1 00:00:01,000 --> 00:00:05,240 Speaker 1: Look man, oh, I see you. My Oh look over there. 2 00:00:05,240 --> 00:00:15,440 Speaker 1: How is that culture? Yes, goodness, And I'm sitting here 3 00:00:15,800 --> 00:00:20,960 Speaker 1: with the Emmy nominee Fish. I can't believe the love 4 00:00:21,079 --> 00:00:24,599 Speaker 1: I am feel emanating from you. In particular I've gotten. 5 00:00:25,120 --> 00:00:27,840 Speaker 1: I will say, I've really been basking in the love, 6 00:00:27,920 --> 00:00:30,240 Speaker 1: but from you. Plain with the dealist Okay, so here's 7 00:00:30,240 --> 00:00:32,680 Speaker 1: the deal. When was the last time with Darcy? We 8 00:00:32,680 --> 00:00:35,440 Speaker 1: were in person for dars But this is a very 9 00:00:35,520 --> 00:00:38,479 Speaker 1: distinctly different vibe because Matt and I are sitting in 10 00:00:38,560 --> 00:00:44,280 Speaker 1: this beautiful table in our wonderful home, in our quartershore 11 00:00:44,320 --> 00:00:46,480 Speaker 1: home in Fire Island, in the Pine. The address is 12 00:00:47,400 --> 00:00:52,200 Speaker 1: to do just kidding, leave that out, Doug. We don't 13 00:00:52,200 --> 00:00:54,200 Speaker 1: even have the we don't have it. We don't have 14 00:00:54,200 --> 00:00:56,560 Speaker 1: the team here. Oh my god. This feels like, well, no, 15 00:00:56,640 --> 00:00:59,120 Speaker 1: we've never done this without the team. This sur first 16 00:00:59,160 --> 00:01:03,240 Speaker 1: time flying without the fucking wheels, without the what like 17 00:01:05,080 --> 00:01:08,760 Speaker 1: flying without you know what's interesting? You started the conversation, 18 00:01:08,800 --> 00:01:10,880 Speaker 1: we started talking, and you said I can't believe the 19 00:01:10,880 --> 00:01:13,160 Speaker 1: love I see, And that called to mind Jordan Sparks, 20 00:01:13,160 --> 00:01:16,000 Speaker 1: who famously on the song this is Mine Now, she said, 21 00:01:16,080 --> 00:01:18,920 Speaker 1: I can't believe the love I see. And then when 22 00:01:18,920 --> 00:01:25,000 Speaker 1: you said flying without feel, recalled Reuben Stutter. But don't 23 00:01:25,080 --> 00:01:28,039 Speaker 1: change the subject. You got nominated for the Emmy. And 24 00:01:28,560 --> 00:01:32,520 Speaker 1: and I'm very grateful. I've never been prouder girl. The 25 00:01:32,560 --> 00:01:36,000 Speaker 1: way tears, the way tears were streaming or streaming over 26 00:01:36,200 --> 00:01:39,280 Speaker 1: all over the Sandy Beaches, a fire on Fire Island, 27 00:01:39,440 --> 00:01:44,480 Speaker 1: the way that I felt true love for everyone at us, 28 00:01:44,520 --> 00:01:50,520 Speaker 1: to know, specifically the people who craft that show, the crew, 29 00:01:50,680 --> 00:01:53,400 Speaker 1: the cast, the writers. You can't live without them. You 30 00:01:53,440 --> 00:01:55,960 Speaker 1: can't live without the writers. And can we say the 31 00:01:56,160 --> 00:01:58,960 Speaker 1: scream we let out when we saw the words eight 32 00:01:59,160 --> 00:02:02,800 Speaker 1: Ryan Shrill, Brant Trill, actress, outstanding, the natural, I had 33 00:02:02,840 --> 00:02:07,640 Speaker 1: to scream my ass Can we say deserved? Oh please? 34 00:02:07,760 --> 00:02:15,359 Speaker 1: The subtlety, the the grounded, the comedy, the It's best 35 00:02:15,360 --> 00:02:20,160 Speaker 1: season and that story is so so, so so so 36 00:02:20,760 --> 00:02:23,000 Speaker 1: perfect and hard to tell in terms of them wanting 37 00:02:23,000 --> 00:02:24,760 Speaker 1: to do it in the grounded way that they wanted to. 38 00:02:24,840 --> 00:02:26,880 Speaker 1: I mean, like that show, you watch it and you 39 00:02:26,960 --> 00:02:30,639 Speaker 1: do feel I do feel very comfortable. I'm like I'm 40 00:02:30,680 --> 00:02:33,000 Speaker 1: there in Portland, I'm in a fantasy virtue. You feel 41 00:02:33,040 --> 00:02:35,880 Speaker 1: that you're feel that I'm about to go to Pop 42 00:02:35,919 --> 00:02:39,799 Speaker 1: Poc to eat a delicious meal. Say that, say that 43 00:02:40,400 --> 00:02:43,359 Speaker 1: they bill that, say bill that they build that. This 44 00:02:43,400 --> 00:02:45,200 Speaker 1: is a bit. We've been doing that sort of I 45 00:02:45,240 --> 00:02:47,000 Speaker 1: can think on the lower ends of the bits, can 46 00:02:47,040 --> 00:02:48,919 Speaker 1: we But you should be cataloged the bits for the 47 00:02:48,960 --> 00:02:50,959 Speaker 1: readers and joy, I just want to say that this 48 00:02:51,040 --> 00:02:53,440 Speaker 1: morning to just to sort of do one of the bits. 49 00:02:53,440 --> 00:02:57,079 Speaker 1: I would say this morning, my rose was seeing that 50 00:02:57,160 --> 00:03:00,360 Speaker 1: my sister got nominated for an Emmy because of how 51 00:03:00,360 --> 00:03:02,840 Speaker 1: hard I know that you work, and how much much 52 00:03:02,880 --> 00:03:04,640 Speaker 1: of a star you are on your show and you 53 00:03:04,680 --> 00:03:08,520 Speaker 1: are in his history. You are the first featured player 54 00:03:08,560 --> 00:03:12,799 Speaker 1: ever's been nominated. And that is my rose. And I 55 00:03:12,840 --> 00:03:19,639 Speaker 1: was snubbed and it's disrespectful, and Hollywood owes me an apology, 56 00:03:19,680 --> 00:03:24,240 Speaker 1: and it's my thorn. My snub is the greatest snub 57 00:03:24,360 --> 00:03:28,400 Speaker 1: of this And do you agree? I have my back 58 00:03:28,560 --> 00:03:31,800 Speaker 1: And if I see anybody in the television Academy, including 59 00:03:31,919 --> 00:03:36,200 Speaker 1: including I will fight. I'm gonna fight you. After this girl, 60 00:03:36,320 --> 00:03:40,280 Speaker 1: we are throwing hands. And that's my thorn. See me 61 00:03:40,400 --> 00:03:44,440 Speaker 1: with them nominated hands, you all fight your snubbed hands. 62 00:03:44,520 --> 00:03:46,800 Speaker 1: And I would say, my rose of this conversation is 63 00:03:46,840 --> 00:03:49,680 Speaker 1: the love I feel for you, And my my thorn 64 00:03:49,880 --> 00:03:51,280 Speaker 1: is the fact that you're going to fight me, and 65 00:03:51,280 --> 00:03:55,040 Speaker 1: I know that, I know that you are an ugly person. Inside. 66 00:03:55,640 --> 00:03:58,920 Speaker 1: My rose has been feeling so supported from you this 67 00:03:59,200 --> 00:04:01,080 Speaker 1: entire time that I been here. Truly, as soon as 68 00:04:01,080 --> 00:04:04,520 Speaker 1: I saw your face, I lit up. My thorn has 69 00:04:04,560 --> 00:04:07,200 Speaker 1: been every time that I've been in the presence of you, 70 00:04:07,400 --> 00:04:09,960 Speaker 1: I felt the need to violently attack you, for the 71 00:04:10,000 --> 00:04:13,680 Speaker 1: way you transgress, for the way you transgressed, the way 72 00:04:13,720 --> 00:04:17,039 Speaker 1: you voted against yourself in a way, can I say 73 00:04:17,080 --> 00:04:21,200 Speaker 1: that my thorn my rose rather has been that I 74 00:04:21,320 --> 00:04:24,400 Speaker 1: genuinely feel like I've gotten closer to you on this trip, 75 00:04:24,680 --> 00:04:27,159 Speaker 1: and I didn't think it was possible, And my thorn 76 00:04:27,480 --> 00:04:30,360 Speaker 1: was when I got closer, I hated what I saw. 77 00:04:31,520 --> 00:04:35,680 Speaker 1: I'm so disgusted. I'm discussed. I'm discussed. Do you want 78 00:04:35,680 --> 00:04:37,520 Speaker 1: to know something I did last night though that we 79 00:04:37,720 --> 00:04:40,800 Speaker 1: I had not done in our friendship ever. Was I 80 00:04:40,880 --> 00:04:46,160 Speaker 1: helped you fucking three sheets to the way I carried you. 81 00:04:46,160 --> 00:04:49,800 Speaker 1: You really wait, I really now? I'm sort of nevern 82 00:04:49,880 --> 00:04:53,359 Speaker 1: on the beach. I was wasted, you were you fucking 83 00:04:53,920 --> 00:04:56,440 Speaker 1: fell so beautifully and it was. It wasn't like a 84 00:04:56,440 --> 00:04:58,560 Speaker 1: bad fault. But your hat kept blowing off your your head, 85 00:04:58,560 --> 00:05:00,600 Speaker 1: and I said, Matt's don't wear hat on your head. 86 00:05:00,600 --> 00:05:03,680 Speaker 1: You should hold it. You have the dexterity of your 87 00:05:03,680 --> 00:05:05,720 Speaker 1: hands will help you hold onto the half. And you 88 00:05:05,720 --> 00:05:10,159 Speaker 1: wouldn't listen as usual. But then you you you tripped 89 00:05:10,160 --> 00:05:13,880 Speaker 1: over yourself, and you really made a meal of it. 90 00:05:13,960 --> 00:05:16,119 Speaker 1: You really made a meal of the fall and said 91 00:05:16,560 --> 00:05:19,640 Speaker 1: I can't go on. I didn't. I did not think 92 00:05:19,680 --> 00:05:21,680 Speaker 1: I could go on. I also want to say, like, 93 00:05:22,000 --> 00:05:24,960 Speaker 1: it's so crazy, really because I think the Pride weekend 94 00:05:25,000 --> 00:05:26,320 Speaker 1: was what it was. And in the fourth of July, 95 00:05:26,440 --> 00:05:28,479 Speaker 1: I we had a time, but you were not I 96 00:05:28,600 --> 00:05:30,040 Speaker 1: was not there. What was? How was your friends? Tell 97 00:05:30,080 --> 00:05:31,800 Speaker 1: me how your force was? It was amazing. I don't 98 00:05:31,839 --> 00:05:35,880 Speaker 1: remember it because I've this week I have cracked in half. 99 00:05:36,400 --> 00:05:39,479 Speaker 1: I'm telling You've been raging every night. And if if 100 00:05:39,520 --> 00:05:42,560 Speaker 1: anyone on this island wants it, they're they've gotten it, 101 00:05:42,640 --> 00:05:46,200 Speaker 1: or they're getting it. That's beautiful. I think I don't 102 00:05:46,200 --> 00:05:48,720 Speaker 1: think you've I would not frame this. I wouldn't use 103 00:05:48,760 --> 00:05:51,440 Speaker 1: this language that like you've been broken, or that you've 104 00:05:51,440 --> 00:05:54,719 Speaker 1: cracked like I have. I told you, I think less 105 00:05:54,760 --> 00:05:56,240 Speaker 1: than twenty four hours ago, I was like, I was like, 106 00:05:56,800 --> 00:06:00,440 Speaker 1: you are in the rarest form and I've never I 107 00:06:00,480 --> 00:06:02,600 Speaker 1: truly I did not think I could love and admire 108 00:06:02,640 --> 00:06:04,479 Speaker 1: you more as a friend than I do. I'm telling you, 109 00:06:04,520 --> 00:06:07,800 Speaker 1: and I mean that. It's that's my rose and there 110 00:06:07,880 --> 00:06:10,799 Speaker 1: is no thorn. That's hut for there to be thorn. 111 00:06:11,400 --> 00:06:13,599 Speaker 1: Do you know what I think? Because we're looking at roses, 112 00:06:13,600 --> 00:06:16,760 Speaker 1: but we're actually looking we're looking at we can say, 113 00:06:16,800 --> 00:06:20,720 Speaker 1: sort of attackie table at table. Oh my god, we 114 00:06:20,839 --> 00:06:22,480 Speaker 1: sort of we sort of are seeing some of the 115 00:06:22,520 --> 00:06:25,040 Speaker 1: girls come in and out the girls. Okay, house, He 116 00:06:25,160 --> 00:06:27,839 Speaker 1: just scurried back upstairs. But the house is at where 117 00:06:27,880 --> 00:06:29,600 Speaker 1: we have a one future future guest of the show, 118 00:06:29,640 --> 00:06:31,960 Speaker 1: Patrick Rodgers, is just kind of walking around. We have 119 00:06:32,000 --> 00:06:35,599 Speaker 1: a wonderful assortment of sort of um a coterie. I 120 00:06:35,600 --> 00:06:38,880 Speaker 1: think the coterie is strong this this this week. It's 121 00:06:38,880 --> 00:06:41,800 Speaker 1: a good group of people. It's it's one of the 122 00:06:41,839 --> 00:06:45,440 Speaker 1: best groups to be on to be in Fire Island, 123 00:06:45,839 --> 00:06:48,039 Speaker 1: and that's period, and that's on period. And I would 124 00:06:48,080 --> 00:06:52,000 Speaker 1: stack this house up in a fight, yes, with the 125 00:06:52,000 --> 00:06:55,679 Speaker 1: television or otherwise, well, certainly with the Television Academy. Who 126 00:06:55,880 --> 00:06:59,160 Speaker 1: fucked up this morning? I don't even know who's nominated 127 00:06:59,160 --> 00:07:01,920 Speaker 1: for the host who? I don't know. I'm guessing Rue 128 00:07:01,920 --> 00:07:06,119 Speaker 1: Paul needed a ninth Emmy. I don't watch the show 129 00:07:06,160 --> 00:07:10,680 Speaker 1: hot Dog watched I deserved. I'm not even this is 130 00:07:10,720 --> 00:07:13,760 Speaker 1: like like this is I am kidding? I don't. I'm 131 00:07:13,800 --> 00:07:17,880 Speaker 1: not kidding, Matt, Like what know? You? You were? You 132 00:07:17,920 --> 00:07:22,520 Speaker 1: were the reason why people watched that show. You dozens 133 00:07:22,520 --> 00:07:27,520 Speaker 1: of people watched it. Stop. You facilitated such a beautiful 134 00:07:28,280 --> 00:07:31,200 Speaker 1: tone and environment for that show and it was really 135 00:07:31,200 --> 00:07:34,680 Speaker 1: my first, one of my very first like comfort watches 136 00:07:34,760 --> 00:07:38,960 Speaker 1: during during quarantine, like post summer. I was like, okay, 137 00:07:39,040 --> 00:07:40,680 Speaker 1: like in the winter, which was when I needed it 138 00:07:40,720 --> 00:07:45,840 Speaker 1: the most. In the winter, I needed that show. Well, 139 00:07:46,520 --> 00:07:51,360 Speaker 1: listen the Christmas special I love. I'm saying to fall 140 00:07:51,400 --> 00:07:53,200 Speaker 1: into winter and the cold months of New York City, 141 00:07:53,240 --> 00:07:57,280 Speaker 1: I needed those blankets and anyway, you were fanta. Well anyway, listen, 142 00:07:57,560 --> 00:07:59,720 Speaker 1: because I know how hard you work, and you work 143 00:08:00,000 --> 00:08:02,880 Speaker 1: sing hard, bitch, what I will guess you. I will 144 00:08:02,880 --> 00:08:05,480 Speaker 1: shout out as a girl, Robin, I would say, black, 145 00:08:06,200 --> 00:08:09,600 Speaker 1: shout out. We got the numbs? Can we can? We 146 00:08:09,640 --> 00:08:12,640 Speaker 1: actually acknowledge the snubs, though, Let's talk about the snubs. 147 00:08:12,800 --> 00:08:18,520 Speaker 1: Z Wayns was snubbed Girls with Snub Girls is nominated 148 00:08:18,520 --> 00:08:25,080 Speaker 1: for screenplay for the pilot Busy snubs On, Sarah snubs 149 00:08:25,080 --> 00:08:28,320 Speaker 1: On Stubb Tina fe for guests for Guests played some 150 00:08:29,040 --> 00:08:31,000 Speaker 1: name of the legend that could play Dolly Parton in 151 00:08:31,040 --> 00:08:34,120 Speaker 1: this manner. You were snubbed for guest doctor in the 152 00:08:34,160 --> 00:08:38,480 Speaker 1: comedy for Girls five Ever And I'm so I'm so 153 00:08:38,600 --> 00:08:42,800 Speaker 1: upset at the Television Academy this morning. But here's here's 154 00:08:42,800 --> 00:08:47,600 Speaker 1: something we can talk about for future Awards seasons. I 155 00:08:47,640 --> 00:08:50,120 Speaker 1: love this for you, Oh ship, I forgot about my 156 00:08:50,120 --> 00:08:53,880 Speaker 1: own good news. I will never let you forget about 157 00:08:54,280 --> 00:08:56,200 Speaker 1: what are you doing? I'm gonna light light of blunt. 158 00:08:56,440 --> 00:09:00,400 Speaker 1: You deserve it. Matt Rodgers is show his pilot that 159 00:09:00,440 --> 00:09:03,240 Speaker 1: he filmed I Love This for You, starring Vanessa Bary, 160 00:09:03,240 --> 00:09:07,360 Speaker 1: Molly Shannon, Mama Mama Mama, put put a Patel put Patel. 161 00:09:07,440 --> 00:09:11,560 Speaker 1: We got Aiden Marie, we got Paul James, and an 162 00:09:11,559 --> 00:09:16,319 Speaker 1: actress to be named later. But I'm so fucking excited. 163 00:09:16,360 --> 00:09:19,480 Speaker 1: Congrats to the team and the cast and the crew. 164 00:09:19,520 --> 00:09:21,400 Speaker 1: I mean, are we look I know It sounds like 165 00:09:21,400 --> 00:09:24,440 Speaker 1: a typical show biz like like like circle jerk. But 166 00:09:24,480 --> 00:09:27,920 Speaker 1: I think this is another instance of Wow. Talk about 167 00:09:27,920 --> 00:09:31,319 Speaker 1: people who worked looking hard. Vanessa, Jeremy Bailer, you can. 168 00:09:31,840 --> 00:09:34,560 Speaker 1: Can we talk about the fact that jesse Le Jesse 169 00:09:34,720 --> 00:09:40,040 Speaker 1: Klein icon inside Amy Schumer icon her book, iconic book 170 00:09:40,040 --> 00:09:43,000 Speaker 1: of comedy essays, truly one of the superior ones. Oh, 171 00:09:43,400 --> 00:09:47,040 Speaker 1: we love Jess Mama the way Michael show Walter directed 172 00:09:47,080 --> 00:09:50,200 Speaker 1: the Michael Shoe Walter, but respect on the name. I'm 173 00:09:50,240 --> 00:09:52,160 Speaker 1: standing there. I'm standing there in one of the scenes, 174 00:09:52,200 --> 00:09:55,199 Speaker 1: and I'm like, there's Molly Shannon, There's Vanessa, There's Michael 175 00:09:55,200 --> 00:09:59,680 Speaker 1: show Walter. I'm like, what is going off? Earned it? 176 00:09:59,800 --> 00:10:03,480 Speaker 1: You worked for that, bitch. I'm gonna be a showtime 177 00:10:03,720 --> 00:10:07,440 Speaker 1: diva and I can't wait. And z a baby use 178 00:10:07,480 --> 00:10:11,480 Speaker 1: the way and William H. Macy and William H. Macy 179 00:10:11,720 --> 00:10:15,800 Speaker 1: Darling Darling the Funniest man on televisionniest Man, the Funniest 180 00:10:15,800 --> 00:10:20,920 Speaker 1: show on television. I love whatever. Well we're gonna also 181 00:10:20,920 --> 00:10:23,280 Speaker 1: say because we're gonna be real. A lot of these 182 00:10:23,320 --> 00:10:26,200 Speaker 1: nominations are flopped down a lot of category from a 183 00:10:26,200 --> 00:10:29,360 Speaker 1: lot of well, first of all, first of all, we 184 00:10:29,400 --> 00:10:30,640 Speaker 1: don't have to we don't. I don't think we have 185 00:10:30,679 --> 00:10:34,199 Speaker 1: to name names. But yeah, when a young girl went 186 00:10:34,240 --> 00:10:37,600 Speaker 1: to Paris and got nominated for Best Comedy Series, and 187 00:10:37,640 --> 00:10:42,199 Speaker 1: we're gonna have to say, yes, that's all we can say, unfortunately, 188 00:10:42,240 --> 00:10:46,360 Speaker 1: because it's too overwhelming to think about otherwise. But but 189 00:10:46,360 --> 00:10:49,520 Speaker 1: but of course, congratulations, you know, congratulations. As I sort 190 00:10:49,559 --> 00:10:51,960 Speaker 1: of ash on the white table, Well, we were talking 191 00:10:51,960 --> 00:10:54,439 Speaker 1: about the table setup. It's it's a tacky it's a 192 00:10:54,559 --> 00:10:56,680 Speaker 1: tacky table. It's there are elements of the house that 193 00:10:56,720 --> 00:10:59,280 Speaker 1: are tacky. I would say, I like the high ceilings. 194 00:10:59,400 --> 00:11:03,840 Speaker 1: It's love high ceilings. Love the sort of uh simple 195 00:11:03,960 --> 00:11:09,400 Speaker 1: clean lines that are then broken violently by driftwood beach 196 00:11:09,480 --> 00:11:12,680 Speaker 1: signs in the bathroom and in the kitchen with your 197 00:11:12,720 --> 00:11:16,280 Speaker 1: typical like live, Left, Love Drive. Yeah exactly. We were 198 00:11:16,320 --> 00:11:20,840 Speaker 1: told billionaires, um, have have one stayed here, And I 199 00:11:20,880 --> 00:11:22,800 Speaker 1: say that's a lie, and I say, this is a 200 00:11:22,800 --> 00:11:25,240 Speaker 1: case for the FBI. So we're here with Josh Sharp 201 00:11:25,240 --> 00:11:27,880 Speaker 1: and Aaron Jackson who are upstairs sort of napping, and um, 202 00:11:27,880 --> 00:11:31,200 Speaker 1: I will say this, the damn landlord really tried it, 203 00:11:31,760 --> 00:11:34,080 Speaker 1: really tried it. When when we well, we didn't have 204 00:11:34,080 --> 00:11:36,720 Speaker 1: power for the first I think thirty six hours, not 205 00:11:36,760 --> 00:11:39,959 Speaker 1: because of the hurricane, because of the flop behavior. And 206 00:11:40,120 --> 00:11:43,439 Speaker 1: we have to say entering entering this fringus house, Oh 207 00:11:43,559 --> 00:11:45,280 Speaker 1: is it one of our kings, one of our kings. 208 00:11:45,400 --> 00:11:49,520 Speaker 1: It's it's a girl's of our writer, Matthew, who's brought 209 00:11:49,520 --> 00:11:51,280 Speaker 1: in a case of diet. He's bringing in sort of 210 00:11:51,280 --> 00:11:56,880 Speaker 1: a case as I looking absolutely stunning. Was the gym great? 211 00:11:57,600 --> 00:12:00,640 Speaker 1: I mean as usual, you know that basically, what's basically 212 00:12:00,679 --> 00:12:03,000 Speaker 1: what's been going on before you got here. It was 213 00:12:03,080 --> 00:12:05,480 Speaker 1: really because when he first hit the island, it was 214 00:12:05,520 --> 00:12:07,280 Speaker 1: like you could feel it was like a seismic shift. 215 00:12:07,960 --> 00:12:10,480 Speaker 1: So sort of everyone would see our group approaching, and 216 00:12:10,520 --> 00:12:15,240 Speaker 1: you see all their direct and how could it not. 217 00:12:16,000 --> 00:12:19,280 Speaker 1: My eye goes to him all the time, Connie, My 218 00:12:19,280 --> 00:12:21,240 Speaker 1: my eye wants. My eye sneaks out of the damn 219 00:12:21,280 --> 00:12:24,440 Speaker 1: house to go to him. My eye scurries to the 220 00:12:24,480 --> 00:12:28,679 Speaker 1: beach to see him on it. Um No, I mean 221 00:12:29,080 --> 00:12:31,079 Speaker 1: a stunning man. Sometimes I just take photos of him 222 00:12:31,080 --> 00:12:34,280 Speaker 1: when we have lunch. He is this true? Yeah, I've 223 00:12:34,280 --> 00:12:37,920 Speaker 1: told you that, right, Matt that sometimes when we have lunch, 224 00:12:37,960 --> 00:12:40,520 Speaker 1: I just take pictures of you. Yeah. Well, you know 225 00:12:41,360 --> 00:12:44,480 Speaker 1: I did tell you that. What did you say to me? No? 226 00:12:44,520 --> 00:12:48,760 Speaker 1: I don't not interested in the taking into that ass anyway. No, 227 00:12:48,920 --> 00:12:52,520 Speaker 1: I'm just kidding. I'm really respectful and we love to. 228 00:12:52,760 --> 00:12:58,160 Speaker 1: Should we talk about your overall because I will say 229 00:12:58,559 --> 00:13:00,480 Speaker 1: as I as I as I said, orlier you have. 230 00:13:00,679 --> 00:13:02,720 Speaker 1: I've never seen any more in your element than here 231 00:13:03,200 --> 00:13:06,679 Speaker 1: particularly happy. But I'm also talk about how you are 232 00:13:06,760 --> 00:13:10,040 Speaker 1: sort of self defining right now because I feel like 233 00:13:10,080 --> 00:13:12,720 Speaker 1: you are really enjoying your time and it makes me 234 00:13:12,880 --> 00:13:17,960 Speaker 1: so happy that you are fully experiencing everything leading with 235 00:13:18,040 --> 00:13:21,760 Speaker 1: your joy, which is so infectious. But do you feel 236 00:13:21,760 --> 00:13:23,600 Speaker 1: like a changed person at all? That's kind of what 237 00:13:23,640 --> 00:13:27,680 Speaker 1: I'm getting. It's a combination of any time I'm around 238 00:13:27,679 --> 00:13:31,080 Speaker 1: my literal number one who I and my rose of 239 00:13:31,120 --> 00:13:33,880 Speaker 1: my life is being close to Bowen Yang. My thorn 240 00:13:33,960 --> 00:13:35,599 Speaker 1: is that one day one of us is going to 241 00:13:35,720 --> 00:13:38,480 Speaker 1: die first and that is going to be really shitty 242 00:13:38,480 --> 00:13:41,160 Speaker 1: after And I just feel like you can't make me 243 00:13:41,200 --> 00:13:44,120 Speaker 1: think about it. No, I really hope it's me That's 244 00:13:44,120 --> 00:13:47,800 Speaker 1: got to be. It'sn't live through it the more the 245 00:13:47,840 --> 00:13:50,640 Speaker 1: greatest loss anyone has ever more, do you ever do 246 00:13:50,679 --> 00:13:55,520 Speaker 1: that thing of like and throughout our decade plus relationship, 247 00:13:55,559 --> 00:13:57,160 Speaker 1: I know you've probably done this, Like the people are 248 00:13:57,160 --> 00:13:58,719 Speaker 1: really close to you in your life. If you ever, 249 00:13:58,720 --> 00:14:00,120 Speaker 1: like are alone with your mind for a second, you 250 00:14:00,120 --> 00:14:02,640 Speaker 1: think about if they ever died. Oh no, I thought 251 00:14:02,679 --> 00:14:05,360 Speaker 1: about if you ever died one time and I broke down. 252 00:14:06,480 --> 00:14:09,160 Speaker 1: I literally I had delay in the bed. I was like, 253 00:14:09,280 --> 00:14:12,120 Speaker 1: I even just thinking about the grief I would feel. 254 00:14:12,679 --> 00:14:16,600 Speaker 1: I was just like, I am leveled, I will cry. 255 00:14:17,080 --> 00:14:20,800 Speaker 1: I've had moments not what I've thought about my friend's dying. 256 00:14:21,280 --> 00:14:23,800 Speaker 1: What what would that be like? But this is an 257 00:14:23,800 --> 00:14:26,560 Speaker 1: honest conversation. This is this is last. Culture is just 258 00:14:26,640 --> 00:14:29,040 Speaker 1: an honest conversation. Okay, Okay, let's put a pin in that, 259 00:14:29,040 --> 00:14:30,360 Speaker 1: because I do want to talk about I want to 260 00:14:30,360 --> 00:14:33,080 Speaker 1: explore how we arrived at this concept of an honest conversation. 261 00:14:33,200 --> 00:14:38,160 Speaker 1: But um, I have had multiple moments that I can 262 00:14:38,280 --> 00:14:42,520 Speaker 1: so vividly remember, just us that you and me walking 263 00:14:42,560 --> 00:14:44,600 Speaker 1: down the streets, sitting in the room, sitting in the room, 264 00:14:44,640 --> 00:14:49,480 Speaker 1: no one's saying anything to each other, in the coupe 265 00:14:49,480 --> 00:14:51,840 Speaker 1: in the henhouse. I turned to my friend Matt Rodgers, 266 00:14:51,840 --> 00:14:56,200 Speaker 1: and I think to myself, I wish everybody had this 267 00:14:56,840 --> 00:15:00,280 Speaker 1: a friend like this in their lives. Girl, I I 268 00:15:00,320 --> 00:15:05,360 Speaker 1: want this for everything. To the edge, honey, you have 269 00:15:06,040 --> 00:15:08,160 Speaker 1: pushed me to the edge of the cliff. You've been 270 00:15:08,160 --> 00:15:11,960 Speaker 1: at the cliff deer and I can I And so 271 00:15:12,040 --> 00:15:14,320 Speaker 1: this is the r This is the answer to your question. 272 00:15:15,000 --> 00:15:18,000 Speaker 1: Long Island for me is the cliff. And so when 273 00:15:18,000 --> 00:15:21,120 Speaker 1: I'm here, I find myself walking all the way up 274 00:15:21,120 --> 00:15:22,760 Speaker 1: to the edge of the cliff. And then I go 275 00:15:22,840 --> 00:15:28,360 Speaker 1: to Fire Island and understand, it's the closeness to the ocean. 276 00:15:28,760 --> 00:15:33,640 Speaker 1: It's it's my pisces rising, pisces water. So it's water, 277 00:15:33,680 --> 00:15:36,760 Speaker 1: water water water. So here we are sort of surrounded 278 00:15:36,800 --> 00:15:41,280 Speaker 1: by water as is want to do on an island. Um. 279 00:15:41,280 --> 00:15:45,120 Speaker 1: That's a really cultured water surrounded by water as it 280 00:15:45,360 --> 00:15:48,320 Speaker 1: wants to do on an island island. And so what's 281 00:15:48,720 --> 00:15:55,320 Speaker 1: what rule is that? One number? Um? Okay um. But 282 00:15:55,680 --> 00:15:58,920 Speaker 1: so when I'm here, I'm sort of soaking in and 283 00:15:59,000 --> 00:16:03,640 Speaker 1: absorbing like sort of the angst the sort of um 284 00:16:03,680 --> 00:16:08,000 Speaker 1: difficult nature of growing up here. Slash how much fun 285 00:16:08,040 --> 00:16:11,160 Speaker 1: I'm having. And also the crew could not be strong there. 286 00:16:11,280 --> 00:16:14,280 Speaker 1: And it's about energy and it's about it's about you know, 287 00:16:14,360 --> 00:16:17,960 Speaker 1: sort of being a fun suck abus to each other. 288 00:16:18,200 --> 00:16:23,040 Speaker 1: But here's I'm let me illustrate an analogy. Let me 289 00:16:23,040 --> 00:16:24,720 Speaker 1: know if it makes sense or if it doesn't, and 290 00:16:24,760 --> 00:16:29,480 Speaker 1: I will you coming, You coming into Long Island in 291 00:16:29,600 --> 00:16:33,160 Speaker 1: order to get here? Is this is? This is the 292 00:16:33,160 --> 00:16:37,440 Speaker 1: motion I'm tracking. Okay, you're going. You might feel like 293 00:16:37,520 --> 00:16:40,600 Speaker 1: you're regressing a little bit. You're going, You're moving back 294 00:16:40,600 --> 00:16:44,040 Speaker 1: in time. This is I'm revisiting an old version of myself. 295 00:16:44,880 --> 00:16:47,880 Speaker 1: And then you get But then as soon as you 296 00:16:47,960 --> 00:16:50,080 Speaker 1: come here to the island of Fire Island and you 297 00:16:50,160 --> 00:16:52,760 Speaker 1: feel a sense of relief, it is so powerful that 298 00:16:52,920 --> 00:16:55,760 Speaker 1: force propels you forward, not back. But you've had you 299 00:16:55,760 --> 00:16:57,720 Speaker 1: had to get It's like a slingshot. You had to 300 00:16:57,760 --> 00:17:01,640 Speaker 1: get pulled back first in order to sucking barrel ahead 301 00:17:01,680 --> 00:17:04,119 Speaker 1: to the person that you were meant to be. I 302 00:17:04,119 --> 00:17:05,639 Speaker 1: think that is what it's happening. I think. And the 303 00:17:05,760 --> 00:17:08,040 Speaker 1: and the people and the vibe and the weather and 304 00:17:08,160 --> 00:17:11,800 Speaker 1: all those other things wonderful, But those does those make 305 00:17:11,880 --> 00:17:15,240 Speaker 1: the slingshots shape and you are going the greatest distance. 306 00:17:15,880 --> 00:17:21,760 Speaker 1: And also just you know, um, alcohol of marijuana. All 307 00:17:21,760 --> 00:17:24,800 Speaker 1: the girls we shout out to everyone, um, but it 308 00:17:24,840 --> 00:17:28,000 Speaker 1: is it has been I think my favorite Fire Island trip. 309 00:17:28,119 --> 00:17:29,680 Speaker 1: And we've had some good one, We've had some I 310 00:17:29,800 --> 00:17:31,920 Speaker 1: had some great ones, and this this really is up there. 311 00:17:32,040 --> 00:17:34,280 Speaker 1: Let's say this. Let's say that you were not here 312 00:17:34,320 --> 00:17:36,680 Speaker 1: the first night, but the drag that we have seen 313 00:17:37,359 --> 00:17:46,159 Speaker 1: Jan leveled our gay and collectively at the pavilion, I 314 00:17:46,240 --> 00:17:48,920 Speaker 1: heard nothing but rave reviews from everyone on the island 315 00:17:48,920 --> 00:17:52,000 Speaker 1: about the vocals are not a joke and also the 316 00:17:52,080 --> 00:17:56,680 Speaker 1: jokes she's got Joe and like we were laughing, we 317 00:17:56,680 --> 00:18:02,840 Speaker 1: were gasping, we were just you gotta see fucking Jan Sport. Okay, 318 00:18:02,920 --> 00:18:06,800 Speaker 1: and she's not being done justice on All Stars six Okay. 319 00:18:06,840 --> 00:18:09,080 Speaker 1: I know, I know she had the big whim, but 320 00:18:09,160 --> 00:18:12,600 Speaker 1: she's not being done totality and the totality. But overall 321 00:18:12,760 --> 00:18:15,200 Speaker 1: she she does not come off looking bad. She comes 322 00:18:15,240 --> 00:18:19,280 Speaker 1: off like Jan Sport, which I mean people should just 323 00:18:19,359 --> 00:18:21,200 Speaker 1: get over. I don't know what that means, because you 324 00:18:21,240 --> 00:18:24,000 Speaker 1: know what I realized, No, no, no, it means it 325 00:18:24,040 --> 00:18:28,600 Speaker 1: means the liam no energy but that. But you guess 326 00:18:28,600 --> 00:18:33,080 Speaker 1: what about Lea? Michelle can sing her ass off, you 327 00:18:33,119 --> 00:18:35,840 Speaker 1: can sing her ass off. But here's the thing this 328 00:18:35,880 --> 00:18:38,520 Speaker 1: mighty realized when we were watching so then so then 329 00:18:38,560 --> 00:18:40,520 Speaker 1: I came into the next day and we went or 330 00:18:40,520 --> 00:18:43,040 Speaker 1: the day after and we went to Tina Burner, and 331 00:18:43,560 --> 00:18:45,200 Speaker 1: we're gonna get to Tina. We're gonna get to Tina. 332 00:18:45,320 --> 00:18:48,479 Speaker 1: But I mean, that is a drag performer. There can 333 00:18:48,520 --> 00:18:52,640 Speaker 1: be dragon artists, drag drag models or whatever, drag fashion 334 00:18:54,080 --> 00:18:58,480 Speaker 1: you're dragging right now, but you're absolutely right, and drag 335 00:18:58,560 --> 00:19:00,440 Speaker 1: queens or like if you if you want to go pageant, 336 00:19:00,960 --> 00:19:03,399 Speaker 1: there are different like you know, lanes to drag. We 337 00:19:03,480 --> 00:19:07,720 Speaker 1: all know this. And Tina Burner, like you know, like 338 00:19:07,760 --> 00:19:11,040 Speaker 1: it has like her wonderful, wonderful legacy on the show, 339 00:19:11,440 --> 00:19:13,920 Speaker 1: but you go and see her live and it's completely 340 00:19:14,160 --> 00:19:17,040 Speaker 1: out of the orbital of that complete it's a queen's 341 00:19:17,760 --> 00:19:21,159 Speaker 1: performing perform I mean, like not in in terms of 342 00:19:21,320 --> 00:19:23,800 Speaker 1: performance and like the general conceptually, but she's on a 343 00:19:23,880 --> 00:19:27,760 Speaker 1: stage entertaining. She's an entertainer and we're laughing constantly. Also, 344 00:19:27,760 --> 00:19:30,440 Speaker 1: I just want to say Jan Sport like drag queen 345 00:19:30,520 --> 00:19:34,160 Speaker 1: pop star doing that like well I guess Rose as well, yes, 346 00:19:34,200 --> 00:19:36,720 Speaker 1: and and but has the appreciation for comedy in a 347 00:19:36,760 --> 00:19:40,320 Speaker 1: specific way like stand Meg Stalter like since the beginning, 348 00:19:40,960 --> 00:19:45,880 Speaker 1: like you know, I fucking love Jan. Jan. You're coming on, Jan, 349 00:19:45,920 --> 00:19:50,040 Speaker 1: You're coming on because you I mean, I I fucking 350 00:19:50,080 --> 00:19:52,359 Speaker 1: love Jan. I'm Jane. I'm so sorry I missed you. 351 00:19:52,920 --> 00:19:55,680 Speaker 1: But then let's talk about Tina, well, can I? Yes? 352 00:19:56,280 --> 00:20:00,840 Speaker 1: Then Tina on Friday fucking evening that Saturday, it was 353 00:20:01,720 --> 00:20:05,479 Speaker 1: I forget. That's another thing. You guys like cracked, cracked 354 00:20:05,480 --> 00:20:07,320 Speaker 1: and half. I don't know what they don't think you're cracked. 355 00:20:07,359 --> 00:20:11,120 Speaker 1: I think you have good evolved. It's like very evolved. Yeah, 356 00:20:11,200 --> 00:20:13,560 Speaker 1: it's like I became like the Charmellion version. I think 357 00:20:13,600 --> 00:20:15,720 Speaker 1: I was already the charm. I'm certainly not the char 358 00:20:16,800 --> 00:20:21,080 Speaker 1: I think you're on your way to char Ard Honey, sister, 359 00:20:21,160 --> 00:20:24,080 Speaker 1: look at me. I think you're I think you're in 360 00:20:24,080 --> 00:20:27,639 Speaker 1: your chars are I think I'm on my chars If 361 00:20:27,840 --> 00:20:30,160 Speaker 1: if the title of that the title that didn't have 362 00:20:30,320 --> 00:20:33,680 Speaker 1: to be an honest conversation, it would have been your 363 00:20:33,800 --> 00:20:38,480 Speaker 1: charas Ard era, Oh my god, I think you're in 364 00:20:41,760 --> 00:20:46,360 Speaker 1: Era Honey, can be so powerful. It is so powerful, 365 00:20:46,400 --> 00:20:49,880 Speaker 1: I'm telling you, And I'm just gonna say getting I got, 366 00:20:49,920 --> 00:20:54,840 Speaker 1: I mean plowed, you've been and I do think like that. 367 00:20:54,840 --> 00:20:57,520 Speaker 1: That does it gives you like a jack when you 368 00:20:57,880 --> 00:21:01,679 Speaker 1: really get fired. Oh yeah, yeah, oh I know exactly. 369 00:21:02,160 --> 00:21:05,440 Speaker 1: I'm so happy for you. I'll be thinking about this guy. Yeah, 370 00:21:05,480 --> 00:21:08,120 Speaker 1: you're gonna you're gonna be using and I'm gonna say. 371 00:21:08,160 --> 00:21:11,800 Speaker 1: I'm gonna say while I was getting fucked, he said 372 00:21:11,840 --> 00:21:17,240 Speaker 1: the words little bro and wait and leader. If you're thinking, oh, 373 00:21:17,280 --> 00:21:22,800 Speaker 1: that's awful, think about it. I was like about it. Oh, literally, 374 00:21:22,880 --> 00:21:25,440 Speaker 1: it worked. So I don't know what can I tell 375 00:21:25,480 --> 00:21:28,160 Speaker 1: you because you told me that and I was like whatever, 376 00:21:28,320 --> 00:21:30,159 Speaker 1: And then the more I thought about it, I was like, no, 377 00:21:30,280 --> 00:21:36,159 Speaker 1: it's someone called me little bro. Whatever the dynamic is, 378 00:21:36,200 --> 00:21:38,880 Speaker 1: whatever is going on. I don't care for like ten 379 00:21:38,920 --> 00:21:42,600 Speaker 1: ft apart while we're both naked. If you call me 380 00:21:42,640 --> 00:21:46,560 Speaker 1: little broth across the room, even I will, I will. Organ. 381 00:21:46,680 --> 00:21:50,119 Speaker 1: I'm telling you what it did to me. It's like 382 00:21:50,280 --> 00:21:56,760 Speaker 1: Mascar speech. It was life. It was Olivia down what 383 00:21:56,840 --> 00:22:02,440 Speaker 1: you did to me. You wroted my life. You truly 384 00:22:02,920 --> 00:22:10,640 Speaker 1: rocked my life. I well, I'm speechless now. Thank you, 385 00:22:11,119 --> 00:22:14,920 Speaker 1: thank you, love, And it is true there is some 386 00:22:15,160 --> 00:22:18,880 Speaker 1: angels in this city. And when he said little bro 387 00:22:19,000 --> 00:22:23,200 Speaker 1: to me during sex, that was you rocked my life. 388 00:22:23,200 --> 00:22:25,879 Speaker 1: That was Mario. I was doing the Ospar speech in 389 00:22:25,920 --> 00:22:30,080 Speaker 1: my head, which of course made me come And it 390 00:22:30,119 --> 00:22:33,560 Speaker 1: is true. There is some fire. There is some fire 391 00:22:33,720 --> 00:22:37,400 Speaker 1: on this island and it happened down by the river. Wait, 392 00:22:37,440 --> 00:22:39,640 Speaker 1: that's iconic and we we need it. We've been coming 393 00:22:39,640 --> 00:22:42,200 Speaker 1: in with great catchphrases all week, but that's a new one. 394 00:22:43,200 --> 00:22:47,160 Speaker 1: It is true, there is there some fire on this island. 395 00:22:47,920 --> 00:22:53,080 Speaker 1: There was some fires, I mean were burning. I was 396 00:22:53,960 --> 00:22:57,520 Speaker 1: transported and also like you know, I'm not out here 397 00:22:57,560 --> 00:23:01,680 Speaker 1: like bottom Ie know, but it's there's a something has 398 00:23:01,840 --> 00:23:08,960 Speaker 1: changed within me. Same wow. I have to also remark, 399 00:23:09,200 --> 00:23:14,280 Speaker 1: are the in person energy different. Fuck the zoom we 400 00:23:14,400 --> 00:23:17,080 Speaker 1: I mean we need it. We're gonna keep doing the zooms, 401 00:23:17,359 --> 00:23:20,960 Speaker 1: but fuck a zoom because this is unbeatable. This is unbeatable. 402 00:23:21,000 --> 00:23:22,800 Speaker 1: And even though you know, we're going to hear from 403 00:23:22,840 --> 00:23:25,879 Speaker 1: the girl who is that engineer Doug, and she's definitely 404 00:23:25,880 --> 00:23:28,639 Speaker 1: gonna be like, hey, uh, you know, four seconds in 405 00:23:28,720 --> 00:23:30,880 Speaker 1: there's a full boat in the background, because right now 406 00:23:30,920 --> 00:23:33,280 Speaker 1: you can hear a boat. We're so sorry, we're on 407 00:23:33,280 --> 00:23:37,959 Speaker 1: an island and it is surrounded by as they are 408 00:23:38,040 --> 00:23:41,879 Speaker 1: wont to do um. But anyway, like what I'm saying 409 00:23:42,040 --> 00:23:45,959 Speaker 1: is you know that that's different and this energy that 410 00:23:46,080 --> 00:23:50,479 Speaker 1: this is I'm clocking it. We might have to be. 411 00:23:50,560 --> 00:23:54,040 Speaker 1: I'm traveling, I'm carrying, and I'm traveling to New York 412 00:23:54,080 --> 00:23:57,160 Speaker 1: City first of all, more often, because I mean, that's 413 00:23:57,240 --> 00:23:59,040 Speaker 1: just something too. U's just like I know, the shot 414 00:23:59,400 --> 00:24:01,879 Speaker 1: the New York Show is worn off. You gotta be here. Oh, 415 00:24:01,920 --> 00:24:04,720 Speaker 1: and I fully believe that you are in l a 416 00:24:04,800 --> 00:24:07,639 Speaker 1: Queen right now. And then you've really settled into that 417 00:24:07,680 --> 00:24:09,879 Speaker 1: city of the environment, and you have your support system 418 00:24:09,920 --> 00:24:13,000 Speaker 1: and your floor. You're thriving. We have. Patrick Rogers was 419 00:24:13,040 --> 00:24:16,119 Speaker 1: just talking about moving here and I'm not even stopping him. 420 00:24:16,160 --> 00:24:17,679 Speaker 1: But here's the thing. Well, this is the thing. This 421 00:24:17,720 --> 00:24:20,040 Speaker 1: is what I want to say. You have figured out 422 00:24:20,600 --> 00:24:26,359 Speaker 1: the balance of those places on yours. It's all about balance. 423 00:24:26,400 --> 00:24:30,480 Speaker 1: It's all about truly flapping your wings, wagging your tail 424 00:24:30,520 --> 00:24:35,360 Speaker 1: that's on fire and roaring to the sky. You are 425 00:24:35,440 --> 00:24:38,680 Speaker 1: You're You're doing you. You have figured out your identities 426 00:24:39,480 --> 00:24:43,960 Speaker 1: in both places, in both environments. And it's really beautiful 427 00:24:43,960 --> 00:24:46,240 Speaker 1: to see, I think, because not everyone has the I don't. 428 00:24:46,359 --> 00:24:49,600 Speaker 1: I mean, you know, it's well, I'll just you know 429 00:24:49,640 --> 00:24:51,760 Speaker 1: what let's just get let's just it's an honest This 430 00:24:51,800 --> 00:24:54,840 Speaker 1: is an honest conversation. It has kind of sort of 431 00:24:54,880 --> 00:24:58,480 Speaker 1: been a hard year, like like personally identity wise, like 432 00:24:58,800 --> 00:25:00,920 Speaker 1: you know, in terms of really ships in my life, 433 00:25:01,440 --> 00:25:04,280 Speaker 1: things have been up and down of course, and like honestly, 434 00:25:04,480 --> 00:25:07,680 Speaker 1: just you know, we gotta we have to have moments 435 00:25:07,720 --> 00:25:11,680 Speaker 1: of clarity such as this and you you and we 436 00:25:11,680 --> 00:25:13,480 Speaker 1: we think the moments in our life that are a 437 00:25:13,480 --> 00:25:16,280 Speaker 1: little bit more emotionally chaotic because when you do emerge 438 00:25:16,359 --> 00:25:21,240 Speaker 1: from said era flop era, flop era. It's so true. 439 00:25:21,280 --> 00:25:23,840 Speaker 1: We literally said in our new artwork, We're going into 440 00:25:23,880 --> 00:25:26,320 Speaker 1: our flop era and then I really, truly, truly do 441 00:25:26,440 --> 00:25:27,919 Speaker 1: think for a little for a few months there at 442 00:25:27,920 --> 00:25:29,520 Speaker 1: the beginning of the year, we were in a flop era. 443 00:25:29,760 --> 00:25:32,119 Speaker 1: You andor no, no, just like I'm talking about, I 444 00:25:32,160 --> 00:25:34,320 Speaker 1: don't know how you feel, but your energy got much 445 00:25:34,320 --> 00:25:36,480 Speaker 1: better as the year went on. And at the beginning 446 00:25:36,480 --> 00:25:39,640 Speaker 1: of the year I was flopped January to m beginning 447 00:25:39,680 --> 00:25:43,280 Speaker 1: of April, I was very much at a very low point. 448 00:25:43,600 --> 00:25:45,199 Speaker 1: And I that's what I'm saying, Like when you were 449 00:25:45,240 --> 00:25:47,439 Speaker 1: at emotionally at a low point, we call that the 450 00:25:47,440 --> 00:25:50,480 Speaker 1: flop era, And so now I feel like literally here 451 00:25:50,520 --> 00:25:53,199 Speaker 1: we are sitting here on our chars are and we 452 00:25:53,240 --> 00:25:56,199 Speaker 1: are obsessed because you have an Emmy nomination and my 453 00:25:56,359 --> 00:25:59,440 Speaker 1: goddamn show is going and it's fun to celebrate the good. 454 00:25:59,480 --> 00:26:03,560 Speaker 1: That's so this leaders, readers, hey, readers, this is the thing. 455 00:26:03,680 --> 00:26:06,000 Speaker 1: If you're going good, if you're going through a shitty time, 456 00:26:06,080 --> 00:26:10,159 Speaker 1: right now, we're with Yeah, we've all been there in 457 00:26:10,240 --> 00:26:13,760 Speaker 1: some fashion. You will not be defined by your trauma. 458 00:26:14,080 --> 00:26:18,040 Speaker 1: But when when this, when this stuff is good, you 459 00:26:18,160 --> 00:26:19,960 Speaker 1: got to celebrate it. This is I gave a little 460 00:26:20,040 --> 00:26:31,359 Speaker 1: this not this is an honest conversation, conversation the lovely 461 00:26:31,400 --> 00:26:33,480 Speaker 1: folks that I heard asking to write a little commencement 462 00:26:33,480 --> 00:26:35,399 Speaker 1: speech for the class of one. I might have briefly 463 00:26:35,400 --> 00:26:37,359 Speaker 1: mentioned this, that's my whole and I kind of like, 464 00:26:37,400 --> 00:26:39,560 Speaker 1: I wrote this. I wrote this thing out like very quickly, 465 00:26:40,119 --> 00:26:41,159 Speaker 1: and I kind of read it back. I was like, 466 00:26:41,320 --> 00:26:42,879 Speaker 1: this will do, And at the time I kind of 467 00:26:42,960 --> 00:26:45,000 Speaker 1: rolled my eyes up my own speech. But like basically 468 00:26:45,040 --> 00:26:48,080 Speaker 1: what I was saying was just like, celebrate this one. 469 00:26:48,160 --> 00:26:50,280 Speaker 1: That's like the only thing that matters, because after you 470 00:26:50,440 --> 00:26:53,159 Speaker 1: leave like a structured place like school, life is not 471 00:26:53,160 --> 00:26:54,800 Speaker 1: going to tell you. It's like it's never going to 472 00:26:54,880 --> 00:26:58,199 Speaker 1: give you any opportunities to like really genuinely just like 473 00:26:58,240 --> 00:27:00,240 Speaker 1: be happy for yourself. You have to make your own 474 00:27:00,280 --> 00:27:02,760 Speaker 1: checkpoints at a certain points, and therefore, like you, you 475 00:27:02,840 --> 00:27:06,040 Speaker 1: create your own benchmarks going forward, like should I have kids, Like, oh, 476 00:27:06,040 --> 00:27:07,840 Speaker 1: I I can't be happy unless I have a kid, 477 00:27:07,920 --> 00:27:10,520 Speaker 1: or unless I'm in a relationship, or unless I have 478 00:27:10,680 --> 00:27:13,920 Speaker 1: this job or thing that I want. Like that's when 479 00:27:13,960 --> 00:27:17,960 Speaker 1: ship starts really fucking That's when you gotta really tend 480 00:27:17,960 --> 00:27:20,440 Speaker 1: to your own guarden because after after you graduate, it's 481 00:27:20,440 --> 00:27:24,440 Speaker 1: like you never really know when to like get at 482 00:27:24,440 --> 00:27:27,640 Speaker 1: the confess. Actually, really, I never thought about how going 483 00:27:27,720 --> 00:27:30,439 Speaker 1: to school they really do set like that is a 484 00:27:30,680 --> 00:27:35,040 Speaker 1: that system sets up celebrations regularly. Yes, and and and 485 00:27:35,080 --> 00:27:37,720 Speaker 1: so basic and so yes. My speech was like celebrate 486 00:27:37,760 --> 00:27:40,520 Speaker 1: this now, but give yourself chances to like keep like 487 00:27:40,680 --> 00:27:44,120 Speaker 1: triumphing very silently to yourself in your life even when 488 00:27:44,119 --> 00:27:46,960 Speaker 1: no one's around or or whatever. And I don't know, 489 00:27:47,320 --> 00:27:51,160 Speaker 1: am I making anything that I mean? This is we 490 00:27:51,160 --> 00:27:55,360 Speaker 1: were hung over, But here's the here's the deal. As 491 00:27:55,359 --> 00:27:57,119 Speaker 1: you were saying that, you know what, I was laughing 492 00:27:57,160 --> 00:27:58,960 Speaker 1: in my in my head and heart, because I was like, 493 00:27:59,000 --> 00:28:00,679 Speaker 1: do you remember two weeks go when we were on 494 00:28:00,800 --> 00:28:05,760 Speaker 1: we were on our toxic ship, We were guys readers. 495 00:28:05,880 --> 00:28:08,159 Speaker 1: I think that that we said we are we were 496 00:28:08,200 --> 00:28:11,399 Speaker 1: every word of that episode. But we also know we 497 00:28:11,440 --> 00:28:14,879 Speaker 1: had she was we were in. There was the depths, 498 00:28:14,960 --> 00:28:16,920 Speaker 1: there were this, there was the depths. A snake had 499 00:28:16,960 --> 00:28:19,639 Speaker 1: bid us. We had to suck the venom out, and 500 00:28:19,720 --> 00:28:22,360 Speaker 1: that was us sucking at the venom. And we've emerged 501 00:28:22,359 --> 00:28:26,600 Speaker 1: as a new people, and we stand by the conceptually 502 00:28:26,680 --> 00:28:29,919 Speaker 1: what we what we said in that episode, but also 503 00:28:30,520 --> 00:28:34,720 Speaker 1: like we were not those people forever, no, only only 504 00:28:34,720 --> 00:28:36,800 Speaker 1: for a ninety minutes. And here we are sort of 505 00:28:37,000 --> 00:28:42,640 Speaker 1: hydrating first of all. And and well then you have 506 00:28:42,640 --> 00:28:45,240 Speaker 1: to really be careful when you bring water around chars 507 00:28:45,240 --> 00:28:47,760 Speaker 1: are But that's a whole other conversation that I don't 508 00:28:47,760 --> 00:28:50,640 Speaker 1: think we have time for it today. Um, But one 509 00:28:50,680 --> 00:28:53,480 Speaker 1: thing I will say is that it's never been more 510 00:28:53,480 --> 00:28:55,360 Speaker 1: clear to me that you have to hydrate, because like 511 00:28:55,440 --> 00:28:57,520 Speaker 1: it's like when you come to a place like a 512 00:28:57,600 --> 00:29:03,480 Speaker 1: vacation spot and you are in essence raging when you pee, 513 00:29:03,600 --> 00:29:07,840 Speaker 1: You're like, oh, that doesn't feel right, that feels heavy 514 00:29:07,840 --> 00:29:11,320 Speaker 1: and hard. Mom, there's crystals in there. I just know it. 515 00:29:11,400 --> 00:29:14,239 Speaker 1: And so in order to avoid a situation where you 516 00:29:14,360 --> 00:29:17,600 Speaker 1: pass a kidney stone, and dear sisters of mine have 517 00:29:17,720 --> 00:29:20,160 Speaker 1: to have had this happen to them. It's not a 518 00:29:20,240 --> 00:29:23,400 Speaker 1: day in the park. To put it mildly, Oh, you 519 00:29:23,480 --> 00:29:29,000 Speaker 1: must be drinking water. It's rule of culture number three. 520 00:29:29,640 --> 00:29:33,760 Speaker 1: You must be drinking water. It is one of the 521 00:29:33,840 --> 00:29:43,840 Speaker 1: most important parts of survival. Well. Food, water, shelter, stream confetti. Come. 522 00:29:44,960 --> 00:29:50,720 Speaker 1: It's rule of culture number eighteen. Food, water, shelter, stream confetti. 523 00:29:51,000 --> 00:29:58,160 Speaker 1: Let's talk about music. Let's get into a talk about music. 524 00:29:59,000 --> 00:30:02,280 Speaker 1: I don't really what what's worth mentioning girl? I mean, 525 00:30:02,560 --> 00:30:05,080 Speaker 1: just the Can we say, who's really taken over the trip? 526 00:30:05,280 --> 00:30:09,000 Speaker 1: Robin Robin has really taken over the trip? Robin We 527 00:30:09,080 --> 00:30:13,320 Speaker 1: love Robin shod Day has taken over the shot the 528 00:30:13,360 --> 00:30:16,320 Speaker 1: mood setting that my sister was capable of. The other 529 00:30:16,480 --> 00:30:20,840 Speaker 1: night when I was out and we were on this 530 00:30:20,920 --> 00:30:23,520 Speaker 1: bay and we were sort of and by the way, 531 00:30:23,520 --> 00:30:24,760 Speaker 1: we have to get to the girl. Oh wait, we 532 00:30:24,800 --> 00:30:26,360 Speaker 1: gotta talk about the girl because we gotta. I gotta 533 00:30:26,360 --> 00:30:29,240 Speaker 1: shout out my sister, Matt. I didn't know I had 534 00:30:29,280 --> 00:30:34,080 Speaker 1: power of Oh you were fantastic. It's part of it's 535 00:30:34,120 --> 00:30:36,800 Speaker 1: in my blood. I think, picture this, this has happened 536 00:30:36,800 --> 00:30:38,400 Speaker 1: to me, and I did. I didn't think to myself 537 00:30:38,560 --> 00:30:42,080 Speaker 1: this is I'm so just purely happy. Right now, we're 538 00:30:42,120 --> 00:30:44,959 Speaker 1: on the bay, there's a grill outside. I'm with my friends. 539 00:30:46,160 --> 00:30:48,400 Speaker 1: None of us can cook. We have got a lot 540 00:30:48,440 --> 00:30:50,720 Speaker 1: of meat. And then I said, I'm gonna give it 541 00:30:50,760 --> 00:30:53,560 Speaker 1: a shot. And then Josh Sharp says, I think you're 542 00:30:53,640 --> 00:30:55,320 Speaker 1: I think you're a grilled daddy, Matt. And you said, 543 00:30:55,320 --> 00:30:57,080 Speaker 1: I don't know about that, and You're like, I know, 544 00:30:57,200 --> 00:31:00,760 Speaker 1: I genuinely have a feeling. And what did you do 545 00:31:00,800 --> 00:31:04,200 Speaker 1: that night? You put out the meats, you flipped them, 546 00:31:04,520 --> 00:31:08,080 Speaker 1: you got given them the perfect char I've one of 547 00:31:08,080 --> 00:31:12,120 Speaker 1: the better burgers I've eaten. I have to yet again 548 00:31:12,400 --> 00:31:18,520 Speaker 1: celebrate on my chars aard grill skills because guess what 549 00:31:19,920 --> 00:31:23,840 Speaker 1: talk about fire? Talk about fire. Can't even cook without it. 550 00:31:25,000 --> 00:31:28,880 Speaker 1: I hence the chars. Oh and then so on top 551 00:31:28,920 --> 00:31:30,800 Speaker 1: of it all, to bring it back to music, yes, 552 00:31:32,320 --> 00:31:35,720 Speaker 1: album Classic Promise by Shot Day was playing and and reader, 553 00:31:35,800 --> 00:31:39,280 Speaker 1: let me say perfect chill summer evening vibe. If you 554 00:31:39,320 --> 00:31:41,720 Speaker 1: want one while you're doing the dishes, while you're cooking, 555 00:31:41,720 --> 00:31:44,160 Speaker 1: while you're cleaning, while you're doing laundry. Oh, it's so 556 00:31:44,440 --> 00:31:46,560 Speaker 1: whatever you're doing. I honestly feel like this is like 557 00:31:46,600 --> 00:31:49,280 Speaker 1: qvous energy, Like we are selling shot day to the audience, 558 00:31:49,320 --> 00:31:52,160 Speaker 1: and the readers are gonna be like, baby, we've we've, we've, 559 00:31:52,360 --> 00:31:57,280 Speaker 1: as the kids say, been new, we beat about day. 560 00:31:58,280 --> 00:32:02,840 Speaker 1: I was saying, I was, I'm just laughing because I 561 00:32:03,360 --> 00:32:05,720 Speaker 1: did not expect us to get this deep into shod 562 00:32:05,880 --> 00:32:08,920 Speaker 1: and Robin when I kind of was expecting. I honestly, 563 00:32:08,960 --> 00:32:12,320 Speaker 1: can I tell you something I wanted to I want 564 00:32:12,320 --> 00:32:14,760 Speaker 1: to know I'm dragging myself. I wanted to transition into 565 00:32:14,840 --> 00:32:16,440 Speaker 1: music and talk about new music let's come up. But 566 00:32:16,440 --> 00:32:18,520 Speaker 1: then I was like, wait, I'm dragging myself. I was like, 567 00:32:19,000 --> 00:32:22,480 Speaker 1: wait what. And also we kind of already did that 568 00:32:22,920 --> 00:32:25,120 Speaker 1: with with the Dojo cant of it all last episode 569 00:32:25,200 --> 00:32:29,640 Speaker 1: and two episodes ago. I'm sorry, and um, why not 570 00:32:29,760 --> 00:32:32,120 Speaker 1: celebrate the music that's happening. Well, Doja did make an 571 00:32:32,160 --> 00:32:37,960 Speaker 1: appearance this morning. We actually did do the beause sometimes 572 00:32:37,960 --> 00:32:41,200 Speaker 1: you are wont to do that. Absolutely, and also we 573 00:32:41,200 --> 00:32:44,760 Speaker 1: should also shout out the ladies of the morning show, 574 00:32:45,840 --> 00:32:49,680 Speaker 1: the Apple TV Plus show that we have been putting 575 00:32:49,720 --> 00:32:52,440 Speaker 1: on when we want to wind down, and when we 576 00:32:52,480 --> 00:32:55,080 Speaker 1: watch it, some of the lines, some of the dialogue 577 00:32:55,120 --> 00:32:59,440 Speaker 1: sort of is so shocking, like when Jennifer Aniston, who's 578 00:32:59,440 --> 00:33:02,200 Speaker 1: a famously one of the two big stars of the show, 579 00:33:02,560 --> 00:33:05,880 Speaker 1: calls the whole room of men bozos bozos and then 580 00:33:05,920 --> 00:33:12,200 Speaker 1: says America loves me, so I own America, And we 581 00:33:12,320 --> 00:33:16,560 Speaker 1: got a couple of are you done? And just we said. 582 00:33:16,760 --> 00:33:20,240 Speaker 1: Jennifer Aniston is stepping on the neck of that script. 583 00:33:20,720 --> 00:33:23,560 Speaker 1: She is straddling it and writing it. She says, you 584 00:33:23,600 --> 00:33:29,320 Speaker 1: don't run my day. I run your day. And I 585 00:33:29,560 --> 00:33:31,560 Speaker 1: really I came in. I didn't. I never I've never 586 00:33:31,560 --> 00:33:33,880 Speaker 1: seen it before. You've obviously seen the whole thing. It's camp. 587 00:33:34,040 --> 00:33:38,280 Speaker 1: It's camp. I'm I'm literally during the that boardroom scene 588 00:33:38,320 --> 00:33:40,400 Speaker 1: with Jeffrey Anson, I go from the show way the 589 00:33:40,400 --> 00:33:41,680 Speaker 1: way the shot was roomed. I was like, this is 590 00:33:41,760 --> 00:33:43,920 Speaker 1: very mommy dear, this is very like they done away 591 00:33:43,920 --> 00:33:49,280 Speaker 1: in the boardroom. Yeah. Um but I right, mommy dear, Yeah, 592 00:33:49,600 --> 00:33:53,960 Speaker 1: that bury that And then for sure enough it basically 593 00:33:54,080 --> 00:33:56,120 Speaker 1: turned into that scene where she's where a woman is 594 00:33:56,200 --> 00:33:57,800 Speaker 1: yelling at a room full of men and how she's 595 00:33:58,200 --> 00:34:01,080 Speaker 1: the ship and so I'm like, oh, this is actually 596 00:34:01,600 --> 00:34:05,120 Speaker 1: knowingly perhaps Camp, I would argue that it is, although 597 00:34:05,240 --> 00:34:07,720 Speaker 1: some then it gets so we've I think we've talked 598 00:34:07,720 --> 00:34:09,520 Speaker 1: about it because I think I've told you on the 599 00:34:09,520 --> 00:34:11,719 Speaker 1: show that I have it fully gone through it with 600 00:34:11,760 --> 00:34:13,960 Speaker 1: the show, and that you've enjoyed and that you enjoyed it. Well. 601 00:34:13,960 --> 00:34:15,360 Speaker 1: The first time I tried to watch it, it was 602 00:34:15,400 --> 00:34:18,960 Speaker 1: I was like, what is going on? Because it does 603 00:34:19,120 --> 00:34:23,799 Speaker 1: like take itself seriously, but also is that and so 604 00:34:23,920 --> 00:34:25,400 Speaker 1: and it kind of needs that in order to be 605 00:34:25,480 --> 00:34:28,919 Speaker 1: true camp, like reveling in the bad taste but kind 606 00:34:28,960 --> 00:34:33,319 Speaker 1: of still still allowing some degree of like this is 607 00:34:33,360 --> 00:34:36,879 Speaker 1: actually I'm taking this serious and and it's done once 608 00:34:36,960 --> 00:34:39,840 Speaker 1: you settle it, once you the audience member, the reader, 609 00:34:39,880 --> 00:34:42,279 Speaker 1: if you were settled into that, then you go on 610 00:34:42,280 --> 00:34:44,160 Speaker 1: the journey and you end up. And I remember I 611 00:34:44,160 --> 00:34:45,680 Speaker 1: watched it with my parents. I watched the whole thing 612 00:34:45,680 --> 00:34:47,440 Speaker 1: with my parents. This is like the fourth time I'm 613 00:34:47,440 --> 00:34:50,640 Speaker 1: watching it again. It's insane. What I don't know. So 614 00:34:50,960 --> 00:34:54,200 Speaker 1: my dad at the end of the last episode literally 615 00:34:54,800 --> 00:35:00,920 Speaker 1: his eyes got why and he said, wow, that was great. Great. 616 00:35:01,000 --> 00:35:04,520 Speaker 1: I was like, I agree, it goes there, it goes 617 00:35:04,600 --> 00:35:07,040 Speaker 1: for it, and you're going to continue to watch. I 618 00:35:07,080 --> 00:35:10,160 Speaker 1: will continue because it's been on during our Fire Island ship, 619 00:35:10,200 --> 00:35:14,160 Speaker 1: when we're not raging and stomping, sort of twisting and 620 00:35:14,200 --> 00:35:16,719 Speaker 1: turning on our chars are the Morning Show has been 621 00:35:16,760 --> 00:35:20,480 Speaker 1: on sort of lulling us into a stupefication. I will say, um, 622 00:35:20,520 --> 00:35:24,120 Speaker 1: just to pay a picture, Um our Fire Island houses 623 00:35:24,239 --> 00:35:26,760 Speaker 1: very much, just like let's just like sit by the pool, 624 00:35:27,000 --> 00:35:30,120 Speaker 1: do stupid bits, drink and then we'll go see. We 625 00:35:30,200 --> 00:35:31,719 Speaker 1: got to talk about head a lot us and bust. 626 00:35:31,960 --> 00:35:35,520 Speaker 1: We we've sort of and we did. Okay, so sorry, 627 00:35:35,680 --> 00:35:38,960 Speaker 1: put a pin in everything we've done, because it's disrespectful 628 00:35:39,000 --> 00:35:41,680 Speaker 1: that we sort of dangled the Tina Burner carrot and 629 00:35:41,719 --> 00:35:46,319 Speaker 1: then just simply moved on. Tinta burned her, killed it. 630 00:35:46,400 --> 00:35:51,760 Speaker 1: Her mixes were so funny, so dancing down, hilarity, drag queen. 631 00:35:52,160 --> 00:35:55,840 Speaker 1: Don't disrespect, Do not disrespect because you know what you 632 00:35:55,920 --> 00:36:00,160 Speaker 1: know why I'm talking about she like she's also like 633 00:36:00,680 --> 00:36:03,600 Speaker 1: on another level and like she's actually been through this 634 00:36:03,760 --> 00:36:07,000 Speaker 1: probably insane thing of like being on the show. She 635 00:36:07,120 --> 00:36:10,319 Speaker 1: seemed unbothered. She seemed genuinely unbothered by in a way 636 00:36:10,360 --> 00:36:13,879 Speaker 1: that felt I was jealous of I was. I was like, oh, 637 00:36:13,920 --> 00:36:16,360 Speaker 1: that seems so healthy that like you were able to 638 00:36:16,440 --> 00:36:19,120 Speaker 1: just like go through the apparatus of like how that 639 00:36:19,120 --> 00:36:22,000 Speaker 1: show presents you as a person and come out the 640 00:36:22,040 --> 00:36:24,600 Speaker 1: other side being like, Oh, no, it doesn't matter. I'm 641 00:36:24,640 --> 00:36:27,400 Speaker 1: still doing my I'm still doing my work as a 642 00:36:27,480 --> 00:36:30,600 Speaker 1: drag performer and doing it so well, and this is 643 00:36:30,680 --> 00:36:31,959 Speaker 1: my thing. This is this I want to say earlier 644 00:36:32,000 --> 00:36:35,359 Speaker 1: with like the with the Jan is Jan seems like Jan, 645 00:36:35,440 --> 00:36:38,319 Speaker 1: I'm like, no, Jan is just a great queen, and 646 00:36:38,320 --> 00:36:40,359 Speaker 1: anyone who's on that show is is at the very 647 00:36:40,440 --> 00:36:43,279 Speaker 1: least a great queen. Because it's like we see like 648 00:36:43,360 --> 00:36:47,040 Speaker 1: drag artists like in every city at every level, like 649 00:36:47,040 --> 00:36:49,160 Speaker 1: like in every sort of style or or you know, 650 00:36:49,280 --> 00:36:53,080 Speaker 1: like background, and it's just like it's not to lump 651 00:36:53,160 --> 00:36:56,040 Speaker 1: them all together, but it's like there's validity in any 652 00:36:56,120 --> 00:36:58,360 Speaker 1: kind of way. I'm actually doing the opposite. I'm not 653 00:36:58,400 --> 00:37:00,880 Speaker 1: loving them together because there's validity and every kind of 654 00:37:00,960 --> 00:37:03,560 Speaker 1: drag And if there's a drag queen who can sing 655 00:37:03,600 --> 00:37:06,160 Speaker 1: and do musical theater numbers and like all that ship 656 00:37:06,200 --> 00:37:08,920 Speaker 1: then great. If there's a drag queen like fucking Busted 657 00:37:08,920 --> 00:37:11,800 Speaker 1: who wears the same dress and wig at every single 658 00:37:11,880 --> 00:37:14,680 Speaker 1: gig she's done for the last two years and does 659 00:37:14,760 --> 00:37:18,040 Speaker 1: the Zadaran's jingle as one of her numbers, then that's 660 00:37:18,160 --> 00:37:22,680 Speaker 1: valid and amazing to like, it's more than just dazing transcendence. 661 00:37:22,719 --> 00:37:27,200 Speaker 1: It's important. It's never before seen. It's contrary to reference 662 00:37:27,280 --> 00:37:31,120 Speaker 1: or nottal reference or not reference. Eat it snorted, fucking 663 00:37:31,280 --> 00:37:34,399 Speaker 1: lick it up, give birth to it. Another another club, 664 00:37:34,520 --> 00:37:38,560 Speaker 1: notother club, another club. There could be a people in 665 00:37:38,719 --> 00:37:44,719 Speaker 1: the room and only one. So I feel like, am 666 00:37:44,719 --> 00:37:46,960 Speaker 1: I making sense about? You are making perfect sense? Like 667 00:37:47,040 --> 00:37:51,719 Speaker 1: basically to compare what it is is, let's say it 668 00:37:52,480 --> 00:37:54,960 Speaker 1: drag race makes you think you know what good dragons 669 00:37:55,040 --> 00:37:59,120 Speaker 1: and you don't. You actually don't. Because any like there's 670 00:37:59,160 --> 00:38:02,839 Speaker 1: like for people who were like, oh, like on I 671 00:38:02,880 --> 00:38:05,279 Speaker 1: only see Brooklyn queens or I only see the health 672 00:38:05,320 --> 00:38:08,279 Speaker 1: Titching queens or whatever. It's like, it don't matter, it 673 00:38:08,320 --> 00:38:11,440 Speaker 1: don't matter, and never damn it never matter. And all 674 00:38:11,480 --> 00:38:15,040 Speaker 1: we're saying is you like jan being edited as like 675 00:38:15,040 --> 00:38:17,200 Speaker 1: a try hard on the show and face cracking when 676 00:38:17,280 --> 00:38:20,200 Speaker 1: she didn't get her musical win. That's because once you 677 00:38:20,320 --> 00:38:23,600 Speaker 1: hear Jan fucking sing, you'd be doing the same thing. 678 00:38:23,840 --> 00:38:27,360 Speaker 1: Now mind you, g G. Good fucking smoked that Madonna challenge, 679 00:38:27,880 --> 00:38:30,640 Speaker 1: But that's because it was what was for drag race. Meanwhile, 680 00:38:30,680 --> 00:38:32,319 Speaker 1: if you were in the crowd at the Jan show 681 00:38:32,520 --> 00:38:34,640 Speaker 1: and she's singing the way she's sang at the fucking 682 00:38:34,840 --> 00:38:39,640 Speaker 1: Talent Show the on All Stars, you would be throwing twenties. 683 00:38:39,840 --> 00:38:43,319 Speaker 1: Oh my god one And this is what I mean. 684 00:38:43,400 --> 00:38:46,160 Speaker 1: Like to bring it back to another example, Uh, like 685 00:38:46,200 --> 00:38:47,680 Speaker 1: when you and I went to that Fan Pride think 686 00:38:47,680 --> 00:38:50,720 Speaker 1: a knockdown Center and all those incredible draftings and kings, 687 00:38:50,719 --> 00:38:54,320 Speaker 1: and it was like every everything on the spectrum of 688 00:38:54,400 --> 00:38:57,200 Speaker 1: drag was like presented there. And I thought to myself, 689 00:38:57,760 --> 00:39:02,160 Speaker 1: every one of those performance as I loved because drag 690 00:39:02,239 --> 00:39:05,920 Speaker 1: is already incredible to begin with, yes, and also performance 691 00:39:06,000 --> 00:39:08,759 Speaker 1: drag whatever. Let's just let's arrive at the top of 692 00:39:08,760 --> 00:39:13,479 Speaker 1: the mountain and say hey to let us I mean 693 00:39:14,320 --> 00:39:19,480 Speaker 1: the most like politically incorrect quote unquote offensive like just 694 00:39:20,000 --> 00:39:23,200 Speaker 1: dour or so you could ever see perform, and she 695 00:39:23,560 --> 00:39:27,160 Speaker 1: is entertaining, You are crying laughing the entire time. We 696 00:39:27,239 --> 00:39:30,200 Speaker 1: actually were doubled over. There was a time where I, honestly, 697 00:39:31,400 --> 00:39:34,280 Speaker 1: this is crazy to say my belly hurt. Oh yeah, 698 00:39:34,480 --> 00:39:37,799 Speaker 1: my belly. Aaron is saying, it's like that suburban mom thing. 699 00:39:37,800 --> 00:39:40,840 Speaker 1: I'm like, I can't feel my cheeks. It's like, wow, 700 00:39:40,880 --> 00:39:43,840 Speaker 1: that's really good good Aaron and a good suburban And 701 00:39:43,960 --> 00:39:45,400 Speaker 1: I don't know. I'm sorry, I just I don't know. 702 00:39:45,440 --> 00:39:48,560 Speaker 1: I don't suburban mother sexy moment. Hold on, let's let's 703 00:39:48,600 --> 00:39:51,839 Speaker 1: let's start that over. Aaron Jackson was saying, like, it's 704 00:39:51,880 --> 00:39:53,520 Speaker 1: like that thing and like, I can't you know my 705 00:39:53,640 --> 00:39:56,200 Speaker 1: cheeks when I left, Like it's very that I felt 706 00:39:56,239 --> 00:39:58,960 Speaker 1: like I felt like the ad workout was happening. As 707 00:39:59,040 --> 00:40:01,759 Speaker 1: you know, what are you doing? I'm just laughing because 708 00:40:02,000 --> 00:40:04,319 Speaker 1: you did it perfectly the first time and then did 709 00:40:04,320 --> 00:40:07,120 Speaker 1: it again, and we're no, you did it perfectly both times. 710 00:40:07,760 --> 00:40:10,760 Speaker 1: You are an Emmy nominated sketch performer, So I understand 711 00:40:10,800 --> 00:40:12,560 Speaker 1: that perfect I don't want us, but I don't want 712 00:40:12,560 --> 00:40:16,160 Speaker 1: to us. No, it's saying in the whole thing because 713 00:40:16,200 --> 00:40:19,759 Speaker 1: that right there, that right there, no I'm doing you're 714 00:40:19,800 --> 00:40:22,719 Speaker 1: doing it. That's right there. That's the perfection that and 715 00:40:22,760 --> 00:40:26,400 Speaker 1: that is that makes you close to God in drag. 716 00:40:26,719 --> 00:40:30,040 Speaker 1: And this is exactly what I'm talking about. This is 717 00:40:30,080 --> 00:40:34,759 Speaker 1: why the Emmy nomination and the award over Ruse, because 718 00:40:34,760 --> 00:40:37,560 Speaker 1: you can actually do ru better than rue. Sorry, we're 719 00:40:37,640 --> 00:40:41,279 Speaker 1: keeping that in. You have just thrown darts at a 720 00:40:41,800 --> 00:40:45,440 Speaker 1: and we're talking about loving drag queens. You're throwing darts 721 00:40:45,480 --> 00:40:48,720 Speaker 1: at the queen and you're not missing, and you're not missing, 722 00:40:48,719 --> 00:40:51,120 Speaker 1: and I'm not missing. You better not miss. But I didn't. 723 00:40:52,440 --> 00:40:55,799 Speaker 1: But I didn't. Sexy Mama, sexy Mama, I don't let us? 724 00:40:55,880 --> 00:41:02,399 Speaker 1: What can be? I mean, just the funniest fucking fust 725 00:41:02,520 --> 00:41:04,120 Speaker 1: I was. I was like, I was, I was. I 726 00:41:04,160 --> 00:41:06,600 Speaker 1: was talking to someone um in line for the bathroom 727 00:41:06,760 --> 00:41:08,439 Speaker 1: when we got two cherries. They're like, oh my god, 728 00:41:08,440 --> 00:41:10,200 Speaker 1: I'm like, are you excited? I was like, you know 729 00:41:10,280 --> 00:41:12,960 Speaker 1: what I think? Had to let us is actually the 730 00:41:12,960 --> 00:41:15,160 Speaker 1: thing I look forward to the most every time I 731 00:41:15,200 --> 00:41:17,279 Speaker 1: come from I'm come to Fire Island. I think because 732 00:41:17,440 --> 00:41:19,480 Speaker 1: she didn't perform last year and that was like really sad, 733 00:41:20,000 --> 00:41:21,680 Speaker 1: and so I was just I was just so happy 734 00:41:21,719 --> 00:41:24,200 Speaker 1: to see her again. I mean, this is this is 735 00:41:24,239 --> 00:41:26,839 Speaker 1: going to go ahead and be a head to let 736 00:41:26,880 --> 00:41:31,560 Speaker 1: us stand count and now we must talk about busted. 737 00:41:32,560 --> 00:41:38,200 Speaker 1: So this cathartic and all the ways it's used on 738 00:41:38,239 --> 00:41:41,720 Speaker 1: the podcast that word oh and in the literal sense, 739 00:41:41,760 --> 00:41:46,720 Speaker 1: in the podcast sense. And we've seen busted in the past, 740 00:41:46,800 --> 00:41:49,319 Speaker 1: but there was something special about last night. It was 741 00:41:49,440 --> 00:41:51,839 Speaker 1: it was there was a jack. I'm telling you there's 742 00:41:51,840 --> 00:41:54,279 Speaker 1: a good energy because he got fucked by guy you 743 00:41:54,360 --> 00:41:56,080 Speaker 1: called you a little bro, called me a little bro, 744 00:41:56,440 --> 00:41:59,240 Speaker 1: and your jack lifted all the other job. I genuinely 745 00:41:59,280 --> 00:42:01,879 Speaker 1: think it's like when on Division at the end, when 746 00:42:02,280 --> 00:42:04,560 Speaker 1: or rather you find out this happened at the end, 747 00:42:04,600 --> 00:42:06,480 Speaker 1: But really I guess it happened at the beginning. Started 748 00:42:06,480 --> 00:42:09,960 Speaker 1: it all um when Wanda sort of screams and all 749 00:42:10,000 --> 00:42:13,120 Speaker 1: the sitcom world kind of comes out of her. I 750 00:42:13,200 --> 00:42:16,839 Speaker 1: honestly think that when I was getting fucked by the 751 00:42:16,840 --> 00:42:20,279 Speaker 1: Bay find this hot. He was so fucking hot. I 752 00:42:20,280 --> 00:42:24,360 Speaker 1: showed pictures of him to you on the grampum and 753 00:42:24,400 --> 00:42:28,080 Speaker 1: when he said little bro, I became one in them. 754 00:42:28,120 --> 00:42:31,080 Speaker 1: You created Scarlet with you created east View? Is that 755 00:42:31,320 --> 00:42:34,480 Speaker 1: the believe West Views view? But you know, I really 756 00:42:34,520 --> 00:42:40,200 Speaker 1: want to go to East Views is about you. I 757 00:42:40,239 --> 00:42:42,360 Speaker 1: think I don't think you created because that's out of 758 00:42:42,360 --> 00:42:45,759 Speaker 1: pain and grief, you became the Scarlet Witch and that's 759 00:42:46,000 --> 00:42:50,560 Speaker 1: very much era you. You had, you come into yourself 760 00:42:50,600 --> 00:42:54,000 Speaker 1: and you you've changed form. I'm telling you there's something, 761 00:42:54,239 --> 00:42:59,000 Speaker 1: there's something, but anyway, and you should externalize this change somehow, 762 00:42:59,080 --> 00:43:02,640 Speaker 1: I'm fuddling it up selling it and literally I'm telling you, 763 00:43:02,719 --> 00:43:05,439 Speaker 1: if people wanted on the island, they're getting it. And 764 00:43:05,480 --> 00:43:08,480 Speaker 1: I'm but but one thing is I will sort of 765 00:43:08,480 --> 00:43:10,960 Speaker 1: address one situation later in my I don't think so, honey, 766 00:43:11,080 --> 00:43:13,279 Speaker 1: I honestly just want to keep this tone going in 767 00:43:13,400 --> 00:43:16,960 Speaker 1: terms of oh busted. When you talking about you've never 768 00:43:16,960 --> 00:43:23,799 Speaker 1: seen a drag queen do the Zataran's jingle less than 769 00:43:23,880 --> 00:43:27,879 Speaker 1: twenty times? It was throughout the night. Josh and Aaron 770 00:43:27,960 --> 00:43:30,399 Speaker 1: described it as like a bit like it had bit 771 00:43:30,560 --> 00:43:33,120 Speaker 1: DCM bit show energy, where it's just like this is 772 00:43:33,120 --> 00:43:35,000 Speaker 1: gonna be the bid for fifteen twenty minutes. Is just 773 00:43:35,080 --> 00:43:38,160 Speaker 1: everyone the Zaturans jingle playsn't throughout any scene and everyone 774 00:43:38,200 --> 00:43:42,399 Speaker 1: in the whole fucking place gets rowdy and for people 775 00:43:42,440 --> 00:43:44,239 Speaker 1: so for DC M BIT show energy. But what we 776 00:43:44,280 --> 00:43:45,799 Speaker 1: mean by that is there's there used to be at 777 00:43:45,800 --> 00:43:48,359 Speaker 1: a profestival, there used to be in profestival called Adult 778 00:43:48,360 --> 00:43:52,440 Speaker 1: Post Marathon, and there was a beautiful culture of UM 779 00:43:52,600 --> 00:43:56,040 Speaker 1: shows that we're on at like three am, where everyone 780 00:43:56,239 --> 00:43:59,880 Speaker 1: had to be a diaper baby walking around in diaper 781 00:44:00,040 --> 00:44:01,640 Speaker 1: is with like ship pouring out of it, like not 782 00:44:01,719 --> 00:44:04,959 Speaker 1: real ship, but like doing improv sets with people got 783 00:44:05,400 --> 00:44:06,680 Speaker 1: really it was like you it was like you were 784 00:44:06,680 --> 00:44:09,399 Speaker 1: at like a It was like it was like this 785 00:44:09,440 --> 00:44:11,560 Speaker 1: is gonna sound crazy, but it was like an improv 786 00:44:11,680 --> 00:44:14,640 Speaker 1: comedy would stock moment and really like you talk want 787 00:44:14,640 --> 00:44:17,520 Speaker 1: to talk about getting fully cracked. It always was on 788 00:44:17,560 --> 00:44:20,280 Speaker 1: the same weekend as Pride, so I would be cracked 789 00:44:20,280 --> 00:44:22,120 Speaker 1: in half I would be doing my five thirty am 790 00:44:22,200 --> 00:44:24,759 Speaker 1: bit show. I mean I famously ate a carrot off 791 00:44:24,800 --> 00:44:27,080 Speaker 1: the ground that had been in John Gimberling's ass ten 792 00:44:27,120 --> 00:44:31,400 Speaker 1: minutes before. Yes, and that sort of when you get 793 00:44:31,440 --> 00:44:36,800 Speaker 1: to that place you've cracked, you've cracked, and so you 794 00:44:36,840 --> 00:44:38,600 Speaker 1: could be on your char's ard and that's when it's 795 00:44:38,640 --> 00:44:46,640 Speaker 1: sort of guess can can you don't want blast wys around? 796 00:44:46,719 --> 00:44:51,600 Speaker 1: Oh wow, that's so interesting the beauty Pokemon. When you're 797 00:44:51,640 --> 00:44:55,520 Speaker 1: at your chars, are you still there is still an 798 00:44:55,560 --> 00:44:59,719 Speaker 1: apex predator out there? And plastoys. Is that at that 799 00:45:00,120 --> 00:45:02,880 Speaker 1: turtle to know that? So that's why it's always like, 800 00:45:02,920 --> 00:45:05,399 Speaker 1: you know what, be happy now, be happy to think 801 00:45:05,400 --> 00:45:09,360 Speaker 1: about this. A dragon is gonna fucking kill a turtle 802 00:45:09,640 --> 00:45:12,799 Speaker 1: no matter what, when the turtle has cannon's n not 803 00:45:12,880 --> 00:45:15,320 Speaker 1: when the turtle has cannons, and not when the dragon 804 00:45:15,560 --> 00:45:18,440 Speaker 1: is made of fire which will be extinguished by water. 805 00:45:18,680 --> 00:45:21,520 Speaker 1: I'm saying this not because I want to. I'm saying 806 00:45:21,560 --> 00:45:25,600 Speaker 1: this to keep us safe, That's why. And then you 807 00:45:25,680 --> 00:45:29,640 Speaker 1: better hope that you have a good relationship with a venosaur, 808 00:45:30,280 --> 00:45:32,160 Speaker 1: because if you if you're a chart with a good 809 00:45:32,200 --> 00:45:34,239 Speaker 1: relationship with a venosaur, if you play for the same 810 00:45:34,239 --> 00:45:36,759 Speaker 1: team I do in hand quotes, then you're gonna be 811 00:45:36,800 --> 00:45:40,680 Speaker 1: okay because that venisaur could handle that blast venus or 812 00:45:40,760 --> 00:45:43,160 Speaker 1: wants something in return, which is to what not have 813 00:45:43,360 --> 00:45:46,960 Speaker 1: you kill him? Literally, Because that's why it's important to 814 00:45:47,000 --> 00:45:49,560 Speaker 1: keep the way too quick sort of the Karen and Giselle, 815 00:45:51,760 --> 00:45:55,840 Speaker 1: who's care who's whose chars? Who's venisaur? Well, venosaur is 816 00:45:55,920 --> 00:46:00,080 Speaker 1: Karen and Giselli be chares are No, I don't I 817 00:46:00,080 --> 00:46:03,440 Speaker 1: don't even know how you could disagree. Hair and his 818 00:46:03,560 --> 00:46:09,040 Speaker 1: Charis Ard. No, you cannot. Someone who looks as fucking 819 00:46:09,200 --> 00:46:14,120 Speaker 1: like horrid in her dress and her outfits cannot be 820 00:46:14,239 --> 00:46:17,120 Speaker 1: Charis Ard Gasel cannot be Charis Ard. Oh so, so, 821 00:46:17,320 --> 00:46:24,480 Speaker 1: so here's the deal. I'm just goingetically energetically energetically. You're right, then, 822 00:46:24,760 --> 00:46:27,640 Speaker 1: then Karen is Blast Toys. I believe that Wendy is 823 00:46:27,719 --> 00:46:31,759 Speaker 1: becoming Blast Toys. No, Wendy is becoming like literally like 824 00:46:31,960 --> 00:46:35,360 Speaker 1: Mew two, like being like just like her body modified. Yes, No, 825 00:46:35,840 --> 00:46:41,120 Speaker 1: which love is genetically altered. She's being She's her phenotype 826 00:46:41,200 --> 00:46:44,000 Speaker 1: is being altered. Yes, and Wendy, we we were looking 827 00:46:44,360 --> 00:46:47,440 Speaker 1: so literally we watched Potomach this morning. Also, so basically 828 00:46:47,480 --> 00:46:49,680 Speaker 1: here's what will happened. We woke up this morning and 829 00:46:49,760 --> 00:46:51,919 Speaker 1: I kind of had like a really good feeling about 830 00:46:51,960 --> 00:46:54,840 Speaker 1: the day. And also I I found out yesterday that 831 00:46:55,000 --> 00:46:59,000 Speaker 1: I love this feis, and so I was like so excited. 832 00:46:59,040 --> 00:47:01,399 Speaker 1: And also I did know that you were getting nominated today. 833 00:47:01,480 --> 00:47:04,080 Speaker 1: So we woke up. I sort of got a bottle 834 00:47:04,120 --> 00:47:06,680 Speaker 1: of champagne because I was like, this might be fun, 835 00:47:07,360 --> 00:47:09,480 Speaker 1: and I brought back I brought breakfast for my sister, 836 00:47:10,239 --> 00:47:12,800 Speaker 1: and you didn't actually I didn't even say thank you. No, 837 00:47:12,960 --> 00:47:14,840 Speaker 1: I know that's one. That's not That's not why I 838 00:47:14,960 --> 00:47:17,480 Speaker 1: do it. You know, I just felt we were we 839 00:47:17,600 --> 00:47:19,840 Speaker 1: were in that moment one being and I was like, 840 00:47:20,360 --> 00:47:22,600 Speaker 1: oh so we we and I felt that we collectively 841 00:47:22,680 --> 00:47:24,239 Speaker 1: did pay for it, but you paid for it and 842 00:47:24,280 --> 00:47:26,600 Speaker 1: I didn't say thank you, and your sister, I don't care. 843 00:47:26,760 --> 00:47:30,200 Speaker 1: That's not what this is. Well, you got champagne. You 844 00:47:30,280 --> 00:47:35,640 Speaker 1: got the champagne. Then we started to um really happily 845 00:47:35,760 --> 00:47:39,120 Speaker 1: head back home because we knew that we had the 846 00:47:39,600 --> 00:47:41,840 Speaker 1: nominations a little bit later eleven thirty, so we were like, 847 00:47:41,920 --> 00:47:43,759 Speaker 1: we have more than enough time to not only just 848 00:47:43,880 --> 00:47:46,600 Speaker 1: watch Potomac, but then take like twenty minutes afterwards to 849 00:47:46,719 --> 00:47:52,960 Speaker 1: just like sit with Potomac. Potomac delivered. Potomac really delivered 850 00:47:53,040 --> 00:47:55,600 Speaker 1: on all fronts. We got a new housewife. We have 851 00:47:56,239 --> 00:47:59,040 Speaker 1: we have a the new The Housewife and or sophomore 852 00:47:59,080 --> 00:48:02,000 Speaker 1: season who was a big storyline already coming out of 853 00:48:02,000 --> 00:48:06,200 Speaker 1: the gate. Um, I mean the Candice, the one who's 854 00:48:06,239 --> 00:48:08,759 Speaker 1: potentially depressed and it's kind of hard to hard to watch. 855 00:48:08,880 --> 00:48:13,680 Speaker 1: We met Candice's bonus children, Bonus who are adorable, and 856 00:48:13,840 --> 00:48:18,040 Speaker 1: Naya and Mateo Matteo looked so sweet and Nia was 857 00:48:18,400 --> 00:48:22,480 Speaker 1: she was giving star quality Chris lights up around the kids. Correct, 858 00:48:22,520 --> 00:48:26,640 Speaker 1: Candice giving I think motherly energy, motherly energy. When she 859 00:48:26,719 --> 00:48:28,759 Speaker 1: was helping Nya on the homework, I thought, wait, she 860 00:48:28,840 --> 00:48:31,480 Speaker 1: looks good doing that. I think she looks happy. Candice 861 00:48:31,560 --> 00:48:35,600 Speaker 1: helping out with homework. And then they're walking through that math. 862 00:48:35,760 --> 00:48:37,640 Speaker 1: It was a very easy math question and she did 863 00:48:37,719 --> 00:48:41,239 Speaker 1: call it an s A T question, but um, and 864 00:48:41,360 --> 00:48:43,160 Speaker 1: you know it was easy, but but we still love 865 00:48:43,280 --> 00:48:45,839 Speaker 1: the energy. Math was a theme in this episode when 866 00:48:45,920 --> 00:48:48,480 Speaker 1: you when you say in a hilarious way, there were 867 00:48:49,040 --> 00:48:51,960 Speaker 1: numbers and equations being sort of worked out on screen 868 00:48:52,040 --> 00:48:54,239 Speaker 1: in real time, like when the new housewife Mia said, 869 00:48:54,480 --> 00:48:56,400 Speaker 1: my husband is thirty eight years older than me and 870 00:48:56,480 --> 00:48:59,360 Speaker 1: he's sixty. So they go, are you thirty? She goes, no, 871 00:48:59,719 --> 00:49:04,280 Speaker 1: I'm thirties, and they go, well, that doesn't make any sense. 872 00:49:04,640 --> 00:49:08,160 Speaker 1: Someone's lying. And then she goes, well, guys, I can't 873 00:49:08,200 --> 00:49:11,040 Speaker 1: do math, and she and and Ashley, who honestly kind 874 00:49:11,040 --> 00:49:13,320 Speaker 1: of gave it to you on this episode was actually 875 00:49:13,440 --> 00:49:16,239 Speaker 1: really fun, actually was actually really fun. She goes, that's 876 00:49:16,280 --> 00:49:19,279 Speaker 1: an easy math question. That's an easy math. That's an 877 00:49:19,280 --> 00:49:23,719 Speaker 1: easy math question. But basically the sound bites flying out 878 00:49:23,760 --> 00:49:29,680 Speaker 1: of Karen. Oh, we're plentiful, plentiful, plentiful, plentiful, And Giselle 879 00:49:29,760 --> 00:49:32,480 Speaker 1: was trying, and Giselle thought like, Okay, I'm gonna like 880 00:49:32,640 --> 00:49:35,160 Speaker 1: I've had these in the can, like these lines in 881 00:49:35,200 --> 00:49:38,200 Speaker 1: the can that I'm gonna hurl a Karen because I 882 00:49:38,360 --> 00:49:42,000 Speaker 1: bet you so so, so so hard, and any any 883 00:49:42,080 --> 00:49:47,160 Speaker 1: Bravo watchers that she um rehearsed the line and I'm 884 00:49:47,200 --> 00:49:50,600 Speaker 1: just I'm just gonna tell the truth. You're cheating truth, 885 00:49:50,760 --> 00:49:54,160 Speaker 1: you're drunk truth or broke tru truth like she like 886 00:49:54,400 --> 00:49:57,120 Speaker 1: she rehearsed she only wanted them to land because she 887 00:49:57,200 --> 00:50:00,920 Speaker 1: was holding out truth. You're this true. And I was like, 888 00:50:01,080 --> 00:50:04,279 Speaker 1: we can't we hear it as Karen calls her old 889 00:50:05,000 --> 00:50:08,640 Speaker 1: d But Karen, I think it. I think she did 890 00:50:08,719 --> 00:50:10,320 Speaker 1: not give it a second thought. It flew out of 891 00:50:10,320 --> 00:50:16,440 Speaker 1: her mouth. What is it? You're a broke hor from everybody. 892 00:50:18,360 --> 00:50:22,000 Speaker 1: I mean, I mean, the girls are coming for each 893 00:50:22,040 --> 00:50:27,200 Speaker 1: other's next and it's thrilling to watch. Also, how rude 894 00:50:27,239 --> 00:50:29,680 Speaker 1: Wendy was to me a gust in her own home 895 00:50:30,680 --> 00:50:33,759 Speaker 1: when she goes when she because Wendy had she threw 896 00:50:33,800 --> 00:50:38,320 Speaker 1: a party for her new tips, which look unbelievable. What 897 00:50:38,719 --> 00:50:41,279 Speaker 1: the chop that that Wendy is rocking now? Like, like, 898 00:50:41,520 --> 00:50:44,839 Speaker 1: the hair looks incredible, and I think there's some other 899 00:50:44,920 --> 00:50:50,759 Speaker 1: work that was done. Guess what who the fuck cares done? Name? 900 00:50:50,960 --> 00:50:52,880 Speaker 1: Let her do it? And there is this little bit 901 00:50:52,880 --> 00:50:54,839 Speaker 1: of a narrative like, oh, let's talk about the work 902 00:50:54,920 --> 00:50:58,279 Speaker 1: because people aren't honest about their work. Then like they 903 00:50:58,360 --> 00:51:00,360 Speaker 1: get dragged on the show. I'm like, I don't fucking 904 00:51:00,640 --> 00:51:05,040 Speaker 1: give So then she goes to Mia and I didn't 905 00:51:05,080 --> 00:51:06,759 Speaker 1: like this from Wendy because it was a little bit 906 00:51:08,600 --> 00:51:09,880 Speaker 1: so what have you done? Because looks like you got 907 00:51:09,920 --> 00:51:12,400 Speaker 1: a lot of it? And then Mia did list all 908 00:51:12,480 --> 00:51:14,960 Speaker 1: her surgeries and which like and owned it. She was like, oh, 909 00:51:15,040 --> 00:51:18,160 Speaker 1: I've done all these things. Um. They did flashback to 910 00:51:18,400 --> 00:51:20,799 Speaker 1: a dinner that Wendy and Karen went on where Karen 911 00:51:20,880 --> 00:51:22,399 Speaker 1: was like, I'd like to introduce you to my friend 912 00:51:22,440 --> 00:51:24,439 Speaker 1: Mia and bring her to that your nu your nude 913 00:51:24,480 --> 00:51:29,040 Speaker 1: interlude party. Um, her name is Mia. And then Wendy 914 00:51:29,120 --> 00:51:34,040 Speaker 1: goes her name is Mia? Alright? Then well all right, now, 915 00:51:35,880 --> 00:51:38,520 Speaker 1: like why is that moment? So it was because it's 916 00:51:38,560 --> 00:51:42,080 Speaker 1: delivered what's delivered well because Wendy, Wendy is actually she 917 00:51:42,200 --> 00:51:44,239 Speaker 1: knows how to deliver things now. But then we have 918 00:51:44,400 --> 00:51:50,400 Speaker 1: said that the line address me correctly, has aged addressed 919 00:51:50,440 --> 00:51:54,239 Speaker 1: me correctly, that's aged very well. It's it was a 920 00:51:54,360 --> 00:51:58,600 Speaker 1: great freshman season for her. It's going to be And 921 00:51:58,680 --> 00:52:01,400 Speaker 1: I think she's moving to center couch. I mean, obviously 922 00:52:01,719 --> 00:52:05,759 Speaker 1: Karen and Gill will be center couch. They will be, 923 00:52:06,080 --> 00:52:09,360 Speaker 1: but Wendy's left and right. But Wendy is sliding to 924 00:52:09,600 --> 00:52:13,920 Speaker 1: the center. I think when just Robin might get sort 925 00:52:13,960 --> 00:52:17,200 Speaker 1: of Robbin is not. It's not a good vibe. And 926 00:52:17,280 --> 00:52:20,319 Speaker 1: I feel very bad because I feel like, oh, she's 927 00:52:20,360 --> 00:52:22,319 Speaker 1: really struggling during the pandemic. She thought she was going 928 00:52:22,360 --> 00:52:24,480 Speaker 1: to get married. I mean, it's a when there was 929 00:52:24,520 --> 00:52:27,320 Speaker 1: such a to do about getting married again, like it 930 00:52:27,440 --> 00:52:29,279 Speaker 1: was such a triumphant end of the season for her, 931 00:52:29,680 --> 00:52:31,960 Speaker 1: and now the fucking pandemic. Like you just hate to 932 00:52:32,000 --> 00:52:34,320 Speaker 1: see someone struggling like that. I hope it turns around. 933 00:52:34,480 --> 00:52:37,560 Speaker 1: Because when Robin's fun, when she's happy, she's fun. Does 934 00:52:37,600 --> 00:52:39,400 Speaker 1: that mean like when she's fun's fun? You know, like 935 00:52:39,560 --> 00:52:42,200 Speaker 1: she's so fun, she's so funny and great to watch 936 00:52:42,280 --> 00:52:44,080 Speaker 1: and she's such a good mom of the kids, and 937 00:52:45,000 --> 00:52:47,120 Speaker 1: I just this is I'm so happy. I turned to 938 00:52:47,160 --> 00:52:48,560 Speaker 1: you when the credits well, I was like, I'm so happy. 939 00:52:48,920 --> 00:52:50,879 Speaker 1: We needed it. We didn't even know we needed it. Also, 940 00:52:50,920 --> 00:52:54,319 Speaker 1: I will say about Robin, Wan was laying into her 941 00:52:54,880 --> 00:52:57,040 Speaker 1: because you could tell the camera started rolling and he 942 00:52:57,160 --> 00:52:59,239 Speaker 1: was like, I really don't actually like that this is 943 00:52:59,320 --> 00:53:01,399 Speaker 1: happening in my life, so I'm gonna be honest about 944 00:53:01,400 --> 00:53:03,560 Speaker 1: it because maybe it will change. You will sleep all 945 00:53:03,640 --> 00:53:07,320 Speaker 1: the way in until two pm, like like like, and 946 00:53:07,719 --> 00:53:10,080 Speaker 1: he was just dragging her, and you could tell she 947 00:53:10,239 --> 00:53:12,520 Speaker 1: was like, I mean, it's true, so I can't be upset. 948 00:53:13,040 --> 00:53:16,400 Speaker 1: But and you could tell Robin is it's not a 949 00:53:16,440 --> 00:53:20,080 Speaker 1: good start to the season for the Green Eyed Bandits. Unfortunately, 950 00:53:20,120 --> 00:53:21,840 Speaker 1: they're not on their char's ard. They're not on their 951 00:53:21,880 --> 00:53:24,439 Speaker 1: char's ard. I really have hope for Karen. I'm rooting 952 00:53:24,480 --> 00:53:28,799 Speaker 1: for Karen as always. I'm team Karen always sorry gisell Um, 953 00:53:29,680 --> 00:53:32,839 Speaker 1: and rooting for Wendale, though I fear that she will 954 00:53:32,880 --> 00:53:35,439 Speaker 1: be villainized very very very quickly. Do you think Wendy 955 00:53:35,480 --> 00:53:39,600 Speaker 1: will become villains status? I think she's like but the 956 00:53:39,640 --> 00:53:41,279 Speaker 1: way she's treating me. I mean, that's not gonna be 957 00:53:41,320 --> 00:53:43,440 Speaker 1: like a villain thing, but it's like she will. She 958 00:53:43,600 --> 00:53:47,600 Speaker 1: will come across like Mia is much more savvy than 959 00:53:47,719 --> 00:53:50,799 Speaker 1: Wendy thinks, and I think Wendy is gonna it seems 960 00:53:50,800 --> 00:53:52,400 Speaker 1: like they're setting something up for Wendy and Giselle are 961 00:53:52,440 --> 00:53:55,120 Speaker 1: going to go after me at well, no, because I 962 00:53:55,160 --> 00:53:58,600 Speaker 1: think what's happening is is Giselle decided to run her 963 00:53:58,680 --> 00:54:03,520 Speaker 1: mouth about Wendy's marriage, and that's why when we see 964 00:54:03,560 --> 00:54:06,840 Speaker 1: that clip of Wendy being like, yeah, and well, you know, 965 00:54:06,960 --> 00:54:09,920 Speaker 1: what I love to see is the Karen and Wendy 966 00:54:10,640 --> 00:54:15,200 Speaker 1: hurricane that will come for Gizelle says the wrong words 967 00:54:15,920 --> 00:54:18,680 Speaker 1: about Wendy's marriage because she was like, I see you 968 00:54:18,800 --> 00:54:21,200 Speaker 1: for everything everyone said that you were. Yes. Oh I 969 00:54:21,360 --> 00:54:25,759 Speaker 1: love that trailer. If if I think, I hope what 970 00:54:25,800 --> 00:54:28,080 Speaker 1: they're setting up is that Wendy and Karen reconcile their 971 00:54:28,080 --> 00:54:31,640 Speaker 1: path conflicts and advance together, because that would be so powerful. 972 00:54:33,560 --> 00:54:36,160 Speaker 1: If you're not watching Potomac, this is a good season 973 00:54:36,200 --> 00:54:38,279 Speaker 1: to start with. The last season is a really was 974 00:54:38,560 --> 00:54:39,960 Speaker 1: a really great one. It's a long one, but it's 975 00:54:40,040 --> 00:54:44,359 Speaker 1: really worthwhile. Um I can't recommend it enough. And as 976 00:54:44,400 --> 00:54:46,080 Speaker 1: I say to people, this is like what everyone says 977 00:54:46,200 --> 00:54:47,840 Speaker 1: right now. For a lot of people are saying to me, 978 00:54:47,880 --> 00:54:50,319 Speaker 1: they're like, I didn't even watch housewives before, but now 979 00:54:50,880 --> 00:54:53,399 Speaker 1: in terms of like, um, when do you watch house Lives? 980 00:54:53,400 --> 00:54:55,160 Speaker 1: And they be like yeah, and like I didn't until 981 00:54:55,239 --> 00:54:57,600 Speaker 1: very recently. I'm one of those people. And I gotta 982 00:54:57,640 --> 00:54:59,359 Speaker 1: tell you, I'm not like all the way in there, 983 00:54:59,440 --> 00:55:01,400 Speaker 1: like I do have blind spots and I have not 984 00:55:01,560 --> 00:55:03,800 Speaker 1: seen most of the seasons from even the cities that 985 00:55:03,880 --> 00:55:07,480 Speaker 1: I love to watch. But Potomac is really really really 986 00:55:07,880 --> 00:55:11,240 Speaker 1: it's just a fun show. It's like and it feels 987 00:55:11,320 --> 00:55:14,600 Speaker 1: different than you know, like Beverly Hills has its own identity. 988 00:55:14,640 --> 00:55:16,400 Speaker 1: It is what it is. And I've been loving at 989 00:55:16,440 --> 00:55:19,120 Speaker 1: this season in New York is flopping hard. And I 990 00:55:19,600 --> 00:55:21,800 Speaker 1: say this with love for Ebony Kay Williams, who I 991 00:55:21,840 --> 00:55:24,000 Speaker 1: think is actually great, which is great, but I just 992 00:55:24,080 --> 00:55:28,520 Speaker 1: don't think there's enough. There's there's not enough. They're they're 993 00:55:29,120 --> 00:55:31,120 Speaker 1: in terms of the cast, not in terms of ebony. 994 00:55:31,280 --> 00:55:34,759 Speaker 1: I think in terms of literally there's five women. It's 995 00:55:34,800 --> 00:55:37,960 Speaker 1: just it's it's just not taking off. And so it's 996 00:55:37,960 --> 00:55:39,560 Speaker 1: like and the only places they can go or like 997 00:55:39,640 --> 00:55:42,120 Speaker 1: what like the Hamptons, and it's like it's like it 998 00:55:42,280 --> 00:55:45,160 Speaker 1: feels repetitive in a way, but wait, where what's their 999 00:55:45,200 --> 00:55:49,440 Speaker 1: big trip this? Well, right, how they are in um Salem, 1000 00:55:50,920 --> 00:55:54,880 Speaker 1: which actually is funny um, but I don't know, I 1001 00:55:54,960 --> 00:55:59,200 Speaker 1: just feel like it's it feels culturally repetitive too, because 1002 00:55:59,239 --> 00:56:02,759 Speaker 1: we're dealing a lot with Ramona being like a trumper 1003 00:56:02,880 --> 00:56:06,440 Speaker 1: who was bad during COVID, and like you, Ebany is 1004 00:56:06,440 --> 00:56:08,279 Speaker 1: trying to engage her, and it's the election. And that's 1005 00:56:08,280 --> 00:56:11,759 Speaker 1: another thing, is like where New York Is is during 1006 00:56:11,800 --> 00:56:13,759 Speaker 1: the election, and it just it's not a fun place 1007 00:56:13,840 --> 00:56:18,640 Speaker 1: to revisit because you feel shades of the tension and 1008 00:56:18,800 --> 00:56:21,239 Speaker 1: you feel shades of like the anxiety that we were 1009 00:56:21,280 --> 00:56:26,480 Speaker 1: all experiencing in every frame of the show. So it's 1010 00:56:26,560 --> 00:56:29,279 Speaker 1: just not it's not it's not a fun culture to 1011 00:56:29,440 --> 00:56:32,520 Speaker 1: be sitting in. So that's why we don't talk about 1012 00:56:32,600 --> 00:56:35,080 Speaker 1: it like like as as though we were chars are. 1013 00:56:35,920 --> 00:56:38,359 Speaker 1: Oh well, no, no one on that show right now 1014 00:56:38,480 --> 00:56:42,280 Speaker 1: is in their char era. Literally no, I mean they're 1015 00:56:42,520 --> 00:56:44,279 Speaker 1: they're sort of in a flop era, each and every 1016 00:56:44,320 --> 00:56:46,480 Speaker 1: one of them except I would say that Ebony is 1017 00:56:46,760 --> 00:56:49,080 Speaker 1: is probably someone who's on her chars art a lot. 1018 00:56:49,400 --> 00:56:53,479 Speaker 1: Ebany came in um and she is doing a great, great, 1019 00:56:53,520 --> 00:56:55,960 Speaker 1: great job, very fun to watch. It's just that like 1020 00:56:56,120 --> 00:56:58,440 Speaker 1: she's just she doesn't have a lot to work with. 1021 00:56:59,360 --> 00:57:02,880 Speaker 1: We should just briefly say that we are celebrating not 1022 00:57:03,160 --> 00:57:05,720 Speaker 1: just Cathy Hilton on Beverly Hills too, but miss Crystal 1023 00:57:05,800 --> 00:57:10,480 Speaker 1: kung Minkoff. Crystal comes a Crystal, the Kung Minkoff. So 1024 00:57:10,800 --> 00:57:14,160 Speaker 1: the Kung mink Off Ze was hanging out with her 1025 00:57:14,600 --> 00:57:17,360 Speaker 1: all Pride Week. It's so jealous and then can I 1026 00:57:17,440 --> 00:57:19,880 Speaker 1: tell you something I told you? You know. He was like, 1027 00:57:20,160 --> 00:57:21,440 Speaker 1: I'm not trying to get Crystal to come to your 1028 00:57:21,440 --> 00:57:23,840 Speaker 1: house party. I was like, no, do not break Crystal 1029 00:57:23,960 --> 00:57:26,160 Speaker 1: Kung Minkoff coming in. Well, she would never come, never 1030 00:57:26,240 --> 00:57:28,600 Speaker 1: coming walking into that house and being like, hey, I'm Crystal. 1031 00:57:28,880 --> 00:57:32,720 Speaker 1: I would be like, it's iconic behavior. I was like, 1032 00:57:32,960 --> 00:57:36,200 Speaker 1: you are you are everything. Yeah. I would be like, no, 1033 00:57:36,360 --> 00:57:41,240 Speaker 1: you cannot see my terrible belongings. Please leave. She honestly, 1034 00:57:41,320 --> 00:57:43,120 Speaker 1: I would just take her upstairs and I would be like, 1035 00:57:43,720 --> 00:57:45,600 Speaker 1: there's a roof that let's go upstairs. We would light 1036 00:57:45,680 --> 00:57:48,400 Speaker 1: a blont I'd be like, you're fucking killing the show, 1037 00:57:48,440 --> 00:57:50,560 Speaker 1: and she'd be like, I know. She's like I know, 1038 00:57:51,520 --> 00:57:53,320 Speaker 1: I watched it too, and I just like I feel 1039 00:57:53,320 --> 00:57:54,720 Speaker 1: like it's a better show with me, and I would 1040 00:57:54,760 --> 00:57:59,440 Speaker 1: say it is dead ass is because the way that 1041 00:57:59,600 --> 00:58:02,800 Speaker 1: we have the combination of Sutton, who I am a slutton. 1042 00:58:03,520 --> 00:58:06,760 Speaker 1: I am a slutton, and she doing to do to 1043 00:58:07,000 --> 00:58:09,680 Speaker 1: secure the diamond. The diamond is fused to her hand. 1044 00:58:10,360 --> 00:58:12,600 Speaker 1: She'll never let go, she'll never let go, and she's 1045 00:58:12,600 --> 00:58:14,200 Speaker 1: doing what she needs to do, and the combination of 1046 00:58:14,240 --> 00:58:16,840 Speaker 1: her doing the most and Crystal being that bitch that 1047 00:58:16,960 --> 00:58:20,160 Speaker 1: gives you nothing, nothing, and it's like, okay, is it's 1048 00:58:20,200 --> 00:58:22,600 Speaker 1: Tom and Jerry, it's beauty, and it's it's Cat and Dog. 1049 00:58:22,880 --> 00:58:25,120 Speaker 1: It's like it's like like Crystal is truly like like 1050 00:58:25,240 --> 00:58:27,440 Speaker 1: there's that there when I've told you about this that 1051 00:58:27,520 --> 00:58:30,520 Speaker 1: this fight quote unquote they had on the boat in 1052 00:58:30,640 --> 00:58:34,760 Speaker 1: Tahoe where Ston's like, I feel like you really disrespected me, 1053 00:58:34,880 --> 00:58:37,720 Speaker 1: and then Crystals like okay, like and then for the 1054 00:58:38,040 --> 00:58:42,040 Speaker 1: for at least five exchanges. For the next five exchanges, 1055 00:58:43,000 --> 00:58:47,560 Speaker 1: Sun said something okay, okay. So it's Sun said something okay, 1056 00:58:47,720 --> 00:58:50,400 Speaker 1: like just like she does not she will give you nothing, 1057 00:58:50,520 --> 00:58:52,040 Speaker 1: and then she will and then she like she will 1058 00:58:52,120 --> 00:58:56,040 Speaker 1: buy her time, and then she will fucking come. She will. 1059 00:58:56,080 --> 00:58:58,240 Speaker 1: She's coming in the next episode because this last episode 1060 00:58:58,440 --> 00:59:01,200 Speaker 1: iconically end up. So we've had us I haven't even 1061 00:59:01,200 --> 00:59:05,280 Speaker 1: seen this, but the way you described beautiful. So basically 1062 00:59:06,120 --> 00:59:09,160 Speaker 1: they're at So Lisa Arenna is trying to make amends 1063 00:59:09,400 --> 00:59:13,120 Speaker 1: with Garcelle because Garcella has her eye, her gorgeous eyebrow 1064 00:59:13,280 --> 00:59:15,960 Speaker 1: raised at Rinna, who she thought she knew, but then 1065 00:59:16,040 --> 00:59:19,440 Speaker 1: her behavior towards Denise Richard's last season was untoward and 1066 00:59:19,520 --> 00:59:22,720 Speaker 1: it was uncouth. So basically, Renna is now doing the 1067 00:59:22,800 --> 00:59:25,480 Speaker 1: most to try to like court Garcella's friendship against So 1068 00:59:25,640 --> 00:59:28,440 Speaker 1: she has Harry Hamlet and her husband make his famous 1069 00:59:28,560 --> 00:59:33,240 Speaker 1: holidays for a birthday celebration for Garcelle and just to 1070 00:59:33,320 --> 00:59:38,280 Speaker 1: celebrate getting all together. So they're doing this. It's a 1071 00:59:38,360 --> 00:59:40,760 Speaker 1: little celebration for Garcella. They bring out a cake and 1072 00:59:40,880 --> 00:59:43,600 Speaker 1: then there's gifts introduced to the mix. Cut to the 1073 00:59:43,720 --> 00:59:47,040 Speaker 1: other end of the table. Sutton says, I didn't know 1074 00:59:47,120 --> 00:59:51,480 Speaker 1: we were doing gifts, and Kyle's like, yeah, hey, we're 1075 00:59:51,520 --> 00:59:54,440 Speaker 1: doing gifts, and Liz Arenna is running the show. Garcella 1076 00:59:54,560 --> 01:00:01,040 Speaker 1: is of course gifted the most stunning items from Still Jewelry, 1077 01:00:01,280 --> 01:00:05,520 Speaker 1: just like stunning. You know, she's getting bags. By the way, 1078 01:00:05,520 --> 01:00:07,920 Speaker 1: we haven't even brought up Erica Jane, which is we 1079 01:00:08,200 --> 01:00:14,200 Speaker 1: which whatever? So then you see Sutton just become despondent 1080 01:00:14,840 --> 01:00:17,160 Speaker 1: because here is Crystal having given the best gifts, and 1081 01:00:17,240 --> 01:00:19,400 Speaker 1: you can tell that she's just like fitting in. Sutton 1082 01:00:19,440 --> 01:00:21,760 Speaker 1: does not like to not fit in. She stomps away 1083 01:00:21,760 --> 01:00:23,960 Speaker 1: from the table before but not before she says to Kyle, 1084 01:00:24,280 --> 01:00:27,080 Speaker 1: I don't like being around people. I don't lack. I 1085 01:00:27,160 --> 01:00:30,840 Speaker 1: can't pretend. I refuse to pretend I'm walking over there. 1086 01:00:30,960 --> 01:00:35,440 Speaker 1: Such a good s Lauren, Lauren. And so Matt has 1087 01:00:35,480 --> 01:00:38,680 Speaker 1: a Sutton. Well you know he has a Sutton. Could 1088 01:00:38,720 --> 01:00:41,560 Speaker 1: be good not putting Sutton to Luna there, So Matt, 1089 01:00:41,640 --> 01:00:44,400 Speaker 1: Matt has a Sutton, so matts And you know, because 1090 01:00:44,440 --> 01:00:48,200 Speaker 1: Sutton's dropping in to do update, she's suns dropping. I 1091 01:00:48,240 --> 01:00:51,880 Speaker 1: would be really dropping in. Sutton's track is dropping in 1092 01:00:52,080 --> 01:00:54,320 Speaker 1: to update, and you know it will be fun to 1093 01:00:54,400 --> 01:00:58,040 Speaker 1: have to Sutton very Vanassa doing Jennifer. You know, oh 1094 01:00:58,120 --> 01:01:04,360 Speaker 1: my god, ladies and gentlemen's and your host. You know, 1095 01:01:04,480 --> 01:01:08,800 Speaker 1: she'd be so excited, she would be she would be 1096 01:01:08,840 --> 01:01:11,240 Speaker 1: a nightmare all week. Do you think that she would 1097 01:01:11,280 --> 01:01:13,520 Speaker 1: will be like, I don't think that's funny. But I 1098 01:01:13,520 --> 01:01:14,919 Speaker 1: don't want to do that because I don't want toppar 1099 01:01:14,920 --> 01:01:17,640 Speaker 1: insensitive because actually on the show I did have a 1100 01:01:17,680 --> 01:01:19,160 Speaker 1: couple of moments where I just didn't know that I 1101 01:01:19,280 --> 01:01:22,200 Speaker 1: was being insensitive and I was not educated. So educate, 1102 01:01:24,360 --> 01:01:25,919 Speaker 1: Tell me you're that girl. Tell me you're that girl 1103 01:01:26,000 --> 01:01:28,360 Speaker 1: that wants to write with the writers on Tuesday. Tell 1104 01:01:28,400 --> 01:01:33,520 Speaker 1: me with that girl. Um So, anyway, Shutton is like, 1105 01:01:33,640 --> 01:01:37,200 Speaker 1: I don't lack her, and I am an apology to Kyle, 1106 01:01:37,240 --> 01:01:39,920 Speaker 1: who is again iconically in the center of it all, 1107 01:01:40,200 --> 01:01:42,080 Speaker 1: and the ladies start to kind of move mosey over 1108 01:01:42,160 --> 01:01:45,760 Speaker 1: because the bolon it was gobbled up because again it's famous. 1109 01:01:45,760 --> 01:01:49,200 Speaker 1: It's famous, and who doesn't and and also they did 1110 01:01:49,280 --> 01:01:51,280 Speaker 1: the great work of showing you Harry Hemlet in his 1111 01:01:51,400 --> 01:01:55,800 Speaker 1: garden earlier, so natural ingredients. I love his garden, and 1112 01:01:55,880 --> 01:01:57,760 Speaker 1: he's on his chars and he's on his chars. So 1113 01:01:57,880 --> 01:02:00,000 Speaker 1: basically they've they've gobbled up the bolonaise, and the lady 1114 01:02:00,040 --> 01:02:02,240 Speaker 1: starts sort of walking over to another area of the 1115 01:02:02,760 --> 01:02:05,800 Speaker 1: stunning home that Lisa Wrenna lives in to sort of 1116 01:02:05,840 --> 01:02:08,680 Speaker 1: have another cocktail, and they're one by one noticing that 1117 01:02:09,080 --> 01:02:13,640 Speaker 1: Sutton is I rate. So Sutton finally says, I can't 1118 01:02:13,720 --> 01:02:18,560 Speaker 1: pretend that everything is hunky dory, so which Kathy Hilton replies, 1119 01:02:19,040 --> 01:02:22,840 Speaker 1: who is hunky Dory? And the camera lingers on her 1120 01:02:22,920 --> 01:02:25,800 Speaker 1: face just to sort of confirm that she is serious. 1121 01:02:26,480 --> 01:02:29,720 Speaker 1: You can see Kyle sort of like sort of shake 1122 01:02:29,760 --> 01:02:33,280 Speaker 1: her head. Garcel has a moment of concern. Erica's I 1123 01:02:33,400 --> 01:02:36,760 Speaker 1: think I fell out, and they cut back to cat 1124 01:02:36,920 --> 01:02:39,920 Speaker 1: and they she generally wants to know who is hunky 1125 01:02:40,040 --> 01:02:41,920 Speaker 1: do like there could be who is this woman in 1126 01:02:41,960 --> 01:02:45,240 Speaker 1: Beverly Hills that I have lunky Dory? I can't pretend 1127 01:02:45,280 --> 01:02:47,760 Speaker 1: that everything is hunky Dory. Well, I don't know who 1128 01:02:47,840 --> 01:02:49,960 Speaker 1: that is? Who is that? And if I don't know 1129 01:02:50,000 --> 01:02:53,520 Speaker 1: who you are, you don't know who you are? That's 1130 01:02:53,520 --> 01:02:56,320 Speaker 1: a Jared Frieder, that's Jared Frieder's housewife's entrance. Did you 1131 01:02:56,400 --> 01:02:58,920 Speaker 1: know that if I don't know who you are, you 1132 01:02:59,040 --> 01:03:01,560 Speaker 1: don't know who you are? Which it doesn't make sense, 1133 01:03:01,560 --> 01:03:06,000 Speaker 1: but that's what makes it perfect exactly. Um So. Anyway, Finally, 1134 01:03:07,400 --> 01:03:10,240 Speaker 1: in the moment of the silence after Hunky Dorry, Crystal 1135 01:03:10,320 --> 01:03:12,280 Speaker 1: does make her way over. She's like, what's wrong, what's 1136 01:03:12,320 --> 01:03:17,720 Speaker 1: the matter, what's going on? And an apology by you 1137 01:03:18,240 --> 01:03:21,160 Speaker 1: because you said when I walked into your hotel room 1138 01:03:21,400 --> 01:03:25,400 Speaker 1: to return your coat, that you were naked, and then 1139 01:03:25,520 --> 01:03:28,720 Speaker 1: you told everyone I violated you when I left right away, 1140 01:03:29,440 --> 01:03:31,800 Speaker 1: And she said, so, what what is it that you want? 1141 01:03:31,960 --> 01:03:34,640 Speaker 1: What do you do? You want an apology? I'm sorry, 1142 01:03:34,680 --> 01:03:39,360 Speaker 1: you're are upset. She goes, sorry, I'm upset. I want 1143 01:03:39,400 --> 01:03:43,760 Speaker 1: you to not use the word violate, and Crystal goes, no, 1144 01:03:44,440 --> 01:03:47,040 Speaker 1: I'm not taking back that word. That's what the word is. 1145 01:03:47,440 --> 01:03:50,760 Speaker 1: If you don't understand the word looking up violate, it's 1146 01:03:50,800 --> 01:03:55,560 Speaker 1: too access someone in a way that makes them feel unsafe. 1147 01:03:55,720 --> 01:03:59,200 Speaker 1: It's to violate their privacy. It's too cross boundaries. And 1148 01:03:59,320 --> 01:04:03,600 Speaker 1: that's what it was I felt. And Sutton is she's 1149 01:04:03,640 --> 01:04:09,800 Speaker 1: losing it. Valted you? Oh, val did you? She's acting 1150 01:04:09,840 --> 01:04:15,680 Speaker 1: like Reese in the Morning Show. Absolutely so Sutton stomps 1151 01:04:15,720 --> 01:04:19,600 Speaker 1: away and she says, what as Christophe it says, you're 1152 01:04:19,680 --> 01:04:25,560 Speaker 1: jealous of me, which is iconic Sutton, what jealous of what? 1153 01:04:26,240 --> 01:04:32,720 Speaker 1: Your only leather pants? Kyle Richard screams no, as if 1154 01:04:32,800 --> 01:04:36,960 Speaker 1: a slur has been said. No, no, cuts to Renna. 1155 01:04:37,320 --> 01:04:40,080 Speaker 1: Cuts to Renna, who's a gas. She can't believe. She goes, no, 1156 01:04:40,840 --> 01:04:44,560 Speaker 1: you don't say that. You don't say that, smashed, cut 1157 01:04:44,640 --> 01:04:48,360 Speaker 1: to the pants, the words to be continued. I've not 1158 01:04:48,520 --> 01:04:50,280 Speaker 1: seen a second of this and the way Matt has 1159 01:04:50,280 --> 01:04:52,040 Speaker 1: described it to me, the way he just did, which is, 1160 01:04:52,800 --> 01:04:55,560 Speaker 1: get the funk up. That was just that was a 1161 01:04:55,680 --> 01:05:01,200 Speaker 1: one person show for you to just perfectly give you 1162 01:05:01,360 --> 01:05:04,520 Speaker 1: all the imagery you need to have been right there 1163 01:05:04,600 --> 01:05:07,480 Speaker 1: with you. Gotta be watching it. It's just fun. I 1164 01:05:07,520 --> 01:05:09,880 Speaker 1: got just fun. It's just when I didn't start. I 1165 01:05:10,440 --> 01:05:12,480 Speaker 1: never watched an episode of Beverly Hills except for the 1166 01:05:12,520 --> 01:05:15,120 Speaker 1: finale last season with Denise and Rena. That was my 1167 01:05:15,160 --> 01:05:16,680 Speaker 1: first one. I was like, Okay, this is fine, and 1168 01:05:16,800 --> 01:05:20,560 Speaker 1: then started this season with with all the titterings about 1169 01:05:20,640 --> 01:05:23,800 Speaker 1: Crystal Kongenkop, I was like, I gotta watch and reader, 1170 01:05:24,240 --> 01:05:27,120 Speaker 1: I have not been disappointed. She's moving to center couch. 1171 01:05:27,920 --> 01:05:31,840 Speaker 1: She slid down and honestly, I'll tell you what I mean. 1172 01:05:31,960 --> 01:05:34,040 Speaker 1: Kyle is going to be sitting next to Andy. Probably 1173 01:05:34,120 --> 01:05:36,000 Speaker 1: Rena is gonna be sitting next to Andy. I don't 1174 01:05:36,040 --> 01:05:38,480 Speaker 1: know who's Kyle gonna be. Oh, Erica will be sitting Aerica. 1175 01:05:38,640 --> 01:05:41,240 Speaker 1: So Erica will be like in the will be very Kyle. 1176 01:05:41,560 --> 01:05:44,240 Speaker 1: And then I'm telling you, next to Kyle is Crystal. 1177 01:05:44,600 --> 01:05:47,760 Speaker 1: Next to Erica is Sutton, And I think that's what's happening. 1178 01:05:48,760 --> 01:05:50,840 Speaker 1: I love this. We were talking to our friend Time 1179 01:05:50,880 --> 01:05:54,400 Speaker 1: Mitchell about this yesterday. He was he came by and 1180 01:05:54,520 --> 01:05:59,360 Speaker 1: also brilliant, right, brilliant mind he um uh just just 1181 01:05:59,440 --> 01:06:04,640 Speaker 1: based off tweets guys, okay um. But he was talking 1182 01:06:04,680 --> 01:06:06,880 Speaker 1: about Crystal comincoff. I mean he I forgot what he 1183 01:06:06,920 --> 01:06:10,000 Speaker 1: said specifically, but I was like, yeah, like she is 1184 01:06:10,600 --> 01:06:13,440 Speaker 1: really coming in without like that like freshman season energy. 1185 01:06:14,240 --> 01:06:17,040 Speaker 1: She's part of it. She kind of doesn't give a 1186 01:06:17,080 --> 01:06:19,920 Speaker 1: ship because she's rich in a real way. Her husband 1187 01:06:19,960 --> 01:06:24,400 Speaker 1: directed the lying and so she's like but she literally 1188 01:06:24,600 --> 01:06:27,760 Speaker 1: has perspective, which is something a lot of these women lack. 1189 01:06:27,840 --> 01:06:31,200 Speaker 1: But she has perspective in life, which is that like, oh, yeah, 1190 01:06:31,360 --> 01:06:33,800 Speaker 1: like I was, I grew up Asian and I teach 1191 01:06:33,840 --> 01:06:35,760 Speaker 1: my kids Chinese and I make dumb you know, it's 1192 01:06:35,800 --> 01:06:38,880 Speaker 1: like she like is connected to something outside of her 1193 01:06:38,920 --> 01:06:41,840 Speaker 1: own inner life that makes it that makes you kind 1194 01:06:41,880 --> 01:06:45,440 Speaker 1: of like not care about someone like Sutton coming at 1195 01:06:45,520 --> 01:06:48,000 Speaker 1: you Know. What's brilliant about this conflict is that they're 1196 01:06:48,040 --> 01:06:52,439 Speaker 1: both making themselves feel victimized in valid ways and invalid ways. 1197 01:06:52,760 --> 01:06:56,000 Speaker 1: Sutton not valid, Crystal, I would say maybe valid. Well, 1198 01:06:56,040 --> 01:06:58,760 Speaker 1: there's there's been moments where Crystal has lost me just 1199 01:06:58,920 --> 01:07:01,320 Speaker 1: like the word it violate in the way that she's 1200 01:07:01,320 --> 01:07:03,840 Speaker 1: saying it, because they do cut to like moments where 1201 01:07:03,880 --> 01:07:06,200 Speaker 1: she's told the girls about what happened, and when you 1202 01:07:06,280 --> 01:07:09,240 Speaker 1: see it happened, Sutton runs in. She has the coach. 1203 01:07:09,280 --> 01:07:12,000 Speaker 1: She sees that Crystals like undressing he's going on here 1204 01:07:12,000 --> 01:07:13,920 Speaker 1: and puts the coat down and leaves, and then Crystal 1205 01:07:14,000 --> 01:07:16,720 Speaker 1: has blown it up and to know he is entitled 1206 01:07:16,720 --> 01:07:20,000 Speaker 1: to the footage, though it does seem like Crystal like 1207 01:07:20,120 --> 01:07:23,120 Speaker 1: from the audio, it's like she's like, I'm naked, like 1208 01:07:23,280 --> 01:07:25,200 Speaker 1: what are you like? I'm sure she was like in 1209 01:07:25,320 --> 01:07:27,480 Speaker 1: the corner like also, she doesn't know if the cameras 1210 01:07:27,520 --> 01:07:33,920 Speaker 1: are following her in instead of closing the door, immediately 1211 01:07:34,000 --> 01:07:37,240 Speaker 1: goes I'm just gonna run in get closer to you 1212 01:07:37,360 --> 01:07:41,600 Speaker 1: dropped it like that spatially, I'm I'm team Crystal here. 1213 01:07:41,720 --> 01:07:43,920 Speaker 1: That is kind of really funked up. Yeah, I mean 1214 01:07:44,400 --> 01:07:46,479 Speaker 1: so in the ways that she was telling the women 1215 01:07:46,480 --> 01:07:48,160 Speaker 1: about she was like it was like really she called 1216 01:07:48,200 --> 01:07:51,000 Speaker 1: her like, there's the whole I'm not a peeping tom 1217 01:07:52,000 --> 01:07:55,240 Speaker 1: with this language, and it's sort of like so you 1218 01:07:55,280 --> 01:07:57,680 Speaker 1: can see Crystals sort of leaning in which fucking for 1219 01:07:57,840 --> 01:08:00,360 Speaker 1: your house, right, But like there has been ones where 1220 01:08:00,360 --> 01:08:03,920 Speaker 1: I'm like, there's fallibility there and vulnerability there. She's been 1221 01:08:04,000 --> 01:08:07,800 Speaker 1: very vulnerable on the show and I don't know killing 1222 01:08:07,840 --> 01:08:10,600 Speaker 1: it and we're not even halfway through it and we 1223 01:08:10,640 --> 01:08:14,600 Speaker 1: haven't even talked about fucking Erica who Joe and I 1224 01:08:14,640 --> 01:08:16,600 Speaker 1: talked about it last weekend and said, I love it. 1225 01:08:16,680 --> 01:08:19,200 Speaker 1: I loved what you guys had to say. Um, and 1226 01:08:19,280 --> 01:08:21,080 Speaker 1: you know what, I normally would apologize to the reader 1227 01:08:21,160 --> 01:08:24,400 Speaker 1: for us like talking about the same shot whatever the week. 1228 01:08:24,479 --> 01:08:26,560 Speaker 1: But I know we're in our chars are era like 1229 01:08:27,360 --> 01:08:28,639 Speaker 1: you can turn it off. They can turn it off 1230 01:08:28,840 --> 01:08:32,639 Speaker 1: literally next week. There's so many other great podcast as 1231 01:08:32,760 --> 01:08:36,000 Speaker 1: Urgent Care, Urgent Care, You Seek Treatment, I mean like 1232 01:08:36,160 --> 01:08:40,480 Speaker 1: the Stradio Lab Boys. You know, I would say, they 1233 01:08:40,600 --> 01:08:42,639 Speaker 1: do it. They do it like no other. Yeah, there's 1234 01:08:42,640 --> 01:08:44,439 Speaker 1: so there's so many other podcasts that you can listen 1235 01:08:44,439 --> 01:08:45,960 Speaker 1: to if you don't want to hear us on. Our 1236 01:08:46,120 --> 01:08:49,880 Speaker 1: chars are doing Suton Strack Impressions and dreaming of a 1237 01:08:50,040 --> 01:08:53,040 Speaker 1: world where she hosts sn now because I want to 1238 01:08:53,080 --> 01:08:55,639 Speaker 1: see that world. I want my children to see that world. 1239 01:08:56,520 --> 01:08:58,800 Speaker 1: I want to see what flop dress she comes out 1240 01:08:58,880 --> 01:09:01,160 Speaker 1: in the beginning to do her mom analogue, like something 1241 01:09:01,240 --> 01:09:04,040 Speaker 1: with like a fucking happy chameleon on it, or something 1242 01:09:04,040 --> 01:09:06,080 Speaker 1: like like she wears those weird patterns, and I'm like, 1243 01:09:06,520 --> 01:09:10,400 Speaker 1: you run a boutique. I love her her just god 1244 01:09:10,600 --> 01:09:14,080 Speaker 1: like fucking her buying the Vetmas shoes. I'm like, you're no, 1245 01:09:14,280 --> 01:09:16,840 Speaker 1: don't buy vet Ma. You're you're that's not that's not 1246 01:09:16,960 --> 01:09:19,080 Speaker 1: your sonton and you you should have some more self awareness. 1247 01:09:19,160 --> 01:09:22,560 Speaker 1: You're not vet Ma. Okay. I'm wanting to go to 1248 01:09:22,720 --> 01:09:25,000 Speaker 1: Sutton the boutique. I'm wanting to go in there because 1249 01:09:25,040 --> 01:09:28,280 Speaker 1: I do believe that she is posted. It's like vander 1250 01:09:28,360 --> 01:09:32,400 Speaker 1: pump at at like like you'll see your look. Oh 1251 01:09:32,520 --> 01:09:34,800 Speaker 1: yeah she's there. Why wouldn't she? I heard that she 1252 01:09:34,920 --> 01:09:38,920 Speaker 1: eats dinner there every night. Yeah, it's her restaurant where 1253 01:09:39,280 --> 01:09:43,160 Speaker 1: everyone fucking worships her the way specifically like the probably 1254 01:09:43,160 --> 01:09:47,120 Speaker 1: the staff or like whatever Lisa wants. She's suing. I'll 1255 01:09:47,160 --> 01:09:49,760 Speaker 1: do it prosecco, just kidding. She probably drinks like really 1256 01:09:49,800 --> 01:09:52,439 Speaker 1: right champagne. And it's amazing Lisa impression. I mean, god, 1257 01:09:52,520 --> 01:09:56,120 Speaker 1: the talent, Lauren had his chance, and he literally did, 1258 01:09:56,360 --> 01:10:00,120 Speaker 1: he literally did, but flop. I do say this with 1259 01:10:00,320 --> 01:10:07,840 Speaker 1: every genuine ounce of fucking flesh and cartilage in my heart. 1260 01:10:09,320 --> 01:10:14,360 Speaker 1: Rogers the funniest motherfucker, the funniest person, the funniest person, 1261 01:10:15,400 --> 01:10:17,240 Speaker 1: and it there's no one like, there's no one like. 1262 01:10:17,400 --> 01:10:19,720 Speaker 1: I don't accept it. Like the funniest person in the 1263 01:10:19,760 --> 01:10:23,080 Speaker 1: world is Lily Collins. Is Lily Collins. And then Matt 1264 01:10:23,280 --> 01:10:26,320 Speaker 1: Roger's fine, fine, fine, I'll take a second, but to 1265 01:10:26,479 --> 01:10:28,920 Speaker 1: just respect Lily like that, I know. I'm sorry, Um 1266 01:10:28,960 --> 01:10:31,280 Speaker 1: I was nominated. It's fine. I'm so proud of you. 1267 01:10:31,560 --> 01:10:33,320 Speaker 1: I can't You're gonna make I can't even tell you, 1268 01:10:33,360 --> 01:10:35,559 Speaker 1: a girl, I'm so happy we got to be together 1269 01:10:35,680 --> 01:10:38,320 Speaker 1: for me, I know, and we're real way for both 1270 01:10:38,479 --> 01:10:40,840 Speaker 1: for both things. You told me, you told me a 1271 01:10:40,880 --> 01:10:42,439 Speaker 1: few days before, and I wasn't seeing you that it 1272 01:10:42,520 --> 01:10:45,240 Speaker 1: got and gotten picked up, but it was I was 1273 01:10:45,320 --> 01:10:47,680 Speaker 1: told for a while like it looks good and then 1274 01:10:47,760 --> 01:10:50,320 Speaker 1: then but you know the old Hollywood push, They never 1275 01:10:50,400 --> 01:10:54,160 Speaker 1: tell you that, never say a word word. Um, let's 1276 01:10:54,240 --> 01:10:56,800 Speaker 1: sort of move on. But put it put a pin 1277 01:10:57,160 --> 01:11:00,760 Speaker 1: in this sort of Charisard moment to just say that 1278 01:11:00,960 --> 01:11:02,320 Speaker 1: right now we're going to sort of step into I 1279 01:11:02,360 --> 01:11:03,880 Speaker 1: don't think so honey. And while I don't think so 1280 01:11:03,920 --> 01:11:07,439 Speaker 1: honey is inherently sort of I don't want to say 1281 01:11:07,520 --> 01:11:14,160 Speaker 1: no negative. What's the word? Um? Biting? Yes, aggressive? Um? 1282 01:11:14,280 --> 01:11:17,559 Speaker 1: We only we are still, we're we're going to dip 1283 01:11:17,640 --> 01:11:19,479 Speaker 1: into this world and then we're gonna be right back 1284 01:11:19,520 --> 01:11:22,479 Speaker 1: on our fucking chars, aren't and we we hope you are, 1285 01:11:22,520 --> 01:11:24,320 Speaker 1: and we when we hope that are too. And we've 1286 01:11:24,360 --> 01:11:27,240 Speaker 1: met a lot of you we can meet. It's been 1287 01:11:27,280 --> 01:11:29,760 Speaker 1: really nice to meet the readers. As I said the 1288 01:11:29,840 --> 01:11:33,520 Speaker 1: last episode that I was on, we said, the exceptions 1289 01:11:33,560 --> 01:11:35,880 Speaker 1: are the readers. The readers are the real ones, and 1290 01:11:36,000 --> 01:11:39,080 Speaker 1: are the real ones. And so I hope, I genuinely 1291 01:11:39,120 --> 01:11:43,600 Speaker 1: hope each and every reader starts to prepare themselves for 1292 01:11:43,680 --> 01:11:47,040 Speaker 1: a mindset to be in their chars, aren't. Is Marky 1293 01:11:47,160 --> 01:11:49,640 Speaker 1: out of retrograde? It's no, it's not about mercury, it's 1294 01:11:49,640 --> 01:11:53,680 Speaker 1: not about comunic about it's about personal. It's about self definition, 1295 01:11:53,800 --> 01:11:58,880 Speaker 1: personal power to understand. It's it's internal, it's internal, it's 1296 01:11:58,880 --> 01:12:01,920 Speaker 1: always with you, so you can always externalize that power 1297 01:12:02,000 --> 01:12:15,200 Speaker 1: in new Yes, asked, let's do I don't think so Basically, 1298 01:12:15,240 --> 01:12:18,040 Speaker 1: I don't think so Honey is or it has usually 1299 01:12:18,120 --> 01:12:20,160 Speaker 1: been a one minute I don't know what it's going 1300 01:12:20,200 --> 01:12:21,600 Speaker 1: to become in the future because it might be on 1301 01:12:21,720 --> 01:12:23,960 Speaker 1: stars are at a certain point at this stage of 1302 01:12:24,000 --> 01:12:26,439 Speaker 1: evolution that I'm currently and why would I ever tell 1303 01:12:26,560 --> 01:12:28,640 Speaker 1: any girl not to evolve? So I don't think so 1304 01:12:28,720 --> 01:12:32,759 Speaker 1: Honey is. Right now, a sixty second segment where someone 1305 01:12:33,280 --> 01:12:36,400 Speaker 1: performing said I don't think so honey sort of goes off. 1306 01:12:36,479 --> 01:12:40,200 Speaker 1: I'm doing air quotes on pop culture. Um, you know, 1307 01:12:40,479 --> 01:12:43,439 Speaker 1: in ways large and small, we've had sort of I 1308 01:12:43,479 --> 01:12:46,280 Speaker 1: don't think so honeys that were about Jennifer Garner, you 1309 01:12:46,320 --> 01:12:49,000 Speaker 1: know what I mean? Actually House member and member of 1310 01:12:49,120 --> 01:12:52,080 Speaker 1: this House Patrick Rogers did that one, and then we 1311 01:12:52,160 --> 01:12:54,519 Speaker 1: had like I don't think so honey, Like you know, 1312 01:12:54,680 --> 01:12:58,640 Speaker 1: you did um fucking the sunset the sunsets, which was 1313 01:12:58,720 --> 01:13:00,560 Speaker 1: a flop, and I was back in my phone. That 1314 01:13:00,640 --> 01:13:02,600 Speaker 1: wasn't my flat era. I will admit, no, don't. We 1315 01:13:02,600 --> 01:13:04,479 Speaker 1: should see the sunset tonight. By the way, I would 1316 01:13:04,520 --> 01:13:05,960 Speaker 1: love to see the sunset. That has to be on 1317 01:13:06,080 --> 01:13:09,400 Speaker 1: the dockets as cloudy though, but so so anyway, it 1318 01:13:09,560 --> 01:13:10,960 Speaker 1: is time for I don't have time for that. I 1319 01:13:11,000 --> 01:13:12,479 Speaker 1: don't have my phone. Would you mind? I can time 1320 01:13:12,520 --> 01:13:15,080 Speaker 1: you and you can go first, so I'll go. Just 1321 01:13:15,160 --> 01:13:19,400 Speaker 1: don't look at my text because their surprises happen. Ok Um, serious, 1322 01:13:19,400 --> 01:13:22,360 Speaker 1: big some big bros texted, oh my god, that was 1323 01:13:22,400 --> 01:13:25,719 Speaker 1: so where's my thing? Just pulled down from your lock? Okay, 1324 01:13:25,800 --> 01:13:30,200 Speaker 1: stop watch? Okay. Sometimes I just forget where things are 1325 01:13:30,240 --> 01:13:32,799 Speaker 1: on my phone in terms of the emoji's. Even chars 1326 01:13:32,920 --> 01:13:35,840 Speaker 1: Ard forgets okay, And I'm this is with love you guys. 1327 01:13:36,160 --> 01:13:37,720 Speaker 1: This is Matt Rodgers. I don't think so many and 1328 01:13:37,760 --> 01:13:39,720 Speaker 1: it's time starts now. I don't think so honey being 1329 01:13:39,760 --> 01:13:44,960 Speaker 1: a bad kisser, like and we need to be brushing 1330 01:13:45,479 --> 01:13:48,040 Speaker 1: our teeth. I get that a lot of people are 1331 01:13:48,040 --> 01:13:50,840 Speaker 1: on vacation, but when I'm when I'm kissing you and 1332 01:13:50,920 --> 01:13:53,840 Speaker 1: it and I I say this with love. It tastes 1333 01:13:53,880 --> 01:13:58,200 Speaker 1: like chicken feed, not feede chicken feed. I should not 1334 01:13:58,320 --> 01:14:01,519 Speaker 1: be in the barnyard when I'm in the pavilion, Okay, 1335 01:14:01,920 --> 01:14:04,439 Speaker 1: I should not when I'm in the ice palace. I 1336 01:14:04,479 --> 01:14:08,000 Speaker 1: should be in those zones. And when it's when it's 1337 01:14:08,160 --> 01:14:11,639 Speaker 1: feeling like chicken feed in my mouth, that's it's gonna 1338 01:14:11,640 --> 01:14:14,519 Speaker 1: be a no on that one. I don't think so 1339 01:14:14,720 --> 01:14:21,719 Speaker 1: honey too much. Sorry, but teeth, I'm getting teeth, gums, tongue, 1340 01:14:22,120 --> 01:14:27,240 Speaker 1: kiss me with seconds or I don't think so honey. 1341 01:14:27,880 --> 01:14:31,439 Speaker 1: And I'm some people play heart to get. I am 1342 01:14:31,520 --> 01:14:34,920 Speaker 1: easy to get, Like, if you want it, you're getting it. 1343 01:14:35,280 --> 01:14:38,160 Speaker 1: But don't come at me with these gums, teeth and 1344 01:14:38,320 --> 01:14:41,000 Speaker 1: lip and the only lips I do think so honey them, 1345 01:14:41,040 --> 01:14:43,599 Speaker 1: I don't think so honey, you bad kissers chicken feed. 1346 01:14:43,720 --> 01:14:46,400 Speaker 1: And and that's one minute, a minute and six seconds. 1347 01:14:46,520 --> 01:14:48,680 Speaker 1: And you know why you went over the time, and 1348 01:14:48,760 --> 01:14:50,160 Speaker 1: you I wouldn't even say you went over the time. 1349 01:14:50,920 --> 01:14:54,560 Speaker 1: You went your time because you're in your I was 1350 01:14:54,760 --> 01:14:56,800 Speaker 1: entitled to those six You were very entitled to this 1351 01:14:56,880 --> 01:14:59,040 Speaker 1: at six seconds. And here's the thing. Would you agree 1352 01:14:59,120 --> 01:15:01,439 Speaker 1: that um I can already tell you I will no no, 1353 01:15:01,520 --> 01:15:03,679 Speaker 1: no no, no, maybe you won't. There is no such 1354 01:15:03,800 --> 01:15:07,519 Speaker 1: thing as a good kisser, but there is definitely such 1355 01:15:07,560 --> 01:15:09,720 Speaker 1: a thing as a bad kiscer, because I think that 1356 01:15:11,479 --> 01:15:13,720 Speaker 1: I would consider myself a good kisser. But it's it's 1357 01:15:13,760 --> 01:15:17,040 Speaker 1: always a dance with the other person, and so that's 1358 01:15:17,080 --> 01:15:19,960 Speaker 1: how I feel well and so and so it's about 1359 01:15:20,080 --> 01:15:23,400 Speaker 1: making the other person look good whatever. Improv nonsense, but 1360 01:15:23,520 --> 01:15:29,920 Speaker 1: like improv school one on one nonsense. But like, you 1361 01:15:30,000 --> 01:15:32,240 Speaker 1: can only be a bad kisser if you're being inconsiderate 1362 01:15:32,320 --> 01:15:34,519 Speaker 1: of your of what your partner is signaling. That's the 1363 01:15:34,600 --> 01:15:36,679 Speaker 1: thing is. It's like, why are you trying to run 1364 01:15:36,800 --> 01:15:39,120 Speaker 1: ship right now? Aren't we here together? Like I just 1365 01:15:39,200 --> 01:15:43,439 Speaker 1: feel like sometimes when people are dominating the energy of 1366 01:15:43,640 --> 01:15:47,960 Speaker 1: the kiss, it's like, well, you are a narcissist, you're 1367 01:15:47,960 --> 01:15:51,120 Speaker 1: an eaglemaniac. There's actually two people doing this, and it's 1368 01:15:51,160 --> 01:15:55,960 Speaker 1: sociopathic behavior when you come in with an agenda. Also, 1369 01:15:56,040 --> 01:15:58,880 Speaker 1: I'm sorry, but if people love this, like, go off. 1370 01:15:59,000 --> 01:16:01,559 Speaker 1: But I don't need a tongue all the way down 1371 01:16:01,640 --> 01:16:05,040 Speaker 1: my throat and and and I'm telling you some people do. 1372 01:16:05,760 --> 01:16:08,840 Speaker 1: And I'm sure you've met some of these girls that 1373 01:16:09,840 --> 01:16:17,839 Speaker 1: that are the jabbers, the jabber, the jabbers, the javelin throwers, jabbers, 1374 01:16:17,960 --> 01:16:24,160 Speaker 1: javelin just chill. And there are the people who really 1375 01:16:24,680 --> 01:16:26,960 Speaker 1: but that there's a different kind of person who um 1376 01:16:28,320 --> 01:16:30,240 Speaker 1: pushes their lips together in a way to make it 1377 01:16:30,400 --> 01:16:33,240 Speaker 1: feel like the head of a spear. It's also the 1378 01:16:33,360 --> 01:16:37,559 Speaker 1: same sort of concept of a job. You're jabbing at 1379 01:16:37,600 --> 01:16:41,080 Speaker 1: me and with your with your fish mouth, and by 1380 01:16:41,120 --> 01:16:43,559 Speaker 1: fish mouth, I mean like they turn them, they make 1381 01:16:43,640 --> 01:16:47,599 Speaker 1: their lips conical and start to jab me. It's very, 1382 01:16:47,800 --> 01:16:51,040 Speaker 1: very untoward. I just also want to say that if 1383 01:16:51,080 --> 01:16:54,600 Speaker 1: you're listening to this episode and we did experience a 1384 01:16:54,680 --> 01:16:56,600 Speaker 1: kiss together, I'm not talking about you. No no, no, 1385 01:16:56,640 --> 01:17:00,880 Speaker 1: no no, you're not talking about you. Um let's let's 1386 01:17:00,920 --> 01:17:04,520 Speaker 1: just say. Let's just say there's been there's been experiences 1387 01:17:04,600 --> 01:17:07,000 Speaker 1: that could have been better, and people need to be 1388 01:17:07,760 --> 01:17:12,400 Speaker 1: respectful and not act uncouth. That's all it is. It's 1389 01:17:12,520 --> 01:17:14,400 Speaker 1: just think of it as a dance. It's a dance. 1390 01:17:14,560 --> 01:17:18,000 Speaker 1: It's a dance. It's not like it's really it's like 1391 01:17:18,120 --> 01:17:21,760 Speaker 1: the Viennese waltz. There you go. I love that. So 1392 01:17:21,880 --> 01:17:24,080 Speaker 1: now it's time for Bowen Yanks. I don't think so, honey. 1393 01:17:24,200 --> 01:17:27,800 Speaker 1: And the boat, we're sorry, that's another boat. Yeah, so 1394 01:17:28,160 --> 01:17:31,559 Speaker 1: sorry about that. He's gonna say, yeah, well, one hour 1395 01:17:31,720 --> 01:17:35,320 Speaker 1: eighteen in you gotta boat sound happen And then you 1396 01:17:35,439 --> 01:17:38,400 Speaker 1: know I didn't love that. Just tell just let you know. 1397 01:17:38,600 --> 01:17:41,120 Speaker 1: I can work around it. But that girl we love, 1398 01:17:41,400 --> 01:17:45,639 Speaker 1: We love him, alright, So this is Aready. His time 1399 01:17:45,680 --> 01:17:50,960 Speaker 1: starts now. I don't think so, honey, bugs Spray, you're 1400 01:17:51,080 --> 01:17:55,400 Speaker 1: not even doing what you're supposed to do. So what 1401 01:17:55,560 --> 01:18:00,360 Speaker 1: are you doing putting forth this image of Noba hugs? 1402 01:18:00,479 --> 01:18:04,960 Speaker 1: When what do I see on my leg? Oh a 1403 01:18:05,240 --> 01:18:12,040 Speaker 1: damn zica insects A damn tick, a damn wasp kind 1404 01:18:12,080 --> 01:18:16,200 Speaker 1: of covering around my ear which is an roger, which 1405 01:18:16,320 --> 01:18:20,360 Speaker 1: is an a roger zone. Damn. You know what, bug Spray, 1406 01:18:20,400 --> 01:18:23,439 Speaker 1: I'm talking to you off specifically, and now don't send 1407 01:18:23,479 --> 01:18:25,360 Speaker 1: this ship because you won't make this right unless you 1408 01:18:25,400 --> 01:18:29,680 Speaker 1: actually change the formulation in your product to bend off insects. 1409 01:18:30,040 --> 01:18:33,200 Speaker 1: In this time when insects wanting everything to do with 1410 01:18:33,320 --> 01:18:36,160 Speaker 1: my flesh and my type oh blood and all of 1411 01:18:36,320 --> 01:18:42,360 Speaker 1: my life force, you are endangering me. And if you 1412 01:18:42,720 --> 01:18:48,920 Speaker 1: don't change the formula I am going to be throwing hands. 1413 01:18:49,680 --> 01:18:52,800 Speaker 1: That's one minute and two seconds. And you I've never 1414 01:18:52,880 --> 01:18:55,800 Speaker 1: seen someone more entitled to two seconds. Thank you. I 1415 01:18:55,960 --> 01:19:00,240 Speaker 1: was entitled to this. Um. You know, I've I've been 1416 01:19:00,360 --> 01:19:05,120 Speaker 1: diligent about my coverage, about replenishing my my bug spread coverage. 1417 01:19:05,360 --> 01:19:08,040 Speaker 1: Still waking up with bites you it. It almost like 1418 01:19:08,120 --> 01:19:10,640 Speaker 1: makes you question, is this placebo? Is this placebo? Is 1419 01:19:10,680 --> 01:19:13,400 Speaker 1: this sugar water? Is this sugar water? By the way, 1420 01:19:13,439 --> 01:19:15,360 Speaker 1: a cinnamon roll is no longer a cinnamon roll, It's 1421 01:19:15,360 --> 01:19:19,720 Speaker 1: sugar bread, sugar bread. That's we don't have time to 1422 01:19:19,760 --> 01:19:22,240 Speaker 1: get into time to get into it. But I would 1423 01:19:22,560 --> 01:19:27,000 Speaker 1: like confront the creators of this bug spray. Just this placebo. 1424 01:19:27,360 --> 01:19:32,080 Speaker 1: Oh yeah, yeah, yeah, okay, off, if you're listening, you 1425 01:19:32,280 --> 01:19:35,880 Speaker 1: gotta check the that of the thing or whatever. Looking 1426 01:19:35,880 --> 01:19:37,840 Speaker 1: at it right now. I'm holding it right now, reading 1427 01:19:37,880 --> 01:19:42,040 Speaker 1: read the ingredients. Let's see all right, let's just let's 1428 01:19:42,080 --> 01:19:44,519 Speaker 1: just get into us, just get into us. So in here, 1429 01:19:45,680 --> 01:19:47,960 Speaker 1: well it says directions for use. Well no, no, no, no, 1430 01:19:48,000 --> 01:19:50,519 Speaker 1: I want to know. I can't. I can't give it 1431 01:19:50,600 --> 01:19:52,640 Speaker 1: to me. So, you know, interesting, like it's sort of 1432 01:19:52,680 --> 01:19:55,519 Speaker 1: like my phone with the amoties never here we go, Oh, 1433 01:19:55,560 --> 01:19:57,640 Speaker 1: I'm sorry, I asked you something that I think you 1434 01:19:57,680 --> 01:19:59,719 Speaker 1: asked me something that would ended up not having an answer, 1435 01:20:00,040 --> 01:20:01,559 Speaker 1: ended up not having an answer, but which we wanted 1436 01:20:01,560 --> 01:20:05,120 Speaker 1: to know the ingredients of off. But you're gonna say 1437 01:20:05,160 --> 01:20:08,679 Speaker 1: it if it's not, If it's placebo, that's ingredient deep, 1438 01:20:09,080 --> 01:20:11,920 Speaker 1: which is the thing that it's the thing that is 1439 01:20:11,920 --> 01:20:15,639 Speaker 1: supposed to keep the bugs away throughout a percentage, throughout 1440 01:20:15,640 --> 01:20:17,280 Speaker 1: a percentage. How much of this do you think is 1441 01:20:17,360 --> 01:20:19,439 Speaker 1: the actual thing that's supposed to be in there? How 1442 01:20:19,560 --> 01:20:21,800 Speaker 1: much do I think they put on the bottle? How much? 1443 01:20:21,840 --> 01:20:24,639 Speaker 1: How much do I think you're telling us? Yes, let's 1444 01:20:24,720 --> 01:20:27,840 Speaker 1: start with that. I think they would tell us, and 1445 01:20:28,120 --> 01:20:29,680 Speaker 1: I think that they think this is a lot. I 1446 01:20:29,720 --> 01:20:33,320 Speaker 1: think that I think they would tell us six percent. Well, 1447 01:20:33,840 --> 01:20:37,040 Speaker 1: it's fifteen. I expected it to be. I needed to 1448 01:20:37,080 --> 01:20:39,280 Speaker 1: be higher. Well, this is the thing is it's like 1449 01:20:39,400 --> 01:20:42,160 Speaker 1: you never know what it's like. It's like when you 1450 01:20:42,240 --> 01:20:44,559 Speaker 1: have a drink and it says two percent calcium, You're like, well, 1451 01:20:44,600 --> 01:20:46,599 Speaker 1: that's not a lot, you really know, I know it's 1452 01:20:46,800 --> 01:20:50,240 Speaker 1: it's one of those things. But other ingredients? What are 1453 01:20:50,280 --> 01:20:54,120 Speaker 1: the other ingredients? Why is we're not being transparent. S C. 1454 01:20:54,320 --> 01:20:57,320 Speaker 1: Johnson a family give me that right now, I mean S. C. 1455 01:20:57,479 --> 01:21:01,000 Speaker 1: Johnson a family company. Please reach out because we really 1456 01:21:01,240 --> 01:21:03,519 Speaker 1: or or no, don't even reach out. If you're hearing this, 1457 01:21:04,000 --> 01:21:08,280 Speaker 1: this is not a dialogue. Check the formulation because it 1458 01:21:08,400 --> 01:21:12,200 Speaker 1: might be sugar water because nothing. But there's an Emmy 1459 01:21:12,280 --> 01:21:16,000 Speaker 1: nominee that's getting bit up and and this is post 1460 01:21:16,360 --> 01:21:21,680 Speaker 1: covering herself in your product. And look, I mean I 1461 01:21:22,800 --> 01:21:26,560 Speaker 1: I feel like it's not a placebo, because a placebo's 1462 01:21:26,760 --> 01:21:28,960 Speaker 1: it can't be double blind if we if neither of 1463 01:21:29,080 --> 01:21:31,960 Speaker 1: us know that this is a placebo, and then what 1464 01:21:32,120 --> 01:21:34,120 Speaker 1: then what are you doing? Anyway, that's it. But they 1465 01:21:34,680 --> 01:21:36,439 Speaker 1: thank you for framing it this way. I'm an Emmy 1466 01:21:36,520 --> 01:21:38,840 Speaker 1: nominee and I'm getting bit I mean bit by bugs 1467 01:21:38,880 --> 01:21:42,000 Speaker 1: and it's just it's just not I'll tell you really 1468 01:21:42,320 --> 01:21:45,880 Speaker 1: And as as someone who was snubbed, let's just say this, 1469 01:21:46,600 --> 01:21:52,479 Speaker 1: the rose of of this episode was the chars ared 1470 01:21:53,000 --> 01:21:56,400 Speaker 1: sort of energy that we feel despite a snub, despite 1471 01:21:56,439 --> 01:21:59,479 Speaker 1: a snob Oh but but but cars Art's never won 1472 01:21:59,520 --> 01:22:03,439 Speaker 1: an Emmy, never, and it's one of the greatest icons 1473 01:22:03,479 --> 01:22:05,519 Speaker 1: of the greatest icons of television. Never won a Emmy. 1474 01:22:05,600 --> 01:22:08,880 Speaker 1: That's fine. He's still charges and my Thorn was having 1475 01:22:08,960 --> 01:22:12,360 Speaker 1: to really, really really sit in the fact that my 1476 01:22:12,479 --> 01:22:16,200 Speaker 1: girl has been getting bitten up. Okay, it's okay. We 1477 01:22:16,320 --> 01:22:18,960 Speaker 1: will we will weather these together. I am so happy 1478 01:22:19,080 --> 01:22:22,560 Speaker 1: that we did this. We had an honest conversation and 1479 01:22:22,640 --> 01:22:24,640 Speaker 1: yesterday we're supposed to record the pod yesterday, and it 1480 01:22:24,760 --> 01:22:28,000 Speaker 1: wasn't the vibe. And that's why I'm saying, when you 1481 01:22:28,160 --> 01:22:30,519 Speaker 1: feel the vibe is off, especially in his own where 1482 01:22:30,560 --> 01:22:32,320 Speaker 1: their vibes have been so good, you have to sort 1483 01:22:32,320 --> 01:22:34,240 Speaker 1: of drift away from that. And yesterday was not the 1484 01:22:34,400 --> 01:22:39,080 Speaker 1: day you said that to me, And I thought, well, maybe, 1485 01:22:39,360 --> 01:22:43,000 Speaker 1: And then I thought to myself, there has been trust 1486 01:22:43,080 --> 01:22:48,160 Speaker 1: built here. My instincts have my spider spence was tingling, 1487 01:22:48,439 --> 01:22:51,439 Speaker 1: but I trusted you, and I don't do that with 1488 01:22:51,520 --> 01:22:54,280 Speaker 1: a lot of people. And yet I went on this 1489 01:22:54,360 --> 01:22:56,160 Speaker 1: journey with you, and it was the right choice because 1490 01:22:56,200 --> 01:22:58,519 Speaker 1: of course it was very jump then fall you know. 1491 01:22:59,240 --> 01:23:01,880 Speaker 1: Then you know there hasn't been a lot of Taylor 1492 01:23:02,000 --> 01:23:04,240 Speaker 1: on this trip. That's and we need to change that. 1493 01:23:04,360 --> 01:23:05,840 Speaker 1: I played wellow the other day, and I sort of 1494 01:23:05,840 --> 01:23:07,400 Speaker 1: got a sense from the girls that they didn't want Willow, 1495 01:23:07,760 --> 01:23:10,400 Speaker 1: And I was like, we're going about Taylor. It's fine, 1496 01:23:10,640 --> 01:23:13,320 Speaker 1: Um I did? I mean? Listen, Tina Burner, thank you 1497 01:23:13,360 --> 01:23:15,120 Speaker 1: for putting Welcome to New York in your mix. And 1498 01:23:15,439 --> 01:23:17,559 Speaker 1: Tina Burner has a wonderful New York mix. Of course 1499 01:23:17,600 --> 01:23:21,719 Speaker 1: she's got you know, Sinatra and um, you know, welcome 1500 01:23:21,720 --> 01:23:24,240 Speaker 1: to New York. When Welcome to New York, those are 1501 01:23:24,240 --> 01:23:25,800 Speaker 1: the show. Those are the two New York songs. Well, 1502 01:23:25,880 --> 01:23:27,680 Speaker 1: Frank Sinatra and tell her my fresh start to the 1503 01:23:27,720 --> 01:23:29,760 Speaker 1: New Yorkers of Hollywood. You know what I mean. When 1504 01:23:29,840 --> 01:23:31,559 Speaker 1: you see them in your minds, you sort of think 1505 01:23:32,120 --> 01:23:35,439 Speaker 1: New York City. And on that sort of note, on 1506 01:23:35,600 --> 01:23:44,280 Speaker 1: this jubilant charisard Era sort of um benchmark benchmark checkpoint, 1507 01:23:44,320 --> 01:23:48,200 Speaker 1: I was, we, how do you feel about ending with 1508 01:23:48,240 --> 01:23:53,240 Speaker 1: the song? I feel really good about it. Welcome to 1509 01:23:55,200 --> 01:24:01,720 Speaker 1: It's been away boy, Welcome, Welcome studio harmony, Welcome to 1510 01:24:01,960 --> 01:24:06,760 Speaker 1: New York. Oh, should we do it? We don't know. 1511 01:24:07,040 --> 01:24:09,240 Speaker 1: It's fine to end on a failed harmony. No, it's fine. 1512 01:24:09,240 --> 01:24:11,200 Speaker 1: We're in. Our charges were in. Our charges were fine.