to people when they say what are 123 00:06:59,880 --> 00:07:02,000 Speaker 3: your shows like? And I go, imagine getting on an 124 00:07:02,040 --> 00:07:04,279 Speaker 3: airplane and no one tells you where it's going. But 125 00:07:04,400 --> 00:07:06,839 Speaker 3: when when you land, that's where you needed to be, 126 00:07:07,760 --> 00:07:11,600 Speaker 3: you know what I mean, you needed like Dallas Stars 127 00:07:11,680 --> 00:07:13,200 Speaker 3: going home home or just your house? 128 00:07:13,640 --> 00:07:16,800 Speaker 2: Am I starting at my house? Where? Am I kidding up? 129 00:07:16,960 --> 00:07:19,760 Speaker 2: So here's the thing. There is no rule that says 130 00:07:19,800 --> 00:07:25,200 Speaker 2: you don't land back at your house, and it's a loop. Yeah, 131 00:07:25,240 --> 00:07:28,000 Speaker 2: but when you watch a movie, you've changed. And this 132 00:07:28,040 --> 00:07:30,120 Speaker 2: is a story circle and this is Joseph Campbell here 133 00:07:30,160 --> 00:07:33,480 Speaker 2: of a bunch of bases, is that you are starting 134 00:07:33,760 --> 00:07:38,200 Speaker 2: in a place of familiarity. The Goddess comes, it gives 135 00:07:38,200 --> 00:07:42,080 Speaker 2: you a little tug job. Yeah, then you are. And 136 00:07:42,280 --> 00:07:45,880 Speaker 2: I'm sorry, but that's a lot of stories. Yeah, It's 137 00:07:45,920 --> 00:07:49,480 Speaker 2: a story of creation, isn't it creating a load? Yeah, 138 00:07:50,280 --> 00:07:55,040 Speaker 2: and following that all in one afternoon, you're changed and 139 00:07:55,080 --> 00:07:58,400 Speaker 2: you now return to the place from the beginning, but 140 00:07:58,560 --> 00:07:59,520 Speaker 2: you have the. 141 00:07:59,440 --> 00:08:02,280 Speaker 3: Special Yeah, and then you go, oh, the place I 142 00:08:02,320 --> 00:08:03,760 Speaker 3: needed to be is where I've always been. 143 00:08:04,200 --> 00:08:06,480 Speaker 2: Yeah, but now you're but now you're out. I had 144 00:08:06,480 --> 00:08:09,920 Speaker 2: to get out. But no, it's like just that much 145 00:08:10,000 --> 00:08:12,520 Speaker 2: less money. Yeah, but you did get a meal, you 146 00:08:12,520 --> 00:08:15,160 Speaker 2: got a movie. But that's motivation. So you met small 147 00:08:15,160 --> 00:08:17,960 Speaker 2: talk on a plane. I'll do ship when people ask 148 00:08:18,000 --> 00:08:20,040 Speaker 2: me on a flight, what is it that you do? 149 00:08:20,280 --> 00:08:21,680 Speaker 2: You know, classic small talk. 150 00:08:22,520 --> 00:08:26,400 Speaker 3: I got to communicate, But right now these are noise 151 00:08:26,440 --> 00:08:29,760 Speaker 3: canceling headphones, and I kind of like to communicate with myself. 152 00:08:30,760 --> 00:08:34,760 Speaker 2: And that's important too, isn't it. So we don't actually 153 00:08:34,840 --> 00:08:39,000 Speaker 2: have time to talk about this. So we have we've 154 00:08:39,000 --> 00:08:41,720 Speaker 2: gone way over. Yes, at least we did have a 155 00:08:41,760 --> 00:08:44,240 Speaker 2: little bit of time. I think you said that, Yeah, 156 00:08:44,400 --> 00:08:50,040 Speaker 2: we do have our own show to do. Yeah, you 157 00:08:50,080 --> 00:08:53,560 Speaker 2: had warned me, you had said, somebody, keep in mind, you. 158 00:08:53,720 --> 00:08:56,960 Speaker 1: Have to have our own ship introduction. People actually like it. 159 00:08:57,600 --> 00:08:58,880 Speaker 1: Engineer Jordan. 160 00:09:02,200 --> 00:09:05,599 Speaker 2: Communicator, that's enngineer Jordan's new high We have been workshopping. 161 00:09:05,640 --> 00:09:10,000 Speaker 5: That's thrown up. I'm opening things. 162 00:09:11,080 --> 00:09:15,240 Speaker 2: Chef Kevin Rory, Hey, hey, Rory, Chef Kevin. Here. 163 00:09:15,360 --> 00:09:18,880 Speaker 1: Hey this engineer Jordan, like engineer brand and all this. 164 00:09:19,160 --> 00:09:22,840 Speaker 1: We're like adults, you know, we're all adults here to 165 00:09:22,920 --> 00:09:27,480 Speaker 1: do this. Like engineer bad like engineer Duffy is your 166 00:09:28,800 --> 00:09:29,160 Speaker 1: I'll go. 167 00:09:29,120 --> 00:09:31,040 Speaker 5: With Engineer Duffy. I'm happy with that. 168 00:09:31,160 --> 00:09:36,520 Speaker 2: That's how. That's Engineer duff McKagan, Engineer Duffy, Engineer Morris, 169 00:09:37,400 --> 00:09:44,600 Speaker 2: Engineer Keefer, engineer don't know, engineer, don't know. Engineer just 170 00:09:44,760 --> 00:09:49,920 Speaker 2: not coming to me. Engineer. We've talked before. Engineer. Please 171 00:09:49,960 --> 00:09:54,000 Speaker 2: don't tell me I'm so close something with like a 172 00:09:54,200 --> 00:10:04,880 Speaker 2: G engineer red shirt. No, I know, so would be 173 00:10:04,880 --> 00:10:08,160 Speaker 2: engineer Connor. But we can't do that because inevitably there 174 00:10:08,200 --> 00:10:11,680 Speaker 2: will be someone with the first name Connor being an engineer, 175 00:10:11,840 --> 00:10:15,440 Speaker 2: probably within the next week. Yes, so that's not we 176 00:10:15,480 --> 00:10:17,800 Speaker 2: can't do that, So it has to be engineered, don't though. Well, 177 00:10:17,840 --> 00:10:20,720 Speaker 2: and if somebody looks up Connor and the phone book 178 00:10:20,720 --> 00:10:22,120 Speaker 2: and goes, I'm going to kill every one of these 179 00:10:22,120 --> 00:10:24,160 Speaker 2: people with the last name Connor. I don't want them 180 00:10:24,160 --> 00:10:27,920 Speaker 2: coming here, right, I'd rather that he's listed under engineer 181 00:10:28,000 --> 00:10:31,800 Speaker 2: Ryan st I actually find the terminators here. I find 182 00:10:31,880 --> 00:10:34,120 Speaker 2: names to be sort of a false sense of communication. 183 00:10:35,080 --> 00:10:37,640 Speaker 2: Oh shit. And I was so ready to move on 184 00:10:37,800 --> 00:10:43,160 Speaker 2: from all of your ideas, but this now has me percolating. 185 00:10:44,600 --> 00:10:46,120 Speaker 2: And now we're talking, and now. 186 00:10:47,920 --> 00:10:51,840 Speaker 1: We're actually riding for real, And I hate this idea, 187 00:10:51,960 --> 00:10:54,280 Speaker 1: but I will fucking die for your right to say 188 00:10:54,280 --> 00:10:55,280 Speaker 1: it on my podcast. 189 00:10:58,360 --> 00:11:01,160 Speaker 2: Would you like to make your mic stinky rory? Yes, sir, 190 00:11:01,280 --> 00:11:04,040 Speaker 2: I've been stinking up our mics. That's a new tradition 191 00:11:04,080 --> 00:11:11,280 Speaker 2: on this for the show machine. Yes, go be Labs, 192 00:11:11,280 --> 00:11:14,760 Speaker 2: sort of funny cartoon logo on you. And you know 193 00:11:14,800 --> 00:11:20,679 Speaker 2: I'm stinking my mic. Oh so stinky, let me hit it. 194 00:11:21,559 --> 00:11:23,880 Speaker 2: Don't do that. It's what it's for. 195 00:11:24,200 --> 00:11:25,880 Speaker 5: No, you don't put it on the mic. 196 00:11:26,160 --> 00:11:27,559 Speaker 2: What's what else is it for? 197 00:11:27,679 --> 00:11:32,440 Speaker 1: It says you take it off, You take it off, 198 00:11:33,880 --> 00:11:35,040 Speaker 1: ruin the microphone. 199 00:11:35,200 --> 00:11:39,839 Speaker 2: Okay, And now we've started a conversation. We're talking and 200 00:11:40,000 --> 00:11:42,600 Speaker 2: this is and so this is actually comedy me doing 201 00:11:42,640 --> 00:11:43,040 Speaker 2: it wrong. 202 00:11:43,600 --> 00:11:47,440 Speaker 1: That's exactly because thank you, thank you. 203 00:11:47,520 --> 00:11:50,840 Speaker 2: I do this on purpose. An engineer Duffy is angry, 204 00:11:51,760 --> 00:11:55,400 Speaker 2: So that actually means that we're doing really interesting comedy 205 00:11:57,520 --> 00:12:01,000 Speaker 2: by Yeah, did you want to say anything those about 206 00:12:01,000 --> 00:12:01,920 Speaker 2: the names? You want to move on? 207 00:12:02,320 --> 00:12:03,719 Speaker 3: I just wanted to put that out there because I 208 00:12:03,720 --> 00:12:05,960 Speaker 3: think a lot of people interpret names as some form 209 00:12:06,000 --> 00:12:07,959 Speaker 3: of communication, when really it's false. 210 00:12:07,720 --> 00:12:11,160 Speaker 2: Information as to who people truly are. The name game 211 00:12:11,520 --> 00:12:14,880 Speaker 2: is the entire game that you got played when they 212 00:12:14,920 --> 00:12:17,400 Speaker 2: gave you a name, because it doesn't mean anything because 213 00:12:17,400 --> 00:12:20,400 Speaker 2: they're all the same. Yeah, yeah, here's your name, here's 214 00:12:20,400 --> 00:12:26,160 Speaker 2: my name, human being? Yeah yeah, I mean yeah, you 215 00:12:26,280 --> 00:12:29,240 Speaker 2: just said that, damn human being. But Hugh the first 216 00:12:29,280 --> 00:12:38,160 Speaker 2: name like h U g h Hugh Man being man 217 00:12:38,280 --> 00:12:42,840 Speaker 2: with two n's and then being like human. Mister Bean's 218 00:12:42,880 --> 00:12:44,800 Speaker 2: name is human being? Human being? 219 00:12:45,040 --> 00:12:50,600 Speaker 1: Yeah, no, all of us we got mister Bean. 220 00:12:50,760 --> 00:12:52,720 Speaker 2: We've all done that, the classic human being. 221 00:12:53,120 --> 00:12:53,280 Speaker 4: Yea. 222 00:12:53,800 --> 00:12:58,400 Speaker 2: So we have to talk about ABC's show The Bachelor. 223 00:12:58,960 --> 00:13:02,320 Speaker 3: Have you seen this program The Bachelor? I don't, I don't, 224 00:13:02,679 --> 00:13:03,439 Speaker 3: I don't. 225 00:13:03,440 --> 00:13:07,280 Speaker 2: And you don't need to. You are going to be 226 00:13:07,360 --> 00:13:10,760 Speaker 2: helping us promote ourselves for this show. You will be 227 00:13:11,240 --> 00:13:14,560 Speaker 2: if we are successful, the next Bachelor, So you will 228 00:13:14,600 --> 00:13:16,760 Speaker 2: have to leave your family. 229 00:13:16,960 --> 00:13:20,079 Speaker 1: Yeah, if this works Okay, we used to do a 230 00:13:20,120 --> 00:13:24,240 Speaker 1: show about reality shows. Yeah years ago now, but also 231 00:13:24,320 --> 00:13:26,679 Speaker 1: we're not that longer because we are still pretty young, 232 00:13:27,880 --> 00:13:30,240 Speaker 1: and people are always like, people didn't really listen to 233 00:13:30,240 --> 00:13:33,000 Speaker 1: that show, But now that we don't do it, people 234 00:13:33,040 --> 00:13:35,480 Speaker 1: will semi regularly be like. 235 00:13:35,440 --> 00:13:37,800 Speaker 2: Can you guys just do that again? Please? Well, and 236 00:13:37,840 --> 00:13:39,560 Speaker 2: I got to say, just go back to that again. 237 00:13:39,640 --> 00:13:41,960 Speaker 2: When we started it, we found it very limiting, and 238 00:13:42,000 --> 00:13:43,439 Speaker 2: we thought we have so much more to say to 239 00:13:43,520 --> 00:13:45,640 Speaker 2: this and so many more ideas, and a few years 240 00:13:45,640 --> 00:13:50,240 Speaker 2: in we found that no, we don't. And it's easier 241 00:13:50,280 --> 00:13:52,720 Speaker 2: actually to talk about something that we saw than something 242 00:13:52,720 --> 00:13:53,320 Speaker 2: that we thought of. 243 00:13:53,520 --> 00:13:56,200 Speaker 1: That's right, but sometimes you need to go on a 244 00:13:56,240 --> 00:13:57,520 Speaker 1: long journey. 245 00:13:57,840 --> 00:14:00,720 Speaker 2: We've returned to the beginning find circle there and they 246 00:14:00,840 --> 00:14:02,880 Speaker 2: were actually home all and the heh yeah, and the 247 00:14:02,880 --> 00:14:04,720 Speaker 2: goddess has given us a bit of a smack on 248 00:14:04,760 --> 00:14:05,760 Speaker 2: the keyster and. 249 00:14:06,000 --> 00:14:12,319 Speaker 1: Okay, hello our oldyster. Yeah yeah, an afternoon hell of a. 250 00:14:12,240 --> 00:14:16,760 Speaker 2: Flight, hell yes yeah, get back seep out signs on. 251 00:14:19,280 --> 00:14:24,200 Speaker 2: So we are going to talk about on these dates 252 00:14:24,240 --> 00:14:28,200 Speaker 2: that they go on on the Bachelor, often maybe a 253 00:14:28,240 --> 00:14:31,640 Speaker 2: group of women, maybe one woman, but often towards the 254 00:14:31,720 --> 00:14:34,880 Speaker 2: end of it, they'll say, the bachelor kind of cheeky 255 00:14:34,960 --> 00:14:36,920 Speaker 2: will do and you can maybe practice doing this, and 256 00:14:37,000 --> 00:14:40,560 Speaker 2: the bachelor is a boy. Okay, yeah, I'll go, do 257 00:14:40,640 --> 00:14:43,920 Speaker 2: you guys hear that music? Do you hear that music? 258 00:14:44,480 --> 00:14:48,200 Speaker 2: And then they'll go, oh my god, who is it? 259 00:14:48,280 --> 00:14:52,160 Speaker 2: And then everyone in unison will go like Chase Rice 260 00:14:53,040 --> 00:14:57,520 Speaker 2: and it'll be it'll be a musician who is apparently 261 00:14:57,720 --> 00:15:00,400 Speaker 2: very famous. I maybe watching it with seven or eight 262 00:15:00,480 --> 00:15:01,520 Speaker 2: people we don't. 263 00:15:01,280 --> 00:15:05,920 Speaker 3: Know them from various backgrounds. Wasn't dipped into any of 264 00:15:05,960 --> 00:15:12,880 Speaker 3: those people's lives, Yes, and seeing that my friends are 265 00:15:12,960 --> 00:15:18,000 Speaker 3: very diverse. If you're implying that they're not, you know, 266 00:15:18,360 --> 00:15:20,920 Speaker 3: people think of Harvard as a monoculture. I think the 267 00:15:20,960 --> 00:15:25,480 Speaker 3: fear of that implication is the most communing. 268 00:15:25,480 --> 00:15:27,640 Speaker 2: You said from various backgrounds. But there was a little 269 00:15:27,640 --> 00:15:30,640 Speaker 2: bit of a like, there's. 270 00:15:32,200 --> 00:15:35,720 Speaker 3: Surely when in fact, surely when you're watching The Bachelor, 271 00:15:36,000 --> 00:15:39,240 Speaker 3: we watch it's a select group of people for all kinds. 272 00:15:39,440 --> 00:15:43,560 Speaker 2: Yeah. Yeah, but we so we have had this idea 273 00:15:43,600 --> 00:15:47,600 Speaker 2: where we go, wait a minute, if it's they're going 274 00:15:47,640 --> 00:15:50,520 Speaker 2: to attend this thing by someone very famous and they 275 00:15:50,600 --> 00:15:53,040 Speaker 2: and they often also will have a shot of one 276 00:15:53,080 --> 00:15:55,320 Speaker 2: of them sort of mouthing the words along with the 277 00:15:55,400 --> 00:15:57,800 Speaker 2: song to imply that the song is so popular and 278 00:15:57,840 --> 00:16:00,600 Speaker 2: not that they were pulled off camera for a little 279 00:16:00,600 --> 00:16:07,120 Speaker 2: bit to listen to memory. If it is someone who's 280 00:16:07,200 --> 00:16:10,480 Speaker 2: very famous but no one has ever heard of, that 281 00:16:10,520 --> 00:16:13,400 Speaker 2: could actually be us. And what we're picturing now is, 282 00:16:13,640 --> 00:16:16,560 Speaker 2: at the end of a day, the best you're gonna goes, 283 00:16:16,720 --> 00:16:21,760 Speaker 2: wait a minute, do you guys hear that podcast? And 284 00:16:22,080 --> 00:16:27,560 Speaker 2: the girls go who is it? And then we all go, heyes, 285 00:16:27,680 --> 00:16:34,040 Speaker 2: man and the clam dog, And so that is my idea, 286 00:16:34,160 --> 00:16:37,560 Speaker 2: and we're kind of pitching ourselves to ABC and Chris Harrison. 287 00:16:37,760 --> 00:16:41,560 Speaker 2: Of course you'll be the bachelor. You'll walk these women 288 00:16:41,680 --> 00:16:46,400 Speaker 2: into a live taping of Hollywood Handbook. We'll have a guest. 289 00:16:47,040 --> 00:16:50,480 Speaker 2: Probably we'll try to get like Andy Daly or someone, 290 00:16:51,680 --> 00:16:56,160 Speaker 2: and we'll end up settling for maybe Chef Kevin or 291 00:16:56,160 --> 00:17:00,360 Speaker 2: maybe like just Mike Mitchell, like we can't get why 292 00:17:00,400 --> 00:17:04,800 Speaker 2: and Mitch, so we'll end up with that. They'll watch 293 00:17:04,800 --> 00:17:08,000 Speaker 2: and be like, oh, and it's a Mitch episode. Yeah, 294 00:17:08,640 --> 00:17:11,560 Speaker 2: And then at the end of that we'll turn and 295 00:17:11,560 --> 00:17:13,200 Speaker 2: we'll go, hey, guys, we had a lot of fun 296 00:17:13,240 --> 00:17:18,639 Speaker 2: doing this live taping. Podcasts are about passion. Rory really 297 00:17:18,720 --> 00:17:23,240 Speaker 2: wants his future wife to be able to show her 298 00:17:23,359 --> 00:17:27,679 Speaker 2: passion not only in her marriage, but on the microphone 299 00:17:28,280 --> 00:17:31,920 Speaker 2: in someone's living room. Yeah, so they'll have to start 300 00:17:31,960 --> 00:17:34,960 Speaker 2: their own podcast. Do you like this? Yeah? I like 301 00:17:35,000 --> 00:17:38,520 Speaker 2: this a lot. Here's my question, no question. I do 302 00:17:38,600 --> 00:17:39,040 Speaker 2: have a few. 303 00:17:39,160 --> 00:17:40,879 Speaker 3: But the very first one that comes to mind is 304 00:17:41,760 --> 00:17:46,240 Speaker 3: where in the season of Competitive Dating do you think, like, 305 00:17:46,280 --> 00:17:50,200 Speaker 3: have we narrowed it down to like ten women? And 306 00:17:50,320 --> 00:17:54,440 Speaker 3: that's when it's probably surprise. Probably the date will be. 307 00:17:54,520 --> 00:17:56,600 Speaker 2: Like eight or nine women. They usually do these early 308 00:17:56,640 --> 00:18:00,879 Speaker 2: on because I have seen Amy shum and teach them 309 00:18:00,920 --> 00:18:05,720 Speaker 2: to do stand up Okay, I have seen some sort 310 00:18:05,760 --> 00:18:08,119 Speaker 2: of sex monologue person teach them how to tell a 311 00:18:08,160 --> 00:18:13,240 Speaker 2: story about going to sex town. Yeah. I have seen 312 00:18:14,080 --> 00:18:18,320 Speaker 2: them learn to sing a song and have to write 313 00:18:18,320 --> 00:18:22,080 Speaker 2: a song together. Yeah. Did Chase Rice do that? That 314 00:18:22,200 --> 00:18:27,359 Speaker 2: one was not Chase Rice who did that last season? 315 00:18:27,960 --> 00:18:31,640 Speaker 2: Someone did it? Some a musician, a musician. Yeah. 316 00:18:32,640 --> 00:18:35,600 Speaker 3: What I also would like is that, let's say there's 317 00:18:35,680 --> 00:18:38,240 Speaker 3: ten women left. 318 00:18:39,160 --> 00:18:39,560 Speaker 2: What's that? 319 00:18:39,600 --> 00:18:43,280 Speaker 3: Hey, what's that sound? It's you guys? And then individually, 320 00:18:44,200 --> 00:18:49,200 Speaker 3: I watch you guys do ten episodes and each episode 321 00:18:49,200 --> 00:18:50,800 Speaker 3: is with a different woman. 322 00:18:50,800 --> 00:18:53,240 Speaker 2: Because maybe the whole season is every day it is there. 323 00:18:53,320 --> 00:18:57,720 Speaker 1: Yeah, yeah for everyone, But that's weird. I mean, like, really, 324 00:18:57,720 --> 00:18:59,560 Speaker 1: it should be you individually. 325 00:18:59,680 --> 00:19:02,200 Speaker 2: It shows intimate and listening to a podcast is usually 326 00:19:02,240 --> 00:19:04,760 Speaker 2: an intimate experience. Given a live episode, most of our 327 00:19:04,800 --> 00:19:06,199 Speaker 2: fans are there by themselves. 328 00:19:06,280 --> 00:19:10,240 Speaker 3: Yeah, because I as the bachelor who's ultimately deciding which 329 00:19:10,320 --> 00:19:12,320 Speaker 3: one of these women I am going to spend the 330 00:19:12,359 --> 00:19:14,960 Speaker 3: rest of my life with and more than likely make 331 00:19:15,080 --> 00:19:15,639 Speaker 3: children with. 332 00:19:15,840 --> 00:19:17,040 Speaker 2: Yeah, I want to. 333 00:19:17,000 --> 00:19:20,119 Speaker 3: Be able to gauge what are they reacting to on 334 00:19:20,200 --> 00:19:23,480 Speaker 3: an individual level, and to keep it fair. I think 335 00:19:23,560 --> 00:19:26,480 Speaker 3: each episode that you guys do has to be identical 336 00:19:27,080 --> 00:19:29,359 Speaker 3: so that there it's a fair play for us. 337 00:19:29,440 --> 00:19:31,200 Speaker 2: Will be very easy, that's helpful. 338 00:19:31,320 --> 00:19:35,600 Speaker 3: Yeah, each bachelorette or each each date has the exact 339 00:19:35,640 --> 00:19:38,879 Speaker 3: same moment to laugh or react to the same. 340 00:19:39,480 --> 00:19:41,680 Speaker 2: Wow, and you'll get it authentic. I think that's fair. 341 00:19:41,760 --> 00:19:43,560 Speaker 2: And I can tell you that our performance will be 342 00:19:43,600 --> 00:19:46,400 Speaker 2: pretty consistent as well, yes, and that it will have 343 00:19:47,760 --> 00:19:51,160 Speaker 2: just a little something on it. Yeah, yeah, little mustard, 344 00:19:51,560 --> 00:19:54,440 Speaker 2: we're not showing off, right, you know, we have. 345 00:19:54,400 --> 00:19:57,920 Speaker 1: To sustain ourselves, right, when you do this every single week, 346 00:19:57,960 --> 00:19:59,200 Speaker 1: you have to like leave. 347 00:19:59,000 --> 00:20:01,000 Speaker 2: Some or max time. 348 00:20:01,160 --> 00:20:04,120 Speaker 3: Yeah, like a little oil and vinegar on a sandwich, 349 00:20:04,119 --> 00:20:06,000 Speaker 3: Like you don't do that at home, but you go 350 00:20:06,040 --> 00:20:06,560 Speaker 3: to the deli. 351 00:20:06,680 --> 00:20:09,000 Speaker 2: Yes, you're gonna get that a little bit yea. Yeah, 352 00:20:09,920 --> 00:20:13,480 Speaker 2: and it makes a world of difference, it can, Yeah, yeah, 353 00:20:13,520 --> 00:20:14,359 Speaker 2: the way I do it. 354 00:20:14,600 --> 00:20:17,480 Speaker 1: So you're thinking, like what's my role and like how 355 00:20:17,480 --> 00:20:20,359 Speaker 1: do we do this today? Yeah, And the answer is 356 00:20:21,080 --> 00:20:24,800 Speaker 1: you help us by recording a sizzle reel that we 357 00:20:24,840 --> 00:20:28,760 Speaker 1: can use to pitch basically what this experience will look 358 00:20:28,840 --> 00:20:29,720 Speaker 1: and sound, like. 359 00:20:30,040 --> 00:20:33,160 Speaker 2: Some stuff about some of the women, the connection you're 360 00:20:33,160 --> 00:20:35,960 Speaker 2: feeling with them, Yeah, whether you like or don't like 361 00:20:36,000 --> 00:20:38,040 Speaker 2: their podcast, and we'll try to give you you know, 362 00:20:38,119 --> 00:20:40,080 Speaker 2: will maybe come up with some ideas for what their 363 00:20:40,640 --> 00:20:43,040 Speaker 2: shows would be and what they would be like. 364 00:20:43,280 --> 00:20:45,720 Speaker 1: And maybe for noises while you're listening to our podcast, 365 00:20:45,720 --> 00:20:47,720 Speaker 1: because I know on the show, while they're like listening 366 00:20:47,800 --> 00:20:52,000 Speaker 1: to the show, the Bachelor will be like awesome or 367 00:20:52,080 --> 00:20:55,560 Speaker 1: like so cool, Yeah, like stuff like that, so like 368 00:20:55,640 --> 00:20:58,480 Speaker 1: while you're listening to us, like the kind of noises 369 00:20:58,520 --> 00:20:59,880 Speaker 1: that you would make listening to. 370 00:20:59,840 --> 00:21:01,760 Speaker 2: A I like a Chase rice. 371 00:21:01,920 --> 00:21:03,840 Speaker 3: I mean we won't be able since this is audio, 372 00:21:03,920 --> 00:21:06,920 Speaker 3: but if it were filmed, like Chase Rice, I'm also 373 00:21:07,080 --> 00:21:09,359 Speaker 3: maybe mouthing some of what. 374 00:21:09,240 --> 00:21:09,840 Speaker 2: You guys are. 375 00:21:12,000 --> 00:21:14,720 Speaker 3: No, that's what I would love is like a song, 376 00:21:14,880 --> 00:21:17,320 Speaker 3: but yet it's in real time and you're just saying 377 00:21:17,320 --> 00:21:18,440 Speaker 3: it off top of your head. 378 00:21:18,440 --> 00:21:20,960 Speaker 2: Quickly, Kevin, can you actually look up a list of 379 00:21:21,080 --> 00:21:23,399 Speaker 2: musical guests who've appeared on the Bachelor and read some 380 00:21:23,480 --> 00:21:28,439 Speaker 2: of Brett Young was last season Brett Young? So you know, 381 00:21:28,600 --> 00:21:31,600 Speaker 2: because I feel bad we're kind of only talking about 382 00:21:31,680 --> 00:21:34,200 Speaker 2: Chase Rice. He's getting all this free promotion, but Brett 383 00:21:34,240 --> 00:21:36,200 Speaker 2: Young isn't getting a piece of the pie here. 384 00:21:36,440 --> 00:21:39,880 Speaker 3: Did you enjoy their performances when you when you were like, oh, 385 00:21:39,920 --> 00:21:41,720 Speaker 3: I don't know them. 386 00:21:41,320 --> 00:21:46,440 Speaker 2: Did you go I should Chase rocked my fucking ass off. 387 00:21:46,480 --> 00:21:49,399 Speaker 2: That's exactly well, that's why he's there, and he brought 388 00:21:49,440 --> 00:21:55,000 Speaker 2: me to outer space and back. Brett sort of rocked 389 00:21:55,040 --> 00:22:01,439 Speaker 2: me to sleep, ever so, which you needed so very 390 00:22:01,480 --> 00:22:04,280 Speaker 2: So you can't go to outer space all the time. No, 391 00:22:04,600 --> 00:22:07,320 Speaker 2: uppers and downers. It's uppers and downers. I mean, I 392 00:22:07,359 --> 00:22:10,160 Speaker 2: mean where you need to make cycle. Yeah, they took 393 00:22:10,200 --> 00:22:12,320 Speaker 2: you where you needed to be. Yeah, No, I use 394 00:22:12,400 --> 00:22:15,000 Speaker 2: medication to manufacture my sleep and wake cycle. I've been 395 00:22:15,040 --> 00:22:18,080 Speaker 2: doing that for a long long time. And the fact 396 00:22:18,119 --> 00:22:21,080 Speaker 2: that the music now can help me with that. Where 397 00:22:21,119 --> 00:22:24,760 Speaker 2: when I do wake up and I inject, however many 398 00:22:24,840 --> 00:22:28,399 Speaker 2: milligrams of such and such a dream or the music 399 00:22:28,480 --> 00:22:29,240 Speaker 2: is like a boost. 400 00:22:29,560 --> 00:22:31,760 Speaker 1: Yeah, but you add to like a smoothie, but to 401 00:22:31,800 --> 00:22:34,119 Speaker 1: wake it up exactly to wake up. It's a smoothly boost, 402 00:22:34,240 --> 00:22:36,719 Speaker 1: it really is. It's just water that you have to inject, 403 00:22:36,800 --> 00:22:40,520 Speaker 1: and you have to be injecting. Please remember to inject water. 404 00:22:40,560 --> 00:22:40,879 Speaker 2: People. 405 00:22:41,960 --> 00:22:46,560 Speaker 1: People are walking around like in their daily lives so dehydrated. 406 00:22:47,040 --> 00:22:50,760 Speaker 1: Please remember to inject a full glass of water before 407 00:22:50,800 --> 00:22:51,600 Speaker 1: you go to school. 408 00:22:52,960 --> 00:22:58,000 Speaker 2: Thank you, Hayes Jordan. Loop that, Okay, loop that and 409 00:22:58,000 --> 00:23:02,840 Speaker 2: play it a dozen times right right now, because because 410 00:23:03,640 --> 00:23:09,960 Speaker 2: we're primarily an educational show. So Brett Young was the 411 00:23:10,000 --> 00:23:11,240 Speaker 2: other one, and was there any other good. 412 00:23:11,200 --> 00:23:14,840 Speaker 1: Right Morris stage name, I think we should We didn't 413 00:23:14,840 --> 00:23:16,600 Speaker 1: mention that called Kevines, but. 414 00:23:17,080 --> 00:23:23,480 Speaker 6: Robin Thicke, Chicago Bear, Naked Ladies, Train, Vanessa Williams, Soldier Boy. 415 00:23:23,960 --> 00:23:26,800 Speaker 2: These are not helpful. Did you just go back and 416 00:23:27,160 --> 00:23:30,320 Speaker 2: like each previous season? I'm actually gonna ask that we 417 00:23:30,440 --> 00:23:32,119 Speaker 2: edit that out, and can you find the ones that 418 00:23:32,200 --> 00:23:33,040 Speaker 2: are funny to. 419 00:23:33,040 --> 00:23:35,119 Speaker 7: Say train's funny? 420 00:23:35,680 --> 00:23:41,680 Speaker 2: No, they're a huge bit. They're enormous. Brett Chase Rice 421 00:23:41,720 --> 00:23:44,600 Speaker 2: and he's like, I've got another one train. It's Led 422 00:23:44,680 --> 00:23:48,400 Speaker 2: Zeppelin Reunion Tour. I mean, I know Dolly Parton did 423 00:23:48,440 --> 00:23:54,600 Speaker 2: it was, but it's Sarah Darling, who thank you? Kate Earle? 424 00:23:54,840 --> 00:23:59,199 Speaker 2: How many seasons, Ben Taylor? How many seasons of the 425 00:23:59,200 --> 00:24:02,280 Speaker 2: Bachelor and Bachelor combined or just the Bachelor combined? 426 00:24:03,119 --> 00:24:08,400 Speaker 1: Are we talking like Thirtyah, Engineer Duffy, didn't you say 427 00:24:08,400 --> 00:24:11,119 Speaker 1: you had to be so many lonely people supervising the 428 00:24:11,240 --> 00:24:14,679 Speaker 1: cabinet maker outside? You said that you had to like 429 00:24:15,240 --> 00:24:17,760 Speaker 1: you couldn't be in the room with us because you 430 00:24:17,800 --> 00:24:18,760 Speaker 1: had to be going. 431 00:24:18,720 --> 00:24:21,160 Speaker 2: The cabinets had to be made to your exact specification 432 00:24:21,320 --> 00:24:24,240 Speaker 2: in the hall. Talked with him to supervise a cabinet maker. 433 00:24:24,320 --> 00:24:27,480 Speaker 1: I don't think that happened during this record, did it? 434 00:24:27,480 --> 00:24:28,600 Speaker 5: It's happening right now? 435 00:24:29,760 --> 00:24:32,040 Speaker 2: And what are you using these cabinets for? 436 00:24:33,080 --> 00:24:34,520 Speaker 5: To store equipment? 437 00:24:34,720 --> 00:24:35,760 Speaker 2: Her curiosities? 438 00:24:35,960 --> 00:24:37,880 Speaker 5: Yeah, my curiosity is to put my thoughts in that. 439 00:24:37,880 --> 00:24:43,000 Speaker 3: That's what I thought, jars of thoughts, thought jars every night. 440 00:24:43,080 --> 00:24:45,560 Speaker 2: Please, and this will go along with the water tip. 441 00:24:46,000 --> 00:24:48,720 Speaker 2: Think into a jar for one hour before you go 442 00:24:48,760 --> 00:24:51,320 Speaker 2: to sleep. Yes, when you wake up, pour the jar 443 00:24:51,440 --> 00:24:54,320 Speaker 2: back into your ear, and you have all these wonderful 444 00:24:54,359 --> 00:24:56,680 Speaker 2: ideas that you don't let escape. 445 00:24:57,840 --> 00:25:01,080 Speaker 3: How people will say money can't buy happiness. I've heard it, 446 00:25:01,160 --> 00:25:04,480 Speaker 3: but people will keep a jar of money. Yeah, that's 447 00:25:04,640 --> 00:25:07,160 Speaker 3: even the fact that money can't buy happiness. 448 00:25:07,280 --> 00:25:09,560 Speaker 2: Why can't anything go in that jar? Like you were saying, Oh, 449 00:25:09,640 --> 00:25:13,679 Speaker 2: fill the jar with yeah, or screw intentions, not stuff 450 00:25:13,680 --> 00:25:16,080 Speaker 2: you write down. No, open the jar, think of the intention. 451 00:25:16,200 --> 00:25:19,119 Speaker 2: Close the jar. Yeah yeah, different sized screws and put 452 00:25:19,160 --> 00:25:22,440 Speaker 2: holes in the top of the jar. Obviously we're not monsters. No, 453 00:25:22,880 --> 00:25:25,840 Speaker 2: especially if there's gonna be bugs in there too. Yeah, 454 00:25:26,400 --> 00:25:28,159 Speaker 2: it should be bugs, and it should be thoughts and 455 00:25:28,280 --> 00:25:39,480 Speaker 2: intentions and different sized screws. Yeah, affirmations. Yeah. Yeah. So 456 00:25:40,840 --> 00:25:43,600 Speaker 2: let's talk about I guess what one of the podcasts 457 00:25:43,680 --> 00:25:48,400 Speaker 2: might be, Okay, and then we'll get all Royd's reactions 458 00:25:48,440 --> 00:25:57,440 Speaker 2: to it. Yeah, rinse, repeat, So, uh, I guess first off, 459 00:25:58,840 --> 00:26:06,159 Speaker 2: I'll be one of these women suitors. My name is 460 00:26:06,200 --> 00:26:10,639 Speaker 2: Burbecca qca Rebecca Q. Yes, not to because with Rebecca 461 00:26:10,760 --> 00:26:14,760 Speaker 2: J last initial Q. Yeah. First name Burbecca Yebecca, Yeah, 462 00:26:14,800 --> 00:26:21,240 Speaker 2: because there's two Rebecca's this season. I'm a porno blogger 463 00:26:21,280 --> 00:26:32,960 Speaker 2: from Kansas City, Maryland. Yeah, that's exactly. And my uh 464 00:26:33,560 --> 00:26:38,679 Speaker 2: podcast is called The Fantabulous Emancipation of One Harley Quinn. 465 00:26:41,320 --> 00:26:44,760 Speaker 2: So such a specific podcast, uh huh. And it never 466 00:26:44,840 --> 00:26:51,280 Speaker 2: deviates from that one movie. It's all me planning to 467 00:26:51,400 --> 00:26:55,400 Speaker 2: hopefully see it and how you'll see it, and yeah, 468 00:26:55,440 --> 00:26:57,640 Speaker 2: it's going Hey this week, I wasn't able to make 469 00:26:57,680 --> 00:27:01,040 Speaker 2: it obviously, I know last week I promised that I 470 00:27:01,119 --> 00:27:06,359 Speaker 2: was going to. Yeah, but I think next week I 471 00:27:06,440 --> 00:27:10,440 Speaker 2: am going to see it, and so tune into that episode. Yeah. 472 00:27:10,800 --> 00:27:16,000 Speaker 1: So and my person, my guy's name is Julia hyphen 473 00:27:16,160 --> 00:27:27,600 Speaker 1: Abidale n. My job title is permanently unemployed. Uh and 474 00:27:27,320 --> 00:27:30,080 Speaker 1: uh and I see what podcast I'm doing? 475 00:27:30,800 --> 00:27:33,520 Speaker 2: Yes, come up with a podcast that so that we 476 00:27:33,600 --> 00:27:35,880 Speaker 2: can and we give a little sample if you want 477 00:27:35,960 --> 00:27:38,400 Speaker 2: or whatever. But Rory's got to know, like he's gotta 478 00:27:38,440 --> 00:27:41,879 Speaker 2: marry this woman and yeah, have possibly children, right and 479 00:27:42,119 --> 00:27:45,520 Speaker 2: and just it is passion, you know, and it's about 480 00:27:45,560 --> 00:27:46,640 Speaker 2: your passion. 481 00:27:46,280 --> 00:27:49,800 Speaker 3: And passion is so specific that helps narrow down who 482 00:27:49,880 --> 00:27:50,760 Speaker 3: I believe them to be. 483 00:27:50,960 --> 00:27:53,239 Speaker 2: Well, often they'll have an activity on the show. I 484 00:27:53,280 --> 00:27:55,520 Speaker 2: know you're not a huge fan of the show and 485 00:27:55,560 --> 00:28:00,320 Speaker 2: you're jealous, and they will be like repelling to a 486 00:28:00,400 --> 00:28:03,639 Speaker 2: ravine and they'll go Wow. It's really sort of like 487 00:28:03,720 --> 00:28:06,320 Speaker 2: how falling in love is. You have to take a dive, 488 00:28:06,600 --> 00:28:08,960 Speaker 2: but you want to stay under control, but you have 489 00:28:09,040 --> 00:28:11,919 Speaker 2: to face your fear. But also there's water at the bottom. 490 00:28:12,720 --> 00:28:16,200 Speaker 2: And so that's sort of how we're tying this in 491 00:28:16,240 --> 00:28:18,639 Speaker 2: to falling in love, which is about passionate and it's 492 00:28:18,680 --> 00:28:21,440 Speaker 2: about talking. Yes, so I my podcast is I interview 493 00:28:21,520 --> 00:28:24,760 Speaker 2: comedians about how they got started. 494 00:28:24,880 --> 00:28:28,040 Speaker 1: Yeah, that kind of thing you first realized you were funny. Yeah, 495 00:28:28,040 --> 00:28:29,520 Speaker 1: it's called Here's to the Crazy Ones. 496 00:28:37,160 --> 00:28:38,240 Speaker 2: So we have those. 497 00:28:38,440 --> 00:28:43,000 Speaker 3: We maybe need to check that that's not already out there. 498 00:28:45,080 --> 00:28:49,880 Speaker 2: Yeah, come on yours as well, Rebecca, you's as well. 499 00:28:49,920 --> 00:28:54,880 Speaker 2: You could also be right, Yes, no, that's dating over. 500 00:28:54,880 --> 00:28:57,960 Speaker 3: The bases, dude, do your due diligence. I would also 501 00:28:58,120 --> 00:29:02,120 Speaker 3: like to maintain my marriage during the whole that's all. 502 00:29:02,400 --> 00:29:05,560 Speaker 2: That's okay, Yeah, because sometimes people have kids and stuff. 503 00:29:05,640 --> 00:29:07,840 Speaker 3: Yeah, yeah, and I do, And I'm just kind of like, oh, 504 00:29:07,880 --> 00:29:12,120 Speaker 3: I don't want to lose them merely because I gained 505 00:29:12,120 --> 00:29:12,880 Speaker 3: a new wife. 506 00:29:12,920 --> 00:29:14,840 Speaker 2: I think it will make these women maybe work all 507 00:29:14,880 --> 00:29:15,400 Speaker 2: the harder. 508 00:29:15,720 --> 00:29:17,640 Speaker 3: Well, knowing that I'm clearly a guy that's willing to 509 00:29:17,640 --> 00:29:19,240 Speaker 3: go the distance. I'm not one of these, Hey, let's 510 00:29:19,240 --> 00:29:21,440 Speaker 3: get married and never go the distance. I'm like, let's 511 00:29:21,440 --> 00:29:22,840 Speaker 3: get married and let's go the distance. 512 00:29:22,880 --> 00:29:24,360 Speaker 2: Would you be bringing your wife on some of the 513 00:29:24,400 --> 00:29:26,400 Speaker 2: dates I would like to? Yeah, yeah, because she's going 514 00:29:26,440 --> 00:29:28,160 Speaker 2: to wonder where I'm at. Uh huh. 515 00:29:28,200 --> 00:29:32,080 Speaker 3: If she has to sort of co mary, it's just 516 00:29:32,560 --> 00:29:34,280 Speaker 3: as much her choice as it is mine. 517 00:29:34,480 --> 00:29:37,680 Speaker 2: Producer set that table for three, it's twenty twenty. It's 518 00:29:37,720 --> 00:29:39,840 Speaker 2: twenty twenty. Do you want to bring any of your 519 00:29:39,880 --> 00:29:43,480 Speaker 2: buddies you want to bring maybe your podcast co host? Eh? 520 00:29:43,720 --> 00:29:46,240 Speaker 3: Now, I think just me and my wife and sometimes 521 00:29:46,280 --> 00:29:49,480 Speaker 3: my daughter. Okay, yeah, yeah, Yeah, that'd be great to 522 00:29:49,560 --> 00:29:50,440 Speaker 3: kind of have her there. 523 00:29:50,400 --> 00:29:52,640 Speaker 2: For her to go see a live Hollywood and book taping. 524 00:29:52,800 --> 00:29:55,000 Speaker 2: I mean that's yeah, pretty cool. And she's going to 525 00:29:55,080 --> 00:29:59,520 Speaker 2: be potentially picking a stepmother. Yeah. Some people, yeah, do 526 00:29:59,760 --> 00:30:02,400 Speaker 2: say like kids like growing up in Los Angeles or 527 00:30:02,440 --> 00:30:05,240 Speaker 2: growing up in this city. Like you, it's like you're 528 00:30:05,320 --> 00:30:07,920 Speaker 2: like spoiled or jaded or it's not real and you 529 00:30:07,920 --> 00:30:10,400 Speaker 2: don't get that good childhood experience. But how many kids 530 00:30:10,440 --> 00:30:13,000 Speaker 2: who live in freaking you know, Kansas City, Maryland or 531 00:30:13,040 --> 00:30:17,920 Speaker 2: whatever are going to a live Hollywood Handbook tape exactly 532 00:30:17,960 --> 00:30:22,240 Speaker 2: when they're as young as your child, Yes, exactly. That's 533 00:30:22,400 --> 00:30:24,120 Speaker 2: irreplaceable that experience. 534 00:30:24,240 --> 00:30:27,280 Speaker 3: Yeah, well, there are there are adults who come to 535 00:30:27,440 --> 00:30:29,760 Speaker 3: LA stand in the line to get to be in 536 00:30:29,800 --> 00:30:32,120 Speaker 3: the crowd at the price is right, and they go, 537 00:30:32,160 --> 00:30:34,440 Speaker 3: I can't believe I got to do this in my lifetime, 538 00:30:34,960 --> 00:30:37,480 Speaker 3: and it's like, well, there's equivalent joys you could have 539 00:30:37,560 --> 00:30:41,320 Speaker 3: achieved before you were even in kindergarten in this town. 540 00:30:41,520 --> 00:30:44,000 Speaker 3: But you're totally honestly, and I say this a lot 541 00:30:44,320 --> 00:30:45,320 Speaker 3: people that don't live here. 542 00:30:45,640 --> 00:30:47,800 Speaker 2: It's because they're too afraid to. And you don't say 543 00:30:47,800 --> 00:30:50,440 Speaker 2: it enough. Yeah, I agree with you don't say it enough. 544 00:30:50,520 --> 00:30:52,160 Speaker 2: I agree you say it a lot. You say it 545 00:30:52,160 --> 00:30:54,360 Speaker 2: maybe too much, but you also don't say it enough 546 00:30:54,480 --> 00:30:58,000 Speaker 2: this exactly, and so the fact that we're saying it 547 00:30:58,080 --> 00:31:00,280 Speaker 2: now is both good and bad. 548 00:31:01,240 --> 00:31:03,080 Speaker 1: Yeah, I just want to say, your daughter obviously can't 549 00:31:03,080 --> 00:31:05,400 Speaker 1: come into the like fantasy suite and stuff, because you 550 00:31:05,440 --> 00:31:07,640 Speaker 1: are going to be like fucking and there's gonna be 551 00:31:07,680 --> 00:31:09,040 Speaker 1: obviously limits. 552 00:31:08,720 --> 00:31:11,440 Speaker 2: Like you pick three women to fuck, whether it's Rebecca 553 00:31:11,560 --> 00:31:13,200 Speaker 2: c Yes, yeah, yeah. 554 00:31:12,960 --> 00:31:15,760 Speaker 3: Well because that also will define who I feel like 555 00:31:15,760 --> 00:31:16,880 Speaker 3: I could be with forever. 556 00:31:17,400 --> 00:31:17,720 Speaker 2: I think. 557 00:31:17,800 --> 00:31:22,200 Speaker 3: So that attraction, that connection, that passion, that passion. 558 00:31:21,920 --> 00:31:25,760 Speaker 2: Sex is part of a romantic relationship. 559 00:31:25,920 --> 00:31:29,480 Speaker 3: After a podcast where you kind of get to know someone, 560 00:31:29,640 --> 00:31:32,920 Speaker 3: you then go, well, now let's connect physically. Yes, we've 561 00:31:32,920 --> 00:31:35,360 Speaker 3: now connected emotionally and mentally and yeah. 562 00:31:35,720 --> 00:31:39,560 Speaker 2: And Maren did that. Maren started that. You basically say, hey, 563 00:31:39,640 --> 00:31:42,400 Speaker 2: I've seen what that mouth can do to a microphone. Yeah, 564 00:31:42,520 --> 00:31:45,480 Speaker 2: talking to it? Yeah, why are you talking to this? Yeah? 565 00:31:45,520 --> 00:31:47,400 Speaker 2: And then what is this when you say that? Huh 566 00:31:49,200 --> 00:31:52,719 Speaker 2: what are you? I'm cupping my hands? Okay, got it? 567 00:31:52,800 --> 00:31:58,440 Speaker 1: Okay, when Maren just nailed Obama after that show, that 568 00:31:58,640 --> 00:32:00,880 Speaker 1: like like got to open doors. 569 00:32:01,080 --> 00:32:05,160 Speaker 3: That's started to heal, yes and bond and it opened 570 00:32:05,160 --> 00:32:09,680 Speaker 3: doors and garage doors for everyone. 571 00:32:10,200 --> 00:32:14,280 Speaker 2: Yeah. I agree with that. I agree with that. Rory 572 00:32:14,320 --> 00:32:20,520 Speaker 2: and I both agree with what you said. Chef Kevin. 573 00:32:20,600 --> 00:32:24,440 Speaker 2: You're awfully quiet in there. Okay. 574 00:32:24,920 --> 00:32:27,880 Speaker 7: Mine's called Holy in One and it's. 575 00:32:28,320 --> 00:32:30,880 Speaker 2: Still agree with that. It's just for you to agree. 576 00:32:30,920 --> 00:32:32,880 Speaker 2: You don't get to do anything. I agree. 577 00:32:33,160 --> 00:32:34,960 Speaker 7: Good point. 578 00:32:34,640 --> 00:32:36,680 Speaker 2: You can say this, but you don't get to do it. 579 00:32:36,760 --> 00:32:39,680 Speaker 2: And do say it and do Actually if you even 580 00:32:40,200 --> 00:32:42,560 Speaker 2: we're a fan of the show, which you've had a 581 00:32:42,560 --> 00:32:45,640 Speaker 2: front row seat to this entire time. First you say 582 00:32:45,720 --> 00:32:49,920 Speaker 2: a funny name, then you get to the fucking podcast. 583 00:32:50,320 --> 00:32:58,680 Speaker 6: Yeah, I'm Pastor Pete and my show is Holy in One. 584 00:32:59,000 --> 00:33:03,360 Speaker 2: It's a religious call show. Oh right, because it's because 585 00:33:03,960 --> 00:33:05,880 Speaker 2: Rory likes golf and he has a shirt that just 586 00:33:05,920 --> 00:33:09,240 Speaker 2: says the word golf on it. That's right. It's called communicating. 587 00:33:09,640 --> 00:33:14,560 Speaker 2: I'm communicating even when I'm not talking. Yeah, that's fucking 588 00:33:14,600 --> 00:33:18,000 Speaker 2: me up. That's right, Jesus. That's community. 589 00:33:18,000 --> 00:33:21,080 Speaker 3: And that has come communication that knocked me on my 590 00:33:21,160 --> 00:33:21,880 Speaker 3: fucking ass. 591 00:33:21,920 --> 00:33:24,160 Speaker 1: So your person who is trying to marry the bachelor 592 00:33:24,360 --> 00:33:26,320 Speaker 1: is named Pastor Pete? 593 00:33:26,760 --> 00:33:32,760 Speaker 2: Yes? Do you like that? It doesn't matter? No, it 594 00:33:32,800 --> 00:33:35,360 Speaker 2: doesn't matter what I like. No, it does. Yeah, I 595 00:33:35,360 --> 00:33:41,520 Speaker 2: guess ultimately, and my wife and my child, your wife 596 00:33:41,560 --> 00:33:43,800 Speaker 2: and your child, your daughter are going to have to 597 00:33:43,920 --> 00:33:45,560 Speaker 2: like it, you know, get to weigh in. 598 00:33:45,640 --> 00:33:50,240 Speaker 3: There's a part of me that thinks, uh that my 599 00:33:50,400 --> 00:33:55,680 Speaker 3: wife will be more inclined to vote for you, because 600 00:33:55,680 --> 00:33:58,840 Speaker 3: she'll be like, well, he's a man, Pastor Pete. 601 00:33:58,720 --> 00:34:02,800 Speaker 2: Right, right, she would rather be married to a man. 602 00:34:04,680 --> 00:34:06,960 Speaker 3: This way, I get two husbands as opposed to him 603 00:34:06,960 --> 00:34:07,840 Speaker 3: getting two wives. 604 00:34:07,880 --> 00:34:11,759 Speaker 2: She has a record of marrying men. And no, we're 605 00:34:11,800 --> 00:34:14,279 Speaker 2: telling tales out of school. I mean, no, we're not. 606 00:34:15,080 --> 00:34:18,200 Speaker 3: But also, if you're a pastor, if there's anything I 607 00:34:18,239 --> 00:34:22,880 Speaker 3: am to gain in post life by having become intimate 608 00:34:22,880 --> 00:34:25,799 Speaker 3: with you, And also I'm not here to lie. I 609 00:34:25,800 --> 00:34:28,680 Speaker 3: do enjoy cough. There's a lot of variables in that. 610 00:34:28,880 --> 00:34:31,360 Speaker 2: Yeah, that one is actually probably the most appealing one. 611 00:34:31,400 --> 00:34:33,560 Speaker 3: I can't sit here and say that I'm this huge 612 00:34:33,600 --> 00:34:34,600 Speaker 3: Harley Quinn fan. 613 00:34:34,840 --> 00:34:42,640 Speaker 2: I'm willing to find out. Yeah, yeah, so yeah, yeah. 614 00:34:43,000 --> 00:34:46,040 Speaker 2: Pastor Pete actually has a catchphrase. He gets down there 615 00:34:46,040 --> 00:34:54,000 Speaker 2: and he goes gotta go past So yeah, all right, 616 00:34:54,080 --> 00:34:58,600 Speaker 2: that's that's He's a big fan of the original Sonic 617 00:34:58,640 --> 00:35:07,719 Speaker 2: the Hedgehog trailer before they t before before they ruined it, before. 618 00:35:07,480 --> 00:35:10,200 Speaker 1: The schism in the religious community when the new when 619 00:35:10,200 --> 00:35:11,520 Speaker 1: the new trailer came out. 620 00:35:11,480 --> 00:35:15,279 Speaker 2: Yeah, divided the country. Jordan would you like to be 621 00:35:15,800 --> 00:35:19,120 Speaker 2: yourself competing for Rory's love or would you like to 622 00:35:19,120 --> 00:35:19,880 Speaker 2: create a character. 623 00:35:20,080 --> 00:35:20,920 Speaker 5: I want a character. 624 00:35:21,120 --> 00:35:24,080 Speaker 2: Okay, please create a character starting now. 625 00:35:24,880 --> 00:35:34,719 Speaker 8: Hi, I'm Sara Huh, and I'm a personal coach and 626 00:35:35,480 --> 00:35:38,920 Speaker 8: my podcast is the Legend of the Hidden Templates. 627 00:35:39,640 --> 00:35:48,200 Speaker 1: Okay, okay, you a three really very difficult you you 628 00:35:48,239 --> 00:35:50,280 Speaker 1: said like much too high. 629 00:35:51,880 --> 00:35:53,799 Speaker 2: Funny. It's it's your way. 630 00:35:54,080 --> 00:35:57,920 Speaker 1: I can't the give title personal coach for a bachelorette contestant. 631 00:35:58,040 --> 00:35:59,919 Speaker 2: It's the most perfect thing ever. 632 00:36:00,560 --> 00:36:07,279 Speaker 3: Yes, yes, you're welcome. When they when the when the 633 00:36:07,320 --> 00:36:12,799 Speaker 3: teacher becomes the still yeah, I'm a personal coach, but 634 00:36:12,880 --> 00:36:15,240 Speaker 3: I do need to be here to meet somebody. 635 00:36:15,560 --> 00:36:18,879 Speaker 1: I don't know how to do it. Oh all right, 636 00:36:19,920 --> 00:36:23,640 Speaker 1: So what should we get first? Rory doing reactions to 637 00:36:23,760 --> 00:36:26,359 Speaker 1: listening to our podcast? Should we record some of like 638 00:36:26,400 --> 00:36:28,759 Speaker 1: what the dates look like? Like we got to do 639 00:36:28,800 --> 00:36:30,200 Speaker 1: all this stuff? And how much time do we have? 640 00:36:31,320 --> 00:36:34,799 Speaker 2: Like three minutes, Jordan, and now is time hasn't been 641 00:36:34,840 --> 00:36:37,320 Speaker 2: recording any of it? Fifteen more minutes? 642 00:36:37,360 --> 00:36:37,600 Speaker 5: Yeah? 643 00:36:37,680 --> 00:36:43,880 Speaker 2: Okay, okay, okay, with that, Yeah, let's do it. Okay, 644 00:36:44,440 --> 00:36:46,799 Speaker 2: So which which which should we begin? What should we 645 00:36:46,840 --> 00:36:50,520 Speaker 2: get first? Let's get some reactions of just Rory listening 646 00:36:50,560 --> 00:36:51,279 Speaker 2: to some of these things. 647 00:36:51,320 --> 00:36:54,239 Speaker 1: Okay, so it's like, well, yeah, first they walk in 648 00:36:54,280 --> 00:36:57,160 Speaker 1: and they hear us, they see us doing a live podcast. 649 00:36:57,239 --> 00:37:00,520 Speaker 2: Okay, let's get that. So it's like them Rory reacting 650 00:37:00,680 --> 00:37:05,160 Speaker 2: to listening to but he knows, he knows what he's 651 00:37:05,160 --> 00:37:08,520 Speaker 2: walking them into too, and they're freaking out. Yes, yeah, 652 00:37:08,560 --> 00:37:10,279 Speaker 2: but don't you think there should be a little bit 653 00:37:10,360 --> 00:37:13,239 Speaker 2: like isn't this cool? Yes? Yeah, yeah, yeah, that kind 654 00:37:13,239 --> 00:37:14,959 Speaker 2: of thing. But to give you a read, I'm also 655 00:37:15,120 --> 00:37:20,640 Speaker 2: enjoying it, so I'll take a read. I'm very I'm not. Yeah. 656 00:37:20,719 --> 00:37:22,520 Speaker 3: I someone goes say it like this, I go, you 657 00:37:22,560 --> 00:37:25,000 Speaker 3: got it? Whatever gets us out of here. I say 658 00:37:25,000 --> 00:37:26,799 Speaker 3: it on every set I've ever been on, trying to 659 00:37:26,840 --> 00:37:28,920 Speaker 3: get the we want you to be the character. I go, 660 00:37:29,160 --> 00:37:31,279 Speaker 3: I don't care who the character is. I don't care 661 00:37:31,320 --> 00:37:33,359 Speaker 3: what they're doing. I don't care what's on the page 662 00:37:33,440 --> 00:37:35,600 Speaker 3: or what's not on the page. What should I say 663 00:37:35,600 --> 00:37:37,920 Speaker 3: and how should I say it? If you want to 664 00:37:37,960 --> 00:37:39,800 Speaker 3: do it, I'm ready to move on. That's the first 665 00:37:39,800 --> 00:37:41,600 Speaker 3: take of the day. I'm ready to move on. 666 00:37:45,320 --> 00:37:45,920 Speaker 2: Let's roll on. 667 00:37:46,000 --> 00:37:48,440 Speaker 3: Rehearsal guys, I go, let's roll on rehearsal and then 668 00:37:48,480 --> 00:37:57,239 Speaker 3: let's cut and then let's move on. Yeah, anytime you 669 00:37:57,280 --> 00:37:59,360 Speaker 3: work with me, lunches are three hour. They have to 670 00:37:59,400 --> 00:38:00,560 Speaker 3: be three hours because they. 671 00:38:00,480 --> 00:38:03,799 Speaker 2: They're just it's not in the schedule in order for 672 00:38:03,840 --> 00:38:07,840 Speaker 2: other people basically keep their insurance. Yes, the exactly they 673 00:38:07,960 --> 00:38:12,800 Speaker 2: need to say, they have to still be there. Yeah, okay, 674 00:38:12,840 --> 00:38:15,160 Speaker 2: well uh so let's just get I mean, do what 675 00:38:15,200 --> 00:38:18,120 Speaker 2: you feel. And then we need Andrew w doing direct 676 00:38:18,120 --> 00:38:22,759 Speaker 2: this segment. I could try and maybe put some like 677 00:38:23,000 --> 00:38:28,000 Speaker 2: give us like a music bed or maybe like so. 678 00:38:29,520 --> 00:38:32,960 Speaker 1: Maybe it's like like a clip from our like an 679 00:38:32,960 --> 00:38:34,680 Speaker 1: old podcast of ours. 680 00:38:35,920 --> 00:38:36,759 Speaker 2: Does that make sense? 681 00:38:37,239 --> 00:38:39,520 Speaker 1: So just like pull up and old and helps you 682 00:38:39,600 --> 00:38:41,640 Speaker 1: just while I'm talking, because otherwise there's gonna be a 683 00:38:41,680 --> 00:38:46,239 Speaker 1: long pause pull up, No, but just we pull up 684 00:38:46,280 --> 00:38:48,040 Speaker 1: an old episode. 685 00:38:48,239 --> 00:38:51,440 Speaker 2: Of Jordan as a ba and vocal performance, So we 686 00:38:51,520 --> 00:38:56,120 Speaker 2: haven't she's mad that we haven't mentioned she wants to sing, 687 00:38:57,680 --> 00:38:59,799 Speaker 2: and so when we were like, play a clip of us, 688 00:39:00,120 --> 00:39:03,480 Speaker 2: is like maybe I'll sing, yeah, which is like that 689 00:39:03,520 --> 00:39:05,600 Speaker 2: could easily be a clip of our show. She's done 690 00:39:05,600 --> 00:39:08,760 Speaker 2: it before. But just if you were like that doesn't 691 00:39:08,800 --> 00:39:10,319 Speaker 2: really track, it doesn't. 692 00:39:10,040 --> 00:39:13,319 Speaker 3: And no, I am in the studio with Rebecca and 693 00:39:13,400 --> 00:39:14,240 Speaker 3: Julian Moses. 694 00:39:14,320 --> 00:39:17,919 Speaker 1: You're in I think basically like a black box theater probably, Yeah. 695 00:39:17,920 --> 00:39:20,399 Speaker 2: And you're walking in and you're there set up a tent. 696 00:39:20,520 --> 00:39:23,319 Speaker 2: I think you've been riding roller coasters on a closed 697 00:39:23,320 --> 00:39:25,839 Speaker 2: amusement park all day with your sweetie and now there's 698 00:39:25,920 --> 00:39:27,919 Speaker 2: a tent set up off to the side and you're 699 00:39:27,920 --> 00:39:30,400 Speaker 2: walking in and you're going do you hear that? Yeah? 700 00:39:30,440 --> 00:39:32,520 Speaker 3: And they've set up more chairs than they would need 701 00:39:32,560 --> 00:39:34,279 Speaker 3: because they know it's just me and this date. 702 00:39:34,800 --> 00:39:35,200 Speaker 4: Mmmm. 703 00:39:35,440 --> 00:39:35,680 Speaker 2: Yeah. 704 00:39:35,760 --> 00:39:39,919 Speaker 1: Okay, so you So maybe we get from Rory like a, hey, 705 00:39:40,000 --> 00:39:41,920 Speaker 1: what do you hear what that podcast is? 706 00:39:42,400 --> 00:39:42,600 Speaker 2: Yes? 707 00:39:43,120 --> 00:39:46,319 Speaker 1: And then we fade up on the clips of us, 708 00:39:46,360 --> 00:39:48,760 Speaker 1: and then we hear Rory reacting. 709 00:39:48,719 --> 00:39:49,319 Speaker 2: To the heat. 710 00:39:50,239 --> 00:39:53,560 Speaker 1: No no, no, no, no, no no no no, we. 711 00:39:53,680 --> 00:39:55,640 Speaker 2: Just held that. Rory has to say, do you hear 712 00:39:55,680 --> 00:39:58,480 Speaker 2: what this good? Funny? Like? What's that funny podcast? Do 713 00:39:58,520 --> 00:40:00,360 Speaker 2: you hear this? Yes? 714 00:40:00,680 --> 00:40:04,520 Speaker 1: And then it fades up and not now, and then 715 00:40:05,200 --> 00:40:08,080 Speaker 1: Rory says, like what he would say listening to like 716 00:40:08,120 --> 00:40:11,200 Speaker 1: a funny podcast with like a like a with his 717 00:40:11,840 --> 00:40:13,759 Speaker 1: potential sweet potential sweetheart and his wife. 718 00:40:13,840 --> 00:40:16,640 Speaker 2: Yeah, and I'm guiding them into the tent. Yes, because 719 00:40:16,640 --> 00:40:17,719 Speaker 2: we're just outside the tent. 720 00:40:17,840 --> 00:40:23,800 Speaker 3: It should be like it could be like a big top. Okay, yeah, circus. Yeah, Okay, 721 00:40:23,800 --> 00:40:27,920 Speaker 3: here we go. Wow, that was an incredible roller coaster 722 00:40:28,960 --> 00:40:30,480 Speaker 3: to No Jordan. 723 00:40:31,719 --> 00:40:39,200 Speaker 2: Stop stop when Rory says, I, oh, do you hear 724 00:40:39,280 --> 00:40:42,080 Speaker 2: that good funny podcast? Wait that's your cue? 725 00:40:42,800 --> 00:40:43,600 Speaker 5: Okay, I got it. 726 00:40:44,440 --> 00:40:48,239 Speaker 2: Like this is interesting. I wonder what is we're gonna hear? 727 00:40:48,360 --> 00:40:50,080 Speaker 2: And see I'm. 728 00:40:49,880 --> 00:40:53,200 Speaker 3: Hearing this is also the full sizzle reel. All of 729 00:40:53,200 --> 00:40:56,440 Speaker 3: this gets sent to them. We don't have for those potential. 730 00:40:56,080 --> 00:40:57,799 Speaker 2: Have the ability to edit it, and we want them 731 00:40:57,800 --> 00:41:00,160 Speaker 2: to know we want to be transparent about this is 732 00:41:00,200 --> 00:41:02,879 Speaker 2: what you will be dealing with. Thank you. We've used 733 00:41:02,920 --> 00:41:10,160 Speaker 2: up our editing for the year already. Sure. I think 734 00:41:10,200 --> 00:41:16,400 Speaker 2: if we sell ads for like uh Lockheed or like Raytheon, 735 00:41:16,920 --> 00:41:20,440 Speaker 2: we get more editing easily. We're not super comfortable with 736 00:41:20,520 --> 00:41:24,799 Speaker 2: that right now, but that's something that's been presented to 737 00:41:24,880 --> 00:41:27,160 Speaker 2: us as an option if we want to do more edits. 738 00:41:27,480 --> 00:41:30,600 Speaker 2: And those aren't just common purchasable items either. Those are 739 00:41:30,800 --> 00:41:35,520 Speaker 2: big time. It's a big contract for them. Yes, No, 740 00:41:35,640 --> 00:41:39,560 Speaker 2: it's a yes. If it's it's for Rathon, it's specifically 741 00:41:39,640 --> 00:41:41,120 Speaker 2: for like death machines. 742 00:41:41,440 --> 00:41:44,680 Speaker 1: Yeah, so it's never makes a lot of products, but 743 00:41:44,719 --> 00:41:48,080 Speaker 1: it's for like guidance technology. 744 00:41:49,440 --> 00:41:52,880 Speaker 3: You're never by You're never going to raytheon dot com 745 00:41:53,120 --> 00:41:54,319 Speaker 3: and filling up your cart. 746 00:41:55,000 --> 00:42:02,000 Speaker 2: That's right, Wow, click the micro dot com exactly use code. 747 00:42:02,040 --> 00:42:09,160 Speaker 2: The boys type in code wreckage for a fift discount 748 00:42:09,760 --> 00:42:13,440 Speaker 2: on a ballistic missile on a missile on a missile. 749 00:42:13,680 --> 00:42:15,640 Speaker 2: So we can't if we decide we want to edit 750 00:42:15,640 --> 00:42:17,320 Speaker 2: this if we think what we have is that good. 751 00:42:17,960 --> 00:42:21,279 Speaker 2: But I think it's I honestly think this is a 752 00:42:21,320 --> 00:42:24,480 Speaker 2: bad idea. It's a lost cause we're not getting anything. 753 00:42:24,800 --> 00:42:28,319 Speaker 2: You haven't been helpful. I'm not yes, I'm not here 754 00:42:28,320 --> 00:42:31,319 Speaker 2: to debate that. Jordan is. I mean, maybe what's coming 755 00:42:31,360 --> 00:42:33,879 Speaker 2: into her headphones is Chase Rice or something, because she's 756 00:42:33,880 --> 00:42:36,160 Speaker 2: definitely not listening to what we're saying, and she is 757 00:42:36,200 --> 00:42:39,440 Speaker 2: acting like she's at out of space, so we to 758 00:42:39,680 --> 00:42:43,440 Speaker 2: be fair, she's got shelf stuff to deal with. That's true. 759 00:42:43,640 --> 00:42:46,160 Speaker 2: That's what I heard. I remember hearing something about that. 760 00:42:46,239 --> 00:42:46,640 Speaker 2: Mm hmm. 761 00:42:46,920 --> 00:42:51,880 Speaker 1: Okay, let's play, yeah, let's and let's do it, and 762 00:42:51,960 --> 00:42:52,520 Speaker 1: let's do it. 763 00:42:53,360 --> 00:42:56,400 Speaker 3: That was an incredible roller coaster. And I can't believe 764 00:42:56,440 --> 00:43:00,799 Speaker 3: this afternoon has been Oh wow, it is four in 765 00:43:00,840 --> 00:43:03,080 Speaker 3: the morning. Do you sorry? 766 00:43:03,120 --> 00:43:05,040 Speaker 2: It just is in the It's good to be informed 767 00:43:05,040 --> 00:43:08,120 Speaker 2: of that. Do you do you hear that? Do you 768 00:43:08,160 --> 00:43:11,400 Speaker 2: happen to hear that sweet sound of a podcast in 769 00:43:11,480 --> 00:43:14,880 Speaker 2: the distance? And well, you were supposed to be recording 770 00:43:14,880 --> 00:43:15,200 Speaker 2: the show. 771 00:43:15,920 --> 00:43:18,000 Speaker 3: It sounds like it's coming from right inside this tent 772 00:43:18,120 --> 00:43:20,560 Speaker 3: and it's over. Should we step in and repeat what's 773 00:43:20,600 --> 00:43:20,920 Speaker 3: going on. 774 00:43:22,520 --> 00:43:22,839 Speaker 8: The show? 775 00:43:22,960 --> 00:43:26,439 Speaker 2: The show's over? Over. 776 00:43:27,320 --> 00:43:31,760 Speaker 1: It gives the impression that you're not having a good time. Okay, 777 00:43:31,920 --> 00:43:35,399 Speaker 1: let's have some back pain, you know. 778 00:43:34,480 --> 00:43:37,320 Speaker 2: From one Let's just take these two. Saw you skateboarding, 779 00:43:37,760 --> 00:43:40,439 Speaker 2: I saw you skateboarding. I saw you skateboarding. You don't 780 00:43:40,480 --> 00:43:43,480 Speaker 2: have back pain. We all know that. That's like skateboarders 781 00:43:43,560 --> 00:43:48,160 Speaker 2: don't have back pan exercise Cody. 782 00:43:48,200 --> 00:43:53,640 Speaker 1: The idea of skateboarding to true, too true, sitting up 783 00:43:54,640 --> 00:43:55,759 Speaker 1: and being engaged. 784 00:43:57,400 --> 00:44:03,800 Speaker 2: Okay, at you're as thank you? 785 00:44:06,440 --> 00:44:10,000 Speaker 1: Kind of a weird like now, I guess Hanford and 786 00:44:10,280 --> 00:44:11,840 Speaker 1: Dave Ferguson are. 787 00:44:11,719 --> 00:44:18,440 Speaker 2: There, Yeah, we can't get no, those are They're an 788 00:44:18,440 --> 00:44:22,680 Speaker 2: interesting category where we can't get them and we don't 789 00:44:22,680 --> 00:44:28,080 Speaker 2: want them, but they're in there now, they're in it 790 00:44:28,160 --> 00:44:30,640 Speaker 2: for good. It does plant the idea, hey you get 791 00:44:30,640 --> 00:44:34,959 Speaker 2: you get guests. Yeah, no, that's true. Yeah, that's true. 792 00:44:35,160 --> 00:44:38,839 Speaker 2: It takes a picture we should maybe be doing our 793 00:44:38,920 --> 00:44:42,000 Speaker 2: pro version. We should maybe be doing a non guest episode. Yeah, 794 00:44:42,040 --> 00:44:45,359 Speaker 2: that would have made more sense. Yeah. Also just because 795 00:44:45,360 --> 00:44:48,600 Speaker 2: it puts more money in Stitcher's pocket. Yeah, that's right. 796 00:44:49,600 --> 00:44:51,799 Speaker 1: And then it might make the Bachelor episode like a 797 00:44:51,880 --> 00:44:55,880 Speaker 1: pro version technicale like it. Like I think like exclusive 798 00:44:55,920 --> 00:44:59,279 Speaker 1: Stitcher premium content if we're doing it on that show, 799 00:44:59,280 --> 00:45:03,560 Speaker 1: which would be huge an ABC primetime show is only 800 00:45:03,600 --> 00:45:06,600 Speaker 1: available on SIDG your premium. Just because we played a 801 00:45:06,640 --> 00:45:10,080 Speaker 1: clip of the pro version on there, I mean, we'd 802 00:45:10,160 --> 00:45:13,319 Speaker 1: have them over a barrel everybody. They would have to 803 00:45:13,320 --> 00:45:16,120 Speaker 1: give us our first raise ever. 804 00:45:16,840 --> 00:45:20,560 Speaker 3: But also, like think about that that pro move of 805 00:45:20,600 --> 00:45:23,680 Speaker 3: now putting yourself in a position to sue them for 806 00:45:24,000 --> 00:45:29,200 Speaker 3: using your content that you submitted to them to use. Yeah, 807 00:45:29,239 --> 00:45:30,840 Speaker 3: and they're like, well you gave it to us, and 808 00:45:30,840 --> 00:45:32,720 Speaker 3: you go, I don't see a contract. 809 00:45:33,120 --> 00:45:36,440 Speaker 2: Now either we're doing the show or now we're talking. 810 00:45:37,120 --> 00:45:41,440 Speaker 2: Now we're talking and now we've started a conversation. Yes, exactly. 811 00:45:41,480 --> 00:45:44,200 Speaker 2: And although this is the same conversation we had at 812 00:45:44,200 --> 00:45:47,000 Speaker 2: the very beginning of the podcast, we're now at the 813 00:45:47,120 --> 00:45:50,120 Speaker 2: end of the podcast, and we have changed as a 814 00:45:50,160 --> 00:45:54,279 Speaker 2: result of having had this conversation twice. Yeah, and think 815 00:45:54,320 --> 00:45:58,760 Speaker 2: about that. And that's comedy. That's my comedy, you know, yeah, 816 00:45:58,360 --> 00:46:05,399 Speaker 2: my circle. Yeah, it's change, it's repeat yourself, it's talk. 817 00:46:05,480 --> 00:46:08,000 Speaker 2: It's talk about how you're talking. Repetitive growth. 818 00:46:09,080 --> 00:46:13,279 Speaker 3: Yes, yes, doing reps, grow, grow again, grow again, the 819 00:46:13,320 --> 00:46:15,279 Speaker 3: same way doing reps. 820 00:46:15,640 --> 00:46:18,239 Speaker 2: You know what I mean? Yes, but I mean consciousness 821 00:46:18,280 --> 00:46:20,440 Speaker 2: is a muscle and I'm in the gym all the time. 822 00:46:21,880 --> 00:46:23,840 Speaker 2: If that's not a T shirt, I don't even know 823 00:46:23,880 --> 00:46:27,280 Speaker 2: what T shirts are. Yes, and neither do I neither. 824 00:46:27,080 --> 00:46:28,839 Speaker 1: I'm yeah, based on what you said, I'm not sure 825 00:46:28,880 --> 00:46:32,160 Speaker 1: I do either. Yes, I definitely thought I did. If 826 00:46:32,200 --> 00:46:33,880 Speaker 1: you would ask me this morning, do you know what 827 00:46:33,920 --> 00:46:35,520 Speaker 1: a T shirt is? I would have had a pretty 828 00:46:35,520 --> 00:46:36,320 Speaker 1: sectincth answer. 829 00:46:36,480 --> 00:46:40,520 Speaker 2: Yeah. But now now shattered, the whole world has opened up. 830 00:46:40,560 --> 00:46:42,920 Speaker 2: I'm completely and it could be anything and whatever it is, 831 00:46:43,000 --> 00:46:43,520 Speaker 2: I don't know. 832 00:46:43,719 --> 00:46:51,640 Speaker 1: Yeah, Ham, Do you want to do your podcast? 833 00:46:52,640 --> 00:46:52,879 Speaker 4: Yeah? 834 00:46:53,080 --> 00:46:55,520 Speaker 2: Do you want to do the same one or should we? 835 00:46:55,600 --> 00:46:59,880 Speaker 2: I mean there's probably more women. I think, you know, 836 00:47:00,600 --> 00:47:03,480 Speaker 2: we can explore the ones that that you came up with. 837 00:47:03,520 --> 00:47:06,920 Speaker 2: I thought that was a good idea, the Rebecca the 838 00:47:06,960 --> 00:47:08,279 Speaker 2: Fantabulous Emancipation. 839 00:47:08,560 --> 00:47:10,360 Speaker 1: Yeah, or if you have another one, if you have 840 00:47:10,400 --> 00:47:12,440 Speaker 1: another one, you can do that one and introduce yourself 841 00:47:12,480 --> 00:47:18,799 Speaker 1: and do a different podcast. Okay, uh, we have to 842 00:47:18,840 --> 00:47:21,640 Speaker 1: do it all. And now we have what like twenty 843 00:47:21,680 --> 00:47:22,200 Speaker 1: five minutes. 844 00:47:22,440 --> 00:47:23,520 Speaker 5: We have seven minutes. 845 00:47:25,719 --> 00:47:29,760 Speaker 2: Okay, well seven minutes is kind of a long time, especially, 846 00:47:29,800 --> 00:47:32,120 Speaker 2: I mean if you think about eight minutes ago, we 847 00:47:32,120 --> 00:47:34,719 Speaker 2: were told we had fifteen minutes, and that feels like 848 00:47:34,800 --> 00:47:39,160 Speaker 2: it was over an hour ago. Yeah, yeah, no, that 849 00:47:39,200 --> 00:47:47,560 Speaker 2: felt really long. So uh all right, So my name 850 00:47:47,680 --> 00:47:59,000 Speaker 2: is Bisbo. I am my job is listed as professional Shoes. Yeah, 851 00:47:59,520 --> 00:48:06,919 Speaker 2: and my podcast is gonna be called, uh Weekend Update 852 00:48:06,960 --> 00:48:17,600 Speaker 2: with college Jokes. Hey it's me Bisbo. Uh uh please. 853 00:48:17,920 --> 00:48:20,040 Speaker 2: By the way, I forgot to say this last week, 854 00:48:20,120 --> 00:48:29,840 Speaker 2: do go get shoot for feet these so these weekend 855 00:48:29,880 --> 00:48:38,200 Speaker 2: the news has been just oh ary, respect the news 856 00:48:38,280 --> 00:48:42,480 Speaker 2: has been so and I am just gonna, like I 857 00:48:42,520 --> 00:48:49,520 Speaker 2: do every episode check in with the trending topics. So 858 00:48:52,480 --> 00:48:59,440 Speaker 2: hashtag Timmy Failure now streaming on Disney Plus. Okay, yikes, 859 00:49:03,840 --> 00:49:06,960 Speaker 2: hashtag catter day. All right, these cats are ready for 860 00:49:07,000 --> 00:49:09,239 Speaker 2: the weekend. And I'm just telling you, I'm looking at 861 00:49:09,239 --> 00:49:12,120 Speaker 2: a cat and that is looking at something I can't 862 00:49:12,160 --> 00:49:17,920 Speaker 2: see because I can see his face and he's looking 863 00:49:18,200 --> 00:49:25,120 Speaker 2: or she. So that's the news. So this was bisbo. 864 00:49:26,880 --> 00:49:33,440 Speaker 2: Uh just if you if your feet have rock or glass, 865 00:49:34,560 --> 00:49:37,600 Speaker 2: please get you? Do you want to introduce your guest? 866 00:49:37,960 --> 00:49:48,839 Speaker 2: My guest? Uh? And I'm the producer. Uh, thank you. 867 00:49:50,440 --> 00:49:54,360 Speaker 1: He's supposed to be like your no, I know, no, 868 00:49:55,080 --> 00:49:57,000 Speaker 1: it's oh sorry, does seemed like you were ending. 869 00:49:56,840 --> 00:50:03,520 Speaker 2: The No, okay, bring the news, guests, fetch me the news. 870 00:50:04,920 --> 00:50:08,520 Speaker 3: Well, as maybe people can recognize from my voice, I'm 871 00:50:08,520 --> 00:50:14,120 Speaker 3: a local meteorologist here in Kansas City, Iowa, and I 872 00:50:14,160 --> 00:50:17,680 Speaker 3: am happy to be here to talk about either shoes 873 00:50:17,840 --> 00:50:19,560 Speaker 3: or what I'd like to talk about is some of 874 00:50:19,600 --> 00:50:24,400 Speaker 3: these trending storms that you see kind of right now 875 00:50:24,440 --> 00:50:26,239 Speaker 3: coming up the east coast. We're having a lot of 876 00:50:27,120 --> 00:50:29,120 Speaker 3: a lot of rain, a lot of highs and lows, 877 00:50:29,160 --> 00:50:30,719 Speaker 3: a lot of cold fronts. 878 00:50:31,040 --> 00:50:42,000 Speaker 2: I have an idea meteor but it's like more meaty. Sure, yeah, yeah, 879 00:50:42,400 --> 00:50:44,719 Speaker 2: go ahead. What were're saying about the storm? 880 00:50:45,120 --> 00:50:47,680 Speaker 3: Well, I was just saying that, you know, when those 881 00:50:47,719 --> 00:50:50,960 Speaker 3: cold fronts come across the northern part of the country, 882 00:50:51,000 --> 00:50:52,319 Speaker 3: it shifts a lot of hot air. 883 00:50:53,360 --> 00:50:59,200 Speaker 2: These fronts. I'm sure sure they're colder. I'm trying to 884 00:50:59,200 --> 00:50:59,920 Speaker 2: get a husband. 885 00:51:03,400 --> 00:51:08,480 Speaker 1: I am just a local meteorologist, much meteor than that 886 00:51:08,680 --> 00:51:10,399 Speaker 1: ologist over there. 887 00:51:10,560 --> 00:51:13,360 Speaker 2: Yes, no, that's that's exactly what I was thinking of. 888 00:51:13,480 --> 00:51:17,239 Speaker 2: But I didn't have the rest that kind of thing. 889 00:51:17,440 --> 00:51:20,040 Speaker 2: But that's exactly the kind of thing I was thinking 890 00:51:20,040 --> 00:51:25,359 Speaker 2: about doing with it. Yeah, I guess I didn't know 891 00:51:25,400 --> 00:51:29,960 Speaker 2: like what that ologist means, so I didn't because I 892 00:51:30,000 --> 00:51:33,719 Speaker 2: did kind of have that idea. But hearing it, it's 893 00:51:33,760 --> 00:51:36,600 Speaker 2: like it doesn't matter because you're just fucking you're sticking 894 00:51:36,600 --> 00:51:41,239 Speaker 2: it to some pencil dick. Yeah, your pin in his 895 00:51:41,360 --> 00:51:44,239 Speaker 2: ass because you just said you're meteor than him. Yeah, 896 00:51:44,560 --> 00:51:47,200 Speaker 2: so like, no matter, what are you doing? And then 897 00:51:47,360 --> 00:51:52,720 Speaker 2: you're also building up your guests, which is great. Uh, Okay, 898 00:51:54,160 --> 00:52:00,560 Speaker 2: give me say your job again, much much meteor ologist? 899 00:52:00,640 --> 00:52:06,319 Speaker 2: Yeah I do much meteor then you sure, yeah I 900 00:52:06,400 --> 00:52:06,839 Speaker 2: did I. 901 00:52:07,239 --> 00:52:10,040 Speaker 3: Anyways, Uh, we're going to see some snow on the 902 00:52:10,080 --> 00:52:13,160 Speaker 3: east coast this year, and it's kind of surprising, especially 903 00:52:13,200 --> 00:52:15,320 Speaker 3: in the Southeast this time of year kind of be 904 00:52:15,360 --> 00:52:18,200 Speaker 3: tapering off. But we live in interesting times. 905 00:52:19,280 --> 00:52:26,760 Speaker 2: Yeah, yeah, totally year about this Caturday ship. I haven't no, yeah, no, Sarah. 906 00:52:27,280 --> 00:52:30,239 Speaker 1: You see those two hanging out, and you're like a 907 00:52:30,280 --> 00:52:33,399 Speaker 1: little jealous, right You've seen Bisbo be like. 908 00:52:33,400 --> 00:52:34,879 Speaker 2: Can I steal you for a second? Yeah? 909 00:52:34,920 --> 00:52:37,440 Speaker 8: Yeah, yeah, I don't think a personal coach would be jealous, 910 00:52:37,440 --> 00:52:40,080 Speaker 8: But okay, can I steal. 911 00:52:39,840 --> 00:52:40,640 Speaker 5: You for a second? 912 00:52:42,000 --> 00:52:46,680 Speaker 2: Me or Bisbo? We kind of were just both getting 913 00:52:47,320 --> 00:52:51,279 Speaker 2: really okay, okay, sure, yeah. 914 00:52:51,160 --> 00:52:54,360 Speaker 1: Okay, they were just having the two person conversations. So 915 00:52:54,480 --> 00:52:56,279 Speaker 1: you can just stay here. You don't have to. 916 00:52:56,280 --> 00:53:00,120 Speaker 2: Can I get I want them to come to meet Okay, 917 00:53:00,960 --> 00:53:02,680 Speaker 2: I just have to check with my producer, like what 918 00:53:02,800 --> 00:53:03,760 Speaker 2: happens to my show? 919 00:53:03,840 --> 00:53:09,440 Speaker 1: Then, well, this is all like this. It's not a 920 00:53:09,480 --> 00:53:11,560 Speaker 1: real show. It's like you're just practicing doing a. 921 00:53:11,640 --> 00:53:13,640 Speaker 2: Podcast for felt real as hell. 922 00:53:13,719 --> 00:53:16,200 Speaker 3: As a meteorologist, I'm used to it. After I do 923 00:53:16,239 --> 00:53:18,880 Speaker 3: the weather, I then walk over to the main table. 924 00:53:19,200 --> 00:53:21,880 Speaker 3: I'm moving around the studio. So this is very common 925 00:53:22,160 --> 00:53:27,040 Speaker 3: stolen It's basically they are stealing you for a minute. Yes, 926 00:53:28,160 --> 00:53:28,720 Speaker 3: it's true. 927 00:53:30,040 --> 00:53:33,439 Speaker 1: Okay, you want to say something, Sarah, Huh. 928 00:53:34,320 --> 00:53:38,080 Speaker 5: I think meteors are very personal. 929 00:53:39,080 --> 00:53:39,520 Speaker 2: Mmmm. 930 00:53:40,400 --> 00:53:41,799 Speaker 5: And I coached them a lot. 931 00:53:42,880 --> 00:53:45,920 Speaker 1: Now we are just leaning on it a little bit 932 00:53:46,040 --> 00:53:48,080 Speaker 1: too hard. I was gonna say that last time you 933 00:53:48,120 --> 00:53:50,520 Speaker 1: brought it up, but now I definitely I'm gonna say 934 00:53:50,680 --> 00:53:52,200 Speaker 1: I think we just let it was. 935 00:53:52,239 --> 00:53:54,600 Speaker 5: So great, that's what they told me to say. 936 00:53:55,280 --> 00:54:00,439 Speaker 2: Okay, okay, And she's pointing at the shelf people, and 937 00:54:00,480 --> 00:54:12,880 Speaker 2: finally the shelf has come into play their cabinet folks. Okay, yeah, 938 00:54:12,920 --> 00:54:18,359 Speaker 2: so this was pretty sizzly, this real. Did you want 939 00:54:18,400 --> 00:54:20,400 Speaker 2: to take us out? Maybe? Do you do one with 940 00:54:20,600 --> 00:54:21,560 Speaker 2: your last minute? 941 00:54:21,640 --> 00:54:26,880 Speaker 1: Or so my comedian or yeah, what's up, crazy ones. 942 00:54:27,120 --> 00:54:34,480 Speaker 1: It's me Julia Abbadale and we are here interviewing Rory Scovell. Rory, 943 00:54:34,560 --> 00:54:37,040 Speaker 1: thank you so much for being on the show. Thank 944 00:54:37,080 --> 00:54:41,920 Speaker 1: you for having me, uh talk about what like who 945 00:54:42,320 --> 00:54:51,560 Speaker 1: is just the Who are your men like idols or men? Yeah, 946 00:54:51,840 --> 00:54:55,640 Speaker 1: like my crew or like just like just like not guys, 947 00:54:55,680 --> 00:54:58,600 Speaker 1: like who are just your men? 948 00:54:58,719 --> 00:54:59,399 Speaker 2: Say to me? 949 00:54:59,400 --> 00:55:03,239 Speaker 3: Men my men that I am inspired by constantly? Are 950 00:55:03,400 --> 00:55:05,239 Speaker 3: any professional athletes? 951 00:55:05,640 --> 00:55:06,000 Speaker 2: Uh? 952 00:55:06,040 --> 00:55:10,520 Speaker 3: And any almost any Republican senator. 953 00:55:11,200 --> 00:55:11,520 Speaker 2: Uh. 954 00:55:11,560 --> 00:55:13,520 Speaker 3: And then anyone who knows how to grill a steak 955 00:55:13,600 --> 00:55:18,200 Speaker 3: to a good medium rare, that's that without naming specific people, 956 00:55:18,200 --> 00:55:23,439 Speaker 3: that's men, that's my men, or mechanics of any sort. 957 00:55:23,680 --> 00:55:30,040 Speaker 2: Cars points absolutely one thousand percent. Yeah. And those are 958 00:55:30,040 --> 00:55:34,120 Speaker 2: also the people that inspire me in comedy. Ah. And 959 00:55:34,120 --> 00:55:36,480 Speaker 2: what's one of your what's one of your jokes? 960 00:55:39,040 --> 00:55:40,920 Speaker 1: Who? Uh? 961 00:55:40,960 --> 00:55:45,480 Speaker 3: My wife and I recently had makeup sex, something I 962 00:55:45,520 --> 00:55:51,319 Speaker 3: thought only clowns did. Yes, right right, and that right, 963 00:55:51,400 --> 00:55:53,520 Speaker 3: And that's my catchphrase, I say right in the. 964 00:55:53,480 --> 00:56:00,560 Speaker 4: First half, not gonna lie right right, that right right right, No, 965 00:56:00,719 --> 00:56:11,040 Speaker 4: you're right, you're right, Yes, a little bit of yours. 966 00:56:14,480 --> 00:56:18,399 Speaker 7: Hey everyone past repete here, gotta go past. Welcome back, 967 00:56:19,440 --> 00:56:23,479 Speaker 7: Welcome back to Holy in one. Hey, did you guys 968 00:56:23,600 --> 00:56:29,400 Speaker 7: see the new Sonic trailer? God damn it? And today 969 00:56:29,480 --> 00:56:33,920 Speaker 7: my guest is comedian Rory Skolful. You might have heard 970 00:56:34,000 --> 00:56:37,680 Speaker 7: him from the Create These guys are crazy, these was it. 971 00:56:38,880 --> 00:56:43,399 Speaker 7: Here's to the crazy ones. Hey, Rory, thanks for being here, 972 00:56:43,520 --> 00:56:46,360 Speaker 7: Thanks for having me. So did you know that golf 973 00:56:46,400 --> 00:56:48,200 Speaker 7: balls were originally made of wood? 974 00:56:48,560 --> 00:56:50,920 Speaker 2: I did know that. Yeah, you know what else was 975 00:56:50,960 --> 00:56:51,680 Speaker 2: made of wood? 976 00:56:53,320 --> 00:57:00,600 Speaker 1: The golf clubs, the Cross, Oh yeah Bye Tamburg.