1 00:00:00,720 --> 00:00:16,240 Speaker 1: I am all in again. Oh that's just you. 2 00:00:17,800 --> 00:00:22,320 Speaker 2: I Smell pop Culture with Eastern Allen and iHeart radio podcast. 3 00:00:22,640 --> 00:00:25,799 Speaker 2: Hi friends, it's I Smell pop Culture. My name is 4 00:00:25,840 --> 00:00:29,240 Speaker 2: Easton Allen. You heard Scott saying it earlier, he said 5 00:00:29,280 --> 00:00:32,199 Speaker 2: my name. That's the coolest part of the show for me. 6 00:00:32,400 --> 00:00:35,000 Speaker 2: I love hearing Scott Patterson say my name. We are 7 00:00:35,240 --> 00:00:37,720 Speaker 2: going to be hanging out and talking about pop culture 8 00:00:37,880 --> 00:00:38,879 Speaker 2: because I smell it. 9 00:00:39,000 --> 00:00:41,120 Speaker 1: I smell pop culture. Do you smell it? You can't 10 00:00:41,120 --> 00:00:44,600 Speaker 1: hear it, you can't taste it yet. And here's what 11 00:00:44,640 --> 00:00:45,280 Speaker 1: we do on this show. 12 00:00:45,280 --> 00:00:47,400 Speaker 2: If this is your first time hanging out with us, 13 00:00:47,640 --> 00:00:50,520 Speaker 2: we Gilmer Girls does all these great pop culture references. 14 00:00:50,840 --> 00:00:53,280 Speaker 2: They really make the world of Stars Hollow feel like 15 00:00:53,360 --> 00:00:57,400 Speaker 2: a real place by linking it to our world. They're 16 00:00:57,440 --> 00:01:02,000 Speaker 2: referencing movies, TV shows, music, celebrities. All these things get 17 00:01:02,040 --> 00:01:04,120 Speaker 2: referenced in the show. And we're not just going to 18 00:01:04,200 --> 00:01:05,800 Speaker 2: list them off. Here's what we're going to do. We're 19 00:01:05,800 --> 00:01:08,640 Speaker 2: going to dive deeper. We are going to talk to 20 00:01:08,640 --> 00:01:11,560 Speaker 2: the people that make these pop culture references real. We're 21 00:01:11,560 --> 00:01:13,800 Speaker 2: going to talk to people behind them, and we're going 22 00:01:13,880 --> 00:01:17,680 Speaker 2: to find out how they became a pop culture icon. 23 00:01:18,240 --> 00:01:22,759 Speaker 1: So this week we're going back to the nineties. People. 24 00:01:23,880 --> 00:01:27,360 Speaker 1: When you think about nineties sitcoms, what comes to mind? 25 00:01:27,440 --> 00:01:28,240 Speaker 1: What do you think about? 26 00:01:28,880 --> 00:01:31,880 Speaker 2: In my opinion, if you talk about the nineties and 27 00:01:31,920 --> 00:01:34,720 Speaker 2: you talk about a sitcom, there is one show that 28 00:01:34,840 --> 00:01:38,479 Speaker 2: comes to mind. There is one, and that is Full House. 29 00:01:38,920 --> 00:01:40,560 Speaker 2: Think about full House, that theme. 30 00:01:40,400 --> 00:01:42,160 Speaker 1: Song everywhere you look. 31 00:01:42,240 --> 00:01:45,800 Speaker 2: And then the font, the full House font. That's ninety 32 00:01:45,920 --> 00:01:49,880 Speaker 2: sitcom font. So many of the themes in Full House 33 00:01:50,040 --> 00:01:53,720 Speaker 2: are just so iconic of that era, and it's a 34 00:01:53,720 --> 00:01:55,960 Speaker 2: show that you can continue to revisit over and over. 35 00:01:56,680 --> 00:01:59,600 Speaker 2: We're going to talk to Andrea Barber. She played Kimmi 36 00:01:59,640 --> 00:02:02,560 Speaker 2: Gibble on Full House. She was in every season. She 37 00:02:02,720 --> 00:02:05,640 Speaker 2: was there from the beginning. She's the funny, kind of 38 00:02:05,680 --> 00:02:09,120 Speaker 2: weird girl that lives next door. She's DJ Tanner's best friend. 39 00:02:09,800 --> 00:02:12,160 Speaker 2: And we are going to talk to her today. And 40 00:02:12,200 --> 00:02:16,000 Speaker 2: here's the reason why full House was mentioned in Gilmore Girls, 41 00:02:16,120 --> 00:02:19,480 Speaker 2: not once, but twice. And I'm going to tell you 42 00:02:19,520 --> 00:02:23,160 Speaker 2: what those references are. The first one is in season six, 43 00:02:23,240 --> 00:02:27,560 Speaker 2: episode sixteen. This is when Bridesmaids revisited. And I'm going 44 00:02:27,600 --> 00:02:29,520 Speaker 2: to be before I read this off to you. I'm 45 00:02:29,560 --> 00:02:31,680 Speaker 2: going to come out front and say I think this 46 00:02:31,800 --> 00:02:34,480 Speaker 2: joke sucks. I don't like this at all, and I 47 00:02:34,760 --> 00:02:36,320 Speaker 2: has not aged well and I think even at the 48 00:02:36,360 --> 00:02:37,440 Speaker 2: moment it was not cool to do. 49 00:02:37,560 --> 00:02:39,360 Speaker 1: But I hear it is. I'm going to say it. 50 00:02:39,440 --> 00:02:42,639 Speaker 2: Laura is like watching Gigi, and Gigi's watching full House, 51 00:02:43,200 --> 00:02:45,960 Speaker 2: and laurle I says, oh, full House. You know, I 52 00:02:45,960 --> 00:02:48,160 Speaker 2: think the Olsen Twins way less now than they did 53 00:02:48,200 --> 00:02:51,640 Speaker 2: on that show. Huh, not cool to do. I don't 54 00:02:51,680 --> 00:02:52,160 Speaker 2: like that joke. 55 00:02:52,280 --> 00:02:56,440 Speaker 1: So they were referenced again on season seven, episode five, 56 00:02:56,639 --> 00:02:57,560 Speaker 1: The Great Stink. 57 00:02:58,320 --> 00:03:01,080 Speaker 2: Logan and Rory are walking down this and Rory says 58 00:03:01,080 --> 00:03:04,760 Speaker 2: that Bobby called them an adorable couple. Bobby is Logan's 59 00:03:04,840 --> 00:03:08,600 Speaker 2: a coworker, and Rory did not like that compliment. She 60 00:03:08,720 --> 00:03:10,600 Speaker 2: said that adorable is what you say about a Full 61 00:03:10,639 --> 00:03:13,240 Speaker 2: House rerun. You don't say that about a couple. She 62 00:03:13,280 --> 00:03:16,280 Speaker 2: did not like being called adorable, But full House is adorable. 63 00:03:16,280 --> 00:03:18,040 Speaker 2: That's what we love about it. And you know who 64 00:03:18,080 --> 00:03:21,240 Speaker 2: else is adorable? Kimmy Gibbler. We love her as the neighbor. 65 00:03:21,520 --> 00:03:24,560 Speaker 2: We love everything Kimmy stands for, and we are going 66 00:03:24,560 --> 00:03:27,880 Speaker 2: to talk to Andrea Barber. She brought Kimmy to life. 67 00:03:27,919 --> 00:03:31,480 Speaker 2: And now Andrea is here, it is I smell pop culture. Andrew, 68 00:03:31,639 --> 00:03:33,240 Speaker 2: thank you so much for doing this. It is so 69 00:03:33,360 --> 00:03:34,040 Speaker 2: nice to meet you. 70 00:03:34,400 --> 00:03:34,600 Speaker 1: Hi. 71 00:03:34,880 --> 00:03:38,040 Speaker 3: What an intro. That's fantastic. I'll come on the show 72 00:03:38,080 --> 00:03:39,560 Speaker 3: anytime with that kind of. 73 00:03:39,480 --> 00:03:42,120 Speaker 2: Intro strap in. It's only going to get better from here. 74 00:03:43,120 --> 00:03:45,800 Speaker 2: So there are a lot of fictional neighbors out there 75 00:03:45,800 --> 00:03:47,920 Speaker 2: in sitcom land, and I have to say, Kimmy is 76 00:03:48,120 --> 00:03:52,080 Speaker 2: my favorite. Wilson on Home Improvement, You're out. Kimmy Gilbler 77 00:03:52,200 --> 00:03:52,600 Speaker 2: is the best. 78 00:03:53,080 --> 00:03:56,760 Speaker 3: You know, She's definitely more flavorful than Wilson, that's for. 79 00:03:56,680 --> 00:04:02,400 Speaker 2: Sure, absolutely absolutely so. Before we dive into the full 80 00:04:02,440 --> 00:04:06,800 Speaker 2: house of it all, the if people haven't seen Full House, 81 00:04:06,800 --> 00:04:08,760 Speaker 2: and if you haven't, what on earth is going on 82 00:04:08,840 --> 00:04:09,080 Speaker 2: with you? 83 00:04:10,320 --> 00:04:11,240 Speaker 3: Right right? 84 00:04:11,400 --> 00:04:14,680 Speaker 2: Kimmy Gibler is DJ Tanner is a best friend. And 85 00:04:14,880 --> 00:04:19,680 Speaker 2: your friendship is so fun It's so funny, it's so beautiful. 86 00:04:19,800 --> 00:04:23,600 Speaker 2: It's just it's something I love to watch. And Gilmore 87 00:04:23,640 --> 00:04:27,479 Speaker 2: Girls is like, at its core about the relationships between 88 00:04:27,600 --> 00:04:31,359 Speaker 2: mothers and daughters and other female friendships. Would you the 89 00:04:31,400 --> 00:04:34,880 Speaker 2: friendship that Kimmy had with DJ would is that something 90 00:04:34,920 --> 00:04:37,680 Speaker 2: that was inspired by anything in your personal life, Like 91 00:04:37,720 --> 00:04:39,360 Speaker 2: do you have close female friendships like that? 92 00:04:39,800 --> 00:04:44,320 Speaker 3: Yeah, I don't know if it was inspired by I mean, 93 00:04:44,320 --> 00:04:47,800 Speaker 3: obviously I was very close with Candice Cameron Bray growing up, 94 00:04:47,960 --> 00:04:50,000 Speaker 3: just because we spent a lot of time together on 95 00:04:50,080 --> 00:04:53,720 Speaker 3: the set. I was also close with Jody Sweeten as well. 96 00:04:54,680 --> 00:04:57,320 Speaker 3: But I don't know if it was inspired. The writers 97 00:04:57,360 --> 00:05:02,839 Speaker 3: did mine our lives for storylines, so whether it was 98 00:05:02,920 --> 00:05:06,560 Speaker 3: getting your first pimple or stuffing you're broad to make 99 00:05:06,600 --> 00:05:09,159 Speaker 3: your boobs look bigger or things like that, you know, 100 00:05:09,240 --> 00:05:12,960 Speaker 3: they would kind of like mine our personal lives for ideas. 101 00:05:12,960 --> 00:05:15,040 Speaker 3: Because it was a bunch of men. There was a 102 00:05:15,080 --> 00:05:18,840 Speaker 3: bunch of male writers who didn't have kids writing for 103 00:05:18,880 --> 00:05:21,000 Speaker 3: this show. This family show. 104 00:05:21,000 --> 00:05:22,720 Speaker 1: Incredible, kind of hysterical. 105 00:05:23,040 --> 00:05:24,800 Speaker 3: I don't know, if you know the premise, the original 106 00:05:24,880 --> 00:05:27,719 Speaker 3: premise of Full House was supposed to be. It wasn't 107 00:05:27,720 --> 00:05:29,600 Speaker 3: supposed to be a family show. It was supposed to 108 00:05:29,640 --> 00:05:33,320 Speaker 3: be house of comics with three comedians, just you know, 109 00:05:33,400 --> 00:05:36,800 Speaker 3: kind of like a bachelor pad almost so Jeff Franklin 110 00:05:37,160 --> 00:05:40,400 Speaker 3: quickly pivoted in a different direction when ABC was like, yeah, 111 00:05:40,440 --> 00:05:42,160 Speaker 3: we need a family show, and he was like, oh, 112 00:05:42,279 --> 00:05:45,120 Speaker 3: let me change this pitch on the spot, you know, 113 00:05:45,240 --> 00:05:47,520 Speaker 3: in the in the middle of the pitch meeting. So 114 00:05:47,920 --> 00:05:53,960 Speaker 3: thus full House was born. But yeah, so the friendship 115 00:05:53,960 --> 00:05:57,599 Speaker 3: between Kimmy and DJ. I love this friendship because not 116 00:05:57,839 --> 00:06:01,320 Speaker 3: many Tanners liked Kimmy Gibbler. She was you know, they 117 00:06:01,400 --> 00:06:04,360 Speaker 3: kinda gave her a hard time. Granted she deserved some 118 00:06:04,440 --> 00:06:06,440 Speaker 3: of it because she was a bit of a wild card. 119 00:06:06,480 --> 00:06:08,520 Speaker 3: She never rang the doorbell, she never knocked. She just 120 00:06:08,560 --> 00:06:11,960 Speaker 3: barged in and said what was on her mind. But 121 00:06:12,040 --> 00:06:15,320 Speaker 3: DJ was there for her. Like through it all, they 122 00:06:15,400 --> 00:06:19,640 Speaker 3: remained best friends, and the Tanners were kind of a 123 00:06:19,680 --> 00:06:23,039 Speaker 3: surrogate family for Kimmy Gibbler. You know, she just wanted 124 00:06:23,040 --> 00:06:24,640 Speaker 3: to be a member of the Tanner family. 125 00:06:25,680 --> 00:06:27,719 Speaker 1: I mean, who would want to be you know, we 126 00:06:27,800 --> 00:06:28,360 Speaker 1: all you. 127 00:06:28,320 --> 00:06:30,680 Speaker 3: Know, it felt This is the number one thing I 128 00:06:30,720 --> 00:06:33,280 Speaker 3: hear from fans. It's like they feel like they were 129 00:06:33,640 --> 00:06:36,440 Speaker 3: the Tanners were the family that they wish they had 130 00:06:36,520 --> 00:06:39,240 Speaker 3: had growing up. They felt like it was an extension. 131 00:06:39,279 --> 00:06:41,080 Speaker 3: They were an extension of the family, and they were. 132 00:06:41,200 --> 00:06:44,279 Speaker 3: You know, our fans are very loyal, were very lucky. 133 00:06:45,640 --> 00:06:46,520 Speaker 3: So yeah, I love that. 134 00:06:47,560 --> 00:06:50,080 Speaker 2: I mean you started You're in the first episode of 135 00:06:50,120 --> 00:06:51,880 Speaker 2: Full House. I mean like you were like a recurring 136 00:06:51,960 --> 00:06:54,280 Speaker 2: character for the first few seasons, right, but then like 137 00:06:54,440 --> 00:06:57,440 Speaker 2: you you were there from the beginning when you were 138 00:06:57,480 --> 00:06:59,880 Speaker 2: ten years old when you started that rule. 139 00:07:00,080 --> 00:07:03,520 Speaker 3: Yes, it's from ages ten to eighteen. So my entire 140 00:07:04,120 --> 00:07:06,760 Speaker 3: awkward adolescence is captured on tape. 141 00:07:07,000 --> 00:07:09,720 Speaker 1: Textbook. Formative years is spent on the set. 142 00:07:10,080 --> 00:07:14,000 Speaker 3: Right, Yeah, which, yeah, I'm surprised I came out of 143 00:07:14,000 --> 00:07:18,000 Speaker 3: that unscathed. But no, it's I mean it's fun. You know. 144 00:07:18,440 --> 00:07:20,880 Speaker 3: Jody Sweeten and I have this rewatch podcast how rud 145 00:07:20,920 --> 00:07:24,960 Speaker 3: Tannerto's also on iHeartRadio, and so we're watching the show 146 00:07:25,000 --> 00:07:27,120 Speaker 3: for the first time, and it's so great. It's like 147 00:07:27,160 --> 00:07:30,880 Speaker 3: watching home movies together and make fun of each other's hairstyles, 148 00:07:31,320 --> 00:07:35,840 Speaker 3: the bad bangs, the terrible perms, the shoulder pads. There's 149 00:07:35,880 --> 00:07:38,800 Speaker 3: so many shoulder pads, you know, in the early nineties. 150 00:07:38,840 --> 00:07:42,840 Speaker 3: It's just it's fantastic. So yeah, it's it's it's a 151 00:07:42,880 --> 00:07:45,080 Speaker 3: blessing and a curse to have all of your formative 152 00:07:45,120 --> 00:07:48,920 Speaker 3: years for the world to see. It's fun when you 153 00:07:49,200 --> 00:07:50,920 Speaker 3: get to look back and you can kind of laugh 154 00:07:50,960 --> 00:07:54,000 Speaker 3: at yourself and make fun of yourself at the time, 155 00:07:54,360 --> 00:07:56,040 Speaker 3: I don't know if I was laughing at about it 156 00:07:56,080 --> 00:07:58,400 Speaker 3: at the time, but now I can look back with 157 00:07:58,480 --> 00:08:01,640 Speaker 3: fond memories and think, oh, yeah, we were silly. It 158 00:08:01,680 --> 00:08:02,240 Speaker 3: was a good time. 159 00:08:03,000 --> 00:08:05,880 Speaker 2: It's a you know, I know, people that act as 160 00:08:05,960 --> 00:08:08,440 Speaker 2: children have there's so many different experiences that come out there. 161 00:08:08,480 --> 00:08:12,800 Speaker 2: And I'm ten years old, I mean, doing this, I'm curious, 162 00:08:12,840 --> 00:08:16,280 Speaker 2: what was that like? Because you probably it must have 163 00:08:16,320 --> 00:08:18,280 Speaker 2: been cool to be on it. You're on a TV set, 164 00:08:18,320 --> 00:08:20,720 Speaker 2: you're in a studio, you're on TV. I mean, that's 165 00:08:20,720 --> 00:08:23,480 Speaker 2: got to be insanely cool. But also you're ten, you're eleven, 166 00:08:23,880 --> 00:08:27,480 Speaker 2: like your friends are going to the park and you know, 167 00:08:27,640 --> 00:08:30,720 Speaker 2: stuff like that, Like what was that like for you? 168 00:08:30,840 --> 00:08:33,040 Speaker 1: Did you love it? Did you dislike it at times? 169 00:08:33,320 --> 00:08:33,560 Speaker 3: Yes? 170 00:08:33,600 --> 00:08:34,000 Speaker 1: And yes? 171 00:08:34,200 --> 00:08:37,440 Speaker 3: Like that's this is a this is a multifaceted question 172 00:08:37,520 --> 00:08:41,760 Speaker 3: with multifaceted answers At ten years old. Yeah, I was 173 00:08:41,800 --> 00:08:44,680 Speaker 3: still enjoying it. You know, I still had a great 174 00:08:44,760 --> 00:08:49,120 Speaker 3: balance of real home life and then set life. My 175 00:08:49,200 --> 00:08:51,400 Speaker 3: parents were great about that, making sure I still went 176 00:08:51,480 --> 00:08:55,400 Speaker 3: to regular school, regular public school. On my hiatus weeks. 177 00:08:56,320 --> 00:08:58,960 Speaker 3: I still had, you know, my friends at school, I 178 00:08:59,000 --> 00:09:00,959 Speaker 3: still went to like school dances. Once I got to 179 00:09:01,040 --> 00:09:02,360 Speaker 3: high school, I went to my prom. You know, I 180 00:09:02,400 --> 00:09:05,200 Speaker 3: had all that stuff. So I remained as grounded and 181 00:09:05,280 --> 00:09:08,280 Speaker 3: as normal as possible. But yes, you know, Full House 182 00:09:08,360 --> 00:09:11,320 Speaker 3: was on the air for eight seasons, which is a 183 00:09:11,360 --> 00:09:14,160 Speaker 3: long time. So somewhere in the middle of that, I 184 00:09:14,200 --> 00:09:15,959 Speaker 3: did get really burned out and I was like, I 185 00:09:15,960 --> 00:09:18,040 Speaker 3: don't want to do this anymore, Like I just want 186 00:09:18,080 --> 00:09:20,680 Speaker 3: to hang out with my friends after school. It wasn't 187 00:09:20,679 --> 00:09:23,800 Speaker 3: so much Full House. It was the audition circuit because 188 00:09:24,280 --> 00:09:27,920 Speaker 3: as a child actor, it's like every afternoon after school 189 00:09:28,440 --> 00:09:31,760 Speaker 3: getting on the freeway, sitting in traffic, doing these auditions 190 00:09:31,840 --> 00:09:34,720 Speaker 3: that you probably won't get because it's all a numbers 191 00:09:34,760 --> 00:09:37,880 Speaker 3: game and you get a lot of rejection. And I 192 00:09:37,920 --> 00:09:39,959 Speaker 3: was just tired of it. So my parents were great, 193 00:09:40,120 --> 00:09:42,800 Speaker 3: They said, you know what, you can quit anytime you want. 194 00:09:43,559 --> 00:09:45,680 Speaker 3: You can't quit on the one oh one freeway in 195 00:09:45,720 --> 00:09:48,880 Speaker 3: the middle of traffic, but with a well thought out 196 00:09:48,960 --> 00:09:52,760 Speaker 3: letter to your agent, you'd stop it anytime. So I 197 00:09:52,800 --> 00:09:55,840 Speaker 3: called up my agent, Judy Savage, and I told her 198 00:09:56,000 --> 00:09:58,160 Speaker 3: I need a break, and she said, great, why don't 199 00:09:58,200 --> 00:10:01,400 Speaker 3: you take you know, three four, five, six months, whatever 200 00:10:01,440 --> 00:10:03,280 Speaker 3: you need and then just call me when you're ready 201 00:10:03,320 --> 00:10:05,200 Speaker 3: to get back into it. So I thought, great, So 202 00:10:05,240 --> 00:10:09,200 Speaker 3: that whole hiatus whatever. I was probably fourteen fifteen years old, 203 00:10:09,640 --> 00:10:12,680 Speaker 3: that whole hiatus period of three or four months when 204 00:10:12,720 --> 00:10:16,240 Speaker 3: we were off off from taping Full House. I was 205 00:10:16,360 --> 00:10:17,920 Speaker 3: just a kid and it was great. And after six 206 00:10:17,960 --> 00:10:20,000 Speaker 3: months I was like, Okay, I'm ready to get back 207 00:10:20,000 --> 00:10:23,080 Speaker 3: to work. I'm refreshed, I'm recharged. And it was a 208 00:10:23,080 --> 00:10:24,920 Speaker 3: good It was a good balance. I had a very 209 00:10:24,960 --> 00:10:27,360 Speaker 3: good balance in my life. So shout out to my 210 00:10:27,440 --> 00:10:28,800 Speaker 3: parents for that. 211 00:10:29,520 --> 00:10:31,840 Speaker 1: That makes me so happy to hear that. That's awesome. 212 00:10:31,840 --> 00:10:32,920 Speaker 1: You have incredible parents. 213 00:10:33,240 --> 00:10:35,640 Speaker 2: But also everyone listening out there, let this be a 214 00:10:35,640 --> 00:10:38,720 Speaker 2: reminder of the importance of taking breaks. I mean, my goodness, 215 00:10:38,800 --> 00:10:42,360 Speaker 2: like that whatever juvenating period for you. And I'm so 216 00:10:42,679 --> 00:10:44,400 Speaker 2: impressed that you had the foresight at such a young 217 00:10:44,440 --> 00:10:46,200 Speaker 2: age to like know, like, I have to do this 218 00:10:46,240 --> 00:10:48,000 Speaker 2: for this time and then I can give back to 219 00:10:48,040 --> 00:10:48,680 Speaker 2: it if I want to. 220 00:10:49,040 --> 00:10:51,880 Speaker 3: Oh. Thanks, Yeah, it's important, especially in whole hustle culture. 221 00:10:51,920 --> 00:10:54,280 Speaker 3: Now it gets different. Being a child actor in the 222 00:10:54,320 --> 00:10:56,679 Speaker 3: ninety it is very different than it is now. I 223 00:10:56,840 --> 00:10:59,280 Speaker 3: can't imagine being a child actor. Now with just the 224 00:10:59,400 --> 00:11:03,520 Speaker 3: presence of social media changes the whole game. But back 225 00:11:03,559 --> 00:11:05,559 Speaker 3: then it was really I feel like child actors in 226 00:11:05,600 --> 00:11:08,120 Speaker 3: the nineties, it was a hobby for us. It wasn't 227 00:11:08,720 --> 00:11:11,400 Speaker 3: We weren't, you know, paying the mortgage for our parents 228 00:11:11,520 --> 00:11:13,520 Speaker 3: with our paychecks. You know, it was really all that 229 00:11:13,600 --> 00:11:16,560 Speaker 3: money went into a trust fund, and it was just 230 00:11:16,840 --> 00:11:19,800 Speaker 3: fun for us. And that's why I stuck with it 231 00:11:19,840 --> 00:11:22,199 Speaker 3: as long as I did. Plus, I was under contract 232 00:11:22,240 --> 00:11:26,880 Speaker 3: with full House, But besides my contractual obligations, it was 233 00:11:26,920 --> 00:11:29,520 Speaker 3: really the people. I mean, I wouldn't be I wouldn't 234 00:11:29,520 --> 00:11:31,600 Speaker 3: be doing a rewatch podcast with Jody if I didn't 235 00:11:31,600 --> 00:11:33,480 Speaker 3: love it. We would never have come back for Fuller 236 00:11:33,520 --> 00:11:36,080 Speaker 3: House if we didn't absolutely love it to our core. 237 00:11:37,120 --> 00:11:39,720 Speaker 3: And so it was a great, great experience. But yeah, no, 238 00:11:39,880 --> 00:11:42,679 Speaker 3: take those breaks, people, take those breaks if you need them. 239 00:11:42,679 --> 00:11:43,840 Speaker 3: That is such a good lesson. 240 00:11:44,200 --> 00:11:46,520 Speaker 1: Where did you this film? Full House? Like? Where was 241 00:11:46,559 --> 00:11:47,640 Speaker 1: that shot? 242 00:11:48,360 --> 00:11:51,040 Speaker 3: In Los Angeles? Two different locations. We started out at 243 00:11:51,160 --> 00:11:55,439 Speaker 3: Lori mar which I believe is now Sony Studios in 244 00:11:55,559 --> 00:11:58,199 Speaker 3: Culver City, and then somewhere in the middle of the 245 00:11:58,280 --> 00:12:00,280 Speaker 3: run of the show, we moved to Warner brother there's 246 00:12:00,760 --> 00:12:04,400 Speaker 3: Stage twenty four, So right there in Gilmore Girl's land. Yes, 247 00:12:04,640 --> 00:12:08,320 Speaker 3: walked past that little gazebo you know, every single day. 248 00:12:10,160 --> 00:12:10,480 Speaker 1: Yeah. 249 00:12:10,520 --> 00:12:12,959 Speaker 3: So we were there stage twenty four, and we came 250 00:12:13,000 --> 00:12:16,360 Speaker 3: back for Fuller House to stage twenty four at Warner Brothers. 251 00:12:16,440 --> 00:12:19,600 Speaker 3: So it was a very full circle moment to be 252 00:12:19,760 --> 00:12:22,200 Speaker 3: on that same stage, same dressing rooms. It was like 253 00:12:22,240 --> 00:12:22,959 Speaker 3: coming home again. 254 00:12:23,200 --> 00:12:23,880 Speaker 1: That is awesome. 255 00:12:24,040 --> 00:12:27,400 Speaker 2: Stage twenty four also the Friends stage for the Friend's 256 00:12:27,840 --> 00:12:30,120 Speaker 2: iconic I mean, my god. So if you're going on 257 00:12:30,120 --> 00:12:32,040 Speaker 2: that Warner Brothers tour, and if you listening to this podcast, 258 00:12:32,160 --> 00:12:34,280 Speaker 2: you either have or you have plans to because it's 259 00:12:34,320 --> 00:12:36,480 Speaker 2: all Gilmore so Gilmore heavy, but there's also a lot 260 00:12:36,480 --> 00:12:39,240 Speaker 2: of full House history there. That's Stage twenty four. Write 261 00:12:39,280 --> 00:12:40,239 Speaker 2: that down, everybody. 262 00:12:40,559 --> 00:12:43,720 Speaker 3: It's a magical stage. Yep. Good things happen on that stage. 263 00:12:44,320 --> 00:12:46,559 Speaker 2: So and you were saying, you're talking about Fuller House, 264 00:12:46,760 --> 00:12:50,040 Speaker 2: and that's another similarity that we have to Gilmore Girls 265 00:12:50,040 --> 00:12:52,480 Speaker 2: is because Gilmre Girls came back for a revival many 266 00:12:52,600 --> 00:12:56,199 Speaker 2: years later as wellmazing. Yes was that So that was 267 00:12:56,240 --> 00:12:58,240 Speaker 2: a fun experience for you. Did you enjoy What was 268 00:12:58,240 --> 00:13:01,040 Speaker 2: it like stipping back into that role after a decade 269 00:13:01,120 --> 00:13:01,480 Speaker 2: or whatever. 270 00:13:01,520 --> 00:13:01,800 Speaker 1: It was. 271 00:13:02,120 --> 00:13:05,959 Speaker 3: Oh, it was so rewarding, like it was great. Jeff 272 00:13:05,960 --> 00:13:09,520 Speaker 3: Franklin are the creator of both full House and Fuller House, 273 00:13:09,800 --> 00:13:12,600 Speaker 3: our executive producer. I think he didn't know what to expect. 274 00:13:12,640 --> 00:13:14,600 Speaker 3: He's like, you know, it's been thirty years. I don't know. 275 00:13:15,840 --> 00:13:17,720 Speaker 3: He was like, do you guys need acting lessons? Like 276 00:13:17,760 --> 00:13:20,280 Speaker 3: it had been like twenty years for me. I had 277 00:13:20,480 --> 00:13:23,960 Speaker 3: stepped away from Hollywood. I hadn't acted in twenty years, 278 00:13:24,240 --> 00:13:25,400 Speaker 3: So I was kind of like, I don't know. I 279 00:13:25,440 --> 00:13:27,400 Speaker 3: think I still don't It's like riding a bike, right, 280 00:13:28,360 --> 00:13:32,120 Speaker 3: I can still do it, And it was. It was effortless. Again, 281 00:13:32,200 --> 00:13:34,959 Speaker 3: you do something for eight years of your childhood, it's 282 00:13:34,960 --> 00:13:38,800 Speaker 3: like learning a language as a child. You're like a sponge. 283 00:13:38,840 --> 00:13:41,040 Speaker 3: You just absorb it and it's with you for the 284 00:13:41,080 --> 00:13:43,720 Speaker 3: rest of your life. So that's how Kimmy Gibler was 285 00:13:43,760 --> 00:13:46,720 Speaker 3: for me. She's just inside of me all the time. 286 00:13:46,920 --> 00:13:49,000 Speaker 3: She just lias dormant now and then, but then she 287 00:13:49,080 --> 00:13:53,000 Speaker 3: comes out and emerges. But it was great. It really 288 00:13:53,040 --> 00:13:56,760 Speaker 3: felt like coming to your childhood home, walking through the 289 00:13:56,800 --> 00:14:00,560 Speaker 3: set for the first time again after thirty years. The 290 00:14:00,640 --> 00:14:04,560 Speaker 3: couch was there, the oo plaid curtains and couch, and 291 00:14:04,760 --> 00:14:08,920 Speaker 3: like all the weird nautical decor. Why why it had 292 00:14:08,920 --> 00:14:11,120 Speaker 3: a nautical decor. I don't know. Maybe it's the San 293 00:14:11,120 --> 00:14:16,120 Speaker 3: Francisco Bay, I don't know. Besides that, yeah, it was 294 00:14:16,400 --> 00:14:18,640 Speaker 3: so rewarding to come back as an adult and play 295 00:14:18,679 --> 00:14:20,680 Speaker 3: the same character that I did for eight years as 296 00:14:20,680 --> 00:14:24,120 Speaker 3: a child, because I know now as an adult how 297 00:14:24,200 --> 00:14:27,080 Speaker 3: fleeting that is. Like, nobody gets eight seasons of a 298 00:14:27,120 --> 00:14:31,480 Speaker 3: show anymore. You're lucky if you get a second season 299 00:14:31,640 --> 00:14:35,080 Speaker 3: or a third season on any of these platforms. But yeah, 300 00:14:35,120 --> 00:14:37,880 Speaker 3: and it's about the people. Like the Full House cast, 301 00:14:38,040 --> 00:14:40,880 Speaker 3: we're family. I know it's so schmaltzy and cheesy, but 302 00:14:40,960 --> 00:14:44,480 Speaker 3: we really do love each other so much. We are 303 00:14:44,480 --> 00:14:48,480 Speaker 3: in each other's lives forever. And yeah, it was it 304 00:14:48,520 --> 00:14:50,240 Speaker 3: was great. I would come back again, all of us, 305 00:14:50,320 --> 00:14:52,720 Speaker 3: without even hesitation. We would come back and do a 306 00:14:52,760 --> 00:14:55,520 Speaker 3: fullest House, which I don't know if anybody wants that. 307 00:14:55,640 --> 00:14:58,600 Speaker 3: I know the diehard Full House fans want that, and 308 00:14:58,640 --> 00:14:59,800 Speaker 3: we would love to do it, just to have an 309 00:14:59,800 --> 00:15:01,160 Speaker 3: ex used to hang out and get to do it 310 00:15:01,200 --> 00:15:03,760 Speaker 3: all over again and sit on that tiny blue couch 311 00:15:03,840 --> 00:15:06,600 Speaker 3: that does really doesn't fit more than two people, but 312 00:15:06,680 --> 00:15:08,560 Speaker 3: we somehow crammed a whole family. 313 00:15:08,520 --> 00:15:09,320 Speaker 1: On that couch. 314 00:15:12,040 --> 00:15:14,240 Speaker 2: I'm so glad that that was the experience you had, because, 315 00:15:14,280 --> 00:15:17,040 Speaker 2: like as viewers, I mean, the experience, it was so 316 00:15:17,280 --> 00:15:19,760 Speaker 2: such similar way to describe it, it's like it felt 317 00:15:19,760 --> 00:15:22,600 Speaker 2: like going back to a safe place and a place 318 00:15:22,600 --> 00:15:25,640 Speaker 2: that we as viewers again have so many fond memories, 319 00:15:25,640 --> 00:15:27,880 Speaker 2: and so hearing that like to make it was such 320 00:15:27,880 --> 00:15:30,000 Speaker 2: a pleasant thing, it makes it even better. 321 00:15:30,040 --> 00:15:30,960 Speaker 1: It's so good. 322 00:15:31,000 --> 00:15:32,920 Speaker 3: Oh, I'm glad to hear that. Yeah, I know, it's 323 00:15:33,160 --> 00:15:37,760 Speaker 3: it's it's very special, right, the poll of nostalgia is 324 00:15:37,760 --> 00:15:40,600 Speaker 3: so strong, and I don't know, especially with nineties the 325 00:15:40,680 --> 00:15:45,200 Speaker 3: nineties television shows pop culture, there was something very comforting 326 00:15:45,360 --> 00:15:48,640 Speaker 3: about shows from the eighties and nineties. It was a 327 00:15:48,640 --> 00:15:51,640 Speaker 3: simpler time. It was before nine to eleven, it was 328 00:15:51,680 --> 00:15:54,560 Speaker 3: before social media, it was before cell phones, and I 329 00:15:54,600 --> 00:15:57,920 Speaker 3: think people kind of miss the simplicity of those times. 330 00:15:57,920 --> 00:16:00,760 Speaker 3: So you're right, it's like comfort food. She shows like 331 00:16:00,800 --> 00:16:03,800 Speaker 3: full House and Gilmore Girls and then the reboots that 332 00:16:03,840 --> 00:16:06,080 Speaker 3: it makes you feel good inside, and a lot of 333 00:16:06,120 --> 00:16:09,280 Speaker 3: people you know in their in their forties now they have, 334 00:16:09,560 --> 00:16:12,840 Speaker 3: they have kids, they're raising kids, and they're introducing these 335 00:16:12,880 --> 00:16:15,200 Speaker 3: shows to their kids too and making it a family 336 00:16:15,240 --> 00:16:18,680 Speaker 3: watching experience all over again. And I love it. I 337 00:16:18,680 --> 00:16:20,920 Speaker 3: think that's great. I think we should get back to 338 00:16:21,000 --> 00:16:24,080 Speaker 3: like the T G i F Fright Night, Family on 339 00:16:24,120 --> 00:16:26,840 Speaker 3: the Couch. You know, this is this is something that's 340 00:16:26,880 --> 00:16:30,280 Speaker 3: missing from society. Now, let's bring it back Easton, Let's 341 00:16:30,280 --> 00:16:31,280 Speaker 3: bring back T G I F. 342 00:16:31,640 --> 00:16:33,360 Speaker 1: Yes, we're bringing back t G I F. 343 00:16:35,240 --> 00:16:40,480 Speaker 2: There's so many great Kimmy moments on Full House. The 344 00:16:40,520 --> 00:16:45,640 Speaker 2: ones that stand out to me practicing bagpipes or the fence. 345 00:16:46,040 --> 00:16:46,400 Speaker 3: Yes. 346 00:16:46,800 --> 00:16:48,400 Speaker 1: The other one I love is when you had a 347 00:16:48,440 --> 00:16:49,320 Speaker 1: pet ostriche. 348 00:16:49,480 --> 00:16:51,840 Speaker 3: Yes that might have been that was Was that the 349 00:16:51,840 --> 00:16:53,400 Speaker 3: same that might have been the same episode? 350 00:16:53,760 --> 00:16:54,880 Speaker 1: Yes, yes it was, and. 351 00:16:54,920 --> 00:16:57,120 Speaker 3: Why I don't know how those things are related, bagpipes 352 00:16:57,120 --> 00:16:58,680 Speaker 3: and ostriches, but it made sense. 353 00:16:59,080 --> 00:17:01,520 Speaker 2: That's a tie of and the beauty of Kimmy Gibbler. 354 00:17:01,640 --> 00:17:05,600 Speaker 2: Anything can happen. And so that was a puppet ostrich. 355 00:17:05,920 --> 00:17:09,359 Speaker 3: Oh yes, it was the fakest looking like this is 356 00:17:09,400 --> 00:17:11,719 Speaker 3: where you really gotta suspend belief, Like I'm sure they 357 00:17:11,760 --> 00:17:14,480 Speaker 3: spent a lot of money on that puppet, but it 358 00:17:14,680 --> 00:17:18,000 Speaker 3: just looked terrible. But yeah, they wanted Kimmy to have 359 00:17:18,040 --> 00:17:21,160 Speaker 3: a pet Ostrich and she was kind of driving Jesse 360 00:17:21,440 --> 00:17:24,239 Speaker 3: nuts during this episode, like between the Ostrich that was 361 00:17:24,280 --> 00:17:27,240 Speaker 3: poking him and his it laid it have a mullet then, 362 00:17:27,280 --> 00:17:30,600 Speaker 3: but his you know the hair watch the hair, huh. 363 00:17:30,640 --> 00:17:33,280 Speaker 3: And then the bagpipes again, of course Kimmy Gibler has 364 00:17:33,320 --> 00:17:35,760 Speaker 3: bagpipes because of course got to annoy the neighbors with 365 00:17:35,840 --> 00:17:40,520 Speaker 3: the loudest instrument possible. Yes, so you know, we we 366 00:17:41,200 --> 00:17:43,960 Speaker 3: had we had a little nod to that episode in 367 00:17:44,160 --> 00:17:46,919 Speaker 3: Fuller House when we finally saw the Gibbler House for 368 00:17:46,960 --> 00:17:49,560 Speaker 3: the first time, the one and only time we saw 369 00:17:49,920 --> 00:17:52,800 Speaker 3: inside the Gibbler House. They were like, let's put some 370 00:17:52,920 --> 00:17:54,800 Speaker 3: Easter eggs in there. So I'm like, okay, let's have 371 00:17:54,880 --> 00:17:57,840 Speaker 3: some bagpipes in the corner. They couldn't find an Ostrich, 372 00:17:57,880 --> 00:18:00,119 Speaker 3: but they had like a portrait of an Ostrich and 373 00:18:00,280 --> 00:18:03,159 Speaker 3: like all of those old tiny portraits of an hostage 374 00:18:03,760 --> 00:18:06,320 Speaker 3: up there, there was a Unice cycle in the corner. 375 00:18:06,480 --> 00:18:09,000 Speaker 3: I mean, it was just It's a great episode for 376 00:18:09,920 --> 00:18:12,440 Speaker 3: fans that know Full House like the back of their hand. 377 00:18:12,640 --> 00:18:14,920 Speaker 3: There's so many good little Easter eggs there. 378 00:18:15,240 --> 00:18:18,040 Speaker 2: I love I love that. That was really the first 379 00:18:18,080 --> 00:18:20,800 Speaker 2: time you see Kimmy's house. I didn't realize that. That's crazy. 380 00:18:20,920 --> 00:18:23,160 Speaker 3: The only time we saw inside the house. We never 381 00:18:23,240 --> 00:18:26,679 Speaker 3: met Kimmy's parents. Yeah, one of my biggest regrets in 382 00:18:26,720 --> 00:18:29,119 Speaker 3: life is that we never met Kimmy's parents. If I 383 00:18:29,160 --> 00:18:32,400 Speaker 3: could cast them myself, that my next question. She said, 384 00:18:32,440 --> 00:18:35,840 Speaker 3: I would cast Martin Short as mister Gibbler and Jane 385 00:18:35,920 --> 00:18:39,520 Speaker 3: Lynch as Missus Gibbler all star cast. 386 00:18:39,800 --> 00:18:42,200 Speaker 2: Yes, Oh my god, slam dunk, Oh my god, that'd 387 00:18:42,200 --> 00:18:46,400 Speaker 2: be so good. Andrew Barber is hanging. 388 00:18:46,160 --> 00:18:46,600 Speaker 1: Out with us. 389 00:18:46,600 --> 00:18:48,639 Speaker 2: This is the Eismo pop culture podcast. We have so 390 00:18:48,720 --> 00:18:50,840 Speaker 2: much more to get into. We have so much This 391 00:18:50,920 --> 00:18:52,639 Speaker 2: is a full house over here, people, and we have 392 00:18:52,720 --> 00:18:54,239 Speaker 2: We're diving into it. 393 00:18:54,320 --> 00:18:55,880 Speaker 1: Stick around. We'll be back after this. 394 00:19:05,240 --> 00:19:07,800 Speaker 2: It is the icemo pop culture podcast on I am 395 00:19:07,840 --> 00:19:09,800 Speaker 2: all In. My name is Easton Allen. I'm here with 396 00:19:09,800 --> 00:19:14,959 Speaker 2: Andrea Barber, Kimmy Gibbler on full House and we are 397 00:19:15,040 --> 00:19:19,480 Speaker 2: diving into the iconic moments from full House. There are 398 00:19:19,480 --> 00:19:23,320 Speaker 2: so many and the reason we're kind of talking to 399 00:19:23,320 --> 00:19:27,200 Speaker 2: you today is because full House was mentioned several times. 400 00:19:26,760 --> 00:19:28,560 Speaker 3: On Gilmour Girls, amazing. 401 00:19:29,440 --> 00:19:32,120 Speaker 2: Gilmer Girl's famous for pop culture references that they're they're 402 00:19:32,160 --> 00:19:38,160 Speaker 2: mentioned at least twice Fullhouse is mentioned. I'm honored when 403 00:19:38,240 --> 00:19:41,679 Speaker 2: you are, like as an adult, when you're like just 404 00:19:41,760 --> 00:19:44,879 Speaker 2: watching a movie or watching TV and like a character 405 00:19:44,960 --> 00:19:47,320 Speaker 2: is watching Full House or like talks about it. How 406 00:19:47,320 --> 00:19:48,280 Speaker 2: does that feel for you? 407 00:19:48,840 --> 00:19:52,640 Speaker 3: It's the coolest feeling ever. It really makes me feel 408 00:19:52,640 --> 00:19:54,720 Speaker 3: like I've made it in life. We know more than 409 00:19:55,520 --> 00:20:00,880 Speaker 3: any award or professional recognition. If we're mentioned in some 410 00:20:00,920 --> 00:20:04,560 Speaker 3: popular shows or like on Jeopardy Yes, or in the 411 00:20:04,600 --> 00:20:08,679 Speaker 3: New York Times crossword puzzle, Like, I literally get so excited. 412 00:20:09,880 --> 00:20:13,399 Speaker 3: It's amazing. It's amazing. I just thought, wow, because sometimes 413 00:20:13,440 --> 00:20:15,000 Speaker 3: you feel like you're in a little bubble, Like I'm 414 00:20:15,040 --> 00:20:17,560 Speaker 3: just in my little full House bubble. You know, it's 415 00:20:17,640 --> 00:20:20,119 Speaker 3: just it's just us and our our die hard fans. 416 00:20:20,160 --> 00:20:23,560 Speaker 3: But no, suddenly we're being referenced on Gilmore Girls and 417 00:20:23,880 --> 00:20:27,480 Speaker 3: oh we do exist outside the full House universe. It's 418 00:20:27,600 --> 00:20:30,320 Speaker 3: very flattering. It's great. It makes you. It makes you 419 00:20:30,359 --> 00:20:34,560 Speaker 3: realize how universally loved full House is. If we're I mean, 420 00:20:34,720 --> 00:20:36,600 Speaker 3: depending on the reference, I'm not sure what you're talking 421 00:20:36,600 --> 00:20:39,239 Speaker 3: about Maybe it was a negative reference. I don't know, 422 00:20:39,640 --> 00:20:41,400 Speaker 3: because the show does get made fun of a lot too. 423 00:20:41,440 --> 00:20:44,560 Speaker 3: Full House is just famous for being corny and cheesy, 424 00:20:44,600 --> 00:20:48,280 Speaker 3: and the critics hated it. We made the show for 425 00:20:48,320 --> 00:20:50,480 Speaker 3: the fans, not for the critics. I'll just say it 426 00:20:50,520 --> 00:20:51,000 Speaker 3: that way. 427 00:20:51,200 --> 00:20:54,119 Speaker 2: I love that, and as a fan, I mean I 428 00:20:54,160 --> 00:20:56,840 Speaker 2: love full House. I don't think it's corner cheese. I 429 00:20:56,880 --> 00:21:01,520 Speaker 2: think it's it's since here. It's fun and it's comforting, 430 00:21:01,560 --> 00:21:02,600 Speaker 2: like we were talking about earlier. 431 00:21:02,680 --> 00:21:04,480 Speaker 3: It's it's great food. 432 00:21:04,840 --> 00:21:10,119 Speaker 1: Yes, exactly. The reference one of them. I'm going to 433 00:21:10,160 --> 00:21:12,720 Speaker 1: say this. I don't think this is a great thing 434 00:21:12,800 --> 00:21:13,120 Speaker 1: to say. 435 00:21:13,240 --> 00:21:15,040 Speaker 3: It's tell me, please tell me. 436 00:21:15,560 --> 00:21:18,960 Speaker 2: One of the references, as Laura the mother is a 437 00:21:19,520 --> 00:21:21,680 Speaker 2: they're watching full House, and then she says, I think 438 00:21:21,680 --> 00:21:23,879 Speaker 2: the Olsen Twins way less now than they did on 439 00:21:23,920 --> 00:21:24,280 Speaker 2: the show. 440 00:21:24,520 --> 00:21:27,040 Speaker 3: Ah. Yeah, that sucks. 441 00:21:27,560 --> 00:21:28,680 Speaker 1: That is not cool to say. 442 00:21:29,240 --> 00:21:33,240 Speaker 2: But then there was another one, another reference where a 443 00:21:33,359 --> 00:21:37,360 Speaker 2: character says, oh, they're an adorable couple, and then Alexis 444 00:21:37,359 --> 00:21:40,680 Speaker 2: Plodel Rory says, adorable is what you say about full House. 445 00:21:40,720 --> 00:21:41,879 Speaker 1: That's not what you say about a couple. 446 00:21:42,320 --> 00:21:48,000 Speaker 3: Oh so very appropriate. Yes, that's true. Full House was adorable. Absolutely, 447 00:21:48,160 --> 00:21:51,920 Speaker 3: And you know what, we take all the cheesy references 448 00:21:51,920 --> 00:21:55,600 Speaker 3: like we we know, we know exactly what our brand is. 449 00:21:55,800 --> 00:21:59,880 Speaker 3: We are not offended with people call us overly sacharin 450 00:22:00,280 --> 00:22:03,000 Speaker 3: or you know, too sweet or cheesy. That's okay. We 451 00:22:03,080 --> 00:22:05,359 Speaker 3: embrace it. We embrace the cheese. That's what we do. 452 00:22:05,840 --> 00:22:08,800 Speaker 3: That's it's it calm from the nineties, that's what It's 453 00:22:09,200 --> 00:22:11,120 Speaker 3: practically mandatory to be cheesy. 454 00:22:11,520 --> 00:22:11,720 Speaker 1: You know. 455 00:22:12,160 --> 00:22:13,679 Speaker 2: I'll go as far to say this, you're not just 456 00:22:13,800 --> 00:22:15,760 Speaker 2: us thatcom from the nineties. I would argue that full 457 00:22:15,800 --> 00:22:18,520 Speaker 2: House is the sitcom from the nineties. I mean when 458 00:22:18,520 --> 00:22:20,960 Speaker 2: you see like a parody of like a sitcom from 459 00:22:21,000 --> 00:22:23,280 Speaker 2: the nineties, it's just full House, like they're just they'd 460 00:22:23,359 --> 00:22:26,719 Speaker 2: use the font. 461 00:22:24,320 --> 00:22:28,240 Speaker 3: The intro where you smile at the camera. 462 00:22:28,359 --> 00:22:32,760 Speaker 1: Yes, yes, that is it. It's it's wild to think about, Like, 463 00:22:32,840 --> 00:22:35,760 Speaker 1: if you could distill it down to one show, it's 464 00:22:35,760 --> 00:22:37,320 Speaker 1: gotta be I'm saying it's full House. 465 00:22:37,680 --> 00:22:41,920 Speaker 3: Oh, I agree. I happen to agree with you. No, 466 00:22:42,000 --> 00:22:44,440 Speaker 3: because it had all the elements. It has the family, 467 00:22:45,000 --> 00:22:48,280 Speaker 3: it has the ridiculous storylines, it has the laughs, but 468 00:22:48,320 --> 00:22:51,280 Speaker 3: it has the heart and I think yes, once our 469 00:22:51,320 --> 00:22:55,240 Speaker 3: producers figured out that that was the magic behind the 470 00:22:55,280 --> 00:23:00,359 Speaker 3: show was those heart scenes, especially between Uncle Jesse and Michelle. 471 00:23:00,760 --> 00:23:02,600 Speaker 3: That's what made the show magic, you know, That's what 472 00:23:02,640 --> 00:23:05,760 Speaker 3: people really responded to, are those heart moments and the 473 00:23:05,800 --> 00:23:09,359 Speaker 3: relationships between you know, the dads and the girls, or 474 00:23:09,400 --> 00:23:13,080 Speaker 3: the uncles and the nieces. That's it's all about the relationships, 475 00:23:13,800 --> 00:23:16,240 Speaker 3: and people respond to that type of chemistry, just like 476 00:23:16,359 --> 00:23:18,679 Speaker 3: on Gilmore Girls too, you know, they're responding to the 477 00:23:18,760 --> 00:23:22,840 Speaker 3: chemistry between the mother daughter. People get get invested, you know, 478 00:23:22,880 --> 00:23:25,560 Speaker 3: their hearts get invested in these characters too, and we 479 00:23:25,920 --> 00:23:28,040 Speaker 3: care about these characters. We want to know what happened 480 00:23:28,040 --> 00:23:30,240 Speaker 3: to them, where did they go, what are they doing now? 481 00:23:31,600 --> 00:23:34,720 Speaker 3: You don't get them shows these days because no networks 482 00:23:34,760 --> 00:23:38,800 Speaker 3: and streamers, they don't give the show time to develop 483 00:23:38,960 --> 00:23:41,480 Speaker 3: or breathe. You know. It's like if you don't hit 484 00:23:41,520 --> 00:23:44,440 Speaker 3: the ground running after the pilot episode, you don't get 485 00:23:44,440 --> 00:23:47,359 Speaker 3: the numbers, you're canceled. And it's like, but people want 486 00:23:47,400 --> 00:23:50,280 Speaker 3: to invest their emotions into these characters. You want to 487 00:23:50,280 --> 00:23:52,600 Speaker 3: get attached to them, and that's why people are so 488 00:23:52,640 --> 00:23:54,920 Speaker 3: attached to characters and shows from the nineties. 489 00:23:55,720 --> 00:24:00,280 Speaker 2: Yeah, I'm so curious, like when you Okay, sorry, I 490 00:24:00,359 --> 00:24:03,080 Speaker 2: have a couple questions here about when when you started 491 00:24:03,240 --> 00:24:06,320 Speaker 2: Full House, Like first first started film, how did that work? 492 00:24:06,320 --> 00:24:10,240 Speaker 2: Did you film like the first ten episodes? Like like 493 00:24:10,560 --> 00:24:13,439 Speaker 2: what was the schedule? And then it's versus when it 494 00:24:13,440 --> 00:24:14,880 Speaker 2: started airing? How did that work? 495 00:24:15,040 --> 00:24:18,159 Speaker 3: Oh? Yeah, there was about a three week delay. Okay, 496 00:24:18,640 --> 00:24:21,000 Speaker 3: very different because you know with streamers and now you 497 00:24:21,040 --> 00:24:23,640 Speaker 3: shoot the whole season. Yeah, so you don't get any 498 00:24:23,640 --> 00:24:26,639 Speaker 3: feedback before you've already like, okay, well we've released it 499 00:24:26,720 --> 00:24:30,240 Speaker 3: into the air. Let's see how people respond. But no, 500 00:24:31,160 --> 00:24:36,360 Speaker 3: in nineteen eighty seven, when Full House started on ABC, yeah, 501 00:24:36,400 --> 00:24:38,440 Speaker 3: we would tape about three weeks before we would air 502 00:24:38,600 --> 00:24:41,120 Speaker 3: that particular episode, so we were probably three or four 503 00:24:41,160 --> 00:24:44,400 Speaker 3: episodes in by the time it started airing. The first 504 00:24:44,440 --> 00:24:47,040 Speaker 3: season kind of bombed, Like I told you, the critics 505 00:24:47,280 --> 00:24:50,720 Speaker 3: hated it. It took until season two to really find 506 00:24:50,920 --> 00:24:54,720 Speaker 3: our footing and get people to pay attention. And the 507 00:24:54,720 --> 00:24:57,080 Speaker 3: critics still didn't like us, but at least the bands did. 508 00:24:57,840 --> 00:25:00,560 Speaker 3: So yeah, I think that's helpful though. It's helpful, and 509 00:25:00,600 --> 00:25:02,760 Speaker 3: maybe that's a key to our success too, because had 510 00:25:02,760 --> 00:25:07,360 Speaker 3: we just taped the whole first season before releasing it. 511 00:25:07,440 --> 00:25:09,040 Speaker 3: We might not have got it. Might have been House 512 00:25:09,080 --> 00:25:12,639 Speaker 3: of Comics, you know, it might just this raunchy bachelor 513 00:25:12,720 --> 00:25:15,280 Speaker 3: pad type of story where the kids are just kind 514 00:25:15,320 --> 00:25:18,360 Speaker 3: of afterthoughts. But it was the audience reaction that made 515 00:25:18,400 --> 00:25:21,840 Speaker 3: our producers stop and listen and say, hey, you know what, 516 00:25:22,520 --> 00:25:24,800 Speaker 3: it's really about the kids. I mean, it's about the 517 00:25:24,840 --> 00:25:26,639 Speaker 3: adults in the kid It's about the family. It's just 518 00:25:26,680 --> 00:25:29,080 Speaker 3: about the family unit. It's not just the guys being 519 00:25:29,080 --> 00:25:32,960 Speaker 3: bumbly idiots not knowing how to change a diaper. It's 520 00:25:33,000 --> 00:25:37,360 Speaker 3: about their love for the family and this loving, these 521 00:25:37,400 --> 00:25:41,840 Speaker 3: loving relationships. So thank goodness, thank goodness for ABC and 522 00:25:41,960 --> 00:25:44,920 Speaker 3: for network TV. Back in nineteen eighty seven, we had 523 00:25:44,920 --> 00:25:46,480 Speaker 3: that type of release schedule so much. 524 00:25:46,520 --> 00:25:49,520 Speaker 1: I'm so surprised. I'm surprised it's that fast of a turnaround. 525 00:25:49,520 --> 00:25:53,560 Speaker 2: Honestly, Like I just assumed everything was made like, oh, 526 00:25:53,560 --> 00:25:55,199 Speaker 2: you make the whole season and then and then if 527 00:25:55,200 --> 00:25:57,639 Speaker 2: there's like an audience reaction to someone like it's going 528 00:25:57,680 --> 00:25:59,520 Speaker 2: to take like at least a season to correct that. 529 00:25:59,600 --> 00:26:02,399 Speaker 2: But like you could, Yeah, I mean you're getting feedback 530 00:26:02,440 --> 00:26:05,199 Speaker 2: and you're still making that first season that's pretty that's awesome. 531 00:26:05,359 --> 00:26:07,840 Speaker 3: It's unheard of now, so yeah, I'm not surprised you're 532 00:26:07,880 --> 00:26:10,360 Speaker 3: surprised because yeah, they don't do it like that anymore. 533 00:26:10,400 --> 00:26:13,320 Speaker 3: But there were definite advantages to that, and God bless 534 00:26:13,320 --> 00:26:16,439 Speaker 3: our editor for being able to that. Turnaround time was 535 00:26:16,720 --> 00:26:17,520 Speaker 3: very quick. 536 00:26:18,119 --> 00:26:20,159 Speaker 2: And this guy's working with like tape and you know, 537 00:26:20,400 --> 00:26:22,879 Speaker 2: like the stuff like like you don't have computers like 538 00:26:22,960 --> 00:26:23,159 Speaker 2: you do. 539 00:26:23,320 --> 00:26:24,600 Speaker 1: Now that's incredible. 540 00:26:24,800 --> 00:26:25,440 Speaker 3: Oh, totally. 541 00:26:26,160 --> 00:26:29,960 Speaker 2: Something else we love about Kimmy Gibbler the wardrobe. I 542 00:26:29,960 --> 00:26:33,919 Speaker 2: mean it's the wardrobe is incredible. Every outfit she's in 543 00:26:34,160 --> 00:26:35,359 Speaker 2: is something that I want to wear. 544 00:26:35,480 --> 00:26:36,720 Speaker 3: Now amazing. 545 00:26:38,000 --> 00:26:40,600 Speaker 2: I'm curious what was the like, what was the process 546 00:26:40,720 --> 00:26:43,359 Speaker 2: like for developing her like clothing style? Did you have 547 00:26:43,359 --> 00:26:45,679 Speaker 2: any input on that? What did you think when they 548 00:26:45,680 --> 00:26:46,879 Speaker 2: showed you some of those outfits? 549 00:26:47,160 --> 00:26:51,159 Speaker 3: Oh? I hated it. Yeah, this was the dark spot 550 00:26:51,200 --> 00:26:54,679 Speaker 3: in my childhood. Oh no, well no, no, I'm exaggerating. 551 00:26:55,280 --> 00:26:57,280 Speaker 3: I did, but I did hate the wardrobe. Like you know, 552 00:26:57,520 --> 00:26:59,800 Speaker 3: Candace and Jodie were wearing these cute outfits and I 553 00:26:59,920 --> 00:27:02,720 Speaker 3: was I was like, it looks like I'm wearing underwear 554 00:27:02,760 --> 00:27:05,480 Speaker 3: on the outside of my pants, Like this looks ridiculous. 555 00:27:06,800 --> 00:27:08,560 Speaker 3: And you know, Jody and I just interviewed one of 556 00:27:08,560 --> 00:27:12,080 Speaker 3: our uh, one of our former executive producers from the show, 557 00:27:12,080 --> 00:27:15,119 Speaker 3: Dennis Rinstler, and he told me their process for picking 558 00:27:15,200 --> 00:27:18,439 Speaker 3: out Kimmy Gibbler's outfits. They would do these rack checks, 559 00:27:18,640 --> 00:27:22,159 Speaker 3: you know, before we would tape anything, and so the 560 00:27:22,480 --> 00:27:24,960 Speaker 3: wardrobe department would give them several options of what Kimmy 561 00:27:24,960 --> 00:27:28,600 Speaker 3: could wear this week, and Dennis Rinstler said, whatever was 562 00:27:28,640 --> 00:27:32,480 Speaker 3: the worst looking outfit, whatever was the most horrifying, that's 563 00:27:32,520 --> 00:27:35,399 Speaker 3: the one they would pick. And I'm like, oh no, 564 00:27:36,160 --> 00:27:38,119 Speaker 3: but he apologized. He's like, I felt bad because you 565 00:27:38,119 --> 00:27:40,480 Speaker 3: were a teenage girl and you probably didn't want to 566 00:27:40,520 --> 00:27:43,480 Speaker 3: wear those, and I'm like, no, I didn't. And I 567 00:27:43,520 --> 00:27:45,879 Speaker 3: probably could have spoken up and said, hey, guys, you know, 568 00:27:45,920 --> 00:27:48,760 Speaker 3: I'm not really comfortable with this, but I was a 569 00:27:48,880 --> 00:27:52,399 Speaker 3: very shy teenager, not like Kimmy Gibbler at all, and 570 00:27:52,440 --> 00:27:53,760 Speaker 3: so I just was like, I want to be a 571 00:27:53,800 --> 00:27:56,040 Speaker 3: team player. I'm not gonna make waves. I'm just gonna 572 00:27:56,080 --> 00:27:59,040 Speaker 3: wear this and grin and bear it. And most of 573 00:27:59,080 --> 00:28:01,359 Speaker 3: the time the outfits were fine. There was only a 574 00:28:01,359 --> 00:28:04,000 Speaker 3: couple occasions where I'm like I'm not comfortable in this, 575 00:28:04,119 --> 00:28:06,679 Speaker 3: but I did wish that I could just wear the 576 00:28:06,720 --> 00:28:09,320 Speaker 3: cute outfits because at the end of the season, the 577 00:28:09,359 --> 00:28:12,639 Speaker 3: wardrobe people were like, you can take home anything you want, 578 00:28:12,760 --> 00:28:15,600 Speaker 3: and Candice and Jodie would be taking home like armloads 579 00:28:15,640 --> 00:28:19,040 Speaker 3: of clothes and I was like, yeah, I'm good, I'm good. 580 00:28:19,080 --> 00:28:23,439 Speaker 3: I'm just going to go home. Thanks, that's okay. I 581 00:28:23,440 --> 00:28:25,960 Speaker 3: appreciated it. In Fuller House. I feel like this was 582 00:28:26,000 --> 00:28:30,240 Speaker 3: the Kimmy Gibbler's redemption because then she had quirky clothing, 583 00:28:30,320 --> 00:28:32,240 Speaker 3: but it was cool. It was like almost like a 584 00:28:32,440 --> 00:28:36,040 Speaker 3: Carrie Bradshaw type of it was a little eccentric, but 585 00:28:36,119 --> 00:28:39,360 Speaker 3: it was fashionable. And that's I loved the Fuller House 586 00:28:39,440 --> 00:28:44,080 Speaker 3: Kimmy Gibbler wardrobe. That was Chef's kiss. Loved it ten ten, 587 00:28:44,520 --> 00:28:45,920 Speaker 3: no notes, loved it. 588 00:28:45,800 --> 00:28:47,560 Speaker 1: It was some great outfits in Fuller House. 589 00:28:47,960 --> 00:28:50,840 Speaker 2: And the other thing I wanted to bring up about 590 00:28:50,920 --> 00:28:54,840 Speaker 2: Kimmy that I really really admire is that she's Kimmy 591 00:28:54,920 --> 00:28:58,320 Speaker 2: is weird, like she is a weird kid, but she's 592 00:28:58,360 --> 00:29:03,520 Speaker 2: so confident and she just embraces who she is. And 593 00:29:03,960 --> 00:29:06,600 Speaker 2: that's something when I watch those scenes back, I'm just 594 00:29:06,640 --> 00:29:09,840 Speaker 2: like what a great role model, especially for kids watching 595 00:29:09,880 --> 00:29:12,200 Speaker 2: this show, to be like, you can be weird, you 596 00:29:12,240 --> 00:29:15,760 Speaker 2: can be bizarre and out there and people are going 597 00:29:15,800 --> 00:29:19,040 Speaker 2: to love you. If you just have to love yourself 598 00:29:19,080 --> 00:29:20,800 Speaker 2: and be confident in who you are, there's nothing wrong 599 00:29:20,840 --> 00:29:24,640 Speaker 2: with you. And I just think I think embracing weirdness 600 00:29:24,680 --> 00:29:26,480 Speaker 2: is one of the greatest things we can do as humans. 601 00:29:26,880 --> 00:29:30,400 Speaker 2: And all our favorite every great artist is a weird person, 602 00:29:30,800 --> 00:29:34,280 Speaker 2: and that includes Kimmy Gibler, and I just admire that 603 00:29:34,320 --> 00:29:36,040 Speaker 2: so much, and I think that's such an incredible role 604 00:29:36,120 --> 00:29:38,719 Speaker 2: to play on TV for kids to see. So I 605 00:29:38,720 --> 00:29:40,560 Speaker 2: wanted to thank you for bringing that to life because 606 00:29:41,280 --> 00:29:41,880 Speaker 2: it's amazing. 607 00:29:42,360 --> 00:29:45,120 Speaker 3: That means so much. Thank you for saying that. It 608 00:29:45,160 --> 00:29:48,600 Speaker 3: took me a really long time to even recognize that. 609 00:29:48,680 --> 00:29:53,120 Speaker 3: It took me until well, probably until the almost the 610 00:29:53,160 --> 00:29:54,840 Speaker 3: Fuller House days, So it took me until I was 611 00:29:54,920 --> 00:29:58,280 Speaker 3: in my late thirties, and fans would come up to 612 00:29:58,320 --> 00:29:59,960 Speaker 3: me and say that thank you for teaching me that 613 00:30:00,080 --> 00:30:02,880 Speaker 3: it's okay to be weird. So suddenly, like all the 614 00:30:02,960 --> 00:30:06,360 Speaker 3: kids that felt like outcasts in high school, they would 615 00:30:06,400 --> 00:30:08,280 Speaker 3: come out if the would work and be like, thank 616 00:30:08,320 --> 00:30:10,200 Speaker 3: you for teaching me that it's okay to be different 617 00:30:10,240 --> 00:30:12,280 Speaker 3: and it's okay to you know, march to the beat 618 00:30:12,280 --> 00:30:15,120 Speaker 3: of your own drum. And I'm like, yeah, you know what, Kimmy, 619 00:30:15,200 --> 00:30:17,040 Speaker 3: I never would have said this as a teenager. Kimmy Gibbler 620 00:30:17,080 --> 00:30:19,600 Speaker 3: is a role model, but she really is. She teaches 621 00:30:19,640 --> 00:30:23,800 Speaker 3: you about self love and confidence and just embracing all 622 00:30:23,840 --> 00:30:27,760 Speaker 3: of your quirks and yeah, it's just about being confident. 623 00:30:27,840 --> 00:30:29,480 Speaker 3: I thought, yeah, you know what, we could all use 624 00:30:29,520 --> 00:30:32,000 Speaker 3: a little bit of Kimmy Gibbler inside of us. And 625 00:30:32,040 --> 00:30:35,520 Speaker 3: she's even taught me some things about just embrace yourself, 626 00:30:35,520 --> 00:30:38,480 Speaker 3: embrace the things that make you different, because that is 627 00:30:38,520 --> 00:30:41,080 Speaker 3: your superpower. And so it's a great lesson, such a 628 00:30:41,080 --> 00:30:43,720 Speaker 3: feel good lesson. I love it. I love this character 629 00:30:43,800 --> 00:30:44,160 Speaker 3: so much. 630 00:30:44,760 --> 00:30:46,400 Speaker 1: Oh well, we love her too. 631 00:30:47,000 --> 00:30:49,000 Speaker 2: The Full House we're talking about how Full House is 632 00:30:49,040 --> 00:30:52,000 Speaker 2: like the nineties sitcom that includes the theme song. 633 00:30:52,040 --> 00:30:54,160 Speaker 1: I mean, what a theme song. It's so good. 634 00:30:55,040 --> 00:30:57,840 Speaker 2: I'm just you can be completely honest here, how sick 635 00:30:57,880 --> 00:30:59,920 Speaker 2: of it are you at this point? 636 00:31:00,240 --> 00:31:01,040 Speaker 1: You're not? 637 00:31:01,040 --> 00:31:05,600 Speaker 3: Not? No, It's like you'd think I would be. Yeah, No, 638 00:31:05,800 --> 00:31:08,560 Speaker 3: it's just it's catchy, it's iconic. I mean, I don't 639 00:31:08,560 --> 00:31:10,960 Speaker 3: listen to it every day. I think that helps too. Yeah, 640 00:31:10,960 --> 00:31:14,120 Speaker 3: but even the cast, when we're hanging out and somebody 641 00:31:14,120 --> 00:31:16,600 Speaker 3: says something cheesy, we'll break out of a da da 642 00:31:16,680 --> 00:31:18,880 Speaker 3: da da da. You know, we just be kind of 643 00:31:19,320 --> 00:31:21,800 Speaker 3: poke fun at it because it's so silly. It's like, 644 00:31:21,840 --> 00:31:24,760 Speaker 3: oh yeah, let's end every lunch with a hug and 645 00:31:24,840 --> 00:31:28,480 Speaker 3: a sappy songs. It's funny. So no, I don't. I'm 646 00:31:28,520 --> 00:31:30,360 Speaker 3: not sick of it, not yet. But if I had 647 00:31:30,360 --> 00:31:32,240 Speaker 3: to listen to it every day, I might give you 648 00:31:32,280 --> 00:31:33,000 Speaker 3: a different answer. 649 00:31:34,840 --> 00:31:37,480 Speaker 2: Andrea Barber's with us. This is I Smell Pop Culture 650 00:31:37,520 --> 00:31:38,640 Speaker 2: on the iml in podcast. 651 00:31:38,720 --> 00:31:41,040 Speaker 1: We'll be right back. These are some great commercials coming up. 652 00:31:41,080 --> 00:31:51,560 Speaker 2: Everybody, It's I Smell Pop Culture. 653 00:31:51,600 --> 00:31:52,480 Speaker 1: My name is Easton Allen. 654 00:31:52,520 --> 00:31:55,200 Speaker 2: In case you're just joining us, you know, I like 655 00:31:55,400 --> 00:31:57,479 Speaker 2: when people just download a podcast and then hop in 656 00:31:57,640 --> 00:32:00,160 Speaker 2: thirty minutes in. That's something that is probably is a 657 00:32:00,240 --> 00:32:01,720 Speaker 2: very fun thing to do, just like you're tuning in 658 00:32:01,760 --> 00:32:03,240 Speaker 2: on the radio. And if you're doing that right now. 659 00:32:03,400 --> 00:32:04,440 Speaker 2: Andrew Barber's with us. 660 00:32:04,440 --> 00:32:07,760 Speaker 3: You play on Full House well a fan? 661 00:32:09,000 --> 00:32:10,080 Speaker 1: Yes, yes, yes. 662 00:32:11,960 --> 00:32:14,120 Speaker 2: And we're gonna get into your podcast here in a second. 663 00:32:14,560 --> 00:32:18,560 Speaker 2: But I I have some very selfish questions to ask 664 00:32:18,720 --> 00:32:19,560 Speaker 2: about Full House. 665 00:32:19,800 --> 00:32:20,960 Speaker 3: Great, yeah, hit me with them. 666 00:32:21,040 --> 00:32:24,760 Speaker 2: I am just a massive Beach Boys fan, like like massive, 667 00:32:24,840 --> 00:32:27,800 Speaker 2: and I rewatched they were on like two or three 668 00:32:27,800 --> 00:32:31,160 Speaker 2: episodes of Full House and I rewatched it recently and 669 00:32:31,600 --> 00:32:34,200 Speaker 2: I watch Actually, there's there's one where the Tanner family 670 00:32:34,280 --> 00:32:35,360 Speaker 2: joins them on stage. 671 00:32:35,400 --> 00:32:36,920 Speaker 1: I think there. I can't remember where they were. 672 00:32:36,960 --> 00:32:40,600 Speaker 3: I think we're playing a USC they were Colisseum. Yes, 673 00:32:40,960 --> 00:32:43,240 Speaker 3: there was a USC game going on and so we 674 00:32:43,240 --> 00:32:46,120 Speaker 3: were saved. Why not let's have a beach Boy concert 675 00:32:46,120 --> 00:32:48,440 Speaker 3: and throw the Tanners up there. Well, it's just a 676 00:32:48,520 --> 00:32:51,520 Speaker 3: random Friday night, you know, casu right. 677 00:32:51,520 --> 00:32:51,960 Speaker 1: As you do. 678 00:32:52,200 --> 00:32:52,360 Speaker 3: Uh. 679 00:32:52,440 --> 00:32:55,560 Speaker 1: And I watched it hoping. I was like, wait, was 680 00:32:55,640 --> 00:32:56,240 Speaker 1: Kimmy there? 681 00:32:56,480 --> 00:32:57,160 Speaker 3: Jimmy was not. 682 00:32:57,200 --> 00:32:59,760 Speaker 2: There, just the Tanner family and made me so sad. 683 00:33:01,080 --> 00:33:03,360 Speaker 2: But uh, like were you when they did those Beach 684 00:33:03,360 --> 00:33:04,920 Speaker 2: Boys episodes? Were you around it all? 685 00:33:04,960 --> 00:33:08,120 Speaker 1: Like? Like how did that? What were those like shoot days? 686 00:33:08,200 --> 00:33:11,360 Speaker 3: Like, yeah, I was in. I remember being on the 687 00:33:11,400 --> 00:33:13,360 Speaker 3: in the living room set with them, So I'm sure 688 00:33:13,400 --> 00:33:15,800 Speaker 3: I was in at least one of the episodes with them. 689 00:33:16,240 --> 00:33:18,040 Speaker 3: And it's always exciting, you know, there's a little like 690 00:33:18,120 --> 00:33:20,760 Speaker 3: hush hush, you know, whisper of excitement on the set 691 00:33:20,760 --> 00:33:23,200 Speaker 3: when they when they come around, and they were like, 692 00:33:23,360 --> 00:33:26,080 Speaker 3: they're John Samuis's friend, Like they're really close. 693 00:33:26,280 --> 00:33:28,040 Speaker 1: Yeah, I mean he's a beach boy now you know, 694 00:33:28,360 --> 00:33:28,880 Speaker 1: Yeah he is. 695 00:33:28,920 --> 00:33:30,880 Speaker 3: He tours with them and he plays the drums like 696 00:33:30,920 --> 00:33:34,760 Speaker 3: they're they've been close for decades. But it was still 697 00:33:34,800 --> 00:33:36,880 Speaker 3: all very exciting for the rest of us, you know, 698 00:33:36,920 --> 00:33:39,080 Speaker 3: to have them on the show, and it was it's great. 699 00:33:39,120 --> 00:33:42,120 Speaker 3: They're they're good team players, and they're good sports and 700 00:33:42,160 --> 00:33:45,600 Speaker 3: they don't mind laughing at themselves. It's so funny to 701 00:33:45,640 --> 00:33:50,840 Speaker 3: have musicians on the show. Yeah, because like they get 702 00:33:50,880 --> 00:33:54,760 Speaker 3: really like they're so like they're so talented and they're 703 00:33:54,800 --> 00:33:58,080 Speaker 3: so outgoing, except when it comes to scripts and memorizing lines, 704 00:33:58,400 --> 00:34:01,160 Speaker 3: like suddenly they like clam up. It's like, no, you 705 00:34:01,200 --> 00:34:04,040 Speaker 3: can do this. It's like it's performing, just like you're 706 00:34:04,400 --> 00:34:07,000 Speaker 3: on stage at a concert. You're performing. You just have 707 00:34:07,160 --> 00:34:10,960 Speaker 3: words to say instead of lyrics to sing. So yeah, 708 00:34:10,960 --> 00:34:12,600 Speaker 3: they always would get a little bit nervous about that, 709 00:34:12,600 --> 00:34:15,239 Speaker 3: but that's okay. It's not a live show. Yes, the 710 00:34:15,280 --> 00:34:19,360 Speaker 3: beauty of taping multicam is that you you get to 711 00:34:19,360 --> 00:34:21,000 Speaker 3: mess up, and you can do it all over again. 712 00:34:21,160 --> 00:34:23,520 Speaker 3: So once they realized that, you know, the pressure was 713 00:34:23,520 --> 00:34:26,560 Speaker 3: off a little bit. But it was always exciting having 714 00:34:26,600 --> 00:34:29,600 Speaker 3: them around. It was a big boost for all of 715 00:34:29,680 --> 00:34:31,600 Speaker 3: us on the stage, and for sure all of the 716 00:34:31,640 --> 00:34:35,520 Speaker 3: fans too. They loved it. It's iconic, it really is. 717 00:34:36,360 --> 00:34:40,960 Speaker 2: So I read that you have done over twenty six 718 00:34:41,080 --> 00:34:42,120 Speaker 2: half marathons. 719 00:34:42,480 --> 00:34:45,840 Speaker 3: Oh yeah, right, that sounds about right. I've lost count 720 00:34:46,800 --> 00:34:50,600 Speaker 3: such a runner I was. I was past tense, I 721 00:34:50,640 --> 00:34:53,399 Speaker 3: was a runner. I haven't run in several years, but yeah, 722 00:34:53,440 --> 00:34:55,719 Speaker 3: in my there was a solid ten year stretch there 723 00:34:56,120 --> 00:34:59,040 Speaker 3: where I yeah, I did probably close to thirty half marathons. 724 00:34:59,120 --> 00:35:02,520 Speaker 3: For full marathons, Wow, in a handful of ten k's 725 00:35:02,560 --> 00:35:05,319 Speaker 3: and five k's, it was. I loved it. Yeah, what 726 00:35:05,360 --> 00:35:09,359 Speaker 3: was wrong with me? My knees? That's what's wrong with me? Now? Yeah, 727 00:35:09,360 --> 00:35:10,719 Speaker 3: that was fun. That was a great time. 728 00:35:10,960 --> 00:35:12,520 Speaker 1: What really quick? 729 00:35:12,560 --> 00:35:15,920 Speaker 2: What advice do you have if someone wants to get 730 00:35:15,920 --> 00:35:18,640 Speaker 2: into running marathon? Marathons are I mean it's twenty six miles, 731 00:35:18,680 --> 00:35:21,239 Speaker 2: that's a that's a that's a big I've only done 732 00:35:21,280 --> 00:35:21,960 Speaker 2: half marathons. 733 00:35:21,960 --> 00:35:24,080 Speaker 1: Personally, I'm too afraid of the twenty six. 734 00:35:24,719 --> 00:35:26,959 Speaker 3: Oh, it's a totally different ballgame. Yep. 735 00:35:27,080 --> 00:35:30,400 Speaker 2: Yes, Like, how do you When I've done the half marathons, 736 00:35:30,480 --> 00:35:32,360 Speaker 2: I have finished, and I always think to myself, if 737 00:35:32,400 --> 00:35:34,280 Speaker 2: I was doing the full, i'd be halfway through. 738 00:35:34,400 --> 00:35:35,280 Speaker 1: This is nuts. 739 00:35:35,320 --> 00:35:38,240 Speaker 2: I feel like I've given everything at this point totally. 740 00:35:38,520 --> 00:35:41,359 Speaker 2: So much of it is mental. What do you like? 741 00:35:41,480 --> 00:35:43,960 Speaker 2: Is there something you like a mantrae you repeat to 742 00:35:44,000 --> 00:35:45,799 Speaker 2: yourself for like what's going on in your head when 743 00:35:45,840 --> 00:35:48,560 Speaker 2: you are halfway through or a third of way through 744 00:35:48,560 --> 00:35:50,319 Speaker 2: and you're starting to feel like, oh God, like I 745 00:35:50,360 --> 00:35:52,319 Speaker 2: have to do this much more like what goes on 746 00:35:52,400 --> 00:35:53,520 Speaker 2: mentally for you during that? 747 00:35:53,719 --> 00:35:57,080 Speaker 3: Yeah. The best advice I have is advice that I 748 00:35:57,120 --> 00:36:01,160 Speaker 3: heard or read from other runners, professional runners, or otherwise, 749 00:36:01,239 --> 00:36:03,840 Speaker 3: is just to run the mile that you're in. So 750 00:36:03,920 --> 00:36:07,640 Speaker 3: when you're on mile one, don't be thinking about mile thirteen. 751 00:36:08,320 --> 00:36:10,560 Speaker 3: You really and that's a great lesson for life to 752 00:36:10,280 --> 00:36:13,040 Speaker 3: just focus on what's at hand. Don't be worrying about 753 00:36:13,040 --> 00:36:16,239 Speaker 3: what's to come two hours from now or next week 754 00:36:16,320 --> 00:36:19,040 Speaker 3: or whatever. Just focus on the mile that you're in. 755 00:36:19,120 --> 00:36:22,200 Speaker 3: So I would I would do that. Mile one always 756 00:36:22,239 --> 00:36:25,160 Speaker 3: feels great, Mile two not so much. But you just 757 00:36:25,360 --> 00:36:27,359 Speaker 3: ride those waves and I'm like, okay, I'm at mile 758 00:36:27,480 --> 00:36:29,640 Speaker 3: six now. Now it's starting to hurt. But that's what's 759 00:36:29,680 --> 00:36:32,400 Speaker 3: supposed to happen. So that's what always happens. I'm just 760 00:36:32,440 --> 00:36:35,440 Speaker 3: gonna push through or maybe take a walk break or 761 00:36:35,640 --> 00:36:38,919 Speaker 3: you know, have some those little running those gels that's 762 00:36:39,080 --> 00:36:41,600 Speaker 3: energy gels that you take. You know, it's you just 763 00:36:41,800 --> 00:36:44,640 Speaker 3: you learn to listen to your body. But just don't 764 00:36:44,640 --> 00:36:47,440 Speaker 3: get ahead of yourself. You gotta just run the mile 765 00:36:47,520 --> 00:36:49,960 Speaker 3: that you're in. It's the best I that's the best 766 00:36:50,000 --> 00:36:54,000 Speaker 3: I advice I have. And also just you get used 767 00:36:54,000 --> 00:36:56,080 Speaker 3: to pain, like that's what running is. It's just being 768 00:36:56,160 --> 00:37:01,640 Speaker 3: comfortable with pain or just being comfortable getting with getting uncomfortable. 769 00:37:02,440 --> 00:37:05,120 Speaker 3: You develop a lot of tolerance for pain when you 770 00:37:05,200 --> 00:37:09,000 Speaker 3: are a runner. So again, excellent model for life. You 771 00:37:09,120 --> 00:37:11,360 Speaker 3: just stick with it. Eventually the pain will end and 772 00:37:11,400 --> 00:37:14,240 Speaker 3: you'll be stronger at the end of it because of it. 773 00:37:14,320 --> 00:37:16,120 Speaker 3: So yeah, I love it. 774 00:37:16,280 --> 00:37:18,040 Speaker 2: I've never heard that run the mile that your and 775 00:37:18,120 --> 00:37:20,959 Speaker 2: that's that's really great advice, like you said, for life 776 00:37:20,960 --> 00:37:24,319 Speaker 2: and for get out there on the streets. You have 777 00:37:24,560 --> 00:37:28,320 Speaker 2: your own podcasts are Rude Tanner Ritas where you recapp 778 00:37:28,320 --> 00:37:30,480 Speaker 2: in Full House, you're hosting it with Jodie Sweeten, who 779 00:37:30,480 --> 00:37:31,520 Speaker 2: played Stephanie Tanner. 780 00:37:32,120 --> 00:37:33,520 Speaker 1: Has that been a fun experience for you? 781 00:37:33,840 --> 00:37:36,560 Speaker 3: Oh, my gosh, we're having a blast. I mean just 782 00:37:37,200 --> 00:37:40,640 Speaker 3: Jody and I hanging out. We always have fun. We 783 00:37:40,719 --> 00:37:44,160 Speaker 3: always make it funny, and the show is very much 784 00:37:44,719 --> 00:37:47,319 Speaker 3: just like two girlfriends chatting over coffee. That's literally what 785 00:37:47,360 --> 00:37:48,960 Speaker 3: we do every week. We get our coffee and then 786 00:37:49,000 --> 00:37:51,319 Speaker 3: we chat and they're like, oh, yeah, we have to 787 00:37:51,320 --> 00:37:55,279 Speaker 3: recap an episode as well, but we're very real. It's 788 00:37:55,360 --> 00:37:58,640 Speaker 3: just us. We're unhinged a lot of the time. There's 789 00:37:58,680 --> 00:38:02,840 Speaker 3: lots of non sequitursins that we go off on. But 790 00:38:02,920 --> 00:38:06,359 Speaker 3: it's been great. We've developed this huge appreciation for Full 791 00:38:06,400 --> 00:38:09,440 Speaker 3: House that we never really had because we didn't watch 792 00:38:09,480 --> 00:38:12,560 Speaker 3: the show growing up. We were working, we were taping 793 00:38:12,600 --> 00:38:15,560 Speaker 3: on Friday nights, so we weren't and this is again 794 00:38:15,600 --> 00:38:17,880 Speaker 3: before the age of streaming, so you either have to 795 00:38:18,000 --> 00:38:23,160 Speaker 3: record the episode on your VCR back in the day 796 00:38:23,480 --> 00:38:25,719 Speaker 3: or you missed it. You miss it, it's all done. 797 00:38:25,800 --> 00:38:27,920 Speaker 3: Maybe catch it in a rerun months from now. But 798 00:38:28,080 --> 00:38:30,279 Speaker 3: that was it, so we were always too busy being 799 00:38:30,320 --> 00:38:33,359 Speaker 3: on the show. To actually watch the show. So Jody 800 00:38:33,360 --> 00:38:36,040 Speaker 3: and I are having a blast again. We make fun 801 00:38:36,040 --> 00:38:38,799 Speaker 3: of each other in our hairstyles and our wardrobe. But 802 00:38:39,400 --> 00:38:42,000 Speaker 3: this show still holds up. Like after we watched the 803 00:38:42,040 --> 00:38:45,120 Speaker 3: pilot episode, I was like, this might be the best 804 00:38:45,160 --> 00:38:48,319 Speaker 3: pilot in the history of sitcoms because it still holds up. 805 00:38:48,360 --> 00:38:51,280 Speaker 3: There's so much heart. You know exactly who these characters 806 00:38:51,280 --> 00:38:54,800 Speaker 3: are from the very first scene. They're very well defined. 807 00:38:54,800 --> 00:38:57,120 Speaker 3: You know, Uncle Jesse is the honk, Joey's the funny 808 00:38:57,120 --> 00:39:00,120 Speaker 3: guy with all the voices, Danny Tanner is the clean freak. 809 00:39:01,360 --> 00:39:04,960 Speaker 3: They're just very well defined. There's funny moments, there's heartfelt moments. 810 00:39:05,000 --> 00:39:07,560 Speaker 3: I think I even cried at one point. It's got 811 00:39:07,640 --> 00:39:12,320 Speaker 3: it all. Appreciate the show like a fan does. It's great. 812 00:39:13,080 --> 00:39:15,279 Speaker 3: It's also I think funny for our fans that are 813 00:39:15,320 --> 00:39:19,239 Speaker 3: listening to Howard Tanner Rito's because they know what's They 814 00:39:19,320 --> 00:39:21,960 Speaker 3: know the show way better than we do, so they 815 00:39:22,000 --> 00:39:24,839 Speaker 3: know what's coming up. So Jody and I will be like, oh, 816 00:39:25,200 --> 00:39:27,480 Speaker 3: I wonder, why don't they just do this or why 817 00:39:27,480 --> 00:39:29,319 Speaker 3: don't they do that, And the fans like, just wait, 818 00:39:29,400 --> 00:39:30,000 Speaker 3: it's coming. 819 00:39:30,680 --> 00:39:31,239 Speaker 1: They know it. 820 00:39:31,360 --> 00:39:33,400 Speaker 3: They're so they're so excited about it. So it's been 821 00:39:33,440 --> 00:39:36,480 Speaker 3: great to get to watch it through new eyes basically, 822 00:39:36,920 --> 00:39:38,920 Speaker 3: which sounds weird because we were on the show, But 823 00:39:38,960 --> 00:39:41,719 Speaker 3: there's a lot that we don't remember or we need, 824 00:39:41,840 --> 00:39:44,479 Speaker 3: you know, reminding of, So this has been a great 825 00:39:44,520 --> 00:39:48,560 Speaker 3: way to just jog those memories, relive the good times, 826 00:39:48,920 --> 00:39:52,360 Speaker 3: cringe at the bad times and the bad fashion, and 827 00:39:52,440 --> 00:39:55,480 Speaker 3: overall just develop a great appreciation for what we put 828 00:39:55,520 --> 00:39:56,640 Speaker 3: together all those years ago. 829 00:39:57,640 --> 00:39:59,719 Speaker 1: That is awesome. That makes me so happy again. That's 830 00:39:59,760 --> 00:40:02,920 Speaker 1: how Rude Tanner Ritos is an iHeartRadio podcast. You can 831 00:40:02,960 --> 00:40:05,799 Speaker 1: get it wherever you listen to podcasts. Andrea, thank you 832 00:40:05,840 --> 00:40:08,200 Speaker 1: so much for doing this. This has been so much fun. 833 00:40:08,680 --> 00:40:10,080 Speaker 1: You're the coolest person in the world. 834 00:40:10,160 --> 00:40:12,360 Speaker 3: Oh my gosh, thank you so much. You're You're awesome. 835 00:40:12,440 --> 00:40:14,640 Speaker 3: I am just thrilled. This was such a fun conversation. 836 00:40:15,480 --> 00:40:17,560 Speaker 3: I loved it. I love talking about the nineties. I 837 00:40:17,640 --> 00:40:20,440 Speaker 3: love talking about nineties TV. This is one of my 838 00:40:20,440 --> 00:40:22,799 Speaker 3: favorite topics. So anytime you want to chat nineties, you 839 00:40:22,800 --> 00:40:23,319 Speaker 3: give me a call. 840 00:40:24,040 --> 00:40:26,279 Speaker 1: Amazing. Thank you again, have a great day. 841 00:40:26,680 --> 00:40:32,359 Speaker 3: Thanks boss. 842 00:40:56,239 --> 00:40:59,279 Speaker 2: Hey everybody, and don't figure follow us on Instagram at 843 00:40:59,520 --> 00:41:03,760 Speaker 2: IM I'm All In Podcast and email us at Gilmore 844 00:41:03,760 --> 00:41:15,760 Speaker 2: at iHeartRadio dot com.