1 00:00:02,080 --> 00:00:05,320 Speaker 1: Yeah, it's Wrapperate off podcast. Elliot. Yeah, this is a 2 00:00:05,480 --> 00:00:09,360 Speaker 1: video man video. I feel like the young guns in 3 00:00:09,480 --> 00:00:13,080 Speaker 1: your No Better Love video. The Asked Lord movement has 4 00:00:13,080 --> 00:00:15,400 Speaker 1: finally been answering. Man, we are. This is gonna be 5 00:00:15,480 --> 00:00:19,040 Speaker 1: Wrapperate our podcasts. This is a video edition special on 6 00:00:19,040 --> 00:00:23,799 Speaker 1: the Interval Presents YouTube channel where we are in a 7 00:00:23,840 --> 00:00:27,320 Speaker 1: great state of Utah talking to the most prolific artists 8 00:00:27,320 --> 00:00:29,880 Speaker 1: in the game, one of the most streamed artists NBA. 9 00:00:30,000 --> 00:00:35,200 Speaker 1: Young boy, he invited us. Can't you believe it? Exclusive 10 00:00:35,200 --> 00:00:37,319 Speaker 1: conversation man, shout out the bill what they did that thing? 11 00:00:37,360 --> 00:00:39,280 Speaker 1: But it's about for him sitting down with the culture 12 00:00:39,680 --> 00:00:41,440 Speaker 1: and really let them not to mind state he's into 13 00:00:41,560 --> 00:00:43,639 Speaker 1: right now and I'm excited, man, You're ready to get 14 00:00:43,640 --> 00:00:45,960 Speaker 1: in there. Excited. I've never been a Utah man. I 15 00:00:46,080 --> 00:00:48,760 Speaker 1: never met young boys, so this is gonna be exciting experience. 16 00:00:50,120 --> 00:00:51,839 Speaker 1: You know it's your Boy'll get scared. That young boy 17 00:00:51,880 --> 00:00:53,599 Speaker 1: has a lot of fans. Man, they're gonna be watching this. Man. 18 00:00:53,640 --> 00:00:55,920 Speaker 1: We gotta do a good job right well, cold out here, 19 00:00:55,960 --> 00:00:57,880 Speaker 1: let's go heat up inside. Man, Let's do it. Let's 20 00:00:57,880 --> 00:01:00,760 Speaker 1: get into it. Man, rapperate our podcast. You Hey, man, 21 00:01:00,800 --> 00:01:03,320 Speaker 1: when are you taught for the man himself? Man, young boy, 22 00:01:03,560 --> 00:01:07,360 Speaker 1: how are you doing sir? Cool? Thank you for having us, man, 23 00:01:07,880 --> 00:01:11,120 Speaker 1: thank you for coming. Absolutely man, this is a beautiful place. Man. 24 00:01:11,160 --> 00:01:12,720 Speaker 1: I mean, you know, I just feel like, you know, 25 00:01:12,800 --> 00:01:15,720 Speaker 1: people can say, well, this is a trial scheep relation 26 00:01:15,760 --> 00:01:17,120 Speaker 1: you gotta do with, but I think you made the 27 00:01:17,120 --> 00:01:18,800 Speaker 1: best of it. Like it just feels like this home 28 00:01:18,880 --> 00:01:21,920 Speaker 1: just feels very like you know, warm and just like 29 00:01:21,920 --> 00:01:24,640 Speaker 1: like adult adult place. Like can you talk about why 30 00:01:24,800 --> 00:01:26,800 Speaker 1: this is like work to work for you as like 31 00:01:26,840 --> 00:01:32,199 Speaker 1: your home? Right now? It's just peaceful. Too many people too, 32 00:01:32,920 --> 00:01:35,399 Speaker 1: ain't too much study to get off into. That's a 33 00:01:35,440 --> 00:01:37,160 Speaker 1: hell of a view right there, right there. It's a 34 00:01:37,160 --> 00:01:40,679 Speaker 1: long way from a jay apartments right for sure, sure 35 00:01:40,680 --> 00:01:42,720 Speaker 1: where you said the build, but like just being out here, 36 00:01:42,720 --> 00:01:44,360 Speaker 1: it's like the best thing that ever happened to you you, right. 37 00:01:44,920 --> 00:01:47,160 Speaker 1: You love the serenity and just the peacefulness of it. 38 00:01:47,480 --> 00:01:49,920 Speaker 1: How it like the weather too, You're like the cold 39 00:01:49,960 --> 00:01:52,720 Speaker 1: weather because it be all where you're from and bat 40 00:01:52,840 --> 00:01:55,640 Speaker 1: Rouge doesn't get snow and stuff like that. I don't 41 00:01:55,640 --> 00:01:57,880 Speaker 1: really like it as much like I really used to. 42 00:01:58,200 --> 00:02:03,080 Speaker 1: I just like difference, right, So all the places in 43 00:02:03,200 --> 00:02:06,000 Speaker 1: America you had to choose. He chose you talk right. 44 00:02:06,600 --> 00:02:08,440 Speaker 1: Did you feel like it was it like an adjustment 45 00:02:08,480 --> 00:02:10,840 Speaker 1: for you like when you first came out here. No, 46 00:02:11,080 --> 00:02:14,639 Speaker 1: because I wouldn't already looking to fit in or to 47 00:02:14,720 --> 00:02:17,600 Speaker 1: get off until then. I just wanted someone to go 48 00:02:18,080 --> 00:02:20,880 Speaker 1: far from back Rouge? Do you miss band Rodge a 49 00:02:20,919 --> 00:02:24,920 Speaker 1: little bit? As far as music goes? Like? Do you 50 00:02:25,600 --> 00:02:28,080 Speaker 1: how have you been? Like? How's the process been different? 51 00:02:28,120 --> 00:02:30,880 Speaker 1: Like working out here than back home? I don't know. 52 00:02:30,919 --> 00:02:32,840 Speaker 1: I really just to go out the moment that I mean, 53 00:02:33,440 --> 00:02:35,880 Speaker 1: I think I think the music would be better though 54 00:02:36,160 --> 00:02:41,119 Speaker 1: if I was just out moving around, experiencing, experiencing more 55 00:02:42,840 --> 00:02:47,480 Speaker 1: about man. I still he's still a sun. Got you? 56 00:02:47,840 --> 00:02:49,560 Speaker 1: What way you turn it up on your neighbors? Man 57 00:02:49,560 --> 00:02:52,079 Speaker 1: with that black video? Create a party out here? I 58 00:02:52,240 --> 00:02:55,880 Speaker 1: had actually eked the neighbor. I asked one of my neighbors. 59 00:02:55,919 --> 00:02:59,000 Speaker 1: I should have asked the other window. It was just 60 00:02:59,160 --> 00:03:02,320 Speaker 1: some creative. It was broke to me. Are the neighbors 61 00:03:02,360 --> 00:03:05,960 Speaker 1: nice out here? They're cool? Down't bother me because you're 62 00:03:05,960 --> 00:03:09,200 Speaker 1: definitely like you just haven't at all ventured out, like 63 00:03:09,200 --> 00:03:11,600 Speaker 1: you pretty much stay on your home base at all 64 00:03:11,639 --> 00:03:14,040 Speaker 1: times and the cars ain't been touched. You got like 65 00:03:14,040 --> 00:03:17,480 Speaker 1: an amazing car collection. They're just sitting in the garage. Yeah, 66 00:03:18,080 --> 00:03:22,120 Speaker 1: I don't really know the neighborhood looking. But about you know, 67 00:03:22,240 --> 00:03:24,000 Speaker 1: you know it's like to get here, it's a lot 68 00:03:24,040 --> 00:03:26,959 Speaker 1: of restrictions, right, But what about your family? Is it? 69 00:03:27,160 --> 00:03:29,000 Speaker 1: You know, is it easier for them to come see 70 00:03:29,000 --> 00:03:30,880 Speaker 1: you and visit you and your friends? And how think 71 00:03:30,880 --> 00:03:34,200 Speaker 1: you gotta go through the same the same procedure. Yeah, 72 00:03:34,840 --> 00:03:36,720 Speaker 1: but you build a whole new foundation and you resually 73 00:03:36,720 --> 00:03:39,520 Speaker 1: got married and you know as to like one inspired 74 00:03:39,560 --> 00:03:41,480 Speaker 1: that to like settle down that way and get married 75 00:03:41,520 --> 00:03:45,560 Speaker 1: and moving that direction I always wanted to and the 76 00:03:46,320 --> 00:03:50,360 Speaker 1: women i'm week maybe actually want to rich. That's how 77 00:03:50,360 --> 00:03:52,120 Speaker 1: it works, brother, That's how it works. You gotta get 78 00:03:52,160 --> 00:03:54,520 Speaker 1: the right one. That's how it works. Did you do 79 00:03:54,600 --> 00:03:56,800 Speaker 1: like a like limited with in the home movie? You 80 00:03:56,840 --> 00:03:58,640 Speaker 1: did you do like a big kind of ceremony kind 81 00:03:58,640 --> 00:04:00,360 Speaker 1: of thing or just get a little low key, little 82 00:04:00,440 --> 00:04:04,120 Speaker 1: key you had the kids involved too, Okay, And the 83 00:04:04,160 --> 00:04:06,400 Speaker 1: previous time, if you are saw um you did with 84 00:04:06,480 --> 00:04:08,760 Speaker 1: like Angela, you said that you know you never felt 85 00:04:08,760 --> 00:04:11,280 Speaker 1: that kind of love, you know from your grandmother. Did 86 00:04:11,280 --> 00:04:14,760 Speaker 1: you feel like your partner gave you that, um fill 87 00:04:14,800 --> 00:04:17,200 Speaker 1: that void for you? I feel like she's doing that 88 00:04:17,360 --> 00:04:21,640 Speaker 1: for me. Do you think that that's because you know, 89 00:04:21,680 --> 00:04:24,320 Speaker 1: obviously you've sort of not being really reflective of like 90 00:04:24,480 --> 00:04:26,280 Speaker 1: the kind of music you make and the content you 91 00:04:26,360 --> 00:04:28,839 Speaker 1: make and you know your responsibility to that. Do you 92 00:04:28,880 --> 00:04:31,760 Speaker 1: think that sort of like having that stability at home 93 00:04:31,960 --> 00:04:33,799 Speaker 1: is also a factor in that of how you're viewing 94 00:04:33,800 --> 00:04:36,479 Speaker 1: things right now as you grow, like the fact that 95 00:04:36,520 --> 00:04:38,280 Speaker 1: you know you talked about you know, maybe looking at 96 00:04:38,279 --> 00:04:40,200 Speaker 1: the violence you're put in the music and making maybe 97 00:04:40,279 --> 00:04:42,039 Speaker 1: wanting to make some changes with that. Right. Do you 98 00:04:42,080 --> 00:04:44,760 Speaker 1: think that you're having a sort of stable home life 99 00:04:44,760 --> 00:04:47,359 Speaker 1: now with a new wife and and being this great position. 100 00:04:47,640 --> 00:04:49,480 Speaker 1: Does that connect to that in a lot of ways 101 00:04:49,480 --> 00:04:52,560 Speaker 1: and impact you? Yeah? I think so. I think he 102 00:04:52,640 --> 00:04:56,520 Speaker 1: has some then, do it? I really to be looking 103 00:04:56,520 --> 00:04:59,680 Speaker 1: at other like young dudes, Like some people I'll be 104 00:04:59,720 --> 00:05:03,520 Speaker 1: telling and I'll be like, oh, you know, it's really bad, bad, 105 00:05:04,160 --> 00:05:07,680 Speaker 1: I'm still talking with talk. But I think I'm just white, 106 00:05:08,080 --> 00:05:11,200 Speaker 1: do it though? Yeah? I don't even had no limit 107 00:05:11,279 --> 00:05:20,039 Speaker 1: at first? Really we didn't notice. Yeah, but's it's funny 108 00:05:20,200 --> 00:05:21,800 Speaker 1: the bitboard thing. You said that very interest story. You 109 00:05:21,839 --> 00:05:23,560 Speaker 1: said pretty much a lot of it was you know, 110 00:05:23,760 --> 00:05:25,960 Speaker 1: you know, there's a beautiful picture of your grandma right 111 00:05:26,000 --> 00:05:27,919 Speaker 1: here in the home, and you know, we know how 112 00:05:27,960 --> 00:05:29,760 Speaker 1: important she was to you and you you so you 113 00:05:29,760 --> 00:05:31,440 Speaker 1: told a story about being the group home and then 114 00:05:31,839 --> 00:05:33,600 Speaker 1: you know, so you were getting sort of bullied and stuff. 115 00:05:33,640 --> 00:05:35,920 Speaker 1: You said that kind of like unleased the beast, right 116 00:05:35,960 --> 00:05:38,400 Speaker 1: like that sort of show. You know a lot of 117 00:05:38,440 --> 00:05:41,720 Speaker 1: times people end up moving a certain ways because they've 118 00:05:41,760 --> 00:05:44,560 Speaker 1: been like impacted, you know, a certain way, right like, 119 00:05:44,600 --> 00:05:46,599 Speaker 1: and that that's sort of unleased the fire inside of you. 120 00:05:46,640 --> 00:05:49,799 Speaker 1: Then maybe you didn't even fully know you had, right, Yeah, 121 00:05:53,200 --> 00:05:55,560 Speaker 1: there's another story though, do you listen to some of 122 00:05:55,600 --> 00:05:59,800 Speaker 1: the old material or your old stuff not really put 123 00:05:59,839 --> 00:06:01,800 Speaker 1: out so much new material? I mean, I guess you 124 00:06:01,839 --> 00:06:04,120 Speaker 1: don't have the time, right. It's also crazy to be 125 00:06:04,120 --> 00:06:06,680 Speaker 1: the dichotomy of like how you know, so I've spoken 126 00:06:06,720 --> 00:06:08,760 Speaker 1: you are and then when you hear those especially those 127 00:06:08,760 --> 00:06:11,440 Speaker 1: early records, just how fired up you are on the booth, 128 00:06:11,480 --> 00:06:13,280 Speaker 1: Like was what was those sessions? Like that? You think 129 00:06:13,480 --> 00:06:15,080 Speaker 1: that's another side of you that just kind of comes 130 00:06:15,080 --> 00:06:17,479 Speaker 1: out when it's time to record. Oh no, there's like 131 00:06:18,040 --> 00:06:21,360 Speaker 1: and the things that my mind that's like the mode 132 00:06:21,640 --> 00:06:25,799 Speaker 1: is what I'm feeling. This is what I venture all too. Yeah, 133 00:06:26,040 --> 00:06:30,479 Speaker 1: last year, man, you dropped eight albums, So that's crazy. 134 00:06:30,680 --> 00:06:32,520 Speaker 1: I think that's the most you ever released. Like, was 135 00:06:32,560 --> 00:06:36,200 Speaker 1: that your plan to flood the market like that? Not exactly. 136 00:06:36,360 --> 00:06:39,279 Speaker 1: I think I had got like two certain number of 137 00:06:39,320 --> 00:06:40,880 Speaker 1: tapes that had dropped in and I was just like, 138 00:06:41,040 --> 00:06:45,280 Speaker 1: I'm gonna try to reach ten. So what was you 139 00:06:45,360 --> 00:06:47,159 Speaker 1: what was your mind state with that? That run? You know, 140 00:06:47,200 --> 00:06:49,080 Speaker 1: you left Atlantic Records, but you went on a crazy 141 00:06:49,160 --> 00:06:51,040 Speaker 1: run with them for a long time and it seemed like, 142 00:06:51,960 --> 00:06:54,160 Speaker 1: you know, people are saying, well, you you only obligated 143 00:06:54,160 --> 00:06:56,440 Speaker 1: to do a certain amount of albums, but you over delivered, right, 144 00:06:56,480 --> 00:06:58,760 Speaker 1: You gave them so many projects, Like can you talk 145 00:06:58,800 --> 00:07:00,880 Speaker 1: about your mind state with that? There's just me Oh 146 00:07:00,960 --> 00:07:04,320 Speaker 1: that's like just my m hm. It wasn't like a 147 00:07:04,440 --> 00:07:08,719 Speaker 1: favor when it wouldn't just planned. I just dropped music. 148 00:07:09,560 --> 00:07:12,440 Speaker 1: It brings some type of good feeling to put a 149 00:07:12,560 --> 00:07:15,600 Speaker 1: tape together and just released. What made you leave Atlantic 150 00:07:15,640 --> 00:07:19,960 Speaker 1: and wanted this new situation here at Motown because I 151 00:07:20,000 --> 00:07:23,920 Speaker 1: wanted to experience some more stuff, you know, just trust 152 00:07:23,960 --> 00:07:27,200 Speaker 1: something new, see if I can get more out of 153 00:07:28,040 --> 00:07:32,760 Speaker 1: label situation, motown it's just came about. But then I 154 00:07:32,880 --> 00:07:39,280 Speaker 1: actually just my specific label with each tape I got, 155 00:07:39,320 --> 00:07:41,280 Speaker 1: I could go anywhere on the university. I don't want 156 00:07:41,280 --> 00:07:45,480 Speaker 1: to go and drop your projects. Okay, that's wow, that's 157 00:07:45,480 --> 00:07:47,920 Speaker 1: a that's the hell of it. That's what happens when 158 00:07:47,920 --> 00:07:51,680 Speaker 1: you have the catalog that young boy has, Right, So 159 00:07:51,760 --> 00:07:53,840 Speaker 1: you wanted that versatility in the sense, I guess right 160 00:07:55,560 --> 00:07:58,240 Speaker 1: with the arrest of my case, even though like subject matter, 161 00:07:58,320 --> 00:08:00,720 Speaker 1: to me, it sounds like the album focused a lot 162 00:08:00,760 --> 00:08:02,760 Speaker 1: of on love, right, and then you got like these 163 00:08:02,760 --> 00:08:06,240 Speaker 1: skit sandwiches in between, like top girls, top haters, the 164 00:08:06,360 --> 00:08:08,160 Speaker 1: love be skit. Do you feel like those are real 165 00:08:08,200 --> 00:08:11,000 Speaker 1: conversations people have when it comes to you and your music. 166 00:08:11,040 --> 00:08:14,680 Speaker 1: I think so, really, I think those kids come very 167 00:08:14,720 --> 00:08:17,440 Speaker 1: close to the conversations. So you like you're tapped in 168 00:08:17,520 --> 00:08:20,040 Speaker 1: you I'm sure like you follow what's going on online 169 00:08:20,080 --> 00:08:22,720 Speaker 1: for people saying the streets about why I be like, 170 00:08:22,800 --> 00:08:25,600 Speaker 1: you're not just oblivious to I see a lot of 171 00:08:28,240 --> 00:08:31,600 Speaker 1: and I do see a lot of ship. It's a 172 00:08:31,640 --> 00:08:34,280 Speaker 1: lot I don't see neither because I ain't really I 173 00:08:34,360 --> 00:08:38,439 Speaker 1: see a lot though, Yeah, you see a lot. You're 174 00:08:38,480 --> 00:08:40,760 Speaker 1: definitely tapped in also said that was I'll be you 175 00:08:40,760 --> 00:08:42,480 Speaker 1: almost want to challenge you know, you're not afraid to 176 00:08:42,600 --> 00:08:44,840 Speaker 1: challenge your audience, right, Like it's a little bit of 177 00:08:44,880 --> 00:08:46,640 Speaker 1: a different sound for your Like I see people talking 178 00:08:46,640 --> 00:08:49,080 Speaker 1: about raging music and these sort of terms, like what 179 00:08:49,120 --> 00:08:50,600 Speaker 1: do you think of that? Is that? Was that your 180 00:08:50,640 --> 00:08:52,440 Speaker 1: intent with the music this time to be a little 181 00:08:52,480 --> 00:08:55,440 Speaker 1: different of how you were putting this project together, Just 182 00:08:55,480 --> 00:08:59,079 Speaker 1: trying to reach a different audience mykond of music that 183 00:08:59,200 --> 00:09:02,319 Speaker 1: make it easy to me. It's I easy to sit 184 00:09:02,320 --> 00:09:06,400 Speaker 1: there and do it literally, so I don't want to 185 00:09:06,400 --> 00:09:09,200 Speaker 1: try something when you say that style of music, what 186 00:09:09,240 --> 00:09:10,839 Speaker 1: do you mean by that? Just to sort of like 187 00:09:11,160 --> 00:09:14,079 Speaker 1: the sound my fans know me to have. So but 188 00:09:14,160 --> 00:09:16,280 Speaker 1: you're not afraid to experiment like on the rest of 189 00:09:16,280 --> 00:09:18,880 Speaker 1: my case, because you know there's a lot of different 190 00:09:19,200 --> 00:09:21,000 Speaker 1: a lot of different sounds, Like it's just a different 191 00:09:21,040 --> 00:09:24,280 Speaker 1: departure from what people used to You also challenge the aesthetic, 192 00:09:24,280 --> 00:09:26,920 Speaker 1: like people saying, well face it was in face paytent, 193 00:09:27,360 --> 00:09:29,559 Speaker 1: doing your nails, painting your nails and doing these different 194 00:09:29,559 --> 00:09:32,600 Speaker 1: sort of style, things like what's what's inspired that to 195 00:09:32,440 --> 00:09:35,199 Speaker 1: do those different things too? The nails came out of 196 00:09:35,280 --> 00:09:38,080 Speaker 1: the face. I was just playing with my face and 197 00:09:38,120 --> 00:09:43,600 Speaker 1: I actually liked it. You should track I'm saying I 198 00:09:43,600 --> 00:09:46,480 Speaker 1: got a checked with the wife, but with it. But 199 00:09:46,559 --> 00:09:47,760 Speaker 1: that's the thing too, Like you said, you when you 200 00:09:48,040 --> 00:09:49,920 Speaker 1: when um you and your wife that you to that 201 00:09:50,000 --> 00:09:51,840 Speaker 1: sort of the style of it and doing it together 202 00:09:51,880 --> 00:09:53,679 Speaker 1: addressed in a certain way of times. Right, it's not 203 00:09:53,720 --> 00:09:58,040 Speaker 1: just you yourself, but also in the relationship. She's having fun. 204 00:10:00,040 --> 00:10:02,600 Speaker 1: Do you know it's funny like when I was listening 205 00:10:02,640 --> 00:10:04,959 Speaker 1: to my guy a family you know, you had that 206 00:10:05,080 --> 00:10:07,880 Speaker 1: one track control talk and he said, like, you think 207 00:10:07,880 --> 00:10:11,360 Speaker 1: the rap game is slowly fading away because of fans expectations, Right, 208 00:10:11,440 --> 00:10:14,320 Speaker 1: do you still feel that way? I think people expect 209 00:10:14,400 --> 00:10:18,840 Speaker 1: too much of this ship entertainment right at the end 210 00:10:18,880 --> 00:10:21,400 Speaker 1: of the day, right, you know, some people get caught 211 00:10:21,480 --> 00:10:23,480 Speaker 1: up inside of it and they actually get they so 212 00:10:23,800 --> 00:10:27,080 Speaker 1: fucked up buff But it's all entertainment at the end 213 00:10:27,080 --> 00:10:30,480 Speaker 1: of the day. And it's like, you know, they had 214 00:10:30,520 --> 00:10:34,120 Speaker 1: a favorite rapper and this person funk around and do 215 00:10:34,240 --> 00:10:36,640 Speaker 1: something like just s your flow that he had or 216 00:10:36,840 --> 00:10:40,160 Speaker 1: like oh he faked, So they go to the Knicks Rapper. 217 00:10:40,600 --> 00:10:43,000 Speaker 1: Then they see the Knicks rapper. This is my human too, 218 00:10:43,040 --> 00:10:45,520 Speaker 1: this name got some type of flow too, So then 219 00:10:45,559 --> 00:10:47,600 Speaker 1: they go to the Knicks. Way is that she's gonna 220 00:10:47,640 --> 00:10:51,679 Speaker 1: get old? The whole thing? Don't getting phony to me? 221 00:10:51,840 --> 00:10:54,440 Speaker 1: Do you feel like fans don't have that loyalty to 222 00:10:54,480 --> 00:10:56,160 Speaker 1: the artists, like how they used to back into day. 223 00:10:56,400 --> 00:10:59,400 Speaker 1: I'll try not to get into it because I know 224 00:10:59,440 --> 00:11:02,400 Speaker 1: how fair to the change, right, you know, like you 225 00:11:02,440 --> 00:11:05,160 Speaker 1: got your support us, but they'll flip on your quick 226 00:11:05,280 --> 00:11:08,160 Speaker 1: like you do that went wrong? Right? I can't get 227 00:11:08,160 --> 00:11:11,240 Speaker 1: that bad comment from them too, right, So your fans 228 00:11:11,240 --> 00:11:14,600 Speaker 1: are sticking by you man Like, According to Illuminate in 229 00:11:14,640 --> 00:11:17,200 Speaker 1: two thousand and twenty two, you're the third most streamed 230 00:11:17,280 --> 00:11:21,480 Speaker 1: artists in United States, right behind like Drake and Taylor Swift? Man, Like, 231 00:11:21,520 --> 00:11:23,880 Speaker 1: what do you credit to your success? So much more 232 00:11:23,920 --> 00:11:27,079 Speaker 1: to be done? I already I don't not explain. I 233 00:11:27,080 --> 00:11:31,440 Speaker 1: already feel like nothing been done? Really, Wow, you still 234 00:11:31,480 --> 00:11:35,760 Speaker 1: feel like you're just never satisfied, right, But it's just 235 00:11:35,920 --> 00:11:38,920 Speaker 1: it's a lot more to be done. But do you 236 00:11:38,960 --> 00:11:41,880 Speaker 1: get do you draw any motivation from how much your 237 00:11:41,920 --> 00:11:43,679 Speaker 1: music does resonate, Like if you did it and the 238 00:11:43,760 --> 00:11:45,560 Speaker 1: numbers weren't as big, would it, would you still be 239 00:11:45,600 --> 00:11:47,840 Speaker 1: as motivated as the success and the numbers, and that 240 00:11:48,280 --> 00:11:50,360 Speaker 1: I know how big you are. Does that continue to 241 00:11:50,400 --> 00:11:53,720 Speaker 1: motivate you to put our projects, having a point, approve, 242 00:11:55,080 --> 00:11:58,160 Speaker 1: to be having something to say, m not just be 243 00:11:58,559 --> 00:12:02,800 Speaker 1: to wake up like three in the morning or some 244 00:12:02,840 --> 00:12:07,199 Speaker 1: ship and just record myself. Is this therapy? Mm hmmm? 245 00:12:07,280 --> 00:12:10,720 Speaker 1: Still to this day it's the same way. Just someone 246 00:12:12,040 --> 00:12:14,160 Speaker 1: I remember talking with you for title a little while back, 247 00:12:14,160 --> 00:12:15,520 Speaker 1: and he was and I was trying to I was 248 00:12:15,559 --> 00:12:17,960 Speaker 1: trying to get you to like get competitive and say, 249 00:12:18,040 --> 00:12:19,240 Speaker 1: you know, it is your name in the ring with 250 00:12:19,280 --> 00:12:21,040 Speaker 1: these people. But but but I think it's interesting about 251 00:12:21,040 --> 00:12:24,080 Speaker 1: your success is that you don't look like you're really competing, 252 00:12:24,080 --> 00:12:25,839 Speaker 1: Like you've always had your own lane, you know what 253 00:12:25,880 --> 00:12:28,680 Speaker 1: I'm saying, Like it's not about like these rapper lists 254 00:12:28,760 --> 00:12:30,800 Speaker 1: or who's number one, these kind of things other than 255 00:12:30,840 --> 00:12:33,320 Speaker 1: the numbers itself, like something like you take pride in 256 00:12:33,360 --> 00:12:35,920 Speaker 1: like you're not really competing with people. You've kind of 257 00:12:35,960 --> 00:12:38,440 Speaker 1: carved out your own lane and what you do. Is 258 00:12:38,480 --> 00:12:42,240 Speaker 1: that fair to say? Yeah, I don't think that kids compete. 259 00:12:43,760 --> 00:12:47,480 Speaker 1: I think I lose really how to play the game. 260 00:12:49,080 --> 00:12:52,200 Speaker 1: I just go, yeah, like I ain't never really like 261 00:12:52,280 --> 00:12:56,240 Speaker 1: he no type of structure. I just go, are you 262 00:12:56,280 --> 00:12:59,439 Speaker 1: evening this time to drop to pick the songs out 263 00:12:59,440 --> 00:13:02,040 Speaker 1: of magic? I don't know. Man, then was in the 264 00:13:02,080 --> 00:13:05,520 Speaker 1: stats saying do you want that accolade? That like what 265 00:13:05,600 --> 00:13:08,000 Speaker 1: you said? Like you you obviously know you even influenced 266 00:13:08,040 --> 00:13:11,679 Speaker 1: the whole generation and influence so many other rappers, Like 267 00:13:11,720 --> 00:13:13,760 Speaker 1: you know you'll hear big names like a Draker Cole 268 00:13:13,880 --> 00:13:17,000 Speaker 1: Kendrick from another generation, like you know for your generation, 269 00:13:17,080 --> 00:13:19,040 Speaker 1: do you want your name to be said like, oh 270 00:13:19,120 --> 00:13:20,640 Speaker 1: you know I got that from young Boy or young 271 00:13:20,679 --> 00:13:22,800 Speaker 1: Boy was what I was always bumping and what I 272 00:13:22,840 --> 00:13:26,480 Speaker 1: was listening to. That's what inspired me. Just I just 273 00:13:26,520 --> 00:13:30,280 Speaker 1: won't be paid. Ohn't know, but I think this whole 274 00:13:30,360 --> 00:13:34,640 Speaker 1: music thing like if it is, like it's all ignorance. 275 00:13:35,400 --> 00:13:37,480 Speaker 1: M I just don't want to be paid. I don't 276 00:13:37,520 --> 00:13:40,520 Speaker 1: care about it. That's how you just success. It's just 277 00:13:40,559 --> 00:13:44,439 Speaker 1: with the monetary, with the money business business. Yeah, you're 278 00:13:44,480 --> 00:13:47,680 Speaker 1: still out the way right, How have you got no steps? Like? 279 00:13:47,720 --> 00:13:50,160 Speaker 1: I guess part of I guess moving from Atlanta Motown 280 00:13:50,160 --> 00:13:51,959 Speaker 1: and where you are now, Like, what do you think 281 00:13:51,960 --> 00:13:53,400 Speaker 1: of some of the key things you've done, is sort 282 00:13:53,400 --> 00:13:55,200 Speaker 1: of like put your business in a better place that 283 00:13:55,280 --> 00:13:57,360 Speaker 1: you that you feel more comfortable, like you feel like 284 00:13:57,360 --> 00:14:00,440 Speaker 1: you're getting your value and out here terms of what 285 00:14:00,480 --> 00:14:02,920 Speaker 1: you create. What were some key moves you made to 286 00:14:03,000 --> 00:14:05,040 Speaker 1: kind of put yourself in a better position. Oh, look 287 00:14:05,040 --> 00:14:06,800 Speaker 1: at it. They would't need And I still don't feel 288 00:14:06,840 --> 00:14:08,680 Speaker 1: like I didn't need to because it's like, no matter 289 00:14:08,720 --> 00:14:13,920 Speaker 1: what I've gotten from someone, like, it's somebody, Like, no 290 00:14:14,000 --> 00:14:17,800 Speaker 1: matter if I got to two dollars, it's actually somebody 291 00:14:17,800 --> 00:14:21,080 Speaker 1: in making vote off my creation. So until I get 292 00:14:21,080 --> 00:14:23,320 Speaker 1: the business down, pick like to what I like, I 293 00:14:23,560 --> 00:14:25,680 Speaker 1: built my own team, Like I don't need no label, 294 00:14:25,760 --> 00:14:29,560 Speaker 1: Like this whole system is what I'm built, and this 295 00:14:29,600 --> 00:14:32,400 Speaker 1: is all I need to get everything on from out 296 00:14:32,400 --> 00:14:34,160 Speaker 1: of it. I'd be cool, but I don't feel like 297 00:14:34,200 --> 00:14:37,760 Speaker 1: I did then no difference told you are aboutle to 298 00:14:37,760 --> 00:14:40,480 Speaker 1: get like more ownership, like get your masters and get 299 00:14:40,520 --> 00:14:50,440 Speaker 1: your situations like that every dime, say I want every time? 300 00:14:50,640 --> 00:14:56,160 Speaker 1: Then my creation brain, Yeah, I want every time. I 301 00:14:56,200 --> 00:14:58,480 Speaker 1: remember that freestyle you did over the story of O 302 00:14:58,680 --> 00:15:00,920 Speaker 1: J and you said that you had a percentage and 303 00:15:01,040 --> 00:15:05,600 Speaker 1: United Masters. Yeah. Yeah, oh so you had like conversations 304 00:15:05,600 --> 00:15:10,000 Speaker 1: with Steve Stout and yeah I talked to him before. Okay, 305 00:15:10,680 --> 00:15:14,840 Speaker 1: I actually even understand what's going on to business right now. 306 00:15:15,440 --> 00:15:19,840 Speaker 1: I need to check on what thing to look after, 307 00:15:19,960 --> 00:15:23,200 Speaker 1: make sure right checks and balances. You know, you know, 308 00:15:23,320 --> 00:15:25,280 Speaker 1: your boy, we've been through like the blog era, We've 309 00:15:25,320 --> 00:15:27,640 Speaker 1: been through like the SoundCloud era, and you know, like 310 00:15:27,680 --> 00:15:29,560 Speaker 1: you're like the king of YouTube, right, So, like when 311 00:15:29,600 --> 00:15:31,720 Speaker 1: did you realize like that platform was like the best 312 00:15:31,720 --> 00:15:33,920 Speaker 1: place for you to get your music out? I think 313 00:15:33,920 --> 00:15:38,560 Speaker 1: I just realized that recently, but I always was YouTube. 314 00:15:38,560 --> 00:15:41,760 Speaker 1: You just you ain't gotta go through those steps to 315 00:15:41,880 --> 00:15:44,400 Speaker 1: upload it and get your music out there. You just 316 00:15:45,000 --> 00:15:47,600 Speaker 1: press over this, you go out right then and there. 317 00:15:48,600 --> 00:15:50,000 Speaker 1: I said, if you guys in and say, you know 318 00:15:50,120 --> 00:15:53,120 Speaker 1: you gotta wait days into this whole situation over wait 319 00:15:53,200 --> 00:15:55,800 Speaker 1: for the doing you now, you could answer right then, 320 00:15:57,400 --> 00:16:01,560 Speaker 1: less clearances to like samples and yeah YouTube, just quicker. 321 00:16:01,720 --> 00:16:03,160 Speaker 1: It seems like you're not the type of person to 322 00:16:03,240 --> 00:16:05,920 Speaker 1: hold any music back, Like is that driving the label crazy? 323 00:16:06,120 --> 00:16:09,040 Speaker 1: I do got a lot of music I don't drop though, Okay, 324 00:16:09,280 --> 00:16:11,680 Speaker 1: I do drop a lot of music too. I don't 325 00:16:11,680 --> 00:16:15,680 Speaker 1: really know how to been this side of that beat going. M. 326 00:16:16,320 --> 00:16:18,160 Speaker 1: I don't really come at me with it on the 327 00:16:18,200 --> 00:16:20,320 Speaker 1: business side too. Man. You know a lot of these artists, 328 00:16:20,640 --> 00:16:22,200 Speaker 1: you know, make their bread and butt on the road. 329 00:16:22,280 --> 00:16:24,200 Speaker 1: But you know, being that you here, you know, you 330 00:16:24,240 --> 00:16:26,400 Speaker 1: haven't really been hitting the stage, you know, in a while, 331 00:16:26,520 --> 00:16:29,920 Speaker 1: Like do you miss that element of the game is 332 00:16:30,000 --> 00:16:34,040 Speaker 1: performing touring? It'll be fun to do, but I ain't 333 00:16:34,080 --> 00:16:36,080 Speaker 1: sucked up about it. You remember the last show you 334 00:16:36,160 --> 00:16:39,600 Speaker 1: did that was in Florida? Song? Like, how do you 335 00:16:39,600 --> 00:16:42,280 Speaker 1: even approach the set list? Because you have so many records? 336 00:16:42,320 --> 00:16:43,800 Speaker 1: Like it's like you know, and also that you're not 337 00:16:43,840 --> 00:16:46,040 Speaker 1: defined by like one record. You know some artists like 338 00:16:46,640 --> 00:16:48,640 Speaker 1: we just played that one record, we know that's their hit, 339 00:16:48,800 --> 00:16:50,480 Speaker 1: Like you do you probably yourself on that that you're 340 00:16:50,480 --> 00:16:53,000 Speaker 1: not known just for like one record, Like you just 341 00:16:53,000 --> 00:16:55,800 Speaker 1: just go out the previous songs I released just TK 342 00:16:55,880 --> 00:16:59,480 Speaker 1: somebody around me. M M, just let it be, oh, 343 00:16:59,560 --> 00:17:02,160 Speaker 1: just whatever the current project is. Yeah, Like for the 344 00:17:02,160 --> 00:17:06,800 Speaker 1: show sit, I just go after him the previous songs 345 00:17:06,840 --> 00:17:09,880 Speaker 1: are released, M, what do I know they're gonna want 346 00:17:09,880 --> 00:17:11,560 Speaker 1: to hear for a show. What are some of those like, 347 00:17:11,600 --> 00:17:14,520 Speaker 1: what's like free essential from your humble opinion? What's free 348 00:17:14,720 --> 00:17:18,040 Speaker 1: essential songs from your catalog? This you know, like a 349 00:17:18,200 --> 00:17:20,159 Speaker 1: kind of everlasting to your fans that they want to 350 00:17:20,200 --> 00:17:24,879 Speaker 1: hear if they saw you live valuable pain outside today 351 00:17:25,240 --> 00:17:28,000 Speaker 1: it was some ship like this slime belief thirty eight baby. 352 00:17:28,480 --> 00:17:30,760 Speaker 1: That's my next question, what's what's your top three projects? 353 00:17:30,760 --> 00:17:33,400 Speaker 1: What's your top three projects? You think you put out? 354 00:17:33,640 --> 00:17:37,800 Speaker 1: I think the baby too, top mind? Got a family, 355 00:17:39,359 --> 00:17:41,320 Speaker 1: DJ drama even with drama? What made you go to 356 00:17:41,320 --> 00:17:43,439 Speaker 1: do the dramas? Gangster Girl's name with that man? What 357 00:17:43,520 --> 00:17:46,480 Speaker 1: made you reach out? You just used to drama voice 358 00:17:46,720 --> 00:17:48,679 Speaker 1: coming across a lot of tapes like you as a 359 00:17:48,760 --> 00:17:51,560 Speaker 1: kid or some ship that ship is like just dripped 360 00:17:51,560 --> 00:17:55,080 Speaker 1: inside your mind? Right, get a host food and asked 361 00:17:55,119 --> 00:17:58,000 Speaker 1: me who ask my drama? Growing up? You know you 362 00:17:58,040 --> 00:18:01,120 Speaker 1: said your mom was always inspiration. You know she used 363 00:18:01,119 --> 00:18:02,760 Speaker 1: to wrap as well. You had it on thirty eight 364 00:18:02,760 --> 00:18:05,240 Speaker 1: Baby Part two? Um, what other rappers did you look 365 00:18:05,320 --> 00:18:07,440 Speaker 1: up to growing up or listen to when he was 366 00:18:07,480 --> 00:18:13,800 Speaker 1: a kid, like just local artists? Okay, find mistake speaking 367 00:18:13,840 --> 00:18:16,160 Speaker 1: on on the parental front though I know your dad. 368 00:18:16,520 --> 00:18:19,280 Speaker 1: You know he's locked up right now. There's a song 369 00:18:19,520 --> 00:18:22,960 Speaker 1: dedicated Hey Pops and the rest of my case. Uh 370 00:18:23,080 --> 00:18:24,560 Speaker 1: did you play that for him? Or does he know 371 00:18:24,640 --> 00:18:26,520 Speaker 1: about that? Or I don't know if you know, but 372 00:18:26,640 --> 00:18:29,520 Speaker 1: I ain't play. I ain't playing for him. This bird 373 00:18:29,560 --> 00:18:34,679 Speaker 1: you to make that song going off comments, you know, 374 00:18:34,880 --> 00:18:37,880 Speaker 1: just like just just want to he think about all 375 00:18:37,880 --> 00:18:41,520 Speaker 1: of this ship? Yeah, like ship that other people have 376 00:18:41,720 --> 00:18:45,000 Speaker 1: something miss y about that way you think about then 377 00:18:45,000 --> 00:18:47,159 Speaker 1: as it went from to the studio from now, I 378 00:18:47,240 --> 00:18:49,160 Speaker 1: like how you opened that record, you said like, hey Pop, 379 00:18:49,200 --> 00:18:50,560 Speaker 1: you're proud of me. You feel like you might be 380 00:18:50,600 --> 00:18:53,080 Speaker 1: proud of you at this point. Yeah, I think you proud. 381 00:18:54,200 --> 00:18:56,359 Speaker 1: I don't think he got none against none of this ship. 382 00:18:56,720 --> 00:18:58,760 Speaker 1: I think he proud. I was really proud of that 383 00:18:58,800 --> 00:19:00,639 Speaker 1: moment that you did on Tyl of the Aids album 384 00:19:00,680 --> 00:19:03,639 Speaker 1: as well. Man, you shocked a lot of people on 385 00:19:03,760 --> 00:19:07,560 Speaker 1: that with that collaboration, for sure, but you didn't shocked 386 00:19:07,600 --> 00:19:10,320 Speaker 1: him about it. I didn't think people were expecting that 387 00:19:10,400 --> 00:19:12,320 Speaker 1: you could get busy like that, you know. I think 388 00:19:12,359 --> 00:19:14,480 Speaker 1: they just told you in one lane and then we 389 00:19:14,520 --> 00:19:16,960 Speaker 1: heard you on Tyler's album, was like WHOA Okay, NBA 390 00:19:17,560 --> 00:19:20,080 Speaker 1: and you know Tyler, they funk with each other and 391 00:19:20,280 --> 00:19:22,600 Speaker 1: it was definitely a hit. It was a winner. How 392 00:19:22,600 --> 00:19:26,960 Speaker 1: did that come together? I really don't remember, because, unfortunately, 393 00:19:27,000 --> 00:19:28,800 Speaker 1: think when it came out to you, you was locked up. 394 00:19:28,840 --> 00:19:31,280 Speaker 1: You couldn't be part of the video or stuff like 395 00:19:31,280 --> 00:19:33,240 Speaker 1: that at the time, right, I think I just remember 396 00:19:33,359 --> 00:19:36,439 Speaker 1: meeting him. I don't remember how it happened though, And 397 00:19:36,480 --> 00:19:38,439 Speaker 1: I don't think I did that song right then. And 398 00:19:38,480 --> 00:19:40,159 Speaker 1: I was like, as I met him, I think that 399 00:19:40,280 --> 00:19:42,639 Speaker 1: song was sent sent to me. But you killed it 400 00:19:42,680 --> 00:19:45,840 Speaker 1: and killed it man. You also killed it with Nicki 401 00:19:45,880 --> 00:19:48,520 Speaker 1: Minaj and I admitted you did a video for that one. 402 00:19:48,920 --> 00:19:51,680 Speaker 1: What was it like working with her? It was nice. 403 00:19:53,960 --> 00:19:55,520 Speaker 1: He got a couple of those, got a couple of 404 00:19:55,600 --> 00:19:58,000 Speaker 1: those with nick a couple of joys. That's the thing. 405 00:19:58,000 --> 00:19:59,720 Speaker 1: You don't mess a lot of oppers. But when you have, 406 00:19:59,760 --> 00:20:02,119 Speaker 1: when do the collaborations. I was talking about that with 407 00:20:02,240 --> 00:20:04,600 Speaker 1: you before. You have a lot of dope features like 408 00:20:04,640 --> 00:20:07,439 Speaker 1: the Negos needed joining um you in future with the 409 00:20:07,640 --> 00:20:10,280 Speaker 1: trillion their joint like a lot of times, like you're 410 00:20:10,359 --> 00:20:12,680 Speaker 1: very selective, right, Like you don't you don't play nights 411 00:20:12,720 --> 00:20:14,800 Speaker 1: with a lot of rappers like you very selective of 412 00:20:14,840 --> 00:20:16,359 Speaker 1: who you work with. But it seems like when you 413 00:20:16,400 --> 00:20:18,800 Speaker 1: decide to do it, you know the results are there 414 00:20:19,240 --> 00:20:21,720 Speaker 1: either getting funny and tricky when you get to working 415 00:20:21,760 --> 00:20:25,600 Speaker 1: with artists trying to work with yeah, they ain't getting weird? 416 00:20:25,920 --> 00:20:27,720 Speaker 1: Do you like, well, who are you going to work with? 417 00:20:27,760 --> 00:20:30,920 Speaker 1: Because I know, I'm sure you get asked all the time, 418 00:20:31,040 --> 00:20:33,920 Speaker 1: right it's for like to do a soon Yeah yeah, 419 00:20:33,960 --> 00:20:36,760 Speaker 1: but you can, man, you can't pay me on me 420 00:20:36,840 --> 00:20:40,280 Speaker 1: and do no song like it don't work like that. 421 00:20:42,160 --> 00:20:44,000 Speaker 1: You got to actually feel the artists and the feel 422 00:20:44,040 --> 00:20:46,879 Speaker 1: the get to know the person, right, Yeah, it's like 423 00:20:47,040 --> 00:20:50,399 Speaker 1: sometimes I just want to have a conversation first just 424 00:20:50,480 --> 00:20:53,520 Speaker 1: to see like what type of man you go? Right? Like, ah, 425 00:20:53,560 --> 00:20:56,959 Speaker 1: way the same kind or something. He was very revealing 426 00:20:57,160 --> 00:20:58,760 Speaker 1: to a different aspect of that when the But but 427 00:20:58,840 --> 00:21:00,240 Speaker 1: then what you're saying, how like you don't you don't 428 00:21:00,240 --> 00:21:03,560 Speaker 1: necessarily trust people, right, Like you're very You're very you know, 429 00:21:03,680 --> 00:21:06,359 Speaker 1: protective and guarded in terms of like you know people 430 00:21:06,480 --> 00:21:08,240 Speaker 1: like you said, people can't be cruel, right, everybody may 431 00:21:08,280 --> 00:21:10,760 Speaker 1: I have the best intentions, like that must be tough. 432 00:21:10,800 --> 00:21:12,560 Speaker 1: Then you know, the music industry is kind of built 433 00:21:12,560 --> 00:21:13,919 Speaker 1: on a lot of that, right, like a lot of that. 434 00:21:14,480 --> 00:21:16,760 Speaker 1: You know, not a lot of good characters out here 435 00:21:16,960 --> 00:21:18,760 Speaker 1: in this space. So does that make it even more 436 00:21:18,840 --> 00:21:21,879 Speaker 1: challenging to like maneuver in this business? But I just 437 00:21:21,920 --> 00:21:26,439 Speaker 1: don't like people period though yet have you always been 438 00:21:26,520 --> 00:21:28,760 Speaker 1: this way or just kind of like being this business 439 00:21:28,840 --> 00:21:34,240 Speaker 1: is just conditioning? Oh it's been okay. I think this 440 00:21:34,400 --> 00:21:38,160 Speaker 1: business made it worse. Did you have conversations with take 441 00:21:38,160 --> 00:21:40,120 Speaker 1: off in Quavo because you're on the un Confused project 442 00:21:40,160 --> 00:21:43,119 Speaker 1: too to the Bone, probably to get in on that record. 443 00:21:43,280 --> 00:21:46,720 Speaker 1: I think Kuavo sent me the song. Okay, they came 444 00:21:46,760 --> 00:21:49,639 Speaker 1: out here to do the video, but I think something 445 00:21:49,680 --> 00:21:51,920 Speaker 1: happened and they had me in a fuck the move 446 00:21:52,760 --> 00:21:58,720 Speaker 1: so he counsel the video. I regret it though. It's 447 00:21:58,800 --> 00:22:02,760 Speaker 1: okay though it feels like, Um, you have a real 448 00:22:02,840 --> 00:22:05,919 Speaker 1: good connection with Burt Man. You know, guys done some 449 00:22:05,960 --> 00:22:10,160 Speaker 1: projects together. Five Yeah, my fire. He's a good guy. 450 00:22:10,400 --> 00:22:16,520 Speaker 1: How's your relationship blossom throughout the years? Just dude crazy Like, um, 451 00:22:16,680 --> 00:22:18,480 Speaker 1: he's just talk a lot of ship and I just 452 00:22:18,600 --> 00:22:23,159 Speaker 1: like to sit down, my fire. I like when he 453 00:22:23,240 --> 00:22:27,240 Speaker 1: popped this ship man. Yeah, Beatris he's been on the 454 00:22:27,400 --> 00:22:33,200 Speaker 1: fucking Nigger too. That's the same type of time. Yeah, 455 00:22:33,760 --> 00:22:36,560 Speaker 1: yeah about it. What is it difference because you know 456 00:22:36,600 --> 00:22:38,399 Speaker 1: he's from New Orleans and you from be all like, 457 00:22:38,520 --> 00:22:40,399 Speaker 1: is there still like a connection or is it like 458 00:22:40,480 --> 00:22:43,399 Speaker 1: a Yeah, you know a lot of ship that's like 459 00:22:43,480 --> 00:22:46,080 Speaker 1: going on and br you know, a lot of ship 460 00:22:46,640 --> 00:22:49,720 Speaker 1: stem from New Orleans. You know, that's like where the 461 00:22:49,760 --> 00:22:52,280 Speaker 1: real gangsters come from. That's what a lot she got 462 00:22:52,280 --> 00:22:55,400 Speaker 1: blooded in first. It's kind of like when we learned 463 00:22:55,440 --> 00:22:58,680 Speaker 1: a lot of ship from m M. It's a connection, though, 464 00:22:58,840 --> 00:23:00,480 Speaker 1: what do you think that is about Louise Siana? Like, 465 00:23:00,520 --> 00:23:02,520 Speaker 1: what is it? What does it breathe like that that stay? 466 00:23:03,160 --> 00:23:07,440 Speaker 1: I think Aluisions is different. Bro mm hmm. No matter 467 00:23:07,480 --> 00:23:11,200 Speaker 1: where you Louisiana, they're gonna stand up. And it's also 468 00:23:11,280 --> 00:23:13,560 Speaker 1: something in the blood man Louisiana. You guys, you know 469 00:23:13,680 --> 00:23:16,440 Speaker 1: you have masterp got the cash. Money is the Birdman's 470 00:23:16,480 --> 00:23:18,440 Speaker 1: of the world, and you you even kind of taking 471 00:23:18,520 --> 00:23:20,480 Speaker 1: up of that stance with your crew that never broke 472 00:23:20,520 --> 00:23:23,680 Speaker 1: again crew. You guys put the compilation talk about those 473 00:23:23,680 --> 00:23:28,200 Speaker 1: guys and what makes them so dope? It makes them dopey. 474 00:23:28,320 --> 00:23:31,080 Speaker 1: My brothers like you said, want to send me as 475 00:23:31,119 --> 00:23:35,000 Speaker 1: something and this is actually pressure. Yeah, like that's really 476 00:23:35,040 --> 00:23:37,640 Speaker 1: my brother rapping. It's like, I don't think a lot 477 00:23:37,680 --> 00:23:40,680 Speaker 1: of them wanta rap. I think it's just something then 478 00:23:42,680 --> 00:23:45,880 Speaker 1: the group into right now and that a select few 479 00:23:45,960 --> 00:23:48,879 Speaker 1: feel like they can make it. I think it's just 480 00:23:48,960 --> 00:23:52,120 Speaker 1: something fun right now that everybody getting into right hand 481 00:23:52,160 --> 00:23:57,720 Speaker 1: is free money right a podcast? That should be that 482 00:23:58,520 --> 00:24:01,680 Speaker 1: I stayed selling people like yeah, you know what face 483 00:24:01,760 --> 00:24:04,080 Speaker 1: the people give you like this a million dollars or 484 00:24:04,160 --> 00:24:09,159 Speaker 1: two hundred dollars just to sign you, like anybody a 485 00:24:09,280 --> 00:24:13,280 Speaker 1: deal today, m and then everybody wrop So it's just 486 00:24:13,400 --> 00:24:17,440 Speaker 1: free money. Has your relationship with money changed? What you mean? 487 00:24:17,880 --> 00:24:19,640 Speaker 1: Like I remember one of the songs you talked about 488 00:24:19,680 --> 00:24:22,680 Speaker 1: how like you've spent ten million dollars on taxes. That's 489 00:24:22,800 --> 00:24:27,840 Speaker 1: like not being educated. I know what the funk going on? 490 00:24:27,880 --> 00:24:32,000 Speaker 1: And I spend my money right just having a double 491 00:24:32,080 --> 00:24:34,359 Speaker 1: back and pay another work reckon. You say you had 492 00:24:34,359 --> 00:24:36,520 Speaker 1: like twenty five million before the deal and you came 493 00:24:36,560 --> 00:24:40,400 Speaker 1: back and five with a lot of big numbers, young boy, 494 00:24:40,480 --> 00:24:43,480 Speaker 1: I don't ready then to spend money on So I 495 00:24:43,480 --> 00:24:49,200 Speaker 1: don't ready spend money like that. I don't really happening. 496 00:24:49,800 --> 00:24:53,399 Speaker 1: I won't you know my mindset, I just be want 497 00:24:53,440 --> 00:24:56,479 Speaker 1: to make money so my wife could buy anything. She 498 00:24:56,560 --> 00:24:59,760 Speaker 1: won't happy wife, happy life. Yeah, I had my fun. 499 00:25:00,600 --> 00:25:04,280 Speaker 1: He's still young though, you know, so you gotta financial 500 00:25:04,320 --> 00:25:06,640 Speaker 1: advising now. She don't look like she's messing around, which 501 00:25:06,720 --> 00:25:09,440 Speaker 1: with the young voice situation, I think she'd be on top. 502 00:25:09,520 --> 00:25:12,560 Speaker 1: But so does she make you do like investments and 503 00:25:12,600 --> 00:25:15,280 Speaker 1: stocks and these kind of things, or should be having 504 00:25:15,320 --> 00:25:18,480 Speaker 1: me off from two? A lot of this ship whatever, 505 00:25:18,520 --> 00:25:20,520 Speaker 1: it's supposed to be kind of foul Healy with a 506 00:25:20,560 --> 00:25:22,960 Speaker 1: lot of that stuff. But trust our judgment, may not 507 00:25:23,080 --> 00:25:25,399 Speaker 1: trust no mad because Burnman give you like pointers to 508 00:25:25,680 --> 00:25:27,880 Speaker 1: you know when it comes to financial literacy and things 509 00:25:27,920 --> 00:25:32,320 Speaker 1: like that. Oh, well, we're to talk about many Burnman 510 00:25:32,359 --> 00:25:35,840 Speaker 1: doesn't talk about money. We we'll be talking about like 511 00:25:35,920 --> 00:25:38,720 Speaker 1: some ship that we like thinking about putting off, but 512 00:25:38,760 --> 00:25:41,320 Speaker 1: as far as like just money, like, well, don't sit 513 00:25:41,359 --> 00:25:44,720 Speaker 1: that talking about money. Okay. I heard that you guys 514 00:25:44,720 --> 00:25:48,480 Speaker 1: are working on a movie too, Ball of Blocking Part two, 515 00:25:49,160 --> 00:25:53,720 Speaker 1: So that's happening. Wow, did you see the original? Yeah? 516 00:25:53,960 --> 00:25:58,000 Speaker 1: You like have hell? Yeah? Classic classic come out Classic? 517 00:25:58,119 --> 00:26:01,359 Speaker 1: You watched the classic bushing absolutely, did you have to 518 00:26:01,400 --> 00:26:05,720 Speaker 1: like take acting classes? Like how was your acting? That's 519 00:26:05,720 --> 00:26:09,879 Speaker 1: a no from your boy, that's a big shoes to 520 00:26:09,920 --> 00:26:12,360 Speaker 1: feel man like, you know, from following up that classic 521 00:26:12,480 --> 00:26:15,480 Speaker 1: so hell yeah, man, I think it means a lot, 522 00:26:15,640 --> 00:26:18,240 Speaker 1: you know, to the world, but specifically to New Orleans 523 00:26:18,280 --> 00:26:21,120 Speaker 1: and Louisiana. You know. I think that's you know, it's 524 00:26:21,119 --> 00:26:23,760 Speaker 1: a cultural moment. I'm looking forward to seeing you in it. 525 00:26:24,119 --> 00:26:29,960 Speaker 1: I'm looking forward to standing myself. It's all done. Okay, 526 00:26:30,160 --> 00:26:33,280 Speaker 1: we started, you started. Okay, you're also starting to stop 527 00:26:33,280 --> 00:26:35,359 Speaker 1: the violence campaign. Man. I like this. I like this 528 00:26:35,440 --> 00:26:37,440 Speaker 1: direction that you're going into. Young boy, can you talk 529 00:26:37,480 --> 00:26:45,480 Speaker 1: about that initiative? Yeah? Yeah, man, that ship, thank you, 530 00:26:45,560 --> 00:26:48,760 Speaker 1: just get out of getting out of hand. It's a 531 00:26:48,760 --> 00:26:53,520 Speaker 1: lot of like pitch niggers, like starting to dealings with 532 00:26:53,760 --> 00:26:55,960 Speaker 1: a lot of ship man. You know. I usually some 533 00:26:56,080 --> 00:26:58,800 Speaker 1: times would be like two gangsters like just litlely at 534 00:26:58,800 --> 00:27:01,600 Speaker 1: the eight to the nick and I like they got 535 00:27:01,800 --> 00:27:09,080 Speaker 1: real life bitches. That's provoked, provoking and like just manipulating people. 536 00:27:10,000 --> 00:27:12,320 Speaker 1: And I don't like it. I ain't cool. I ain't cool. 537 00:27:12,400 --> 00:27:17,920 Speaker 1: It is right, my bitch. As ship going in the day, 538 00:27:18,640 --> 00:27:22,480 Speaker 1: this bullshit, bro, you just ain't feeling it. Stop the 539 00:27:22,560 --> 00:27:25,600 Speaker 1: vibes right. If you do something, just make sure he 540 00:27:25,680 --> 00:27:29,399 Speaker 1: got a very good meaning, like the right reason. But 541 00:27:29,680 --> 00:27:33,000 Speaker 1: do something with intention. Yeah, it seems like people just 542 00:27:33,040 --> 00:27:35,160 Speaker 1: want to do things for cloud as. They say they 543 00:27:35,200 --> 00:27:39,800 Speaker 1: got babies killing babies ship. Yeah, but they niggas that 544 00:27:39,920 --> 00:27:42,080 Speaker 1: sixth thing to walk up on you and suit you down. 545 00:27:42,760 --> 00:27:46,600 Speaker 1: Ship backles, But you gotta think about it's another bit 546 00:27:46,680 --> 00:27:50,360 Speaker 1: to his niggah provoking his young nigga to walk up 547 00:27:50,359 --> 00:27:52,520 Speaker 1: on you and hit you with this bitch though, just 548 00:27:52,520 --> 00:27:55,000 Speaker 1: because he ain't he ain't really cut like that. He's 549 00:27:55,040 --> 00:27:58,400 Speaker 1: soul walk up on you and just spank you right here, 550 00:27:58,680 --> 00:28:00,560 Speaker 1: so you don't tap young you know Yang, it ain't 551 00:28:00,560 --> 00:28:02,800 Speaker 1: got no man, you know Yang from from the poppy 552 00:28:02,840 --> 00:28:08,560 Speaker 1: in front every back. No, Yeah, this ship just backwards, 553 00:28:08,560 --> 00:28:14,840 Speaker 1: like being taken advantage of. Yeah, my gangster ship going 554 00:28:14,920 --> 00:28:18,960 Speaker 1: on a lot of Pulson ship getting ready to tell 555 00:28:19,040 --> 00:28:21,320 Speaker 1: on each other too. So you feel like like, you know, 556 00:28:21,400 --> 00:28:23,240 Speaker 1: even back home, do you feel like a responsibility You 557 00:28:23,240 --> 00:28:25,240 Speaker 1: want to help some of those youths back and back 558 00:28:25,359 --> 00:28:28,920 Speaker 1: rude shout, I won't help to youth anywhere anywhere Okay, 559 00:28:29,040 --> 00:28:32,919 Speaker 1: it's all about to understanding. I think, like what a 560 00:28:32,960 --> 00:28:36,080 Speaker 1: lot of the youth once you like just actually see 561 00:28:36,200 --> 00:28:40,440 Speaker 1: or just get that belief of knowing when you actually 562 00:28:40,920 --> 00:28:46,400 Speaker 1: can go or just come in contact with half. I 563 00:28:46,440 --> 00:28:51,000 Speaker 1: think that's when you just try to see it clip. 564 00:28:51,040 --> 00:28:52,600 Speaker 1: When did you realize that you start to have this 565 00:28:52,680 --> 00:28:56,920 Speaker 1: impact on like the youth culture? Was there a moment specifically? 566 00:28:57,200 --> 00:28:59,760 Speaker 1: This ship just come from somebody saying, Oh, they're listen 567 00:28:59,760 --> 00:29:02,600 Speaker 1: to you if you say this, right, you know what 568 00:29:02,600 --> 00:29:04,880 Speaker 1: I'm mean bed to say? So I see it. M 569 00:29:05,640 --> 00:29:08,000 Speaker 1: I hope they'll listen to me. Yeah, And like you said, 570 00:29:08,000 --> 00:29:09,960 Speaker 1: this isn't like you're trying to clean all every single 571 00:29:10,040 --> 00:29:11,800 Speaker 1: lyric Like you're just you're doing the best you can do. 572 00:29:11,960 --> 00:29:15,920 Speaker 1: But yeah, but more intentional in terms of like you know, 573 00:29:16,360 --> 00:29:18,320 Speaker 1: it's more like gun violence and things like that. That 574 00:29:18,320 --> 00:29:22,000 Speaker 1: that type of talk unless it's warranted in a sense, right, Yeah, 575 00:29:22,040 --> 00:29:23,920 Speaker 1: that conversation with bill Boy, you said, you're not going 576 00:29:23,920 --> 00:29:26,360 Speaker 1: back to who you used to be? Who was that? 577 00:29:26,560 --> 00:29:29,640 Speaker 1: Who was that person? I said that about that person? 578 00:29:30,600 --> 00:29:33,640 Speaker 1: I just ain't the right person, not the right person 579 00:29:33,680 --> 00:29:37,240 Speaker 1: to bet It ain't some what I don't know. It's 580 00:29:37,280 --> 00:29:41,800 Speaker 1: like over here, things like you just accomplished that, like 581 00:29:41,920 --> 00:29:45,520 Speaker 1: just being given, like you'll be a damned food if 582 00:29:45,520 --> 00:29:48,440 Speaker 1: you stay the same like right yeah, then like if 583 00:29:48,480 --> 00:29:50,360 Speaker 1: you have to like get off houser this and like 584 00:29:50,480 --> 00:29:52,880 Speaker 1: to go back to the north side of something like 585 00:29:54,120 --> 00:29:57,320 Speaker 1: post the video big gun on Me or something. I 586 00:29:57,400 --> 00:30:01,080 Speaker 1: did all this to make it from this. I totally 587 00:30:01,080 --> 00:30:02,880 Speaker 1: guns and did all these ships to make it from 588 00:30:02,960 --> 00:30:06,480 Speaker 1: right here. Just to come back with all these money 589 00:30:06,600 --> 00:30:10,720 Speaker 1: and do the same thing that's hustling backwards. You definitely 590 00:30:10,720 --> 00:30:13,560 Speaker 1: got it. You got your head straight on right man, 591 00:30:14,320 --> 00:30:17,120 Speaker 1: because people, you know, they go back to this environment 592 00:30:17,120 --> 00:30:21,200 Speaker 1: where it's, like you said, hustling backwards doesn't make sense. 593 00:30:22,520 --> 00:30:24,400 Speaker 1: I think I heard the next album is don't try 594 00:30:24,400 --> 00:30:26,520 Speaker 1: to sit home? Is that true? Don't try to sit home. 595 00:30:26,680 --> 00:30:29,880 Speaker 1: Don't try this at home. Okay, I'm gonna talk crazy 596 00:30:29,880 --> 00:30:36,200 Speaker 1: on that. I'm gonna talk crazy on that, but I'm 597 00:30:36,280 --> 00:30:38,960 Speaker 1: letting you know though, don't try this at home. Don't 598 00:30:39,000 --> 00:30:44,760 Speaker 1: try it's all entertainment, bro. I'm gonna talk my ship 599 00:30:45,080 --> 00:30:47,640 Speaker 1: and everything I told him, and you know, don't try 600 00:30:47,680 --> 00:30:49,400 Speaker 1: this at home. You feel like it's a thin line 601 00:30:49,400 --> 00:30:52,600 Speaker 1: between like reality and entertainment. And sometimes people don't can't 602 00:30:52,600 --> 00:30:56,160 Speaker 1: diffrigate entertainment and reality. It is very different what I 603 00:30:56,200 --> 00:30:59,920 Speaker 1: do think some of the entertainments and make they enter 604 00:31:00,120 --> 00:31:03,280 Speaker 1: terment theory reality. Also if I said that, right, no 605 00:31:03,520 --> 00:31:05,720 Speaker 1: you did, No, Like, don't get me on to like 606 00:31:05,760 --> 00:31:08,000 Speaker 1: a lot of people you will see today, Oh that's 607 00:31:08,000 --> 00:31:11,040 Speaker 1: a hundred percent what they is. I don't. I don't 608 00:31:11,080 --> 00:31:14,320 Speaker 1: doubt it, like a lot of rappers today, like man, 609 00:31:14,360 --> 00:31:16,720 Speaker 1: but I'm probably a hundred percent what they is. But 610 00:31:16,880 --> 00:31:24,040 Speaker 1: I guarantee, Bro, I'm gonna joy nah man and be 611 00:31:24,080 --> 00:31:26,400 Speaker 1: like this. Bro, you're looking at all the rappers videos. 612 00:31:26,760 --> 00:31:28,400 Speaker 1: You're gonna see a gun in his video? Right you 613 00:31:28,440 --> 00:31:29,560 Speaker 1: go to the next one. He got a gun in 614 00:31:29,640 --> 00:31:33,000 Speaker 1: his video, right, Man, you gotta diggle it deeper sometime, Bro, 615 00:31:33,160 --> 00:31:36,280 Speaker 1: I am not looking at his mama. His mama, you know, gangster? 616 00:31:36,320 --> 00:31:38,880 Speaker 1: So how the funck is he a gangster? That ship 617 00:31:39,000 --> 00:31:42,000 Speaker 1: gonna be adding up, Bro, don't try to say don't. 618 00:31:42,080 --> 00:31:45,880 Speaker 1: I don't try. It's entertainment. So as far as like 619 00:31:45,920 --> 00:31:47,440 Speaker 1: the sound of that, you know it's going to be 620 00:31:47,520 --> 00:31:50,200 Speaker 1: a departure from where I rest. My cases is gonna 621 00:31:50,680 --> 00:31:54,200 Speaker 1: you say, you're talking your ship, But sonically, Like what 622 00:31:54,320 --> 00:31:56,800 Speaker 1: producers are you working with? Like, I ain't pay attention 623 00:31:56,840 --> 00:31:59,040 Speaker 1: to who did all the beats? I know the rock 624 00:31:59,120 --> 00:32:01,160 Speaker 1: for show, but I recall it all by myself, So 625 00:32:01,200 --> 00:32:04,680 Speaker 1: you's engineered by yourself too. Yeah, just sitting up recording myself. 626 00:32:05,440 --> 00:32:09,680 Speaker 1: No wait until I got up a mount the right 627 00:32:09,680 --> 00:32:12,360 Speaker 1: amount of songs, Like I'm ready. Is there a wish 628 00:32:12,400 --> 00:32:14,760 Speaker 1: list of producers that you want to work with? Nobody? 629 00:32:15,640 --> 00:32:18,680 Speaker 1: What about like, uh, maybe other artists less features on 630 00:32:18,800 --> 00:32:22,120 Speaker 1: this recent albums too, right, let's features? That's like that 631 00:32:22,280 --> 00:32:24,120 Speaker 1: being a moment too. I didn't want to work with 632 00:32:24,120 --> 00:32:26,840 Speaker 1: people in the moment. There's some people that I wasn't expecting. 633 00:32:26,880 --> 00:32:28,720 Speaker 1: Like I saw you and Kalani through the record together. 634 00:32:28,760 --> 00:32:30,760 Speaker 1: I was like, Okay, I think that was cool. You 635 00:32:31,040 --> 00:32:32,880 Speaker 1: know you do work well with other is in the 636 00:32:32,960 --> 00:32:36,280 Speaker 1: right scenario. So looking forward to that before the end 637 00:32:36,280 --> 00:32:38,120 Speaker 1: of the year, I know we got this project. I 638 00:32:38,120 --> 00:32:40,880 Speaker 1: know you're gonna are you gonna beats more? How many more? 639 00:32:41,040 --> 00:32:43,720 Speaker 1: After that eight last year? I ain't gonna beat las. 640 00:32:43,920 --> 00:32:47,440 Speaker 1: Yeah that's just because I want to. I want to 641 00:32:47,520 --> 00:32:50,920 Speaker 1: know how to structure that ship. But okay, just have 642 00:32:51,000 --> 00:32:53,160 Speaker 1: a plan with each drop. But how you feel bad. 643 00:32:53,160 --> 00:32:54,720 Speaker 1: You're gonna be doing more pressive ship. It's about it. 644 00:32:54,800 --> 00:32:58,040 Speaker 1: It's gonna be the last one with you. You know, 645 00:32:58,120 --> 00:33:02,280 Speaker 1: I feel good. I appreciate you all say this. Feel good. Yeah, 646 00:33:02,280 --> 00:33:05,040 Speaker 1: he come and talk to him. Absolutely. I think it 647 00:33:05,120 --> 00:33:07,320 Speaker 1: was super insightful. Man. You know, don't think it's important. 648 00:33:07,360 --> 00:33:09,480 Speaker 1: You know, like you said, the impact you have on 649 00:33:09,520 --> 00:33:11,560 Speaker 1: the game for you just share your thoughts on what youmans, 650 00:33:11,600 --> 00:33:13,880 Speaker 1: how it he is. You know, I think it's important 651 00:33:14,000 --> 00:33:16,000 Speaker 1: you know your lead out here in the space. I 652 00:33:16,000 --> 00:33:19,520 Speaker 1: don't want to be responsible though. Yeah, so I don't 653 00:33:19,560 --> 00:33:21,880 Speaker 1: really want to be the matter role. Mother. You look 654 00:33:21,920 --> 00:33:24,560 Speaker 1: at more yourself just as entertainer, just trying to feature kids. 655 00:33:24,600 --> 00:33:27,720 Speaker 1: Think he had that kind of mentality too, boy, because 656 00:33:27,720 --> 00:33:31,400 Speaker 1: at one point, man, this really was my life. Man, 657 00:33:31,480 --> 00:33:33,240 Speaker 1: whatever you really come out, my mother would say that 658 00:33:33,360 --> 00:33:35,840 Speaker 1: actually went down yesterday, or that went down that's weak 659 00:33:35,920 --> 00:33:41,280 Speaker 1: fine insiderday and not like nah, it's entertainment, it's what 660 00:33:41,360 --> 00:33:44,200 Speaker 1: it's feeling. Do you feel blessed that you survived it 661 00:33:44,440 --> 00:33:48,840 Speaker 1: like that? Ships? Man ain't got people that I love 662 00:33:48,960 --> 00:33:51,520 Speaker 1: to this day, Like who's still stay in the hood 663 00:33:51,680 --> 00:33:54,240 Speaker 1: up who don't know what they're gonna eat it from 664 00:33:54,280 --> 00:33:56,960 Speaker 1: the wake up and go to work. Like ship could 665 00:33:56,960 --> 00:34:00,200 Speaker 1: be so much worse. I got birds right now, Like 666 00:34:00,280 --> 00:34:03,600 Speaker 1: who the world known me to be around that nigg 667 00:34:03,680 --> 00:34:05,320 Speaker 1: probably trying to figure out how you're fe to get 668 00:34:05,320 --> 00:34:08,120 Speaker 1: some money before the day. She could be way worse. 669 00:34:08,320 --> 00:34:10,640 Speaker 1: Gont we're here in Utah. But whenever you are back home, 670 00:34:10,719 --> 00:34:12,960 Speaker 1: what's it like the energy? Like the people just went 671 00:34:13,040 --> 00:34:17,000 Speaker 1: up on you and hands out. They ain't never really 672 00:34:17,120 --> 00:34:21,680 Speaker 1: seen m probably do no no mather products see me 673 00:34:21,760 --> 00:34:24,080 Speaker 1: from ben realtion. Think they see a coast or some ship. 674 00:34:25,480 --> 00:34:27,920 Speaker 1: So it's like a myth. Yeah, they never really saw me. 675 00:34:28,120 --> 00:34:30,400 Speaker 1: I ain't never really performed I needed, so it's definitely 676 00:34:30,400 --> 00:34:33,759 Speaker 1: a demand. Yeah, every time I went back though, only 677 00:34:33,880 --> 00:34:38,000 Speaker 1: thing I can remember right now, it's just ship. What 678 00:34:38,080 --> 00:34:42,160 Speaker 1: are we from the postal bit? The duck and just 679 00:34:42,320 --> 00:34:46,080 Speaker 1: during in you you're making sure every call you know 680 00:34:46,160 --> 00:34:48,720 Speaker 1: that put on side you'll stick hanging out that bitture. 681 00:34:50,760 --> 00:34:52,719 Speaker 1: That's all it really is when you do what we 682 00:34:52,840 --> 00:34:55,440 Speaker 1: from the what we're from the postal bit, right, and 683 00:34:55,560 --> 00:35:01,239 Speaker 1: it's it just watching yourself in time. So when you 684 00:35:01,360 --> 00:35:03,960 Speaker 1: do come back home, whenever you decide to be a 685 00:35:04,000 --> 00:35:08,719 Speaker 1: big homecoming, and you don't plan on going Bag, Yeah, 686 00:35:09,000 --> 00:35:11,880 Speaker 1: to visit fron Off from there, I don't plan on 687 00:35:12,000 --> 00:35:14,040 Speaker 1: going BAG. I mean, it's not too many rappers that's 688 00:35:14,040 --> 00:35:16,279 Speaker 1: doing it big in Utah, So I think you have 689 00:35:16,640 --> 00:35:19,520 Speaker 1: a whole state a lot. Appreciate you, young boy, Thank you, brother, 690 00:35:19,680 --> 00:35:25,960 Speaker 1: I appreciate you. Thanks. Podcast Rapperators The Interval presents original 691 00:35:26,000 --> 00:35:29,279 Speaker 1: production from hyper House, produced by Laura Wasser, Hosts and 692 00:35:29,320 --> 00:35:32,520 Speaker 1: producers Elliott Wilson and Brian b. Dot Miller. From Interval 693 00:35:32,640 --> 00:35:37,680 Speaker 1: Presents executive producers Alan Coy and Jake Kleinberg, Executive producer 694 00:35:38,040 --> 00:35:41,720 Speaker 1: Paul Rosenberg, editing his sound design by Dylan Alexander Freeman, 695 00:35:42,000 --> 00:35:47,000 Speaker 1: Recording engineer Jeremy Ogletree. Special thanks to Charlie Jenkins, Tammy Kim, 696 00:35:47,160 --> 00:35:51,319 Speaker 1: and Jasmine Sanchez, Operations Lead Sarah You, Business Development Lead 697 00:35:51,600 --> 00:35:54,839 Speaker 1: Chef e Allen Swagg, and Marketing Lead Samara Still. Make 698 00:35:54,880 --> 00:35:57,880 Speaker 1: sure to follow Rapperator or listen on Apple Podcasts, Spotify, 699 00:35:58,040 --> 00:36:00,480 Speaker 1: Amazon Music, Stitcher, or wherever you get your podcast