1 00:00:00,200 --> 00:00:02,800 Speaker 1: Bread and butter wines pair with the life moments you love, 2 00:00:02,920 --> 00:00:06,320 Speaker 1: offering a rich and jammy Cabernet sauvignon, a silky smooth 3 00:00:06,320 --> 00:00:08,959 Speaker 1: piano now are, and a buttery Chardonnay. Bread and butter 4 00:00:09,000 --> 00:00:11,600 Speaker 1: wines are delicious. Find a bread and butter wines in 5 00:00:11,600 --> 00:00:18,760 Speaker 1: your favorite store. Second Data Day. Whenever people hear someone's 6 00:00:18,760 --> 00:00:22,119 Speaker 1: an artist, there's a lot of stereotypes that come with that. 7 00:00:23,239 --> 00:00:26,960 Speaker 1: You know that they're financially strained, Yeah, you can't hold 8 00:00:27,000 --> 00:00:32,480 Speaker 1: down a real job, and never dressed properly or socially awkward. Yeah, 9 00:00:33,080 --> 00:00:36,200 Speaker 1: do lots of drugs and alcohol. Oh yeah, we're talking 10 00:00:36,240 --> 00:00:37,839 Speaker 1: about artist. It sounds like a good life. I mean 11 00:00:37,840 --> 00:00:42,000 Speaker 1: they're basically one step above radio people. Yeah. Maybe that's 12 00:00:42,000 --> 00:00:45,559 Speaker 1: why I'm yea, because we're all those things. But at 13 00:00:45,600 --> 00:00:47,640 Speaker 1: least the artists have a little bit of talent. Yeah, 14 00:00:47,880 --> 00:00:51,000 Speaker 1: but I have a problem. Yeah, like, come on the artist. 15 00:00:51,120 --> 00:00:53,000 Speaker 1: Nobody ever says you got a face for art either, 16 00:00:53,479 --> 00:00:56,720 Speaker 1: you know. So I feel very very honored to be 17 00:00:56,800 --> 00:01:00,120 Speaker 1: speaking with a real artist who needs our help at 18 00:01:00,160 --> 00:01:04,959 Speaker 1: the second date update today. His name is Seth. What's up, Seth? Hey, 19 00:01:05,000 --> 00:01:08,040 Speaker 1: how's it going? Oh? You you're too happy to be 20 00:01:08,080 --> 00:01:10,680 Speaker 1: an artist. We're trying to be Bob Ross or something. No, no, 21 00:01:11,000 --> 00:01:14,679 Speaker 1: that's where the drugs come in. Oh okay, Yeah, like 22 00:01:14,720 --> 00:01:17,479 Speaker 1: I was saying, yes, we're not all moody and then 23 00:01:17,880 --> 00:01:20,760 Speaker 1: depressed people. But you know we some of us do 24 00:01:20,840 --> 00:01:25,160 Speaker 1: actually make a living selling our paintings. You're a painter, 25 00:01:25,240 --> 00:01:29,399 Speaker 1: then I am. Yeah, I have a specialty. Actually, I've 26 00:01:29,480 --> 00:01:32,360 Speaker 1: developed a sort of niche for myself over the years. 27 00:01:32,400 --> 00:01:36,480 Speaker 1: I've been paying pictures of crabs and you know they 28 00:01:36,560 --> 00:01:39,360 Speaker 1: do Okay, they don't do I'm not cool. Okay, So 29 00:01:39,360 --> 00:01:41,039 Speaker 1: so if we go to the art expo and we 30 00:01:41,080 --> 00:01:43,440 Speaker 1: ask for the guy with crabs, they'll point us in 31 00:01:43,440 --> 00:01:49,880 Speaker 1: your direction, right right, that does happen. It's not like 32 00:01:49,960 --> 00:01:52,160 Speaker 1: crabs like it might be thinking. It's sort of like 33 00:01:52,200 --> 00:01:54,880 Speaker 1: crabs as if they were like members of society, you know, 34 00:01:55,120 --> 00:01:57,440 Speaker 1: like it's like the dogs that are playing poker, but 35 00:01:58,160 --> 00:02:02,640 Speaker 1: exactly like crabs on taxi, Crabs getting a tattoo. You know, 36 00:02:02,920 --> 00:02:05,080 Speaker 1: I actually have one, which I thought was really kind 37 00:02:05,080 --> 00:02:12,120 Speaker 1: of ironic. Crabs at a restaurant ordering lobster. Yeah, didn't 38 00:02:12,120 --> 00:02:14,240 Speaker 1: you call about a date? Though? I mean, this is great. 39 00:02:14,639 --> 00:02:16,120 Speaker 1: I just want to talk about her. I think we're 40 00:02:16,160 --> 00:02:18,480 Speaker 1: talking to like, you know, in a hundred years, people 41 00:02:18,480 --> 00:02:20,359 Speaker 1: are going to look back on Seth kind of like 42 00:02:20,520 --> 00:02:24,720 Speaker 1: Leonardo da Vinci like time, and your crab paintings are 43 00:02:24,720 --> 00:02:30,160 Speaker 1: going to sell for millions of dollars, a legendary name, Seth. Yes, 44 00:02:33,120 --> 00:02:36,640 Speaker 1: all right, such a crab man. Yeah, crab man. All right, 45 00:02:36,760 --> 00:02:39,400 Speaker 1: But no, I am calling about a date because I 46 00:02:39,480 --> 00:02:42,639 Speaker 1: had a recent experience and maybe you guys can help 47 00:02:42,680 --> 00:02:44,560 Speaker 1: me out with this. Okay, Well, what's the name of 48 00:02:44,560 --> 00:02:47,480 Speaker 1: the woman that you went out with? Her name is MICHAELA. 49 00:02:47,760 --> 00:02:50,720 Speaker 1: And yeah, at an art expedition, I was telling my 50 00:02:50,760 --> 00:02:53,800 Speaker 1: paintings and she was very interested in one. I've actually 51 00:02:54,080 --> 00:02:56,760 Speaker 1: bought one from me, which was super cool. So all right, 52 00:02:56,800 --> 00:02:58,480 Speaker 1: so you were able to pay for the dinner when 53 00:02:58,520 --> 00:03:01,399 Speaker 1: you guys would out right, it's nice to give woman 54 00:03:01,480 --> 00:03:05,280 Speaker 1: crabs on the first meetings? Did you ask her out? 55 00:03:05,360 --> 00:03:08,000 Speaker 1: Is as I been you typically do with customers. She 56 00:03:08,160 --> 00:03:10,919 Speaker 1: bought the painting and then she just kind of hung around, 57 00:03:11,040 --> 00:03:13,079 Speaker 1: you know, as we were talking, she was just asking 58 00:03:13,120 --> 00:03:15,440 Speaker 1: me about my work, and I started flirting with her 59 00:03:15,480 --> 00:03:17,840 Speaker 1: a little bit. I started using, you know, some jokes 60 00:03:17,880 --> 00:03:20,920 Speaker 1: and I tell you know the crab jokes. Uh, you know, 61 00:03:20,960 --> 00:03:23,320 Speaker 1: Like I'll give me example, what do you call it? 62 00:03:23,480 --> 00:03:27,079 Speaker 1: The crab has a part time job? What a side 63 00:03:27,120 --> 00:03:34,760 Speaker 1: hustle because it hustles to the side because crabs sideways anybody. Yeah, 64 00:03:35,800 --> 00:03:38,760 Speaker 1: there's a little bit of a dad joke there. Anyway, 65 00:03:38,800 --> 00:03:41,160 Speaker 1: So she did, and how you are talking? And we 66 00:03:41,240 --> 00:03:45,520 Speaker 1: actually bonded over our mutual love of coffee. We both 67 00:03:45,520 --> 00:03:48,480 Speaker 1: trenk a whole lot of it. I mean, like eight 68 00:03:48,560 --> 00:03:51,000 Speaker 1: to ten cups a day day. No wonder you're talking 69 00:03:51,040 --> 00:03:55,520 Speaker 1: so much. Yeah, yeah, I've already had about four cups 70 00:03:55,520 --> 00:03:58,920 Speaker 1: so far. A couple months ago, I bought a really 71 00:03:59,040 --> 00:04:02,480 Speaker 1: high end quality espresso maker. It costs to me about 72 00:04:02,480 --> 00:04:06,480 Speaker 1: two thousand hours. It's amazing. So I told her about it, 73 00:04:06,680 --> 00:04:09,120 Speaker 1: and she said that she wanted to see it, you know, 74 00:04:09,240 --> 00:04:11,680 Speaker 1: And I was like, well, great, that's my end, you know, 75 00:04:11,760 --> 00:04:14,000 Speaker 1: And so I said, well, if you'd like to after 76 00:04:14,080 --> 00:04:16,160 Speaker 1: I close up here today, you know, we can come 77 00:04:16,200 --> 00:04:18,520 Speaker 1: over and I'll make you a cup of coffee and 78 00:04:18,680 --> 00:04:20,640 Speaker 1: we can hang out a little bit, you know. I mean, 79 00:04:20,680 --> 00:04:24,080 Speaker 1: that's honestly the least innocent cup of coffee date I've 80 00:04:24,080 --> 00:04:27,200 Speaker 1: ever heard. Yeah, I mean, that's an old cliche when 81 00:04:27,200 --> 00:04:29,039 Speaker 1: you invite someone up to your place for a cup 82 00:04:29,040 --> 00:04:33,080 Speaker 1: of coffee. Yeah, but you're talking an actual cup of coffee. Yeah, 83 00:04:33,160 --> 00:04:39,720 Speaker 1: come for the coffee, leave with crabs. Yeah. Yeah. Anyway, 84 00:04:39,760 --> 00:04:42,560 Speaker 1: so she comes over and I fire up a machine. 85 00:04:42,640 --> 00:04:45,240 Speaker 1: I make a couple of espressos. I steamed some milk, 86 00:04:45,360 --> 00:04:47,760 Speaker 1: you know, nast grouse. She likes it. I've got not 87 00:04:47,880 --> 00:04:50,640 Speaker 1: just a mis maker, but I've got a whole set 88 00:04:50,680 --> 00:04:53,400 Speaker 1: there that I could just make any kind of coffee 89 00:04:53,480 --> 00:04:58,280 Speaker 1: drink imaginable. You got Starbucks inside your apartment literally, So 90 00:04:58,360 --> 00:05:01,479 Speaker 1: was she impressed. So she's really impressed. She said she 91 00:05:01,600 --> 00:05:03,599 Speaker 1: loved it. You know, we talked her a little while, 92 00:05:03,680 --> 00:05:06,159 Speaker 1: and then she decided that, you know, she she had 93 00:05:06,200 --> 00:05:09,440 Speaker 1: to go home for some reason. You know, they had. Firstly, 94 00:05:09,600 --> 00:05:12,360 Speaker 1: I think that we were starting to connect. We were 95 00:05:12,400 --> 00:05:15,479 Speaker 1: having sort of a spark a moment between us, and 96 00:05:15,600 --> 00:05:18,039 Speaker 1: I don't think she wanted to take it so soon. 97 00:05:18,400 --> 00:05:20,120 Speaker 1: I mean, she may have not even thought that this 98 00:05:20,200 --> 00:05:22,400 Speaker 1: was a date. Yeah. So was there any part of 99 00:05:22,400 --> 00:05:25,760 Speaker 1: this experience that was very romantic for you? Yeah? Well, 100 00:05:25,760 --> 00:05:28,440 Speaker 1: I feel like there was a strong connection. It was flirty, 101 00:05:28,520 --> 00:05:30,920 Speaker 1: you know, it was just there. That was you say that, 102 00:05:30,960 --> 00:05:33,440 Speaker 1: but she's not calling you back, so you obviously read 103 00:05:33,560 --> 00:05:35,680 Speaker 1: something a little wrong. Can you think of something that 104 00:05:35,720 --> 00:05:38,279 Speaker 1: went wrong? Well, I don't know. I mean, like when 105 00:05:38,320 --> 00:05:40,680 Speaker 1: she started to leave, I took her downstairs to get 106 00:05:40,680 --> 00:05:43,600 Speaker 1: her uber. I tried kissing her, but she pulled back 107 00:05:43,640 --> 00:05:46,120 Speaker 1: from the kiss, so that didn't work out so well. 108 00:05:46,160 --> 00:05:48,560 Speaker 1: She actually hid her head on the car as she 109 00:05:48,680 --> 00:05:52,279 Speaker 1: pulled that, Like, no, that life. She didn't hurt herself, 110 00:05:52,360 --> 00:05:54,600 Speaker 1: you know, just a little bump, you know. I just 111 00:05:54,680 --> 00:05:57,000 Speaker 1: pictured her like trying to climb into an uber and 112 00:05:57,080 --> 00:05:59,760 Speaker 1: you're leading over fowing her with the kids, and she's 113 00:05:59,800 --> 00:06:02,559 Speaker 1: like trying to scramble away as fast as it sounds 114 00:06:02,560 --> 00:06:06,799 Speaker 1: so terrible, I swear I'm not a creeper. Yeah yeah, 115 00:06:06,839 --> 00:06:09,920 Speaker 1: I mean nothing about what you've described sounds like it 116 00:06:09,920 --> 00:06:11,840 Speaker 1: would be a reason for her to not call you. 117 00:06:11,960 --> 00:06:16,360 Speaker 1: Is there anything awkward or weird that happened during your encounter? Okay, 118 00:06:16,560 --> 00:06:19,800 Speaker 1: there was one point where we bumped into my ex wife, 119 00:06:19,800 --> 00:06:25,040 Speaker 1: but it really was like no big deal class over that. 120 00:06:25,160 --> 00:06:27,000 Speaker 1: I mean, I thought for sure it was hitting the 121 00:06:27,040 --> 00:06:29,080 Speaker 1: head while trying to escape a kiss. But where does 122 00:06:29,080 --> 00:06:31,720 Speaker 1: the ex wife come in. Yeah, it really wasn't a 123 00:06:31,800 --> 00:06:33,560 Speaker 1: big deal. I mean it was it was quick. My 124 00:06:33,760 --> 00:06:35,920 Speaker 1: X and I we've been divorced for about five months 125 00:06:35,920 --> 00:06:38,240 Speaker 1: and we just fan into it. She said, Hi, it 126 00:06:38,320 --> 00:06:41,039 Speaker 1: was it's nothing. I can't imagine that had anything to 127 00:06:41,120 --> 00:06:44,920 Speaker 1: do with it. H Yeah, I can't. I can imagine 128 00:06:44,960 --> 00:06:46,880 Speaker 1: really easily that it had something to do with it. 129 00:06:47,000 --> 00:06:50,039 Speaker 1: All right, Well, we're gonna play a song. We'll come 130 00:06:50,080 --> 00:06:52,200 Speaker 1: back and we'll call MICHAELA for you and try and 131 00:06:52,240 --> 00:06:55,080 Speaker 1: get your second date up date. Okay, I appreciate it, 132 00:06:55,160 --> 00:06:57,040 Speaker 1: Thank you so much. All Right, if you're just tuning in, 133 00:06:57,080 --> 00:07:03,480 Speaker 1: we're on the phone with Seth aka the Crabs guy, 134 00:07:03,960 --> 00:07:07,599 Speaker 1: which it's not a reference to his romantic history. Sets 135 00:07:07,640 --> 00:07:12,640 Speaker 1: an artist that specializes in painting crabs in humanlike situations. 136 00:07:12,800 --> 00:07:14,200 Speaker 1: I love it. I want to buy one. Yeah. I 137 00:07:14,240 --> 00:07:15,680 Speaker 1: kind of like it too. You know, one pincher is 138 00:07:15,680 --> 00:07:18,440 Speaker 1: bigger than the other. Kind of makes a funny dynamic. Yeah, 139 00:07:18,720 --> 00:07:24,200 Speaker 1: imagine just crabs playing basketball, crabs eating tacos, eating taco Yeah, 140 00:07:24,280 --> 00:07:26,400 Speaker 1: you'll you'll get it. He does. He does all all 141 00:07:26,440 --> 00:07:30,280 Speaker 1: the funny things that crabs do in human situations. Yeah. 142 00:07:30,360 --> 00:07:32,960 Speaker 1: So Seth met a woman named Michaelo while selling his 143 00:07:33,080 --> 00:07:35,480 Speaker 1: art in an expo, and they had a nice stay together. 144 00:07:35,720 --> 00:07:38,160 Speaker 1: She bought one of his paintings. They bonded over their 145 00:07:38,240 --> 00:07:41,120 Speaker 1: mutual addiction to coffee, and he even showed her his 146 00:07:41,240 --> 00:07:45,320 Speaker 1: two thousand dollars espresso machine back at his place, And 147 00:07:45,400 --> 00:07:46,920 Speaker 1: there was an awkward moment at the end of the 148 00:07:47,040 --> 00:07:49,000 Speaker 1: night where he tried to kiss her at her uber 149 00:07:49,360 --> 00:07:51,560 Speaker 1: and she pulled back and ended up hitting her head 150 00:07:51,560 --> 00:07:55,760 Speaker 1: on the car door. But beyond that, he's not really 151 00:07:55,800 --> 00:07:59,840 Speaker 1: sure what could have caused this day to Yeah, he 152 00:08:00,120 --> 00:08:02,640 Speaker 1: like non slotly adds at the end that he ran 153 00:08:02,720 --> 00:08:06,280 Speaker 1: into his ex wife's only been divorced from for like 154 00:08:06,360 --> 00:08:10,640 Speaker 1: five minutes or five months whatever, same difference. Yeah, he 155 00:08:10,680 --> 00:08:13,240 Speaker 1: did drop that in there too, So one of those 156 00:08:13,280 --> 00:08:15,840 Speaker 1: things must be the reason. Wonder you can't figure it out. 157 00:08:16,360 --> 00:08:18,760 Speaker 1: What are you feeling here, Seth, Yeah, I don't know. 158 00:08:18,840 --> 00:08:21,200 Speaker 1: I really hope that you guys can convince her to 159 00:08:21,200 --> 00:08:23,640 Speaker 1: see me again. I think she was a lovely person 160 00:08:23,720 --> 00:08:25,760 Speaker 1: and we hit it off and we had a great time. 161 00:08:26,000 --> 00:08:28,920 Speaker 1: You didn't describe your interaction with your ex wife at all, Like, 162 00:08:29,000 --> 00:08:30,960 Speaker 1: I feel like we need some sort of background on 163 00:08:31,000 --> 00:08:34,080 Speaker 1: that before we call this girl. Yeah. Honestly, it was 164 00:08:34,160 --> 00:08:37,120 Speaker 1: so inconsequential. I mean, it was nothing. It was just 165 00:08:37,160 --> 00:08:39,320 Speaker 1: sort of like a high end buying kind of moment. 166 00:08:39,559 --> 00:08:42,480 Speaker 1: All right, I don't know. I mean it's only five 167 00:08:42,559 --> 00:08:46,480 Speaker 1: months whatever, Michaela and see what she has to say. 168 00:08:46,480 --> 00:08:49,280 Speaker 1: Because we could speculate about this all day, we just 169 00:08:49,320 --> 00:08:50,679 Speaker 1: got to get to the bottom of it and make 170 00:08:50,760 --> 00:08:54,040 Speaker 1: or call. Are you ready to do the seth? Yeah? Yeah, yeah, 171 00:08:54,040 --> 00:08:56,439 Speaker 1: all right, let's style the phone number right now here 172 00:08:56,440 --> 00:09:09,679 Speaker 1: we go. Hello, Hi, can I speak to Michaela please her. 173 00:09:10,320 --> 00:09:12,560 Speaker 1: I'm Michaela. My name's Jeffrey from the radio show Brook 174 00:09:12,559 --> 00:09:14,000 Speaker 1: and Jeffrey in the Morning. Do you have a second 175 00:09:14,040 --> 00:09:17,520 Speaker 1: to talk with us? What is this about? Well, we 176 00:09:17,600 --> 00:09:19,960 Speaker 1: do a segment on our show called a second Date Update. 177 00:09:20,040 --> 00:09:21,920 Speaker 1: That's where if you go out with someone and afterwards, 178 00:09:21,920 --> 00:09:23,960 Speaker 1: if they're not calling you back, you can email our 179 00:09:24,000 --> 00:09:26,440 Speaker 1: show and we'll reach out to that person for you 180 00:09:26,480 --> 00:09:30,600 Speaker 1: to figure out the reason why. Okay, and what does 181 00:09:30,600 --> 00:09:34,040 Speaker 1: this have to do with me? So recently we got 182 00:09:34,040 --> 00:09:36,880 Speaker 1: an email from a guy who's frustrated because he's been 183 00:09:36,920 --> 00:09:38,760 Speaker 1: trying to get a hold of you and you're not 184 00:09:38,880 --> 00:09:44,920 Speaker 1: calling him back. His name's Seth, Seth Seth. Yeah, oh, 185 00:09:45,040 --> 00:09:48,920 Speaker 1: the artist that you bought the crab painting from. I 186 00:09:48,960 --> 00:09:52,720 Speaker 1: mean it did sound like a chill hang out with him. Yeah, No, 187 00:09:52,880 --> 00:09:56,840 Speaker 1: it was cool. I've bought a painting. It's crabs bowling. 188 00:09:58,880 --> 00:10:02,480 Speaker 1: He didn't tell us what pa, It's okay, it's good. 189 00:10:02,559 --> 00:10:05,040 Speaker 1: I like it all right. Well, he told us a 190 00:10:05,040 --> 00:10:07,360 Speaker 1: little bit about you guys hanging out, and he said, 191 00:10:07,600 --> 00:10:09,760 Speaker 1: from his end, it all seemed like you guys had 192 00:10:09,760 --> 00:10:12,640 Speaker 1: a great time together. And he's not sure why you're 193 00:10:12,800 --> 00:10:17,280 Speaker 1: avoiding his phone calls. Really, he didn't mention anything. Well, 194 00:10:17,600 --> 00:10:20,800 Speaker 1: he didn't mention a few things that he's worried might 195 00:10:20,880 --> 00:10:23,360 Speaker 1: have ruined things. But we'd like to hear what happened 196 00:10:23,360 --> 00:10:28,839 Speaker 1: from your perspective. Okay, Um, well, I don't know like 197 00:10:28,880 --> 00:10:32,320 Speaker 1: how much he told you his crab painter. I met 198 00:10:32,400 --> 00:10:35,959 Speaker 1: him at the art show. He had all his crabs 199 00:10:36,000 --> 00:10:38,959 Speaker 1: on display. It was cute. He's like one of the 200 00:10:39,280 --> 00:10:43,040 Speaker 1: quirky artist type guys. Yeah. I picture him with curly 201 00:10:43,080 --> 00:10:46,240 Speaker 1: hair for some reason. Anybody else I'm sure does he 202 00:10:46,280 --> 00:10:51,000 Speaker 1: have curly hair? You know what he does? I do it. 203 00:10:51,120 --> 00:10:55,679 Speaker 1: That's the problem as curly hair. I'm just saying he's quirky, 204 00:10:55,760 --> 00:10:58,439 Speaker 1: Like we did talk to him, and he's kind of 205 00:10:58,440 --> 00:11:02,920 Speaker 1: a little nutty for sure, But he's nutty. I feel 206 00:11:02,960 --> 00:11:04,960 Speaker 1: like that's not a nice thing to say. Oh, it's 207 00:11:04,960 --> 00:11:07,360 Speaker 1: not bad. He just sounds like he drinks a lot 208 00:11:07,400 --> 00:11:10,880 Speaker 1: of coffee too. He's fun, he's you know, he's an 209 00:11:10,960 --> 00:11:13,400 Speaker 1: art guy, and I'm kind of like that too. I'm 210 00:11:13,400 --> 00:11:15,960 Speaker 1: like a little a little weird, a little out there. 211 00:11:16,080 --> 00:11:19,280 Speaker 1: And so what exactly is the problem though, Like what 212 00:11:19,440 --> 00:11:23,280 Speaker 1: went wrong where you're not interested in seeing him again? Well, 213 00:11:23,320 --> 00:11:26,240 Speaker 1: if he told you about our day and what happened, 214 00:11:26,320 --> 00:11:29,080 Speaker 1: I'm sure you can kind of guess what the problem was. 215 00:11:29,600 --> 00:11:32,160 Speaker 1: I mean, he told us about the attempted kiss at 216 00:11:32,200 --> 00:11:33,960 Speaker 1: the end of the date where you knocked your head 217 00:11:34,000 --> 00:11:36,520 Speaker 1: on an uber trying to get away from him. Yeah, 218 00:11:36,559 --> 00:11:38,320 Speaker 1: you know at that point I kind of was just 219 00:11:38,480 --> 00:11:41,960 Speaker 1: over it and ready to ready to head home. Okay, 220 00:11:41,960 --> 00:11:45,280 Speaker 1: so it happened earlier. Yes, So did he tell you 221 00:11:45,440 --> 00:11:49,760 Speaker 1: about the whole wife thing? Yeah, he said ex wife. Yeah, 222 00:11:49,800 --> 00:11:52,480 Speaker 1: that there was a quick running Yeah, he kind of 223 00:11:52,520 --> 00:11:55,200 Speaker 1: downplayed it as like a five minute or just quick 224 00:11:55,280 --> 00:11:57,360 Speaker 1: like high by. It was kind of weird, but you 225 00:11:57,400 --> 00:12:00,559 Speaker 1: guys moved on. Okay, Yeah, so here's what really happened. 226 00:12:01,400 --> 00:12:04,160 Speaker 1: So cut over to his place and he wants to 227 00:12:04,200 --> 00:12:06,679 Speaker 1: show me his two thousand dollars espress a machine, will 228 00:12:06,679 --> 00:12:09,520 Speaker 1: have a cup of coffee whatever. Cool. So as soon 229 00:12:09,559 --> 00:12:12,280 Speaker 1: as we get in, we walk over to the kitchen 230 00:12:12,960 --> 00:12:16,880 Speaker 1: and there's a woman. There's a woman in his kitchen. Yeah. Yeah, 231 00:12:16,880 --> 00:12:20,000 Speaker 1: she's like cooking something or fixing something. I don't know 232 00:12:20,040 --> 00:12:22,000 Speaker 1: what she was doing, but it was a little weird 233 00:12:22,160 --> 00:12:25,480 Speaker 1: and just like, oh, hey, you know, this is Mikayla. 234 00:12:25,559 --> 00:12:28,200 Speaker 1: Hey how are you doing? Okay? And so I'm guessing 235 00:12:28,240 --> 00:12:30,480 Speaker 1: you were assuming this is as a roommate or something 236 00:12:30,800 --> 00:12:33,960 Speaker 1: or like a friend. So I'm like, who is that? 237 00:12:34,120 --> 00:12:37,040 Speaker 1: Like why is there a chick in your kitchen? You know? 238 00:12:37,400 --> 00:12:42,640 Speaker 1: Oh that's my ex wife? Oh wait, I'm like, why 239 00:12:42,440 --> 00:12:46,200 Speaker 1: what do you want? I ran into my ex wife? 240 00:12:46,400 --> 00:12:49,360 Speaker 1: Happened in the kitchen, so like once she left the room, 241 00:12:49,520 --> 00:12:52,240 Speaker 1: I was like, who is she? Like why what is 242 00:12:52,280 --> 00:12:56,120 Speaker 1: this weird three company dynamic going on? Like what is this? 243 00:12:57,040 --> 00:13:00,360 Speaker 1: So being it's being very just like nonchalant about it, 244 00:13:00,400 --> 00:13:03,720 Speaker 1: like it's no big deal. You know, she's a next wife. 245 00:13:03,720 --> 00:13:06,000 Speaker 1: We've been in a divorce for like five months now, 246 00:13:06,280 --> 00:13:09,080 Speaker 1: the mail order bride and uh, it didn't work out? 247 00:13:09,760 --> 00:13:17,040 Speaker 1: Oh my god? Second, are those the words he used? Yes, verbatim. 248 00:13:17,120 --> 00:13:21,280 Speaker 1: Here's a mail order bride. So she's someone who married 249 00:13:21,360 --> 00:13:23,760 Speaker 1: him to get a green card or a visa to 250 00:13:23,800 --> 00:13:26,640 Speaker 1: come to the States. I don't know the situation with that. 251 00:13:26,920 --> 00:13:33,119 Speaker 1: Oh okay, can I fast something? Can I clear something up? Well, hey, MICHAELA, 252 00:13:33,440 --> 00:13:35,920 Speaker 1: we didn't wait to call him in, but he messed 253 00:13:35,920 --> 00:13:38,120 Speaker 1: it up. We need to tell you that. Sessmin on 254 00:13:38,160 --> 00:13:39,840 Speaker 1: the other line listening and he heard everything that. Just 255 00:13:39,920 --> 00:13:44,120 Speaker 1: are you serious, Michaela. They're supposed to wait, MICHAELA. I 256 00:13:44,160 --> 00:13:46,760 Speaker 1: thought I'd explained to you. Okay, when when when she 257 00:13:46,840 --> 00:13:49,200 Speaker 1: came over to this country, and yeah, she was a 258 00:13:49,240 --> 00:13:52,400 Speaker 1: mail or heer bride. It just didn't work out. Can 259 00:13:52,440 --> 00:13:54,400 Speaker 1: you even use that phrase? Like? I don't get it? 260 00:13:54,440 --> 00:13:56,800 Speaker 1: Like you got paid to marry her? She paid you? 261 00:13:56,880 --> 00:13:59,800 Speaker 1: Where did this? What happened? It's an arrangement. She wanted 262 00:13:59,800 --> 00:14:02,840 Speaker 1: to I'm here and we communicated an email, it back 263 00:14:02,880 --> 00:14:05,360 Speaker 1: and forth, and we thought we would give it a try, 264 00:14:05,440 --> 00:14:07,640 Speaker 1: and you know, it just didn't work out romantically. We 265 00:14:07,720 --> 00:14:10,719 Speaker 1: realized we weren't a match that way. So if you're 266 00:14:10,760 --> 00:14:13,040 Speaker 1: the force, doesn't she have to go back. We're trying 267 00:14:13,040 --> 00:14:15,360 Speaker 1: to figure it out. I feel bad because I brought 268 00:14:15,400 --> 00:14:17,240 Speaker 1: her over here. So what I've been doing is I've 269 00:14:17,240 --> 00:14:21,560 Speaker 1: actually communicated with the company that arranged us, and we're 270 00:14:21,560 --> 00:14:24,680 Speaker 1: trying to find her a different mail order husband somewhere 271 00:14:25,200 --> 00:14:30,840 Speaker 1: in the areas, like a rescue dog. Okay, you don't 272 00:14:30,880 --> 00:14:34,000 Speaker 1: just like pair her with a new house like those 273 00:14:34,080 --> 00:14:37,080 Speaker 1: ads like singles in your area. And I'm pretty sure 274 00:14:37,080 --> 00:14:41,520 Speaker 1: this is highly illegal. I didn't know you guys were 275 00:14:41,520 --> 00:14:44,360 Speaker 1: gonna call him. I thought we were just talking about 276 00:14:44,360 --> 00:14:49,400 Speaker 1: what happened. Yeah, I love your crabs. You're a nice guy. 277 00:14:49,600 --> 00:14:52,720 Speaker 1: But you know, look, is there anything that I could do? 278 00:14:52,880 --> 00:14:55,120 Speaker 1: I would really like to see you again. I thought 279 00:14:55,280 --> 00:14:58,280 Speaker 1: that we really connected. Next time we get together, I 280 00:14:58,320 --> 00:15:00,600 Speaker 1: can actually make sure that she's not there. I'll give 281 00:15:00,600 --> 00:15:05,280 Speaker 1: her a text ahead of time. That's convenient. Thank you. Listen, 282 00:15:05,280 --> 00:15:10,880 Speaker 1: Maybe you should have focused on rehoming your moller bride. 283 00:15:13,200 --> 00:15:16,320 Speaker 1: I think there are different possibilities in different ways that 284 00:15:16,440 --> 00:15:19,360 Speaker 1: relationships pan out, you know, And and I just I 285 00:15:19,960 --> 00:15:22,560 Speaker 1: thought that you and I really connected, And I'm so 286 00:15:22,600 --> 00:15:25,160 Speaker 1: glad you appreciate my art and I really want to 287 00:15:25,160 --> 00:15:27,520 Speaker 1: share things with you, and it would be really nice 288 00:15:27,520 --> 00:15:31,040 Speaker 1: if we could see each other again, you know, but 289 00:15:31,080 --> 00:15:33,760 Speaker 1: he still lives with his ex wife. We realized we're 290 00:15:33,800 --> 00:15:37,520 Speaker 1: just not compatible that way. You know, we will sleep together, 291 00:15:37,600 --> 00:15:41,040 Speaker 1: but there's no emotions there, said, why are you dropping that? 292 00:15:41,240 --> 00:15:43,440 Speaker 1: I was like on board with you? Why are you 293 00:15:43,480 --> 00:15:47,520 Speaker 1: doing that? It's emotionless because I want you. I just 294 00:15:47,560 --> 00:15:50,640 Speaker 1: want to understand that. She's really no big deal. Yeah, 295 00:15:50,680 --> 00:15:52,600 Speaker 1: how would she feel if she heard you say that? 296 00:15:52,680 --> 00:15:56,880 Speaker 1: She doesn't speak English, she couldn't understand you. Guys, I 297 00:15:56,920 --> 00:15:59,040 Speaker 1: don't know what to tell you. MICHAELA, So I was, 298 00:15:59,360 --> 00:16:01,560 Speaker 1: I was all lost on board? What do you think 299 00:16:01,760 --> 00:16:04,400 Speaker 1: we'll offer to send you in seth out on another date. 300 00:16:04,480 --> 00:16:07,800 Speaker 1: We'll pay for it. Yeah, it's gonna be a no. 301 00:16:08,200 --> 00:16:12,840 Speaker 1: I mean yeah, it's gonna be a no. Yeah, there's 302 00:16:12,920 --> 00:16:16,800 Speaker 1: yea in there. Yeah. Let not close the book on 303 00:16:16,840 --> 00:16:18,960 Speaker 1: this chapter and come on, let's I know we can 304 00:16:19,000 --> 00:16:23,200 Speaker 1: have some connection. Listen, how about next time you're having 305 00:16:23,240 --> 00:16:26,480 Speaker 1: a show, you can text me. I'll pop in and 306 00:16:26,880 --> 00:16:36,040 Speaker 1: check out your crabs. All right, okay, okay? Yeah? Is 307 00:16:36,080 --> 00:16:40,160 Speaker 1: that successful? If that's all I can get I'll gladly 308 00:16:40,200 --> 00:16:43,000 Speaker 1: see you again at my next art show. Okay good, 309 00:16:43,280 --> 00:16:45,680 Speaker 1: and I hope, I hope you love your crab bowling. 310 00:16:46,120 --> 00:16:49,200 Speaker 1: I've never been happier about a man giving me crabs before. 311 00:16:49,560 --> 00:16:54,240 Speaker 1: It's it's crabtivating if anything. Nine two point five