1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,400 --> 00:00:13,720 Speaker 1: of I Heart Radio, Hello and Happy Friday. I'm Holly 3 00:00:13,760 --> 00:00:18,000 Speaker 1: Fry and I'm Tracy B. Wilson. Uh. We talked about 4 00:00:18,160 --> 00:00:24,279 Speaker 1: Charles chapin All Week, Get Accidental two Part Part two Accidental. Yes, 5 00:00:24,840 --> 00:00:26,920 Speaker 1: sometimes it happens. He was one that I kept trying 6 00:00:26,920 --> 00:00:31,080 Speaker 1: to pare down his story, but there's too much stuff well, 7 00:00:31,120 --> 00:00:33,920 Speaker 1: and so much of it, like so many of the 8 00:00:33,960 --> 00:00:37,120 Speaker 1: news stories that came up in the episodes. We have 9 00:00:37,360 --> 00:00:40,160 Speaker 1: episodes of the podcast on just over and over and over. 10 00:00:40,680 --> 00:00:44,720 Speaker 1: Mm hmm, yeah, I mean it's um. It's interesting because 11 00:00:44,720 --> 00:00:47,559 Speaker 1: in so many ways we talked about how bias he 12 00:00:47,600 --> 00:00:49,800 Speaker 1: could be in his coverage at times, but in so 13 00:00:49,840 --> 00:00:52,760 Speaker 1: many ways, what we know of huge historical events are 14 00:00:52,800 --> 00:00:56,840 Speaker 1: because he published them. Like I immediately when I we 15 00:00:56,840 --> 00:00:59,600 Speaker 1: were um, when we were talking about the Titanic and 16 00:00:59,640 --> 00:01:02,760 Speaker 1: I was reading the story of him getting that and 17 00:01:02,880 --> 00:01:05,840 Speaker 1: what that original press story was, like that is the 18 00:01:05,880 --> 00:01:08,160 Speaker 1: one where all of the touchstone moments that we now 19 00:01:08,240 --> 00:01:10,400 Speaker 1: come to see and that appeared in the Titanic movie, 20 00:01:10,840 --> 00:01:13,080 Speaker 1: that is where they came from, Like the story of 21 00:01:13,200 --> 00:01:16,720 Speaker 1: John Astor's wife, like refusing to go on the boats 22 00:01:16,720 --> 00:01:19,639 Speaker 1: and they were going to stay together, like the band 23 00:01:19,800 --> 00:01:22,039 Speaker 1: playing on the deck as the ship went down. That 24 00:01:22,160 --> 00:01:24,200 Speaker 1: came from that new story, Like all of those things 25 00:01:24,240 --> 00:01:27,040 Speaker 1: were in that first report that was on the docks 26 00:01:27,080 --> 00:01:30,119 Speaker 1: when the survivors were coming off of the the ship 27 00:01:30,160 --> 00:01:35,080 Speaker 1: that rescued them, which is just mind boggling. Yeah. Yeah, 28 00:01:35,240 --> 00:01:40,319 Speaker 1: most of my thoughts about him are not positive because 29 00:01:40,520 --> 00:01:48,640 Speaker 1: I mean, he clearly developed an importance, monumental career. A 30 00:01:48,760 --> 00:01:51,760 Speaker 1: lot of his reporting that some of this is the 31 00:01:51,840 --> 00:01:56,360 Speaker 1: standards at the time, right journalistic standards, and are late 32 00:01:56,440 --> 00:01:59,480 Speaker 1: nineteenth early twentieth century, very different from what we expect now. 33 00:01:59,520 --> 00:02:01,120 Speaker 1: But even with that in mind, some of the stuff 34 00:02:01,120 --> 00:02:05,840 Speaker 1: he's doing is really unethical, Oh, completely super unethical. And 35 00:02:05,880 --> 00:02:09,320 Speaker 1: then he made his own financial problems. I have empathy 36 00:02:09,360 --> 00:02:11,720 Speaker 1: for the part where he made investments that fell through, 37 00:02:11,880 --> 00:02:16,360 Speaker 1: Like that's that, that's unfortunately he then he was also 38 00:02:16,400 --> 00:02:20,280 Speaker 1: buying yachts and horses and just living beyond his means. 39 00:02:20,320 --> 00:02:24,520 Speaker 1: He made a financial problem himself and then decided his 40 00:02:24,639 --> 00:02:27,040 Speaker 1: only way out of it was to murder his life. 41 00:02:27,040 --> 00:02:30,480 Speaker 1: And I'm just like, I don't like you. Yeah, I mean, 42 00:02:30,520 --> 00:02:36,360 Speaker 1: what's really interesting, um, is that one of the biographies 43 00:02:36,400 --> 00:02:39,440 Speaker 1: I read of him, which is called The Roseman of 44 00:02:39,480 --> 00:02:42,360 Speaker 1: Sing Sing, and it's quite good. Oh, it's by James McGrath. 45 00:02:42,400 --> 00:02:46,880 Speaker 1: Morris Um he mentioned that to him, to that writer one, 46 00:02:47,040 --> 00:02:49,919 Speaker 1: he's an interesting case because he also, you know, had 47 00:02:49,960 --> 00:02:54,160 Speaker 1: been a journalist, and so when he read Chapin's autobiography, 48 00:02:54,320 --> 00:02:56,600 Speaker 1: his first instinct was to fact check it, and he 49 00:02:56,639 --> 00:03:01,240 Speaker 1: was surprised by how much most of it was accurate. Um. 50 00:03:01,960 --> 00:03:04,440 Speaker 1: The main problems were things like timeline, things that are 51 00:03:04,440 --> 00:03:07,440 Speaker 1: pretty normal for someone working from memory, Like he said 52 00:03:07,480 --> 00:03:09,480 Speaker 1: he worked in one job like X number of months 53 00:03:09,520 --> 00:03:12,320 Speaker 1: and it was really a slightly different number, and things 54 00:03:12,360 --> 00:03:14,680 Speaker 1: like that. But none of the real like meat and potatoes, 55 00:03:14,800 --> 00:03:18,720 Speaker 1: was incorrect. But he mentioned it to him sort of 56 00:03:18,760 --> 00:03:21,120 Speaker 1: the greatest tragedy is we don't really have a lot 57 00:03:21,200 --> 00:03:24,760 Speaker 1: of information about Nellie. We don't know a lot about 58 00:03:24,800 --> 00:03:29,360 Speaker 1: her childhood or her youth. She seems like she was 59 00:03:30,000 --> 00:03:34,600 Speaker 1: not the least bit concerned about living a wealthy lifestyle. 60 00:03:34,639 --> 00:03:36,800 Speaker 1: When he was like it's all falling apart, She's like, Okay, 61 00:03:36,880 --> 00:03:40,040 Speaker 1: let's figure this out. It's gonna be fine. We'll be fine. 62 00:03:40,840 --> 00:03:44,480 Speaker 1: And Chapin, by all accounts, really was very devoted to her, 63 00:03:44,520 --> 00:03:47,480 Speaker 1: like he was very like he became a different person 64 00:03:47,520 --> 00:03:50,880 Speaker 1: around her. The people that knew him from his newsroom persona, 65 00:03:50,960 --> 00:03:55,120 Speaker 1: which was very hard nosed jerk ery, would be kind 66 00:03:55,120 --> 00:03:57,960 Speaker 1: of amazed at how gentle he was and and loving 67 00:03:57,960 --> 00:04:00,520 Speaker 1: with his wife. But I also think you see it 68 00:04:00,560 --> 00:04:04,200 Speaker 1: play out in his subsequent relationships with his pen pound romances. 69 00:04:04,920 --> 00:04:08,320 Speaker 1: He was a control freak, and Nelly never challenged that control, 70 00:04:09,040 --> 00:04:11,360 Speaker 1: and so it was easy for him to dote on her, 71 00:04:11,800 --> 00:04:15,720 Speaker 1: Whereas when he even perceived that anyone else was challenging 72 00:04:15,720 --> 00:04:18,960 Speaker 1: that control, he would fly into like a complete fit 73 00:04:19,000 --> 00:04:23,120 Speaker 1: of rage. And It's like, is that really love and devotion? 74 00:04:23,160 --> 00:04:26,600 Speaker 1: I'm not sure that's not the healthiest flavor of it. No, 75 00:04:28,760 --> 00:04:32,920 Speaker 1: he clearly also had some mental health stuff going on, 76 00:04:33,920 --> 00:04:37,719 Speaker 1: absolutely from the beginning, from the beginning, like the some 77 00:04:37,839 --> 00:04:39,800 Speaker 1: of the very earliest things that we talked about in 78 00:04:39,839 --> 00:04:43,120 Speaker 1: his life, which I'm not saying that does not excuse 79 00:04:43,279 --> 00:04:45,920 Speaker 1: then murdering his wife. I'm not saying that at all. 80 00:04:46,000 --> 00:04:53,080 Speaker 1: I'm just saying, like, clearly he had untreated stuff going on, yes, well, 81 00:04:53,120 --> 00:04:57,440 Speaker 1: and he even was pretty cognizant of the fact that 82 00:04:58,200 --> 00:05:02,320 Speaker 1: the way he ran his newsroom and the way he 83 00:05:02,480 --> 00:05:07,040 Speaker 1: was as a boss was unhealthy for everyone. Like he 84 00:05:07,120 --> 00:05:09,880 Speaker 1: kind of acknowledged that a lot of reporters died young 85 00:05:10,040 --> 00:05:12,520 Speaker 1: and that it was probably because bosses like him worked 86 00:05:12,520 --> 00:05:16,719 Speaker 1: them to the bone in incredibly stressful environments, and that 87 00:05:17,080 --> 00:05:21,599 Speaker 1: was also playing out for him. I in a lighter tone, 88 00:05:21,600 --> 00:05:24,080 Speaker 1: which is not to make light of any of this. 89 00:05:24,600 --> 00:05:29,240 Speaker 1: I kept finding myself thinking the same thing about Shapen's 90 00:05:29,279 --> 00:05:32,280 Speaker 1: world of journalism as I feel when I watched Star 91 00:05:32,279 --> 00:05:34,719 Speaker 1: Wars about people who work for the Empire, which is, 92 00:05:35,200 --> 00:05:40,120 Speaker 1: why would you want that job? But? Um, it doesn't. 93 00:05:40,400 --> 00:05:42,760 Speaker 1: But I guess if you love it, you love it, right, 94 00:05:42,880 --> 00:05:47,599 Speaker 1: Like that's and he loved it, um. One of the there's. 95 00:05:47,720 --> 00:05:49,360 Speaker 1: There are a couple of interesting things about the way 96 00:05:49,400 --> 00:05:52,760 Speaker 1: he viewed his job in news. One, he hated the 97 00:05:52,760 --> 00:05:55,839 Speaker 1: word journalism. He thought it was like to fancy. He's like, 98 00:05:55,880 --> 00:05:59,159 Speaker 1: I'm a newsman. I'm a newspaperman, that's all I am. Um. 99 00:05:59,200 --> 00:06:02,720 Speaker 1: I don't know to take that however, you will, um. 100 00:06:02,760 --> 00:06:05,039 Speaker 1: But the other thing that was interesting was that he 101 00:06:05,279 --> 00:06:10,240 Speaker 1: recognized that for most people at the time in journalism, 102 00:06:10,400 --> 00:06:13,320 Speaker 1: that job being a reporter for a paper was kind 103 00:06:13,360 --> 00:06:17,120 Speaker 1: of a stepping stone in a career to later become 104 00:06:17,800 --> 00:06:22,600 Speaker 1: a lawyer, a politician, a railroad man. Whereas to him, 105 00:06:22,640 --> 00:06:25,040 Speaker 1: he was like, no, for me, this is the destination, 106 00:06:25,960 --> 00:06:28,680 Speaker 1: like this is all I want to do. Ever, which 107 00:06:28,720 --> 00:06:34,920 Speaker 1: is interesting. He there are so many pieces that I 108 00:06:35,000 --> 00:06:38,320 Speaker 1: didn't get to include in his story as long as 109 00:06:38,360 --> 00:06:42,839 Speaker 1: it got Um. He actually did run into his father 110 00:06:44,400 --> 00:06:49,120 Speaker 1: during that brief foray where he was working as a 111 00:06:48,080 --> 00:06:52,680 Speaker 1: m a campaign manager for that Utah politician. He ran 112 00:06:52,720 --> 00:06:55,960 Speaker 1: into his father in a jewelry shop, and he never 113 00:06:56,080 --> 00:07:01,920 Speaker 1: told his family about it. Um, like just completely by accident, 114 00:07:02,040 --> 00:07:03,880 Speaker 1: he ran into him, and it was one of those 115 00:07:03,880 --> 00:07:08,480 Speaker 1: weird things. I feel like that relationship colored his opinions 116 00:07:08,480 --> 00:07:10,400 Speaker 1: and feelings about a great many things, more than he 117 00:07:10,440 --> 00:07:23,720 Speaker 1: ever really recognized. There is an interesting story that's a 118 00:07:23,760 --> 00:07:28,000 Speaker 1: little more fun about what was going on between Hearst's 119 00:07:28,040 --> 00:07:32,480 Speaker 1: papers and Pulitzer's papers when they were really like in 120 00:07:32,520 --> 00:07:37,280 Speaker 1: the thick of their competition, which is that they were 121 00:07:37,320 --> 00:07:40,080 Speaker 1: stealing stories from each other. As we mentioned, like literally 122 00:07:40,160 --> 00:07:43,680 Speaker 1: a reporter would read papers, the story from one paper, 123 00:07:44,040 --> 00:07:46,200 Speaker 1: kind of rewrite it as his own, and their paper 124 00:07:46,200 --> 00:07:52,480 Speaker 1: would publish it. And at one point Hearst. One of 125 00:07:52,600 --> 00:07:59,040 Speaker 1: his reporters, apparently under Hearst's orders, wrote this article about 126 00:07:59,040 --> 00:08:03,160 Speaker 1: an event in which they quoted a witness named Colonel 127 00:08:03,320 --> 00:08:12,960 Speaker 1: Reflip W. Sinus, And when Pulitzer's reporters regurgitated that entire thing, 128 00:08:13,080 --> 00:08:16,080 Speaker 1: then Hurst was like, that's a made up person. It's 129 00:08:16,080 --> 00:08:22,720 Speaker 1: an anagram of we pilfer the news. You're all idiots, um, 130 00:08:22,760 --> 00:08:25,480 Speaker 1: which is an interesting way to catch somebody doing that, 131 00:08:25,520 --> 00:08:33,000 Speaker 1: but shapen um. It's interesting reading his biography because he 132 00:08:33,040 --> 00:08:37,199 Speaker 1: does seem so you know, during his time in prison, 133 00:08:37,280 --> 00:08:40,120 Speaker 1: he comes off as such a gentle I don't know 134 00:08:40,160 --> 00:08:42,160 Speaker 1: if sweet is the right word, but a very gentle, 135 00:08:42,240 --> 00:08:45,559 Speaker 1: you know, like reformed person, and then you read how 136 00:08:45,640 --> 00:08:49,880 Speaker 1: quickly he got angry at Constance Nelson for having done nothing, 137 00:08:50,760 --> 00:08:55,240 Speaker 1: and he held that grudge for the rest of his life, 138 00:08:55,880 --> 00:08:58,320 Speaker 1: like he would literally, you know, he had poured his 139 00:08:58,400 --> 00:09:00,600 Speaker 1: heart out to this person and seemed so devoted and 140 00:09:00,640 --> 00:09:04,040 Speaker 1: then it was like, well, you wronged me over and 141 00:09:04,080 --> 00:09:06,360 Speaker 1: over and even later, as he had stopped really writing 142 00:09:06,360 --> 00:09:09,080 Speaker 1: her regularly, he would occasionally write her these letters that 143 00:09:09,160 --> 00:09:11,480 Speaker 1: were like you didn't even try to come and see me, 144 00:09:12,040 --> 00:09:18,080 Speaker 1: and like these weird, just poisonous. That's why I'm like, 145 00:09:18,080 --> 00:09:27,040 Speaker 1: you're a control freak. No thanks, no thanks. His prison 146 00:09:27,080 --> 00:09:31,800 Speaker 1: set up sounds um pretty lovely by many accounts, like 147 00:09:31,920 --> 00:09:37,120 Speaker 1: he was sent so much like food and groceries from 148 00:09:37,160 --> 00:09:41,160 Speaker 1: wealthy friends that he had an assistant assigned to him 149 00:09:41,240 --> 00:09:45,280 Speaker 1: to cook his own meals. Come on, now, right, Like 150 00:09:45,400 --> 00:09:51,160 Speaker 1: that's not really serving time. It doesn't seem when everybody 151 00:09:51,200 --> 00:09:56,120 Speaker 1: else is having to eat prison kitchen food. Yeah, it 152 00:09:56,240 --> 00:10:01,360 Speaker 1: definitely seems like his treatment there was disparity between his 153 00:10:01,559 --> 00:10:04,559 Speaker 1: treatment and everybody else for sure. Yeah, and we should 154 00:10:04,720 --> 00:10:07,960 Speaker 1: know this is at a time when laws as a 155 00:10:08,000 --> 00:10:11,000 Speaker 1: figure at Sing Sing is interesting because he was trying 156 00:10:11,040 --> 00:10:14,120 Speaker 1: to really reform the criminal justice system and find ways 157 00:10:14,200 --> 00:10:18,520 Speaker 1: that he could give the men who were incarcerated in 158 00:10:18,640 --> 00:10:23,080 Speaker 1: his prison opportunities to like follow their desires, etcetera. In 159 00:10:23,080 --> 00:10:26,840 Speaker 1: a lot of different ways. But clearly Chapin was treated 160 00:10:26,880 --> 00:10:28,880 Speaker 1: like he was an equal to the people that were 161 00:10:28,920 --> 00:10:31,520 Speaker 1: running the place in many ways, and that he did 162 00:10:31,520 --> 00:10:37,720 Speaker 1: not have to live by the rule strange um he was. 163 00:10:37,840 --> 00:10:40,120 Speaker 1: He was allowed to bring his own clothes, he didn't 164 00:10:40,120 --> 00:10:43,680 Speaker 1: have to wear the prison uniform. Now, many many people 165 00:10:43,760 --> 00:10:46,720 Speaker 1: that were incarcerated there had that option, but most of 166 00:10:46,760 --> 00:10:50,160 Speaker 1: them did not have nice clothes to bring with them, 167 00:10:50,200 --> 00:10:53,319 Speaker 1: whereas he was, like, you know, in his tailored shirts 168 00:10:53,360 --> 00:10:58,320 Speaker 1: and ties. It's the weirdest thing. It's such a disparity 169 00:10:58,360 --> 00:11:02,080 Speaker 1: and like a weird meant old break of how it 170 00:11:02,120 --> 00:11:04,600 Speaker 1: all works. Let's get into one of those things of 171 00:11:04,640 --> 00:11:08,800 Speaker 1: like not necessarily saying Chapin should have been subjected to 172 00:11:08,920 --> 00:11:12,400 Speaker 1: the more dehumanizing thing, but now that everyone should have 173 00:11:12,520 --> 00:11:17,280 Speaker 1: had access to the less dehumanizing thing, exactly like it 174 00:11:17,400 --> 00:11:20,360 Speaker 1: just was. He was very clearly apart from the rest 175 00:11:20,360 --> 00:11:24,440 Speaker 1: of the population there and allowed to you know, said 176 00:11:24,440 --> 00:11:25,960 Speaker 1: he never did hard labor, even though that was part 177 00:11:26,000 --> 00:11:30,320 Speaker 1: of his sentence. Here's a very interesting thing. After he died, 178 00:11:30,640 --> 00:11:33,040 Speaker 1: of course, much of the press coverage of his death, 179 00:11:33,120 --> 00:11:36,640 Speaker 1: once again written by reporters in the New York Journalism 180 00:11:36,679 --> 00:11:39,559 Speaker 1: seen called out what a jerk he was, and how 181 00:11:39,600 --> 00:11:41,800 Speaker 1: hard he was to work for and how he, you know, 182 00:11:41,840 --> 00:11:45,200 Speaker 1: would fire people if someone in their family became terminally ill, 183 00:11:45,240 --> 00:11:46,400 Speaker 1: because he was like, you're not gonna be able to 184 00:11:46,440 --> 00:11:50,720 Speaker 1: do this job anymore. Get out, just really unkind horrible things. 185 00:11:51,360 --> 00:11:56,520 Speaker 1: And Constance Nelson, his second prison Romance was so upset 186 00:11:56,559 --> 00:11:58,560 Speaker 1: by this, and she's like, that's not the man I know, 187 00:11:58,960 --> 00:12:01,160 Speaker 1: even though he had been really cruel to her. At 188 00:12:01,160 --> 00:12:05,840 Speaker 1: the end, she wanted to publish all of his letters 189 00:12:05,880 --> 00:12:08,240 Speaker 1: to her as a book, and it did get picked 190 00:12:08,320 --> 00:12:11,000 Speaker 1: up and made into a book. Cooper also published a 191 00:12:11,000 --> 00:12:13,839 Speaker 1: similar book because she wanted to show what a loving 192 00:12:13,880 --> 00:12:16,719 Speaker 1: and kind person he had become. And it's like, he 193 00:12:16,920 --> 00:12:21,640 Speaker 1: was so mean to you, Why would you do this? Why? Why? However, 194 00:12:21,800 --> 00:12:24,280 Speaker 1: both of those books got published, nobody bought them, apparently. 195 00:12:24,320 --> 00:12:27,600 Speaker 1: I couldn't find a copy of either. I had hoped, 196 00:12:27,679 --> 00:12:30,959 Speaker 1: but um, neither of them did very well, and they 197 00:12:31,120 --> 00:12:34,520 Speaker 1: kind of vanished pretty quickly. Maybe nobody wanted to read 198 00:12:34,600 --> 00:12:39,120 Speaker 1: their empathy, right, I think probably that's part. It's like, oh, yeah, 199 00:12:39,120 --> 00:12:41,160 Speaker 1: I really reformed. I don't want to read his weird 200 00:12:41,280 --> 00:12:45,240 Speaker 1: romantic overtures to you. Knowing that he shot his wife 201 00:12:46,000 --> 00:12:49,120 Speaker 1: was cruel to everyone who ever worked for him. There 202 00:12:49,160 --> 00:12:51,959 Speaker 1: are lots of stories too, of journalists and reporters that 203 00:12:52,040 --> 00:12:55,679 Speaker 1: worked under him who presumed he hated them because he 204 00:12:55,760 --> 00:12:57,440 Speaker 1: was so mean all the time, and some of them 205 00:12:57,440 --> 00:13:00,560 Speaker 1: would say something along those lines of like, listen, I 206 00:13:00,559 --> 00:13:01,920 Speaker 1: know you don't like people, blah bla, and he would 207 00:13:01,960 --> 00:13:03,040 Speaker 1: be like, what are you talking about it? You're one 208 00:13:03,040 --> 00:13:06,040 Speaker 1: of my favorites. And it's like, are you just that 209 00:13:06,280 --> 00:13:08,440 Speaker 1: broken that you don't know how to treat people well? 210 00:13:08,760 --> 00:13:11,640 Speaker 1: Or are you playing with them? And we don't know 211 00:13:11,720 --> 00:13:22,680 Speaker 1: the answer to that. Humans are complex. Yeah. Um, again, 212 00:13:23,559 --> 00:13:29,480 Speaker 1: not the job for me, No, no. Uh. There is 213 00:13:29,720 --> 00:13:31,920 Speaker 1: one more funny story, which is that one of his 214 00:13:32,640 --> 00:13:37,400 Speaker 1: reporters got a very strange flavor of revenge because this 215 00:13:37,440 --> 00:13:41,200 Speaker 1: reporter was also writing pulp fiction on the side to 216 00:13:41,280 --> 00:13:44,240 Speaker 1: make extra money, and in one of their books, they 217 00:13:44,320 --> 00:13:48,480 Speaker 1: named a poison after him, called Shape a Night. That's 218 00:13:48,559 --> 00:13:55,000 Speaker 1: great and I'm like, that seems well deserved. All right, 219 00:13:55,400 --> 00:13:58,440 Speaker 1: that's Charles Chapin. Maybe later we can do Charles V. 220 00:13:58,559 --> 00:14:00,800 Speaker 1: Chape and the doctor who tried to make people not 221 00:14:00,920 --> 00:14:03,640 Speaker 1: get exposed to as many germs and microbes, and that 222 00:14:03,679 --> 00:14:06,520 Speaker 1: will feel like a bomb. The person you are actually 223 00:14:06,520 --> 00:14:09,320 Speaker 1: going to find information on when you found this, he's 224 00:14:09,320 --> 00:14:10,960 Speaker 1: still on the list. Listen. This is a good on 225 00:14:11,160 --> 00:14:16,200 Speaker 1: ramp for our Halloween coverage. It's a little darker. We'll 226 00:14:16,240 --> 00:14:19,240 Speaker 1: have Halloween fun in the coming weeks, and then then 227 00:14:19,280 --> 00:14:24,840 Speaker 1: we'll get back to all of these people in the meantime. 228 00:14:25,000 --> 00:14:27,880 Speaker 1: If this is your time off in the next coming days, 229 00:14:28,000 --> 00:14:31,320 Speaker 1: I hope that it is absolutely wonderful and relaxing and 230 00:14:31,400 --> 00:14:34,240 Speaker 1: not fraught in the least, and maybe you have roses 231 00:14:34,280 --> 00:14:37,480 Speaker 1: without any baggage to enjoy. Um. If you do not 232 00:14:37,600 --> 00:14:39,240 Speaker 1: have time off, I hope that you still get to 233 00:14:39,320 --> 00:14:44,000 Speaker 1: enjoy some some things and maybe some quiet time to yourself. Uh. 234 00:14:44,160 --> 00:14:46,880 Speaker 1: We will be right back here again tomorrow with a 235 00:14:47,040 --> 00:14:49,920 Speaker 1: Saturday Classic, and then on Monday there will be more 236 00:14:49,960 --> 00:14:57,720 Speaker 1: new episodes. Stuff you missed in History Class is a 237 00:14:57,760 --> 00:15:00,960 Speaker 1: production of I Heart Radio. For more podcasts from I 238 00:15:01,080 --> 00:15:04,239 Speaker 1: heart Radio, visit the I heart Radio app, Apple Podcasts, 239 00:15:04,400 --> 00:15:11,240 Speaker 1: or wherever you listen to your favorite shows. H m 240 00:15:11,480 --> 00:15:11,560 Speaker 1: hm