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Speaker 1: The volume.

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Speaker 2: I want to give a congratulations first to the clips.

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Speaker 2: One hundred and twelve k sold first week. That is

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Speaker 2: incredible numbers.

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Speaker 1: I keep saying on hundred twelve hundred eighteen, which one

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Speaker 1: is it?

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Speaker 2: I've seen, but I'm looking, I'm looking at it's a

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Speaker 2: win man, it's the actual billboard shit here and it's

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Speaker 2: it's one twelve here fifty four almost fifty five thousand

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Speaker 2: pure sales, which I think is incredible to independent. Yeah,

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Speaker 2: which despite what people when they see the rock Nation

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Speaker 2: thing and here I go kping when I'm really not.

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Speaker 2: I'm just telling you the truth. Rock Nation's label folded

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Speaker 2: into a distribution company. So you can sign a rock

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Speaker 2: Nation and not be on their label. You can just

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Speaker 2: sign to their distribution company. Yeah, there is a million

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Speaker 2: artists that y'all think are purely independent. They use Rocks Distribution,

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Speaker 2: people use tune Core. They're still independent, right, Like it's

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Speaker 2: just another version of that. But that also means they're

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Speaker 2: gonna like want to check on their investment too, if

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Speaker 2: they get a percentage of what you do. Why wouldn't

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Speaker 2: we try to help.

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Speaker 1: Y'all push anything? Right?

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Speaker 2: And also what's wrong with that the new fan shape

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Speaker 2: of trying to kill tde for like giving DOCI a

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Speaker 2: lot of looks and all this made Oh they got

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Speaker 2: a maze. That's the point of your label is to

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Speaker 2: push you. You guys have seen labels be so shitty for

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Speaker 2: so long that y'all get confused when a label does

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Speaker 2: their job and say there's something wrong with it. M like,

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Speaker 2: that's only our face because of the label. Yeah, that's the

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Speaker 2: fucking point. And I don't know, how do you feel

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Speaker 2: about this this Clips perspective of their rollout. I think

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Speaker 2: it was amazing. We came on here says been one

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Speaker 2: of the better rollouts. But the way it's been turned

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Speaker 2: into this machine manipulation is absolutely insane to me. What

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Speaker 2: publication media outlet did the Clips do that not every

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Speaker 2: single fucking artist has done before.

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Speaker 1: I think what the Clips did was was dope. I

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Speaker 1: mean it felt like an old school rollout. They actually

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Speaker 1: was out, you know, moving around doing the work. But

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Speaker 1: on top of the rollout and things like that, you know,

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Speaker 1: one thing that a lot of people don't understand Roory

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Speaker 1: is the work that goes on behind the scenes for

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Speaker 1: these rollouts. This is months in advance that these things

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Speaker 1: have to be playing, but the bottom line, because you

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Speaker 1: could have the greatest rollout, but if the music doesn't

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Speaker 1: stand up to the rollout and doesn't stand up to

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Speaker 1: all of the things, and us constantly seeing this in

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Speaker 1: our face, that's when it's a problem. Now with what

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Speaker 1: the Clips did, the music, it spoke for itself. You know,

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Speaker 1: they did what they were supposed to do on that

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Speaker 1: side of it. The rollout helped amplify it and let

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Speaker 1: people know that the album was coming. I love what

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Speaker 1: they're doing, from the vinyls, the artwork, the sneakers, you know,

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Speaker 1: everything that they're doing is intentional. It makes sense. It

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Speaker 1: seems like it's a well executed plan to back up

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Speaker 1: a well executed body of work exactly.

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Speaker 2: And I'm glad you said intentional because to finish my point, yeah,

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Speaker 2: the Clips didn't go anywhere that anyone else had. Anytime

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Speaker 2: they went somewhere, they made it intentional, and it sat

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Speaker 2: with the audience they spoke about. Even if you disagreed

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Speaker 2: with it, even if you said, oh, it's clout Chasey

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Speaker 2: with the push and Travis shit. Every time the Clips

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Speaker 2: went somewhere, they made something count, whether they were talking

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Speaker 2: about their parents passing yea, every whether they were just

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Speaker 2: playing Jada in Fat Joe some of the songs before

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Speaker 2: on camera and you just said Jada just had the

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Speaker 2: disgusting that's intentional. That's a great year, taking a platform

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Speaker 2: that has a lot of numbers, and the audience is

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Speaker 2: leaving with something that has to do with your project.

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Speaker 2: So yeah, you could say they had the machine, but

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Speaker 2: the machine wasn't in the room with them when they

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Speaker 2: were being interviewed, when they were promoting it. You think

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Speaker 2: Push and Malice need Rock Nation or even Steven Victor

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Speaker 2: one of the best managers, or even Stephen to get

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Speaker 2: the looks that they got. No, because they've been in

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Speaker 2: this business twenty five years, have their own connections. People

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Speaker 2: love them. They are legends in their own right, legendary

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Speaker 2: catalog started with for Real. No, maybe people just like

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Speaker 2: the Clips and maybe they're very good at what they do,

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Speaker 2: because I would love to see what look the Clips

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Speaker 2: got that every A list artist on a major hasn't gotten.

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Speaker 1: Yeah, No, I think the Clips what they did was

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Speaker 1: they just spoke to their fan base. They catered to

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Speaker 1: their fan base. If you're new to the Clips, I'm

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Speaker 1: sure that they welcomed that as well, but I think

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Speaker 1: they focused on their core. They focused on what they do.

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Speaker 1: They didn't go too far away from the Clips brand

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Speaker 1: and the things that they would naturally align themselves with. Again,

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Speaker 1: do I feel like some of it was cloud chasing?

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Speaker 3: Yeah?

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Speaker 1: I feel like the Travis shit was a little cloud chasing.

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Speaker 2: We look up the definition of cloud chasing because we've

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Speaker 2: talked about it before. Well, look, it's in marketing, cloud chasing.

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Speaker 4: Let's look up the definition of clouds.

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Speaker 1: Culturally. But yeah, I don't. But even if it is right,

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Speaker 1: even if I feel like the Travis ship was unnecessary

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Speaker 1: and it was to you know, kind of amplify things cool,

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Speaker 1: my thing is the music still stood though. The music

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Speaker 1: was still good.

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Speaker 2: And and before anything Travis related all those interviews, they

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Speaker 2: were reacting to a song. Yeah, it's not like there

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Speaker 2: was no music related to because of course, we always

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Speaker 2: want rappers to rap about how they feel. I always

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Speaker 2: want to know I push feels, even if it is

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Speaker 2: that Travis's expense, It's not like he just went on

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Speaker 2: an interview run talking about it. They were asking about

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Speaker 2: a verse he had in a song, So you know,

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Speaker 2: if you're gonna do that, Yeah, it's.

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Speaker 1: In the music. Yeah, it's all that. And in the music,

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Speaker 1: the music was great again. You know, they didn't go

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Speaker 1: far away from their formula with Pharrell. I mean, and

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Speaker 1: if you're blessed enough to have Pharrell, you know, in

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Speaker 1: charge of your music and in the studio producing your music,

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Speaker 1: I mean, you really just got a lay up at

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Speaker 1: that point. Like it's like, you know, Pharrell set the screen,

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Speaker 1: you can go get a bucket. So I mean, I

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Speaker 1: think the Clips did what they were supposed to do. Man,

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Speaker 1: this just speaks to keeping true to your formula, keeping

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Speaker 1: true to your brand, keeping true to it is what

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Speaker 1: you do, keeping true to your audience, your audience, you know,

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Speaker 1: in a time like now with a lot of other

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Speaker 1: things in the space and sounds and things like that,

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Speaker 1: you know, it takes a certain type of person to

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Speaker 1: know who they are and know what they've found is

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Speaker 1: to stay true to it and deliver. And that's what

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Speaker 1: they did. Man, whether you liked Eclips or not, you

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Speaker 1: can't there's no doubt that they stayed true to who

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Speaker 1: they are and execute it.

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Speaker 2: And everyone that has been been trying to put like

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Speaker 2: a negative connotation to their numbers or you know, trying

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Speaker 2: to focus on everything but the music. I think he

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Speaker 2: brought up a great point of through their rollout and music,

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Speaker 2: stayed to their core, and look what happen. It leaked

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Speaker 2: over to people that weren't their core. They got in

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Speaker 2: front of everyone, not by having to do. Of course,

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Speaker 2: the Travis thing was one thing, but they focused. Music

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Speaker 2: platforms even said we only want to speak to certain

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Speaker 2: people this shit. Your core is what you focused on,

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Speaker 2: and it went past your core. That's why focusing on

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Speaker 2: your core first is always the best route.

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Speaker 1: It was the best way.

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Speaker 2: I saw a lot of people comparing with Jack Boys

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Speaker 2: and congrats to Chase Trav everybody two fifty first week

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Speaker 2: crazy one point eighty one pier sales. They did two

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Speaker 2: fifty to fifty one. Now that brought that brought up

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Speaker 2: between why I brought up jack Boys.

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Speaker 1: That's surprising. I'm not gonna I didn't see I didn't

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Speaker 1: see anybody talking about the album.

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Speaker 2: Travis went number one with a mixtape that was like

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Speaker 2: ten years old that he re released with a T shirt.

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Speaker 1: Yeah, that's that's what.

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Speaker 2: It didn't really shock me. It brought up a lot

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Speaker 2: of points over the past week with the Clips and

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Speaker 2: jack Boys, because like you said, clips did a lot

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Speaker 2: of cool shit with different vinyl covers, different merch pieces.

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Speaker 2: Push even said I forgot maybe it was with Joe

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Speaker 2: and Jada that they planned to do more merch collapse

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Speaker 2: with this album. I'm sure that the record will be

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Speaker 2: part of it when you purchase the clothes. That's what

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Speaker 2: jack Boy's done. That's always been something people say about Travis.

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Speaker 2: Remember when Nikky went on that whole fucking crazy rant,

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Speaker 2: and then Billboard changed the rules in twenty twenty then

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Speaker 2: twenty twenty three. I want to say they changed it back.

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Speaker 2: That's why we're still able to do the bundle thing.

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Speaker 2: But you have to have the album available for purchase

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Speaker 2: by itself, and then only one T shirt and album

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Speaker 2: can be sold together. Okay, that's the only bundles your O.

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Speaker 1: So this was connected. This album was connected to some

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Speaker 1: jack Boys merch a lot of it. Okay, that's why

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Speaker 1: that changes things.

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Speaker 2: I want to make it clear, like pure sales also

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Speaker 2: comes from buying direct on iTunes, by direct vinyls and everything.

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Speaker 2: So they accuse the Clips and jack Boys of like

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Speaker 2: you know, the margins are kind of crazy, but not

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Speaker 2: too far off for people that do bundles.

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Speaker 1: It's about half who cares.

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Speaker 2: I understood nicky shit because to a superstar like Nicki

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Speaker 2: Minaj a lot of perception and number one doesn't matter.

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Speaker 1: I get it.

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Speaker 2: But the fans that get mad about this shit, I

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Speaker 2: don't understand. So Billboard, we have no artist union, don't

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Speaker 2: We can't even regulate how Billboard even counts anything. We

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Speaker 2: allowed streaming to set the exact price of what our

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Speaker 2: songs are worth without even a hearing, a trial, nothing.

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Speaker 2: They said, this is the market value, no matter who

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Speaker 2: the fuck you are, and this is it. And we said, okay,

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Speaker 2: here's my music. We're not allowed to go try to

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Speaker 2: find a loophole so we can make some more money.

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Speaker 2: Mm hm, you already fucked us by setting a standard

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Speaker 2: that only really benefits y'all. At the end of the

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Speaker 2: fucking day, we're not allowed to go outside the lines.

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Speaker 2: The labels we signed to are in.

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Speaker 1: Bed with you.

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Speaker 2: So why the fuck would I be mad at Travis

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Speaker 2: or Malice or Push to find a way to go

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Speaker 2: direct to their consumers to make more money off their

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Speaker 2: hard work. The fuck is y'all mad as an artist

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Speaker 2: for be mad at the that we have to do this,

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Speaker 2: Because there's no reason that Travis Scott song should be

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Speaker 2: worth zero point zero zero zero zero zero one of

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Speaker 2: a penny, right, and you also know how to design clothes,

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Speaker 2: fucking right, I'm gonna find a loophole. Yeah, I just

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Speaker 2: I think that, you know, what creators that to do

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Speaker 2: forever is try to find a loophole out of the

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Speaker 2: system that y'all create that we can't go outside of.

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Speaker 2: And now the fans of creatives are going like, oh na,

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Speaker 2: it's now, how are you doing that?

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Speaker 3: Shit?

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Speaker 1: That's cheap?

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Speaker 2: No, we've been cheated.

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Speaker 1: Yeah. I think that's the part of it that that

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Speaker 1: fans don't really look at and don't really take into,

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Speaker 1: you know, account is Yes, I understand you know you're saying, oh, well,

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Speaker 1: the numbers only like that because they have merch with it. Yeah,

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Speaker 1: But on the artists side, they're looking at it like, well, shit,

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Speaker 1: we got to find a way to make money. We

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Speaker 1: got to find a way to you know, capitalize off

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Speaker 1: of this album. We can't do it purely off of

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Speaker 1: streaming because of like you said, what they're paying us

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Speaker 1: for a stream So, I mean, you know, but again,

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Speaker 1: it's not the it's not the consumers responsibility to one

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Speaker 1: know that or think about that. The consumers' responsibility is

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Speaker 1: to consume and decide whether or not they enjoy it

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Speaker 1: or not. They don't really have to get into the

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Speaker 1: business side of it, but they you know, when they do,

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Speaker 1: when they express themselves and they're mad about something, the

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Speaker 1: information should be available to them. Hey, listen, like you said,

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Speaker 1: the artist is only getting paid this small percentage only

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Speaker 1: their music. Is it not fair for the artists to

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Speaker 1: find a way to kind of capitalize and make money

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Speaker 1: off of their music in another lane? I think it is,

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Speaker 1: you know what I'm saying. Whether that affects the sales

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Speaker 1: and how fans look at the numbers and who's number one,

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Speaker 1: who's number two? Like I said, some of my favorite albums,

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Speaker 1: I don't know where they landed on the charge. I

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Speaker 1: don't know what they sold first week. I have no idea.

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Speaker 2: And on top of that, and I'm not like taking

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Speaker 2: a shot at Billboard anything. It's really because we have

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Speaker 2: a no artist union that can regulate it. We don't

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Speaker 2: even know how the fuck Billboard counts anything, right, there's

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Speaker 2: no checks or balances of like, all right, can I

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Speaker 2: audit billboards? Like? You can't do that? So artists just

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Speaker 2: have to do what is better for them, and we

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Speaker 2: talked about back to like the nicky thing. I do

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Speaker 2: understand that some major label artists, especially at that level,

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Speaker 2: have stipulation in their contract, like if you get a

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Speaker 2: number one album, certain budget gets open, like accolades do matter,

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Speaker 2: It matters with Grammy's. Perception is a thing in artistry.

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Speaker 2: So okay, if you set the standard that I have

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Speaker 2: to have a number one album, I'm a creative. I'm

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Speaker 2: not going to find a way to do it. I

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Speaker 2: have to manipulate the system that you want change, So

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Speaker 2: I'll also do that. I'll also sell a T shirt

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Speaker 2: and not even put an extra nine to ninety nine

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Speaker 2: on it, but you're still getting a digital download. I'll

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Speaker 2: even take the hit financially to do the perception thing,

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Speaker 2: because you have created a contract where I need to

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Speaker 2: be in the top ten to matter at your label,

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Speaker 2: or to open a certain budget or have any leverage

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Speaker 2: when I renegotiate, I can't get this Grammy because oh,

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Speaker 2: if you look at Billboard, it doesn't match our Grammy standards.

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Speaker 2: Like yeah, artists are just doing what's best for them.

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Speaker 2: That doesn't affect affect the fans whatsoever.

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Speaker 1: Artists got a pivot man. Artists gotta find a way

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Speaker 1: to still capitalize off their art if it means, you know,

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Speaker 1: attaching it too a fire piece of merch and things

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Speaker 1: like that, that's just the game that has to be played.

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Speaker 2: When the Khalid Travis Travis Tyler thing happened, remember whether

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Speaker 2: they're fight for number one and that whole corny situation

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Speaker 2: on you know, Khalid's behalf. We all have corny moments.

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Speaker 2: I'm not shitting on Kalid. His shit when he didn't

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Speaker 2: beat Tyler Tyler was pure. I'm sure he did a

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Speaker 2: merch bundle somewhere in there, but he tied that to

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Speaker 2: an energy He was selling cases of energy drinks and

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Speaker 2: we didn't even know that was tied to I was

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Speaker 2: at seven eleven, didn't know. I just bought a Kalid.

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Speaker 1: Yeah, you know.

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Speaker 2: Now, And here's the thing, I know, number one matters

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Speaker 2: a lot to Kalid. It's part of it's part of

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Speaker 2: his brand and his perception, which I get.

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Speaker 1: I totally get that. Yeah, I also.

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Speaker 2: Didn't care, like if that's how Kalid can make money

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Speaker 2: on the back end and has a deal with the

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Speaker 2: energy company, to me, that's good business. Yeah, Like I mean,

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Speaker 2: unless they're like harming people overseas to create this energy drink.

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Speaker 3: I don't like.

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Speaker 2: Why is a fan? Would I be fucking mad at that?

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Speaker 1: Yeah? Only time, only time. The only time I look

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Speaker 1: at it a weird way is when the music is

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Speaker 1: trash and you tell me that's number one. That's when

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Speaker 1: I'm like, yo, cut the ship man, like that album

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Speaker 1: is fucking terrible. But if the music is fired, album

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Speaker 1: is dope. I don't care if it's a hoodie or

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Speaker 1: some sneakers or energy drink tied to that set, I

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Speaker 1: don't care as long as the music is good. When

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Speaker 1: the music is not good and y'all try to tell

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Speaker 1: me this is the number one album, that's when I'm

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Speaker 1: looking at you like, man, get out of there. That's

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Speaker 1: not the number one album.

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Speaker 2: I literally, to this day, I feel like the first

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Speaker 2: Patriot Act, Big Brother looking over you was you two

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Speaker 2: in all Apple products. You two has been part of

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Speaker 2: my life, whether I like it or not. So we're

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Speaker 2: supposed to get mad. When Hove does a deal with

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Speaker 2: Samsung and it's a million copies before the album even

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Speaker 2: comes out, I don't care. It's Magna Carta goods. Why

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Speaker 2: the fuck would that bother you.

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Speaker 1: Yeah, I get it.

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Speaker 3: I get it.

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Speaker 1: But as fans, you know, they support who they support

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Speaker 1: man and they want to see they people at number one.

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Speaker 1: And if somebody has a hoodie that's dope and the

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Speaker 1: album is not, and now that album is number one.

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Speaker 1: I get that part of it. So I get why

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Speaker 1: people said.

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Speaker 2: I think a lot of fans, myself included, sometimes which.

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Speaker 1: Your merch can't be better than the album. Let's put

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Speaker 1: that out there. Your merch can't be better than that album.

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Speaker 1: But here's that's when the problem.

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Speaker 2: Here's the thing. I you know, as a moral fan

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Speaker 2: of music, do have an issue with people that are

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Speaker 2: not artists, that are just here for a lick. But

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Speaker 2: if your music is trash and your actual talent is

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Speaker 2: to create merch and you're using your shitty YouTube type

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Speaker 2: beat shit to get eyes in front of your actual talent,

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Speaker 2: I don't care.

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Speaker 1: I don't. But you're speaking from a creative and I

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Speaker 1: understand it, and I get it. I get it understanding.

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Speaker 2: Creative, but a creative that also realizes that integrity doesn't

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Speaker 2: pay the mortgage sometimes. And I'm not saying go do

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Speaker 2: some shit against your integrity or against your moral value.

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Speaker 2: But if you can capitalize and get ten dollars instead

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Speaker 2: of five dollars out of your core fan base, and

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Speaker 2: your fan base can't wait to do that because your

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Speaker 2: product is also good, what the fuck is the problem?

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Speaker 3: Yeah?

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Speaker 1: I get it. I understand that.

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Speaker 2: I want to ask these fans like to break down,

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Speaker 2: what would you do in this situation? That needs to

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Speaker 2: be an app anyone that does a tweet that's that's

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Speaker 2: like really criticizing someone's business move that doesn't again like

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Speaker 2: hurt anyone. It should give you the scenario of like,

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Speaker 2: what what did you do in this Yes or no?

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Speaker 2: Would you take this advance? Would you take that?

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Speaker 1: All? Right?

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Speaker 2: If Cos came you to do all your artwork and

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Speaker 2: then wants to do five different vinyls as limited edition,

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Speaker 2: charge this much money, yes or no?

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Speaker 1: Right, you know get it? Of course you do that. Yeah,

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Speaker 1: it makes sense as long as Taler the create it

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Speaker 1: don't have the number one album next week? I'm cool.

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Speaker 2: Why that shit is trash? It's it's been three hours.

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Speaker 1: It's been three hours of trash. Really, that shit is

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Speaker 1: not it? And I love it, you know how I

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Speaker 1: know you love Tyler? That album is not it? Bro? Really,

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Speaker 1: I don't like it.

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Speaker 2: Rory, it's been one listen because again we're recording on Monday.

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Speaker 2: It came out six am on Monday, which I want

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Speaker 2: to say, I loved that. Tyler's last two albums, he's

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Speaker 2: done this morning on Monday. You could live with it

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Speaker 2: throughout the week. I like that the weekend. I like

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Speaker 2: dropping on Monday. You know, Friday said, Yeah, people have

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Speaker 2: shit to do. Sometimes it's tough to live with it

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Speaker 2: out but I like Monday morning. Fuck the numbers, fuck playlisting.

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Speaker 2: But not every artist can do that. Tyler Tyler, So.

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Speaker 1: Yeah, he's do that. Yeah, he loves that.

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Speaker 2: I missed Tuesday releases like I like this, so I

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Speaker 2: haven't had much time. I loved it off the first listen.

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Speaker 1: Loved it. Yeah, no fucking way, I'll takete. Levels are

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Speaker 1: not that.

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Speaker 2: Different, bro, It's a fun project.

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Speaker 1: You could have, Yes, it is. It's a fun project.

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Speaker 2: That's Oh so you're gonna get really pissed at my comparison,

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Speaker 2: then what are you doing? It's what twenty one minutes?

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Speaker 2: Oh yeah, straight to the point album. I am not

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Speaker 2: comparing them sonically or lyrically. I'm saying to me, this

379
00:17:37,600 --> 00:17:40,879
Speaker 2: is like his King Disease Magic type series. It's straight,

380
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Speaker 2: it's good beats, some bars. Nothing's overthought, it's just music.

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Speaker 2: It's just straight to the fucking point of here's a

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Speaker 2: great beat and here's some raps.

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Speaker 1: Listen. I'll listen to.

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Speaker 2: It's that version of The King's Disease shit in Magic,

385
00:17:55,880 --> 00:17:57,879
Speaker 2: the way Nas and Hippoy did. Listen like, we're not

386
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Speaker 2: overthinking this. This is just great beats.

387
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Speaker 1: And that's cool and sometimes not overthinking it is great.

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Speaker 1: This is one time with not overthinking it didn't land

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Speaker 1: on the side of great to me. I love Tyler

390
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Speaker 1: to create it. I think he's dope. I love everything

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Speaker 1: he does visually, I love his whole aesthetic, his brand.

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Speaker 1: I fuck with him this project. I'm not going to

393
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Speaker 1: go back and listen to this much, if at all. Really,

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Speaker 1: it just didn't. I listened to him twice, maybe two

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Speaker 1: and a half turn it off when I got here

396
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Speaker 1: on the third listen. It's just not what.

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Speaker 2: Don't you like about?

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Speaker 1: It's just I get it. You taking a chance sonically, musically,

399
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Speaker 1: you're doing something different, trying to sound different. Here's the thing.

400
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Speaker 2: I think.

401
00:18:39,960 --> 00:18:41,239
Speaker 1: I don't think there's like a risk here.

402
00:18:41,280 --> 00:18:43,000
Speaker 2: I think it's just kind of straight to the point,

403
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Speaker 2: like this is a mashup of all the sounds Tyler

404
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Speaker 2: has had over the last fifteen years.

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Speaker 1: And ye had a match.

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Speaker 2: I don't think there's a I don't think there's any risk.

407
00:18:50,720 --> 00:18:54,200
Speaker 2: I think it's this is Tyler in a true form

408
00:18:54,240 --> 00:18:56,040
Speaker 2: of him not wanting to do three years in between

409
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Speaker 2: albums like he used to and just coming back with

410
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Speaker 2: twenty one minutes instead of letting shit sit on a

411
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Speaker 2: hard drive. I did it here you go.

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Speaker 1: He could have kept this twenty one minute though. We

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Speaker 1: ain't need that really.

414
00:19:07,480 --> 00:19:09,280
Speaker 2: Nah, you don't think it's one of those that maybe

415
00:19:09,320 --> 00:19:11,240
Speaker 2: you need to like give it a chance outside of

416
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Speaker 2: an uber in FDR traffic.

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Speaker 1: I listened to it in the crib. Okay. I turned

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Speaker 1: it on this morning as soon as it drop, so

419
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Speaker 1: it dropped. I was like, oh shit, okay, getting dressed, Okay,

420
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Speaker 1: turn it on. And that's how I like to listen.

421
00:19:21,520 --> 00:19:23,240
Speaker 1: I don't like to really like focus on the music.

422
00:19:23,240 --> 00:19:25,160
Speaker 1: I like to just let it play in the background,

423
00:19:25,280 --> 00:19:28,439
Speaker 1: say nothing really grab me and was like, okay, this

424
00:19:28,560 --> 00:19:31,040
Speaker 1: is hard. Like I didn't. It just was like, oh,

425
00:19:31,359 --> 00:19:33,399
Speaker 1: it's you know music, It's like all right, he's rapping

426
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Speaker 1: a little bit, got a few bars, but it's not

427
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Speaker 1: nothing where I'm like, ya, I gotta bring that back.

428
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Speaker 1: I gotta hit that again. Like nothing said bring that back.

429
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Speaker 2: I liked the ones that stood out again one listen

430
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Speaker 2: in between having a flat tire, sucker free. I loved

431
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Speaker 2: Ring Ring Rings cool, stop playing with me? Don't you work?

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Speaker 2: The last three? I love eight through ten I think

433
00:19:54,760 --> 00:19:56,600
Speaker 2: are great. I have to go back to Don't tap

434
00:19:56,640 --> 00:20:00,320
Speaker 2: the Glass. Yeah, this is a cool joint. Do I

435
00:20:00,359 --> 00:20:03,160
Speaker 2: think it compares our first listen to like egor No,

436
00:20:03,359 --> 00:20:05,320
Speaker 2: But it's or Card and.

437
00:20:05,359 --> 00:20:07,159
Speaker 1: I'm not even I'm not even comparing it to his

438
00:20:07,240 --> 00:20:09,880
Speaker 1: other his other shit. I listened to it for exactly

439
00:20:09,920 --> 00:20:12,080
Speaker 1: what it is. This is what he put out this morning.

440
00:20:12,560 --> 00:20:14,359
Speaker 1: This is what I'm listening to. I'm not thinking about it,

441
00:20:14,359 --> 00:20:16,560
Speaker 1: what ego is and all of that shit. I'm just

442
00:20:16,600 --> 00:20:19,920
Speaker 1: listening to new talent music. None of it grabbed me,

443
00:20:20,000 --> 00:20:22,600
Speaker 1: none of it helped me. I didn't bring back any

444
00:20:22,600 --> 00:20:24,200
Speaker 1: of the songs like yo, let me hear that again,

445
00:20:24,280 --> 00:20:26,800
Speaker 1: Like it just didn't. It wasn't it for me. Man,

446
00:20:26,840 --> 00:20:29,200
Speaker 1: Maybe I don't know, Maybe you know it might change

447
00:20:29,240 --> 00:20:31,560
Speaker 1: thought the week. Yeah, but as of right now, two

448
00:20:31,600 --> 00:20:35,320
Speaker 1: and a half listens. Well. Also, oh, I go back

449
00:20:35,359 --> 00:20:37,960
Speaker 1: to what I was listening to. I was, I was

450
00:20:37,960 --> 00:20:40,639
Speaker 1: still listening to the clips. Yeah, I mean, I'll go

451
00:20:40,800 --> 00:20:42,840
Speaker 1: back to that, like I turned I turned that off

452
00:20:42,840 --> 00:20:45,520
Speaker 1: and went back to the clips, like I just I

453
00:20:45,560 --> 00:20:47,440
Speaker 1: don't know, I just didn't. It didn't really, it didn't

454
00:20:47,480 --> 00:20:50,600
Speaker 1: really grab me this this this project again. Maybe he

455
00:20:50,640 --> 00:20:52,440
Speaker 1: just wanted, like you said, get these songs out the

456
00:20:52,480 --> 00:20:56,040
Speaker 1: hard drive, put it out there, cool visual. I guess,

457
00:20:56,080 --> 00:20:59,159
Speaker 1: you know whatever, But I just to me, it's just

458
00:20:59,240 --> 00:21:01,040
Speaker 1: it's fine.

459
00:21:01,400 --> 00:21:04,359
Speaker 2: I hope how quick he turned it around coming off

460
00:21:04,400 --> 00:21:07,040
Speaker 2: the last project. I hope he's getting into it.

461
00:21:07,040 --> 00:21:09,040
Speaker 1: Everyone. I'm not comparing him in NAS to.

462
00:21:09,160 --> 00:21:11,720
Speaker 2: That part of the second half of his career where

463
00:21:11,840 --> 00:21:14,120
Speaker 2: it's a vib like keep putting music out like quicker.

464
00:21:14,520 --> 00:21:14,600
Speaker 1: Like.

465
00:21:14,640 --> 00:21:16,680
Speaker 2: I love that he waits to do these masterpieces, takes

466
00:21:16,680 --> 00:21:20,239
Speaker 2: three years towards But everybody, I think, great Again, I'm

467
00:21:20,280 --> 00:21:22,520
Speaker 2: not calling talent get very fucking clear.

468
00:21:22,400 --> 00:21:24,440
Speaker 1: No, no, but some people don't need to put out music

469
00:21:24,480 --> 00:21:25,720
Speaker 1: at that volume. Though.

470
00:21:26,359 --> 00:21:29,480
Speaker 2: I think Tyler, for the type of producer and writer

471
00:21:29,600 --> 00:21:32,320
Speaker 2: he is, is one of those that I would trust

472
00:21:32,359 --> 00:21:35,280
Speaker 2: at a high clip to do that, I really do.

473
00:21:35,400 --> 00:21:39,160
Speaker 2: I was gonna come in here and say, is there

474
00:21:39,160 --> 00:21:41,320
Speaker 2: a single artist in the new generation that you could

475
00:21:41,320 --> 00:21:47,400
Speaker 2: compare to Tyler? I don't think even out the Big three,

476
00:21:47,480 --> 00:21:51,639
Speaker 2: they don't. I think all three of them have you know,

477
00:21:51,680 --> 00:21:54,520
Speaker 2: maybe better catalogs, which I think could even be argued

478
00:21:54,560 --> 00:22:00,479
Speaker 2: to some degree, is anyone like even when when Kanye

479
00:22:00,560 --> 00:22:04,280
Speaker 2: came out, there was still people that we could compare

480
00:22:04,359 --> 00:22:07,320
Speaker 2: him to. As far as we know, qut Sit produce

481
00:22:08,000 --> 00:22:10,880
Speaker 2: raps like that was a thing for so long, and yeah,

482
00:22:10,960 --> 00:22:13,680
Speaker 2: I think was like the last probably big A list

483
00:22:13,760 --> 00:22:16,720
Speaker 2: rapper that we knew was producing. And if you say

484
00:22:16,760 --> 00:22:18,960
Speaker 2: you didn't write some of the stuff, mix back. But

485
00:22:20,480 --> 00:22:23,320
Speaker 2: Tyler's the only one of his generation that is that

486
00:22:23,359 --> 00:22:25,960
Speaker 2: to me, So I think there's like a different connection

487
00:22:26,000 --> 00:22:28,239
Speaker 2: when somebody is really producing it as like you are

488
00:22:28,240 --> 00:22:33,199
Speaker 2: putting this entire piece together and I looking at his

489
00:22:33,880 --> 00:22:37,480
Speaker 2: catalog of nine solo joints outside of the odd future shit,

490
00:22:38,880 --> 00:22:41,520
Speaker 2: this desography can.

491
00:22:41,359 --> 00:22:45,040
Speaker 1: Be argued in hip hop history.

492
00:22:46,080 --> 00:22:48,240
Speaker 2: No, at this point in twenty twenty five, Yeah, no,

493
00:22:48,520 --> 00:22:50,280
Speaker 2: whatever you think about this last project, it came out

494
00:22:50,280 --> 00:22:51,120
Speaker 2: fucking three hours ago.

495
00:22:51,240 --> 00:22:52,840
Speaker 1: We know that about Tyler though this.

496
00:22:53,280 --> 00:22:56,399
Speaker 2: Is a classic desography, which I don't know if his

497
00:22:56,560 --> 00:22:58,399
Speaker 2: peers have this nine right here?

498
00:22:58,600 --> 00:23:00,399
Speaker 1: No, we know, and that's all shit. I fuck with

499
00:23:00,520 --> 00:23:04,720
Speaker 1: Tyler just this last offering. It didn't do nothing for

500
00:23:04,880 --> 00:23:07,159
Speaker 1: me and I and I think Tyler is incredible, Like

501
00:23:07,240 --> 00:23:10,120
Speaker 1: I've spoken about that for years. I think he's incredible

502
00:23:11,200 --> 00:23:13,600
Speaker 1: to some extent. I even think he's underrated.

503
00:23:13,240 --> 00:23:13,879
Speaker 3: To some extent.

504
00:23:14,040 --> 00:23:17,200
Speaker 1: I hear what you're saying, but just just don't tap

505
00:23:17,280 --> 00:23:21,960
Speaker 1: the glass. I just don't you know it again, I

506
00:23:22,280 --> 00:23:26,280
Speaker 1: listened to it. It just didn't. Nothing really grab me.

507
00:23:26,480 --> 00:23:29,119
Speaker 1: But nothing really was like this is incredible, Like I

508
00:23:29,240 --> 00:23:30,280
Speaker 1: just didn't. I didn't get that.

509
00:23:30,680 --> 00:23:32,720
Speaker 2: All right, Can I challenge you for Friday that we

510
00:23:32,840 --> 00:23:33,720
Speaker 2: revisit this or.

511
00:23:35,200 --> 00:23:37,760
Speaker 1: Maybe next Tuesday and we could do a Friday, we

512
00:23:37,800 --> 00:23:39,399
Speaker 1: can revisit it. That's enough days for me to like,

513
00:23:39,480 --> 00:23:40,600
Speaker 1: listen to the project again.

514
00:23:40,640 --> 00:23:42,960
Speaker 2: I liked it off the first listen. I'm also of

515
00:23:43,040 --> 00:23:45,480
Speaker 2: the belief that there's projects I've loved off the first listen,

516
00:23:45,640 --> 00:23:47,600
Speaker 2: and by the third one, I was like, maybe I

517
00:23:47,680 --> 00:23:49,400
Speaker 2: just like the hype. No, it happened so I could

518
00:23:49,440 --> 00:23:50,520
Speaker 2: come in here on Thursday and say I.

519
00:23:50,520 --> 00:23:50,960
Speaker 1: Don't like it.

520
00:23:51,200 --> 00:23:53,400
Speaker 2: But you know, we did also say in the group chat,

521
00:23:53,480 --> 00:23:55,680
Speaker 2: like it just came out. There's not even no listen,

522
00:23:55,720 --> 00:23:57,520
Speaker 2: don't judge us for any real you just going off

523
00:23:57,560 --> 00:23:59,000
Speaker 2: of the natural.

524
00:23:59,680 --> 00:24:02,560
Speaker 1: Like when I listened to an album, it's just something

525
00:24:02,640 --> 00:24:06,639
Speaker 1: that something grabs me, something holds my attention, something like

526
00:24:07,480 --> 00:24:09,480
Speaker 1: this one. I didn't feel that. I didn't feel that

527
00:24:09,560 --> 00:24:10,159
Speaker 1: with this project.

528
00:24:11,600 --> 00:24:14,840
Speaker 2: What I did grasp from this one and probably the

529
00:24:14,960 --> 00:24:20,280
Speaker 2: last three four Tyler projects, which maybe because I had

530
00:24:20,280 --> 00:24:23,840
Speaker 2: the wedding on my mind. If Tyler sat down, I

531
00:24:23,840 --> 00:24:26,960
Speaker 2: would ask him if he ever thinks he'll find love? Oh,

532
00:24:28,080 --> 00:24:30,480
Speaker 2: it's been four it's been four foul.

533
00:24:30,640 --> 00:24:33,359
Speaker 1: The dumbest question you could have asked, Tom, why create it?

534
00:24:33,680 --> 00:24:36,160
Speaker 1: Do you ever feel like you would find I think

535
00:24:36,240 --> 00:24:38,720
Speaker 1: Tyler would answer that in such a fucking great because

536
00:24:38,720 --> 00:24:39,280
Speaker 1: he's hilarious.

537
00:24:39,400 --> 00:24:44,159
Speaker 2: But I'm saying, if you really pay attention to the

538
00:24:44,320 --> 00:24:49,040
Speaker 2: themes and writing of the last four projects, Scott, probably

539
00:24:49,119 --> 00:24:51,760
Speaker 2: he sucks it love, man, I get it. That's why

540
00:24:51,760 --> 00:24:54,639
Speaker 2: identify with that shit like he and he does it

541
00:24:54,760 --> 00:24:57,359
Speaker 2: in a great way as an artist. Because there's fun stuff,

542
00:24:57,400 --> 00:25:01,720
Speaker 2: substance stuff, there's accountability on stuff, there's shit what's still

543
00:25:01,800 --> 00:25:05,040
Speaker 2: like a fifteen minute joint on a call I you

544
00:25:05,080 --> 00:25:06,760
Speaker 2: could get lost his name after a street why I'm

545
00:25:06,760 --> 00:25:09,160
Speaker 2: a blanket where everyone thought he was like talking about

546
00:25:09,160 --> 00:25:10,840
Speaker 2: slang or some shit, which was like a complete lie.

547
00:25:11,720 --> 00:25:15,000
Speaker 2: When you eat de fucked his man's girl, oh uh, Wilshire,

548
00:25:15,960 --> 00:25:18,399
Speaker 2: there was accountability on that of how like shitty he

549
00:25:18,560 --> 00:25:20,960
Speaker 2: was but not caring. That would be my first question

550
00:25:21,000 --> 00:25:24,680
Speaker 2: of Tyler's careator he's awesome. Like the last four albums

551
00:25:24,720 --> 00:25:28,960
Speaker 2: have had a theme of the love below of like

552
00:25:29,080 --> 00:25:31,000
Speaker 2: this is never going to work out for me, yeah,

553
00:25:32,800 --> 00:25:35,880
Speaker 2: and knowing how vulnerable Tyler has been even when it's

554
00:25:36,480 --> 00:25:39,400
Speaker 2: got him in trouble, but not really selles that arenas

555
00:25:41,520 --> 00:25:42,320
Speaker 2: nothing's changed.

556
00:25:42,880 --> 00:25:43,880
Speaker 1: This guy sucks at love.

557
00:25:46,880 --> 00:25:48,480
Speaker 2: I mean, but I'm not judging him because I was

558
00:25:48,560 --> 00:25:51,119
Speaker 2: just in the stripper row at the wedding. Like this

559
00:25:51,280 --> 00:25:54,159
Speaker 2: is an attack at his character, It's more of an

560
00:25:54,560 --> 00:25:58,600
Speaker 2: identity thing. I can't think of an artist where the

561
00:25:58,640 --> 00:26:00,960
Speaker 2: last four projects all have been like it's not gonna

562
00:26:01,000 --> 00:26:04,040
Speaker 2: work out. Usually they'll even lie and say there's like

563
00:26:04,119 --> 00:26:06,520
Speaker 2: some redemption, Like they'll get in a situationship and be

564
00:26:06,600 --> 00:26:09,320
Speaker 2: like this is the one and make an album about it.

565
00:26:09,800 --> 00:26:13,159
Speaker 2: He has failed four albums straight with just trying to

566
00:26:13,200 --> 00:26:14,160
Speaker 2: find a fucking girlfriend.

567
00:26:14,600 --> 00:26:16,640
Speaker 1: I mean, maybe he need a boyfriend.

568
00:26:17,000 --> 00:26:18,600
Speaker 2: He's nobody talks about that too, so that's what.

569
00:26:18,760 --> 00:26:20,560
Speaker 1: Maybe he just don't he's confused, he don't.

570
00:26:20,400 --> 00:26:22,680
Speaker 2: Know what and sorry, which was on the deluxe of

571
00:26:22,720 --> 00:26:24,840
Speaker 2: Call Me Gets Lost, which was like one of my

572
00:26:24,880 --> 00:26:28,240
Speaker 2: favorite records of that year. He said he apologized to

573
00:26:28,800 --> 00:26:30,320
Speaker 2: all the girls that he was lying to that he

574
00:26:30,400 --> 00:26:33,879
Speaker 2: was bisexual and fucking dudes, and then apologize to the

575
00:26:33,960 --> 00:26:37,160
Speaker 2: guys from misleading them like I'm just gay to fuck,

576
00:26:37,480 --> 00:26:39,520
Speaker 2: I wasn't trying to date you, was.

577
00:26:39,600 --> 00:26:42,520
Speaker 1: Like on your answer, he Tyler, don't know what he wants.

578
00:26:44,840 --> 00:26:46,720
Speaker 1: That's the theme too in the Yeah, he doesn't know

579
00:26:46,800 --> 00:26:48,800
Speaker 1: what he wants. Man, he gotta be real and honest

580
00:26:48,840 --> 00:26:50,879
Speaker 1: with himself first before you talk about finding love like

581
00:26:50,960 --> 00:26:52,879
Speaker 1: he he don't even know where to look for love at.

582
00:26:53,520 --> 00:26:55,760
Speaker 2: But then even if you look at like the deluxe

583
00:26:55,800 --> 00:26:58,159
Speaker 2: of Call Me Get Lost, the record Heaven when they

584
00:26:58,160 --> 00:27:01,639
Speaker 2: flipped the John Legend shit, the whole second verse is

585
00:27:01,720 --> 00:27:04,680
Speaker 2: just like dying to be forty years old and married

586
00:27:04,720 --> 00:27:07,119
Speaker 2: with kid yeah, and like setting his mom up and

587
00:27:07,160 --> 00:27:10,440
Speaker 2: nows and all that, Like he's actively talking about that,

588
00:27:10,560 --> 00:27:12,280
Speaker 2: but then only talks about how he sucks.

589
00:27:12,160 --> 00:27:15,080
Speaker 1: Up every relationship. Yeah, I think he's just you know,

590
00:27:16,280 --> 00:27:17,920
Speaker 1: I mean, he'll find it one day. I just don't

591
00:27:17,920 --> 00:27:22,640
Speaker 1: think right now Tyler is honest with his with hisself personally.

592
00:27:22,760 --> 00:27:25,200
Speaker 1: I don't even know. Musically, I think he's he's tapped

593
00:27:25,240 --> 00:27:27,639
Speaker 1: in there, but maybe personally he just still you know

594
00:27:27,720 --> 00:27:29,960
Speaker 1: he does, he's still finding himself and figuring out what

595
00:27:30,040 --> 00:27:30,640
Speaker 1: he really likes.

596
00:27:32,040 --> 00:27:33,560
Speaker 2: Yeah, I wish he would come on the pod. I

597
00:27:33,600 --> 00:27:35,879
Speaker 2: would talk about everything but music and piss off his

598
00:27:35,920 --> 00:27:39,680
Speaker 2: whole core. I was just like, want to talk about

599
00:27:39,680 --> 00:27:43,440
Speaker 2: personal things. I would corner him worse than old boy dude.

600
00:27:43,640 --> 00:27:47,520
Speaker 1: Eh No, that was crazy. That was That was I

601
00:27:47,560 --> 00:27:48,720
Speaker 1: still can't believe that was real.

602
00:27:49,200 --> 00:27:51,120
Speaker 2: We glossed over that too quick.

603
00:27:51,200 --> 00:27:51,600
Speaker 1: Yeah, I don't.

604
00:27:51,600 --> 00:27:53,080
Speaker 2: I still can't believe that came and went and it

605
00:27:53,119 --> 00:27:53,560
Speaker 2: shouldn't have.

606
00:27:55,119 --> 00:27:57,920
Speaker 1: That was absolutely crazy. I still think that was a skit.

607
00:27:58,440 --> 00:27:59,360
Speaker 1: I don't think that was real.

608
00:28:00,880 --> 00:28:02,240
Speaker 2: I don't know, man, I thought it was a skit

609
00:28:02,280 --> 00:28:05,159
Speaker 2: for a while. The more people I talked to it

610
00:28:05,320 --> 00:28:06,640
Speaker 2: wasn't like at all.

611
00:28:06,880 --> 00:28:11,320
Speaker 1: Yeah, are they still cool? I think? I don't know.

612
00:28:11,600 --> 00:28:12,280
Speaker 1: But I could.

613
00:28:12,600 --> 00:28:15,000
Speaker 2: I don't like to follow us like his getty images

614
00:28:15,119 --> 00:28:16,200
Speaker 2: to see like who he walks.

615
00:28:16,000 --> 00:28:16,600
Speaker 1: Out of the club with.

616
00:28:18,440 --> 00:28:22,240
Speaker 2: This message applies to ninety nine percent of you listening

617
00:28:22,359 --> 00:28:24,879
Speaker 2: right now, because that's how many of you can be

618
00:28:25,000 --> 00:28:28,560
Speaker 2: covered by fast and reliable service on the Boost mobile network.

619
00:28:28,840 --> 00:28:32,639
Speaker 2: With ninety nine percent nation wide coverage, that's pretty much

620
00:28:32,680 --> 00:28:34,320
Speaker 2: the whole nation. If you get down to more net like,

621
00:28:34,480 --> 00:28:38,320
Speaker 2: ninety nine percent pretty much covers it covers everything. But

622
00:28:38,400 --> 00:28:41,200
Speaker 2: if you're thinking no, I'm special, I'm in that one percent.

623
00:28:41,520 --> 00:28:45,400
Speaker 2: Boost Mobile's amazing network does apply to you, I promise,

624
00:28:45,600 --> 00:28:47,520
Speaker 2: and I don't want to hear it. You're either that

625
00:28:47,600 --> 00:28:50,400
Speaker 2: one guy who actually profited off meme coin or you're

626
00:28:50,400 --> 00:28:53,120
Speaker 2: a billionaire. And in my experience, I find all of

627
00:28:53,200 --> 00:28:57,120
Speaker 2: you untrustworthy and weirdly obsessed with memes. But for the

628
00:28:57,200 --> 00:28:58,920
Speaker 2: ninety nine percent of you listen up.

629
00:28:59,080 --> 00:29:00,720
Speaker 1: Right now, when you switch to boostm moo. But you

630
00:29:00,760 --> 00:29:03,400
Speaker 1: can get the iPhone fifteen with Dynamic Island and the

631
00:29:03,440 --> 00:29:06,520
Speaker 1: forty eight megapixel main camera for ninety nine ninety nine.

632
00:29:06,600 --> 00:29:08,840
Speaker 1: That's ninety nine dollars and ninety nine cents for the

633
00:29:08,920 --> 00:29:12,560
Speaker 1: iPhone fifteen on a nationwide network. I'm ninety nine percent positive.

634
00:29:12,560 --> 00:29:15,440
Speaker 1: Bootsmobile just gave all of us a really freaking good

635
00:29:15,480 --> 00:29:18,280
Speaker 1: deal in store off for only thirty five dollars. Device

636
00:29:18,280 --> 00:29:22,160
Speaker 1: set up fee may apply. Requires credit qualification, ID verification

637
00:29:22,400 --> 00:29:26,320
Speaker 1: and activation on sixty dollars. Plant taxis extra five G

638
00:29:26,440 --> 00:29:29,040
Speaker 1: speeds not available in all areas. I don't know, but

639
00:29:29,080 --> 00:29:30,960
Speaker 1: I'll listen to the Don't Tap the Glass again. I'll

640
00:29:30,960 --> 00:29:33,320
Speaker 1: give it a couple more listens, but off the first

641
00:29:33,360 --> 00:29:36,440
Speaker 1: two and a half. I'm not really I don't It's

642
00:29:36,480 --> 00:29:38,040
Speaker 1: just not for me. What do you think? Respectfully?

643
00:29:38,280 --> 00:29:39,560
Speaker 4: I was gonna say, it's just not for you. It's

644
00:29:39,560 --> 00:29:40,560
Speaker 4: just not for me, and that's okay.

645
00:29:40,720 --> 00:29:44,960
Speaker 1: What do you think that the title means of the album?

646
00:29:45,680 --> 00:29:52,040
Speaker 1: Don't tap the glass? Usually see that when there's animals

647
00:29:53,520 --> 00:29:57,960
Speaker 1: that you don't want to agitate, you know, that type

648
00:29:57,960 --> 00:30:01,479
Speaker 1: of thing. So maybe may this isn't Maybe he has

649
00:30:01,520 --> 00:30:06,320
Speaker 1: a sea world appearance coming up? Yeah, all right, larious,

650
00:30:07,320 --> 00:30:08,880
Speaker 1: Maybe he has a SeaWorld, But I don't know. He

651
00:30:08,960 --> 00:30:10,960
Speaker 1: can't tap the glass. You don't want to disturb orca,

652
00:30:11,640 --> 00:30:15,880
Speaker 1: you know what I'm saying. So yeah, I mean listen.

653
00:30:15,960 --> 00:30:18,040
Speaker 2: I don't know if i've again my white Face should

654
00:30:18,040 --> 00:30:20,080
Speaker 2: be the one. I think it's a brilliant title, and

655
00:30:21,080 --> 00:30:22,680
Speaker 2: I almost don't want to give my opinion because if

656
00:30:22,680 --> 00:30:23,640
Speaker 2: I'm wrong, boys.

657
00:30:23,360 --> 00:30:26,840
Speaker 1: That gonna be awkward. No, what was your opinion? Please?

658
00:30:27,480 --> 00:30:30,440
Speaker 2: I think I think based off it again first listening,

659
00:30:30,440 --> 00:30:31,960
Speaker 2: maybe he explains it more and I just didn't catch

660
00:30:32,000 --> 00:30:36,600
Speaker 2: everything just off the title alone, based off you know,

661
00:30:37,120 --> 00:30:41,040
Speaker 2: some of his recent comments about the Ian Guy. Yeah,

662
00:30:41,200 --> 00:30:46,080
Speaker 2: I think Tyler realizes that how big hip hop has become.

663
00:30:46,760 --> 00:30:49,080
Speaker 2: There's a lot of people that aren't culture vultures per se,

664
00:30:49,640 --> 00:30:54,640
Speaker 2: but they're just passing visitors and have had a higher

665
00:30:54,720 --> 00:30:57,680
Speaker 2: opinion than they've ever had before, and they're viewing it

666
00:30:58,920 --> 00:31:00,680
Speaker 2: the way I used to talk about The Wire, How

667
00:31:00,720 --> 00:31:03,200
Speaker 2: white people love the Wire because it feels like they

668
00:31:03,240 --> 00:31:05,600
Speaker 2: could see the hood in a safe place, and they're like,

669
00:31:05,640 --> 00:31:09,920
Speaker 2: white people are obsessed with the Wire. I think obviously

670
00:31:10,000 --> 00:31:11,800
Speaker 2: it goes without saying that's happened with hip hop and

671
00:31:11,840 --> 00:31:17,040
Speaker 2: how much it's grown, so telling y'all view us like

672
00:31:17,400 --> 00:31:19,680
Speaker 2: this entertainment shit is a zoo, Like we are just

673
00:31:19,800 --> 00:31:22,960
Speaker 2: dancing for you, So don't tap the glass, just watch,

674
00:31:23,720 --> 00:31:27,560
Speaker 2: shut the fuck up, pay your fee and watch. If

675
00:31:27,600 --> 00:31:28,200
Speaker 2: you view it this.

676
00:31:28,280 --> 00:31:31,800
Speaker 1: Way, do not even really just pay your fee? I

677
00:31:31,920 --> 00:31:35,600
Speaker 1: see it, do not tap. Don't you're treating us like animals.

678
00:31:35,640 --> 00:31:37,480
Speaker 2: It's like it like you're just sitting there going like this,

679
00:31:37,640 --> 00:31:40,320
Speaker 2: and you know, you know, I'm not even in your

680
00:31:40,360 --> 00:31:44,880
Speaker 2: habitat like, but boy, I hope I'm fucking wrong or.

681
00:31:45,080 --> 00:31:46,920
Speaker 1: Right, because if I'm wrong, it's gonna be weird.

682
00:31:47,880 --> 00:31:47,920
Speaker 2: No.

683
00:31:48,040 --> 00:31:49,520
Speaker 1: I mean, I'm not mad at that. I'm not mad

684
00:31:49,560 --> 00:31:50,960
Speaker 1: at that. You know you're seeing it that way. That

685
00:31:51,080 --> 00:31:53,960
Speaker 1: makes sense that I don't know if Tyler it's you know,

686
00:31:54,000 --> 00:31:55,360
Speaker 1: if he thought that deep into it.

687
00:31:55,480 --> 00:31:58,880
Speaker 2: But again, it just sparked. And I'm not saying solely

688
00:31:58,920 --> 00:32:00,520
Speaker 2: this is like an E and dis because I don't

689
00:32:00,520 --> 00:32:01,960
Speaker 2: even like listen to in or know about them. But

690
00:32:02,920 --> 00:32:04,520
Speaker 2: that was the first time I heard Tyler speak up

691
00:32:04,560 --> 00:32:07,920
Speaker 2: about that topic specifically and put a name on it.

692
00:32:08,760 --> 00:32:11,200
Speaker 2: So yeah, I feel like Tyler's very intentional with his

693
00:32:11,280 --> 00:32:14,200
Speaker 2: words and interviews and what he said about Ian to me,

694
00:32:14,680 --> 00:32:16,400
Speaker 2: don't have the glass spark in my head right away,

695
00:32:16,720 --> 00:32:20,680
Speaker 2: Like this guy over here cosplaying Gucci in Future and

696
00:32:20,800 --> 00:32:24,640
Speaker 2: wearing fucking khakis and a polo like that shit from

697
00:32:24,720 --> 00:32:26,800
Speaker 2: Future and Gucci sounds that way because of pain.

698
00:32:26,920 --> 00:32:28,640
Speaker 1: That's not like the ship you're.

699
00:32:28,480 --> 00:32:31,280
Speaker 2: Doing in your voice. That's you don't understand what that

700
00:32:31,400 --> 00:32:31,840
Speaker 2: comes from.

701
00:32:32,120 --> 00:32:32,960
Speaker 1: Yeah, okay, I see it.

702
00:32:33,080 --> 00:32:35,160
Speaker 2: This ain't you. I see it like it's fine with

703
00:32:35,240 --> 00:32:37,720
Speaker 2: people that are influenced as long as they're authentic to

704
00:32:37,760 --> 00:32:38,560
Speaker 2: them self.

705
00:32:38,880 --> 00:32:41,960
Speaker 1: But this ain't you. Don't even talk that way. I

706
00:32:42,000 --> 00:32:45,000
Speaker 1: could see it. I'm mad at that. Yeah, all right,

707
00:32:45,000 --> 00:32:46,240
Speaker 1: well I'll give it. I'll give it a couple more

708
00:32:46,280 --> 00:32:48,440
Speaker 1: list since you love it and I think that I'll

709
00:32:48,480 --> 00:32:50,440
Speaker 1: taste level I think that I'll taste levels of line

710
00:32:50,520 --> 00:32:52,480
Speaker 1: on a lot of things. So the fact that I'm

711
00:32:52,520 --> 00:32:54,800
Speaker 1: on the other side of the love, I'll give it

712
00:32:54,840 --> 00:32:55,240
Speaker 1: a couple more.

713
00:32:55,280 --> 00:32:56,720
Speaker 2: Little. I know what the fans are going to accuse

714
00:32:56,760 --> 00:32:58,280
Speaker 2: you of. I do believe you because I don't think

715
00:32:58,280 --> 00:33:00,560
Speaker 2: you lie about music opinions. But I know the comment

716
00:33:00,600 --> 00:33:01,960
Speaker 2: is going to be like mal hates this because Brown

717
00:33:02,000 --> 00:33:02,800
Speaker 2: and Clips were in the video.

718
00:33:04,640 --> 00:33:04,840
Speaker 1: I know.

719
00:33:05,000 --> 00:33:06,520
Speaker 2: I just know the Internet. I just know what I'm

720
00:33:06,560 --> 00:33:06,840
Speaker 2: not saying.

721
00:33:06,840 --> 00:33:08,920
Speaker 1: It's Trew. I just sat in said I love the

722
00:33:08,960 --> 00:33:09,520
Speaker 1: Clips album.

723
00:33:10,080 --> 00:33:11,640
Speaker 4: We know the Internet.

724
00:33:11,920 --> 00:33:14,600
Speaker 2: We know you know that you don't. Okay, see you

725
00:33:14,800 --> 00:33:18,160
Speaker 2: don't because you don't tap the glass enough. You don't

726
00:33:18,240 --> 00:33:22,040
Speaker 2: realize that this is all dedicated to Drake. And because

727
00:33:22,120 --> 00:33:23,440
Speaker 2: Tyler was at the pop out, they all got in

728
00:33:23,480 --> 00:33:25,760
Speaker 2: a group chat and then Lebron went into the video

729
00:33:26,840 --> 00:33:29,280
Speaker 2: and then the Clips obviously we know their relationship for

730
00:33:29,360 --> 00:33:33,520
Speaker 2: years with Tyler just became a Clips fan because because

731
00:33:33,520 --> 00:33:38,160
Speaker 2: he hates Drake and this album is coded, coded, and

732
00:33:38,320 --> 00:33:41,800
Speaker 2: honestly never mind. Yeah, you know, see you don't even

733
00:33:42,160 --> 00:33:44,000
Speaker 2: don't tap the glass the glass more.

734
00:33:44,120 --> 00:33:48,040
Speaker 1: And then Iceman is coming the ice glass. I see

735
00:33:48,080 --> 00:33:48,680
Speaker 1: where it's going.

736
00:33:48,960 --> 00:33:50,040
Speaker 2: Tyler is one of the Iceman.

737
00:33:50,200 --> 00:33:51,040
Speaker 1: I see where it's going.

738
00:33:51,520 --> 00:33:55,320
Speaker 2: Because we know Tyler's never been original, He's always trying

739
00:33:55,320 --> 00:33:56,120
Speaker 2: to be somebody else.

740
00:33:57,200 --> 00:33:58,560
Speaker 1: I get it now, I get it.

741
00:33:58,680 --> 00:34:01,080
Speaker 5: Okay, they won't even catch that, sarcast I'm they're about

742
00:34:01,080 --> 00:34:02,600
Speaker 5: to clip you and put that as a fucking clip.

743
00:34:02,680 --> 00:34:05,000
Speaker 2: Oh god, yeah, they they'll they'll miss the last twenty

744
00:34:05,040 --> 00:34:07,920
Speaker 2: minutes and just just clip that. Yeah, and I'll be

745
00:34:08,040 --> 00:34:08,879
Speaker 2: the Tyler hater.

746
00:34:10,040 --> 00:34:10,480
Speaker 1: But I don't know.

747
00:34:10,600 --> 00:34:14,040
Speaker 2: I mean, I liked that video. And back to my

748
00:34:14,160 --> 00:34:15,960
Speaker 2: app idea of hey, what would you do in this

749
00:34:16,000 --> 00:34:19,359
Speaker 2: situation if Lebron James and the Clips and mav wanted

750
00:34:19,360 --> 00:34:21,800
Speaker 2: to be in my video, I'd say yes, did I

751
00:34:21,840 --> 00:34:24,239
Speaker 2: think it's odd sometimes of just like somebody sitting there

752
00:34:24,280 --> 00:34:26,839
Speaker 2: like this on a green screen. Sure, but I'd never

753
00:34:26,880 --> 00:34:28,319
Speaker 2: say no. If Lebron James wanted to be in.

754
00:34:28,360 --> 00:34:32,080
Speaker 1: My video, as you should, you should, you should welcome

755
00:34:32,160 --> 00:34:36,879
Speaker 1: Lebron to your video. I don't think.

756
00:34:37,760 --> 00:34:39,920
Speaker 2: I really don't think that had anything to do with

757
00:34:40,120 --> 00:34:44,880
Speaker 2: Drake whatsoever. Pete said, hmm, okay, the clips thing obviously not.

758
00:34:45,200 --> 00:34:50,359
Speaker 2: But what would Tyler have against Drake?

759
00:34:51,160 --> 00:34:56,440
Speaker 1: He was at the pop out? Okay, but jo Bro

760
00:34:56,600 --> 00:34:58,439
Speaker 1: went to pop out with them, but been dick riding

761
00:34:58,480 --> 00:35:02,400
Speaker 1: gangs his headlines. I thought that was more about like

762
00:35:03,320 --> 00:35:07,200
Speaker 1: Damar and Brown. I mean Tyler too. Tyler's been an

763
00:35:07,200 --> 00:35:08,439
Speaker 1: open Drake fan.

764
00:35:08,640 --> 00:35:11,279
Speaker 2: But the Lebron thing I understood because they were fans

765
00:35:11,360 --> 00:35:12,799
Speaker 2: like friends friends for real?

766
00:35:14,160 --> 00:35:16,600
Speaker 1: Are Tyler and Drake got close? Did he owe him

767
00:35:16,640 --> 00:35:18,560
Speaker 1: anything that? I don't think he did? But you know

768
00:35:19,440 --> 00:35:20,319
Speaker 1: he was at the pop up. Oh.

769
00:35:20,320 --> 00:35:21,960
Speaker 2: I don't think Drake likes anyone that went there. I

770
00:35:22,000 --> 00:35:24,040
Speaker 2: just don't think Tyler is going out of his place.

771
00:35:24,040 --> 00:35:25,600
Speaker 1: I don't like the niggas that worked in concessions than

772
00:35:26,800 --> 00:35:29,399
Speaker 1: he got all of the he got all the union workers,

773
00:35:29,680 --> 00:35:32,239
Speaker 1: he got all of the IDs. He knows everybody that

774
00:35:32,320 --> 00:35:33,480
Speaker 1: sold popcorn date that night.

775
00:35:34,040 --> 00:35:37,239
Speaker 2: Fuck oh yeah, that's hilarious. The only thing I found

776
00:35:37,280 --> 00:35:41,799
Speaker 2: weird was forget Drake out of it. Anytime Tyler has freestyled,

777
00:35:42,600 --> 00:35:44,919
Speaker 2: even in the verse he has with Game, all he's

778
00:35:44,960 --> 00:35:48,279
Speaker 2: done is this Lebron James hairline for the last twenty years.

779
00:35:48,360 --> 00:35:51,800
Speaker 2: Anytime he's asked to rap, if I'm Bron, I'm a

780
00:35:51,920 --> 00:35:54,680
Speaker 2: fuck to Drake cy I'm not going like we have

781
00:35:54,760 --> 00:35:56,600
Speaker 2: to have a hairline conversation, sir. Yeah.

782
00:35:57,800 --> 00:35:59,560
Speaker 1: Oh, I gotta watch the video again though, to see

783
00:35:59,560 --> 00:36:00,399
Speaker 1: if this is little.

784
00:36:00,960 --> 00:36:04,240
Speaker 4: You know what did I miss? Sorry?

785
00:36:06,120 --> 00:36:08,600
Speaker 1: The newspaper's flying around. Headlines in the newspaper.

786
00:36:11,640 --> 00:36:14,680
Speaker 2: Okay, all right, see I didn't think that headlines shit

787
00:36:14,800 --> 00:36:18,960
Speaker 2: was about Tyler, but when it headlines come out, twenty.

788
00:36:20,040 --> 00:36:26,920
Speaker 1: Thirty fourteen sounds about right. Sounds about right, maybe thirteen

789
00:36:28,960 --> 00:36:29,880
Speaker 1: either way, you know.

790
00:36:30,320 --> 00:36:32,040
Speaker 2: Okay, Actually I thought it was about Bron, but him

791
00:36:32,040 --> 00:36:33,880
Speaker 2: and Bron have been friends. Was before that that was

792
00:36:34,000 --> 00:36:39,799
Speaker 2: like he what's the joint with Kanye, Wayne Eminem and Drake.

793
00:36:40,160 --> 00:36:41,919
Speaker 2: That was for Bron's movie. Yeah, if they've been friends

794
00:36:41,920 --> 00:36:44,520
Speaker 2: for what Maybe it was about Tyler and May. Yeah

795
00:36:44,560 --> 00:36:46,239
Speaker 2: the newspapers. Okay, I take it back.

796
00:36:46,520 --> 00:36:50,080
Speaker 4: Headlines was on take Care right yeah, twenty twelve.

797
00:36:52,480 --> 00:36:57,120
Speaker 1: Okay, then all right, yeah maybe it was. I don't know,

798
00:36:57,160 --> 00:36:57,680
Speaker 1: I'm just talking.

799
00:36:57,840 --> 00:37:00,759
Speaker 2: Yeah, we just made no but usually all that deep

800
00:37:00,800 --> 00:37:03,560
Speaker 2: dive ship with certain stuff like that. But the newspapers,

801
00:37:03,600 --> 00:37:05,000
Speaker 2: I mean that does make sense now that you bring

802
00:37:05,080 --> 00:37:06,960
Speaker 2: up the headline ship. Yeah, I get it.

803
00:37:07,400 --> 00:37:08,319
Speaker 1: I'm just talking ship.

804
00:37:08,400 --> 00:37:11,200
Speaker 4: Yeah, look at us start stirring up narratives. I love that.

805
00:37:11,960 --> 00:37:13,880
Speaker 4: Everybody else do We did the narrative cast.

806
00:37:14,239 --> 00:37:17,880
Speaker 1: No, we just the cast. We just that's it, bro.

807
00:37:18,000 --> 00:37:19,799
Speaker 1: Everybody else start up narratives.

808
00:37:19,480 --> 00:37:21,839
Speaker 4: And ship like well, we stir up narratives, they tend

809
00:37:21,920 --> 00:37:23,800
Speaker 4: to grow legs and start to working.

810
00:37:23,960 --> 00:37:28,399
Speaker 1: So I mean, I'm just you know, I'm just talking shit.

811
00:37:28,480 --> 00:37:31,400
Speaker 1: I don't think that Tyler was throwing any shots at

812
00:37:32,160 --> 00:37:34,640
Speaker 1: at Drake. I don't think so cares like that, to

813
00:37:34,680 --> 00:37:36,799
Speaker 1: be honest. Yeah, and I also don't really care.

814
00:37:37,480 --> 00:37:45,400
Speaker 2: No, speaking of fifty uh, we have like this segment

815
00:37:46,200 --> 00:37:49,200
Speaker 2: was JD two weeks ago. Last week two weeks ago,

816
00:37:49,239 --> 00:37:52,000
Speaker 2: we started like this this or that type segment.

817
00:37:52,120 --> 00:37:52,759
Speaker 1: We did with JD.

818
00:37:53,640 --> 00:37:56,360
Speaker 2: And we want to do the Queen's Edition today with

819
00:37:56,520 --> 00:37:58,920
Speaker 2: you where you have to you have to decide some

820
00:37:59,000 --> 00:38:01,840
Speaker 2: things here one can stay and one has to be

821
00:38:01,920 --> 00:38:04,600
Speaker 2: going forever. It was written nas or the War Report

822
00:38:05,360 --> 00:38:08,120
Speaker 2: components Forever one has to go forever.

823
00:38:08,440 --> 00:38:09,200
Speaker 1: You can only keep one.

824
00:38:09,280 --> 00:38:19,560
Speaker 3: Now we can't do that, go the next one. It

825
00:38:19,680 --> 00:38:21,680
Speaker 3: was written was was a part of reason I even

826
00:38:21,719 --> 00:38:24,279
Speaker 3: started rapping. NOAs is my favorite rapper ever, so I

827
00:38:24,360 --> 00:38:26,200
Speaker 3: would have to go with that, just based on the

828
00:38:26,239 --> 00:38:28,840
Speaker 3: fact that I wouldn't even on his couch without allmatic

829
00:38:28,880 --> 00:38:30,839
Speaker 3: and it was written that ass. Like when I first

830
00:38:31,160 --> 00:38:32,960
Speaker 3: it was written, I pulled over my car, like, what

831
00:38:33,120 --> 00:38:34,880
Speaker 3: is this ship? I heard the message.

832
00:38:34,920 --> 00:38:37,600
Speaker 1: I was like, the fuck is this ship? I pulled over.

833
00:38:37,719 --> 00:38:39,920
Speaker 1: I was driving down Jamaica Avenue at night going to

834
00:38:40,000 --> 00:38:41,200
Speaker 1: my crib. I pulled over.

835
00:38:41,280 --> 00:38:43,600
Speaker 3: It was like, this ship is amazing. So that's the

836
00:38:43,680 --> 00:38:45,320
Speaker 3: impact that music had on me, and it made me

837
00:38:45,400 --> 00:38:47,040
Speaker 3: want to keep to pursue rapping the real way. I

838
00:38:47,080 --> 00:38:48,480
Speaker 3: was going to school to be like a doctor, I'm sure,

839
00:38:48,480 --> 00:38:50,440
Speaker 3: trying to my mother proud. And then I started getting

840
00:38:50,440 --> 00:38:52,040
Speaker 3: to this hip hop gangster ship and I was like, all.

841
00:38:52,000 --> 00:38:56,000
Speaker 1: Right, it was written, ruined your life, ruined me?

842
00:38:56,600 --> 00:39:00,160
Speaker 2: Sorry, Mom, Well I guess the answer is, uh, he's

843
00:39:00,200 --> 00:39:01,319
Speaker 2: component noy, so we can't.

844
00:39:01,960 --> 00:39:02,440
Speaker 1: We can't do that.

845
00:39:04,719 --> 00:39:06,360
Speaker 2: I feel like the War Report could get you in

846
00:39:06,400 --> 00:39:07,920
Speaker 2: some more trouble than it was written.

847
00:39:08,120 --> 00:39:10,800
Speaker 3: Yeah, but that that's so yeah, yeah, but it's just

848
00:39:10,840 --> 00:39:12,800
Speaker 3: it's just that had an impact on me too, just

849
00:39:12,880 --> 00:39:13,920
Speaker 3: not like what NAS did.

850
00:39:14,080 --> 00:39:14,759
Speaker 1: But now we can't.

851
00:39:14,800 --> 00:39:15,440
Speaker 3: We need both of those.

852
00:39:15,480 --> 00:39:16,920
Speaker 1: Can't do that. Yeah, we definitely need both of those.

853
00:39:16,960 --> 00:39:17,520
Speaker 3: We can't do that.

854
00:39:17,640 --> 00:39:20,080
Speaker 1: Yeah, these questions just take a phone away fast, moll

855
00:39:20,880 --> 00:39:21,959
Speaker 1: swift your.

856
00:39:21,920 --> 00:39:25,080
Speaker 2: Next single, and again, keep keep in mind that time

857
00:39:25,160 --> 00:39:27,520
Speaker 2: does not really exist in this whole theory of this

858
00:39:27,680 --> 00:39:30,840
Speaker 2: or that. All right, this has to be your next single. Prodigy,

859
00:39:30,960 --> 00:39:33,160
Speaker 2: keep it thorough or Simon says, fair much.

860
00:39:34,800 --> 00:39:38,319
Speaker 1: Mm hmm. That's a good one. Damn well.

861
00:39:38,360 --> 00:39:40,520
Speaker 3: See Prodigy is in my top five, which have a

862
00:39:40,560 --> 00:39:42,719
Speaker 3: top six prodigies in there. Keep it throws one of

863
00:39:42,760 --> 00:39:46,040
Speaker 3: my favorite records ever, and fucking that fron mind shit

864
00:39:46,120 --> 00:39:46,719
Speaker 3: is retarded.

865
00:39:46,920 --> 00:39:48,360
Speaker 1: Those are your next single.

866
00:39:50,320 --> 00:39:52,239
Speaker 3: I'm gonna have to go with Prodigy, keep it thorough.

867
00:39:53,840 --> 00:39:55,880
Speaker 3: That's just I'm a queen's nigga. That's just that's just.

868
00:39:57,400 --> 00:40:03,839
Speaker 1: Probably that's rough, rough game. But I'll go with keep

869
00:40:03,880 --> 00:40:04,680
Speaker 1: It throws you next thing.

870
00:40:04,719 --> 00:40:07,080
Speaker 3: That's my that's my favorite. That's one of my favorite records.

871
00:40:07,400 --> 00:40:09,920
Speaker 3: I wrapped on a beat ninety billion times. I think

872
00:40:10,000 --> 00:40:11,759
Speaker 3: every rapper has probably wrapped on that. That's one of

873
00:40:11,800 --> 00:40:15,040
Speaker 3: my favorite records ever. You so you're doing this unfair shit, man.

874
00:40:15,080 --> 00:40:17,359
Speaker 2: I mean this man has to be so, this is Queens,

875
00:40:17,400 --> 00:40:18,120
Speaker 2: this man has to be so.

876
00:40:18,400 --> 00:40:18,600
Speaker 5: Yeah.

877
00:40:18,800 --> 00:40:21,279
Speaker 2: I think I'm gonna go with Simon says, though, because

878
00:40:21,280 --> 00:40:23,680
Speaker 2: I feel like parah Mant is probably still eating off

879
00:40:23,719 --> 00:40:26,920
Speaker 2: sinks with. Simon says, it's so commercials like I'm doing

880
00:40:26,960 --> 00:40:28,239
Speaker 2: this so nuh taking the back.

881
00:40:28,360 --> 00:40:32,560
Speaker 3: Roy Simon said, yeah, yeah, I don't, but I'm just

882
00:40:32,640 --> 00:40:33,960
Speaker 3: going off like I ain't gonna lie.

883
00:40:34,400 --> 00:40:35,800
Speaker 1: Keep It Throws one of my favorite records.

884
00:40:36,320 --> 00:40:40,520
Speaker 2: Yeah, yeah, it's probably, Simon says, Top five Alchemists be

885
00:40:40,560 --> 00:40:41,600
Speaker 2: two Yeah throw.

886
00:40:41,680 --> 00:40:43,640
Speaker 1: Yeah, it's like it's it's like one of my favorite

887
00:40:43,640 --> 00:40:46,279
Speaker 1: records ever. Bro. When I first heard that ship, I

888
00:40:46,360 --> 00:40:48,879
Speaker 1: was like, my nigger, what does he be thinking about?

889
00:40:48,920 --> 00:40:49,520
Speaker 3: What are you smoking?

890
00:40:49,640 --> 00:40:49,680
Speaker 1: You?

891
00:40:50,080 --> 00:40:52,640
Speaker 3: I was so one of my dope hit by moments.

892
00:40:52,680 --> 00:40:54,600
Speaker 3: Not to throw you off one of my dope hit

893
00:40:54,640 --> 00:40:57,200
Speaker 3: by moments as simple as it sounds. I did a

894
00:40:57,239 --> 00:40:57,880
Speaker 3: freestyle on.

895
00:40:59,600 --> 00:40:59,880
Speaker 1: What's It?

896
00:41:00,080 --> 00:41:01,080
Speaker 3: I think it was Hell on Earth?

897
00:41:01,280 --> 00:41:01,440
Speaker 2: No? No?

898
00:41:01,680 --> 00:41:02,759
Speaker 3: Or was it a shook once?

899
00:41:02,800 --> 00:41:03,080
Speaker 1: One of them?

900
00:41:03,120 --> 00:41:04,719
Speaker 3: One of them classic mob deep beats. I did a

901
00:41:04,800 --> 00:41:07,359
Speaker 3: long freestyle on the ship and I was like yo.

902
00:41:07,480 --> 00:41:08,560
Speaker 3: I called p I was like, I just want you

903
00:41:08,600 --> 00:41:10,880
Speaker 3: to make a cameo in the video. I was just

904
00:41:10,920 --> 00:41:13,600
Speaker 3: shooting a freestyle dolo. He's like, I had that where

905
00:41:13,640 --> 00:41:16,680
Speaker 3: you at. I was in a park in Queens. He

906
00:41:16,800 --> 00:41:19,000
Speaker 3: pulled up Dolo. It was just me and him on

907
00:41:19,080 --> 00:41:23,239
Speaker 3: a park bench, just chillingceive a video. I thought I

908
00:41:23,360 --> 00:41:24,759
Speaker 3: was the most amazing ship ever. I was like, this

909
00:41:24,800 --> 00:41:27,120
Speaker 3: is me and Prodigy on a park bench in Queens

910
00:41:27,440 --> 00:41:31,000
Speaker 3: in the hood. I got a bear or some ship.

911
00:41:31,040 --> 00:41:34,000
Speaker 1: I was like, this is amazing. I have a great life.

912
00:41:34,320 --> 00:41:36,839
Speaker 2: Yeah, imagine you just mind your business going to park,

913
00:41:36,880 --> 00:41:37,600
Speaker 2: play ball or whatever.

914
00:41:40,760 --> 00:41:41,239
Speaker 6: Bro it was.

915
00:41:41,480 --> 00:41:42,840
Speaker 1: I'm like this, I'm just looking at him, like yo

916
00:41:42,920 --> 00:41:47,400
Speaker 1: you really yeah, just Queens. If you was ever blessed

917
00:41:47,440 --> 00:41:49,200
Speaker 1: to just meet him and kick it with him, that's

918
00:41:49,239 --> 00:41:50,480
Speaker 1: that's him all the way. I'm telling you.

919
00:41:50,760 --> 00:41:53,560
Speaker 3: He pulled up dolar literally dolo on a park bench

920
00:41:53,680 --> 00:41:56,160
Speaker 3: in the hood in Queens just one camera man.

921
00:41:56,480 --> 00:41:58,160
Speaker 1: The two dogs even get the right amount of light

922
00:41:58,239 --> 00:42:03,600
Speaker 1: in walking amazing. Life is great.

923
00:42:04,880 --> 00:42:05,680
Speaker 2: Did you read his book?

924
00:42:06,320 --> 00:42:07,680
Speaker 1: Nah, but I need to you read it.

925
00:42:08,000 --> 00:42:10,000
Speaker 2: Yeah, I read it, and I would actually suggest doing

926
00:42:10,000 --> 00:42:13,120
Speaker 2: the audiobook because p is is it's his voice.

927
00:42:13,760 --> 00:42:15,359
Speaker 1: So yeah, it just makes the ship way better.

928
00:42:15,440 --> 00:42:16,080
Speaker 3: But that's fine.

929
00:42:16,120 --> 00:42:17,920
Speaker 1: Book. I might have to check that out. It's one

930
00:42:17,920 --> 00:42:19,000
Speaker 1: of the best reads ever.

931
00:42:19,320 --> 00:42:21,080
Speaker 3: That's amazing. I did not even notice.

932
00:42:21,200 --> 00:42:23,120
Speaker 2: But it's funny bringing up because in the book there's

933
00:42:23,200 --> 00:42:25,799
Speaker 2: like a whole chapter of just having like begging Pete

934
00:42:25,840 --> 00:42:28,320
Speaker 2: to stop hanging out in the hood, like birds stop it,

935
00:42:28,520 --> 00:42:31,400
Speaker 2: Like you go there every day, we have money, Stop

936
00:42:31,480 --> 00:42:33,680
Speaker 2: leaving our cribin Long Island to go to Queens.

937
00:42:33,719 --> 00:42:35,360
Speaker 3: Birds like bro he pulled, he pulled. I was in

938
00:42:35,400 --> 00:42:36,839
Speaker 3: the hood, he pulled. Loves what you are I told

939
00:42:36,920 --> 00:42:38,839
Speaker 3: him was that he pulled up wheat in the hood

940
00:42:38,960 --> 00:42:42,520
Speaker 3: on a park bench. That's park bench with p I

941
00:42:42,560 --> 00:42:45,200
Speaker 3: was like, that's crazy. That was amazing, But I mean

942
00:42:45,280 --> 00:42:48,640
Speaker 3: his whole family's Queen's royalty. Yeah, but I just I

943
00:42:48,680 --> 00:42:50,239
Speaker 3: just enjoyed that moment so much. I was like, Wow,

944
00:42:50,320 --> 00:42:53,160
Speaker 3: I'm should be released Bird.

945
00:42:53,680 --> 00:42:56,239
Speaker 2: Making an album produced by Havoc or Q two.

946
00:42:58,320 --> 00:43:01,160
Speaker 3: So yeah, yeah yeah, picking my face again. This is hard,

947
00:43:01,280 --> 00:43:02,560
Speaker 3: this is this is this is crazy.

948
00:43:02,600 --> 00:43:02,799
Speaker 1: Ship.

949
00:43:03,320 --> 00:43:06,800
Speaker 3: I gotta go with half because of influenced, but Q

950
00:43:06,960 --> 00:43:09,520
Speaker 3: tip is gonna give me the bag with TODs Havel though,

951
00:43:09,960 --> 00:43:14,000
Speaker 3: but for what I became and my influences is gonna

952
00:43:14,040 --> 00:43:15,160
Speaker 3: be half for that.

953
00:43:15,800 --> 00:43:17,040
Speaker 1: I had another stipulation of this.

954
00:43:18,000 --> 00:43:20,600
Speaker 2: They also can feature as rappers on this joint project.

955
00:43:20,719 --> 00:43:25,520
Speaker 1: Q Tip will take me around the world. This guy's

956
00:43:25,560 --> 00:43:28,520
Speaker 1: not fair. He has to be stopped. He has to

957
00:43:28,560 --> 00:43:30,960
Speaker 1: be stopped. Will have you in the day party any

958
00:43:31,040 --> 00:43:35,319
Speaker 1: visa and it's like ship have my two though, don't

959
00:43:35,360 --> 00:43:37,880
Speaker 1: get a twisted he might find one and I remember

960
00:43:38,000 --> 00:43:40,080
Speaker 1: throw something on you like yo, what is my main records?

961
00:43:40,080 --> 00:43:41,719
Speaker 3: Would have have is on the project that I did

962
00:43:41,800 --> 00:43:47,360
Speaker 3: with with I released a collaborative project with Benny BSF

963
00:43:47,400 --> 00:43:49,440
Speaker 3: and my company Team Ban Dope Gang. Of course stop

964
00:43:49,560 --> 00:43:52,239
Speaker 3: calling our content. Have is on that joint and have

965
00:43:52,440 --> 00:43:54,800
Speaker 3: his on the last project can Drive. He produced a

966
00:43:54,800 --> 00:43:56,359
Speaker 3: record on this. I already know what I'm gonnaive him half.

967
00:43:56,360 --> 00:43:58,919
Speaker 3: It's gonna be great. I never worked with Q tip before,

968
00:43:59,560 --> 00:44:01,160
Speaker 3: but I know I'm probably gonna be on the Coach

969
00:44:01,200 --> 00:44:02,120
Speaker 3: of Spain somewhere.

970
00:44:01,960 --> 00:44:03,240
Speaker 1: After he's on these records.

971
00:44:03,560 --> 00:44:06,000
Speaker 2: Yeah, and the album may never come out because Q

972
00:44:06,080 --> 00:44:07,879
Speaker 2: tip is gonna work on you for the next thirty years.

973
00:44:09,640 --> 00:44:13,319
Speaker 2: But when it does have a bounce and sh like yeah, yeah, yeah,

974
00:44:13,360 --> 00:44:14,000
Speaker 2: that's how IOUs.

975
00:44:14,200 --> 00:44:16,239
Speaker 1: But based on my influence, is probably gonna be half

976
00:44:16,280 --> 00:44:16,919
Speaker 1: I keep it a buck.

977
00:44:17,040 --> 00:44:20,920
Speaker 2: Yeah. Word, you can put a verse on DJ Clue

978
00:44:20,960 --> 00:44:24,080
Speaker 2: the professional album or who give fifty centers the Future?

979
00:44:26,040 --> 00:44:26,839
Speaker 3: That's a good one too.

980
00:44:27,040 --> 00:44:31,040
Speaker 1: Damn hhmm what was the question?

981
00:44:31,960 --> 00:44:35,080
Speaker 2: Graft can put a verse on the professional DJ clue

982
00:44:35,239 --> 00:44:38,360
Speaker 2: first actual album or who kid fifty centers the Future?

983
00:44:40,640 --> 00:44:41,960
Speaker 2: There's a graph feature on one of them.

984
00:44:42,719 --> 00:44:44,839
Speaker 1: It's gonna be thinking I would have never thought of them.

985
00:44:44,840 --> 00:44:45,239
Speaker 3: Shit like that.

986
00:44:46,840 --> 00:44:52,080
Speaker 1: Uh, ship balls, that's a tough one too.

987
00:44:53,280 --> 00:44:55,360
Speaker 3: A professional with the Rockefeller Project project.

988
00:44:55,200 --> 00:44:57,760
Speaker 2: Right, Yeah, that's just like the thirty times platinum.

989
00:44:57,800 --> 00:44:59,040
Speaker 1: Now I think I might, I might.

990
00:44:59,120 --> 00:45:00,600
Speaker 3: I might just go with that so I could just

991
00:45:00,840 --> 00:45:02,880
Speaker 3: continue to this rock and fellow ship that got going on.

992
00:45:03,440 --> 00:45:05,400
Speaker 1: Yeah it in, yeah, it ties in.

993
00:45:05,960 --> 00:45:08,759
Speaker 3: Butkay. That that's that's the whole. That's that's my side

994
00:45:08,800 --> 00:45:11,319
Speaker 3: of queens too. That's the whole yea that shady bill

995
00:45:11,320 --> 00:45:12,879
Speaker 3: all the way to the south side. That's the whole ship.

996
00:45:12,960 --> 00:45:19,920
Speaker 3: That's the whole side off south of Yeah, Jesus twisted

997
00:45:19,960 --> 00:45:23,080
Speaker 3: my arm here, buddy. But I'll probably go with the

998
00:45:23,160 --> 00:45:26,200
Speaker 3: clue because of the because of what the fun I created. Yeah,

999
00:45:27,040 --> 00:45:31,319
Speaker 3: that's the only reason. Yeah, the kid is shout out. Okay,

1000
00:45:31,320 --> 00:45:32,359
Speaker 3: I just seen a nigga recently too.

1001
00:45:33,080 --> 00:45:35,400
Speaker 2: It's the start of your career. You can sign a

1002
00:45:35,440 --> 00:45:36,880
Speaker 2: Steve Stout or IRV Gotti.

1003
00:45:38,280 --> 00:45:41,799
Speaker 3: Shout out to earth Man recipes. Absolutely, I did three

1004
00:45:41,800 --> 00:45:43,480
Speaker 3: records of earth in my career. Man shout out to

1005
00:45:43,560 --> 00:45:48,040
Speaker 3: earth Word. I never worked with Steve Stole before. That's

1006
00:45:48,160 --> 00:45:49,640
Speaker 3: not ship mm hmm.

1007
00:45:50,120 --> 00:45:53,160
Speaker 2: And I mean probably the best brand partnership.

1008
00:45:53,600 --> 00:45:55,920
Speaker 3: Yeah, I'm gonna get I'm gonna have Hole behind me,

1009
00:45:55,960 --> 00:45:58,440
Speaker 3: I have PEPSI, I'm gonna have the brand Punish is

1010
00:45:58,440 --> 00:46:01,799
Speaker 3: gonna be out there as ship camera word like I'm

1011
00:46:01,800 --> 00:46:03,680
Speaker 3: gonna get like this might gonna be sponsored by like

1012
00:46:04,640 --> 00:46:05,200
Speaker 3: Steve's out.

1013
00:46:07,920 --> 00:46:08,200
Speaker 1: Damn.

1014
00:46:08,480 --> 00:46:10,040
Speaker 3: I might have to go with Steve for the for

1015
00:46:10,160 --> 00:46:13,400
Speaker 3: that ship that I haven't even tapped into yet career wise.

1016
00:46:14,280 --> 00:46:16,080
Speaker 3: And I never had an opportunity to work with Steve

1017
00:46:16,120 --> 00:46:18,799
Speaker 3: before I worked my nigga. That's when I worked to Earth,

1018
00:46:18,800 --> 00:46:21,000
Speaker 3: so I already know I'm gonna get bangers. Irv Is

1019
00:46:21,280 --> 00:46:23,360
Speaker 3: is amazing way. I learned a lie from Earth too

1020
00:46:23,400 --> 00:46:25,759
Speaker 3: in a little bit of time I worked him. That asked,

1021
00:46:26,239 --> 00:46:28,600
Speaker 3: So I've experienced that. So I'm gonna go with Steve

1022
00:46:28,680 --> 00:46:30,680
Speaker 3: because I never get inside of shit.

1023
00:46:30,760 --> 00:46:31,520
Speaker 1: Yeah that makes sense.

1024
00:46:31,680 --> 00:46:34,480
Speaker 2: Yeah, this is a random question just for the room

1025
00:46:34,640 --> 00:46:37,400
Speaker 2: in particular. Again, remember time does not exist in this

1026
00:46:37,520 --> 00:46:41,560
Speaker 2: whole world. Would you rather see fifty cent signed to

1027
00:46:41,680 --> 00:46:44,080
Speaker 2: death Row in nineteen ninety six, but like twenty five

1028
00:46:44,160 --> 00:46:46,280
Speaker 2: year old fifty, like right when it's.

1029
00:46:46,200 --> 00:46:48,640
Speaker 1: Rising by six and all that?

1030
00:46:48,960 --> 00:46:54,040
Speaker 2: Wo that fifty signed to death Row ninety six Or

1031
00:46:54,200 --> 00:46:55,560
Speaker 2: Nikki signs to Murder Inc.

1032
00:46:55,600 --> 00:46:59,400
Speaker 3: In two thousand and one. Oh shit, now I'll go

1033
00:46:59,480 --> 00:47:01,839
Speaker 3: with the fifty. With that one, Nicki a Murder Inc.

1034
00:47:02,360 --> 00:47:05,719
Speaker 2: You got Nicki Minaj and Jah rules to have some

1035
00:47:06,120 --> 00:47:10,920
Speaker 2: shanty like Yo Nikki in O one because they were

1036
00:47:10,960 --> 00:47:12,560
Speaker 2: making more softer records.

1037
00:47:12,600 --> 00:47:15,120
Speaker 1: She was still doing hard ship then, but I mean.

1038
00:47:16,880 --> 00:47:19,239
Speaker 2: They were the singles were that way, but they were

1039
00:47:19,280 --> 00:47:20,080
Speaker 2: still there.

1040
00:47:20,080 --> 00:47:23,520
Speaker 3: They were still making hardship too. Me think, but you're

1041
00:47:23,520 --> 00:47:26,839
Speaker 3: putting fifty. Fifty already came out of the West Coast ship.

1042
00:47:27,320 --> 00:47:29,960
Speaker 3: He already came out with that type of energy. To

1043
00:47:30,000 --> 00:47:31,960
Speaker 3: be honest, that's a part of his legacy too. He

1044
00:47:32,040 --> 00:47:32,759
Speaker 3: already went with that.

1045
00:47:33,239 --> 00:47:37,000
Speaker 1: But less chaos with him with him with po Actually,

1046
00:47:37,080 --> 00:47:41,759
Speaker 1: like with Pop, Yeah, I don't what the mentality. I

1047
00:47:41,760 --> 00:47:45,879
Speaker 1: don't think we've ever seen pocked the hood. Yeah cool.

1048
00:47:45,960 --> 00:47:49,759
Speaker 2: What I meant was queens all the time with stretched Yeah,

1049
00:47:50,840 --> 00:47:54,560
Speaker 2: p would have brought fifty to queens you've never been over.

1050
00:47:59,400 --> 00:48:01,600
Speaker 2: I just think them made him. That wouldn't imagine fifty

1051
00:48:01,680 --> 00:48:02,400
Speaker 2: cent and shook.

1052
00:48:03,120 --> 00:48:05,640
Speaker 3: That'd have been nothing. That would have been crazy. That

1053
00:48:05,680 --> 00:48:07,720
Speaker 3: would have been that'd have been crazy with his mentality

1054
00:48:07,800 --> 00:48:09,040
Speaker 3: then that, yeah, I would have been. They would have

1055
00:48:09,080 --> 00:48:14,120
Speaker 3: been the industry. Have they fucked up? NICKI would murder inc.

1056
00:48:14,200 --> 00:48:15,400
Speaker 3: I never even had that thought in my life that

1057
00:48:15,440 --> 00:48:17,400
Speaker 3: she even had records with them shoting and all of

1058
00:48:17,440 --> 00:48:18,000
Speaker 3: that now right.

1059
00:48:18,560 --> 00:48:23,360
Speaker 2: She can't wait din life. I'm just thinking of Nikki.

1060
00:48:23,520 --> 00:48:27,520
Speaker 2: I think that would there'd be a whole different story

1061
00:48:27,600 --> 00:48:30,320
Speaker 2: to murder inc. And did you like fifty is not

1062
00:48:30,400 --> 00:48:33,160
Speaker 2: getting murder in clean out of here that easy? If

1063
00:48:33,200 --> 00:48:35,880
Speaker 2: you have Nikki carrying the flag in the midst of

1064
00:48:35,920 --> 00:48:39,000
Speaker 2: that entire thing. True, But then Nicky wouldn't making different records.

1065
00:48:39,040 --> 00:48:41,799
Speaker 3: I'm trying to talking about what she trying to think, Yeah,

1066
00:48:41,960 --> 00:48:43,920
Speaker 3: because er been doing up you have a shanty have

1067
00:48:44,040 --> 00:48:46,120
Speaker 3: job role. I'm like, I'm trying to picture in my

1068
00:48:46,200 --> 00:48:50,960
Speaker 3: head now, I don't know. I can't even I'm thinking

1069
00:48:50,960 --> 00:48:53,160
Speaker 3: about the records they made and then putting Nicki on it,

1070
00:48:53,400 --> 00:48:55,600
Speaker 3: and I'm like, I don't know if I wanted to

1071
00:48:55,680 --> 00:48:59,320
Speaker 3: hear that. Yeah, I don't know what you think I

1072
00:48:59,360 --> 00:49:01,600
Speaker 3: would want to. I could hear fifty and POC though,

1073
00:49:02,160 --> 00:49:04,960
Speaker 3: Oh did definitely because the alignment is there.

1074
00:49:05,160 --> 00:49:08,920
Speaker 1: Yeah, But I just I think that NICKI would IRV and.

1075
00:49:09,160 --> 00:49:11,359
Speaker 3: That would have been crazy because then nick IRV would

1076
00:49:11,400 --> 00:49:12,959
Speaker 3: have catered to NICKI so to be able to created

1077
00:49:13,000 --> 00:49:14,520
Speaker 3: some shit that I can't even imagine keeping doing it.

1078
00:49:14,800 --> 00:49:17,399
Speaker 1: I'm just going off what exists already. Yeah, you talk

1079
00:49:17,440 --> 00:49:18,880
Speaker 1: about the energy with Poking fifty.

1080
00:49:19,040 --> 00:49:20,640
Speaker 3: That's what I'm thinking about the energy that they would

1081
00:49:20,640 --> 00:49:22,400
Speaker 3: have brought pock fifty and show would have been some

1082
00:49:22,520 --> 00:49:25,080
Speaker 3: other shit and should have been fucked up, like locked

1083
00:49:25,120 --> 00:49:26,120
Speaker 3: the doors, you.

1084
00:49:26,120 --> 00:49:26,560
Speaker 1: Know what I mean.

1085
00:49:27,080 --> 00:49:30,160
Speaker 3: But I'm trying to think about what sound they would

1086
00:49:30,160 --> 00:49:31,719
Speaker 3: have created that Murder inc with Nikki. I don't know.

1087
00:49:31,840 --> 00:49:33,600
Speaker 3: I can't. I guess I can't imagine it clearly.

1088
00:49:34,080 --> 00:49:35,320
Speaker 2: I mean I feel like even a lot of the

1089
00:49:35,360 --> 00:49:36,560
Speaker 2: Young Money it would.

1090
00:49:36,320 --> 00:49:37,719
Speaker 1: Have been a different sound. It doesn't exist. It would

1091
00:49:37,719 --> 00:49:38,240
Speaker 1: have been different.

1092
00:49:38,360 --> 00:49:39,920
Speaker 3: Yeah, it would have been because the Young Money sound

1093
00:49:39,960 --> 00:49:41,920
Speaker 3: and the Earth sound is different the regularly hopped with.

1094
00:49:42,040 --> 00:49:44,560
Speaker 3: But I don't think because it's should have been a

1095
00:49:44,560 --> 00:49:46,279
Speaker 3: different artist by now, I think would have been something else.

1096
00:49:46,520 --> 00:49:48,440
Speaker 2: I don't even think Young Money sounds the same way

1097
00:49:48,520 --> 00:49:52,160
Speaker 2: without Murder Ink, though of course it's completely different sounds.

1098
00:49:52,200 --> 00:49:54,800
Speaker 2: But that A lot of shit that Drake, Nikki and

1099
00:49:54,920 --> 00:50:00,239
Speaker 2: Wayne All did was the proof came from IRV true

1100
00:50:01,160 --> 00:50:02,200
Speaker 2: like you could have hard raps.

1101
00:50:02,920 --> 00:50:05,640
Speaker 3: I feel like everybody got that formal, including fifty from Urban.

1102
00:50:06,120 --> 00:50:09,399
Speaker 3: They invented that ship. Joe was doing the quick four

1103
00:50:09,440 --> 00:50:11,080
Speaker 3: bar bridges. John was the first artist I haven't seen

1104
00:50:11,120 --> 00:50:12,160
Speaker 3: that I was doing bridges. In the middle of his

1105
00:50:12,320 --> 00:50:13,800
Speaker 3: verses like that, I was like, what the fuck is this?

1106
00:50:14,000 --> 00:50:16,040
Speaker 3: He was doing quick four bar bridges in the beginning.

1107
00:50:16,120 --> 00:50:17,640
Speaker 3: In the middle he was like he had vamp outs

1108
00:50:17,680 --> 00:50:20,440
Speaker 3: that were like structure like R and B Records, but.

1109
00:50:20,560 --> 00:50:21,439
Speaker 1: Because of him and IRV.

1110
00:50:21,680 --> 00:50:24,279
Speaker 3: Yeah, so Nicki would had all those elements too, Dan,

1111
00:50:24,280 --> 00:50:26,840
Speaker 3: That's a good question, ship Alls, and.

1112
00:50:26,960 --> 00:50:28,839
Speaker 1: I think I think artists for just for the art

1113
00:50:28,880 --> 00:50:30,640
Speaker 1: of it. In the music, I would want to hear Nikki.

1114
00:50:30,760 --> 00:50:32,320
Speaker 3: Yeah, yeah, I guess so I would have been signing

1115
00:50:32,400 --> 00:50:34,520
Speaker 3: so we can go with Nicki with that, Yeah, yeah,

1116
00:50:34,520 --> 00:50:36,759
Speaker 3: because that would have been she would have been. Yeah,

1117
00:50:36,880 --> 00:50:38,080
Speaker 3: it would have been some whole ubic shit that I

1118
00:50:38,120 --> 00:50:41,480
Speaker 3: can't even imagine that all right, fuck it, I took

1119
00:50:41,600 --> 00:50:42,759
Speaker 3: Nikki do that.

1120
00:50:43,160 --> 00:50:45,960
Speaker 2: Mall has had this segment came up with the same night,

1121
00:50:46,080 --> 00:50:48,359
Speaker 2: same city. I don't know if you had some in mine.

1122
00:50:48,520 --> 00:50:51,719
Speaker 2: I have a few written down for your same night,

1123
00:50:52,000 --> 00:50:56,120
Speaker 2: same city segment. Essentially, this is these shows are happening

1124
00:50:56,360 --> 00:50:58,400
Speaker 2: the exact same night in the exact same city, and

1125
00:50:58,480 --> 00:50:59,719
Speaker 2: you have to choose which one that.

1126
00:50:59,719 --> 00:51:02,080
Speaker 1: You go with me, No, grab somehow he would make

1127
00:51:02,120 --> 00:51:06,919
Speaker 1: it to both. Somehow, this guy would be at both

1128
00:51:06,960 --> 00:51:08,960
Speaker 1: of the shows. He'd be like, Yo, how how was

1129
00:51:09,000 --> 00:51:09,319
Speaker 1: this out?

1130
00:51:10,640 --> 00:51:13,239
Speaker 2: Okay, then I'll rework this one to who do you

1131
00:51:13,320 --> 00:51:15,040
Speaker 2: think is gonna have a better show?

1132
00:51:15,520 --> 00:51:16,600
Speaker 1: The same night, same city?

1133
00:51:17,160 --> 00:51:17,480
Speaker 3: All right?

1134
00:51:18,239 --> 00:51:21,439
Speaker 2: Queensbridge reunion show or a south Side reunion show?

1135
00:51:22,080 --> 00:51:25,560
Speaker 1: Cold on, man, what's wrong with this guy? What are

1136
00:51:25,600 --> 00:51:26,000
Speaker 1: we doing?

1137
00:51:26,160 --> 00:51:26,359
Speaker 2: Mal?

1138
00:51:26,520 --> 00:51:30,399
Speaker 1: How are we gonna stop him? Then have a that's tough.

1139
00:51:31,239 --> 00:51:35,440
Speaker 1: Oh man, I mean me my first, my knee jerk

1140
00:51:35,480 --> 00:51:38,120
Speaker 1: answer is Queensbridge. Yeah right, because you got nads, you

1141
00:51:38,239 --> 00:51:40,279
Speaker 1: got that's gonna be.

1142
00:51:41,200 --> 00:51:44,360
Speaker 2: Yeah March Yeah, you still get CNN.

1143
00:51:44,200 --> 00:51:45,880
Speaker 1: Like I'm going still ann.

1144
00:51:47,960 --> 00:51:50,520
Speaker 3: Show is fifty you got lost boys, you got onyx

1145
00:51:51,239 --> 00:51:55,439
Speaker 3: onyx should I'm gonna be there, fuck yeah, cheek cold

1146
00:51:57,920 --> 00:52:00,640
Speaker 3: that because IM gonna being that motherfucker leg You know

1147
00:52:00,760 --> 00:52:01,279
Speaker 3: you would be.

1148
00:52:01,280 --> 00:52:05,160
Speaker 1: At both you the way both shows start at nine pm,

1149
00:52:05,320 --> 00:52:08,480
Speaker 1: sharp crafts go be at both shows and performing at

1150
00:52:08,480 --> 00:52:10,920
Speaker 1: both performing How did he get here? But I just

1151
00:52:11,000 --> 00:52:13,759
Speaker 1: saw him the south Side? Yeah but not me twenty

1152
00:52:13,800 --> 00:52:16,279
Speaker 1: minute drive. I'm gonna do it, skirt me being you.

1153
00:52:16,280 --> 00:52:17,680
Speaker 2: Know which one would you rather do?

1154
00:52:17,760 --> 00:52:18,120
Speaker 1: Security?

1155
00:52:18,160 --> 00:52:18,319
Speaker 3: Yet?

1156
00:52:19,440 --> 00:52:20,120
Speaker 1: Oh man, give me?

1157
00:52:20,200 --> 00:52:22,719
Speaker 3: They both let me be wow they both be wold.

1158
00:52:22,760 --> 00:52:25,080
Speaker 3: But wanted to say that I saw one probably gonna

1159
00:52:25,080 --> 00:52:25,319
Speaker 3: be wild.

1160
00:52:25,360 --> 00:52:27,799
Speaker 1: Let up other thing. Yeah, queez, Rizz is a little.

1161
00:52:28,120 --> 00:52:30,120
Speaker 1: I feel like as head of security, I feel like

1162
00:52:30,160 --> 00:52:31,879
Speaker 1: I could get the nods. I'm like yo, come on, man,

1163
00:52:32,239 --> 00:52:35,239
Speaker 1: like calm the fellas down the South Side the south

1164
00:52:35,320 --> 00:52:37,520
Speaker 1: Side show you not getting to nobody to.

1165
00:52:37,600 --> 00:52:40,600
Speaker 2: My com forgetting when all of Queen's Ridge went to

1166
00:52:40,680 --> 00:52:43,920
Speaker 2: Central Park and ruined that notch shut shut Central Park down.

1167
00:52:44,040 --> 00:52:45,960
Speaker 1: Yeah, but that's because I didn't get the nods first

1168
00:52:46,000 --> 00:52:48,560
Speaker 1: to be like, yo, fam, come on, talk to the guys.

1169
00:52:48,680 --> 00:52:48,839
Speaker 4: Man.

1170
00:52:49,239 --> 00:52:52,239
Speaker 3: That's a good question, though. I don't have to be

1171
00:52:52,320 --> 00:52:54,640
Speaker 3: biased to go to the South Side show man. That's

1172
00:52:54,719 --> 00:52:56,560
Speaker 3: just me being biased, though, keep it on it because

1173
00:52:56,560 --> 00:52:57,960
Speaker 3: I want to see both, and I'm gona make it

1174
00:52:58,000 --> 00:52:59,799
Speaker 3: to both as twenty minute ride and I'm gonna make

1175
00:52:59,840 --> 00:53:05,080
Speaker 3: it the both. That's a fact. I got to join

1176
00:53:05,120 --> 00:53:07,759
Speaker 3: out right now with Buster called Juice shout out the bus.

1177
00:53:07,880 --> 00:53:11,839
Speaker 3: Though he made some high energy legend fucking drill. UK

1178
00:53:12,000 --> 00:53:14,880
Speaker 3: sounds like some UK Jamaican drills. We just invented some

1179
00:53:14,920 --> 00:53:17,560
Speaker 3: shit that doesn't exist. And it's out now and we're

1180
00:53:17,560 --> 00:53:21,560
Speaker 3: shooting the video Friday. Yeah, I gonna get that, you

1181
00:53:21,600 --> 00:53:23,040
Speaker 3: know what I'm saying. Busted my brother men shout out

1182
00:53:23,040 --> 00:53:25,160
Speaker 3: to the bus. He's like my buses, Like legit, my

1183
00:53:25,200 --> 00:53:27,440
Speaker 3: big brother man, I know buses. I was like seventeen

1184
00:53:27,480 --> 00:53:29,600
Speaker 3: eighteen years old. Man. When I first met bus, I

1185
00:53:29,640 --> 00:53:31,680
Speaker 3: didn't know nothing about the fucking industry, fresh out the hood,

1186
00:53:32,040 --> 00:53:34,959
Speaker 3: and I started working with him. Actually then met dropped

1187
00:53:34,960 --> 00:53:37,359
Speaker 3: out of college to tour with him and work with him,

1188
00:53:37,680 --> 00:53:39,319
Speaker 3: and we ended up having a fucking fist fight back

1189
00:53:39,360 --> 00:53:42,799
Speaker 3: then you were, Yeah, I was like eighteen nineteen years old.

1190
00:53:43,440 --> 00:53:46,000
Speaker 3: I popped into the studio and like, without telling him,

1191
00:53:46,040 --> 00:53:47,760
Speaker 3: he was talking to me crazy. I was like, step outside,

1192
00:53:47,840 --> 00:53:49,840
Speaker 3: fuck it, and he stepped outside. We got it on.

1193
00:53:50,840 --> 00:53:56,120
Speaker 1: Wait wait wait, yeah, so too quick of a story.

1194
00:53:56,480 --> 00:53:59,120
Speaker 1: Have you got mad at something?

1195
00:53:59,160 --> 00:54:01,640
Speaker 3: Buster said, yeah, I thought he was talking to me

1196
00:54:01,680 --> 00:54:03,840
Speaker 3: because I popped up. He got mad that it showed up.

1197
00:54:04,280 --> 00:54:05,560
Speaker 1: Oh you just popped up at his session.

1198
00:54:05,719 --> 00:54:07,480
Speaker 3: Yeah, but he said because I didn't understand the industry

1199
00:54:07,560 --> 00:54:10,600
Speaker 3: rules and shock eighteen nineteen, I don't know about nine.

1200
00:54:10,680 --> 00:54:12,400
Speaker 1: Yeah. He said, you can call me whenever. I like bad,

1201
00:54:12,440 --> 00:54:13,759
Speaker 1: So I did that. He didn't pick up. I was like,

1202
00:54:13,840 --> 00:54:15,239
Speaker 1: I ain't pick up. I'm just going to show up,

1203
00:54:15,320 --> 00:54:15,680
Speaker 1: and he was.

1204
00:54:15,719 --> 00:54:17,200
Speaker 3: Like, what are you doing here? I was like, well, nigga,

1205
00:54:17,200 --> 00:54:18,440
Speaker 3: you said I can pull up. He's like, yeah, but

1206
00:54:18,440 --> 00:54:20,239
Speaker 3: I didn't pick up. I said, I said that's why

1207
00:54:20,239 --> 00:54:22,279
Speaker 3: I showed up. He was like, I didn't pick up.

1208
00:54:22,320 --> 00:54:26,200
Speaker 3: That means not today. And I didn't understand that. I'm like, yeah, nigga,

1209
00:54:26,200 --> 00:54:26,719
Speaker 3: you ain't pick up.

1210
00:54:26,719 --> 00:54:29,680
Speaker 1: So yeah, because I didn't understand the industry ship at all.

1211
00:54:29,719 --> 00:54:33,440
Speaker 3: I'm yeah, straight in the hood, moving about nothing. He

1212
00:54:33,560 --> 00:54:35,719
Speaker 3: was talking to me away. I ain't like it, and

1213
00:54:35,840 --> 00:54:39,000
Speaker 3: I said, fuck the step outside and he's like, all right,

1214
00:54:39,440 --> 00:54:43,040
Speaker 3: and we went outside and things were I left, I swung,

1215
00:54:43,160 --> 00:54:43,520
Speaker 3: he swung.

1216
00:54:43,600 --> 00:54:44,759
Speaker 1: I tried to stab with a knife for all this

1217
00:54:44,800 --> 00:54:45,720
Speaker 1: crazy shit. It was crazy.

1218
00:54:46,160 --> 00:54:48,320
Speaker 2: Wait more elements.

1219
00:54:48,680 --> 00:54:53,239
Speaker 1: He broke a bottle, he broke about busted rock. He

1220
00:54:53,320 --> 00:54:53,880
Speaker 1: broke a bottle.

1221
00:54:54,640 --> 00:55:01,920
Speaker 6: It's available, man, yo, nigga, he said, yeah, touched that bus.

1222
00:55:02,000 --> 00:55:04,839
Speaker 1: The song available now right now. I flicked the knife.

1223
00:55:04,880 --> 00:55:07,839
Speaker 1: He broke a bottles like a Jamaican fucking we side

1224
00:55:07,840 --> 00:55:09,120
Speaker 1: story went left?

1225
00:55:09,600 --> 00:55:10,120
Speaker 6: Jamaican?

1226
00:55:10,280 --> 00:55:18,440
Speaker 1: What went left? Yo? Grab the most random I'm telling you,

1227
00:55:18,760 --> 00:55:20,919
Speaker 1: I'm telling you. Where was the Big Brother?

1228
00:55:21,000 --> 00:55:21,120
Speaker 2: Now?

1229
00:55:21,640 --> 00:55:23,239
Speaker 1: Where was the studio at? This was in the city.

1230
00:55:23,280 --> 00:55:26,440
Speaker 1: This is like, what's the soundtracks one of the studios?

1231
00:55:26,560 --> 00:55:28,760
Speaker 2: All right, So y'all walked out to a Manhattan block

1232
00:55:30,200 --> 00:55:33,200
Speaker 2: or yeah, let's get it. Okay, first he came back.

1233
00:55:33,239 --> 00:55:35,839
Speaker 2: This first he came he sort he talked me off

1234
00:55:35,840 --> 00:55:37,800
Speaker 2: the left. He was talking sensibly to me. I didn't

1235
00:55:37,840 --> 00:55:40,680
Speaker 2: I couldn't register young, and I was young. I couldn't

1236
00:55:40,719 --> 00:55:41,160
Speaker 2: understand he.

1237
00:55:41,200 --> 00:55:42,000
Speaker 1: Like, yo, he said.

1238
00:55:42,040 --> 00:55:43,799
Speaker 3: The first thing he said was, you came in here

1239
00:55:43,800 --> 00:55:45,759
Speaker 3: on some street ship. I'm trying to teach you some

1240
00:55:45,880 --> 00:55:48,320
Speaker 3: business ship. And for some reason that sounded dependsive to me.

1241
00:55:48,360 --> 00:55:50,880
Speaker 3: I was like, you can't teach me sh He was like,

1242
00:55:50,960 --> 00:55:52,960
Speaker 3: I was just young aerant, like nigga, you came here

1243
00:55:53,040 --> 00:55:54,520
Speaker 3: the street ship. I'm trying to teach you how to

1244
00:55:54,560 --> 00:55:57,000
Speaker 3: be a businessman. You're coming with the wrong energy. And

1245
00:55:57,160 --> 00:55:59,000
Speaker 3: for some reason I kept taking it like just hearing

1246
00:55:59,080 --> 00:56:00,560
Speaker 3: it wrong. It just on the defensive.

1247
00:56:01,160 --> 00:56:04,960
Speaker 1: You can't teach me nothing outside He was like, fide

1248
00:56:06,360 --> 00:56:10,160
Speaker 1: went there once outside? Yeah, yeah, yeah, yeah.

1249
00:56:11,800 --> 00:56:14,640
Speaker 2: A square up? Or how did the physical altercation?

1250
00:56:14,760 --> 00:56:16,440
Speaker 1: It was like a square up? It was a square up?

1251
00:56:16,600 --> 00:56:18,919
Speaker 2: Or did somebody just storm something. I pushed him first,

1252
00:56:18,960 --> 00:56:21,520
Speaker 2: and he swung, then I swung, and then when any

1253
00:56:21,560 --> 00:56:23,480
Speaker 2: of those lens you're going too fast? Did any of

1254
00:56:23,520 --> 00:56:26,319
Speaker 2: those lengths the first shovel a real and but when

1255
00:56:26,360 --> 00:56:28,880
Speaker 2: he swung. I kind of like stucked it and slipped.

1256
00:56:29,120 --> 00:56:30,839
Speaker 2: He thought he caught me, and then I got mad.

1257
00:56:31,000 --> 00:56:32,880
Speaker 2: He thought he called me then the Knights. Yeah, we

1258
00:56:32,960 --> 00:56:35,399
Speaker 2: don't talk about that. We don't talk about somebody feel

1259
00:56:35,440 --> 00:56:36,560
Speaker 2: like they caught you and dropped you.

1260
00:56:37,600 --> 00:56:42,200
Speaker 1: That's all another to this knife.

1261
00:56:43,160 --> 00:56:45,600
Speaker 6: Time to go to the knife. He's like, you got

1262
00:56:45,640 --> 00:56:48,400
Speaker 6: a knife. The bottle was like, I know how it

1263
00:56:48,440 --> 00:56:51,920
Speaker 6: didn't go left? After that, nobody died, he said, the

1264
00:56:52,000 --> 00:56:55,799
Speaker 6: songs available. Now we live welled, We lived through this, We.

1265
00:56:55,800 --> 00:56:56,480
Speaker 1: Made it all about it.

1266
00:56:56,560 --> 00:56:58,680
Speaker 2: So once the bottle was broken and the night's out,

1267
00:56:59,080 --> 00:57:00,560
Speaker 2: how did this situation in diffused?

1268
00:57:00,600 --> 00:57:02,760
Speaker 1: I don't remember that part. I just know nobody got stabbed,

1269
00:57:02,880 --> 00:57:05,600
Speaker 1: which is great, that's amazing. Yeah, I'm so glad. I'm

1270
00:57:05,640 --> 00:57:08,239
Speaker 1: so glad graphing Buster didn't stab each other up on

1271
00:57:08,320 --> 00:57:09,240
Speaker 1: the mat and block.

1272
00:57:11,000 --> 00:57:13,680
Speaker 2: It works out and something tells me Buster called you

1273
00:57:13,760 --> 00:57:15,600
Speaker 2: the next day and forgot any of that even happened.

1274
00:57:15,880 --> 00:57:17,280
Speaker 1: No, no, no, we used to be for years after that.

1275
00:57:17,640 --> 00:57:17,840
Speaker 6: Yeah.

1276
00:57:17,920 --> 00:57:18,680
Speaker 1: Yeah, yeah, because he.

1277
00:57:18,720 --> 00:57:19,880
Speaker 3: Was like he wanted to sign me, and he was

1278
00:57:19,880 --> 00:57:21,880
Speaker 3: like this niggas a liability I had you got Yeah.

1279
00:57:22,160 --> 00:57:25,120
Speaker 1: Yeah, but that's how fashion happens, but I'm learning. See.

1280
00:57:25,200 --> 00:57:28,080
Speaker 3: I went from that to like realizing certain battles don't

1281
00:57:28,080 --> 00:57:29,479
Speaker 3: need to be in because I don't got.

1282
00:57:29,400 --> 00:57:32,720
Speaker 1: To tell controls her nigga. Yeah, yeah, my battles lovely.

1283
00:57:32,800 --> 00:57:34,760
Speaker 2: Now I get it and Bust team.

1284
00:57:34,920 --> 00:57:36,040
Speaker 1: You know, we want to sign graphic.

1285
00:57:36,240 --> 00:57:37,080
Speaker 2: He tried to stab.

1286
00:57:39,240 --> 00:57:41,520
Speaker 3: He tells the story and be like this nigga, back

1287
00:57:41,560 --> 00:57:43,720
Speaker 3: to night for men, like, Nigga, you broke a bottle too, Yeah,

1288
00:57:44,080 --> 00:57:45,680
Speaker 3: he broke a bottle after it's not gotta stab.

1289
00:57:45,840 --> 00:57:46,960
Speaker 1: I put out a knife and he was like, oh,

1290
00:57:46,960 --> 00:57:47,840
Speaker 1: ship that nigga.

1291
00:57:47,600 --> 00:57:47,840
Speaker 2: Ran for.

1292
00:57:51,720 --> 00:57:54,480
Speaker 1: Trying to stab me back and only Buster could break

1293
00:57:54,520 --> 00:57:57,760
Speaker 1: a bottle perfectly and then perfectly perfect amount of spike.

1294
00:57:57,840 --> 00:57:59,560
Speaker 1: You ever tried that? You ever tried to break him

1295
00:57:59,680 --> 00:58:01,800
Speaker 1: the whole ship break? Like, I don't have nothing to

1296
00:58:01,840 --> 00:58:04,480
Speaker 1: staff nobody with. How do you break it so perfectly?

1297
00:58:04,560 --> 00:58:06,520
Speaker 1: It's like it's a point that got making. It worked out.

1298
00:58:06,600 --> 00:58:06,720
Speaker 2: Yo.

1299
00:58:06,840 --> 00:58:10,560
Speaker 1: That is fucking song available now, song available now, video video,

1300
00:58:10,600 --> 00:58:13,040
Speaker 1: Shoot this Friday. That's a fact, yo. Listen man, life

1301
00:58:13,160 --> 00:58:15,200
Speaker 1: is It's wonderful, life is beautiful.

1302
00:58:15,360 --> 00:58:16,640
Speaker 2: I guess we have to ask the same question we

1303
00:58:16,680 --> 00:58:19,640
Speaker 2: ask everyone that has a relationship with Buster. Where where

1304
00:58:19,760 --> 00:58:21,560
Speaker 2: do you rate him in the top five dappers of

1305
00:58:21,600 --> 00:58:22,000
Speaker 2: all time?

1306
00:58:22,880 --> 00:58:26,040
Speaker 1: A bunch of shit? Buster shake hand, He'll break your

1307
00:58:26,120 --> 00:58:29,960
Speaker 1: fucking hands. Shoulder el ball, Yeah, Bust to give you

1308
00:58:30,080 --> 00:58:33,520
Speaker 1: that that real with the mad diamond ring. Yes, got

1309
00:58:33,920 --> 00:58:36,200
Speaker 1: you gotta Yeah, you got to be prepared to shake

1310
00:58:36,240 --> 00:58:38,080
Speaker 1: Buster the hand. Buster actually in my top five.

1311
00:58:38,400 --> 00:58:40,000
Speaker 3: I mean I need to have a top seven because

1312
00:58:40,000 --> 00:58:41,880
Speaker 3: I got a lot of my headens and flows and

1313
00:58:41,960 --> 00:58:44,000
Speaker 3: delivery from Bust. The way I construct records. A lot

1314
00:58:44,040 --> 00:58:46,040
Speaker 3: of that came from Bus. I took a lot of

1315
00:58:46,160 --> 00:58:48,200
Speaker 3: what I do from the way he constructs records a

1316
00:58:48,240 --> 00:58:48,560
Speaker 3: lot of it.

1317
00:58:48,800 --> 00:58:51,960
Speaker 2: Or you said product you was in your top six,

1318
00:58:52,360 --> 00:58:53,200
Speaker 2: I mean seven.

1319
00:58:54,040 --> 00:58:57,200
Speaker 3: Top seven, fuck it because it's I got nas Jay

1320
00:58:58,480 --> 00:59:03,440
Speaker 3: Royce and Jadie Kiss, Prodigy and Buster, all the niggas.

1321
00:59:03,840 --> 00:59:05,400
Speaker 3: So my top five is the top seven. That's a

1322
00:59:05,560 --> 00:59:08,120
Speaker 3: very interesting tope word. And most niggs don't got Royce

1323
00:59:08,160 --> 00:59:09,640
Speaker 3: in the top five. Royce is in my top five,

1324
00:59:09,720 --> 00:59:12,440
Speaker 3: then niggas amazing. I got Royce and m in my

1325
00:59:12,480 --> 00:59:15,240
Speaker 3: top they both with all the people influenced what I do,

1326
00:59:15,360 --> 00:59:17,520
Speaker 3: I can see that I could kind of see all

1327
00:59:17,520 --> 00:59:20,600
Speaker 3: the hair flow. Yeah, all the niggas is put them

1328
00:59:20,600 --> 00:59:22,360
Speaker 3: in a pot and on loadst them. It's like bams

1329
00:59:22,720 --> 00:59:25,840
Speaker 3: graph is here. All their influences is in the music.

1330
00:59:26,000 --> 00:59:28,880
Speaker 3: I can hear the word Prodigy. Prodigy lines are recorded

1331
00:59:28,960 --> 00:59:30,720
Speaker 3: in my songs to the current day. You could play

1332
00:59:30,760 --> 00:59:32,680
Speaker 3: anyone to be like, oh that's a Prodigy line all

1333
00:59:32,760 --> 00:59:34,000
Speaker 3: in the music current day.

1334
00:59:34,080 --> 00:59:35,280
Speaker 1: Still Prodigy is just the guy.

1335
00:59:35,360 --> 00:59:36,400
Speaker 3: He was that guy. Absolutely.

1336
00:59:36,760 --> 00:59:38,280
Speaker 2: When was the last time you talked to slaff right

1337
00:59:38,280 --> 00:59:38,880
Speaker 2: before we get out here?

1338
00:59:40,200 --> 00:59:41,760
Speaker 1: A couple months ago? Yeah, how's he doing?

1339
00:59:42,120 --> 00:59:42,480
Speaker 3: I don't know.

1340
00:59:43,000 --> 00:59:46,280
Speaker 1: I love that guys ago. I don't know how I

1341
00:59:46,320 --> 00:59:47,880
Speaker 1: love that guy. He be with the smoke. Yeah, I

1342
00:59:47,920 --> 00:59:51,120
Speaker 1: think about say with it he raps, so you get busy.

1343
00:59:51,480 --> 00:59:54,200
Speaker 2: We've seen, but we've heard it. We've heard.

1344
00:59:54,240 --> 00:59:55,680
Speaker 3: As a matter of fact, did you hear this song?

1345
00:59:55,720 --> 00:59:59,080
Speaker 3: I did call thirty six Chambers. I called him to

1346
00:59:59,120 --> 01:00:01,600
Speaker 3: do the treatment. He wrote a crazy treatment for that record.

1347
01:00:01,640 --> 01:00:02,920
Speaker 3: I was like, that's how I ran in my mind.

1348
01:00:03,040 --> 01:00:05,120
Speaker 3: I was like, what this video like a Shylah buff

1349
01:00:05,160 --> 01:00:07,920
Speaker 3: directed it. Yeah, and he wrote a crazy treatment. He

1350
01:00:07,920 --> 01:00:09,480
Speaker 3: had a crazy he was just too busy to do it.

1351
01:00:09,720 --> 01:00:12,040
Speaker 3: Nuts nuts, he's nuts.

1352
01:00:13,200 --> 01:00:16,479
Speaker 1: He typed it all out could do this almost Buster

1353
01:00:16,640 --> 01:00:19,760
Speaker 1: Rhymes and he has a treatment for a song from

1354
01:00:19,840 --> 01:00:22,240
Speaker 1: Shilah buff This nigga is the most random dude, the

1355
01:00:22,360 --> 01:00:26,520
Speaker 1: most necessary dude in city. I'm telling you, Graft, thank

1356
01:00:26,520 --> 01:00:30,320
Speaker 1: you for coming through my brother, long overdue, over the dude.

1357
01:00:31,160 --> 01:00:34,800
Speaker 1: Always good to see you, my guy. Juice, what is it? Juice?

1358
01:00:35,120 --> 01:00:39,480
Speaker 1: Juice available now? Preaturre and Buster Rhymes and bust the

1359
01:00:39,560 --> 01:00:40,360
Speaker 1: chimney that game.

1360
01:00:40,560 --> 01:00:42,520
Speaker 2: I think I just react to that scene for the

1361
01:00:42,640 --> 01:00:46,680
Speaker 2: video like you want me to write a treatment. Just

1362
01:00:46,760 --> 01:00:48,840
Speaker 2: told us the treatment for what the video should be.

1363
01:00:49,320 --> 01:00:50,560
Speaker 1: You'll step outside.

1364
01:00:51,800 --> 01:01:04,120
Speaker 2: Side everything that I was breaking random ship graph. Speaking

1365
01:01:04,200 --> 01:01:09,240
Speaker 2: of love Sponge, heches a segway god on the Speaking

1366
01:01:09,440 --> 01:01:12,680
Speaker 2: of love Sponge, Matt Lioner did a was it a

1367
01:01:12,720 --> 01:01:15,920
Speaker 2: podcast or interview and said he fumbled Rihanna.

1368
01:01:15,640 --> 01:01:19,840
Speaker 1: Because he had a little herp on his mouth. He

1369
01:01:19,960 --> 01:01:23,280
Speaker 1: said that he said he had a lip blister like.

1370
01:01:23,280 --> 01:01:25,320
Speaker 2: A sun blister when they went out on a date

1371
01:01:25,960 --> 01:01:28,280
Speaker 2: and she was just like, now, I'm cool, got some

1372
01:01:28,320 --> 01:01:29,760
Speaker 2: shit on your lip, that.

1373
01:01:29,800 --> 01:01:33,320
Speaker 1: Ship on your lip, that on your lip, got some

1374
01:01:33,360 --> 01:01:37,800
Speaker 1: ship on your list? Damn that's yo. He talking about

1375
01:01:38,000 --> 01:01:40,640
Speaker 1: bad time and you got a date where Rihanna, And

1376
01:01:40,680 --> 01:01:41,960
Speaker 1: then you get a fucking blister.

1377
01:01:42,520 --> 01:01:45,720
Speaker 2: Oh, I'm killing a grandparent something. Something's happening for me

1378
01:01:45,800 --> 01:01:48,680
Speaker 2: to losch that date. God, somebody's dying in my story.

1379
01:01:48,880 --> 01:01:51,200
Speaker 5: You gotta cut the lip. Cut the blister off the lip,

1380
01:01:51,760 --> 01:01:55,320
Speaker 5: Cut the blister off. You had to put a lighter

1381
01:01:55,360 --> 01:01:57,320
Speaker 5: to a knife and cut the blister off the lip.

1382
01:01:57,360 --> 01:01:59,880
Speaker 4: Bro, you got to just go to mandate. You gotta go.

1383
01:02:00,280 --> 01:02:03,320
Speaker 2: But that's like some bold shit. And even people have

1384
01:02:03,400 --> 01:02:05,840
Speaker 2: had liplessens. Doesn't mean it's her pies is like anything

1385
01:02:05,920 --> 01:02:09,480
Speaker 2: like that. But to go on a date with that

1386
01:02:09,560 --> 01:02:12,080
Speaker 2: shit on your lip is the boldest thing I've ever seen.

1387
01:02:12,320 --> 01:02:16,080
Speaker 2: Imagine sitting across from somebody, like before we talk, you

1388
01:02:16,120 --> 01:02:17,040
Speaker 2: have something on your lip, Like.

1389
01:02:17,040 --> 01:02:20,360
Speaker 1: Can we just dress this before we talk? Yeah, before this.

1390
01:02:20,440 --> 01:02:22,520
Speaker 2: Starts working out and then we get to know each other, Like,

1391
01:02:22,640 --> 01:02:24,240
Speaker 2: what is what's going on there? I think it's a

1392
01:02:24,280 --> 01:02:25,760
Speaker 2: fair question to ask somebody on a date.

1393
01:02:26,480 --> 01:02:28,120
Speaker 1: Yeah, but not Rihanna.

1394
01:02:29,920 --> 01:02:32,680
Speaker 4: Nah, dog, you had to cancel. You gotta cancel you.

1395
01:02:33,040 --> 01:02:35,200
Speaker 1: There's no way you can let Rihanna see you like that.

1396
01:02:35,680 --> 01:02:37,920
Speaker 1: I'm canceling that. That's crazy.

1397
01:02:38,040 --> 01:02:39,520
Speaker 2: I might fake kill my own mother.

1398
01:02:39,680 --> 01:02:43,000
Speaker 1: In that story, but the bigger hold on, but before

1399
01:02:43,040 --> 01:02:46,080
Speaker 1: we get to the shit on your lip, Matt I

1400
01:02:46,240 --> 01:02:48,560
Speaker 1: wasn't familiar with his game. How did he even get

1401
01:02:48,600 --> 01:02:50,360
Speaker 1: to the point where he had a date with Rihanna.

1402
01:02:51,040 --> 01:02:53,240
Speaker 2: Let's not act like Matt Liner is not Matt Leiner

1403
01:02:53,400 --> 01:02:55,400
Speaker 2: like and if this no especially.

1404
01:02:55,760 --> 01:02:59,640
Speaker 1: Listen Matt, that line can exactly tell me perfect I'm

1405
01:02:59,680 --> 01:03:01,840
Speaker 1: a girl and I'm like, but that's perfect though.

1406
01:03:01,880 --> 01:03:04,480
Speaker 2: You just have one of the most eligible bachelors from

1407
01:03:04,600 --> 01:03:06,760
Speaker 2: USC at one time in all of Los Angeles.

1408
01:03:06,880 --> 01:03:09,440
Speaker 1: Okay, yeah, he was a big deal.

1409
01:03:10,080 --> 01:03:12,200
Speaker 2: Holes was moving Reggie Bush out the way to get down.

1410
01:03:12,960 --> 01:03:15,080
Speaker 4: Okay, what does he look like, Josh ke pull him up? Please?

1411
01:03:15,120 --> 01:03:15,480
Speaker 2: Gorgeous?

1412
01:03:15,520 --> 01:03:15,640
Speaker 1: Man.

1413
01:03:18,600 --> 01:03:21,160
Speaker 2: He is a unit too, He's not quite Brady unit.

1414
01:03:21,240 --> 01:03:23,680
Speaker 1: But I don't act.

1415
01:03:23,680 --> 01:03:26,479
Speaker 2: Don't act like you ain't think number eleven was getting o's.

1416
01:03:27,320 --> 01:03:28,800
Speaker 1: Oh no, man was out there in US. He was

1417
01:03:28,840 --> 01:03:31,880
Speaker 1: in USC taking him down for the show, m M

1418
01:03:32,160 --> 01:03:33,600
Speaker 1: for show and.

1419
01:03:33,760 --> 01:03:36,600
Speaker 2: Got that contract. Because I mean that was probably around

1420
01:03:36,640 --> 01:03:40,440
Speaker 2: the time Rihanna came out, right, Uh, that was.

1421
01:03:40,480 --> 01:03:44,600
Speaker 1: Like oh two three, early two thousands for sure. Yeah, yeah,

1422
01:03:44,680 --> 01:03:47,520
Speaker 1: you don't think the replay is not going on a

1423
01:03:47,600 --> 01:03:52,600
Speaker 1: date with that. That's just now I'm saying that type

1424
01:03:52,600 --> 01:03:55,400
Speaker 1: of fumble is legend. That's the that's the biggest fumble

1425
01:03:55,480 --> 01:03:58,720
Speaker 1: in history right there, that might be that might be

1426
01:03:58,760 --> 01:04:01,520
Speaker 1: the biggest fumble in the history. I mean because you

1427
01:04:01,600 --> 01:04:06,120
Speaker 1: had a blister on your lip, like, oh, it can't

1428
01:04:06,160 --> 01:04:07,560
Speaker 1: be any It doesn't get worse than that.

1429
01:04:07,960 --> 01:04:09,840
Speaker 2: And you know, Rihanna said something to me that's so

1430
01:04:10,040 --> 01:04:11,120
Speaker 2: that's so big of a fumble.

1431
01:04:11,200 --> 01:04:14,360
Speaker 1: If he if he said that, like in conversation like

1432
01:04:14,480 --> 01:04:17,640
Speaker 1: right here, I wouldn't even believe him. You're not just

1433
01:04:17,680 --> 01:04:20,960
Speaker 1: saying anything. That's how big that FuMB was, Like that

1434
01:04:21,040 --> 01:04:23,800
Speaker 1: did not happen. The universe doesn't hate you that much.

1435
01:04:23,960 --> 01:04:26,920
Speaker 1: Like the day you have a date where Rihanna, you

1436
01:04:26,960 --> 01:04:30,200
Speaker 1: wake up and it's a blister on your lip? Wow?

1437
01:04:30,480 --> 01:04:30,720
Speaker 1: Is there?

1438
01:04:30,800 --> 01:04:33,120
Speaker 2: I mean, do they have like lip makeup or something?

1439
01:04:34,560 --> 01:04:36,720
Speaker 1: You just can't go, Bro, you can't go. You gotta

1440
01:04:36,800 --> 01:04:39,520
Speaker 1: just fumble. Just hope that it's it's dimly lit. And

1441
01:04:40,120 --> 01:04:42,880
Speaker 1: do you tell Rihanna why you gotta cancel? Nah?

1442
01:04:43,440 --> 01:04:44,240
Speaker 4: You make up something?

1443
01:04:44,800 --> 01:04:45,320
Speaker 1: Yeah, just like.

1444
01:04:47,800 --> 01:04:48,960
Speaker 4: You got a bad hole, you know.

1445
01:04:49,280 --> 01:04:51,680
Speaker 1: Bad cold that ain't gonna that ain't gonna cancel the date.

1446
01:04:51,720 --> 01:04:54,480
Speaker 1: With rihan over though bad hole. I'm gonna show up coughing.

1447
01:04:54,280 --> 01:04:56,320
Speaker 2: Yeah, sneazing at the table.

1448
01:04:56,400 --> 01:04:58,720
Speaker 1: Yeah, I'm showing up coughing, headache, all of that. I'm

1449
01:04:58,760 --> 01:05:00,600
Speaker 1: not canceling a date where on him? Because I got

1450
01:05:00,640 --> 01:05:03,760
Speaker 1: a cold. I'm a fucking football player. You kidding me?

1451
01:05:03,960 --> 01:05:07,640
Speaker 5: Like a cold a stomach virus. I rather Rihanna think

1452
01:05:07,640 --> 01:05:08,760
Speaker 5: I was shitting on myself than I.

1453
01:05:09,280 --> 01:05:11,320
Speaker 1: You heard what silly said, Nothing but death could keep

1454
01:05:11,400 --> 01:05:11,840
Speaker 1: me from it.

1455
01:05:12,720 --> 01:05:12,919
Speaker 3: Yep.

1456
01:05:13,000 --> 01:05:15,640
Speaker 1: The only way I'm funk. I died. That's the only

1457
01:05:15,640 --> 01:05:17,120
Speaker 1: reason I didn't go to day we'reand I'm dead. I

1458
01:05:17,120 --> 01:05:17,640
Speaker 1: woke up dead.

1459
01:05:18,800 --> 01:05:19,840
Speaker 4: You can't wake up dead.

1460
01:05:20,360 --> 01:05:23,480
Speaker 1: I woke up dead. Not canceling no date with Rihanna,

1461
01:05:23,520 --> 01:05:28,120
Speaker 1: you couldn't for cold fuck no bump on your lips

1462
01:05:28,240 --> 01:05:29,560
Speaker 1: because it's no what are we going to do? We

1463
01:05:29,680 --> 01:05:32,280
Speaker 1: can't not talk about this bump on your lip? And

1464
01:05:32,360 --> 01:05:35,480
Speaker 1: then what do you tell Rihanna? Like, YO, was kissing

1465
01:05:35,520 --> 01:05:39,040
Speaker 1: some girl last night? Shit got crazy because that bump

1466
01:05:39,080 --> 01:05:40,400
Speaker 1: on your list? Shit, we don't talk about that, Like

1467
01:05:40,440 --> 01:05:43,800
Speaker 1: what is that? Ma, I'm just saying what I've never

1468
01:05:43,920 --> 01:05:45,400
Speaker 1: had that mall?

1469
01:05:45,640 --> 01:05:45,960
Speaker 3: All right?

1470
01:05:46,000 --> 01:05:46,439
Speaker 1: Never mind?

1471
01:05:46,480 --> 01:05:46,720
Speaker 3: Thank you?

1472
01:05:48,960 --> 01:05:51,120
Speaker 1: You bit your tongue. I bit this ship out my

1473
01:05:51,160 --> 01:05:55,120
Speaker 1: tongue in my sleep. My shit still hurt, and your

1474
01:05:55,240 --> 01:05:57,920
Speaker 1: sleep I don't like you know, it's one of those

1475
01:05:57,960 --> 01:06:00,120
Speaker 1: things you just jump in your sleep. I bit the

1476
01:06:00,200 --> 01:06:01,760
Speaker 1: ship up my My tongue is still numb on the

1477
01:06:01,840 --> 01:06:02,240
Speaker 1: left side.

1478
01:06:03,000 --> 01:06:03,560
Speaker 4: Did it bleed?

1479
01:06:03,840 --> 01:06:05,200
Speaker 1: Hell yeah, I take the that sh I didn't get

1480
01:06:05,280 --> 01:06:08,200
Speaker 1: up though. It woke me about my sleep, and I

1481
01:06:08,320 --> 01:06:09,840
Speaker 1: was like, fuck it. I just went back to sleep

1482
01:06:09,920 --> 01:06:13,280
Speaker 1: like tongue throbbing, tongue felt like I had a pulse,

1483
01:06:13,280 --> 01:06:14,320
Speaker 1: a heartbeat on my tongue.

1484
01:06:15,720 --> 01:06:17,320
Speaker 2: You ever about to eat some pussy and have to

1485
01:06:17,360 --> 01:06:25,120
Speaker 2: ask a girl? That's that's an ingrowing right, yo? What's

1486
01:06:25,400 --> 01:06:25,800
Speaker 2: the only one?

1487
01:06:25,880 --> 01:06:25,960
Speaker 1: Right?

1488
01:06:26,840 --> 01:06:28,560
Speaker 2: Everyone quiet like I'm the only one.

1489
01:06:28,600 --> 01:06:31,520
Speaker 1: What you're going through? Many cause you ain't right?

1490
01:06:31,640 --> 01:06:33,560
Speaker 5: No, you ain't ask her, y'all lying like ship because

1491
01:06:33,560 --> 01:06:34,560
Speaker 5: I know you ain't asked her that.

1492
01:06:35,680 --> 01:06:36,640
Speaker 1: He just put his thumb on it.

1493
01:06:36,640 --> 01:06:36,840
Speaker 3: And just.

1494
01:06:38,320 --> 01:06:39,640
Speaker 2: I just won't look in that area.

1495
01:06:42,640 --> 01:06:49,080
Speaker 1: For yourself. Is insane. Put a stumb on it, you

1496
01:06:49,320 --> 01:06:51,360
Speaker 1: nasty ass white boy. He was put your thumb warder

1497
01:06:51,400 --> 01:06:52,040
Speaker 1: and kept licking.

1498
01:06:52,440 --> 01:06:54,840
Speaker 2: Listen, man, no blitters on the lipt.

1499
01:06:56,320 --> 01:07:00,800
Speaker 1: Woke up, good, woke up good. I'm still good. Yeah,

1500
01:07:00,840 --> 01:07:02,919
Speaker 1: Hey Matt, that's the biggest form in the history though,

1501
01:07:03,960 --> 01:07:05,720
Speaker 1: and he might have a big end game fumble, but

1502
01:07:05,760 --> 01:07:08,120
Speaker 1: it still was. This is the biggest bubble ever. This

1503
01:07:08,320 --> 01:07:09,960
Speaker 1: is crazy. I had a bump on my lips so

1504
01:07:10,000 --> 01:07:13,320
Speaker 1: I couldn't go on a date with Rihanna Burst alone.

1505
01:07:14,760 --> 01:07:17,400
Speaker 4: You know what will piss me off about being famous?

1506
01:07:17,680 --> 01:07:21,360
Speaker 5: It's like niggas getting on podcasts and talking about the

1507
01:07:21,400 --> 01:07:22,840
Speaker 5: fact that they had a chance with me when I

1508
01:07:22,920 --> 01:07:24,360
Speaker 5: was fucking a teenager, Like you know, when I was

1509
01:07:24,400 --> 01:07:27,280
Speaker 5: a teenager. That will really piss me off, Like why,

1510
01:07:28,120 --> 01:07:31,080
Speaker 5: because I don't like why why you bring it? I'm like,

1511
01:07:31,200 --> 01:07:33,240
Speaker 5: I'm damn near married now I got two kids.

1512
01:07:33,360 --> 01:07:35,280
Speaker 1: Like what but if somebody asked, all right, but if

1513
01:07:35,280 --> 01:07:39,080
Speaker 1: somebody asked, yo, what's the biggest fumble in your life?

1514
01:07:39,200 --> 01:07:41,480
Speaker 4: You could have left my name out. You would left

1515
01:07:41,520 --> 01:07:42,320
Speaker 4: my name out. You could said that.

1516
01:07:42,480 --> 01:07:45,480
Speaker 1: But if that ain't the biggest fumble, when you say

1517
01:07:45,520 --> 01:07:48,520
Speaker 1: the name, that's the fumble, Like who are you from? Yols?

1518
01:07:49,120 --> 01:07:49,920
Speaker 4: I don't blame him.

1519
01:07:50,080 --> 01:07:52,480
Speaker 1: Huge artists, huge artists, Like at the time, you know

1520
01:07:52,560 --> 01:07:54,000
Speaker 1: we were talking, she wanted to go on a date.

1521
01:07:54,440 --> 01:07:56,439
Speaker 1: She's a huge artist like that. Don't land the same

1522
01:07:56,680 --> 01:07:58,520
Speaker 1: when you say, yo, Rihanna wanted to go on to

1523
01:07:58,600 --> 01:08:02,400
Speaker 1: date niggas is like what you fumbled, Rihann That's that's

1524
01:08:02,480 --> 01:08:04,800
Speaker 1: the fumble, Rihanna. I get it.

1525
01:08:04,960 --> 01:08:06,800
Speaker 5: I'm not he didn't do anything wrong. I'm not saying

1526
01:08:06,840 --> 01:08:08,680
Speaker 5: he you know, he did anything wrong. I'm just like, bro,

1527
01:08:08,800 --> 01:08:11,080
Speaker 5: that would annoy the fuck out of me about being famous.

1528
01:08:11,480 --> 01:08:13,480
Speaker 5: Oh well yeah, because I don't even want nobody knowing

1529
01:08:13,560 --> 01:08:17,719
Speaker 5: that you have my phone like chill, like even still,

1530
01:08:17,800 --> 01:08:20,040
Speaker 5: like just sometimes, like women, we just look back like

1531
01:08:20,320 --> 01:08:22,280
Speaker 5: what was I doing? Like it doesn't you saying matt

1532
01:08:22,400 --> 01:08:24,960
Speaker 5: ain't No, that doesn't matter. It's just sometimes you just

1533
01:08:25,080 --> 01:08:26,600
Speaker 5: don't want to be reminded of who the fuck you

1534
01:08:26,680 --> 01:08:27,760
Speaker 5: that gave your phone number to her?

1535
01:08:27,760 --> 01:08:28,599
Speaker 4: Who he was about to go out.

1536
01:08:28,880 --> 01:08:31,680
Speaker 2: Honestly, I'm sure Rihanna's probably hitting her group chat, like

1537
01:08:31,720 --> 01:08:33,680
Speaker 2: finally I can talk about this publicly because you know,

1538
01:08:33,800 --> 01:08:35,719
Speaker 2: she told all her friends that's probably been a running

1539
01:08:35,800 --> 01:08:37,200
Speaker 2: jill for the last fifteen years.

1540
01:08:38,280 --> 01:08:39,120
Speaker 1: Yeah, that is crazy.

1541
01:08:39,760 --> 01:08:42,200
Speaker 2: Bumpy Johnson he has like, oh my.

1542
01:08:42,479 --> 01:08:46,240
Speaker 1: God, you and Rihanna's group chat is Bumpy Johnson. Oh

1543
01:08:46,520 --> 01:08:51,360
Speaker 1: just kill yourself. Matt damn yo, this ship we name

1544
01:08:51,479 --> 01:08:54,719
Speaker 1: niggas in our group chats Man, big jeans, big.

1545
01:08:54,760 --> 01:08:57,160
Speaker 4: Oh baggy condom, cargo condom.

1546
01:09:01,760 --> 01:09:04,560
Speaker 1: Nah, cargo condom is craziness.

1547
01:09:04,880 --> 01:09:09,200
Speaker 2: Niggas manims say that as a joke. That's about somebody

1548
01:09:09,280 --> 01:09:10,160
Speaker 2: specific for sure.

1549
01:09:11,040 --> 01:09:16,599
Speaker 1: Hargo condom is crazy. That is the craziest ship. Cargo condom.

1550
01:09:16,680 --> 01:09:20,880
Speaker 5: This one nigga used to insist on wearing fucking magnums

1551
01:09:20,920 --> 01:09:21,880
Speaker 5: and couldn't fit them.

1552
01:09:22,680 --> 01:09:26,519
Speaker 1: Dick was in the sleeping bag yo. That is Oh

1553
01:09:26,760 --> 01:09:31,040
Speaker 1: my god, bro yo that I got second embarrassment for

1554
01:09:31,120 --> 01:09:33,479
Speaker 1: this person. I don't even know what this is. It's

1555
01:09:33,640 --> 01:09:39,120
Speaker 1: being cargo condom in a girl's farm. I'd rather just die,

1556
01:09:39,760 --> 01:09:44,000
Speaker 1: like honestly, that's probably rather, that's not.

1557
01:09:44,160 --> 01:09:46,559
Speaker 4: That's just put a lifestyle on. Like why you want

1558
01:09:46,600 --> 01:09:47,759
Speaker 4: to Oh, I got the magnum.

1559
01:09:47,880 --> 01:09:51,840
Speaker 1: You don't need that. It's mad rooming in it's mad room.

1560
01:09:52,000 --> 01:09:53,080
Speaker 1: It's a mad room in.

1561
01:09:53,120 --> 01:09:54,760
Speaker 4: There, a whole nother dick cooking in there with.

1562
01:09:58,720 --> 01:10:01,200
Speaker 2: Shoot man, shoot me.

1563
01:10:01,320 --> 01:10:05,000
Speaker 1: Now what damn dog.

1564
01:10:06,840 --> 01:10:08,639
Speaker 2: I want to say. Hell, the gentleman is still alive,

1565
01:10:08,800 --> 01:10:10,400
Speaker 2: but he's probably killed himself.

1566
01:10:10,880 --> 01:10:13,480
Speaker 4: Oh my, now he's still alive and kicking.

1567
01:10:14,920 --> 01:10:18,519
Speaker 2: Baggy condom and all, yeah, you could have saved saved

1568
01:10:18,600 --> 01:10:20,679
Speaker 2: some money three NYC condom.

1569
01:10:21,240 --> 01:10:23,400
Speaker 1: Finding out a girl has you saving her phone as

1570
01:10:23,560 --> 01:10:26,439
Speaker 1: cargo condom. I think.

1571
01:10:27,840 --> 01:10:30,400
Speaker 2: Still beat, though, to me, is the response to everything.

1572
01:10:30,439 --> 01:10:32,800
Speaker 2: I don't even think still beat those works as a

1573
01:10:32,920 --> 01:10:33,360
Speaker 2: comeback to that.

1574
01:10:33,479 --> 01:10:37,080
Speaker 1: Now, still still beat it is still the greatest response

1575
01:10:37,160 --> 01:10:39,040
Speaker 1: to any of that, because it's like you let him

1576
01:10:39,040 --> 01:10:40,160
Speaker 1: stuff that fail.

1577
01:10:40,080 --> 01:10:41,639
Speaker 2: Like, look look how you beat them.

1578
01:10:42,120 --> 01:10:44,280
Speaker 4: Nah, but my homegirl she told him to put in

1579
01:10:44,360 --> 01:10:44,680
Speaker 4: her ass.

1580
01:10:44,760 --> 01:10:44,920
Speaker 2: He was.

1581
01:10:44,960 --> 01:10:46,479
Speaker 5: She was the first person he ever did an't nowhere

1582
01:10:46,479 --> 01:10:47,920
Speaker 5: because it's like it's like a thumb, like if you're

1583
01:10:47,920 --> 01:10:50,479
Speaker 5: gonna try anal, you should try with a little dick nigga.

1584
01:10:51,080 --> 01:10:53,679
Speaker 4: So she just told him to like do ain't nowhere, Yo.

1585
01:10:53,680 --> 01:10:57,240
Speaker 1: Let me splay something to y'all right now, doogins something

1586
01:10:57,280 --> 01:11:00,280
Speaker 1: to y'all. Right now, if I ever found out a

1587
01:11:00,439 --> 01:11:07,000
Speaker 1: girl told me to do anal because I'm killing her entire, man,

1588
01:11:07,280 --> 01:11:10,800
Speaker 1: that's so casually that didn't make it times worse. I'm

1589
01:11:10,920 --> 01:11:14,639
Speaker 1: killing her entire. Her cousin's gotta die, her dog. Everybody

1590
01:11:14,680 --> 01:11:17,200
Speaker 1: gotta die, not the dog. You'll put it in my

1591
01:11:17,280 --> 01:11:18,439
Speaker 1: butt because your dick little.

1592
01:11:20,120 --> 01:11:22,640
Speaker 2: She imagine getting that call like she want to have

1593
01:11:22,720 --> 01:11:25,200
Speaker 2: anal sex. She's like that can't wait. Then you get

1594
01:11:25,240 --> 01:11:27,760
Speaker 2: there and find out you were only selected because you

1595
01:11:27,960 --> 01:11:28,519
Speaker 2: meet small.

1596
01:11:29,960 --> 01:11:31,719
Speaker 5: I don't think she said that to him. She didn't

1597
01:11:31,720 --> 01:11:33,519
Speaker 5: tell him because his meat was small. But that's why

1598
01:11:33,640 --> 01:11:34,160
Speaker 5: she told us.

1599
01:11:34,600 --> 01:11:41,160
Speaker 1: That's why, Yo, women, y'all are evil. What y'all y'all know?

1600
01:11:41,360 --> 01:11:43,639
Speaker 1: Not y'all even got to please though, but y'all, y'all

1601
01:11:43,720 --> 01:11:44,360
Speaker 1: are evil.

1602
01:11:44,479 --> 01:11:48,040
Speaker 2: Man also wanting to do anal that bad? It is hilarious.

1603
01:11:49,880 --> 01:11:53,400
Speaker 2: You'll put it in my butt because it's I'm gonna

1604
01:11:53,400 --> 01:11:55,200
Speaker 2: go find a candidate with a little dick because I

1605
01:11:55,200 --> 01:11:56,320
Speaker 2: want to do anal so bad.

1606
01:11:58,960 --> 01:11:59,479
Speaker 3: It was like that.

1607
01:11:59,600 --> 01:12:01,600
Speaker 5: I think she just came into contact with him and

1608
01:12:01,720 --> 01:12:02,920
Speaker 5: was like, well, I don't feel nothing in my.

1609
01:12:03,000 --> 01:12:04,560
Speaker 4: Vagina, so she just was like, just put it in

1610
01:12:04,640 --> 01:12:04,960
Speaker 4: my butt.

1611
01:12:06,320 --> 01:12:07,400
Speaker 1: Is crazy.

1612
01:12:07,479 --> 01:12:08,320
Speaker 2: That's a crazy conference.

1613
01:12:08,360 --> 01:12:21,639
Speaker 1: That audible is that's the sickest audible. Oklahoma, Yo girl

1614
01:12:21,720 --> 01:12:24,760
Speaker 1: cool Oklahoma's spreading her butt open to my people. He went,

1615
01:12:25,760 --> 01:12:28,160
Speaker 1: because you have to shit too little, I'm crazy.

1616
01:12:28,680 --> 01:12:30,280
Speaker 2: Imagine you go to get the louver and she's like,

1617
01:12:30,600 --> 01:12:37,080
Speaker 2: not necessary that they don't fit right in Yo.

1618
01:12:37,439 --> 01:12:41,200
Speaker 1: You gotta kill yourself, man being man, kill yourself the facts.

1619
01:12:41,560 --> 01:12:42,639
Speaker 4: Well, obviously he wouldn't.

1620
01:12:44,080 --> 01:12:44,560
Speaker 1: He doesn't know.

1621
01:12:44,640 --> 01:12:46,640
Speaker 5: I'm assuming he doesn't know any of this, Like, but

1622
01:12:46,760 --> 01:12:48,840
Speaker 5: this is a ship that goes on in the group chats.

1623
01:12:49,560 --> 01:12:51,639
Speaker 5: But most people ship like we have people like liver

1624
01:12:51,800 --> 01:12:53,920
Speaker 5: Cleans and that's just like a nigga eyes mad yellow

1625
01:12:53,920 --> 01:12:54,880
Speaker 5: because he drank too much.

1626
01:12:55,640 --> 01:12:57,920
Speaker 2: Oh, I know what she's talked about to Jordan. She

1627
01:12:58,040 --> 01:12:59,560
Speaker 2: called him that in front of me once, and I

1628
01:12:59,680 --> 01:13:04,680
Speaker 2: was like, y'all are mean. Y'all means she actually said that,

1629
01:13:04,760 --> 01:13:06,519
Speaker 2: like I was part of the group chatter in the joke.

1630
01:13:06,560 --> 01:13:07,639
Speaker 2: I was like, well, damn, that was mean.

1631
01:13:08,640 --> 01:13:10,960
Speaker 1: But did you know why she called him living? Yeah? Wait,

1632
01:13:11,120 --> 01:13:12,880
Speaker 1: she called him Liver Clinton in front of him, No,

1633
01:13:13,080 --> 01:13:13,640
Speaker 1: in front of me.

1634
01:13:13,840 --> 01:13:16,240
Speaker 2: Oh okay, talking about him though, And I was like,

1635
01:13:16,600 --> 01:13:17,280
Speaker 2: that's fucked up.

1636
01:13:17,479 --> 01:13:18,920
Speaker 1: About Say, if I hear a girl, it's a god

1637
01:13:18,960 --> 01:13:21,080
Speaker 1: shiting at the table to master like your mom's liver cleins.

1638
01:13:21,240 --> 01:13:24,360
Speaker 1: I'm gonna have mad questions like why you just introduced

1639
01:13:24,360 --> 01:13:24,920
Speaker 1: me as delivering.

1640
01:13:25,320 --> 01:13:26,880
Speaker 2: I'm gonna say, at least I can fit a condo.

1641
01:13:28,600 --> 01:13:31,840
Speaker 1: Listen, what's the worst name you got in your phone

1642
01:13:31,880 --> 01:13:34,880
Speaker 1: for guy or had in your phone for gud.

1643
01:13:34,920 --> 01:13:36,479
Speaker 4: I feel like do not answer is the worst you

1644
01:13:36,520 --> 01:13:37,400
Speaker 4: can have your phone?

1645
01:13:38,720 --> 01:13:41,280
Speaker 1: Nah, that state that ain't worse than that, ain't worse

1646
01:13:41,360 --> 01:13:43,519
Speaker 1: than cargo condam. I'm sorry.

1647
01:13:43,760 --> 01:13:46,639
Speaker 5: Yeah, no, cargo condam. What I wasn't in my phone?

1648
01:13:46,920 --> 01:13:50,920
Speaker 5: That's probably the worst one I've heard. But yeah, Lucifer

1649
01:13:51,000 --> 01:13:52,479
Speaker 5: sending in my phone, Nam Lucifer.

1650
01:13:53,080 --> 01:13:57,320
Speaker 1: But because he's just the devil. Okay, that ain't too bad.

1651
01:13:57,439 --> 01:13:57,720
Speaker 3: I ain't.

1652
01:13:57,840 --> 01:14:00,280
Speaker 1: I'd rather be Lucifer. Yeah, of course, you rather be

1653
01:14:00,360 --> 01:14:04,759
Speaker 1: looser for than cargo condom any day called me the devil.

1654
01:14:04,840 --> 01:14:06,280
Speaker 1: This is the funniest when I have on my phone?

1655
01:14:06,720 --> 01:14:07,160
Speaker 4: What is it?

1656
01:14:07,479 --> 01:14:07,880
Speaker 2: Oh hell?

1657
01:14:07,960 --> 01:14:08,000
Speaker 1: No?

1658
01:14:12,320 --> 01:14:14,920
Speaker 2: You know, because you know sometimes if you don't save

1659
01:14:14,960 --> 01:14:17,960
Speaker 2: a number, and they'll calls like I think I recognize

1660
01:14:17,960 --> 01:14:20,000
Speaker 2: you answer like I wish I had answer the ship

1661
01:14:20,120 --> 01:14:23,400
Speaker 2: that happened to me twice to save myself. I put

1662
01:14:23,439 --> 01:14:24,559
Speaker 2: this ship as Oh hell.

1663
01:14:24,720 --> 01:14:28,400
Speaker 5: I never understood why people don't save people. Everybody that

1664
01:14:28,560 --> 01:14:32,040
Speaker 5: calls my phone Uber eats T Mobile. I saved their

1665
01:14:32,160 --> 01:14:35,160
Speaker 5: number because I hate unknown numbers. I hate accidentally answering

1666
01:14:35,160 --> 01:14:36,400
Speaker 5: the phone and somebody ill want to talk to I

1667
01:14:36,479 --> 01:14:37,839
Speaker 5: saved everybody's number.

1668
01:14:38,360 --> 01:14:40,240
Speaker 1: But I got I got got. I got friends that

1669
01:14:40,560 --> 01:14:42,920
Speaker 1: they changed their number every three months. I'm not saving

1670
01:14:43,560 --> 01:14:43,960
Speaker 1: I get that.

1671
01:14:44,040 --> 01:14:46,240
Speaker 5: But like people like bitches you fuck with like niggas,

1672
01:14:46,240 --> 01:14:47,880
Speaker 5: be like, nah, she wasn't important enough to get her

1673
01:14:47,960 --> 01:14:48,559
Speaker 5: number saved.

1674
01:14:48,640 --> 01:14:50,760
Speaker 4: I'm like, so then when you want to know that

1675
01:14:50,920 --> 01:14:52,519
Speaker 4: this person like is calling and.

1676
01:14:52,600 --> 01:14:55,560
Speaker 2: That's why you save numbers, that's oh hell no, So

1677
01:14:55,680 --> 01:14:56,439
Speaker 2: you know not to answer that.

1678
01:14:56,600 --> 01:14:57,080
Speaker 1: Did you beat?

1679
01:14:57,160 --> 01:14:59,000
Speaker 4: Is that's why you beat before? How was it?

1680
01:14:59,120 --> 01:14:59,240
Speaker 1: Oh?

1681
01:14:59,280 --> 01:15:01,680
Speaker 2: You only get to Oh hell you think it's just

1682
01:15:01,760 --> 01:15:02,840
Speaker 2: a civilian and we'll get to that.

1683
01:15:02,920 --> 01:15:04,599
Speaker 1: Just going to dinner. Like you don't get the hell

1684
01:15:04,680 --> 01:15:06,320
Speaker 1: no from a dinner, you get that out of y'all.

1685
01:15:06,439 --> 01:15:07,439
Speaker 1: Was sexually active?

1686
01:15:07,520 --> 01:15:09,720
Speaker 4: Yeah, heang she put it on you?

1687
01:15:11,000 --> 01:15:14,360
Speaker 2: Oh hell no, quite the opposite. She had on a

1688
01:15:14,400 --> 01:15:19,200
Speaker 2: baggy condom. I'm never fucking this girl.

1689
01:15:19,040 --> 01:15:19,479
Speaker 4: A cat.

1690
01:15:24,720 --> 01:15:24,880
Speaker 1: Yo.

1691
01:15:26,840 --> 01:15:30,720
Speaker 4: Oh I get it. It took me a while.

1692
01:15:30,880 --> 01:15:32,840
Speaker 1: You just got it. Welcome to the party to mar

1693
01:15:33,760 --> 01:15:36,240
Speaker 1: could come on in and get comfortable to that. I

1694
01:15:36,439 --> 01:15:36,960
Speaker 1: just got it.

1695
01:15:37,439 --> 01:15:38,880
Speaker 4: Mall my phone as thick thighs.

1696
01:15:40,200 --> 01:15:44,320
Speaker 2: That's crazy. If that's the case, Nah, I kind of want.

1697
01:15:44,160 --> 01:15:47,320
Speaker 1: You to that's I'm not even listening to the marriage.

1698
01:15:47,360 --> 01:15:49,759
Speaker 1: Though you got niceties, you got them out today.

1699
01:15:49,920 --> 01:15:50,760
Speaker 4: You got a nice style.

1700
01:15:51,080 --> 01:15:52,280
Speaker 1: First of all, my thighs are not out.

1701
01:15:52,439 --> 01:15:53,200
Speaker 4: I can see him through that.

1702
01:15:53,240 --> 01:15:54,680
Speaker 5: I can see you know when the pit when it

1703
01:15:54,720 --> 01:15:56,439
Speaker 5: shorts bagging, And if I can see right through there,

1704
01:15:56,560 --> 01:15:57,479
Speaker 5: I see meat too.

1705
01:15:57,920 --> 01:16:02,160
Speaker 1: You don't see. No, the mars I got underwheel. Don't

1706
01:16:02,200 --> 01:16:07,479
Speaker 1: let niggas think on my heels. Shorts and we're not

1707
01:16:07,600 --> 01:16:10,479
Speaker 1: playing that game though, we not never play. It's more

1708
01:16:10,520 --> 01:16:17,720
Speaker 1: lifestyle or be thinking anything. Yeah, hey, I'm never wearing

1709
01:16:17,760 --> 01:16:19,400
Speaker 1: shorts to get in that seat. No, we look on

1710
01:16:19,520 --> 01:16:22,160
Speaker 1: faster security center. See look how faster security setting. I

1711
01:16:22,240 --> 01:16:26,840
Speaker 1: win shorts more. I'm sorry, I like wearing shorts. I'm

1712
01:16:26,840 --> 01:16:29,640
Speaker 1: looking at my legs. I mean they're gorgeous. Thank you.

1713
01:16:29,760 --> 01:16:31,519
Speaker 2: I'm too insecure. I wish I could wear shorts on

1714
01:16:31,560 --> 01:16:32,960
Speaker 2: this pod. I would never want to blind.

1715
01:16:34,560 --> 01:16:36,200
Speaker 1: He would have to do too much color code.

1716
01:16:36,360 --> 01:16:37,840
Speaker 4: Yeah, warp in the list.

1717
01:16:38,080 --> 01:16:38,800
Speaker 1: That's why I sitting here.

1718
01:16:38,840 --> 01:16:40,560
Speaker 4: Ands on your legs, don't you.

1719
01:16:40,840 --> 01:16:41,519
Speaker 1: Yeah, they're cute.

1720
01:16:42,120 --> 01:16:45,960
Speaker 2: I don't have I don't have bad legs. They're just white.

1721
01:16:46,000 --> 01:16:48,599
Speaker 2: And I wouldn't want to do that. The lights already

1722
01:16:48,600 --> 01:16:51,519
Speaker 2: make me white, and I already am These doys don't

1723
01:16:51,520 --> 01:16:53,720
Speaker 2: see the sun. Look out white my faces and my

1724
01:16:53,760 --> 01:16:55,920
Speaker 2: faces in the sun every day. Can you imagine these babies?

1725
01:16:56,000 --> 01:16:58,200
Speaker 1: Oh my god, that is fucking funny.

1726
01:16:58,280 --> 01:16:59,680
Speaker 4: Yeah, I play too much for real.

1727
01:17:00,120 --> 01:17:00,280
Speaker 2: Hey,