WEBVTT - (He waved to her) (S7 E14 “Farewell, My Pet”

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<v Speaker 1>I am all in.

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<v Speaker 2>You.

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<v Speaker 3>I am all in with Scott Patterson and iHeartRadio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in Podcast, one

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<v Speaker 1>of them productions iHeart Radio, iHeart Media, iHeart Podcast joined

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<v Speaker 1>by my Skeleton crew. Today we are minus Tara Sued

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<v Speaker 1>and Danielle. It's a crushing blow, but the good news

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<v Speaker 1>is Susanne French is here. Amy Show.

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<v Speaker 3>You're going to go to a wedding. Daniel had to

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<v Speaker 3>go to a wedding, and Tara I think has an

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<v Speaker 3>appointment for her broken foot. I think she has physical

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<v Speaker 3>therapy on her foot.

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<v Speaker 1>Hmm, well, I uh.

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<v Speaker 3>Man, did you get a little bit of a cold, Scott?

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<v Speaker 3>I felt the other day when you called me.

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<v Speaker 1>I was under the weather for a couple of days,

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<v Speaker 1>and uh battled through it and now I'm just now

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<v Speaker 1>I'm just a bit stuffy.

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<v Speaker 3>Did you give it to the family?

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<v Speaker 1>No, No, Nick gave it to me.

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<v Speaker 3>Yes, that's how usually, And I didn't.

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<v Speaker 1>Care, and I wanted it and nothing was gonna stop.

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<v Speaker 3>Have a community of colds all summer.

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<v Speaker 1>Yeah, I mean, it's like, you know, everyone is kidding me.

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<v Speaker 1>We don't care. Cold's not going to slow us down.

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<v Speaker 1>We're playing around the pool all day kidding me.

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<v Speaker 3>Come back, Are you having a heat wave? Huh?

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<v Speaker 1>I wouldn't call it a heat wave, not yet. I

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<v Speaker 1>think this weekend it's going to be in the nineties

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<v Speaker 1>time this airs.

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<v Speaker 3>We will just be pasted the heatwave.

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<v Speaker 1>You guys are suffering up there, aren't you.

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<v Speaker 3>We're having one. We don't have it yet, but this

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<v Speaker 3>Saturday is supposed to be. So we're taping this on Thursday, guys,

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<v Speaker 3>just so you know. So this Saturday, I think it's

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<v Speaker 3>going to be hot.

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<v Speaker 1>Yeah. Yeah, it's going to be hot Saturday. But I mean,

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<v Speaker 1>you know, in the Midwest, on the northeastern part of

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<v Speaker 1>the United States, it's just getting wall.

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<v Speaker 3>Yeah, I saw that, be really careful.

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<v Speaker 1>Yeah, yep.

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<v Speaker 3>It's a swim team. You don't do swim team as

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<v Speaker 3>much down there as we do up here, and it's

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<v Speaker 3>going to be a hot meat on Saturday.

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<v Speaker 4>Yeah.

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<v Speaker 1>You know what, there's not a lot of swim team

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<v Speaker 1>down here.

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<v Speaker 3>Weird considering LA is so like water polo.

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<v Speaker 1>I think they do it in Mission Viejo, but I

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<v Speaker 1>think they do it in San Diego. I don't think

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<v Speaker 1>they don't do it around.

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<v Speaker 3>All teams are like huge in Northern California.

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<v Speaker 1>I miss swim team.

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<v Speaker 3>There was like five hundred people at the swimming last night.

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<v Speaker 1>Do you know at the US national qualifying for the

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<v Speaker 1>Olympics right now going on, there are three swimmers from

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<v Speaker 1>my hometown and from my swim club.

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<v Speaker 3>Three very random even though Luke can't swim, can you?

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<v Speaker 1>Before?

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<v Speaker 4>I was a.

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<v Speaker 1>Champion breaststroker by the time I was ten.

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<v Speaker 3>How's your butterfly?

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<v Speaker 1>Butterfly got stronger as I got Yeah, it's tough. I

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<v Speaker 1>was a freestyle. My sister was a beautiful freestyler because

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<v Speaker 1>she she was she was double jointed in me.

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<v Speaker 3>She tall like you.

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<v Speaker 1>No, no, I'm the only tall one in the family. Yeah,

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<v Speaker 1>everybody's like five two, five to three.

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<v Speaker 3>I saw a cue clip going viral of you and Lauren.

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<v Speaker 3>I don't know why this is like everywhere right now,

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<v Speaker 3>but it was the one where she got a new car,

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<v Speaker 3>and she says, you made fun of her cars back

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<v Speaker 3>in the day.

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<v Speaker 1>She looks. She pulled up to the studio once in

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<v Speaker 1>a tiny, little used Porsche.

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<v Speaker 3>Oh that sounds kind of right.

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<v Speaker 1>No, no, no, And I said to her, you cannot drive

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<v Speaker 1>something like that. First of all, it has a horrible suspension,

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<v Speaker 1>So you're gonna have hemorrhoids half the time. And second

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<v Speaker 1>of all, if you get in a rack, you know

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<v Speaker 1>you're not going to be available because you need you know,

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<v Speaker 1>these huge cars on the road, all these SUVs said

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<v Speaker 1>you got to get an suv. It was very concerned.

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<v Speaker 3>Did she ever get one?

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<v Speaker 1>I don't think she listen to me, but you know

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<v Speaker 1>she did. She patted me on the head, gave me

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<v Speaker 1>a coocaine. I went away.

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<v Speaker 3>Yeah, she said, coffee, coffee, coffee. Okay, Well, here we go,

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<v Speaker 3>the three of us, and we do have producer Jackie

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<v Speaker 3>that may chime in if we need her.

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<v Speaker 1>So we've got we've got season seven, episode fourteen.

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<v Speaker 3>Pet, well, my pet or Michelle.

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<v Speaker 2>I'm sad that Danielle's not here because she was concerned

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<v Speaker 2>and when you're right when we teased this week's episode

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<v Speaker 2>that it was going to be paul Anka. So I

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<v Speaker 2>hope that she still watched the episode and she she

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<v Speaker 2>will yeah, yeah, yeah, yeah.

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<v Speaker 1>Well I'm just gonna say right now, I enjoyed this

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<v Speaker 1>episode immensely. I was laughing. I was laughing until I cried, and.

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<v Speaker 3>I did get a little emotional.

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<v Speaker 1>For I did too, sort of a mess. I got

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<v Speaker 1>emotional for her, I got emotional for Michelle. Yeah. Yeah,

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<v Speaker 1>it's a pretty strong episode. I got agree.

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<v Speaker 3>That was the reason season seven kind of gets a

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<v Speaker 3>bad rap is just because of the first few episodes

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<v Speaker 3>feel off, and then it really gets its groove and

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<v Speaker 3>it's like very Gilmoury's so right.

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<v Speaker 1>You got to get through that sandbar that is christ

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<v Speaker 1>and then then the tide can begin flowing on.

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<v Speaker 3>The new team had to get their sea legs. Like

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<v Speaker 3>that's what I think.

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<v Speaker 1>But I think it was some of the funniest stuff,

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<v Speaker 1>really great stuff, and a very very strong episode for Lauren.

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<v Speaker 1>I mean, she just killed it all. Yeah, And I

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<v Speaker 1>thought ur Alexis was great her reactions to the tag.

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<v Speaker 1>I know.

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<v Speaker 3>I want to talk about the crush a lot.

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<v Speaker 1>It's really well done.

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<v Speaker 2>Should do the.

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<v Speaker 1>Synopsis synopsisizations brought to you by Suzanne French of French

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<v Speaker 1>Industries International.

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<v Speaker 3>Just kidding, I was trying to get us a question.

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<v Speaker 2>I don't know where that came from, but okay. Richard

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<v Speaker 2>is on the road to recovery and Rory returns to Yale,

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<v Speaker 2>where she meets a young ta who gets her flustered.

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<v Speaker 2>Laurel and Christopher finally realized their marriage isn't working. Meanwhile,

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<v Speaker 2>Michelle holds a dog funeral for Chinchin at the Dragonfly

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<v Speaker 2>in all great, I mean.

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<v Speaker 3>Well great, yeah, all very great. Yeah.

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<v Speaker 1>I thought a great opening as well. Oh, Kit, that

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<v Speaker 1>opening encompassed everything about Gilmour. It was the family was together,

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<v Speaker 1>it was jolly, Uh, everybody was themselves. Emily was so

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<v Speaker 1>this is that the hospital? Yeah around.

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<v Speaker 2>I loved that Richard participated in laurelized little skit that

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<v Speaker 2>she was doing.

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<v Speaker 1>Absolutely.

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<v Speaker 2>I just that was so refreshing to see it because

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<v Speaker 2>usually you know, they're they're just very straight laced.

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<v Speaker 3>But possible to not get a ten out of ten

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<v Speaker 3>when we have the core four, do you know what

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<v Speaker 3>I mean? Yeah, no offense to you, Scott Slash Luke,

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<v Speaker 3>You're you're great when you're in there too.

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<v Speaker 1>But like I'm not needed, let's face it.

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<v Speaker 3>Emily, Richard, Alex sorry, Rory, Rory, Lorelei is like they

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<v Speaker 3>it just jives. Yeah, you know, it takes us back

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<v Speaker 3>to some of the best scenes in the whole series.

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<v Speaker 3>So yeah, I like the open, and it's so nice

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<v Speaker 3>to know he's doing well and it's like we're all

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<v Speaker 3>you know, giggling instead of crying.

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<v Speaker 2>Yeah, I did laugh when Emily made some comment about

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<v Speaker 2>the the flowers that she liked best were the ones

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<v Speaker 2>that Christopher sent because they were so bright and colorful,

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<v Speaker 2>And I thought to myself, you know what, I bet

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<v Speaker 2>those came from Christopher's mom. Like I have trouble picture.

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<v Speaker 1>He gets no credit, doesn't he just weird? I was like,

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<v Speaker 1>credit awkward?

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<v Speaker 3>Okay, so then what okay?

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<v Speaker 2>So we go to the Dragonfly and this is where

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<v Speaker 2>we find out that the dog pass way Chin Chin.

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<v Speaker 2>I get Papa on Chinchin confused, but paup Paul was

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<v Speaker 2>in the scene. Chin Chin is the one that passed away.

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<v Speaker 2>Laurel I makes the friendly suggestion you should have a

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<v Speaker 2>memorial service, and Michelle says, okay, can you do it

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<v Speaker 2>by tomorrow?

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<v Speaker 1>It'll be me Yeah, exactly, yeah, but you know what.

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<v Speaker 2>The two of them kind of didn't know how to

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<v Speaker 2>react to him. They're like, oh, sorry to hear that.

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<v Speaker 3>Are you going to say?

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<v Speaker 1>It was the introduction of a storyline that bore a

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<v Speaker 1>lot of fruit at the at the end of it.

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<v Speaker 1>Immediately it was a little bit annoying. Through it, there

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<v Speaker 1>was some funny stuff through it, but man, it really

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<v Speaker 1>paid off. At the end of that narrative.

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<v Speaker 3>I totally agree with you. And right when you realize

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<v Speaker 3>what's happening, I was sort of like, oh, yeah, okay,

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<v Speaker 3>it's very like, Okay, this is gonna be kind of

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<v Speaker 3>sad but funny. It's gonna have fodder for me. I

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<v Speaker 3>can't wait to talk about the dogs. The dogs just

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<v Speaker 3>sitting in.

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<v Speaker 2>The and we haven't had a good Michelle storyline for

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<v Speaker 2>a while. Like, it was good to see some meat there.

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<v Speaker 3>I even loved the record store, but we'll get to that.

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<v Speaker 1>Okay. The record store was, Oh my god, it's so good.

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<v Speaker 2>And when he said that that Paul, Paul was very

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<v Speaker 2>upset about the situation, and they cut to just a

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<v Speaker 2>face shot of the dog and he's just looking at.

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<v Speaker 3>The Okay, great casting of all the dogs in this episode,

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<v Speaker 3>because there are some great dog faces, a great dog

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<v Speaker 3>face acting happening.

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<v Speaker 2>Yeah, so we had that was a good Like, you

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<v Speaker 2>guys know, I love the town, so it was good

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<v Speaker 2>to have a good town scene there. And then we

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<v Speaker 2>go to Paris and Rory's apartment and they're catching up

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<v Speaker 2>about the grandfather's situation and everything that Paris has been doing.

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<v Speaker 3>I had on the that was the.

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<v Speaker 1>August scene that seems seemed to go on and on

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<v Speaker 1>and on and on. Yeah, and without we get.

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<v Speaker 3>The moment right where Paris sort of says, we've tamed them. Yeah,

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<v Speaker 3>you know these boys really yeah, And it's kind of

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<v Speaker 3>like that becomes important later.

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<v Speaker 2>It was a long lead up to that, though, like

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<v Speaker 2>there was really was. She had to open the box.

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<v Speaker 1>Right when she finally said that, I said, boy, they

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<v Speaker 1>could have cut out ten minutes and just gotten to

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<v Speaker 1>that a little quicker.

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<v Speaker 3>This is the gift for logan that leads to the yep, yep.

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<v Speaker 2>Yeah. And then Paris was going on about beta blockers

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<v Speaker 2>and all that kind of stuff, which she actually was correct,

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<v Speaker 2>but we didn't need to have that in although I

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<v Speaker 2>did laugh that she went to a frat party and

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<v Speaker 2>then wrote a summary of it for Rory.

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<v Speaker 3>That was classic trying to sort of a commish her

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<v Speaker 3>college bucket list is actually amusing. It actually is, like

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<v Speaker 3>it's not irritating, it's funny.

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<v Speaker 2>It was just so Paris to me to write up

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<v Speaker 2>a summary of a frat party and there's no you know, they.

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<v Speaker 3>Seem to sort of be getting along great and she's

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<v Speaker 3>Paris has really found her, Like, she's not quite as annoying. Yeah,

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<v Speaker 3>he's sort of cool in a way, in a weird,

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<v Speaker 3>peculiar way, in her weird way anyway.

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<v Speaker 2>Yeah, Rory seemed upset, or maybe not upset, but disappointed

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<v Speaker 2>when Paris made the comment that you broke him, you

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<v Speaker 2>own him. So she didn't seem happy about that.

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<v Speaker 3>No, because it's an uncomfortable thing, like you don't want

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<v Speaker 3>to feel like you you pamed your guy and forced

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<v Speaker 3>him to like you and be different. Like I got why.

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<v Speaker 3>She was like, oh, that's not what I wanted.

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<v Speaker 1>Yeah, yeah, it means that you're in a settled relationship,

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<v Speaker 1>a settled, committed relationship. Practice play with children, right, because at.

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<v Speaker 3>That point, aymore dot, it is like changing Logan, and

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<v Speaker 3>that's never what she wanted to do.

0:12:10.080 --> 0:12:13.840
<v Speaker 2>Well, but she did. I mean, Paris wasn't wrong.

0:12:14.800 --> 0:12:17.280
<v Speaker 3>Oh none, neither are wrong. Paris is right, but also

0:12:17.360 --> 0:12:19.840
<v Speaker 3>Rory's right to sort of feel funny about it because

0:12:19.880 --> 0:12:23.480
<v Speaker 3>she wanted Logan to be Logan, but to be committed

0:12:23.520 --> 0:12:26.679
<v Speaker 3>to her. I don't know that she's ever expected Logan

0:12:26.760 --> 0:12:32.200
<v Speaker 3>to suddenly be somebody totally different. She likes him, she

0:12:32.480 --> 0:12:35.240
<v Speaker 3>wants him to be him. But I think, yeah, I

0:12:35.280 --> 0:12:37.520
<v Speaker 3>just think it's a little jarring for her to think

0:12:37.559 --> 0:12:40.520
<v Speaker 3>like you tamed him, like you could kick him and

0:12:40.559 --> 0:12:41.800
<v Speaker 3>he won't go run.

0:12:42.200 --> 0:12:44.480
<v Speaker 1>She doesn't. She doesn't. She doesn't want all the power.

0:12:44.720 --> 0:12:44.920
<v Speaker 1>You know.

0:12:45.200 --> 0:12:47.520
<v Speaker 3>That's right. That's exactly right. There you go, that's right,

0:12:47.559 --> 0:12:47.880
<v Speaker 3>that's right.

0:12:48.000 --> 0:12:48.240
<v Speaker 4>Yeah.

0:12:49.040 --> 0:12:50.839
<v Speaker 1>Yeah, so that's it.

0:12:51.559 --> 0:12:56.079
<v Speaker 3>Mm hmmm. So I thought her portrayal of being kind

0:12:56.120 --> 0:13:01.120
<v Speaker 3>of uh yeah, yeah, was what we wanted.

0:13:02.960 --> 0:13:05.920
<v Speaker 2>Yeah, I can see that. I guess Paris. I don't

0:13:05.960 --> 0:13:09.480
<v Speaker 2>think she necessarily meant it in a negative way, though.

0:13:09.800 --> 0:13:12.520
<v Speaker 3>Well, Paris is proud of it. She's stopd Paris is

0:13:12.559 --> 0:13:14.600
<v Speaker 3>like I tamed that. First of all, she's comparing Doyle

0:13:14.640 --> 0:13:17.240
<v Speaker 3>to Logan, which is just like, well, yeah, they tamed

0:13:17.240 --> 0:13:20.439
<v Speaker 3>these guys, and it's like cool apples oranges. But hm,

0:13:20.840 --> 0:13:22.840
<v Speaker 3>but she's talking about how Doyle's in bed thinking of

0:13:22.920 --> 0:13:28.800
<v Speaker 3>baby names, and she's like happy about it, whereas Rory's

0:13:28.840 --> 0:13:29.760
<v Speaker 3>like not so sure.

0:13:30.600 --> 0:13:35.120
<v Speaker 2>Yeah, I mean he's he definitely changed away from you know,

0:13:35.200 --> 0:13:39.160
<v Speaker 2>his philandering way. I mean, filandering is not the right word.

0:13:39.200 --> 0:13:40.880
<v Speaker 2>I'm having trouble with vocabulary.

0:13:40.720 --> 0:13:44.679
<v Speaker 3>He was he was a cheating cat and around dude.

0:13:44.679 --> 0:13:48.280
<v Speaker 2>And but he he changed for her. I mean so

0:13:48.320 --> 0:13:50.280
<v Speaker 2>that I don't know. That's just is a good thing.

0:13:50.360 --> 0:13:51.000
<v Speaker 1>So I it.

0:13:51.080 --> 0:13:56.640
<v Speaker 2>Seems in a positive way, but Rory took it in

0:13:56.679 --> 0:13:58.560
<v Speaker 2>a negative way. So that's all I'm.

0:13:58.720 --> 0:14:01.520
<v Speaker 1>But I think there's there's so up this Logan Roy

0:14:01.520 --> 0:14:07.560
<v Speaker 1>relationship as as a potential lifelong relationship. It's the potential. Yeah,

0:14:07.600 --> 0:14:12.120
<v Speaker 1>you know, this is a serious relationship and this could potentially.

0:14:11.559 --> 0:14:14.960
<v Speaker 3>Soil in Paris, which we do eventually find out what

0:14:15.120 --> 0:14:19.320
<v Speaker 3>happens with them, yeah, thing, which is also a critique

0:14:19.360 --> 0:14:22.560
<v Speaker 3>of a book. People are now also don't know if

0:14:22.560 --> 0:14:24.720
<v Speaker 3>they want us to call it movies or mini series,

0:14:24.760 --> 0:14:27.160
<v Speaker 3>but it seems that they're okay with movies. Scott, what

0:14:27.320 --> 0:14:30.520
<v Speaker 3>would what did they call them when you did them? Movies?

0:14:31.800 --> 0:14:35.360
<v Speaker 1>Episodes? Okay, they always wanted to call them episodes for

0:14:35.400 --> 0:14:37.960
<v Speaker 1>some reason and not movies, but they were movies. They

0:14:37.960 --> 0:14:41.040
<v Speaker 1>were hour and a half movies out commercial interruption.

0:14:41.920 --> 0:14:44.320
<v Speaker 2>I mean on Netflix they're called episodes.

0:14:44.400 --> 0:14:46.800
<v Speaker 3>So maybe so the people are right yelling at me

0:14:46.840 --> 0:14:49.400
<v Speaker 3>about calling them movies. To me, they're movies for movies,

0:14:49.440 --> 0:14:51.760
<v Speaker 3>but you know, okay.

0:14:51.080 --> 0:14:55.040
<v Speaker 1>They are feature length of romantic comedy films.

0:14:55.120 --> 0:14:59.200
<v Speaker 3>Yeah, yeah, they for to keep everyone happy, we'll call them.

0:14:59.280 --> 0:15:01.800
<v Speaker 1>For all intents and purpose. But there are episodes as well,

0:15:01.840 --> 0:15:05.320
<v Speaker 1>and I think, so, yeah, we do very long episodes.

0:15:05.440 --> 0:15:07.280
<v Speaker 3>What happens with Paris and Doyle, But we won't get

0:15:07.320 --> 0:15:07.960
<v Speaker 3>into that right now.

0:15:17.240 --> 0:15:21.600
<v Speaker 2>So then it goes back to the Dragonfly and this

0:15:21.640 --> 0:15:23.080
<v Speaker 2>is where Christopher shows up.

0:15:23.640 --> 0:15:24.040
<v Speaker 1>Mm hmm.

0:15:26.400 --> 0:15:28.600
<v Speaker 2>I had some I had a bone to pick with

0:15:28.680 --> 0:15:29.880
<v Speaker 2>Christopher on this scene.

0:15:30.080 --> 0:15:32.400
<v Speaker 3>Give it yeah, I think it's so.

0:15:33.320 --> 0:15:36.720
<v Speaker 2>He comes yeah, well the first that first, but he

0:15:36.840 --> 0:15:39.400
<v Speaker 2>comes in and is he's defensive from the get go,

0:15:39.640 --> 0:15:45.280
<v Speaker 2>and he's basically I needed space Lorelei, which was ridiculous

0:15:45.320 --> 0:15:48.200
<v Speaker 2>because she told him in the beginning she needed time

0:15:48.360 --> 0:15:50.000
<v Speaker 2>to kind of get used to the whole thing, and

0:15:50.040 --> 0:15:52.720
<v Speaker 2>he said okay, and then he pushed, pushed, pushed her

0:15:52.760 --> 0:15:55.080
<v Speaker 2>into getting married and wanting to have kids and blah

0:15:55.080 --> 0:15:58.160
<v Speaker 2>blah blah. So he's you're married, you have to give

0:15:58.240 --> 0:16:00.560
<v Speaker 2>her time, but she's expected to give him time.

0:16:00.600 --> 0:16:00.920
<v Speaker 1>I had a.

0:16:00.920 --> 0:16:05.240
<v Speaker 3>Paye're married, you'll get to just disappear. Yeah, but he

0:16:06.280 --> 0:16:06.720
<v Speaker 3>do what.

0:16:06.640 --> 0:16:10.280
<v Speaker 1>He did as a rocketn't he that guy? That's the

0:16:10.360 --> 0:16:12.080
<v Speaker 1>kind of thing you want to hang your hat on.

0:16:12.800 --> 0:16:16.040
<v Speaker 2>And she nailed it when she said I wasn't surprised

0:16:16.040 --> 0:16:18.360
<v Speaker 2>that you weren't there. And he's like, that's not fair.

0:16:18.400 --> 0:16:20.280
<v Speaker 2>I'm like what you know, I even said to my hazar,

0:16:20.280 --> 0:16:22.000
<v Speaker 2>I'm like, well, but it's true, Like it's.

0:16:21.840 --> 0:16:26.560
<v Speaker 1>Not it's just right. It's not unfair that.

0:16:26.560 --> 0:16:30.640
<v Speaker 3>He should have just shown up at her work. That's challenging.

0:16:31.360 --> 0:16:35.000
<v Speaker 1>Yeah, yeah, yeah, he's acting like he plays the victim

0:16:35.160 --> 0:16:38.120
<v Speaker 1>very very well, like I'm being whipsawed in between you

0:16:38.200 --> 0:16:41.280
<v Speaker 1>and your life and your emotions and Luke and all

0:16:41.320 --> 0:16:42.280
<v Speaker 1>of this, and I can't.

0:16:42.160 --> 0:16:43.840
<v Speaker 3>Hit play the victim.

0:16:44.080 --> 0:16:48.200
<v Speaker 1>He really does. He always turns it back on him.

0:16:48.720 --> 0:16:52.240
<v Speaker 1>It's about him all the time and his feelings. It's

0:16:52.360 --> 0:16:54.640
<v Speaker 1>uncomfortable to watch, you know.

0:16:54.800 --> 0:16:58.640
<v Speaker 2>Yeah, And he is uncomfortable to have to.

0:16:58.520 --> 0:17:02.640
<v Speaker 1>Manage this guy, right, he's really he's a he's a

0:17:02.760 --> 0:17:03.800
<v Speaker 1>full time job.

0:17:04.440 --> 0:17:07.720
<v Speaker 2>Yeah. And he's trying to say, well, you know, he

0:17:08.119 --> 0:17:10.159
<v Speaker 2>wasn't there because he didn't want to see Luke. I

0:17:10.160 --> 0:17:11.600
<v Speaker 2>mean that's completely yes.

0:17:11.560 --> 0:17:12.639
<v Speaker 3>Like that's so amazing.

0:17:12.640 --> 0:17:14.399
<v Speaker 2>You don't worry about that when you have a family

0:17:14.440 --> 0:17:15.040
<v Speaker 2>price at all.

0:17:15.440 --> 0:17:20.400
<v Speaker 3>So really, a full total of ten minutes right out

0:17:20.440 --> 0:17:22.960
<v Speaker 3>of like days and hours what?

0:17:23.640 --> 0:17:26.679
<v Speaker 1>Yeah, it's just beyond the pale.

0:17:27.400 --> 0:17:31.520
<v Speaker 2>Yeah, and about the work thing, it just shows that

0:17:31.640 --> 0:17:36.120
<v Speaker 2>like again, everything is on his timeline what works for him,

0:17:36.240 --> 0:17:38.080
<v Speaker 2>and it doesn't like occur to him that you know,

0:17:38.160 --> 0:17:41.280
<v Speaker 2>maybe Lorelai is, you know, working when she's at work,

0:17:41.560 --> 0:17:43.400
<v Speaker 2>maybe she doesn't want to talk to you at work.

0:17:43.440 --> 0:17:46.240
<v Speaker 2>But it's like he wanted to go right then, so

0:17:46.280 --> 0:17:46.760
<v Speaker 2>he didn't.

0:17:47.440 --> 0:17:49.320
<v Speaker 3>I didn't want to treat it in in the diner

0:17:49.520 --> 0:17:51.960
<v Speaker 3>as not workplaces, do you know what I'm saying? Like

0:17:52.080 --> 0:17:55.760
<v Speaker 3>they are, of course, but like everybody just goes into

0:17:55.760 --> 0:17:58.840
<v Speaker 3>the diner and you know, here's my baby, like, here's

0:17:58.840 --> 0:18:02.879
<v Speaker 3>my drama say thing at the like, oh, well, I

0:18:02.960 --> 0:18:05.480
<v Speaker 3>know you're working, but you must have all the time

0:18:05.480 --> 0:18:08.240
<v Speaker 3>in the world to deal with my problems, you know whatever,

0:18:08.440 --> 0:18:09.879
<v Speaker 3>Paris haven't lunch. The whole thing.

0:18:09.920 --> 0:18:13.080
<v Speaker 1>It's really but I will say, expertly played by David Suckcliffe.

0:18:13.160 --> 0:18:17.399
<v Speaker 1>I mean he really really commits to that. You really

0:18:17.640 --> 0:18:22.359
<v Speaker 1>feel these feelings towards that character. That's because he's he's.

0:18:22.240 --> 0:18:25.560
<v Speaker 3>Always played that guy. Really, am I right?

0:18:25.680 --> 0:18:28.600
<v Speaker 1>Like he's really good? Yeah, he really is. Yeah, he's

0:18:28.720 --> 0:18:29.480
<v Speaker 1>really skilled.

0:18:30.680 --> 0:18:32.440
<v Speaker 2>Yeah, I thought I thought he did a good job

0:18:32.480 --> 0:18:33.840
<v Speaker 2>in this episode.

0:18:33.880 --> 0:18:37.200
<v Speaker 1>I mean, geez, he doesn't shy away from the job

0:18:37.280 --> 0:18:40.040
<v Speaker 1>that he knows that he has to do to contribute

0:18:40.040 --> 0:18:41.200
<v Speaker 1>to this storytelling.

0:18:41.320 --> 0:18:45.080
<v Speaker 3>And it's just her, She's just Lauren Graham is.

0:18:45.000 --> 0:18:48.280
<v Speaker 1>Like, oh yeah, I mean just she's in every scene

0:18:48.280 --> 0:18:51.919
<v Speaker 1>and she's crushing it every single scene, every scene. You

0:18:51.960 --> 0:18:54.800
<v Speaker 1>know what tiring that is, you know, exult you know

0:18:54.800 --> 0:18:58.000
<v Speaker 1>what's focus and concentration that takes. It's it's exhausting. Here

0:18:58.320 --> 0:19:01.280
<v Speaker 1>is that her calling? Did you are you actually?

0:19:08.440 --> 0:19:12.040
<v Speaker 2>I mean Scott Sullivan's crossing must be like that too, right,

0:19:12.119 --> 0:19:15.600
<v Speaker 2>because Sully it has a lot of emotions.

0:19:15.960 --> 0:19:17.480
<v Speaker 1>Yeah, but I'm not in every scene.

0:19:18.119 --> 0:19:19.080
<v Speaker 2>Yeah, that's true.

0:19:19.240 --> 0:19:21.600
<v Speaker 1>I mean I'm not carrying that thing. The lead is

0:19:21.760 --> 0:19:26.000
<v Speaker 1>like really, you know, to be the lead on Gilmour

0:19:26.080 --> 0:19:29.360
<v Speaker 1>Girls is to She's practically in every scene. They were

0:19:29.400 --> 0:19:32.680
<v Speaker 1>practically in every scene. Those two yeahs.

0:19:32.160 --> 0:19:34.520
<v Speaker 3>Are like three times what a normal.

0:19:34.359 --> 0:19:39.120
<v Speaker 1>Right, And it was exhausting. It's the amount of focus

0:19:39.359 --> 0:19:44.240
<v Speaker 1>and endurance that that took to get through a to

0:19:44.280 --> 0:19:46.480
<v Speaker 1>get through a day, much less a week or a

0:19:46.560 --> 0:19:48.320
<v Speaker 1>month or an entire season.

0:19:48.359 --> 0:19:50.840
<v Speaker 3>It's just, oh my god, were you like exhausted when

0:19:50.880 --> 0:19:55.080
<v Speaker 3>you came home? Like would you just like crash, yes, yeah,

0:19:55.240 --> 0:19:56.240
<v Speaker 3>and did anyone now.

0:19:56.359 --> 0:19:58.000
<v Speaker 1>On this episode, I just had to show up and

0:19:58.040 --> 0:19:59.560
<v Speaker 1>wave so I hate But.

0:19:59.600 --> 0:20:01.440
<v Speaker 3>And then did you ever nap in your trailer? I

0:20:01.440 --> 0:20:02.960
<v Speaker 3>would think people would have to like lay down and

0:20:03.000 --> 0:20:04.760
<v Speaker 3>take a little nap. Yet, oh yeah, because it's like

0:20:04.840 --> 0:20:05.480
<v Speaker 3>so gnarly.

0:20:05.880 --> 0:20:06.400
<v Speaker 4>Yeah.

0:20:06.480 --> 0:20:08.640
<v Speaker 1>I would often fall asleep with food in my mouth,

0:20:08.760 --> 0:20:13.920
<v Speaker 1>which is not as.

0:20:11.680 --> 0:20:13.080
<v Speaker 3>Long as it's not gum.

0:20:13.400 --> 0:20:13.560
<v Speaker 1>Yeah.

0:20:13.800 --> 0:20:15.879
<v Speaker 3>I always like spear gum out before you sleep.

0:20:16.000 --> 0:20:17.720
<v Speaker 1>She was like a couple of French fries hanging out

0:20:17.720 --> 0:20:18.160
<v Speaker 1>of my mouth.

0:20:19.840 --> 0:20:21.280
<v Speaker 3>Yeah, okay, So then what happened?

0:20:21.480 --> 0:20:25.639
<v Speaker 2>So after the so they argue with the dragonfly, and

0:20:25.640 --> 0:20:28.000
<v Speaker 2>then the very next scene, Laura I turns around and

0:20:28.119 --> 0:20:31.800
<v Speaker 2>is defending Christopher when she's talking to Rory on the phone.

0:20:31.800 --> 0:20:33.280
<v Speaker 3>Oh, she just can't. She's not going to throw the

0:20:33.359 --> 0:20:34.120
<v Speaker 3>dad under the bus.

0:20:34.160 --> 0:20:35.080
<v Speaker 1>And I respect it.

0:20:35.080 --> 0:20:37.920
<v Speaker 3>It's like, you know what, She's just always going to

0:20:37.960 --> 0:20:41.920
<v Speaker 3>protect her dad no matter what, and she's been doing

0:20:42.000 --> 0:20:45.000
<v Speaker 3>it since he didn't show up. So yeah, I get it.

0:20:45.040 --> 0:20:45.880
<v Speaker 3>I'm all for it.

0:20:46.320 --> 0:20:48.960
<v Speaker 2>I mean, but at the same time, like Rory is

0:20:49.160 --> 0:20:50.720
<v Speaker 2>twenty two now, she can.

0:20:50.640 --> 0:20:53.280
<v Speaker 3>Still the kid's going on. I don't care when you're fifty.

0:20:53.680 --> 0:20:56.199
<v Speaker 3>You should not throw the other parent under the bus.

0:20:56.240 --> 0:20:58.680
<v Speaker 3>It's just like, let's not be doing that. And I'm

0:20:58.720 --> 0:21:02.440
<v Speaker 3>all for team Laura on that most of the time

0:21:03.840 --> 0:21:05.160
<v Speaker 3>does take the high road.

0:21:05.560 --> 0:21:10.520
<v Speaker 1>Classy move, class move, Yeah, yeah, you don't. You don't

0:21:10.560 --> 0:21:14.880
<v Speaker 1>pollute your kid with that stuff. Parents should not do that.

0:21:16.600 --> 0:21:20.760
<v Speaker 2>And so this is when we meet the Ta. So

0:21:20.920 --> 0:21:25.840
<v Speaker 2>she walks in. I thought this, this was a little

0:21:26.000 --> 0:21:26.880
<v Speaker 2>over the top that.

0:21:29.560 --> 0:21:32.840
<v Speaker 1>I think, good, so good.

0:21:33.080 --> 0:21:36.960
<v Speaker 3>Dorky and doopy. And my thing is like, the Ta

0:21:37.160 --> 0:21:43.000
<v Speaker 3>is great, but is he warranting all that? Yeah, I

0:21:43.040 --> 0:21:44.240
<v Speaker 3>mean it's a funny.

0:21:44.400 --> 0:21:47.840
<v Speaker 1>Bit, but why not, I mean, why not?

0:21:49.160 --> 0:21:53.000
<v Speaker 3>And she's like, yeah, you know, yeah, it's a funny

0:21:53.920 --> 0:21:58.480
<v Speaker 3>sort of lever bit that we've never really seen Rory

0:21:58.560 --> 0:22:02.199
<v Speaker 3>that much before. We've little bit where she's mixed, but

0:22:02.320 --> 0:22:03.040
<v Speaker 3>like it's cute.

0:22:03.400 --> 0:22:09.120
<v Speaker 1>She acted that beautifully instant attraction, instant gobsmacked, just great.

0:22:09.240 --> 0:22:11.680
<v Speaker 3>Yeah, just actively goofy, dorky.

0:22:11.840 --> 0:22:13.240
<v Speaker 1>Yeah, yeah, loved it.

0:22:13.920 --> 0:22:14.400
<v Speaker 4>Loved it.

0:22:14.480 --> 0:22:16.720
<v Speaker 1>And then and then and then and then and then

0:22:17.119 --> 0:22:19.200
<v Speaker 1>and then Paris comes around the corner and tries to

0:22:19.200 --> 0:22:20.840
<v Speaker 1>tell her something. She said, what's wrong with you?

0:22:21.760 --> 0:22:25.560
<v Speaker 3>Sort of not quite as good as I carried a watermelon.

0:22:25.720 --> 0:22:28.600
<v Speaker 3>Do you guys know I carried a watermelon? Okay, So

0:22:28.720 --> 0:22:35.120
<v Speaker 3>in Dirty Dancing, when Baby meets Patrick Swayzee for the

0:22:35.160 --> 0:22:38.280
<v Speaker 3>first really meets him for the first time, she comes

0:22:38.320 --> 0:22:42.359
<v Speaker 3>to a party with like his cousin or something. Somehow

0:22:42.400 --> 0:22:44.639
<v Speaker 3>she gets into this party that's really just the staff

0:22:44.640 --> 0:22:48.920
<v Speaker 3>at Dirty Dancing, and she He's like, how'd you get

0:22:48.960 --> 0:22:51.239
<v Speaker 3>in here? And she's like, I carried a watermelon and

0:22:51.280 --> 0:22:56.040
<v Speaker 3>she's literally like like anyone who's seen it knows that's

0:22:56.040 --> 0:22:59.359
<v Speaker 3>exactly what Rory's doing. Like right after she's just like,

0:22:59.480 --> 0:23:02.640
<v Speaker 3>oh my god, like it just deliver.

0:23:03.040 --> 0:23:05.400
<v Speaker 1>Yeah, good stuff.

0:23:06.640 --> 0:23:10.040
<v Speaker 2>And then one little side thing I laughed at in

0:23:10.040 --> 0:23:13.879
<v Speaker 2>that episode was or in that scene, was when Rory

0:23:13.960 --> 0:23:16.600
<v Speaker 2>made a comment I'm sorry, Laura. I made a comment

0:23:16.680 --> 0:23:19.119
<v Speaker 2>about how she doesn't know how to program her speed

0:23:19.160 --> 0:23:23.280
<v Speaker 2>dial something like that, but then she had programmed Luke's

0:23:23.320 --> 0:23:26.120
<v Speaker 2>speed dial back in sixth and seasonally.

0:23:28.040 --> 0:23:30.119
<v Speaker 1>Will issue the appropriate I know.

0:23:30.560 --> 0:23:33.400
<v Speaker 2>I can't help it. Somebody said I was too nitpicky, but.

0:23:35.080 --> 0:23:36.000
<v Speaker 3>We live for that.

0:23:36.119 --> 0:23:40.320
<v Speaker 1>We live and we will, we will, we will assign

0:23:41.200 --> 0:23:43.480
<v Speaker 1>penalties with interest.

0:23:43.920 --> 0:23:46.560
<v Speaker 2>It's just how I am. You can ask my family.

0:23:48.040 --> 0:23:50.440
<v Speaker 2>So then we go to Laurea Liy's house and Christopher

0:23:50.640 --> 0:23:54.919
<v Speaker 2>is in the house, which I thought was interesting. And

0:23:54.960 --> 0:23:55.920
<v Speaker 2>did you notice.

0:23:55.640 --> 0:23:59.080
<v Speaker 3>Wolf girl that I actually I did, I did, I did.

0:23:59.359 --> 0:24:02.400
<v Speaker 3>Good guy girl was sitting there in that weird basket

0:24:02.480 --> 0:24:03.000
<v Speaker 3>kind of right.

0:24:03.320 --> 0:24:05.160
<v Speaker 2>Yeah, it was like a bath always.

0:24:05.520 --> 0:24:07.760
<v Speaker 3>Yeah, and I sort of expected him to be there

0:24:09.760 --> 0:24:11.560
<v Speaker 3>and this is his house sort of right.

0:24:11.440 --> 0:24:14.120
<v Speaker 2>Now, Yeah, I mean I guess technically he does still

0:24:14.160 --> 0:24:14.560
<v Speaker 2>live there.

0:24:15.560 --> 0:24:18.000
<v Speaker 3>It's true. I don't think she's fully thinks they're over,

0:24:18.240 --> 0:24:21.879
<v Speaker 3>so yeah, And this is then he tells her he

0:24:22.000 --> 0:24:25.080
<v Speaker 3>got in the fight with Luke at the gazebo, so

0:24:25.240 --> 0:24:28.120
<v Speaker 3>kind of random. I'm glad we sort of acknowledged it,

0:24:28.920 --> 0:24:31.320
<v Speaker 3>but like we would have kept that to myself father,

0:24:31.520 --> 0:24:32.880
<v Speaker 3>I know. I was like, why Father.

0:24:33.560 --> 0:24:39.880
<v Speaker 2>Really served him to mention that to her? No, I agree,

0:24:40.160 --> 0:24:43.800
<v Speaker 2>And this is where he finally admits that he pushed

0:24:43.840 --> 0:24:48.919
<v Speaker 2>her into marriage. So that was a turning point for me,

0:24:49.080 --> 0:24:53.840
<v Speaker 2>is that he's finally admitting that he was kind of

0:24:53.880 --> 0:24:56.040
<v Speaker 2>the aggressor in this situation.

0:24:57.400 --> 0:25:00.760
<v Speaker 3>And she went along with it. I don't blame him

0:25:00.760 --> 0:25:07.360
<v Speaker 3>for that. I don't blame him for like he wanted it,

0:25:07.520 --> 0:25:09.720
<v Speaker 3>so he pushed for it, and she did it. I'm

0:25:09.760 --> 0:25:12.000
<v Speaker 3>not going to blame him for her doing it.

0:25:12.880 --> 0:25:17.560
<v Speaker 1>She did it. He did it out of desperation, mask as.

0:25:17.720 --> 0:25:19.960
<v Speaker 3>She was a strong woman who could have been like

0:25:20.000 --> 0:25:24.800
<v Speaker 3>this is way too soon. No, well, yeah, I mean.

0:25:24.720 --> 0:25:27.119
<v Speaker 2>To some extent, but she did tell him in Paris

0:25:27.160 --> 0:25:29.200
<v Speaker 2>that she didn't want to get married without Rory.

0:25:29.760 --> 0:25:30.399
<v Speaker 3>Then she did it.

0:25:30.840 --> 0:25:34.320
<v Speaker 2>She was in a vulnerable moment, she was not handcuffed.

0:25:34.960 --> 0:25:35.479
<v Speaker 3>She did it.

0:25:36.520 --> 0:25:39.840
<v Speaker 1>He was shooting, he was shooting his shot, and she

0:25:39.960 --> 0:25:40.320
<v Speaker 1>did it.

0:25:40.480 --> 0:25:43.800
<v Speaker 3>So I took Yeah, ultimately that's not on him, but

0:25:44.040 --> 0:25:45.960
<v Speaker 3>you know, there's a lot on him, but that one.

0:25:46.040 --> 0:25:47.359
<v Speaker 3>I'm like, what, she did it?

0:25:48.280 --> 0:25:53.360
<v Speaker 1>All right? So he said, kits, Yeah.

0:25:54.400 --> 0:25:56.040
<v Speaker 3>It's making me think of the line. Don't let me

0:25:56.080 --> 0:25:57.960
<v Speaker 3>forget to really talk about the line, she says at

0:25:58.000 --> 0:25:59.840
<v Speaker 3>the end, because I want to talk about that, but anyway,

0:26:00.960 --> 0:26:01.280
<v Speaker 3>go ahead.

0:26:02.320 --> 0:26:06.480
<v Speaker 2>So then they go from kind of the arguing scene

0:26:06.480 --> 0:26:09.040
<v Speaker 2>where now she's trying to convince him that they can

0:26:09.080 --> 0:26:12.600
<v Speaker 2>work it out because he's he says, I don't think

0:26:12.640 --> 0:26:17.199
<v Speaker 2>this can work. I that didn't feel genuine to me

0:26:17.400 --> 0:26:19.840
<v Speaker 2>when she was trying to convince him that they can

0:26:19.880 --> 0:26:22.120
<v Speaker 2>work this out. I don't know why it didn't really

0:26:22.160 --> 0:26:22.800
<v Speaker 2>read true.

0:26:23.080 --> 0:26:26.840
<v Speaker 1>It didn't feel genuine for me what he was saying

0:26:26.920 --> 0:26:29.159
<v Speaker 1>to her, Thank you, Scott. I told thought he was

0:26:29.240 --> 0:26:32.359
<v Speaker 1>being manipulated. I thought he was being manipulative. I totally

0:26:32.400 --> 0:26:35.720
<v Speaker 1>agree that's that's a victim mentality right there.

0:26:36.080 --> 0:26:38.760
<v Speaker 3>I agree. It's like, this guy, this is all you wanted,

0:26:38.840 --> 0:26:41.439
<v Speaker 3>this is all you've ever wanted. Now you have it,

0:26:41.480 --> 0:26:44.440
<v Speaker 3>and you're throwing in the towel like so easily, even

0:26:44.480 --> 0:26:47.439
<v Speaker 3>though she's there saying we can work this out, like

0:26:47.480 --> 0:26:49.560
<v Speaker 3>he should be like all right, let's try. Like I

0:26:49.560 --> 0:26:52.439
<v Speaker 3>don't get it. I don't find him to be I

0:26:52.520 --> 0:26:55.000
<v Speaker 3>find him to be like now I feel like, okay,

0:26:55.240 --> 0:26:56.760
<v Speaker 3>hurry up, let's get rid of this guy. That's a

0:26:56.800 --> 0:27:00.000
<v Speaker 3>little bit how I feel like, Okay, yeah, on your episode,

0:27:00.560 --> 0:27:02.959
<v Speaker 3>we've had this storyline. Let's get you out of here.

0:27:03.200 --> 0:27:04.479
<v Speaker 3>It's just labor.

0:27:05.000 --> 0:27:07.800
<v Speaker 1>It's like getting too whimpy for words. It's like, yeah, okay,

0:27:07.960 --> 0:27:12.720
<v Speaker 1>go away, you know with this Yeah yeah.

0:27:12.760 --> 0:27:16.200
<v Speaker 2>And so then he decides to go back to his mom's,

0:27:16.600 --> 0:27:19.680
<v Speaker 2>which I mean, if you want to try to work

0:27:19.720 --> 0:27:24.280
<v Speaker 2>things out, you would stay there.

0:27:24.960 --> 0:27:27.359
<v Speaker 3>And he's just so like giving up, which is just

0:27:28.040 --> 0:27:32.960
<v Speaker 3>doesn't track whatever okay, fine, bye Christopher. You know I'm

0:27:33.000 --> 0:27:36.119
<v Speaker 3>kind of done with you too. Yeah, thanks for coming.

0:27:37.920 --> 0:27:41.199
<v Speaker 2>So the next scene, I I wasn't a fan of

0:27:41.200 --> 0:27:44.119
<v Speaker 2>this scene. Michelle was really mad at Laura Lai because

0:27:44.160 --> 0:27:47.840
<v Speaker 2>they hadn't done enough work on the funeral in his opinion,

0:27:47.880 --> 0:27:50.800
<v Speaker 2>and the way he screamed at her, I didn't like caustic.

0:27:51.080 --> 0:27:53.640
<v Speaker 1>Wait a minute, wait was this at the front desk? Yes,

0:27:54.080 --> 0:27:56.399
<v Speaker 1>when she snapped at him and said, listen, I got

0:27:56.400 --> 0:28:00.359
<v Speaker 1>a lot going on in yeah, I laughed so hard.

0:28:01.000 --> 0:28:03.199
<v Speaker 1>When he's his I had one hit one of the

0:28:03.200 --> 0:28:06.239
<v Speaker 1>greatest lines. He got very quiet, and he said, I

0:28:06.280 --> 0:28:09.520
<v Speaker 1>will try to plan the next death so it's more

0:28:09.560 --> 0:28:13.520
<v Speaker 1>convenient for you. I mean, it was just I thought

0:28:13.520 --> 0:28:17.120
<v Speaker 1>the scene was like it was a little cliched. I've

0:28:17.119 --> 0:28:17.919
<v Speaker 1>seen that scene.

0:28:18.040 --> 0:28:20.040
<v Speaker 3>Yeah, yeah, yeah, you've seen the.

0:28:20.040 --> 0:28:22.920
<v Speaker 1>Scene a million times before. But it just them, those

0:28:22.960 --> 0:28:23.880
<v Speaker 1>two doing it.

0:28:24.280 --> 0:28:27.440
<v Speaker 3>Yeah, no one could be that mad at somebody that's

0:28:27.480 --> 0:28:30.080
<v Speaker 3>sort of trying to do them a favor like he.

0:28:30.240 --> 0:28:32.000
<v Speaker 3>But but it is a little bit Michelle wish.

0:28:32.119 --> 0:28:36.119
<v Speaker 1>So wait a minute, in his world, that's not just

0:28:36.119 --> 0:28:39.440
<v Speaker 1>as that's his child. That does right, that's a big deal.

0:28:40.880 --> 0:28:43.160
<v Speaker 1>You know, that's a big deal and he wants to

0:28:43.160 --> 0:28:45.080
<v Speaker 1>take it there. So I got the anger. I didn't

0:28:45.120 --> 0:28:49.480
<v Speaker 1>mind the anger. He just because he needed that anger

0:28:49.520 --> 0:28:51.960
<v Speaker 1>to deliver that line to he needed they needed the

0:28:52.000 --> 0:28:53.840
<v Speaker 1>anger so she would snap at him so he could

0:28:53.840 --> 0:28:55.960
<v Speaker 1>say the line, I've seen it.

0:28:56.120 --> 0:28:58.360
<v Speaker 3>With Suki and Lorelia. That's coming.

0:28:58.920 --> 0:29:01.440
<v Speaker 2>That's that's two scenes away.

0:29:01.640 --> 0:29:08.760
<v Speaker 1>So funny, that's the red meat I want from Michelle. Yah. Yeah, great,

0:29:08.960 --> 0:29:10.880
<v Speaker 1>just turning great lines like that.

0:29:12.760 --> 0:29:17.840
<v Speaker 2>Yeah, I think that like to get to that, the

0:29:17.880 --> 0:29:21.640
<v Speaker 2>delivery of that line. Yes, But I just thought he

0:29:21.800 --> 0:29:25.480
<v Speaker 2>was just a little I don't know his anger level.

0:29:25.520 --> 0:29:29.080
<v Speaker 2>I guess I just didn't. I mean, you're giving this

0:29:29.120 --> 0:29:31.880
<v Speaker 2>person less than twenty four hours to put together a funeral,

0:29:32.040 --> 0:29:34.560
<v Speaker 2>and you're upset that they're not doing it fast enough.

0:29:34.640 --> 0:29:36.320
<v Speaker 1>I don't know. I don't blame him. He's in a

0:29:36.360 --> 0:29:39.320
<v Speaker 1>state of mourning. This is his quote unquote family. His

0:29:39.520 --> 0:29:44.280
<v Speaker 1>child has died. He wants sympathy and action and love

0:29:44.440 --> 0:29:46.640
<v Speaker 1>and support, and he didn't feel like he was getting it.

0:29:46.680 --> 0:29:48.960
<v Speaker 1>I think from his point of view, it's all justified.

0:29:50.000 --> 0:29:53.479
<v Speaker 1>You know, maybe yeah, we we he thinks so, of course,

0:29:53.800 --> 0:29:56.280
<v Speaker 1>right right. So that's what I love about it because

0:29:56.280 --> 0:30:00.200
<v Speaker 1>he just let himself go, right. He wasn't yi, there

0:30:00.320 --> 0:30:03.840
<v Speaker 1>wasn't judging that he was in a uh, you know,

0:30:03.880 --> 0:30:06.440
<v Speaker 1>a dramedy or he wasn't in some kind of show,

0:30:06.480 --> 0:30:08.760
<v Speaker 1>and you know, and so he had to he had

0:30:08.800 --> 0:30:10.000
<v Speaker 1>to restrain himself.

0:30:09.680 --> 0:30:10.080
<v Speaker 4>A little bit.

0:30:10.160 --> 0:30:12.280
<v Speaker 1>He just went there, you know. And that's what makes

0:30:12.280 --> 0:30:15.440
<v Speaker 1>the show so great because people just go there. You know,

0:30:15.760 --> 0:30:17.920
<v Speaker 1>it kind of breaks out of what you think it

0:30:18.040 --> 0:30:21.600
<v Speaker 1>might be this idyllic, sweet little shell, and things can

0:30:21.640 --> 0:30:24.640
<v Speaker 1>get intense once in a while, which and I'm not

0:30:24.760 --> 0:30:28.800
<v Speaker 1>mad about that, you know. Love that. Love that ye

0:30:29.440 --> 0:30:32.680
<v Speaker 1>love that scene. Love that scene.

0:30:40.320 --> 0:30:44.800
<v Speaker 2>Then we go to the bookstore, bookstore or library. I'm

0:30:44.800 --> 0:30:46.719
<v Speaker 2>not sure. I thought they were at the bookstore.

0:30:47.160 --> 0:30:47.320
<v Speaker 1>And.

0:30:48.760 --> 0:30:50.959
<v Speaker 2>This is where they Rory Robrary.

0:30:51.080 --> 0:30:51.280
<v Speaker 4>Yeah.

0:30:51.320 --> 0:30:53.520
<v Speaker 3>I think it's the library because it's really like the

0:30:53.560 --> 0:30:56.840
<v Speaker 3>Dewey decimal system. It's kind of mentioned. I think they're

0:30:56.840 --> 0:30:58.760
<v Speaker 3>at one of the Yale libraries.

0:30:59.160 --> 0:31:01.480
<v Speaker 2>Okay, because I thought she was getting her books for

0:31:01.600 --> 0:31:04.440
<v Speaker 2>the for the that's a little correct.

0:31:04.440 --> 0:31:07.040
<v Speaker 3>It's a little blurry because she's looking for a certain

0:31:07.080 --> 0:31:09.720
<v Speaker 3>book and then they're all out of order. Yeah, it

0:31:09.840 --> 0:31:11.000
<v Speaker 3>felt more like a library.

0:31:11.080 --> 0:31:13.200
<v Speaker 1>There was a bookstore next to the library.

0:31:13.360 --> 0:31:16.480
<v Speaker 3>Sometimes the bookstore is near the library, so it could

0:31:16.480 --> 0:31:19.040
<v Speaker 3>be kind of a flowing situation. But yes, I know

0:31:19.080 --> 0:31:21.560
<v Speaker 3>exactly what we're talking about. It was looking for that book.

0:31:21.560 --> 0:31:23.640
<v Speaker 3>And then we see the Ta again and then yeah,

0:31:23.720 --> 0:31:24.040
<v Speaker 3>then we.

0:31:23.960 --> 0:31:29.200
<v Speaker 2>See the Ta. There's more like gigly teenagers just done

0:31:29.280 --> 0:31:29.560
<v Speaker 2>by that.

0:31:30.640 --> 0:31:32.880
<v Speaker 3>Yeah, and then she goes back to Paris with the

0:31:33.000 --> 0:31:36.200
<v Speaker 3>grin and like Paris is like what is right?

0:31:36.240 --> 0:31:38.240
<v Speaker 2>And she wasn't listening to what Paris was saying.

0:31:39.400 --> 0:31:40.080
<v Speaker 1>Yeah, that was.

0:31:40.040 --> 0:31:42.600
<v Speaker 3>Funny, all cute and good. Yeah, I mean it's sort

0:31:42.600 --> 0:31:45.720
<v Speaker 3>of a Rando storyline, but like cute, fine, yeah.

0:31:45.480 --> 0:31:46.200
<v Speaker 4>He was cute.

0:31:46.560 --> 0:31:49.760
<v Speaker 3>Yeah, it sort of leads to an interesting conversation with Logan.

0:31:49.800 --> 0:31:52.480
<v Speaker 3>It's all kind of light but like good.

0:31:53.360 --> 0:31:53.880
<v Speaker 1>Yeah.

0:31:54.320 --> 0:31:54.880
<v Speaker 3>And then.

0:31:56.880 --> 0:31:58.960
<v Speaker 2>Now Kirk is delivering the flowers.

0:31:59.840 --> 0:32:02.360
<v Speaker 3>This made me laugh when he pass at Kirk he.

0:32:02.360 --> 0:32:05.560
<v Speaker 2>Wants a tip even though he's a volunteer. I'm not

0:32:05.680 --> 0:32:11.720
<v Speaker 2>volunteering for you. And this is this is where Suki

0:32:11.840 --> 0:32:16.040
<v Speaker 2>Laurel I have that conversation about because Laurel I says,

0:32:16.040 --> 0:32:17.520
<v Speaker 2>I'm going to have to cut Luke out of my

0:32:17.560 --> 0:32:22.400
<v Speaker 2>life entirely because Christopher can't deal. I mean, the ship

0:32:22.400 --> 0:32:25.600
<v Speaker 2>has already sailed. Cutting Luke out is not going to

0:32:25.720 --> 0:32:27.560
<v Speaker 2>patch up the relationship with Christopher.

0:32:27.680 --> 0:32:32.640
<v Speaker 3>He's trying really hard to be like do you want Luke?

0:32:32.760 --> 0:32:35.680
<v Speaker 3>Like really kind of like, what are you doing? I

0:32:35.720 --> 0:32:38.760
<v Speaker 3>thought subtly she was very much sort of going, you

0:32:38.800 --> 0:32:42.400
<v Speaker 3>should really think all about what you're doing right. What

0:32:42.480 --> 0:32:43.560
<v Speaker 3>are you doing right?

0:32:43.880 --> 0:32:49.000
<v Speaker 2>Because those feelings don't just vaporize over like they go somewhere.

0:32:49.080 --> 0:32:52.120
<v Speaker 2>So and so she was kind of the voice of

0:32:52.200 --> 0:32:54.320
<v Speaker 2>reason when she says, like, if there was no Luke

0:32:54.400 --> 0:32:57.600
<v Speaker 2>at all, would Christopher be the one or is he

0:32:57.760 --> 0:33:01.960
<v Speaker 2>just the default? And that's what really you know, you

0:33:01.960 --> 0:33:04.480
<v Speaker 2>can see lorelized wheels kind of start to turn at

0:33:04.480 --> 0:33:04.960
<v Speaker 2>that point.

0:33:05.280 --> 0:33:06.120
<v Speaker 3>Good face acting.

0:33:06.800 --> 0:33:11.720
<v Speaker 2>I was annoyed by the dishwasher, and you see this

0:33:11.800 --> 0:33:13.840
<v Speaker 2>all the time on that show. They have that that

0:33:14.120 --> 0:33:17.960
<v Speaker 2>like industrial dishwasher and they put like fruit and vegetables

0:33:18.000 --> 0:33:19.680
<v Speaker 2>and stuff on the top of it, like where the

0:33:19.720 --> 0:33:21.120
<v Speaker 2>steamy could be very.

0:33:20.960 --> 0:33:24.840
<v Speaker 3>Strange kind of note I have to take a gander

0:33:24.880 --> 0:33:25.080
<v Speaker 3>at that.

0:33:25.360 --> 0:33:27.040
<v Speaker 1>And this is the scene where she yelled at the

0:33:27.080 --> 0:33:28.960
<v Speaker 1>two employees to get out of there, but then got

0:33:29.000 --> 0:33:33.200
<v Speaker 1>really nice, go get out, but you're doing great jobs.

0:33:33.200 --> 0:33:38.720
<v Speaker 1>And I really appreciate you. There were so many great

0:33:38.800 --> 0:33:39.880
<v Speaker 1>laughs in this episode.

0:33:40.080 --> 0:33:43.280
<v Speaker 3>There were.

0:33:43.840 --> 0:33:47.560
<v Speaker 2>Some good parts. So then we go to the music store.

0:33:47.960 --> 0:33:50.920
<v Speaker 2>I was very sad that we didn't see Carol Key

0:33:50.520 --> 0:33:51.800
<v Speaker 2>and got a.

0:33:51.800 --> 0:33:56.480
<v Speaker 3>Great a great scene between the three Michelle laurelized Zach

0:33:56.680 --> 0:33:59.600
<v Speaker 3>and Zach just kind of crushing it. And also we

0:33:59.640 --> 0:34:02.720
<v Speaker 3>get a sort of a foreshadowing.

0:34:03.600 --> 0:34:05.840
<v Speaker 2>Yes, they mentioned a song for shadowing.

0:34:05.960 --> 0:34:06.520
<v Speaker 3>Ye, it was.

0:34:06.760 --> 0:34:08.680
<v Speaker 2>I even pointed that out to my husband. It's like, oh,

0:34:08.680 --> 0:34:11.560
<v Speaker 2>I didn't even hear it. I have a flag on

0:34:11.600 --> 0:34:13.439
<v Speaker 2>the pink hat she was wearing, though.

0:34:13.560 --> 0:34:16.800
<v Speaker 1>I did not like it right. It was it wasn't on,

0:34:17.120 --> 0:34:20.080
<v Speaker 1>It wasn't on right. It was like, but when she

0:34:20.200 --> 0:34:22.759
<v Speaker 1>walked out of the store, it's like they adjusted it

0:34:22.800 --> 0:34:23.240
<v Speaker 1>was better.

0:34:23.680 --> 0:34:26.880
<v Speaker 2>Yeah, it was up to something or too high on

0:34:26.920 --> 0:34:27.560
<v Speaker 2>her forehead.

0:34:27.760 --> 0:34:30.319
<v Speaker 1>That was it just weird. I wasn't And when she

0:34:30.400 --> 0:34:33.400
<v Speaker 1>walked out it looked good because it was down, yeah,

0:34:33.960 --> 0:34:35.479
<v Speaker 1>round her eyebrows. Yeah.

0:34:35.480 --> 0:34:37.279
<v Speaker 2>But when they were in the store talking, I'm like,

0:34:37.320 --> 0:34:40.400
<v Speaker 2>there's something weird. Maybe that was it. It was too high,

0:34:40.600 --> 0:34:42.560
<v Speaker 2>but a little wrong with that pink hat.

0:34:42.600 --> 0:34:45.560
<v Speaker 1>I don't too much forehead. You don't want to do

0:34:45.600 --> 0:34:46.080
<v Speaker 1>that with a.

0:34:46.440 --> 0:34:48.920
<v Speaker 2>I'm going to throw my favorite line in in here

0:34:48.960 --> 0:34:53.279
<v Speaker 2>because it was from this scene when when Michelle said

0:34:53.280 --> 0:34:56.160
<v Speaker 2>he wanted a Celine Dion song and Zach says, please

0:34:56.200 --> 0:34:57.040
<v Speaker 2>don't make me do that.

0:34:59.600 --> 0:35:03.480
<v Speaker 3>Zach was awesome in the scene. Was really so good.

0:35:03.640 --> 0:35:05.400
<v Speaker 3>He's so so good.

0:35:06.280 --> 0:35:08.439
<v Speaker 1>And then and then lorelized comments about all the songs

0:35:08.480 --> 0:35:15.760
<v Speaker 1>with hearts Heart to You. It's like it was great stuff.

0:35:16.400 --> 0:35:21.160
<v Speaker 1>That was good dialogue and funny stuff. And then when

0:35:21.160 --> 0:35:24.560
<v Speaker 1>they at least expected the Gilmore girls can get laughs

0:35:24.600 --> 0:35:28.720
<v Speaker 1>at it anything. It's just such a joy, such a joy.

0:35:29.520 --> 0:35:32.040
<v Speaker 2>And when they walked out of the music store and

0:35:32.040 --> 0:35:34.719
<v Speaker 2>they're walking down the street and then Michelle tells that

0:35:35.320 --> 0:35:41.799
<v Speaker 2>really weird story about a troop of mimes. What he

0:35:41.880 --> 0:35:44.640
<v Speaker 2>was trying to understand what they were pointing at. And

0:35:44.680 --> 0:35:46.400
<v Speaker 2>then he had to go to Luke's Diner because he

0:35:46.520 --> 0:35:49.120
<v Speaker 2>needed comfort, Like what the heck.

0:35:49.280 --> 0:35:51.000
<v Speaker 1>To order a hamberg ordered a hamburger?

0:35:52.360 --> 0:36:00.239
<v Speaker 3>Is that he got the burger and Papa love it,

0:36:00.680 --> 0:36:05.120
<v Speaker 3>and so he's going to go get a burger Chinchin, sorry,

0:36:05.600 --> 0:36:08.360
<v Speaker 3>my bad to go get the burger to eat in

0:36:08.600 --> 0:36:13.600
<v Speaker 3>honor of Chinchin loving that burger. Now, really it's so

0:36:13.640 --> 0:36:15.560
<v Speaker 3>that we can get the wave right.

0:36:15.640 --> 0:36:19.240
<v Speaker 2>Yes, that was the entire point. It just was such

0:36:19.280 --> 0:36:23.600
<v Speaker 2>a randomly random story about Mime's staying at the end.

0:36:23.760 --> 0:36:25.759
<v Speaker 3>I kind of didn't pay any attention to that part.

0:36:26.400 --> 0:36:30.759
<v Speaker 2>It was it was funny, and so I think that

0:36:30.920 --> 0:36:32.919
<v Speaker 2>I think that was the only time we saw Luke

0:36:32.960 --> 0:36:33.759
<v Speaker 2>in this episode.

0:36:33.760 --> 0:36:35.400
<v Speaker 1>So yeah, it was.

0:36:35.200 --> 0:36:36.480
<v Speaker 3>It was the wave.

0:36:37.080 --> 0:36:41.840
<v Speaker 1>Yeah, but did hang on? Did I did I steal

0:36:41.920 --> 0:36:42.480
<v Speaker 1>the episode?

0:36:42.560 --> 0:36:47.040
<v Speaker 3>Or it's an important moment? It was. I'll give you that.

0:36:47.120 --> 0:36:48.120
<v Speaker 3>It's an important moment.

0:36:49.080 --> 0:36:52.759
<v Speaker 1>Hey man, what a joy to show up one one

0:36:52.880 --> 0:36:55.920
<v Speaker 1>for a couple hours, not even to talk. Hey guys.

0:36:56.120 --> 0:36:57.760
<v Speaker 2>Yeah, and.

0:36:59.400 --> 0:37:01.160
<v Speaker 3>She had kind of the look on her face.

0:37:02.160 --> 0:37:04.759
<v Speaker 2>She would have gone in to say hi, but she's now,

0:37:04.840 --> 0:37:06.759
<v Speaker 2>you know, she's made the decision that now she has

0:37:06.800 --> 0:37:10.800
<v Speaker 2>to cut Luke out. So but yes, stay on opposite

0:37:10.840 --> 0:37:13.200
<v Speaker 2>sides of the glass, I guess. So, yeah, it was.

0:37:13.280 --> 0:37:14.840
<v Speaker 2>It was poignant, It was symbolic.

0:37:15.120 --> 0:37:16.680
<v Speaker 3>Yeah, yeah, very very important.

0:37:16.760 --> 0:37:21.840
<v Speaker 2>Yeah. Okay, so then Logan surprises Rory at her apartment,

0:37:22.040 --> 0:37:24.520
<v Speaker 2>like how many This is like the third or fourth

0:37:24.560 --> 0:37:25.759
<v Speaker 2>time we've seen that.

0:37:26.400 --> 0:37:28.200
<v Speaker 3>Yeah, the third might be more right.

0:37:28.440 --> 0:37:31.760
<v Speaker 2>Yeah, So okay, we've done that.

0:37:31.760 --> 0:37:32.920
<v Speaker 3>That's how we bring him back.

0:37:33.000 --> 0:37:36.280
<v Speaker 2>Fine, Yeah, I guess he just you know, he's logan.

0:37:36.400 --> 0:37:38.440
<v Speaker 2>He likes to make the gestures.

0:37:38.600 --> 0:37:41.600
<v Speaker 3>Well he's broken, get them together to have the big talk.

0:37:41.920 --> 0:37:46.399
<v Speaker 1>Yeah broken, she fixed them, she broke, yes, but.

0:37:46.360 --> 0:37:47.960
<v Speaker 3>We got to have the talk, the big talk.

0:37:50.360 --> 0:37:53.640
<v Speaker 2>So this is I did.

0:37:55.160 --> 0:37:56.240
<v Speaker 3>Did you find the farr?

0:37:56.960 --> 0:37:59.840
<v Speaker 2>It was odd and I know she leads, she leads

0:38:00.080 --> 0:38:03.160
<v Speaker 2>into it by saying it was because of Marty, but.

0:38:04.640 --> 0:38:05.160
<v Speaker 3>I don't know.

0:38:05.280 --> 0:38:07.200
<v Speaker 2>It just felt weird to me that she was so

0:38:07.440 --> 0:38:08.560
<v Speaker 2>worked up about it.

0:38:08.760 --> 0:38:11.920
<v Speaker 1>Right, I mean, it was kind of refreshingly honest.

0:38:12.080 --> 0:38:14.600
<v Speaker 3>Yeah, yeah, yeah, And he's so cool.

0:38:14.440 --> 0:38:17.000
<v Speaker 1>And he's so cool about it, and it really brought

0:38:17.040 --> 0:38:20.520
<v Speaker 1>out great sides of both of them. But in the

0:38:20.680 --> 0:38:20.960
<v Speaker 1>in the.

0:38:20.960 --> 0:38:24.160
<v Speaker 3>Realm, sometimes it makes sense, like sometimes you have a

0:38:24.160 --> 0:38:28.719
<v Speaker 3>little like maybe she's feeling guilty and it's gonna help

0:38:28.760 --> 0:38:30.840
<v Speaker 3>her guilt to be able to tell him so.

0:38:30.840 --> 0:38:33.560
<v Speaker 2>Because he did kind of get it. He did kind

0:38:33.560 --> 0:38:36.440
<v Speaker 2>of give her crap about the Marty situation when we

0:38:36.480 --> 0:38:38.680
<v Speaker 2>were in the cafeteria and he's like, well, why didn't

0:38:38.680 --> 0:38:40.760
<v Speaker 2>you tell me what you know? Are you hiding something?

0:38:40.800 --> 0:38:43.120
<v Speaker 2>Do you have feelings? Like he was a little accused

0:38:43.200 --> 0:38:46.280
<v Speaker 2>for me in that scene, so I can see why

0:38:46.400 --> 0:38:49.759
<v Speaker 2>she might have been like, Okay, I'm just gonna err

0:38:49.800 --> 0:38:52.719
<v Speaker 2>on the side of telling too much because I don't

0:38:52.719 --> 0:38:55.080
<v Speaker 2>want to be accused of holding something back later. So

0:38:55.120 --> 0:38:56.040
<v Speaker 2>I do kind of get that.

0:38:56.160 --> 0:38:59.880
<v Speaker 1>But yeah, I think it did show her affection to

0:39:00.320 --> 0:39:05.160
<v Speaker 1>him and her trust in him. Yeah, yeah, but it

0:39:05.200 --> 0:39:07.480
<v Speaker 1>was it did. It was a little I don't know.

0:39:07.680 --> 0:39:09.719
<v Speaker 2>It was kind of making a mountain out of a molehill.

0:39:09.840 --> 0:39:14.200
<v Speaker 1>I thought, yeah, I don't think about it.

0:39:14.520 --> 0:39:15.080
<v Speaker 3>It was fine.

0:39:15.280 --> 0:39:18.399
<v Speaker 2>I mean, it ended up in a good conversation because

0:39:18.440 --> 0:39:20.280
<v Speaker 2>they both decided they're okay.

0:39:20.600 --> 0:39:25.880
<v Speaker 1>It definitely displayed virtue, right, Yeah, it kind.

0:39:25.719 --> 0:39:28.759
<v Speaker 3>Of took their relationship to a next level with that

0:39:28.880 --> 0:39:33.560
<v Speaker 3>open communication, very like adult and it's okay, And yeah,

0:39:33.680 --> 0:39:35.880
<v Speaker 3>I didn't mind it. But it was a little weird.

0:39:36.000 --> 0:39:36.880
<v Speaker 3>It was a hit weird.

0:39:37.520 --> 0:39:42.239
<v Speaker 2>Yeah, and a funny moment at the end when uh,

0:39:42.520 --> 0:39:45.040
<v Speaker 2>when he was like, well, why aren't we watching Paris

0:39:45.120 --> 0:39:49.640
<v Speaker 2>Belly Dance, they take off to go see that, which

0:39:49.760 --> 0:39:52.839
<v Speaker 2>which probably would have been fun to watch. I can't

0:39:52.880 --> 0:39:56.880
<v Speaker 2>blame them for that. And then uh, so then we

0:39:56.920 --> 0:40:01.120
<v Speaker 2>go to the actual funeral. Oh my god, oh my gosh,

0:40:01.280 --> 0:40:03.920
<v Speaker 2>so much going on. So we saw Lane. That's the

0:40:03.960 --> 0:40:04.799
<v Speaker 2>only time we saw.

0:40:05.840 --> 0:40:08.480
<v Speaker 3>She looked really cute and it was kind of obviously

0:40:08.520 --> 0:40:10.640
<v Speaker 3>she was there for Michelle, but really for Zach is

0:40:10.640 --> 0:40:15.040
<v Speaker 3>what I came like, you know, because he's doing the performance.

0:40:14.960 --> 0:40:17.040
<v Speaker 2>And all the dogs that attend.

0:40:17.160 --> 0:40:20.200
<v Speaker 3>Oh my god, the dogs and the face acting. This

0:40:20.239 --> 0:40:23.919
<v Speaker 3>scene's basically all about face acting because the dogs faces.

0:40:24.200 --> 0:40:28.759
<v Speaker 2>And then Laura lives, yeah, and you can see like

0:40:29.800 --> 0:40:33.360
<v Speaker 2>everything that's going like you could almost like see the

0:40:33.400 --> 0:40:37.799
<v Speaker 2>thoughts just passing across her face like she as she

0:40:37.920 --> 0:40:41.280
<v Speaker 2>was kind of processing what Suki had said, and then

0:40:41.680 --> 0:40:44.399
<v Speaker 2>you know, the conversation she's going to have to have with.

0:40:44.520 --> 0:40:46.080
<v Speaker 3>Yeah and what she's really feeling.

0:40:46.640 --> 0:40:51.120
<v Speaker 2>Right, So then she comes home, she's a little sniffy,

0:40:51.600 --> 0:40:57.359
<v Speaker 2>and she says the funeral was sad, and then this

0:40:57.440 --> 0:41:01.200
<v Speaker 2>is this is you know, kind of where it all unravels,

0:41:01.239 --> 0:41:04.560
<v Speaker 2>and yeah, she says I jumped. He says I pushed you.

0:41:07.760 --> 0:41:11.160
<v Speaker 2>She was legit crying in the seat like that was Ye.

0:41:11.360 --> 0:41:16.319
<v Speaker 3>She was amazing in this scene. Just the one line, So.

0:41:17.800 --> 0:41:18.359
<v Speaker 4>Go for it.

0:41:18.840 --> 0:41:22.120
<v Speaker 3>What is the exact line. You're the man I want

0:41:22.239 --> 0:41:23.160
<v Speaker 3>to want to want.

0:41:23.520 --> 0:41:25.759
<v Speaker 1>Yes, you're the man I want to want.

0:41:26.000 --> 0:41:29.920
<v Speaker 3>I don't like even what she meant was.

0:41:30.080 --> 0:41:34.239
<v Speaker 1>You are not worthy. You're not the kind of man

0:41:34.360 --> 0:41:38.120
<v Speaker 1>that I would want. You haven't turned into somebody that

0:41:38.160 --> 0:41:41.600
<v Speaker 1>I want to want you, but you're not worthy of

0:41:41.680 --> 0:41:47.000
<v Speaker 1>wanting that much. Yeah, that's what I think. Trying to say.

0:41:46.880 --> 0:41:49.520
<v Speaker 3>Him right, it's almost like saying I would.

0:41:50.000 --> 0:41:51.680
<v Speaker 1>It's a it's a real bad the.

0:41:51.680 --> 0:41:53.840
<v Speaker 3>Guy, but I wish you were the guy, right exactly.

0:41:54.440 --> 0:41:56.479
<v Speaker 1>It's like, you think you're the man, but you ain't

0:41:56.520 --> 0:41:57.200
<v Speaker 1>the man, buddy.

0:41:57.360 --> 0:41:59.400
<v Speaker 2>Yeah, yeah, And she said.

0:41:59.239 --> 0:42:01.720
<v Speaker 1>And I wish you were because you're the because because

0:42:01.760 --> 0:42:03.560
<v Speaker 1>it it complicated for the.

0:42:03.480 --> 0:42:07.160
<v Speaker 3>Father of me, and there's a lot of good things

0:42:07.200 --> 0:42:09.480
<v Speaker 3>about you, but like, you're not the guy. So I

0:42:09.520 --> 0:42:12.080
<v Speaker 3>just did I don't love that line. I get the

0:42:12.120 --> 0:42:15.680
<v Speaker 3>whole sentiment, and I get the conversation, and like, ultimately

0:42:16.320 --> 0:42:17.560
<v Speaker 3>this relationship is played.

0:42:17.600 --> 0:42:20.920
<v Speaker 1>Maybe they could put us in a little box explaining

0:42:20.960 --> 0:42:23.719
<v Speaker 1>what she meant during the episode.

0:42:24.040 --> 0:42:26.799
<v Speaker 3>So it's not like that line didn't wow me. It

0:42:26.840 --> 0:42:29.239
<v Speaker 3>wasn't like it didn't have sort of that punch that

0:42:29.280 --> 0:42:33.160
<v Speaker 3>I was like, oh, oh you know, yeah, it just

0:42:33.239 --> 0:42:34.160
<v Speaker 3>was okay.

0:42:34.520 --> 0:42:37.600
<v Speaker 2>I mean, because she says that he was always this

0:42:37.880 --> 0:42:45.160
<v Speaker 2>wonderful possibility, but now she realized that that possibility in

0:42:45.200 --> 0:42:48.799
<v Speaker 2>and of itself is not enough to be with this

0:42:48.840 --> 0:42:50.080
<v Speaker 2>guy for the rest of your life.

0:42:50.160 --> 0:42:50.399
<v Speaker 4>Yeah.

0:42:50.640 --> 0:42:55.560
<v Speaker 3>Yeah, and all that they hope that they can be,

0:42:56.120 --> 0:42:57.960
<v Speaker 3>they can't be, do you know what I mean? No

0:42:58.000 --> 0:43:01.640
<v Speaker 3>matter how much both of them want it, it just

0:43:01.760 --> 0:43:03.280
<v Speaker 3>isn't right.

0:43:04.320 --> 0:43:06.880
<v Speaker 2>Right, Like there, you know, they have a kid together

0:43:07.000 --> 0:43:11.000
<v Speaker 2>and all this, but that doesn't change the fact that

0:43:11.560 --> 0:43:14.560
<v Speaker 2>when it comes down to it, but she doesn't want him

0:43:14.920 --> 0:43:17.720
<v Speaker 2>like she thought she could want him, but she doesn't

0:43:17.760 --> 0:43:20.919
<v Speaker 2>want him. So I think that's where that line comes from,

0:43:20.960 --> 0:43:24.200
<v Speaker 2>that she wants to want him, right, She wants to

0:43:24.239 --> 0:43:28.359
<v Speaker 2>want him because everybody has been saying, oh, you guys

0:43:28.360 --> 0:43:30.840
<v Speaker 2>should be together and you know, blah blah blah. But

0:43:30.920 --> 0:43:33.719
<v Speaker 2>then but there's not enough there to hold a relationship

0:43:33.760 --> 0:43:34.840
<v Speaker 2>together enough times.

0:43:34.920 --> 0:43:38.880
<v Speaker 3>Now we're done, Yeah to do this, because even I

0:43:39.000 --> 0:43:43.440
<v Speaker 3>as a viewer, wasn't totally sure, but now I'm like, yeah, done.

0:43:44.280 --> 0:43:49.200
<v Speaker 1>Yeah, he's just not on her level. Yeah, emotionally speaking,

0:43:50.160 --> 0:43:56.439
<v Speaker 1>he's not an emotionally mature or emotionally intelligent person. He's

0:43:56.600 --> 0:44:02.400
<v Speaker 1>just yes, agreed, it's a case of arrested emotional development

0:44:02.480 --> 0:44:07.560
<v Speaker 1>with this guy, and he just has this pensiant because

0:44:07.600 --> 0:44:12.040
<v Speaker 1>of this pregnancy and his child and how he responded

0:44:12.080 --> 0:44:13.960
<v Speaker 1>to it. He just this is who he is, This

0:44:14.000 --> 0:44:17.719
<v Speaker 1>is how he rolls, and you can't depend on him.

0:44:17.800 --> 0:44:22.000
<v Speaker 1>And yeah, and nobody's surprised in the audience, And now

0:44:22.080 --> 0:44:24.520
<v Speaker 1>she's not surprised. I wasn't surprised that I felt this

0:44:24.560 --> 0:44:25.480
<v Speaker 1>way that I couldn't.

0:44:26.600 --> 0:44:30.640
<v Speaker 3>I think that it's an important she really had to

0:44:30.680 --> 0:44:31.279
<v Speaker 3>get there.

0:44:31.760 --> 0:44:35.160
<v Speaker 1>Yes, I mean, just think of the commitment that she

0:44:35.760 --> 0:44:39.560
<v Speaker 1>has made her whole adult life, practically and even even

0:44:39.560 --> 0:44:42.520
<v Speaker 1>as a teenager to get that child into a safe

0:44:42.560 --> 0:44:46.320
<v Speaker 1>place and raise her the right way with a community

0:44:46.680 --> 0:44:50.160
<v Speaker 1>and surrounded by love and solid people instead of that dysfunctional,

0:44:50.200 --> 0:44:55.480
<v Speaker 1>toxic thing she came from. And I mean, talk about

0:44:55.480 --> 0:45:00.920
<v Speaker 1>a strong woman and a righteous woman. And and then

0:45:00.960 --> 0:45:03.000
<v Speaker 1>you got this clown coming in out of your life

0:45:03.000 --> 0:45:06.440
<v Speaker 1>who happens to be the baby daddy but just scrambling

0:45:06.480 --> 0:45:13.000
<v Speaker 1>everybody's eggs all the time. And it's like, guy, you know,

0:45:13.200 --> 0:45:15.759
<v Speaker 1>you get you know, you get to get into the

0:45:15.800 --> 0:45:18.120
<v Speaker 1>party because you know you're kind of responsible for this

0:45:18.719 --> 0:45:19.360
<v Speaker 1>part way.

0:45:19.280 --> 0:45:20.520
<v Speaker 2>But all bad too.

0:45:20.520 --> 0:45:24.400
<v Speaker 3>There are redeeming things better, there are I know you

0:45:24.400 --> 0:45:26.360
<v Speaker 3>guys maybe don't agree as much, but there are a

0:45:26.400 --> 0:45:31.800
<v Speaker 3>lot of redeeming things also, like that connection. You always

0:45:31.880 --> 0:45:34.440
<v Speaker 3>kind of like, I just don't love the line, but

0:45:34.560 --> 0:45:37.799
<v Speaker 3>I know what she's saying. It's like, of course, it'd

0:45:37.840 --> 0:45:42.040
<v Speaker 3>be great if your high school sweetheart that is your soulmate,

0:45:42.160 --> 0:45:43.759
<v Speaker 3>but like she just isn't.

0:45:44.080 --> 0:45:47.560
<v Speaker 1>Let's look at it from an analytical standpoint about the

0:45:47.600 --> 0:45:51.720
<v Speaker 1>effect that this relationship between her mother and her biological

0:45:51.760 --> 0:45:58.040
<v Speaker 1>father are having on her own relationships, Rory's own relationships.

0:45:58.280 --> 0:46:00.600
<v Speaker 1>I mean that's a whole discussion, right, I.

0:46:00.520 --> 0:46:03.239
<v Speaker 3>Mean, yeah, yeah.

0:46:02.239 --> 0:46:04.680
<v Speaker 1>You know, and how it's going to call her the

0:46:04.680 --> 0:46:08.520
<v Speaker 1>rest of her life and towards her attitudes towards men. Yeah,

0:46:08.560 --> 0:46:11.960
<v Speaker 1>that's right, right, So yeah.

0:46:12.680 --> 0:46:17.840
<v Speaker 3>Yeah, her relationship and not relationship and sort of sporadic

0:46:17.880 --> 0:46:23.399
<v Speaker 3>relationship with her father will definitely impact her, right yeah.

0:46:22.960 --> 0:46:23.160
<v Speaker 1>Yeah.

0:46:23.440 --> 0:46:26.040
<v Speaker 2>But I was just excited to finally put a nail

0:46:26.080 --> 0:46:28.400
<v Speaker 2>in that coffin and be like okay, like we're we

0:46:28.600 --> 0:46:31.360
<v Speaker 2>popped a couple beers open, and we're like all right bye, Christopher.

0:46:32.480 --> 0:46:34.600
<v Speaker 2>So I was I was happy during that last thing.

0:46:34.719 --> 0:46:36.040
<v Speaker 2>I wasn't sad for anybody.

0:46:36.080 --> 0:46:36.400
<v Speaker 1>I was.

0:46:36.920 --> 0:46:38.200
<v Speaker 2>I was pretty excited.

0:46:37.960 --> 0:46:40.440
<v Speaker 1>Put him on the boat. Light the torch just pushed

0:46:40.480 --> 0:46:43.880
<v Speaker 1>the canoe out into the lake and watch it.

0:46:44.000 --> 0:46:47.520
<v Speaker 3>It's a good episode. It's not super controversial, you know.

0:46:47.600 --> 0:46:49.359
<v Speaker 3>I think most people sort of are like, Okay, this

0:46:49.400 --> 0:46:50.560
<v Speaker 3>is played out. Okay.

0:46:51.160 --> 0:46:53.560
<v Speaker 2>Yeah. It was good because she had to get that

0:46:53.640 --> 0:46:56.680
<v Speaker 2>out of her system. Like, like she said, he was

0:46:56.719 --> 0:46:59.520
<v Speaker 2>always a possibility, and so she had to get to

0:46:59.520 --> 0:47:03.120
<v Speaker 2>the point where she tried out that possibility and figured

0:47:03.160 --> 0:47:07.359
<v Speaker 2>out that it wasn't right in the long term, right, yeah, yeah, yeah,

0:47:07.360 --> 0:47:10.160
<v Speaker 2>because if she had married Luke and then he you know,

0:47:10.280 --> 0:47:12.120
<v Speaker 2>came back around, who knows what would have happened. But

0:47:12.160 --> 0:47:13.160
<v Speaker 2>she needed to have some.

0:47:13.120 --> 0:47:16.279
<v Speaker 1>Closure there, right. You have to respect the process that

0:47:16.360 --> 0:47:19.520
<v Speaker 1>she the processes she went through to try to get

0:47:19.560 --> 0:47:22.160
<v Speaker 1>him back into their both of their lives. Mm hm,

0:47:22.440 --> 0:47:25.240
<v Speaker 1>you know, you have to respect that. But anyway, I'm

0:47:25.440 --> 0:47:29.520
<v Speaker 1>really excited, and I'm not just saying yeah, you know,

0:47:29.560 --> 0:47:31.680
<v Speaker 1>I'm excited to see what happens because I don't know,

0:47:32.000 --> 0:47:35.520
<v Speaker 1>I don't know how how or if Luke and Laurels

0:47:35.640 --> 0:47:38.560
<v Speaker 1>are coming back together in this season. I'm really eager

0:47:38.600 --> 0:47:39.880
<v Speaker 1>to see that, you know.

0:47:40.160 --> 0:47:43.920
<v Speaker 2>Yeah, Like for me, this episode is sort of a

0:47:43.960 --> 0:47:46.520
<v Speaker 2>turning point in season seven, because now I feel like

0:47:46.600 --> 0:47:49.520
<v Speaker 2>for the rest of the season, now we're cooking with

0:47:49.600 --> 0:47:51.919
<v Speaker 2>gas like these, that these are where the episodes get

0:47:51.920 --> 0:47:54.440
<v Speaker 2>really good for me. Once we get Christopher out of

0:47:54.480 --> 0:47:58.360
<v Speaker 2>the picture and his whiny neediness. Now we can you know,

0:47:58.480 --> 0:48:00.040
<v Speaker 2>move on with some good stuff.

0:48:00.080 --> 0:48:02.120
<v Speaker 3>What she wants, and so we're going to see what

0:48:02.120 --> 0:48:02.440
<v Speaker 3>that is.

0:48:03.360 --> 0:48:08.880
<v Speaker 1>Yeah, yeah, I'm eager to see that. Anyway, what are

0:48:08.880 --> 0:48:12.000
<v Speaker 1>we giving this? Uh, Suzanne, what do you think?

0:48:12.400 --> 0:48:18.600
<v Speaker 2>I Am going to give this nine inspirational plaques that

0:48:18.680 --> 0:48:20.120
<v Speaker 2>we got friends.

0:48:20.640 --> 0:48:24.719
<v Speaker 3>Yeah, I'm going to give this eight point eight q

0:48:25.040 --> 0:48:28.480
<v Speaker 3>t as, gotcha?

0:48:28.640 --> 0:48:32.480
<v Speaker 1>Uh hm, I'm going to get up there in the

0:48:32.600 --> 0:48:35.400
<v Speaker 1>nines too, because it just relaxed me and I enjoyed

0:48:35.440 --> 0:48:36.400
<v Speaker 1>the heck out of this.

0:48:37.000 --> 0:48:38.880
<v Speaker 3>I'm going to agree with that word choice. It's a

0:48:39.040 --> 0:48:41.640
<v Speaker 3>very easy blowy.

0:48:42.280 --> 0:48:47.120
<v Speaker 1>Oh god, yeah, all of these pleasant, great performances, all

0:48:47.160 --> 0:48:50.279
<v Speaker 1>of this funny stuff. Yeah, you know, it just got

0:48:50.320 --> 0:48:53.840
<v Speaker 1>dramatic just enough, not too too much.

0:48:53.680 --> 0:48:56.480
<v Speaker 3>But goofy just enough. Yeah, I agree.

0:48:56.719 --> 0:48:59.759
<v Speaker 1>I mean I really got a sense of what, you know,

0:48:59.840 --> 0:49:02.319
<v Speaker 1>the the potential of what the show could always be

0:49:02.520 --> 0:49:09.680
<v Speaker 1>and at its best, I'm gonna go nine point I

0:49:09.920 --> 0:49:16.279
<v Speaker 1>liked this episode a lot. Let's give it a nine

0:49:16.280 --> 0:49:28.680
<v Speaker 1>to five five. God you know doggie photos or doggie

0:49:29.800 --> 0:49:35.640
<v Speaker 1>photos of Paul Paul chin Chin right, yeah, uh not.

0:49:35.840 --> 0:49:38.919
<v Speaker 3>Yeah, it's an easy, nice, no fighting. We're all kind

0:49:38.920 --> 0:49:41.520
<v Speaker 3>of on the same page on it and stuff. Yeh,

0:49:41.800 --> 0:49:44.360
<v Speaker 3>see you next week. Kayak what is it? Kayak something?

0:49:44.960 --> 0:49:48.320
<v Speaker 2>What I'm a kayak? Hear me roar.

0:49:51.640 --> 0:49:53.120
<v Speaker 1>And that is gonna analogy.

0:49:53.160 --> 0:49:54.880
<v Speaker 2>There's a good analogy behind that title.

0:49:55.760 --> 0:49:58.320
<v Speaker 1>You're going to find out anyway. Thank you ladies, Thank you, Susan,

0:49:58.440 --> 0:50:02.719
<v Speaker 1>thank you Amy. You will see uh Tara and Danielle

0:50:02.880 --> 0:50:06.760
<v Speaker 1>soon hopefully yea. And Jackie hell of a job filling

0:50:06.800 --> 0:50:09.920
<v Speaker 1>in for those two. Boy, I tell you, thanks.

0:50:13.200 --> 0:50:14.360
<v Speaker 3>You break any kind of time.

0:50:16.000 --> 0:50:17.759
<v Speaker 4>I good.

0:50:18.080 --> 0:50:20.880
<v Speaker 1>You're doing right. No, you know the unsung hero of

0:50:20.920 --> 0:50:27.480
<v Speaker 1>the podcast is it's Jackie Rodriguez for sure. Anyway, Again,

0:50:27.719 --> 0:50:30.520
<v Speaker 1>a delightful episode. Best fans on the planet. Keep the

0:50:30.560 --> 0:50:32.600
<v Speaker 1>cards and letters coming. They keep us honest, they keep

0:50:32.680 --> 0:50:35.600
<v Speaker 1>us sane. They make us insane sometimes, but that's not

0:50:35.640 --> 0:50:38.759
<v Speaker 1>a bad thing. We love you guys, more than you know,

0:50:38.960 --> 0:50:43.000
<v Speaker 1>more than you'll ever know, and much appreciated. And remember

0:50:43.040 --> 0:50:45.879
<v Speaker 1>we and I am all in we'll see you next time.

0:50:45.920 --> 0:51:15.399
<v Speaker 4>Stay sick, hey.

0:51:15.280 --> 0:51:18.560
<v Speaker 1>Everybody, and don't forget. Follow us on Instagram at i

0:51:18.800 --> 0:51:22.879
<v Speaker 1>Am All In Podcast and email us at Gilmore at

0:51:23.040 --> 0:51:35.839
<v Speaker 1>iHeartRadio dot com