WEBVTT - Chat with Heroes

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<v Speaker 1>Hey, yo, you're listening to Waiting on Reparations, a production

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<v Speaker 1>of my heart radio step Tortia, And I'll take a

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<v Speaker 1>step backwards because I don't fight my hate this and

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<v Speaker 1>what the fucking hat? So all I ask them to

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<v Speaker 1>look past it and be mature of that. I'm passive,

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<v Speaker 1>but that don't mean that I'm a fucking cat boy

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<v Speaker 1>like Martin Luther Mahatma Gandhi. I use my words to

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<v Speaker 1>settle my conflicts rather than try to shoot you up

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<v Speaker 1>in cool bruts, rather stand beside you them, invite you,

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<v Speaker 1>and a rather understanding than that never happened tried to

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<v Speaker 1>all Right, this week, I am so enthused and honored

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<v Speaker 1>frankly to be joined by my comrade, my colleague, my mentor.

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<v Speaker 1>I don't know, Travis Williams. Uh, Travis, I don't even

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<v Speaker 1>know how to properly introduce you, because you have such

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<v Speaker 1>a range of expertises and experiences, So telling people a

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<v Speaker 1>little bit about yourself. Who are you? Um? A black

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<v Speaker 1>man vegan Uh originally from for a lot of deal Florida.

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<v Speaker 1>Uh It's tough when I say originally, right, So I'm

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<v Speaker 1>from a lot of Florida, but I was born so

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<v Speaker 1>maybe that's my origin story. But I considered the origin

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<v Speaker 1>story wherever, like your most uh meaningful roots were set right.

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<v Speaker 1>But I was born in Atlanta, Georgia. Did my undergraduate

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<v Speaker 1>work at d Florida Agriculture and Mechanical University, home of

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<v Speaker 1>the mighty Ratler's Orange Green eight seven October three. I

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<v Speaker 1>love my HBCU, you know what I mean, check it

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<v Speaker 1>out orangr green. Um and then oh yeah, you know

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<v Speaker 1>I always rap. And you know my high school colors

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<v Speaker 1>was orange green as well because our first football coach

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<v Speaker 1>it's also a Wraptler. So um. And I went to

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<v Speaker 1>this high school called Lanchile High School, which was one

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<v Speaker 1>of the two biggest black high schools in Broward County.

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<v Speaker 1>And you know, browartt is the most black, most Democrat county,

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<v Speaker 1>or was when I was growing up in all of

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<v Speaker 1>the state of Florida. And Miss Elie fought real hard

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<v Speaker 1>to make sure that a little black is like me.

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<v Speaker 1>He educated and her home is now a museum. It's

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<v Speaker 1>about maybe a two minute walk from my grandfather's house.

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<v Speaker 1>So uh he passed away, but his old house and

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<v Speaker 1>so um, so yeah that is that. I did my

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<v Speaker 1>legal studies at the University of Georgia. UM was a

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<v Speaker 1>public defender for a long time, had a had an

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<v Speaker 1>epic mental breakdown, uh myself epic, Hey, if I'm gonna

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<v Speaker 1>do it, it's gonna be happy. If we're gonna break down, down,

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<v Speaker 1>do it, break everything, break all the windows, and so

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<v Speaker 1>uh found myself homeless and and and really uh really

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<v Speaker 1>really suffering and in painful about two plus years. And

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<v Speaker 1>then the last six years five years, I've been um

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<v Speaker 1>uh began reinvesting uh in in community and community organized

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<v Speaker 1>and I've been organizing work since I was fifteens, you know,

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<v Speaker 1>and so uh so over the last uh five and

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<v Speaker 1>a half so six years, been been back doing that.

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<v Speaker 1>And I've been fortunate enough to you know, have been

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<v Speaker 1>invited to be at all all these different universities and

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<v Speaker 1>going these different things and so um uh so it's

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<v Speaker 1>it's not unfamiliar. And then like so now I do

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<v Speaker 1>a lot of community education and political education um at

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<v Speaker 1>a grassroots level aimed at uh mobilizing people, assisting them

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<v Speaker 1>and organizing for political action. And so I also do

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<v Speaker 1>work out of out earn this little ministry at at

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<v Speaker 1>a little medium sized church. Uh. And my church is

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<v Speaker 1>coven to Presbyterium ministry is the uh uh neighborhood ministries,

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<v Speaker 1>which is it doesn't just two words that don't make

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<v Speaker 1>sense until you know it is we're doing. And so

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<v Speaker 1>it's helping people stay house, defeating people. I'm sitting in

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<v Speaker 1>the I'm sitting in the fellowship haul down. This is

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<v Speaker 1>where we were in the food pantry or clothing closet.

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<v Speaker 1>We're moving things out of here is the uh trying

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<v Speaker 1>to figure out a different model. But um also uh

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<v Speaker 1>minister and manager but neevolence accounts. So helping people where

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<v Speaker 1>they can and using uh Jesus ministry with the poor

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<v Speaker 1>to God our efforts to assist people. I noticed, and

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<v Speaker 1>all of that, you somehow managed to not bring up

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<v Speaker 1>hip hop at all? Do you have relationship to hip hop?

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<v Speaker 1>All this dope ship, all this other dope ship is

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<v Speaker 1>so dope that it's not even worth bringing up that.

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<v Speaker 1>Not even bringing up that your south far you are

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<v Speaker 1>a penman. Well, you know something, I had some records

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<v Speaker 1>that at one time, uh you know, had had some

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<v Speaker 1>little had some little heat to it. But I I

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<v Speaker 1>just I love I do love hip hop. But you

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<v Speaker 1>know what, though I really don't listen to hip hop

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<v Speaker 1>anymore and and it definitely not like sometimes I get

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<v Speaker 1>nostalgic and and don't get me wrong, Race the five

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<v Speaker 1>nine even now, like the way he puts together a sentence,

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<v Speaker 1>his art right, and I appreciate the art um and

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<v Speaker 1>I listened here there you know, uh fly God is

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<v Speaker 1>an awesome god. West side gun you know what I mean?

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<v Speaker 1>Like you know, pray for Paris? Uh you know? Um

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<v Speaker 1>uh what what are you called? Kama Kaze? Like I

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<v Speaker 1>listened to. I still listen to some sometimes, but you know,

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<v Speaker 1>it's it's tough, man, It's tough to listen to it

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<v Speaker 1>some of the music. Like you know, I don't know,

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<v Speaker 1>I feel like we I think you and I have

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<v Speaker 1>talked about this before. I think hip hop, I think

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<v Speaker 1>any art form right has to have gate keepers. Right,

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<v Speaker 1>has to have people that make people do the work

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<v Speaker 1>to get good at something right. And hip hop has

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<v Speaker 1>the least amount of gate keepers, but it used to

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<v Speaker 1>have the most. Right. It was you had to run through,

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<v Speaker 1>like when I was a kid trying to learn how

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<v Speaker 1>to wrap, you know what I mean, Like I had

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<v Speaker 1>to figure out how to wrap, and then I had

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<v Speaker 1>to be brave enough to wrap on the school bus

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<v Speaker 1>and then if you heard I could wrap it, and

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<v Speaker 1>it was like you gotta wrap against this other guy

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<v Speaker 1>who can crap. And then I'll go, you know what

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<v Speaker 1>I mean, I'll be rapping at the crackhouse with some

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<v Speaker 1>with some dope and rappers about stuff and then binge

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<v Speaker 1>and it's like all of this stuff you get good at,

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<v Speaker 1>you know what I mean, And now you don't gotta like,

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<v Speaker 1>you don't gotta put in the work, you don't gotta

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<v Speaker 1>do nothing. You just so you never really get better,

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<v Speaker 1>you never really master the crap, you see what I'm saying.

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<v Speaker 1>And so it's it's tough for me to listen to

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<v Speaker 1>somebody who ain't even investing in mastering the crack. So

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<v Speaker 1>it is come from a place of craftsmanship and not

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<v Speaker 1>necessarily like from a place as an organizer, and that's

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<v Speaker 1>someone that is pushing back against systems of capital and

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<v Speaker 1>of racial capital, etcetera. Like the way that that is

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<v Speaker 1>all uh then shaping the genre and what ends up

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<v Speaker 1>floating up to the surface is what we then consider

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<v Speaker 1>a mainstream. Does that adds? Does that at all influence

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<v Speaker 1>like your how how you partaking hip hop? Commarly the

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<v Speaker 1>craftsmanship thing let's think about what an album is. Right,

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<v Speaker 1>an album is forty five to our some change the

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<v Speaker 1>hell album you're listening to. That's an hour long album.

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<v Speaker 1>Come on now, come on now. I was reading recently

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<v Speaker 1>that the like the top the last ten years, like

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<v Speaker 1>the top albums of the year in hip hop for all,

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<v Speaker 1>like thirty minutes long. But that's weak, and you know

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<v Speaker 1>I hate that. No, think about think about right, Okay,

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<v Speaker 1>by Outcast undisputably an incredible record, right, undisputable? Right? So climen, Now,

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<v Speaker 1>what did they take them to three years to make

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<v Speaker 1>that record? Let me see uh uh Southern player lists

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<v Speaker 1>that came out ninety three or ninety four, maybe ninety five,

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<v Speaker 1>I can't remember. Two years later you had uh, you

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<v Speaker 1>had a Tiens, and then maybe two or three years

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<v Speaker 1>later you had incuntically right, And so in then two

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<v Speaker 1>year time period, right. I heard nas want to say

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<v Speaker 1>this in a in a source article like maybe the

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<v Speaker 1>late nineties. He said that first album is the easiest

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<v Speaker 1>because it took you eighteen years, right for twenty two years,

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<v Speaker 1>right to have Old You were right. It's those the

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<v Speaker 1>hard albums the next one because you don't have as

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<v Speaker 1>much time to write end the precious change. The choice

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<v Speaker 1>structure is different in center, structures different. Right, So when

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<v Speaker 1>when I look at like what an album is an album?

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<v Speaker 1>Generally people write songs about the highlights of their life, right,

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<v Speaker 1>Like each song is a highlight on an amalgamation of highlights.

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<v Speaker 1>So if you look at Marvin Gaye, I Want You

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<v Speaker 1>right the record I want you incredible records, it's all

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<v Speaker 1>about being in love and expressing that love intimately sexually right,

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<v Speaker 1>beautiful record beautiful. But these are all highlights sexual experiences.

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<v Speaker 1>These aren't the ones that he had with This ain't

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<v Speaker 1>like the random Thursday when he just got off work

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<v Speaker 1>and brought home. This ain't the one lady got woke

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<v Speaker 1>up because the baby woke up, you know what I mean.

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<v Speaker 1>It's just the highlights, right, So I expect someone to

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<v Speaker 1>to offer their highlights, But um what what used to

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<v Speaker 1>be the highlights in hip hop music? Used to be

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<v Speaker 1>the highlights of like liberation, right, and liberation rejecting restrictions, right,

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<v Speaker 1>and then now the highlights are I don't know, transactional monetary.

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<v Speaker 1>It's like I can't I can't handle that, right, Like

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<v Speaker 1>it's just too much. Yeah, and I feel like it's

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<v Speaker 1>it's like, oh, we go out, we party every night,

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<v Speaker 1>every night we have it's not it isn't the highlights

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<v Speaker 1>because it's like this always chasing panicle. This is my

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<v Speaker 1>life and we live like this like I ain't slept

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<v Speaker 1>the dates. What's up? Yeah, I'm gonna die, Like help

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<v Speaker 1>me please literally literally something something's cats be losting cats

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<v Speaker 1>listen cats out here for real. But it's because it's yeah,

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<v Speaker 1>you know, and I think that makes it that makes

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<v Speaker 1>it tough because you can't be You're not gonna sit

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<v Speaker 1>there and read some Carter Guard and be listening to

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<v Speaker 1>uh do somebody, you know what I mean, why not?

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<v Speaker 1>Because it's just it's just taking me out of my space, yo,

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<v Speaker 1>Like you know what I mean. I mean, I feel

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<v Speaker 1>like something that draws me to hip hop is that

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<v Speaker 1>it is like it's like putting together a puzzle or no,

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<v Speaker 1>it's like an impression. It's like an impressionist painting, right,

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<v Speaker 1>So like you start off up really up close and

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<v Speaker 1>you see all of the very the lines that are

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<v Speaker 1>you're not really seeing the full picture or whatever. You know,

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<v Speaker 1>you put it on in the background and it's just

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<v Speaker 1>like noise and even if you enjoy or the noise,

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<v Speaker 1>the cadence is good, whatever, you know, it's this is

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<v Speaker 1>the ambience and then what time, Well, what I ideally

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<v Speaker 1>seek out is that with time you sort of like,

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<v Speaker 1>oh I got that metaphor, Oh I just picked up

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<v Speaker 1>on that punchline. Oh that's hilarious. How you know this analogy, etcetera, etcetera.

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<v Speaker 1>So I'm just saying you could potentially there's probably people

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<v Speaker 1>that do for you. However, maybe take you out of

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<v Speaker 1>it a little bit just because of the artistry. The

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<v Speaker 1>artistry isn't there for you for some of this because

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<v Speaker 1>some of these cats. You know, I used to hate

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<v Speaker 1>those punch line rappers, you know what I mean, because

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<v Speaker 1>it was just sorry and easy, yo. Like, for the

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<v Speaker 1>most part, most rappers aren't gonna aren't producing records that

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<v Speaker 1>you can that that can like suffice throughout different modes

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<v Speaker 1>of a day, week, year, or life term. Right every

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<v Speaker 1>now and again, some are and maybe you can put

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<v Speaker 1>it together over the course of like a discography, right,

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<v Speaker 1>Like I always say, Jada kiss Has is one of

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<v Speaker 1>the few rappers that had bars that you can build

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<v Speaker 1>their life off of. Right, Like, you can tell your

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<v Speaker 1>kid to listen to this and they'll know how to

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<v Speaker 1>live as a human, right, Uh, everybody's a snake, So

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<v Speaker 1>I gotta keep the grass cut so I see him

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<v Speaker 1>when they come, and then I heat they up, right,

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<v Speaker 1>Like that's an incredible record, like be on your p's

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<v Speaker 1>and ques, you know what I mean. Like he has

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<v Speaker 1>those kind of bars. But for the most part, most

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<v Speaker 1>of these guys, it just it's the highlights and it's

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<v Speaker 1>just too much. And then and then and then the

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<v Speaker 1>young ladies. They're just talking too much, too much wild stuff.

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<v Speaker 1>I took some vows about four years ago. You know

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<v Speaker 1>what I mean. I don't I don't need all that

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<v Speaker 1>sexual energy in my life. I don't leave that life,

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<v Speaker 1>you know what I mean, Like all that I'm going

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<v Speaker 1>to the club, you know what I mean. I don't drink.

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<v Speaker 1>I wake up at four thirty. I'm vegan. I drink

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<v Speaker 1>board and tea. Like I want to listen to something

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<v Speaker 1>that kind of is consistent with my lifestyle. Now, I'm

0:12:48.520 --> 0:12:51.559
<v Speaker 1>not being real if I'm listening to this. And he

0:12:51.920 --> 0:12:58.280
<v Speaker 1>taught me to be real. Yes, yes, And so you

0:12:58.360 --> 0:13:00.520
<v Speaker 1>may not be listening to like post work while you

0:13:00.559 --> 0:13:03.000
<v Speaker 1>read Perfect Guard, But what are you listening to while

0:13:03.040 --> 0:13:07.040
<v Speaker 1>you read what the soundtrack, what's your soundtracking? What's your

0:13:07.040 --> 0:13:11.800
<v Speaker 1>reading list right now? Um? Okay? So uh shout out

0:13:11.840 --> 0:13:16.520
<v Speaker 1>to the homie Paul Uh. He came to a session,

0:13:16.760 --> 0:13:20.000
<v Speaker 1>to a two part workshop I was doing with represent

0:13:20.040 --> 0:13:24.440
<v Speaker 1>Georgia and Black there was I was on. We was

0:13:24.480 --> 0:13:25.960
<v Speaker 1>like it was like a little date night, like, oh,

0:13:26.040 --> 0:13:28.439
<v Speaker 1>let's put it on, like, oh, let's watch Travis. He

0:13:28.559 --> 0:13:32.120
<v Speaker 1>was sitting on the couching and popcorn. Yeah, but he

0:13:32.200 --> 0:13:33.959
<v Speaker 1>was on. He was in the chat asking yea, he

0:13:35.000 --> 0:13:38.240
<v Speaker 1>was actually in the chat saying the chat being mad nerdy,

0:13:38.240 --> 0:13:41.240
<v Speaker 1>asking questions about super nerdy. But it was a good question.

0:13:41.240 --> 0:13:42.840
<v Speaker 1>It was a dope question, you know what I mean.

0:13:42.920 --> 0:13:46.000
<v Speaker 1>But but like, so I'm coming fresh off of that.

0:13:46.040 --> 0:13:48.800
<v Speaker 1>We finished it last night, So coming fresh off of that.

0:13:48.960 --> 0:13:51.920
<v Speaker 1>Like most of my reading, it's been about that. And Um,

0:13:51.920 --> 0:13:54.720
<v Speaker 1>I put together these little playlists and you know, they've

0:13:54.760 --> 0:13:57.719
<v Speaker 1>been sending the playlist out, people been subscribing to it.

0:13:57.840 --> 0:14:01.360
<v Speaker 1>That's cool, But it's mostly old school because that's mostly

0:14:01.400 --> 0:14:04.600
<v Speaker 1>what I listened to. So I think, UM, Curtis by

0:14:04.600 --> 0:14:09.120
<v Speaker 1>Curtis Mayfield. I've been bumping pretty pretty hard lately. UM

0:14:09.200 --> 0:14:13.800
<v Speaker 1>Abbey Row by the Beatles. I've been bumping real hard lately. Um,

0:14:13.960 --> 0:14:19.800
<v Speaker 1>let me see, Uh you know I Want You by

0:14:19.840 --> 0:14:25.400
<v Speaker 1>by Marvin Gaye. Um. And then Otis Ready has a

0:14:25.560 --> 0:14:29.240
<v Speaker 1>song on the Soul album called Cigarettes and Coffee because

0:14:29.240 --> 0:14:31.400
<v Speaker 1>he remember on them old school songs and old black

0:14:31.480 --> 0:14:33.680
<v Speaker 1>dudes and them old songs. Was really funny because they

0:14:33.680 --> 0:14:36.920
<v Speaker 1>will always tell you what time of data song was

0:14:36.960 --> 0:14:43.280
<v Speaker 1>supposed to represent. It's early in the morning. The son yeah, yeah,

0:14:45.000 --> 0:14:49.960
<v Speaker 1>I don't work telling you where they're like what time

0:14:50.000 --> 0:14:56.480
<v Speaker 1>it is. I don't know why that careful. Leslie's white

0:14:56.480 --> 0:14:58.560
<v Speaker 1>folks know like, oh, he's gonna be at the He's

0:14:58.560 --> 0:15:04.280
<v Speaker 1>gonna be at the arena. Why it's so relevant to

0:15:04.560 --> 0:15:07.960
<v Speaker 1>how they construct songs, But it always was like it's

0:15:08.000 --> 0:15:10.880
<v Speaker 1>just like when you're listen to Stevie, right, Like Stevie

0:15:11.320 --> 0:15:15.240
<v Speaker 1>songs in the Key of Life, inter visions, incredible records,

0:15:15.280 --> 0:15:17.160
<v Speaker 1>and to me, all of this is hip hop. Like

0:15:17.240 --> 0:15:19.400
<v Speaker 1>that's the beautiful thing about hip hop because name name

0:15:19.720 --> 0:15:21.400
<v Speaker 1>name one of the artists that I mentioned that ain't

0:15:21.440 --> 0:15:23.760
<v Speaker 1>been sampled by a classic himpop record, you know what

0:15:23.840 --> 0:15:27.520
<v Speaker 1>I mean, galling whoever? Right, But when you listen to Stevie,

0:15:27.560 --> 0:15:32.440
<v Speaker 1>Stevie is always for a blind man. Is always referencing uh,

0:15:32.600 --> 0:15:38.120
<v Speaker 1>the seasons and particularly season change, right, which is interesting

0:15:38.200 --> 0:15:41.000
<v Speaker 1>because what he observes as a song right where he

0:15:41.040 --> 0:15:43.760
<v Speaker 1>communicates us through his through his lyrics, it's like he

0:15:43.760 --> 0:15:46.280
<v Speaker 1>can see it. He's not talking about like the smell

0:15:46.360 --> 0:15:50.240
<v Speaker 1>of autumn. He's always talking about something you would have

0:15:50.280 --> 0:15:53.440
<v Speaker 1>had to visually see, right, Like it's wild man when

0:15:53.440 --> 0:15:57.200
<v Speaker 1>you think about what he's saying. But so in in

0:15:57.480 --> 0:16:01.000
<v Speaker 1>uh in preparing for that, uh and doing you know what,

0:16:01.160 --> 0:16:04.760
<v Speaker 1>I will share a book list that I did with them,

0:16:05.520 --> 0:16:08.840
<v Speaker 1>and this was pretty dope stuff. So that so the

0:16:08.880 --> 0:16:12.040
<v Speaker 1>session was about power, right, So um, it was kind

0:16:12.040 --> 0:16:13.480
<v Speaker 1>of what do you want to get into that if

0:16:13.480 --> 0:16:14.920
<v Speaker 1>you want to talk to us a little bit about

0:16:14.960 --> 0:16:20.200
<v Speaker 1>what you presented on Yeah, yeah, it was. It was

0:16:20.240 --> 0:16:23.560
<v Speaker 1>a session about power, which was kind of an offshoot

0:16:23.560 --> 0:16:27.240
<v Speaker 1>of a conversation I was having with the with the

0:16:27.280 --> 0:16:31.800
<v Speaker 1>Freedom Riders over at um Ebony's a Baptist, uh and

0:16:32.080 --> 0:16:34.680
<v Speaker 1>maybe two months ago so I was covering with them

0:16:34.840 --> 0:16:38.640
<v Speaker 1>the Forms of Power by Thomas C. Wardenburg. Uh. This

0:16:38.720 --> 0:16:42.880
<v Speaker 1>is an incredible record. Uh. Michelle o'cock discipline and punish

0:16:43.120 --> 0:16:47.760
<v Speaker 1>always uh, you know, very deeply influential in the abolitionist movement.

0:16:47.800 --> 0:16:50.240
<v Speaker 1>You and I are always talking going over that. The

0:16:50.240 --> 0:16:54.240
<v Speaker 1>Struggle for Recognition by Alex Haunter actual hanted. Um. And

0:16:54.320 --> 0:16:56.920
<v Speaker 1>you know I'm always busting up neo liberalism Undoing the

0:16:56.960 --> 0:17:01.480
<v Speaker 1>Demos by Wendy Brown. No book captures it better really

0:17:01.560 --> 0:17:05.919
<v Speaker 1>just the description of the ethos of neoliberalism. Uh. The

0:17:06.000 --> 0:17:10.200
<v Speaker 1>ethics of identity by Farming Anthony of Pie. Uh. There's

0:17:10.280 --> 0:17:15.639
<v Speaker 1>some scholars doing some like critical thinking on identity. This guy,

0:17:15.880 --> 0:17:19.080
<v Speaker 1>I think it takes the most comprehensive approach. Maybe not

0:17:19.200 --> 0:17:23.520
<v Speaker 1>the most critical in every way. Maybe it's said whatever. Uh.

0:17:23.600 --> 0:17:26.320
<v Speaker 1>And then um also was covering with them the Unpolitics

0:17:26.440 --> 0:17:31.679
<v Speaker 1>of air Pollution by Matthew Crinson. Uh. And so the

0:17:31.760 --> 0:17:34.520
<v Speaker 1>Unpolitics and air pollution is this case study that was

0:17:34.560 --> 0:17:37.159
<v Speaker 1>public what covers a time from the seventies. Don't want

0:17:37.160 --> 0:17:39.600
<v Speaker 1>to say it was published like in the late seven Um,

0:17:39.640 --> 0:17:42.120
<v Speaker 1>it was a relatively hard to find book, I mean

0:17:42.160 --> 0:17:47.560
<v Speaker 1>not really just made it and so it Uh. The

0:17:47.640 --> 0:17:51.920
<v Speaker 1>case study is, uh, Samon's how the City of East

0:17:51.960 --> 0:17:54.919
<v Speaker 1>Chicago versus Gary, Indiana. I don't know if ever been

0:17:54.960 --> 0:17:57.239
<v Speaker 1>a Gary shout out to my dolts. Pretty years. By

0:17:57.320 --> 0:18:03.200
<v Speaker 1>the way, by the way, Alfredo, look at Alfredo, ain't

0:18:03.240 --> 0:18:06.560
<v Speaker 1>playing look at me, Look at me. Alfredo was on

0:18:06.600 --> 0:18:08.680
<v Speaker 1>point and shout out to Freddy Gibbs. And so the

0:18:08.800 --> 0:18:12.760
<v Speaker 1>Unpolitics and air Pollution covers how Gary versus how each

0:18:12.840 --> 0:18:17.800
<v Speaker 1>Chicago handle the air pollution issue in the early seventies, right,

0:18:18.240 --> 0:18:21.040
<v Speaker 1>and and what it what? What this book really teaches us,

0:18:21.040 --> 0:18:23.879
<v Speaker 1>which is become like such a such a key element

0:18:23.920 --> 0:18:28.200
<v Speaker 1>to how I approach, how I approach The most important

0:18:28.240 --> 0:18:31.280
<v Speaker 1>elements to to talk to others about from an educator

0:18:31.680 --> 0:18:36.080
<v Speaker 1>as an educator is uh, start a fight, right, don't

0:18:36.119 --> 0:18:38.720
<v Speaker 1>affoid a fight. Don't let these people get away with

0:18:38.920 --> 0:18:42.199
<v Speaker 1>not putting a fist up against you. Make it, make it,

0:18:42.359 --> 0:18:47.320
<v Speaker 1>make a real fight, call questions to to call things out,

0:18:47.440 --> 0:18:49.680
<v Speaker 1>like really make a fight, because people are gonna always

0:18:49.680 --> 0:18:51.560
<v Speaker 1>try to dodge stuff, you know what I mean. It's

0:18:51.600 --> 0:18:54.639
<v Speaker 1>just like you know that commission you said on it's something,

0:18:54.760 --> 0:18:56.760
<v Speaker 1>it's some wild stuff was happening and at other meaning

0:18:56.800 --> 0:18:59.560
<v Speaker 1>when it was passing at that field to when y'all

0:18:59.600 --> 0:19:03.760
<v Speaker 1>was passing, uh, the approval for the homeless encampment, that

0:19:03.880 --> 0:19:06.320
<v Speaker 1>was some wild stuff. People were saying, right, but they

0:19:06.440 --> 0:19:08.760
<v Speaker 1>also was avoiding getting to the heart of the question,

0:19:08.760 --> 0:19:10.720
<v Speaker 1>which is you know, I wasn't going there to make

0:19:10.760 --> 0:19:12.840
<v Speaker 1>no comment. Is just I'm listening to three hours of

0:19:12.960 --> 0:19:17.879
<v Speaker 1>people saying crazy, why stuff homeless people, lady and nearish

0:19:17.840 --> 0:19:20.480
<v Speaker 1>and more contacts for the listeners. I may not have

0:19:20.560 --> 0:19:24.400
<v Speaker 1>brought this up in an episode recently um or got

0:19:24.400 --> 0:19:27.040
<v Speaker 1>into detail on this, but in Athens we recently improved

0:19:27.280 --> 0:19:32.879
<v Speaker 1>approved uh uh, going about coming up with a strategic

0:19:32.880 --> 0:19:36.679
<v Speaker 1>plan for homelessness, you know, from starting with having a

0:19:36.920 --> 0:19:40.120
<v Speaker 1>station in Camper for people who were experience and criminalizations

0:19:40.160 --> 0:19:42.399
<v Speaker 1>for living outside actually have a place where they can go,

0:19:42.680 --> 0:19:46.200
<v Speaker 1>also as a hub for services, um etcetera. But also

0:19:46.359 --> 0:19:47.960
<v Speaker 1>you know, working all the way through, how do we

0:19:48.200 --> 0:19:49.959
<v Speaker 1>how do we want to build out our permanent support

0:19:49.960 --> 0:19:52.919
<v Speaker 1>of housing in Athens, etcetera, so that you know, we

0:19:52.960 --> 0:19:55.280
<v Speaker 1>address the actual issue, the fact that people ain't got

0:19:55.280 --> 0:19:58.159
<v Speaker 1>no place to live and not the quote unquote. And

0:19:58.200 --> 0:19:59.760
<v Speaker 1>the thing is, the thing is that was coming that's

0:19:59.760 --> 0:20:02.320
<v Speaker 1>come to of that meeting was that people were receiving

0:20:02.359 --> 0:20:06.280
<v Speaker 1>homeless people as homeless people as the problem and not

0:20:07.040 --> 0:20:11.920
<v Speaker 1>it's not. It's yeah, now that they were the product

0:20:12.080 --> 0:20:15.840
<v Speaker 1>of the actual problem, which is capitalism. But you know

0:20:16.240 --> 0:20:19.800
<v Speaker 1>that housing is not a human righting, you know, And

0:20:19.960 --> 0:20:22.600
<v Speaker 1>and I think, like that's that's the crazy thing, like

0:20:22.680 --> 0:20:26.959
<v Speaker 1>making making a fight happen. Right, So so, um, those

0:20:27.000 --> 0:20:29.280
<v Speaker 1>books I have been spending a lot of time with

0:20:29.400 --> 0:20:31.600
<v Speaker 1>but on a normal yeall read you know, anywhere from

0:20:31.800 --> 0:20:34.640
<v Speaker 1>seventy five to eighty something books this year. I'm trying

0:20:34.640 --> 0:20:36.600
<v Speaker 1>to aid a hundred, but I don't know if I

0:20:36.760 --> 0:20:40.040
<v Speaker 1>really hit a hundred, but um, you know, I give

0:20:40.080 --> 0:20:42.920
<v Speaker 1>it a shot. Oh yeah, you're slacking. You're not gonna

0:20:42.960 --> 0:20:45.920
<v Speaker 1>hit a hundred. I'm ashamed to you now that into

0:20:45.920 --> 0:20:49.040
<v Speaker 1>our conversation, Travis, I'm embarrassed by you for not reading

0:20:49.080 --> 0:20:51.520
<v Speaker 1>a hundred books. You're only gonna read eighty in the year.

0:20:52.800 --> 0:20:56.240
<v Speaker 1>I mean, but know you my main thing is like,

0:20:56.359 --> 0:20:59.000
<v Speaker 1>am I using my time efficiently? Right? Like? Am I

0:20:59.119 --> 0:21:01.600
<v Speaker 1>am I being effect it with my time? Is? And um,

0:21:02.240 --> 0:21:04.720
<v Speaker 1>you know we gotta have downtime or whatever. But like

0:21:05.240 --> 0:21:09.720
<v Speaker 1>I've dedicated my life to service and it's it's uh,

0:21:09.800 --> 0:21:13.240
<v Speaker 1>it is. It is deeply meaningful to me. And I

0:21:13.320 --> 0:21:16.920
<v Speaker 1>have clear boundaries, so I don't need as much time

0:21:17.000 --> 0:21:19.439
<v Speaker 1>is even some time, I think, but you know, I

0:21:19.480 --> 0:21:22.120
<v Speaker 1>play outside. It's a couple of things I think humans need, right.

0:21:22.160 --> 0:21:24.920
<v Speaker 1>One of those is recreation, right, and I think you

0:21:24.920 --> 0:21:29.399
<v Speaker 1>should play outside every day, right, Um. And physicality helps

0:21:29.400 --> 0:21:33.280
<v Speaker 1>me distress, right, not necessarily like cardio or lifting or

0:21:33.280 --> 0:21:36.960
<v Speaker 1>anything in particular, but physicality helps me distress. And so

0:21:37.040 --> 0:21:39.879
<v Speaker 1>that's that's usually how I how I take on recreation,

0:21:39.960 --> 0:21:42.639
<v Speaker 1>whether that's bike, whether that's walking, whether that's jogging with

0:21:42.760 --> 0:21:46.600
<v Speaker 1>the sprint, whether that's whatever. And uh, you know, you know,

0:21:46.800 --> 0:21:52.240
<v Speaker 1>people need uh meaningful vocation. I'm always engaged in meaningful vocation. Uh.

0:21:52.280 --> 0:21:55.240
<v Speaker 1>People need education. I try to These are different things

0:21:55.240 --> 0:21:58.200
<v Speaker 1>I try to do every day, and over the course

0:21:58.240 --> 0:22:00.600
<v Speaker 1>of the day it gets pretty full. So with things

0:22:00.680 --> 0:22:05.000
<v Speaker 1>being sometimes, uh, if I reades a day, I should

0:22:05.040 --> 0:22:06.520
<v Speaker 1>be able to tackle a hundred books, do you know

0:22:06.560 --> 0:22:10.639
<v Speaker 1>what I mean? Seventy five is like normal, right? Um?

0:22:10.720 --> 0:22:13.440
<v Speaker 1>And and I just uh, it's a it's a lot

0:22:13.520 --> 0:22:16.840
<v Speaker 1>that I wonder about about justice, like you know, Kenna

0:22:16.920 --> 0:22:20.320
<v Speaker 1>d A B progressive could restorative justice of a word?

0:22:20.840 --> 0:22:24.399
<v Speaker 1>Am I being ridiculous about abolition? Right? And that and

0:22:24.440 --> 0:22:28.080
<v Speaker 1>that requires a lot of feeding myself with information and

0:22:28.280 --> 0:22:30.560
<v Speaker 1>trying to think through what else do you think is

0:22:30.920 --> 0:22:32.920
<v Speaker 1>like so with regards, so you got into a little

0:22:32.920 --> 0:22:36.600
<v Speaker 1>bit of like talking about the elements of a good life,

0:22:36.840 --> 0:22:41.280
<v Speaker 1>good vocation, opportunity to simulate the mind, etcetera. So how

0:22:41.400 --> 0:22:45.879
<v Speaker 1>much of I'm really interested because you also operate this ministry, um,

0:22:45.920 --> 0:22:48.800
<v Speaker 1>so how much of like, how do you see like

0:22:49.040 --> 0:22:52.640
<v Speaker 1>provision of those of those both material like the basis

0:22:52.680 --> 0:22:56.359
<v Speaker 1>people need and creation of his opportunities for for people

0:22:56.400 --> 0:23:00.720
<v Speaker 1>to thrive as a part of the organizing needs to

0:23:00.720 --> 0:23:03.359
<v Speaker 1>happen in order for us to push for power. Well,

0:23:03.520 --> 0:23:05.879
<v Speaker 1>you know, the ultimate the ultimate question is this, right,

0:23:05.920 --> 0:23:09.760
<v Speaker 1>So always start with groups, uh when when talking to

0:23:09.800 --> 0:23:13.560
<v Speaker 1>them about power rights, to understand the difference between state

0:23:13.680 --> 0:23:17.760
<v Speaker 1>institutions and people. Right, the state is the is this

0:23:17.840 --> 0:23:23.400
<v Speaker 1>whole organized society? Right? This our our version of organized society. Right?

0:23:23.400 --> 0:23:26.560
<v Speaker 1>So the government uh And and this is something that

0:23:26.800 --> 0:23:28.520
<v Speaker 1>you know, you and I talked about a lot during

0:23:28.560 --> 0:23:32.239
<v Speaker 1>the protest. But just to get people to understand it,

0:23:32.560 --> 0:23:35.800
<v Speaker 1>stops saying that the state has a monopoly on violence.

0:23:35.840 --> 0:23:38.800
<v Speaker 1>They have more than that. They have a monopoly on force. Right,

0:23:39.600 --> 0:23:43.000
<v Speaker 1>forces a lot broader than just violence and Vatcanda rent

0:23:43.600 --> 0:23:47.919
<v Speaker 1>Uh says that you know where there's violence there's not power.

0:23:48.000 --> 0:23:51.359
<v Speaker 1>Whether it's power, there's not violence. She argues that power

0:23:51.440 --> 0:23:53.920
<v Speaker 1>is consentral, right, but that's not really relevant. But I'm

0:23:53.920 --> 0:23:57.480
<v Speaker 1>just saying like it's more than just you know violence, right,

0:23:57.560 --> 0:24:01.320
<v Speaker 1>like violence is a you in a dysfunctional state. As

0:24:01.359 --> 0:24:03.560
<v Speaker 1>a usually the state can use coercion and get us

0:24:03.600 --> 0:24:05.159
<v Speaker 1>to do what we what they want us to do, right,

0:24:05.200 --> 0:24:08.200
<v Speaker 1>they don't have to do all them So getting people

0:24:08.200 --> 0:24:12.280
<v Speaker 1>to understand that. And institutions are they mediate the needs

0:24:12.320 --> 0:24:15.560
<v Speaker 1>of the people in the interests of the state. Right, Uh,

0:24:15.600 --> 0:24:20.040
<v Speaker 1>the interests of the state are usually protection conservation, hence

0:24:20.080 --> 0:24:22.960
<v Speaker 1>the term conservative. Right, that's usually the interests of the

0:24:23.000 --> 0:24:26.879
<v Speaker 1>state and institutions mediate. And then the people, uh, you

0:24:26.920 --> 0:24:29.760
<v Speaker 1>know people here the term the multitude, right, that's that's

0:24:29.800 --> 0:24:32.720
<v Speaker 1>like a melting pot type term. But the people is

0:24:33.080 --> 0:24:38.200
<v Speaker 1>uh is there is persons working uh together or represented

0:24:38.240 --> 0:24:41.879
<v Speaker 1>together or of you together? Right. We just got the

0:24:42.440 --> 0:24:46.199
<v Speaker 1>the new census stuff came out yesterday, and you know,

0:24:46.480 --> 0:24:48.960
<v Speaker 1>look around in these districts in Georgia, look at the

0:24:48.960 --> 0:24:52.439
<v Speaker 1>shrinking districts there. There are a lot of the big

0:24:52.480 --> 0:24:55.959
<v Speaker 1>time white power players in the general Assembly districts are

0:24:55.960 --> 0:24:58.240
<v Speaker 1>shrinking for a lot of different reasons. Number one, the

0:24:58.320 --> 0:25:01.360
<v Speaker 1>point in time is August any what was going on COVID,

0:25:01.440 --> 0:25:03.960
<v Speaker 1>you know what I mean, or you know April or

0:25:03.960 --> 0:25:06.520
<v Speaker 1>whatever the specific one is. So you got some of

0:25:06.520 --> 0:25:09.080
<v Speaker 1>that going but you think you think that, I mean

0:25:09.240 --> 0:25:13.159
<v Speaker 1>obviously the sense it informs the Jerry Mandarin or informs

0:25:13.280 --> 0:25:17.840
<v Speaker 1>the redistrict in which becomes Jerry Mandarin as a as

0:25:17.880 --> 0:25:20.720
<v Speaker 1>a you know, systemic manipulation on us. And so I

0:25:21.080 --> 0:25:23.040
<v Speaker 1>just you know, I don't know, I went off on

0:25:23.080 --> 0:25:26.800
<v Speaker 1>a tangent, that's all. It's all. Yeah, so's talking about

0:25:27.000 --> 0:25:29.520
<v Speaker 1>my conscious you know that consciousness I'm talking about. Yeah, So,

0:25:29.640 --> 0:25:34.560
<v Speaker 1>like like the material providing a material supports for people

0:25:34.600 --> 0:25:36.840
<v Speaker 1>to then build like the various kinds of power, and

0:25:36.840 --> 0:25:38.840
<v Speaker 1>you got into like, well what is like where is power?

0:25:39.200 --> 0:25:42.320
<v Speaker 1>Power is not just agitating for the state to do

0:25:42.359 --> 0:25:46.159
<v Speaker 1>this or that. It's institutional power as well. Yeah, and

0:25:46.200 --> 0:25:49.359
<v Speaker 1>it's and it's completely relational, right, you only have power

0:25:49.440 --> 0:25:52.200
<v Speaker 1>in relation to something else, ideally in the social world,

0:25:52.240 --> 0:25:55.240
<v Speaker 1>other people. Right. But like if you're living on a

0:25:55.280 --> 0:25:57.880
<v Speaker 1>deserted island or a void, let's say that you're living

0:25:57.920 --> 0:26:01.320
<v Speaker 1>a boyd where it's just white walls, white shoes. No,

0:26:01.720 --> 0:26:04.600
<v Speaker 1>you can't even perceive clothes because you've never seen close.

0:26:04.840 --> 0:26:07.880
<v Speaker 1>There is no power. Power can't be had in an

0:26:07.880 --> 0:26:11.119
<v Speaker 1>empty void of nothing. Now you pop in another person

0:26:11.160 --> 0:26:13.840
<v Speaker 1>into that void. And because you know the secret place

0:26:13.920 --> 0:26:15.600
<v Speaker 1>in the void where you can sneak in and be

0:26:15.640 --> 0:26:18.479
<v Speaker 1>around black light is that white light, you have power,

0:26:19.080 --> 0:26:23.520
<v Speaker 1>uh of information that you could use to course influence

0:26:23.840 --> 0:26:26.200
<v Speaker 1>and even force that person to do stuff. Right. So

0:26:26.640 --> 0:26:29.640
<v Speaker 1>it's completely it's completely relational, you know. And so when

0:26:29.640 --> 0:26:31.639
<v Speaker 1>I when I'm thinking about, like even the work I

0:26:31.720 --> 0:26:35.000
<v Speaker 1>do an these different in these different spheres, whether it

0:26:35.040 --> 0:26:38.280
<v Speaker 1>be h with the church or or chess community or

0:26:38.560 --> 0:26:42.720
<v Speaker 1>just general activism or as a writer or educator. What

0:26:42.880 --> 0:26:47.639
<v Speaker 1>worries me most sometimes is the work uh is charitable

0:26:47.680 --> 0:26:52.040
<v Speaker 1>work through organizations, churches or anything of the sort, right,

0:26:52.080 --> 0:26:55.919
<v Speaker 1>because we run the risk of the charity like giving

0:26:56.240 --> 0:27:00.240
<v Speaker 1>government a dodge to not do nothing. Right. Oh, the

0:27:00.320 --> 0:27:02.600
<v Speaker 1>charity is gonna need you. No, that's the that's the

0:27:02.600 --> 0:27:04.199
<v Speaker 1>work of the government. You know, the state is supposed

0:27:04.200 --> 0:27:06.240
<v Speaker 1>to take care of you. I don't know what y'all think,

0:27:06.320 --> 0:27:08.040
<v Speaker 1>just this state is supposed to do, you know what

0:27:08.080 --> 0:27:10.119
<v Speaker 1>I mean? They want the state to just be like

0:27:10.600 --> 0:27:15.560
<v Speaker 1>administrative bureaucracy to help them get uh to to exploit

0:27:16.119 --> 0:27:19.680
<v Speaker 1>new new students or new workers or whatever. It's like,

0:27:20.080 --> 0:27:27.560
<v Speaker 1>this is all crazy, you know what I mean? In

0:27:27.640 --> 0:27:30.560
<v Speaker 1>the time we got less um this comes out on

0:27:30.560 --> 0:27:34.159
<v Speaker 1>their on Thursdays generally, So what what kind of I

0:27:34.240 --> 0:27:37.000
<v Speaker 1>know when the podcast come out? Hold you listen to

0:27:37.040 --> 0:27:43.480
<v Speaker 1>the show Man, So you went on that hiatus and

0:27:43.560 --> 0:27:48.720
<v Speaker 1>it missed me up? Now would be nervous you listen

0:27:48.720 --> 0:27:50.920
<v Speaker 1>to the show. I'm like Ship Travis's probably think I'm

0:27:50.920 --> 0:27:53.600
<v Speaker 1>a dumbass, Like what's you talking about this you're doing?

0:27:54.280 --> 0:27:57.159
<v Speaker 1>Sometimes I want you to really get into it, you

0:27:57.240 --> 0:28:01.120
<v Speaker 1>know the big Yeah, I know, you know what I mean.

0:28:01.160 --> 0:28:03.639
<v Speaker 1>It's it's a it's a different approach, right Like I

0:28:03.680 --> 0:28:06.960
<v Speaker 1>would I want to see more granular stuff, you know

0:28:06.960 --> 0:28:08.800
<v Speaker 1>what I mean. But but I love what y'all doing.

0:28:09.720 --> 0:28:11.479
<v Speaker 1>But actually, I mean I asking different questions than I

0:28:11.520 --> 0:28:13.280
<v Speaker 1>was planning to do. You went over a lot of

0:28:13.320 --> 0:28:17.359
<v Speaker 1>different books that you've been reading or planning engaging with, um,

0:28:17.440 --> 0:28:20.880
<v Speaker 1>you know, with the So what would you say right

0:28:20.880 --> 0:28:22.639
<v Speaker 1>now is the most urgent thing you would like a

0:28:22.760 --> 0:28:25.240
<v Speaker 1>listener to go out and read? And why? Like what

0:28:25.400 --> 0:28:27.520
<v Speaker 1>is what why is that particular piece of political now,

0:28:27.520 --> 0:28:31.760
<v Speaker 1>because it's really really saily in the urgent, in the moment, right. Um,

0:28:31.800 --> 0:28:36.119
<v Speaker 1>I would probably say the first thing, the first thing

0:28:36.160 --> 0:28:42.920
<v Speaker 1>anybody has to do, I think is always consider what

0:28:43.120 --> 0:28:48.360
<v Speaker 1>is justice right? Like you know is generally uh, the

0:28:48.400 --> 0:28:50.680
<v Speaker 1>first question I started with what is justice right? And

0:28:51.000 --> 0:28:53.040
<v Speaker 1>you to answer that question, I think you have to

0:28:53.040 --> 0:28:56.320
<v Speaker 1>answer a bunch of other questions, right, But but so

0:28:56.920 --> 0:28:59.320
<v Speaker 1>what where I think someone needs to start out like

0:28:59.400 --> 0:29:02.080
<v Speaker 1>it'll be It'll be young men, young women, you know

0:29:02.080 --> 0:29:05.960
<v Speaker 1>what I mean? Sometimes my age who want to come

0:29:06.000 --> 0:29:08.680
<v Speaker 1>and collaborated, like can I come hang around, find something

0:29:08.720 --> 0:29:10.800
<v Speaker 1>to do? And I'm like, all right, we'll go uh

0:29:11.000 --> 0:29:14.000
<v Speaker 1>read this, read that, reread this right and and a

0:29:14.040 --> 0:29:17.080
<v Speaker 1>lot of times I try to start them with our

0:29:17.120 --> 0:29:22.880
<v Speaker 1>Prisons Obsolete and by Angela Davis to to just um, yeah,

0:29:23.000 --> 0:29:27.600
<v Speaker 1>incredible book, uh really the source of my uh kind

0:29:27.600 --> 0:29:31.000
<v Speaker 1>of my anchoring and the abolitionist movement Abolition to Struggle

0:29:31.640 --> 0:29:36.320
<v Speaker 1>Go and gulag uh Is also is also an incredible work,

0:29:36.600 --> 0:29:40.239
<v Speaker 1>but by Ruth Guilmore and um and and and so

0:29:40.280 --> 0:29:44.240
<v Speaker 1>I would say start there to begin to understand the

0:29:44.800 --> 0:29:48.520
<v Speaker 1>how different systems interflate with one another and to ask

0:29:48.560 --> 0:29:51.560
<v Speaker 1>yourself questions that we take for granted, right, Like, prisons

0:29:51.600 --> 0:29:53.480
<v Speaker 1>as we understand them may have been around that long.

0:29:53.640 --> 0:29:56.760
<v Speaker 1>Did you know that? Probably not? Okay, so you don't

0:29:56.760 --> 0:30:00.760
<v Speaker 1>take that for granted. We can Prison was wasn't innovation? Right?

0:30:00.840 --> 0:30:03.320
<v Speaker 1>Prison was the innovation. Prison was an innovation. That was

0:30:03.400 --> 0:30:05.360
<v Speaker 1>them stepping up and saying, oh, it's just things differently.

0:30:05.440 --> 0:30:07.840
<v Speaker 1>Let's be well to stop hanging people in the in

0:30:07.960 --> 0:30:11.000
<v Speaker 1>the courtyard. Yeah, leaving people on the stocks and ship

0:30:11.560 --> 0:30:14.959
<v Speaker 1>up too much. We're gonna do we were capable. If

0:30:14.960 --> 0:30:17.760
<v Speaker 1>we were capable of making that transition, we can also

0:30:17.960 --> 0:30:22.200
<v Speaker 1>we are capable of transitioning away of a new innovation. Right.

0:30:22.240 --> 0:30:24.880
<v Speaker 1>And so I would say I would say start there.

0:30:25.040 --> 0:30:28.240
<v Speaker 1>I would say, UM Spheares of Justice by Michael Walzer,

0:30:28.640 --> 0:30:31.160
<v Speaker 1>I would say start there. I would say, if somebody

0:30:31.280 --> 0:30:35.920
<v Speaker 1>is really interested in um and and digging into some

0:30:36.840 --> 0:30:39.800
<v Speaker 1>digging into some heavy work, uh, those are those are

0:30:39.840 --> 0:30:42.320
<v Speaker 1>the places to start and kind of kind of think

0:30:42.320 --> 0:30:45.000
<v Speaker 1>through olds. But I would say that the best the

0:30:45.040 --> 0:30:51.480
<v Speaker 1>best education is feeding yourself through uh, through that information,

0:30:51.600 --> 0:30:53.760
<v Speaker 1>but also being out here in the streets, because what

0:30:53.840 --> 0:30:55.840
<v Speaker 1>you see is you see all this suffering in all

0:30:55.920 --> 0:30:59.120
<v Speaker 1>this pain. This week, hunted families came through hunting. More

0:30:59.160 --> 0:31:01.760
<v Speaker 1>than a hundred families came through the food cantry right

0:31:02.120 --> 0:31:07.320
<v Speaker 1>this week, uh two or three. One social worker at

0:31:07.360 --> 0:31:11.800
<v Speaker 1>the schools, one essentially homeless outreach social worker at at

0:31:11.920 --> 0:31:16.680
<v Speaker 1>at MANTAGE, and another just kind of random person all

0:31:16.720 --> 0:31:19.440
<v Speaker 1>reached out with families who are in desperate need a house.

0:31:19.520 --> 0:31:23.520
<v Speaker 1>And fortunately, because of the support that our congregation gives

0:31:23.560 --> 0:31:26.960
<v Speaker 1>to this particular ministry and then just generally, we were

0:31:27.040 --> 0:31:31.360
<v Speaker 1>able to help him. Right But like, um, we we

0:31:31.400 --> 0:31:33.479
<v Speaker 1>didn't have to, you know what I mean, Like they

0:31:33.480 --> 0:31:35.520
<v Speaker 1>could have been out there, I could have never found out.

0:31:35.640 --> 0:31:37.640
<v Speaker 1>They could have never found out that people that reached

0:31:37.640 --> 0:31:39.880
<v Speaker 1>out could have never found out. So being out here

0:31:39.880 --> 0:31:43.520
<v Speaker 1>in the street and seeing this and and you know,

0:31:43.840 --> 0:31:47.920
<v Speaker 1>seeing and suffering, I think is incredibly informational with particularly

0:31:47.960 --> 0:31:50.520
<v Speaker 1>when you put it with the book, right when you

0:31:50.560 --> 0:31:52.320
<v Speaker 1>put it with this book at that book are kind

0:31:52.360 --> 0:31:54.760
<v Speaker 1>of a kind of thinking through those But I would

0:31:54.760 --> 0:31:57.520
<v Speaker 1>say I would say that's what I would saying, Well,

0:31:57.560 --> 0:32:00.080
<v Speaker 1>I appreciate you bringing us back to practice, not just

0:32:00.280 --> 0:32:04.320
<v Speaker 1>like oh, just reading about it, but actually being about it.

0:32:04.880 --> 0:32:07.280
<v Speaker 1>If you're not if you're not really really doing it,

0:32:07.440 --> 0:32:09.520
<v Speaker 1>you know what I mean? It feels different. It's like

0:32:09.640 --> 0:32:12.000
<v Speaker 1>if you just if you only recording songs in your

0:32:12.040 --> 0:32:14.719
<v Speaker 1>in your room, and then like let's say they're popping

0:32:14.800 --> 0:32:17.200
<v Speaker 1>on the internet. People are listening to your songs, but

0:32:17.320 --> 0:32:20.920
<v Speaker 1>you've never performed them, right, You have a whole different

0:32:20.960 --> 0:32:23.560
<v Speaker 1>set of expectations for how you want to beat the sound,

0:32:23.560 --> 0:32:25.240
<v Speaker 1>how you want to mix the sound. Do you want

0:32:25.640 --> 0:32:27.479
<v Speaker 1>like you know, I don't know if you saw that

0:32:27.560 --> 0:32:31.880
<v Speaker 1>locks uh dip set that or whatever versus. I didn't

0:32:31.880 --> 0:32:34.320
<v Speaker 1>watch it. I watched a couple of flips, but um,

0:32:34.480 --> 0:32:37.440
<v Speaker 1>that's because Kevin shout out to uh, shout out, shout

0:32:37.440 --> 0:32:40.680
<v Speaker 1>out your son too, what's bugging me about? What's bugging

0:32:40.720 --> 0:32:43.080
<v Speaker 1>me about the thing? Because he loved the battles. So

0:32:43.400 --> 0:32:45.400
<v Speaker 1>you know, I took a look at it and it's

0:32:45.440 --> 0:32:47.600
<v Speaker 1>crazy because the tip said was performing with the vocals

0:32:47.600 --> 0:32:49.800
<v Speaker 1>on the track, Like, dude, what are you doing? This

0:32:49.760 --> 0:32:52.240
<v Speaker 1>is ain't you know. Jada was saying, this ain't hip

0:32:52.280 --> 0:32:55.120
<v Speaker 1>hop and it ain't right. But but your expectations for

0:32:55.240 --> 0:32:57.160
<v Speaker 1>like even what your songs need to be as different

0:32:57.440 --> 0:32:59.160
<v Speaker 1>once you start performing, you know what I mean? How

0:32:59.160 --> 0:33:00.800
<v Speaker 1>many times. You know, I seen somebody in the first

0:33:00.800 --> 0:33:03.200
<v Speaker 1>show and they froze. They was tough guy on the

0:33:03.360 --> 0:33:05.680
<v Speaker 1>on the mic and not a froze, right because it's

0:33:05.680 --> 0:33:09.160
<v Speaker 1>a it's a whole different element. Yeah, you're absolutely right.

0:33:09.240 --> 0:33:13.120
<v Speaker 1>I love that analogy. Perfect way to end off our conversation, Travis.

0:33:13.200 --> 0:33:15.880
<v Speaker 1>I can people get in touch with you? Is there

0:33:15.920 --> 0:33:18.600
<v Speaker 1>a way people can stay in touch with the absolutely

0:33:19.320 --> 0:33:22.880
<v Speaker 1>email me. I teach it a lot of different places,

0:33:22.920 --> 0:33:26.160
<v Speaker 1>with a lot of different black organizations and in justice

0:33:26.160 --> 0:33:30.600
<v Speaker 1>money organizations in the region. I can't think of any

0:33:30.640 --> 0:33:33.680
<v Speaker 1>thing right now, uh, because a lot of dates are

0:33:33.720 --> 0:33:35.640
<v Speaker 1>up in the air. But they can email me at

0:33:36.080 --> 0:33:40.200
<v Speaker 1>the Williams Project at gmail dot com at Williams like

0:33:40.240 --> 0:33:43.160
<v Speaker 1>my last names of I L I M. S Project,

0:33:43.400 --> 0:33:45.600
<v Speaker 1>R O J E C T in the projects at

0:33:45.640 --> 0:33:48.280
<v Speaker 1>gmail dot com. So the Williams Project at gmail dot

0:33:48.360 --> 0:33:52.600
<v Speaker 1>com say in touch with the kids Waiting on Reparations

0:33:52.480 --> 0:33:55.280
<v Speaker 1>was the production of I Heeart Radio. For more podcasts

0:33:55.280 --> 0:33:57.680
<v Speaker 1>from my Heart Radio, check out the heart Radio app,

0:33:57.760 --> 0:34:00.280
<v Speaker 1>Apple Podcast, or wherever you get your body. Yes,