1 00:00:03,320 --> 00:00:06,000 Speaker 1: That's where you're putting angela Ye, we love to see 2 00:00:06,040 --> 00:00:08,600 Speaker 1: you here, cast the vand is here Hey, yes. 3 00:00:08,400 --> 00:00:10,720 Speaker 2: Yes, yes, good to be here, Good to be here, blessings. 4 00:00:10,840 --> 00:00:12,800 Speaker 1: I already was talking to you about how you sold 5 00:00:12,840 --> 00:00:15,600 Speaker 1: out Center Park Summer stage in four days. But I 6 00:00:15,640 --> 00:00:17,200 Speaker 1: was like, you're here because I'm trying to go. 7 00:00:18,640 --> 00:00:20,959 Speaker 3: Easy easy, yeah no, and I was amazing. I'm not 8 00:00:21,000 --> 00:00:23,800 Speaker 3: gonna lie, big love to all the people who coming out. 9 00:00:24,079 --> 00:00:26,640 Speaker 2: Are looking forward. That's history, you know, in a lot 10 00:00:26,640 --> 00:00:28,120 Speaker 2: of ways. So I'm looking forward. 11 00:00:28,480 --> 00:00:31,000 Speaker 4: You've been creating a lot of history in a lot 12 00:00:31,040 --> 00:00:33,000 Speaker 4: of ways. How does that feel? 13 00:00:33,120 --> 00:00:35,199 Speaker 1: I mean, you have I was reading that you have 14 00:00:35,240 --> 00:00:37,400 Speaker 1: the most stream Soka song of the last. 15 00:00:37,080 --> 00:00:40,479 Speaker 4: Decade, wow with Hello Wow. Well you didn't know that, no 16 00:00:40,600 --> 00:00:42,800 Speaker 4: what I knew, and just it sounds good. 17 00:00:42,880 --> 00:00:46,280 Speaker 3: It sounds good, you know what it's. It's it's a 18 00:00:46,320 --> 00:00:49,000 Speaker 3: really exciting time I think for the genre. I feel 19 00:00:49,000 --> 00:00:51,680 Speaker 3: like people are having access to the. 20 00:00:51,680 --> 00:00:53,000 Speaker 2: Music from our only world. 21 00:00:53,120 --> 00:00:57,280 Speaker 3: So you're gonna whole different listenership. Everybody is, you know, 22 00:00:57,440 --> 00:00:59,800 Speaker 3: into Soka and the front window and I feel like, 23 00:01:00,160 --> 00:01:03,200 Speaker 3: you know, we're at that time, you know where you 24 00:01:03,240 --> 00:01:06,640 Speaker 3: can do different things, like you know, we play in 25 00:01:06,680 --> 00:01:09,200 Speaker 3: Central Park, like they really hear it in Central Park 26 00:01:09,319 --> 00:01:11,920 Speaker 3: is going to be amazing, you know, looking forward, What are. 27 00:01:11,800 --> 00:01:14,480 Speaker 1: The different types of SOCA for people who are listening, 28 00:01:14,520 --> 00:01:16,200 Speaker 1: because just you know. 29 00:01:16,200 --> 00:01:16,920 Speaker 2: They's just different. 30 00:01:17,040 --> 00:01:19,840 Speaker 3: I guess speeds and feels, but they're two main the 31 00:01:19,920 --> 00:01:21,120 Speaker 3: power and the groovy. 32 00:01:21,560 --> 00:01:23,000 Speaker 2: Power is more, you know, the high. 33 00:01:22,920 --> 00:01:26,760 Speaker 3: Energy what everybody knows. The groovy is more of you know, 34 00:01:27,120 --> 00:01:30,559 Speaker 3: the slower bpms. You know that I kind of tend 35 00:01:30,560 --> 00:01:33,080 Speaker 3: to do a lot more the slower BPM stars because 36 00:01:33,120 --> 00:01:36,440 Speaker 3: I feel like it's easy to connect to other genres 37 00:01:36,480 --> 00:01:40,120 Speaker 3: like the afro beat and reggaeton, and each of us 38 00:01:40,160 --> 00:01:42,520 Speaker 3: are all in a similar family. 39 00:01:42,720 --> 00:01:45,000 Speaker 2: You know, everybody stick at us one in some form. 40 00:01:45,120 --> 00:01:45,360 Speaker 2: You know. 41 00:01:45,480 --> 00:01:48,720 Speaker 1: That's definitely one of one of the things that you 42 00:01:48,800 --> 00:01:51,720 Speaker 1: always start to do is bring together all the different 43 00:01:51,760 --> 00:01:55,360 Speaker 1: types of music in the Caribbean, also the afrobeats. So 44 00:01:55,440 --> 00:01:59,280 Speaker 1: let's talk about the new album Yes Man with No Door, Yes, 45 00:02:00,560 --> 00:02:02,280 Speaker 1: and we've we've had a chance to hear some of 46 00:02:02,320 --> 00:02:03,920 Speaker 1: the songs before the album came out. 47 00:02:03,960 --> 00:02:06,520 Speaker 4: Of course, Licky Ticky featuring Jay Perry. 48 00:02:06,560 --> 00:02:09,079 Speaker 1: You see that video, yes, you know as well, So 49 00:02:09,800 --> 00:02:12,079 Speaker 1: talk to me about some of these other collapse because 50 00:02:12,120 --> 00:02:15,360 Speaker 1: they gave me a little preview, and so we do 51 00:02:15,480 --> 00:02:19,799 Speaker 1: hear some afrobeat, afrobeats, maybe a little compa. 52 00:02:19,960 --> 00:02:23,720 Speaker 3: The song small Compa definitely, the Hitian family is bigging 53 00:02:23,760 --> 00:02:27,560 Speaker 3: at Michael brun and Jay Perry is there as representing 54 00:02:27,680 --> 00:02:30,040 Speaker 3: Haiti and yeah. 55 00:02:29,880 --> 00:02:30,600 Speaker 4: For some dance. 56 00:02:31,120 --> 00:02:34,200 Speaker 2: Dan must have done. 57 00:02:33,240 --> 00:02:36,639 Speaker 1: The song with Busy signal Honeycomb, Honey co. That's a 58 00:02:36,639 --> 00:02:37,560 Speaker 1: fun song. 59 00:02:37,560 --> 00:02:39,680 Speaker 2: Vibe, you know, and you know that's it, I mean 60 00:02:39,720 --> 00:02:40,200 Speaker 2: for us. 61 00:02:40,880 --> 00:02:45,200 Speaker 1: Mega from turning out, you know, Mega hometown. 62 00:02:44,880 --> 00:02:47,440 Speaker 3: Definitely, you know, and she's she's just a world force, 63 00:02:47,480 --> 00:02:49,160 Speaker 3: you know, as an honor to do that track with her, 64 00:02:49,440 --> 00:02:52,200 Speaker 3: you know, it's it's as as the title says, man. 65 00:02:52,280 --> 00:02:54,920 Speaker 2: No Door is really a creative free space. 66 00:02:55,000 --> 00:02:57,720 Speaker 3: You know, I really wanted to create just a little 67 00:02:57,760 --> 00:02:59,880 Speaker 3: bit on Soka and more, you know, just a little 68 00:02:59,880 --> 00:03:02,840 Speaker 3: bit only did the Soca realm and just play with 69 00:03:02,880 --> 00:03:04,640 Speaker 3: the vibes that I grew up to, you know, the 70 00:03:04,720 --> 00:03:05,640 Speaker 3: stuff that I loved. 71 00:03:05,680 --> 00:03:07,400 Speaker 2: I'd loved, you know, Dancel in. 72 00:03:07,280 --> 00:03:11,640 Speaker 3: The nineties and you know reggae and I love afrobeat, 73 00:03:11,720 --> 00:03:14,480 Speaker 3: I love reggaeton, pop and rock. 74 00:03:14,320 --> 00:03:15,600 Speaker 2: And R and B and all of that. 75 00:03:15,680 --> 00:03:18,560 Speaker 3: And I think I think all of it is felt 76 00:03:18,680 --> 00:03:19,760 Speaker 3: in this entire body of. 77 00:03:19,800 --> 00:03:21,440 Speaker 4: Working and Shaggy's on the album. 78 00:03:21,520 --> 00:03:22,480 Speaker 2: Shaggy is on it. 79 00:03:22,560 --> 00:03:26,440 Speaker 3: Yes, definitely Busy signal, big up Quo Mega. It's it's 80 00:03:26,480 --> 00:03:29,160 Speaker 3: a lovely family, a lovely sound family. 81 00:03:29,240 --> 00:03:30,639 Speaker 2: And I think the. 82 00:03:30,600 --> 00:03:33,480 Speaker 3: Album is a great introduction to, you know, just what 83 00:03:33,560 --> 00:03:35,560 Speaker 3: I'm going to be exploring in the future as well. 84 00:03:36,280 --> 00:03:38,320 Speaker 1: And I always hear people talking about Socca to the 85 00:03:38,320 --> 00:03:41,440 Speaker 1: world and you did Essence Festival, by the way, We 86 00:03:41,480 --> 00:03:43,000 Speaker 1: got to talk about that a little bit. 87 00:03:43,160 --> 00:03:46,520 Speaker 4: Just you being there in that space I think was amazing. 88 00:03:46,640 --> 00:03:48,839 Speaker 2: Yes, that was really a blessed time. 89 00:03:48,880 --> 00:03:50,880 Speaker 3: You know, big up to Essence for really bringing us 90 00:03:50,920 --> 00:03:52,920 Speaker 3: and representing it wasn't just myself, it was me and 91 00:03:52,960 --> 00:03:56,440 Speaker 3: Marshall as well too, so like having two Soca Yeah 92 00:03:56,520 --> 00:03:58,400 Speaker 3: on the same night. I think that was just amazing, 93 00:03:58,840 --> 00:04:00,400 Speaker 3: you know, to do that because there's a lot of 94 00:04:00,400 --> 00:04:04,120 Speaker 3: people again discovering the genre, discovering new music. So for me, 95 00:04:04,200 --> 00:04:08,280 Speaker 3: the interesting times is to really hit those new territories 96 00:04:08,280 --> 00:04:10,040 Speaker 3: and those places where people are seeing you for the 97 00:04:10,080 --> 00:04:12,600 Speaker 3: first time. You have to you know, teach them from scratch. 98 00:04:12,640 --> 00:04:14,520 Speaker 2: You know. I love that. Does it work? 99 00:04:14,600 --> 00:04:17,720 Speaker 3: You know, and I feel like now is the time whatever, 100 00:04:18,080 --> 00:04:20,200 Speaker 3: you know, people need good vibes and I feel like 101 00:04:20,320 --> 00:04:21,719 Speaker 3: this is this is the music for it. 102 00:04:22,080 --> 00:04:26,039 Speaker 1: And of course Triniday Carnival passed, so talk to me 103 00:04:26,080 --> 00:04:28,360 Speaker 1: about that because it was for a couple of years 104 00:04:28,400 --> 00:04:30,960 Speaker 1: it wasn't really happening or it was smaller. 105 00:04:30,960 --> 00:04:32,920 Speaker 4: I don't know what was going on. I think we're 106 00:04:33,040 --> 00:04:33,840 Speaker 4: allowing people. 107 00:04:33,640 --> 00:04:37,240 Speaker 3: To come, yeah, because yeah, the pandemic definitely shut down 108 00:04:37,279 --> 00:04:39,000 Speaker 3: for like I think two years, I'm not sure. 109 00:04:39,640 --> 00:04:41,680 Speaker 2: And then now it's back. 110 00:04:41,760 --> 00:04:43,599 Speaker 3: It's back and running, you know what I mean, everything 111 00:04:43,720 --> 00:04:46,400 Speaker 3: is everything is back and running. You know, every year 112 00:04:46,480 --> 00:04:50,200 Speaker 3: is differentt but kind of all like everything else is evolving, 113 00:04:50,320 --> 00:04:52,800 Speaker 3: you know, everybody is, you know, their new bands, the 114 00:04:52,880 --> 00:04:55,360 Speaker 3: new parties, the new things popping up, the new artists 115 00:04:55,400 --> 00:04:58,880 Speaker 3: popping up. You know, so it's evolving as it usually does, 116 00:04:59,400 --> 00:05:00,360 Speaker 3: and it's back on track. 117 00:05:00,440 --> 00:05:02,560 Speaker 2: This year was was, you know, amazing. We had a 118 00:05:02,600 --> 00:05:05,600 Speaker 2: lot of people coming in and we had a huge show. 119 00:05:05,640 --> 00:05:08,040 Speaker 3: We do a show called is we a Festival where 120 00:05:08,120 --> 00:05:10,599 Speaker 3: you know, we feature not just ourselves, but we feature 121 00:05:11,160 --> 00:05:15,200 Speaker 3: the landscape of talent across Trinidad, both Socca and not Socca. 122 00:05:15,320 --> 00:05:17,040 Speaker 3: In all of it, so it was it was great. 123 00:05:17,080 --> 00:05:19,159 Speaker 3: I think next year is going to be you know 124 00:05:19,200 --> 00:05:20,919 Speaker 3: as well. Back on track, same vibes. 125 00:05:21,080 --> 00:05:22,920 Speaker 4: Yeah, I saw a lot of women out there having 126 00:05:22,920 --> 00:05:24,159 Speaker 4: their girls trips and everything. 127 00:05:24,400 --> 00:05:27,360 Speaker 3: So you actually, I'm gonna be at the same time 128 00:05:27,360 --> 00:05:27,880 Speaker 3: as Carnival. 129 00:05:27,920 --> 00:05:30,159 Speaker 1: I know you're going to be there, right, that's nice, 130 00:05:30,200 --> 00:05:33,880 Speaker 1: But since on us it's not. I I wasn't prepared 131 00:05:33,920 --> 00:05:34,320 Speaker 1: this year. 132 00:05:34,640 --> 00:05:36,040 Speaker 2: I heard that in the year. 133 00:05:36,080 --> 00:05:37,640 Speaker 4: I gotta be. I gotta start getting ready for that. 134 00:05:37,760 --> 00:05:42,200 Speaker 2: Now you got you gotta set your mindset. You should 135 00:05:42,240 --> 00:05:43,839 Speaker 2: come for real. It's nice vibes. 136 00:05:44,560 --> 00:05:47,240 Speaker 1: That's the Carnival that everybody says you need to be at. 137 00:05:47,440 --> 00:05:49,360 Speaker 1: Like when it comes to little I feel like when 138 00:05:49,400 --> 00:05:50,640 Speaker 1: you think of Carnival, you think. 139 00:05:50,520 --> 00:05:52,599 Speaker 2: Trinidad definitely definitely is. 140 00:05:52,680 --> 00:05:55,160 Speaker 3: I mean after the Brazil to they they do their 141 00:05:55,240 --> 00:05:57,800 Speaker 3: own form of Carnival, but I think I think all 142 00:05:57,880 --> 00:06:00,039 Speaker 3: form of Carnival is a blueprint, you know for the 143 00:06:00,040 --> 00:06:02,600 Speaker 3: world accountaval bees Man, big up my country. 144 00:06:02,720 --> 00:06:03,960 Speaker 4: Yeah, I'm not mad at it. 145 00:06:04,040 --> 00:06:06,400 Speaker 1: I and I know that like you have to because 146 00:06:06,400 --> 00:06:09,120 Speaker 1: a lot of my friends are attorney and so we 147 00:06:09,320 --> 00:06:11,520 Speaker 1: all are planning to go together. But shout out to 148 00:06:11,520 --> 00:06:14,080 Speaker 1: my Grandma Lissa. She just had a baby, so she's 149 00:06:14,160 --> 00:06:16,479 Speaker 1: like next year. Though we're outside, I feel like I 150 00:06:16,520 --> 00:06:19,040 Speaker 1: need to go with some people that agree are from 151 00:06:19,080 --> 00:06:20,880 Speaker 1: Trinidad so that I could make sure I get the 152 00:06:20,920 --> 00:06:23,280 Speaker 1: experience the way that I need to sure. But well, 153 00:06:23,400 --> 00:06:26,320 Speaker 1: I started off with Saint Thomas. I'm gonna come and 154 00:06:26,600 --> 00:06:28,600 Speaker 1: come out to that to you and let's talk about 155 00:06:28,600 --> 00:06:30,839 Speaker 1: the Wee festival that you started, So talk to me 156 00:06:30,880 --> 00:06:33,960 Speaker 1: about how that even started and where the progression is going. 157 00:06:34,680 --> 00:06:37,160 Speaker 3: Well for me, I just wanted to I grew up 158 00:06:37,240 --> 00:06:40,440 Speaker 3: in Trinidad doing all types of music, and before Soca, 159 00:06:40,480 --> 00:06:43,240 Speaker 3: I was doing a bit of rock and different different genres. 160 00:06:42,839 --> 00:06:45,480 Speaker 2: And there as a lot of little pockets of scenes. 161 00:06:45,520 --> 00:06:47,640 Speaker 3: You know, a lot of artists who probably don't get 162 00:06:47,640 --> 00:06:50,520 Speaker 3: the platforms to if you're not doing so called down soul, 163 00:06:50,520 --> 00:06:52,279 Speaker 3: and you're already gonna get a lot of platforms, you know, 164 00:06:53,040 --> 00:06:56,520 Speaker 3: and they do great music, you know, And I felt 165 00:06:56,600 --> 00:06:59,560 Speaker 3: like during Carnival all a lot of the energy is 166 00:06:59,560 --> 00:07:01,640 Speaker 3: on the music, a lot of the eyes from the 167 00:07:01,680 --> 00:07:03,760 Speaker 3: world come in. I said, I want to create this, 168 00:07:04,080 --> 00:07:07,640 Speaker 3: create a space where we could have showcase all of it. 169 00:07:07,720 --> 00:07:09,359 Speaker 3: You know, you can come and get the things that 170 00:07:09,400 --> 00:07:11,680 Speaker 3: you love, but you learn some new things, you know. 171 00:07:12,320 --> 00:07:15,680 Speaker 2: So with the festival, it's it's everything. It's like it's 172 00:07:15,720 --> 00:07:16,720 Speaker 2: from food. 173 00:07:16,520 --> 00:07:21,120 Speaker 3: And who we are in that aspect, and of course performances, 174 00:07:21,200 --> 00:07:24,080 Speaker 3: you know, the veterans, the new ones coming up, you know, 175 00:07:24,760 --> 00:07:26,880 Speaker 3: and we really wanted to create that space and it's 176 00:07:26,880 --> 00:07:29,560 Speaker 3: been growing in such a in such a great organic way. 177 00:07:29,680 --> 00:07:32,600 Speaker 2: Yeah, and this year was was was flawless. It was 178 00:07:32,640 --> 00:07:33,240 Speaker 2: a great time. 179 00:07:33,760 --> 00:07:37,000 Speaker 4: We like to hear that flawless, flawless, you know the 180 00:07:37,080 --> 00:07:37,560 Speaker 4: other thing. 181 00:07:38,640 --> 00:07:40,800 Speaker 1: And I just want to commend you for this. Your 182 00:07:40,880 --> 00:07:44,000 Speaker 1: live sessions. I saw one just drop right before. 183 00:07:45,080 --> 00:07:46,360 Speaker 2: Yeah. 184 00:07:46,160 --> 00:07:49,960 Speaker 1: Yeah, we just put out another live session that yeah. Now, 185 00:07:49,960 --> 00:07:52,520 Speaker 1: but that's really dope. I think people need to see that, 186 00:07:52,960 --> 00:07:55,840 Speaker 1: to see the live performances, because that is what I think. 187 00:07:56,560 --> 00:07:56,760 Speaker 2: You know. 188 00:07:56,800 --> 00:07:59,360 Speaker 1: I saw you perform at the NBA at halftime show too. 189 00:07:59,680 --> 00:08:02,080 Speaker 1: Like so many things that I feel like I haven't 190 00:08:02,520 --> 00:08:03,360 Speaker 1: been done before. 191 00:08:03,920 --> 00:08:05,680 Speaker 3: This is it and I think I think this is 192 00:08:05,720 --> 00:08:07,440 Speaker 3: the time. And I was just speaking about living a 193 00:08:07,480 --> 00:08:09,960 Speaker 3: big up to the entire band, you know, my entire family. 194 00:08:10,400 --> 00:08:13,960 Speaker 3: You know, we're a family, yeah, literally your family. 195 00:08:14,400 --> 00:08:15,400 Speaker 2: So we did start. 196 00:08:15,200 --> 00:08:17,960 Speaker 3: Off in that live instrumental instrumentation, and I think that's 197 00:08:18,000 --> 00:08:20,880 Speaker 3: a big part of experiencing all music, you know, just 198 00:08:20,920 --> 00:08:24,160 Speaker 3: really catching that live show. And so I enjoyed that. 199 00:08:24,360 --> 00:08:26,640 Speaker 3: I enjoy moving with my family. You know, it's it 200 00:08:27,600 --> 00:08:28,280 Speaker 3: is a great thing. 201 00:08:28,480 --> 00:08:28,720 Speaker 2: You know. 202 00:08:29,000 --> 00:08:30,960 Speaker 1: So even during the pandemic, and I know we talked 203 00:08:30,960 --> 00:08:33,560 Speaker 1: about this, but for you guys to just like perform live, 204 00:08:33,600 --> 00:08:34,840 Speaker 1: it made people feel so good. 205 00:08:35,120 --> 00:08:37,640 Speaker 3: Yeah, you know that was that was my own also 206 00:08:37,679 --> 00:08:39,880 Speaker 3: my own mental you know, in a sense, you know, 207 00:08:40,000 --> 00:08:42,000 Speaker 3: doing something together again, and it. 208 00:08:41,880 --> 00:08:43,760 Speaker 2: Was it was it was a powerful time for us. 209 00:08:43,760 --> 00:08:45,160 Speaker 2: So I real happy that people. 210 00:08:45,160 --> 00:08:47,320 Speaker 3: Still listen to it while they're cleaning their house and 211 00:08:47,679 --> 00:08:49,480 Speaker 3: you know, who Vie, it is amazing. 212 00:08:49,760 --> 00:08:50,000 Speaker 2: Yeah. 213 00:08:50,160 --> 00:08:52,679 Speaker 1: Do you feel like was there a time when Cass 214 00:08:52,679 --> 00:08:56,800 Speaker 1: and the band wasn't going to maybe keep on doing 215 00:08:56,960 --> 00:09:00,520 Speaker 1: projects and create anymore? And then you decided because I 216 00:09:00,559 --> 00:09:02,640 Speaker 1: know there was like breaks of time in between of 217 00:09:02,679 --> 00:09:03,800 Speaker 1: putting the music. 218 00:09:03,880 --> 00:09:06,080 Speaker 3: Twists and turns, you know, I guess, but we were 219 00:09:06,120 --> 00:09:09,040 Speaker 3: always making, We're always creating. I feel like where we 220 00:09:09,080 --> 00:09:12,640 Speaker 3: wanted to reside was probably the question. You know, sometimes 221 00:09:12,640 --> 00:09:15,000 Speaker 3: we'd be doing a lot of international stuff, and sometimes 222 00:09:15,040 --> 00:09:18,400 Speaker 3: we're doing a lot of you know Trinny, Yeah, Caribbean stuff. 223 00:09:18,600 --> 00:09:20,440 Speaker 3: But I think now we've kind of like put it 224 00:09:20,480 --> 00:09:22,200 Speaker 3: all in one house and in one place, you know. 225 00:09:22,840 --> 00:09:27,319 Speaker 3: So for me, we've never stopped, I guess creating and evolving, 226 00:09:27,720 --> 00:09:27,920 Speaker 3: you know. 227 00:09:28,000 --> 00:09:30,280 Speaker 4: But it was a matter of like putting out projects. 228 00:09:30,559 --> 00:09:30,800 Speaker 2: That's it. 229 00:09:30,880 --> 00:09:33,600 Speaker 3: Yeah, that's the things that make sense, you know what 230 00:09:33,600 --> 00:09:35,280 Speaker 3: I mean. I'm not just putting out something just to 231 00:09:35,320 --> 00:09:37,120 Speaker 3: be out there. If I'm all there, I'm doing it 232 00:09:37,160 --> 00:09:38,920 Speaker 3: because you know, I believe in what we're doing and 233 00:09:39,360 --> 00:09:40,600 Speaker 3: that they're going to make a difference. 234 00:09:40,640 --> 00:09:42,120 Speaker 2: You know. That has its own lane. 235 00:09:42,800 --> 00:09:44,960 Speaker 1: Yeah, and even just like I said, all the collapse 236 00:09:44,960 --> 00:09:47,040 Speaker 1: that you've done out here, it's a great vibe to 237 00:09:47,120 --> 00:09:49,320 Speaker 1: listen to. There's a little bit of a rock feel 238 00:09:49,400 --> 00:09:50,800 Speaker 1: to some of it too, like you said, because you 239 00:09:50,840 --> 00:09:53,679 Speaker 1: were influenced Yes, definitely early on by that as well. 240 00:09:53,760 --> 00:09:55,520 Speaker 3: Yeah, I'm not gonna I'm not gonna shot away from 241 00:09:55,559 --> 00:09:57,320 Speaker 3: any of the influences, you know what I mean. I 242 00:09:57,320 --> 00:09:59,640 Speaker 3: feel like now we're in a real special time where 243 00:09:59,760 --> 00:10:02,280 Speaker 3: you know, genres mixing and people listening to everything. 244 00:10:02,720 --> 00:10:04,240 Speaker 2: People just want good music, you know. 245 00:10:04,360 --> 00:10:06,520 Speaker 3: So if I can make a good song and maybe 246 00:10:06,720 --> 00:10:09,240 Speaker 3: the chorus songs a little rocky, or you know there's 247 00:10:09,240 --> 00:10:12,920 Speaker 3: some afro beat herend and a Calypso vibes a right 248 00:10:13,000 --> 00:10:13,960 Speaker 3: mix and it's sweet. 249 00:10:14,080 --> 00:10:17,400 Speaker 1: Well do you think that people also sometimes they may 250 00:10:17,440 --> 00:10:20,800 Speaker 1: have expectations, like they think has, they think soca, But 251 00:10:20,880 --> 00:10:23,480 Speaker 1: there's experimentation, like you said, with all different types of 252 00:10:23,520 --> 00:10:25,280 Speaker 1: genres of physic that's on here. 253 00:10:25,559 --> 00:10:26,560 Speaker 4: So do you think about that too. 254 00:10:26,559 --> 00:10:28,360 Speaker 1: People who are like, Okay, I listen to ks all 255 00:10:28,400 --> 00:10:31,040 Speaker 1: the time, they might have an expectation of what's going 256 00:10:31,120 --> 00:10:32,760 Speaker 1: to be on a man with no door. 257 00:10:33,040 --> 00:10:36,120 Speaker 3: I think I think people over the years, especially our 258 00:10:36,240 --> 00:10:39,640 Speaker 3: contribution in the Soca vein, we've always kind of been different. 259 00:10:39,720 --> 00:10:42,640 Speaker 3: We've always been like it's hard to understand where it's 260 00:10:42,640 --> 00:10:44,320 Speaker 3: going to come from because I guess I just am 261 00:10:44,400 --> 00:10:48,960 Speaker 3: influenced when I am uninspired. So for me, I think people, 262 00:10:49,000 --> 00:10:51,920 Speaker 3: if you really know who I was and you followed me, 263 00:10:52,120 --> 00:10:54,560 Speaker 3: you would know that, you know, expect the unexpected, you know, 264 00:10:54,720 --> 00:10:58,120 Speaker 3: expect things that wow, I didn't you know I love 265 00:10:58,200 --> 00:11:00,199 Speaker 3: that sound or that's something different run. 266 00:11:00,280 --> 00:11:02,240 Speaker 2: So for me, yeah, I play on that. 267 00:11:02,360 --> 00:11:04,319 Speaker 3: I play on the fact that you may think that Okay, 268 00:11:04,360 --> 00:11:06,560 Speaker 3: cool casses a so coerman and he's going to do this. 269 00:11:07,200 --> 00:11:09,079 Speaker 3: But when you hear the other sides and the other 270 00:11:09,160 --> 00:11:10,880 Speaker 3: tracks and stuff, and it'll be like wow, okay, cool, 271 00:11:10,880 --> 00:11:14,559 Speaker 3: I can understand the painting, you know, the picture, you know. 272 00:11:14,520 --> 00:11:17,520 Speaker 1: The other Like last year, I was in Saint Martin 273 00:11:17,559 --> 00:11:19,840 Speaker 1: and I was in the club and they were playing. 274 00:11:20,800 --> 00:11:22,319 Speaker 4: They were they said, the main. 275 00:11:22,080 --> 00:11:24,240 Speaker 1: Thing that was really going up out there was all 276 00:11:24,240 --> 00:11:28,720 Speaker 1: this and like Triny dance Hall, bad bad. Yes, So 277 00:11:28,840 --> 00:11:30,800 Speaker 1: where do you see that going? Because it feels like 278 00:11:30,840 --> 00:11:32,600 Speaker 1: that had like a really nice. 279 00:11:33,880 --> 00:11:34,480 Speaker 2: Yeah. I think. 280 00:11:34,520 --> 00:11:37,640 Speaker 3: I think for me, I feel it's like again, artists 281 00:11:37,679 --> 00:11:40,280 Speaker 3: a reflection of life, you know. So I feel like 282 00:11:41,240 --> 00:11:44,120 Speaker 3: the youths, you know, they grew up to dance all 283 00:11:44,760 --> 00:11:48,200 Speaker 3: they of course grew up in Trinidad with all those influences. 284 00:11:47,559 --> 00:11:49,680 Speaker 2: And they see they see things in their life. You 285 00:11:49,720 --> 00:11:51,120 Speaker 2: know that they're right, and they. 286 00:11:51,000 --> 00:11:54,040 Speaker 3: Sing about and you know when I listen to the 287 00:11:54,120 --> 00:11:56,840 Speaker 3: flows and the melodies and the vibes, you know they're amazing. 288 00:11:57,120 --> 00:11:59,880 Speaker 3: I feel like something really has happened. I think the 289 00:12:00,040 --> 00:12:02,120 Speaker 3: evolution of it where you have to see and see 290 00:12:02,160 --> 00:12:04,520 Speaker 3: where it goes to. You know, everything starts off one 291 00:12:04,520 --> 00:12:07,240 Speaker 3: way and then grows into other things so I hope 292 00:12:07,240 --> 00:12:10,120 Speaker 3: it does grow and mature and get into something else, 293 00:12:10,200 --> 00:12:13,640 Speaker 3: you know, But for now, I feel like there is 294 00:12:13,679 --> 00:12:14,400 Speaker 3: its own market. 295 00:12:14,440 --> 00:12:16,160 Speaker 2: They didn't need air play, they didn't need it. 296 00:12:16,400 --> 00:12:17,520 Speaker 1: I was like. 297 00:12:19,040 --> 00:12:19,319 Speaker 2: Playing. 298 00:12:19,360 --> 00:12:21,800 Speaker 3: And also they definitely found a way to get their 299 00:12:22,240 --> 00:12:24,160 Speaker 3: the vibes out and do it in a real way. 300 00:12:24,679 --> 00:12:29,400 Speaker 3: So I hope it develops even further, but again, evolve 301 00:12:29,440 --> 00:12:30,560 Speaker 3: into something where they are. 302 00:12:31,280 --> 00:12:34,240 Speaker 2: You could take different routes, only one route, you know. 303 00:12:35,000 --> 00:12:37,079 Speaker 1: You know a lot of your music is about love 304 00:12:37,160 --> 00:12:39,160 Speaker 1: and unity and peace and all of that, Like it 305 00:12:39,200 --> 00:12:43,320 Speaker 1: feels good when you listen to it, and then but 306 00:12:43,440 --> 00:12:46,440 Speaker 1: again it gets like the little bit of edge of nasty, 307 00:12:46,480 --> 00:12:51,840 Speaker 1: not too much, just right, that's Calypso that's you know, 308 00:12:51,960 --> 00:12:56,440 Speaker 1: that's that's that's what calypse is, just right almost there, 309 00:12:56,480 --> 00:12:57,160 Speaker 1: you know what I mean. 310 00:12:57,280 --> 00:13:00,320 Speaker 3: But it depends on how you take it, where you 311 00:13:00,360 --> 00:13:02,920 Speaker 3: carry it, you know what I mean? So yeah, I 312 00:13:02,920 --> 00:13:05,559 Speaker 3: love that. That's actually a reflection I guess of who 313 00:13:05,600 --> 00:13:11,520 Speaker 3: I am in some form. But yeah, I love that. 314 00:13:10,320 --> 00:13:13,880 Speaker 1: And how much does your music affect your mood too? 315 00:13:13,880 --> 00:13:16,000 Speaker 1: Because I think that the art that you put out 316 00:13:16,000 --> 00:13:19,600 Speaker 1: there actually can help create like who you are, you know, 317 00:13:19,640 --> 00:13:21,600 Speaker 1: as a human being because people put out like different 318 00:13:21,640 --> 00:13:23,040 Speaker 1: types of stuff, you know. 319 00:13:23,080 --> 00:13:25,079 Speaker 3: And sure, I think I think you really have to 320 00:13:25,880 --> 00:13:28,360 Speaker 3: watch what you're putting out because what you say is 321 00:13:28,400 --> 00:13:30,559 Speaker 3: what will happen, you know, and if you're repeating it 322 00:13:30,640 --> 00:13:33,679 Speaker 3: over and over, it's definitely something that could come into motion. 323 00:13:33,840 --> 00:13:36,600 Speaker 2: And I believe that. So I've tried to put out 324 00:13:36,640 --> 00:13:37,280 Speaker 2: stuff that. 325 00:13:37,760 --> 00:13:40,040 Speaker 3: You know, I could like I could lie on in 326 00:13:40,040 --> 00:13:41,920 Speaker 3: that bed, you know what I mean, Like I could 327 00:13:42,000 --> 00:13:45,840 Speaker 3: deal with what that is. So yeah, that I listen 328 00:13:45,920 --> 00:13:48,199 Speaker 3: to my own stuff sometimes, you know, sometimes if I 329 00:13:48,320 --> 00:13:52,800 Speaker 3: feel in a certain way or you know, I'll just 330 00:13:52,880 --> 00:13:55,199 Speaker 3: kind of remember the creative process of you know, how 331 00:13:55,240 --> 00:13:55,640 Speaker 3: this song? 332 00:13:55,800 --> 00:13:57,440 Speaker 2: How did this song right? You know what I mean? 333 00:13:57,559 --> 00:13:59,400 Speaker 2: Like how did what happened? You know? 334 00:13:59,640 --> 00:14:00,280 Speaker 4: What is job? 335 00:14:00,360 --> 00:14:04,480 Speaker 2: Job? Job? Job is a Caribbean gonna beer? 336 00:14:04,720 --> 00:14:06,439 Speaker 1: You know, I know that, But what is it when 337 00:14:06,480 --> 00:14:11,800 Speaker 1: you see? Okay, I didn't say anything, and I was like, okay, 338 00:14:11,960 --> 00:14:14,959 Speaker 1: I know because I asked our board up. He was 339 00:14:15,000 --> 00:14:16,920 Speaker 1: in here earlier. He used to make in so he 340 00:14:17,000 --> 00:14:19,080 Speaker 1: was like, it's it's like a candy. And he showed 341 00:14:19,080 --> 00:14:21,080 Speaker 1: me the candy. So I'm like, all right, So it's 342 00:14:21,080 --> 00:14:21,440 Speaker 1: a job. 343 00:14:21,520 --> 00:14:22,880 Speaker 2: Job. What feels like a job job. 344 00:14:22,920 --> 00:14:25,840 Speaker 3: What's Nice's nice like a job jibven sweet, like a 345 00:14:25,960 --> 00:14:26,480 Speaker 3: job driven? 346 00:14:27,720 --> 00:14:30,440 Speaker 2: Like yeah, I didn't really need to say. 347 00:14:31,960 --> 00:14:35,240 Speaker 3: Like yeah, I know it. 348 00:14:35,520 --> 00:14:38,280 Speaker 2: Yeah, you know what does it? You know what? It's flititious? 349 00:14:38,320 --> 00:14:40,760 Speaker 2: And then job job was also a part of like growing. 350 00:14:40,560 --> 00:14:44,960 Speaker 1: Up the candy Now you need a different job job. 351 00:14:47,440 --> 00:14:51,320 Speaker 1: How has been traveling globally affected the music that you make? 352 00:14:51,360 --> 00:14:52,840 Speaker 1: Also because we see it, like I said, there's a 353 00:14:52,880 --> 00:14:54,960 Speaker 1: lot of great collapse. You didn't overdo it on the 354 00:14:54,960 --> 00:14:59,040 Speaker 1: collapse though, I think they're very like intentional and everything 355 00:14:59,160 --> 00:15:01,960 Speaker 1: was kind of like a differ different vibe. 356 00:15:02,080 --> 00:15:03,920 Speaker 4: Yes, yeah, a different lane for you. 357 00:15:04,320 --> 00:15:07,920 Speaker 1: But traveling internationally and touring other places, what are some 358 00:15:07,960 --> 00:15:09,040 Speaker 1: things that you've learned? 359 00:15:09,280 --> 00:15:12,920 Speaker 3: That's that's always the the the I guess say the 360 00:15:13,000 --> 00:15:16,480 Speaker 3: beauty of it, you know, really really having a a 361 00:15:16,560 --> 00:15:19,240 Speaker 3: no door and a sense of you walk right into 362 00:15:19,280 --> 00:15:21,840 Speaker 3: different cultures. You know, when I go to another country, 363 00:15:21,880 --> 00:15:24,720 Speaker 3: I try to experience the food, the vibe, and you know, 364 00:15:25,040 --> 00:15:28,320 Speaker 3: walk around and experiencing people before I perform, you know, 365 00:15:28,400 --> 00:15:32,320 Speaker 3: so I can have that energy. So that's that affects you, 366 00:15:32,480 --> 00:15:35,440 Speaker 3: that changes your life. Sometimes some of those experiences you know, 367 00:15:35,560 --> 00:15:39,840 Speaker 3: so definitely creatively, it always spills into it, you know, 368 00:15:39,960 --> 00:15:42,920 Speaker 3: like I always remember really exploring Jamaica, you know, for 369 00:15:42,960 --> 00:15:45,040 Speaker 3: the first time, of course, growing up to Bob Marley 370 00:15:45,120 --> 00:15:48,440 Speaker 3: and everybody and all my Dame Soul kings and queens, 371 00:15:48,480 --> 00:15:51,480 Speaker 3: but you know, get into Jamaica and understanding where it 372 00:15:51,560 --> 00:15:54,400 Speaker 3: came from, and going to the parties and going and. 373 00:15:54,320 --> 00:15:56,760 Speaker 2: You're seeing the the the whole set up. 374 00:15:57,160 --> 00:16:02,040 Speaker 3: My understanding of jamaicam that became differnt and was deeply 375 00:16:02,080 --> 00:16:05,640 Speaker 3: appreciated in an different way. So, you know, just like home, 376 00:16:05,800 --> 00:16:10,400 Speaker 3: discovering deeper roots of Calypso and going into the places 377 00:16:10,480 --> 00:16:12,600 Speaker 3: and the people and the spaces. 378 00:16:12,640 --> 00:16:16,560 Speaker 2: You you really and truly you just grew unevolved. You 379 00:16:16,600 --> 00:16:19,360 Speaker 2: have a deep appreciation of where you're creating from. You know. 380 00:16:19,480 --> 00:16:21,040 Speaker 3: So if I say IM gonna do a reggae, you know, 381 00:16:21,720 --> 00:16:23,680 Speaker 3: how are I feeling that I'm gonna feel it in 382 00:16:23,680 --> 00:16:24,080 Speaker 3: that way? 383 00:16:24,200 --> 00:16:25,600 Speaker 2: At least the way that they touched me. 384 00:16:25,600 --> 00:16:28,560 Speaker 4: You know, right, did you watch the bab Marley movie. 385 00:16:28,960 --> 00:16:30,800 Speaker 3: I saw some of it. I couldn't stay for the 386 00:16:30,800 --> 00:16:32,880 Speaker 3: whole movie, but I saw I saw enough of it 387 00:16:32,960 --> 00:16:33,880 Speaker 3: to g a the vibe of it. 388 00:16:33,960 --> 00:16:35,760 Speaker 2: You know what I mean. I love it. I mean 389 00:16:35,800 --> 00:16:39,640 Speaker 2: I say that there's a first story like but Maley. 390 00:16:39,400 --> 00:16:40,760 Speaker 4: Is so it's hard to do. 391 00:16:41,240 --> 00:16:44,760 Speaker 2: Yeah, it is. I give kudos to all to all 392 00:16:44,800 --> 00:16:47,040 Speaker 2: the talent and everybody who put that together. 393 00:16:47,080 --> 00:16:50,000 Speaker 3: You know, is everybody's gonna have an opinion, you know 394 00:16:50,040 --> 00:16:52,240 Speaker 3: what I mean, everybody's gonna no. 395 00:16:52,160 --> 00:16:54,000 Speaker 1: Matter what I did, really well. I think it's important 396 00:16:54,040 --> 00:16:57,520 Speaker 1: that movies like that do well. Yeah, because of my 397 00:16:57,560 --> 00:16:58,920 Speaker 1: friends and rests. 398 00:16:58,880 --> 00:17:02,080 Speaker 4: And I think that our movies like that will get done. 399 00:17:02,040 --> 00:17:04,359 Speaker 3: Exactly and you know, our stories need to be told, 400 00:17:04,400 --> 00:17:07,000 Speaker 3: you know. So I'm really really just happy that everything 401 00:17:07,720 --> 00:17:09,600 Speaker 3: is going the way it is going, and people are actually 402 00:17:09,600 --> 00:17:11,520 Speaker 3: becoming aware of food. You know, a lot of people, 403 00:17:11,560 --> 00:17:12,320 Speaker 3: some people don't even. 404 00:17:12,240 --> 00:17:14,480 Speaker 1: Know who he is, you know what I mean, Like 405 00:17:14,480 --> 00:17:16,920 Speaker 1: the younger generation, they may not, even though I feel 406 00:17:16,960 --> 00:17:22,520 Speaker 1: like Bob Marley is one of the most like known brands. 407 00:17:21,800 --> 00:17:24,520 Speaker 2: Definitely globally most definitely. 408 00:17:24,080 --> 00:17:25,800 Speaker 4: You know, but people don't know a lot of his stories, 409 00:17:25,920 --> 00:17:26,760 Speaker 4: my story. 410 00:17:26,560 --> 00:17:27,480 Speaker 2: And where he came from. 411 00:17:27,560 --> 00:17:30,200 Speaker 3: And that's such that's such an important thing, you know. 412 00:17:30,240 --> 00:17:32,679 Speaker 3: I feel like the Caribbean people have a lot of 413 00:17:32,720 --> 00:17:36,120 Speaker 3: stories to be told. Still, Yeah, you know, so I'm 414 00:17:36,160 --> 00:17:38,000 Speaker 3: looking forward to a new age of that, you know, 415 00:17:38,040 --> 00:17:39,880 Speaker 3: where people rediscover the Caribbean. 416 00:17:40,080 --> 00:17:42,000 Speaker 4: You know, what would a kest story be, Like. 417 00:17:42,000 --> 00:17:48,800 Speaker 2: Wow, they're long, That's what it is. Long. 418 00:17:49,240 --> 00:17:51,440 Speaker 3: We've been at it like from kids, you know, and 419 00:17:51,920 --> 00:17:54,560 Speaker 3: we grew up in a very interesting time in Trinidad, right. 420 00:17:54,640 --> 00:17:54,879 Speaker 2: You know. 421 00:17:55,040 --> 00:17:57,600 Speaker 1: You guys are like the musical family too. But that's 422 00:17:57,640 --> 00:17:58,879 Speaker 1: why that's so interesting to me. 423 00:17:58,920 --> 00:18:02,680 Speaker 2: Definitely and definitely and growing up around you know, encouraging 424 00:18:02,880 --> 00:18:06,600 Speaker 2: people and friends and family and saulturing a dad, you know, 425 00:18:06,720 --> 00:18:08,680 Speaker 2: not even any tone. It's just amazing. 426 00:18:08,800 --> 00:18:11,280 Speaker 3: It's just you know, a lot of people don't understand 427 00:18:11,280 --> 00:18:14,520 Speaker 3: the amount of influence from around the world we have 428 00:18:15,040 --> 00:18:16,960 Speaker 3: anywhere we are, if you're on the islands, if you're 429 00:18:17,320 --> 00:18:18,040 Speaker 3: not in the States. 430 00:18:18,080 --> 00:18:21,320 Speaker 2: Let's just say we we we hear the world. 431 00:18:21,359 --> 00:18:23,919 Speaker 3: We get influenced by the entire by the entire thing, 432 00:18:24,000 --> 00:18:26,479 Speaker 3: plus what we have, you know, so all of that 433 00:18:26,600 --> 00:18:29,200 Speaker 3: is in the story of us growing up, you know, because. 434 00:18:29,000 --> 00:18:30,720 Speaker 1: I remember even when I read about it, like Van 435 00:18:30,800 --> 00:18:34,560 Speaker 1: Helen was you were influenced by a rat group, you know, 436 00:18:34,640 --> 00:18:38,000 Speaker 1: the family early on Van Heller and then even Queen Bohemian. 437 00:18:37,560 --> 00:18:39,120 Speaker 2: Raps definitely bohemian. 438 00:18:39,760 --> 00:18:40,760 Speaker 4: That's an amazing song. 439 00:18:40,960 --> 00:18:43,760 Speaker 3: Definitely. I love that and we performed that. I won 440 00:18:43,840 --> 00:18:47,359 Speaker 3: a competition doing that song. Yeah, a pop rock competition. 441 00:18:47,480 --> 00:18:49,320 Speaker 3: But yeah, I mean all of it is beautifully. The 442 00:18:49,400 --> 00:18:52,440 Speaker 3: journey of music is such a real, a real thing. 443 00:18:52,480 --> 00:18:52,679 Speaker 2: You know. 444 00:18:52,720 --> 00:18:55,080 Speaker 3: Sometimes music was the only thing that kept us together, 445 00:18:55,119 --> 00:18:57,080 Speaker 3: you know, So it's it's. 446 00:18:56,800 --> 00:18:59,119 Speaker 4: And even a lot of comes with doing music with 447 00:18:59,200 --> 00:18:59,960 Speaker 4: your family too. 448 00:19:00,440 --> 00:19:03,639 Speaker 3: Definitely, you know, can you look over and see your family? 449 00:19:04,880 --> 00:19:06,320 Speaker 3: I get thanks for that for sure. 450 00:19:06,760 --> 00:19:08,480 Speaker 1: Well listen, I know you have so much going on 451 00:19:08,520 --> 00:19:10,840 Speaker 1: while you're here selling out shows and doing things like that, 452 00:19:10,880 --> 00:19:13,320 Speaker 1: but I do appreciate you for coming and stopping by. 453 00:19:13,359 --> 00:19:15,520 Speaker 1: Because as soon as they say Casses in town, I 454 00:19:15,560 --> 00:19:17,359 Speaker 1: was like, so can we put them on the schedule? 455 00:19:17,440 --> 00:19:18,840 Speaker 4: It doesn't matter. We got to figure it out. 456 00:19:18,920 --> 00:19:21,520 Speaker 3: Also, I'm glad, I'm glad, I'm here. I'm glad I'm here, 457 00:19:21,560 --> 00:19:23,280 Speaker 3: and your officially viteing you again. 458 00:19:23,440 --> 00:19:26,640 Speaker 1: Okay, I'm gonna get started, and everybody listening y'all better 459 00:19:26,680 --> 00:19:28,360 Speaker 1: get started now too, because you got to make sure 460 00:19:28,400 --> 00:19:29,240 Speaker 1: you know where you're staying. 461 00:19:29,600 --> 00:19:31,879 Speaker 4: You got to get your costume ready starting now. You 462 00:19:31,960 --> 00:19:33,600 Speaker 4: got to get your costume, Body. 463 00:19:33,359 --> 00:19:37,520 Speaker 2: Ready mossters for everybody. 464 00:19:37,080 --> 00:19:40,280 Speaker 1: Come to and of course I will see you at 465 00:19:40,280 --> 00:19:43,120 Speaker 1: Central Park Summer stage and at the same time as Carnival, 466 00:19:43,240 --> 00:19:45,320 Speaker 1: So I'm excited for all of that definitely. 467 00:19:45,040 --> 00:19:46,439 Speaker 4: But congratulations on everything. 468 00:19:46,440 --> 00:19:49,800 Speaker 1: The album Man with No Door is out on Friday, 469 00:19:49,880 --> 00:19:51,320 Speaker 1: so that's going to be a huge one. Make sure 470 00:19:51,400 --> 00:19:54,159 Speaker 1: y'all watch the live sessions that you've been dropping, so 471 00:19:54,200 --> 00:19:55,679 Speaker 1: how many of these are going to drop before that? 472 00:19:55,720 --> 00:19:57,359 Speaker 3: We're going to be doing more, you know, we have 473 00:19:57,480 --> 00:19:59,640 Speaker 3: some more of this stuff from the album as well too, 474 00:19:59,680 --> 00:20:00,840 Speaker 3: so just for that, you know. 475 00:20:01,000 --> 00:20:02,800 Speaker 1: Okay, and looking toget, I feel like that broke some 476 00:20:02,840 --> 00:20:05,160 Speaker 1: records to write. Wasn't it like the most stream song 477 00:20:05,280 --> 00:20:07,120 Speaker 1: of the past year, Soka song? 478 00:20:07,240 --> 00:20:09,240 Speaker 2: You know what. I don't know those those details, but 479 00:20:09,280 --> 00:20:11,480 Speaker 2: I know it did really well. We have a remix 480 00:20:11,560 --> 00:20:13,000 Speaker 2: and I just make a music. 481 00:20:13,040 --> 00:20:15,080 Speaker 1: You know, I'll be doing the research because I'd be like, 482 00:20:15,359 --> 00:20:17,320 Speaker 1: you know, but I think that's important, Like we got 483 00:20:17,359 --> 00:20:20,520 Speaker 1: to make sure that people understand what Cass is doing 484 00:20:20,680 --> 00:20:23,919 Speaker 1: and even just for the you know, for that genre. 485 00:20:24,040 --> 00:20:25,720 Speaker 4: This is a big deal for sure, for. 486 00:20:25,640 --> 00:20:27,639 Speaker 3: Sure, and we're definitely going to keep on pushing and 487 00:20:28,200 --> 00:20:30,960 Speaker 3: new new places, new tights, everything. 488 00:20:30,760 --> 00:20:31,439 Speaker 4: And no doors. 489 00:20:31,680 --> 00:20:34,720 Speaker 1: No doors all right, well, Cass, thank you so much. 490 00:20:34,760 --> 00:20:35,439 Speaker 2: All right, blessing,