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Speaker 1: Welcome to another great debate where we don't know what

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Speaker 1: we're going to talk about.

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Speaker 2: There's three of us here.

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Speaker 1: Micha will pitch us and then we'll just start arguing

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Speaker 1: about crap.

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Speaker 2: I'm Bobby Bones. I don't know what do I do?

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Speaker 1: Tell jokes, do a radio show, do podcasts? Written a

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Speaker 1: couple of books.

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Speaker 2: This is Eddie.

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Speaker 1: Eddie is not only half of our comedy band, The

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Speaker 1: Raging Idiots, He's also on the Bobby Bone Show, Wonderful

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Speaker 1: Data four.

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Speaker 3: This is one.

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Speaker 2: This is Brandon Ray.

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Speaker 1: Brandon Ray is a extremely talented singer songwriter. He is

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Speaker 1: the head of creative here on this project on Netflix.

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Speaker 1: He does a bunch of songs end up in commercials

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Speaker 1: all over.

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Speaker 4: He's awesome.

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Speaker 1: He's written with a lot of people in Town two,

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Speaker 1: so he always adds that perspective.

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Speaker 2: So here we go.

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Speaker 1: We don't know what we're about to discuss and argue about.

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Speaker 3: Us.

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Speaker 5: Now we will be debating the best country crossover hits

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Speaker 5: into pop okay.

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Speaker 1: And as always, we will spin the wheel first to

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Speaker 1: see who goes first, and we'll all have four spots

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Speaker 1: to draft best country songs that ended up being pop songs.

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Speaker 1: Man Okay, let's spin it up. We get all three

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Speaker 1: of us on the wheel. Here, is there any fact

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Speaker 1: checking on this?

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Speaker 3: You do that? What would be the fact? I don't know.

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Speaker 1: But you could say every Taylor Swift song, but I

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Speaker 1: don't know that's true. But that was only from like

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Speaker 1: our early days. And then and then we will go

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Speaker 1: to three also, Brandon, you'll go first. We'll go to

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Speaker 1: three different ais at the end to settle and see

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Speaker 1: who won.

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Speaker 3: It's very fair because.

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Speaker 2: We don't get paid by Big AI.

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Speaker 3: Nope.

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Speaker 2: So we'll go to Chad GBT.

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Speaker 3: We'll go to.

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Speaker 4: Gemini.

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Speaker 3: Gemini was one of them.

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Speaker 1: Yeah, Gemini is one, Mike, Yeah, yeah, yeah. And then

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Speaker 1: what was the Claude? Claude, I'm a clode Guy guy.

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Speaker 1: So we'll put it in and then we'll have a winter. Okay,

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Speaker 1: so best country crossover hits in the pop, Brandon, you

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Speaker 1: have the first overall pick.

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Speaker 3: All right.

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Speaker 4: The first one that popped in popped into my head

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Speaker 4: is by Faith Hill and it's called Breathe.

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Speaker 2: That's good.

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Speaker 3: That is a good one. That's good.

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Speaker 1: I wasn't going back that far really, I started way

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Speaker 1: back like, but it opens my eyes in my mind

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Speaker 1: to other because.

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Speaker 2: Because I got such a good one, oh man, torn.

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Speaker 1: Open me up, sorry, open me up some good ones. Okay,

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Speaker 1: I'm still gonna go where my head was first.

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Speaker 2: I don't know if this was the biggest one.

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Speaker 1: I'm going to go.

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Speaker 2: How far back you going?

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Speaker 1: Well, it's the two thousand's, but it's the whole debate

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Speaker 1: of and hey, I's going to settle this for us.

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Speaker 1: That's true, Like did it just get really popular later

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Speaker 1: to everybody or did it actually cross over?

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Speaker 2: And when I'm most of them talking about Taylor Swift.

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Speaker 1: Okay, because her songs now, everybody loves all of them.

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Speaker 1: But for example, Tim mcgrawl didn't really cross over. No,

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Speaker 1: it didn't like it probably had a little dance, but

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Speaker 1: it didn't really cross over. So if I'm gonna go

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Speaker 1: with the Taylor.

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Speaker 3: Song, so you thinking early Taylor.

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Speaker 1: No, I have to think mid Taylor because that's when

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Speaker 1: it really was because laid Taylor was popped.

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Speaker 3: Yes, the Red Album you can't.

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Speaker 1: Do well some of the Red album though, was her

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Speaker 1: cross that?

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Speaker 2: That's the album?

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Speaker 1: The Red Album, that's the album. Interesting, I'm gonna go

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Speaker 1: Kenny and Dolly Islands in the stream. You said you

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Speaker 1: were gonna know that I know, but I did.

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Speaker 3: That's what I was going.

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Speaker 1: I couldn't decide it was Taylor one. And since AI's

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Speaker 1: like judging us, that's so rude.

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Speaker 3: I was.

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Speaker 2: But then I changed my.

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Speaker 1: Mind because I wouldn't have fed you all the Taylor

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Speaker 1: talk if I didn't mean it. I just I just

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Speaker 1: couldn't commit because I didn't know which one did what.

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Speaker 3: Dude, Now I don't know what to do with my life.

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Speaker 1: And if this was a voting thing, I think I

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Speaker 1: would have gone Taylor because I would have pandered. But

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Speaker 1: since AI's judging us, I gotta go Kenny. To all

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Speaker 1: the Islands in the Stream, which, by the way, written by.

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Speaker 2: Willie.

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Speaker 3: I feel like everything was written by Willie. Uh Islands

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Speaker 3: in the Stream was written by Barry Manilo.

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Speaker 1: No, you're close, Hey, hold on, hold on, very white,

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Speaker 1: You're you're close. Yeah, you're you're the right close.

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Speaker 3: Like who's saying copa cabana? That's Barry Manelo. Okay, gosh,

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Speaker 3: it's somebody like that.

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Speaker 1: It's not only someone like that.

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Speaker 3: You've nailed a part of it, like it's got to

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Speaker 3: be the berry. There you go, Barry Gibbs, Barry Gibb

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Speaker 3: to the fan Barry Gibbs Begs the Beg's.

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Speaker 1: Really they wrote it and it wasn't even am I

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Speaker 1: thinking of that a song. I wrote it and produced it.

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Speaker 1: I was so sure of it. I started to doubt

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Speaker 1: myself because it was written for other They tried to pitch.

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Speaker 5: It like R and B it's supposed to be from

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Speaker 5: Marvin Gaye.

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Speaker 3: Yeah, well, was it not good enough to be Bege's

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Speaker 3: because I feel like it'd be perfect for a BEGI song.

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Speaker 2: I didn't ask him.

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Speaker 3: I don't know. Yeah, all right.

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Speaker 1: Kenny and Dolly Islands in the Strength my number one pick.

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Speaker 3: See And part of why I wanted you to go

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Speaker 3: Taylor is because Taylor is a great pick.

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Speaker 2: But Taylor, there's like where do you go?

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Speaker 1: That's why I was talking it out, like where do

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Speaker 1: you Never settled. It was like the end of Castaway

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Speaker 1: where you don't know where.

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Speaker 2: He goes and does he go left? Does he go right?

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Speaker 2: To go back there?

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Speaker 3: Right?

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Speaker 1: There's a whole it just shuts down. The movie shuts down.

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Speaker 1: You're like, what the crap?

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Speaker 3: I feel like he goes back to the girl though,

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Speaker 3: but but I really don't know.

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Speaker 1: Yeah, what if what if they do a smash cut

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Speaker 1: and it's just him humping a volleyball.

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Speaker 2: Oh yeah, he just couldn't.

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Speaker 1: It's like we find out what Tom Hanks was really

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Speaker 1: up to, and it's just him grinding on a ball

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Speaker 1: and he just lives his life with love with.

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Speaker 4: I don't want to see Castaway too.

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Speaker 3: It's all the relationship between them and Wilson.

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Speaker 1: It's just a weird documentary ton of guy in love

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Speaker 1: with a volleyball.

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Speaker 3: Get dark, Okay, Okay, all right, I'm just gonna have

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Speaker 3: to go Taylor, and I'm gonna just go and say,

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Speaker 3: all right, this was probably the crossover song. Gosh, I'm gonna.

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Speaker 2: Go with Mean Taylor.

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Speaker 3: Mean.

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Speaker 1: I love that song. It's possibly top three Taylor swip songs.

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Speaker 2: All You Are is Me?

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Speaker 1: Did it cross over though?

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Speaker 3: Yeah? Yeah, I believe I mean everything. There was a

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Speaker 3: lot of Yeah Taylor crossover, but I feel like Mean

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Speaker 3: was the one where it's like it wasn't so country.

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Speaker 1: I love that song, maybe number one.

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Speaker 4: I actually heard that the other day and it reminded me, like, dude,

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Speaker 4: this is a great song.

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Speaker 1: It's It's all you Are is Mean, It's got the

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Speaker 1: band you and yeah, yeah, I.

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Speaker 2: Just don't know the crossover, the full crossover, and that's

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Speaker 2: kind of a risk pick.

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Speaker 1: But yeah, okay, Brandon, back over to you, Faith Hill Breathe.

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Speaker 2: What are you gonna add to that?

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Speaker 3: All Right?

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Speaker 4: I would go Taylor Swift, and I probably should, but

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Speaker 4: I don't want this one to be stolen. So I'm

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Speaker 4: gonna say needs You Now from Lady An a Vellum.

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Speaker 2: I had it, Jam, I had it. I loved that song.

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Speaker 1: I thought I could get that one in like a

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Speaker 1: third round. Me too, But that was a monster.

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Speaker 2: Like you were doing pop radio at the.

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Speaker 3: Time, playing the crap out of it, and I remember

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Speaker 3: listening to a show and when that song will come

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Speaker 3: on and be like, I like this one, turn it out.

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Speaker 1: So getting to know those guys in that band there's

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Speaker 1: three of them, There's Charles, Dave and Hillary, and even

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Speaker 1: getting to know the riders of that song. That is

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Speaker 1: a song that you hear a lot of times. There

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Speaker 1: was a throwaway crazy that they just reworded. It really

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Speaker 1: wasn't even going to make the album, much less be

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Speaker 1: a single, and they're just going through music. It's one

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Speaker 1: of those stories. Okay, yeah, I think we should put

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Speaker 1: it on the record, right, Huh, good thing you did

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Speaker 1: not only that, I think I think it should be

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Speaker 1: the scene. It's risky, but let's make it the single. Yeah,

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Speaker 1: and then what yeah change their life?

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Speaker 3: How does the decision, ever, how does it crossover? Like,

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Speaker 3: how does it get in the hands of pop radio?

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Speaker 1: So I can tell you generally speaking, because I think

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Speaker 1: a lot of stories are different. If it does tremendously

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Speaker 1: well at country and someone in the country space label

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Speaker 1: wise season avenue for it to also season avenue that

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Speaker 1: they feel like is a good investment to then do

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Speaker 1: promotion for it within pop because it's all a money thing.

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Speaker 3: Okay.

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Speaker 2: Now, occasionally you'll.

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Speaker 1: Have stations to go, this is such a jam, We're

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Speaker 1: just going to play it anyway. Rare, it's a label

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Speaker 1: has to commit to now doing the promotion that record

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Speaker 1: over on the pop side of things, because a lot

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Speaker 1: it takes a lot of It just takes a lot

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Speaker 1: of money to promote a record anyway.

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Speaker 3: Yeah. So yeah, I didn't know if it was a

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Speaker 3: radio decision, like program directors saying like, hey, we're going

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Speaker 3: to play this also on the on the pop stade.

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Speaker 1: That can happen too, where let's say, lady A, I'll

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Speaker 1: just use that song. It could there could be a

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Speaker 1: program director in Atlanta and this didn't happen. But at

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Speaker 1: a pop station that goes, this song is doing so

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Speaker 1: well in our market through research, we're also going to

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Speaker 1: play it on the pop station, and then it does

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Speaker 1: so well on the pop station through research that other

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Speaker 1: stations go, oh, we should add it then too, because

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Speaker 1: the research is showing it's doing well here and it can.

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Speaker 2: Also blow up that way.

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Speaker 3: Yeah, okay.

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Speaker 1: I would say for the most part.

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Speaker 3: It is.

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Speaker 1: Directly from the record label deciding that it's worth the

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Speaker 1: money to promote it to pop radio. That's got to

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Speaker 1: be a risk, it is, and they have a lot

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Speaker 1: of data though, because then go look in your city.

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Speaker 1: Look out it's selling in your city or streaming in

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Speaker 1: your city. So yeah, that's it. But there's not universal answer.

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Speaker 1: So I don't want to be the oud that knows everything.

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Speaker 1: But it's mostly a money thing. Okay, uh good, good pick,

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Speaker 1: great pick. That's a really good pick, Brandon, thanks man

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Speaker 1: for my number two pick.

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Speaker 2: Man, do it, just do it.

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Speaker 1: I really got to get a Taylor song on here.

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Speaker 3: Yeah you should, but I know what you're gonna do.

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Speaker 3: Now talk about Taylor for thirty minutes. And then pick

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Speaker 3: someone else that I'm about it.

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Speaker 4: It's still his song.

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Speaker 2: With Taylor.

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Speaker 1: The Red album, for sure was her last album before

237
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Speaker 1: she went country or went pop. But again, like our song,

238
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Speaker 1: did that cross over or did it just get way

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Speaker 1: awesome later to everybody?

240
00:10:46,320 --> 00:10:47,120
Speaker 2: Yeah, I don't know.

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Speaker 3: I feel like she was winning awards, not in the

242
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Speaker 3: country realm with all those wouldn't she was she winn

243
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Speaker 3: like American Music Awards and all kinds, not in the

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00:11:00,360 --> 00:11:01,640
Speaker 3: country division with those songs.

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Speaker 1: Okay, I'm gonna go Blessed a Broken Road, Rascal Flas.

246
00:11:10,480 --> 00:11:16,319
Speaker 3: See this guy. Wow, you're never gonna pick a tailored song.

247
00:11:16,640 --> 00:11:20,959
Speaker 3: I know you. That's a good one. It's a real

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00:11:21,000 --> 00:11:21,880
Speaker 3: good one.

249
00:11:22,040 --> 00:11:23,160
Speaker 1: Because that one crossed over?

250
00:11:23,679 --> 00:11:24,079
Speaker 4: Yeah?

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00:11:24,800 --> 00:11:25,840
Speaker 2: Was that their crossover?

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Speaker 1: They Yeah, I'm not telling you anything else because they had,

253
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Speaker 1: because I feel like they're they've got a few bigger

254
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Speaker 1: one they've got that. That was my uh because like

255
00:11:38,040 --> 00:11:39,800
Speaker 1: the song from Cards was never supposed to be a single.

256
00:11:39,960 --> 00:11:42,040
Speaker 3: Yeah, but but but it was big.

257
00:11:42,160 --> 00:11:42,880
Speaker 2: It's for sure big.

258
00:11:43,000 --> 00:11:43,200
Speaker 3: Yeah.

259
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Speaker 1: So I thought in my head of those two and

260
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Speaker 1: I went with Blessed to Broken Road because it wasn't

261
00:11:48,000 --> 00:11:49,480
Speaker 1: a cover. But it doesn't matter to people.

262
00:11:49,679 --> 00:11:51,280
Speaker 2: It doesn't matter. But I didn't think about that.

263
00:11:51,320 --> 00:11:53,240
Speaker 3: Well, I'm just thinking about AI. What's a I want?

264
00:11:54,320 --> 00:11:54,440
Speaker 1: Now?

265
00:11:54,440 --> 00:11:56,920
Speaker 4: You're a AI?

266
00:11:58,040 --> 00:12:00,480
Speaker 3: What does a I want? Here? All right?

267
00:12:00,559 --> 00:12:01,400
Speaker 2: You have Taylor Swift?

268
00:12:01,559 --> 00:12:03,600
Speaker 3: Mean, yeah, I feel like I need another Taylor song.

269
00:12:04,320 --> 00:12:06,599
Speaker 2: If you go Taylor, you might win it. Have you

270
00:12:06,640 --> 00:12:07,679
Speaker 2: ever won ever?

271
00:12:08,240 --> 00:12:08,560
Speaker 3: Yeah?

272
00:12:08,640 --> 00:12:09,400
Speaker 2: I've won one.

273
00:12:10,840 --> 00:12:16,040
Speaker 1: No, I don't even think you'd want to vote.

274
00:12:17,679 --> 00:12:20,440
Speaker 3: Okay, uh, well this is I'm definitely gonna win one here.

275
00:12:20,600 --> 00:12:26,040
Speaker 3: So let's go with a Willie Nelson song. It was

276
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Speaker 3: a duet. It's Willie and Julio Iglesias with all the

277
00:12:32,559 --> 00:12:33,880
Speaker 3: girls I've loved before.

278
00:12:34,080 --> 00:12:37,679
Speaker 2: Oh wow, strong, that's a huge crossover hit.

279
00:12:39,040 --> 00:12:39,760
Speaker 4: What year was that?

280
00:12:40,000 --> 00:12:40,640
Speaker 3: I don't know, dude.

281
00:12:40,960 --> 00:12:42,040
Speaker 2: Halloween one year we win?

282
00:12:42,160 --> 00:12:46,720
Speaker 1: Is that? And we of course match our races, and so.

283
00:12:46,720 --> 00:12:50,400
Speaker 2: I was Julio. Okay, yeah, we race match.

284
00:12:50,520 --> 00:12:53,200
Speaker 1: Everybody relaxed, and I was Willy and he was Julio

285
00:12:53,400 --> 00:12:54,480
Speaker 1: and we did natural.

286
00:12:54,520 --> 00:12:57,200
Speaker 3: Halloween was great. Did we even sing? Did we sing

287
00:12:57,240 --> 00:12:57,520
Speaker 3: a song?

288
00:12:57,720 --> 00:13:01,240
Speaker 1: Nobody really wanted us to to able to guess though

289
00:13:02,440 --> 00:13:07,000
Speaker 1: probably not. Yes, Because I had a red bandana on

290
00:13:07,320 --> 00:13:09,440
Speaker 1: in a long break, I think you could tell that

291
00:13:09,559 --> 00:13:11,720
Speaker 1: I was Willie and it just was like it just

292
00:13:11,880 --> 00:13:14,679
Speaker 1: was like Willy and his Mexican buddy.

293
00:13:14,640 --> 00:13:14,840
Speaker 3: Yeah.

294
00:13:15,640 --> 00:13:17,319
Speaker 2: But then it if you knew who you.

295
00:13:17,320 --> 00:13:21,160
Speaker 4: Knew, Okay, okay, you get it. It's like inside big time.

296
00:13:21,480 --> 00:13:23,320
Speaker 1: If you knew knew, you thought it was a great costume.

297
00:13:23,440 --> 00:13:25,640
Speaker 1: If you didn't, you were just like, what's the guy

298
00:13:25,720 --> 00:13:27,320
Speaker 1: dressed up like a girl for with the pigtails?

299
00:13:27,320 --> 00:13:28,679
Speaker 2: With the Mexican guy.

300
00:13:28,960 --> 00:13:31,120
Speaker 3: Yeah, it was like the year I maybe two years

301
00:13:31,160 --> 00:13:34,680
Speaker 3: after that, I went as Benny the Jet Rodriguez, you know,

302
00:13:34,800 --> 00:13:35,720
Speaker 3: from the Sandlot.

303
00:13:36,320 --> 00:13:38,920
Speaker 1: I also went as Squints, Yes.

304
00:13:38,760 --> 00:13:40,880
Speaker 3: I know, and everyone thought I was cheap from born

305
00:13:40,920 --> 00:13:41,520
Speaker 3: in the East, LA.

306
00:13:41,600 --> 00:13:43,679
Speaker 1: And everyone at kept asking me, are you yourself as

307
00:13:43,720 --> 00:13:48,000
Speaker 1: a kid. It was the same crap because no one

308
00:13:48,040 --> 00:13:53,120
Speaker 1: really got us. Okay, great one, Brandon over to you.

309
00:13:54,200 --> 00:13:57,640
Speaker 4: All right, I'm gonna have to go with a Taylor

310
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Speaker 4: Swift monster.

311
00:14:00,200 --> 00:14:01,400
Speaker 1: Switch it up, honest and don't do it.

312
00:14:01,480 --> 00:14:02,959
Speaker 3: Yeah, yeah, yeah, do that.

313
00:14:04,200 --> 00:14:10,840
Speaker 4: It's Reba mc notes Taylor Swift love story.

314
00:14:11,840 --> 00:14:13,760
Speaker 1: I don't know on Taylor songs what I mean. That's

315
00:14:13,760 --> 00:14:16,440
Speaker 1: why I'm saying that's a great song, and probably rely was.

316
00:14:16,559 --> 00:14:18,480
Speaker 3: I really think we can do so many Taylor.

317
00:14:18,200 --> 00:14:21,640
Speaker 1: Songs right this one though, Are you sure it crossed over?

318
00:14:22,160 --> 00:14:26,000
Speaker 4: Yeah? It might have been one of the biggest crossovers.

319
00:14:26,320 --> 00:14:30,160
Speaker 6: Okay, hang tight, The Bobby Cast will be right back,

320
00:14:41,360 --> 00:14:43,600
Speaker 6: and we're back on the Bobby Cast.

321
00:14:44,400 --> 00:14:46,120
Speaker 1: I have Kenny and Dollie, Islands in the Stream, a

322
00:14:46,280 --> 00:14:50,720
Speaker 1: Rascal Flats, Blessed the Broken Road, So let's think about Taylor.

323
00:14:51,880 --> 00:14:54,080
Speaker 3: Don't do that every time.

324
00:14:55,680 --> 00:14:58,480
Speaker 1: But really, qick one, I'm gonna be really risky with

325
00:14:58,520 --> 00:15:02,120
Speaker 1: this one, okay, because I feel like this is massive

326
00:15:02,280 --> 00:15:08,360
Speaker 1: risk but humongous reward. Wasn't alive when this song did

327
00:15:08,400 --> 00:15:10,600
Speaker 1: its think? Also, wasn't a live for Islands in the Stream.

328
00:15:10,640 --> 00:15:12,760
Speaker 3: I don't think we might have been. I feel like

329
00:15:12,760 --> 00:15:14,880
Speaker 3: that was was that early ladies, maybe seventies.

330
00:15:16,880 --> 00:15:19,760
Speaker 1: I'm gonna go, gosh, don't do it with the native

331
00:15:19,760 --> 00:15:25,880
Speaker 1: from where I'm from, Johnny Cash. Oh, okay, because there's

332
00:15:25,920 --> 00:15:27,760
Speaker 1: a reason he's in both the Country Music Hall of

333
00:15:27,760 --> 00:15:30,360
Speaker 1: Fame and the Rock and Roll Hall of Fame. Yeah,

334
00:15:30,520 --> 00:15:34,960
Speaker 1: it's because dude did songs that everybody loved, and so.

335
00:15:36,280 --> 00:15:38,280
Speaker 3: Could you pick all of his songs to be crossovers?

336
00:15:39,160 --> 00:15:40,320
Speaker 2: It's kind of like the tail Swift thing.

337
00:15:40,320 --> 00:15:41,480
Speaker 3: I don't know I feel like you.

338
00:15:41,800 --> 00:15:44,000
Speaker 1: I'm gonna go Johnny Cash, ring a Fire.

339
00:15:44,080 --> 00:15:44,480
Speaker 3: That's good.

340
00:15:44,560 --> 00:15:45,160
Speaker 4: Wow.

341
00:15:46,760 --> 00:15:49,920
Speaker 1: My assumption is that that song was played everywhere.

342
00:15:50,120 --> 00:15:51,000
Speaker 4: What's the rule?

343
00:15:51,360 --> 00:15:53,360
Speaker 3: That is the rule that it had to be played

344
00:15:53,720 --> 00:15:56,680
Speaker 3: on pop radio? But I mean, like back then, what

345
00:15:56,840 --> 00:15:58,280
Speaker 3: was pop radio? Was it everything?

346
00:15:58,600 --> 00:15:59,400
Speaker 2: It was top forty?

347
00:15:59,680 --> 00:16:03,040
Speaker 3: Okay, So so we should look at what nineteen's whatever,

348
00:16:03,200 --> 00:16:05,760
Speaker 3: Ring of Fire, what every year that was and see

349
00:16:05,760 --> 00:16:06,360
Speaker 3: if it played in the.

350
00:16:06,360 --> 00:16:08,320
Speaker 1: Top Well, hey, I was gonna tell us because Mike's

351
00:16:08,360 --> 00:16:08,960
Speaker 1: gonna type in.

352
00:16:09,320 --> 00:16:10,400
Speaker 5: I have an answer for you right now.

353
00:16:10,400 --> 00:16:10,920
Speaker 3: If you want it?

354
00:16:11,240 --> 00:16:14,040
Speaker 1: Do we want it?

355
00:16:13,800 --> 00:16:14,560
Speaker 2: Do we want it?

356
00:16:14,720 --> 00:16:17,080
Speaker 1: Cause I can't pull back, and if it's bad, I'd rather.

357
00:16:17,000 --> 00:16:17,560
Speaker 2: Or not know right now.

358
00:16:17,600 --> 00:16:20,920
Speaker 1: And so so it doesn't qualify as a poop no, No,

359
00:16:20,960 --> 00:16:22,320
Speaker 1: it just won't get radied high by AI.

360
00:16:22,400 --> 00:16:24,760
Speaker 2: Okay, all right, that's fair. I like that, yeah, because

361
00:16:24,760 --> 00:16:26,600
Speaker 2: we can ask the question. I like that.

362
00:16:27,120 --> 00:16:30,520
Speaker 1: Gosh, we're debating best country crossover hits into pop based

363
00:16:30,560 --> 00:16:33,400
Speaker 1: on their country success and their success on the top

364
00:16:33,440 --> 00:16:34,200
Speaker 1: forty charts.

365
00:16:34,240 --> 00:16:35,880
Speaker 3: I would bet Ring a Fire was on the top

366
00:16:35,920 --> 00:16:38,000
Speaker 3: forty charts. I would bet, I hope.

367
00:16:38,040 --> 00:16:40,840
Speaker 1: So, but I don't know, no, because it wasn't there.

368
00:16:40,880 --> 00:16:43,680
Speaker 3: I would think, so, okay, Eddie, man, I thought you

369
00:16:43,680 --> 00:16:45,480
Speaker 3: were gonna go with this. I thought you were gonna

370
00:16:45,480 --> 00:16:51,160
Speaker 3: go with uh until it was until you said where

371
00:16:51,160 --> 00:16:53,640
Speaker 3: I come from, like from my from Arkansas.

372
00:16:53,720 --> 00:16:55,520
Speaker 2: Yeah, I thought you're gonna go with Dolly.

373
00:16:56,680 --> 00:16:58,920
Speaker 3: Oh, it's a great one.

374
00:16:59,040 --> 00:17:01,720
Speaker 1: So I'm gonna go a great one Dolly part. And

375
00:17:01,760 --> 00:17:04,000
Speaker 1: I even think they did a movie from this, thinking

376
00:17:04,119 --> 00:17:06,000
Speaker 1: going give.

377
00:17:05,800 --> 00:17:12,240
Speaker 2: Me Dolly nine to five. That's a great pick.

378
00:17:12,480 --> 00:17:13,080
Speaker 3: Let's go.

379
00:17:14,240 --> 00:17:16,000
Speaker 1: And I would have double dollied if I'd have thought

380
00:17:16,040 --> 00:17:18,360
Speaker 1: of that, Yeah, of course, because like because I say,

381
00:17:18,400 --> 00:17:20,680
Speaker 1: never go double Dolly, but go double Yeah, to go

382
00:17:20,760 --> 00:17:25,280
Speaker 1: double doll Oh, what a great pick because that was

383
00:17:25,600 --> 00:17:28,760
Speaker 1: I would assume a number one song on the pop charts,

384
00:17:28,760 --> 00:17:30,879
Speaker 1: and for sure country charge yea yea yeah yeah. And

385
00:17:30,920 --> 00:17:33,960
Speaker 1: that at the beginning is her doing her fingernails.

386
00:17:34,240 --> 00:17:35,200
Speaker 2: Yeah on the microphone.

387
00:17:35,440 --> 00:17:39,000
Speaker 1: She's doing it. I always thought it was a typewriter way,

388
00:17:39,119 --> 00:17:41,480
Speaker 1: and I think that's what it's supposed to sound, right, Yeah,

389
00:17:41,720 --> 00:17:43,119
Speaker 1: crazy like wish like she's working.

390
00:17:43,200 --> 00:17:45,360
Speaker 2: Yeah, but she told us it was her fingernails.

391
00:17:46,760 --> 00:17:47,159
Speaker 3: She said that.

392
00:17:47,240 --> 00:17:47,760
Speaker 4: Mind blown.

393
00:17:47,800 --> 00:17:51,720
Speaker 3: She's like, I used my fingernails on the mic. Is

394
00:17:51,720 --> 00:17:54,720
Speaker 3: that your Dolly impression was it was like that I

395
00:17:54,720 --> 00:17:55,120
Speaker 3: didn't work.

396
00:17:55,200 --> 00:17:59,439
Speaker 1: Dude, that is possibly your best one and could have

397
00:17:59,440 --> 00:18:00,240
Speaker 1: gone in the first round.

398
00:18:00,280 --> 00:18:01,120
Speaker 3: Let's go, baby.

399
00:18:01,400 --> 00:18:03,359
Speaker 1: You have seen the Nuns podcast yet where they're just

400
00:18:03,359 --> 00:18:04,040
Speaker 1: gassing each other out.

401
00:18:04,240 --> 00:18:05,600
Speaker 4: You've told me I told us about that.

402
00:18:05,720 --> 00:18:07,240
Speaker 1: That's what I felt like whenever I was doing I

403
00:18:07,240 --> 00:18:09,440
Speaker 1: was like, man, that's the that's the greatest answer ever.

404
00:18:09,520 --> 00:18:09,760
Speaker 3: Thank you.

405
00:18:09,760 --> 00:18:11,480
Speaker 1: I sure wish I would have picked that, but I

406
00:18:11,480 --> 00:18:12,560
Speaker 1: didn't deserve to pick that.

407
00:18:12,640 --> 00:18:13,960
Speaker 4: You're you're so good at drafting.

408
00:18:14,640 --> 00:18:17,639
Speaker 1: Yeah, thank you so long to get such a good pick.

409
00:18:17,840 --> 00:18:18,360
Speaker 3: You are too.

410
00:18:18,520 --> 00:18:19,919
Speaker 2: I'm surrounded by the best.

411
00:18:20,760 --> 00:18:24,080
Speaker 1: Man, Brandon. You have faith, He'll breathe.

412
00:18:24,800 --> 00:18:25,880
Speaker 2: Lady, I need you now.

413
00:18:26,480 --> 00:18:29,600
Speaker 1: Taylor Swift love story. You have one more pick here

414
00:18:29,840 --> 00:18:32,120
Speaker 1: and your best country crossover hits into pop.

415
00:18:32,520 --> 00:18:33,119
Speaker 2: What are you thinking?

416
00:18:35,720 --> 00:18:38,560
Speaker 4: My mind is so clouded, I can't really think back,

417
00:18:38,920 --> 00:18:42,760
Speaker 4: So don't hate me for this. I know you're an

418
00:18:42,800 --> 00:18:47,040
Speaker 4: Ella fella, but choosing Texas from Ella Langley.

419
00:18:46,800 --> 00:18:48,160
Speaker 3: Wow, that just happened yesterday.

420
00:18:48,240 --> 00:18:48,520
Speaker 4: Yeah.

421
00:18:48,920 --> 00:18:50,760
Speaker 1: I wouldn't have thought about that because it was so recent,

422
00:18:50,800 --> 00:18:53,359
Speaker 1: but it was a number one Billboard song for a

423
00:18:53,359 --> 00:18:55,119
Speaker 1: while long time.

424
00:18:55,160 --> 00:18:56,320
Speaker 2: So that's a good pick.

425
00:18:56,600 --> 00:18:59,280
Speaker 1: I hope that our ais aren't updated. Hope like that

426
00:18:59,560 --> 00:19:03,159
Speaker 1: version from Ella six months ago, it's I didn't get up.

427
00:19:03,840 --> 00:19:06,639
Speaker 2: It's like the GPS that doesn't know. Yeah, yeah, the

428
00:19:06,840 --> 00:19:10,560
Speaker 2: street was there. That's a good one.

429
00:19:10,800 --> 00:19:11,400
Speaker 4: Thanks man.

430
00:19:11,640 --> 00:19:16,920
Speaker 1: Interesting, oh interesting, because you don't like it, say more,

431
00:19:17,200 --> 00:19:18,880
Speaker 1: it might be too new.

432
00:19:19,200 --> 00:19:20,480
Speaker 4: It wasn't my favorite pick.

433
00:19:20,560 --> 00:19:21,640
Speaker 3: I'm just you went blank.

434
00:19:21,720 --> 00:19:24,080
Speaker 1: It's data though, no, it's not blank. I agree. I

435
00:19:24,119 --> 00:19:26,520
Speaker 1: think it's a great pick because it was a number.

436
00:19:26,520 --> 00:19:28,040
Speaker 1: It was number one on both charts.

437
00:19:28,200 --> 00:19:30,359
Speaker 3: But the picker is even like doubting if it was

438
00:19:30,359 --> 00:19:30,920
Speaker 3: a great pick.

439
00:19:31,480 --> 00:19:33,720
Speaker 4: Because it was doubting. I think it was a great pick.

440
00:19:33,880 --> 00:19:37,639
Speaker 4: I'm disappointed that I couldn't think of you know, like

441
00:19:37,920 --> 00:19:40,639
Speaker 4: Islands in the Stream. That's that's a classic, you know.

442
00:19:41,600 --> 00:19:44,639
Speaker 3: So it's just yeah, yeah, I mean Ella, just that

443
00:19:44,800 --> 00:19:47,520
Speaker 3: just happened. So to me, it's like, all right, let's

444
00:19:47,560 --> 00:19:49,520
Speaker 3: see if AI registers it.

445
00:19:50,040 --> 00:19:52,320
Speaker 1: Okay, I'm Kenny and Dallie. Island in the Stream, Ella,

446
00:19:52,400 --> 00:19:55,880
Speaker 1: Who radcal Flats, Bless the Broken Road, Johnny Cash, Ring

447
00:19:55,920 --> 00:20:02,000
Speaker 1: a Fire. If I were going to talk THROUGHSS over songs,

448
00:20:02,440 --> 00:20:05,960
Speaker 1: because I would always get a little irritated too, because

449
00:20:06,000 --> 00:20:12,840
Speaker 1: I've been in Nashville for twenty thirteen. Yeah, so that

450
00:20:13,160 --> 00:20:15,359
Speaker 1: would be thirteen years, that's right. And so when a

451
00:20:15,440 --> 00:20:19,159
Speaker 1: song would blow up with an R format and then

452
00:20:19,240 --> 00:20:21,280
Speaker 1: would cross over and people would go like, oh, we've

453
00:20:21,320 --> 00:20:23,040
Speaker 1: discovered this song, and we're like, we've had that song

454
00:20:23,080 --> 00:20:25,000
Speaker 1: for a year and a half. I can't you know,

455
00:20:25,040 --> 00:20:26,440
Speaker 1: a little territorial.

456
00:20:26,359 --> 00:20:27,480
Speaker 3: Just rubs you the wrong way.

457
00:20:27,720 --> 00:20:28,000
Speaker 4: Yeah.

458
00:20:28,080 --> 00:20:29,399
Speaker 1: Yeah, So I'm trying to think of the songs that

459
00:20:29,480 --> 00:20:30,960
Speaker 1: kind of pissed me off when they would go they'd

460
00:20:30,960 --> 00:20:31,440
Speaker 1: cross over.

461
00:20:31,560 --> 00:20:34,600
Speaker 4: I just thought, I just thought of a monster.

462
00:20:35,560 --> 00:20:36,800
Speaker 3: Are you done? He's done?

463
00:20:36,920 --> 00:20:39,320
Speaker 4: Done? I can then I can't.

464
00:20:39,680 --> 00:20:42,119
Speaker 1: Okay, I can't even take any hints we can, but like,

465
00:20:42,200 --> 00:20:44,040
Speaker 1: I'm not picking this song because it.

466
00:20:44,440 --> 00:20:47,080
Speaker 3: Why then go with Taylor dude?

467
00:20:47,240 --> 00:20:50,760
Speaker 1: Well, hold on a song like a sam Hunt body,

468
00:20:50,800 --> 00:20:54,320
Speaker 1: like a back Road did, like a mid success crossover.

469
00:20:54,400 --> 00:20:55,200
Speaker 4: That's a good example.

470
00:20:55,280 --> 00:20:56,800
Speaker 3: Yeah, okay, And I remember people.

471
00:20:56,760 --> 00:20:58,479
Speaker 1: Be like this sam Hunt guy brand New, he's so good,

472
00:20:58,520 --> 00:20:59,560
Speaker 1: and I'm like, shut up, he's been.

473
00:20:59,440 --> 00:21:01,440
Speaker 3: Over here for four years loving the back of the track.

474
00:21:04,600 --> 00:21:07,040
Speaker 1: So my mind goes. Let me think of all those

475
00:21:07,080 --> 00:21:14,040
Speaker 1: songs that made me mad, and I think there's only

476
00:21:14,119 --> 00:21:16,080
Speaker 1: been three or four big ones since we've been here

477
00:21:16,080 --> 00:21:20,240
Speaker 1: in thirteen or fourteen years, most recently Ella Langley choosing

478
00:21:20,240 --> 00:21:27,800
Speaker 1: Texas right, and even Morgan Wallen as big as he is,

479
00:21:28,840 --> 00:21:30,440
Speaker 1: I don't think he's had a Billboard number one.

480
00:21:30,520 --> 00:21:31,480
Speaker 3: I don't think so either.

481
00:21:31,680 --> 00:21:37,360
Speaker 4: And can can you gravitate toward one song like that

482
00:21:37,520 --> 00:21:40,159
Speaker 4: song was? Was the one with Morgan Wallen?

483
00:21:40,480 --> 00:21:43,040
Speaker 1: You know, I think he may have had a top

484
00:21:43,119 --> 00:21:45,399
Speaker 1: five And I'm not sure which one because they all

485
00:21:45,480 --> 00:21:48,160
Speaker 1: kind of sound the same. And yeah, I don't know.

486
00:21:50,720 --> 00:21:56,680
Speaker 1: I'm gonna go, man, this is such a stupid pick.

487
00:21:57,400 --> 00:22:01,200
Speaker 5: Why, like you say, he does have number one on Billboard?

488
00:22:01,359 --> 00:22:03,280
Speaker 2: Oh, I'm okay on that hot one hundred.

489
00:22:03,520 --> 00:22:03,720
Speaker 3: Wow.

490
00:22:03,840 --> 00:22:08,439
Speaker 1: Then why was his producer Charlie Hansom talking about he

491
00:22:08,480 --> 00:22:10,040
Speaker 1: wants him to get a number one song finally on

492
00:22:10,080 --> 00:22:10,680
Speaker 1: the pop chart?

493
00:22:10,800 --> 00:22:13,439
Speaker 4: How long ago did you have Charlie on?

494
00:22:13,760 --> 00:22:17,080
Speaker 1: No, this was an article like last week. Oh, Charlie

495
00:22:17,119 --> 00:22:20,639
Speaker 1: Hansom was talking with I think the country used to

496
00:22:20,640 --> 00:22:21,800
Speaker 1: call the fame and he's like, my goal is to

497
00:22:21,800 --> 00:22:24,680
Speaker 1: get Morgan Wallen and number one song in the pop wart.

498
00:22:24,720 --> 00:22:25,840
Speaker 1: We're gonna do more pop stuff.

499
00:22:25,960 --> 00:22:29,560
Speaker 4: Oh maybe, I mean, I know he had number one

500
00:22:29,600 --> 00:22:33,240
Speaker 4: on the like digital. Yah was the was it the

501
00:22:33,240 --> 00:22:33,800
Speaker 4: hot one hunt?

502
00:22:33,920 --> 00:22:35,320
Speaker 2: It doesn't like you know what, it doesn't matter.

503
00:22:35,320 --> 00:22:36,000
Speaker 3: I'm sure it was.

504
00:22:36,440 --> 00:22:38,240
Speaker 5: And in the end he was saying, with no features?

505
00:22:38,720 --> 00:22:39,240
Speaker 2: Is that what it is?

506
00:22:39,359 --> 00:22:40,600
Speaker 5: Number one is their features?

507
00:22:40,800 --> 00:22:44,440
Speaker 3: Oh I help post post malon Okay?

508
00:22:44,600 --> 00:22:45,760
Speaker 1: Was that a Morgan or Post song?

509
00:22:46,480 --> 00:22:48,400
Speaker 5: That was a post post song?

510
00:22:48,680 --> 00:22:50,359
Speaker 1: So that doesn't even really count as a Morgan number one?

511
00:22:50,400 --> 00:22:50,680
Speaker 3: I get it.

512
00:22:50,720 --> 00:22:52,480
Speaker 1: But he produced that four post mall and he produces

513
00:22:52,520 --> 00:22:55,439
Speaker 1: Morgan Wallen, So yeah, so Morgan Wallen maybe doesn't have

514
00:22:55,480 --> 00:22:56,920
Speaker 1: a number one that's his own song.

515
00:22:57,720 --> 00:22:59,680
Speaker 5: According to Charlie Hansom, yeah, he wants them to have

516
00:22:59,680 --> 00:23:01,240
Speaker 5: a number one song with no features.

517
00:23:03,480 --> 00:23:05,359
Speaker 3: Dude, I can think of two monsters.

518
00:23:05,480 --> 00:23:07,119
Speaker 1: I can think of a monster right now that was

519
00:23:07,240 --> 00:23:10,680
Speaker 1: right before we got here, Then do it?

520
00:23:10,840 --> 00:23:11,920
Speaker 2: I just don't know.

521
00:23:14,440 --> 00:23:15,960
Speaker 4: I wish I could go back in time.

522
00:23:16,640 --> 00:23:17,160
Speaker 3: You can't.

523
00:23:17,200 --> 00:23:21,320
Speaker 4: I truly wish I could, because this one is the

524
00:23:21,480 --> 00:23:22,399
Speaker 4: number one song.

525
00:23:22,480 --> 00:23:25,359
Speaker 2: Ever, yeah, I think I have that one to cross over.

526
00:23:26,800 --> 00:23:29,600
Speaker 2: I think I have. I think so, Like dude liked

527
00:23:29,840 --> 00:23:30,560
Speaker 2: no question.

528
00:23:32,200 --> 00:23:33,480
Speaker 1: Well, now I'm playing the game in my head of

529
00:23:33,520 --> 00:23:35,280
Speaker 1: just trying to identify what you guys are talking about.

530
00:23:38,440 --> 00:23:40,800
Speaker 1: Did Michael Jackson ever do a country record.

531
00:23:43,560 --> 00:23:45,200
Speaker 2: El Elvis?

532
00:23:47,040 --> 00:23:48,040
Speaker 3: Oh, I didn't think about it.

533
00:23:48,040 --> 00:23:48,760
Speaker 4: Oh, don't give him.

534
00:23:49,000 --> 00:23:50,879
Speaker 1: Well, I thought Elvis when we talked about people in

535
00:23:50,920 --> 00:23:53,920
Speaker 1: the country and rock, Hall of Fames and gospel, because

536
00:23:54,520 --> 00:23:55,399
Speaker 1: he's in all those.

537
00:23:56,640 --> 00:24:00,199
Speaker 3: But can I remind you you have not picked Taylor it.

538
00:24:00,640 --> 00:24:04,880
Speaker 1: I know, I'm just not sure enough of what her

539
00:24:04,920 --> 00:24:11,600
Speaker 1: crossovers were, but take your pick. So you have one

540
00:24:11,600 --> 00:24:12,280
Speaker 1: that's really good.

541
00:24:12,680 --> 00:24:15,040
Speaker 3: Really good, and I even have a backup that is

542
00:24:15,520 --> 00:24:16,320
Speaker 3: a minus.

543
00:24:16,520 --> 00:24:18,200
Speaker 1: So I want can I just talk it out a

544
00:24:18,200 --> 00:24:20,119
Speaker 1: little bit and you may steal one to them, and

545
00:24:20,200 --> 00:24:24,480
Speaker 1: I don't care. You can just steal one of them.

546
00:24:24,760 --> 00:24:26,920
Speaker 1: Fgl and Nelly when they did Cruise, that was legit.

547
00:24:27,600 --> 00:24:28,040
Speaker 3: That's good.

548
00:24:28,040 --> 00:24:30,560
Speaker 2: It wasn't Cruise a crossover, That's what I'm saying.

549
00:24:30,640 --> 00:24:33,720
Speaker 1: Yeah, and without Nelly, well, they when they went pop,

550
00:24:33,840 --> 00:24:36,640
Speaker 1: they put Nell, so it would be would be Cruise.

551
00:24:36,800 --> 00:24:37,600
Speaker 2: Florida Georgia line.

552
00:24:37,640 --> 00:24:38,520
Speaker 3: That's not what I was thinking.

553
00:24:38,720 --> 00:24:39,960
Speaker 4: Okay, it's a really good one.

554
00:24:40,080 --> 00:24:42,240
Speaker 2: But that's good. Oh, but you're talking down to me

555
00:24:42,320 --> 00:24:42,560
Speaker 2: right now.

556
00:24:42,600 --> 00:24:47,280
Speaker 3: I don't like it. Now that have like the perfect

557
00:24:47,359 --> 00:24:48,600
Speaker 3: bet in my pocket right now.

558
00:24:49,160 --> 00:24:53,119
Speaker 1: There's also the Nelly tim McGrath song was a Nelly.

559
00:24:52,960 --> 00:24:58,320
Speaker 3: Song over and over and all the am I head

560
00:24:58,359 --> 00:24:58,720
Speaker 3: that one.

561
00:24:59,080 --> 00:25:00,880
Speaker 2: Yeah, and that was an amazing song.

562
00:25:01,080 --> 00:25:03,240
Speaker 4: Yeah go with that one.

563
00:25:03,320 --> 00:25:06,920
Speaker 2: But that's not a country to pop.

564
00:25:08,240 --> 00:25:10,200
Speaker 3: Yeah you should pick that one.

565
00:25:11,080 --> 00:25:14,440
Speaker 1: And if we go back to the eighties and nineties,

566
00:25:16,960 --> 00:25:18,960
Speaker 1: like Garth didn't really cross so I mean, yeah, he

567
00:25:19,000 --> 00:25:22,200
Speaker 1: had songs to end up hitting the chart, but I'm

568
00:25:22,200 --> 00:25:23,960
Speaker 1: gonna go Lone starmized.

569
00:25:24,920 --> 00:25:25,879
Speaker 3: Wow, that's it.

570
00:25:26,160 --> 00:25:27,040
Speaker 4: Even think of that one.

571
00:25:27,480 --> 00:25:29,879
Speaker 3: You had it the whole time, you had, No, you

572
00:25:29,920 --> 00:25:31,040
Speaker 3: had I didn't.

573
00:25:31,320 --> 00:25:33,280
Speaker 2: I didn't have it the whole time year. I didn't

574
00:25:33,280 --> 00:25:34,000
Speaker 2: have it the whole time.

575
00:25:34,080 --> 00:25:36,720
Speaker 1: But when I started going because I I've recorded a

576
00:25:36,760 --> 00:25:39,960
Speaker 1: whole series on nineties country and I did ten episodes

577
00:25:40,000 --> 00:25:42,360
Speaker 1: on every single year. And I went back in as

578
00:25:42,359 --> 00:25:44,919
Speaker 1: I was doing guards and I thought about Lone Star amazed.

579
00:25:44,960 --> 00:25:45,680
Speaker 1: Is that what you're thinking?

580
00:25:45,880 --> 00:25:48,560
Speaker 3: Yes, that's the home run. And then I look at

581
00:25:48,600 --> 00:25:50,640
Speaker 3: my stupid list and I have Taylors with mean as

582
00:25:50,640 --> 00:25:59,159
Speaker 3: a number one. That's crazy, like all three of us.

583
00:25:59,320 --> 00:26:01,399
Speaker 1: That Lone Star is the last minute came to me

584
00:26:01,440 --> 00:26:02,360
Speaker 1: as I was talking it out.

585
00:26:02,440 --> 00:26:05,359
Speaker 2: Dude, that is the biggest steal of this pick.

586
00:26:06,520 --> 00:26:08,440
Speaker 5: I was thinking that that is not the one.

587
00:26:08,440 --> 00:26:09,560
Speaker 1: I was still have a monster.

588
00:26:09,680 --> 00:26:11,360
Speaker 4: I have a monster.

589
00:26:11,520 --> 00:26:14,720
Speaker 3: I also have an a go ahead and that and

590
00:26:14,760 --> 00:26:17,040
Speaker 3: that's just because you took a maze dude like that.

591
00:26:17,359 --> 00:26:19,120
Speaker 3: I felt like I was sitting on gold.

592
00:26:18,840 --> 00:26:20,560
Speaker 1: There you were because I didn't. I didn't have it

593
00:26:20,600 --> 00:26:21,440
Speaker 1: and you just stole it.

594
00:26:21,480 --> 00:26:24,880
Speaker 3: Okay, but I feel like we really messed up by

595
00:26:24,920 --> 00:26:28,320
Speaker 3: not putting Shania Twin on there. Oh my god, so

596
00:26:29,200 --> 00:26:31,119
Speaker 3: that's the ultimate? Is that not what you're thinking?

597
00:26:31,960 --> 00:26:33,160
Speaker 1: I'm so stupid.

598
00:26:33,240 --> 00:26:36,120
Speaker 3: How does he have a bigger one than Shania after amazing.

599
00:26:35,840 --> 00:26:39,359
Speaker 1: The fact that I can't that I hate me.

600
00:26:40,560 --> 00:26:40,840
Speaker 3: Don't know.

601
00:26:40,960 --> 00:26:42,080
Speaker 2: Don't do that, Oh my.

602
00:26:42,160 --> 00:26:43,680
Speaker 4: Don't talk about my friend like that.

603
00:26:44,760 --> 00:26:47,480
Speaker 1: Dude, You're so right, you might win it with that one.

604
00:26:47,600 --> 00:26:50,120
Speaker 3: I don't know. I don't know. I'm gonna go with man.

605
00:26:50,160 --> 00:26:54,400
Speaker 3: I feel like a woman, great one, I probably if

606
00:26:54,400 --> 00:26:57,600
Speaker 3: I were. You want to go one more round? Yeah?

607
00:27:01,480 --> 00:27:02,440
Speaker 4: Maybe, honorable mention.

608
00:27:03,600 --> 00:27:04,800
Speaker 5: I think one more round, Mike.

609
00:27:04,840 --> 00:27:06,919
Speaker 2: You got to end it because he's got he's got gold.

610
00:27:07,480 --> 00:27:09,360
Speaker 5: But I think you all are sitting on one now.

611
00:27:10,200 --> 00:27:15,040
Speaker 3: No, I just spent it all you have time, Eddie.

612
00:27:15,080 --> 00:27:19,080
Speaker 5: Your team just got good Eddie's finally good your last

613
00:27:19,080 --> 00:27:21,440
Speaker 5: two picks, but you get one more great pick.

614
00:27:21,600 --> 00:27:23,479
Speaker 2: You could have a chance to win. But I can

615
00:27:23,520 --> 00:27:24,840
Speaker 2: also have a throwaway pick.

616
00:27:25,600 --> 00:27:27,800
Speaker 4: It might, it might come to you, dude, Let's vote,

617
00:27:28,280 --> 00:27:28,840
Speaker 4: let's vote.

618
00:27:29,119 --> 00:27:30,200
Speaker 1: He wants to go one more round.

619
00:27:30,600 --> 00:27:35,400
Speaker 2: I no, Mike, No three? One?

620
00:27:34,840 --> 00:27:40,239
Speaker 1: Okay, Okay, Brandon, what is it?

621
00:27:40,640 --> 00:27:41,399
Speaker 2: You get your chance?

622
00:27:42,000 --> 00:27:45,159
Speaker 4: This came to me because you said I'm trying to

623
00:27:45,200 --> 00:27:49,840
Speaker 4: think of the songs that went huge after I moved here,

624
00:27:50,320 --> 00:27:53,840
Speaker 4: and you said that, and I was like, oh my god,

625
00:27:55,560 --> 00:27:58,880
Speaker 4: this song is a cover by one of the greatest

626
00:27:58,880 --> 00:27:59,920
Speaker 4: singers ever.

627
00:28:00,320 --> 00:28:01,639
Speaker 1: I like the game. I'm trying to figure it out.

628
00:28:01,720 --> 00:28:02,000
Speaker 2: Keep going.

629
00:28:02,119 --> 00:28:04,400
Speaker 3: One of the greatest singers ever, one of the greatest.

630
00:28:05,280 --> 00:28:09,680
Speaker 4: He's one of my favorite singers. He oh Stapleton, Chris Stapleton,

631
00:28:09,760 --> 00:28:11,320
Speaker 4: Tennessee Whiskey.

632
00:28:11,600 --> 00:28:14,320
Speaker 1: You know that's a good one. But you know you're

633
00:28:14,359 --> 00:28:15,600
Speaker 1: acting like that was the King Dingling.

634
00:28:15,960 --> 00:28:18,600
Speaker 3: Yeah, it's King, No, it's King.

635
00:28:19,119 --> 00:28:19,920
Speaker 2: It's a great.

636
00:28:21,280 --> 00:28:23,160
Speaker 4: Let's just wait and see what i AI says.

637
00:28:24,440 --> 00:28:25,720
Speaker 2: I don't care what you guys do.

638
00:28:26,119 --> 00:28:26,640
Speaker 3: I don't care.

639
00:28:26,840 --> 00:28:28,760
Speaker 4: Come on, claud wonder.

640
00:28:28,480 --> 00:28:31,600
Speaker 1: If Tennessee Whiskey crossed over though on the pop charts.

641
00:28:31,760 --> 00:28:34,120
Speaker 1: Was it ever played on pop radio? I was here,

642
00:28:34,160 --> 00:28:38,840
Speaker 1: so I don't know, but you sure sold that. I

643
00:28:38,840 --> 00:28:39,800
Speaker 1: thought he had the one?

644
00:28:43,080 --> 00:28:43,360
Speaker 3: What are you?

645
00:28:43,440 --> 00:28:44,200
Speaker 2: What are you staring at?

646
00:28:44,320 --> 00:28:46,280
Speaker 3: I'm just trying to think. Man, I'm so mad that

647
00:28:46,280 --> 00:28:49,520
Speaker 3: we're going another round. It's like it's like I just

648
00:28:49,600 --> 00:28:51,800
Speaker 3: hit a Grand Slam and I thought I won the game.

649
00:28:52,400 --> 00:28:54,760
Speaker 4: Oh you know we came back with that.

650
00:28:54,800 --> 00:28:58,160
Speaker 3: I don't think you know, with my four picks, I

651
00:28:58,240 --> 00:28:59,440
Speaker 3: think could have gotten me.

652
00:29:00,360 --> 00:29:02,120
Speaker 1: I don't think you would have won. Actually, I was

653
00:29:02,120 --> 00:29:04,400
Speaker 1: doing you a charity favor by extending it.

654
00:29:04,720 --> 00:29:05,800
Speaker 3: I know you weren't.

655
00:29:05,880 --> 00:29:09,480
Speaker 1: Absolutely usually you first too. It's as good as songs

656
00:29:09,480 --> 00:29:12,880
Speaker 1: as they are. They're not gonna win this, okay, but

657
00:29:12,960 --> 00:29:15,480
Speaker 1: we know, you know we can delete Brandon's.

658
00:29:15,920 --> 00:29:17,680
Speaker 2: Because now that you see it.

659
00:29:18,040 --> 00:29:20,320
Speaker 1: No, I don't think. I don't think Brandon's Tennessee whiskey

660
00:29:20,520 --> 00:29:22,640
Speaker 1: is I thought it is. Even building it up here,

661
00:29:22,960 --> 00:29:24,960
Speaker 1: I could be wrong, but didn't you also go.

662
00:29:25,040 --> 00:29:27,120
Speaker 3: Oh yeah when he said that, that's not what I expected.

663
00:29:27,400 --> 00:29:29,520
Speaker 3: Probably right go ahead, go ahead, go your fifth.

664
00:29:29,840 --> 00:29:31,720
Speaker 1: Well I don't really have one yet. I'm just saying

665
00:29:31,720 --> 00:29:32,520
Speaker 1: we could back off.

666
00:29:32,720 --> 00:29:33,120
Speaker 3: Is that why?

667
00:29:33,160 --> 00:29:34,640
Speaker 2: You I bet like three.

668
00:29:34,800 --> 00:29:36,760
Speaker 1: I always have FGL and Nelly have Cruise.

669
00:29:36,800 --> 00:29:38,520
Speaker 3: I know. I mean, that's the only thing I'm thinking of.

670
00:29:39,480 --> 00:29:42,480
Speaker 3: But hey, can I remind you you haven't, don Taylor.

671
00:29:43,600 --> 00:29:46,520
Speaker 4: That's a good point, guys, if you want to, if

672
00:29:46,520 --> 00:29:47,840
Speaker 4: you want to back off, we can back off.

673
00:29:47,920 --> 00:29:50,680
Speaker 3: No. No, we're here already. No, we're already hit the road.

674
00:29:52,080 --> 00:29:53,880
Speaker 3: Might as well finish the race.

675
00:29:54,600 --> 00:29:55,080
Speaker 4: Hang tight.

676
00:29:55,560 --> 00:30:09,520
Speaker 6: The Bobby Cast will be right back, and we're back

677
00:30:09,760 --> 00:30:10,760
Speaker 6: on the Bobby Cast.

678
00:30:11,400 --> 00:30:12,040
Speaker 2: I'm gonna go.

679
00:30:19,720 --> 00:30:21,360
Speaker 1: I'm not cheating.

680
00:30:24,640 --> 00:30:28,040
Speaker 3: I'm not cheating, I know, and I'm just saying I'm

681
00:30:28,080 --> 00:30:28,800
Speaker 3: not cheating.

682
00:30:28,840 --> 00:30:29,080
Speaker 2: Heart.

683
00:30:29,320 --> 00:30:30,800
Speaker 1: No, I'm just saying I'm not cheating by what I'm

684
00:30:30,800 --> 00:30:32,080
Speaker 1: about to do.

685
00:30:31,840 --> 00:30:32,720
Speaker 3: What are you doing?

686
00:30:32,760 --> 00:30:34,160
Speaker 4: Well? I thought you were referring to a song.

687
00:30:34,320 --> 00:30:37,240
Speaker 3: No, that's not it. Did somebody put the wrong name

688
00:30:37,280 --> 00:30:38,120
Speaker 3: of the song? No?

689
00:30:38,440 --> 00:30:42,040
Speaker 1: No, that cold move for sure.

690
00:30:44,360 --> 00:30:47,320
Speaker 3: Oh you're not. Oh you want to pick another? Uh?

691
00:30:47,360 --> 00:30:49,600
Speaker 3: I got you, I got you. I know where you're going.

692
00:30:49,880 --> 00:30:53,040
Speaker 3: And that's pretty solid, so like really solid.

693
00:30:55,360 --> 00:30:56,440
Speaker 2: I kind of did that right?

694
00:30:56,760 --> 00:31:00,560
Speaker 3: No, I didn't. I could do that when mine you.

695
00:31:00,480 --> 00:31:05,440
Speaker 2: Could And it's obvious obviously, and it's.

696
00:31:05,720 --> 00:31:06,760
Speaker 4: I'll tell you what you do it.

697
00:31:06,800 --> 00:31:07,240
Speaker 2: I'll do it.

698
00:31:08,040 --> 00:31:11,280
Speaker 1: Hm, you're gonna say the person is one?

699
00:31:15,200 --> 00:31:17,360
Speaker 4: It's I was thinking what you were thinking?

700
00:31:17,520 --> 00:31:20,400
Speaker 2: Yeah, the Gambler? Yeah wait no, I.

701
00:31:20,360 --> 00:31:23,160
Speaker 3: Was thinking Dolly never mind, I was thinking the Gambler.

702
00:31:23,240 --> 00:31:26,200
Speaker 1: I was thinking Shanaia. Just different songs, So like, from

703
00:31:26,200 --> 00:31:28,080
Speaker 1: this moment, from this.

704
00:31:28,000 --> 00:31:33,080
Speaker 3: Moment or I don't think that was it? I mean,

705
00:31:33,160 --> 00:31:35,120
Speaker 3: yeah I could. It counts for sure, but.

706
00:31:35,840 --> 00:31:39,280
Speaker 1: Man, I felt like a woman from this moment. Uh

707
00:31:40,360 --> 00:31:41,080
Speaker 1: what else you got?

708
00:31:41,360 --> 00:31:42,080
Speaker 4: Come on over?

709
00:31:42,240 --> 00:31:42,440
Speaker 3: No?

710
00:31:42,440 --> 00:31:43,440
Speaker 1: No, that was too country.

711
00:31:43,520 --> 00:31:44,440
Speaker 2: Yeah that's too early.

712
00:31:45,600 --> 00:31:52,960
Speaker 3: It's uh okay, so your brad pitt me much?

713
00:31:54,320 --> 00:31:54,360
Speaker 6: That?

714
00:31:54,520 --> 00:31:55,480
Speaker 2: Did that go bop?

715
00:31:56,560 --> 00:32:00,160
Speaker 3: Yeah? You could do that.

716
00:32:01,920 --> 00:32:07,640
Speaker 1: Okay, I'm gonna go good point.

717
00:32:07,680 --> 00:32:09,680
Speaker 2: I'm gonna go life is a highway.

718
00:32:09,720 --> 00:32:15,080
Speaker 3: Rascal Flats, You're so stupid.

719
00:32:15,400 --> 00:32:16,719
Speaker 2: I had two Rascal flats.

720
00:32:16,800 --> 00:32:23,600
Speaker 3: Yeah that might hurt you, but it might be great Eddie. Man,

721
00:32:23,680 --> 00:32:25,480
Speaker 3: Now I feel like I have too many options. Do

722
00:32:25,560 --> 00:32:27,760
Speaker 3: I started this fifth pick with like I've got nothing.

723
00:32:28,520 --> 00:32:32,680
Speaker 3: Now I'm thinking, do I go Kenny Rodgers the Gambler Massive?

724
00:32:32,960 --> 00:32:36,200
Speaker 1: They made a television show after the song. Yeah, that

725
00:32:36,360 --> 00:32:37,080
Speaker 1: rarely happened.

726
00:32:37,080 --> 00:32:39,160
Speaker 3: And then how many people when you're playing poker, like

727
00:32:39,480 --> 00:32:41,360
Speaker 3: you got to the wind hold.

728
00:32:42,080 --> 00:32:43,840
Speaker 1: Like it's not Minnie and I played a lot of

729
00:32:43,840 --> 00:32:47,080
Speaker 1: poker for a lot of times either or ever.

730
00:32:47,160 --> 00:32:48,040
Speaker 2: But I get the point.

731
00:32:48,240 --> 00:32:50,880
Speaker 3: Like, anytime I'm playing poker and I try to count

732
00:32:50,880 --> 00:32:52,640
Speaker 3: my chips arm in Vegas, I'm like, don't do it,

733
00:32:53,080 --> 00:32:57,760
Speaker 3: Kenny Rodgers says, don't. There's plenty of time after So

734
00:32:57,800 --> 00:33:00,960
Speaker 3: I'm thinking, Kenny, I'm thinking I can go Willy again,

735
00:33:01,160 --> 00:33:03,680
Speaker 3: almost your strategy with Willy on the Road.

736
00:33:03,760 --> 00:33:06,840
Speaker 1: Yeah, I thought on the Road again massive written for

737
00:33:06,880 --> 00:33:09,080
Speaker 1: a movie on a napkin on an.

738
00:33:08,920 --> 00:33:11,640
Speaker 3: An airplane from the movie directors like I want to

739
00:33:11,640 --> 00:33:12,160
Speaker 3: make the movie.

740
00:33:12,320 --> 00:33:16,120
Speaker 1: That's on the Road Again was a massive pop song. Yeah,

741
00:33:16,160 --> 00:33:19,880
Speaker 1: and that was Dolly's Fingernails.

742
00:33:19,960 --> 00:33:22,440
Speaker 2: Every rhythm in every country song is Dolly's.

743
00:33:22,080 --> 00:33:30,600
Speaker 3: Fail Dolly, I need your fingernails. Those are kind of

744
00:33:30,600 --> 00:33:32,640
Speaker 3: my two Cruise.

745
00:33:33,160 --> 00:33:37,360
Speaker 2: I mean, I think that's good. That's a good pick. No, no,

746
00:33:37,400 --> 00:33:39,200
Speaker 2: it is a good pick. It's a good pick, but

747
00:33:39,280 --> 00:33:42,480
Speaker 2: it would be cruise fgl right, that's what it is.

748
00:33:42,520 --> 00:33:46,440
Speaker 3: Yeah, Okay, let's go. Yeah, let's go. Because I went

749
00:33:46,600 --> 00:33:48,760
Speaker 3: old school with Willy, old school with Dolly. Middle of

750
00:33:48,800 --> 00:33:51,280
Speaker 3: the Road Shanaiah Taylor a little earlier, Let's go.

751
00:33:51,280 --> 00:33:51,960
Speaker 2: F G L cruise.

752
00:33:52,080 --> 00:33:54,400
Speaker 1: Okay, I think that's a good pick. Is I almost

753
00:33:54,440 --> 00:33:55,040
Speaker 1: picked it twice?

754
00:33:55,040 --> 00:33:56,240
Speaker 3: Okay, I feel good about it.

755
00:33:56,520 --> 00:33:59,200
Speaker 1: So, Mike, whatever the prompt is that you write into AI,

756
00:33:59,240 --> 00:34:00,479
Speaker 1: would you text it to me so I can put

757
00:34:00,520 --> 00:34:04,840
Speaker 1: the exact prompt into Claude and when you write it

758
00:34:06,080 --> 00:34:06,959
Speaker 1: let me know what it is.

759
00:34:07,000 --> 00:34:08,600
Speaker 3: They can say it out loud. What did we leave

760
00:34:08,600 --> 00:34:09,080
Speaker 3: on the table?

761
00:34:10,160 --> 00:34:12,319
Speaker 1: Uh? On the road again?

762
00:34:12,360 --> 00:34:12,719
Speaker 3: For sure?

763
00:34:14,160 --> 00:34:15,880
Speaker 1: I think she twin from this moment on? Was a

764
00:34:15,880 --> 00:34:16,560
Speaker 1: massive song?

765
00:34:17,960 --> 00:34:18,960
Speaker 2: Did you really want to take that one?

766
00:34:19,040 --> 00:34:19,200
Speaker 4: Yeah?

767
00:34:19,239 --> 00:34:21,120
Speaker 1: I thought about it. And the country song was I

768
00:34:21,120 --> 00:34:22,759
Speaker 1: think it was Brian White and then she took him

769
00:34:22,760 --> 00:34:24,640
Speaker 1: off for the pop version and it was just.

770
00:34:24,640 --> 00:34:30,880
Speaker 3: Him right on Trisha Yearwood for the conn Air movie.

771
00:34:31,680 --> 00:34:32,600
Speaker 2: That'd be LeAnn rhymes.

772
00:34:33,320 --> 00:34:36,279
Speaker 1: Oh oh, it's both of them. Yeah, they both saying it.

773
00:34:39,120 --> 00:34:42,560
Speaker 3: But so with Leanne reseby Blue too, blue would have

774
00:34:42,560 --> 00:34:43,080
Speaker 3: been huge?

775
00:34:43,160 --> 00:34:43,359
Speaker 1: Yeah?

776
00:34:43,440 --> 00:34:44,640
Speaker 2: Probably Blue would have been good.

777
00:34:44,800 --> 00:34:45,360
Speaker 4: Yeah.

778
00:34:45,600 --> 00:34:47,560
Speaker 1: Okay, So here's the prompt that Mike sent me that

779
00:34:47,560 --> 00:34:49,759
Speaker 1: I'm going to put in. Can you rank who has

780
00:34:49,760 --> 00:34:52,640
Speaker 1: the best team? In the debate of best country crossover

781
00:34:52,719 --> 00:34:55,319
Speaker 1: hits into pop Charts ranked them three to one. Who

782
00:34:55,360 --> 00:34:58,160
Speaker 1: has the best overall that saw success on pop charts

783
00:34:58,480 --> 00:35:00,680
Speaker 1: with the position they hit on the pop top forty

784
00:35:00,880 --> 00:35:02,000
Speaker 1: in Billboard Hot one hundred.

785
00:35:03,440 --> 00:35:06,320
Speaker 3: Okay, and then you have the whole all the picks.

786
00:35:06,800 --> 00:35:08,040
Speaker 2: So I'm gonna do Clode.

787
00:35:08,960 --> 00:35:10,640
Speaker 4: I have one that I couldn't figure out.

788
00:35:10,640 --> 00:35:11,920
Speaker 2: Oh yeah, I gotta take a picture of this.

789
00:35:11,960 --> 00:35:13,600
Speaker 1: I'll take a picture of the screen and then put

790
00:35:13,640 --> 00:35:14,120
Speaker 1: the prompt in.

791
00:35:14,600 --> 00:35:15,480
Speaker 2: What was it right now?

792
00:35:15,960 --> 00:35:17,120
Speaker 4: Uh? Act naturally?

793
00:35:17,360 --> 00:35:20,000
Speaker 2: The Beatles a country.

794
00:35:20,040 --> 00:35:24,399
Speaker 1: So yeah, so we go, Oh, we do a cover

795
00:35:24,440 --> 00:35:27,040
Speaker 1: one sometime, but that wouldn't be thrown on a surprise

796
00:35:27,280 --> 00:35:29,919
Speaker 1: my greatest covers all the time, So go ahead.

797
00:35:30,000 --> 00:35:33,799
Speaker 4: Sorry, it's just act naturally from the Beatles, like I

798
00:35:33,920 --> 00:35:36,480
Speaker 4: know that it was. It was one of their biggest

799
00:35:37,239 --> 00:35:39,160
Speaker 4: songs on all charts.

800
00:35:40,600 --> 00:35:40,920
Speaker 3: Okay.

801
00:35:41,080 --> 00:35:42,759
Speaker 2: I don't even know what do we need to put

802
00:35:42,800 --> 00:35:43,400
Speaker 2: into this.

803
00:35:44,840 --> 00:35:49,719
Speaker 1: Country charts and pop charts or do you think that's

804
00:35:49,760 --> 00:35:51,040
Speaker 1: just understood?

805
00:35:51,040 --> 00:35:51,960
Speaker 5: I think that's understood.

806
00:35:52,280 --> 00:35:54,440
Speaker 1: Okay, I have what I got here, all right, I'm

807
00:35:54,440 --> 00:35:57,560
Speaker 1: gonna hit come on, I'm gonna hit sin. I took

808
00:35:57,600 --> 00:35:58,160
Speaker 1: the picture.

809
00:35:58,400 --> 00:35:59,000
Speaker 3: I need this.

810
00:35:59,360 --> 00:36:01,239
Speaker 1: I'm not gonna look at it. Hold on, let me

811
00:36:01,280 --> 00:36:03,480
Speaker 1: make sure it's going. Thinking I think it's going to

812
00:36:03,560 --> 00:36:06,800
Speaker 1: be you, Eddie, all right, I saw I'll read the

813
00:36:06,800 --> 00:36:09,320
Speaker 1: teams out again before we go here. Hold on, Clotde

814
00:36:09,360 --> 00:36:12,600
Speaker 1: still thinking is a hard one for Claude's struggling with Claude.

815
00:36:13,120 --> 00:36:17,040
Speaker 3: Clode's like, I can't got this, claw can't decide, all.

816
00:36:16,960 --> 00:36:20,480
Speaker 1: Right, compiling country crossover, searching the web. Okay, I'll come

817
00:36:20,520 --> 00:36:25,040
Speaker 1: back to it. Third place, Mike, what's this one?

818
00:36:25,320 --> 00:36:26,759
Speaker 2: This is chat GBT? What's great?

819
00:36:26,800 --> 00:36:28,040
Speaker 1: Is this going to tell us all all the song

820
00:36:28,120 --> 00:36:33,120
Speaker 1: chart position? Third place? Eddie Mean didn't reach Pop top forty.

821
00:36:34,080 --> 00:36:39,480
Speaker 3: Wow, that was just okay, top forty, Billboard Hall one hundred,

822
00:36:39,600 --> 00:36:41,719
Speaker 3: but Billboard one, okay, eleven? All right?

823
00:36:43,360 --> 00:36:47,680
Speaker 1: Willie Nelson didn't reach Pop top forty, Billboard Hot one,

824
00:36:48,320 --> 00:36:51,000
Speaker 1: number five. Dolly Parton at number one, number one. That

825
00:36:51,080 --> 00:36:53,120
Speaker 1: was an excellent pig. Nine to five, that's when you

826
00:36:53,160 --> 00:36:54,640
Speaker 1: got back in the game. We told you that you

827
00:36:54,800 --> 00:36:58,120
Speaker 1: just now fielded a team. Shania Twain, man, I felt

828
00:36:58,120 --> 00:37:01,480
Speaker 1: like a woman. Number twenty three, wow, Cruisin.

829
00:37:01,239 --> 00:37:03,719
Speaker 4: Nelly four both, that's pretty good.

830
00:37:03,760 --> 00:37:05,760
Speaker 1: The strength for you are nine to five and cruise.

831
00:37:05,920 --> 00:37:07,200
Speaker 3: Wow, that's crazy.

832
00:37:08,360 --> 00:37:12,879
Speaker 1: You're picking there weaknesses. Mean wasn't really a pop hit

833
00:37:13,440 --> 00:37:15,640
Speaker 1: and Willie Julio was more of an adult contemporary than

834
00:37:15,680 --> 00:37:18,560
Speaker 1: mainstream pop. Okay, so Eddie in third place on this

835
00:37:18,600 --> 00:37:19,120
Speaker 1: is only one.

836
00:37:19,160 --> 00:37:23,359
Speaker 4: By the way, I feel like after after seeing this,

837
00:37:24,239 --> 00:37:25,720
Speaker 4: I feel like I'm gonna be second place.

838
00:37:25,920 --> 00:37:26,920
Speaker 2: So you know what we should do.

839
00:37:26,960 --> 00:37:28,319
Speaker 1: We never really came up with the rules for the

840
00:37:28,320 --> 00:37:31,480
Speaker 1: scoring system last time I won because I said two

841
00:37:31,520 --> 00:37:34,600
Speaker 1: first places. You just want to have the lowest score,

842
00:37:35,200 --> 00:37:37,719
Speaker 1: so a boy adding them all together. Okay, all right,

843
00:37:38,080 --> 00:37:40,200
Speaker 1: so you have three points there, Eddie, but you want

844
00:37:40,200 --> 00:37:41,040
Speaker 1: to have the It's like golf.

845
00:37:41,120 --> 00:37:41,600
Speaker 3: Got it at the end.

846
00:37:41,600 --> 00:37:42,439
Speaker 2: You want to have a lower score.

847
00:37:42,520 --> 00:37:43,520
Speaker 3: Got it? All right? Go ahead?

848
00:37:43,560 --> 00:37:46,239
Speaker 2: Number two? Oh crap, Wow, look at that.

849
00:37:46,440 --> 00:37:50,640
Speaker 1: Brandon Bobby's team had the most Everyone in America knew

850
00:37:50,640 --> 00:37:53,680
Speaker 1: this song Energy Kenny and Dolly number one, number one,

851
00:37:54,120 --> 00:37:58,240
Speaker 1: Rascal Flats Blessed the Broken Road twenty nine to twenty nine. Wow,

852
00:37:58,560 --> 00:38:01,040
Speaker 1: Johnny Cash, Ring and Fire did not reach pop top forty.

853
00:38:01,360 --> 00:38:04,200
Speaker 3: Dang, look at that, dude, look at amazed.

854
00:38:03,960 --> 00:38:06,440
Speaker 1: On Star Maze number one, Rascal Flat's Life is a

855
00:38:06,480 --> 00:38:07,640
Speaker 1: Highway number eighteen.

856
00:38:08,680 --> 00:38:09,160
Speaker 2: Weakness.

857
00:38:09,160 --> 00:38:10,960
Speaker 1: This Ring of Fire feels more like an all time

858
00:38:11,000 --> 00:38:14,040
Speaker 1: classic than a crossover pop hit, and Blessed Broken Road

859
00:38:14,080 --> 00:38:15,560
Speaker 1: wasn't huge on pop. Maybe I missed that.

860
00:38:15,920 --> 00:38:17,279
Speaker 3: I thought I thought it crossed over.

861
00:38:17,920 --> 00:38:21,520
Speaker 1: Okay, first place, Brandon faith Hill. Oh look at all

862
00:38:21,560 --> 00:38:22,240
Speaker 1: his low numbers.

863
00:38:22,360 --> 00:38:24,920
Speaker 2: Oh gosh, Brandon, you dominated.

864
00:38:24,440 --> 00:38:26,520
Speaker 1: One two on faith Hill, lady a Need You Now?

865
00:38:26,680 --> 00:38:29,640
Speaker 1: Number two, number two, Taylor Swift Love Story number one,

866
00:38:29,760 --> 00:38:30,520
Speaker 1: and number four.

867
00:38:31,120 --> 00:38:33,359
Speaker 2: Ella Langley won one day.

868
00:38:33,440 --> 00:38:35,719
Speaker 3: Hey, and I laughed at you. I said, interesting.

869
00:38:37,360 --> 00:38:39,560
Speaker 1: And Chris Stapleton thirty three and twenty.

870
00:38:39,480 --> 00:38:41,839
Speaker 2: Look at that and we both are like, wow.

871
00:38:41,640 --> 00:38:44,600
Speaker 1: Well that was his weakest one, I think, And that's

872
00:38:44,640 --> 00:38:46,759
Speaker 1: the one. I think he was the most bullish on Crazy.

873
00:38:46,960 --> 00:38:47,840
Speaker 3: That is wild.

874
00:38:48,320 --> 00:38:54,280
Speaker 1: Good job, Brandon, Thank you so Brandon one, me too, Eddie? Three?

875
00:38:54,440 --> 00:38:56,960
Speaker 4: How did Need You Now? Not go number one on

876
00:38:57,040 --> 00:38:57,800
Speaker 4: country radio?

877
00:38:59,320 --> 00:39:00,879
Speaker 2: This is? Is this pop?

878
00:39:01,640 --> 00:39:01,839
Speaker 1: Yeah?

879
00:39:01,880 --> 00:39:04,480
Speaker 2: The first one's pop top forty? Oh sorry sorry, yeah,

880
00:39:04,480 --> 00:39:04,600
Speaker 2: I go.

881
00:39:05,000 --> 00:39:08,480
Speaker 1: So these are all country massive hits. We're just now

882
00:39:08,520 --> 00:39:10,240
Speaker 1: going based on what they were on country.

883
00:39:10,320 --> 00:39:12,080
Speaker 2: Oh okay, okay, what do they do on pop?

884
00:39:12,239 --> 00:39:13,080
Speaker 3: Gotcha? All right?

885
00:39:13,120 --> 00:39:13,560
Speaker 2: Next up?

886
00:39:14,239 --> 00:39:17,399
Speaker 1: Okay, So Brandon nailed it. Anny got a A, I got

887
00:39:17,440 --> 00:39:19,520
Speaker 1: to a minus, and Eddie got a B plus. We

888
00:39:19,560 --> 00:39:22,040
Speaker 1: all pass I think chag gpt just doesn't want to

889
00:39:22,040 --> 00:39:22,600
Speaker 1: be turned off.

890
00:39:23,200 --> 00:39:24,320
Speaker 2: That's pretty high grade.

891
00:39:24,400 --> 00:39:24,640
Speaker 3: Yeah.

892
00:39:25,480 --> 00:39:27,880
Speaker 1: Okay, so let's go over to and this is gonna

893
00:39:27,880 --> 00:39:30,920
Speaker 1: be Gemini.

894
00:39:31,239 --> 00:39:32,960
Speaker 5: Yeah, Gemini is having an issue.

895
00:39:33,040 --> 00:39:34,279
Speaker 2: Okay, I'll go to Claude.

896
00:39:35,760 --> 00:39:36,600
Speaker 4: Gym.

897
00:39:36,840 --> 00:39:38,239
Speaker 1: Okay, here we go.

898
00:39:40,719 --> 00:39:41,440
Speaker 2: Let's see.

899
00:39:43,520 --> 00:39:47,800
Speaker 1: Here's the pop chart draft grated on actual hot water performance.

900
00:39:47,800 --> 00:39:49,799
Speaker 1: And there's a twist waiting for you in Brandon's list.

901
00:39:51,040 --> 00:39:52,359
Speaker 1: Why are they doing twists in mind?

902
00:39:52,880 --> 00:39:54,120
Speaker 3: All right, let's stop playing games.

903
00:39:54,200 --> 00:39:58,600
Speaker 1: Let's just do this, it says brand It's not giving

904
00:39:58,640 --> 00:39:59,920
Speaker 1: me an Okay, here we go.

905
00:40:03,680 --> 00:40:05,840
Speaker 3: Third place first, Brandon.

906
00:40:07,120 --> 00:40:08,920
Speaker 2: Yeah, I think Brandon just gets the first place. It

907
00:40:08,920 --> 00:40:10,440
Speaker 2: didn't do third place first?

908
00:40:10,440 --> 00:40:10,840
Speaker 4: Oh?

909
00:40:10,880 --> 00:40:14,600
Speaker 1: Man, so well, hold on, so Brandon, same thing, faith

910
00:40:14,640 --> 00:40:17,600
Speaker 1: Hill number two, Taylor lady A number two, taps with

911
00:40:17,680 --> 00:40:18,640
Speaker 1: four La Langley one.

912
00:40:18,560 --> 00:40:19,399
Speaker 2: Christable to twenty.

913
00:40:20,120 --> 00:40:22,400
Speaker 1: It's basically the same data where he's in data points.

914
00:40:22,840 --> 00:40:24,960
Speaker 1: So it's the same data. So I finished second and

915
00:40:25,040 --> 00:40:28,319
Speaker 1: Eddie's was third. I wonder what the twist is.

916
00:40:28,800 --> 00:40:29,800
Speaker 3: Oh, yeah, the fun twist.

917
00:40:30,520 --> 00:40:35,520
Speaker 1: Okay, let's see Brandon says he's not just winning. Oh

918
00:40:35,560 --> 00:40:39,120
Speaker 1: here's the order, three to one, Eddie solid A number

919
00:40:39,120 --> 00:40:40,640
Speaker 1: one in Dolly. But man, I felt like a woman

920
00:40:40,640 --> 00:40:43,759
Speaker 1: only cracked thirty five. It's a team with the best

921
00:40:43,800 --> 00:40:47,120
Speaker 1: floor but no real ceilings. Stand out Bobby anchored by

922
00:40:47,120 --> 00:40:49,600
Speaker 1: an All American All timer with islands in the stream,

923
00:40:50,120 --> 00:40:53,719
Speaker 1: but blessed the broken roads. Stalling drags it down. They

924
00:40:53,840 --> 00:40:56,200
Speaker 1: give it like a fantasy team with one MVP and

925
00:40:56,200 --> 00:41:02,560
Speaker 1: a bunch of solid role players. Rude, Okay, Brandon, He's

926
00:41:02,560 --> 00:41:05,520
Speaker 1: not just winning. He's winning right now. Ella Langley's choosing Texas.

927
00:41:05,560 --> 00:41:08,200
Speaker 1: Isn't some old catalog hit. It's parked at number one

928
00:41:08,760 --> 00:41:12,080
Speaker 1: on the all Genre Hot one hundreds. We speak, brands

929
00:41:12,080 --> 00:41:13,759
Speaker 1: got the best team, and he's still got a song

930
00:41:13,840 --> 00:41:17,759
Speaker 1: climbing while everyone else is playing with history. Okay, Brandon's

931
00:41:17,760 --> 00:41:21,200
Speaker 1: worst pick of Stapleton. But where's the twist? Is Brandon

932
00:41:21,239 --> 00:41:21,600
Speaker 1: a woman?

933
00:41:21,920 --> 00:41:23,000
Speaker 2: Know that he's still climbing?

934
00:41:23,000 --> 00:41:27,320
Speaker 1: Maybe Brandon's not a ghost. It's always something like Brandon

935
00:41:27,440 --> 00:41:28,239
Speaker 1: not really here? Is he?

936
00:41:28,280 --> 00:41:28,640
Speaker 2: AI?

937
00:41:28,719 --> 00:41:29,400
Speaker 1: Is that the twist?

938
00:41:29,520 --> 00:41:38,080
Speaker 2: His name is not Brandon? I can't believe I won. Okay, Mike, show.

939
00:41:37,960 --> 00:41:40,000
Speaker 3: Me Gemini's hey shocking.

940
00:41:40,120 --> 00:41:41,239
Speaker 2: Eddie last third place.

941
00:41:43,960 --> 00:41:48,439
Speaker 1: Bobby started out strong, second place, Eddie in first place.

942
00:41:48,480 --> 00:41:50,799
Speaker 2: Brandon the winner. He didn't just draft a great country.

943
00:41:50,520 --> 00:41:54,480
Speaker 4: Shut up, no, no, read it? What does this say?

944
00:41:54,560 --> 00:41:56,560
Speaker 1: He has two songs that hit number one pop Top

945
00:41:56,600 --> 00:41:58,800
Speaker 1: four stories and yeah.

946
00:41:59,520 --> 00:42:01,719
Speaker 3: They're like even Tennessee Whiskey was really good pick.

947
00:42:02,719 --> 00:42:05,880
Speaker 1: Even with Tennessee Whiskey acting as a weaker radio crossover.

948
00:42:05,960 --> 00:42:09,280
Speaker 1: Brandon's Top four are historically unmatched and pop chart performance.

949
00:42:09,680 --> 00:42:11,120
Speaker 1: So we head to the last round just to get

950
00:42:11,160 --> 00:42:13,799
Speaker 1: him to come down to our level. Yes, yeah, so

951
00:42:13,920 --> 00:42:16,400
Speaker 1: my total score was three five seven.

952
00:42:17,000 --> 00:42:18,680
Speaker 2: Eddie's was three three two.

953
00:42:19,000 --> 00:42:19,600
Speaker 3: Yeah, he's eight.

954
00:42:19,600 --> 00:42:21,960
Speaker 1: So he finished third place overall, I'm second, Brandon, You're

955
00:42:21,960 --> 00:42:22,320
Speaker 1: the winner.

956
00:42:22,880 --> 00:42:25,319
Speaker 3: Good job Brandon, Thanks guys, proud of you.

957
00:42:25,400 --> 00:42:28,359
Speaker 1: Ella Langley was a good pick. Thanks Man and Eddie.

958
00:42:28,400 --> 00:42:29,520
Speaker 3: Judge you I did? He did?

959
00:42:29,600 --> 00:42:31,200
Speaker 4: Oh interesting?

960
00:42:31,600 --> 00:42:34,919
Speaker 2: Hey never heard of her? Good one? That's fun?

961
00:42:35,320 --> 00:42:36,120
Speaker 4: That was really funny.

962
00:42:36,320 --> 00:42:37,200
Speaker 3: Great at this game?

963
00:42:37,400 --> 00:42:37,680
Speaker 4: Great?

964
00:42:38,200 --> 00:42:39,560
Speaker 2: How do I get better at this game?

965
00:42:39,920 --> 00:42:40,000
Speaker 1: Like?

966
00:42:40,000 --> 00:42:41,280
Speaker 3: How can I go home and study?

967
00:42:41,320 --> 00:42:43,000
Speaker 1: You can't because we don't know what's going to be asked.

968
00:42:43,080 --> 00:42:44,759
Speaker 1: Otherwise I wouldn't have picked God Blessed.

969
00:42:44,480 --> 00:42:45,000
Speaker 3: The Broken Road.

970
00:42:45,080 --> 00:42:45,439
Speaker 4: God dang.

971
00:42:47,080 --> 00:42:49,399
Speaker 1: So if anybody's ever liked you, guys are getting fed

972
00:42:49,480 --> 00:42:50,200
Speaker 1: these answers.

973
00:42:50,440 --> 00:42:52,080
Speaker 2: I picked one that didn't even make a chart.

974
00:42:52,480 --> 00:42:54,600
Speaker 3: Can I ask one question before we leave, what what

975
00:42:54,600 --> 00:42:56,279
Speaker 3: would have been the best tailor song?

976
00:42:56,680 --> 00:43:01,200
Speaker 1: Oh, we can just ask ask h Chat. Of all

977
00:43:01,320 --> 00:43:03,160
Speaker 1: Taylor Swips crossovers, what was our biggest?

978
00:43:03,320 --> 00:43:06,360
Speaker 3: Yeah, because like yours was love Story.

979
00:43:07,120 --> 00:43:11,759
Speaker 4: Yeah there was one though that was my guitar, not

980
00:43:11,920 --> 00:43:12,319
Speaker 4: that one.

981
00:43:12,680 --> 00:43:15,640
Speaker 3: It was I wear a short shirts, you wear a

982
00:43:15,640 --> 00:43:18,640
Speaker 3: T shirt that one and you belong to me?

983
00:43:19,840 --> 00:43:27,400
Speaker 4: That was that was huge. It's thinking also like I

984
00:43:27,440 --> 00:43:31,160
Speaker 4: feel like with a I, if you took the charts

985
00:43:31,200 --> 00:43:34,279
Speaker 4: out of it, right, like culturally impactful.

986
00:43:34,960 --> 00:43:37,160
Speaker 1: I feel like he's being nice.

987
00:43:36,960 --> 00:43:40,120
Speaker 3: Now like I think you guys would have won listen

988
00:43:40,960 --> 00:43:41,319
Speaker 3: to him.

989
00:43:41,200 --> 00:43:42,200
Speaker 2: Because he's actually a I.

990
00:43:42,320 --> 00:43:44,279
Speaker 1: So now he's trying to convince us he's not your

991
00:43:44,400 --> 00:43:47,879
Speaker 1: drafts or you belong with me. Whoever said that, good job,

992
00:43:47,920 --> 00:43:49,120
Speaker 1: you said that you belong with me.

993
00:43:49,400 --> 00:43:51,279
Speaker 2: We're trying to champea.

994
00:43:51,560 --> 00:43:54,720
Speaker 1: Brandon Gpt nailed that one to Taylor Swift.

995
00:43:55,320 --> 00:43:56,319
Speaker 4: Yeah maybe.

996
00:43:58,320 --> 00:44:01,440
Speaker 1: We you know, put in some pray well, but we

997
00:44:01,480 --> 00:44:02,600
Speaker 1: don't know what it's going to be.

998
00:44:02,640 --> 00:44:03,600
Speaker 3: But yeah, I hear you.

999
00:44:03,719 --> 00:44:08,080
Speaker 4: Yeah, Like I feel like we can talk numbers all day,

1000
00:44:08,400 --> 00:44:12,040
Speaker 4: but like Brandon, no, this this is what I was

1001
00:44:12,080 --> 00:44:15,520
Speaker 4: thinking when we were doing it. It's like, oh my gosh,

1002
00:44:15,920 --> 00:44:21,040
Speaker 4: Johnny Cash, Ring of Fire, culturally impactful record sales. You

1003
00:44:21,040 --> 00:44:23,040
Speaker 4: know you could you could go off of that too.

1004
00:44:22,960 --> 00:44:27,200
Speaker 3: But we're doing crossover, and crossover is mainly these charts, right, Like,

1005
00:44:27,239 --> 00:44:28,440
Speaker 3: that's really what a crossover is.

1006
00:44:28,480 --> 00:44:32,160
Speaker 1: I think it was a great exercise in Brandon kicking

1007
00:44:32,200 --> 00:44:33,000
Speaker 1: our butts.

1008
00:44:33,040 --> 00:44:34,920
Speaker 2: And dude, take it, you kicked our butts.

1009
00:44:34,960 --> 00:44:38,600
Speaker 1: And secondly Eddie's sucking again. And then every time climbs

1010
00:44:38,680 --> 00:44:40,080
Speaker 1: off one before and never has one.

1011
00:44:40,239 --> 00:44:40,719
Speaker 3: Are you sure?

1012
00:44:41,080 --> 00:44:43,480
Speaker 1: Yeah, there's I don't you can't study because we don't

1013
00:44:43,520 --> 00:44:44,080
Speaker 1: know what's going to be.

1014
00:44:44,200 --> 00:44:45,520
Speaker 3: I just need to get better at this game.

1015
00:44:46,040 --> 00:44:48,439
Speaker 1: And you're really intelligent when it comes to music.

1016
00:44:48,920 --> 00:44:55,600
Speaker 4: You know you know what would make it better. Brandon,

1017
00:44:55,880 --> 00:44:59,680
Speaker 4: take what take your favorites out of it.

1018
00:45:00,239 --> 00:45:04,200
Speaker 1: Those aren't all my favorites who you were for Halloween.

1019
00:45:04,719 --> 00:45:08,640
Speaker 4: So let's the personal bias here that game. Every game

1020
00:45:08,920 --> 00:45:11,719
Speaker 4: you you lean toward your favorite. I would do the same.

1021
00:45:13,160 --> 00:45:15,560
Speaker 1: But he's like someone of the golf courses giving you

1022
00:45:15,560 --> 00:45:17,200
Speaker 1: sweet tips when you never asked for them.

1023
00:45:17,520 --> 00:45:19,280
Speaker 2: I slice the ball, keep your elbowing.

1024
00:45:19,320 --> 00:45:19,520
Speaker 6: Man.

1025
00:45:20,560 --> 00:45:24,719
Speaker 4: Listen here, sweetheart, Alright, we've all been there.

1026
00:45:25,080 --> 00:45:30,520
Speaker 1: Good job everybody, we'll try again another time. So all right,

1027
00:45:30,920 --> 00:45:33,319
Speaker 1: thank you everybody for watching, and we will see you

1028
00:45:33,320 --> 00:45:34,080
Speaker 1: guys next time.

1029
00:45:34,680 --> 00:45:37,720
Speaker 6: Thanks for listening to the Bobby Cast. Share this episode

1030
00:45:37,719 --> 00:45:40,359
Speaker 6: with a friend because they don't pay to advertise us.