WEBVTT - Wrestling with Kayfabe (with guest Colt Cabana)

0:00:03.840 --> 0:00:06.720
<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

0:00:06.720 --> 0:00:13.880
<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

0:00:13.920 --> 0:00:16.800
<v Speaker 1>My name is Robert Lamb and my name is Julie

0:00:17.520 --> 0:00:21.280
<v Speaker 1>Rowdy Roddy Douglas. Okay, yeah, that's your that's your gimmick

0:00:21.320 --> 0:00:24.040
<v Speaker 1>this week. That's my handle. Yeah, a little homage to

0:00:24.600 --> 0:00:28.560
<v Speaker 1>be famous Rowdy Roddy Piper the wrestler. Yeah, yeah, he was,

0:00:28.760 --> 0:00:31.160
<v Speaker 1>is was and is great. He was in of course

0:00:31.240 --> 0:00:34.800
<v Speaker 1>John Carpenters, they live and Hell comes to Frogtown and

0:00:34.840 --> 0:00:39.760
<v Speaker 1>other great Hollywood gyms. But of course, first and foremost

0:00:40.000 --> 0:00:43.160
<v Speaker 1>a pro wrestler. And uh and yeah, we're gonna chat

0:00:43.200 --> 0:00:45.159
<v Speaker 1>a little bit about pro wrestling in this podcast. But

0:00:45.240 --> 0:00:48.559
<v Speaker 1>do not let that scare you away, um, because I

0:00:48.600 --> 0:00:50.880
<v Speaker 1>know most of you, probably for most of you, wrestling

0:00:50.960 --> 0:00:52.440
<v Speaker 1>is not your thing. And if some of our listeners

0:00:52.720 --> 0:00:57.080
<v Speaker 1>are wrestling fans, a couple of our listeners are actually wrestlers,

0:00:57.160 --> 0:01:00.920
<v Speaker 1>if I remember correctly. But but but trust me, trust

0:01:00.960 --> 0:01:02.320
<v Speaker 1>me on this journey we're about to take you on.

0:01:02.520 --> 0:01:04.520
<v Speaker 1>That's right, because by the end of this podcast, you're

0:01:04.520 --> 0:01:06.440
<v Speaker 1>going to say it all makes sense. Now. I know

0:01:06.760 --> 0:01:09.440
<v Speaker 1>Robert and Julie wanted to talk about wrestling because I

0:01:09.480 --> 0:01:13.160
<v Speaker 1>now see how it has everything to do with my

0:01:13.240 --> 0:01:16.000
<v Speaker 1>life and my reality. Yeah, I mean, it's a big

0:01:16.000 --> 0:01:18.160
<v Speaker 1>ticket item to try to fill, but we're gonna try

0:01:18.160 --> 0:01:22.600
<v Speaker 1>to take you through that with wrestling and something called Kabees.

0:01:23.360 --> 0:01:26.040
<v Speaker 1>So first of all, I mean, you mentioned Roddy Piper,

0:01:26.080 --> 0:01:28.440
<v Speaker 1>so your memory is of pro wrestling. You're not a

0:01:28.440 --> 0:01:31.200
<v Speaker 1>pro wrestling fan, but you have you you grew up

0:01:31.240 --> 0:01:34.200
<v Speaker 1>in the eighties like me, and you had a brother exactly,

0:01:34.240 --> 0:01:36.760
<v Speaker 1>which meant that I've spent a lot of television time

0:01:37.360 --> 0:01:39.880
<v Speaker 1>rooting for some of these characters in the eighties, most

0:01:39.920 --> 0:01:46.640
<v Speaker 1>notably Hulk Hogan for the Giant I mean soft spot there. Yeah, well,

0:01:46.680 --> 0:01:49.920
<v Speaker 1>of course there was the Princess Bride tie and so yeah,

0:01:50.000 --> 0:01:52.280
<v Speaker 1>I mean, of course, and that that's where we got

0:01:52.280 --> 0:01:56.160
<v Speaker 1>to see his tender heart right there. Wendy Richter, okay,

0:01:56.160 --> 0:01:59.800
<v Speaker 1>she she was backed by Cindy Lauper. Lauer was in

0:02:00.360 --> 0:02:03.600
<v Speaker 1>in the WWF yes to try the rock and wrestling thing.

0:02:03.680 --> 0:02:06.360
<v Speaker 1>Yeah yeah, So, I mean I was drenched in Whole Comania,

0:02:06.360 --> 0:02:10.239
<v Speaker 1>which sounds kind of gross that I was. Well, um,

0:02:10.560 --> 0:02:13.800
<v Speaker 1>I was a little late for Whole Comania, not because

0:02:13.840 --> 0:02:16.320
<v Speaker 1>it wasn't on TV, but because I wasn't really allowed

0:02:16.400 --> 0:02:18.600
<v Speaker 1>to watch it like I was. I remember like it

0:02:18.639 --> 0:02:22.040
<v Speaker 1>would come wrestling would come on that like at odd times,

0:02:22.080 --> 0:02:24.040
<v Speaker 1>like suddenly it would be a Saturday night and they

0:02:24.080 --> 0:02:26.520
<v Speaker 1>would just be wrestling on it, and and I'd be like, Oh,

0:02:26.560 --> 0:02:29.320
<v Speaker 1>what's this. This looks kind of interesting and uh, and

0:02:29.320 --> 0:02:30.640
<v Speaker 1>then my parents would be like, Oh, you don't want

0:02:30.639 --> 0:02:32.840
<v Speaker 1>to watch that, don't don't worry about that. They put

0:02:32.840 --> 0:02:34.760
<v Speaker 1>pds on for you. Yeah. And of course when we

0:02:34.760 --> 0:02:37.400
<v Speaker 1>lived in Canada, we had no access to pro wrestling

0:02:37.440 --> 0:02:40.200
<v Speaker 1>that I remember. But but then eventually, like junior high years,

0:02:40.240 --> 0:02:41.959
<v Speaker 1>I started, you know, I had a little more time

0:02:42.000 --> 0:02:43.880
<v Speaker 1>to an access to a t D on my own,

0:02:43.960 --> 0:02:46.720
<v Speaker 1>and then I started really getting into it and exploring

0:02:46.720 --> 0:02:48.679
<v Speaker 1>it and uh. And to this day, I still I

0:02:48.720 --> 0:02:52.160
<v Speaker 1>don't follow it religiously. I mean I kind of followed religiously,

0:02:53.280 --> 0:02:55.799
<v Speaker 1>but I don't watch it religiously. I just I keep

0:02:55.840 --> 0:02:58.320
<v Speaker 1>an eye out, keep my ears peeled, and if I

0:02:58.400 --> 0:03:00.480
<v Speaker 1>hear about a match it's that's really good, then I'll

0:03:00.520 --> 0:03:02.080
<v Speaker 1>go and check it out. And it might be something

0:03:02.160 --> 0:03:04.800
<v Speaker 1>from the US, it might be something from Japan or

0:03:04.840 --> 0:03:09.119
<v Speaker 1>Mexico or what have you. Um, I'm even tempted. I've

0:03:09.160 --> 0:03:11.680
<v Speaker 1>even been out to a couple of wrestling shows here

0:03:11.680 --> 0:03:14.800
<v Speaker 1>in Atlanta. I'm really intrigued. There's one, uh that just

0:03:14.840 --> 0:03:17.880
<v Speaker 1>started up where their whole gimmick is, um that is,

0:03:17.919 --> 0:03:20.160
<v Speaker 1>the wrestlers are all monsters. So it's like Dracula versus

0:03:20.160 --> 0:03:23.240
<v Speaker 1>a wolfman. Oh. Nice. Nice. So that's kind of like

0:03:23.280 --> 0:03:27.720
<v Speaker 1>the Lucha libre concept just taken to another level. Yeah.

0:03:27.760 --> 0:03:30.840
<v Speaker 1>So to just to give anyone who's not really familiar

0:03:30.840 --> 0:03:33.440
<v Speaker 1>with with what pro wrestling is on on a large,

0:03:33.680 --> 0:03:38.960
<v Speaker 1>larger national and international level, you have varying shades of it.

0:03:39.080 --> 0:03:41.320
<v Speaker 1>Like here in the US, you have the whole sort

0:03:41.320 --> 0:03:46.080
<v Speaker 1>of whole comania, larger than life characters that are to

0:03:46.240 --> 0:03:48.720
<v Speaker 1>the naive you or they're having a big fight, a

0:03:48.760 --> 0:03:51.000
<v Speaker 1>big crazy fight in a ring and then at the

0:03:51.120 --> 0:03:53.920
<v Speaker 1>end somebody wins and then uh. And then in Japan

0:03:54.000 --> 0:03:56.400
<v Speaker 1>they have it there. It's it's pretty big there as well.

0:03:56.720 --> 0:03:58.960
<v Speaker 1>It's a little more steeped in honor in tradition, but

0:03:59.200 --> 0:04:01.400
<v Speaker 1>and and at times it's just utter wackiness. So it's

0:04:01.480 --> 0:04:05.080
<v Speaker 1>very Japanese and that that sense. Uh. And then it's

0:04:05.240 --> 0:04:07.400
<v Speaker 1>also huge in Mexico where we have, of course Lucha Libre,

0:04:07.520 --> 0:04:09.560
<v Speaker 1>which I think everyone has at least been introduced to

0:04:09.600 --> 0:04:14.440
<v Speaker 1>the the the visual flare of lucha libre by this point, um,

0:04:14.480 --> 0:04:17.960
<v Speaker 1>you know, crazy costumes, guys flying all over the place.

0:04:18.000 --> 0:04:20.040
<v Speaker 1>But then at its at its roots, it all comes

0:04:20.080 --> 0:04:25.520
<v Speaker 1>back down to guys grappling with each other. Now, pro wrestling,

0:04:25.680 --> 0:04:28.599
<v Speaker 1>here's a big spoiler for everyone. Pro pro wrestling is

0:04:29.680 --> 0:04:32.400
<v Speaker 1>quote unquote fake. Now you get into trouble Yeah, I know,

0:04:32.520 --> 0:04:34.440
<v Speaker 1>I know, you get into trouble with with the with

0:04:34.480 --> 0:04:37.240
<v Speaker 1>the term fake because fake is such a big word

0:04:37.480 --> 0:04:40.560
<v Speaker 1>that it's it often takes on this negative connotation of

0:04:41.440 --> 0:04:43.599
<v Speaker 1>uh that that implies that what's going on does not

0:04:43.800 --> 0:04:47.120
<v Speaker 1>involve talent, does not involve um, you know, skill does

0:04:47.120 --> 0:04:51.000
<v Speaker 1>not involve physical wear and tear, uh and and pro

0:04:51.080 --> 0:04:54.040
<v Speaker 1>wrestling involves all of those things. It's it requires highly

0:04:54.080 --> 0:04:57.280
<v Speaker 1>skilled individuals to do it right. Uh. There's a lot

0:04:57.279 --> 0:05:01.280
<v Speaker 1>of thought that goes into it. It's it's ultimately storytelling

0:05:01.600 --> 0:05:04.760
<v Speaker 1>in the ring, like a physical storytelling, and it's very

0:05:04.800 --> 0:05:07.640
<v Speaker 1>well choreographed and it has to wait you choreographed and

0:05:08.000 --> 0:05:11.039
<v Speaker 1>or um improv because there are guys guys that have

0:05:11.120 --> 0:05:12.920
<v Speaker 1>worked with it with with each other enough. They go

0:05:12.960 --> 0:05:15.800
<v Speaker 1>out there and they don't necessarily know what all the

0:05:16.480 --> 0:05:18.200
<v Speaker 1>little moments are going to be, you know, the big

0:05:18.200 --> 0:05:20.719
<v Speaker 1>moments that are gonna happen. They know how it's gonna end, maybe,

0:05:20.720 --> 0:05:23.600
<v Speaker 1>But but there's a certain feeling each other out and

0:05:24.160 --> 0:05:26.320
<v Speaker 1>going with the flow of it that's really kind of

0:05:26.320 --> 0:05:29.480
<v Speaker 1>an improv kind of vibe um And I say choreographed

0:05:29.480 --> 0:05:30.920
<v Speaker 1>in this sense, because you and I were talking about

0:05:30.960 --> 0:05:34.440
<v Speaker 1>this yesterday that you have to have a feeling for

0:05:34.520 --> 0:05:37.320
<v Speaker 1>what's going to happen and how to execute certain moves

0:05:37.360 --> 0:05:40.039
<v Speaker 1>in order not to actually hurt the opponent or do

0:05:40.120 --> 0:05:41.920
<v Speaker 1>in a way that you don't hurt yourself. Yeah, it's

0:05:41.920 --> 0:05:47.640
<v Speaker 1>a cooperative battle, a cooperative fight, a cooperative wrestling battle

0:05:47.680 --> 0:05:50.320
<v Speaker 1>between two individuals or four individuals or what have you.

0:05:50.520 --> 0:05:52.760
<v Speaker 1>A referee thrown in there. It's also part of the act.

0:05:53.360 --> 0:05:55.560
<v Speaker 1>And but and then there's but again, it's a lot

0:05:55.560 --> 0:05:58.960
<v Speaker 1>of wear and tear involved, and individuals do become injured.

0:05:59.320 --> 0:06:01.960
<v Speaker 1>So you can read more about If you want to

0:06:02.000 --> 0:06:03.880
<v Speaker 1>know more about pro wrestling, go to how stuff works

0:06:03.880 --> 0:06:06.680
<v Speaker 1>dot com. We have an article called how pro Wrestling works.

0:06:06.920 --> 0:06:09.839
<v Speaker 1>We have an article called how Lucha Libre works. They're

0:06:09.839 --> 0:06:12.600
<v Speaker 1>both find um fine articles that really give you a

0:06:12.600 --> 0:06:15.360
<v Speaker 1>little more in depth about what they are and how

0:06:15.400 --> 0:06:17.720
<v Speaker 1>they work. But we're not going to spend a lot

0:06:17.760 --> 0:06:21.159
<v Speaker 1>more time on that. Instead, let's also go back in time.

0:06:21.200 --> 0:06:24.159
<v Speaker 1>Let's go to a time before pro wrestling. Well, before

0:06:24.160 --> 0:06:26.240
<v Speaker 1>we go to our time for pro wrestling, can we

0:06:26.279 --> 0:06:28.560
<v Speaker 1>talk a little bit about the universality of it, Like

0:06:28.839 --> 0:06:33.320
<v Speaker 1>why wrestling, I mean, why did it, um take such

0:06:33.320 --> 0:06:36.200
<v Speaker 1>a hold of you as a youngster and as as

0:06:36.240 --> 0:06:39.360
<v Speaker 1>a man. Now, yeah, well pro okay, so pro wrestling?

0:06:39.800 --> 0:06:44.440
<v Speaker 1>What is it that captivates people? Um? I think, I

0:06:44.480 --> 0:06:47.920
<v Speaker 1>mean a lot of it does come down to conflict. Um. Like,

0:06:47.960 --> 0:06:51.120
<v Speaker 1>I'm I've never been one for like team sports. I'm

0:06:51.160 --> 0:06:53.520
<v Speaker 1>really not into sports. But if I watch a sport,

0:06:53.560 --> 0:06:55.839
<v Speaker 1>I'm more inclined to watch something that is more about

0:06:55.880 --> 0:06:58.640
<v Speaker 1>one person against another, like say singles, tennis or something.

0:06:59.320 --> 0:07:03.200
<v Speaker 1>Um and and so pro wrestling you have you Generally,

0:07:03.240 --> 0:07:06.200
<v Speaker 1>it's to varying degrees, it's almost always a good guy

0:07:06.200 --> 0:07:10.120
<v Speaker 1>and a bad guy in the ring, locking up, engaging

0:07:10.160 --> 0:07:14.000
<v Speaker 1>in this pure physical battle, a test of strength and

0:07:14.040 --> 0:07:16.760
<v Speaker 1>a test of wills to see who is going to

0:07:16.800 --> 0:07:19.720
<v Speaker 1>be the victor, and uh, and then and then there's

0:07:19.720 --> 0:07:22.120
<v Speaker 1>a lot of and they're basically also using an unreal

0:07:22.600 --> 0:07:25.160
<v Speaker 1>form of martial arts, like it's the roots as will

0:07:25.200 --> 0:07:28.320
<v Speaker 1>discuss their in actual wrestling and actual um, you know,

0:07:28.360 --> 0:07:31.360
<v Speaker 1>physical grappling. But they are all these layers of fiction

0:07:31.480 --> 0:07:33.120
<v Speaker 1>that have built up over it, and so many of

0:07:33.120 --> 0:07:36.160
<v Speaker 1>the moves are are fantastic and just would would never

0:07:36.200 --> 0:07:39.200
<v Speaker 1>occur outside of a fictional environment, and that just adds

0:07:39.240 --> 0:07:42.560
<v Speaker 1>to the to the flare. That's what I like about

0:07:43.000 --> 0:07:46.520
<v Speaker 1>wrestling is because it does have that universality of struggle. Right,

0:07:46.680 --> 0:07:50.760
<v Speaker 1>everybody struggles, and it's highly symbolic because you don't actually

0:07:50.760 --> 0:07:54.200
<v Speaker 1>want to go mono mono with someone normally right, um,

0:07:54.240 --> 0:07:56.680
<v Speaker 1>it's slay him or her, but you may want to

0:07:56.720 --> 0:07:59.760
<v Speaker 1>release your aggression, right or your frustration. And that's what

0:07:59.800 --> 0:08:03.520
<v Speaker 1>I think is so um basic to wrestling is this,

0:08:04.000 --> 0:08:07.000
<v Speaker 1>as you say, this man against man, the struggle. And

0:08:07.040 --> 0:08:08.760
<v Speaker 1>I think, and this is kind of a joke, but

0:08:08.760 --> 0:08:10.840
<v Speaker 1>it's kind of not. Um. I think this is why

0:08:11.000 --> 0:08:15.320
<v Speaker 1>festivals took people's imaginations, at least here in the United States.

0:08:15.320 --> 0:08:17.840
<v Speaker 1>I don't know if this is the Sinfeld thing. This

0:08:17.920 --> 0:08:23.160
<v Speaker 1>is a Sinfeld episode about wrestling, your father during the

0:08:23.160 --> 0:08:27.360
<v Speaker 1>holidays to air the grievances of the past year. And

0:08:27.560 --> 0:08:29.480
<v Speaker 1>I won't go into the long history of that, but

0:08:29.640 --> 0:08:32.640
<v Speaker 1>you know, once that aired on television, people began to

0:08:32.679 --> 0:08:36.840
<v Speaker 1>actually have festivals, celebrations, And I do think that, um,

0:08:36.880 --> 0:08:40.520
<v Speaker 1>it's struck a nerve there in and airing grievances and

0:08:40.559 --> 0:08:44.679
<v Speaker 1>again this highly symbolic act. Yeah, and it certainly when

0:08:44.720 --> 0:08:48.439
<v Speaker 1>you throw in the characters. I mean in pro wrestling,

0:08:48.480 --> 0:08:51.600
<v Speaker 1>you especially say in Mexico, where the masks are so rich,

0:08:51.679 --> 0:08:54.480
<v Speaker 1>and you'll have like one character and there's an even

0:08:54.800 --> 0:08:57.840
<v Speaker 1>bigger divide between good guys and bad guys. There's less

0:08:57.920 --> 0:09:00.800
<v Speaker 1>in between, there's less gray area. It's the the rudeo's

0:09:00.840 --> 0:09:03.520
<v Speaker 1>and the technicos. So on one hand you have, you know,

0:09:03.559 --> 0:09:07.560
<v Speaker 1>guys in like devil maths and skulls and snarley beast faces,

0:09:07.600 --> 0:09:11.120
<v Speaker 1>and then the other more you know serene and u

0:09:11.520 --> 0:09:14.040
<v Speaker 1>and positive images like guys with crosses on their face.

0:09:14.080 --> 0:09:16.360
<v Speaker 1>It's because you know, a heavy uh, you know, a

0:09:16.440 --> 0:09:20.200
<v Speaker 1>Catholic element down there. Um, you know, guys with would

0:09:20.240 --> 0:09:23.000
<v Speaker 1>say like a cat face, like like blue Panther comes

0:09:23.000 --> 0:09:25.440
<v Speaker 1>to mind as a mass that was in a week

0:09:25.480 --> 0:09:28.440
<v Speaker 1>like embodying like an animal spirit and something like positive

0:09:28.480 --> 0:09:31.080
<v Speaker 1>that you would you would strive for. And so these

0:09:31.559 --> 0:09:35.440
<v Speaker 1>these symbolic characters are are locking up in the ring

0:09:35.520 --> 0:09:39.000
<v Speaker 1>and it brings to mind um like non wrestling uh

0:09:39.080 --> 0:09:42.760
<v Speaker 1>passion plays, you know, where you'll have a certain members

0:09:42.760 --> 0:09:45.640
<v Speaker 1>of a village dress up as like an evil outside

0:09:45.640 --> 0:09:48.320
<v Speaker 1>force and then others um dress up as the victor

0:09:48.440 --> 0:09:51.360
<v Speaker 1>and and reenact myths of that that are vital to

0:09:51.440 --> 0:09:54.240
<v Speaker 1>a community or people, so that you have that basic

0:09:54.280 --> 0:09:57.520
<v Speaker 1>tripe that's so important to humans because versus evil, and

0:09:57.600 --> 0:10:00.680
<v Speaker 1>you have all this pageantry. And we're going to discuss

0:10:00.720 --> 0:10:03.160
<v Speaker 1>in a little bit why this pageantry matters, why it

0:10:03.200 --> 0:10:08.720
<v Speaker 1>matters to aspects of science or economics, um. But before

0:10:08.720 --> 0:10:10.599
<v Speaker 1>we do that, we need to unpack the sport a

0:10:10.640 --> 0:10:13.760
<v Speaker 1>little bit more and tell you about some of the

0:10:13.760 --> 0:10:18.600
<v Speaker 1>basics behind it. Yeah, because again, you watch pretty much

0:10:18.600 --> 0:10:23.480
<v Speaker 1>any pro wrestling product on TV now in any country,

0:10:23.800 --> 0:10:26.439
<v Speaker 1>and there's gonna be something that's that's unreal about it.

0:10:26.480 --> 0:10:29.320
<v Speaker 1>And ultimately it is uh. It is to some degree

0:10:29.520 --> 0:10:31.720
<v Speaker 1>like choreograph or at least cooperative. It is a it

0:10:31.800 --> 0:10:34.560
<v Speaker 1>is a performance. So how did we get to the

0:10:34.600 --> 0:10:38.640
<v Speaker 1>point where we have this performance of this sport versus

0:10:38.760 --> 0:10:41.400
<v Speaker 1>its original roots, because you don't see this in every sport.

0:10:41.400 --> 0:10:43.720
<v Speaker 1>I mean, you can make a case for say Harlem Globetrotters,

0:10:44.120 --> 0:10:46.880
<v Speaker 1>isn't is an exposition a fake team having a fake

0:10:47.520 --> 0:10:50.080
<v Speaker 1>basketball game against another team. But you don't see that

0:10:50.120 --> 0:10:52.280
<v Speaker 1>in most sports. So so what is what is unique

0:10:52.320 --> 0:10:55.720
<v Speaker 1>about about pro wrestling? Okay, so you go go back

0:10:55.760 --> 0:10:58.280
<v Speaker 1>in time to like the earliest aspect of human culture,

0:10:58.320 --> 0:11:00.839
<v Speaker 1>and you have people law king up. You have people

0:11:00.880 --> 0:11:03.160
<v Speaker 1>wrestle like wrestling is is pretty much as old as

0:11:03.240 --> 0:11:09.199
<v Speaker 1>humans because at the very base you have conflict, be

0:11:09.360 --> 0:11:14.320
<v Speaker 1>steel conflict between people that involve clawing each other, dragging

0:11:14.320 --> 0:11:17.760
<v Speaker 1>each other to the ground, biting, jabbing, butt, punching the

0:11:17.760 --> 0:11:21.079
<v Speaker 1>whole nine yards but punching, but punching band in most

0:11:21.440 --> 0:11:25.640
<v Speaker 1>most most combat sports. So so so just imagine that

0:11:25.679 --> 0:11:27.920
<v Speaker 1>I want to just like cave me in tearing each

0:11:27.920 --> 0:11:29.640
<v Speaker 1>other up and rolling around the ground trying to kill

0:11:29.640 --> 0:11:32.440
<v Speaker 1>each other and strangle each other. Out of that, out

0:11:32.440 --> 0:11:35.440
<v Speaker 1>of the basic skills involved in that, you end up

0:11:35.600 --> 0:11:39.440
<v Speaker 1>developing a metaphor for that kind of combat. Because you

0:11:39.480 --> 0:11:42.280
<v Speaker 1>live in a society that needs cooperation, right, you can't

0:11:42.280 --> 0:11:45.440
<v Speaker 1>go around just brutally beating each other to death. Yeah,

0:11:45.480 --> 0:11:47.640
<v Speaker 1>you need to, like you say, are your grievances and

0:11:47.720 --> 0:11:49.840
<v Speaker 1>open a way that doesn't end up with somebody dead.

0:11:50.080 --> 0:11:53.640
<v Speaker 1>You end up with this this kind of proxy battle

0:11:53.720 --> 0:11:55.959
<v Speaker 1>in the same way that sport itself is ultimately kind

0:11:55.960 --> 0:12:00.680
<v Speaker 1>of a proxy war. Uh. Wrestling is like a proxy

0:12:01.200 --> 0:12:03.480
<v Speaker 1>tooth and nail battle to the death. It's a metaphor

0:12:03.600 --> 0:12:07.800
<v Speaker 1>for that. So everywhere around the world you have some

0:12:07.840 --> 0:12:10.400
<v Speaker 1>sort of tradition of wrestling. And and if you want

0:12:10.480 --> 0:12:13.160
<v Speaker 1>anyone who wants to learn more about the various types

0:12:13.160 --> 0:12:15.480
<v Speaker 1>of wrestling out there, I highly recommend you check out

0:12:15.480 --> 0:12:18.600
<v Speaker 1>the blog wrestling roots dot org. Uh. They go, they

0:12:18.640 --> 0:12:20.720
<v Speaker 1>go into just all these different they travel around, they

0:12:20.880 --> 0:12:23.720
<v Speaker 1>their photos, there's video, and they go into the different traditions, like,

0:12:23.720 --> 0:12:27.480
<v Speaker 1>for instance, there's traditional Turkish oil wrestling, which a number

0:12:27.520 --> 0:12:29.959
<v Speaker 1>of you're probably familiar with, but I was not aware of.

0:12:31.640 --> 0:12:35.040
<v Speaker 1>I was it does it sounds like, you know, Turkish delight, um,

0:12:35.040 --> 0:12:37.160
<v Speaker 1>But I was not aware of just how much oil

0:12:37.240 --> 0:12:39.120
<v Speaker 1>is involved. Like it's not just like a little bit

0:12:39.160 --> 0:12:41.959
<v Speaker 1>like greased yourself up for the tanning bat or something,

0:12:42.160 --> 0:12:44.600
<v Speaker 1>but lots of olive oil like leaders of olive oil

0:12:44.640 --> 0:12:47.200
<v Speaker 1>poured over them and also down their leather shorts, just

0:12:47.440 --> 0:12:49.400
<v Speaker 1>you know, because it makes it harder for your opponent

0:12:49.440 --> 0:12:51.040
<v Speaker 1>to get a grip on you. I guess adds the

0:12:51.040 --> 0:12:55.040
<v Speaker 1>passion of it um. Then likewise, there's also India's uh

0:12:55.480 --> 0:12:59.240
<v Speaker 1>Kushti wrestling, which which is it is neat too because

0:12:59.360 --> 0:13:02.480
<v Speaker 1>there are no points in this. You can only win

0:13:02.600 --> 0:13:05.240
<v Speaker 1>by pinning, and you can also grab onto the shorts,

0:13:05.240 --> 0:13:07.560
<v Speaker 1>like some wrestling traditions are like don't grab onto the shorts,

0:13:07.640 --> 0:13:10.360
<v Speaker 1>and this tradition it's okay to use the shorts for leverage,

0:13:10.520 --> 0:13:12.400
<v Speaker 1>which I guess is like a sumo in that regard,

0:13:12.440 --> 0:13:15.040
<v Speaker 1>because I think in sumo wrestling, yeah you had to grab.

0:13:15.280 --> 0:13:16.559
<v Speaker 1>You had to explain that to me because I kept

0:13:16.559 --> 0:13:19.320
<v Speaker 1>thinking that people were getting pants. Yeah, there's no pantsing

0:13:19.400 --> 0:13:22.839
<v Speaker 1>and custi. But Kusti is also interesting because they they

0:13:23.080 --> 0:13:26.160
<v Speaker 1>the wrestling takes place on softened earth where they've poured

0:13:26.160 --> 0:13:30.280
<v Speaker 1>out this ge mixture to the soil um, which which

0:13:30.280 --> 0:13:32.800
<v Speaker 1>is neat. You have this element of ritual to it

0:13:32.880 --> 0:13:35.319
<v Speaker 1>a well, and there's just any anywhere on Earth you

0:13:35.360 --> 0:13:36.960
<v Speaker 1>can go you can find some sort of culture of

0:13:36.960 --> 0:13:42.080
<v Speaker 1>wrestling but as far as the the transition from these

0:13:42.160 --> 0:13:46.440
<v Speaker 1>cultural folk wrestling traditions, uh, the transition from that into

0:13:46.480 --> 0:13:49.560
<v Speaker 1>professional wrestling, we end up looking at European models. They

0:13:49.559 --> 0:13:52.720
<v Speaker 1>are all these different European models of of of wrestling,

0:13:52.760 --> 0:13:56.200
<v Speaker 1>of folk wrestling that were popular and continue to be popular.

0:13:56.280 --> 0:14:00.400
<v Speaker 1>But but certainly back in the nineteenth century you had

0:14:00.440 --> 0:14:03.000
<v Speaker 1>a couple of things of note. You had you had

0:14:03.080 --> 0:14:06.480
<v Speaker 1>the the catches catch can style of wrestling, and you

0:14:06.559 --> 0:14:12.679
<v Speaker 1>had the Lancashire style, and they're closely related. They're closely related.

0:14:13.120 --> 0:14:15.559
<v Speaker 1>There's this guy named J. W. Chambers and he was

0:14:15.600 --> 0:14:17.640
<v Speaker 1>kind of a minor celebrity and he editor, he was

0:14:17.679 --> 0:14:20.520
<v Speaker 1>the editor of Land and Water, and he started promoting

0:14:20.520 --> 0:14:25.880
<v Speaker 1>a new grappling system UM that he called catches catchcan style,

0:14:25.960 --> 0:14:29.440
<v Speaker 1>first down to lose and uh. And this was this

0:14:29.480 --> 0:14:32.920
<v Speaker 1>was a folk wrestling tradition that also wasn't completely groundbreaking

0:14:32.920 --> 0:14:35.440
<v Speaker 1>because it was based on earlier models, but it involved

0:14:35.560 --> 0:14:38.600
<v Speaker 1>guys locking up UM and you could pretty much apply

0:14:38.640 --> 0:14:44.920
<v Speaker 1>any type of hold above um above the waist and

0:14:44.920 --> 0:14:46.960
<v Speaker 1>and first down to lose is a big part of

0:14:47.000 --> 0:14:50.600
<v Speaker 1>this too, because this actually changed the sport quite a bit,

0:14:51.560 --> 0:14:55.320
<v Speaker 1>because otherwise if you're looking at past traditions. You could

0:14:55.320 --> 0:14:59.080
<v Speaker 1>have wrestling matches going on for days, meaning you know,

0:14:59.160 --> 0:15:03.320
<v Speaker 1>the person hadn't submitted yet said hey, I give up,

0:15:03.600 --> 0:15:06.000
<v Speaker 1>and so they would break for the day and resume

0:15:06.120 --> 0:15:08.160
<v Speaker 1>the next day. Well, the Lancashire style, Yeah, I was

0:15:08.320 --> 0:15:11.280
<v Speaker 1>was like that. I was reading this book Wrestling by

0:15:11.280 --> 0:15:14.360
<v Speaker 1>Walter Arms Armstrong, which is an eight nine book where

0:15:14.360 --> 0:15:16.720
<v Speaker 1>he's just so it's this is a pre pro wrestling

0:15:17.040 --> 0:15:20.320
<v Speaker 1>book talking about these different folk traditions and he has

0:15:20.400 --> 0:15:22.720
<v Speaker 1>some a couple of bits I want to read from

0:15:22.720 --> 0:15:27.720
<v Speaker 1>that about the Lancashire style. Um quote. Sometimes a wrestler

0:15:27.760 --> 0:15:30.520
<v Speaker 1>will apparently make an unsuccessful attempt to wrench off the

0:15:30.520 --> 0:15:33.360
<v Speaker 1>other's head, twist his arms from the sockets, or break

0:15:33.400 --> 0:15:36.480
<v Speaker 1>his fingers, finally rolling him bodily over, all of which

0:15:36.480 --> 0:15:40.120
<v Speaker 1>are eluded in a simply marvelous manner. Their elasticity of

0:15:40.200 --> 0:15:43.360
<v Speaker 1>their movements is at times something remarkable, as they struggle, ride,

0:15:43.360 --> 0:15:47.160
<v Speaker 1>and twist four hours together before obtaining a fall. Uh,

0:15:47.200 --> 0:15:49.240
<v Speaker 1>it would go on. Not only would have gone for hours,

0:15:49.440 --> 0:15:51.840
<v Speaker 1>but here here's another quote from the book. When a

0:15:51.920 --> 0:15:54.840
<v Speaker 1>match is not concluded on the day appointed, the referee

0:15:54.920 --> 0:15:57.920
<v Speaker 1>orders the competents to meet again and commenced wrestling after

0:15:58.000 --> 0:16:01.240
<v Speaker 1>being waited at the same time in place every day

0:16:01.280 --> 0:16:04.920
<v Speaker 1>except Sunday until the decision has arrived at So you

0:16:04.960 --> 0:16:08.600
<v Speaker 1>would have this this match that would go on for dates.

0:16:09.120 --> 0:16:10.600
<v Speaker 1>Uh you know, and they were like, you know, their

0:16:10.680 --> 0:16:13.240
<v Speaker 1>their minor breakes as wells't it just constant action? But

0:16:13.320 --> 0:16:16.080
<v Speaker 1>still it's just goes on for days and then and

0:16:16.080 --> 0:16:18.600
<v Speaker 1>then there's the brutality of weary. I read the part

0:16:18.640 --> 0:16:21.520
<v Speaker 1>we're talking about people's heads being twisted. Um, but this

0:16:21.600 --> 0:16:25.280
<v Speaker 1>is a quote from a book called Fencing that had

0:16:25.320 --> 0:16:28.680
<v Speaker 1>a number of authors, but Walter Armstrong also contributed to this,

0:16:28.920 --> 0:16:32.600
<v Speaker 1>and the quote goes with regard to Lancashire wrestling, there

0:16:32.640 --> 0:16:35.080
<v Speaker 1>can be no question that it is the most barbarous

0:16:35.120 --> 0:16:38.360
<v Speaker 1>of the English systems, and it more nearly approaches the

0:16:38.360 --> 0:16:41.640
<v Speaker 1>French dog fighting and tumbling than any other. A fair

0:16:41.680 --> 0:16:44.360
<v Speaker 1>stand up fight with the naked fists is the merest

0:16:44.400 --> 0:16:50.720
<v Speaker 1>skim milk, in fact, a perfect drawing room entertainment in comparison. So, yeah,

0:16:50.720 --> 0:16:54.480
<v Speaker 1>the the rules of it were pretty laxed. Yeah, it's

0:16:54.520 --> 0:16:58.880
<v Speaker 1>basically like tried, don't crush your opponent's fingers, right, like

0:16:58.960 --> 0:17:01.600
<v Speaker 1>this was sort of it would happen, It would happen.

0:17:01.640 --> 0:17:04.040
<v Speaker 1>They would tend to say, please, don't break each other's bones.

0:17:04.440 --> 0:17:06.440
<v Speaker 1>And the reason why the especially the fingers that are

0:17:06.440 --> 0:17:08.359
<v Speaker 1>the hands that they frowned upon that is because a

0:17:08.400 --> 0:17:10.280
<v Speaker 1>lot of the people who were doing this, we're working

0:17:10.320 --> 0:17:14.120
<v Speaker 1>class in parts like Shire, England, they're working in coal mines.

0:17:14.240 --> 0:17:16.680
<v Speaker 1>So obviously if you crush your opponent's fingers then you're

0:17:16.840 --> 0:17:19.920
<v Speaker 1>putting that person out work for a while. So there's

0:17:19.600 --> 0:17:22.760
<v Speaker 1>a cultural contract here. It's like this is wrestling is fun,

0:17:22.800 --> 0:17:24.320
<v Speaker 1>but we all have other jobs we need to do.

0:17:25.040 --> 0:17:31.359
<v Speaker 1>That being said, the Lancashire style involved struggling on the ground,

0:17:31.640 --> 0:17:35.840
<v Speaker 1>catching legs, which the catch system that is described in

0:17:35.840 --> 0:17:41.680
<v Speaker 1>this book does not, catching legs, twisting limbs, bending fingers, um.

0:17:41.840 --> 0:17:44.320
<v Speaker 1>And so it was so you had two things going

0:17:44.320 --> 0:17:47.800
<v Speaker 1>on here, three things. Actually. First of all, there's something

0:17:47.840 --> 0:17:50.760
<v Speaker 1>about it. It's really entertaining. People really getting into this.

0:17:50.800 --> 0:17:54.000
<v Speaker 1>They enjoyed doing it, they enjoyed watching it, but it's

0:17:54.040 --> 0:17:59.439
<v Speaker 1>super long. They commitment commitment to to to act in

0:17:59.480 --> 0:18:03.399
<v Speaker 1>and commit it to watch. And then it's really violent,

0:18:03.560 --> 0:18:06.480
<v Speaker 1>and you would have situations where you know, individuals would

0:18:06.520 --> 0:18:11.119
<v Speaker 1>become really badly injured in this sport. So how do

0:18:11.119 --> 0:18:13.200
<v Speaker 1>you make money off of something like that? Right? You're

0:18:13.200 --> 0:18:16.280
<v Speaker 1>trying to your promoter. You want to carry this around

0:18:16.280 --> 0:18:18.320
<v Speaker 1>from town to town and and have these matches and

0:18:18.359 --> 0:18:20.359
<v Speaker 1>people pay to watch them and and all of this.

0:18:21.520 --> 0:18:23.600
<v Speaker 1>You don't want it to be that long. You want

0:18:23.600 --> 0:18:25.240
<v Speaker 1>it to You want of a product that you can

0:18:25.280 --> 0:18:28.320
<v Speaker 1>market a little better. Um. You know, it's like how

0:18:28.359 --> 0:18:31.080
<v Speaker 1>many people really have it in them to go see

0:18:31.119 --> 0:18:33.040
<v Speaker 1>Wagner as the ring cycle where you have to go

0:18:33.119 --> 0:18:35.640
<v Speaker 1>like multiple days to see the whole opera. You want

0:18:35.640 --> 0:18:38.800
<v Speaker 1>to you know, condense version. You want something smaller most

0:18:38.800 --> 0:18:42.280
<v Speaker 1>people do, you know. So so let's find a version

0:18:42.320 --> 0:18:45.760
<v Speaker 1>of this that fits into a smaller package. And let's

0:18:45.800 --> 0:18:49.760
<v Speaker 1>find a version that doesn't injure the participants as easily,

0:18:49.840 --> 0:18:53.160
<v Speaker 1>because these are ultimately the people that you're you're making

0:18:53.160 --> 0:18:55.080
<v Speaker 1>your money off off. You know. It's like we were

0:18:55.080 --> 0:18:58.040
<v Speaker 1>podcasters and uh and writers and editors here at how

0:18:58.080 --> 0:19:01.480
<v Speaker 1>stuff worth and general only the risk of injury on

0:19:01.520 --> 0:19:03.520
<v Speaker 1>the job is low. It's more like you know, carpal

0:19:03.560 --> 0:19:07.879
<v Speaker 1>tunnel syndrome and strained eyes, paper cuts. Well, there you go.

0:19:08.000 --> 0:19:09.639
<v Speaker 1>What if we were using a type of paper that

0:19:09.720 --> 0:19:12.000
<v Speaker 1>was like just cutting fingers off left and right. You't

0:19:12.000 --> 0:19:14.639
<v Speaker 1>want to eliminate that paper because you need these people

0:19:14.680 --> 0:19:17.040
<v Speaker 1>to run the business, to keep the business running. And

0:19:17.080 --> 0:19:18.919
<v Speaker 1>likewise with the wrestling, you need to make it a

0:19:18.960 --> 0:19:21.560
<v Speaker 1>little less brutal. But you but the thing is when

0:19:21.600 --> 0:19:23.119
<v Speaker 1>you take the if you take too much of the

0:19:23.119 --> 0:19:25.680
<v Speaker 1>brutality out of it, if you say, all right, well,

0:19:26.200 --> 0:19:28.480
<v Speaker 1>don't touch the fingers at all because we don't don't

0:19:28.480 --> 0:19:31.000
<v Speaker 1>want to risk that, or alright, no grabbing the legs anymore,

0:19:31.160 --> 0:19:33.880
<v Speaker 1>then you end up taking away from what is attracting

0:19:33.920 --> 0:19:37.040
<v Speaker 1>people to it. So what do you do? You start

0:19:37.600 --> 0:19:39.840
<v Speaker 1>tweaking it a little bit with you start layering just

0:19:39.880 --> 0:19:41.640
<v Speaker 1>a little bit of fiction on it. Right, and this

0:19:41.680 --> 0:19:44.960
<v Speaker 1>is where you start to see some of the manipulation, uh,

0:19:45.200 --> 0:19:47.920
<v Speaker 1>coming into the sport and just sort of mounting and

0:19:47.960 --> 0:19:51.520
<v Speaker 1>mounting as it progresses through history. Um yeah, like maybe

0:19:51.520 --> 0:19:53.080
<v Speaker 1>it starts with all right, guys, when you go out

0:19:53.080 --> 0:19:56.879
<v Speaker 1>there tonight, Um, just go like one hour instead of six,

0:19:57.200 --> 0:20:00.800
<v Speaker 1>just one hour and also just kind of work together

0:20:00.840 --> 0:20:03.520
<v Speaker 1>a little bit so that you don't, you know, injure

0:20:03.840 --> 0:20:06.359
<v Speaker 1>one another in a really horrible way. Right, It becomes

0:20:06.359 --> 0:20:10.560
<v Speaker 1>so much more about showmanship. But what I wanted to

0:20:10.600 --> 0:20:13.120
<v Speaker 1>point out is that this is something that became very

0:20:13.119 --> 0:20:15.880
<v Speaker 1>popular all over the world. Um, as you already noted,

0:20:16.000 --> 0:20:20.199
<v Speaker 1>in various forms, but this sort of catches catch can wrestling,

0:20:20.800 --> 0:20:24.800
<v Speaker 1>and this Lancashire was actually exported when immigrants went to

0:20:24.920 --> 0:20:27.440
<v Speaker 1>different countries like in the United States. Became very popular

0:20:27.920 --> 0:20:30.199
<v Speaker 1>and it even hit the big time at the Olympics

0:20:30.280 --> 0:20:33.200
<v Speaker 1>at one point in nineteen o eight, it showed up there.

0:20:33.800 --> 0:20:35.840
<v Speaker 1>And I wanted to point this out because this is

0:20:36.200 --> 0:20:42.000
<v Speaker 1>just seems so fictional, but it's not. Abraham Lincoln actually

0:20:42.520 --> 0:20:47.159
<v Speaker 1>was uh one of the stars of catch wrestling in

0:20:47.280 --> 0:20:50.199
<v Speaker 1>the United States. Yeah, I mean, he apparently was a

0:20:50.240 --> 0:20:52.800
<v Speaker 1>big dog in the sport. In fact, this is from

0:20:52.840 --> 0:20:56.080
<v Speaker 1>a Sports Illustrated article The Civil Warrior Lincoln with this

0:20:56.359 --> 0:20:59.680
<v Speaker 1>was described as an onlooker as quote the big buck

0:20:59.720 --> 0:21:05.440
<v Speaker 1>of the lick, and um, this onlooker saw Lincoln give

0:21:05.560 --> 0:21:10.560
<v Speaker 1>the notorious county wrestling champion Jack Armstrong the worst thrashing

0:21:10.560 --> 0:21:12.760
<v Speaker 1>of his life one hot September day, more than one

0:21:13.119 --> 0:21:15.400
<v Speaker 1>sixty three years ago. The article goes on to say

0:21:15.440 --> 0:21:19.200
<v Speaker 1>that that was the future president's most celebrated victory. Frustrated

0:21:19.240 --> 0:21:22.200
<v Speaker 1>from the start by Lincoln's tremendous reach a k a

0:21:22.400 --> 0:21:26.520
<v Speaker 1>his height, Armstrong began stomping on his opponent's feet. Lincoln

0:21:26.600 --> 0:21:30.160
<v Speaker 1>lost his temper and a few tosses later, Armstrong lost consciousness.

0:21:31.119 --> 0:21:33.439
<v Speaker 1>So I mean here Lincoln was a brawler, is what

0:21:33.480 --> 0:21:35.960
<v Speaker 1>I'm saying, And and had some throws, he had some

0:21:36.200 --> 0:21:38.400
<v Speaker 1>like that. Maybe there was a Lincoln suplex in there.

0:21:38.400 --> 0:21:41.480
<v Speaker 1>And I wish I could have Linken the pile driver. Yeah,

0:21:41.880 --> 0:21:44.960
<v Speaker 1>who knows what he innovated? Yeah, And that the article

0:21:45.000 --> 0:21:46.840
<v Speaker 1>that you were looking at there, it also mentioned that

0:21:46.880 --> 0:21:51.560
<v Speaker 1>a few other presidents UM were involved with some type

0:21:51.560 --> 0:21:54.879
<v Speaker 1>of wrestling at some point, like of course Teddy Roosevelt

0:21:55.000 --> 0:21:57.320
<v Speaker 1>was was up to grappling around with the boys of

0:21:57.720 --> 0:22:00.320
<v Speaker 1>the dust, UM, I would have been surprised he not.

0:22:00.680 --> 0:22:02.879
<v Speaker 1>But but Lincoln was into the rough stuff. He was

0:22:02.920 --> 0:22:05.960
<v Speaker 1>into the catch wrestling. Yeah. And I think that that

0:22:06.200 --> 0:22:08.159
<v Speaker 1>kind of points to the popularity of the sport and

0:22:08.200 --> 0:22:10.959
<v Speaker 1>the fact that again it was exported and it started

0:22:11.000 --> 0:22:14.400
<v Speaker 1>to show up at these county fairs. And then this

0:22:14.440 --> 0:22:18.800
<v Speaker 1>is where you began to see these various counties loosely

0:22:19.000 --> 0:22:23.560
<v Speaker 1>organizing themselves and producing winners from different regions of the country,

0:22:24.160 --> 0:22:29.159
<v Speaker 1>and believe it or not, these regions eventually coalesced into

0:22:29.240 --> 0:22:33.640
<v Speaker 1>what is now the World Wrestling Federation. Well and well

0:22:33.840 --> 0:22:37.960
<v Speaker 1>now it's the World Wrestling Entertainment, World Wrestling as the

0:22:38.040 --> 0:22:41.080
<v Speaker 1>big billion dollar industry that it is today. Yeah, you

0:22:41.119 --> 0:22:44.320
<v Speaker 1>mentioned the Olympics that, like, the history of wrestling in

0:22:44.359 --> 0:22:49.040
<v Speaker 1>the Olympics is pretty interesting. Um. That was the first

0:22:49.200 --> 0:22:52.159
<v Speaker 1>modern Olympics and Greco Roman wrestling was there. But the

0:22:52.160 --> 0:22:55.959
<v Speaker 1>interesting thing about Greco Roman wrestling, it's basically European wrestling.

0:22:55.960 --> 0:23:00.560
<v Speaker 1>It's based in European folk wrestling traditions, particularly some French traditions.

0:23:00.600 --> 0:23:03.240
<v Speaker 1>So it's really not all I mean, you can you

0:23:03.280 --> 0:23:06.240
<v Speaker 1>call it Greco Roman, but yeah, you know, it's it's

0:23:06.280 --> 0:23:09.280
<v Speaker 1>more like the central you know, Western Europe kind of

0:23:09.640 --> 0:23:12.400
<v Speaker 1>vibe to it. Um. But it's only been in the

0:23:12.720 --> 0:23:16.600
<v Speaker 1>Olympics regularly since nineteen o eight and uh and then

0:23:16.640 --> 0:23:20.400
<v Speaker 1>in the nineteen o four Games in St. Louis, Uh.

0:23:20.480 --> 0:23:23.720
<v Speaker 1>In that particular year, UH, a limited form of catches

0:23:23.760 --> 0:23:27.200
<v Speaker 1>catch can wrestling was there, but Greco Roman was not. UH.

0:23:27.240 --> 0:23:29.720
<v Speaker 1>And it was the nineteen o eight London Games where

0:23:29.720 --> 0:23:32.760
<v Speaker 1>we saw both Greco Roman and catches Catch can finally

0:23:32.840 --> 0:23:36.520
<v Speaker 1>coming back. So um yeah, it is a sort of

0:23:36.560 --> 0:23:40.199
<v Speaker 1>casual observer of of wrestling and Olympics. I always kind

0:23:40.200 --> 0:23:42.160
<v Speaker 1>of thought, oh, I guess Greco Roman that's the real deal.

0:23:42.200 --> 0:23:44.639
<v Speaker 1>That's the old stuff and and that's and it's been

0:23:44.680 --> 0:23:48.080
<v Speaker 1>around forever, and that pro wrestling was the new stuff.

0:23:48.119 --> 0:23:50.119
<v Speaker 1>Is that were you thinking? Yeah, yeah, just kind of

0:23:50.560 --> 0:23:52.760
<v Speaker 1>you throw it into that kind of dichotomy. But but

0:23:52.800 --> 0:23:57.400
<v Speaker 1>it's not quite that simple. Um So anyway, but back

0:23:57.480 --> 0:23:59.160
<v Speaker 1>to blayering the fiction on. You know, like you said,

0:23:59.160 --> 0:24:01.200
<v Speaker 1>you're going around to these differ and counties, You're you're

0:24:01.920 --> 0:24:04.680
<v Speaker 1>you're letting the guys know, you know, work together, put

0:24:04.760 --> 0:24:08.080
<v Speaker 1>it in a certain time frame that makes sense, and

0:24:08.119 --> 0:24:11.080
<v Speaker 1>then all the other changes become naturally, like you can

0:24:11.119 --> 0:24:14.760
<v Speaker 1>imagine all the every step of the way on on

0:24:14.800 --> 0:24:18.240
<v Speaker 1>the journey from from catch wrestling to pro wrestling, because

0:24:18.280 --> 0:24:20.600
<v Speaker 1>you might say, all right, well, you know, um, it

0:24:20.600 --> 0:24:23.840
<v Speaker 1>would really make more sense if the hero one tonight

0:24:23.920 --> 0:24:26.280
<v Speaker 1>rather than the villain, or rather the villain should really

0:24:26.320 --> 0:24:27.879
<v Speaker 1>win tonight, because then it's gonna make it all the

0:24:27.880 --> 0:24:30.359
<v Speaker 1>more awesome when the hero wins the next night. So

0:24:30.440 --> 0:24:34.120
<v Speaker 1>you start end up you end up throwing in narrative flows. Um,

0:24:34.320 --> 0:24:37.080
<v Speaker 1>you know, think of things like everyone loves an underdog story,

0:24:37.160 --> 0:24:40.480
<v Speaker 1>so that that you it's if you wait for underdog

0:24:40.680 --> 0:24:44.040
<v Speaker 1>stories to emerge organically in a sporting environment, you know,

0:24:44.040 --> 0:24:46.080
<v Speaker 1>you gotta sometimes you gotta be pretty patient. But if

0:24:46.080 --> 0:24:48.919
<v Speaker 1>you can orchestrate it, if you can spin it, and

0:24:48.960 --> 0:24:51.840
<v Speaker 1>if you can you can say, hey, you're the underdog

0:24:51.840 --> 0:24:55.119
<v Speaker 1>tonight and it happens, then you're improving the product that

0:24:55.160 --> 0:24:57.640
<v Speaker 1>you're selling. So you keep going and then you can

0:24:57.720 --> 0:24:59.320
<v Speaker 1>then you get to the point where you're throwing. You're

0:24:59.320 --> 0:25:01.680
<v Speaker 1>adding element to the physicality of the match, to the

0:25:01.800 --> 0:25:05.320
<v Speaker 1>even the physics of the match that make it more flashy,

0:25:05.359 --> 0:25:08.960
<v Speaker 1>that make it more entertaining, and decade upon decade, it

0:25:09.040 --> 0:25:12.800
<v Speaker 1>just builds and builds into this into the largely unreal

0:25:13.760 --> 0:25:17.240
<v Speaker 1>martial art that that you see in the the fictional

0:25:18.080 --> 0:25:21.680
<v Speaker 1>performance sport of pro wrestling today, which he sees a

0:25:21.760 --> 0:25:24.679
<v Speaker 1>system in place right that is giving us a measure

0:25:24.680 --> 0:25:28.639
<v Speaker 1>of predictability, but also giving the audience what it wants.

0:25:29.240 --> 0:25:32.000
<v Speaker 1>And roll Ebarts, you sent me that's great article or

0:25:32.080 --> 0:25:35.399
<v Speaker 1>rather essay by the French philosopher Roll Embarts, and he

0:25:35.400 --> 0:25:37.720
<v Speaker 1>took on wrestling, and he talked about why it is

0:25:38.560 --> 0:25:43.480
<v Speaker 1>um so intoxicating to people, and basically it was saying,

0:25:43.480 --> 0:25:45.479
<v Speaker 1>you know, it's an I'm paraphrasing here, but he was

0:25:45.560 --> 0:25:49.520
<v Speaker 1>physically saying that it's not a real image of passion

0:25:49.560 --> 0:25:52.760
<v Speaker 1>that the audience wants. They just want an image of passion.

0:25:53.000 --> 0:25:55.359
<v Speaker 1>It doesn't have to come from a real place. And

0:25:55.440 --> 0:25:58.840
<v Speaker 1>that's really the contract that the audience has with the

0:25:58.880 --> 0:26:03.440
<v Speaker 1>performers is just give us a show. And um, we'll

0:26:03.480 --> 0:26:05.440
<v Speaker 1>talk a little bit more about this in a moment,

0:26:05.480 --> 0:26:08.560
<v Speaker 1>about how this show aspect is really reflected in our

0:26:08.640 --> 0:26:10.600
<v Speaker 1>daily lives. But before we do that, we should probably

0:26:10.600 --> 0:26:12.840
<v Speaker 1>take a break. Yes, let's take a quick break, and

0:26:12.880 --> 0:26:16.080
<v Speaker 1>when we come back, we're just gonna talk briefly about

0:26:16.320 --> 0:26:20.399
<v Speaker 1>the kind of death of Cafe um And well, I

0:26:20.440 --> 0:26:22.400
<v Speaker 1>guess we'll talk about what Cafe is. We really didn't

0:26:22.680 --> 0:26:25.720
<v Speaker 1>totally describe it. And then also we will hear from

0:26:25.760 --> 0:26:37.080
<v Speaker 1>an actual pro wrestler and podcaster, Colt Cabanner. All right,

0:26:37.080 --> 0:26:39.399
<v Speaker 1>we're back, All right, yeah we are. And you know what,

0:26:39.680 --> 0:26:41.399
<v Speaker 1>I don't think that people realize, but when you were

0:26:41.400 --> 0:26:43.439
<v Speaker 1>talking about stamps dot com, you were actually wearing your

0:26:43.480 --> 0:26:45.880
<v Speaker 1>wrestling outfit and your cape was waving in the wind

0:26:45.880 --> 0:26:48.320
<v Speaker 1>behind you. That was my my promo I was cutting there.

0:26:48.560 --> 0:26:51.359
<v Speaker 1>I felt like he sounded very like w W E

0:26:52.800 --> 0:26:54.800
<v Speaker 1>that that that would actually be great. I would. It's

0:26:54.840 --> 0:26:57.280
<v Speaker 1>too bad the Macho Man is no longer with us,

0:26:57.280 --> 0:26:59.400
<v Speaker 1>because I would love to hear a Stamps dot Com

0:26:59.400 --> 0:27:02.200
<v Speaker 1>advertise for much of man of course, because he's he's

0:27:02.240 --> 0:27:04.640
<v Speaker 1>got or he had a lot of moxie. Right. And

0:27:04.680 --> 0:27:06.800
<v Speaker 1>that's what we're talking about here when we're talking about

0:27:06.960 --> 0:27:09.480
<v Speaker 1>how pro wrestling, what we think about it today, that

0:27:09.560 --> 0:27:12.840
<v Speaker 1>the sort of fakery, uh, the illusion that's put forth

0:27:12.960 --> 0:27:16.480
<v Speaker 1>or not so much the illusion anymore is predicated on

0:27:16.600 --> 0:27:20.119
<v Speaker 1>this moxie and this ability to put forward a character

0:27:20.240 --> 0:27:23.800
<v Speaker 1>and put forward these tropes and act them out. Um.

0:27:23.840 --> 0:27:28.200
<v Speaker 1>And this is related to this term called kape. Yeah,

0:27:28.240 --> 0:27:32.679
<v Speaker 1>because like we said, the gradual um addition of fiction

0:27:33.119 --> 0:27:37.080
<v Speaker 1>to catch wrestling. Uh, you can't just like the first

0:27:37.200 --> 0:27:39.920
<v Speaker 1>night you did it, the first night that that you're

0:27:39.920 --> 0:27:41.560
<v Speaker 1>out there and say and you say, hey, you guys

0:27:41.560 --> 0:27:43.200
<v Speaker 1>are gonna work together on this and he's gonna win.

0:27:43.440 --> 0:27:46.200
<v Speaker 1>You don't amount announced that to the crowd and likewise

0:27:46.200 --> 0:27:49.920
<v Speaker 1>that it you just don't market the product like that. Uh.

0:27:49.960 --> 0:27:53.440
<v Speaker 1>So you have this thing, this cape this uh this

0:27:53.600 --> 0:27:59.400
<v Speaker 1>Carney talk for keeping the secret. You don't let the audience.

0:27:59.440 --> 0:28:01.440
<v Speaker 1>You don't let them marks know what's up. You don't

0:28:01.520 --> 0:28:04.000
<v Speaker 1>you don't explain to them how the magic trick works.

0:28:04.320 --> 0:28:06.680
<v Speaker 1>You don't let them know that there's a magic trick

0:28:06.800 --> 0:28:09.840
<v Speaker 1>at all. If if one dude is acting like he's

0:28:09.880 --> 0:28:12.120
<v Speaker 1>the you know, the healish villain, and the other guy

0:28:12.160 --> 0:28:15.240
<v Speaker 1>is that is the face, the baby face, the good guy,

0:28:15.359 --> 0:28:18.600
<v Speaker 1>they have to keep fooling everyone. They have to keep

0:28:18.600 --> 0:28:21.399
<v Speaker 1>the act up because it's it's the act is what

0:28:21.440 --> 0:28:24.880
<v Speaker 1>they're selling. But yeah, that's this idea of cafebe and uh,

0:28:25.080 --> 0:28:27.760
<v Speaker 1>it's spot that the etymology of this has its roots

0:28:27.800 --> 0:28:30.560
<v Speaker 1>in a sort of pig Latin, right, So fake kbe,

0:28:30.920 --> 0:28:34.400
<v Speaker 1>keep it fake, keep it fake um And that there

0:28:34.480 --> 0:28:37.200
<v Speaker 1>apparently are various ways to say this, like kee fib,

0:28:38.320 --> 0:28:40.120
<v Speaker 1>like that might have been the way that Carney's would

0:28:40.120 --> 0:28:42.600
<v Speaker 1>have said it back in the day. It is. Yeah,

0:28:42.640 --> 0:28:45.000
<v Speaker 1>this is some straight up Carney stuff we're talking about

0:28:45.000 --> 0:28:48.160
<v Speaker 1>here with this is but this is what has colored

0:28:48.520 --> 0:28:50.760
<v Speaker 1>pro wrestling, and this is what is so interesting about

0:28:50.840 --> 0:28:52.840
<v Speaker 1>and as you had pointed out, you've got the heel

0:28:52.920 --> 0:28:56.040
<v Speaker 1>who is the bad guy, right, um, and you've got

0:28:56.120 --> 0:28:58.920
<v Speaker 1>the face who is the good guy. So whole Covin

0:28:59.400 --> 0:29:01.960
<v Speaker 1>was your tip goold face right yeah. I mean he

0:29:02.040 --> 0:29:05.240
<v Speaker 1>was America, he was you know, and he was he

0:29:05.320 --> 0:29:08.640
<v Speaker 1>was our hopes and dreams. He was our vitamins eating, um,

0:29:08.840 --> 0:29:11.760
<v Speaker 1>muscle gaining good guy, just out there fighting the good

0:29:11.800 --> 0:29:17.760
<v Speaker 1>fight against you villains and of course foreigners. Um. Because

0:29:17.840 --> 0:29:20.200
<v Speaker 1>that's that's another thing about restumes. You see it invoking

0:29:21.320 --> 0:29:27.160
<v Speaker 1>various cultural fears and worries and topics, um, often in

0:29:27.280 --> 0:29:31.440
<v Speaker 1>a cheap or exploitive way to generate heat from the crowd.

0:29:31.880 --> 0:29:35.040
<v Speaker 1>That's right. And again though that this provides that catharsis

0:29:35.120 --> 0:29:40.040
<v Speaker 1>right to see this pageantry played out before you. Um.

0:29:40.120 --> 0:29:42.760
<v Speaker 1>And of course a lot of these characters too, As

0:29:42.800 --> 0:29:46.520
<v Speaker 1>you had said, they build up these narratives and these mythologies,

0:29:47.080 --> 0:29:49.880
<v Speaker 1>and a lot of them turn right, so that the

0:29:49.920 --> 0:29:53.560
<v Speaker 1>good guys, the faces sometimes might get overwhelmed by their

0:29:53.640 --> 0:29:57.360
<v Speaker 1>egos and start acting like a heel. Uh. And then

0:29:57.520 --> 0:30:00.160
<v Speaker 1>later on maybe they have some sort of redemped and

0:30:00.160 --> 0:30:02.520
<v Speaker 1>so you get to watch characters fall from grace and

0:30:02.520 --> 0:30:06.960
<v Speaker 1>then to send back to two Hero Doom. I mean,

0:30:07.000 --> 0:30:09.240
<v Speaker 1>it's that those are that's the kind of drama people

0:30:09.280 --> 0:30:10.600
<v Speaker 1>want to see, and that's so that's the kind of

0:30:10.680 --> 0:30:15.320
<v Speaker 1>drama they orchestrated and presented. Now. The thing about KFVE, though,

0:30:15.440 --> 0:30:18.720
<v Speaker 1>is that as time rolls on, as the product becomes

0:30:19.440 --> 0:30:24.320
<v Speaker 1>further and further removed from actual grappling, and also and

0:30:24.360 --> 0:30:26.440
<v Speaker 1>also when you're throw in TV and it just exposure,

0:30:26.640 --> 0:30:29.400
<v Speaker 1>it really becomes more and more obvious that what is

0:30:29.440 --> 0:30:32.840
<v Speaker 1>happening is something that's orchestrated, and especially to if you're

0:30:33.600 --> 0:30:35.800
<v Speaker 1>if you know, you're involving people of different skill levels.

0:30:35.800 --> 0:30:37.480
<v Speaker 1>So there maybe two guys who can go out there

0:30:37.480 --> 0:30:40.560
<v Speaker 1>and put on a like a totally believable match, and

0:30:40.600 --> 0:30:44.280
<v Speaker 1>even the unbelievable things they can make seem real. But

0:30:44.320 --> 0:30:45.800
<v Speaker 1>then you get some guys out there who are green

0:30:45.800 --> 0:30:47.280
<v Speaker 1>and don't really know what they're doing, and you know,

0:30:47.320 --> 0:30:50.960
<v Speaker 1>it's it's like watching a um a, a poor magician

0:30:50.960 --> 0:30:52.680
<v Speaker 1>trying to do a trick with coins falling out of

0:30:52.680 --> 0:30:56.560
<v Speaker 1>their pockets. Right Anyway, eventually it's not that well kept

0:30:56.560 --> 0:30:59.400
<v Speaker 1>a secret. Everyone really knows and you know, it's more

0:30:59.440 --> 0:31:02.440
<v Speaker 1>like us Anna Claus level thing. Even among children, you know,

0:31:02.480 --> 0:31:04.360
<v Speaker 1>where someone's like, hey, you know that stuffs fake, right,

0:31:04.400 --> 0:31:06.160
<v Speaker 1>and they're like, no, man, it's not fake at all.

0:31:06.760 --> 0:31:11.760
<v Speaker 1>But but but then it reaches a point though, uh

0:31:11.800 --> 0:31:16.280
<v Speaker 1>in nine so the McMahon's have built up um, they've

0:31:16.280 --> 0:31:18.600
<v Speaker 1>taken all these like independent territories, and they've really built

0:31:18.680 --> 0:31:21.920
<v Speaker 1>up this this World Wrestling Federation. Then they're they're beginning

0:31:21.920 --> 0:31:23.960
<v Speaker 1>to roll in the dough again. These are the territories

0:31:24.000 --> 0:31:27.080
<v Speaker 1>that were established in the nine hundreds in the United States.

0:31:27.240 --> 0:31:31.000
<v Speaker 1>So again loosely organized, but this is what he evolved into.

0:31:31.160 --> 0:31:34.800
<v Speaker 1>The McMahon family became sort of head of that. Yeah. Yeah,

0:31:34.840 --> 0:31:37.040
<v Speaker 1>And and part of keeping cafeve though was that they

0:31:37.040 --> 0:31:39.960
<v Speaker 1>were also there were things like the state athletic commissions

0:31:40.000 --> 0:31:42.360
<v Speaker 1>were regulating the business in large ways, Like there was

0:31:42.560 --> 0:31:46.760
<v Speaker 1>I remember reading that this guy Milmascaris, who is a luchador.

0:31:46.920 --> 0:31:48.400
<v Speaker 1>He would come up and work matches and there was

0:31:48.440 --> 0:31:50.240
<v Speaker 1>like some sort of like some sort of law in

0:31:50.280 --> 0:31:53.440
<v Speaker 1>New York where no one could wear a mask in

0:31:53.440 --> 0:31:55.360
<v Speaker 1>a match, and so he couldn't go there to do

0:31:55.560 --> 0:31:59.320
<v Speaker 1>to do his his matches because the Athletic um Commission

0:31:59.360 --> 0:32:02.400
<v Speaker 1>was had this rule. So it really reaches the point

0:32:02.400 --> 0:32:05.480
<v Speaker 1>that where it comes down to money, and so vincement

0:32:05.520 --> 0:32:09.040
<v Speaker 1>man h breaks cafame in a big way. He hated

0:32:09.080 --> 0:32:12.600
<v Speaker 1>to pay state athletic commissions to regulate his business. So

0:32:12.640 --> 0:32:14.920
<v Speaker 1>he just finally admitted, Hey, it's not a sport, so

0:32:15.640 --> 0:32:17.720
<v Speaker 1>back off, and I'm not going to give you all

0:32:17.720 --> 0:32:21.280
<v Speaker 1>of this money anymore because it's sports entertainment. It's not sport.

0:32:21.440 --> 0:32:24.040
<v Speaker 1>Right into the audience care now because at that point

0:32:24.040 --> 0:32:26.600
<v Speaker 1>everyone really knew. It's kind of like it's like Santa Claus.

0:32:27.720 --> 0:32:29.760
<v Speaker 1>You know Santa Claus. You reach a point where you know,

0:32:29.840 --> 0:32:32.640
<v Speaker 1>Santa Claus isn't isn't real. It is not a physical

0:32:32.720 --> 0:32:36.160
<v Speaker 1>reality that there is. It's fiction and myth and uh

0:32:36.360 --> 0:32:39.160
<v Speaker 1>and and and you have to suspend disbelief. But it's

0:32:39.160 --> 0:32:43.120
<v Speaker 1>still it's still entertaining. It's still something that you can

0:32:43.160 --> 0:32:46.840
<v Speaker 1>involve yourself in. And so yeah, people still watch it.

0:32:46.880 --> 0:32:50.640
<v Speaker 1>They suspend disbelief when they watch it. Uh. But it

0:32:50.680 --> 0:32:53.480
<v Speaker 1>does make for a really weird kind of area because

0:32:53.520 --> 0:32:58.360
<v Speaker 1>it's it's not quite like watching a movie where you're like, oh,

0:32:58.440 --> 0:33:00.760
<v Speaker 1>you know, there's a there's an actor playing a character.

0:33:01.120 --> 0:33:03.760
<v Speaker 1>Like it's more like there's this actor, but he's pretending

0:33:03.800 --> 0:33:08.360
<v Speaker 1>to be the character all the time. Um, and it's uh,

0:33:08.600 --> 0:33:11.720
<v Speaker 1>it's we'll we'll discuss uh here. It's there's more of

0:33:11.720 --> 0:33:14.360
<v Speaker 1>this gray area between truth and fiction. And that's kind

0:33:14.400 --> 0:33:16.400
<v Speaker 1>of like that's kind of what the modern cafe is

0:33:16.640 --> 0:33:21.000
<v Speaker 1>all about. Well, should we hear from Cult Cabana here? Yes, Yeah,

0:33:21.080 --> 0:33:24.160
<v Speaker 1>let's uh, let's hear from Cult. Just a little introduction

0:33:24.160 --> 0:33:26.680
<v Speaker 1>to those of you who are not familiar with Cult Cabanah.

0:33:26.760 --> 0:33:29.320
<v Speaker 1>He has about fourteen years in the pro wrestling business.

0:33:29.360 --> 0:33:34.400
<v Speaker 1>He's wrestled for World Wrestling Entertainment, Ring of Honor, Pro Wrestling. Noah,

0:33:34.480 --> 0:33:38.800
<v Speaker 1>that's a Japanese promotion, Uh, Juggalo Championship Wrestling, which is

0:33:38.800 --> 0:33:43.320
<v Speaker 1>exactly what it sounds like. The Insane Clown Possible, um Chakara,

0:33:43.440 --> 0:33:46.880
<v Speaker 1>which is a really cool, like family kid friendly promotion,

0:33:47.080 --> 0:33:50.520
<v Speaker 1>UM up North, uh National Wrestling Alliance, and then countless

0:33:50.520 --> 0:33:52.360
<v Speaker 1>other you know, independence because there's still a lot of

0:33:52.360 --> 0:33:56.040
<v Speaker 1>independent wrestling out there, uh, but more notably to a

0:33:56.040 --> 0:33:58.440
<v Speaker 1>lot of you. He also hosts the Art of Wrestling

0:33:58.520 --> 0:34:02.080
<v Speaker 1>podcast where he interviews other wrestlers and they just kind

0:34:02.080 --> 0:34:05.360
<v Speaker 1>of talk about wrestling but also about life and all.

0:34:05.400 --> 0:34:07.040
<v Speaker 1>And it's a It's it's A it's a It's a

0:34:07.040 --> 0:34:11.240
<v Speaker 1>really entertaining podcast. He has also been on Mark Marrin's

0:34:11.760 --> 0:34:14.120
<v Speaker 1>WTF podcast, and he's also been featured on the Sound

0:34:14.120 --> 0:34:15.879
<v Speaker 1>of the Young America. And if you want to learn

0:34:15.880 --> 0:34:18.960
<v Speaker 1>more about him and find out and also check out

0:34:18.960 --> 0:34:21.200
<v Speaker 1>some of his episodes see where he's performing, you can

0:34:21.239 --> 0:34:24.440
<v Speaker 1>go to we love cult dot com and he has

0:34:24.480 --> 0:34:28.640
<v Speaker 1>all that information there. So I recently spoke with with

0:34:28.719 --> 0:34:31.560
<v Speaker 1>Colt on the phone, and uh, and we were wondering

0:34:31.600 --> 0:34:33.880
<v Speaker 1>to what degree we should keep Kfebe here and and

0:34:33.920 --> 0:34:36.479
<v Speaker 1>I could act like I'm actually speaking to him live

0:34:36.600 --> 0:34:39.319
<v Speaker 1>when actually I'm rereading my questions that I asked him,

0:34:39.320 --> 0:34:42.480
<v Speaker 1>and then we're cutting in his his answers. But but

0:34:42.520 --> 0:34:44.480
<v Speaker 1>I guess we should suspend Kfebe a little bit since

0:34:44.520 --> 0:34:46.920
<v Speaker 1>that's what we're talking about. Uh So here we go.

0:34:46.920 --> 0:34:49.399
<v Speaker 1>I'm gonna ask the first question, and Colt is gonna

0:34:49.760 --> 0:34:52.279
<v Speaker 1>can you ask in a wrestler voice? No? I think

0:34:52.280 --> 0:34:55.600
<v Speaker 1>that disrespectful. Well, no, I'm just in the spirit of

0:34:55.680 --> 0:35:01.080
<v Speaker 1>kfe No. Alright, So, first off, do you have a

0:35:01.120 --> 0:35:03.919
<v Speaker 1>specific character in mind when you perform in the ring?

0:35:05.400 --> 0:35:09.279
<v Speaker 1>I have a specific persona or character when I go

0:35:09.320 --> 0:35:12.160
<v Speaker 1>out in the ring, it's it's a lot like who

0:35:12.200 --> 0:35:15.360
<v Speaker 1>I am in real life. But I know that I

0:35:15.440 --> 0:35:17.759
<v Speaker 1>have to be on and I'm not going to break

0:35:17.760 --> 0:35:19.799
<v Speaker 1>away from this character and I'm going to commit no

0:35:19.840 --> 0:35:23.640
<v Speaker 1>matter what because I'm on stage or you know, slash

0:35:23.760 --> 0:35:26.319
<v Speaker 1>ring and so so. Yeah, I want to keep to

0:35:26.360 --> 0:35:29.759
<v Speaker 1>my character and and what I have going through my

0:35:29.800 --> 0:35:31.400
<v Speaker 1>head for what I want to do in a specific

0:35:31.440 --> 0:35:35.400
<v Speaker 1>match or instance. So based on your experiences, do acting

0:35:35.400 --> 0:35:37.799
<v Speaker 1>and wrestling go hand in hand? I see, uh, I

0:35:37.840 --> 0:35:40.880
<v Speaker 1>see a big parallel. I definitely see a big parallel

0:35:40.920 --> 0:35:45.359
<v Speaker 1>to acting and wrestling. And I see it now more

0:35:45.400 --> 0:35:48.880
<v Speaker 1>than ever that I've kind of dabbled or I'm putting

0:35:48.880 --> 0:35:52.520
<v Speaker 1>the two together and correlation. More than ever, I see

0:35:52.920 --> 0:35:55.799
<v Speaker 1>that they're the similarities between the both. I guess what

0:35:55.920 --> 0:36:00.120
<v Speaker 1>once I started once I was wrestling. As I was wrestling,

0:36:00.120 --> 0:36:02.000
<v Speaker 1>I was never like, oh, I'm an actor. I see

0:36:02.000 --> 0:36:03.839
<v Speaker 1>the similarities. But then when I started doing a little

0:36:03.840 --> 0:36:07.760
<v Speaker 1>bit of acting in comedy, then you realize, holy crap,

0:36:08.080 --> 0:36:10.120
<v Speaker 1>I've been acting and doing company for the past ten

0:36:10.200 --> 0:36:12.120
<v Speaker 1>years in the wrestling ring. Now imagine a number of

0:36:12.120 --> 0:36:15.000
<v Speaker 1>listeners at this point may have kind of Wikipedia and

0:36:15.040 --> 0:36:17.399
<v Speaker 1>you look up Cold Cabana and uh and over there

0:36:17.440 --> 0:36:20.279
<v Speaker 1>on the right, you'll see a list of aliases that

0:36:20.360 --> 0:36:23.520
<v Speaker 1>he's used in the ring. Different because most some guys

0:36:23.520 --> 0:36:25.239
<v Speaker 1>in wrestling may go in and they're only ever like

0:36:25.320 --> 0:36:28.920
<v Speaker 1>one name, but most end up using various names, various gimmicks,

0:36:28.960 --> 0:36:32.040
<v Speaker 1>various personas that they take on in the ring. Uh.

0:36:32.280 --> 0:36:34.600
<v Speaker 1>Just looking at the list for Colt, he has wrestled

0:36:35.000 --> 0:36:38.080
<v Speaker 1>as Chris Guy, as Colton Nevada, as the Goon, as

0:36:38.160 --> 0:36:42.520
<v Speaker 1>Matt Classic, as Masked Flipper Number seven, as Officer Colt Cabana,

0:36:42.600 --> 0:36:46.600
<v Speaker 1>as Punchline, as Scott Colton, which uh this is really

0:36:47.520 --> 0:36:50.480
<v Speaker 1>as Scotty Goldman, as Twinkie the Kid, and Colt Daddy.

0:36:50.960 --> 0:36:54.279
<v Speaker 1>Uh so Colt of all these characters, and granted some

0:36:54.320 --> 0:36:56.040
<v Speaker 1>of these are just one offs that you know, maybe

0:36:56.080 --> 0:36:58.880
<v Speaker 1>only existed once. Which one is the furthest from the

0:36:58.920 --> 0:37:02.279
<v Speaker 1>real you. I do character called Officer Cold Cabana, and

0:37:02.320 --> 0:37:06.920
<v Speaker 1>I do that for the Insane clown Poss's Juggalo Championship Wrestling.

0:37:07.440 --> 0:37:09.640
<v Speaker 1>And the greatest thing about it, and what's the most

0:37:09.680 --> 0:37:12.600
<v Speaker 1>interesting thing is that people have learned to love the

0:37:12.719 --> 0:37:17.120
<v Speaker 1>character Cold Cabana, the fun lucky the fun, loving, happy,

0:37:17.120 --> 0:37:21.960
<v Speaker 1>gold lucky professional wrestler, the nice guy of professional wrestling,

0:37:22.520 --> 0:37:24.719
<v Speaker 1>and then they know it seems like it's almost like

0:37:24.719 --> 0:37:26.719
<v Speaker 1>they're in on the joke of when I go and

0:37:26.760 --> 0:37:30.040
<v Speaker 1>I become the bad guy at the insane clown Posse shows,

0:37:30.800 --> 0:37:33.920
<v Speaker 1>and now I'm the Officer Cold Cabana and I'm swearing,

0:37:34.120 --> 0:37:37.920
<v Speaker 1>and I'm vogler and I'm rude and I'm vowing to

0:37:38.000 --> 0:37:41.080
<v Speaker 1>take the Juggalos and arrest them one by one. And

0:37:41.120 --> 0:37:44.239
<v Speaker 1>it's so completely different not only from who I am

0:37:44.320 --> 0:37:47.239
<v Speaker 1>the person, but who Cold Cabana the wrestler is. Is

0:37:47.280 --> 0:37:49.920
<v Speaker 1>that this character has taken on like a life of

0:37:49.960 --> 0:37:52.280
<v Speaker 1>its own and in each of its own, and people

0:37:52.440 --> 0:37:56.239
<v Speaker 1>really seem to love it, I think because they know

0:37:56.440 --> 0:37:59.520
<v Speaker 1>that it's so far from who I am and what

0:37:59.640 --> 0:38:01.440
<v Speaker 1>I am as a person. Now, do you ever find

0:38:01.480 --> 0:38:05.120
<v Speaker 1>yourself carrying Officer Colt Cabana with you outside of the

0:38:05.200 --> 0:38:07.400
<v Speaker 1>ring when you go back in the locker room? No, No,

0:38:07.520 --> 0:38:11.040
<v Speaker 1>I know I'll never come back after a performances Officer

0:38:11.040 --> 0:38:14.840
<v Speaker 1>Cold Cabana and find myself in the same character. I

0:38:14.880 --> 0:38:17.359
<v Speaker 1>think because I've been doing it for so long and

0:38:17.400 --> 0:38:19.520
<v Speaker 1>I know exactly when I go through that curtain when

0:38:19.520 --> 0:38:22.160
<v Speaker 1>the matches ended, to switch it right off. But when

0:38:22.160 --> 0:38:25.920
<v Speaker 1>I'm in the middle of the action and the adrenaline

0:38:25.960 --> 0:38:27.959
<v Speaker 1>is going and I'm allowed to do whatever I want,

0:38:28.320 --> 0:38:33.520
<v Speaker 1>I definitely get carried away. And I definitely, I definitely um.

0:38:33.880 --> 0:38:36.319
<v Speaker 1>I love the fact that I can do everything I

0:38:36.360 --> 0:38:38.920
<v Speaker 1>want and I and I. What people don't know is

0:38:38.960 --> 0:38:42.640
<v Speaker 1>that almost like my real interpersonality will come out because

0:38:42.719 --> 0:38:44.680
<v Speaker 1>I can swear and I could be vulgar and it's

0:38:44.680 --> 0:38:49.200
<v Speaker 1>accepted and it's fine. So any like real life frustrations

0:38:49.239 --> 0:38:52.319
<v Speaker 1>that I really have is allowed to come out in

0:38:52.360 --> 0:38:55.080
<v Speaker 1>this character of Officer Cold Cabana, the bad guy. Because

0:38:55.080 --> 0:38:57.640
<v Speaker 1>as Cold Cabana, the good guy, the fun, lucky, happy,

0:38:57.680 --> 0:39:01.600
<v Speaker 1>go love, you know, loving guy, I could never let

0:39:01.640 --> 0:39:04.520
<v Speaker 1>that out or else my character would be ruined. But

0:39:04.880 --> 0:39:07.080
<v Speaker 1>when I let it out as Officer a Cult, it's

0:39:07.080 --> 0:39:10.840
<v Speaker 1>what it's expected. So when I mean, I'll get carried away,

0:39:11.400 --> 0:39:13.920
<v Speaker 1>and for me it's almost therapeutic because I'm allowed to

0:39:13.960 --> 0:39:17.439
<v Speaker 1>do it, and and honestly, the more carried away I get,

0:39:17.960 --> 0:39:20.200
<v Speaker 1>the better the character is. So can you speak a

0:39:20.239 --> 0:39:23.840
<v Speaker 1>little more about the blurred lines between fiction and fantasy

0:39:23.920 --> 0:39:27.719
<v Speaker 1>and pro wrestling it's just that's the one big difference

0:39:28.440 --> 0:39:32.359
<v Speaker 1>between you know people. It's interesting because I think that's

0:39:32.360 --> 0:39:35.239
<v Speaker 1>where the line of quote unquote fake comes from a lot.

0:39:35.800 --> 0:39:39.840
<v Speaker 1>Is that your favorite movie that you go and in

0:39:39.880 --> 0:39:42.560
<v Speaker 1>the middle of it, If um, you know Brad Pitt

0:39:42.640 --> 0:39:45.520
<v Speaker 1>is in Fight Club, no one's going in the middle

0:39:45.520 --> 0:39:48.120
<v Speaker 1>of that movie. This is fake. This is that they

0:39:48.160 --> 0:39:50.360
<v Speaker 1>get drawn in there, enthralled and they love it and

0:39:50.360 --> 0:39:53.240
<v Speaker 1>it's the greatest thing. And then afterwards you take yourself

0:39:53.239 --> 0:39:55.560
<v Speaker 1>out of that world. You know that that was Brad Pitt,

0:39:56.280 --> 0:39:58.520
<v Speaker 1>not what was his name of the movie I forget,

0:39:59.160 --> 0:40:02.400
<v Speaker 1>but Tyler And I think, yeah, right, that was Brad Pitt,

0:40:02.520 --> 0:40:07.640
<v Speaker 1>not Tyler Dirten. But for us it's funny because as

0:40:07.640 --> 0:40:10.640
<v Speaker 1>it's kind of as a as a businessman myself, and

0:40:10.719 --> 0:40:13.320
<v Speaker 1>you know, I have to portray the character Cold Cabana

0:40:13.440 --> 0:40:17.840
<v Speaker 1>at all times and that's I'm not I don't My

0:40:17.960 --> 0:40:20.800
<v Speaker 1>business card doesn't say Scott Colton. It says Cold Cabanna.

0:40:20.840 --> 0:40:22.960
<v Speaker 1>And that's how I make my money. And it's a

0:40:23.000 --> 0:40:27.960
<v Speaker 1>twenty four hour business, not only with the wrestling at shows,

0:40:28.040 --> 0:40:30.680
<v Speaker 1>but then outside the shows and podcasting, and I have

0:40:30.760 --> 0:40:33.480
<v Speaker 1>to keep up this, uh, you know, and the YouTube

0:40:33.600 --> 0:40:37.000
<v Speaker 1>and Twitter and everything. It's all done under the guys

0:40:37.080 --> 0:40:40.319
<v Speaker 1>of Cold Cabana, unlike where Brad Pitt would you know,

0:40:40.400 --> 0:40:42.719
<v Speaker 1>tweet or do his business as Brad Pitt, but then

0:40:43.040 --> 0:40:45.080
<v Speaker 1>he goes and has a two hour block of Tyler

0:40:45.120 --> 0:40:47.839
<v Speaker 1>Dirton where he's performing is that character or if he's

0:40:47.840 --> 0:40:50.840
<v Speaker 1>in seven or another movie. He's going from character to

0:40:50.920 --> 0:40:54.200
<v Speaker 1>character to character, whereas I am always going to be

0:40:54.360 --> 0:40:57.319
<v Speaker 1>Cold Cabana and that's always going to have to pay

0:40:57.360 --> 0:40:59.720
<v Speaker 1>my bills. So I asked, I always have to protect

0:40:59.800 --> 0:41:02.799
<v Speaker 1>that character of Cold Cabana, and that's kind of where

0:41:02.840 --> 0:41:06.760
<v Speaker 1>Kid comes into into play, is my protection of that character.

0:41:07.000 --> 0:41:09.879
<v Speaker 1>So this is more or less the modern Yeah, it's

0:41:09.920 --> 0:41:13.719
<v Speaker 1>it's hard because a lot of wrestling obviously has kind

0:41:13.760 --> 0:41:17.080
<v Speaker 1>of been exposed. People enjoy it for what it is

0:41:17.200 --> 0:41:22.000
<v Speaker 1>now and the right the idea of KFB was to

0:41:22.520 --> 0:41:26.600
<v Speaker 1>keep that secret of what's going on in the wrestling industry,

0:41:27.000 --> 0:41:30.600
<v Speaker 1>so everyone thinks it's on the up and up and

0:41:30.640 --> 0:41:33.719
<v Speaker 1>that it's a it's a full fight, you know, it's

0:41:33.719 --> 0:41:37.680
<v Speaker 1>a full exhibition, I guess, or a fight and not

0:41:37.760 --> 0:41:41.480
<v Speaker 1>an exhibition. And now there's yeah, there's different I guess

0:41:41.560 --> 0:41:45.719
<v Speaker 1>ideas of Kape. Also, I don't want I think it's

0:41:45.760 --> 0:41:48.560
<v Speaker 1>so insulting when someone's like, is it fake, just tell

0:41:48.680 --> 0:41:53.480
<v Speaker 1>me or whatever. And you know, a magician, no one

0:41:53.480 --> 0:41:56.400
<v Speaker 1>ever said David Copperfield was fake. A magician is not

0:41:56.480 --> 0:41:58.560
<v Speaker 1>going to go out. We all get the idea of

0:41:58.600 --> 0:42:02.640
<v Speaker 1>what magic is and what illusions are, and if you're

0:42:02.640 --> 0:42:04.840
<v Speaker 1>a good fan or if you're someone who loves that

0:42:05.000 --> 0:42:08.239
<v Speaker 1>idea of magic or illusions, you're not going to be

0:42:08.800 --> 0:42:11.759
<v Speaker 1>screaming that this is fake or I don't you know,

0:42:11.800 --> 0:42:15.000
<v Speaker 1>obviously this isn't real. And that's the same idea of wrestling.

0:42:15.040 --> 0:42:17.680
<v Speaker 1>And the magicians have their world of cape of keeping

0:42:17.680 --> 0:42:21.399
<v Speaker 1>their allusions to themselves, and us as wrestlers, we want

0:42:21.440 --> 0:42:25.240
<v Speaker 1>to keep our allusions to ourselves, and it's it's better

0:42:25.280 --> 0:42:28.120
<v Speaker 1>if it's not completely out in the open. For the

0:42:28.160 --> 0:42:31.400
<v Speaker 1>fact that you will enjoy the show more if you

0:42:31.440 --> 0:42:33.720
<v Speaker 1>allow yourself to kind of just kind of be stupid

0:42:34.120 --> 0:42:36.640
<v Speaker 1>and just enjoy it for what it is. Good versus bad,

0:42:36.920 --> 0:42:41.720
<v Speaker 1>heals versus uh, you know, baby faces, heroes versus villains.

0:42:41.760 --> 0:42:43.840
<v Speaker 1>That's the best thing about wrestling. And if you just

0:42:44.360 --> 0:42:49.320
<v Speaker 1>stupefy yourself and enjoy the show, then you're allowing yourself

0:42:49.360 --> 0:42:52.960
<v Speaker 1>to have a better experience, and that's when the cappe

0:42:53.080 --> 0:42:54.759
<v Speaker 1>is kept in part. All right, So we're gonna pick

0:42:54.800 --> 0:42:56.680
<v Speaker 1>up a little more with cold here in just a second.

0:42:57.040 --> 0:43:00.360
<v Speaker 1>But at this point we want to mention a really

0:43:00.400 --> 0:43:04.279
<v Speaker 1>cool article that we ran across that that really gets

0:43:04.280 --> 0:43:07.960
<v Speaker 1>to the heart of way cafe is so fascinating for

0:43:08.400 --> 0:43:10.560
<v Speaker 1>non wrestling fans and for just people in general. And

0:43:10.600 --> 0:43:14.160
<v Speaker 1>it's a It's an article called Kafade by Eric Weinstein,

0:43:14.239 --> 0:43:17.600
<v Speaker 1>who is a mathematician and economist UM with the Norton Group.

0:43:18.000 --> 0:43:20.000
<v Speaker 1>So you probably want of what is a mathematician and

0:43:20.080 --> 0:43:23.920
<v Speaker 1>an economist care about pro wrestling? What is it about? Uh?

0:43:23.920 --> 0:43:28.760
<v Speaker 1>In Weinstein's world, the altered reality of layered falsehoods uh,

0:43:28.880 --> 0:43:31.480
<v Speaker 1>And that is kade, Like why does that matter to

0:43:31.520 --> 0:43:35.319
<v Speaker 1>the rest of us? Um? And it's interesting because this

0:43:35.480 --> 0:43:38.920
<v Speaker 1>was a question that he was answering from edge dot org.

0:43:39.120 --> 0:43:42.120
<v Speaker 1>Every year they pose an annual question or question to

0:43:42.400 --> 0:43:46.600
<v Speaker 1>various thinkers, and the question he was answering was what

0:43:46.760 --> 0:43:51.520
<v Speaker 1>scientific concept would improve everyone's cognitive toolkit? And so the

0:43:51.560 --> 0:43:55.280
<v Speaker 1>first line of his essay says, the sophisticated scientific concept

0:43:55.320 --> 0:43:58.239
<v Speaker 1>with the greatest potential to enhance human understanding may come

0:43:58.760 --> 0:44:03.560
<v Speaker 1>not from academy, but rather from the unlikely environment of

0:44:03.600 --> 0:44:06.720
<v Speaker 1>professional wrestling. So this is what you were just touched

0:44:06.760 --> 0:44:09.480
<v Speaker 1>on right there, because he's saying that this ca faving

0:44:10.000 --> 0:44:13.400
<v Speaker 1>is existing h at every level of our society, is

0:44:13.440 --> 0:44:18.279
<v Speaker 1>really pervading our cultural fabric Yeah. In his words, K

0:44:18.480 --> 0:44:23.880
<v Speaker 1>fabrication is the process of transition from reality toward K

0:44:24.040 --> 0:44:27.000
<v Speaker 1>fab and it arises out of attempts to deliver at

0:44:27.000 --> 0:44:31.400
<v Speaker 1>appendably engageable product for a mass audience while we're moving

0:44:31.680 --> 0:44:36.719
<v Speaker 1>the unpredictable upheavals then impair all the participants. Um So

0:44:36.760 --> 0:44:38.719
<v Speaker 1>again he's he's going back to what we've been discussing

0:44:39.000 --> 0:44:44.399
<v Speaker 1>how traditional folk wrestling that is quote unquote real transitions

0:44:44.440 --> 0:44:48.400
<v Speaker 1>into pro wrestling, which is quote unquote fake. And again

0:44:48.719 --> 0:44:51.279
<v Speaker 1>not to get into the whole quadmire of fake, we've

0:44:51.280 --> 0:44:53.759
<v Speaker 1>already discussed that, but just in the idea of how

0:44:53.760 --> 0:44:56.920
<v Speaker 1>does reality become fiction and and and that process that

0:44:57.080 --> 0:45:00.399
<v Speaker 1>that K fabrication that exists in between that what he's

0:45:00.400 --> 0:45:02.719
<v Speaker 1>talking about. He's saying that it's a feature of our

0:45:02.800 --> 0:45:06.920
<v Speaker 1>most important systems such as war, finance, love, politics, and science.

0:45:07.680 --> 0:45:12.839
<v Speaker 1>And um I was even thinking about Kfebe economics, Uh,

0:45:12.920 --> 0:45:17.680
<v Speaker 1>in particular the sub prime mortgage crisis, because this was

0:45:18.040 --> 0:45:22.959
<v Speaker 1>basically passing off crap mortgage backed securities as investment grade

0:45:22.960 --> 0:45:28.359
<v Speaker 1>commodities among this group of financial institutions. And it's an

0:45:28.360 --> 0:45:31.840
<v Speaker 1>example of this collective insanity that can be formed around

0:45:31.960 --> 0:45:36.200
<v Speaker 1>incorrect assumptions that gain acceptance because there are sources of status. So,

0:45:36.239 --> 0:45:40.960
<v Speaker 1>in other words, the sub mortgage crisis that occurred was

0:45:41.000 --> 0:45:43.200
<v Speaker 1>all because everybody was sort of playing along with this

0:45:43.280 --> 0:45:47.719
<v Speaker 1>sort of Kfebe ization of of economics. When it came

0:45:47.800 --> 0:45:53.320
<v Speaker 1>to that the housing bubble and to these um really

0:45:53.360 --> 0:45:56.920
<v Speaker 1>crappy mortgage backed securities, they were passing it off as

0:45:56.960 --> 0:45:59.880
<v Speaker 1>the real deal, right, because they wanted this This was

0:46:00.120 --> 0:46:03.359
<v Speaker 1>system that we would only work if we could all

0:46:03.400 --> 0:46:07.440
<v Speaker 1>buy into this illusion. Yeah, like you come down to this, Uh,

0:46:07.520 --> 0:46:09.880
<v Speaker 1>this idea that you know, the pro wrestling is this

0:46:09.960 --> 0:46:13.960
<v Speaker 1>metaphor for that that exists for actual wrestling and for

0:46:14.040 --> 0:46:16.919
<v Speaker 1>actual combat, and so you you can you can apply

0:46:17.000 --> 0:46:19.840
<v Speaker 1>this model to for instance, journalism came up in Weinstein's

0:46:19.880 --> 0:46:23.480
<v Speaker 1>articles an example, and certainly I think too, I think

0:46:23.480 --> 0:46:26.200
<v Speaker 1>to science journalism since that's probably what I see the

0:46:26.239 --> 0:46:30.839
<v Speaker 1>most of with my job, particularly space. Okay, so like

0:46:30.880 --> 0:46:36.400
<v Speaker 1>you can compare space exploration two catch wrestling. Uh. Catch

0:46:36.400 --> 0:46:41.160
<v Speaker 1>wrestling was really long and at times kind of monotonous, uh,

0:46:41.760 --> 0:46:45.040
<v Speaker 1>but but at heart there was something really compelling about it.

0:46:45.360 --> 0:46:49.480
<v Speaker 1>Likewise with space exploration. Space exploration is really important. I mean,

0:46:49.520 --> 0:46:51.279
<v Speaker 1>it's about who we are and where we stand in

0:46:51.280 --> 0:46:53.279
<v Speaker 1>the cosmos. It's about the long term survival of the

0:46:53.360 --> 0:46:56.040
<v Speaker 1>human race and all of these these grand ideas. But

0:46:56.280 --> 0:46:58.960
<v Speaker 1>if you just take a look at a peer viewed

0:46:59.120 --> 0:47:01.800
<v Speaker 1>article or just some like doing the hard scientific data

0:47:01.840 --> 0:47:04.719
<v Speaker 1>about something, it can it can come off a little boring.

0:47:04.760 --> 0:47:07.359
<v Speaker 1>It's not it's not sexy, you know. And then so

0:47:07.480 --> 0:47:11.640
<v Speaker 1>the science journalists swooped in and they take the core

0:47:11.680 --> 0:47:13.319
<v Speaker 1>of it what's important, but then you know, they sex

0:47:13.360 --> 0:47:14.719
<v Speaker 1>it up a little bit. They maybe they add the

0:47:14.880 --> 0:47:16.840
<v Speaker 1>instead of just being a black hole in the headline,

0:47:16.880 --> 0:47:19.719
<v Speaker 1>it's a cannibalistic black hole, or it's a monster black hole.

0:47:20.080 --> 0:47:22.680
<v Speaker 1>You start layering over a little fiction to dress it

0:47:22.760 --> 0:47:26.360
<v Speaker 1>up and make it more presentable as a product. And

0:47:26.360 --> 0:47:31.120
<v Speaker 1>and ideally you have journalistic integrity keeping it from going

0:47:31.160 --> 0:47:35.520
<v Speaker 1>too far. But but but yeah, you see, KFE, we

0:47:35.640 --> 0:47:37.200
<v Speaker 1>want you to know what it is you see it

0:47:37.239 --> 0:47:40.640
<v Speaker 1>everywhere well, and and he talked about it too in science,

0:47:41.120 --> 0:47:43.279
<v Speaker 1>because if you have a certain agenda, then you would

0:47:43.320 --> 0:47:49.280
<v Speaker 1>try to fit you know, certain data or elements to

0:47:49.280 --> 0:47:51.920
<v Speaker 1>create that fiction. Right. And so when I think about it,

0:47:51.960 --> 0:47:53.320
<v Speaker 1>and I think about it in terms of science, I

0:47:53.360 --> 0:47:57.160
<v Speaker 1>think about erroneous studies that still have some sort of

0:47:57.200 --> 0:48:01.240
<v Speaker 1>weight outside of the science world. Really, and in particular,

0:48:01.280 --> 0:48:06.520
<v Speaker 1>I'm thinking about Jenny McCarthy autism and um this false

0:48:06.560 --> 0:48:10.880
<v Speaker 1>link between autism and vaccinations. Now, the study that she

0:48:10.960 --> 0:48:13.680
<v Speaker 1>cited and the doctor has been discredited over and over

0:48:13.719 --> 0:48:17.960
<v Speaker 1>and over again, but yet there is this false reality

0:48:18.000 --> 0:48:22.280
<v Speaker 1>that has been formed around this idea and it gained status.

0:48:22.320 --> 0:48:25.600
<v Speaker 1>And this is sort of a perfect example of k

0:48:25.840 --> 0:48:28.680
<v Speaker 1>fabrication in our lives where we don't, as you say,

0:48:28.719 --> 0:48:30.520
<v Speaker 1>you don't really think about it that way. But when

0:48:30.560 --> 0:48:34.920
<v Speaker 1>you look at these instances and economics, or in science,

0:48:35.440 --> 0:48:37.760
<v Speaker 1>or in journalism in the way things that are reported,

0:48:37.800 --> 0:48:41.080
<v Speaker 1>you began to see that it really is a system

0:48:41.200 --> 0:48:43.920
<v Speaker 1>that we are all sort of buying, not all of us,

0:48:43.960 --> 0:48:47.640
<v Speaker 1>but we tend to sort of buy into as a society. Um,

0:48:47.640 --> 0:48:50.360
<v Speaker 1>So you sort of wonder, like where where if you

0:48:50.360 --> 0:48:53.080
<v Speaker 1>strip it all away, what are the truths? Because we're

0:48:53.080 --> 0:48:56.400
<v Speaker 1>talking about is perception versus reality? Um, this idea that

0:48:56.520 --> 0:49:00.560
<v Speaker 1>perception is exalted above actual reality. Back to a quote

0:49:00.560 --> 0:49:03.600
<v Speaker 1>from Weinstein, he said, what makes KFE remarkable is that

0:49:03.640 --> 0:49:06.600
<v Speaker 1>it provides the most complete example of the process by

0:49:06.600 --> 0:49:10.480
<v Speaker 1>which a wide class of important endeavors transition from failed

0:49:10.520 --> 0:49:15.719
<v Speaker 1>reality to successful fakery. So, um, let's go back to

0:49:15.920 --> 0:49:21.239
<v Speaker 1>Colt Cabana, the professional wrestler and professional podcaster. Uh does

0:49:21.320 --> 0:49:23.600
<v Speaker 1>the Art of Wrestling podcast? Go back to him with

0:49:23.680 --> 0:49:25.800
<v Speaker 1>just a few more questions about the nature of cafe.

0:49:26.160 --> 0:49:28.880
<v Speaker 1>So do you see kfebe at work in the world

0:49:28.920 --> 0:49:31.920
<v Speaker 1>around you? Yes? And you know these are my own,

0:49:32.640 --> 0:49:36.640
<v Speaker 1>I guess thoughts. But it's because I've been engulfed in

0:49:36.680 --> 0:49:39.759
<v Speaker 1>the wrestling world and I've seen I guess the art

0:49:39.800 --> 0:49:43.200
<v Speaker 1>of trickery really is. What I've been doing is I

0:49:43.239 --> 0:49:46.719
<v Speaker 1>don't believe anything for anything, and that's why these are

0:49:46.800 --> 0:49:50.120
<v Speaker 1>my own thoughts. Anyone can have, you know, life and subjective,

0:49:50.600 --> 0:49:53.520
<v Speaker 1>but I refuse to vote because I believe everybody is

0:49:53.560 --> 0:49:56.920
<v Speaker 1>just corrupt and everyone's out for themselves and you know

0:49:57.000 --> 0:50:00.279
<v Speaker 1>who who? Every we hear on the news so much

0:50:00.680 --> 0:50:05.160
<v Speaker 1>the just politics in general, everyone's taking money from this person,

0:50:05.239 --> 0:50:08.240
<v Speaker 1>everyone's taking money from that person who's ever in charge

0:50:08.800 --> 0:50:12.319
<v Speaker 1>because of wrestling and k FEB and the idea that

0:50:12.360 --> 0:50:14.960
<v Speaker 1>you know, we're quote unquote working people all the time.

0:50:15.680 --> 0:50:18.319
<v Speaker 1>That's how I kind of unfortunately look at life. But

0:50:18.360 --> 0:50:21.800
<v Speaker 1>I feel that it's real. That's how life is, and

0:50:21.920 --> 0:50:24.799
<v Speaker 1>uh it's I think that's sad and it's unfortunate. But

0:50:24.920 --> 0:50:29.640
<v Speaker 1>I think in every aspect, especially those higher power political aspects,

0:50:30.080 --> 0:50:32.560
<v Speaker 1>that's going on all the time so much to the

0:50:32.600 --> 0:50:35.440
<v Speaker 1>point that it's so disappointing and it's it's taken me

0:50:35.520 --> 0:50:37.120
<v Speaker 1>out of that world. I really want nothing to do

0:50:37.160 --> 0:50:41.360
<v Speaker 1>with it because I believe that they are they're using

0:50:42.160 --> 0:50:46.720
<v Speaker 1>that world of trickery or cafebe or disguising or masking

0:50:47.360 --> 0:50:52.319
<v Speaker 1>and um yeah, uh, boxing, football, even the realist of

0:50:52.400 --> 0:50:55.680
<v Speaker 1>real sports. This is going on because it's almost because

0:50:55.680 --> 0:50:59.640
<v Speaker 1>it's business and wrestling, right. Wrestling was very popular in

0:50:59.680 --> 0:51:02.839
<v Speaker 1>the very early nineteen hundreds of late eighteen hundreds, and

0:51:02.880 --> 0:51:06.000
<v Speaker 1>the matches would go on for so long that some

0:51:06.160 --> 0:51:08.880
<v Speaker 1>of these matches would be three, four or five hour matches,

0:51:09.280 --> 0:51:14.720
<v Speaker 1>and the business people they said, our business is dying.

0:51:14.920 --> 0:51:18.200
<v Speaker 1>We need to change this business aspect, in this business model,

0:51:18.400 --> 0:51:20.759
<v Speaker 1>and it all comes down, I guess that's the American way.

0:51:20.760 --> 0:51:23.960
<v Speaker 1>It all comes down two dollars and cents. And they said,

0:51:24.040 --> 0:51:26.600
<v Speaker 1>here's how we need to fix, you know, we here's

0:51:26.600 --> 0:51:29.440
<v Speaker 1>how we need to fix wrestling. Wrestling as we know

0:51:29.480 --> 0:51:32.880
<v Speaker 1>it catches catch can uh, two guys go in and

0:51:33.160 --> 0:51:35.760
<v Speaker 1>the better man will win. And it got so boring

0:51:35.920 --> 0:51:37.880
<v Speaker 1>or it got so long that they were losing their

0:51:37.880 --> 0:51:40.279
<v Speaker 1>audience that they changed it, and they fixed it so

0:51:40.360 --> 0:51:42.879
<v Speaker 1>they could make more money. And that's the American way.

0:51:42.920 --> 0:51:45.839
<v Speaker 1>And that's every job, and that's every aspect. How can

0:51:45.880 --> 0:51:48.000
<v Speaker 1>we change this or how can we make so how

0:51:48.120 --> 0:51:50.200
<v Speaker 1>so we can make more money? How can we get

0:51:50.200 --> 0:51:52.719
<v Speaker 1>the more most bang for our buck? How can we

0:51:52.800 --> 0:51:55.080
<v Speaker 1>make how can we make money? And that's in politics,

0:51:55.080 --> 0:51:59.640
<v Speaker 1>that's in unions, that's in uh, you know, unfortunately, like

0:51:59.719 --> 0:52:03.719
<v Speaker 1>you know police and fireplighteris and even the nicest of

0:52:03.760 --> 0:52:06.800
<v Speaker 1>the nice I believe it all. It all happens because

0:52:06.800 --> 0:52:09.840
<v Speaker 1>we're all driven by the almighty dollar, and especially I

0:52:09.880 --> 0:52:11.920
<v Speaker 1>mean that's what wrestling is all about. Two is it's

0:52:11.920 --> 0:52:13.759
<v Speaker 1>a business. Is how do you make money in this thing?

0:52:13.920 --> 0:52:16.600
<v Speaker 1>So as a as a fan of pro wrestling, and uh,

0:52:16.920 --> 0:52:20.319
<v Speaker 1>but ultimately as an outsider to pro wrestling, you hear

0:52:20.360 --> 0:52:24.360
<v Speaker 1>stories about guys who buy into their own gimmick who

0:52:24.480 --> 0:52:27.160
<v Speaker 1>over time and ego gets involved, and you know, maybe

0:52:27.160 --> 0:52:29.760
<v Speaker 1>they're portraying a monster in the ring and they start

0:52:30.680 --> 0:52:33.920
<v Speaker 1>feeling like a monster outside the ring. Like I said,

0:52:33.960 --> 0:52:36.680
<v Speaker 1>ego gets involved in things supposedly spin out of control.

0:52:36.760 --> 0:52:39.120
<v Speaker 1>But but does that ever, does that really happen? Does

0:52:39.160 --> 0:52:44.480
<v Speaker 1>the fantasy ever bleed into reality? Yeah? Uh, I would

0:52:44.520 --> 0:52:47.400
<v Speaker 1>definitely say that people start buying their own hype, they

0:52:47.400 --> 0:52:50.160
<v Speaker 1>start believing their own hype, They start believing to the

0:52:50.239 --> 0:52:54.359
<v Speaker 1>character that they are, and that is the idea that

0:52:54.400 --> 0:52:57.800
<v Speaker 1>then they egos collide with egos and sometimes during a

0:52:57.840 --> 0:53:00.680
<v Speaker 1>wrestling match, two people have egos and they don't think

0:53:00.719 --> 0:53:03.440
<v Speaker 1>what should happen should happen, So they're gonna go and

0:53:03.440 --> 0:53:06.120
<v Speaker 1>go into business for themselves and they're gonna change whatever

0:53:06.200 --> 0:53:09.000
<v Speaker 1>was supposed to happen. And that's when that great line

0:53:09.200 --> 0:53:13.600
<v Speaker 1>of professional wrestling becomes Is this a work or is

0:53:13.640 --> 0:53:16.440
<v Speaker 1>this a shoot? You know? Is this real? Is cafe

0:53:16.480 --> 0:53:19.759
<v Speaker 1>ave happening? Am I getting worked? What's going on? And

0:53:19.840 --> 0:53:23.239
<v Speaker 1>that happens all the time. And that's what I think

0:53:23.480 --> 0:53:27.600
<v Speaker 1>is like the new thing that's drawing people to wrestling

0:53:27.600 --> 0:53:30.640
<v Speaker 1>as opposed to the early, you know, nineteen thirties. This

0:53:30.719 --> 0:53:34.640
<v Speaker 1>is the new era of what people seem to really enjoy.

0:53:34.840 --> 0:53:38.200
<v Speaker 1>And not only is it in wrestling, but it's I

0:53:38.239 --> 0:53:41.479
<v Speaker 1>think we've all seen it with reality television. What's real

0:53:41.560 --> 0:53:44.040
<v Speaker 1>in this show? What's not real in this show? And

0:53:44.040 --> 0:53:46.919
<v Speaker 1>now it's such a blurry line that no nobody really knows,

0:53:47.040 --> 0:53:51.279
<v Speaker 1>especially you know, paranormal activity or uh whatever that other

0:53:51.320 --> 0:53:55.040
<v Speaker 1>scary movie was. And people seem to really like, you know, uh,

0:53:55.239 --> 0:53:58.840
<v Speaker 1>that's the new culture that we're in. And it happens

0:53:58.880 --> 0:54:02.640
<v Speaker 1>for sure in the wrestling ring, in the wrestling backgrounds.

0:54:03.800 --> 0:54:06.440
<v Speaker 1>You play this character, and again, once you get off set,

0:54:07.080 --> 0:54:10.040
<v Speaker 1>you know, you're if you're this is a movie, it's

0:54:10.080 --> 0:54:12.640
<v Speaker 1>not like you're ending this character. You have to be

0:54:12.760 --> 0:54:17.000
<v Speaker 1>a part of this character seven because it's your it's

0:54:17.040 --> 0:54:19.960
<v Speaker 1>your it's your living and when you when some people

0:54:20.000 --> 0:54:24.080
<v Speaker 1>do that, they get caught up in it and it's

0:54:24.160 --> 0:54:27.799
<v Speaker 1>very unfortunate, but it can also make for interesting television

0:54:27.880 --> 0:54:30.960
<v Speaker 1>or interesting drama. Thanks for talking to us. Just to

0:54:31.000 --> 0:54:34.080
<v Speaker 1>close out, give us a just a brief feel about

0:54:34.120 --> 0:54:36.439
<v Speaker 1>about your philosophy in the ring. What what does cult

0:54:36.480 --> 0:54:40.359
<v Speaker 1>Cabana bring to the product. A lot of people know

0:54:40.680 --> 0:54:43.319
<v Speaker 1>the world of professional wrestling is two mean men trying

0:54:43.320 --> 0:54:46.960
<v Speaker 1>to beat each other up, and I always trying to

0:54:47.000 --> 0:54:50.440
<v Speaker 1>take that aspect and change people's mind with it, because

0:54:50.600 --> 0:54:54.759
<v Speaker 1>wrestling is an exhibition where two people are going in

0:54:54.760 --> 0:54:57.120
<v Speaker 1>the ring and somebody's trying to win. I don't use

0:54:57.200 --> 0:55:01.040
<v Speaker 1>anger or I don't use a Russian as my way

0:55:01.040 --> 0:55:03.160
<v Speaker 1>to win. I use humor as my way to win,

0:55:03.920 --> 0:55:06.000
<v Speaker 1>and I think that always makes for a real fun

0:55:06.000 --> 0:55:09.040
<v Speaker 1>match and people seem to like it. And because I'm

0:55:09.080 --> 0:55:12.840
<v Speaker 1>a humorist inside the wrestling ring, my humor translates outside

0:55:12.880 --> 0:55:16.680
<v Speaker 1>the wrestling ring, so people really seem to support and

0:55:17.239 --> 0:55:20.440
<v Speaker 1>people really seem to relate and enjoy who I am

0:55:20.480 --> 0:55:23.239
<v Speaker 1>as a wrestling performer and other things that I do

0:55:23.480 --> 0:55:25.839
<v Speaker 1>in terms of the way I tweet or the way

0:55:25.920 --> 0:55:30.240
<v Speaker 1>I podcast, or the way I have different comedic slash

0:55:30.360 --> 0:55:32.960
<v Speaker 1>wrestling ventures that I put out in the world. And

0:55:33.000 --> 0:55:34.960
<v Speaker 1>I think when you put that all together, that you

0:55:35.000 --> 0:55:39.560
<v Speaker 1>know that makes the ultimate showman or the ultimate entertainer

0:55:39.719 --> 0:55:41.440
<v Speaker 1>or what you have it. So I like the idea

0:55:41.480 --> 0:55:43.120
<v Speaker 1>that I've kind of crossed this line of not just

0:55:43.200 --> 0:55:47.040
<v Speaker 1>a wrestler, but uh, you know, an entertainer for everybody.

0:55:47.120 --> 0:55:50.040
<v Speaker 1>So there you go. Thanks to Coult for taking the

0:55:50.120 --> 0:55:52.640
<v Speaker 1>time to chat with us, I think as we're recording

0:55:52.640 --> 0:55:54.960
<v Speaker 1>this season in Japan wrestling some matches, and again, if

0:55:54.960 --> 0:55:56.640
<v Speaker 1>you want to check out his stuff, just go to

0:55:56.920 --> 0:55:59.200
<v Speaker 1>uh we love Colt dot com. And just to close

0:55:59.239 --> 0:56:01.840
<v Speaker 1>this out, I wanted to to bring up this question

0:56:01.880 --> 0:56:04.000
<v Speaker 1>about whether or not this is something we can even

0:56:04.040 --> 0:56:08.720
<v Speaker 1>avoid because we've talked about how storytelling, fictionalizing, creating realities

0:56:08.760 --> 0:56:12.320
<v Speaker 1>for for ourselves is part and parcel of being human.

0:56:12.400 --> 0:56:16.080
<v Speaker 1>And it makes me think about those babies studies that

0:56:16.160 --> 0:56:20.120
<v Speaker 1>we keep coming across in various ways in our research. Um,

0:56:20.160 --> 0:56:23.279
<v Speaker 1>and I'm talking in particular about Karen Wynd, who's a

0:56:23.360 --> 0:56:28.879
<v Speaker 1>Yale psychologist who has looked at babies and morality, and um,

0:56:28.920 --> 0:56:31.920
<v Speaker 1>this is really interesting. Uh. I think we've probably mentioned

0:56:31.960 --> 0:56:35.880
<v Speaker 1>this before, but kids as young as three months old

0:56:36.280 --> 0:56:39.680
<v Speaker 1>can suss out these little puppet characters. Who is the

0:56:39.719 --> 0:56:42.680
<v Speaker 1>good good guide, Who is the bad guy or the

0:56:42.760 --> 0:56:47.120
<v Speaker 1>good gal or the bad bad gal? And uh, not

0:56:47.239 --> 0:56:49.520
<v Speaker 1>only can they suss them out, they they sort of

0:56:49.560 --> 0:56:52.640
<v Speaker 1>have a preference for the one that is the good guy,

0:56:52.760 --> 0:56:57.720
<v Speaker 1>usually the good puppet, but they also will uh try

0:56:57.800 --> 0:57:01.440
<v Speaker 1>to even the playing field when they can. In other words,

0:57:01.480 --> 0:57:03.520
<v Speaker 1>they will punish the bad guy when they can. And

0:57:03.560 --> 0:57:06.000
<v Speaker 1>I won't go into the particulars of how they do this,

0:57:06.600 --> 0:57:09.480
<v Speaker 1>but time and again, like three fourths of the babies

0:57:10.000 --> 0:57:12.920
<v Speaker 1>will be able to pick out the good puppet as

0:57:12.920 --> 0:57:18.080
<v Speaker 1>opposed to bad puppet, and many more will reward um

0:57:18.120 --> 0:57:21.320
<v Speaker 1>a puppet for punishing the other one. So again, here's

0:57:21.360 --> 0:57:26.200
<v Speaker 1>this very deeply ingrained idea that we have in our

0:57:26.240 --> 0:57:29.080
<v Speaker 1>brains about a sense of justice and injustice. In this

0:57:29.200 --> 0:57:32.520
<v Speaker 1>morality and in this sort of patent tray that always

0:57:32.560 --> 0:57:34.240
<v Speaker 1>plays out in front of us, we can't help but

0:57:35.440 --> 0:57:38.439
<v Speaker 1>get our hooks into stories and be intrigued by them.

0:57:39.000 --> 0:57:42.040
<v Speaker 1>So how can we help to uh you know, with

0:57:42.080 --> 0:57:46.200
<v Speaker 1>that is sort of the base of our cognitive systems. Um,

0:57:46.240 --> 0:57:49.880
<v Speaker 1>how can we actually go about peeling back those illusory

0:57:50.000 --> 0:57:52.840
<v Speaker 1>layers to really see what's going on? Yeah? To it?

0:57:52.960 --> 0:57:55.600
<v Speaker 1>To end on a quote from Roland Barts says that

0:57:55.720 --> 0:57:58.360
<v Speaker 1>in the ring, wrestlers remain gods because they are, for

0:57:58.400 --> 0:58:01.560
<v Speaker 1>a few moments, the key which open nature. The pure gesture,

0:58:01.560 --> 0:58:04.280
<v Speaker 1>which separates good from evil and unveils the form of

0:58:04.280 --> 0:58:09.080
<v Speaker 1>a justice which is at last intelligible. So we're gonna

0:58:09.120 --> 0:58:11.960
<v Speaker 1>we're gonna talk a little bit more about some related

0:58:11.960 --> 0:58:16.080
<v Speaker 1>issues to this, about um, what happens when, uh, when

0:58:16.080 --> 0:58:21.040
<v Speaker 1>the self is layered in these these various elements of fiction. Uh.

0:58:21.080 --> 0:58:23.400
<v Speaker 1>The episode is going to be called Undercover Actors in

0:58:23.440 --> 0:58:25.680
<v Speaker 1>the Shadow Self. It's gonna be the one that publishes

0:58:25.760 --> 0:58:28.120
<v Speaker 1>right after this one. So you're really into this topic,

0:58:28.800 --> 0:58:32.160
<v Speaker 1>check it out. We promise there's some some excellent content

0:58:32.200 --> 0:58:36.600
<v Speaker 1>in there. So um, let's put it putting wrestling aside. Now,

0:58:36.680 --> 0:58:39.120
<v Speaker 1>let's ask the robot to come over here and bring

0:58:39.160 --> 0:58:44.440
<v Speaker 1>us some listener mail. All right, here's one from Critter

0:58:44.560 --> 0:58:46.680
<v Speaker 1>Jones on Facebook, and I just love the We have

0:58:46.720 --> 0:58:50.200
<v Speaker 1>a listener named Critter Jones. It just it lightens my day, Uh,

0:58:50.320 --> 0:58:53.080
<v Speaker 1>Critter says, you sweet sweet people have the best product

0:58:53.120 --> 0:58:55.280
<v Speaker 1>on the air today. Thanks for pushing boundaries and breaking

0:58:55.320 --> 0:58:59.640
<v Speaker 1>mysterious walls. Uh, as always with your Labyrinth episode. I

0:58:59.680 --> 0:59:01.919
<v Speaker 1>don't know what I do without you guys. Please don't

0:59:01.920 --> 0:59:04.280
<v Speaker 1>make me find out. Love and infinite rockets to both

0:59:04.320 --> 0:59:06.960
<v Speaker 1>of you, sweet cats, please please keep on keeping on.

0:59:08.800 --> 0:59:11.920
<v Speaker 1>Thank you. We also heard from Kristen. Kristen said, hey, guys,

0:59:11.960 --> 0:59:14.640
<v Speaker 1>just listen to the maze episode. Another little quirk of

0:59:14.640 --> 0:59:18.160
<v Speaker 1>the maze in Harry Potter was that the hedges also moved,

0:59:18.400 --> 0:59:20.400
<v Speaker 1>so you couldn't really go back the way you came,

0:59:20.720 --> 0:59:22.880
<v Speaker 1>and you'd also have to hurry and pick a direction

0:59:23.000 --> 0:59:26.840
<v Speaker 1>before the hedges took you out. Great podcast, guys. And finally,

0:59:27.080 --> 0:59:29.480
<v Speaker 1>Paul wrote to us on Facebook as well and said,

0:59:29.840 --> 0:59:32.480
<v Speaker 1>regarding the call for video game mazes, the worlds of

0:59:32.480 --> 0:59:36.040
<v Speaker 1>the Metroid series come immediately to mind. Many times you

0:59:36.080 --> 0:59:39.200
<v Speaker 1>can clearly see the path ahead or shiny upgrade, but

0:59:39.360 --> 0:59:42.440
<v Speaker 1>lack the necessary equipment, which you obtain much later in

0:59:42.480 --> 0:59:45.080
<v Speaker 1>the game, often long after you have forgotten where you

0:59:45.160 --> 0:59:48.600
<v Speaker 1>found the blocks path. So so there you go. Thanks

0:59:48.600 --> 0:59:50.760
<v Speaker 1>guys for writing in. If any of the rest of

0:59:50.800 --> 0:59:54.880
<v Speaker 1>you would like to um chat with us about mazes,

0:59:54.880 --> 0:59:58.240
<v Speaker 1>about labyrinths, about pro wrestling, uh, if you yourself are

0:59:58.280 --> 1:00:00.720
<v Speaker 1>a pro wrestling fan or or a pro wrestler and

1:00:00.760 --> 1:00:02.120
<v Speaker 1>you have thoughts on some of the content that we've

1:00:02.120 --> 1:00:04.960
<v Speaker 1>discussed here right in. Also if you're an outsider, if

1:00:04.960 --> 1:00:09.000
<v Speaker 1>you're your husband or or other significant other is is

1:00:09.000 --> 1:00:11.160
<v Speaker 1>into wrestling and you're kind of like viewing it from

1:00:11.160 --> 1:00:12.880
<v Speaker 1>the outside and you have some thoughts about it, and

1:00:12.920 --> 1:00:14.880
<v Speaker 1>maybe those thoughts have changed a little after listening to

1:00:14.880 --> 1:00:17.360
<v Speaker 1>this podcast. Let us know. You can find us on

1:00:17.360 --> 1:00:19.800
<v Speaker 1>Facebook and you can find us on tumbler. We are

1:00:19.840 --> 1:00:21.480
<v Speaker 1>stuff to blow your mind on both of those and

1:00:21.520 --> 1:00:24.360
<v Speaker 1>we have a Twitter feed, uh that is blow the

1:00:24.440 --> 1:00:26.600
<v Speaker 1>mind one word, and you can always drop us a

1:00:26.640 --> 1:00:36.040
<v Speaker 1>line at blow the Mind at Discovery dot com for

1:00:36.160 --> 1:00:38.480
<v Speaker 1>more on this and thousands of other topics. Is it

1:00:38.560 --> 1:00:44.360
<v Speaker 1>how Stuff Works dot com