1 00:00:04,960 --> 00:00:07,280 Speaker 1: Welcome to money Making Conversations. It's the show that she 2 00:00:07,320 --> 00:00:10,039 Speaker 1: has the secrets of success experience firsthand by marketing and 3 00:00:10,119 --> 00:00:13,080 Speaker 1: Brandon expert Rashan McDonald. I will know he's giving me 4 00:00:13,080 --> 00:00:16,640 Speaker 1: advice on many occasions. Indication didn't notice I'm not broke. 5 00:00:17,200 --> 00:00:20,560 Speaker 1: You know. He'll be interviewing celebrity CEOs, entrepreneurs and industry 6 00:00:20,600 --> 00:00:23,000 Speaker 1: decision makers. It's what he likes to do. It's what 7 00:00:23,040 --> 00:00:25,520 Speaker 1: he likes to share. Now it's time to hear from 8 00:00:25,520 --> 00:00:29,520 Speaker 1: my man, Rashan McDonald. Money making conversations Here we come. 9 00:00:30,120 --> 00:00:33,960 Speaker 1: Welcome to money making Conversations. We're participating before He's College. 10 00:00:33,960 --> 00:00:36,720 Speaker 1: Stream of thought to go for the stream of things 11 00:00:36,760 --> 00:00:39,080 Speaker 1: to raise was one million dollars for the college doing 12 00:00:39,120 --> 00:00:41,720 Speaker 1: these these pandemic times. We know where we at right 13 00:00:41,720 --> 00:00:45,279 Speaker 1: now in guess what you know, the eight colleges are struggling. 14 00:00:45,280 --> 00:00:48,680 Speaker 1: You know, the HBCU colleges are struggling. Located in Denmark, 15 00:00:48,800 --> 00:00:52,160 Speaker 1: South Carolina. For He's is a fantastic college. We're trying 16 00:00:52,159 --> 00:00:54,640 Speaker 1: to get the word out and nationally get people know. 17 00:00:54,720 --> 00:00:57,160 Speaker 1: Aboy December first, it's the actual day where you can 18 00:00:57,160 --> 00:01:01,440 Speaker 1: make donations. This show air on November twenty night. That's 19 00:01:01,440 --> 00:01:03,920 Speaker 1: a Sunday, and we're the hype show. We're getting the 20 00:01:03,920 --> 00:01:06,520 Speaker 1: worried out let everybody know. For Hees is on the map. 21 00:01:06,760 --> 00:01:08,360 Speaker 1: And I got one of my favorite guests on the 22 00:01:08,360 --> 00:01:10,880 Speaker 1: show because I've been dancing before here, I've been getting 23 00:01:10,880 --> 00:01:13,240 Speaker 1: the hype roll and she just can't believe I know 24 00:01:13,360 --> 00:01:15,920 Speaker 1: all these songs I can't sing too much of because 25 00:01:15,959 --> 00:01:17,920 Speaker 1: they're gonna start charging me and I ain't got that 26 00:01:18,000 --> 00:01:20,040 Speaker 1: much money on my show. All my little money is 27 00:01:20,040 --> 00:01:23,119 Speaker 1: going to the donations for the stream of through for Vhees. 28 00:01:23,400 --> 00:01:26,640 Speaker 1: My next guest is Sheryl Cooley. If you don't know Climax, 29 00:01:26,760 --> 00:01:32,080 Speaker 1: I'm talking about Climax, the all female Baby, the Men, Pulp. 30 00:01:32,360 --> 00:01:34,119 Speaker 1: Come on now, come on, come on, come on, come 31 00:01:34,160 --> 00:01:36,360 Speaker 1: on girl. I missed you. Come on girl, come on, 32 00:01:36,520 --> 00:01:38,880 Speaker 1: please welcome to the show. She here to raise some 33 00:01:38,959 --> 00:01:44,679 Speaker 1: money for fall. He's my girl. Sirl cool not cool, 34 00:01:44,720 --> 00:01:50,560 Speaker 1: a cool leg. What's up? Cheryl? Thank you, thank you. 35 00:01:52,040 --> 00:01:54,040 Speaker 1: That's a lot of energy. Come on, come on. Now. 36 00:01:54,120 --> 00:01:56,520 Speaker 1: You know when you're when you're a fan, you know 37 00:01:56,760 --> 00:02:00,480 Speaker 1: you you because you see there's a thing about music, 38 00:02:00,520 --> 00:02:05,040 Speaker 1: because you know music went to the videos and then 39 00:02:05,080 --> 00:02:08,480 Speaker 1: your Your image stayed with the video. Your image stayed 40 00:02:08,480 --> 00:02:12,440 Speaker 1: with beat It. You image stayed with you know, a 41 00:02:12,560 --> 00:02:16,920 Speaker 1: moment in time. But when you were making the music, though, sir, 42 00:02:17,240 --> 00:02:21,160 Speaker 1: your group, you know, that was a party, There was 43 00:02:21,200 --> 00:02:24,160 Speaker 1: a location, There was somebody in front of you. That 44 00:02:24,280 --> 00:02:27,880 Speaker 1: was your boys or your girls. That was real music. 45 00:02:27,960 --> 00:02:30,160 Speaker 1: That was bad music. That was before they went in 46 00:02:30,200 --> 00:02:33,520 Speaker 1: there tinkering in those studios. So Cheryl, tell us about 47 00:02:33,520 --> 00:02:36,400 Speaker 1: it back in the day, and we're gonna move everything forward. 48 00:02:36,480 --> 00:02:38,880 Speaker 1: But I gotta stay back in the day because I 49 00:02:39,000 --> 00:02:42,359 Speaker 1: have such great memories and your ball here trying to say, 50 00:02:42,840 --> 00:02:45,440 Speaker 1: trying to move, can't move too much because the body 51 00:02:45,480 --> 00:02:48,399 Speaker 1: ain't like it was back then. But the mind say, 52 00:02:48,480 --> 00:02:53,560 Speaker 1: I can talk to me. Sure talked to me. Remember 53 00:02:53,680 --> 00:02:57,120 Speaker 1: all those movements and everything you know is all in 54 00:02:57,160 --> 00:03:00,280 Speaker 1: your head. So just just remember. I just to move 55 00:03:00,320 --> 00:03:04,639 Speaker 1: around with my pay Yes, what brought you on for 56 00:03:04,840 --> 00:03:09,120 Speaker 1: the vorhes what brought his college for the stream? You know? Uh? 57 00:03:09,440 --> 00:03:14,880 Speaker 1: Education is so important. Uh And to have a campus, 58 00:03:14,880 --> 00:03:19,040 Speaker 1: a college campus where they're really have attention paid to 59 00:03:19,080 --> 00:03:22,120 Speaker 1: the student. I mean every student has something different that 60 00:03:22,240 --> 00:03:26,120 Speaker 1: they need from their educators. Uh. And Vorheese is like 61 00:03:26,200 --> 00:03:28,760 Speaker 1: that type of college where they can, you know, give 62 00:03:28,800 --> 00:03:32,399 Speaker 1: more attention to the individual student. I mean, that's that's 63 00:03:32,480 --> 00:03:35,560 Speaker 1: it right there. You know, everybody grows at their own pace, 64 00:03:35,640 --> 00:03:37,920 Speaker 1: at their own speed. You know, not that anything is 65 00:03:37,960 --> 00:03:41,120 Speaker 1: better or worse. Everybody has their own different vibration and 66 00:03:41,200 --> 00:03:44,240 Speaker 1: borhes is. Uh, you know, has the ability to give 67 00:03:44,320 --> 00:03:47,640 Speaker 1: that one don't want attention for the students all for 68 00:03:48,280 --> 00:03:50,520 Speaker 1: I know, you know, I appreciate you, Like I said, 69 00:03:50,520 --> 00:03:55,360 Speaker 1: this show already are recorded Baccari sellers CNN one of 70 00:03:55,440 --> 00:03:58,119 Speaker 1: the youngest elected politician at the age of twenty two, 71 00:03:58,480 --> 00:04:02,360 Speaker 1: Don Lewis of Different World fame, She's on the same recording. 72 00:04:02,440 --> 00:04:06,120 Speaker 1: And my girl Joe Marie Payton from Family Matters famous 73 00:04:06,120 --> 00:04:09,160 Speaker 1: on this show. So now no girl Climaxes on the 74 00:04:09,240 --> 00:04:13,120 Speaker 1: show representing the all girl female band doing your thank 75 00:04:13,640 --> 00:04:16,040 Speaker 1: thank Let's talk about let's talk about that journey of 76 00:04:16,480 --> 00:04:19,840 Speaker 1: how you guys got together. Uh, basically, first of all, 77 00:04:19,839 --> 00:04:23,799 Speaker 1: where you based there right now? I'm in Los Angeles, California. Okay, 78 00:04:23,839 --> 00:04:27,040 Speaker 1: you in COVID Capital right shut down. You can't eat 79 00:04:27,080 --> 00:04:30,280 Speaker 1: in public, you can't. You can't do you just drive by, 80 00:04:30,640 --> 00:04:33,000 Speaker 1: somebody throw food at you. That's that's your way of 81 00:04:33,160 --> 00:04:36,080 Speaker 1: just staying up social distance. You drive about, they just 82 00:04:36,120 --> 00:04:38,080 Speaker 1: throw you in and our burber just catch it. If 83 00:04:38,120 --> 00:04:40,560 Speaker 1: you catch, you hit the ground. You gotta keep rolling. Boy. 84 00:04:40,640 --> 00:04:44,320 Speaker 1: Y'all in trouble out there in California. Girl, I've been 85 00:04:44,360 --> 00:04:46,480 Speaker 1: like in COVID Manage. You're about to go up there 86 00:04:46,520 --> 00:04:49,320 Speaker 1: and just beat up some people. They have protesting and everything. 87 00:04:49,600 --> 00:04:52,640 Speaker 1: Where are you heading in the COVID world in California here? 88 00:04:53,040 --> 00:04:56,919 Speaker 1: Ms ms Coolie. Well, I'm actually kind of on a 89 00:04:57,000 --> 00:05:00,360 Speaker 1: south south side. No, no, I'm sorry, the west side, 90 00:05:00,600 --> 00:05:05,760 Speaker 1: as you hear in the songs of near Hollywood Beverly Hills, 91 00:05:05,279 --> 00:05:07,720 Speaker 1: and I'm gonna slow you downstair. I was a little 92 00:05:07,760 --> 00:05:10,600 Speaker 1: fifteen years in Los Angeles, so you can really get 93 00:05:10,640 --> 00:05:13,160 Speaker 1: detailed with me. I lived in when I first came 94 00:05:13,240 --> 00:05:17,000 Speaker 1: to California. I live Bronson, right up there in Hollywood 95 00:05:17,080 --> 00:05:19,359 Speaker 1: between the sunset in Hollywood, but right next to the 96 00:05:19,360 --> 00:05:21,800 Speaker 1: one on one. And then I got got a little 97 00:05:21,839 --> 00:05:25,640 Speaker 1: money and I moved over to Librea, Lobrea, right over there, Librea, 98 00:05:25,720 --> 00:05:27,920 Speaker 1: the town home. You know they're boy the tor pits. 99 00:05:28,360 --> 00:05:30,960 Speaker 1: And then I got then I really got some money, 100 00:05:31,160 --> 00:05:34,159 Speaker 1: and I moved at the Palazzo right across the street 101 00:05:34,160 --> 00:05:40,360 Speaker 1: from the North strooms over there by. Look, I'm right 102 00:05:40,400 --> 00:05:42,440 Speaker 1: where the ten in the four or five. You know 103 00:05:42,440 --> 00:05:45,080 Speaker 1: where that is? Absolutely, absolutely, I know where you at. 104 00:05:45,120 --> 00:05:47,920 Speaker 1: I know where you had full five. I'll just tell 105 00:05:47,960 --> 00:05:50,640 Speaker 1: you know. People we were talking about the streamer thon. 106 00:05:51,040 --> 00:05:53,160 Speaker 1: But when you get to l A, I'm gonna tell 107 00:05:53,160 --> 00:05:56,760 Speaker 1: you something. L A got traffic on lockdown. I know 108 00:05:57,000 --> 00:06:00,680 Speaker 1: a lot of season complained or I got traffic. No, 109 00:06:00,839 --> 00:06:03,839 Speaker 1: you don't know, you don't. I have gotten off a 110 00:06:03,960 --> 00:06:07,600 Speaker 1: plane at ten o'clock at night, got on the four 111 00:06:07,880 --> 00:06:12,120 Speaker 1: five and was backed up and on a Sunday on 112 00:06:12,160 --> 00:06:16,120 Speaker 1: the Sunday, on a Sunday. So if you don't understand 113 00:06:16,160 --> 00:06:19,400 Speaker 1: how to drive backstreets in l A, You're not gonna 114 00:06:19,440 --> 00:06:21,880 Speaker 1: get around. You're gonna be the most frustrated human being 115 00:06:21,920 --> 00:06:23,960 Speaker 1: in the world. You know I'm talking about girl. You 116 00:06:23,960 --> 00:06:25,479 Speaker 1: know I'm not. You don't telling the truth. You don't 117 00:06:25,480 --> 00:06:28,000 Speaker 1: talking to I'm like four hours from how I mean, 118 00:06:28,000 --> 00:06:31,360 Speaker 1: I'm sorry, four miles from Hollywood. It takes me thirty 119 00:06:31,400 --> 00:06:34,400 Speaker 1: plus minutes to get there on the street. Absolutely, it's 120 00:06:34,400 --> 00:06:37,440 Speaker 1: it's amazing how that that journey. But but her. Hollywood 121 00:06:37,480 --> 00:06:39,840 Speaker 1: is a different beach, it's a different animal. But the 122 00:06:39,839 --> 00:06:42,880 Speaker 1: thing about it is it's a you know, entertainment capital 123 00:06:42,960 --> 00:06:44,760 Speaker 1: as truly is the enter cain if you if you're 124 00:06:44,760 --> 00:06:48,040 Speaker 1: trying to make your career, make it, whether it's music, acting, 125 00:06:48,240 --> 00:06:51,640 Speaker 1: or or writing or producing the director. Hollywood is still 126 00:06:51,680 --> 00:06:55,680 Speaker 1: the place now. You hear places like Atlanta where I'm based. Truly, 127 00:06:56,080 --> 00:06:58,200 Speaker 1: you know you can, you can make some in roads. 128 00:06:58,400 --> 00:07:01,080 Speaker 1: But a lot of productions are being out here. They 129 00:07:01,080 --> 00:07:04,800 Speaker 1: are started in Los Angeles and then they're taken to Canada, 130 00:07:05,160 --> 00:07:08,400 Speaker 1: they're taken to New York, they're taking to South Carolina, 131 00:07:08,480 --> 00:07:10,960 Speaker 1: to Georgia, to New Orleans. So, oh, we don't get 132 00:07:10,960 --> 00:07:14,360 Speaker 1: it twisted. L A and California is truly to steal base. 133 00:07:14,480 --> 00:07:17,800 Speaker 1: That's why when COVID hit, it was like the center 134 00:07:17,840 --> 00:07:21,080 Speaker 1: point of of everybody's shutting down and everybody's trying to 135 00:07:21,080 --> 00:07:23,520 Speaker 1: figure out how to get it going again. How did 136 00:07:23,560 --> 00:07:26,280 Speaker 1: COVID affect you, Cheryl, because I know it overtly affected 137 00:07:26,320 --> 00:07:29,200 Speaker 1: all African Americans, And how did it affect you in 138 00:07:29,200 --> 00:07:32,560 Speaker 1: your family? Well? Actually, uh, we were scheduled to do 139 00:07:32,680 --> 00:07:38,080 Speaker 1: a concert uh in like mid March, uh and they 140 00:07:38,120 --> 00:07:41,920 Speaker 1: shut the whole state down like a week before the concert, 141 00:07:42,480 --> 00:07:46,280 Speaker 1: So all of our shows wiped off the calendar, um 142 00:07:46,400 --> 00:07:50,920 Speaker 1: and we were we actually have only performed once this year, 143 00:07:52,000 --> 00:07:54,640 Speaker 1: which was in September in Las Vegas. It was a 144 00:07:54,640 --> 00:07:58,120 Speaker 1: pay per view, but everything else on our calendar got erased. 145 00:07:58,200 --> 00:08:00,680 Speaker 1: It was gone, you know, every all the plans that 146 00:08:00,760 --> 00:08:03,720 Speaker 1: we had our shows are you know, I mean we 147 00:08:03,760 --> 00:08:09,920 Speaker 1: have a very um uh timed sequence show and the 148 00:08:09,920 --> 00:08:13,000 Speaker 1: promoter tails us how many minutes and we create the 149 00:08:13,040 --> 00:08:17,600 Speaker 1: show for that particular time slot. So all of those 150 00:08:17,640 --> 00:08:21,320 Speaker 1: plans for all the shows, all the set lists and 151 00:08:21,360 --> 00:08:25,920 Speaker 1: everything just got put on whole white clean uh. And 152 00:08:25,960 --> 00:08:29,640 Speaker 1: of course, you know, our our financial subsistence from performing, 153 00:08:29,840 --> 00:08:42,520 Speaker 1: of course, was was paused. So uh but impossible. You know. California, 154 00:08:42,679 --> 00:08:45,400 Speaker 1: of course, as we know, is a very liberal state, 155 00:08:45,880 --> 00:08:51,680 Speaker 1: and because there are so many creative uh occupations here, 156 00:08:51,840 --> 00:08:56,280 Speaker 1: you know, acting, music, all of that, there is a 157 00:08:56,440 --> 00:09:00,680 Speaker 1: level of uh support that we're we were able to 158 00:09:00,720 --> 00:09:04,840 Speaker 1: tap into financially to help those industries that may not 159 00:09:05,000 --> 00:09:08,560 Speaker 1: have the uh what is it the w W four forms. 160 00:09:08,600 --> 00:09:13,080 Speaker 1: You know, absolutely we're basically a ten ninety nine income 161 00:09:14,160 --> 00:09:18,880 Speaker 1: and so we were able to sustain ourselves with different policies. 162 00:09:19,520 --> 00:09:24,560 Speaker 1: Uh and UH programs really assisted you guys a lot 163 00:09:24,679 --> 00:09:28,800 Speaker 1: to Kresak when they came through. The politicians have complaints 164 00:09:28,800 --> 00:09:32,200 Speaker 1: about California, but I have to say, California really believes 165 00:09:32,320 --> 00:09:36,600 Speaker 1: in its entertainment, uh, the industry, and they try to 166 00:09:36,640 --> 00:09:38,959 Speaker 1: do as much as they can to support that. I mean, 167 00:09:39,040 --> 00:09:43,400 Speaker 1: it's this the heartbeat, the lifeline of California. Uh. And really, 168 00:09:43,440 --> 00:09:45,559 Speaker 1: you know a lot of people that's all they do 169 00:09:45,760 --> 00:09:47,840 Speaker 1: or are ten ninety nine jobs if you know what 170 00:09:47,920 --> 00:09:50,080 Speaker 1: at ten ninety nine forman you know, at the end 171 00:09:50,080 --> 00:09:53,400 Speaker 1: of the year, you gotta practice. Come on, that's the 172 00:09:53,440 --> 00:09:55,400 Speaker 1: worst boy. If you forget that, they ever remind you 173 00:09:55,440 --> 00:09:58,319 Speaker 1: in the government. Okay, let's let's talk. Let's talk about 174 00:09:58,320 --> 00:10:01,920 Speaker 1: you those shows, you know, the you know, they were 175 00:10:01,960 --> 00:10:04,920 Speaker 1: just white, clean, just gone. But you know, I mean 176 00:10:04,960 --> 00:10:07,600 Speaker 1: we still support each other. We still you know, get 177 00:10:07,640 --> 00:10:10,120 Speaker 1: together on zoom or call each other on the phone 178 00:10:10,200 --> 00:10:13,120 Speaker 1: or texting, you know, uh, to just keep in touch. 179 00:10:13,640 --> 00:10:15,840 Speaker 1: But like I said, we were lucky to have at 180 00:10:15,920 --> 00:10:18,319 Speaker 1: least one show this year that actually turned out to 181 00:10:18,360 --> 00:10:21,880 Speaker 1: be a pay per view show with the confunction uh, 182 00:10:22,480 --> 00:10:32,040 Speaker 1: Lakeside Yard brols and people fine, phone phone fantastic voids. 183 00:10:32,320 --> 00:10:36,080 Speaker 1: Come on out that fat Come on now, come on 184 00:10:36,360 --> 00:10:41,000 Speaker 1: the men. Oh pause, come on, come on, m I'm sorry, 185 00:10:41,040 --> 00:10:46,800 Speaker 1: I'm sorry, I see phone phone firm girl. I'm talking 186 00:10:46,800 --> 00:10:50,840 Speaker 1: about Pray of You and m HBCU, party Boy Parted, 187 00:10:51,760 --> 00:10:55,440 Speaker 1: Lakeside Boy, Fantastic Board, one of my all time cuts 188 00:10:55,559 --> 00:10:57,400 Speaker 1: right there. So you let me tell you something, you 189 00:10:57,440 --> 00:11:00,520 Speaker 1: know you I mean, I mean people died out because 190 00:11:00,520 --> 00:11:02,120 Speaker 1: they're out there like me. They know they should not 191 00:11:02,200 --> 00:11:04,880 Speaker 1: be doing what they're doing. Hyper ventilator, trying to do, 192 00:11:05,240 --> 00:11:07,400 Speaker 1: trying to trying to dance and trying to shake it 193 00:11:07,440 --> 00:11:09,640 Speaker 1: like they can still make it. How many people do 194 00:11:09,720 --> 00:11:13,120 Speaker 1: y'all just haul out of there on ventilators? A haul 195 00:11:13,200 --> 00:11:16,280 Speaker 1: out of there? Nine one one. Come get the old food, 196 00:11:16,880 --> 00:11:20,320 Speaker 1: Come get the old girl. How many people at y'all concert? 197 00:11:20,360 --> 00:11:22,760 Speaker 1: Y'all going there? Go another one? That going another? Come on, 198 00:11:22,800 --> 00:11:25,240 Speaker 1: come on with your cool. I'm being real now, y'all 199 00:11:25,240 --> 00:11:28,000 Speaker 1: know people like me shouldn't be doing we'll be doing 200 00:11:28,040 --> 00:11:31,439 Speaker 1: for an hour and a half. See I'm doing short spurts. Shirl. 201 00:11:31,800 --> 00:11:36,240 Speaker 1: See I'm a short spurt guy. Okay, you see me? Yeah, yeah, 202 00:11:36,360 --> 00:11:39,280 Speaker 1: but see when y'all left there for thirty minutes, then 203 00:11:39,320 --> 00:11:43,640 Speaker 1: the fox should come up there. Then then Lakeside come 204 00:11:43,720 --> 00:11:46,800 Speaker 1: up there. That's an hour and a half. Our bodies 205 00:11:46,840 --> 00:11:55,240 Speaker 1: are not built for that. But I mind that energy 206 00:11:55,280 --> 00:11:59,920 Speaker 1: and all of that. Uh, what is it the adrenaline drill? 207 00:12:01,000 --> 00:12:04,400 Speaker 1: For real? You stop feeling that pain because of the adrenaling, 208 00:12:08,080 --> 00:12:13,520 Speaker 1: you know, hour two hours. The adrenaline is your pain killing, 209 00:12:13,720 --> 00:12:16,760 Speaker 1: that is your I ain't denying that you are actually 210 00:12:17,000 --> 00:12:19,560 Speaker 1: in the same play with me because we've given that 211 00:12:19,640 --> 00:12:23,280 Speaker 1: false sense of feel good and we're loving that feel good. 212 00:12:23,559 --> 00:12:26,000 Speaker 1: Like I tell you, I'm so excited talking to you 213 00:12:26,080 --> 00:12:29,920 Speaker 1: because guess what I'm just flashing at, you know, basement parties. 214 00:12:30,120 --> 00:12:35,359 Speaker 1: I'm flashing a fraternity parties. I'm flashing it on campus nightclubs. 215 00:12:35,400 --> 00:12:37,640 Speaker 1: You know, you know Nowaday, you know you you know 216 00:12:37,679 --> 00:12:39,679 Speaker 1: you you you know you know. After you'all song, then 217 00:12:39,720 --> 00:12:42,080 Speaker 1: they throw on the slow record. So you knew once 218 00:12:42,120 --> 00:12:45,280 Speaker 1: they did about two or three slow fast song, they're 219 00:12:45,280 --> 00:12:47,800 Speaker 1: gonna throw in the slow record. So so then then 220 00:12:47,840 --> 00:12:50,800 Speaker 1: they got to bring one of y'all songs out to 221 00:12:50,880 --> 00:12:53,920 Speaker 1: bring us back, to bring us back, slow it down 222 00:12:53,920 --> 00:12:58,000 Speaker 1: a little bit, come you don't play me. Sure you 223 00:12:58,040 --> 00:13:00,480 Speaker 1: know you're playing with the old school food here that 224 00:13:00,600 --> 00:13:02,640 Speaker 1: know about your music. Know what you did to me? 225 00:13:02,960 --> 00:13:06,640 Speaker 1: See what you're actually being an interview is by a fan. 226 00:13:07,000 --> 00:13:09,840 Speaker 1: So you've never been interviewed by a real fan like 227 00:13:09,920 --> 00:13:16,720 Speaker 1: me that no the music, you know, But you know, 228 00:13:16,840 --> 00:13:19,760 Speaker 1: I I just appreciate. First of all, it's gonna be real. 229 00:13:19,880 --> 00:13:23,280 Speaker 1: You're coming on the show talking about Vorhees. You know, 230 00:13:23,720 --> 00:13:25,520 Speaker 1: we know they need the money. Well, you know what 231 00:13:25,600 --> 00:13:27,880 Speaker 1: we're trying to do. This is the pre hype show. 232 00:13:28,440 --> 00:13:32,520 Speaker 1: Is is November twenty nine. The actual stream of thron 233 00:13:32,960 --> 00:13:35,600 Speaker 1: is gonna be Tuesday this summer first, and we're trying 234 00:13:35,600 --> 00:13:37,480 Speaker 1: to get people out there. We're having a lot of fun. 235 00:13:37,559 --> 00:13:40,440 Speaker 1: I mean enjoying my conversation. Hopefully she's enjoying the conversation 236 00:13:40,480 --> 00:13:42,720 Speaker 1: with me. But the bottom line is we're trying to 237 00:13:42,760 --> 00:13:45,040 Speaker 1: make a change and take some young people so they 238 00:13:45,040 --> 00:13:48,240 Speaker 1: can have memories like us, like like like yours, sharing 239 00:13:48,280 --> 00:13:52,320 Speaker 1: great memories of college, experience a party, and of enjoying 240 00:13:52,559 --> 00:13:54,680 Speaker 1: when it was safe, times when you just went in 241 00:13:55,040 --> 00:13:58,400 Speaker 1: and you came out and you went home. Sometimes that 242 00:13:58,440 --> 00:14:01,080 Speaker 1: doesn't happen nowadays. If you don't get kids an opportunity 243 00:14:01,160 --> 00:14:03,920 Speaker 1: to have that experience. And so but I want to 244 00:14:03,960 --> 00:14:06,360 Speaker 1: get back there. I said that moment right there. Now, 245 00:14:06,440 --> 00:14:10,400 Speaker 1: let me get back to this ship. Okay, when you're 246 00:14:10,400 --> 00:14:14,240 Speaker 1: on stage, which song really do they just really turn out? 247 00:14:14,360 --> 00:14:16,120 Speaker 1: I know you got you got a hit snap, but 248 00:14:16,200 --> 00:14:19,360 Speaker 1: it's always I just talked to I said, delivery. What 249 00:14:19,600 --> 00:14:22,680 Speaker 1: song really takes them to the next level? So, oh, 250 00:14:22,840 --> 00:14:26,240 Speaker 1: y'all song I'm by what two songs? Really? You go? Girl? This? 251 00:14:26,400 --> 00:14:28,320 Speaker 1: The one? This? You know, just the one. They're gonna 252 00:14:28,400 --> 00:14:30,680 Speaker 1: just really get them out. They seeks you, and they're 253 00:14:30,720 --> 00:14:33,320 Speaker 1: gonna see they're gonna know the words, you know, some 254 00:14:33,440 --> 00:14:34,840 Speaker 1: of them, gonna some of them you know, you know 255 00:14:34,880 --> 00:14:37,720 Speaker 1: when black people, they're gonna they're gonna story at you, girl, girl, 256 00:14:37,960 --> 00:14:42,040 Speaker 1: go on, go on, stop stop stop? What song is that? 257 00:14:42,160 --> 00:14:44,720 Speaker 1: Come and talk to the show. We always save the 258 00:14:44,920 --> 00:14:53,600 Speaker 1: last two songs, you know, with out the first song 259 00:14:54,680 --> 00:14:59,720 Speaker 1: meeting and the ladies, Yes, meeting in the ladies and 260 00:15:02,160 --> 00:15:05,440 Speaker 1: be there real soon. Remember this damn step? Come on 261 00:15:05,520 --> 00:15:07,240 Speaker 1: now come on now, come on, sure you know that. 262 00:15:07,840 --> 00:15:09,160 Speaker 1: Come on, come on, come on, come on, come on, 263 00:15:09,520 --> 00:15:16,080 Speaker 1: come on, come on, come on, come on love. I no, no, 264 00:15:16,640 --> 00:15:18,640 Speaker 1: you gotta remember that in the eies, what do we do? 265 00:15:20,120 --> 00:15:23,400 Speaker 1: Come on now, you're gonna come on now. You ain't 266 00:15:23,400 --> 00:15:25,720 Speaker 1: gonna do that on me. You're messing with the wrong person. 267 00:15:25,880 --> 00:15:28,400 Speaker 1: That girl. I would I would stand up and do 268 00:15:28,480 --> 00:15:34,920 Speaker 1: the worm on you, your worm on you. I love it. 269 00:15:35,120 --> 00:15:39,200 Speaker 1: I love it. Okay, that's okay. Meeting in the latest room. 270 00:15:40,040 --> 00:15:42,760 Speaker 1: Then okay, everybody know they know you had played that 271 00:15:42,920 --> 00:15:45,600 Speaker 1: song yet, so they know it's coming. They know they 272 00:15:45,680 --> 00:15:48,960 Speaker 1: know it's coming coming. They know it's this. They here's 273 00:15:49,000 --> 00:15:53,960 Speaker 1: the drum and troll that I always gets them. The 274 00:15:54,200 --> 00:16:01,040 Speaker 1: man once we hit that. The thing is we ended 275 00:16:01,080 --> 00:16:06,600 Speaker 1: with this wild guitar solo that I've played. Girl, thank you, 276 00:16:06,840 --> 00:16:08,560 Speaker 1: I know, I mean, if the interview is not no, 277 00:16:08,640 --> 00:16:11,800 Speaker 1: I would just said thank you because you know the memories. 278 00:16:12,640 --> 00:16:15,080 Speaker 1: You know, I know exactly when you hit that up 279 00:16:15,720 --> 00:16:18,160 Speaker 1: the men. Oh and then y'all just do this too. 280 00:16:18,240 --> 00:16:20,640 Speaker 1: You'll be rocking like this too. I know exactly how 281 00:16:20,680 --> 00:16:22,840 Speaker 1: you'll be rocking. But when you when you think about 282 00:16:22,880 --> 00:16:25,000 Speaker 1: the group all those years, how did you guys get 283 00:16:25,040 --> 00:16:28,760 Speaker 1: together as a group called comments all female band, which 284 00:16:28,800 --> 00:16:32,200 Speaker 1: is unprecedented? Tell us about that? Well, you know, I 285 00:16:32,320 --> 00:16:35,480 Speaker 1: have to say, you know, say, the universe, whatever your 286 00:16:35,520 --> 00:16:38,680 Speaker 1: belief system is, really threw us together because we didn't 287 00:16:38,720 --> 00:16:40,720 Speaker 1: know each other before we got in that rehearsal room. 288 00:16:41,280 --> 00:16:43,640 Speaker 1: We had never crossed paths, We didn't grow up together. 289 00:16:44,120 --> 00:16:47,240 Speaker 1: Everybody has their own story of how they even learned 290 00:16:47,280 --> 00:16:50,960 Speaker 1: about the group. Rehearsing in Hollywood at the time. I mean, 291 00:16:51,000 --> 00:16:52,880 Speaker 1: we put an ad in the paper for one girl, 292 00:16:53,840 --> 00:16:57,480 Speaker 1: the lead vocalist. She had originally audition for Rolls Royce 293 00:16:57,520 --> 00:16:59,440 Speaker 1: and they sent her over to us because she didn't 294 00:16:59,440 --> 00:17:02,200 Speaker 1: have a you know, she sang too strong for their music, 295 00:17:02,280 --> 00:17:04,359 Speaker 1: so they sent her over to us. I happen to 296 00:17:04,400 --> 00:17:07,280 Speaker 1: be rehearsing with another band in the same building. They 297 00:17:07,359 --> 00:17:09,560 Speaker 1: just busted into the rehearsal room and saying, you don't 298 00:17:09,560 --> 00:17:10,920 Speaker 1: want to play with this band, you want to play 299 00:17:10,920 --> 00:17:13,040 Speaker 1: with our band. We have an am female bank climate. 300 00:17:14,640 --> 00:17:18,200 Speaker 1: Everybody had their story. It's really as if they just 301 00:17:18,320 --> 00:17:21,680 Speaker 1: threw us together. And once we started rehearsing and and 302 00:17:21,800 --> 00:17:25,160 Speaker 1: you know, learning songs off the radio and really developing 303 00:17:25,200 --> 00:17:27,520 Speaker 1: the song, was like, hey, we kind of got something here. 304 00:17:28,680 --> 00:17:30,840 Speaker 1: At the time, I happen to be working at a bank. 305 00:17:30,920 --> 00:17:34,920 Speaker 1: I won't say the name anyway, working at a bank. Yeah, 306 00:17:35,000 --> 00:17:38,400 Speaker 1: I was telling my supervisor about this all girl band 307 00:17:38,480 --> 00:17:39,760 Speaker 1: I was in, you know, I said, I'm in this 308 00:17:39,920 --> 00:17:43,400 Speaker 1: all girl bad and it sounds pretty good. And she said, well, 309 00:17:43,440 --> 00:17:45,320 Speaker 1: if you give me a demo tape, I'll give it 310 00:17:45,400 --> 00:17:48,119 Speaker 1: to my uncle. He's a producer for Pebo Bryson. His 311 00:17:48,240 --> 00:17:51,080 Speaker 1: name is Johnny pay So, you know, we were all excited. 312 00:17:51,160 --> 00:17:53,119 Speaker 1: We went to the studio. At that time, it was 313 00:17:53,960 --> 00:17:56,520 Speaker 1: eight track studio, and not eight tracks like you stick in, 314 00:17:56,680 --> 00:17:59,000 Speaker 1: but eight separate tracks like now they have, you know 315 00:17:59,119 --> 00:18:03,480 Speaker 1: what hundreds any two tracks right right right, I know, 316 00:18:04,840 --> 00:18:08,359 Speaker 1: And we put together like four original songs. And we 317 00:18:08,480 --> 00:18:10,919 Speaker 1: had a meeting with with Johnny Payte and gave him 318 00:18:10,960 --> 00:18:16,080 Speaker 1: the tape and he didn't like it. How but here's 319 00:18:16,119 --> 00:18:19,160 Speaker 1: the lesson with that when one door closes, that does 320 00:18:19,240 --> 00:18:23,159 Speaker 1: not mean another door won't open. So he happened to 321 00:18:23,200 --> 00:18:25,000 Speaker 1: be having lunch with a lady by the name of 322 00:18:25,160 --> 00:18:28,320 Speaker 1: Margaret Nash, who was one of the vice presidents and 323 00:18:28,560 --> 00:18:31,719 Speaker 1: sold our records, and he gave her the tape. He said, ah, 324 00:18:31,880 --> 00:18:33,800 Speaker 1: you know, this is this all girl band. I don't 325 00:18:33,800 --> 00:18:35,359 Speaker 1: think they sound that good, but maybe you can do 326 00:18:35,480 --> 00:18:38,000 Speaker 1: something to it. He listened to the tape and she 327 00:18:38,240 --> 00:18:40,639 Speaker 1: lost her mind. She immediately called me and said, when 328 00:18:40,760 --> 00:18:43,320 Speaker 1: is your next rehearsal? She looked at the group, she 329 00:18:43,480 --> 00:18:45,800 Speaker 1: was all smiles. The next time she came, she brought 330 00:18:45,840 --> 00:18:48,679 Speaker 1: the president of the company, Dick Griffy, and he signed 331 00:18:48,760 --> 00:18:52,120 Speaker 1: us to sol Our Records within months. We hadn't even 332 00:18:52,200 --> 00:18:54,680 Speaker 1: been together for a whole year before we had signed 333 00:18:54,720 --> 00:18:58,040 Speaker 1: a recording contract. When I tell you, the universe faith 334 00:18:58,119 --> 00:19:00,399 Speaker 1: threw us together. It was like boom boom phone, this 335 00:19:00,520 --> 00:19:03,120 Speaker 1: is meant to be. Now, how did the hit song 336 00:19:03,240 --> 00:19:05,240 Speaker 1: come up? But did you guys write it that? The 337 00:19:05,320 --> 00:19:07,600 Speaker 1: songs were written and produced by other people? How did 338 00:19:07,640 --> 00:19:10,639 Speaker 1: they come about? Right? Okay, So our first album was 339 00:19:10,720 --> 00:19:13,840 Speaker 1: called Never Underestimate the Power Woman, which was the title track, 340 00:19:14,200 --> 00:19:15,879 Speaker 1: and that was a song that I had wrote the 341 00:19:16,000 --> 00:19:18,719 Speaker 1: music to, uh and the drummer wrote the lyrics too, 342 00:19:18,760 --> 00:19:20,800 Speaker 1: And that was actually the song that we gave them 343 00:19:20,880 --> 00:19:23,280 Speaker 1: for our demo tape because we wanted to, you know, 344 00:19:23,359 --> 00:19:26,640 Speaker 1: write a song that you know, was like women empowerment, 345 00:19:26,840 --> 00:19:30,200 Speaker 1: you know, affirmative women, encouraging women. Never Underestimate the Power 346 00:19:30,200 --> 00:19:32,880 Speaker 1: for Woman. And once they heard that song, song off 347 00:19:32,920 --> 00:19:35,280 Speaker 1: female band. They could see the vision and that's what 348 00:19:35,440 --> 00:19:38,719 Speaker 1: really got them over was to sign Climax up. I mean, 349 00:19:38,840 --> 00:19:41,760 Speaker 1: we had a good nineteen year run with Solo Records. 350 00:19:41,840 --> 00:19:43,959 Speaker 1: It was crazy, No, it was. It was a fantastic Now, 351 00:19:44,119 --> 00:19:46,120 Speaker 1: but hold of the sign that you know you had 352 00:19:46,160 --> 00:19:48,119 Speaker 1: to you had that little the bumper sticker. There we go. 353 00:19:48,280 --> 00:19:50,760 Speaker 1: Now when everybody knew I'm talking to sure Cooler. You 354 00:19:50,800 --> 00:19:54,400 Speaker 1: know when you hear that, I know what I'm doing 355 00:19:54,440 --> 00:19:56,640 Speaker 1: the guitar, I can't playing them get to but sure 356 00:19:56,720 --> 00:19:59,200 Speaker 1: coolly of Climax. You know that, you know that the 357 00:19:59,280 --> 00:20:02,520 Speaker 1: thing of body that memories mean something and uh and 358 00:20:02,640 --> 00:20:05,360 Speaker 1: we're trying to create new memories or with any potential 359 00:20:05,440 --> 00:20:08,240 Speaker 1: new students. A current student vorhees, like I said, this 360 00:20:08,359 --> 00:20:10,400 Speaker 1: is your stream of thon. Our goal is to raise 361 00:20:10,480 --> 00:20:13,560 Speaker 1: a million dollars of HBCU school We all know how 362 00:20:13,720 --> 00:20:18,359 Speaker 1: COVID has hit. We've seen HBCU schools counsel entire athletic programs. 363 00:20:18,720 --> 00:20:21,200 Speaker 1: We've seen you know, just yesterday I heard that Florida 364 00:20:21,240 --> 00:20:25,119 Speaker 1: ineverably counseled their basket female basketball program for the due 365 00:20:25,160 --> 00:20:27,360 Speaker 1: to COVID. We know there's a vaccine on the way. 366 00:20:27,720 --> 00:20:31,000 Speaker 1: But we all know how that works, that minorities are 367 00:20:31,080 --> 00:20:33,399 Speaker 1: always the last people to receive vaccine. That's just the 368 00:20:33,440 --> 00:20:35,919 Speaker 1: way it is. Uh. I wish I could change the system. 369 00:20:36,760 --> 00:20:39,240 Speaker 1: If your minority got money, then you'll be ahead of 370 00:20:39,280 --> 00:20:41,639 Speaker 1: the minority that don't have money, but you will be 371 00:20:41,760 --> 00:20:44,159 Speaker 1: behind the people who really got money. But with that 372 00:20:44,240 --> 00:20:46,000 Speaker 1: being said, we just want some money. We want this 373 00:20:46,119 --> 00:20:48,880 Speaker 1: what this is about. I've invited Sheryl onto the show. 374 00:20:49,080 --> 00:20:52,480 Speaker 1: She's on the show with Don Lewis and Barbaccari, Sellers, 375 00:20:52,680 --> 00:20:55,760 Speaker 1: MC Girl, Joe Marie Peyton. She's gonna be mad if 376 00:20:55,760 --> 00:20:57,920 Speaker 1: I was used. You forgot you forgot my name? No, 377 00:20:57,960 --> 00:21:01,119 Speaker 1: I didn't, but we we we were winning. Now we're winning. 378 00:21:01,240 --> 00:21:04,520 Speaker 1: So in closing anything, you have to say, my friend, 379 00:21:04,760 --> 00:21:06,639 Speaker 1: you know, I hope I didn't embarrass you with my 380 00:21:07,080 --> 00:21:11,000 Speaker 1: unorthodox dance movie, my off key singing. But that's what 381 00:21:11,080 --> 00:21:13,080 Speaker 1: I'm trying to do here. I'm trying to that everybody 382 00:21:13,119 --> 00:21:16,280 Speaker 1: know how beautiful you are, how you affected my life 383 00:21:16,320 --> 00:21:18,480 Speaker 1: in such a positive manner, and by being on this 384 00:21:18,600 --> 00:21:21,879 Speaker 1: show with me today, you're affecting younger people lives in 385 00:21:21,960 --> 00:21:29,640 Speaker 1: the future. I mean, I recommend supporting our own educational institutions. 386 00:21:29,720 --> 00:21:33,960 Speaker 1: However you can support. I mean financial support is always primary, 387 00:21:34,359 --> 00:21:37,440 Speaker 1: but however we can encourage and support each other, encourage 388 00:21:37,440 --> 00:21:40,760 Speaker 1: each other to continue the path, continue the education. I 389 00:21:40,800 --> 00:21:44,920 Speaker 1: mean there is strength and and and subsistence and education 390 00:21:45,720 --> 00:21:48,440 Speaker 1: that is so important, that is so important. And you 391 00:21:48,520 --> 00:21:51,720 Speaker 1: know along with that education can come your financial blessings, 392 00:21:51,800 --> 00:21:55,200 Speaker 1: can come your prosperity. Uh, let it be the base 393 00:21:55,280 --> 00:21:59,720 Speaker 1: of your life. Is education, higher education as much as possible, 394 00:22:00,160 --> 00:22:03,080 Speaker 1: or he's is there to support you to make your 395 00:22:03,240 --> 00:22:05,639 Speaker 1: education as high as you wanted to go. I mean, 396 00:22:05,680 --> 00:22:09,680 Speaker 1: I encourage you, support more he's any way possible. As 397 00:22:09,760 --> 00:22:13,360 Speaker 1: much money as you can is always good. I appreciate more. 398 00:22:13,480 --> 00:22:17,280 Speaker 1: He's been a climax fan, a climax support. Thank you, 399 00:22:17,400 --> 00:22:19,639 Speaker 1: thank you, thank you for you know, keeping us, you know, 400 00:22:19,880 --> 00:22:22,400 Speaker 1: right there in the ears of your of your students, 401 00:22:22,440 --> 00:22:26,680 Speaker 1: of your faculty. I appreciate being on this interview. And yeah, 402 00:22:26,760 --> 00:22:29,440 Speaker 1: you are a party animal. Well let me tell you something, 403 00:22:29,760 --> 00:22:31,680 Speaker 1: and I'm telling in college, I still don't drink a 404 00:22:31,760 --> 00:22:34,440 Speaker 1: smoke and I ain't smoking a weed, I ain't drinking alcohol, 405 00:22:34,640 --> 00:22:37,480 Speaker 1: So all my memories are real. I'm telling you. Sure, 406 00:22:37,600 --> 00:22:40,520 Speaker 1: I'm talking about a none of my memories dark, ane 407 00:22:40,520 --> 00:22:43,320 Speaker 1: of them, cloudy another well he just won't up on 408 00:22:43,359 --> 00:22:46,920 Speaker 1: the flow drop no, no, we're Seawan mcdowald was damn. 409 00:22:48,520 --> 00:22:50,960 Speaker 1: I mean, oh, Paul, come on girl, come on girl. 410 00:22:51,000 --> 00:22:54,440 Speaker 1: You know walking across that dead flom you even understandable 411 00:22:55,400 --> 00:22:57,040 Speaker 1: on the side of the club. You see that girl 412 00:22:57,119 --> 00:22:59,359 Speaker 1: over there, you go, guess my song and then you 413 00:22:59,480 --> 00:23:02,040 Speaker 1: know you didn't like walking across the before you look 414 00:23:02,080 --> 00:23:05,280 Speaker 1: at it, hopefully got that eye contact, got that eye contact, 415 00:23:05,480 --> 00:23:07,399 Speaker 1: and then you just shake their head like that. You 416 00:23:07,480 --> 00:23:09,320 Speaker 1: know what I say? She said, I shake that head too. 417 00:23:09,600 --> 00:23:11,119 Speaker 1: Next thing, you know, y'all in the middle of the 418 00:23:11,240 --> 00:23:18,640 Speaker 1: dad for the minute. I love it. I love it, sir, 419 00:23:19,119 --> 00:23:20,960 Speaker 1: I love it. Thank you for coming on the show. 420 00:23:21,040 --> 00:23:22,960 Speaker 1: Thank you for being a part of money making conversation 421 00:23:23,080 --> 00:23:26,119 Speaker 1: to Stream of Thought for four he again. December one 422 00:23:26,640 --> 00:23:30,120 Speaker 1: is the day that we're gonna hold this fantastic raizor thought. 423 00:23:30,359 --> 00:23:33,120 Speaker 1: We're trying to raise funds again. Surey, I'm a fan. 424 00:23:34,160 --> 00:23:35,600 Speaker 1: We hang up. I'm gonna get your number because when 425 00:23:35,600 --> 00:23:37,119 Speaker 1: I come here, l we're gonna go sit down. I 426 00:23:37,160 --> 00:23:39,399 Speaker 1: want to beat everybody and let y'all know what I 427 00:23:39,480 --> 00:23:41,159 Speaker 1: can do for y'all, and what you can do for 428 00:23:41,240 --> 00:23:43,359 Speaker 1: me is make me smile, because I'm I'm gonna wear 429 00:23:43,480 --> 00:23:46,440 Speaker 1: y'all out with with a bad dance movement as a 430 00:23:46,760 --> 00:23:51,119 Speaker 1: tired old memories. Okay, I love you all right. We 431 00:23:51,200 --> 00:23:53,720 Speaker 1: gonna get more Money Making Conversation interviews. Please go to 432 00:23:53,760 --> 00:23:56,840 Speaker 1: Money Making Conversation dot com UM with Sean McDonald. I'm 433 00:23:56,920 --> 00:23:57,280 Speaker 1: your host.