WEBVTT - One on One: Patrika Darbo

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I heart radio podcast. Everybody's Scott Patterson, I

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<v Speaker 1>am all in. We've got a little bonus episode here

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<v Speaker 1>with Patricka Darbo, who appears as the waitressing help Wanted

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<v Speaker 1>season two episode twenty. She is an actress with a

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<v Speaker 1>very impressive resume. You know, she's been on Days of

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<v Speaker 1>Our Lives forever for twenty four years. She's worked with

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<v Speaker 1>John Malkovich and Clin Eastwood in a Line of Fire.

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<v Speaker 1>She's been in many many things. She also appeared in

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<v Speaker 1>another Clin Eastwood film, I Think Beyond the Garden of

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<v Speaker 1>Good and Evil I Think is the name of the film.

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<v Speaker 1>But we're gonna bring her on now, so excited to

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<v Speaker 1>talk with her. She's very distinctive, very funny, very talented actress.

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<v Speaker 1>Let's bring her on, wo Patrica Darbo is well known

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<v Speaker 1>and beloved actress behind the character of Nancy Westerl and

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<v Speaker 1>the popular and credit lungs running soap opera Days of

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<v Speaker 1>Our Live. So thanks for coming on as how are

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<v Speaker 1>you doing? Oh our pleasure? Um, I want to get

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<v Speaker 1>into so many things. You have a varied resume here,

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<v Speaker 1>very deep resume. Clint Eastwood The Line of Fire. John Malkovich,

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<v Speaker 1>I remember that scene. What a terrifying scene. Oh my god, Uh, Rosanne,

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<v Speaker 1>all kinds of things. So let's get into the uh

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<v Speaker 1>the Gilmore thing. You are seen as the hungry diner

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<v Speaker 1>waitress in this episode. How did you get the role? And? Uh?

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<v Speaker 1>Did you audition for the waitress or was it another

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<v Speaker 1>role or they decided to that I had to audition.

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<v Speaker 1>I went to the room with my checkbook and offered

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<v Speaker 1>to pay for That's that's what I did to you.

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<v Speaker 1>And uh, Amy Ladino said, um, somebody views that we

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<v Speaker 1>ever watched her here, it's like this, um. And so

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<v Speaker 1>I auditioned and then they were so later they Callden said,

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<v Speaker 1>I got the part. I was so. I was just

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<v Speaker 1>very excited because I was a big fan. I watched

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<v Speaker 1>it all the time. I listened to the town uh,

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<v Speaker 1>Sally Strutters and all these characters, so that I don't

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<v Speaker 1>remember everybody's name because I'm an old dog, so if

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<v Speaker 1>you please forgive me. But we had the strolling inflow

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<v Speaker 1>and and you know, it's just it was just it

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<v Speaker 1>was something you tuned in because they were all family

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<v Speaker 1>that you you watched that show and you became very

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<v Speaker 1>involved in it because, oh my god, in the episode

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<v Speaker 1>just for mine, Um, you know, she's got a broken

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<v Speaker 1>arm and everybody's upset with the here I forgetting names.

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<v Speaker 1>Um who was just on This is Us helped me

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<v Speaker 1>something recommended leigli Um. You're talking about Rory. Yeah, Well,

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<v Speaker 1>when Rory got her broke and arm from the car accident,

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<v Speaker 1>everybody's you know, blaming j and it just was amazing.

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<v Speaker 1>But for me to be the waitress when they want

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<v Speaker 1>coffee and all I have is a regular diner room cup,

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<v Speaker 1>but I just I just remember thinking, I'm with the

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<v Speaker 1>Gilmore girl. They want coffee and I don't have a

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<v Speaker 1>big enough It's a good bit. It was a very good.

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<v Speaker 1>But so what do you remember about working on on

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<v Speaker 1>the show. It was very fast. Uh, you know, I'm

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<v Speaker 1>did my scene and I think we did mine and

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<v Speaker 1>just after lunch we came in. I came in earlier

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<v Speaker 1>to get ready and then we went to lunch and

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<v Speaker 1>then we we found it a little bit of like this.

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<v Speaker 1>Everything was like that. Her Amy kelle is crisp writing

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<v Speaker 1>and stuff and her husband that worked together collaboratively. There.

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<v Speaker 1>It's just an amazing show and she still got things

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<v Speaker 1>going on? Your character uses this high pitched voice. Is

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<v Speaker 1>that something that you put on? And if so, why, well,

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<v Speaker 1>you know it was an actress choice at this point.

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<v Speaker 1>I mean I could have been. I think she was

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<v Speaker 1>very like everything was for me. My choice for the

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<v Speaker 1>character was that everything is a character. And how are

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<v Speaker 1>you in coming in and today? Specialist? Do you want? Okay? Fine,

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<v Speaker 1>what do you mean? You want? A cup? A boat,

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<v Speaker 1>a bowl of coffee? What you know? Suddenly things shot

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<v Speaker 1>her and she's out of there. But was my choice

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<v Speaker 1>becauld feel like something my cheerful and everything he's wonderful. Okay,

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<v Speaker 1>So talking talk about the food? Was it real? People

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<v Speaker 1>want to know they like this these little details? Was

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<v Speaker 1>the food? The food is real? If you watch that,

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<v Speaker 1>I only starved coffee. Nobody was eating in my scene.

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<v Speaker 1>Who you unique was over there with him? Well? I didn't.

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<v Speaker 1>He wasn't in my station, not my job. Nice safe,

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<v Speaker 1>good one. Um, So we can't have you on and

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<v Speaker 1>I'll talk about the soap operas. Tell us about how

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<v Speaker 1>you got the soap opera and your experience on that. Well.

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<v Speaker 1>I was asked by fran Bascom, who has since passed away.

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<v Speaker 1>She was a very famous casting director. She saw me.

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<v Speaker 1>We were at a party together, and she said, Patrica,

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<v Speaker 1>would you do a soap? Well, in my mind's eye

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<v Speaker 1>for me, I'm not your normal soap character, and I said,

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<v Speaker 1>of course I would, thinking I'm coming on too serpeanuts

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<v Speaker 1>or beer or coffee. Uh. So I get there and

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<v Speaker 1>I find out I have this gorgeous soap opera husband.

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<v Speaker 1>And my first thought was, they don't know who I am.

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<v Speaker 1>They've made a mistake like this. Um. But I ended

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<v Speaker 1>up being called the full figured bitch goddess of daytime

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<v Speaker 1>because my husband and I were stinkers. Um and uh

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<v Speaker 1>it blossom from that. I think that a lot of

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<v Speaker 1>the audience could. Was it hard to live through a

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<v Speaker 1>size too? I am assize to but my zeros on

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<v Speaker 1>one side, whereas Christian Alfonso, who was our leading lady,

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<v Speaker 1>was on the other side. Um. And then it blossomed

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<v Speaker 1>into me having a daughter, um, and it just on

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<v Speaker 1>and on, and then having another daughter to say that

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<v Speaker 1>daughter's life who got leukemia? So it was um and

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<v Speaker 1>right now and um back on the show. And at

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<v Speaker 1>this point, my husband of thirty five years has just

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<v Speaker 1>told me that he's gay and needs a divorce. And

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<v Speaker 1>that's as far as I can tell you right now,

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<v Speaker 1>because that's all. It's sad, but it's uh. My grandmother

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<v Speaker 1>called it her stories. She watches those. Um. We come

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<v Speaker 1>into people's lives every single day, so we're uh and

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<v Speaker 1>some family you don't want to talk to. We worked

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<v Speaker 1>kind of one of those. H I've enjoyed it. It's

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<v Speaker 1>the hardest work that I've ever had to do. So

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<v Speaker 1>much memorizing. Uh. Your script comes and there's probably if

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<v Speaker 1>if you're in the story on that script, you may

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<v Speaker 1>have thirty to forty pages to memorize movie script a day.

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<v Speaker 1>Whereas you're doing episodic, you make shoot five pages and

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<v Speaker 1>you're out when that when the close up the medium

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<v Speaker 1>shot close up shot. UM, and your five pages takes

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<v Speaker 1>all day. We go in there. Here's your rehearsal, which

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<v Speaker 1>is walk in the door, and you go to hair

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<v Speaker 1>and makeup, and then you're on the stage and you

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<v Speaker 1>better have your line to memorize because of maam bam,

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<v Speaker 1>thank it man. That's a real proving ground, you know, wow,

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<v Speaker 1>um and that haven't done so far fests before and

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<v Speaker 1>they're not aware that you can't go cut. What was

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<v Speaker 1>this so you generally have maybe maybe two takes if

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<v Speaker 1>you're lucky. Um, but it's very fast because they have

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<v Speaker 1>to get through a movie scripted. Yeah. So um, going

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<v Speaker 1>down your resume. Uh, you know you were in the

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<v Speaker 1>Line of Fire, A Line of Fire Cling Eastwood directed,

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<v Speaker 1>starring John Malkovich. You had a pivotal scene with Malkovich

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<v Speaker 1>in the bank, and then when you caught him in

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<v Speaker 1>the lie Uh, he visited upon you at your apartment

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<v Speaker 1>with your roommate and did terrible things. Um. I have

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<v Speaker 1>to say as a as an acting student in New York, Um,

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<v Speaker 1>Malkovich's star was on the rise in theater. Uh. And

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<v Speaker 1>I you know, everybody went to see him and burn

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<v Speaker 1>this the Lanford Wilson play on Broadway. Um. And everybody

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<v Speaker 1>was also aware of his work with Gary Sinise in

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<v Speaker 1>the Sam Shepherd True West that was American Playhouse actually

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<v Speaker 1>filmed it and released it on video because the live

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<v Speaker 1>performance was so legendary. So, you know, in New York

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<v Speaker 1>acting circles at that time, that was the late eighties,

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<v Speaker 1>Malkovich was was truly a god. And every single acting student,

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<v Speaker 1>male acting student was doing John Malkovich scenes from either

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<v Speaker 1>True West or branness, and it was like, I couldn't

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<v Speaker 1>stand going to acting class anymore because I was going

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<v Speaker 1>to see another bed John Malcovitch imitation from somebody in

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<v Speaker 1>the class. So but you got to work with the

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<v Speaker 1>legend himself. What was that like? Uh? First of all,

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<v Speaker 1>it was amazing because if I kind of go back

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<v Speaker 1>to the end of it, he made sure when we

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<v Speaker 1>were working with the stunt director that we all knew

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<v Speaker 1>that like he was going to kill me on one

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<v Speaker 1>to three, that was how he was going to kill me.

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<v Speaker 1>He roommate and he she this was her first acting

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<v Speaker 1>job in film. He's a wonderful singer, stage actress. This

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<v Speaker 1>was her first stage thing and she spent all the

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<v Speaker 1>morning being slammed into that mantelpiece and killed by him. Um,

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<v Speaker 1>then it was my turn in again. Like I said,

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<v Speaker 1>he was wonderful. So I have to tell you that

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<v Speaker 1>when I found out I was working there, I was

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<v Speaker 1>also doing a play in Burbank and one of the

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<v Speaker 1>young girls who was a student at u c. L

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<v Speaker 1>A Theater and she said like this, if we don't

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<v Speaker 1>get to keep me John Macovich, I'll kill you. Oh

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<v Speaker 1>I can ask, I can add and um, they were

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<v Speaker 1>gracious enough to let me ask her to come with

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<v Speaker 1>me to set, and John Malkovich spent the time they

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<v Speaker 1>were setting set up talking to her about theater. I mean,

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<v Speaker 1>here's a young college student and a consummate theater actor

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<v Speaker 1>who took the time to do that. So I can't

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<v Speaker 1>ever said I would never say. I would defend him

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<v Speaker 1>to the end because I thought he was He was

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<v Speaker 1>wonderful to me as to make sure I wasn't hurt

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<v Speaker 1>and to marry Van r still in my roommate at

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<v Speaker 1>the time. But he spent all this time talking to

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<v Speaker 1>her at this and he didn't have to do it

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<v Speaker 1>with all of us as actors. He wasn't in his

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<v Speaker 1>dressing room. Um, he was great. Um. A lot of

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<v Speaker 1>my publicists things like this. Part of the leading for

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<v Speaker 1>me is you shouldn't have been from Minneapolis, so um.

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<v Speaker 1>But I can only speak very well of that. I

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<v Speaker 1>have to say that the scene in the bank was

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<v Speaker 1>Clint Eastwood's favorite scene between the Natural reportang going back

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<v Speaker 1>and forth, and he asked me to be in Midnight

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<v Speaker 1>a Garden of good and evil character in that one.

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<v Speaker 1>So if I could say anything to young actress would

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<v Speaker 1>be nice to everybody, because it just comes back to

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<v Speaker 1>you absolutely. Um. Yeah, what was it like working with Clint?

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<v Speaker 1>Did you audition for Clint? Or did did you go

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<v Speaker 1>on tape and chose your tape into auditions? Thinking he

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<v Speaker 1>knew who I was, Um, I got the part and

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<v Speaker 1>then he said I want you to do X, Y

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<v Speaker 1>and Z, and I went, um, mysteries, which should I?

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<v Speaker 1>He goes, it's Clint little Darwin and so he was

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<v Speaker 1>very nice and stuff like that. So we did something

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<v Speaker 1>else and then he said you should do this and

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<v Speaker 1>I said, but if I do that, I won't be

0:12:19.320 --> 0:12:21.120
<v Speaker 1>able to be in the center and stuff. He goes

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<v Speaker 1>thinking after here, thinking he was, I mean, my experiences

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<v Speaker 1>have been wonderful. I I give out what I wanted

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<v Speaker 1>to get back and it comes back to me very nice,

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<v Speaker 1>very very very nice. Um, So you have done how

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<v Speaker 1>many episodes getting back to Days of Our Lives? Um?

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<v Speaker 1>Do you know how many episodes you've done with Days

0:12:47.720 --> 0:12:51.079
<v Speaker 1>of Our Lives? Have you counted them? I think when

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<v Speaker 1>I first started Night, then we run episode seventy thousand

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<v Speaker 1>or seven thousand, and now I'm at fourteen thousand something. So,

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<v Speaker 1>as I said, the show has been on because nineteen

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<v Speaker 1>six five. Um, there's only four soaps left that the

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<v Speaker 1>days of our lives, General Hospitals with both and The

0:13:08.760 --> 0:13:12.800
<v Speaker 1>Beautiful and Young and the Restless. Um. Uh, so all

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<v Speaker 1>the networks are virtually uh, we're all very high. I

0:13:18.160 --> 0:13:20.920
<v Speaker 1>think both in The Beautiful just got celebrated their thirty

0:13:21.000 --> 0:13:24.800
<v Speaker 1>fifth year, so they're long running stuff. But when I

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<v Speaker 1>first started in there were still soaps in New York.

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<v Speaker 1>But we lost all my children and asked the world

0:13:32.080 --> 0:13:35.080
<v Speaker 1>turns all those shows that were there. Um, And it's

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<v Speaker 1>a shame because the soap operas are what virtually supported

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<v Speaker 1>the network. You know, back in the six every procer

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<v Speaker 1>gambled fighting to see who was gonna do what show

0:13:44.760 --> 0:13:48.040
<v Speaker 1>and all the types of things. So um, it's often.

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<v Speaker 1>But at the same time we now have all these

0:13:51.200 --> 0:13:55.880
<v Speaker 1>screaming and uh podcasts, but web series that go on

0:13:56.080 --> 0:14:01.040
<v Speaker 1>things like that, So it's it keeps going. Information tells

0:14:01.120 --> 0:14:07.640
<v Speaker 1>me that you have done four hundred and fifty episodes. Damn,

0:14:07.640 --> 0:14:13.440
<v Speaker 1>that's a lot of memorizing one of my Yeah, is

0:14:13.480 --> 0:14:17.040
<v Speaker 1>it different doing uh? How much different was it doing

0:14:17.120 --> 0:14:21.400
<v Speaker 1>Gilmore Girls versus doing uh? Let's you know, some of

0:14:21.400 --> 0:14:25.120
<v Speaker 1>your soap opera work just the sheer amount of dialogue

0:14:25.120 --> 0:14:27.160
<v Speaker 1>because we had a lot of dialogue too, and we

0:14:27.280 --> 0:14:30.720
<v Speaker 1>did ten pages a day, so so you're tim pages

0:14:30.720 --> 0:14:32.200
<v Speaker 1>and I was like a half a page and I

0:14:32.320 --> 0:14:34.000
<v Speaker 1>was in and I went out right, So it's a

0:14:34.080 --> 0:14:37.440
<v Speaker 1>quick thing. Yeah. Now at six o'clock in the morning,

0:14:37.480 --> 0:14:41.480
<v Speaker 1>I may not leave until six o'clock at night. I'm

0:14:41.480 --> 0:14:44.280
<v Speaker 1>doing a scene in the pub over here, and then

0:14:44.320 --> 0:14:46.480
<v Speaker 1>I'm doing a scene in my bedroom over here, so

0:14:46.600 --> 0:14:49.000
<v Speaker 1>that I have to wait till the seat at the cameras,

0:14:49.000 --> 0:14:53.280
<v Speaker 1>I'll move to the second stage. And when you're memorizing

0:14:53.320 --> 0:14:56.760
<v Speaker 1>thirty things, or you're shooting more than one show, sometimes

0:14:56.760 --> 0:14:59.280
<v Speaker 1>we're shooting a piece of the show. So it's yeah,

0:14:59.320 --> 0:15:03.400
<v Speaker 1>it's a lot difference because even though you have ten

0:15:03.480 --> 0:15:13.640
<v Speaker 1>days at fast, we're very fast. H m hmm. It's

0:15:13.680 --> 0:15:16.120
<v Speaker 1>time for rapid fire. You ready to answer some questions

0:15:16.240 --> 0:15:23.400
<v Speaker 1>very rapidly? Are you team Logan, Jess or Dean? Oh? Gosh,

0:15:23.560 --> 0:15:25.640
<v Speaker 1>I don't know, I don't know. I don't know your

0:15:25.680 --> 0:15:28.280
<v Speaker 1>team Jess. I can I can tell what's your favorite

0:15:28.320 --> 0:15:32.840
<v Speaker 1>Gilmore girl's character? Oh, that would have to be Um Laurli.

0:15:34.760 --> 0:15:38.480
<v Speaker 1>What would you order? Luke Steiner Hamburger. Would you rather

0:15:38.520 --> 0:15:43.480
<v Speaker 1>go on a road trip with Taylor or Michelle? Taylor?

0:15:44.440 --> 0:15:51.040
<v Speaker 1>Finish the lyric and where you lead, I will follow. Oh,

0:15:51.040 --> 0:15:57.280
<v Speaker 1>I have no idea, but I'll go anywhere that you

0:15:57.320 --> 0:16:00.080
<v Speaker 1>tell me too, was the correct answer, Jeff. But that

0:16:00.160 --> 0:16:03.880
<v Speaker 1>was great. That was good. Uh, Jackson's Vegetables or Suki's

0:16:03.960 --> 0:16:08.960
<v Speaker 1>Baked Goods. Would you rather listen to Drella's Harp or

0:16:09.000 --> 0:16:14.480
<v Speaker 1>The Trooper Door? The Trooper Doors, Cover Songs, through the Door, Children,

0:16:14.480 --> 0:16:23.680
<v Speaker 1>Prepper Stars, hollow High, Whoa, I went hollows High? Favorite? Yeah, favorite,

0:16:23.680 --> 0:16:29.400
<v Speaker 1>Gilmore Girl's memory. Golly, I don't you know? I can't remember.

0:16:29.480 --> 0:16:31.400
<v Speaker 1>I mean it's been and wats since I've seen the show.

0:16:31.440 --> 0:16:33.400
<v Speaker 1>I just watched my episode, so that at least be

0:16:33.520 --> 0:16:40.840
<v Speaker 1>intelligent in this conversation. I think probably um the episode

0:16:40.920 --> 0:16:43.520
<v Speaker 1>where uh gosh, I'm gonna trying to think to download

0:16:43.560 --> 0:16:47.200
<v Speaker 1>it just properly here. But when Lorie loses her virginity,

0:16:47.480 --> 0:16:54.720
<v Speaker 1>I mean, m Alexis character loses what I'm a woman? Honey,

0:16:54.800 --> 0:16:58.240
<v Speaker 1>Come on, all you know? No, no, no, wait a minute,

0:16:58.280 --> 0:17:03.320
<v Speaker 1>what you know what I'm talking? Oh? From an episode?

0:17:03.440 --> 0:17:06.960
<v Speaker 1>I see I haven't seen the episodes. Well, how can

0:17:06.960 --> 0:17:08.320
<v Speaker 1>you talk to me, give me a record fire. I

0:17:08.359 --> 0:17:10.359
<v Speaker 1>think you need to go in there. Oh my god,

0:17:10.640 --> 0:17:14.120
<v Speaker 1>she loses her virginity. I'm gonna flip out. Oh my goodness.

0:17:14.880 --> 0:17:18.159
<v Speaker 1>I think how it was handles and stuff and you know,

0:17:18.320 --> 0:17:20.840
<v Speaker 1>and I think people don't covering my ears. I'm sorry,

0:17:21.040 --> 0:17:32.160
<v Speaker 1>I'm covering my ears. Boiler Oh my god, what a bombshell. Well, look,

0:17:32.640 --> 0:17:36.840
<v Speaker 1>it was a pleasure talking to you, Patrika. We uh,

0:17:37.359 --> 0:17:40.200
<v Speaker 1>we gotta we gotta go. We got more more episodes

0:17:40.200 --> 0:17:45.440
<v Speaker 1>to do. Wish I could talk to you further. You're fascinating. Um,

0:17:45.480 --> 0:17:48.480
<v Speaker 1>and thank you so much for your time and keep

0:17:48.520 --> 0:17:54.359
<v Speaker 1>on keeping on and uh looking forward to seeing you

0:17:54.440 --> 0:17:58.919
<v Speaker 1>in more films and TV shows. You're wonderful actress. And

0:17:58.960 --> 0:18:00.879
<v Speaker 1>good luck with everything. Okay, hey, thanks for coming on

0:18:01.680 --> 0:18:11.640
<v Speaker 1>very much. Talk to you all later. Okay, by hot

0:18:33.920 --> 0:18:36.960
<v Speaker 1>Hey everybody, and don't forget follow us on Instagram at

0:18:37.280 --> 0:18:41.200
<v Speaker 1>I Am All In podcast and email us at Gilmore

0:18:41.440 --> 0:18:45.120
<v Speaker 1>at I heart radio dot com. Oh you gil More fans.

0:18:45.160 --> 0:18:46.879
<v Speaker 1>If you're looking for the best cup of coffee in

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