WEBVTT - “Life Is Just So” (w/ Lena Dunham)

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<v Speaker 1>Look mare, Oh, I see you my own look over

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<v Speaker 1>there is that culture. Yes, lost culture, dang dong lost

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<v Speaker 1>culturesa's calling this. I just want to say before we

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<v Speaker 1>start of launch into whatever this is gonna be. What's

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<v Speaker 1>making me really happy is that we're watching our guests

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<v Speaker 1>consume her first ever celsius on ice and a glass.

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<v Speaker 1>And it's a color.

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<v Speaker 2>It's a color that serendipitously matches her outfit and choose.

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<v Speaker 2>And speaking of the word serendipitous, I've had this vocal

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<v Speaker 2>stem for at least twelve years. I'm sorry. I don't

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<v Speaker 2>want to go to serendipity and drink frozen hot chocolates

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<v Speaker 2>with your uncle's girlfriend who is a stewardess named eld

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<v Speaker 2>The build that is right there in one line a

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<v Speaker 2>master you build? Oh, I've never forgotten that line of dialogue.

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<v Speaker 2>I mean, among others, among the legion of other sequences

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<v Speaker 2>of words on that show called Girls.

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<v Speaker 1>But can I tell you another shorter one? Yes, I'd

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<v Speaker 1>like sometimes the revity like will be what hits? What

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<v Speaker 1>do I want to be? Like? You like? Mentally ill show?

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<v Speaker 1>You're cruel, drunk, It's it's crazy and we really had

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<v Speaker 1>to work with Alison to try to go back into

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<v Speaker 1>the foul cabinets of her brain when she was on

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<v Speaker 1>I think was that improvised line, it's crazy, it's crazy.

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<v Speaker 1>But then you read this wonderful book Fame Sick, and

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<v Speaker 1>you get a glimpse into the creative process. Honestly, here's

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<v Speaker 1>the thing, everyone out there, you need this book. You

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<v Speaker 1>actually need to read it. It's required reading. Not that

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<v Speaker 1>there's going to be a test, but like, consider yourself

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<v Speaker 1>unprepared for the rest of sort of your life going

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<v Speaker 1>forward if you don't go out and get it.

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<v Speaker 2>It's not even there's no test involved. It's just a

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<v Speaker 2>book where and I haven't had this in a while.

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<v Speaker 2>It's one of.

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<v Speaker 1>Those it's a nodder. You're nodding every page.

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<v Speaker 2>You get to recognize this, yeah, you knowing me not

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<v Speaker 2>at at a book like this, which I which felt

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<v Speaker 2>really refreshing.

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<v Speaker 1>I mean, just to say this is obviously a huge

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<v Speaker 1>moment in the podcast. I mean, the creative of our

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<v Speaker 1>favorite show, the creative of our favorite words. I mean,

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<v Speaker 1>become a pal in a true love it first sight moment.

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<v Speaker 1>Became a pal.

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<v Speaker 2>We found love in an apple place. That's all we'll say.

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<v Speaker 1>Let's just say I have one photo you know how,

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<v Speaker 1>you know how like sometimes on your iPhone, like one photo,

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<v Speaker 1>like there's that thing of like this day last year,

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<v Speaker 1>or sometimes it's it's not even a year ago. It's

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<v Speaker 1>just like your phone just decides pictures that it's gonna

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<v Speaker 1>keep showing. Terrible are like our guest factors into oh

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<v Speaker 1>that for me, because it's just I'll just randomly be

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<v Speaker 1>flipping through and it's like, oh, there's a picture of

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<v Speaker 1>me and bo oh, there's a picture of me and Greta,

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<v Speaker 1>and then there's Leonadnoman and Tim Cook, just the two

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<v Speaker 1>of them, a gorgeous couple. My nipples erect And we

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<v Speaker 1>have to unpack this on the anniversary of Apple's fiftieth

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<v Speaker 1>birthday and Apple did they? Okay, well we'll get into this. Everyone,

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<v Speaker 1>please welcome. Today is the fiftieth anniversary of Apple Computer?

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<v Speaker 3>Is it really?

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<v Speaker 1>And we're here together. We're here together.

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<v Speaker 3>Okay. So I don't know how much I can say

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<v Speaker 3>before a drone strike happens right here, But firstly, I

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<v Speaker 3>just want to say, it's an honor to be with you.

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<v Speaker 1>Are you kidding?

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<v Speaker 3>I'm a huge fan, a huge consumer of your content.

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<v Speaker 3>I love what you do. And when we had our

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<v Speaker 3>love at first sight moment, you says about the podcast

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<v Speaker 3>and I never do this, and I was like, which

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<v Speaker 3>I'd love to be on.

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<v Speaker 1>Yeah no, And that was See that's the kind of

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<v Speaker 1>thing where it's like we earmarket immediately because I'm like, oh, okay,

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<v Speaker 1>that's something that can happen.

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<v Speaker 3>I was begging for it to. I was circling the building.

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<v Speaker 3>But we spent two full and complete days together at

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<v Speaker 3>the Apple iPhone launch, which I kept saying, we're here

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<v Speaker 3>to understand the future. I didn't know what else to

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<v Speaker 3>say or how to say.

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<v Speaker 1>It was that just what you were saying as a

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<v Speaker 1>line to the people that worked there, like, yeah, I'm

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<v Speaker 1>here to understand the future.

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<v Speaker 3>Well, I was saying to the people who worked there,

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<v Speaker 3>and then I started to believe it. And then I

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<v Speaker 3>started to say it to be like care about like you.

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<v Speaker 3>But I was like, I don't want to be left behind.

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<v Speaker 3>I was like, when the future comes, I want to

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<v Speaker 3>be there when they're having us use the tools. I

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<v Speaker 3>want to be the one running the tools. And everyone

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<v Speaker 3>was like, okay, babe, come down, Like you're going to

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<v Speaker 3>get a free iPhone, you can Breathe.

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<v Speaker 1>Got a new lens.

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<v Speaker 3>Yes, I saw you to walk in. There was a

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<v Speaker 3>series of sort of public art arches, colorful arches, and

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<v Speaker 3>I was standing there awkwardly, my heels digging into the

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<v Speaker 3>sod and I saw you too, and I screamed a

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<v Speaker 3>scream that was like pure pleasure. It was like if

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<v Speaker 3>you were a wolf separated from your child in a

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<v Speaker 3>Disney movie and then you encountered them in the forest

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<v Speaker 3>after a full story.

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<v Speaker 1>Yeah, that's I will say. I was like how I

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<v Speaker 1>said to Belle And I was like, how gagged would

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<v Speaker 1>you be if just to go back to like twenty

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<v Speaker 1>thirteen and be like, one day we're going to see

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<v Speaker 1>Leana Dunnoman event and be like thank god, oh my god.

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<v Speaker 3>And I couldn't believe I was just sitting here in

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<v Speaker 3>such pleasure because you're better at being Alison in me

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<v Speaker 3>than Alison and me.

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<v Speaker 1>Oh god.

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<v Speaker 3>But I will tell you I don't remember much, but

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<v Speaker 3>I do know that I don't want to drink frozen

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<v Speaker 3>hot chocolate at Serendipity with your uncle's girlfriend who's a

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<v Speaker 3>stewardess named Elidi was an improv Yeah, are you serious? Sometimes, Stuart,

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<v Speaker 3>do you catch lightning in a bottle sometimes. I remember

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<v Speaker 3>it was we were really jacked up. It was the

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<v Speaker 3>middle of the night. We weren't drinking Celsius but something equivalent,

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<v Speaker 3>and it just happened.

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<v Speaker 1>I'm gonna butcher this because in that same line of

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<v Speaker 1>in that same block of script, you also say, and

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<v Speaker 1>mind you you're you're coked up, your characters, your hand

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<v Speaker 1>is coked up, and you look at me with your

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<v Speaker 1>eyes and you lied to me with your eyes what

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<v Speaker 1>you said by not saying anything at all like it

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<v Speaker 1>was it's just that's and that's of course that's all improvised.

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<v Speaker 1>And I'm like, but that's just that's just your brain.

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<v Speaker 3>Well, that's so. We also snorted a lot of lactose powder. Yeah,

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<v Speaker 3>I was wondering, and you can't know what that does,

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<v Speaker 3>Like Andrew and I recently talked about it. We storted milk, Yeah,

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<v Speaker 3>tons of milk off a toilet that day and what

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<v Speaker 3>came later just had to be a sinus infection had

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<v Speaker 3>we I know, we didn't feel good. We were also

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<v Speaker 3>dan We were dancing in a club at We arrived

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<v Speaker 3>at five in the morning, so by the time we

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<v Speaker 3>were sweaty, coked up and dancing, it was seven thirty am. Yeah,

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<v Speaker 3>so like this night live scene was actually us jacked

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<v Speaker 3>up on lactose powder. Sure, seven thirty am. And what

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<v Speaker 3>happens happen is improving our face, little face. What is

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<v Speaker 3>it that you do on RuPauls drag Race?

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<v Speaker 1>You did whatever?

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<v Speaker 3>Yeah?

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<v Speaker 1>That also broke open crop mesh. I think for a

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<v Speaker 1>new generation.

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<v Speaker 3>Thank you so much. I remember when the shirt came out.

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<v Speaker 3>We had an amazing costume designer, Yeah, Jen, and she

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<v Speaker 3>brought the shirt out and was like, we could do

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<v Speaker 3>a bra with it, we could take I was like,

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<v Speaker 3>we're not doing anything with it.

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<v Speaker 1>No, this is tits underneath.

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<v Speaker 3>This is tits under This is my tits or my accessory.

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<v Speaker 3>And also, you don't know in your twenties how much

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<v Speaker 3>they're going to change. You don't know, Yeah, your tits.

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<v Speaker 3>And I was thinking about this recently because I have

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<v Speaker 3>a pal who lives with me who's in her twenties

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<v Speaker 3>and they're just up like champagne flutes. And I just

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<v Speaker 3>looked and I was like, take advantage, take photos, be topless.

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<v Speaker 1>When you're doing a TV show and they asked you

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<v Speaker 1>if you want to broad underneath your.

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<v Speaker 3>Mesh, say no, because someday you're going to be wearing

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<v Speaker 3>three T shirts and a sweater just to hold it back,

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<v Speaker 3>you know.

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<v Speaker 2>So on this topic, do you want to unpack the

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<v Speaker 2>reason why your nipples went erect next to Tim Cook?

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<v Speaker 3>It was crazy.

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<v Speaker 1>It's okay if it's attraction.

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<v Speaker 3>It was definitely like, he's got what do we call it, swag,

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<v Speaker 3>he's got riz whatever is going on, whatever that thing

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<v Speaker 3>is gonna be next week. But I also think like

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<v Speaker 3>the panic of you have two minutes with which to

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<v Speaker 3>properly engage with this person. I mean, I kept saying

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<v Speaker 3>things like I love your products. I was saying things

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<v Speaker 3>that I'd never imagine come out of my mouth. And

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<v Speaker 3>then I looked down and like, for the first time

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<v Speaker 3>in fifteen years, my nipples were standing at attention. And

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<v Speaker 3>I looked at the photo and it truly looks like

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<v Speaker 3>one of those pictures you see of like a married

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<v Speaker 3>couple that has moved to a vacation destination.

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<v Speaker 1>To be on my phone. This is a picture that

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<v Speaker 1>I treasure.

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<v Speaker 3>Yeah, we look like and I remember coming up to

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<v Speaker 3>it and being like, I just took the picture with him.

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<v Speaker 3>My nipples popped out and popped right back in. Don't

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<v Speaker 3>know why don't know how portrait mode. He's got searing eye.

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<v Speaker 1>Okay, so this is something.

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<v Speaker 3>I happened, like you incredibly blue searing eyes.

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<v Speaker 1>That's so about a few months later. Yeah, I actually

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<v Speaker 1>was at the same restaurant as him when I was

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<v Speaker 1>in DC. Remember this, Melissa. We Melissa came and sang

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<v Speaker 1>back up for me on my tour. We're at a

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<v Speaker 1>restaurant and then Melissa for your service. Everyone goes and

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<v Speaker 1>and Melissa knew that I had met him at that event.

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<v Speaker 1>So the waiter comes over to our table and goes,

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<v Speaker 1>I do have to ask you guys, if you're finished,

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<v Speaker 1>If you don't mind, I never do this. It's just

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<v Speaker 1>that Tim Cook has your table after you and we

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<v Speaker 1>go what And I was like, not sure they were

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<v Speaker 1>supposed to do that anyway. I'm like, yes, we'll go,

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<v Speaker 1>we'll go, We'll go. And then someone goes, are you

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<v Speaker 1>going to say hi on the way out? I was like, no,

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<v Speaker 1>I am not. And then they go, well, why not,

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<v Speaker 1>I mean you've met the guy once. I was like,

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<v Speaker 1>I am not saying hello to Tim Cook on the

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<v Speaker 1>way out of here. I was like I don't want.

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<v Speaker 3>Tim and being like we met for two minutes in

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<v Speaker 3>a picture line.

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<v Speaker 1>You remember, everyone I was with was like expecting it

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<v Speaker 1>to happen, and so they described me running by him

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<v Speaker 1>like he was standing at the bar. I got on

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<v Speaker 1>the ground and basically used all my paths of all

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<v Speaker 1>my feet and hands to like crawl out, and they

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<v Speaker 1>were like, what you just did to not say hi

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<v Speaker 1>to him is the craziest thing we've ever seen.

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<v Speaker 3>What's crazy is if I saw him in the wild,

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<v Speaker 3>I would never recognize him again. In my brain he

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<v Speaker 3>looks like Steve Jobs.

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<v Speaker 1>Yeah, well you're like, it can't be.

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<v Speaker 3>It can't be. But also his face, which was so

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<v Speaker 3>clear to me in that moment, like we'd been waiting

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<v Speaker 3>for each other our whole lives and gone disappeared into

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<v Speaker 3>a puff of smoke.

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<v Speaker 1>No.

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<v Speaker 3>And it's interesting because we were there together and we

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<v Speaker 3>didn't totally know. I mean, everyone was being really nice,

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<v Speaker 3>but we didn't totally know what our job was. What

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<v Speaker 3>are we here for? What do you want from us?

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<v Speaker 3>I like clear instructions.

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<v Speaker 2>It felt like the beginning of the Westing Game or

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<v Speaker 2>like an Agatha Christie the Westing Game.

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<v Speaker 3>Well, I love the Westing Game too, And you kind

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<v Speaker 3>of just shove something through me.

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<v Speaker 1>I saw our project Wheel do together.

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<v Speaker 3>Did they ever make a movie of the West?

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<v Speaker 1>I'm sure I looked this up. I think they did

0:11:04.040 --> 0:11:06.600
<v Speaker 1>beca Can you look up if they did The Western Game?

0:11:07.200 --> 0:11:09.959
<v Speaker 1>Maybe in the eighties early nineties for television.

0:11:10.040 --> 0:11:12.080
<v Speaker 3>Books that are like part of a genre of like

0:11:12.480 --> 0:11:16.280
<v Speaker 3>mysteries for children, like suspense for children. There was one

0:11:16.280 --> 0:11:17.920
<v Speaker 3>that I loved. I don't know if you ever called

0:11:17.920 --> 0:11:22.160
<v Speaker 3>the Wolves of Willoughby Chase, No anything. It was. It

0:11:22.160 --> 0:11:24.520
<v Speaker 3>was like about a girl. I loved books about like

0:11:24.559 --> 0:11:27.040
<v Speaker 3>a girl who is an orphan and she moves to

0:11:27.080 --> 0:11:29.480
<v Speaker 3>a house and something's not quite right. Yeah, and she

0:11:29.520 --> 0:11:32.520
<v Speaker 3>gets out her little book and pencil. That's exactly right.

0:11:32.600 --> 0:11:36.080
<v Speaker 3>And I wanted to be that child. And the Westing Game?

0:11:36.160 --> 0:11:37.880
<v Speaker 3>And also did you like The Giver?

0:11:38.400 --> 0:11:42.680
<v Speaker 1>Of course the Giver wasn't Taylor Swift in The Giver? Giver, Yiver?

0:11:43.200 --> 0:11:46.959
<v Speaker 3>She played an important memory. In The Giver, she.

0:11:47.000 --> 0:11:49.839
<v Speaker 1>Played an important memory and remember his child. It was

0:11:49.840 --> 0:11:51.280
<v Speaker 1>an important memory in all of our lives.

0:11:51.320 --> 0:11:54.080
<v Speaker 3>Of course, I think about the Giver because she's a brunette.

0:11:54.200 --> 0:11:55.280
<v Speaker 3>In The Giver she is.

0:11:55.720 --> 0:11:57.280
<v Speaker 1>But that's what you think about it, That's what.

0:11:57.400 --> 0:11:59.480
<v Speaker 3>I think about it. Is because she was a brunette

0:11:59.480 --> 0:12:01.839
<v Speaker 3>with bang yes and I loved it.

0:12:02.520 --> 0:12:05.640
<v Speaker 1>Every time that doesn't get spoken of her Giver era,

0:12:06.440 --> 0:12:09.800
<v Speaker 1>it's real culture number thirteen. No one talks about Taylor's

0:12:09.840 --> 0:12:12.920
<v Speaker 1>Giver era was so amazing fast.

0:12:13.160 --> 0:12:14.959
<v Speaker 3>It's amazing to be on something that you're a fan

0:12:15.000 --> 0:12:18.200
<v Speaker 3>of because I'm watching this thing I love, but I'm here.

0:12:18.559 --> 0:12:23.000
<v Speaker 1>Well just to speak on that. It's funny like because

0:12:24.120 --> 0:12:27.240
<v Speaker 1>everyone did the girls rewatch moment and that that had

0:12:27.280 --> 0:12:29.600
<v Speaker 1>to feel like which is ongoing. I feel, yeah, well

0:12:29.720 --> 0:12:31.920
<v Speaker 1>it's it. Definitely it started. I would have say, like

0:12:32.000 --> 0:12:34.520
<v Speaker 1>twenty twenty two, it started to really catch fire, like

0:12:34.520 --> 0:12:36.840
<v Speaker 1>we're all rewatching this. But I wonder how it feels

0:12:37.280 --> 0:12:40.800
<v Speaker 1>to know that, Like at the time everyone was like,

0:12:40.920 --> 0:12:43.000
<v Speaker 1>I don't understand how someone can be in it and

0:12:43.040 --> 0:12:45.960
<v Speaker 1>capture it. But as a time capsule it may be

0:12:46.200 --> 0:12:49.360
<v Speaker 1>growing into its purpose even more as a time capsule

0:12:49.400 --> 0:12:50.000
<v Speaker 1>of that era.

0:12:50.800 --> 0:12:53.760
<v Speaker 3>That is for me the greatest thing because if we

0:12:53.760 --> 0:12:55.880
<v Speaker 3>think about it, like I remember jud appata One was

0:12:55.880 --> 0:12:57.680
<v Speaker 3>saying to me, you never really we think the most

0:12:57.720 --> 0:13:00.760
<v Speaker 3>important moment of anything's life is when it comes out

0:13:01.160 --> 0:13:04.640
<v Speaker 3>and the internet's responding people, But actually you don't know

0:13:04.679 --> 0:13:07.480
<v Speaker 3>the role that anything plays until it's been.

0:13:07.400 --> 0:13:09.559
<v Speaker 1>In the world for a long time, right.

0:13:09.360 --> 0:13:11.920
<v Speaker 3>Like we all now recognize that My so called Life

0:13:11.960 --> 0:13:14.200
<v Speaker 3>is the greatest teen show of all time. It was

0:13:14.240 --> 0:13:16.959
<v Speaker 3>canceled after one season. My best friend Matt Wolf did

0:13:17.400 --> 0:13:20.280
<v Speaker 3>put together a petition which was signed by over ten

0:13:20.320 --> 0:13:22.800
<v Speaker 3>thousand people that to try to get it back on

0:13:22.840 --> 0:13:28.080
<v Speaker 3>the air, but shockingly was it. ABC didn't didn't listen

0:13:28.120 --> 0:13:30.280
<v Speaker 3>to a fifteen year old head of his gay straight

0:13:30.320 --> 0:13:32.000
<v Speaker 3>alliance in San Jose.

0:13:33.040 --> 0:13:34.040
<v Speaker 1>Big problem, and.

0:13:34.000 --> 0:13:38.440
<v Speaker 3>That's a big problem with television because that's who we

0:13:38.480 --> 0:13:39.320
<v Speaker 3>need to be serving.

0:13:39.640 --> 0:13:41.520
<v Speaker 1>And we would have had more than one season and

0:13:41.559 --> 0:13:42.480
<v Speaker 1>freaking gigs then too.

0:13:42.880 --> 0:13:44.520
<v Speaker 3>Of course we would have had more than one season.

0:13:44.559 --> 0:13:46.880
<v Speaker 3>Have been lightened, we would have, But we can't have

0:13:47.000 --> 0:13:47.480
<v Speaker 3>nice things.

0:13:47.800 --> 0:13:52.280
<v Speaker 1>Here's the thing we were just talking. People are so

0:13:52.280 --> 0:13:54.800
<v Speaker 1>so much smarter than they are when they're like, Hi,

0:13:54.840 --> 0:13:57.080
<v Speaker 1>I'm promoting a movie and I'm behind it. It's like

0:13:57.120 --> 0:13:59.160
<v Speaker 1>they walk off camera and they're like, I don't know about.

0:13:58.920 --> 0:14:01.000
<v Speaker 3>This, yeah, And then they even if it's a hit,

0:14:01.080 --> 0:14:03.880
<v Speaker 3>sometimes they don't know about it. Because some things that

0:14:04.559 --> 0:14:07.000
<v Speaker 3>hit with culture are actually hitting on like the worst

0:14:07.040 --> 0:14:10.280
<v Speaker 3>parts of us, right, and some things, and we now

0:14:10.320 --> 0:14:12.360
<v Speaker 3>know that lots of brilliant actors have had to do

0:14:12.400 --> 0:14:15.120
<v Speaker 3>things that they So it's just an interesting thing to think, like,

0:14:15.520 --> 0:14:18.719
<v Speaker 3>there are things that hit and you go, everyone's talking

0:14:18.760 --> 0:14:22.480
<v Speaker 3>about it, but what will be happening in five, ten, fifteen,

0:14:22.640 --> 0:14:26.040
<v Speaker 3>twenty years. And when we were making Girls, there were

0:14:26.120 --> 0:14:29.400
<v Speaker 3>so much sort of feedback, probably more we had more

0:14:29.400 --> 0:14:33.360
<v Speaker 3>people reviewing it than watched it, honestly, and I.

0:14:33.360 --> 0:14:35.560
<v Speaker 1>Believe this and I have discussion. It was something that

0:14:35.640 --> 0:14:37.480
<v Speaker 1>was paramount exactly.

0:14:37.720 --> 0:14:40.160
<v Speaker 3>And then it's really nice when something's out of its

0:14:40.160 --> 0:14:43.600
<v Speaker 3>discussion phase and now people are just maybe getting to

0:14:43.680 --> 0:14:47.160
<v Speaker 3>like watch it in a cozy context, and also they

0:14:47.200 --> 0:14:49.280
<v Speaker 3>don't have to be reacting to the reaction to the

0:14:49.280 --> 0:14:52.280
<v Speaker 3>reaction or thinking does this define what it feels like

0:14:52.360 --> 0:14:54.480
<v Speaker 3>for me to be twenty four? Does this feel like

0:14:54.520 --> 0:14:58.720
<v Speaker 3>it reflects? But actually can just engage with it as

0:14:58.960 --> 0:15:01.520
<v Speaker 3>what it was. There's some TikTok sound where the girl's like,

0:15:02.120 --> 0:15:04.400
<v Speaker 3>she's like, I don't know, I'm just being goofy, and

0:15:04.440 --> 0:15:05.960
<v Speaker 3>sometimes they feel about the time, I'm like, I'm just

0:15:06.000 --> 0:15:10.920
<v Speaker 3>being goofy. Yeah, And when there's that much discussion, you're like,

0:15:11.200 --> 0:15:13.320
<v Speaker 3>and now I think people can maybe go like they

0:15:13.320 --> 0:15:16.760
<v Speaker 3>were just being goofy, and actually that's more meaningful in

0:15:16.760 --> 0:15:17.000
<v Speaker 3>a way.

0:15:17.080 --> 0:15:19.800
<v Speaker 2>Oh good, because but I think what what Matt's saying

0:15:19.920 --> 0:15:21.680
<v Speaker 2>is like you captured it while you were in it,

0:15:21.840 --> 0:15:24.520
<v Speaker 2>and I think it's kind of not even kind of

0:15:24.560 --> 0:15:27.440
<v Speaker 2>it's completely remarkable that you were able to maintain that

0:15:28.680 --> 0:15:35.080
<v Speaker 2>sort of valence throughout despite the discourtillan you just whatever, probably.

0:15:34.760 --> 0:15:37.800
<v Speaker 1>He'll always use valance and like that beautiful.

0:15:38.040 --> 0:15:38.760
<v Speaker 3>It's beautiful.

0:15:38.960 --> 0:15:42.480
<v Speaker 2>But like the fact that you maintained this throughout. And

0:15:42.520 --> 0:15:43.800
<v Speaker 2>I was even lapping in the book where you were

0:15:43.840 --> 0:15:45.760
<v Speaker 2>like talking about the last season, you were writing scenes

0:15:45.760 --> 0:15:47.880
<v Speaker 2>that made no sense, like you know, Shoshana goes to.

0:15:48.520 --> 0:15:52.600
<v Speaker 3>Goes to a newdist camp because a show is so hard,

0:15:52.760 --> 0:15:54.360
<v Speaker 3>and you're like, I'm going to really shock them, and

0:15:54.360 --> 0:15:57.240
<v Speaker 3>then you're like, this isn't chocking. Shoshana wandered down the

0:15:57.320 --> 0:16:02.040
<v Speaker 3>road to a nudist camp. Feelso true, Rember. There was

0:16:02.080 --> 0:16:03.920
<v Speaker 3>a lot of I always knew where I wanted the

0:16:03.960 --> 0:16:05.920
<v Speaker 3>show to end from the beginning, which is I wanted

0:16:05.920 --> 0:16:08.720
<v Speaker 3>to have a baby latching, but I was like, how

0:16:08.720 --> 0:16:11.120
<v Speaker 3>do we get there? And what does that look like?

0:16:11.200 --> 0:16:15.560
<v Speaker 3>And there was definitely some crawling around in the mud

0:16:15.600 --> 0:16:17.280
<v Speaker 3>to arrive at that. I mean, I remember, just like

0:16:17.320 --> 0:16:20.960
<v Speaker 3>it was like a maniacal detective. I had like one

0:16:21.040 --> 0:16:25.120
<v Speaker 3>hundred and fifty you know, index cards that I was spread.

0:16:25.120 --> 0:16:27.000
<v Speaker 3>I have these pictures of me like sitting in a

0:16:27.040 --> 0:16:29.880
<v Speaker 3>sea of index cards on my floor, just being like,

0:16:29.960 --> 0:16:32.480
<v Speaker 3>what if we don't I remember one day I was like, Okay,

0:16:32.480 --> 0:16:35.960
<v Speaker 3>I have this crazy idea. We don't have a season finale.

0:16:36.440 --> 0:16:39.160
<v Speaker 3>We do an episode nine and then we stop. And

0:16:39.200 --> 0:16:41.920
<v Speaker 3>they were like, but that would then be this season finale,

0:16:42.560 --> 0:16:44.560
<v Speaker 3>and I was like, okay. It's like my father told

0:16:44.600 --> 0:16:46.520
<v Speaker 3>me a story about when he did acid for the

0:16:46.520 --> 0:16:48.680
<v Speaker 3>first time, and he looked at his friend and said,

0:16:48.680 --> 0:16:51.840
<v Speaker 3>what if we raise our children with no egos? And

0:16:51.880 --> 0:16:56.160
<v Speaker 3>they thought that they'd like solved in They kind of did,

0:16:56.320 --> 0:16:58.760
<v Speaker 3>but you can't necessarily maintain that when you're not on

0:16:59.280 --> 0:17:00.200
<v Speaker 3>a heavy dose.

0:17:00.160 --> 0:17:02.280
<v Speaker 1>Of LSDA, And they would have to just make sure

0:17:02.320 --> 0:17:04.840
<v Speaker 1>that when the baby came into the world immediately they

0:17:04.840 --> 0:17:08.520
<v Speaker 1>give them the same dose exactly. I see, it's a dome.

0:17:08.840 --> 0:17:09.560
<v Speaker 1>This is all fake.

0:17:09.800 --> 0:17:12.199
<v Speaker 3>This is all fake. Do a full Truman show. But

0:17:12.440 --> 0:17:14.119
<v Speaker 3>I was having a what if we raise our babies

0:17:14.119 --> 0:17:16.840
<v Speaker 3>with no egos. What if we just forsake the season

0:17:16.880 --> 0:17:21.080
<v Speaker 3>finale b low everybody's mind. Yeah, they're just it's another day,

0:17:21.160 --> 0:17:26.040
<v Speaker 3>it's over. Yeah, but you can't game the system that way.

0:17:25.480 --> 0:17:28.200
<v Speaker 2>We all would have arrived at that same exact idea

0:17:28.240 --> 0:17:31.479
<v Speaker 2>had we been showed like creating, starring, running a show,

0:17:31.760 --> 0:17:34.080
<v Speaker 2>directing episodes of the show while we were at the

0:17:34.080 --> 0:17:36.120
<v Speaker 2>tender age of twenty six twenty seven.

0:17:36.520 --> 0:17:39.040
<v Speaker 3>Definitely, reriting the book made me realize how crazy it

0:17:39.119 --> 0:17:46.240
<v Speaker 3>is to give jobs of any consequence. And as I again,

0:17:46.280 --> 0:17:48.080
<v Speaker 3>another quote from my father always says, there are no

0:17:48.240 --> 0:17:52.119
<v Speaker 3>art emergencies, Yeah, because like you know, people love to

0:17:52.160 --> 0:17:55.560
<v Speaker 3>act like they're actually Like, my aunt is an emergency

0:17:55.600 --> 0:17:58.160
<v Speaker 3>room doctor. Sometimes she would have to treat someone who's

0:17:58.160 --> 0:18:01.200
<v Speaker 3>like leg got caught in a subway door. That is emergency. Yeah,

0:18:01.440 --> 0:18:04.720
<v Speaker 3>season finale actually not an emergency, but it was still

0:18:04.720 --> 0:18:10.400
<v Speaker 3>a job that involved actual interfacing with many people and engaging.

0:18:10.400 --> 0:18:12.040
<v Speaker 3>And I'm I just look back and I go, that

0:18:12.160 --> 0:18:14.840
<v Speaker 3>is so like I see people are that. Ah, now

0:18:15.200 --> 0:18:17.080
<v Speaker 3>you should still be inside your mother's body.

0:18:17.200 --> 0:18:19.360
<v Speaker 1>Yeah right, yeah, no, that's you should be a Joey

0:18:19.400 --> 0:18:20.040
<v Speaker 1>in a kangaroo.

0:18:20.200 --> 0:18:21.879
<v Speaker 3>You should be a Joey in a kangaroo and no

0:18:21.920 --> 0:18:24.119
<v Speaker 3>one should let you out till you're thirty two. Yeah,

0:18:24.160 --> 0:18:26.479
<v Speaker 3>And so a lot of the book was grappling that.

0:18:26.520 --> 0:18:28.919
<v Speaker 3>And what was interesting was I was so judgmental of

0:18:28.960 --> 0:18:31.280
<v Speaker 3>myself at the time, and looking back, I was like,

0:18:31.520 --> 0:18:34.560
<v Speaker 3>oh my god, Like, they're definitely they're definitely low points.

0:18:34.560 --> 0:18:36.040
<v Speaker 3>But there are definitely some moments where I was like,

0:18:36.560 --> 0:18:39.480
<v Speaker 3>I should have been nicer to you. You were doing

0:18:40.160 --> 0:18:42.440
<v Speaker 3>you were trying so hard and it was going okay.

0:18:42.320 --> 0:18:46.200
<v Speaker 1>And trying actually trying things. I mean, there were moments

0:18:46.200 --> 0:18:48.320
<v Speaker 1>in that show where I was like, I would sit

0:18:48.440 --> 0:18:52.040
<v Speaker 1>perplexed with it. I remember just being a huge fan

0:18:52.119 --> 0:18:54.080
<v Speaker 1>of the show and the first season had come and gone,

0:18:54.119 --> 0:18:56.560
<v Speaker 1>and the second season happened, and there's an episode where

0:18:57.119 --> 0:19:01.359
<v Speaker 1>your Hannah is at the cemetery and she sits there

0:19:01.480 --> 0:19:05.280
<v Speaker 1>and she parrots back a story that someone else had

0:19:05.280 --> 0:19:08.520
<v Speaker 1>told about their own grief to someone else, and the

0:19:08.560 --> 0:19:11.960
<v Speaker 1>episode ended, and I remember being like, at the time,

0:19:12.040 --> 0:19:15.639
<v Speaker 1>I was like, I didn't I didn't like that episode.

0:19:15.680 --> 0:19:17.760
<v Speaker 1>I can't believe she did that, and I didn't like

0:19:17.840 --> 0:19:20.800
<v Speaker 1>that episode. And then now looking back, I'm like, no,

0:19:20.960 --> 0:19:24.359
<v Speaker 1>I think I saw something true, and I think there's

0:19:24.400 --> 0:19:29.160
<v Speaker 1>a testament to you putting that out there, even at

0:19:29.200 --> 0:19:32.800
<v Speaker 1>that age when you know discourses really tough and you're

0:19:32.880 --> 0:19:36.520
<v Speaker 1>judging yourself. There's a lot of checkpoints to get through

0:19:36.840 --> 0:19:39.520
<v Speaker 1>when you put on your lead character who's like, you know,

0:19:39.640 --> 0:19:43.920
<v Speaker 1>close to yourself doing an ugly thing. And she did

0:19:43.960 --> 0:19:46.720
<v Speaker 1>a lot of ugly things, all those characters did.

0:19:46.800 --> 0:19:49.119
<v Speaker 3>I always forget how many ugly things she did. And

0:19:49.119 --> 0:19:51.160
<v Speaker 3>then someone was like, oh, I just watched the episode

0:19:51.320 --> 0:19:52.800
<v Speaker 3>came up to the Street, and I just watched the

0:19:52.800 --> 0:19:55.240
<v Speaker 3>episode where she goes to her boss's funeral and makes

0:19:55.240 --> 0:19:57.720
<v Speaker 3>it all about herself. And I was like, she did

0:19:57.800 --> 0:20:00.800
<v Speaker 3>that exactly right. You can't go to somebody's funeral that

0:20:00.800 --> 0:20:02.439
<v Speaker 3>you don't know well and make it all about yourself.

0:20:02.640 --> 0:20:06.320
<v Speaker 3>And I remember that being that the scene in the cemetery. First,

0:20:06.400 --> 0:20:09.280
<v Speaker 3>I remember it because I fainted and then the medic said,

0:20:09.359 --> 0:20:12.240
<v Speaker 3>I think you're okay because you still have rosiness in

0:20:12.280 --> 0:20:16.679
<v Speaker 3>your finger now beds, and I was like, I think

0:20:16.920 --> 0:20:20.119
<v Speaker 3>you are a medical professional. I think this on a

0:20:20.160 --> 0:20:22.359
<v Speaker 3>TV set on it I was like, I remember he

0:20:22.440 --> 0:20:24.240
<v Speaker 3>laid me back and he was like, rosy nail beds.

0:20:24.320 --> 0:20:27.920
<v Speaker 3>Check and I was like, this pel's check. I think

0:20:27.960 --> 0:20:30.320
<v Speaker 3>we need to get some gatorade in this girl's stat

0:20:30.720 --> 0:20:32.720
<v Speaker 3>and I so that is one memory I have with

0:20:32.800 --> 0:20:35.560
<v Speaker 3>the others. I remember doing that monologue where she's like,

0:20:35.960 --> 0:20:39.160
<v Speaker 3>my cousin had cystic fibrosis and I had to which

0:20:39.200 --> 0:20:42.600
<v Speaker 3>was actually a true That story was a true story

0:20:42.680 --> 0:20:47.320
<v Speaker 3>about my father's cousin. That is real and sad that

0:20:47.400 --> 0:20:50.280
<v Speaker 3>we then gave to Gabby that we then gave to me.

0:20:50.320 --> 0:20:53.600
<v Speaker 3>And I remember feeling sick doing the monologue because there

0:20:53.600 --> 0:20:54.960
<v Speaker 3>were a couple of things, like there's a scene in

0:20:55.000 --> 0:20:57.960
<v Speaker 3>the first season where Hannah tries to seduce her boss

0:20:57.960 --> 0:21:00.920
<v Speaker 3>who's sexually harassing her to turn the tables and reclaim

0:21:01.240 --> 0:21:03.359
<v Speaker 3>and also tried to like maybe get a bunch of

0:21:03.640 --> 0:21:06.280
<v Speaker 3>back pay. She's like, maybe if we fucked, then he'll

0:21:06.280 --> 0:21:08.280
<v Speaker 3>have to give me a ton of money. And I

0:21:08.359 --> 0:21:11.399
<v Speaker 3>remember the scene and being like, who wrote this for me?

0:21:11.640 --> 0:21:15.399
<v Speaker 3>Why am I doing? Why am I? Richard Maser a kind, talented,

0:21:17.000 --> 0:21:20.960
<v Speaker 3>seasoned character actor. I'm about to go in and straddle aggressively.

0:21:21.560 --> 0:21:23.199
<v Speaker 3>And then I saw him recently because he came and

0:21:23.240 --> 0:21:25.719
<v Speaker 3>did a part in my movie, and he was like,

0:21:25.800 --> 0:21:30.919
<v Speaker 3>I haven't seen you since that's straddling, But it was

0:21:31.000 --> 0:21:33.080
<v Speaker 3>hard sometimes because I was like, also, I knew that

0:21:33.560 --> 0:21:37.919
<v Speaker 3>the valance was is it a valance? I knew that

0:21:38.000 --> 0:21:42.440
<v Speaker 3>the curtain between how people perceived her and perceived me

0:21:42.440 --> 0:21:46.639
<v Speaker 3>it was extremely sheer. So I also knew when I

0:21:46.680 --> 0:21:49.760
<v Speaker 3>made those choices, and what I loved thinking about writing

0:21:49.800 --> 0:21:54.360
<v Speaker 3>book was also like Zasha, Jemia, Allison all have. I mean,

0:21:54.359 --> 0:21:58.879
<v Speaker 3>you've been Alison. She's the most correct. She's hilarious and dirty,

0:21:58.880 --> 0:22:01.600
<v Speaker 3>but she's also correct and polite. She wants everything you

0:22:01.640 --> 0:22:03.639
<v Speaker 3>need to know about her. She once got tendonitis from

0:22:03.640 --> 0:22:04.760
<v Speaker 3>writing too many thank you.

0:22:04.720 --> 0:22:10.600
<v Speaker 1>Notes, and her thank you note writing life, her.

0:22:10.520 --> 0:22:15.320
<v Speaker 3>Thank you not writing life, and she and Zasha is

0:22:15.600 --> 0:22:19.680
<v Speaker 3>incredibly smart and thoughtful, and Jemima is her own iconic Roland.

0:22:19.720 --> 0:22:21.960
<v Speaker 3>And they were all so down to clown. Yeah, Like

0:22:22.320 --> 0:22:23.800
<v Speaker 3>you'd go up to them and you'd be like, today,

0:22:25.600 --> 0:22:29.200
<v Speaker 3>today you are going to get your ass eaten by

0:22:29.200 --> 0:22:31.880
<v Speaker 3>your friend's boyfriend and they'd be all right, here we go.

0:22:32.400 --> 0:22:35.440
<v Speaker 3>The one time I remember, we gave Alice in a

0:22:35.480 --> 0:22:38.040
<v Speaker 3>monologue where she was supposed to say that she'd lost

0:22:38.040 --> 0:22:42.040
<v Speaker 3>her virginity at fourteen, and she was like what And

0:22:42.080 --> 0:22:43.760
<v Speaker 3>I was like, yeah, she lost her virginia when she

0:22:43.800 --> 0:22:45.720
<v Speaker 3>was fourteen, and she was like, that doesn't really square

0:22:45.800 --> 0:22:48.040
<v Speaker 3>with like how I've been thinking about her very thoughtfully.

0:22:48.520 --> 0:22:50.600
<v Speaker 3>She's like, you know, I've been playing her in one way.

0:22:50.720 --> 0:22:52.240
<v Speaker 3>And Jemimah came up and she's like, what would you

0:22:52.280 --> 0:22:53.760
<v Speaker 3>have been doing if you knew she lost her virginia

0:22:53.760 --> 0:22:57.000
<v Speaker 3>at fourteen? Oh, Marnie, And then she did this like

0:22:57.119 --> 0:23:00.600
<v Speaker 3>voice of like the alternate Martie who told this because

0:23:00.600 --> 0:23:04.639
<v Speaker 3>she lost to virginity at fourteen, and we were just like, Okay,

0:23:04.640 --> 0:23:06.960
<v Speaker 3>we're not going to be precious about this, We're just

0:23:07.040 --> 0:23:08.680
<v Speaker 3>going to try it. And then she talked about losing

0:23:08.800 --> 0:23:10.520
<v Speaker 3>virginia at fourteen and fucking crushed it.

0:23:10.640 --> 0:23:14.520
<v Speaker 2>Yeah, this is what's going on in my This is

0:23:14.560 --> 0:23:16.480
<v Speaker 2>my take on what the person coming up to you saying,

0:23:16.480 --> 0:23:18.440
<v Speaker 2>oh I just saw the episode where about the funeral

0:23:18.440 --> 0:23:20.399
<v Speaker 2>and this is and with what Matt saying about like,

0:23:20.520 --> 0:23:22.760
<v Speaker 2>I don't like what I just saw and then realizing

0:23:22.840 --> 0:23:25.960
<v Speaker 2>in hindsight that's me is like I think the show

0:23:26.280 --> 0:23:30.440
<v Speaker 2>kind of conveyed this better than anything else in our

0:23:30.560 --> 0:23:33.639
<v Speaker 2>for our generation, where it's like the person you hate

0:23:33.640 --> 0:23:35.680
<v Speaker 2>the most or the person that annoys you the most

0:23:35.960 --> 0:23:38.919
<v Speaker 2>is would be you if they grew up and lived

0:23:38.960 --> 0:23:40.640
<v Speaker 2>in your exact same circumstances.

0:23:41.119 --> 0:23:44.720
<v Speaker 3>One I remember my first ever therapist shout out Lisa Spiegel.

0:23:45.960 --> 0:23:48.800
<v Speaker 3>She a truly important woman in my life. And I

0:23:48.800 --> 0:23:51.439
<v Speaker 3>remember I was talking about a girl that I was

0:23:51.480 --> 0:23:53.480
<v Speaker 3>not cool at school and I was like, there's this

0:23:53.520 --> 0:23:56.040
<v Speaker 3>one girl and I just can't stand her and every

0:23:56.040 --> 0:23:57.879
<v Speaker 3>time she sits near me, and she was like, do

0:23:57.920 --> 0:24:01.960
<v Speaker 3>you think maybe you recognize a little bit of yourself

0:24:01.960 --> 0:24:04.560
<v Speaker 3>in her? And it was like, I mean, I was nine,

0:24:04.600 --> 0:24:05.959
<v Speaker 3>so it was like saying, what if we raise our

0:24:06.000 --> 0:24:08.879
<v Speaker 3>kids with no egos? It blew my fucking mind. But

0:24:09.040 --> 0:24:12.679
<v Speaker 3>of course, and I've always been interested in I remember

0:24:12.720 --> 0:24:14.840
<v Speaker 3>like the first time I saw the British Office, I was, Oh,

0:24:14.840 --> 0:24:16.960
<v Speaker 3>you're allowed to do this, Like you're allowed to celebrate

0:24:17.040 --> 0:24:21.400
<v Speaker 3>characters who are making insane mistakes. And I love when

0:24:21.400 --> 0:24:24.720
<v Speaker 3>a character does not who You know when you meet

0:24:24.720 --> 0:24:26.960
<v Speaker 3>someone and they're like, I'm a very empathic person and

0:24:27.000 --> 0:24:29.320
<v Speaker 3>you know whatever comes after is not going to be empathic.

0:24:30.400 --> 0:24:32.359
<v Speaker 3>Or they say no offense and whatever comes after is

0:24:32.400 --> 0:24:33.240
<v Speaker 3>going to offend you.

0:24:33.480 --> 0:24:35.400
<v Speaker 1>How do you know I don't want to hear this then.

0:24:35.560 --> 0:24:39.560
<v Speaker 3>Yeah, one percent, Or when my brother last week started saying,

0:24:39.560 --> 0:24:41.359
<v Speaker 3>can I be real for a second a lot? And

0:24:41.400 --> 0:24:43.719
<v Speaker 3>I was like, no, I don't like it.

0:24:43.800 --> 0:24:45.120
<v Speaker 1>What are you the other second? Yeah?

0:24:45.119 --> 0:24:47.399
<v Speaker 3>What was happening before? And why is this happening to

0:24:47.440 --> 0:24:50.880
<v Speaker 3>me now? But I've always been interested in characters who

0:24:50.920 --> 0:24:53.080
<v Speaker 3>see themselves very differently than the rest of the world

0:24:53.119 --> 0:24:57.080
<v Speaker 3>sees them, and that gap. And it's interesting also because

0:24:57.760 --> 0:25:00.000
<v Speaker 3>people now know that you're not allowed to say It's

0:25:00.000 --> 0:25:01.680
<v Speaker 3>the same way that the Daily Mail stopp being allowed

0:25:01.680 --> 0:25:02.840
<v Speaker 3>to call you fat, so they had to call you

0:25:02.920 --> 0:25:06.880
<v Speaker 3>voluptuous or zef dig or whatever other synonym they could

0:25:06.920 --> 0:25:09.720
<v Speaker 3>come up with for what they used to say, which

0:25:09.760 --> 0:25:13.680
<v Speaker 3>was like messy, yeah, fat lady m hm. And now

0:25:13.800 --> 0:25:16.480
<v Speaker 3>people know that they're not supposed to be angry. If

0:25:16.520 --> 0:25:20.080
<v Speaker 3>women are unlikable, there's a new word that is being

0:25:20.160 --> 0:25:25.160
<v Speaker 3>used that comes up in notes, Are they rootable?

0:25:26.280 --> 0:25:29.080
<v Speaker 1>Routable? Meaning can we root for them? Is there any

0:25:29.119 --> 0:25:31.120
<v Speaker 1>world in which we could want them to succeed?

0:25:31.320 --> 0:25:34.199
<v Speaker 3>Correct? And I do think that is being likable and

0:25:34.240 --> 0:25:36.320
<v Speaker 3>being rootable or two different things. But it was also

0:25:36.320 --> 0:25:38.320
<v Speaker 3>always really interesting when Girls was on to realize that

0:25:39.119 --> 0:25:41.919
<v Speaker 3>people could accept the idea of like Tony soprano, they

0:25:41.920 --> 0:25:44.199
<v Speaker 3>could accept the idea of Walter White just like a

0:25:44.240 --> 0:25:47.560
<v Speaker 3>girl giving like an errant hand job. Was truly the

0:25:47.600 --> 0:25:50.520
<v Speaker 3>biggest societal problem that we had, and I think that

0:25:50.520 --> 0:25:53.400
<v Speaker 3>feels very quaint to people now. And also now there's

0:25:53.440 --> 0:25:56.679
<v Speaker 3>all the like I have main character syndrome, main I'm

0:25:56.720 --> 0:25:58.560
<v Speaker 3>the main character of my own life. Like there's sort

0:25:58.560 --> 0:26:02.159
<v Speaker 3>of a celebration of this kind of like delirious selfishness

0:26:02.160 --> 0:26:05.119
<v Speaker 3>that before was considered a major character flaw. So I

0:26:05.119 --> 0:26:07.359
<v Speaker 3>think there's like more room in the world. It feels

0:26:07.359 --> 0:26:10.200
<v Speaker 3>to me it's funny because women have never had more

0:26:10.240 --> 0:26:15.480
<v Speaker 3>problems actually, but on television there's space to wild out

0:26:15.640 --> 0:26:16.600
<v Speaker 3>just a little bit more.

0:26:17.359 --> 0:26:20.720
<v Speaker 1>I almost feel like people actually think that they I

0:26:20.800 --> 0:26:23.280
<v Speaker 1>think people think they love and support women because they

0:26:23.320 --> 0:26:26.680
<v Speaker 1>watched television with them in it, and then they convinced

0:26:26.760 --> 0:26:29.600
<v Speaker 1>themselves of something, and then the second they turn away,

0:26:29.720 --> 0:26:32.720
<v Speaker 1>it's like, well, I've already spent my time thinking and

0:26:32.800 --> 0:26:34.960
<v Speaker 1>supporting Yeah, you know what I'm saying. I think it's

0:26:35.040 --> 0:26:40.240
<v Speaker 1>so much more prevalent than people, and it is so interesting.

0:26:40.280 --> 0:26:43.360
<v Speaker 3>I mean, they're great theorists who are looking at sort

0:26:43.359 --> 0:26:46.000
<v Speaker 3>of like the gap between what we accept in media

0:26:46.040 --> 0:26:48.080
<v Speaker 3>and what we accept in the world, and we supported

0:26:48.119 --> 0:26:49.920
<v Speaker 3>media and what we support in the world. But it

0:26:50.000 --> 0:26:51.760
<v Speaker 3>was interesting because when we were doing Girls, it was

0:26:51.840 --> 0:26:54.120
<v Speaker 3>kind of, you know, it was like it was Obama era.

0:26:54.240 --> 0:26:56.719
<v Speaker 3>Everything was going to be okay, well try it. We

0:26:56.720 --> 0:26:59.199
<v Speaker 3>were on our way up. Everything like there was a

0:26:59.600 --> 0:27:01.560
<v Speaker 3>even though of course there was lots of consequence in

0:27:01.560 --> 0:27:03.959
<v Speaker 3>the world that I didn't have a full complete understanding

0:27:04.000 --> 0:27:06.600
<v Speaker 3>of because I was like inside a sound stage and

0:27:06.600 --> 0:27:09.320
<v Speaker 3>didn't know what time it was. There was it felt

0:27:09.359 --> 0:27:11.760
<v Speaker 3>like the world was we were going to a women's march,

0:27:11.800 --> 0:27:14.600
<v Speaker 3>we were having being sent pussy hats. Everything was happening,

0:27:14.920 --> 0:27:20.280
<v Speaker 3>and now there's been a profound backtracking. I don't know

0:27:20.280 --> 0:27:22.560
<v Speaker 3>if you remember something called me Too, but I don't

0:27:22.600 --> 0:27:27.960
<v Speaker 3>think it happened. It didn't reach a lot of corners

0:27:28.200 --> 0:27:33.320
<v Speaker 3>of the world. But we know that we're supposed to

0:27:33.359 --> 0:27:36.800
<v Speaker 3>think that women can be naughty on TV, right.

0:27:37.320 --> 0:27:42.080
<v Speaker 2>That that's somehow sustained, It's survived that for fucking.

0:27:41.960 --> 0:27:43.840
<v Speaker 3>And I want that. I want Rachel Wess to be

0:27:43.920 --> 0:27:47.320
<v Speaker 3>naughty on TV. Don't get me wrong. Always, That's why

0:27:47.359 --> 0:27:47.840
<v Speaker 3>I'm alive.

0:27:47.960 --> 0:27:48.720
<v Speaker 1>No one does it better.

0:27:49.720 --> 0:27:52.400
<v Speaker 3>I mean I was, I was watching her. I mean

0:27:52.600 --> 0:27:55.840
<v Speaker 3>direct to camera address from Rachel Weiss. We don't deserve,

0:27:56.440 --> 0:27:58.720
<v Speaker 3>We don't deserve. Also, I love how the whole time

0:27:58.720 --> 0:28:00.400
<v Speaker 3>she's like, I'm old and ugly and no one will

0:28:00.400 --> 0:28:02.000
<v Speaker 3>look at me. And I was like, you're the single

0:28:02.040 --> 0:28:03.160
<v Speaker 3>most beautiful woman.

0:28:03.280 --> 0:28:07.600
<v Speaker 1>You're actually a famously iconic for your Like I'll never

0:28:07.600 --> 0:28:10.240
<v Speaker 1>forget the first time I saw her in the Mummy movies.

0:28:10.440 --> 0:28:13.199
<v Speaker 1>Oh it's OK. That's like an arresting image for all times.

0:28:13.240 --> 0:28:16.680
<v Speaker 3>Like she's almost more so if you're not even attracted

0:28:16.680 --> 0:28:17.840
<v Speaker 3>to women, because you go, what am I?

0:28:18.119 --> 0:28:18.320
<v Speaker 1>Yeah?

0:28:18.440 --> 0:28:19.680
<v Speaker 3>Right, what am I?

0:28:19.680 --> 0:28:22.440
<v Speaker 1>I know I have questions and they come from.

0:28:22.240 --> 0:28:26.440
<v Speaker 3>You, ms Weiss. But that being said, yeah, she's she's

0:28:26.600 --> 0:28:29.120
<v Speaker 3>she's an iconically beautifulman. But at the same time, any

0:28:29.240 --> 0:28:32.399
<v Speaker 3>iconically beautiful woman who is over fifty is still dealing

0:28:32.440 --> 0:28:33.120
<v Speaker 3>with these same things.

0:28:33.480 --> 0:28:36.480
<v Speaker 2>Right, But it's so funny to bring up some jo

0:28:36.760 --> 0:28:37.600
<v Speaker 2>except for who Jayla?

0:28:37.960 --> 0:28:43.280
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0:28:49.640 --> 0:28:50.560
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0:29:26.320 --> 0:29:31.200
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0:29:31.400 --> 0:29:33.520
<v Speaker 2>or prevent any disease.

0:29:34.280 --> 0:29:34.960
<v Speaker 1>But I feel like.

0:29:36.560 --> 0:29:42.040
<v Speaker 2>You just had this locus of chaos happening around you

0:29:42.480 --> 0:29:45.320
<v Speaker 2>around the time of like this quote unquote Reckoning with

0:29:45.360 --> 0:29:50.440
<v Speaker 2>Me Too, where it's like the show ends, this relationship

0:29:50.480 --> 0:29:53.000
<v Speaker 2>is on its is on the outs, like all these

0:29:53.520 --> 0:29:55.600
<v Speaker 2>these things about your body are sort of coming to

0:29:55.680 --> 0:29:56.280
<v Speaker 2>light for you.

0:29:56.440 --> 0:29:57.840
<v Speaker 1>Like that's that.

0:29:58.000 --> 0:30:00.000
<v Speaker 2>That was My takeaway from the book was just like, oh,

0:30:00.280 --> 0:30:04.200
<v Speaker 2>how are you writing this with in such clear, gorgeous

0:30:04.240 --> 0:30:07.760
<v Speaker 2>detail while you're talking about how you are in this

0:30:07.880 --> 0:30:10.760
<v Speaker 2>like long dissociated stay and how you've grown up with

0:30:10.840 --> 0:30:15.040
<v Speaker 2>like these little flashes of dissociation and like hospital feeling

0:30:15.080 --> 0:30:19.360
<v Speaker 2>your hospital, like you for something is going on with

0:30:19.400 --> 0:30:22.080
<v Speaker 2>me and I'm ignoring my basic needs while I'm making

0:30:22.120 --> 0:30:24.480
<v Speaker 2>the show in the name of ambition and all these things.

0:30:24.520 --> 0:30:27.040
<v Speaker 2>And I have to prove something right about the way

0:30:27.120 --> 0:30:30.040
<v Speaker 2>the world sees me and sees the show now that

0:30:30.120 --> 0:30:33.280
<v Speaker 2>like the dust is settled, Like I hope you're so

0:30:33.320 --> 0:30:34.440
<v Speaker 2>proud of everything.

0:30:34.680 --> 0:30:38.280
<v Speaker 3>That is a beautiful thing to say, and thank you.

0:30:38.560 --> 0:30:40.960
<v Speaker 3>And I think the thing that was really lovely about

0:30:40.960 --> 0:30:42.520
<v Speaker 3>writing the book was I had a really long time

0:30:42.520 --> 0:30:44.240
<v Speaker 3>to do it. I mean, I wrote my first book

0:30:44.240 --> 0:30:46.280
<v Speaker 3>in eight months. I wrote this book in eight years.

0:30:46.040 --> 0:30:47.080
<v Speaker 1>Which we also loved.

0:30:47.280 --> 0:30:52.000
<v Speaker 3>Thank you, thank you so much. And and I don't

0:30:52.040 --> 0:30:53.720
<v Speaker 3>only want I didn't want to do it for the

0:30:53.760 --> 0:30:55.520
<v Speaker 3>sake of you know, there's I've been asked to do,

0:30:55.640 --> 0:30:59.200
<v Speaker 3>like do a girl's rewatch podcast, get Together with the Girls,

0:30:59.240 --> 0:31:02.320
<v Speaker 3>And I mean, people love nostalgia, and I love nostalgia.

0:31:02.400 --> 0:31:04.320
<v Speaker 3>And like, do I want to watch the whole cast

0:31:04.320 --> 0:31:08.400
<v Speaker 3>of OC respond to episodes of the OC? Yes, I do,

0:31:08.640 --> 0:31:11.360
<v Speaker 3>t Donovan, I want to watch tit donovan watch anything,

0:31:11.880 --> 0:31:15.200
<v Speaker 3>but I'm interested in like forward motion and forward progression,

0:31:15.200 --> 0:31:17.240
<v Speaker 3>and so I haven't Maybe there will be a time

0:31:17.280 --> 0:31:19.880
<v Speaker 3>when I go I'd like to live watch every episode

0:31:19.920 --> 0:31:22.280
<v Speaker 3>of Girls, but I haven't gotten in the yet. But

0:31:22.320 --> 0:31:24.120
<v Speaker 3>I only wanted to write the book if I felt

0:31:24.160 --> 0:31:26.800
<v Speaker 3>like I had something to say about the larger machine

0:31:27.080 --> 0:31:30.200
<v Speaker 3>in which women are working, in which people are working

0:31:30.280 --> 0:31:33.960
<v Speaker 3>about like the larger I do think that Hollywood is

0:31:34.320 --> 0:31:39.240
<v Speaker 3>a microcosm, and it reflects the way the industry works,

0:31:39.240 --> 0:31:41.440
<v Speaker 3>the way that we see people reflect things that exist

0:31:41.680 --> 0:31:43.880
<v Speaker 3>in a lot of parts of the world, because it's

0:31:43.920 --> 0:31:47.920
<v Speaker 3>like where the the center, it's our It's interesting because

0:31:47.960 --> 0:31:51.920
<v Speaker 3>Hollywood is very kind of comparatively small industry where where

0:31:51.960 --> 0:31:54.960
<v Speaker 3>we have chosen to center our attention. It's a distraction,

0:31:55.200 --> 0:31:59.920
<v Speaker 3>it's a it's an indulgence, but it also has something

0:32:00.200 --> 0:32:02.080
<v Speaker 3>bigger to say about the way that we live. And

0:32:02.120 --> 0:32:04.280
<v Speaker 3>so I only wanted to write the book if I

0:32:04.320 --> 0:32:07.960
<v Speaker 3>felt like I had something to say about all of

0:32:08.000 --> 0:32:12.320
<v Speaker 3>that and about while also being hopefully thoughtful about the

0:32:12.360 --> 0:32:16.040
<v Speaker 3>fact that like a tiny thousand tiny violins play for

0:32:16.040 --> 0:32:17.520
<v Speaker 3>the girl who's like my TV show was too.

0:32:17.480 --> 0:32:18.240
<v Speaker 1>Hard, but.

0:32:20.000 --> 0:32:23.240
<v Speaker 3>So thank you for saying that, and I it was

0:32:23.360 --> 0:32:26.080
<v Speaker 3>interesting to realize how much I did do I had

0:32:26.160 --> 0:32:28.200
<v Speaker 3>always had my talk about in the book. I'd always

0:32:28.240 --> 0:32:32.480
<v Speaker 3>had dissociated episodes throughout childhood. The more that my life

0:32:32.520 --> 0:32:34.280
<v Speaker 3>picked up and the more stress was involved, the more

0:32:34.320 --> 0:32:36.680
<v Speaker 3>they happened. But I think at the time I thought

0:32:36.720 --> 0:32:39.920
<v Speaker 3>ignoring your basic needs was correct. I thought, like, if

0:32:39.920 --> 0:32:43.000
<v Speaker 3>you're really good at being a person, you can suppress

0:32:43.040 --> 0:32:45.600
<v Speaker 3>and override everything that you need in order to be

0:32:45.680 --> 0:32:48.840
<v Speaker 3>comfortable for the city. And you know, we've all been

0:32:48.880 --> 0:32:52.920
<v Speaker 3>sent a million signals about what ambition, what's important, what

0:32:52.960 --> 0:32:55.840
<v Speaker 3>ambition means, what you know, who we have to be

0:32:56.160 --> 0:32:59.880
<v Speaker 3>in this sort of in I'm about to say, under capitalism,

0:33:00.040 --> 0:33:01.520
<v Speaker 3>send me to jail, but.

0:33:02.960 --> 0:33:04.800
<v Speaker 1>And so capitalist in jail.

0:33:05.000 --> 0:33:08.000
<v Speaker 3>Yeah, send me to capitalist jail. Send me to a

0:33:08.080 --> 0:33:11.760
<v Speaker 3>private prison, sorry, where they'll treat me the way I've

0:33:11.800 --> 0:33:16.280
<v Speaker 3>always treated myself. But but I want to tell you

0:33:16.320 --> 0:33:19.520
<v Speaker 3>that something is happening inside me. Not a bad way,

0:33:19.560 --> 0:33:22.520
<v Speaker 3>good way. But I just kind of like, my nipples

0:33:22.560 --> 0:33:24.040
<v Speaker 3>aren't wreck But I did stand at attention.

0:33:25.040 --> 0:33:26.000
<v Speaker 1>You felt the free song?

0:33:26.160 --> 0:33:28.000
<v Speaker 3>Yeah, Like there's a is there a moment when you're

0:33:28.040 --> 0:33:32.480
<v Speaker 3>drinking yourself you go, it's on. Yeah, yeah, Yeah. It's

0:33:32.520 --> 0:33:35.120
<v Speaker 3>a little bit like when you try drugs with deference

0:33:35.160 --> 0:33:36.840
<v Speaker 3>for your first time and you go, is it working

0:33:37.040 --> 0:33:40.959
<v Speaker 3>on you? Is it working on you? It's working? And

0:33:41.000 --> 0:33:44.400
<v Speaker 3>also because I'm sober and now thanks to you, this

0:33:44.480 --> 0:33:45.840
<v Speaker 3>one vape free?

0:33:45.880 --> 0:33:48.120
<v Speaker 1>Oh is this where we is this where we entree

0:33:48.160 --> 0:33:50.440
<v Speaker 1>into this discussion. I was just going to say one

0:33:50.560 --> 0:33:52.280
<v Speaker 1>one more before we do that. I just want to

0:33:52.320 --> 0:33:56.400
<v Speaker 1>say that the one thing about girls that that it's

0:33:56.400 --> 0:33:58.200
<v Speaker 1>so much of it terrified me at the time because

0:33:58.240 --> 0:34:00.600
<v Speaker 1>I was like, I'm I think I'm feeling comfortable because

0:34:00.600 --> 0:34:02.600
<v Speaker 1>it's me. A lot of it was Marny, I know,

0:34:02.680 --> 0:34:04.080
<v Speaker 1>are you a Marnie? Yeah?

0:34:04.120 --> 0:34:04.560
<v Speaker 3>What are you?

0:34:05.080 --> 0:34:08.240
<v Speaker 1>I think I'm I'm probably a show.

0:34:08.719 --> 0:34:11.160
<v Speaker 3>I was going to say that, yeah, And you know,

0:34:11.200 --> 0:34:13.040
<v Speaker 3>I've been public about the fact that I'm a shosh.

0:34:13.239 --> 0:34:15.680
<v Speaker 1>You're and you told us this, Yeah.

0:34:15.600 --> 0:34:18.240
<v Speaker 3>I'm a show, you're a I've grown into a shosh.

0:34:18.800 --> 0:34:21.680
<v Speaker 1>Yeah. It's kind of like it's not to not to invoke.

0:34:21.719 --> 0:34:24.640
<v Speaker 1>But it's like with the Hogwarts houses. My whole thing

0:34:24.719 --> 0:34:29.879
<v Speaker 1>was like, listen, I was born a gryffindor yep. In

0:34:29.920 --> 0:34:33.000
<v Speaker 1>my twenties, I was a Slytherin. Right now, I'm a

0:34:33.080 --> 0:34:35.400
<v Speaker 1>huffle puff. I will die a raven claw, you know

0:34:35.440 --> 0:34:37.200
<v Speaker 1>what I mean. Like it's like that's sort of what

0:34:37.239 --> 0:34:39.600
<v Speaker 1>it feels like. It's like that with the girls.

0:34:39.640 --> 0:34:41.920
<v Speaker 3>Girls, well, well like in my in high school, I

0:34:41.960 --> 0:34:46.279
<v Speaker 3>was a Charlotte yea. Then I turned into a Samantha. Yes,

0:34:46.960 --> 0:34:49.960
<v Speaker 3>had a moment thinking I was a Carry and I

0:34:50.000 --> 0:34:51.439
<v Speaker 3>will be a Miranda for the rest of my life.

0:34:52.560 --> 0:34:55.000
<v Speaker 3>But even maybe up to the part where she gets

0:34:55.040 --> 0:34:58.399
<v Speaker 3>together with cha. You know, yeah, I think we can't.

0:34:58.440 --> 0:34:59.279
<v Speaker 1>We can't rule it out.

0:35:00.120 --> 0:35:03.400
<v Speaker 3>Been is maybe a chay uh huh uh huh. He

0:35:03.400 --> 0:35:04.319
<v Speaker 3>doesn't want to hear that.

0:35:04.800 --> 0:35:06.960
<v Speaker 1>Who does He's fingering you in the kitchen.

0:35:08.520 --> 0:35:10.280
<v Speaker 3>I it could, it could happen.

0:35:10.960 --> 0:35:12.240
<v Speaker 1>I want me to talk about your marriage.

0:35:12.320 --> 0:35:14.759
<v Speaker 3>I'm sorry when you said it, I was almost like

0:35:14.920 --> 0:35:16.680
<v Speaker 3>I was almost like, let's call him, Like, I don't know,

0:35:17.239 --> 0:35:19.400
<v Speaker 3>I'd love to talk about my marriage. But you know,

0:35:19.440 --> 0:35:22.239
<v Speaker 3>we're five years saying things really things really settle in,

0:35:22.320 --> 0:35:23.040
<v Speaker 3>they're simmering.

0:35:23.200 --> 0:35:26.239
<v Speaker 1>Yeah, I guess what. I what I'm what was the

0:35:26.280 --> 0:35:28.160
<v Speaker 1>big pull for me at the end when I was

0:35:28.200 --> 0:35:30.040
<v Speaker 1>like really sitting with it and then the rewatch too.

0:35:30.080 --> 0:35:33.359
<v Speaker 1>I confirmed. I was like, Wow, you don't stay friends

0:35:33.400 --> 0:35:35.799
<v Speaker 1>with everyone forever. And the fact that.

0:35:35.719 --> 0:35:37.600
<v Speaker 3>Pil Robbins calls it the Great Scattering.

0:35:37.680 --> 0:35:39.839
<v Speaker 1>Yes, yeah, the Great Scattering. She does call it that.

0:35:39.960 --> 0:35:42.160
<v Speaker 1>But that whole last season is kind of about like

0:35:42.840 --> 0:35:45.279
<v Speaker 1>them realizing that I imagine, like you know what I mean,

0:35:45.320 --> 0:35:48.000
<v Speaker 1>Like they're they're moving into their different lives, like all

0:35:48.000 --> 0:35:50.480
<v Speaker 1>of a sudden, there's something solidifying hearing you didn't know

0:35:50.520 --> 0:35:52.279
<v Speaker 1>what was coming now, but it is coming now in

0:35:52.360 --> 0:35:56.640
<v Speaker 1>this sadness that comes with that, not even the acceptance

0:35:56.640 --> 0:35:58.560
<v Speaker 1>of the idea that you might have to accept it,

0:35:59.040 --> 0:36:02.400
<v Speaker 1>And that I think is one of the truest things

0:36:02.400 --> 0:36:03.120
<v Speaker 1>about the show.

0:36:03.239 --> 0:36:05.600
<v Speaker 3>I don't know about you, but I held on really tight.

0:36:06.160 --> 0:36:09.880
<v Speaker 3>I was really scared for the Great Scattering. I held on.

0:36:10.239 --> 0:36:12.319
<v Speaker 3>I mean, I think my friends and I talked to

0:36:12.320 --> 0:36:14.480
<v Speaker 3>each other in our twenties. If I look back, it's

0:36:14.560 --> 0:36:17.120
<v Speaker 3>like people in a relationship, it's like we're act It's

0:36:17.160 --> 0:36:20.320
<v Speaker 3>like I feel like it's been a little strange lately,

0:36:20.360 --> 0:36:23.399
<v Speaker 3>and you're not responding to me the way and it's like, now,

0:36:23.440 --> 0:36:26.040
<v Speaker 3>I would never say that to a friend in a

0:36:26.080 --> 0:36:28.719
<v Speaker 3>fucking million years, because I'm like, what happen. You've got

0:36:28.760 --> 0:36:31.920
<v Speaker 3>a big, complicated life. We're all trying to just get

0:36:31.960 --> 0:36:35.640
<v Speaker 3>through this thing, and it's what happens. And you know,

0:36:36.160 --> 0:36:38.560
<v Speaker 3>the show was also interesting because it was all about

0:36:38.600 --> 0:36:41.680
<v Speaker 3>these friendships, but I was also literally always on set.

0:36:41.719 --> 0:36:43.680
<v Speaker 3>So the friendships I talk about this, the friendships that

0:36:43.719 --> 0:36:46.520
<v Speaker 3>it was about, were then affected by the fact that

0:36:46.719 --> 0:36:48.840
<v Speaker 3>I wasn't around, and then was it was this big.

0:36:49.360 --> 0:36:51.839
<v Speaker 3>It was like I went to sleep one day and

0:36:51.880 --> 0:36:55.600
<v Speaker 3>then or like stepped onto this into Hannah's apartment one day,

0:36:56.040 --> 0:36:57.759
<v Speaker 3>and then I got out when I was thirty and

0:36:57.760 --> 0:37:00.160
<v Speaker 3>I was like, I'm back, guys, and they were all like,

0:37:00.400 --> 0:37:06.279
<v Speaker 3>we're pregnant. Yeah, like you are looking for a boyfriend

0:37:06.480 --> 0:37:12.600
<v Speaker 3>on Delancey Street. Were pregnant and I was like, anybody

0:37:12.600 --> 0:37:14.479
<v Speaker 3>want to hear about my hysterectomy And they're like, we

0:37:14.600 --> 0:37:19.200
<v Speaker 3>are wearing clogs in Brooklyn together. And I remember being

0:37:19.239 --> 0:37:21.040
<v Speaker 3>like going to visit my friends and being like, I'm

0:37:21.040 --> 0:37:25.319
<v Speaker 3>that weird aunt lady that's like comes in and she's like,

0:37:25.360 --> 0:37:26.960
<v Speaker 3>I've brought you guys scarves.

0:37:27.080 --> 0:37:30.319
<v Speaker 1>I was, well, I was traveling and you know what

0:37:30.360 --> 0:37:33.360
<v Speaker 1>that means, Yes, little gifts gifts for everyone.

0:37:33.600 --> 0:37:35.960
<v Speaker 3>My mom had a friend. My mom had has a

0:37:35.960 --> 0:37:38.279
<v Speaker 3>lot of wonderful, eccentric friends, but I remember she had

0:37:38.320 --> 0:37:40.879
<v Speaker 3>one friend who didn't have kids who came over once

0:37:40.920 --> 0:37:43.000
<v Speaker 3>because she wanted to take some photos of our hairless

0:37:43.000 --> 0:37:47.080
<v Speaker 3>cat to work into a video art piece. Naturally, yes,

0:37:47.480 --> 0:37:50.120
<v Speaker 3>And she was wearing like full issy Miyaki pleats please,

0:37:50.800 --> 0:37:53.200
<v Speaker 3>and she I saw a tattoo on her hand and

0:37:53.239 --> 0:37:55.479
<v Speaker 3>she was like she was. I loved her partially because

0:37:55.480 --> 0:37:57.359
<v Speaker 3>she was the only chubby woman that I really knew,

0:37:57.400 --> 0:38:00.200
<v Speaker 3>because downtown was not rife with those, but all so

0:38:00.320 --> 0:38:02.040
<v Speaker 3>she was writing a Semiaki pleats please, and I said,

0:38:02.040 --> 0:38:03.359
<v Speaker 3>I like your tattoo, and she said, do you want

0:38:03.360 --> 0:38:07.200
<v Speaker 3>to see my others? And she dropped her pants and

0:38:07.239 --> 0:38:14.080
<v Speaker 3>she had like a full uh like constellation of all

0:38:14.160 --> 0:38:17.920
<v Speaker 3>of the constellations on her like big beautiful ass on

0:38:17.960 --> 0:38:19.839
<v Speaker 3>her ass. And I was like, that's what I want

0:38:19.840 --> 0:38:22.759
<v Speaker 3>to be. I would never drop my pants in front

0:38:22.800 --> 0:38:23.280
<v Speaker 3>of a child.

0:38:23.360 --> 0:38:25.920
<v Speaker 1>No, I want that to be the If you did,

0:38:26.080 --> 0:38:26.640
<v Speaker 1>you'd be her.

0:38:26.880 --> 0:38:28.839
<v Speaker 3>If I did, that was a different time, but if

0:38:28.840 --> 0:38:32.120
<v Speaker 3>I but I do. I got comfortable with the idea

0:38:32.120 --> 0:38:33.560
<v Speaker 3>of like I'm going to come in to take a

0:38:33.560 --> 0:38:35.479
<v Speaker 3>picture of your hairless cat for a video art piece,

0:38:35.520 --> 0:38:37.839
<v Speaker 3>and you're going to say, do you and there you're

0:38:37.840 --> 0:38:39.880
<v Speaker 3>going to say, what's that tattoo? And I'm going to say,

0:38:39.920 --> 0:38:41.759
<v Speaker 3>I've made some mistakes, and it's just a.

0:38:41.719 --> 0:38:42.840
<v Speaker 1>Matter I've made some mistakes.

0:38:42.880 --> 0:38:44.719
<v Speaker 2>It's just a matter of if your friends want to

0:38:44.719 --> 0:38:47.120
<v Speaker 2>stick around for that, you know what I mean. Like,

0:38:47.800 --> 0:38:51.719
<v Speaker 2>I think The Show Girls is about a friendship, a

0:38:51.719 --> 0:38:53.560
<v Speaker 2>group of friends sort of. I mean, friendship is in

0:38:53.680 --> 0:38:56.359
<v Speaker 2>tropic it's like it's it's just inevitable. And I think

0:38:56.400 --> 0:38:58.520
<v Speaker 2>that's what the book is about. It's about like a

0:38:58.680 --> 0:39:02.239
<v Speaker 2>friendship sort of sort of splitting up. And that's that's

0:39:02.320 --> 0:39:04.120
<v Speaker 2>kind of that's like the most universal thing you can

0:39:04.160 --> 0:39:04.640
<v Speaker 2>write about.

0:39:04.680 --> 0:39:06.799
<v Speaker 3>I remember once saying to my mom, like, it's so sad.

0:39:06.840 --> 0:39:08.319
<v Speaker 3>I used to know all these people that I don't

0:39:08.320 --> 0:39:11.440
<v Speaker 3>know anymore. And she's like, that's called being alive. Like

0:39:11.480 --> 0:39:13.680
<v Speaker 3>she was like, have you ever heard of like Judith

0:39:13.760 --> 0:39:15.279
<v Speaker 3>Garrigan And I was like no, and she's like, well

0:39:15.320 --> 0:39:18.239
<v Speaker 3>she was my best friend till you were three. Yeah,

0:39:18.360 --> 0:39:21.400
<v Speaker 3>and then she drank a lot. There's that's an instance.

0:39:21.440 --> 0:39:23.080
<v Speaker 3>And I still look I used.

0:39:22.960 --> 0:39:25.080
<v Speaker 1>To look another human being in the eyes and say

0:39:25.120 --> 0:39:27.480
<v Speaker 1>we will die together. I haven't spoken to them in

0:39:27.520 --> 0:39:28.160
<v Speaker 1>thirty years.

0:39:28.239 --> 0:39:29.600
<v Speaker 3>Yes, by the.

0:39:29.520 --> 0:39:34.080
<v Speaker 1>Way, we don't speak outside of this representatives.

0:39:33.320 --> 0:39:34.799
<v Speaker 3>And the thing about whether your friends want to stick

0:39:34.800 --> 0:39:37.040
<v Speaker 3>around for that, Like, that's one of the reasons I

0:39:37.120 --> 0:39:40.720
<v Speaker 3>think I've had such prolonged and beautiful friendships with queer

0:39:40.760 --> 0:39:44.920
<v Speaker 3>men is because because since my life didn't nessarily conform

0:39:45.000 --> 0:39:47.359
<v Speaker 3>to some of the milestones that I thought it would right,

0:39:47.760 --> 0:39:50.560
<v Speaker 3>being friends with people who had a different idea about

0:39:50.640 --> 0:39:56.440
<v Speaker 3>what family and adulthood could mean was like deeply important

0:39:56.440 --> 0:39:56.640
<v Speaker 3>to me.

0:39:56.800 --> 0:39:59.920
<v Speaker 1>Yeah, there was commonality there where. Yeah, you may have

0:40:00.080 --> 0:40:01.359
<v Speaker 1>tried to find it somewhere else.

0:40:01.760 --> 0:40:03.480
<v Speaker 3>I thought that I was supposed to be And by

0:40:03.480 --> 0:40:05.040
<v Speaker 3>the way, I love all those women and they are

0:40:05.040 --> 0:40:07.400
<v Speaker 3>still my friends. But I thought I was supposed to

0:40:07.480 --> 0:40:12.920
<v Speaker 3>be in Bushwick but have moved out of the smaller

0:40:12.920 --> 0:40:15.359
<v Speaker 3>place into the townhouse and be wearing the clogs. And

0:40:15.520 --> 0:40:19.840
<v Speaker 3>actually I was supposed to be at the Essulon resort

0:40:19.920 --> 0:40:23.640
<v Speaker 3>in the Hot Springs with a buff acupuncturists.

0:40:23.719 --> 0:40:28.680
<v Speaker 1>Yeah, of course, yes, shout out to Russell. I just yeah,

0:40:28.719 --> 0:40:31.319
<v Speaker 1>I just feel like it's just in terms of like

0:40:31.360 --> 0:40:34.040
<v Speaker 1>the way you write character, it's like obviously there's a

0:40:34.040 --> 0:40:38.480
<v Speaker 1>couple huge The book is really about like relationships, and

0:40:38.520 --> 0:40:42.040
<v Speaker 1>there's two relationships that you just you lose by the

0:40:42.120 --> 0:40:45.040
<v Speaker 1>end of the book. But what I wanted to say was,

0:40:45.080 --> 0:40:48.560
<v Speaker 1>you've always created some of the best characters of our generation.

0:40:48.719 --> 0:40:52.320
<v Speaker 1>But the way that you write these people in your life,

0:40:52.840 --> 0:40:57.440
<v Speaker 1>it's like such a beautiful thing, a testament to the

0:40:57.440 --> 0:40:59.680
<v Speaker 1>place that they held in your life. And I feel like,

0:41:00.040 --> 0:41:02.520
<v Speaker 1>if you have anything in you and I'm sure you do,

0:41:02.640 --> 0:41:05.440
<v Speaker 1>I'm positive you do, which is like nervous about how

0:41:05.440 --> 0:41:07.520
<v Speaker 1>they're going to receive it, which of course you are

0:41:07.520 --> 0:41:08.440
<v Speaker 1>going to because.

0:41:08.239 --> 0:41:09.880
<v Speaker 3>Of course, whenever you make something, you make it for

0:41:09.920 --> 0:41:11.480
<v Speaker 3>like two people, and they're probably the two people who

0:41:11.480 --> 0:41:12.920
<v Speaker 3>won't even look at it. That's life.

0:41:13.160 --> 0:41:15.759
<v Speaker 1>But the thing is like, the way you've written them

0:41:15.800 --> 0:41:18.040
<v Speaker 1>is so beautiful. Because what I love about what you do,

0:41:18.120 --> 0:41:20.640
<v Speaker 1>even if sometimes you were fighting with yourself, because you

0:41:20.719 --> 0:41:23.040
<v Speaker 1>might feel a different way about these two people on

0:41:23.120 --> 0:41:26.320
<v Speaker 1>any given day, it's like it feels like you always

0:41:26.320 --> 0:41:29.720
<v Speaker 1>held true to I'm going to try and three sixty

0:41:29.760 --> 0:41:32.520
<v Speaker 1>flesh this person out as much as you can, because

0:41:32.880 --> 0:41:35.640
<v Speaker 1>you know, with these relationships like Jenny and Jack, you

0:41:35.680 --> 0:41:38.360
<v Speaker 1>get a sense of both their humor, you get a

0:41:38.400 --> 0:41:41.280
<v Speaker 1>sense of both their positive oddities. You get a sense

0:41:41.320 --> 0:41:43.320
<v Speaker 1>of them on all of their best days.

0:41:43.640 --> 0:41:47.240
<v Speaker 3>They're the two funniest, most special, and most defining relationships

0:41:47.280 --> 0:41:51.120
<v Speaker 3>of twenty to thirty. I mean, your first romantic relationship

0:41:51.120 --> 0:41:54.800
<v Speaker 3>where you feel deeply understood is like the most precious

0:41:54.840 --> 0:41:58.040
<v Speaker 3>thing that can ever exist. You're like, oh, I thought

0:41:58.080 --> 0:42:00.600
<v Speaker 3>I really had a crush on that guy and tenth grade,

0:42:00.640 --> 0:42:02.640
<v Speaker 3>but this is a whole the first time you make

0:42:02.680 --> 0:42:04.839
<v Speaker 3>a life with someone, the first best, real adult best

0:42:04.840 --> 0:42:08.640
<v Speaker 3>friend you have. And I hoped that I could show

0:42:08.719 --> 0:42:10.839
<v Speaker 3>like why I fell in love with them, Yeah, and

0:42:10.880 --> 0:42:13.800
<v Speaker 3>also that it couldn't. I was quoting Casey musk Graves

0:42:13.800 --> 0:42:16.279
<v Speaker 3>too earlier, saying that when she got divorced, did it's

0:42:16.280 --> 0:42:17.799
<v Speaker 3>a sole connection that didn't work out?

0:42:17.920 --> 0:42:18.400
<v Speaker 1>Yeah?

0:42:18.440 --> 0:42:22.640
<v Speaker 3>And that doesn't I think like love is. I think

0:42:22.760 --> 0:42:25.239
<v Speaker 3>if you love someone really deeply. Firstly, we know that

0:42:25.280 --> 0:42:27.200
<v Speaker 3>if when two people get divorced or something and they're

0:42:27.239 --> 0:42:29.040
<v Speaker 3>like I fucking hate them, You're like, that's because you

0:42:29.239 --> 0:42:32.360
<v Speaker 3>were obsessed with them, and your obsession had to energy

0:42:32.400 --> 0:42:34.440
<v Speaker 3>cannot be created or destroyed, and therefore it had to

0:42:34.480 --> 0:42:38.120
<v Speaker 3>transmute into something, and my goal has always been not

0:42:38.160 --> 0:42:41.200
<v Speaker 3>to have that transmute into something negative. And also, if

0:42:41.200 --> 0:42:43.000
<v Speaker 3>I didn't feel that deep love for them, I'd have

0:42:43.080 --> 0:42:46.320
<v Speaker 3>to do this like grand erasure of all these memories.

0:42:46.880 --> 0:42:50.680
<v Speaker 3>And I remember I dated one person after my breakup

0:42:50.719 --> 0:42:52.360
<v Speaker 3>and it was like a quick it was one of

0:42:52.360 --> 0:42:54.440
<v Speaker 3>those four month like four months that could have been

0:42:54.520 --> 0:42:57.520
<v Speaker 3>fifty years. Yeah, and afterwards I deleted all the photos

0:42:58.000 --> 0:42:59.239
<v Speaker 3>and it's the one time I've done that, and I

0:42:59.280 --> 0:43:02.000
<v Speaker 3>regret it because it's like there's this hole in my

0:43:02.800 --> 0:43:07.200
<v Speaker 3>life that I just in this moment of rash. Maybe

0:43:07.239 --> 0:43:08.839
<v Speaker 3>you can call Tim Cook and he can get them back.

0:43:08.960 --> 0:43:11.479
<v Speaker 1>Yeah, honestly, he's got them. I did the same thing

0:43:11.640 --> 0:43:15.000
<v Speaker 1>I did it with I did it with text messages

0:43:15.040 --> 0:43:18.440
<v Speaker 1>and a lot of photos. And I go back and

0:43:18.480 --> 0:43:21.000
<v Speaker 1>forth now on whether or not that was the right

0:43:21.040 --> 0:43:21.919
<v Speaker 1>thing to do.

0:43:22.040 --> 0:43:23.440
<v Speaker 3>It was the right thing for you in the moment

0:43:23.520 --> 0:43:25.720
<v Speaker 3>because you knew that you were not you could.

0:43:25.560 --> 0:43:28.040
<v Speaker 1>Not trust yourself with them because I was obsessing, Yes,

0:43:28.080 --> 0:43:29.240
<v Speaker 1>And I think that like.

0:43:29.200 --> 0:43:31.000
<v Speaker 3>You were self harming through nostalgia.

0:43:31.120 --> 0:43:33.960
<v Speaker 1>That's really what it was. And I knew in the

0:43:34.040 --> 0:43:36.120
<v Speaker 1>moment that that's what it had become. And so I

0:43:36.200 --> 0:43:38.200
<v Speaker 1>was like, I think in order to set myself free

0:43:38.200 --> 0:43:40.640
<v Speaker 1>from this, I have to do this. But as someone

0:43:40.680 --> 0:43:44.600
<v Speaker 1>who does you know, see value in looking back and

0:43:44.640 --> 0:43:48.000
<v Speaker 1>being like, oh, and also just like the way you

0:43:48.040 --> 0:43:51.359
<v Speaker 1>talk positively and the way you draw up what it

0:43:51.400 --> 0:43:54.640
<v Speaker 1>feels like to finally get comfortable in a relationship, like

0:43:54.800 --> 0:43:58.160
<v Speaker 1>actually made me look back on like one particular X

0:43:58.200 --> 0:44:02.160
<v Speaker 1>that I you know, kind of have exclusively like hard

0:44:02.160 --> 0:44:05.360
<v Speaker 1>feelings about, yeah, and reading what you wrote about like

0:44:05.400 --> 0:44:07.759
<v Speaker 1>an old relationship, and I was like, oh, like one

0:44:07.840 --> 0:44:09.680
<v Speaker 1>good thing I can say is like I really like

0:44:09.760 --> 0:44:13.200
<v Speaker 1>like being silly with him, Like I was thinking something

0:44:13.320 --> 0:44:15.040
<v Speaker 1>when I was reading your words. It's like, oh, that

0:44:15.080 --> 0:44:19.080
<v Speaker 1>person when someone sees you silly, what's so funny? The

0:44:19.080 --> 0:44:22.120
<v Speaker 1>movement of it, all the moments that you give each

0:44:22.160 --> 0:44:24.560
<v Speaker 1>other and like you know, it's like it's it's it's

0:44:24.640 --> 0:44:26.960
<v Speaker 1>you're you can't replicate that.

0:44:27.280 --> 0:44:30.560
<v Speaker 3>And I I was once just I was at the

0:44:30.600 --> 0:44:33.480
<v Speaker 3>Toronto Film Festival in one of the places that I've

0:44:33.520 --> 0:44:35.080
<v Speaker 3>been in my life. I don't know what to say,

0:44:35.560 --> 0:44:39.279
<v Speaker 3>and I ran into my ex boyfriend. I was with

0:44:39.360 --> 0:44:42.000
<v Speaker 3>my husband and he was watching in the Tolianail's way.

0:44:42.000 --> 0:44:44.600
<v Speaker 3>He was like, you guys were being so funny together. Yeah,

0:44:44.640 --> 0:44:47.360
<v Speaker 3>and you just get back into this, like in a way,

0:44:47.600 --> 0:44:50.400
<v Speaker 3>when you've had a long term relationship with someone, especially

0:44:50.440 --> 0:44:52.200
<v Speaker 3>through a very pivotal moment in your life, there's things

0:44:52.239 --> 0:44:56.080
<v Speaker 3>that they will only like there's certain facts about my aunts,

0:44:56.280 --> 0:44:59.600
<v Speaker 3>particular my aunts Bonnie and Susan, who are very important

0:44:59.600 --> 0:45:03.440
<v Speaker 3>complex female characters, and I will something will happen with

0:45:03.480 --> 0:45:05.000
<v Speaker 3>Monny and she's gonna be like, this is the only

0:45:05.040 --> 0:45:06.880
<v Speaker 3>person who could possibly understand how.

0:45:06.760 --> 0:45:08.239
<v Speaker 1>Funny do you reach out?

0:45:08.960 --> 0:45:11.279
<v Speaker 3>Sometimes I think that it's I don't like to have

0:45:12.280 --> 0:45:14.799
<v Speaker 3>a blockade, and you know, I try to do it

0:45:14.840 --> 0:45:18.759
<v Speaker 3>in appropriate doses. I'm not like, I'm not like, hey

0:45:18.840 --> 0:45:21.040
<v Speaker 3>came across this photo of us really made me think,

0:45:21.200 --> 0:45:28.040
<v Speaker 3>I think that's aggressive. That's aggressive from a psychotic and

0:45:28.080 --> 0:45:30.359
<v Speaker 3>I'm totally capable of that. I just have to reel

0:45:30.360 --> 0:45:33.120
<v Speaker 3>it in, you know, like that there's a part of

0:45:33.120 --> 0:45:35.640
<v Speaker 3>me that could one hundred percent be like there's funny

0:45:35.680 --> 0:45:37.839
<v Speaker 3>things that you go this is a value that we

0:45:37.960 --> 0:45:41.040
<v Speaker 3>remember this and it's I remember when my father's my

0:45:41.080 --> 0:45:43.000
<v Speaker 3>father's parents died and then his brother died and he

0:45:43.040 --> 0:45:45.400
<v Speaker 3>was like, there's nobody else who remembers what it was

0:45:45.440 --> 0:45:47.719
<v Speaker 3>like to be in my family. First, he kept saying

0:45:47.760 --> 0:45:50.600
<v Speaker 3>I'm an orphan, and I was like, okay, you're You're seventy,

0:45:51.160 --> 0:45:53.240
<v Speaker 3>So I don't know if you get to claim that title.

0:45:53.680 --> 0:45:58.640
<v Speaker 3>Everyone wants a title these days. And that's the thing is,

0:45:58.680 --> 0:46:01.759
<v Speaker 3>it's really beautiful to have people who remember, even if

0:46:01.800 --> 0:46:04.759
<v Speaker 3>they remember differently. And my goal in the book was

0:46:04.800 --> 0:46:09.560
<v Speaker 3>to show how much they meant and how much love

0:46:09.640 --> 0:46:12.400
<v Speaker 3>there is that still exists for them will also and

0:46:12.480 --> 0:46:15.319
<v Speaker 3>I'm sure that someone could give their account and it

0:46:15.320 --> 0:46:18.520
<v Speaker 3>would be the same events but with an extremely different

0:46:19.120 --> 0:46:20.680
<v Speaker 3>I mean, that's the amazing thing about the world is

0:46:20.719 --> 0:46:22.720
<v Speaker 3>like we're all looking through our own eyes. I'm on acid.

0:46:22.800 --> 0:46:27.160
<v Speaker 1>No, no, but I think we're on acid too. I'm

0:46:27.320 --> 0:46:31.040
<v Speaker 1>like it's called But there was also so much in

0:46:31.120 --> 0:46:34.200
<v Speaker 1>like your your working relationship, in close close, close friendship

0:46:34.200 --> 0:46:37.080
<v Speaker 1>with Jenny that like I texted B and I was like,

0:46:37.800 --> 0:46:41.480
<v Speaker 1>are you it's about relevant thing?

0:46:41.719 --> 0:46:44.359
<v Speaker 3>Well, I think the thing that I've learned, and I

0:46:44.360 --> 0:46:48.520
<v Speaker 3>mean those creative relationships that were so intense, they were

0:46:48.560 --> 0:46:50.839
<v Speaker 3>like marriages, they were like all these it was like

0:46:50.880 --> 0:46:54.839
<v Speaker 3>I was it was like I was in a polyamorous relationship.

0:46:55.040 --> 0:46:57.440
<v Speaker 3>I mean it was, and in a way I look

0:46:57.480 --> 0:47:00.520
<v Speaker 3>back and I'm like, that was my primary relationship, and

0:47:00.560 --> 0:47:03.040
<v Speaker 3>then I had a secondary relationship, which was a boyfriend,

0:47:03.880 --> 0:47:08.120
<v Speaker 3>and then a tertiary relationship which was my dad, And

0:47:08.400 --> 0:47:12.080
<v Speaker 3>so that is, Oh, that's a wild thing to look

0:47:12.120 --> 0:47:15.320
<v Speaker 3>back on. And and creative relationships you two know really well,

0:47:15.680 --> 0:47:19.160
<v Speaker 3>require just as much, if not more, emotional maintenance. Like

0:47:19.600 --> 0:47:21.960
<v Speaker 3>when you're married to a straight man, there's so much

0:47:21.960 --> 0:47:24.879
<v Speaker 3>that you just don't even have to say, Like, my brother,

0:47:25.080 --> 0:47:26.600
<v Speaker 3>it must be so relaxing to be married to a

0:47:26.600 --> 0:47:29.359
<v Speaker 3>straight guy because they like are not really picking up

0:47:29.360 --> 0:47:32.120
<v Speaker 3>on anything. You don't have to like it's.

0:47:31.960 --> 0:47:34.919
<v Speaker 1>Like whenever nothing means more than it does.

0:47:35.120 --> 0:47:37.200
<v Speaker 3>That's exactly right. When I remember around queer couple are

0:47:37.200 --> 0:47:38.839
<v Speaker 3>like you moved your eyebrows, or you're feeling a little

0:47:38.840 --> 0:47:42.480
<v Speaker 3>bit destabilized, and like you can just hide in your

0:47:42.520 --> 0:47:44.640
<v Speaker 3>own house for days with a straight man.

0:47:44.719 --> 0:47:47.279
<v Speaker 1>The studying of punctuation, forget it.

0:47:47.200 --> 0:47:48.120
<v Speaker 3>It doesn't mean anything.

0:47:48.160 --> 0:47:51.239
<v Speaker 1>If a if a queer man or woman like like

0:47:51.840 --> 0:47:55.000
<v Speaker 1>is texting you in a punction in a like punctuation

0:47:55.120 --> 0:47:58.800
<v Speaker 1>way that order, I'm like, oh, something is deeply wrong.

0:47:58.960 --> 0:48:01.480
<v Speaker 3>Oh yeah, no, it's my husband will just send a

0:48:01.480 --> 0:48:05.080
<v Speaker 3>text that he doesn't it's just one word, inexplicable word,

0:48:05.200 --> 0:48:08.399
<v Speaker 3>because he hasn't looked back. And I will look back

0:48:08.400 --> 0:48:09.560
<v Speaker 3>at a text and be like, did I say what

0:48:09.560 --> 0:48:11.280
<v Speaker 3>I meant to say? The mount of text I edit.

0:48:13.719 --> 0:48:14.839
<v Speaker 1>Send the respiti Leston.

0:48:14.880 --> 0:48:16.600
<v Speaker 3>He just sent me a picture of a broken window

0:48:16.640 --> 0:48:19.000
<v Speaker 3>in our house with zero explanation, and I was like,

0:48:19.320 --> 0:48:20.920
<v Speaker 3>were we robbed? And he was like, no, no, it

0:48:20.960 --> 0:48:22.719
<v Speaker 3>was a wind issue. And I was like, you need

0:48:22.760 --> 0:48:28.400
<v Speaker 3>to lead with that. But in the relationship with another woman,

0:48:28.560 --> 0:48:31.960
<v Speaker 3>specifically the amount that you're picking up, it's like this

0:48:32.719 --> 0:48:38.680
<v Speaker 3>insane It's like whatever's traveling between machines at the Apple headquarters.

0:48:38.719 --> 0:48:44.560
<v Speaker 3>It's like this insane level of information and subtlety. And and

0:48:44.000 --> 0:48:46.319
<v Speaker 3>also in creative relationships, you're in each other's heads in

0:48:46.320 --> 0:48:46.839
<v Speaker 3>a different way.

0:48:46.920 --> 0:48:48.880
<v Speaker 1>I've been your smartest with that person.

0:48:49.080 --> 0:48:51.600
<v Speaker 3>They know they've been your smartest. You've been your dumbest

0:48:51.600 --> 0:48:53.800
<v Speaker 3>in the middle of the night. You've been your most petulant,

0:48:53.800 --> 0:48:56.000
<v Speaker 3>you've been your most elegant, you've been your most brave,

0:48:56.160 --> 0:48:59.600
<v Speaker 3>all of it. It's really amazing, and I think they

0:48:59.600 --> 0:49:01.960
<v Speaker 3>require a very specific kind of careen maintenance, and that's

0:49:01.960 --> 0:49:05.560
<v Speaker 3>why I'm sending you two to Esther prol oh B.

0:49:09.160 --> 0:49:11.840
<v Speaker 1>During the therapy scene, I was like, because we've talked

0:49:12.360 --> 0:49:16.480
<v Speaker 1>like at particular moments, there have been like, well maybe

0:49:16.480 --> 0:49:20.279
<v Speaker 1>we should see a counselor or a therapist like or

0:49:20.360 --> 0:49:22.960
<v Speaker 1>someone that, and then we land on like mediator, you

0:49:23.040 --> 0:49:25.680
<v Speaker 1>know what I mean. It's like those things where like

0:49:25.800 --> 0:49:29.239
<v Speaker 1>you know the relationship like needs something, but you're not

0:49:29.840 --> 0:49:32.239
<v Speaker 1>ready to say what kind of person, And then you're

0:49:32.280 --> 0:49:33.960
<v Speaker 1>like kind of filtering through the stand of like well,

0:49:34.000 --> 0:49:36.040
<v Speaker 1>what is the difference between these Like.

0:49:36.000 --> 0:49:38.160
<v Speaker 3>Maybe it should just be a friend who likes us

0:49:38.239 --> 0:49:40.399
<v Speaker 3>both to talk it through.

0:49:40.520 --> 0:49:43.960
<v Speaker 2>But then that just to save on like the explanation.

0:49:44.400 --> 0:49:48.000
<v Speaker 3>Just you can, but but it there is something. I mean. Also,

0:49:48.040 --> 0:49:50.040
<v Speaker 3>going to therapy with somebody that you work with is

0:49:50.080 --> 0:49:53.080
<v Speaker 3>a big choice because you go, Okay, I'm really proclaiming

0:49:53.120 --> 0:49:57.040
<v Speaker 3>the significance of this dynamic because we're in a therapist's

0:49:57.040 --> 0:49:59.000
<v Speaker 3>office together, so you two have never been to therapy

0:49:59.040 --> 0:49:59.560
<v Speaker 3>together yet.

0:50:00.280 --> 0:50:04.120
<v Speaker 2>No, we've gotten far along in the process, but then

0:50:04.160 --> 0:50:06.719
<v Speaker 2>inevitably things pop up and we're like, Okay, we got

0:50:06.760 --> 0:50:09.839
<v Speaker 2>to address this and we will be twogether and we can.

0:50:10.000 --> 0:50:14.720
<v Speaker 2>We can, we're we can work this out ad hoc

0:50:14.840 --> 0:50:15.719
<v Speaker 2>as necessary.

0:50:15.760 --> 0:50:17.760
<v Speaker 3>We can work this out amongst ourselves.

0:50:17.360 --> 0:50:20.279
<v Speaker 1>Until until we really need to. Like my therapist says,

0:50:20.280 --> 0:50:21.600
<v Speaker 1>she doesn't think we need it.

0:50:22.080 --> 0:50:23.560
<v Speaker 3>By the way, I trust that.

0:50:23.800 --> 0:50:24.160
<v Speaker 1>Yeah.

0:50:24.200 --> 0:50:27.040
<v Speaker 3>And also it seems to me as a passionate viewer,

0:50:27.239 --> 0:50:29.319
<v Speaker 3>that you're doing fine. I'm not picking up on any

0:50:29.400 --> 0:50:29.920
<v Speaker 3>tension right now.

0:50:30.000 --> 0:50:32.360
<v Speaker 1>It's not like, okay, great. What I will say is

0:50:32.360 --> 0:50:35.880
<v Speaker 1>that whenever there is a period of tension, it does,

0:50:36.120 --> 0:50:40.160
<v Speaker 1>it breaks, and it blows, and we're always literally fifty

0:50:40.200 --> 0:50:43.200
<v Speaker 1>times better afterwards. I sometimes wish it didn't have to

0:50:43.239 --> 0:50:46.480
<v Speaker 1>get there, but I also think that we get better

0:50:46.520 --> 0:50:50.080
<v Speaker 1>at communicating every time, and as we know, that's what

0:50:50.120 --> 0:50:50.840
<v Speaker 1>it is all about.

0:50:50.920 --> 0:50:52.719
<v Speaker 3>Well, so it is all about that. And I don't

0:50:52.760 --> 0:50:55.719
<v Speaker 3>know about you. I am extremely conflict avoidant except for

0:50:55.800 --> 0:50:58.000
<v Speaker 3>I saw this. I don't love it. I saw a

0:50:58.040 --> 0:50:59.839
<v Speaker 3>meme that was like this man did something and he's

0:51:00.040 --> 0:51:01.959
<v Speaker 3>out to see the woman that only my father knows.

0:51:02.320 --> 0:51:04.719
<v Speaker 3>And that's truly like the I think if you have

0:51:04.800 --> 0:51:06.680
<v Speaker 3>a as a woman, if you have a comfortable it

0:51:06.719 --> 0:51:08.520
<v Speaker 3>should be like I have yelled in a way that's

0:51:08.520 --> 0:51:10.080
<v Speaker 3>like blown the hair back on his head.

0:51:10.200 --> 0:51:11.239
<v Speaker 1>Oh forget it, and I.

0:51:11.120 --> 0:51:12.839
<v Speaker 3>Can't do it with and he said to me before,

0:51:12.840 --> 0:51:14.600
<v Speaker 3>he's been like, you need to go in there and

0:51:14.719 --> 0:51:17.720
<v Speaker 3>act like you act with me, like a fucking bitch,

0:51:18.160 --> 0:51:20.719
<v Speaker 3>like and but it's really hard. And I think one

0:51:20.760 --> 0:51:23.359
<v Speaker 3>of the reasons I love writing conflict like I've never

0:51:23.440 --> 0:51:25.319
<v Speaker 3>been in a four way scream off like happened at

0:51:25.360 --> 0:51:28.560
<v Speaker 3>the beach House. I would pass out, I would dissociate,

0:51:28.600 --> 0:51:32.480
<v Speaker 3>I would go to another plane of existence.

0:51:32.680 --> 0:51:34.760
<v Speaker 1>I remember the first time it happened with you and Allison,

0:51:34.800 --> 0:51:36.879
<v Speaker 1>and I guess it was the penultimate episode of one.

0:51:37.200 --> 0:51:39.680
<v Speaker 3>You are the Wound. Yeah, you are the wound Bruce

0:51:39.920 --> 0:51:41.800
<v Speaker 3>err Kaplan's great line, you are the wound. And I

0:51:41.840 --> 0:51:44.880
<v Speaker 3>remember doing it and feeling sick even doing the scene,

0:51:45.040 --> 0:51:46.799
<v Speaker 3>because I was like, I don't want to yell at

0:51:46.800 --> 0:51:49.360
<v Speaker 3>you like this. I love you difference, Yeah no, and

0:51:49.400 --> 0:51:51.640
<v Speaker 3>you're about You're like, this is feels horrible, But then

0:51:51.719 --> 0:51:54.440
<v Speaker 3>also it's so fun to do because you're like, this

0:51:54.520 --> 0:51:58.760
<v Speaker 3>is a world in which I somehow feel comfortable screaming

0:51:58.760 --> 0:52:01.960
<v Speaker 3>in my friend's face and telling her all these things

0:52:01.960 --> 0:52:05.480
<v Speaker 3>that I used to always say to like anyone who

0:52:05.520 --> 0:52:07.040
<v Speaker 3>would I'd be like, and then I was like And

0:52:07.080 --> 0:52:08.160
<v Speaker 3>then I was like and they'd be like, did you

0:52:08.200 --> 0:52:09.520
<v Speaker 3>actually say it that stuff? And I was like, no,

0:52:09.600 --> 0:52:10.040
<v Speaker 3>I was light.

0:52:10.560 --> 0:52:14.160
<v Speaker 1>I was like, oh, no, You're always You're always in

0:52:14.840 --> 0:52:18.880
<v Speaker 1>You're always like truly, truly, truly like a Kate Blanchette

0:52:18.880 --> 0:52:21.480
<v Speaker 1>performance in your mind with someone else like oh, or

0:52:21.560 --> 0:52:25.440
<v Speaker 1>like like like Shonda Rhymes on the Best Seasons of

0:52:25.480 --> 0:52:28.600
<v Speaker 1>Grays turning to someone and being like, I'm giving it

0:52:28.640 --> 0:52:31.080
<v Speaker 1>to you exactly succinctly, And I can feel proud of

0:52:31.160 --> 0:52:32.040
<v Speaker 1>the way I expressed.

0:52:32.040 --> 0:52:33.960
<v Speaker 3>One of the great moments of my life, despite the

0:52:34.000 --> 0:52:36.759
<v Speaker 3>fact that my wig on Scandal was not ideal, is

0:52:36.800 --> 0:52:42.120
<v Speaker 3>that I delivering a Shonda Rhymes monologue and it was like, yes,

0:52:42.200 --> 0:52:44.200
<v Speaker 3>I am a woman who loves sex, but am I

0:52:44.239 --> 0:52:47.080
<v Speaker 3>a slut? No? And it was like, I did deliver

0:52:47.200 --> 0:52:50.799
<v Speaker 3>it to beautiful Carrie Washington all my might, and then

0:52:50.800 --> 0:52:52.200
<v Speaker 3>of course I had to get my throat slick because

0:52:52.200 --> 0:52:55.120
<v Speaker 3>I was a slut. You died on that, Yeah, Huck

0:52:55.239 --> 0:52:55.560
<v Speaker 3>killed me.

0:52:55.960 --> 0:52:57.680
<v Speaker 1>Huck killed you for the sin of being a slap

0:52:57.760 --> 0:52:59.080
<v Speaker 1>broad slip because you were a slut.

0:52:59.239 --> 0:53:04.160
<v Speaker 3>Huck killed me because I was about to kill someone else.

0:53:04.960 --> 0:53:06.480
<v Speaker 3>Then who was trying to kill.

0:53:06.280 --> 0:53:07.879
<v Speaker 1>Me getting killed by is hot though.

0:53:07.960 --> 0:53:10.160
<v Speaker 3>Damn it was amazing. I had a backpack of blood

0:53:10.320 --> 0:53:13.480
<v Speaker 3>and then they made this thing and suddenly there was

0:53:13.520 --> 0:53:16.600
<v Speaker 3>like a man who pulled a thing and blood skirted

0:53:16.920 --> 0:53:17.560
<v Speaker 3>from my neck.

0:53:17.719 --> 0:53:19.520
<v Speaker 1>So fun my parent died on screen.

0:53:19.800 --> 0:53:25.080
<v Speaker 3>I want to I've died twice in a in scandal, yeah,

0:53:25.120 --> 0:53:29.759
<v Speaker 3>and in American horror story. And when I died in

0:53:29.760 --> 0:53:32.400
<v Speaker 3>American horstory, I rotted from the inside. And what it

0:53:32.480 --> 0:53:34.520
<v Speaker 3>involved was I was supposed to have maggots in my eyes,

0:53:34.920 --> 0:53:38.160
<v Speaker 3>so they glued my eyes shut and covered them in

0:53:38.320 --> 0:53:42.680
<v Speaker 3>white rice. And then there was a pa. Who's this

0:53:42.719 --> 0:53:45.719
<v Speaker 3>person deserved? I mean, whoever you are, I couldn't see you,

0:53:45.840 --> 0:53:48.200
<v Speaker 3>so I'm sorry, but I'm going to speak directly to you.

0:53:48.320 --> 0:53:51.520
<v Speaker 3>Thank you for what you did. I want to thank you.

0:53:51.520 --> 0:53:55.040
<v Speaker 3>You led me around by the back so gently all

0:53:55.120 --> 0:53:58.280
<v Speaker 3>day long, making sure I didn't trip over any scenery

0:53:59.000 --> 0:54:02.359
<v Speaker 3>while I rotted from many angles. Here's a guy for everything, said,

0:54:03.320 --> 0:54:04.440
<v Speaker 3>Here's a guy for everything.

0:54:04.640 --> 0:54:08.400
<v Speaker 1>I'm speaking of dying but not the vaping. Okay, what

0:54:08.440 --> 0:54:09.200
<v Speaker 1>do you want to say here?

0:54:09.440 --> 0:54:11.960
<v Speaker 3>Here's what I want to say. We're on a text chain.

0:54:12.080 --> 0:54:14.000
<v Speaker 3>We do want to revote. What it's called.

0:54:14.800 --> 0:54:18.200
<v Speaker 1>Uh, it's called life is so? Which is it is

0:54:18.520 --> 0:54:20.960
<v Speaker 1>just so? Just so? Which is which is a word?

0:54:20.960 --> 0:54:24.439
<v Speaker 2>Which is another gorgeous turn a phrase by miss Lena Unman.

0:54:24.520 --> 0:54:25.920
<v Speaker 3>Thank you so much. I believe because we were at

0:54:25.920 --> 0:54:28.080
<v Speaker 3>Apple and I just went, life is just so, and

0:54:28.120 --> 0:54:30.640
<v Speaker 3>then you created a text chain and then it's just

0:54:30.719 --> 0:54:33.359
<v Speaker 3>so so We're on life is just so, and I

0:54:33.400 --> 0:54:35.879
<v Speaker 3>just I like sometimes if I feel like they're too far,

0:54:36.040 --> 0:54:38.200
<v Speaker 3>I just like to pop in and it's the boys

0:54:38.200 --> 0:54:41.600
<v Speaker 3>appreciate it. Mind them that I'm there. And I said,

0:54:41.640 --> 0:54:43.600
<v Speaker 3>how are you? And you let me know that you

0:54:43.680 --> 0:54:45.719
<v Speaker 3>had been going through an experience with someone you were

0:54:45.800 --> 0:54:48.920
<v Speaker 3>dating who phraser. I'm allowed to say it.

0:54:49.160 --> 0:54:50.200
<v Speaker 1>We can bring, we can.

0:54:50.120 --> 0:54:53.560
<v Speaker 3>Invoke so phrase had an incident that a vaping induced

0:54:53.600 --> 0:54:54.960
<v Speaker 3>lung infection evil.

0:54:55.440 --> 0:54:58.759
<v Speaker 1>So basically what happened was and some people might not

0:54:58.800 --> 0:55:04.000
<v Speaker 1>know this, but so Fraser was he was a vape artist. Yes,

0:55:04.280 --> 0:55:06.439
<v Speaker 1>and like so many out there.

0:55:06.680 --> 0:55:10.440
<v Speaker 3>Yeah, and basically medium, the.

0:55:09.680 --> 0:55:15.480
<v Speaker 1>The the the cartridge essentially like this can happen when

0:55:15.480 --> 0:55:16.279
<v Speaker 1>you're sucking on them.

0:55:16.320 --> 0:55:17.959
<v Speaker 3>Listen, I'm going to look at the camera again.

0:55:18.040 --> 0:55:21.279
<v Speaker 1>Listen to this man, the the like oil from the

0:55:21.360 --> 0:55:24.840
<v Speaker 1>vape cartridge can basically leak into your lungs and it's poison.

0:55:25.400 --> 0:55:27.440
<v Speaker 1>And so when we were at Bravo Con and I

0:55:27.440 --> 0:55:29.440
<v Speaker 1>can say this because he has said all of it

0:55:29.520 --> 0:55:31.760
<v Speaker 1>and this is all about his health and its public

0:55:31.800 --> 0:55:34.520
<v Speaker 1>and I would never share anything if he hadn't been

0:55:34.640 --> 0:55:37.400
<v Speaker 1>public about it. But we were at Bravos Medical Records,

0:55:37.480 --> 0:55:40.040
<v Speaker 1>Melissa and I were there, and we were all there together.

0:55:40.640 --> 0:55:43.000
<v Speaker 1>I was actually announcing that the culture Wars are coming back.

0:55:43.040 --> 0:55:46.680
<v Speaker 1>He was obviously there for Below Deck. It was exciting, and.

0:55:46.600 --> 0:55:48.719
<v Speaker 3>Then momvo con.

0:55:48.880 --> 0:55:50.759
<v Speaker 1>You know, I wasn't even going with the idea of like,

0:55:50.800 --> 0:55:52.600
<v Speaker 1>and we're going to take a photo on the carpet.

0:55:52.640 --> 0:55:54.120
<v Speaker 1>He wanted to take a picture together. I was like,

0:55:54.200 --> 0:55:56.040
<v Speaker 1>let's do it. I put it on my Instagram. Then

0:55:56.080 --> 0:55:58.399
<v Speaker 1>all of a sudden, that very weekend, people were like, oh,

0:55:58.440 --> 0:56:02.400
<v Speaker 1>Matt and Fraser are dating. As that was happening, And

0:56:02.440 --> 0:56:04.359
<v Speaker 1>I know this is going to sound dramatic. He had

0:56:04.400 --> 0:56:06.120
<v Speaker 1>a heart attack in front of him.

0:56:06.120 --> 0:56:09.600
<v Speaker 3>It doesn't sound dramatic. It's traumatic, is there? It is?

0:56:09.680 --> 0:56:12.160
<v Speaker 1>And I feel like what people don't know is it's

0:56:12.200 --> 0:56:14.239
<v Speaker 1>like if you were if you know, you obviously know

0:56:14.239 --> 0:56:16.840
<v Speaker 1>because it's horrifying and it's hard to explain, but you

0:56:16.880 --> 0:56:19.319
<v Speaker 1>don't know a heart attack is happening every time. It's

0:56:19.360 --> 0:56:22.200
<v Speaker 1>like he was he had very intense chest pains and

0:56:22.239 --> 0:56:24.960
<v Speaker 1>like couldn't get comfortable, and you know, it was short

0:56:25.000 --> 0:56:27.319
<v Speaker 1>of breath and had to bail on the whole night

0:56:27.360 --> 0:56:29.000
<v Speaker 1>with us, and we checked in on him later and

0:56:29.040 --> 0:56:32.440
<v Speaker 1>it was ongoing, and so I'm thinking, like, is this

0:56:32.480 --> 0:56:36.080
<v Speaker 1>stress and anxiety whatever. We find out much later after

0:56:36.160 --> 0:56:40.120
<v Speaker 1>tests come in that essentially because of this poison not

0:56:40.160 --> 0:56:42.880
<v Speaker 1>got in his lungs, he had what was the equivalent

0:56:42.960 --> 0:56:47.120
<v Speaker 1>of a heart attack and it and it was really bad,

0:56:47.239 --> 0:56:49.480
<v Speaker 1>and we were in the hospital until five five point

0:56:49.480 --> 0:56:51.520
<v Speaker 1>thirty in the morning. We really had only been dating

0:56:51.560 --> 0:56:53.120
<v Speaker 1>for about three months.

0:56:52.960 --> 0:56:57.400
<v Speaker 3>Which is also really intense because it certainly hull lesbians

0:56:57.440 --> 0:56:58.080
<v Speaker 3>things up a bit.

0:56:58.400 --> 0:57:02.800
<v Speaker 1>Oh, So we were already like really enjoying being together

0:57:02.960 --> 0:57:06.080
<v Speaker 1>and then there was this health stuff that entered, and

0:57:06.120 --> 0:57:09.160
<v Speaker 1>so that like accelerated things. And you know, now where

0:57:09.200 --> 0:57:12.399
<v Speaker 1>we're at is he was he's off. I can't say where,

0:57:12.480 --> 0:57:13.239
<v Speaker 1>but he's you know.

0:57:13.480 --> 0:57:16.240
<v Speaker 3>Created had a secret topical location.

0:57:16.480 --> 0:57:19.280
<v Speaker 1>Yeah, he's creating the television program many people like and

0:57:19.360 --> 0:57:22.280
<v Speaker 1>I'm going to see him soon. But while he's been

0:57:22.360 --> 0:57:24.640
<v Speaker 1>gone and I've been sort of busy doing my own thing,

0:57:24.680 --> 0:57:26.080
<v Speaker 1>we kind of did like take a little bit of

0:57:26.120 --> 0:57:29.360
<v Speaker 1>space just because of how intense everything had gotten and

0:57:29.520 --> 0:57:30.600
<v Speaker 1>like personal.

0:57:30.200 --> 0:57:32.560
<v Speaker 3>Things, and you had to go into caretaker mode. And

0:57:32.640 --> 0:57:37.200
<v Speaker 3>he's grappling with this terrifying change to his body and

0:57:37.240 --> 0:57:40.760
<v Speaker 3>it's it's really intense. And you shared just the littlest

0:57:41.320 --> 0:57:43.960
<v Speaker 3>thank you for sharing, and you shared just a littlest

0:57:43.960 --> 0:57:44.640
<v Speaker 3>snippet with me.

0:57:45.000 --> 0:57:47.600
<v Speaker 1>Yeah, And I didn't know you had been addicted to

0:57:47.640 --> 0:57:48.560
<v Speaker 1>the to the oh.

0:57:48.600 --> 0:57:51.160
<v Speaker 3>When we were at Apple, I didn't have my babe

0:57:51.160 --> 0:57:53.440
<v Speaker 3>because I was trying to be elegant. And do you

0:57:53.480 --> 0:57:55.000
<v Speaker 3>remember we got in the car, I was like sweating,

0:57:55.040 --> 0:57:56.280
<v Speaker 3>Like I was like, can someone get a gas station?

0:57:56.320 --> 0:57:59.560
<v Speaker 3>Can someone find a gas stop to stop? Because I

0:57:59.560 --> 0:58:01.360
<v Speaker 3>had been off the vape for like twenty four hours

0:58:01.360 --> 0:58:03.840
<v Speaker 3>and I was losing my mind, so I didn't I

0:58:04.240 --> 0:58:08.360
<v Speaker 3>was a l I l a live a late in

0:58:08.400 --> 0:58:12.000
<v Speaker 3>life vapor vapor. I started vaping on the set of

0:58:12.040 --> 0:58:15.920
<v Speaker 3>a little television show called Industry because yea, I was

0:58:16.080 --> 0:58:18.400
<v Speaker 3>directress of the pet but also it was it was

0:58:18.400 --> 0:58:20.120
<v Speaker 3>in whales. People love to party in whales.

0:58:20.200 --> 0:58:22.280
<v Speaker 1>Yeah. I had been about English people.

0:58:22.440 --> 0:58:27.240
<v Speaker 3>You know about English people, hello Frazer. They love sucking

0:58:27.240 --> 0:58:30.479
<v Speaker 3>those things. And a friend was like, oh, you don't drink,

0:58:30.480 --> 0:58:32.920
<v Speaker 3>you don't smoke your sober. You know what this is?

0:58:32.960 --> 0:58:35.520
<v Speaker 3>This It tastes like candy. It doesn't do anything to

0:58:35.560 --> 0:58:37.400
<v Speaker 3>you except put you in a great mood. Like literally,

0:58:37.440 --> 0:58:38.960
<v Speaker 3>it was handed to me like it was a ring.

0:58:39.000 --> 0:58:41.840
<v Speaker 1>Pop. Yeah. And then and it looks like a toy.

0:58:42.240 --> 0:58:44.520
<v Speaker 3>It looks like a toy. It lights up, it makes noises,

0:58:44.960 --> 0:58:48.439
<v Speaker 3>And I went, great, am I anxious all the time? Sure?

0:58:48.480 --> 0:58:48.600
<v Speaker 1>Do?

0:58:48.640 --> 0:58:51.120
<v Speaker 3>I like to do thing with my hands? Absolutely? And

0:58:51.200 --> 0:58:53.800
<v Speaker 3>I became a person who would like wake up with

0:58:53.840 --> 0:58:56.080
<v Speaker 3>my vape under my pillow. And I was not proud

0:58:56.120 --> 0:58:57.920
<v Speaker 3>of it. I was embarrassed about it. I used to

0:58:57.960 --> 0:59:00.480
<v Speaker 3>like hide it in my sleeve during me I mean,

0:59:00.520 --> 0:59:03.880
<v Speaker 3>it was really became like a pacifier. And I had this.

0:59:04.320 --> 0:59:07.080
<v Speaker 3>I stopped. I started, I'm also a chronically ill person.

0:59:07.120 --> 0:59:09.920
<v Speaker 3>I have no business, I mean, I have practically no

0:59:09.960 --> 0:59:12.120
<v Speaker 3>business drinking Celsius. This is the craziest thing I've done

0:59:12.120 --> 0:59:15.040
<v Speaker 3>in months. We're so sorry, No, it's I love it.

0:59:17.920 --> 0:59:22.040
<v Speaker 3>I locked yup, but I was in this on off relationship,

0:59:22.120 --> 0:59:23.840
<v Speaker 3>I stopped. I started for one minute. I was like,

0:59:23.880 --> 0:59:26.880
<v Speaker 3>you know what would be healthier than vaping rolled cigarettes?

0:59:27.000 --> 0:59:28.760
<v Speaker 3>That's insane. But I was married to an english Man,

0:59:28.880 --> 0:59:31.720
<v Speaker 3>so and he quit and I still couldn't it was

0:59:32.240 --> 0:59:35.240
<v Speaker 3>and I kept. I was in a shame cycle with

0:59:35.280 --> 0:59:38.040
<v Speaker 3>the vape and I was sitting there just sucking on

0:59:38.080 --> 0:59:40.760
<v Speaker 3>my vape, texting my boys, and you said this, and I,

0:59:41.160 --> 0:59:44.360
<v Speaker 3>because I am dramatic, I literally took the vape and

0:59:44.400 --> 0:59:46.720
<v Speaker 3>I dropped it into a cup of water so that

0:59:46.800 --> 0:59:49.560
<v Speaker 3>I couldn't retrieve it. And I went to day's the

0:59:49.640 --> 0:59:51.360
<v Speaker 3>day it stops. And I've not taken a puff since

0:59:51.400 --> 0:59:55.480
<v Speaker 3>it's been Thank you so much. But you did that

0:59:55.560 --> 0:59:58.800
<v Speaker 3>for me because everyone else is like popcorn lung it's

0:59:58.840 --> 1:00:01.480
<v Speaker 3>a little abstract. We don't know what happens.

1:00:01.520 --> 1:00:04.800
<v Speaker 1>You can understand heart attack, and I've never understood it

1:00:04.880 --> 1:00:07.000
<v Speaker 1>more than when it was happening in front of me.

1:00:07.200 --> 1:00:09.520
<v Speaker 3>And also I could feel the urgency, and you said

1:00:09.520 --> 1:00:11.720
<v Speaker 3>to me, I'll never forget you go. These things are

1:00:11.800 --> 1:00:14.640
<v Speaker 3>so much more evil than we know. We don't even

1:00:14.640 --> 1:00:16.960
<v Speaker 3>know the beginning of it. His lungs look like a

1:00:17.080 --> 1:00:19.200
<v Speaker 3>seventy year old man's and I just want I want

1:00:19.320 --> 1:00:20.960
<v Speaker 3>no part of this. And I have to say the

1:00:21.040 --> 1:00:23.920
<v Speaker 3>first week, it was the week of Thanksgiving, and my

1:00:24.840 --> 1:00:27.240
<v Speaker 3>family had all chosen to assemble without me, do it

1:00:27.320 --> 1:00:30.720
<v Speaker 3>that but you will, oh, okay, No, they were on.

1:00:31.040 --> 1:00:32.560
<v Speaker 3>They were on various little.

1:00:32.440 --> 1:00:35.960
<v Speaker 1>And and give you for yourself phantom grab all day.

1:00:36.120 --> 1:00:37.760
<v Speaker 3>Every day I'd reach for to my pocket. But I

1:00:37.800 --> 1:00:41.920
<v Speaker 3>spent the week alone sweating it out, which needed to

1:00:41.920 --> 1:00:45.680
<v Speaker 3>happen because I am generally a pretty I have my issues,

1:00:45.680 --> 1:00:47.640
<v Speaker 3>but I'm a good mood girl, like I don't take

1:00:47.680 --> 1:00:49.640
<v Speaker 3>my moods out on other people. I was raised in

1:00:49.640 --> 1:00:50.640
<v Speaker 3>a house where I was like, if you're in a

1:00:50.680 --> 1:00:53.360
<v Speaker 3>bad mood, you better turn yourself back around, missy and

1:00:53.400 --> 1:00:56.120
<v Speaker 3>come back out here with a smile, because we who

1:00:56.160 --> 1:00:57.280
<v Speaker 3>puts the shoes on your feet?

1:00:57.320 --> 1:00:58.360
<v Speaker 1>Fix your face culture?

1:00:58.560 --> 1:01:00.800
<v Speaker 3>Yes, it was a my father's a wasp. It was

1:01:00.840 --> 1:01:03.840
<v Speaker 3>fix your face culture. And so I don't And I

1:01:03.960 --> 1:01:07.360
<v Speaker 3>was in a kind of mood. It was a synthetic,

1:01:07.640 --> 1:01:11.320
<v Speaker 3>nasty mood yep, and that could not be controlled.

1:01:11.840 --> 1:01:13.640
<v Speaker 2>Because the nefairy thing about these things is that they

1:01:13.640 --> 1:01:17.080
<v Speaker 2>were meant originally to help you quit smoking cigarettes.

1:01:17.400 --> 1:01:20.480
<v Speaker 3>And now yesterday, I saw a girl in the bodega

1:01:20.600 --> 1:01:23.480
<v Speaker 3>and she was crying because her credit card wasn't working

1:01:23.520 --> 1:01:25.560
<v Speaker 3>and she wanted her vabe yeah, and she was like

1:01:25.600 --> 1:01:27.400
<v Speaker 3>twenty three. And I did pay for it because I

1:01:27.440 --> 1:01:29.200
<v Speaker 3>was like, I can't watch you in this kind of pain.

1:01:29.440 --> 1:01:31.360
<v Speaker 3>But I said to her, you gotta.

1:01:31.080 --> 1:01:33.320
<v Speaker 1>Stop, yeah, because look at you, look at your life,

1:01:33.360 --> 1:01:34.200
<v Speaker 1>look at your choices.

1:01:34.320 --> 1:01:37.280
<v Speaker 3>Correct. And I also said gets ins, gets lozenges, but

1:01:37.400 --> 1:01:40.520
<v Speaker 3>also anything that makes you cry in the bodega, Like

1:01:40.880 --> 1:01:43.360
<v Speaker 3>there's nothing I want in the bodega that if I

1:01:43.400 --> 1:01:45.360
<v Speaker 3>can't get it, I'm gonna.

1:01:45.240 --> 1:01:46.440
<v Speaker 1>I'm reduced to tears.

1:01:46.600 --> 1:01:48.240
<v Speaker 3>Yes, And I don't want to live that way.

1:01:48.400 --> 1:01:49.240
<v Speaker 1>Be for yourself.

1:01:51.160 --> 1:01:52.960
<v Speaker 3>I don't want to live that way. I don't know

1:01:53.000 --> 1:01:53.440
<v Speaker 3>it that way.

1:01:53.600 --> 1:01:57.440
<v Speaker 1>I also got to say, like he has remained off

1:01:57.440 --> 1:01:59.440
<v Speaker 1>the babe, he's doing so much better. I'm going to

1:01:59.440 --> 1:01:59.840
<v Speaker 1>see him.

1:02:00.040 --> 1:02:02.440
<v Speaker 3>Does he use lozenges or anything? He's gone told.

1:02:02.880 --> 1:02:08.360
<v Speaker 1>What's crazy about those British people? It's stiff upper fucking done.

1:02:08.520 --> 1:02:10.440
<v Speaker 3>Quit smoking. I was like, do you want to do

1:02:10.480 --> 1:02:12.680
<v Speaker 3>a patch doing this? And he was like that is

1:02:12.720 --> 1:02:16.640
<v Speaker 3>for pussy. He used to pain.

1:02:17.000 --> 1:02:20.000
<v Speaker 1>He was like he was it was so if you

1:02:20.080 --> 1:02:22.320
<v Speaker 1>know Fraser from the show. It was so Fraser. It

1:02:22.360 --> 1:02:26.560
<v Speaker 1>was right then it's over. It was just like it's done,

1:02:27.000 --> 1:02:30.440
<v Speaker 1>and he loved the thing. Like, I mean, like, but

1:02:30.640 --> 1:02:34.320
<v Speaker 1>and I have to say the then as someone's like

1:02:34.520 --> 1:02:37.440
<v Speaker 1>boyfriend in that moment. I think it might make it

1:02:37.480 --> 1:02:40.320
<v Speaker 1>easier too, when you have someone that's like, hi, like

1:02:40.560 --> 1:02:44.760
<v Speaker 1>I'm here too. This like really was scary character to me.

1:02:44.800 --> 1:02:46.640
<v Speaker 1>And I do think there is a degree of like,

1:02:47.000 --> 1:02:48.640
<v Speaker 1>all of a sudden, it's like that zoom out thing.

1:02:48.680 --> 1:02:51.120
<v Speaker 1>It's like football, right, you zoom out, you look.

1:02:51.000 --> 1:02:51.200
<v Speaker 3>At it.

1:02:52.920 --> 1:02:56.080
<v Speaker 1>Crazy? Yeah, well yeah, but I guess my thing to be,

1:02:56.200 --> 1:02:58.200
<v Speaker 1>you know, negative on football is like you zoom out

1:02:58.240 --> 1:02:59.880
<v Speaker 1>as an alien looking on the world and you're like,

1:03:00.080 --> 1:03:03.640
<v Speaker 1>what do they do? Doesn't seem exactly right? Like many

1:03:03.680 --> 1:03:07.320
<v Speaker 1>forms of like you know, uh, government things like that. Yeah,

1:03:07.360 --> 1:03:09.240
<v Speaker 1>like if we all were to just zoom out the

1:03:09.360 --> 1:03:11.640
<v Speaker 1>zooming out that happens when you look at people sucking

1:03:11.640 --> 1:03:15.360
<v Speaker 1>on a little machine of smoke of tr right there,

1:03:15.400 --> 1:03:17.120
<v Speaker 1>you'll be like, well, I look crazy.

1:03:17.280 --> 1:03:19.120
<v Speaker 3>My husband was a smoker roommate. He saw me with

1:03:19.160 --> 1:03:21.000
<v Speaker 3>the vape. He goes, it looks like you're plugged into

1:03:21.120 --> 1:03:22.560
<v Speaker 3>a us B like you have to go back to

1:03:22.560 --> 1:03:24.919
<v Speaker 3>your USB to charge every five minutes, Like you look

1:03:25.000 --> 1:03:29.320
<v Speaker 3>like a demented robot. And it's interesting. The thing you

1:03:29.360 --> 1:03:32.080
<v Speaker 3>said about going this is really scary for me because

1:03:32.120 --> 1:03:35.680
<v Speaker 3>the only thing that affected my behavior in my twenties

1:03:35.720 --> 1:03:38.520
<v Speaker 3>when I was not healthy and not making choices to

1:03:38.680 --> 1:03:41.960
<v Speaker 3>be healthier, was my family looking at me after I'd had,

1:03:42.000 --> 1:03:43.880
<v Speaker 3>you know, a terrifying ince in the husband. That was

1:03:43.920 --> 1:03:46.760
<v Speaker 3>scary for us. And if I love people, you don't

1:03:46.800 --> 1:03:47.560
<v Speaker 3>want them to suffer.

1:03:47.800 --> 1:03:48.000
<v Speaker 1>Yeah.

1:03:48.040 --> 1:03:52.320
<v Speaker 2>Well, you're moving through the world completely aware of your

1:03:52.360 --> 1:03:56.080
<v Speaker 2>body and like I'm starting to be well, like and

1:03:56.160 --> 1:03:59.120
<v Speaker 2>you're hearing this thing that phrase went through and you're like,

1:03:59.800 --> 1:04:00.520
<v Speaker 2>it's done.

1:04:00.800 --> 1:04:02.320
<v Speaker 1>Totally, drop it in the water.

1:04:02.320 --> 1:04:04.400
<v Speaker 3>Drop it in the water, never look at it again.

1:04:04.480 --> 1:04:09.160
<v Speaker 3>It was green, and it was green. And I think

1:04:09.200 --> 1:04:11.640
<v Speaker 3>about her every day, And when I see people vaping,

1:04:11.720 --> 1:04:13.280
<v Speaker 3>I think, I hope that you have fun, and I

1:04:13.320 --> 1:04:16.360
<v Speaker 3>hope you A woman once said to me, a powerful

1:04:16.360 --> 1:04:18.880
<v Speaker 3>one said when I quit smoking, she said, I didn't

1:04:18.920 --> 1:04:21.000
<v Speaker 3>judge myself. I thanked myself for what it gave me.

1:04:21.040 --> 1:04:23.680
<v Speaker 3>And I do think those years do I think it

1:04:23.720 --> 1:04:25.480
<v Speaker 3>was good that I vaped for six years on and off,

1:04:25.640 --> 1:04:28.960
<v Speaker 3>on and off. No. Do I think that during that

1:04:29.080 --> 1:04:33.640
<v Speaker 3>time I needed something to stop like darker impulses. Probably yes.

1:04:34.480 --> 1:04:37.400
<v Speaker 3>And now I'm like training wheels are off, the vape

1:04:37.480 --> 1:04:40.600
<v Speaker 3>is gone, but I do have stuffed animals.

1:04:40.840 --> 1:04:41.240
<v Speaker 1>Of course.

1:04:41.320 --> 1:04:43.800
<v Speaker 2>The woman who would she say, I think I think

1:04:43.840 --> 1:04:46.440
<v Speaker 2>everyone it gave me. And that woman was Marie Kondo.

1:04:46.800 --> 1:04:49.640
<v Speaker 2>And that woman wait, I was gonna say, oh, but

1:04:49.720 --> 1:04:53.959
<v Speaker 2>this is like when a total fucking stranger tells you, hey,

1:04:54.080 --> 1:04:56.520
<v Speaker 2>I watched girls, I read your book, and I think

1:04:56.560 --> 1:04:57.640
<v Speaker 2>you have eds.

1:04:57.920 --> 1:05:01.520
<v Speaker 3>That was the craziest it. It was so crazy, a

1:05:01.560 --> 1:05:05.200
<v Speaker 3>total stranger wrote to me. I had been. It's the

1:05:05.240 --> 1:05:07.160
<v Speaker 3>zoom out I had been, and it was exactly right.

1:05:07.640 --> 1:05:10.520
<v Speaker 3>Everything she said. It was like reading my it. She

1:05:10.680 --> 1:05:15.320
<v Speaker 3>literally her name is Marjorie. She literally made my life

1:05:15.440 --> 1:05:17.840
<v Speaker 3>make sense to me because I had had my entire

1:05:17.960 --> 1:05:21.800
<v Speaker 3>childhood had all of these weird symptoms like you're running

1:05:21.840 --> 1:05:24.440
<v Speaker 3>in dodgeball and your need dislocates and your teacher's like,

1:05:24.480 --> 1:05:27.040
<v Speaker 3>how did you do that? Nobody touched you? You know,

1:05:27.160 --> 1:05:30.400
<v Speaker 3>I was like I was the constantly there was if

1:05:30.440 --> 1:05:32.520
<v Speaker 3>there was anyone had a cold at school, like, within

1:05:32.800 --> 1:05:35.640
<v Speaker 3>you know, six hours, I was going down. I had migraine,

1:05:35.640 --> 1:05:37.560
<v Speaker 3>and starting when I was seven, I had really strong

1:05:37.600 --> 1:05:39.200
<v Speaker 3>I used to faint when I had to be when

1:05:39.200 --> 1:05:41.800
<v Speaker 3>I was in the sun, which my grandma loved because

1:05:41.840 --> 1:05:44.080
<v Speaker 3>once I fainted in the customs line in Mexico and

1:05:44.120 --> 1:05:46.520
<v Speaker 3>we got to skip, and she said, I'll never forget.

1:05:46.560 --> 1:05:50.360
<v Speaker 3>She said, can you do that again, customs. But what

1:05:50.400 --> 1:05:52.959
<v Speaker 3>was amazing was I had been I knew I had endometriosis,

1:05:53.000 --> 1:05:56.720
<v Speaker 3>and I had been writing about my health, which involved

1:05:56.800 --> 1:06:00.080
<v Speaker 3>more symptoms, and also there were times I had to

1:06:00.120 --> 1:06:03.800
<v Speaker 3>pause life for my health, and this woman had been

1:06:03.840 --> 1:06:05.880
<v Speaker 3>paying attention. She said, even the way that you run,

1:06:06.240 --> 1:06:08.680
<v Speaker 3>the way that your skin flushes, it all makes sense,

1:06:08.720 --> 1:06:11.240
<v Speaker 3>and sent me to this doctor at Johns Hopkins. And

1:06:11.840 --> 1:06:15.640
<v Speaker 3>now there's more awareness about there's both more awareness about

1:06:16.160 --> 1:06:19.760
<v Speaker 3>Baylor dan Low syndrome, other sort of autoimmune illness, the

1:06:19.840 --> 1:06:24.120
<v Speaker 3>intersection between these things and udometriosis. There's increasing sort of

1:06:24.280 --> 1:06:27.400
<v Speaker 3>people in the medical field to understand. But it was

1:06:27.440 --> 1:06:29.160
<v Speaker 3>also a huge moment for me because I was, like,

1:06:29.240 --> 1:06:30.800
<v Speaker 3>you know, a Jewish girl who was raised to be

1:06:30.880 --> 1:06:33.960
<v Speaker 3>like the doctor's always right, that was who you respected.

1:06:34.040 --> 1:06:37.760
<v Speaker 3>In My grandfather's great shame was that he was a dentist,

1:06:37.800 --> 1:06:39.640
<v Speaker 3>not a doctor, because he had not been able to

1:06:39.680 --> 1:06:43.080
<v Speaker 3>afford like that much schooling, and so he loved to

1:06:43.120 --> 1:06:46.240
<v Speaker 3>be doctor Samuel Simmons, but he felt shame about the

1:06:46.320 --> 1:06:53.560
<v Speaker 3>kind of doctor that he was. Andy Kaufman's orthodontist. O, wow,

1:06:55.760 --> 1:07:00.000
<v Speaker 3>his teeth anyway, I keep going. My grandpa wasn't really

1:07:00.240 --> 1:07:02.840
<v Speaker 3>keeping it doing cosmetic. He was doing like, does one

1:07:02.840 --> 1:07:04.160
<v Speaker 3>of your teeth go out like that?

1:07:04.480 --> 1:07:06.600
<v Speaker 1>Yeah? Then all put it back? Yeah, okay.

1:07:07.000 --> 1:07:08.960
<v Speaker 3>He there was a thing in our house which was

1:07:09.000 --> 1:07:11.120
<v Speaker 3>you were never supposed to let him look in your

1:07:11.160 --> 1:07:12.919
<v Speaker 3>mouth because if you had a loose tooth, you would

1:07:13.040 --> 1:07:15.880
<v Speaker 3>rip it out. And so my mom would always be like,

1:07:15.920 --> 1:07:17.560
<v Speaker 3>whatever we do when we get to pass over, do

1:07:17.680 --> 1:07:20.919
<v Speaker 3>not open your mouth for grandpa. Because his thing was just.

1:07:20.840 --> 1:07:23.840
<v Speaker 1>Like, come on, let's go. Oh.

1:07:24.200 --> 1:07:25.560
<v Speaker 3>And he had his office in the house and his

1:07:25.600 --> 1:07:26.440
<v Speaker 3>tools were upstairs.

1:07:26.440 --> 1:07:30.120
<v Speaker 1>So I got to say, there's something about an in

1:07:30.440 --> 1:07:33.959
<v Speaker 1>home dental or doctor thing, which no, I trust it more.

1:07:34.320 --> 1:07:36.560
<v Speaker 1>I'm like, this is the center of your life, literally,

1:07:36.680 --> 1:07:38.400
<v Speaker 1>so you must be carrying down.

1:07:38.960 --> 1:07:43.440
<v Speaker 3>So do you know who the Central Orthodontic Central Dental

1:07:43.520 --> 1:07:47.760
<v Speaker 3>practices in Great Neck Long Island between the period of

1:07:48.360 --> 1:07:52.080
<v Speaker 3>nineteen forty five and nineteen.

1:07:52.080 --> 1:07:54.520
<v Speaker 1>Eighty three, doctor sam Simmons.

1:07:54.000 --> 1:07:58.880
<v Speaker 3>Doctor Samuel Simmons and the patriarch from capturing the Freedmen's

1:07:59.240 --> 1:08:00.520
<v Speaker 3>and those were the to war.

1:08:00.600 --> 1:08:02.080
<v Speaker 1>It remind me, do.

1:08:02.040 --> 1:08:05.320
<v Speaker 3>You remember the documentary about the family that end up

1:08:05.680 --> 1:08:12.520
<v Speaker 3>maybe being predatory monsters. It was like the first Andrew

1:08:12.560 --> 1:08:15.920
<v Speaker 3>Jureki documentary. I watched it at Angelica. Nicole Kidman was

1:08:15.920 --> 1:08:18.080
<v Speaker 3>sitting in front of me at the theater, and it's

1:08:18.120 --> 1:08:22.839
<v Speaker 3>about this family that potentially it's unclear whether they committed

1:08:22.880 --> 1:08:26.160
<v Speaker 3>sort of like mass acts of pedophilia or whether there

1:08:26.240 --> 1:08:30.040
<v Speaker 3>was a sort of like satanic panic moment that happened.

1:08:30.200 --> 1:08:33.639
<v Speaker 3>I'm sure that you end up kind of really siding,

1:08:33.680 --> 1:08:36.680
<v Speaker 3>of course with the victims. But he was this orthodontist

1:08:37.160 --> 1:08:39.639
<v Speaker 3>who kind of seemed like he had this really perfect

1:08:39.680 --> 1:08:44.120
<v Speaker 3>family and then it disintegrates. And his son was Bobo

1:08:44.160 --> 1:08:46.559
<v Speaker 3>the Clown, the premier party clown of downtown Manhattan. So

1:08:46.600 --> 1:08:49.400
<v Speaker 3>he used to do birthday parties. And the father was

1:08:50.240 --> 1:08:54.000
<v Speaker 3>the other orthodontist in Great Neck. And of course when

1:08:54.120 --> 1:08:57.000
<v Speaker 3>all of this came out, my grandfather was king.

1:08:57.240 --> 1:08:58.960
<v Speaker 1>Of course, I have to say, and this is the

1:08:58.960 --> 1:09:01.439
<v Speaker 1>biggest compliment I could get that story sounds like a

1:09:01.479 --> 1:09:03.200
<v Speaker 1>limited series starring Matthew Reese.

1:09:03.880 --> 1:09:06.080
<v Speaker 3>That's so nice.

1:09:06.200 --> 1:09:08.200
<v Speaker 1>Well, she's the best compliment I watched.

1:09:07.920 --> 1:09:11.440
<v Speaker 3>Capturing the Freedman's I've never seen anyone nod as emphatically

1:09:11.479 --> 1:09:14.720
<v Speaker 3>as Nicole Kidman ahead of me in the theater in

1:09:14.760 --> 1:09:15.280
<v Speaker 3>the Angelic.

1:09:16.560 --> 1:09:18.200
<v Speaker 1>She was just excited to be in the theater.

1:09:18.479 --> 1:09:20.200
<v Speaker 3>She loves it. I can still remember what the light

1:09:20.240 --> 1:09:22.240
<v Speaker 3>looked like pouring on her beautiful.

1:09:22.000 --> 1:09:25.000
<v Speaker 1>Yes, she's just studying. She sat here just days ago.

1:09:25.240 --> 1:09:28.360
<v Speaker 3>I know, I know I listened, wasn't It.

1:09:28.680 --> 1:09:30.760
<v Speaker 1>Really was a transfer when she saw my the lit

1:09:30.840 --> 1:09:33.400
<v Speaker 1>tunes on my shirt and couldn't handle herself for forty

1:09:33.439 --> 1:09:34.120
<v Speaker 1>five seconds.

1:09:35.240 --> 1:09:38.000
<v Speaker 3>I can't imagine anything better than making Nicole Kidman happy.

1:09:38.040 --> 1:09:40.439
<v Speaker 3>It was wonderful, except for making till just went and smile,

1:09:42.200 --> 1:09:43.920
<v Speaker 3>which I did once once.

1:09:45.520 --> 1:09:46.200
<v Speaker 1>So we need to get her.

1:09:46.400 --> 1:09:49.680
<v Speaker 3>I do I have a photo? I don't do. I'm

1:09:49.680 --> 1:09:51.040
<v Speaker 3>sure you're the same, which is I don't do a

1:09:51.080 --> 1:09:54.360
<v Speaker 3>lot of celebrity approaches. I'm always shocked by of course, Yeah,

1:09:54.400 --> 1:09:56.960
<v Speaker 3>when it comes out of me right, Like one time

1:09:56.960 --> 1:09:59.320
<v Speaker 3>I saw Janice Dickinson at the Sunset Tower and I screamed,

1:09:59.320 --> 1:10:00.000
<v Speaker 3>you mean everything.

1:10:00.240 --> 1:10:01.519
<v Speaker 1>Oh, I love that part of the book.

1:10:01.560 --> 1:10:06.880
<v Speaker 3>You think you know that? Recently I facetimed jud and

1:10:07.600 --> 1:10:09.840
<v Speaker 3>he had facetimed me, and I was in bed, sweaty mass.

1:10:09.840 --> 1:10:11.799
<v Speaker 3>He goes, lean, I'm a little busy right now, passes

1:10:11.840 --> 1:10:16.479
<v Speaker 3>the phone to Glenn Powell. Oh, Glenn Powell for pretty

1:10:16.560 --> 1:10:20.680
<v Speaker 3>much no feelings the masculinity radiating from the screen. Do

1:10:20.720 --> 1:10:27.479
<v Speaker 3>you want to know what I did? I went like this, Oh,

1:10:27.600 --> 1:10:31.360
<v Speaker 3>you're my number one movie star? What happened?

1:10:31.600 --> 1:10:32.080
<v Speaker 1>Who is she?

1:10:32.320 --> 1:10:34.960
<v Speaker 3>What's going on? And Glenn Peal's like, thank you? That's

1:10:34.960 --> 1:10:37.439
<v Speaker 3>so sweet? And then I go, ain't no set like

1:10:37.439 --> 1:10:39.200
<v Speaker 3>a Jedd Apato set.

1:10:39.760 --> 1:10:42.440
<v Speaker 1>It's it's so liked LI told.

1:10:42.439 --> 1:10:44.160
<v Speaker 3>No lies told. But what's she doing?

1:10:44.280 --> 1:10:44.360
<v Speaker 1>No?

1:10:44.800 --> 1:10:45.840
<v Speaker 3>I think, why is she?

1:10:46.120 --> 1:10:47.080
<v Speaker 1>Something else took over?

1:10:47.280 --> 1:10:49.719
<v Speaker 3>That's exactly what happened. And that's usually when I approach

1:10:49.720 --> 1:10:53.840
<v Speaker 3>the celebrity, it's something else takes over. I learned the

1:10:53.880 --> 1:10:57.120
<v Speaker 3>hard way because I once approached theater character actress legend

1:10:57.200 --> 1:11:00.640
<v Speaker 3>Jackie Hoffman in a bodega and that's said, you were

1:11:00.680 --> 1:11:05.240
<v Speaker 3>incredible in kissing Jessica Stein. She went oh ow, and

1:11:05.280 --> 1:11:07.160
<v Speaker 3>I went, I'm never doing that again.

1:11:08.560 --> 1:11:10.120
<v Speaker 1>Yeah, but you know what, you had the right idea,

1:11:10.200 --> 1:11:12.639
<v Speaker 1>which was to not approach with the most popular things

1:11:12.680 --> 1:11:14.519
<v Speaker 1>she's done. You approach with the thing that's going to

1:11:14.600 --> 1:11:15.880
<v Speaker 1>hit them in the heart the most. Like when I

1:11:15.920 --> 1:11:18.320
<v Speaker 1>met Queen Latifa and three people in front of me

1:11:18.360 --> 1:11:20.280
<v Speaker 1>said I loved you in Chicago, and I went up

1:11:20.320 --> 1:11:22.639
<v Speaker 1>to her and said, I loved you in Life Support,

1:11:22.920 --> 1:11:26.200
<v Speaker 1>which was her aid's drama on HBO. If you don't

1:11:26.200 --> 1:11:30.200
<v Speaker 1>think you said so much, baby, and she.

1:11:30.160 --> 1:11:33.320
<v Speaker 3>Probably was, like, that means everything to me. One time,

1:11:33.320 --> 1:11:36.400
<v Speaker 3>when I was at Esslyn, my favorite place in the world,

1:11:37.000 --> 1:11:40.120
<v Speaker 3>a woman said, I loved how you represented pelvic pain

1:11:40.200 --> 1:11:43.879
<v Speaker 3>in your TV show Camping. Camping is not even available

1:11:43.880 --> 1:11:47.679
<v Speaker 3>on HBO Max. It has been scrubbed. Jennifer Garner's probably

1:11:47.680 --> 1:11:52.400
<v Speaker 3>taken it off for IMDb. Beautiful person, amazing experience inside

1:11:52.439 --> 1:11:54.760
<v Speaker 3>and out, makes Blueberry Buckle for the crew. Ain't no

1:11:54.800 --> 1:11:58.240
<v Speaker 3>set like a Jennifer Garner's set. But that never said,

1:11:58.960 --> 1:12:01.880
<v Speaker 3>like you never when someone says something to you like that,

1:12:02.040 --> 1:12:04.240
<v Speaker 3>you cannot help but be bold over That's what you

1:12:04.240 --> 1:12:06.880
<v Speaker 3>did for Latifa.

1:12:07.560 --> 1:12:09.880
<v Speaker 1>Okay, so they're telling me we're almost We're almost at

1:12:09.920 --> 1:12:11.200
<v Speaker 1>the times we have to do. I don't think so, honey,

1:12:11.280 --> 1:12:13.559
<v Speaker 1>And all right, so the question, but that's my god.

1:12:13.560 --> 1:12:16.320
<v Speaker 1>We didn't even ask the question really quickly? Did you do?

1:12:16.320 --> 1:12:17.519
<v Speaker 1>You want to tell them? What was the culture that

1:12:17.560 --> 1:12:18.760
<v Speaker 1>made you say culture was for you?

1:12:20.080 --> 1:12:24.280
<v Speaker 3>It was seeing Sarah Jessica Parker and Jane Krakowski in

1:12:24.320 --> 1:12:29.840
<v Speaker 3>Once a mos on Broadway, Lady and Winifred, thank you

1:12:29.920 --> 1:12:32.719
<v Speaker 3>so much, and I sang, I'm shy, I'm so quiet

1:12:32.760 --> 1:12:35.200
<v Speaker 3>and shy for my Camp musical audition did not get in.

1:12:35.800 --> 1:12:40.639
<v Speaker 3>But I just thought, like, I love being a woman.

1:12:40.840 --> 1:12:43.040
<v Speaker 3>Women can be funny, they can be fun, they can

1:12:43.080 --> 1:12:46.240
<v Speaker 3>be sexy. Sara Jessica Parker is like wearing rags and screaming.

1:12:46.439 --> 1:12:52.040
<v Speaker 3>My I then went home aol dot com printed out

1:12:52.680 --> 1:12:56.920
<v Speaker 3>probably one hundred low resolution images of Sarah Jessica Parker,

1:12:57.479 --> 1:13:02.160
<v Speaker 3>made a wallpaper out of them. Yep, and it's it

1:13:02.200 --> 1:13:03.200
<v Speaker 3>was so big for me.

1:13:03.400 --> 1:13:04.599
<v Speaker 1>I'm so sad we don't have more time to talk

1:13:04.600 --> 1:13:04.880
<v Speaker 1>about this.

1:13:04.880 --> 1:13:06.920
<v Speaker 3>So yes, no, it was everything, and I mean it's

1:13:06.920 --> 1:13:08.720
<v Speaker 3>still And then I've also gone back and watched Carol

1:13:08.720 --> 1:13:10.760
<v Speaker 3>Burnett and it like Once about a Mattress to me,

1:13:10.920 --> 1:13:12.640
<v Speaker 3>is I love it because it's a musical where the

1:13:12.680 --> 1:13:14.519
<v Speaker 3>central character is not supposed to be good at singing.

1:13:14.640 --> 1:13:15.080
<v Speaker 1>Yeah.

1:13:15.160 --> 1:13:18.400
<v Speaker 3>Like, which is one of the biggest fights my mom

1:13:18.439 --> 1:13:20.320
<v Speaker 3>and I ever had was when I was going to

1:13:20.520 --> 1:13:25.200
<v Speaker 3>Impact Performing Arts camp in Salisbury, Connecticut, where I was

1:13:26.040 --> 1:13:29.360
<v Speaker 3>in camp with all the Gummer sisters as well as

1:13:29.479 --> 1:13:31.960
<v Speaker 3>Lily Rabe. They were all great at acting. We were

1:13:32.000 --> 1:13:34.639
<v Speaker 3>doing a review. We were supposed to choose a song.

1:13:34.800 --> 1:13:38.639
<v Speaker 3>My mom said you should choose no, No, She said

1:13:38.760 --> 1:13:42.400
<v Speaker 3>from Guys and Dolls Adelaide's lament because it's a character piece.

1:13:42.840 --> 1:13:44.880
<v Speaker 3>And I said, I want to sing adol Weis. And

1:13:44.960 --> 1:13:49.599
<v Speaker 3>she said, you are a character actress and I said,

1:13:49.880 --> 1:13:53.200
<v Speaker 3>you are not an ngenoe. She was right, but I

1:13:53.400 --> 1:13:55.680
<v Speaker 3>wasn't ready to see the writing on.

1:13:55.640 --> 1:13:58.560
<v Speaker 1>The wall and are a character actresses?

1:13:59.479 --> 1:14:03.840
<v Speaker 3>You aren't. It's the best have a mom who knows

1:14:03.880 --> 1:14:06.200
<v Speaker 3>you're a character actress. Yeah, I mean, my mom played

1:14:06.240 --> 1:14:08.920
<v Speaker 3>Rhett Butler in the camp play Like. That's where she

1:14:08.960 --> 1:14:10.680
<v Speaker 3>because she was tall, so they always gave her the

1:14:10.680 --> 1:14:13.439
<v Speaker 3>boy parts. So she was like, take what you got,

1:14:13.600 --> 1:14:16.400
<v Speaker 3>put on your robe and sing adelaide cement. But I

1:14:16.479 --> 1:14:19.000
<v Speaker 3>just love that Once upon a Mattress is a musical

1:14:19.160 --> 1:14:21.240
<v Speaker 3>for girls who aren't naturally good at musicals.

1:14:21.320 --> 1:14:25.800
<v Speaker 2>Yeah, because they can go because I'm actually terribly shy.

1:14:27.160 --> 1:14:29.360
<v Speaker 3>My favorite one is The Swamps.

1:14:28.840 --> 1:14:31.240
<v Speaker 1>Of Home Green Angle.

1:14:34.520 --> 1:14:37.360
<v Speaker 3>I always forget that you're like a musical theater kid,

1:14:37.400 --> 1:14:39.240
<v Speaker 3>and then it just gets me right in my heart.

1:14:39.320 --> 1:14:41.120
<v Speaker 3>Then I remember when I watched Wicked.

1:14:43.400 --> 1:14:45.680
<v Speaker 1>Peacock. Yeah, okay, so we got to do I don't

1:14:45.680 --> 1:14:47.880
<v Speaker 1>think so honey, Right, all right, I have one. This

1:14:47.960 --> 1:14:50.080
<v Speaker 1>is our sixty second second where we take some time

1:14:50.320 --> 1:14:53.640
<v Speaker 1>sixty seconds great to break things across the colls. I

1:14:53.680 --> 1:14:58.000
<v Speaker 1>do have something because you want our guest. This is

1:14:58.280 --> 1:15:00.479
<v Speaker 1>Matt Rogers. Don't thinks of honey, directed at lean, done him.

1:15:00.520 --> 1:15:03.400
<v Speaker 1>His time starts now. I don't think, so honey, what

1:15:03.439 --> 1:15:06.400
<v Speaker 1>you're about to do to role model, making him a

1:15:06.400 --> 1:15:10.559
<v Speaker 1>movie star is so dangerous. I don't think, so honey,

1:15:10.560 --> 1:15:12.519
<v Speaker 1>that we're gonna be able to handle it. I've been

1:15:12.800 --> 1:15:15.800
<v Speaker 1>seeing Tucker rise and rise and rise. I've seen the

1:15:15.800 --> 1:15:18.240
<v Speaker 1>Sally phenomenon. I said, they're making a movie star. Now

1:15:18.680 --> 1:15:21.760
<v Speaker 1>we are. If you think Hudson and Connor have taken over,

1:15:22.160 --> 1:15:25.880
<v Speaker 1>you're not. You fucking wait. The little tattoos all over

1:15:25.920 --> 1:15:28.519
<v Speaker 1>his body, this sort of easy way with the smile,

1:15:28.760 --> 1:15:31.320
<v Speaker 1>the hair that looks unstyled, but you know it is

1:15:31.520 --> 1:15:34.839
<v Speaker 1>the sort of natural, charming charisma. I don't think, so honey,

1:15:34.880 --> 1:15:38.439
<v Speaker 1>that we're ready for this person to show us perfection

1:15:38.600 --> 1:15:41.040
<v Speaker 1>in this type of way, not to put pressure, because

1:15:41.080 --> 1:15:43.320
<v Speaker 1>I think putting pressure on it would then sort of

1:15:43.400 --> 1:15:46.160
<v Speaker 1>like I don't know, I would hate for any thought

1:15:46.479 --> 1:15:49.680
<v Speaker 1>to run through his head. Besides, well, I'm up, I'm

1:15:49.680 --> 1:15:52.080
<v Speaker 1>in a good mood. I'm gonna do my thing today.

1:15:52.400 --> 1:15:55.120
<v Speaker 1>It seems like the vibe. I don't think, so honey,

1:15:55.280 --> 1:15:57.600
<v Speaker 1>that we're gonna be able to get through. But I

1:15:57.640 --> 1:15:59.639
<v Speaker 1>do think, so honey, that I'm gonna be there because

1:16:00.120 --> 1:16:03.080
<v Speaker 1>you Mattalie Portman, Tucker, I'm in the seat.

1:16:03.080 --> 1:16:05.479
<v Speaker 3>I do think sometimes and Rashida Jones kind of giving

1:16:05.520 --> 1:16:07.840
<v Speaker 3>him like a little askance look. And I will say

1:16:07.840 --> 1:16:11.519
<v Speaker 3>this that I showed an early cut of the movie

1:16:11.520 --> 1:16:13.560
<v Speaker 3>to a friend of mine who's like a very thoughtful

1:16:14.040 --> 1:16:18.080
<v Speaker 3>forty five year old writer, like who's like half queer,

1:16:18.120 --> 1:16:20.880
<v Speaker 3>and she was like, you're ruining my life, yea, Like

1:16:21.320 --> 1:16:23.960
<v Speaker 3>I didn't think I still had feelings like this in me.

1:16:24.080 --> 1:16:27.000
<v Speaker 3>And it's funny because I so want Tucker never to

1:16:27.040 --> 1:16:30.800
<v Speaker 3>feel objectified that. I literally talked to him like, I'm like,

1:16:30.800 --> 1:16:32.679
<v Speaker 3>put her here, pal like I was like, I talked

1:16:32.680 --> 1:16:35.960
<v Speaker 3>to him like I'm a friend's father who's just walked

1:16:36.000 --> 1:16:38.479
<v Speaker 3>in from golfing and doesn't really want kids at the house.

1:16:38.479 --> 1:16:40.920
<v Speaker 3>Because I so don't want him to ever feel like

1:16:41.560 --> 1:16:43.720
<v Speaker 3>all of these like creepy, Like I want him to

1:16:43.760 --> 1:16:46.680
<v Speaker 3>feel freedom, And I'm like, anyone can be objectified like this.

1:16:46.760 --> 1:16:49.400
<v Speaker 3>I don't want this like lovely young boyd who like

1:16:49.520 --> 1:16:52.840
<v Speaker 3>loves his mother Susan so much, to ever feel that

1:16:52.920 --> 1:16:54.479
<v Speaker 3>he's being like.

1:16:56.479 --> 1:16:56.639
<v Speaker 1>That.

1:16:56.720 --> 1:17:00.600
<v Speaker 2>He has the perfect perspective on it though, because and

1:17:00.640 --> 1:17:01.880
<v Speaker 2>by that I mean he has a sense of humor,

1:17:01.880 --> 1:17:04.120
<v Speaker 2>but because he recently or a couple of months ago,

1:17:04.120 --> 1:17:08.840
<v Speaker 2>posted something on Instagram stories where it was a meme

1:17:08.880 --> 1:17:11.240
<v Speaker 2>because they have the same haircut of a famous Sean

1:17:11.280 --> 1:17:13.599
<v Speaker 2>Cody porn star named Brandon, and he was like, come

1:17:13.600 --> 1:17:16.400
<v Speaker 2>to the show tonight. He has an awareness of what

1:17:16.520 --> 1:17:20.240
<v Speaker 2>he does to people, but doesn't flawn it too much

1:17:20.280 --> 1:17:22.680
<v Speaker 2>and too flagrant of a way that he will be

1:17:22.800 --> 1:17:25.280
<v Speaker 2>perfect and objectify him.

1:17:25.400 --> 1:17:28.759
<v Speaker 3>He's also just a good boy, Like I was around

1:17:28.800 --> 1:17:30.639
<v Speaker 3>him for long enough that if the facade was going

1:17:30.680 --> 1:17:33.080
<v Speaker 3>to crack. It would have Let's just say, if someone

1:17:33.200 --> 1:17:34.519
<v Speaker 3>was going to kick a rug or throw a chair,

1:17:34.520 --> 1:17:37.800
<v Speaker 3>it would have happened. And he is a good boy,

1:17:37.880 --> 1:17:40.679
<v Speaker 3>like he's from Maine. He gets really happy when dogs

1:17:40.720 --> 1:17:45.679
<v Speaker 3>show up. There's a an ease, and he is obviously

1:17:45.800 --> 1:17:48.880
<v Speaker 3>poetic and complicated. I just like love him. He's my buddy,

1:17:49.120 --> 1:17:51.240
<v Speaker 3>Like I like text and pictures of my pigs all

1:17:51.280 --> 1:17:53.800
<v Speaker 3>the time, and he writes lol, like and it's you know,

1:17:53.840 --> 1:17:58.280
<v Speaker 3>it's very healthy to have young friends, very healthy. I

1:17:58.320 --> 1:18:00.639
<v Speaker 3>love him, but he's a really good actor and it's annoying.

1:18:00.760 --> 1:18:03.320
<v Speaker 3>Oh I love It's very like Brad Pitt in California,

1:18:03.360 --> 1:18:04.200
<v Speaker 3>where you're like, who's that?

1:18:04.560 --> 1:18:07.599
<v Speaker 1>Yeah, okay, well get ready for that who's that moment?

1:18:07.880 --> 1:18:10.559
<v Speaker 1>Here's Boon Yang's I don't think so much excited, also

1:18:10.600 --> 1:18:13.479
<v Speaker 1>inspired by our guest. Okay, this is boning. I don't

1:18:13.479 --> 1:18:15.160
<v Speaker 1>think's money. His time starts now.

1:18:15.200 --> 1:18:17.960
<v Speaker 2>I don't think so many more places should be like

1:18:18.040 --> 1:18:21.719
<v Speaker 2>the tower bar at Sunset Tower and serve what chicken

1:18:21.840 --> 1:18:26.000
<v Speaker 2>pop pie? Oh, I don't care that it costs thirty

1:18:26.000 --> 1:18:29.080
<v Speaker 2>four dollars like it does a tower bar price it

1:18:29.200 --> 1:18:32.840
<v Speaker 2>up inflate that all you want. I know, I'm paying

1:18:32.920 --> 1:18:36.760
<v Speaker 2>for something premium, even if it's pretty bad. I love

1:18:36.840 --> 1:18:39.800
<v Speaker 2>the crust. And you're thinking, oh, but Bowen, it's so

1:18:39.920 --> 1:18:42.280
<v Speaker 2>hard to make and it's so hard to scale up

1:18:42.280 --> 1:18:45.200
<v Speaker 2>at a restaurant. Buy the puff pastry ahead of time,

1:18:45.320 --> 1:18:47.680
<v Speaker 2>thirty seconds, put it in the freezer, lay it out

1:18:47.720 --> 1:18:50.280
<v Speaker 2>on the on the day you'll be okay. Cut it

1:18:50.320 --> 1:18:53.120
<v Speaker 2>out on just about you know, above the dish. It

1:18:53.160 --> 1:18:55.960
<v Speaker 2>will be fine. It's not that hard to make. I

1:18:56.000 --> 1:18:59.760
<v Speaker 2>just want it made from the expertise and curatorial sort

1:18:59.800 --> 1:19:05.800
<v Speaker 2>of fifteen. I'm just pov of a chef and tier bar.

1:19:07.680 --> 1:19:08.360
<v Speaker 1>I do lament.

1:19:08.479 --> 1:19:12.439
<v Speaker 2>How populated it's been, it's gotten since your time there

1:19:12.840 --> 1:19:15.240
<v Speaker 2>and making it a home. It's a I love going

1:19:15.280 --> 1:19:18.160
<v Speaker 2>still it has a new valence to it now.

1:19:18.320 --> 1:19:20.280
<v Speaker 3>It has a really new valance. That's what that is.

1:19:20.280 --> 1:19:22.960
<v Speaker 3>What that was incredible. I agree with you one hundred percent,

1:19:23.080 --> 1:19:24.640
<v Speaker 3>I will say, and I talked about this in the

1:19:24.680 --> 1:19:28.240
<v Speaker 3>book that I during COVID, I was for a period

1:19:28.280 --> 1:19:30.439
<v Speaker 3>the only guest at the Sunset Town.

1:19:30.439 --> 1:19:30.919
<v Speaker 1>Incredible.

1:19:31.160 --> 1:19:34.200
<v Speaker 3>There was one guest. There was a gentleman at the desk,

1:19:34.720 --> 1:19:37.880
<v Speaker 3>there was a lady upstairs in eleven oh nine. She

1:19:38.080 --> 1:19:41.400
<v Speaker 3>was me, I was and my dog Ingrid, who has

1:19:41.439 --> 1:19:45.080
<v Speaker 3>her own relationship to that place. And because there was

1:19:45.080 --> 1:19:46.800
<v Speaker 3>a lot, I could go work on my computer in

1:19:46.840 --> 1:19:49.200
<v Speaker 3>the bar, I could go sit by the pool, I

1:19:49.240 --> 1:19:52.360
<v Speaker 3>could go sit on the roof the Freedom. I was eloise.

1:19:52.560 --> 1:19:54.200
<v Speaker 3>It was the greatest time of my life.

1:19:54.320 --> 1:19:56.439
<v Speaker 1>No one knew that the burger was famous, so they

1:19:56.439 --> 1:19:58.760
<v Speaker 1>couldn't charge forty six dollars for it. Well, they weren't

1:19:58.760 --> 1:19:59.519
<v Speaker 1>even serving me.

1:19:59.720 --> 1:20:04.240
<v Speaker 3>They were literally serving croissants wrapped in in uh, you know,

1:20:04.320 --> 1:20:09.320
<v Speaker 3>croissants wrapped in whatever, like yeah, tinfoil, because they forgot

1:20:09.320 --> 1:20:09.839
<v Speaker 3>the word.

1:20:09.680 --> 1:20:11.559
<v Speaker 1>For a blanket too.

1:20:11.600 --> 1:20:15.000
<v Speaker 3>I believe I am a vegetarian, but that's not a

1:20:15.120 --> 1:20:18.680
<v Speaker 3>judgment or just But I've had them before in my

1:20:18.720 --> 1:20:22.360
<v Speaker 3>pat when I was acting out of pocket and eating meat,

1:20:22.920 --> 1:20:27.439
<v Speaker 3>and I loved them. But and now I was alone

1:20:27.439 --> 1:20:29.080
<v Speaker 3>at the Tower Bar and it was really beautiful. And

1:20:29.080 --> 1:20:33.040
<v Speaker 3>then you set one table on fire and they they

1:20:33.080 --> 1:20:36.360
<v Speaker 3>did it sorry kick me out, which was incredible. What

1:20:36.439 --> 1:20:40.160
<v Speaker 3>they did was look at monitor me. And now every

1:20:40.200 --> 1:20:43.160
<v Speaker 3>time I see lovely Jeff, who owns a twer bar,

1:20:43.280 --> 1:20:44.960
<v Speaker 3>he says, are you going to send anything on fire today?

1:20:44.960 --> 1:20:46.439
<v Speaker 3>And I go, no, no, no, I don't have matches.

1:20:46.479 --> 1:20:48.559
<v Speaker 3>I don't have a lighter. My husband won't let me.

1:20:50.360 --> 1:20:52.280
<v Speaker 2>You can't live down something like clotting something on fire.

1:20:52.320 --> 1:20:55.919
<v Speaker 2>And once you walk back into that establishment, it's tough, incredible.

1:20:56.000 --> 1:20:58.040
<v Speaker 1>Well, you're about to send this whole place on fire

1:20:58.520 --> 1:21:00.280
<v Speaker 1>with your I don't think somebody are.

1:21:00.160 --> 1:21:01.640
<v Speaker 3>You thought them at it in advance. I can't be

1:21:01.640 --> 1:21:04.160
<v Speaker 3>as good a Nicole Kinman saying bad breath, and everything

1:21:04.160 --> 1:21:05.040
<v Speaker 3>will ever be as good.

1:21:05.280 --> 1:21:08.479
<v Speaker 1>Listen, we're all trailing in her dust. But are you ready?

1:21:08.479 --> 1:21:11.000
<v Speaker 1>This is Lena Dunham's I don't think so, honey. Her

1:21:11.040 --> 1:21:11.840
<v Speaker 1>time starts now.

1:21:12.479 --> 1:21:16.280
<v Speaker 3>I don't think so, honey. Quiet luxury, Oh I don't.

1:21:16.720 --> 1:21:19.120
<v Speaker 3>If I'm going to have luxury, I want it to

1:21:19.160 --> 1:21:24.040
<v Speaker 3>be loud. Yes, firstly, I'm not Since when did elegance

1:21:24.240 --> 1:21:27.759
<v Speaker 3>mean that you were wearing oatmeal with bone, with beige

1:21:27.960 --> 1:21:31.639
<v Speaker 3>with tan. We have so many colors, we have so

1:21:31.640 --> 1:21:39.759
<v Speaker 3>many materials. Why is looking like you work at a spa? Suddenly?

1:21:40.080 --> 1:21:43.160
<v Speaker 3>I signed? Did rich people get so bored with having

1:21:43.280 --> 1:21:46.200
<v Speaker 3>so many things that they thought the most important things

1:21:46.240 --> 1:21:49.120
<v Speaker 3>are going to be things that look like nothing? And

1:21:49.360 --> 1:21:51.920
<v Speaker 3>I don't think so honey, what you're a you're a

1:21:51.920 --> 1:21:55.240
<v Speaker 3>fashion blocker, and you're showing me that you have a

1:21:55.400 --> 1:22:00.240
<v Speaker 3>top that looks like fifteen someone's baby's skin and at

1:22:00.360 --> 1:22:04.400
<v Speaker 3>pants that look like someone else's brother, and both those

1:22:04.439 --> 1:22:07.880
<v Speaker 3>people are white. I don't want it five seconds. I

1:22:07.880 --> 1:22:11.120
<v Speaker 3>don't think so, honey. I When I get something and

1:22:11.160 --> 1:22:12.479
<v Speaker 3>I spend a lot of money on it, I want

1:22:12.479 --> 1:22:14.560
<v Speaker 3>everyone to know headlines.

1:22:14.920 --> 1:22:20.479
<v Speaker 1>And that's honestly it does. I think I'm going to

1:22:20.520 --> 1:22:23.920
<v Speaker 1>say something big fashion got worse when we want minimalists.

1:22:24.000 --> 1:22:26.320
<v Speaker 3>The other thing to know is that, like minimalism looks

1:22:26.400 --> 1:22:30.519
<v Speaker 3>very different on a person who spent twenty years creating

1:22:30.520 --> 1:22:34.160
<v Speaker 3>their body, Yes, whereas like minimalism on a person who's

1:22:34.240 --> 1:22:38.360
<v Speaker 3>just trying to survive? Is it different as a s Yeah,

1:22:38.400 --> 1:22:42.479
<v Speaker 3>it's just a shirt that looks and like what you

1:22:42.520 --> 1:22:44.880
<v Speaker 3>want me to get? Spend five hundred dollars on a

1:22:44.920 --> 1:22:47.080
<v Speaker 3>T shirt that looks like the one that I wore

1:22:47.160 --> 1:22:49.360
<v Speaker 3>over my bathing suit when I went to the breakers

1:22:49.360 --> 1:22:50.960
<v Speaker 3>with my grandma in nineteen ninety two.

1:22:51.439 --> 1:22:53.720
<v Speaker 1>Well, it looks dirty on purpose a little bit, so

1:22:53.760 --> 1:22:54.919
<v Speaker 1>that's why it's more expensive.

1:22:55.040 --> 1:22:59.479
<v Speaker 3>Yeah, that's that's exactly right. And it looks like someone

1:22:59.600 --> 1:23:06.080
<v Speaker 3>sewed it in a Shaker community.

1:23:03.439 --> 1:23:05.519
<v Speaker 1>And you can see the stitching. That's why it's eight

1:23:05.560 --> 1:23:06.360
<v Speaker 1>thousand dollars.

1:23:06.479 --> 1:23:08.840
<v Speaker 3>I'm mad. I'm so mad, and I see things that

1:23:08.880 --> 1:23:10.720
<v Speaker 3>I just go you're really trying to tell me this,

1:23:11.360 --> 1:23:13.479
<v Speaker 3>and I don't want to indulge in fast fashion. I'm

1:23:13.479 --> 1:23:15.920
<v Speaker 3>not trying to hurt the planet. I know that, but

1:23:16.000 --> 1:23:18.960
<v Speaker 3>I don't want what you're offered. So I'm gonna have

1:23:19.000 --> 1:23:21.880
<v Speaker 3>to go to Forever twenty one. Yeah, I'm gonna have

1:23:21.920 --> 1:23:23.599
<v Speaker 3>to go to Forever twenty one. Thank you for giving

1:23:23.640 --> 1:23:24.120
<v Speaker 3>me the space.

1:23:24.680 --> 1:23:27.200
<v Speaker 1>Of course, I'm gonna have to go to Forever twenty

1:23:27.200 --> 1:23:29.800
<v Speaker 1>one being the poke being they that's the title of that.

1:23:30.280 --> 1:23:32.040
<v Speaker 1>I'm gonna have to go Forever twenty one.

1:23:32.200 --> 1:23:34.000
<v Speaker 3>The first time for Ever twenty one opened, I was like,

1:23:34.040 --> 1:23:35.080
<v Speaker 3>this is a utopia.

1:23:35.160 --> 1:23:38.479
<v Speaker 1>Oh one like me. It felt like something that wasn't

1:23:38.520 --> 1:23:42.160
<v Speaker 1>for us in one of the things that like it

1:23:42.160 --> 1:23:43.439
<v Speaker 1>was one of those moments where it's like, you know,

1:23:43.439 --> 1:23:44.840
<v Speaker 1>when you're like a little gay boy and you see

1:23:44.960 --> 1:23:47.080
<v Speaker 1>justin Timberlake and all the girls are excited, but you

1:23:47.120 --> 1:23:49.640
<v Speaker 1>can't be no, so you get angry. That's how I

1:23:49.680 --> 1:23:51.920
<v Speaker 1>felt about for Ever twenty one, they have a place

1:23:51.960 --> 1:23:52.760
<v Speaker 1>to go hang out.

1:23:52.840 --> 1:23:55.559
<v Speaker 2>But then we would go at NYU at the Forever

1:23:55.600 --> 1:23:58.040
<v Speaker 2>twenty one Union Square and that was a haven.

1:23:58.240 --> 1:24:02.120
<v Speaker 1>Well finding out that they even sold for slash ma'am.

1:24:02.120 --> 1:24:03.800
<v Speaker 3>I used to like if it was a hot day

1:24:03.880 --> 1:24:05.760
<v Speaker 3>and I was in a dress in my thighs, until

1:24:05.800 --> 1:24:07.479
<v Speaker 3>you just pop into Forever twenty one and get a

1:24:07.479 --> 1:24:10.080
<v Speaker 3>pair of like Neon bike shorts. It's only your outfit

1:24:10.200 --> 1:24:11.080
<v Speaker 3>is singing.

1:24:10.880 --> 1:24:15.560
<v Speaker 1>Yeah beautiful Famesick April fourteenth.

1:24:15.640 --> 1:24:17.799
<v Speaker 3>I love being with you two, and it's so special

1:24:17.840 --> 1:24:20.280
<v Speaker 3>to have our group chat come to life in this way.

1:24:20.320 --> 1:24:23.439
<v Speaker 3>And thank you for everything you've given me friendship, changing

1:24:23.479 --> 1:24:26.280
<v Speaker 3>my life, through helping me quit vaping. Reading the book

1:24:26.360 --> 1:24:27.640
<v Speaker 3>so thoughtfully.

1:24:27.320 --> 1:24:30.680
<v Speaker 1>We love every single page of it, just like we

1:24:30.760 --> 1:24:34.519
<v Speaker 1>love everything that you've done. I mean, like it's not

1:24:35.280 --> 1:24:39.760
<v Speaker 1>a lie that show you're one of the most important

1:24:39.800 --> 1:24:42.479
<v Speaker 1>people to our generation in terms of pop culture, in

1:24:42.560 --> 1:24:43.560
<v Speaker 1>terms of what you contributed.

1:24:43.680 --> 1:24:46.280
<v Speaker 3>Life is so, life is just It's just so.

1:24:46.720 --> 1:24:47.679
<v Speaker 1>That's the title of app.

1:24:47.800 --> 1:24:50.679
<v Speaker 3>I Love you, guys. It's just so thanks for having

1:24:50.720 --> 1:24:54.200
<v Speaker 3>me and for jacking me up for three days to

1:24:54.240 --> 1:24:55.560
<v Speaker 3>take forty two benadrel.

1:24:57.000 --> 1:24:59.200
<v Speaker 1>That's actually in vogue. Okay. We end every episode with

1:24:59.200 --> 1:25:03.120
<v Speaker 1>the song you Know the One, you Know the One

1:25:03.240 --> 1:25:05.320
<v Speaker 1>you go I was curious if you know the one?

1:25:12.360 --> 1:25:14.120
<v Speaker 1>And the rest of that watched the best episode of

1:25:14.160 --> 1:25:15.000
<v Speaker 1>television of all.

1:25:14.840 --> 1:25:21.679
<v Speaker 3>Time, Sexistential. I Love you, guys.

1:25:21.800 --> 1:25:22.240
<v Speaker 1>Last Culture.

1:25:22.280 --> 1:25:24.320
<v Speaker 2>Racis is the production by Will Ferrell's Big Money Players

1:25:24.320 --> 1:25:25.520
<v Speaker 2>in iHeartRadio Podcasts.

1:25:25.680 --> 1:25:29.040
<v Speaker 1>Created and hosted by Matt Rogers and Bowen Yang, Executive

1:25:29.040 --> 1:25:32.000
<v Speaker 1>produced by Anna hasby A and produced by Becca Ramos,

1:25:32.080 --> 1:25:34.439
<v Speaker 1>Edited and mixed by Duck Babe, and our music is

1:25:34.439 --> 1:25:35.439
<v Speaker 1>by Henry Komerski