1 00:00:00,200 --> 00:00:03,000 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast. I 2 00:00:03,080 --> 00:00:06,520 Speaker 1: am movie Mic on Twitter and Instagram at Mike Destro. 3 00:00:06,680 --> 00:00:09,640 Speaker 1: Got a great episode for you guys this week. I 4 00:00:09,680 --> 00:00:13,800 Speaker 1: am talking about actors who hated each other in movies. 5 00:00:13,880 --> 00:00:16,279 Speaker 1: So maybe you saw them on the big screen, you're thinking, man, 6 00:00:16,760 --> 00:00:19,480 Speaker 1: those actors worked really well together, but behind the scenes 7 00:00:19,520 --> 00:00:22,680 Speaker 1: that there were some stuff going down and they hated 8 00:00:22,680 --> 00:00:25,000 Speaker 1: each other's guts. I'm also gonna throw in some directors 9 00:00:25,000 --> 00:00:27,639 Speaker 1: who didn't get along with some of their stars. And 10 00:00:27,680 --> 00:00:31,760 Speaker 1: there's even one of a list actor who just let 11 00:00:31,880 --> 00:00:34,519 Speaker 1: somebody on the set have it and one of my 12 00:00:34,600 --> 00:00:36,640 Speaker 1: favorite clips of all time that I'll get into on 13 00:00:36,760 --> 00:00:38,839 Speaker 1: that one. I'm also trying to got a segment this 14 00:00:38,880 --> 00:00:41,040 Speaker 1: week called the Underrated Movie of a Week. Well, I'll 15 00:00:41,080 --> 00:00:43,800 Speaker 1: review a movie that came out a while ago, in 16 00:00:43,840 --> 00:00:46,240 Speaker 1: this case twenty five years ago, and it's a Disney 17 00:00:46,280 --> 00:00:48,640 Speaker 1: movie that maybe you haven't seen, but now it's streaming 18 00:00:48,640 --> 00:00:50,480 Speaker 1: on Disney Plus and I want to share that movie 19 00:00:50,520 --> 00:00:53,159 Speaker 1: with you. And I'm also continuing my reviews of my 20 00:00:53,240 --> 00:00:55,720 Speaker 1: top ten movies of all time this week. I'm getting 21 00:00:55,720 --> 00:00:58,080 Speaker 1: to number eight, which is a movie from two thousand 22 00:00:58,120 --> 00:01:01,560 Speaker 1: seven called No. Country for Old in all that coming 23 00:01:01,640 --> 00:01:03,960 Speaker 1: up on this week's episode. Thanks to you guys for 24 00:01:04,120 --> 00:01:07,399 Speaker 1: hitting play and hitting download again. Make sure you're hitting 25 00:01:07,400 --> 00:01:09,600 Speaker 1: that five stars and leaving a review. If you're listening 26 00:01:09,600 --> 00:01:12,240 Speaker 1: on Apple podcast, that means a lot for me. That 27 00:01:12,280 --> 00:01:14,040 Speaker 1: really helps me a lot with getting out there a 28 00:01:14,040 --> 00:01:17,039 Speaker 1: little bit more and finding some new listeners to come 29 00:01:17,080 --> 00:01:19,400 Speaker 1: and join the fun we're having over here. And always 30 00:01:20,040 --> 00:01:22,399 Speaker 1: what really helps and me just tell a friend be like, Hey, 31 00:01:22,560 --> 00:01:24,399 Speaker 1: I know you're at home watching a lot of movies. 32 00:01:24,440 --> 00:01:26,200 Speaker 1: Listen to this podcast where all they do is talk 33 00:01:26,240 --> 00:01:29,280 Speaker 1: about movies and give some what. I hope there's some 34 00:01:29,319 --> 00:01:32,280 Speaker 1: good recommendation for you to watch. Right now. With all 35 00:01:32,360 --> 00:01:35,520 Speaker 1: that said, let's just get into this week's episode. Let's 36 00:01:35,520 --> 00:01:38,320 Speaker 1: get started. In a world where everyone and their mother 37 00:01:38,440 --> 00:01:42,959 Speaker 1: has a podcast, one man stands to infiltrate the ears 38 00:01:42,959 --> 00:01:47,240 Speaker 1: of listeners like never before in a movie podcast, A 39 00:01:47,360 --> 00:01:50,840 Speaker 1: man with so much movie knowledge piece basically like a 40 00:01:51,000 --> 00:01:56,400 Speaker 1: walking on MTV with glasses from the Nashville podcast Networkinges 41 00:01:57,120 --> 00:02:01,760 Speaker 1: Movie Mi Movie Podcast. Alright, today we're talking about actors 42 00:02:01,760 --> 00:02:04,840 Speaker 1: who hated each other, so on the big screen they 43 00:02:04,880 --> 00:02:07,160 Speaker 1: look like best of friends. They look like they're getting along. 44 00:02:07,200 --> 00:02:09,320 Speaker 1: They look like they're doing a movie together, but behind 45 00:02:09,400 --> 00:02:12,799 Speaker 1: the scenes there's some really intense friction. Some of these 46 00:02:13,120 --> 00:02:15,760 Speaker 1: they have punches throwing. Some of these they have named 47 00:02:15,800 --> 00:02:18,400 Speaker 1: being called. So I'll get into all of these, and 48 00:02:18,400 --> 00:02:20,600 Speaker 1: I also want to throw in some directors who had 49 00:02:20,639 --> 00:02:24,160 Speaker 1: better relationships with actors well, and in particular where this 50 00:02:24,200 --> 00:02:27,720 Speaker 1: person said something pretty vicious about a director and it 51 00:02:27,800 --> 00:02:30,079 Speaker 1: ended up really not being true, So we'll get into 52 00:02:30,120 --> 00:02:32,160 Speaker 1: that one. And then there's also some of these that 53 00:02:32,200 --> 00:02:35,679 Speaker 1: I speculate we're just made up to kind of promote 54 00:02:35,720 --> 00:02:37,880 Speaker 1: the movie and make it seem like there's some stuff 55 00:02:37,919 --> 00:02:40,679 Speaker 1: going on behind the scenes. They put that stuff out there, 56 00:02:40,720 --> 00:02:43,840 Speaker 1: like on Instagram to get people talking about the movie. 57 00:02:43,880 --> 00:02:45,560 Speaker 1: So I think some of these were maybe just kind 58 00:02:45,560 --> 00:02:48,760 Speaker 1: of built up as a beef, but there maybe really 59 00:02:48,800 --> 00:02:50,640 Speaker 1: wasn't anything there the whole time. But the first one 60 00:02:50,680 --> 00:02:53,800 Speaker 1: I want to get into is Robert Downey Jr. And 61 00:02:53,919 --> 00:02:57,720 Speaker 1: Terence Howard, who we're both in the Original Iron Man, 62 00:02:57,760 --> 00:03:00,840 Speaker 1: so pretty much would kick off all of Marvel and 63 00:03:00,880 --> 00:03:03,480 Speaker 1: maybe you forget Terrence Howard was in that very first one. 64 00:03:03,520 --> 00:03:06,920 Speaker 1: He played war Machine in the original Iron Man. He 65 00:03:06,960 --> 00:03:09,240 Speaker 1: didn't actually suit up in the movie, but it was 66 00:03:09,280 --> 00:03:11,680 Speaker 1: supposed to be his role that Don Cheetle took on 67 00:03:11,800 --> 00:03:14,280 Speaker 1: and played for the entire rest of the m c U. 68 00:03:15,240 --> 00:03:18,600 Speaker 1: And here you have Terence Howard. So what happened with 69 00:03:18,680 --> 00:03:22,239 Speaker 1: him It was a mix of his relationship with Robert 70 00:03:22,280 --> 00:03:26,880 Speaker 1: Downey Jr. And also his relationship with Marvel. Because everything 71 00:03:27,000 --> 00:03:30,440 Speaker 1: was fine when the movie happened. They actually sought out 72 00:03:30,639 --> 00:03:32,239 Speaker 1: Terence Howard to have him in the movie. He was 73 00:03:32,320 --> 00:03:34,160 Speaker 1: having pretty big success round that time. He had done 74 00:03:34,200 --> 00:03:36,640 Speaker 1: Hustle and Flow, and they were like, Okay, we want 75 00:03:36,640 --> 00:03:39,600 Speaker 1: to go after Robert Downey executing. They wanted to go 76 00:03:39,640 --> 00:03:42,720 Speaker 1: after Terrence Howard. They got him first, and then Terrence 77 00:03:42,760 --> 00:03:46,920 Speaker 1: Howard is actually the one who recommended Robert Downey Jr. 78 00:03:46,960 --> 00:03:49,880 Speaker 1: From Iron Man, so he says, so Terrence Howard actually 79 00:03:49,920 --> 00:03:52,800 Speaker 1: said that he took a million dollars less To get 80 00:03:52,840 --> 00:03:55,280 Speaker 1: his friend Robert Downey Jr. That part. So they did 81 00:03:55,360 --> 00:03:58,280 Speaker 1: the movie together. It came out great, They're gonna do 82 00:03:58,320 --> 00:04:01,640 Speaker 1: iron Man too, And that's when things got a little 83 00:04:01,760 --> 00:04:05,000 Speaker 1: rough because they ended up casting Robert Downey Junior again, 84 00:04:05,040 --> 00:04:07,760 Speaker 1: gave him a bunch of money, but they wanted to 85 00:04:07,840 --> 00:04:11,200 Speaker 1: scale back Terrence Howard's character in the movie because they 86 00:04:11,200 --> 00:04:13,120 Speaker 1: thought he didn't really do so well. They thought he 87 00:04:13,160 --> 00:04:16,559 Speaker 1: didn't play the character like if they wanted so. Terrence 88 00:04:16,600 --> 00:04:19,200 Speaker 1: Howard got mad and he's like, hey, Robert Downey Jr. 89 00:04:19,240 --> 00:04:21,720 Speaker 1: I kind of wouldn't need you to do for me 90 00:04:21,800 --> 00:04:23,800 Speaker 1: what I did for you and have my back here, 91 00:04:24,360 --> 00:04:28,000 Speaker 1: And he says allegedly that Robert Downey Junior didn't have 92 00:04:28,000 --> 00:04:30,599 Speaker 1: his back and that he took the money for him 93 00:04:30,720 --> 00:04:33,600 Speaker 1: and didn't help Terrence Howard out at all. So they 94 00:04:33,680 --> 00:04:37,160 Speaker 1: ended up casting Don Cheetle instead in his place. Terrence 95 00:04:37,200 --> 00:04:39,680 Speaker 1: Howard held onto that for a pretty long while. They 96 00:04:39,680 --> 00:04:41,919 Speaker 1: didn't talk. They were just mad at each other. Anytime 97 00:04:42,040 --> 00:04:44,600 Speaker 1: Terrence Howard would get asked about it an interviews, he 98 00:04:44,640 --> 00:04:47,480 Speaker 1: would call out Robert Downey Junior, and Robert Downey Junior 99 00:04:47,560 --> 00:04:49,320 Speaker 1: was like, you know, I had no decision in that, 100 00:04:49,440 --> 00:04:51,920 Speaker 1: he said, I'm not the one who chose to move 101 00:04:51,920 --> 00:04:54,800 Speaker 1: on without Terrence Howard. None of that was on me. 102 00:04:55,279 --> 00:04:57,760 Speaker 1: And it was until like years years later where they 103 00:04:57,800 --> 00:04:59,880 Speaker 1: ended up meeting and taking a picture together and ter 104 00:05:00,000 --> 00:05:02,719 Speaker 1: as Howard Captain. They're like, hey, me and Robert Downy 105 00:05:02,760 --> 00:05:05,000 Speaker 1: Junior here together again, it feels cool to be hanging out. 106 00:05:05,080 --> 00:05:09,479 Speaker 1: So allegedly the beef was squashed, but it still seems 107 00:05:09,560 --> 00:05:11,920 Speaker 1: like Terrence Howard is just kind of a hard guy 108 00:05:11,960 --> 00:05:14,120 Speaker 1: to work with, because Marvel came out later saying he 109 00:05:14,200 --> 00:05:17,360 Speaker 1: was very hot headed and just didn't get along with 110 00:05:17,560 --> 00:05:19,840 Speaker 1: what they were trying to do. Because really, everybody from 111 00:05:19,839 --> 00:05:22,520 Speaker 1: that first Iron Man movie went on to be a 112 00:05:22,560 --> 00:05:26,000 Speaker 1: part of the entire franchise, like all those people involved 113 00:05:26,040 --> 00:05:28,640 Speaker 1: in that one went on to have a role either 114 00:05:28,680 --> 00:05:31,039 Speaker 1: in the movies or directing the movies, and it was 115 00:05:31,080 --> 00:05:33,799 Speaker 1: really him who was the only one who got kicked 116 00:05:33,800 --> 00:05:36,680 Speaker 1: out from there. So maybe he was kind of a hothead, 117 00:05:36,839 --> 00:05:38,960 Speaker 1: and it wasn't so much that he didn't get along 118 00:05:39,000 --> 00:05:41,120 Speaker 1: with Robert Downey Jr. After that and he didn't fight 119 00:05:41,120 --> 00:05:44,000 Speaker 1: for him. I think in this case, he maybe felt 120 00:05:44,040 --> 00:05:47,200 Speaker 1: that Robert Downey Jr. Owed him something at some point, 121 00:05:47,240 --> 00:05:49,080 Speaker 1: and the fact that he became such a big star 122 00:05:49,200 --> 00:05:52,440 Speaker 1: from that movie really kind of overcasted his performance. He 123 00:05:52,520 --> 00:05:55,080 Speaker 1: was mad at that, so I think it's more of 124 00:05:55,120 --> 00:05:57,560 Speaker 1: his attitude on this one. This next one was pretty 125 00:05:57,600 --> 00:05:59,599 Speaker 1: crazy because maybe you don't even remember that this was 126 00:05:59,640 --> 00:06:01,839 Speaker 1: even a beef and maybe even when you hear this 127 00:06:01,960 --> 00:06:04,600 Speaker 1: beef now, you can't believe that it actually went down. 128 00:06:04,680 --> 00:06:07,600 Speaker 1: But back when they remade the Charlie's Angels movies in 129 00:06:07,640 --> 00:06:12,280 Speaker 1: two thousand, they cast Bill Murray as Bosley, and they 130 00:06:12,320 --> 00:06:14,359 Speaker 1: cast a whole new group of Angels, and one in 131 00:06:14,400 --> 00:06:18,119 Speaker 1: particular was Lucy Lou. Now, they didn't get along on set, 132 00:06:18,160 --> 00:06:21,920 Speaker 1: and apparently it's because Bill Murray criticized the way Lucy 133 00:06:21,960 --> 00:06:24,760 Speaker 1: Loeu would act. Now, Bill Murray he's a notorious for 134 00:06:24,880 --> 00:06:27,720 Speaker 1: kind of being a really weird dude. He's the kind 135 00:06:27,720 --> 00:06:30,320 Speaker 1: of guy who sometimes, like back in the day when 136 00:06:30,320 --> 00:06:32,000 Speaker 1: he was doing Ghostbusters, they didn't even know he was 137 00:06:32,000 --> 00:06:34,279 Speaker 1: going to show up, Like they cast him in the part, 138 00:06:34,360 --> 00:06:36,080 Speaker 1: they heard nothing from him, and then the first day 139 00:06:36,080 --> 00:06:38,720 Speaker 1: of filming he shows up. So he's just a crazy 140 00:06:38,760 --> 00:06:42,000 Speaker 1: guy altogether. There's a lot of this mystery around Bill Murray, 141 00:06:42,200 --> 00:06:44,920 Speaker 1: and acting is something he just takes. When he's in there, 142 00:06:44,920 --> 00:06:47,920 Speaker 1: he's super dialed in, so he goes in and he 143 00:06:47,920 --> 00:06:50,960 Speaker 1: knows what he wants. And apparently whenever him and Lucy 144 00:06:51,000 --> 00:06:54,520 Speaker 1: Lou were doing scenes together, he was kind of criticizing 145 00:06:54,520 --> 00:06:56,680 Speaker 1: her technique. He would even like kind of yell at 146 00:06:56,680 --> 00:06:57,920 Speaker 1: her and me like what are you, Like, what are 147 00:06:57,920 --> 00:07:01,080 Speaker 1: you doing here? Like you can't act? And of course 148 00:07:01,120 --> 00:07:03,280 Speaker 1: Lucy Lou is not gonna take that lightly, so they 149 00:07:03,480 --> 00:07:06,119 Speaker 1: ended up just getting into really heated exchanges all the time, 150 00:07:06,680 --> 00:07:08,719 Speaker 1: and there was this one time in particular where he 151 00:07:08,800 --> 00:07:11,040 Speaker 1: was like so upset with their performance, straight up told 152 00:07:11,040 --> 00:07:13,480 Speaker 1: her that, hey, you're not doing your job right, like 153 00:07:13,520 --> 00:07:17,200 Speaker 1: you have no acting technique. That she got so mad 154 00:07:17,320 --> 00:07:20,320 Speaker 1: she just started throwing punches at Bill Murray so bad 155 00:07:20,440 --> 00:07:23,080 Speaker 1: that the crew ended up having like the pull them apart, 156 00:07:23,880 --> 00:07:26,120 Speaker 1: and it was just really hard for them to work 157 00:07:26,160 --> 00:07:29,080 Speaker 1: together on this movie. So it's Bill Murray straight up 158 00:07:29,080 --> 00:07:31,800 Speaker 1: just verbally attacking Lucy Lou and then Lucy Lou just 159 00:07:31,800 --> 00:07:33,760 Speaker 1: getting so fed up with it. So they ended up 160 00:07:33,800 --> 00:07:36,280 Speaker 1: doing another Charlie Dangerous movie in two thousand and three, 161 00:07:36,480 --> 00:07:39,680 Speaker 1: and they actually brought Bernie mackinstead to play the role 162 00:07:39,680 --> 00:07:41,960 Speaker 1: of Bosley instead of Bill Murray. It was rumored that 163 00:07:42,040 --> 00:07:45,320 Speaker 1: it was because his relationship with Lucy Lou, but later 164 00:07:45,400 --> 00:07:48,480 Speaker 1: he ended up saying that got a bit blown out 165 00:07:48,480 --> 00:07:50,600 Speaker 1: of proportions that they did get into it on set, 166 00:07:50,680 --> 00:07:52,920 Speaker 1: but that wasn't the reason he left the movie. He 167 00:07:52,960 --> 00:07:54,960 Speaker 1: said they ended up making peace and ended up getting 168 00:07:55,000 --> 00:07:57,080 Speaker 1: to know each other after this, but it looked like 169 00:07:57,080 --> 00:07:59,640 Speaker 1: all this set of Charlie angels, they were not good. 170 00:08:00,040 --> 00:08:02,000 Speaker 1: This next one is one of my favorites because I'm 171 00:08:02,040 --> 00:08:04,480 Speaker 1: a big fan of Jim Carey. I think the Riddler 172 00:08:04,560 --> 00:08:07,239 Speaker 1: is just this awesome character, and I think Jim Carrey 173 00:08:07,280 --> 00:08:09,960 Speaker 1: played it pretty well. He did make it pretty comedic. 174 00:08:10,000 --> 00:08:12,400 Speaker 1: He made it Jim Carey, So I think for that 175 00:08:12,520 --> 00:08:15,280 Speaker 1: reason maybe that movie as a whole is viewed kind 176 00:08:15,280 --> 00:08:19,200 Speaker 1: of cheesy. But he was cast alongside Tommy Lee Jones, 177 00:08:19,240 --> 00:08:21,160 Speaker 1: who played two Face in the movie, which I thought 178 00:08:21,160 --> 00:08:24,160 Speaker 1: he did a really great to face, mainly because this 179 00:08:24,200 --> 00:08:28,160 Speaker 1: movie has just elements of the comic book. It's very cartoony, 180 00:08:28,200 --> 00:08:30,360 Speaker 1: it's very bright, so all of that stuff is out there, 181 00:08:30,760 --> 00:08:32,720 Speaker 1: and it's kind of even weird to think Tommy Lee 182 00:08:32,800 --> 00:08:35,440 Speaker 1: Jones now doing a comic book movie. He's a very 183 00:08:35,440 --> 00:08:38,240 Speaker 1: serious guy. He's kind of known of being not the 184 00:08:38,280 --> 00:08:42,040 Speaker 1: warmest person on set. He's very stoic, and even now 185 00:08:42,080 --> 00:08:43,800 Speaker 1: in movies do you just see him, he just kind 186 00:08:43,840 --> 00:08:47,040 Speaker 1: of has that Tommy Lee Jones face. So back in 187 00:08:47,080 --> 00:08:49,920 Speaker 1: the day when Jim Carrey was pretty much at the 188 00:08:49,960 --> 00:08:51,920 Speaker 1: height of his career when he got cast and Batman, 189 00:08:51,960 --> 00:08:53,960 Speaker 1: you got paid millions of dollars to do this, and 190 00:08:54,080 --> 00:08:57,440 Speaker 1: everybody was just wanting to see his portrayal of the Riddlers. 191 00:08:57,440 --> 00:09:01,040 Speaker 1: So Jim Carrey goes into this movie being Jim Carey. 192 00:09:01,080 --> 00:09:04,360 Speaker 1: He's crazy, he's funny, he does all kinds of things 193 00:09:04,400 --> 00:09:07,520 Speaker 1: when he's on set. And apparently Tommy Lee Jones was 194 00:09:07,559 --> 00:09:10,920 Speaker 1: not a fan of his, like he hated working alongside 195 00:09:10,920 --> 00:09:13,680 Speaker 1: with him because he found him annoying and he found 196 00:09:13,760 --> 00:09:17,480 Speaker 1: his acting style just not to be like a real actor. 197 00:09:17,880 --> 00:09:19,800 Speaker 1: So they're doing the movie together. They're about to do 198 00:09:19,840 --> 00:09:22,520 Speaker 1: this really big scene the following day, but the night before, 199 00:09:23,000 --> 00:09:25,760 Speaker 1: Jim Carrey goes out to dinner and he actually sees 200 00:09:26,080 --> 00:09:28,200 Speaker 1: Tommy Lee Jones they're having dinner, and goes up to 201 00:09:28,240 --> 00:09:30,520 Speaker 1: talk to him. So Jim Carrey goes up in the 202 00:09:30,559 --> 00:09:32,680 Speaker 1: restaurant just to tell him hello. It's like, hey, I 203 00:09:32,720 --> 00:09:34,480 Speaker 1: see my co worker out at the restaurant. I'm gonna 204 00:09:34,520 --> 00:09:37,680 Speaker 1: tell him what's up. And when Tommy Lee Jones looks 205 00:09:37,720 --> 00:09:39,920 Speaker 1: at him, he just gives him this really mean face 206 00:09:40,000 --> 00:09:42,560 Speaker 1: and then tells him, I hate you, like I don't 207 00:09:42,559 --> 00:09:45,959 Speaker 1: really like you, I can't stand your befo. Moon is 208 00:09:46,000 --> 00:09:48,280 Speaker 1: actually what Jim Carrey later said that he told him. 209 00:09:48,480 --> 00:09:50,280 Speaker 1: And even after that, Jim Carrey is like, you know what, 210 00:09:50,320 --> 00:09:52,920 Speaker 1: He's a phenomenal actor. I was just happy to work 211 00:09:52,920 --> 00:09:54,960 Speaker 1: with him. So I said, I wanted to throw a 212 00:09:55,000 --> 00:09:57,720 Speaker 1: director in here. And this is probably one of the 213 00:09:57,760 --> 00:10:00,960 Speaker 1: biggest actor director feuds of all time time and it 214 00:10:01,040 --> 00:10:04,040 Speaker 1: comes actually from one of my favorite franchises, at least 215 00:10:04,040 --> 00:10:07,080 Speaker 1: early on, and it's the Transformer series who were directed 216 00:10:07,120 --> 00:10:10,240 Speaker 1: by Michael Bay, which Michael Bay is known for doing 217 00:10:10,280 --> 00:10:13,080 Speaker 1: really big explosion movies and just kind of being that 218 00:10:13,160 --> 00:10:16,480 Speaker 1: action guy. And he really just kind of went all 219 00:10:16,520 --> 00:10:19,440 Speaker 1: out with the Transformers movies and was able to bring 220 00:10:19,480 --> 00:10:21,920 Speaker 1: these movies to live, I think, unlike anybody else could 221 00:10:21,920 --> 00:10:25,280 Speaker 1: have done. And he has these two stars. He has 222 00:10:25,360 --> 00:10:28,480 Speaker 1: child A Buff and Megan Fox, who Megan Fox really 223 00:10:29,360 --> 00:10:32,000 Speaker 1: her career took off because of these movies. I think 224 00:10:32,000 --> 00:10:34,680 Speaker 1: Shila Buff was already a pretty well established actor, but 225 00:10:34,760 --> 00:10:37,040 Speaker 1: I think he went to a list after these. But 226 00:10:37,200 --> 00:10:39,840 Speaker 1: she just kind of came out a lot and said 227 00:10:40,480 --> 00:10:43,600 Speaker 1: bad things about Michael Bay. She said he wants to 228 00:10:43,640 --> 00:10:46,640 Speaker 1: be like Hitler on his sets, and he is so 229 00:10:46,720 --> 00:10:48,680 Speaker 1: he's like a nightmare to work for. But when you 230 00:10:48,720 --> 00:10:50,640 Speaker 1: get him away from the set and he's not in 231 00:10:50,720 --> 00:10:54,400 Speaker 1: director mode, I kind of really enjoy his personality. But 232 00:10:54,440 --> 00:10:58,520 Speaker 1: he's so awkward, so helplessly awkward. He has no social 233 00:10:58,559 --> 00:11:03,080 Speaker 1: skills at all, and endearing to watch him. Now she 234 00:11:03,200 --> 00:11:05,440 Speaker 1: kind of comes back around at the end of that like, Oh, 235 00:11:05,480 --> 00:11:08,079 Speaker 1: it's just because when he's in director moment, he's a jerk. 236 00:11:08,120 --> 00:11:10,920 Speaker 1: When you can't call somebody hitler, like you can't, that's 237 00:11:10,960 --> 00:11:13,040 Speaker 1: not a thing you can say, and try to get 238 00:11:13,040 --> 00:11:15,480 Speaker 1: this roundabout compliment into the end and saying like, oh, 239 00:11:15,520 --> 00:11:19,040 Speaker 1: he's just socially awkward. No, you called him hitler as 240 00:11:19,080 --> 00:11:23,200 Speaker 1: a director. So the backlash of that was pretty much 241 00:11:23,240 --> 00:11:26,360 Speaker 1: almost immediate, and after those first two Transformers movies, she 242 00:11:26,440 --> 00:11:30,080 Speaker 1: was quickly replaced and her character was never really mentioned 243 00:11:30,080 --> 00:11:33,400 Speaker 1: again in the Transformers franchise, and that was pretty crazy 244 00:11:33,400 --> 00:11:35,520 Speaker 1: that she never came back, And even Michael Bay was like, 245 00:11:35,679 --> 00:11:38,280 Speaker 1: I actually wasn't hurt to buy what she said. He 246 00:11:38,320 --> 00:11:40,880 Speaker 1: said that Megan just says things to get a response 247 00:11:40,920 --> 00:11:43,680 Speaker 1: from people, and he even said she texted him after that, 248 00:11:43,880 --> 00:11:46,360 Speaker 1: like hoping that he was doing well that it was 249 00:11:46,400 --> 00:11:48,319 Speaker 1: all just a big thing because their family and that's 250 00:11:48,320 --> 00:11:51,400 Speaker 1: what happens. But she never returns to the franchise. I 251 00:11:51,440 --> 00:11:55,360 Speaker 1: think over time the franchise would have benefited having her 252 00:11:55,400 --> 00:11:58,080 Speaker 1: around and keeping Shotla Buff around. I still think the 253 00:11:58,160 --> 00:12:01,840 Speaker 1: reboots were pretty okay. But those first two movies, man, 254 00:12:02,120 --> 00:12:04,520 Speaker 1: those are really good. So this would may ruin a 255 00:12:04,600 --> 00:12:07,440 Speaker 1: movie for you. Not a spoiler, but it just made 256 00:12:07,559 --> 00:12:10,160 Speaker 1: ruin a movie because of what actually happened with these 257 00:12:10,160 --> 00:12:14,080 Speaker 1: two actors. But apparently Ryan Gosling and Rachel McAdams did 258 00:12:14,080 --> 00:12:17,400 Speaker 1: not get along on the set of The Notebook, which 259 00:12:17,440 --> 00:12:19,439 Speaker 1: you think, oh, that's the most romantic movie of all 260 00:12:19,480 --> 00:12:21,680 Speaker 1: the time. Of course they loved each other, and yes 261 00:12:21,760 --> 00:12:24,320 Speaker 1: they did end up dating for three years after the movie, 262 00:12:25,040 --> 00:12:28,280 Speaker 1: but they actually didn't get along on set, so much 263 00:12:28,320 --> 00:12:32,400 Speaker 1: so that Ryan Gosling went to the director and said, hey, 264 00:12:32,440 --> 00:12:36,080 Speaker 1: can you find me another actress to work with off camera? 265 00:12:36,200 --> 00:12:39,200 Speaker 1: I just I'm not feeling it with Rachel McAdams, And 266 00:12:39,240 --> 00:12:41,640 Speaker 1: the director was like, what are you talking about it. 267 00:12:41,720 --> 00:12:44,200 Speaker 1: Ryan Gosling trade up said like, I can't do it 268 00:12:44,240 --> 00:12:47,319 Speaker 1: with her, Like I'm not getting anything from this relationship. 269 00:12:47,679 --> 00:12:49,640 Speaker 1: And apparently it was during like a really big scene 270 00:12:49,640 --> 00:12:51,880 Speaker 1: and they have all these people there and he didn't 271 00:12:51,960 --> 00:12:54,320 Speaker 1: want to work with Rachel McAdams. And this is at 272 00:12:54,320 --> 00:12:56,040 Speaker 1: the beginning of the movie, and as you know, the 273 00:12:56,080 --> 00:12:58,160 Speaker 1: movie came out, they were in it together. So they 274 00:12:58,280 --> 00:13:01,080 Speaker 1: ended up making it work. But I think it kind 275 00:13:01,080 --> 00:13:03,640 Speaker 1: of gives a little bit of context of seeing maybe 276 00:13:03,840 --> 00:13:05,920 Speaker 1: some of the arguing in the movie that they're doing, 277 00:13:06,320 --> 00:13:10,000 Speaker 1: maybe it's actually them acting. They actually can't stand each other, 278 00:13:10,559 --> 00:13:12,840 Speaker 1: and that's what you're getting from that. So another thing 279 00:13:12,880 --> 00:13:14,640 Speaker 1: to think about when you watch The Notebook again, that 280 00:13:14,679 --> 00:13:17,040 Speaker 1: they actually didn't like each other. Now, this next one 281 00:13:17,120 --> 00:13:20,600 Speaker 1: is pretty interesting. Wayne the Rock Johnson had kind of 282 00:13:20,600 --> 00:13:22,880 Speaker 1: a beef with all the Fast and the Furious guys, 283 00:13:22,880 --> 00:13:26,160 Speaker 1: really the whole cast, because he kind of came in 284 00:13:26,280 --> 00:13:30,040 Speaker 1: when the movies were kind of losing their spark. Now, 285 00:13:30,040 --> 00:13:31,880 Speaker 1: they were really strong in the beginning, but once they 286 00:13:31,880 --> 00:13:34,720 Speaker 1: got to about five they hit a bit of a luster. 287 00:13:35,559 --> 00:13:39,480 Speaker 1: And it's really interesting how Vin Diesel, how he's so 288 00:13:40,280 --> 00:13:43,040 Speaker 1: well known for these movies but almost not accepted as 289 00:13:43,040 --> 00:13:47,199 Speaker 1: an actor and really any other capacity, and he's really 290 00:13:48,559 --> 00:13:51,600 Speaker 1: worked so hard to build these movies up that when 291 00:13:51,640 --> 00:13:54,920 Speaker 1: The Rock came into kind of put new breath into 292 00:13:54,960 --> 00:13:58,200 Speaker 1: the Fast and the Furious franchise. I think maybe he 293 00:13:58,240 --> 00:14:00,839 Speaker 1: saw it as a bit of like, oh, there's somebody 294 00:14:00,920 --> 00:14:03,200 Speaker 1: new coming in, like a the whole, like the people 295 00:14:03,240 --> 00:14:06,040 Speaker 1: competing to be the alpha dog. So I think a 296 00:14:06,040 --> 00:14:08,120 Speaker 1: lot of that is what happened here early on. And 297 00:14:08,160 --> 00:14:10,160 Speaker 1: there's a lot of beef that came out between not 298 00:14:10,240 --> 00:14:14,079 Speaker 1: only The Rock and Ben Diesel, but also The Rock 299 00:14:14,120 --> 00:14:16,320 Speaker 1: and Tyrese, just them kind of getting into it and 300 00:14:16,360 --> 00:14:20,360 Speaker 1: being um on and offline of just taking stabs at 301 00:14:20,400 --> 00:14:23,280 Speaker 1: each other, The Rock going on and like thanking everybody 302 00:14:23,280 --> 00:14:26,680 Speaker 1: in an Instagram post except for Ben Diesel, Tyrese coming 303 00:14:26,680 --> 00:14:29,560 Speaker 1: out and saying stuff about The Rock, and it all 304 00:14:29,640 --> 00:14:32,680 Speaker 1: kind of stemmed from, like I said him, the Rock 305 00:14:32,760 --> 00:14:35,600 Speaker 1: coming in and kind of taking over, and it really 306 00:14:35,680 --> 00:14:37,600 Speaker 1: kind of blew up. Once The Rock got a spin 307 00:14:37,640 --> 00:14:39,440 Speaker 1: off with Jason Stay of them, they got hobbed in 308 00:14:39,480 --> 00:14:43,680 Speaker 1: Shaw and Tyrese took that pretty bad. He's like, like, 309 00:14:43,800 --> 00:14:47,640 Speaker 1: you're breaking apart what was great here and going off 310 00:14:47,680 --> 00:14:49,880 Speaker 1: on your own. So I really think it came from jealousy. 311 00:14:49,920 --> 00:14:52,760 Speaker 1: I think it was Tyrese like upset that The Rock 312 00:14:52,920 --> 00:14:55,520 Speaker 1: was that they were already starting to change things to 313 00:14:55,600 --> 00:14:58,280 Speaker 1: fit him, like they were working around his filming schedule. 314 00:14:59,120 --> 00:15:00,880 Speaker 1: They even delay had one of The Fast and the 315 00:15:00,880 --> 00:15:04,520 Speaker 1: Furious filmings because Dwayne the Rock Johnson had his own 316 00:15:04,560 --> 00:15:07,480 Speaker 1: movie going on, and they delayed one of those movies. 317 00:15:07,520 --> 00:15:09,640 Speaker 1: So I think they saw it as more like him 318 00:15:09,680 --> 00:15:13,440 Speaker 1: coming in and taking over their franchise and it all 319 00:15:13,480 --> 00:15:15,960 Speaker 1: being about him. He kind of got called out by 320 00:15:16,000 --> 00:15:18,200 Speaker 1: The Rock in different ways. He called them like The 321 00:15:18,280 --> 00:15:21,840 Speaker 1: Rock wouldn't make Instagram posts that straight up We're targeted 322 00:15:21,880 --> 00:15:24,000 Speaker 1: at Ben Diesel and calling him out for not acting 323 00:15:24,040 --> 00:15:26,320 Speaker 1: a certain way on the set, telling him he was unprofessional, 324 00:15:26,480 --> 00:15:29,640 Speaker 1: calling him names. And I think a lot of that 325 00:15:29,720 --> 00:15:33,320 Speaker 1: too was also The Rock trying to build just some 326 00:15:33,400 --> 00:15:35,280 Speaker 1: hype around the movie, because I think you get more 327 00:15:35,360 --> 00:15:37,800 Speaker 1: interested if you hear it. Hey, there's some arguing going 328 00:15:37,840 --> 00:15:39,960 Speaker 1: on behind the scenes, like Bevin Diesel is not getting 329 00:15:39,960 --> 00:15:41,840 Speaker 1: along with The Rock, but they're doing this movie together. 330 00:15:42,400 --> 00:15:44,240 Speaker 1: I think that kind of makes you be more interested 331 00:15:44,280 --> 00:15:46,840 Speaker 1: in it, and I think that's kind of what these 332 00:15:47,040 --> 00:15:49,040 Speaker 1: beats were about. I think the stuff with him and 333 00:15:49,040 --> 00:15:51,080 Speaker 1: Harris was kind of made up. I think this stuff 334 00:15:51,120 --> 00:15:54,440 Speaker 1: with him and Ben Diesel ended up maybe starting out 335 00:15:54,520 --> 00:15:58,280 Speaker 1: is them having friction and one taking over and the 336 00:15:58,280 --> 00:16:00,760 Speaker 1: other kind of taking a backseat. No pun intended on 337 00:16:00,800 --> 00:16:03,480 Speaker 1: the fast interferious, but I think it ended up just 338 00:16:03,560 --> 00:16:06,120 Speaker 1: kind of being a tool of like, Okay, let's keep 339 00:16:06,160 --> 00:16:08,960 Speaker 1: this beef going, because you're not going to make an 340 00:16:08,960 --> 00:16:13,480 Speaker 1: Instagram post and think everybody from the movie and leave 341 00:16:13,480 --> 00:16:17,240 Speaker 1: out Ben Diesel, Like that's probably on purpose. It's probably 342 00:16:17,280 --> 00:16:18,920 Speaker 1: some people look at and me like, oh, we didn't 343 00:16:18,960 --> 00:16:22,080 Speaker 1: think Ben Diesel, and he creates some drama around the movie. 344 00:16:22,120 --> 00:16:24,080 Speaker 1: So I think this one was a little bit of 345 00:16:24,120 --> 00:16:27,160 Speaker 1: them being kind of tactical with the beef. I think 346 00:16:27,200 --> 00:16:29,120 Speaker 1: that's really kind of like in the hip hop world, 347 00:16:29,120 --> 00:16:30,960 Speaker 1: when you start a beef with another rapper, it's to 348 00:16:31,120 --> 00:16:33,360 Speaker 1: really boost both of your careers to get both of 349 00:16:33,360 --> 00:16:35,880 Speaker 1: people talking about your music. So I think that's a 350 00:16:35,920 --> 00:16:37,960 Speaker 1: really smart move when it comes to making movies, and 351 00:16:38,000 --> 00:16:40,800 Speaker 1: if you can do that, more power to you. This 352 00:16:40,960 --> 00:16:43,000 Speaker 1: next one is one of my favorites of all time. 353 00:16:43,480 --> 00:16:47,800 Speaker 1: Involves a very acclaimed actor and his beef, not with 354 00:16:47,840 --> 00:16:51,840 Speaker 1: another actor, not with another director, well kind of it 355 00:16:51,880 --> 00:16:54,400 Speaker 1: has to do with the director of photography. It came 356 00:16:54,440 --> 00:16:57,160 Speaker 1: in two thousand nine from the leak audio on the 357 00:16:57,240 --> 00:17:02,120 Speaker 1: set of Terminator Salvation, Christian Bale lost it against the 358 00:17:02,160 --> 00:17:05,600 Speaker 1: director of photography for Terminator Salvation. His name is Shane Hurlbert. 359 00:17:06,560 --> 00:17:09,440 Speaker 1: And it all came because Shane walked into his line 360 00:17:09,440 --> 00:17:12,680 Speaker 1: of sight during filming at a very intense scene. And 361 00:17:12,680 --> 00:17:14,800 Speaker 1: when you're working with an actor like Christian Bale, who 362 00:17:14,880 --> 00:17:18,679 Speaker 1: really goes to extremes even when it comes to method acting, 363 00:17:18,720 --> 00:17:20,840 Speaker 1: like he'll lose weight for a role, he'll gain weight 364 00:17:20,880 --> 00:17:23,760 Speaker 1: for a role, He'll get inside these characters heads and 365 00:17:23,840 --> 00:17:26,879 Speaker 1: when he's in the zone, you don't mess with Christian Bale. 366 00:17:27,480 --> 00:17:29,879 Speaker 1: And poor old Shane just walked into his light of 367 00:17:29,920 --> 00:17:33,720 Speaker 1: sight during a really intense scene and Christian Bale just 368 00:17:33,840 --> 00:17:36,960 Speaker 1: straight up loses it on him. And I feel so 369 00:17:37,119 --> 00:17:39,720 Speaker 1: bad for the guy. But I love that we have 370 00:17:39,920 --> 00:17:42,639 Speaker 1: this leaked audio. It leaked to do nothing in nine 371 00:17:42,720 --> 00:17:45,920 Speaker 1: and I still find any way to play any chance 372 00:17:45,960 --> 00:17:48,320 Speaker 1: that I get. So here is Christian Bale freaking out 373 00:17:48,400 --> 00:17:53,040 Speaker 1: on Shane, the director of photography from Terminator Salvation. What 374 00:17:53,200 --> 00:17:57,280 Speaker 1: don't you get about it? Oh? Good for you? And 375 00:17:57,320 --> 00:18:00,679 Speaker 1: how was it? I hope it was? And good because 376 00:18:00,680 --> 00:18:04,640 Speaker 1: it's useless now, isn't it shake man? You're amateur? Now. 377 00:18:04,640 --> 00:18:08,520 Speaker 1: The clip went viral because of that line, Oh good 378 00:18:08,560 --> 00:18:10,760 Speaker 1: for you? And how was it? That's one of my 379 00:18:10,880 --> 00:18:13,680 Speaker 1: favorite It is not it's not even a real movie quote, 380 00:18:13,720 --> 00:18:17,320 Speaker 1: it's just a leaked audio quote. And this whole tirade 381 00:18:17,320 --> 00:18:20,120 Speaker 1: goes down for four minutes with Christian Bale freaking out 382 00:18:20,359 --> 00:18:23,280 Speaker 1: over Shane walking in his line of sight, and he 383 00:18:23,359 --> 00:18:25,280 Speaker 1: ends up telling him that if he did it again 384 00:18:25,400 --> 00:18:28,439 Speaker 1: that Christian Bale would quit the movie and declaring that 385 00:18:28,480 --> 00:18:31,720 Speaker 1: the two were done professionally. And Christian Bale came out 386 00:18:31,800 --> 00:18:34,760 Speaker 1: later and publicly apologized for it after the late audio 387 00:18:34,880 --> 00:18:37,439 Speaker 1: was leaked. He even called into a l A radio 388 00:18:37,520 --> 00:18:40,480 Speaker 1: station and said that yes, he acted like a punk 389 00:18:40,520 --> 00:18:44,600 Speaker 1: and apologized to Shane. But I have to say, one 390 00:18:44,640 --> 00:18:47,280 Speaker 1: of the greatest film beefs of all time is Christian 391 00:18:47,320 --> 00:18:49,440 Speaker 1: Bale freaking out on this guy. I got a few 392 00:18:49,480 --> 00:18:51,359 Speaker 1: more just quick ones to throw in that I didn't 393 00:18:51,359 --> 00:18:53,240 Speaker 1: really realize until I kind of researched some of this. 394 00:18:53,359 --> 00:18:57,439 Speaker 1: But Steven Spielberg apparently didn't get along with Julia Roberts 395 00:18:57,480 --> 00:19:00,080 Speaker 1: on the set of Hook. She played tinker Bell in 396 00:19:00,119 --> 00:19:02,639 Speaker 1: the movie, and his name for her on set was 397 00:19:02,760 --> 00:19:05,320 Speaker 1: Tinker Hell. He said later in an interview about the 398 00:19:05,359 --> 00:19:07,760 Speaker 1: movie that it was a very unfortunate time for them 399 00:19:07,800 --> 00:19:10,480 Speaker 1: to work together. So maybe that was just such a 400 00:19:10,520 --> 00:19:12,600 Speaker 1: big a list actor with such a big a list 401 00:19:12,640 --> 00:19:15,639 Speaker 1: director not getting along on the same page during that movie. 402 00:19:16,200 --> 00:19:18,840 Speaker 1: She ends up getting up Birdie Nasty nickname out of it. 403 00:19:19,080 --> 00:19:22,440 Speaker 1: What a coincidence that tinker Bell rhymed with Tinker Hill. Also, 404 00:19:22,560 --> 00:19:25,159 Speaker 1: Tom Hardy and Charlie Stirone did not get along with 405 00:19:25,200 --> 00:19:27,880 Speaker 1: each other while fooming Mad Max Fury. I think this 406 00:19:27,960 --> 00:19:31,199 Speaker 1: is really just two really intense people getting together to 407 00:19:31,240 --> 00:19:34,480 Speaker 1: work on a movie that's a super action charged movie 408 00:19:34,520 --> 00:19:36,600 Speaker 1: where you have to kind of be in this weird 409 00:19:36,640 --> 00:19:39,800 Speaker 1: state of mind to do. It's a really visually crazy movie, 410 00:19:39,800 --> 00:19:42,320 Speaker 1: a lot of stuff going on. I think they're acting 411 00:19:42,359 --> 00:19:45,920 Speaker 1: approaches were just so hardcore that it was their characters 412 00:19:45,960 --> 00:19:48,640 Speaker 1: more so budding heads, because because they say when they 413 00:19:48,640 --> 00:19:51,400 Speaker 1: first met they were actually just trying to kill each other, 414 00:19:51,600 --> 00:19:54,320 Speaker 1: because when they were acting together, they weren't the best 415 00:19:54,320 --> 00:19:56,480 Speaker 1: of friends, and they just kind of tried to maintain 416 00:19:56,760 --> 00:19:59,200 Speaker 1: some kind of level of respect while working throughout the movie. 417 00:19:59,200 --> 00:20:01,160 Speaker 1: Even though they didn't get along, and it was until 418 00:20:01,200 --> 00:20:04,080 Speaker 1: after the movie where Tom Hardy gave a gift to 419 00:20:04,160 --> 00:20:07,520 Speaker 1: Charlie Stirone and was like, Hey, you're an actin nightmare 420 00:20:07,520 --> 00:20:10,440 Speaker 1: to work with, but you're freaking awesome and I kind 421 00:20:10,440 --> 00:20:13,680 Speaker 1: of miss you. So just because you don't get alone 422 00:20:13,680 --> 00:20:16,439 Speaker 1: while making the movie, maybe it's because you're trying to 423 00:20:16,440 --> 00:20:18,919 Speaker 1: play it a certain way, or you're not getting that 424 00:20:19,040 --> 00:20:22,040 Speaker 1: real kind of relationship you want. Later long you can 425 00:20:22,040 --> 00:20:24,280 Speaker 1: see like, Okay, we ended up making a good movie 426 00:20:24,280 --> 00:20:31,240 Speaker 1: and it was cool to work with you, all right. 427 00:20:31,280 --> 00:20:33,399 Speaker 1: I want to try a new segment this week that 428 00:20:33,440 --> 00:20:37,159 Speaker 1: I am calling the underrated movie of the week, or 429 00:20:37,240 --> 00:20:39,480 Speaker 1: I share with you guys the movie that came out 430 00:20:39,840 --> 00:20:42,320 Speaker 1: maybe over twenty years ago or so, or just something 431 00:20:42,359 --> 00:20:46,840 Speaker 1: that I think was overlooked throughout time. And this movie 432 00:20:46,840 --> 00:20:49,920 Speaker 1: I'm talking about today is a Disney movie. And when 433 00:20:49,920 --> 00:20:53,080 Speaker 1: you hear about people's favorite Disney movies, it's like you're 434 00:20:53,160 --> 00:20:56,680 Speaker 1: lying Kings, You're finding Nemos, your Beauty and the Beasts 435 00:20:57,280 --> 00:21:00,800 Speaker 1: moul on, all those big movie titles that you go 436 00:21:00,840 --> 00:21:02,720 Speaker 1: to Disney World and you see all that stuff. Maybe 437 00:21:02,720 --> 00:21:04,480 Speaker 1: I don't go to Disney World right now, but you 438 00:21:04,560 --> 00:21:07,320 Speaker 1: hear about all those big Disney movies, and the one 439 00:21:07,359 --> 00:21:10,240 Speaker 1: I'm gonna share in my Underrated Movie is when that 440 00:21:10,359 --> 00:21:12,280 Speaker 1: came out twenty five years ago, and over the weekend 441 00:21:12,320 --> 00:21:13,880 Speaker 1: there's a bunch of tweets about it because now it's 442 00:21:13,880 --> 00:21:16,960 Speaker 1: on Disney Plus, and it's kind of just a cult 443 00:21:17,040 --> 00:21:19,560 Speaker 1: classic Disney movie, which you don't really know about a 444 00:21:19,640 --> 00:21:21,879 Speaker 1: whole lot, like Disney doesn't really have cult classics to 445 00:21:22,000 --> 00:21:24,600 Speaker 1: either make hits or movies that don't really do well. 446 00:21:24,600 --> 00:21:26,879 Speaker 1: But this one, now that it's back on Disney Plus, 447 00:21:27,359 --> 00:21:30,880 Speaker 1: people are remembering it from now as adults are going 448 00:21:30,920 --> 00:21:33,920 Speaker 1: back and watching it. And it was one of my 449 00:21:34,000 --> 00:21:36,679 Speaker 1: favorite movies as a kid, and I really love that 450 00:21:36,680 --> 00:21:39,840 Speaker 1: it's on Disney Plus now. And that movie is called 451 00:21:39,920 --> 00:21:43,960 Speaker 1: a Goofy movie, and it's based on the Disney TV 452 00:21:44,040 --> 00:21:47,920 Speaker 1: show goof Troop, and it was really Goofy's first ever 453 00:21:48,119 --> 00:21:50,960 Speaker 1: full length movie. But the thing about this movie is 454 00:21:50,960 --> 00:21:54,080 Speaker 1: when it came out, they didn't really put a whole 455 00:21:54,119 --> 00:21:55,959 Speaker 1: lot behind it, Like it wasn't even done by the 456 00:21:56,000 --> 00:21:58,320 Speaker 1: same animation studio that Disney has to make all their 457 00:21:58,359 --> 00:22:00,600 Speaker 1: big titles. It was a lot low or budget. They 458 00:22:00,680 --> 00:22:04,199 Speaker 1: kind of outsourced the animation, and it did okay at 459 00:22:04,240 --> 00:22:06,800 Speaker 1: the box office, but really didn't really have a whole 460 00:22:06,800 --> 00:22:09,440 Speaker 1: lot of push behind it. But where it really came 461 00:22:09,560 --> 00:22:13,320 Speaker 1: through was in VHS sales. Now, if you don't remember 462 00:22:13,440 --> 00:22:17,520 Speaker 1: VHS is, there are these big cartridges that you would 463 00:22:17,560 --> 00:22:19,560 Speaker 1: put into a VCR now if you don't know what 464 00:22:19,600 --> 00:22:23,640 Speaker 1: a VCR is is, where you would take a VHS 465 00:22:23,720 --> 00:22:26,040 Speaker 1: and put it in there and press play in a 466 00:22:26,160 --> 00:22:29,120 Speaker 1: movie would start and sometimes you see some opening previews 467 00:22:29,119 --> 00:22:32,160 Speaker 1: that usually have to fast forward to. But that's really 468 00:22:32,160 --> 00:22:36,840 Speaker 1: where a Goofy movie kind of became a cult classic because, 469 00:22:36,880 --> 00:22:39,760 Speaker 1: like me, I remember getting the VHS tape and it 470 00:22:39,840 --> 00:22:41,720 Speaker 1: was one movie that I would watch all the time, 471 00:22:42,000 --> 00:22:44,439 Speaker 1: and I love the story in this movie. It's a 472 00:22:44,480 --> 00:22:50,240 Speaker 1: pretty basic movie. So it's about Goofy's son Max, who 473 00:22:50,480 --> 00:22:54,359 Speaker 1: is in high school I believe in the movie, and 474 00:22:54,600 --> 00:22:57,560 Speaker 1: he's trying to impress this girl Roxane. He ends up 475 00:22:57,600 --> 00:23:01,520 Speaker 1: doing this really big elaborate performance at the very beginning 476 00:23:01,560 --> 00:23:04,760 Speaker 1: of like a class assembly, and it's to this music 477 00:23:04,800 --> 00:23:08,280 Speaker 1: by a fictional pop star named power Line, and he's 478 00:23:08,320 --> 00:23:11,040 Speaker 1: just trying to impress this girl. He gets busted, gets 479 00:23:11,080 --> 00:23:15,560 Speaker 1: in trouble, and then Goofy throws upon this summer road 480 00:23:15,600 --> 00:23:18,199 Speaker 1: trip that they go on, and you know, Max is 481 00:23:18,240 --> 00:23:20,320 Speaker 1: just kind of being a teenager, and you know, you 482 00:23:20,359 --> 00:23:23,080 Speaker 1: don't want to go on a road trip with your 483 00:23:23,160 --> 00:23:25,199 Speaker 1: dad when you're a teenager. What he really wants to 484 00:23:25,240 --> 00:23:28,280 Speaker 1: do is go to this power Line concert, and he 485 00:23:28,400 --> 00:23:31,159 Speaker 1: kind of devises a plan that goes out throughout the 486 00:23:31,160 --> 00:23:35,240 Speaker 1: movie of how to reroute their summer trip into the 487 00:23:35,359 --> 00:23:38,040 Speaker 1: going to this concert, and it turns into a whole thing. 488 00:23:38,119 --> 00:23:40,040 Speaker 1: And it's a pretty basic movie that's pretty much the 489 00:23:40,200 --> 00:23:42,560 Speaker 1: entire thing. Not really much to ruin on this What 490 00:23:42,720 --> 00:23:45,200 Speaker 1: Else came out twenty five years ago, but it's a 491 00:23:45,240 --> 00:23:47,919 Speaker 1: movie that I think it's just underrated as a Disney 492 00:23:47,920 --> 00:23:50,560 Speaker 1: movie because yes, it is a little more simple of 493 00:23:50,640 --> 00:23:54,080 Speaker 1: a storyline, and maybe the animation is not as up 494 00:23:54,119 --> 00:23:57,240 Speaker 1: to par as like what a Lion King was at 495 00:23:57,240 --> 00:24:01,720 Speaker 1: the time, but I think it's core of a movie. 496 00:24:01,760 --> 00:24:03,760 Speaker 1: It's a really great thing to go back and kind 497 00:24:03,760 --> 00:24:06,480 Speaker 1: of watch now that it's on Disney Plus. So if 498 00:24:06,480 --> 00:24:09,680 Speaker 1: you have kids, the really good one to show them, 499 00:24:09,760 --> 00:24:12,520 Speaker 1: and even as an adult, I think it's so enjoyable 500 00:24:12,600 --> 00:24:15,840 Speaker 1: if you love kind of that old classic animation because 501 00:24:15,880 --> 00:24:18,800 Speaker 1: it's straight up two D, like the straight on just 502 00:24:19,760 --> 00:24:21,919 Speaker 1: before they got into all this three D animation and 503 00:24:21,960 --> 00:24:24,360 Speaker 1: all that kind of stuff. It's just a really classically 504 00:24:24,440 --> 00:24:27,040 Speaker 1: kind of drawn Disney movie, really nineties. It's a it's 505 00:24:27,040 --> 00:24:30,040 Speaker 1: a very nineties movie, and I love that era of Disney, 506 00:24:30,119 --> 00:24:33,439 Speaker 1: and it's maybe one you haven't seen, so I would 507 00:24:33,760 --> 00:24:35,800 Speaker 1: I would just think it's a I just think it's 508 00:24:35,800 --> 00:24:38,320 Speaker 1: a very underrated movie. Like I always kind of had 509 00:24:38,359 --> 00:24:41,600 Speaker 1: it in my category of like my favorite Disney movies, 510 00:24:42,040 --> 00:24:44,920 Speaker 1: and I didn't realize later that a bunch of people 511 00:24:44,920 --> 00:24:48,240 Speaker 1: haven't seen it until it was trending over the weekend 512 00:24:48,280 --> 00:24:50,720 Speaker 1: that oh, a Goofy movie is now on Disney. Plus 513 00:24:50,720 --> 00:24:52,400 Speaker 1: I'm like, yeah, everybody's seen there, right, No, I guess 514 00:24:52,400 --> 00:24:55,880 Speaker 1: they haven't, but it's one I recommend going to check out. 515 00:24:56,280 --> 00:25:00,280 Speaker 1: They also made a Goofy movie sequel, would was called 516 00:25:00,320 --> 00:25:03,040 Speaker 1: an extremely Goofy movie, which wasn't as good. But the 517 00:25:03,119 --> 00:25:04,720 Speaker 1: thing with these is they were kind of just making 518 00:25:05,440 --> 00:25:07,080 Speaker 1: like back in the day, Disney made a lot more 519 00:25:07,359 --> 00:25:11,159 Speaker 1: like straight to VHS movies, which we're kind of like 520 00:25:11,200 --> 00:25:13,280 Speaker 1: their B movies, and this was kind of even considered. 521 00:25:13,359 --> 00:25:15,160 Speaker 1: What they said was like a C movie for them. 522 00:25:15,200 --> 00:25:18,080 Speaker 1: They didn't really do anything with it. So I recommend 523 00:25:18,080 --> 00:25:21,000 Speaker 1: a Goofy movie, but not the sequel to that. And 524 00:25:21,080 --> 00:25:23,480 Speaker 1: even like I'm not a big fan of just straight 525 00:25:23,600 --> 00:25:25,920 Speaker 1: up musicals like back in the Day, I really liked 526 00:25:25,960 --> 00:25:29,000 Speaker 1: like all the songs and like Lion King, but this 527 00:25:29,040 --> 00:25:31,400 Speaker 1: one has some pretty good jams. Like the first song 528 00:25:31,520 --> 00:25:34,480 Speaker 1: Max sings at that school assembly is called stand Out, 529 00:25:34,600 --> 00:25:50,320 Speaker 1: and that's actually kind of a jam. And it even 530 00:25:50,480 --> 00:25:53,440 Speaker 1: kicks off with a big opening number with the song 531 00:25:53,480 --> 00:26:06,439 Speaker 1: called after Today, After Today shooting n I'll be fine, 532 00:26:06,640 --> 00:26:10,399 Speaker 1: and you even have Polly Shore voicing one of his friends. 533 00:26:10,400 --> 00:26:13,199 Speaker 1: Does it really get more nineties than poly Shore in 534 00:26:13,240 --> 00:26:19,960 Speaker 1: an animated movie. I don't think so. Shit Chet, It 535 00:26:20,119 --> 00:26:22,120 Speaker 1: is my underrated movie of the week. If you're looking 536 00:26:22,160 --> 00:26:24,159 Speaker 1: for a Disney movie to watch with your family, or 537 00:26:24,200 --> 00:26:27,000 Speaker 1: you just want to go back and relive some nineties nostalgia, 538 00:26:27,440 --> 00:26:34,679 Speaker 1: I recommend checking out a Goofy movie. All right, So 539 00:26:34,720 --> 00:26:37,040 Speaker 1: I've been sharing with you guys my top ten movies 540 00:26:37,080 --> 00:26:39,840 Speaker 1: of all time and reviewing them each week. I'm getting 541 00:26:39,840 --> 00:26:42,080 Speaker 1: to number eight today, but before I get into that, 542 00:26:42,160 --> 00:26:43,800 Speaker 1: just to kind of recap. If you haven't caught the 543 00:26:43,840 --> 00:26:47,400 Speaker 1: other two. At number ten, I had Drive with Ryan Gosling, 544 00:26:47,440 --> 00:26:50,199 Speaker 1: which you can watch on Netflix. At number nine, I 545 00:26:50,200 --> 00:26:53,359 Speaker 1: had Willy Wonka and the Chocolate Factory. And this week 546 00:26:53,440 --> 00:26:56,000 Speaker 1: at number eight of my favorite movies of all time, 547 00:26:56,000 --> 00:26:59,320 Speaker 1: which I'll be reviewing, is No Country for Old Men, 548 00:26:59,400 --> 00:27:02,399 Speaker 1: which came out in two thousand and seven, directed by 549 00:27:02,400 --> 00:27:05,000 Speaker 1: the Coen Brothers, and it really has an amazing cast 550 00:27:05,040 --> 00:27:09,040 Speaker 1: of Josh Brolind, Tommy Lee Jones, Haabier Bardem, and Woody Harrelson, 551 00:27:09,160 --> 00:27:10,919 Speaker 1: just to name a few of the people playing in 552 00:27:10,920 --> 00:27:13,760 Speaker 1: this movie, and one of my favorite movies of all 553 00:27:13,880 --> 00:27:17,800 Speaker 1: time because I like movies that just kind of happened 554 00:27:17,840 --> 00:27:19,920 Speaker 1: in an instant and you don't know all the details 555 00:27:19,960 --> 00:27:24,720 Speaker 1: going into it. It when done well, is a really 556 00:27:24,720 --> 00:27:28,280 Speaker 1: powerful thing, because sometimes movies over explain things, and I 557 00:27:28,359 --> 00:27:30,080 Speaker 1: kind of like it when you just kind of put 558 00:27:30,119 --> 00:27:33,320 Speaker 1: into a situation, you take everything for what it is 559 00:27:33,920 --> 00:27:36,639 Speaker 1: and there's not a whole lot of, oh, this is 560 00:27:36,680 --> 00:27:39,320 Speaker 1: exactly what this happened, this why this is what's going 561 00:27:39,359 --> 00:27:42,399 Speaker 1: on with the entire movie. I kind of explained a 562 00:27:42,440 --> 00:27:46,080 Speaker 1: little bit more without ruining the movie, but I feel 563 00:27:46,119 --> 00:27:48,960 Speaker 1: like you're just kind of put into this world of 564 00:27:49,520 --> 00:27:52,160 Speaker 1: once the drug deal goes wrong at the very beginning. 565 00:27:52,200 --> 00:27:54,240 Speaker 1: So I'll get into all of that, but before I do, 566 00:27:54,600 --> 00:27:57,160 Speaker 1: here's just a little bit of No Country for Old Men. 567 00:27:58,080 --> 00:28:02,240 Speaker 1: I'm looking for a little well and Moss. You go 568 00:28:02,359 --> 00:28:08,480 Speaker 1: up to this trailer, do you want to leave a message? 569 00:28:09,440 --> 00:28:11,879 Speaker 1: I don't come back and tell mother I love him. 570 00:28:12,160 --> 00:28:17,240 Speaker 1: Your mother's did I'll tell him myself. So what the 571 00:28:17,240 --> 00:28:20,600 Speaker 1: movie is about, without ruining it is Josh Brolin's character 572 00:28:20,680 --> 00:28:24,160 Speaker 1: named you Well and stumbles on a drug deal gone wrong, 573 00:28:24,200 --> 00:28:27,360 Speaker 1: and he's just a regular guy out in West Texas. 574 00:28:27,400 --> 00:28:30,960 Speaker 1: They actually filmed this in Marfa, Texas, and he stumbles 575 00:28:31,040 --> 00:28:35,920 Speaker 1: upon what looks like a straight out shootout brawl and 576 00:28:36,000 --> 00:28:40,040 Speaker 1: he finds no one living. There's one guy maybe clinging 577 00:28:40,040 --> 00:28:43,120 Speaker 1: to life, and he ends up finding what's about two 578 00:28:43,160 --> 00:28:48,400 Speaker 1: million dollars in cash, so he decides to take the money. Again, 579 00:28:48,440 --> 00:28:51,240 Speaker 1: he's not really a bad guy, maybe just kind of 580 00:28:51,280 --> 00:28:53,720 Speaker 1: in a bad, wrong place at the wrong time, I 581 00:28:53,720 --> 00:28:56,760 Speaker 1: would say, And he takes the money and immediately gets 582 00:28:57,360 --> 00:29:01,160 Speaker 1: chased by the other people because he's pretty much saying like, Okay, 583 00:29:01,160 --> 00:29:04,800 Speaker 1: this was a drug deal gone wrong, where's the last guy? Like, 584 00:29:04,840 --> 00:29:07,280 Speaker 1: where where's the guy coming to get this money? And 585 00:29:07,320 --> 00:29:10,080 Speaker 1: he takes off, gets chased by some dudes, and then 586 00:29:10,120 --> 00:29:13,360 Speaker 1: goes home to its trailer, and then pretty much throughout 587 00:29:13,360 --> 00:29:16,720 Speaker 1: the entire movie is on the run. Now where the 588 00:29:16,760 --> 00:29:19,320 Speaker 1: movie really kind of just they don't really say a 589 00:29:19,320 --> 00:29:22,200 Speaker 1: whole lot about what happened at that scene. You don't 590 00:29:22,240 --> 00:29:25,760 Speaker 1: really find out the details of the drug dealers, which 591 00:29:25,800 --> 00:29:28,160 Speaker 1: is fine. I think if you're able to put somebody 592 00:29:28,200 --> 00:29:30,120 Speaker 1: into that situation, you take it for what it is, 593 00:29:30,160 --> 00:29:32,680 Speaker 1: you take it in that little moment of time. I'm 594 00:29:32,720 --> 00:29:35,280 Speaker 1: okay with that if it's done really well, which in 595 00:29:35,320 --> 00:29:38,120 Speaker 1: this case it's done probably the best it's ever been done. 596 00:29:38,680 --> 00:29:40,960 Speaker 1: I'm fine with not all the details of not knowing 597 00:29:41,000 --> 00:29:44,240 Speaker 1: every single answer to every single question. Where the chilling 598 00:29:44,280 --> 00:29:48,720 Speaker 1: part comes in is Javier Bardama's character is this guy 599 00:29:48,800 --> 00:29:51,840 Speaker 1: named Anton Sugar, Sugar like the Sugar, and he's this 600 00:29:52,120 --> 00:29:54,760 Speaker 1: very just what they say is the best depiction ever 601 00:29:54,800 --> 00:29:56,880 Speaker 1: of what a real cycle path is like. Just the 602 00:29:56,920 --> 00:29:59,000 Speaker 1: way he acts, the way he talks, even the way 603 00:29:59,040 --> 00:30:02,880 Speaker 1: he looks like, all his mannerisms are very straight onto 604 00:30:02,920 --> 00:30:06,600 Speaker 1: what an actual psychopath is. And it's done so well 605 00:30:06,640 --> 00:30:11,920 Speaker 1: in this movie that he's a villain that seems almost 606 00:30:12,120 --> 00:30:15,640 Speaker 1: more scary than like somebody in a horror movie because 607 00:30:16,440 --> 00:30:20,680 Speaker 1: he's just insane psychopath who has this device he uses 608 00:30:20,720 --> 00:30:22,720 Speaker 1: to kill people, which is said essentially what they used 609 00:30:22,720 --> 00:30:25,480 Speaker 1: to like take out cattle, So it's like this highly 610 00:30:25,520 --> 00:30:27,600 Speaker 1: pressurized tank that he goes and just like put it 611 00:30:27,640 --> 00:30:30,680 Speaker 1: at people's foreheads and takes him out. And you the 612 00:30:30,680 --> 00:30:35,320 Speaker 1: whole time, it's his character trying to track down Josh 613 00:30:35,320 --> 00:30:38,120 Speaker 1: Brolin's character named Ellen, and he goes to his he 614 00:30:38,200 --> 00:30:40,280 Speaker 1: goes to his trailer and he takes all the clues 615 00:30:40,280 --> 00:30:43,720 Speaker 1: and finds out where he's going, and you well and 616 00:30:43,840 --> 00:30:47,720 Speaker 1: is trying to protect his wife. And then the whole 617 00:30:47,760 --> 00:30:50,560 Speaker 1: time Tommy Lee Jones, who's playing the old sheriff, is 618 00:30:50,680 --> 00:30:53,840 Speaker 1: trying to help out and figure out why you Ellen 619 00:30:53,920 --> 00:30:56,840 Speaker 1: has gotten rounded up into this. Now, Tommy Lee Jones, 620 00:30:56,840 --> 00:30:58,640 Speaker 1: this character has been around a really long time and 621 00:30:58,680 --> 00:31:00,320 Speaker 1: kind of where the title No Country for Old Man 622 00:31:00,400 --> 00:31:02,880 Speaker 1: comes in, which it's actually based on the book, but 623 00:31:02,960 --> 00:31:07,000 Speaker 1: it's Tommy Lee Jones kind of coming to realize how 624 00:31:07,080 --> 00:31:10,840 Speaker 1: much the world has changed since he's been in law enforcement, 625 00:31:10,960 --> 00:31:13,600 Speaker 1: and now you have this psychopath killer who's just going 626 00:31:13,640 --> 00:31:17,560 Speaker 1: around slaughtering people, and he's beginning to think maybe maybe 627 00:31:17,600 --> 00:31:19,320 Speaker 1: this is like too much for me now, maybe this 628 00:31:19,400 --> 00:31:21,960 Speaker 1: is time for me to get out. So this movie 629 00:31:22,160 --> 00:31:26,320 Speaker 1: is pretty violent, and I think it's violence with a purpose, 630 00:31:26,320 --> 00:31:29,640 Speaker 1: though kind of like one of my favorite directors, Quentin Tarantino, 631 00:31:29,800 --> 00:31:31,520 Speaker 1: who has a lot of violence in his movies and 632 00:31:31,560 --> 00:31:34,880 Speaker 1: oftens is criticized for how brutal is it is. I 633 00:31:34,920 --> 00:31:38,400 Speaker 1: think this movie uses it in a very particular way. 634 00:31:38,520 --> 00:31:41,120 Speaker 1: And you see some pretty hardcore things, like I said earlier, 635 00:31:41,200 --> 00:31:44,400 Speaker 1: from when he uses that cattle killing device to take 636 00:31:44,400 --> 00:31:47,720 Speaker 1: it out on people to him just straight up strangling 637 00:31:47,760 --> 00:31:50,840 Speaker 1: a guy on the floor and you see like the 638 00:31:51,000 --> 00:31:54,360 Speaker 1: marks from his boots like on the ground. Like that 639 00:31:54,400 --> 00:31:57,680 Speaker 1: stuff is very intense and it's very real. And I 640 00:31:57,800 --> 00:32:01,520 Speaker 1: just love the character of Anton Sugar in this movie 641 00:32:02,200 --> 00:32:05,120 Speaker 1: because it's the most simple things that he does that 642 00:32:05,240 --> 00:32:07,320 Speaker 1: makes him feel like a real villain and like a 643 00:32:07,320 --> 00:32:10,880 Speaker 1: real psychopath. And there's this scene where he just goes 644 00:32:10,920 --> 00:32:12,560 Speaker 1: to get gas and he goes in tied to a 645 00:32:12,600 --> 00:32:14,719 Speaker 1: gas station. It's like a very small gas station now 646 00:32:14,760 --> 00:32:17,880 Speaker 1: in rural Texas, and he has this interaction with the 647 00:32:17,920 --> 00:32:20,560 Speaker 1: store clerk, and up to this point in the movie, 648 00:32:20,680 --> 00:32:24,680 Speaker 1: everybody who he's encountered, he's killed. And it's kind of 649 00:32:24,720 --> 00:32:27,800 Speaker 1: this one slice of him being maybe like a normal 650 00:32:27,960 --> 00:32:31,280 Speaker 1: human where he has a conversation with the store clerk. 651 00:32:31,480 --> 00:32:35,400 Speaker 1: It's very tense because the clerk knows that something's wrong, 652 00:32:35,440 --> 00:32:37,400 Speaker 1: that this guy is off. And I just want to 653 00:32:37,400 --> 00:32:39,680 Speaker 1: play this little scene. Maybe you've heard this quote before 654 00:32:39,800 --> 00:32:42,400 Speaker 1: about what's the most you've ever lost in a coin toss? 655 00:32:42,520 --> 00:32:44,640 Speaker 1: And here's just a little bit of that scene. What's 656 00:32:44,640 --> 00:32:47,440 Speaker 1: the most you've ever lost on the coin toss? Sir? 657 00:32:47,920 --> 00:32:52,200 Speaker 1: The most you ever lost the coin toss? I don't know. 658 00:32:52,440 --> 00:33:03,840 Speaker 1: I couldn't say just well, we need to know what 659 00:33:03,880 --> 00:33:06,440 Speaker 1: we're calling it for here. You need to call it. 660 00:33:07,000 --> 00:33:09,960 Speaker 1: I can't call it for you. It wouldn't be fair. 661 00:33:10,760 --> 00:33:14,400 Speaker 1: I didn't put nothing now. Yes, you're dead. You've been 662 00:33:14,440 --> 00:33:16,560 Speaker 1: putting it up your whole life. It just didn't know it. 663 00:33:16,720 --> 00:33:18,640 Speaker 1: So the movie came out in two thousand seven, and 664 00:33:18,640 --> 00:33:21,480 Speaker 1: the following year it was nominated for eight Academy Awards, 665 00:33:22,040 --> 00:33:24,600 Speaker 1: four which it ended up winning, including Best Picture and 666 00:33:24,640 --> 00:33:28,680 Speaker 1: Best Supporting Actor. In a movie that's just been my 667 00:33:28,800 --> 00:33:31,800 Speaker 1: favorite for a long time. Now everything from the way 668 00:33:31,840 --> 00:33:35,160 Speaker 1: it looks like the actual cinematography and this is it's 669 00:33:35,160 --> 00:33:37,959 Speaker 1: pretty brilliant. You got the Cohen Brothers doing it, and 670 00:33:38,040 --> 00:33:41,520 Speaker 1: just how they filmed this movie. From the nighttime scenes 671 00:33:41,600 --> 00:33:43,920 Speaker 1: where at the very start where you will and getting 672 00:33:43,960 --> 00:33:47,400 Speaker 1: chased by these dudes, it just looks crisp and cool 673 00:33:47,480 --> 00:33:49,680 Speaker 1: and you kind of get that feeling of it being 674 00:33:49,760 --> 00:33:54,040 Speaker 1: in Texas and that scenery which is very important, just 675 00:33:54,160 --> 00:33:57,600 Speaker 1: to all the scenes with Sugar and focusing on his 676 00:33:57,680 --> 00:34:01,000 Speaker 1: facial expressions or lack thereof, and even just like the 677 00:34:01,080 --> 00:34:05,760 Speaker 1: costume design in this of they specifically picked this crazy 678 00:34:05,840 --> 00:34:08,680 Speaker 1: haircut that Sugar has in the movie to make him 679 00:34:08,719 --> 00:34:11,920 Speaker 1: look as creepy as possible and just Drash Brolin like 680 00:34:12,000 --> 00:34:14,640 Speaker 1: your root for him because he just kind of was 681 00:34:14,760 --> 00:34:17,279 Speaker 1: wanting to do something that would maybe help out him 682 00:34:17,320 --> 00:34:19,799 Speaker 1: and his wife and he ends up getting into a 683 00:34:19,840 --> 00:34:22,360 Speaker 1: really bad situation where you almost just want him to 684 00:34:22,400 --> 00:34:23,880 Speaker 1: get out of it and you're rooting for him the 685 00:34:24,000 --> 00:34:26,600 Speaker 1: entire time. And the cool thing about Josh Brolin, he 686 00:34:26,640 --> 00:34:29,040 Speaker 1: was actually working on a Quentin Tarantino movie when the 687 00:34:29,080 --> 00:34:31,759 Speaker 1: script came across and the role was offered to him. 688 00:34:31,760 --> 00:34:35,080 Speaker 1: He was working on Grindhouse and he actually got Quentin 689 00:34:35,080 --> 00:34:38,520 Speaker 1: Tarantino to shoot and direct his audition tape for you, 690 00:34:38,640 --> 00:34:41,680 Speaker 1: Ellen or that. That was pretty cool. And the other 691 00:34:41,680 --> 00:34:43,960 Speaker 1: thing about this movie is that has such big actors 692 00:34:43,960 --> 00:34:46,840 Speaker 1: in it, but you actually never really see them all 693 00:34:46,880 --> 00:34:50,160 Speaker 1: on screen together because it's really a chase throughout the 694 00:34:50,280 --> 00:34:54,480 Speaker 1: entire movie. And there's only one character who actually talks 695 00:34:54,520 --> 00:34:56,960 Speaker 1: to all three of the main characters. So you Allen's 696 00:34:57,000 --> 00:34:59,920 Speaker 1: wife in the movie is Carla Jean, and she's at 697 00:35:00,000 --> 00:35:02,200 Speaker 1: She was the only one who interacts with all three 698 00:35:02,200 --> 00:35:04,440 Speaker 1: of them, and it just gives that much cooler of 699 00:35:04,440 --> 00:35:06,719 Speaker 1: a feal that they never interact, and it just has 700 00:35:06,840 --> 00:35:10,400 Speaker 1: that anticipation of something bad it's probably going to happen. 701 00:35:10,480 --> 00:35:13,120 Speaker 1: But anyway, that is my number eight movie of all time, 702 00:35:13,200 --> 00:35:16,279 Speaker 1: No Country for Old Men. It's available to stream if 703 00:35:16,320 --> 00:35:19,000 Speaker 1: you have a Stars account, but otherwise you would have 704 00:35:19,040 --> 00:35:21,920 Speaker 1: to rent it on Amazon or YouTube for about four bucks. 705 00:35:21,960 --> 00:35:24,520 Speaker 1: So if you're looking for a good action thriller, I 706 00:35:24,640 --> 00:35:27,680 Speaker 1: highly recommend it at my number eight movie of all time. 707 00:35:28,360 --> 00:35:30,719 Speaker 1: All Right, and that's the episode for this week. But 708 00:35:30,800 --> 00:35:32,480 Speaker 1: before I hop out of here, I gotta give my 709 00:35:32,560 --> 00:35:35,759 Speaker 1: Instagram shout out of the Week. This week, it is 710 00:35:35,800 --> 00:35:39,680 Speaker 1: going to add Christie k m B on Instagram, who 711 00:35:39,719 --> 00:35:41,840 Speaker 1: actually posted it on her main fee that she was 712 00:35:41,880 --> 00:35:44,799 Speaker 1: listening to last week's episode and she was also a 713 00:35:44,800 --> 00:35:48,440 Speaker 1: big Willie Wanka fans. So shout out to you guys 714 00:35:48,480 --> 00:35:51,000 Speaker 1: for always putting this in your Instagram stories and if 715 00:35:51,040 --> 00:35:53,560 Speaker 1: you're stole inclined news, so putting it on your main 716 00:35:53,600 --> 00:35:56,000 Speaker 1: fee that you're listening to the episode. Every week, I 717 00:35:56,000 --> 00:35:58,239 Speaker 1: picked somebody on Instagram or Twitter to give him a 718 00:35:58,239 --> 00:35:59,880 Speaker 1: shout out. Just let me know that you're listening to 719 00:35:59,920 --> 00:36:02,560 Speaker 1: the podcast. Tag me in that and I'll shout you 720 00:36:02,600 --> 00:36:05,439 Speaker 1: out next week. I hope you guys are staying safe 721 00:36:05,520 --> 00:36:07,879 Speaker 1: out there. Watch the movies. Let me know what you've 722 00:36:07,920 --> 00:36:10,480 Speaker 1: seen and think that I should check out and recommend. 723 00:36:11,000 --> 00:36:12,680 Speaker 1: Let me know if you watch something good, just send 724 00:36:12,680 --> 00:36:14,719 Speaker 1: me a tweet or an Instagram message. I'll check it 725 00:36:14,719 --> 00:36:17,200 Speaker 1: out too and maybe do a review on next week's episode. 726 00:36:17,239 --> 00:36:20,040 Speaker 1: And until then, I will talk to you guys next time. 727 00:36:20,400 --> 00:36:20,640 Speaker 1: Later