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Speaker 1: I am all in.

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Speaker 2: You.

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Speaker 3: I am all in with Scott Patterson and iHeartRadio Podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one

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Speaker 1: of them productions iHeart Radio, iHeart Media, iHeart Podcast joined

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Speaker 1: by my Skeleton crew. Today we are minus Tara Sued

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Speaker 1: and Danielle. It's a crushing blow, but the good news

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Speaker 1: is Susanne French is here. Amy Show.

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Speaker 3: You're going to go to a wedding. Daniel had to

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Speaker 3: go to a wedding, and Tara I think has an

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Speaker 3: appointment for her broken foot. I think she has physical

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Speaker 3: therapy on her foot.

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Speaker 1: Hmm, well, I uh.

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Speaker 3: Man, did you get a little bit of a cold, Scott?

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Speaker 3: I felt the other day when you called me.

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Speaker 1: I was under the weather for a couple of days,

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Speaker 1: and uh battled through it and now I'm just now

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Speaker 1: I'm just a bit stuffy.

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Speaker 3: Did you give it to the family?

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Speaker 1: No, No, Nick gave it to me.

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Speaker 3: Yes, that's how usually, And I didn't.

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Speaker 1: Care, and I wanted it and nothing was gonna stop.

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Speaker 3: Have a community of colds all summer.

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Speaker 1: Yeah, I mean, it's like, you know, everyone is kidding me.

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Speaker 1: We don't care. Cold's not going to slow us down.

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Speaker 1: We're playing around the pool all day kidding me.

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Speaker 3: Come back, Are you having a heat wave? Huh?

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Speaker 1: I wouldn't call it a heat wave, not yet. I

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Speaker 1: think this weekend it's going to be in the nineties

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Speaker 1: time this airs.

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Speaker 3: We will just be pasted the heatwave.

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Speaker 1: You guys are suffering up there, aren't you.

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Speaker 3: We're having one. We don't have it yet, but this

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Speaker 3: Saturday is supposed to be. So we're taping this on Thursday, guys,

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Speaker 3: just so you know. So this Saturday, I think it's

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Speaker 3: going to be hot.

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Speaker 1: Yeah. Yeah, it's going to be hot Saturday. But I mean,

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Speaker 1: you know, in the Midwest, on the northeastern part of

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Speaker 1: the United States, it's just getting wall.

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Speaker 3: Yeah, I saw that, be really careful.

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Speaker 1: Yeah, yep.

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Speaker 3: It's a swim team. You don't do swim team as

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Speaker 3: much down there as we do up here, and it's

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Speaker 3: going to be a hot meat on Saturday.

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Speaker 4: Yeah.

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Speaker 1: You know what, there's not a lot of swim team

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Speaker 1: down here.

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Speaker 3: Weird considering LA is so like water polo.

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Speaker 1: I think they do it in Mission Viejo, but I

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Speaker 1: think they do it in San Diego. I don't think

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Speaker 1: they don't do it around.

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Speaker 3: All teams are like huge in Northern California.

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Speaker 1: I miss swim team.

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Speaker 3: There was like five hundred people at the swimming last night.

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Speaker 1: Do you know at the US national qualifying for the

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Speaker 1: Olympics right now going on, there are three swimmers from

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Speaker 1: my hometown and from my swim club.

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Speaker 3: Three very random even though Luke can't swim, can you?

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Speaker 1: Before?

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Speaker 4: I was a.

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Speaker 1: Champion breaststroker by the time I was ten.

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Speaker 3: How's your butterfly?

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Speaker 1: Butterfly got stronger as I got Yeah, it's tough. I

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Speaker 1: was a freestyle. My sister was a beautiful freestyler because

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Speaker 1: she she was she was double jointed in me.

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Speaker 3: She tall like you.

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Speaker 1: No, no, I'm the only tall one in the family. Yeah,

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Speaker 1: everybody's like five two, five to three.

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Speaker 3: I saw a cue clip going viral of you and Lauren.

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Speaker 3: I don't know why this is like everywhere right now,

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Speaker 3: but it was the one where she got a new car,

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Speaker 3: and she says, you made fun of her cars back

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Speaker 3: in the day.

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Speaker 1: She looks. She pulled up to the studio once in

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Speaker 1: a tiny, little used Porsche.

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Speaker 3: Oh that sounds kind of right.

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Speaker 1: No, no, no, And I said to her, you cannot drive

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Speaker 1: something like that. First of all, it has a horrible suspension,

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Speaker 1: So you're gonna have hemorrhoids half the time. And second

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Speaker 1: of all, if you get in a rack, you know

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Speaker 1: you're not going to be available because you need you know,

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Speaker 1: these huge cars on the road, all these SUVs said

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Speaker 1: you got to get an suv. It was very concerned.

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Speaker 3: Did she ever get one?

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Speaker 1: I don't think she listen to me, but you know

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Speaker 1: she did. She patted me on the head, gave me

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Speaker 1: a coocaine. I went away.

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Speaker 3: Yeah, she said, coffee, coffee, coffee. Okay, Well, here we go,

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Speaker 3: the three of us, and we do have producer Jackie

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Speaker 3: that may chime in if we need her.

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Speaker 1: So we've got we've got season seven, episode fourteen.

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Speaker 3: Pet, well, my pet or Michelle.

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Speaker 2: I'm sad that Danielle's not here because she was concerned

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Speaker 2: and when you're right when we teased this week's episode

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Speaker 2: that it was going to be paul Anka. So I

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Speaker 2: hope that she still watched the episode and she she

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Speaker 2: will yeah, yeah, yeah, yeah.

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Speaker 1: Well I'm just gonna say right now, I enjoyed this

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Speaker 1: episode immensely. I was laughing. I was laughing until I cried, and.

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Speaker 3: I did get a little emotional.

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Speaker 1: For I did too, sort of a mess. I got

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Speaker 1: emotional for her, I got emotional for Michelle. Yeah. Yeah,

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Speaker 1: it's a pretty strong episode. I got agree.

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Speaker 3: That was the reason season seven kind of gets a

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Speaker 3: bad rap is just because of the first few episodes

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Speaker 3: feel off, and then it really gets its groove and

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Speaker 3: it's like very Gilmoury's so right.

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Speaker 1: You got to get through that sandbar that is christ

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Speaker 1: and then then the tide can begin flowing on.

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Speaker 3: The new team had to get their sea legs. Like

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Speaker 3: that's what I think.

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Speaker 1: But I think it was some of the funniest stuff,

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Speaker 1: really great stuff, and a very very strong episode for Lauren.

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Speaker 1: I mean, she just killed it all. Yeah, And I

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Speaker 1: thought ur Alexis was great her reactions to the tag.

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Speaker 1: I know.

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Speaker 3: I want to talk about the crush a lot.

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Speaker 1: It's really well done.

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Speaker 2: Should do the.

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Speaker 1: Synopsis synopsisizations brought to you by Suzanne French of French

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Speaker 1: Industries International.

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Speaker 3: Just kidding, I was trying to get us a question.

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Speaker 2: I don't know where that came from, but okay. Richard

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Speaker 2: is on the road to recovery and Rory returns to Yale,

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Speaker 2: where she meets a young ta who gets her flustered.

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Speaker 2: Laurel and Christopher finally realized their marriage isn't working. Meanwhile,

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Speaker 2: Michelle holds a dog funeral for Chinchin at the Dragonfly

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Speaker 2: in all great, I mean.

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Speaker 3: Well great, yeah, all very great. Yeah.

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Speaker 1: I thought a great opening as well. Oh, Kit, that

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Speaker 1: opening encompassed everything about Gilmour. It was the family was together,

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Speaker 1: it was jolly, Uh, everybody was themselves. Emily was so

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Speaker 1: this is that the hospital? Yeah around.

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Speaker 2: I loved that Richard participated in laurelized little skit that

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Speaker 2: she was doing.

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Speaker 1: Absolutely.

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Speaker 2: I just that was so refreshing to see it because

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Speaker 2: usually you know, they're they're just very straight laced.

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Speaker 3: But possible to not get a ten out of ten

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Speaker 3: when we have the core four, do you know what

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Speaker 3: I mean? Yeah, no offense to you, Scott Slash Luke,

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Speaker 3: You're you're great when you're in there too.

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Speaker 1: But like I'm not needed, let's face it.

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Speaker 3: Emily, Richard, Alex sorry, Rory, Rory, Lorelei is like they

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Speaker 3: it just jives. Yeah, you know, it takes us back

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Speaker 3: to some of the best scenes in the whole series.

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Speaker 3: So yeah, I like the open, and it's so nice

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Speaker 3: to know he's doing well and it's like we're all

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Speaker 3: you know, giggling instead of crying.

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Speaker 2: Yeah, I did laugh when Emily made some comment about

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Speaker 2: the the flowers that she liked best were the ones

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Speaker 2: that Christopher sent because they were so bright and colorful,

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Speaker 2: And I thought to myself, you know what, I bet

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Speaker 2: those came from Christopher's mom. Like I have trouble picture.

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Speaker 1: He gets no credit, doesn't he just weird? I was like,

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Speaker 1: credit awkward?

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Speaker 3: Okay, so then what okay?

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Speaker 2: So we go to the Dragonfly and this is where

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Speaker 2: we find out that the dog pass way Chin Chin.

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Speaker 2: I get Papa on Chinchin confused, but paup Paul was

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Speaker 2: in the scene. Chin Chin is the one that passed away.

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Speaker 2: Laurel I makes the friendly suggestion you should have a

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Speaker 2: memorial service, and Michelle says, okay, can you do it

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Speaker 2: by tomorrow?

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Speaker 1: It'll be me Yeah, exactly, yeah, but you know what.

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Speaker 2: The two of them kind of didn't know how to

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Speaker 2: react to him. They're like, oh, sorry to hear that.

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Speaker 3: Are you going to say?

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Speaker 1: It was the introduction of a storyline that bore a

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Speaker 1: lot of fruit at the at the end of it.

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Speaker 1: Immediately it was a little bit annoying. Through it, there

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Speaker 1: was some funny stuff through it, but man, it really

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Speaker 1: paid off. At the end of that narrative.

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Speaker 3: I totally agree with you. And right when you realize

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Speaker 3: what's happening, I was sort of like, oh, yeah, okay,

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Speaker 3: it's very like, Okay, this is gonna be kind of

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Speaker 3: sad but funny. It's gonna have fodder for me. I

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Speaker 3: can't wait to talk about the dogs. The dogs just

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Speaker 3: sitting in.

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Speaker 2: The and we haven't had a good Michelle storyline for

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Speaker 2: a while. Like, it was good to see some meat there.

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Speaker 3: I even loved the record store, but we'll get to that.

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Speaker 1: Okay. The record store was, Oh my god, it's so good.

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Speaker 2: And when he said that that Paul, Paul was very

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Speaker 2: upset about the situation, and they cut to just a

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Speaker 2: face shot of the dog and he's just looking at.

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Speaker 3: The Okay, great casting of all the dogs in this episode,

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Speaker 3: because there are some great dog faces, a great dog

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Speaker 3: face acting happening.

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Speaker 2: Yeah, so we had that was a good Like, you

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Speaker 2: guys know, I love the town, so it was good

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Speaker 2: to have a good town scene there. And then we

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Speaker 2: go to Paris and Rory's apartment and they're catching up

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Speaker 2: about the grandfather's situation and everything that Paris has been doing.

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Speaker 3: I had on the that was the.

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Speaker 1: August scene that seems seemed to go on and on

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Speaker 1: and on and on. Yeah, and without we get.

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Speaker 3: The moment right where Paris sort of says, we've tamed them. Yeah,

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Speaker 3: you know these boys really yeah, And it's kind of

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Speaker 3: like that becomes important later.

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Speaker 2: It was a long lead up to that, though, like

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Speaker 2: there was really was. She had to open the box.

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Speaker 1: Right when she finally said that, I said, boy, they

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Speaker 1: could have cut out ten minutes and just gotten to

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Speaker 1: that a little quicker.

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Speaker 3: This is the gift for logan that leads to the yep, yep.

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Speaker 2: Yeah. And then Paris was going on about beta blockers

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Speaker 2: and all that kind of stuff, which she actually was correct,

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Speaker 2: but we didn't need to have that in although I

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Speaker 2: did laugh that she went to a frat party and

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Speaker 2: then wrote a summary of it for Rory.

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Speaker 3: That was classic trying to sort of a commish her

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Speaker 3: college bucket list is actually amusing. It actually is, like

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Speaker 3: it's not irritating, it's funny.

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Speaker 2: It was just so Paris to me to write up

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Speaker 2: a summary of a frat party and there's no you know, they.

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Speaker 3: Seem to sort of be getting along great and she's

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Speaker 3: Paris has really found her, Like, she's not quite as annoying. Yeah,

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Speaker 3: he's sort of cool in a way, in a weird,

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Speaker 3: peculiar way, in her weird way anyway.

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Speaker 2: Yeah, Rory seemed upset, or maybe not upset, but disappointed

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Speaker 2: when Paris made the comment that you broke him, you

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Speaker 2: own him. So she didn't seem happy about that.

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Speaker 3: No, because it's an uncomfortable thing, like you don't want

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Speaker 3: to feel like you you pamed your guy and forced

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Speaker 3: him to like you and be different. Like I got why.

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Speaker 3: She was like, oh, that's not what I wanted.

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Speaker 1: Yeah, yeah, it means that you're in a settled relationship,

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Speaker 1: a settled, committed relationship. Practice play with children, right, because at.

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Speaker 3: That point, aymore dot, it is like changing Logan, and

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Speaker 3: that's never what she wanted to do.

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Speaker 2: Well, but she did. I mean, Paris wasn't wrong.

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Speaker 3: Oh none, neither are wrong. Paris is right, but also

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Speaker 3: Rory's right to sort of feel funny about it because

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Speaker 3: she wanted Logan to be Logan, but to be committed

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Speaker 3: to her. I don't know that she's ever expected Logan

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Speaker 3: to suddenly be somebody totally different. She likes him, she

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Speaker 3: wants him to be him. But I think, yeah, I

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Speaker 3: just think it's a little jarring for her to think

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Speaker 3: like you tamed him, like you could kick him and

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Speaker 3: he won't go run.

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Speaker 1: She doesn't. She doesn't. She doesn't want all the power.

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Speaker 1: You know.

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Speaker 3: That's right. That's exactly right. There you go, that's right,

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Speaker 3: that's right.

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Speaker 4: Yeah.

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Speaker 1: Yeah, so that's it.

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Speaker 3: Mm hmmm. So I thought her portrayal of being kind

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Speaker 3: of uh yeah, yeah, was what we wanted.

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Speaker 2: Yeah, I can see that. I guess Paris. I don't

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Speaker 2: think she necessarily meant it in a negative way, though.

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Speaker 3: Well, Paris is proud of it. She's stopd Paris is

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Speaker 3: like I tamed that. First of all, she's comparing Doyle

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Speaker 3: to Logan, which is just like, well, yeah, they tamed

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Speaker 3: these guys, and it's like cool apples oranges. But hm,

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Speaker 3: but she's talking about how Doyle's in bed thinking of

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Speaker 3: baby names, and she's like happy about it, whereas Rory's

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Speaker 3: like not so sure.

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Speaker 2: Yeah, I mean he's he definitely changed away from you know,

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Speaker 2: his philandering way. I mean, filandering is not the right word.

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Speaker 2: I'm having trouble with vocabulary.

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Speaker 3: He was he was a cheating cat and around dude.

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Speaker 2: And but he he changed for her. I mean so

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Speaker 2: that I don't know. That's just is a good thing.

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Speaker 1: So I it.

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Speaker 2: Seems in a positive way, but Rory took it in

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Speaker 2: a negative way. So that's all I'm.

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Speaker 1: But I think there's there's so up this Logan Roy

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Speaker 1: relationship as as a potential lifelong relationship. It's the potential. Yeah,

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Speaker 1: you know, this is a serious relationship and this could potentially.

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Speaker 3: Soil in Paris, which we do eventually find out what

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Speaker 3: happens with them, yeah, thing, which is also a critique

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Speaker 3: of a book. People are now also don't know if

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Speaker 3: they want us to call it movies or mini series,

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Speaker 3: but it seems that they're okay with movies. Scott, what

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Speaker 3: would what did they call them when you did them? Movies?

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Speaker 1: Episodes? Okay, they always wanted to call them episodes for

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Speaker 1: some reason and not movies, but they were movies. They

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Speaker 1: were hour and a half movies out commercial interruption.

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Speaker 2: I mean on Netflix they're called episodes.

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Speaker 3: So maybe so the people are right yelling at me

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Speaker 3: about calling them movies. To me, they're movies for movies,

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Speaker 3: but you know, okay.

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Speaker 1: They are feature length of romantic comedy films.

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Speaker 3: Yeah, yeah, they for to keep everyone happy, we'll call them.

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Speaker 1: For all intents and purpose. But there are episodes as well,

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Speaker 1: and I think, so, yeah, we do very long episodes.

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Speaker 3: What happens with Paris and Doyle, But we won't get

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Speaker 3: into that right now.

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Speaker 2: So then it goes back to the Dragonfly and this

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Speaker 2: is where Christopher shows up.

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Speaker 1: Mm hmm.

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Speaker 2: I had some I had a bone to pick with

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Speaker 2: Christopher on this scene.

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Speaker 3: Give it yeah, I think it's so.

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Speaker 2: He comes yeah, well the first that first, but he

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Speaker 2: comes in and is he's defensive from the get go,

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Speaker 2: and he's basically I needed space Lorelei, which was ridiculous

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Speaker 2: because she told him in the beginning she needed time

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Speaker 2: to kind of get used to the whole thing, and

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Speaker 2: he said okay, and then he pushed, pushed, pushed her

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Speaker 2: into getting married and wanting to have kids and blah

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Speaker 2: blah blah. So he's you're married, you have to give

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Speaker 2: her time, but she's expected to give him time.

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Speaker 1: I had a.

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Speaker 3: Paye're married, you'll get to just disappear. Yeah, but he

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Speaker 3: do what.

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Speaker 1: He did as a rocketn't he that guy? That's the

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Speaker 1: kind of thing you want to hang your hat on.

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Speaker 2: And she nailed it when she said I wasn't surprised

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Speaker 2: that you weren't there. And he's like, that's not fair.

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Speaker 2: I'm like what you know, I even said to my hazar,

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Speaker 2: I'm like, well, but it's true, Like it's.

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Speaker 1: Not it's just right. It's not unfair that.

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Speaker 3: He should have just shown up at her work. That's challenging.

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Speaker 1: Yeah, yeah, yeah, he's acting like he plays the victim

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Speaker 1: very very well, like I'm being whipsawed in between you

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Speaker 1: and your life and your emotions and Luke and all

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Speaker 1: of this, and I can't.

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Speaker 3: Hit play the victim.

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Speaker 1: He really does. He always turns it back on him.

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Speaker 1: It's about him all the time and his feelings. It's

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Speaker 1: uncomfortable to watch, you know.

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Speaker 2: Yeah, And he is uncomfortable to have to.

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Speaker 1: Manage this guy, right, he's really he's a he's a

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Speaker 1: full time job.

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Speaker 2: Yeah. And he's trying to say, well, you know, he

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Speaker 2: wasn't there because he didn't want to see Luke. I

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Speaker 2: mean that's completely yes.

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Speaker 3: Like that's so amazing.

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Speaker 2: You don't worry about that when you have a family

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Speaker 2: price at all.

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Speaker 3: So really, a full total of ten minutes right out

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Speaker 3: of like days and hours what?

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Speaker 1: Yeah, it's just beyond the pale.

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Speaker 2: Yeah, and about the work thing, it just shows that

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Speaker 2: like again, everything is on his timeline what works for him,

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Speaker 2: and it doesn't like occur to him that you know,

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Speaker 2: maybe Lorelai is, you know, working when she's at work,

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Speaker 2: maybe she doesn't want to talk to you at work.

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Speaker 2: But it's like he wanted to go right then, so

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Speaker 2: he didn't.

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Speaker 3: I didn't want to treat it in in the diner

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Speaker 3: as not workplaces, do you know what I'm saying? Like

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Speaker 3: they are, of course, but like everybody just goes into

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Speaker 3: the diner and you know, here's my baby, like, here's

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Speaker 3: my drama say thing at the like, oh, well, I

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Speaker 3: know you're working, but you must have all the time

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Speaker 3: in the world to deal with my problems, you know whatever,

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Speaker 3: Paris haven't lunch. The whole thing.

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Speaker 1: It's really but I will say, expertly played by David Suckcliffe.

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Speaker 1: I mean he really really commits to that. You really

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Speaker 1: feel these feelings towards that character. That's because he's he's.

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Speaker 3: Always played that guy. Really, am I right?

355
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Speaker 1: Like he's really good? Yeah, he really is. Yeah, he's

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Speaker 1: really skilled.

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Speaker 2: Yeah, I thought I thought he did a good job

358
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Speaker 2: in this episode.

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Speaker 1: I mean, geez, he doesn't shy away from the job

360
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Speaker 1: that he knows that he has to do to contribute

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Speaker 1: to this storytelling.

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Speaker 3: And it's just her, She's just Lauren Graham is.

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Speaker 1: Like, oh yeah, I mean just she's in every scene

364
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Speaker 1: and she's crushing it every single scene, every scene. You

365
00:18:51,960 --> 00:18:54,800
Speaker 1: know what tiring that is, you know, exult you know

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Speaker 1: what's focus and concentration that takes. It's it's exhausting. Here

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Speaker 1: is that her calling? Did you are you actually?

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00:19:08,440 --> 00:19:12,040
Speaker 2: I mean Scott Sullivan's crossing must be like that too, right,

369
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Speaker 2: because Sully it has a lot of emotions.

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Speaker 1: Yeah, but I'm not in every scene.

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Speaker 2: Yeah, that's true.

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Speaker 1: I mean I'm not carrying that thing. The lead is

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Speaker 1: like really, you know, to be the lead on Gilmour

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00:19:26,080 --> 00:19:29,360
Speaker 1: Girls is to She's practically in every scene. They were

375
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Speaker 1: practically in every scene. Those two yeahs.

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Speaker 3: Are like three times what a normal.

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Speaker 1: Right, And it was exhausting. It's the amount of focus

378
00:19:39,359 --> 00:19:44,240
Speaker 1: and endurance that that took to get through a to

379
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Speaker 1: get through a day, much less a week or a

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Speaker 1: month or an entire season.

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Speaker 3: It's just, oh my god, were you like exhausted when

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00:19:50,880 --> 00:19:55,080
Speaker 3: you came home? Like would you just like crash, yes, yeah,

383
00:19:55,240 --> 00:19:56,240
Speaker 3: and did anyone now.

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Speaker 1: On this episode, I just had to show up and

385
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Speaker 1: wave so I hate But.

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Speaker 3: And then did you ever nap in your trailer? I

387
00:20:01,440 --> 00:20:02,960
Speaker 3: would think people would have to like lay down and

388
00:20:03,000 --> 00:20:04,760
Speaker 3: take a little nap. Yet, oh yeah, because it's like

389
00:20:04,840 --> 00:20:05,480
Speaker 3: so gnarly.

390
00:20:05,880 --> 00:20:06,400
Speaker 4: Yeah.

391
00:20:06,480 --> 00:20:08,640
Speaker 1: I would often fall asleep with food in my mouth,

392
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Speaker 1: which is not as.

393
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Speaker 3: Long as it's not gum.

394
00:20:13,400 --> 00:20:13,560
Speaker 1: Yeah.

395
00:20:13,800 --> 00:20:15,879
Speaker 3: I always like spear gum out before you sleep.

396
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Speaker 1: She was like a couple of French fries hanging out

397
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Speaker 1: of my mouth.

398
00:20:19,840 --> 00:20:21,280
Speaker 3: Yeah, okay, So then what happened?

399
00:20:21,480 --> 00:20:25,639
Speaker 2: So after the so they argue with the dragonfly, and

400
00:20:25,640 --> 00:20:28,000
Speaker 2: then the very next scene, Laura I turns around and

401
00:20:28,119 --> 00:20:31,800
Speaker 2: is defending Christopher when she's talking to Rory on the phone.

402
00:20:31,800 --> 00:20:33,280
Speaker 3: Oh, she just can't. She's not going to throw the

403
00:20:33,359 --> 00:20:34,120
Speaker 3: dad under the bus.

404
00:20:34,160 --> 00:20:35,080
Speaker 1: And I respect it.

405
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Speaker 3: It's like, you know what, She's just always going to

406
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Speaker 3: protect her dad no matter what, and she's been doing

407
00:20:42,000 --> 00:20:45,000
Speaker 3: it since he didn't show up. So yeah, I get it.

408
00:20:45,040 --> 00:20:45,880
Speaker 3: I'm all for it.

409
00:20:46,320 --> 00:20:48,960
Speaker 2: I mean, but at the same time, like Rory is

410
00:20:49,160 --> 00:20:50,720
Speaker 2: twenty two now, she can.

411
00:20:50,640 --> 00:20:53,280
Speaker 3: Still the kid's going on. I don't care when you're fifty.

412
00:20:53,680 --> 00:20:56,199
Speaker 3: You should not throw the other parent under the bus.

413
00:20:56,240 --> 00:20:58,680
Speaker 3: It's just like, let's not be doing that. And I'm

414
00:20:58,720 --> 00:21:02,440
Speaker 3: all for team Laura on that most of the time

415
00:21:03,840 --> 00:21:05,160
Speaker 3: does take the high road.

416
00:21:05,560 --> 00:21:10,520
Speaker 1: Classy move, class move, Yeah, yeah, you don't. You don't

417
00:21:10,560 --> 00:21:14,880
Speaker 1: pollute your kid with that stuff. Parents should not do that.

418
00:21:16,600 --> 00:21:20,760
Speaker 2: And so this is when we meet the Ta. So

419
00:21:20,920 --> 00:21:25,840
Speaker 2: she walks in. I thought this, this was a little

420
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Speaker 2: over the top that.

421
00:21:29,560 --> 00:21:32,840
Speaker 1: I think, good, so good.

422
00:21:33,080 --> 00:21:36,960
Speaker 3: Dorky and doopy. And my thing is like, the Ta

423
00:21:37,160 --> 00:21:43,000
Speaker 3: is great, but is he warranting all that? Yeah, I

424
00:21:43,040 --> 00:21:44,240
Speaker 3: mean it's a funny.

425
00:21:44,400 --> 00:21:47,840
Speaker 1: Bit, but why not, I mean, why not?

426
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Speaker 3: And she's like, yeah, you know, yeah, it's a funny

427
00:21:53,920 --> 00:21:58,480
Speaker 3: sort of lever bit that we've never really seen Rory

428
00:21:58,560 --> 00:22:02,199
Speaker 3: that much before. We've little bit where she's mixed, but

429
00:22:02,320 --> 00:22:03,040
Speaker 3: like it's cute.

430
00:22:03,400 --> 00:22:09,120
Speaker 1: She acted that beautifully instant attraction, instant gobsmacked, just great.

431
00:22:09,240 --> 00:22:11,680
Speaker 3: Yeah, just actively goofy, dorky.

432
00:22:11,840 --> 00:22:13,240
Speaker 1: Yeah, yeah, loved it.

433
00:22:13,920 --> 00:22:14,400
Speaker 4: Loved it.

434
00:22:14,480 --> 00:22:16,720
Speaker 1: And then and then and then and then and then

435
00:22:17,119 --> 00:22:19,200
Speaker 1: and then Paris comes around the corner and tries to

436
00:22:19,200 --> 00:22:20,840
Speaker 1: tell her something. She said, what's wrong with you?

437
00:22:21,760 --> 00:22:25,560
Speaker 3: Sort of not quite as good as I carried a watermelon.

438
00:22:25,720 --> 00:22:28,600
Speaker 3: Do you guys know I carried a watermelon? Okay, So

439
00:22:28,720 --> 00:22:35,120
Speaker 3: in Dirty Dancing, when Baby meets Patrick Swayzee for the

440
00:22:35,160 --> 00:22:38,280
Speaker 3: first really meets him for the first time, she comes

441
00:22:38,320 --> 00:22:42,359
Speaker 3: to a party with like his cousin or something. Somehow

442
00:22:42,400 --> 00:22:44,639
Speaker 3: she gets into this party that's really just the staff

443
00:22:44,640 --> 00:22:48,920
Speaker 3: at Dirty Dancing, and she He's like, how'd you get

444
00:22:48,960 --> 00:22:51,239
Speaker 3: in here? And she's like, I carried a watermelon and

445
00:22:51,280 --> 00:22:56,040
Speaker 3: she's literally like like anyone who's seen it knows that's

446
00:22:56,040 --> 00:22:59,359
Speaker 3: exactly what Rory's doing. Like right after she's just like,

447
00:22:59,480 --> 00:23:02,640
Speaker 3: oh my god, like it just deliver.

448
00:23:03,040 --> 00:23:05,400
Speaker 1: Yeah, good stuff.

449
00:23:06,640 --> 00:23:10,040
Speaker 2: And then one little side thing I laughed at in

450
00:23:10,040 --> 00:23:13,879
Speaker 2: that episode was or in that scene, was when Rory

451
00:23:13,960 --> 00:23:16,600
Speaker 2: made a comment I'm sorry, Laura. I made a comment

452
00:23:16,680 --> 00:23:19,119
Speaker 2: about how she doesn't know how to program her speed

453
00:23:19,160 --> 00:23:23,280
Speaker 2: dial something like that, but then she had programmed Luke's

454
00:23:23,320 --> 00:23:26,120
Speaker 2: speed dial back in sixth and seasonally.

455
00:23:28,040 --> 00:23:30,119
Speaker 1: Will issue the appropriate I know.

456
00:23:30,560 --> 00:23:33,400
Speaker 2: I can't help it. Somebody said I was too nitpicky, but.

457
00:23:35,080 --> 00:23:36,000
Speaker 3: We live for that.

458
00:23:36,119 --> 00:23:40,320
Speaker 1: We live and we will, we will, we will assign

459
00:23:41,200 --> 00:23:43,480
Speaker 1: penalties with interest.

460
00:23:43,920 --> 00:23:46,560
Speaker 2: It's just how I am. You can ask my family.

461
00:23:48,040 --> 00:23:50,440
Speaker 2: So then we go to Laurea Liy's house and Christopher

462
00:23:50,640 --> 00:23:54,919
Speaker 2: is in the house, which I thought was interesting. And

463
00:23:54,960 --> 00:23:55,920
Speaker 2: did you notice.

464
00:23:55,640 --> 00:23:59,080
Speaker 3: Wolf girl that I actually I did, I did, I did.

465
00:23:59,359 --> 00:24:02,400
Speaker 3: Good guy girl was sitting there in that weird basket

466
00:24:02,480 --> 00:24:03,000
Speaker 3: kind of right.

467
00:24:03,320 --> 00:24:05,160
Speaker 2: Yeah, it was like a bath always.

468
00:24:05,520 --> 00:24:07,760
Speaker 3: Yeah, and I sort of expected him to be there

469
00:24:09,760 --> 00:24:11,560
Speaker 3: and this is his house sort of right.

470
00:24:11,440 --> 00:24:14,120
Speaker 2: Now, Yeah, I mean I guess technically he does still

471
00:24:14,160 --> 00:24:14,560
Speaker 2: live there.

472
00:24:15,560 --> 00:24:18,000
Speaker 3: It's true. I don't think she's fully thinks they're over,

473
00:24:18,240 --> 00:24:21,879
Speaker 3: so yeah, And this is then he tells her he

474
00:24:22,000 --> 00:24:25,080
Speaker 3: got in the fight with Luke at the gazebo, so

475
00:24:25,240 --> 00:24:28,120
Speaker 3: kind of random. I'm glad we sort of acknowledged it,

476
00:24:28,920 --> 00:24:31,320
Speaker 3: but like we would have kept that to myself father,

477
00:24:31,520 --> 00:24:32,880
Speaker 3: I know. I was like, why Father.

478
00:24:33,560 --> 00:24:39,880
Speaker 2: Really served him to mention that to her? No, I agree,

479
00:24:40,160 --> 00:24:43,800
Speaker 2: And this is where he finally admits that he pushed

480
00:24:43,840 --> 00:24:48,919
Speaker 2: her into marriage. So that was a turning point for me,

481
00:24:49,080 --> 00:24:53,840
Speaker 2: is that he's finally admitting that he was kind of

482
00:24:53,880 --> 00:24:56,040
Speaker 2: the aggressor in this situation.

483
00:24:57,400 --> 00:25:00,760
Speaker 3: And she went along with it. I don't blame him

484
00:25:00,760 --> 00:25:07,360
Speaker 3: for that. I don't blame him for like he wanted it,

485
00:25:07,520 --> 00:25:09,720
Speaker 3: so he pushed for it, and she did it. I'm

486
00:25:09,760 --> 00:25:12,000
Speaker 3: not going to blame him for her doing it.

487
00:25:12,880 --> 00:25:17,560
Speaker 1: She did it. He did it out of desperation, mask as.

488
00:25:17,720 --> 00:25:19,960
Speaker 3: She was a strong woman who could have been like

489
00:25:20,000 --> 00:25:24,800
Speaker 3: this is way too soon. No, well, yeah, I mean.

490
00:25:24,720 --> 00:25:27,119
Speaker 2: To some extent, but she did tell him in Paris

491
00:25:27,160 --> 00:25:29,200
Speaker 2: that she didn't want to get married without Rory.

492
00:25:29,760 --> 00:25:30,399
Speaker 3: Then she did it.

493
00:25:30,840 --> 00:25:34,320
Speaker 2: She was in a vulnerable moment, she was not handcuffed.

494
00:25:34,960 --> 00:25:35,479
Speaker 3: She did it.

495
00:25:36,520 --> 00:25:39,840
Speaker 1: He was shooting, he was shooting his shot, and she

496
00:25:39,960 --> 00:25:40,320
Speaker 1: did it.

497
00:25:40,480 --> 00:25:43,800
Speaker 3: So I took Yeah, ultimately that's not on him, but

498
00:25:44,040 --> 00:25:45,960
Speaker 3: you know, there's a lot on him, but that one.

499
00:25:46,040 --> 00:25:47,359
Speaker 3: I'm like, what, she did it?

500
00:25:48,280 --> 00:25:53,360
Speaker 1: All right? So he said, kits, Yeah.

501
00:25:54,400 --> 00:25:56,040
Speaker 3: It's making me think of the line. Don't let me

502
00:25:56,080 --> 00:25:57,960
Speaker 3: forget to really talk about the line, she says at

503
00:25:58,000 --> 00:25:59,840
Speaker 3: the end, because I want to talk about that, but anyway,

504
00:26:00,960 --> 00:26:01,280
Speaker 3: go ahead.

505
00:26:02,320 --> 00:26:06,480
Speaker 2: So then they go from kind of the arguing scene

506
00:26:06,480 --> 00:26:09,040
Speaker 2: where now she's trying to convince him that they can

507
00:26:09,080 --> 00:26:12,600
Speaker 2: work it out because he's he says, I don't think

508
00:26:12,640 --> 00:26:17,199
Speaker 2: this can work. I that didn't feel genuine to me

509
00:26:17,400 --> 00:26:19,840
Speaker 2: when she was trying to convince him that they can

510
00:26:19,880 --> 00:26:22,120
Speaker 2: work this out. I don't know why it didn't really

511
00:26:22,160 --> 00:26:22,800
Speaker 2: read true.

512
00:26:23,080 --> 00:26:26,840
Speaker 1: It didn't feel genuine for me what he was saying

513
00:26:26,920 --> 00:26:29,159
Speaker 1: to her, Thank you, Scott. I told thought he was

514
00:26:29,240 --> 00:26:32,359
Speaker 1: being manipulated. I thought he was being manipulative. I totally

515
00:26:32,400 --> 00:26:35,720
Speaker 1: agree that's that's a victim mentality right there.

516
00:26:36,080 --> 00:26:38,760
Speaker 3: I agree. It's like, this guy, this is all you wanted,

517
00:26:38,840 --> 00:26:41,439
Speaker 3: this is all you've ever wanted. Now you have it,

518
00:26:41,480 --> 00:26:44,440
Speaker 3: and you're throwing in the towel like so easily, even

519
00:26:44,480 --> 00:26:47,439
Speaker 3: though she's there saying we can work this out, like

520
00:26:47,480 --> 00:26:49,560
Speaker 3: he should be like all right, let's try. Like I

521
00:26:49,560 --> 00:26:52,439
Speaker 3: don't get it. I don't find him to be I

522
00:26:52,520 --> 00:26:55,000
Speaker 3: find him to be like now I feel like, okay,

523
00:26:55,240 --> 00:26:56,760
Speaker 3: hurry up, let's get rid of this guy. That's a

524
00:26:56,800 --> 00:27:00,000
Speaker 3: little bit how I feel like, Okay, yeah, on your episode,

525
00:27:00,560 --> 00:27:02,959
Speaker 3: we've had this storyline. Let's get you out of here.

526
00:27:03,200 --> 00:27:04,479
Speaker 3: It's just labor.

527
00:27:05,000 --> 00:27:07,800
Speaker 1: It's like getting too whimpy for words. It's like, yeah, okay,

528
00:27:07,960 --> 00:27:12,720
Speaker 1: go away, you know with this Yeah yeah.

529
00:27:12,760 --> 00:27:16,200
Speaker 2: And so then he decides to go back to his mom's,

530
00:27:16,600 --> 00:27:19,680
Speaker 2: which I mean, if you want to try to work

531
00:27:19,720 --> 00:27:24,280
Speaker 2: things out, you would stay there.

532
00:27:24,960 --> 00:27:27,359
Speaker 3: And he's just so like giving up, which is just

533
00:27:28,040 --> 00:27:32,960
Speaker 3: doesn't track whatever okay, fine, bye Christopher. You know I'm

534
00:27:33,000 --> 00:27:36,119
Speaker 3: kind of done with you too. Yeah, thanks for coming.

535
00:27:37,920 --> 00:27:41,199
Speaker 2: So the next scene, I I wasn't a fan of

536
00:27:41,200 --> 00:27:44,119
Speaker 2: this scene. Michelle was really mad at Laura Lai because

537
00:27:44,160 --> 00:27:47,840
Speaker 2: they hadn't done enough work on the funeral in his opinion,

538
00:27:47,880 --> 00:27:50,800
Speaker 2: and the way he screamed at her, I didn't like caustic.

539
00:27:51,080 --> 00:27:53,640
Speaker 1: Wait a minute, wait was this at the front desk? Yes,

540
00:27:54,080 --> 00:27:56,399
Speaker 1: when she snapped at him and said, listen, I got

541
00:27:56,400 --> 00:28:00,359
Speaker 1: a lot going on in yeah, I laughed so hard.

542
00:28:01,000 --> 00:28:03,199
Speaker 1: When he's his I had one hit one of the

543
00:28:03,200 --> 00:28:06,239
Speaker 1: greatest lines. He got very quiet, and he said, I

544
00:28:06,280 --> 00:28:09,520
Speaker 1: will try to plan the next death so it's more

545
00:28:09,560 --> 00:28:13,520
Speaker 1: convenient for you. I mean, it was just I thought

546
00:28:13,520 --> 00:28:17,120
Speaker 1: the scene was like it was a little cliched. I've

547
00:28:17,119 --> 00:28:17,919
Speaker 1: seen that scene.

548
00:28:18,040 --> 00:28:20,040
Speaker 3: Yeah, yeah, yeah, you've seen the.

549
00:28:20,040 --> 00:28:22,920
Speaker 1: Scene a million times before. But it just them, those

550
00:28:22,960 --> 00:28:23,880
Speaker 1: two doing it.

551
00:28:24,280 --> 00:28:27,440
Speaker 3: Yeah, no one could be that mad at somebody that's

552
00:28:27,480 --> 00:28:30,080
Speaker 3: sort of trying to do them a favor like he.

553
00:28:30,240 --> 00:28:32,000
Speaker 3: But but it is a little bit Michelle wish.

554
00:28:32,119 --> 00:28:36,119
Speaker 1: So wait a minute, in his world, that's not just

555
00:28:36,119 --> 00:28:39,440
Speaker 1: as that's his child. That does right, that's a big deal.

556
00:28:40,880 --> 00:28:43,160
Speaker 1: You know, that's a big deal and he wants to

557
00:28:43,160 --> 00:28:45,080
Speaker 1: take it there. So I got the anger. I didn't

558
00:28:45,120 --> 00:28:49,480
Speaker 1: mind the anger. He just because he needed that anger

559
00:28:49,520 --> 00:28:51,960
Speaker 1: to deliver that line to he needed they needed the

560
00:28:52,000 --> 00:28:53,840
Speaker 1: anger so she would snap at him so he could

561
00:28:53,840 --> 00:28:55,960
Speaker 1: say the line, I've seen it.

562
00:28:56,120 --> 00:28:58,360
Speaker 3: With Suki and Lorelia. That's coming.

563
00:28:58,920 --> 00:29:01,440
Speaker 2: That's that's two scenes away.

564
00:29:01,640 --> 00:29:08,760
Speaker 1: So funny, that's the red meat I want from Michelle. Yah. Yeah, great,

565
00:29:08,960 --> 00:29:10,880
Speaker 1: just turning great lines like that.

566
00:29:12,760 --> 00:29:17,840
Speaker 2: Yeah, I think that like to get to that, the

567
00:29:17,880 --> 00:29:21,640
Speaker 2: delivery of that line. Yes, But I just thought he

568
00:29:21,800 --> 00:29:25,480
Speaker 2: was just a little I don't know his anger level.

569
00:29:25,520 --> 00:29:29,080
Speaker 2: I guess I just didn't. I mean, you're giving this

570
00:29:29,120 --> 00:29:31,880
Speaker 2: person less than twenty four hours to put together a funeral,

571
00:29:32,040 --> 00:29:34,560
Speaker 2: and you're upset that they're not doing it fast enough.

572
00:29:34,640 --> 00:29:36,320
Speaker 1: I don't know. I don't blame him. He's in a

573
00:29:36,360 --> 00:29:39,320
Speaker 1: state of mourning. This is his quote unquote family. His

574
00:29:39,520 --> 00:29:44,280
Speaker 1: child has died. He wants sympathy and action and love

575
00:29:44,440 --> 00:29:46,640
Speaker 1: and support, and he didn't feel like he was getting it.

576
00:29:46,680 --> 00:29:48,960
Speaker 1: I think from his point of view, it's all justified.

577
00:29:50,000 --> 00:29:53,479
Speaker 1: You know, maybe yeah, we we he thinks so, of course,

578
00:29:53,800 --> 00:29:56,280
Speaker 1: right right. So that's what I love about it because

579
00:29:56,280 --> 00:30:00,200
Speaker 1: he just let himself go, right. He wasn't yi, there

580
00:30:00,320 --> 00:30:03,840
Speaker 1: wasn't judging that he was in a uh, you know,

581
00:30:03,880 --> 00:30:06,440
Speaker 1: a dramedy or he wasn't in some kind of show,

582
00:30:06,480 --> 00:30:08,760
Speaker 1: and you know, and so he had to he had

583
00:30:08,800 --> 00:30:10,000
Speaker 1: to restrain himself.

584
00:30:09,680 --> 00:30:10,080
Speaker 4: A little bit.

585
00:30:10,160 --> 00:30:12,280
Speaker 1: He just went there, you know. And that's what makes

586
00:30:12,280 --> 00:30:15,440
Speaker 1: the show so great because people just go there. You know,

587
00:30:15,760 --> 00:30:17,920
Speaker 1: it kind of breaks out of what you think it

588
00:30:18,040 --> 00:30:21,600
Speaker 1: might be this idyllic, sweet little shell, and things can

589
00:30:21,640 --> 00:30:24,640
Speaker 1: get intense once in a while, which and I'm not

590
00:30:24,760 --> 00:30:28,800
Speaker 1: mad about that, you know. Love that. Love that ye

591
00:30:29,440 --> 00:30:32,680
Speaker 1: love that scene. Love that scene.

592
00:30:40,320 --> 00:30:44,800
Speaker 2: Then we go to the bookstore, bookstore or library. I'm

593
00:30:44,800 --> 00:30:46,719
Speaker 2: not sure. I thought they were at the bookstore.

594
00:30:47,160 --> 00:30:47,320
Speaker 1: And.

595
00:30:48,760 --> 00:30:50,959
Speaker 2: This is where they Rory Robrary.

596
00:30:51,080 --> 00:30:51,280
Speaker 4: Yeah.

597
00:30:51,320 --> 00:30:53,520
Speaker 3: I think it's the library because it's really like the

598
00:30:53,560 --> 00:30:56,840
Speaker 3: Dewey decimal system. It's kind of mentioned. I think they're

599
00:30:56,840 --> 00:30:58,760
Speaker 3: at one of the Yale libraries.

600
00:30:59,160 --> 00:31:01,480
Speaker 2: Okay, because I thought she was getting her books for

601
00:31:01,600 --> 00:31:04,440
Speaker 2: the for the that's a little correct.

602
00:31:04,440 --> 00:31:07,040
Speaker 3: It's a little blurry because she's looking for a certain

603
00:31:07,080 --> 00:31:09,720
Speaker 3: book and then they're all out of order. Yeah, it

604
00:31:09,840 --> 00:31:11,000
Speaker 3: felt more like a library.

605
00:31:11,080 --> 00:31:13,200
Speaker 1: There was a bookstore next to the library.

606
00:31:13,360 --> 00:31:16,480
Speaker 3: Sometimes the bookstore is near the library, so it could

607
00:31:16,480 --> 00:31:19,040
Speaker 3: be kind of a flowing situation. But yes, I know

608
00:31:19,080 --> 00:31:21,560
Speaker 3: exactly what we're talking about. It was looking for that book.

609
00:31:21,560 --> 00:31:23,640
Speaker 3: And then we see the Ta again and then yeah,

610
00:31:23,720 --> 00:31:24,040
Speaker 3: then we.

611
00:31:23,960 --> 00:31:29,200
Speaker 2: See the Ta. There's more like gigly teenagers just done

612
00:31:29,280 --> 00:31:29,560
Speaker 2: by that.

613
00:31:30,640 --> 00:31:32,880
Speaker 3: Yeah, and then she goes back to Paris with the

614
00:31:33,000 --> 00:31:36,200
Speaker 3: grin and like Paris is like what is right?

615
00:31:36,240 --> 00:31:38,240
Speaker 2: And she wasn't listening to what Paris was saying.

616
00:31:39,400 --> 00:31:40,080
Speaker 1: Yeah, that was.

617
00:31:40,040 --> 00:31:42,600
Speaker 3: Funny, all cute and good. Yeah, I mean it's sort

618
00:31:42,600 --> 00:31:45,720
Speaker 3: of a Rando storyline, but like cute, fine, yeah.

619
00:31:45,480 --> 00:31:46,200
Speaker 4: He was cute.

620
00:31:46,560 --> 00:31:49,760
Speaker 3: Yeah, it sort of leads to an interesting conversation with Logan.

621
00:31:49,800 --> 00:31:52,480
Speaker 3: It's all kind of light but like good.

622
00:31:53,360 --> 00:31:53,880
Speaker 1: Yeah.

623
00:31:54,320 --> 00:31:54,880
Speaker 3: And then.

624
00:31:56,880 --> 00:31:58,960
Speaker 2: Now Kirk is delivering the flowers.

625
00:31:59,840 --> 00:32:02,360
Speaker 3: This made me laugh when he pass at Kirk he.

626
00:32:02,360 --> 00:32:05,560
Speaker 2: Wants a tip even though he's a volunteer. I'm not

627
00:32:05,680 --> 00:32:11,720
Speaker 2: volunteering for you. And this is this is where Suki

628
00:32:11,840 --> 00:32:16,040
Speaker 2: Laurel I have that conversation about because Laurel I says,

629
00:32:16,040 --> 00:32:17,520
Speaker 2: I'm going to have to cut Luke out of my

630
00:32:17,560 --> 00:32:22,400
Speaker 2: life entirely because Christopher can't deal. I mean, the ship

631
00:32:22,400 --> 00:32:25,600
Speaker 2: has already sailed. Cutting Luke out is not going to

632
00:32:25,720 --> 00:32:27,560
Speaker 2: patch up the relationship with Christopher.

633
00:32:27,680 --> 00:32:32,640
Speaker 3: He's trying really hard to be like do you want Luke?

634
00:32:32,760 --> 00:32:35,680
Speaker 3: Like really kind of like, what are you doing? I

635
00:32:35,720 --> 00:32:38,760
Speaker 3: thought subtly she was very much sort of going, you

636
00:32:38,800 --> 00:32:42,400
Speaker 3: should really think all about what you're doing right. What

637
00:32:42,480 --> 00:32:43,560
Speaker 3: are you doing right?

638
00:32:43,880 --> 00:32:49,000
Speaker 2: Because those feelings don't just vaporize over like they go somewhere.

639
00:32:49,080 --> 00:32:52,120
Speaker 2: So and so she was kind of the voice of

640
00:32:52,200 --> 00:32:54,320
Speaker 2: reason when she says, like, if there was no Luke

641
00:32:54,400 --> 00:32:57,600
Speaker 2: at all, would Christopher be the one or is he

642
00:32:57,760 --> 00:33:01,960
Speaker 2: just the default? And that's what really you know, you

643
00:33:01,960 --> 00:33:04,480
Speaker 2: can see lorelized wheels kind of start to turn at

644
00:33:04,480 --> 00:33:04,960
Speaker 2: that point.

645
00:33:05,280 --> 00:33:06,120
Speaker 3: Good face acting.

646
00:33:06,800 --> 00:33:11,720
Speaker 2: I was annoyed by the dishwasher, and you see this

647
00:33:11,800 --> 00:33:13,840
Speaker 2: all the time on that show. They have that that

648
00:33:14,120 --> 00:33:17,960
Speaker 2: like industrial dishwasher and they put like fruit and vegetables

649
00:33:18,000 --> 00:33:19,680
Speaker 2: and stuff on the top of it, like where the

650
00:33:19,720 --> 00:33:21,120
Speaker 2: steamy could be very.

651
00:33:20,960 --> 00:33:24,840
Speaker 3: Strange kind of note I have to take a gander

652
00:33:24,880 --> 00:33:25,080
Speaker 3: at that.

653
00:33:25,360 --> 00:33:27,040
Speaker 1: And this is the scene where she yelled at the

654
00:33:27,080 --> 00:33:28,960
Speaker 1: two employees to get out of there, but then got

655
00:33:29,000 --> 00:33:33,200
Speaker 1: really nice, go get out, but you're doing great jobs.

656
00:33:33,200 --> 00:33:38,720
Speaker 1: And I really appreciate you. There were so many great

657
00:33:38,800 --> 00:33:39,880
Speaker 1: laughs in this episode.

658
00:33:40,080 --> 00:33:43,280
Speaker 3: There were.

659
00:33:43,840 --> 00:33:47,560
Speaker 2: Some good parts. So then we go to the music store.

660
00:33:47,960 --> 00:33:50,920
Speaker 2: I was very sad that we didn't see Carol Key

661
00:33:50,520 --> 00:33:51,800
Speaker 2: and got a.

662
00:33:51,800 --> 00:33:56,480
Speaker 3: Great a great scene between the three Michelle laurelized Zach

663
00:33:56,680 --> 00:33:59,600
Speaker 3: and Zach just kind of crushing it. And also we

664
00:33:59,640 --> 00:34:02,720
Speaker 3: get a sort of a foreshadowing.

665
00:34:03,600 --> 00:34:05,840
Speaker 2: Yes, they mentioned a song for shadowing.

666
00:34:05,960 --> 00:34:06,520
Speaker 3: Ye, it was.

667
00:34:06,760 --> 00:34:08,680
Speaker 2: I even pointed that out to my husband. It's like, oh,

668
00:34:08,680 --> 00:34:11,560
Speaker 2: I didn't even hear it. I have a flag on

669
00:34:11,600 --> 00:34:13,439
Speaker 2: the pink hat she was wearing, though.

670
00:34:13,560 --> 00:34:16,800
Speaker 1: I did not like it right. It was it wasn't on,

671
00:34:17,120 --> 00:34:20,080
Speaker 1: It wasn't on right. It was like, but when she

672
00:34:20,200 --> 00:34:22,759
Speaker 1: walked out of the store, it's like they adjusted it

673
00:34:22,800 --> 00:34:23,240
Speaker 1: was better.

674
00:34:23,680 --> 00:34:26,880
Speaker 2: Yeah, it was up to something or too high on

675
00:34:26,920 --> 00:34:27,560
Speaker 2: her forehead.

676
00:34:27,760 --> 00:34:30,319
Speaker 1: That was it just weird. I wasn't And when she

677
00:34:30,400 --> 00:34:33,400
Speaker 1: walked out it looked good because it was down, yeah,

678
00:34:33,960 --> 00:34:35,479
Speaker 1: round her eyebrows. Yeah.

679
00:34:35,480 --> 00:34:37,279
Speaker 2: But when they were in the store talking, I'm like,

680
00:34:37,320 --> 00:34:40,400
Speaker 2: there's something weird. Maybe that was it. It was too high,

681
00:34:40,600 --> 00:34:42,560
Speaker 2: but a little wrong with that pink hat.

682
00:34:42,600 --> 00:34:45,560
Speaker 1: I don't too much forehead. You don't want to do

683
00:34:45,600 --> 00:34:46,080
Speaker 1: that with a.

684
00:34:46,440 --> 00:34:48,920
Speaker 2: I'm going to throw my favorite line in in here

685
00:34:48,960 --> 00:34:53,279
Speaker 2: because it was from this scene when when Michelle said

686
00:34:53,280 --> 00:34:56,160
Speaker 2: he wanted a Celine Dion song and Zach says, please

687
00:34:56,200 --> 00:34:57,040
Speaker 2: don't make me do that.

688
00:34:59,600 --> 00:35:03,480
Speaker 3: Zach was awesome in the scene. Was really so good.

689
00:35:03,640 --> 00:35:05,400
Speaker 3: He's so so good.

690
00:35:06,280 --> 00:35:08,439
Speaker 1: And then and then lorelized comments about all the songs

691
00:35:08,480 --> 00:35:15,760
Speaker 1: with hearts Heart to You. It's like it was great stuff.

692
00:35:16,400 --> 00:35:21,160
Speaker 1: That was good dialogue and funny stuff. And then when

693
00:35:21,160 --> 00:35:24,560
Speaker 1: they at least expected the Gilmore girls can get laughs

694
00:35:24,600 --> 00:35:28,720
Speaker 1: at it anything. It's just such a joy, such a joy.

695
00:35:29,520 --> 00:35:32,040
Speaker 2: And when they walked out of the music store and

696
00:35:32,040 --> 00:35:34,719
Speaker 2: they're walking down the street and then Michelle tells that

697
00:35:35,320 --> 00:35:41,799
Speaker 2: really weird story about a troop of mimes. What he

698
00:35:41,880 --> 00:35:44,640
Speaker 2: was trying to understand what they were pointing at. And

699
00:35:44,680 --> 00:35:46,400
Speaker 2: then he had to go to Luke's Diner because he

700
00:35:46,520 --> 00:35:49,120
Speaker 2: needed comfort, Like what the heck.

701
00:35:49,280 --> 00:35:51,000
Speaker 1: To order a hamberg ordered a hamburger?

702
00:35:52,360 --> 00:36:00,239
Speaker 3: Is that he got the burger and Papa love it,

703
00:36:00,680 --> 00:36:05,120
Speaker 3: and so he's going to go get a burger Chinchin, sorry,

704
00:36:05,600 --> 00:36:08,360
Speaker 3: my bad to go get the burger to eat in

705
00:36:08,600 --> 00:36:13,600
Speaker 3: honor of Chinchin loving that burger. Now, really it's so

706
00:36:13,640 --> 00:36:15,560
Speaker 3: that we can get the wave right.

707
00:36:15,640 --> 00:36:19,240
Speaker 2: Yes, that was the entire point. It just was such

708
00:36:19,280 --> 00:36:23,600
Speaker 2: a randomly random story about Mime's staying at the end.

709
00:36:23,760 --> 00:36:25,759
Speaker 3: I kind of didn't pay any attention to that part.

710
00:36:26,400 --> 00:36:30,759
Speaker 2: It was it was funny, and so I think that

711
00:36:30,920 --> 00:36:32,919
Speaker 2: I think that was the only time we saw Luke

712
00:36:32,960 --> 00:36:33,759
Speaker 2: in this episode.

713
00:36:33,760 --> 00:36:35,400
Speaker 1: So yeah, it was.

714
00:36:35,200 --> 00:36:36,480
Speaker 3: It was the wave.

715
00:36:37,080 --> 00:36:41,840
Speaker 1: Yeah, but did hang on? Did I did I steal

716
00:36:41,920 --> 00:36:42,480
Speaker 1: the episode?

717
00:36:42,560 --> 00:36:47,040
Speaker 3: Or it's an important moment? It was. I'll give you that.

718
00:36:47,120 --> 00:36:48,120
Speaker 3: It's an important moment.

719
00:36:49,080 --> 00:36:52,759
Speaker 1: Hey man, what a joy to show up one one

720
00:36:52,880 --> 00:36:55,920
Speaker 1: for a couple hours, not even to talk. Hey guys.

721
00:36:56,120 --> 00:36:57,760
Speaker 2: Yeah, and.

722
00:36:59,400 --> 00:37:01,160
Speaker 3: She had kind of the look on her face.

723
00:37:02,160 --> 00:37:04,759
Speaker 2: She would have gone in to say hi, but she's now,

724
00:37:04,840 --> 00:37:06,759
Speaker 2: you know, she's made the decision that now she has

725
00:37:06,800 --> 00:37:10,800
Speaker 2: to cut Luke out. So but yes, stay on opposite

726
00:37:10,840 --> 00:37:13,200
Speaker 2: sides of the glass, I guess. So, yeah, it was.

727
00:37:13,280 --> 00:37:14,840
Speaker 2: It was poignant, It was symbolic.

728
00:37:15,120 --> 00:37:16,680
Speaker 3: Yeah, yeah, very very important.

729
00:37:16,760 --> 00:37:21,840
Speaker 2: Yeah. Okay, so then Logan surprises Rory at her apartment,

730
00:37:22,040 --> 00:37:24,520
Speaker 2: like how many This is like the third or fourth

731
00:37:24,560 --> 00:37:25,759
Speaker 2: time we've seen that.

732
00:37:26,400 --> 00:37:28,200
Speaker 3: Yeah, the third might be more right.

733
00:37:28,440 --> 00:37:31,760
Speaker 2: Yeah, So okay, we've done that.

734
00:37:31,760 --> 00:37:32,920
Speaker 3: That's how we bring him back.

735
00:37:33,000 --> 00:37:36,280
Speaker 2: Fine, Yeah, I guess he just you know, he's logan.

736
00:37:36,400 --> 00:37:38,440
Speaker 2: He likes to make the gestures.

737
00:37:38,600 --> 00:37:41,600
Speaker 3: Well he's broken, get them together to have the big talk.

738
00:37:41,920 --> 00:37:46,399
Speaker 1: Yeah broken, she fixed them, she broke, yes, but.

739
00:37:46,360 --> 00:37:47,960
Speaker 3: We got to have the talk, the big talk.

740
00:37:50,360 --> 00:37:53,640
Speaker 2: So this is I did.

741
00:37:55,160 --> 00:37:56,240
Speaker 3: Did you find the farr?

742
00:37:56,960 --> 00:37:59,840
Speaker 2: It was odd and I know she leads, she leads

743
00:38:00,080 --> 00:38:03,160
Speaker 2: into it by saying it was because of Marty, but.

744
00:38:04,640 --> 00:38:05,160
Speaker 3: I don't know.

745
00:38:05,280 --> 00:38:07,200
Speaker 2: It just felt weird to me that she was so

746
00:38:07,440 --> 00:38:08,560
Speaker 2: worked up about it.

747
00:38:08,760 --> 00:38:11,920
Speaker 1: Right, I mean, it was kind of refreshingly honest.

748
00:38:12,080 --> 00:38:14,600
Speaker 3: Yeah, yeah, yeah, And he's so cool.

749
00:38:14,440 --> 00:38:17,000
Speaker 1: And he's so cool about it, and it really brought

750
00:38:17,040 --> 00:38:20,520
Speaker 1: out great sides of both of them. But in the

751
00:38:20,680 --> 00:38:20,960
Speaker 1: in the.

752
00:38:20,960 --> 00:38:24,160
Speaker 3: Realm, sometimes it makes sense, like sometimes you have a

753
00:38:24,160 --> 00:38:28,719
Speaker 3: little like maybe she's feeling guilty and it's gonna help

754
00:38:28,760 --> 00:38:30,840
Speaker 3: her guilt to be able to tell him so.

755
00:38:30,840 --> 00:38:33,560
Speaker 2: Because he did kind of get it. He did kind

756
00:38:33,560 --> 00:38:36,440
Speaker 2: of give her crap about the Marty situation when we

757
00:38:36,480 --> 00:38:38,680
Speaker 2: were in the cafeteria and he's like, well, why didn't

758
00:38:38,680 --> 00:38:40,760
Speaker 2: you tell me what you know? Are you hiding something?

759
00:38:40,800 --> 00:38:43,120
Speaker 2: Do you have feelings? Like he was a little accused

760
00:38:43,200 --> 00:38:46,280
Speaker 2: for me in that scene, so I can see why

761
00:38:46,400 --> 00:38:49,759
Speaker 2: she might have been like, Okay, I'm just gonna err

762
00:38:49,800 --> 00:38:52,719
Speaker 2: on the side of telling too much because I don't

763
00:38:52,719 --> 00:38:55,080
Speaker 2: want to be accused of holding something back later. So

764
00:38:55,120 --> 00:38:56,040
Speaker 2: I do kind of get that.

765
00:38:56,160 --> 00:38:59,880
Speaker 1: But yeah, I think it did show her affection to

766
00:39:00,320 --> 00:39:05,160
Speaker 1: him and her trust in him. Yeah, yeah, but it

767
00:39:05,200 --> 00:39:07,480
Speaker 1: was it did. It was a little I don't know.

768
00:39:07,680 --> 00:39:09,719
Speaker 2: It was kind of making a mountain out of a molehill.

769
00:39:09,840 --> 00:39:14,200
Speaker 1: I thought, yeah, I don't think about it.

770
00:39:14,520 --> 00:39:15,080
Speaker 3: It was fine.

771
00:39:15,280 --> 00:39:18,399
Speaker 2: I mean, it ended up in a good conversation because

772
00:39:18,440 --> 00:39:20,280
Speaker 2: they both decided they're okay.

773
00:39:20,600 --> 00:39:25,880
Speaker 1: It definitely displayed virtue, right, Yeah, it kind.

774
00:39:25,719 --> 00:39:28,759
Speaker 3: Of took their relationship to a next level with that

775
00:39:28,880 --> 00:39:33,560
Speaker 3: open communication, very like adult and it's okay, And yeah,

776
00:39:33,680 --> 00:39:35,880
Speaker 3: I didn't mind it. But it was a little weird.

777
00:39:36,000 --> 00:39:36,880
Speaker 3: It was a hit weird.

778
00:39:37,520 --> 00:39:42,239
Speaker 2: Yeah, and a funny moment at the end when uh,

779
00:39:42,520 --> 00:39:45,040
Speaker 2: when he was like, well, why aren't we watching Paris

780
00:39:45,120 --> 00:39:49,640
Speaker 2: Belly Dance, they take off to go see that, which

781
00:39:49,760 --> 00:39:52,839
Speaker 2: which probably would have been fun to watch. I can't

782
00:39:52,880 --> 00:39:56,880
Speaker 2: blame them for that. And then uh, so then we

783
00:39:56,920 --> 00:40:01,120
Speaker 2: go to the actual funeral. Oh my god, oh my gosh,

784
00:40:01,280 --> 00:40:03,920
Speaker 2: so much going on. So we saw Lane. That's the

785
00:40:03,960 --> 00:40:04,799
Speaker 2: only time we saw.

786
00:40:05,840 --> 00:40:08,480
Speaker 3: She looked really cute and it was kind of obviously

787
00:40:08,520 --> 00:40:10,640
Speaker 3: she was there for Michelle, but really for Zach is

788
00:40:10,640 --> 00:40:15,040
Speaker 3: what I came like, you know, because he's doing the performance.

789
00:40:14,960 --> 00:40:17,040
Speaker 2: And all the dogs that attend.

790
00:40:17,160 --> 00:40:20,200
Speaker 3: Oh my god, the dogs and the face acting. This

791
00:40:20,239 --> 00:40:23,919
Speaker 3: scene's basically all about face acting because the dogs faces.

792
00:40:24,200 --> 00:40:28,759
Speaker 2: And then Laura lives, yeah, and you can see like

793
00:40:29,800 --> 00:40:33,360
Speaker 2: everything that's going like you could almost like see the

794
00:40:33,400 --> 00:40:37,799
Speaker 2: thoughts just passing across her face like she as she

795
00:40:37,920 --> 00:40:41,280
Speaker 2: was kind of processing what Suki had said, and then

796
00:40:41,680 --> 00:40:44,399
Speaker 2: you know, the conversation she's going to have to have with.

797
00:40:44,520 --> 00:40:46,080
Speaker 3: Yeah and what she's really feeling.

798
00:40:46,640 --> 00:40:51,120
Speaker 2: Right, So then she comes home, she's a little sniffy,

799
00:40:51,600 --> 00:40:57,359
Speaker 2: and she says the funeral was sad, and then this

800
00:40:57,440 --> 00:41:01,200
Speaker 2: is this is you know, kind of where it all unravels,

801
00:41:01,239 --> 00:41:04,560
Speaker 2: and yeah, she says I jumped. He says I pushed you.

802
00:41:07,760 --> 00:41:11,160
Speaker 2: She was legit crying in the seat like that was Ye.

803
00:41:11,360 --> 00:41:16,319
Speaker 3: She was amazing in this scene. Just the one line, So.

804
00:41:17,800 --> 00:41:18,359
Speaker 4: Go for it.

805
00:41:18,840 --> 00:41:22,120
Speaker 3: What is the exact line. You're the man I want

806
00:41:22,239 --> 00:41:23,160
Speaker 3: to want to want.

807
00:41:23,520 --> 00:41:25,759
Speaker 1: Yes, you're the man I want to want.

808
00:41:26,000 --> 00:41:29,920
Speaker 3: I don't like even what she meant was.

809
00:41:30,080 --> 00:41:34,239
Speaker 1: You are not worthy. You're not the kind of man

810
00:41:34,360 --> 00:41:38,120
Speaker 1: that I would want. You haven't turned into somebody that

811
00:41:38,160 --> 00:41:41,600
Speaker 1: I want to want you, but you're not worthy of

812
00:41:41,680 --> 00:41:47,000
Speaker 1: wanting that much. Yeah, that's what I think. Trying to say.

813
00:41:46,880 --> 00:41:49,520
Speaker 3: Him right, it's almost like saying I would.

814
00:41:50,000 --> 00:41:51,680
Speaker 1: It's a it's a real bad the.

815
00:41:51,680 --> 00:41:53,840
Speaker 3: Guy, but I wish you were the guy, right exactly.

816
00:41:54,440 --> 00:41:56,479
Speaker 1: It's like, you think you're the man, but you ain't

817
00:41:56,520 --> 00:41:57,200
Speaker 1: the man, buddy.

818
00:41:57,360 --> 00:41:59,400
Speaker 2: Yeah, yeah, And she said.

819
00:41:59,239 --> 00:42:01,720
Speaker 1: And I wish you were because you're the because because

820
00:42:01,760 --> 00:42:03,560
Speaker 1: it it complicated for the.

821
00:42:03,480 --> 00:42:07,160
Speaker 3: Father of me, and there's a lot of good things

822
00:42:07,200 --> 00:42:09,480
Speaker 3: about you, but like, you're not the guy. So I

823
00:42:09,520 --> 00:42:12,080
Speaker 3: just did I don't love that line. I get the

824
00:42:12,120 --> 00:42:15,680
Speaker 3: whole sentiment, and I get the conversation, and like, ultimately

825
00:42:16,320 --> 00:42:17,560
Speaker 3: this relationship is played.

826
00:42:17,600 --> 00:42:20,920
Speaker 1: Maybe they could put us in a little box explaining

827
00:42:20,960 --> 00:42:23,719
Speaker 1: what she meant during the episode.

828
00:42:24,040 --> 00:42:26,799
Speaker 3: So it's not like that line didn't wow me. It

829
00:42:26,840 --> 00:42:29,239
Speaker 3: wasn't like it didn't have sort of that punch that

830
00:42:29,280 --> 00:42:33,160
Speaker 3: I was like, oh, oh you know, yeah, it just

831
00:42:33,239 --> 00:42:34,160
Speaker 3: was okay.

832
00:42:34,520 --> 00:42:37,600
Speaker 2: I mean, because she says that he was always this

833
00:42:37,880 --> 00:42:45,160
Speaker 2: wonderful possibility, but now she realized that that possibility in

834
00:42:45,200 --> 00:42:48,799
Speaker 2: and of itself is not enough to be with this

835
00:42:48,840 --> 00:42:50,080
Speaker 2: guy for the rest of your life.

836
00:42:50,160 --> 00:42:50,399
Speaker 4: Yeah.

837
00:42:50,640 --> 00:42:55,560
Speaker 3: Yeah, and all that they hope that they can be,

838
00:42:56,120 --> 00:42:57,960
Speaker 3: they can't be, do you know what I mean? No

839
00:42:58,000 --> 00:43:01,640
Speaker 3: matter how much both of them want it, it just

840
00:43:01,760 --> 00:43:03,280
Speaker 3: isn't right.

841
00:43:04,320 --> 00:43:06,880
Speaker 2: Right, Like there, you know, they have a kid together

842
00:43:07,000 --> 00:43:11,000
Speaker 2: and all this, but that doesn't change the fact that

843
00:43:11,560 --> 00:43:14,560
Speaker 2: when it comes down to it, but she doesn't want him

844
00:43:14,920 --> 00:43:17,720
Speaker 2: like she thought she could want him, but she doesn't

845
00:43:17,760 --> 00:43:20,919
Speaker 2: want him. So I think that's where that line comes from,

846
00:43:20,960 --> 00:43:24,200
Speaker 2: that she wants to want him, right, She wants to

847
00:43:24,239 --> 00:43:28,359
Speaker 2: want him because everybody has been saying, oh, you guys

848
00:43:28,360 --> 00:43:30,840
Speaker 2: should be together and you know, blah blah blah. But

849
00:43:30,920 --> 00:43:33,719
Speaker 2: then but there's not enough there to hold a relationship

850
00:43:33,760 --> 00:43:34,840
Speaker 2: together enough times.

851
00:43:34,920 --> 00:43:38,880
Speaker 3: Now we're done, Yeah to do this, because even I

852
00:43:39,000 --> 00:43:43,440
Speaker 3: as a viewer, wasn't totally sure, but now I'm like, yeah, done.

853
00:43:44,280 --> 00:43:49,200
Speaker 1: Yeah, he's just not on her level. Yeah, emotionally speaking,

854
00:43:50,160 --> 00:43:56,439
Speaker 1: he's not an emotionally mature or emotionally intelligent person. He's

855
00:43:56,600 --> 00:44:02,400
Speaker 1: just yes, agreed, it's a case of arrested emotional development

856
00:44:02,480 --> 00:44:07,560
Speaker 1: with this guy, and he just has this pensiant because

857
00:44:07,600 --> 00:44:12,040
Speaker 1: of this pregnancy and his child and how he responded

858
00:44:12,080 --> 00:44:13,960
Speaker 1: to it. He just this is who he is, This

859
00:44:14,000 --> 00:44:17,719
Speaker 1: is how he rolls, and you can't depend on him.

860
00:44:17,800 --> 00:44:22,000
Speaker 1: And yeah, and nobody's surprised in the audience, And now

861
00:44:22,080 --> 00:44:24,520
Speaker 1: she's not surprised. I wasn't surprised that I felt this

862
00:44:24,560 --> 00:44:25,480
Speaker 1: way that I couldn't.

863
00:44:26,600 --> 00:44:30,640
Speaker 3: I think that it's an important she really had to

864
00:44:30,680 --> 00:44:31,279
Speaker 3: get there.

865
00:44:31,760 --> 00:44:35,160
Speaker 1: Yes, I mean, just think of the commitment that she

866
00:44:35,760 --> 00:44:39,560
Speaker 1: has made her whole adult life, practically and even even

867
00:44:39,560 --> 00:44:42,520
Speaker 1: as a teenager to get that child into a safe

868
00:44:42,560 --> 00:44:46,320
Speaker 1: place and raise her the right way with a community

869
00:44:46,680 --> 00:44:50,160
Speaker 1: and surrounded by love and solid people instead of that dysfunctional,

870
00:44:50,200 --> 00:44:55,480
Speaker 1: toxic thing she came from. And I mean, talk about

871
00:44:55,480 --> 00:45:00,920
Speaker 1: a strong woman and a righteous woman. And and then

872
00:45:00,960 --> 00:45:03,000
Speaker 1: you got this clown coming in out of your life

873
00:45:03,000 --> 00:45:06,440
Speaker 1: who happens to be the baby daddy but just scrambling

874
00:45:06,480 --> 00:45:13,000
Speaker 1: everybody's eggs all the time. And it's like, guy, you know,

875
00:45:13,200 --> 00:45:15,759
Speaker 1: you get you know, you get to get into the

876
00:45:15,800 --> 00:45:18,120
Speaker 1: party because you know you're kind of responsible for this

877
00:45:18,719 --> 00:45:19,360
Speaker 1: part way.

878
00:45:19,280 --> 00:45:20,520
Speaker 2: But all bad too.

879
00:45:20,520 --> 00:45:24,400
Speaker 3: There are redeeming things better, there are I know you

880
00:45:24,400 --> 00:45:26,360
Speaker 3: guys maybe don't agree as much, but there are a

881
00:45:26,400 --> 00:45:31,800
Speaker 3: lot of redeeming things also, like that connection. You always

882
00:45:31,880 --> 00:45:34,440
Speaker 3: kind of like, I just don't love the line, but

883
00:45:34,560 --> 00:45:37,799
Speaker 3: I know what she's saying. It's like, of course, it'd

884
00:45:37,840 --> 00:45:42,040
Speaker 3: be great if your high school sweetheart that is your soulmate,

885
00:45:42,160 --> 00:45:43,759
Speaker 3: but like she just isn't.

886
00:45:44,080 --> 00:45:47,560
Speaker 1: Let's look at it from an analytical standpoint about the

887
00:45:47,600 --> 00:45:51,720
Speaker 1: effect that this relationship between her mother and her biological

888
00:45:51,760 --> 00:45:58,040
Speaker 1: father are having on her own relationships, Rory's own relationships.

889
00:45:58,280 --> 00:46:00,600
Speaker 1: I mean that's a whole discussion, right, I.

890
00:46:00,520 --> 00:46:03,239
Speaker 3: Mean, yeah, yeah.

891
00:46:02,239 --> 00:46:04,680
Speaker 1: You know, and how it's going to call her the

892
00:46:04,680 --> 00:46:08,520
Speaker 1: rest of her life and towards her attitudes towards men. Yeah,

893
00:46:08,560 --> 00:46:11,960
Speaker 1: that's right, right, So yeah.

894
00:46:12,680 --> 00:46:17,840
Speaker 3: Yeah, her relationship and not relationship and sort of sporadic

895
00:46:17,880 --> 00:46:23,399
Speaker 3: relationship with her father will definitely impact her, right yeah.

896
00:46:22,960 --> 00:46:23,160
Speaker 1: Yeah.

897
00:46:23,440 --> 00:46:26,040
Speaker 2: But I was just excited to finally put a nail

898
00:46:26,080 --> 00:46:28,400
Speaker 2: in that coffin and be like okay, like we're we

899
00:46:28,600 --> 00:46:31,360
Speaker 2: popped a couple beers open, and we're like all right bye, Christopher.

900
00:46:32,480 --> 00:46:34,600
Speaker 2: So I was I was happy during that last thing.

901
00:46:34,719 --> 00:46:36,040
Speaker 2: I wasn't sad for anybody.

902
00:46:36,080 --> 00:46:36,400
Speaker 1: I was.

903
00:46:36,920 --> 00:46:38,200
Speaker 2: I was pretty excited.

904
00:46:37,960 --> 00:46:40,440
Speaker 1: Put him on the boat. Light the torch just pushed

905
00:46:40,480 --> 00:46:43,880
Speaker 1: the canoe out into the lake and watch it.

906
00:46:44,000 --> 00:46:47,520
Speaker 3: It's a good episode. It's not super controversial, you know.

907
00:46:47,600 --> 00:46:49,359
Speaker 3: I think most people sort of are like, Okay, this

908
00:46:49,400 --> 00:46:50,560
Speaker 3: is played out. Okay.

909
00:46:51,160 --> 00:46:53,560
Speaker 2: Yeah. It was good because she had to get that

910
00:46:53,640 --> 00:46:56,680
Speaker 2: out of her system. Like, like she said, he was

911
00:46:56,719 --> 00:46:59,520
Speaker 2: always a possibility, and so she had to get to

912
00:46:59,520 --> 00:47:03,120
Speaker 2: the point where she tried out that possibility and figured

913
00:47:03,160 --> 00:47:07,359
Speaker 2: out that it wasn't right in the long term, right, yeah, yeah, yeah,

914
00:47:07,360 --> 00:47:10,160
Speaker 2: because if she had married Luke and then he you know,

915
00:47:10,280 --> 00:47:12,120
Speaker 2: came back around, who knows what would have happened. But

916
00:47:12,160 --> 00:47:13,160
Speaker 2: she needed to have some.

917
00:47:13,120 --> 00:47:16,279
Speaker 1: Closure there, right. You have to respect the process that

918
00:47:16,360 --> 00:47:19,520
Speaker 1: she the processes she went through to try to get

919
00:47:19,560 --> 00:47:22,160
Speaker 1: him back into their both of their lives. Mm hm,

920
00:47:22,440 --> 00:47:25,240
Speaker 1: you know, you have to respect that. But anyway, I'm

921
00:47:25,440 --> 00:47:29,520
Speaker 1: really excited, and I'm not just saying yeah, you know,

922
00:47:29,560 --> 00:47:31,680
Speaker 1: I'm excited to see what happens because I don't know,

923
00:47:32,000 --> 00:47:35,520
Speaker 1: I don't know how how or if Luke and Laurels

924
00:47:35,640 --> 00:47:38,560
Speaker 1: are coming back together in this season. I'm really eager

925
00:47:38,600 --> 00:47:39,880
Speaker 1: to see that, you know.

926
00:47:40,160 --> 00:47:43,920
Speaker 2: Yeah, Like for me, this episode is sort of a

927
00:47:43,960 --> 00:47:46,520
Speaker 2: turning point in season seven, because now I feel like

928
00:47:46,600 --> 00:47:49,520
Speaker 2: for the rest of the season, now we're cooking with

929
00:47:49,600 --> 00:47:51,919
Speaker 2: gas like these, that these are where the episodes get

930
00:47:51,920 --> 00:47:54,440
Speaker 2: really good for me. Once we get Christopher out of

931
00:47:54,480 --> 00:47:58,360
Speaker 2: the picture and his whiny neediness. Now we can you know,

932
00:47:58,480 --> 00:48:00,040
Speaker 2: move on with some good stuff.

933
00:48:00,080 --> 00:48:02,120
Speaker 3: What she wants, and so we're going to see what

934
00:48:02,120 --> 00:48:02,440
Speaker 3: that is.

935
00:48:03,360 --> 00:48:08,880
Speaker 1: Yeah, yeah, I'm eager to see that. Anyway, what are

936
00:48:08,880 --> 00:48:12,000
Speaker 1: we giving this? Uh, Suzanne, what do you think?

937
00:48:12,400 --> 00:48:18,600
Speaker 2: I Am going to give this nine inspirational plaques that

938
00:48:18,680 --> 00:48:20,120
Speaker 2: we got friends.

939
00:48:20,640 --> 00:48:24,719
Speaker 3: Yeah, I'm going to give this eight point eight q

940
00:48:25,040 --> 00:48:28,480
Speaker 3: t as, gotcha?

941
00:48:28,640 --> 00:48:32,480
Speaker 1: Uh hm, I'm going to get up there in the

942
00:48:32,600 --> 00:48:35,400
Speaker 1: nines too, because it just relaxed me and I enjoyed

943
00:48:35,440 --> 00:48:36,400
Speaker 1: the heck out of this.

944
00:48:37,000 --> 00:48:38,880
Speaker 3: I'm going to agree with that word choice. It's a

945
00:48:39,040 --> 00:48:41,640
Speaker 3: very easy blowy.

946
00:48:42,280 --> 00:48:47,120
Speaker 1: Oh god, yeah, all of these pleasant, great performances, all

947
00:48:47,160 --> 00:48:50,279
Speaker 1: of this funny stuff. Yeah, you know, it just got

948
00:48:50,320 --> 00:48:53,840
Speaker 1: dramatic just enough, not too too much.

949
00:48:53,680 --> 00:48:56,480
Speaker 3: But goofy just enough. Yeah, I agree.

950
00:48:56,719 --> 00:48:59,759
Speaker 1: I mean I really got a sense of what, you know,

951
00:48:59,840 --> 00:49:02,319
Speaker 1: the the potential of what the show could always be

952
00:49:02,520 --> 00:49:09,680
Speaker 1: and at its best, I'm gonna go nine point I

953
00:49:09,920 --> 00:49:16,279
Speaker 1: liked this episode a lot. Let's give it a nine

954
00:49:16,280 --> 00:49:28,680
Speaker 1: to five five. God you know doggie photos or doggie

955
00:49:29,800 --> 00:49:35,640
Speaker 1: photos of Paul Paul chin Chin right, yeah, uh not.

956
00:49:35,840 --> 00:49:38,919
Speaker 3: Yeah, it's an easy, nice, no fighting. We're all kind

957
00:49:38,920 --> 00:49:41,520
Speaker 3: of on the same page on it and stuff. Yeh,

958
00:49:41,800 --> 00:49:44,360
Speaker 3: see you next week. Kayak what is it? Kayak something?

959
00:49:44,960 --> 00:49:48,320
Speaker 2: What I'm a kayak? Hear me roar.

960
00:49:51,640 --> 00:49:53,120
Speaker 1: And that is gonna analogy.

961
00:49:53,160 --> 00:49:54,880
Speaker 2: There's a good analogy behind that title.

962
00:49:55,760 --> 00:49:58,320
Speaker 1: You're going to find out anyway. Thank you ladies, Thank you, Susan,

963
00:49:58,440 --> 00:50:02,719
Speaker 1: thank you Amy. You will see uh Tara and Danielle

964
00:50:02,880 --> 00:50:06,760
Speaker 1: soon hopefully yea. And Jackie hell of a job filling

965
00:50:06,800 --> 00:50:09,920
Speaker 1: in for those two. Boy, I tell you, thanks.

966
00:50:13,200 --> 00:50:14,360
Speaker 3: You break any kind of time.

967
00:50:16,000 --> 00:50:17,759
Speaker 4: I good.

968
00:50:18,080 --> 00:50:20,880
Speaker 1: You're doing right. No, you know the unsung hero of

969
00:50:20,920 --> 00:50:27,480
Speaker 1: the podcast is it's Jackie Rodriguez for sure. Anyway, Again,

970
00:50:27,719 --> 00:50:30,520
Speaker 1: a delightful episode. Best fans on the planet. Keep the

971
00:50:30,560 --> 00:50:32,600
Speaker 1: cards and letters coming. They keep us honest, they keep

972
00:50:32,680 --> 00:50:35,600
Speaker 1: us sane. They make us insane sometimes, but that's not

973
00:50:35,640 --> 00:50:38,759
Speaker 1: a bad thing. We love you guys, more than you know,

974
00:50:38,960 --> 00:50:43,000
Speaker 1: more than you'll ever know, and much appreciated. And remember

975
00:50:43,040 --> 00:50:45,879
Speaker 1: we and I am all in we'll see you next time.

976
00:50:45,920 --> 00:51:15,399
Speaker 4: Stay sick, hey.

977
00:51:15,280 --> 00:51:18,560
Speaker 1: Everybody, and don't forget. Follow us on Instagram at i

978
00:51:18,800 --> 00:51:22,879
Speaker 1: Am All In Podcast and email us at Gilmore at

979
00:51:23,040 --> 00:51:35,839
Speaker 1: iHeartRadio dot com