1 00:00:00,240 --> 00:00:04,560 Speaker 1: It's nine O gene one leg with Jenny Garth and 2 00:00:04,720 --> 00:00:11,920 Speaker 1: Tory Spelling. Oh my god, you guys. Season seven, episode 3 00:00:11,960 --> 00:00:16,280 Speaker 1: nineteen My Funny Valentine aired February twelfth, of Course, nineteen 4 00:00:16,320 --> 00:00:16,880 Speaker 1: ninety seven. 5 00:00:17,640 --> 00:00:20,919 Speaker 2: Synopsis. All the leaves are brown and the sky is gray. 6 00:00:20,920 --> 00:00:24,800 Speaker 2: When Valerie's mom comes to stay nice fun, Kelly has 7 00:00:24,880 --> 00:00:27,960 Speaker 2: mercy on Valan gives Tom Miller the old Hevo. Donna 8 00:00:28,040 --> 00:00:30,560 Speaker 2: is down on the dumps until cutie Cliff comes around. 9 00:00:30,600 --> 00:00:33,879 Speaker 2: That's the fireman. Guys. Steve and Chloe are getting closer. 10 00:00:34,040 --> 00:00:39,479 Speaker 2: Steve is smoking doobies? Would Dick, wait, doobies? Isn't that 11 00:00:39,479 --> 00:00:40,280 Speaker 2: from like seven? 12 00:00:40,320 --> 00:00:42,360 Speaker 1: Do you not mean to laugh? I laughed at doobees? 13 00:00:42,400 --> 00:00:43,720 Speaker 1: And then it got worse with the Dick. 14 00:00:43,640 --> 00:00:47,559 Speaker 2: Parpa, Oh I get it. It's a play instead of boobies. 15 00:00:47,600 --> 00:00:49,760 Speaker 2: And then there's Dick. Okay, I'm here for it. 16 00:00:49,840 --> 00:00:52,600 Speaker 1: Oh I didn't even get boobies. It's a duney because 17 00:00:52,640 --> 00:00:53,280 Speaker 1: he's oh. 18 00:00:53,280 --> 00:00:56,360 Speaker 2: My, I never mind bees, it's it's not boobies. 19 00:00:56,600 --> 00:00:57,560 Speaker 1: Just try dooby. 20 00:00:58,320 --> 00:00:59,240 Speaker 3: Oh boy. 21 00:00:59,400 --> 00:01:02,880 Speaker 2: Steve smile to Dick, and then Terracy thinks Brandon is 22 00:01:02,880 --> 00:01:04,360 Speaker 2: ready to put a ring on it. 23 00:01:05,120 --> 00:01:09,399 Speaker 1: Good Bye, David Semel written by Jessica Klein. Uh, it's 24 00:01:09,480 --> 00:01:13,160 Speaker 1: not boobies, it's doobies. I know. 25 00:01:13,640 --> 00:01:16,480 Speaker 3: Is that why the Doobie Brothers are called the Doobie Brothers. 26 00:01:16,680 --> 00:01:19,759 Speaker 3: I just literally figured that out. 27 00:01:20,520 --> 00:01:23,680 Speaker 1: But we are wait because they like the doobies. 28 00:01:24,240 --> 00:01:25,440 Speaker 3: That's what I think is dooby. 29 00:01:25,680 --> 00:01:29,800 Speaker 2: What's the origin of call a joint or weed like 30 00:01:30,600 --> 00:01:34,720 Speaker 2: marijuana a dooby? What does anyone know the origin of that? Now? 31 00:01:34,720 --> 00:01:37,080 Speaker 1: That's like the sixties reference. I'm pretty sure that's like 32 00:01:37,640 --> 00:01:41,360 Speaker 1: Larry Mullin's day. They called it a dooby. 33 00:01:42,280 --> 00:01:44,400 Speaker 2: I agree with this, I'm just I'm just curious of 34 00:01:44,480 --> 00:01:47,680 Speaker 2: the origin because it's such a weird goooby doobey do. 35 00:01:49,000 --> 00:01:49,400 Speaker 1: I don't know. 36 00:01:49,560 --> 00:01:54,880 Speaker 2: Oh weoo good one, Jen scooby doobey do because allegedly 37 00:01:54,960 --> 00:01:59,880 Speaker 2: they were always eating snacks. But that's still not word originated. 38 00:02:00,040 --> 00:02:01,400 Speaker 1: I didn't even realize there was. 39 00:02:01,880 --> 00:02:07,480 Speaker 3: It means marijuana cigarette do be YEA understand, But who 40 00:02:07,600 --> 00:02:07,920 Speaker 3: was like. 41 00:02:08,000 --> 00:02:11,359 Speaker 2: Hey, we should call this the dowey. I don't know. 42 00:02:11,680 --> 00:02:13,040 Speaker 1: How do you know that about anything? 43 00:02:13,560 --> 00:02:15,200 Speaker 2: Because everything starts somewhere. 44 00:02:15,639 --> 00:02:16,359 Speaker 1: Yeah, I guess I. 45 00:02:16,280 --> 00:02:18,239 Speaker 3: Have a back problem, and I don't know if you 46 00:02:18,280 --> 00:02:22,480 Speaker 3: guys can hear my eyes can't make a noise, but continue? 47 00:02:22,760 --> 00:02:24,959 Speaker 2: No, but I can see that heart on your shirt. 48 00:02:25,400 --> 00:02:25,920 Speaker 3: Good job. 49 00:02:26,120 --> 00:02:26,680 Speaker 2: I'm pressed. 50 00:02:26,760 --> 00:02:29,880 Speaker 3: What makes you love this episode so much? Just give 51 00:02:29,960 --> 00:02:30,800 Speaker 3: us that, right. 52 00:02:30,720 --> 00:02:36,680 Speaker 2: Okay, the overview, there's I feel very invested with every 53 00:02:36,919 --> 00:02:42,040 Speaker 2: storyline in this episode, first of all, and while they're 54 00:02:42,080 --> 00:02:47,520 Speaker 2: not all tied together, they're all really exciting. They're exciting. 55 00:02:47,560 --> 00:02:49,359 Speaker 2: There's no like boring storyline here. 56 00:02:50,520 --> 00:02:55,440 Speaker 3: Nothing were always Claire and Steve are always little by. 57 00:02:55,400 --> 00:02:58,480 Speaker 2: Now, but it's not much Clare and Steve. I mean, 58 00:02:58,600 --> 00:03:01,480 Speaker 2: I could take her leave like the Dick Dewbie and 59 00:03:01,639 --> 00:03:04,120 Speaker 2: Steve thing, but I know this is setting up for 60 00:03:04,680 --> 00:03:10,560 Speaker 2: future and stuff. I know suddenly he smoked weed and 61 00:03:10,760 --> 00:03:11,760 Speaker 2: I didn't see that coming. 62 00:03:12,320 --> 00:03:14,560 Speaker 3: It was really nice to have everybody in the same 63 00:03:14,639 --> 00:03:17,880 Speaker 3: room again for at least for a bit, or sort 64 00:03:17,919 --> 00:03:23,560 Speaker 3: of close to the same room that for the Valentine's event, 65 00:03:23,720 --> 00:03:26,000 Speaker 3: Like that was cool and we hadn't seen that in 66 00:03:26,040 --> 00:03:26,600 Speaker 3: the second. 67 00:03:28,160 --> 00:03:30,120 Speaker 2: Ohait, can we start at the beginning, and I'd like 68 00:03:30,240 --> 00:03:32,080 Speaker 2: to start with Kelly Taylor and Tom Miller. 69 00:03:33,240 --> 00:03:35,360 Speaker 1: Okay, let's do it. I like him when you take charge. 70 00:03:38,240 --> 00:03:40,160 Speaker 3: He's bright eyed and bushy tailed. 71 00:03:43,320 --> 00:03:44,240 Speaker 1: Tell me what to do. 72 00:03:44,400 --> 00:03:46,240 Speaker 2: I mean, it was it was a little hard for 73 00:03:46,280 --> 00:03:49,840 Speaker 2: me that we ended last week on Donna almost dying 74 00:03:50,240 --> 00:03:52,040 Speaker 2: and then Kelly's like, hey, you've here from. 75 00:03:51,880 --> 00:03:55,920 Speaker 3: My morning run, riving from the beach to the Hollywood 76 00:03:56,000 --> 00:03:57,920 Speaker 3: Hills at six thirty in the morning. 77 00:03:58,520 --> 00:04:01,760 Speaker 2: I mean, I guess it's Clara puts it. She references, 78 00:04:01,840 --> 00:04:04,880 Speaker 2: it's been the timeline three days since Donna almost died 79 00:04:04,960 --> 00:04:07,720 Speaker 2: and was held hostage. Okay, whole days, I know. 80 00:04:07,880 --> 00:04:12,080 Speaker 3: So Kelly, Kelly, Claire is a terrible friend. 81 00:04:13,040 --> 00:04:16,000 Speaker 1: So Claire is I think everyone. 82 00:04:15,720 --> 00:04:21,240 Speaker 2: Is Wait, no, you're jumping ahead. Sorry, I'll be quiet, Okay, 83 00:04:21,279 --> 00:04:24,120 Speaker 2: Tom Miller, Hollywood Hills, enter you. 84 00:04:24,400 --> 00:04:26,880 Speaker 1: I was thinking, please, don't love that be Kelly, because 85 00:04:27,320 --> 00:04:31,480 Speaker 1: just stay at home. Like I feel like she's, you know, 86 00:04:31,600 --> 00:04:34,760 Speaker 1: stirring up stuff. I can tell she's just doing it 87 00:04:34,800 --> 00:04:36,240 Speaker 1: for the wrong reasons. 88 00:04:37,760 --> 00:04:39,719 Speaker 2: But it was see at this point in the game, 89 00:04:39,880 --> 00:04:42,200 Speaker 2: I actually wanted to believe it was for the right 90 00:04:42,279 --> 00:04:44,520 Speaker 2: reasons because I love you. 91 00:04:44,560 --> 00:04:48,200 Speaker 3: There's something a little cute about you, guys. There's something 92 00:04:48,279 --> 00:04:50,080 Speaker 3: a little cute about him with Valerie too. 93 00:04:50,520 --> 00:04:54,080 Speaker 2: Yeah, you way into him and Valerie. 94 00:04:54,480 --> 00:04:56,320 Speaker 3: Yeah, there's something nice there. 95 00:04:57,040 --> 00:05:00,440 Speaker 1: I think that that an ELL's well that as well. 96 00:05:00,480 --> 00:05:07,520 Speaker 1: In this episode. Thank god we're not there yet. Sorry, sorry, okay, sorry, 97 00:05:07,680 --> 00:05:10,680 Speaker 1: but I just felt like, yes, there is something there 98 00:05:10,720 --> 00:05:13,520 Speaker 1: with with Kelly and Tom, and I think it could 99 00:05:13,560 --> 00:05:17,000 Speaker 1: go somewhere. But it's not like it's it's easy. It's 100 00:05:17,080 --> 00:05:21,600 Speaker 1: like cute and flirty. It's not like love love love 101 00:05:21,640 --> 00:05:22,440 Speaker 1: love or anything. 102 00:05:22,960 --> 00:05:25,440 Speaker 2: Right, it's not passionate, but it's sexy, Like there's something 103 00:05:25,480 --> 00:05:27,760 Speaker 2: sexy about it. The chemistry. I think, you guys get 104 00:05:27,800 --> 00:05:30,200 Speaker 2: him there for it. You both are good looking. I 105 00:05:30,240 --> 00:05:32,760 Speaker 2: can watch it, you know. 106 00:05:33,000 --> 00:05:36,240 Speaker 1: Yeah, I'm glad you can bear to watch it. 107 00:05:36,279 --> 00:05:38,440 Speaker 3: Does he seem like a good guy to me? He's 108 00:05:38,440 --> 00:05:41,520 Speaker 3: sort of a good guy. I'm like, Okay, this guy. 109 00:05:41,160 --> 00:05:44,640 Speaker 2: Is actually maybe I think he is. 110 00:05:45,560 --> 00:05:46,640 Speaker 1: Yeah, I think so. 111 00:05:47,520 --> 00:05:51,680 Speaker 2: I got to say just from jumping this episode. Kudos 112 00:05:51,720 --> 00:05:54,800 Speaker 2: to Tiffany. I really enjoyed her performance. I thought she 113 00:05:54,920 --> 00:05:57,799 Speaker 2: was really good and maybe it's because we're finally seeing 114 00:05:57,839 --> 00:06:01,520 Speaker 2: a new side of her and I was there for it. 115 00:06:02,839 --> 00:06:06,000 Speaker 1: Yeah, it was nice because we normally just love to 116 00:06:06,040 --> 00:06:08,880 Speaker 1: hate her, but this I wanted more though, you guys, 117 00:06:08,880 --> 00:06:11,960 Speaker 1: I want her. Mom comes and she has that one 118 00:06:12,040 --> 00:06:16,080 Speaker 1: great scene with her on the stairs where they you know, 119 00:06:16,160 --> 00:06:18,480 Speaker 1: she says, I hate you, I hate him, I hate 120 00:06:18,480 --> 00:06:19,799 Speaker 1: that house, and I hate you. 121 00:06:21,120 --> 00:06:23,320 Speaker 3: When he's When she said that, everything came flooding back 122 00:06:23,320 --> 00:06:25,719 Speaker 3: to me. I was like, I forgot and you. 123 00:06:25,680 --> 00:06:27,480 Speaker 2: Guys are jumping ahead and I feel like John right 124 00:06:27,520 --> 00:06:29,120 Speaker 2: now and said, and we are that I know? 125 00:06:29,200 --> 00:06:33,599 Speaker 3: But did what? Okay, So, Jenny, when she said that, 126 00:06:33,680 --> 00:06:34,640 Speaker 3: what did you think? 127 00:06:35,240 --> 00:06:37,680 Speaker 1: I thought, Oh, she was molested in the house. She 128 00:06:37,760 --> 00:06:40,360 Speaker 1: was sexually assaulted in the house, for sure by the dad. 129 00:06:40,920 --> 00:06:43,599 Speaker 2: Correct, that's what I thought that happened. I'm not sure 130 00:06:43,680 --> 00:06:44,679 Speaker 2: he raped her. Correct? 131 00:06:45,120 --> 00:06:49,640 Speaker 3: Is this he's been assaulting her? And then I don't 132 00:06:49,640 --> 00:06:51,240 Speaker 3: want to give it away. We find out. 133 00:06:54,800 --> 00:06:55,080 Speaker 2: What? 134 00:06:55,560 --> 00:06:58,839 Speaker 3: Yeah, remember, he must know. It all came back to 135 00:06:58,880 --> 00:06:59,720 Speaker 3: me when that, I was. 136 00:06:59,680 --> 00:07:01,560 Speaker 2: Like, what came back to you? 137 00:07:02,040 --> 00:07:04,320 Speaker 1: What we haven't what we. 138 00:07:04,320 --> 00:07:06,640 Speaker 3: Haven't seen yet, what we haven't seen came back. 139 00:07:06,680 --> 00:07:09,000 Speaker 1: I'm just checking to make sure I've forgotten something pivotal 140 00:07:09,080 --> 00:07:10,960 Speaker 1: yet already. No, which I'm sure I did. 141 00:07:10,960 --> 00:07:14,160 Speaker 3: But okay, good you did, But you're getting it. 142 00:07:14,480 --> 00:07:16,520 Speaker 1: Okay. Yeah, I thought for sure that that was that. 143 00:07:16,600 --> 00:07:20,360 Speaker 1: But because that was so deep and so like revealing, 144 00:07:20,840 --> 00:07:24,280 Speaker 1: I wanted more from it, like I wanted more. I 145 00:07:24,320 --> 00:07:26,160 Speaker 1: wanted to know more right away, and then it was 146 00:07:26,240 --> 00:07:29,200 Speaker 1: just sort of like swept up, and then. 147 00:07:28,880 --> 00:07:31,680 Speaker 3: They don't give us much in this episode about it. 148 00:07:31,800 --> 00:07:34,160 Speaker 1: Yeah, I think it's gonna unfold. Do you think in 149 00:07:34,200 --> 00:07:35,320 Speaker 1: the next episode does. 150 00:07:36,200 --> 00:07:40,600 Speaker 2: Oh my gosh, okay, okay, So Valerie's mom comes to town. 151 00:07:40,640 --> 00:07:44,920 Speaker 2: They haven't seen each other in three years. Correct, and. 152 00:07:46,080 --> 00:07:48,720 Speaker 1: She looked a lot alike. You guys, Michelle Folds and 153 00:07:48,760 --> 00:07:50,960 Speaker 1: Tiffany look a lot alike, like they could be mom 154 00:07:51,000 --> 00:07:51,520 Speaker 1: and daughter. 155 00:07:52,080 --> 00:07:53,440 Speaker 2: I think they look nothing like. 156 00:07:53,880 --> 00:07:56,120 Speaker 1: Really, I thought they had the same little face like 157 00:07:56,240 --> 00:08:02,480 Speaker 1: shape face although faces her face square footage is larger. 158 00:08:03,080 --> 00:08:07,760 Speaker 1: Then this is not sounding good. Her face one face 159 00:08:07,800 --> 00:08:08,800 Speaker 1: is smaller than the other. 160 00:08:09,120 --> 00:08:09,760 Speaker 3: Like, do you. 161 00:08:09,880 --> 00:08:12,800 Speaker 1: Find that when there are children like offspring? Did they 162 00:08:12,880 --> 00:08:15,679 Speaker 1: usually have the same size noggin as the mom? 163 00:08:16,160 --> 00:08:19,160 Speaker 2: Did you snoo a dewey? 164 00:08:20,160 --> 00:08:21,960 Speaker 1: Yeah, it's my nine am. 165 00:08:22,360 --> 00:08:26,120 Speaker 3: Say that the more famous actors have bigger faces. I 166 00:08:26,120 --> 00:08:29,040 Speaker 3: think there's a thing about that. Yes, the camera likes 167 00:08:29,080 --> 00:08:29,920 Speaker 3: a bigger face. 168 00:08:30,040 --> 00:08:31,920 Speaker 1: They like you to have a big face. 169 00:08:32,679 --> 00:08:34,560 Speaker 2: Oh my god, Okay. 170 00:08:34,280 --> 00:08:37,080 Speaker 1: She has a perfect face to be an actress. 171 00:08:37,520 --> 00:08:37,880 Speaker 3: Okay. 172 00:08:38,000 --> 00:08:41,400 Speaker 2: The mom is in the papas originally, Yeah, I just. 173 00:08:41,320 --> 00:08:44,720 Speaker 1: Saw Michelle Phillips out of corn. I feel like, oh 174 00:08:44,760 --> 00:08:47,880 Speaker 1: really yeah, because the Phillips sisters were there. Do you 175 00:08:47,880 --> 00:08:49,040 Speaker 1: remember to her? Were you there? 176 00:08:49,280 --> 00:08:52,319 Speaker 3: You were there as in China Phillips. 177 00:08:52,520 --> 00:08:55,080 Speaker 1: China was there, but. 178 00:08:55,000 --> 00:09:01,079 Speaker 3: That's her mom. Oh, and then McKenzie Phillip is related 179 00:09:01,200 --> 00:09:02,920 Speaker 3: but not the same mother. 180 00:09:03,360 --> 00:09:05,720 Speaker 1: Right, who's in? Who are the women in the Phillips sisters? 181 00:09:05,720 --> 00:09:11,920 Speaker 3: Tell me this China Phillips, No, Charinie Wilson Carney, right, 182 00:09:12,440 --> 00:09:13,880 Speaker 3: but they're not sisters. 183 00:09:14,360 --> 00:09:15,679 Speaker 1: Oh, this is getting real. 184 00:09:15,760 --> 00:09:20,560 Speaker 3: It's confused. So Mackenzie Phillips and China Phillips are half siblings, 185 00:09:20,600 --> 00:09:22,040 Speaker 3: they have different moms. 186 00:09:22,320 --> 00:09:24,680 Speaker 2: Right, right? Right? Is Kevin Bacon involved here? 187 00:09:25,320 --> 00:09:29,240 Speaker 3: Nope? Okay, China Phillips is the daughter of Michelle Phillips, 188 00:09:29,240 --> 00:09:34,240 Speaker 3: but Carnie Wilson and her. I think it's Carnie Wilson's sister. 189 00:09:34,800 --> 00:09:39,880 Speaker 2: Who is the redhead in Wilson, who's the blood who's. 190 00:09:41,280 --> 00:09:43,200 Speaker 3: And China's married to Billy Baldwin? 191 00:09:43,320 --> 00:09:43,679 Speaker 1: Got it? 192 00:09:43,800 --> 00:09:46,880 Speaker 2: Can we talk about Michelle phillips acting career? 193 00:09:47,840 --> 00:09:51,440 Speaker 1: Yes, tell me she's been on? What has she been 194 00:09:51,480 --> 00:09:52,600 Speaker 1: on the big thing that I'm thinking of? 195 00:09:53,200 --> 00:09:57,760 Speaker 2: Are you thinking of not Sandy. Yeah, but I mean 196 00:09:58,240 --> 00:10:03,000 Speaker 2: originally my dad loved her and she worked a lot 197 00:10:03,040 --> 00:10:06,600 Speaker 2: with him, which is why I'm sure she obviously was 198 00:10:06,840 --> 00:10:10,959 Speaker 2: doing this. But she is a very kind, very nice woman. 199 00:10:11,080 --> 00:10:14,200 Speaker 3: Well, I think NAT's landing was like, really, that's her. 200 00:10:14,720 --> 00:10:16,960 Speaker 2: She was along your episode before when she was younger. 201 00:10:18,000 --> 00:10:21,120 Speaker 3: But she did like a million things back in the day, 202 00:10:21,280 --> 00:10:24,560 Speaker 3: back in the day. Mm hmm. Would you like me 203 00:10:24,640 --> 00:10:29,200 Speaker 3: to name some yes please? Yeah, okay, Fantasy Island, love Boat, 204 00:10:30,120 --> 00:10:32,960 Speaker 3: Search for Tomorrow two hundred and nineteen episodes of the 205 00:10:33,000 --> 00:10:33,920 Speaker 3: Search for Tomorrow. 206 00:10:34,840 --> 00:10:36,240 Speaker 1: What is that? 207 00:10:36,240 --> 00:10:37,920 Speaker 3: That was a you don't remember it? Tori is a 208 00:10:37,960 --> 00:10:38,400 Speaker 3: soap opera. 209 00:10:38,440 --> 00:10:41,679 Speaker 2: It was sort of a early Tomorrow CBS. 210 00:10:42,120 --> 00:10:45,680 Speaker 3: I think so so that was sort of the world ends. 211 00:10:46,400 --> 00:10:49,880 Speaker 3: I'm very she played Ruby Ashford in two hundred and 212 00:10:49,920 --> 00:10:52,320 Speaker 3: nineteen episodes, I think. And she did a lot of 213 00:10:52,360 --> 00:10:53,720 Speaker 3: your dad's shows TJ. 214 00:10:53,840 --> 00:10:57,760 Speaker 2: Hooker, like all my dad shows. But I feel like she. 215 00:10:58,080 --> 00:11:02,360 Speaker 3: Did some episodes of Hotel James Brolin Hotel of. 216 00:11:02,280 --> 00:11:03,719 Speaker 2: Course, I was like in San Francisco. 217 00:11:03,760 --> 00:11:05,720 Speaker 3: I think it was the Fairmont, to be honest, it was. 218 00:11:05,960 --> 00:11:08,319 Speaker 3: But then she just did like tons of one offs 219 00:11:08,360 --> 00:11:11,560 Speaker 3: all the time. Eighty nine episodes of Knots Landing. 220 00:11:11,720 --> 00:11:14,120 Speaker 2: She must have worked with Elvis, didn't they all all 221 00:11:14,120 --> 00:11:15,480 Speaker 2: those iconic actresses. 222 00:11:15,600 --> 00:11:18,400 Speaker 3: Maybe she was on Malibu Shores. 223 00:11:18,720 --> 00:11:20,840 Speaker 1: I feel like you're right, she didn't Elvis movie. What 224 00:11:20,840 --> 00:11:21,040 Speaker 1: was it? 225 00:11:21,880 --> 00:11:26,720 Speaker 2: Something was she ding Elvis? Something's happening Malibou sor she 226 00:11:26,760 --> 00:11:29,000 Speaker 2: was on Malibou Shores. My dad showed that my brother 227 00:11:29,200 --> 00:11:33,600 Speaker 2: was on that. Greg Vaughan was on, who plays Cliff Jaeger, 228 00:11:33,640 --> 00:11:36,360 Speaker 2: who was back the Fireman that Jen loved back for 229 00:11:36,400 --> 00:11:39,439 Speaker 2: this episode. And Michelle Phillips, you're right, you. 230 00:11:39,400 --> 00:11:42,360 Speaker 3: Know, Michelle Phillips was in The Mama's and the Papas, right, Like, 231 00:11:42,400 --> 00:11:44,040 Speaker 3: I don't want to just overlook that part. 232 00:11:44,160 --> 00:11:45,839 Speaker 2: No, no, that's what I said to begin with. 233 00:11:45,960 --> 00:11:50,360 Speaker 3: Yeah, yeah, yeah, California dreaming where she was music. 234 00:11:51,800 --> 00:11:53,760 Speaker 2: I mean, if you look up a picture of her 235 00:11:53,800 --> 00:11:56,720 Speaker 2: back in the day, oh my god, like long wond hair, 236 00:11:56,960 --> 00:12:03,719 Speaker 2: total yeah, iconic, like it be like, oh yeah, gorgeous, 237 00:12:03,880 --> 00:12:04,640 Speaker 2: gorgeous woman. 238 00:12:04,840 --> 00:12:06,760 Speaker 3: That is this part she was. 239 00:12:07,040 --> 00:12:08,760 Speaker 1: I think she's perfectly cast as. 240 00:12:08,679 --> 00:12:12,960 Speaker 2: Val I felt that it's almost like she was Valerie's 241 00:12:13,000 --> 00:12:14,439 Speaker 2: step mom though, like. 242 00:12:14,440 --> 00:12:16,920 Speaker 3: The evil that's sort of the evil. They don't get 243 00:12:16,920 --> 00:12:19,520 Speaker 3: along and they have to fight over the money, like 244 00:12:19,559 --> 00:12:19,920 Speaker 3: the whole thing. 245 00:12:21,360 --> 00:12:25,199 Speaker 1: Maybe because there's just no maternal energy there between the 246 00:12:25,200 --> 00:12:26,920 Speaker 1: two of them. Maybe that's what's. 247 00:12:27,000 --> 00:12:31,800 Speaker 2: Maybe, and she seems in this role. I do feel 248 00:12:31,800 --> 00:12:34,599 Speaker 2: like it's a little like I don't know, I was 249 00:12:34,640 --> 00:12:36,400 Speaker 2: getting dining Steve vibes a little bit. 250 00:12:37,240 --> 00:12:42,400 Speaker 1: Yes, yes, yes, the scene at the stairs, I was like, Oh, 251 00:12:42,440 --> 00:12:47,440 Speaker 1: we've just crossed over into full blown, like nighttime soap 252 00:12:47,480 --> 00:12:48,240 Speaker 1: opera right there. 253 00:12:48,280 --> 00:12:49,360 Speaker 2: I had that exact money. 254 00:12:51,000 --> 00:12:53,400 Speaker 1: Is she coming back? Is the mom of Tiffany? 255 00:12:53,520 --> 00:12:53,720 Speaker 3: Yeah? 256 00:12:54,440 --> 00:12:57,080 Speaker 2: She said I'll be back next week. Oh great, So 257 00:12:57,160 --> 00:13:12,080 Speaker 2: I don't know, we'll find out much. I love how. 258 00:13:12,040 --> 00:13:14,800 Speaker 1: Kelly and Val in that moment in the bathroom, I 259 00:13:14,960 --> 00:13:19,400 Speaker 1: kind of had a come to Jesus understanding like female 260 00:13:19,400 --> 00:13:23,760 Speaker 1: the female. I felt good. I was like, please, please God, 261 00:13:23,880 --> 00:13:26,760 Speaker 1: Kelly make the right choice here, because I honestly wasn't 262 00:13:26,760 --> 00:13:28,400 Speaker 1: sure what was going to happen at the end of 263 00:13:28,440 --> 00:13:30,560 Speaker 1: the episode. But she did the right thing and she 264 00:13:30,760 --> 00:13:35,040 Speaker 1: sent Tom back and Tom back into VAL's arms. 265 00:13:35,360 --> 00:13:38,000 Speaker 3: I do think you had a little bit of like 266 00:13:38,120 --> 00:13:40,839 Speaker 3: for him, like a little crush or some feelings. 267 00:13:41,760 --> 00:13:44,640 Speaker 2: There has to be because Kelly's not that human just 268 00:13:44,720 --> 00:13:46,800 Speaker 2: to do it for the reason of val She's not that. 269 00:13:47,640 --> 00:13:51,720 Speaker 3: I think she's realized that she was really in it 270 00:13:51,760 --> 00:13:53,439 Speaker 3: a little bit for the wrong reasons. 271 00:13:53,880 --> 00:13:56,480 Speaker 1: You said you thought she what did you say? You 272 00:13:56,480 --> 00:13:57,840 Speaker 1: thought she was too human? 273 00:14:00,280 --> 00:14:03,160 Speaker 2: I feel like you're not. I feel like Kelly is 274 00:14:03,200 --> 00:14:06,280 Speaker 2: not that human. Like perhaps she was in it slightly 275 00:14:06,360 --> 00:14:09,680 Speaker 2: for the wrong reasons, but in her brain, I feel 276 00:14:09,679 --> 00:14:12,640 Speaker 2: like it crossed over. She felt something for him, she 277 00:14:12,640 --> 00:14:16,000 Speaker 2: felt chemistry. Because I don't believe that you would ever 278 00:14:16,559 --> 00:14:18,400 Speaker 2: just maliciously do that. I just don't. 279 00:14:18,440 --> 00:14:20,680 Speaker 1: All right, No, I thought that, Yeah, we agree on that. 280 00:14:21,320 --> 00:14:27,120 Speaker 2: Yeah, that bathroom seen a tiff and a red lip. 281 00:14:27,160 --> 00:14:32,000 Speaker 2: I was both of you looked gorgeous. Like the lighting 282 00:14:32,400 --> 00:14:36,280 Speaker 2: I was in a bathroom. 283 00:14:35,480 --> 00:14:38,200 Speaker 1: Had bathroom, I think, yeah, oh my. 284 00:14:38,200 --> 00:14:40,960 Speaker 3: God, I can see the conversation. I don't think I 285 00:14:41,000 --> 00:14:42,880 Speaker 3: realized it was in the bathroom. 286 00:14:42,600 --> 00:14:45,240 Speaker 1: Well, because Kelly was talking into the mirror right, doing 287 00:14:45,280 --> 00:14:46,240 Speaker 1: her lipstick or something. 288 00:14:46,520 --> 00:14:48,280 Speaker 2: Yeah, and there was a bottle of beer or someone 289 00:14:48,320 --> 00:14:51,880 Speaker 2: looked on the counter or something. But I've never seen 290 00:14:51,920 --> 00:14:56,560 Speaker 2: a nightclub bathroom lit so well. You guys looked gorgeous, stunning, 291 00:14:58,680 --> 00:15:02,440 Speaker 2: and both of you, I don't know, I really really 292 00:15:02,520 --> 00:15:03,600 Speaker 2: enjoyed it. 293 00:15:03,800 --> 00:15:08,360 Speaker 1: It's weal. Can we talk about when Donna is in 294 00:15:08,440 --> 00:15:10,840 Speaker 1: bed in the morning? Can we go to that storyline? Now? Yes? 295 00:15:11,480 --> 00:15:12,760 Speaker 1: Are we not done with that? 296 00:15:14,200 --> 00:15:14,720 Speaker 2: One more thing? 297 00:15:15,520 --> 00:15:15,560 Speaker 3: We? 298 00:15:16,600 --> 00:15:21,200 Speaker 2: So? Brandon picks up Michelle Phillips Valerie's mom. What's your 299 00:15:21,240 --> 00:15:22,040 Speaker 2: name on the show. 300 00:15:23,560 --> 00:15:27,320 Speaker 3: Miss Malone? I liked how Tom kept saying Miss Malone 301 00:15:27,360 --> 00:15:29,880 Speaker 3: likes Malone? But miss. 302 00:15:31,240 --> 00:15:36,000 Speaker 2: So. Brandon arrives at the pea pad uh, Tom and 303 00:15:36,080 --> 00:15:38,120 Speaker 2: Valerie are there. They make their entrance. She's like, why 304 00:15:38,160 --> 00:15:42,000 Speaker 2: did you bring my mom here? Valerie's mom ak. Michelle 305 00:15:42,000 --> 00:15:49,120 Speaker 2: Phillips goes, it's so big and so beautiful. You know, 306 00:15:49,320 --> 00:15:51,680 Speaker 2: my brain, what were you? 307 00:15:51,760 --> 00:15:53,360 Speaker 1: Were you disagreeing with her in your mind? 308 00:15:53,760 --> 00:15:53,840 Speaker 2: No? 309 00:15:54,400 --> 00:15:56,040 Speaker 3: Just like are you being dirty? 310 00:15:56,280 --> 00:15:58,640 Speaker 2: Of cool? Hello? Have you met me? Of course? My 311 00:15:58,800 --> 00:15:59,360 Speaker 2: potty brain? 312 00:15:59,440 --> 00:16:03,720 Speaker 1: Wait, that's what you're thinking in that moment. It's so big. 313 00:16:05,120 --> 00:16:05,560 Speaker 1: You need to. 314 00:16:08,000 --> 00:16:11,280 Speaker 2: I really do we need to take you? Tell me 315 00:16:11,320 --> 00:16:14,680 Speaker 2: about it? But then I don't know if you guys 316 00:16:14,760 --> 00:16:16,680 Speaker 2: notice this, And I guess you know, no one's going 317 00:16:16,720 --> 00:16:19,240 Speaker 2: to say no to Michelle Phillips. She's iconic and legend, 318 00:16:19,720 --> 00:16:21,680 Speaker 2: but she goes, Brendan. 319 00:16:22,520 --> 00:16:24,520 Speaker 3: Oh, so many people do that. 320 00:16:25,000 --> 00:16:28,680 Speaker 2: She called him Brendan, but in the next bit she 321 00:16:28,800 --> 00:16:32,000 Speaker 2: called him Brandon, and then you've had. 322 00:16:31,880 --> 00:16:35,040 Speaker 1: Beef about that from from get go. When people say 323 00:16:35,080 --> 00:16:36,000 Speaker 1: Brendan Brandon, I. 324 00:16:35,960 --> 00:16:39,200 Speaker 2: Do I always somebody's I just notice it, and I 325 00:16:39,280 --> 00:16:42,680 Speaker 2: just so want someone to come in and say, is 326 00:16:42,720 --> 00:16:45,480 Speaker 2: there any way sorry, the name is Brandon. Can I 327 00:16:45,520 --> 00:16:46,560 Speaker 2: don't know, you. 328 00:16:46,520 --> 00:16:51,119 Speaker 1: Want somebody to do their job? You're saying, like somebody 329 00:16:51,120 --> 00:16:52,520 Speaker 1: behind the camera. I don't know. 330 00:16:54,240 --> 00:16:56,680 Speaker 2: Yeah, I mean, I guess it's kind of fitting, like 331 00:16:56,760 --> 00:16:58,680 Speaker 2: she kind of doesn't give a fuck about anybody, and 332 00:16:58,760 --> 00:17:03,680 Speaker 2: so she doesn't really take notice of his name. Yeah, yeah, 333 00:17:03,760 --> 00:17:07,440 Speaker 2: even though they're childhood friends, right, so. 334 00:17:07,560 --> 00:17:10,000 Speaker 1: I think it's funny too. Also that she was like, hey, 335 00:17:10,000 --> 00:17:12,640 Speaker 1: can you guys go pick up my mom? And I've 336 00:17:12,680 --> 00:17:14,959 Speaker 1: never I mean, I guess this is young people, but 337 00:17:15,000 --> 00:17:16,959 Speaker 1: maybe they had nothing to do with their day, like 338 00:17:17,840 --> 00:17:21,840 Speaker 1: that's a whole They took out three quarters of Valentine's 339 00:17:21,920 --> 00:17:24,919 Speaker 1: Day for Brandon to go to the airport, pick her up, 340 00:17:24,960 --> 00:17:28,080 Speaker 1: bring her back to the peach Pad Peapad, then take 341 00:17:28,119 --> 00:17:31,280 Speaker 1: her to the house like he's with that lady all day. 342 00:17:31,760 --> 00:17:34,640 Speaker 1: But also she asks like, can Tracy go do it like. 343 00:17:36,119 --> 00:17:39,200 Speaker 2: What, Like, I know they've been talking a little bit, 344 00:17:39,280 --> 00:17:41,360 Speaker 2: but I your friend, bitch, Like what, No. 345 00:17:41,560 --> 00:17:45,760 Speaker 1: She's there. They they're very good friends because she told 346 00:17:45,840 --> 00:17:52,119 Speaker 1: him about the the suicide. Remember I know what's her 347 00:17:52,160 --> 00:17:54,560 Speaker 1: but tells Brandon, Oh yeah, I know about the suicide. 348 00:17:54,800 --> 00:17:55,399 Speaker 1: That told me. 349 00:17:56,080 --> 00:17:56,600 Speaker 2: Yeah. 350 00:17:56,640 --> 00:17:59,080 Speaker 1: They were just so laying pipe like trying to like say, 351 00:17:59,280 --> 00:18:00,600 Speaker 1: remember what happened. 352 00:18:00,720 --> 00:18:03,040 Speaker 3: It was casual conversation at the hockey game. They just 353 00:18:03,040 --> 00:18:05,119 Speaker 3: were chatting that up while they sat together. 354 00:18:05,600 --> 00:18:07,960 Speaker 1: That's the only time they've ever talked before. And I know, 355 00:18:08,000 --> 00:18:10,080 Speaker 1: I want to bring that back home, make sure we 356 00:18:10,080 --> 00:18:13,080 Speaker 1: all remember that they had one meaningful conversation the game. 357 00:18:13,119 --> 00:18:16,679 Speaker 2: Right, Tercy goes, they are tight suicide unless. 358 00:18:16,440 --> 00:18:18,280 Speaker 3: They talk over coffee, and we don't know in the 359 00:18:18,280 --> 00:18:20,800 Speaker 3: morning because they do sleep at Cossa Walls. 360 00:18:21,160 --> 00:18:23,520 Speaker 1: And it just feels weird that Tracy's just sitting around 361 00:18:23,520 --> 00:18:26,040 Speaker 1: in the house all the time, Like it doesn't where 362 00:18:26,080 --> 00:18:26,720 Speaker 1: do you live? 363 00:18:27,480 --> 00:18:32,200 Speaker 2: You're right, these people have lives. We see one hour 364 00:18:32,320 --> 00:18:36,200 Speaker 2: a week of their lives. We must miss so much. 365 00:18:36,440 --> 00:18:40,640 Speaker 3: I do not feel any kind of love between Brandon 366 00:18:40,960 --> 00:18:42,399 Speaker 3: and Tracy. 367 00:18:42,600 --> 00:18:45,760 Speaker 2: Listen, if he's not eating your face off, there's a problem. Yeah, 368 00:18:45,920 --> 00:18:48,800 Speaker 2: he goes in and gives it a smooch, and I 369 00:18:48,880 --> 00:18:51,840 Speaker 2: was like, oh, he is not it her. 370 00:18:52,000 --> 00:18:55,000 Speaker 1: It's true, and I feel bad for her because when 371 00:18:55,000 --> 00:18:57,680 Speaker 1: they were at the peapat at the watching Luther Vandros, Like, 372 00:18:57,720 --> 00:19:00,520 Speaker 1: who couldn't have like lovey dovey eyes if you're sitting 373 00:19:00,560 --> 00:19:05,439 Speaker 1: there front watching Luther Vandros high lucky kids. But I 374 00:19:05,440 --> 00:19:08,120 Speaker 1: saw her like leaning on his shoulder and they looked 375 00:19:08,160 --> 00:19:09,199 Speaker 1: really sweet together. 376 00:19:10,880 --> 00:19:12,879 Speaker 2: I don't know, Oh you want to know my beef 377 00:19:13,000 --> 00:19:16,760 Speaker 2: with this episode. If one except I love it. But 378 00:19:16,920 --> 00:19:19,919 Speaker 2: if one more person in this episode goes, do you 379 00:19:19,960 --> 00:19:26,080 Speaker 2: know it's Valentine stay today? Yeah? No, everybody knows from 380 00:19:26,080 --> 00:19:27,280 Speaker 2: the viewers impaired. 381 00:19:27,359 --> 00:19:29,160 Speaker 1: I always used to say, this is where the viewers 382 00:19:29,160 --> 00:19:30,960 Speaker 1: impaired in any way, shape. 383 00:19:30,760 --> 00:19:33,160 Speaker 2: Or form, because we got to keep driving at home. 384 00:19:33,400 --> 00:19:34,760 Speaker 1: Okay, we got to mind. 385 00:19:34,800 --> 00:19:40,080 Speaker 3: Everybody did appreciate, though, the very detailed explanation of why 386 00:19:40,400 --> 00:19:43,480 Speaker 3: in the world Luther van der Ross is at the peach. 387 00:19:43,280 --> 00:19:44,360 Speaker 2: Pit after dark. 388 00:19:44,600 --> 00:19:47,040 Speaker 3: It made the fact that they really acknowledged he had 389 00:19:47,080 --> 00:19:51,320 Speaker 3: a real tooth issue. David Silver's dad saved the day. 390 00:19:51,359 --> 00:19:54,000 Speaker 3: It almost disrupted his tour. Like I was like, you 391 00:19:54,000 --> 00:19:57,119 Speaker 3: know what, thank you, thank you explaining this to me, 392 00:19:57,200 --> 00:20:00,320 Speaker 3: because otherwise it would have been balkers. 393 00:20:00,080 --> 00:20:01,440 Speaker 2: That I appreciate it. 394 00:20:01,440 --> 00:20:03,840 Speaker 1: It was appreciated, but usually we don't get that. So 395 00:20:03,880 --> 00:20:06,840 Speaker 1: I was ready to get that. But when little sweet 396 00:20:06,920 --> 00:20:09,719 Speaker 1: Luther Vandros started talking and saying all his lines, I 397 00:20:09,760 --> 00:20:12,200 Speaker 1: was like, oh my god, he's the sweetest man ever. 398 00:20:12,240 --> 00:20:14,480 Speaker 1: I was remembering everything. And then I was like, and 399 00:20:14,920 --> 00:20:16,199 Speaker 1: he's a good actor, look at him. 400 00:20:16,359 --> 00:20:19,560 Speaker 3: And then he sang a hit sang us smash, Yeah. 401 00:20:19,320 --> 00:20:23,240 Speaker 1: He's sang it too. When the bars of that music started, 402 00:20:23,280 --> 00:20:25,040 Speaker 1: I was like goosebumps. 403 00:20:25,119 --> 00:20:27,280 Speaker 3: Yeah, I'm not mad about watching on DVD because I 404 00:20:27,280 --> 00:20:29,360 Speaker 3: was like, you know what this song I needed. 405 00:20:29,480 --> 00:20:30,320 Speaker 2: And he did it? 406 00:20:30,720 --> 00:20:33,080 Speaker 1: Agreed in the bathroom watching it, and I was like, 407 00:20:33,320 --> 00:20:35,680 Speaker 1: oh yes, And how about. 408 00:20:35,520 --> 00:20:39,320 Speaker 3: His manager was famous too, the like manager guy was 409 00:20:39,320 --> 00:20:41,600 Speaker 3: played by somebody that's that guy that's in like a 410 00:20:41,600 --> 00:20:43,320 Speaker 3: million things. I don't know who he was, but like 411 00:20:43,760 --> 00:20:46,280 Speaker 3: he's in a million things. Yeah, I looked him up 412 00:20:46,359 --> 00:20:50,120 Speaker 3: last night and he is in a million things. I'm correct. 413 00:20:50,400 --> 00:20:53,679 Speaker 3: But Luther Vandross like just crushing it. The backup singers 414 00:20:53,760 --> 00:20:56,440 Speaker 3: crushing it. Everything amazing. 415 00:20:56,760 --> 00:20:59,119 Speaker 1: If you guys couldn't watch this for the reason of 416 00:20:59,200 --> 00:21:02,720 Speaker 1: the music. How can they watch this performance and get 417 00:21:02,720 --> 00:21:03,920 Speaker 1: the music like we got it. 418 00:21:03,920 --> 00:21:06,800 Speaker 3: Get the DVDs. You got the d I watched it 419 00:21:06,840 --> 00:21:11,920 Speaker 3: on DVDs. What song did he sing again? Favorite here 420 00:21:12,000 --> 00:21:16,440 Speaker 3: and now that's too love? Yeah? He really that that 421 00:21:16,600 --> 00:21:19,920 Speaker 3: was a good booking. Although it still is random Luther 422 00:21:20,200 --> 00:21:23,000 Speaker 3: and a bunch of like college kids, but still it 423 00:21:23,040 --> 00:21:25,160 Speaker 3: was fine. It was Valentine's Oh. 424 00:21:25,080 --> 00:21:28,320 Speaker 1: But that Chloe, what's wrong with her? She doesn't sing. 425 00:21:28,800 --> 00:21:35,040 Speaker 3: Song good mind egg or whatever she sings it's that same. 426 00:21:35,080 --> 00:21:38,040 Speaker 1: I was like, if that was Luthor Ross's opening act, 427 00:21:38,080 --> 00:21:39,359 Speaker 1: I think he'd not be very happy. 428 00:21:39,840 --> 00:21:41,640 Speaker 3: And he's so nice. He was like, I heard you're great. 429 00:21:42,480 --> 00:21:46,760 Speaker 3: She sings that same like three notes and I'll wake 430 00:21:46,920 --> 00:21:51,879 Speaker 3: up with you or whatever. I was just like, and 431 00:21:51,920 --> 00:21:55,359 Speaker 3: her clip, her clip was irritating me. I'm so sorry 432 00:21:55,480 --> 00:21:57,040 Speaker 3: that something I was. 433 00:21:56,960 --> 00:22:00,000 Speaker 1: Not David, it really likes her singing, so you're gonna 434 00:22:00,080 --> 00:22:00,879 Speaker 1: to take that up with him? 435 00:22:00,920 --> 00:22:06,639 Speaker 3: And guys, do you really think that Luther Vandross, after 436 00:22:06,720 --> 00:22:10,440 Speaker 3: doing this solid favor at the Peach on Valentine's Day, 437 00:22:10,440 --> 00:22:15,879 Speaker 3: wants to go to dinner with David and Chloe what what. 438 00:22:16,880 --> 00:22:18,360 Speaker 1: That's what musicians do. 439 00:22:18,520 --> 00:22:22,280 Speaker 2: Amy, if you notice, I'm being silent here because I 440 00:22:22,280 --> 00:22:24,119 Speaker 2: don't want to sway the whole Chloe thing because I 441 00:22:24,119 --> 00:22:25,080 Speaker 2: have personal issues here. 442 00:22:25,119 --> 00:22:27,160 Speaker 1: No, I know, you've just do on your hands over 443 00:22:27,160 --> 00:22:28,680 Speaker 1: there because you don't want to thinking. 444 00:22:28,359 --> 00:22:34,320 Speaker 3: Although although Donna over there, yes, you're not being a 445 00:22:34,320 --> 00:22:35,920 Speaker 3: good girlfriend at all. 446 00:22:37,200 --> 00:22:39,680 Speaker 2: Okay, Oh, sorry, I wanted to go back to Kelly. 447 00:22:40,400 --> 00:22:41,240 Speaker 2: You never. 448 00:22:42,560 --> 00:22:43,560 Speaker 3: I deserve it. 449 00:22:46,800 --> 00:22:49,880 Speaker 2: Kelly what. 450 00:22:51,240 --> 00:22:54,120 Speaker 1: Oh you just made her go somewhere she's never been. 451 00:22:54,600 --> 00:22:57,280 Speaker 2: But that was the first in our history. 452 00:22:57,400 --> 00:22:57,960 Speaker 1: Okay. 453 00:22:58,920 --> 00:23:00,560 Speaker 3: I felt a lot of compassion for you in the 454 00:23:00,600 --> 00:23:03,080 Speaker 3: beginning because I felt like they're rushing you like you 455 00:23:03,119 --> 00:23:05,879 Speaker 3: should be in massive therapy, like and Claire is just 456 00:23:05,880 --> 00:23:09,159 Speaker 3: being so rushy rushia and you re he bopped out 457 00:23:09,200 --> 00:23:11,199 Speaker 3: of the bed once you knew Cliff was there, and 458 00:23:11,280 --> 00:23:15,760 Speaker 3: you are leaving your boyfriend future husband just in the dust. 459 00:23:15,920 --> 00:23:19,160 Speaker 3: But she did prush your teeth, so you know, we're 460 00:23:19,200 --> 00:23:22,680 Speaker 3: glad you're up, but still and you're like, it's it's 461 00:23:22,720 --> 00:23:23,560 Speaker 3: a little cheatey. 462 00:23:24,440 --> 00:23:26,199 Speaker 1: Wait, someone's sitting up. 463 00:23:29,320 --> 00:23:32,479 Speaker 2: I think it's less about that, and think about like 464 00:23:33,480 --> 00:23:37,280 Speaker 2: new butterflies, like new excitement, new attention from Okay, but. 465 00:23:37,480 --> 00:23:42,480 Speaker 1: Think about your boyfriend, right, what's going on, Donna? She's 466 00:23:42,480 --> 00:23:45,520 Speaker 1: twitter painted. You knew you liked him, you knew you 467 00:23:45,560 --> 00:23:47,960 Speaker 1: wanted to be with that fireman from the very beginning, 468 00:23:47,960 --> 00:23:50,280 Speaker 1: and then he left, But then you didn't know he 469 00:23:50,320 --> 00:23:53,080 Speaker 1: was coming back, right? Or did he say when he left, 470 00:23:53,119 --> 00:23:54,040 Speaker 1: I'm coming back for you. 471 00:23:54,960 --> 00:23:55,879 Speaker 2: I don't remember. 472 00:23:56,119 --> 00:23:57,760 Speaker 1: I think he said I'm coming back for you. 473 00:23:59,240 --> 00:24:01,880 Speaker 3: It wasn't like he was like bye forever, right. 474 00:24:03,720 --> 00:24:05,760 Speaker 2: I don't know. I just feel like she's down in 475 00:24:05,800 --> 00:24:08,840 Speaker 2: the dumps. She's been through a lot. Wait, you guys, 476 00:24:08,880 --> 00:24:12,359 Speaker 2: why is no one addressing that when this all went down, 477 00:24:13,640 --> 00:24:15,399 Speaker 2: David was not there for Donna? 478 00:24:15,960 --> 00:24:17,160 Speaker 3: I get it. I agree. 479 00:24:17,680 --> 00:24:19,840 Speaker 1: We will definitely get to that. I mean that always 480 00:24:19,880 --> 00:24:22,240 Speaker 1: comes up in the end. What happened for Kelly, it 481 00:24:22,280 --> 00:24:25,399 Speaker 1: happened for when Brandon wasn't there, It'll happen for Donna 482 00:24:25,440 --> 00:24:25,800 Speaker 1: for sure. 483 00:24:25,840 --> 00:24:28,359 Speaker 2: Amy. I have this feeling that she's never going to 484 00:24:28,400 --> 00:24:29,240 Speaker 2: bring it up, Like. 485 00:24:29,920 --> 00:24:32,560 Speaker 1: Are you here's my question? She saw the question. Are 486 00:24:32,640 --> 00:24:36,159 Speaker 1: David and Donna boyfriend and girlfriend right now? Are they 487 00:24:36,160 --> 00:24:37,240 Speaker 1: committing to another? 488 00:24:37,400 --> 00:24:39,640 Speaker 2: Yes? Committed? Whoa yes? 489 00:24:39,920 --> 00:24:44,560 Speaker 1: That changing cheater? Cheater, you're a little stinker flirty, flirty cheaters, 490 00:24:44,760 --> 00:24:48,919 Speaker 1: Donna stinker flos died, guys, that is no excuse. 491 00:24:49,400 --> 00:24:53,119 Speaker 2: No, I almost died. And he was flirting with a 492 00:24:53,160 --> 00:24:55,439 Speaker 2: girl as you say, this scene's three notes. 493 00:24:55,520 --> 00:24:56,560 Speaker 3: Yeah, you don't know that. 494 00:24:56,680 --> 00:24:57,480 Speaker 1: You don't know that. 495 00:24:57,680 --> 00:24:59,080 Speaker 3: We don't know if he was flirting. We just know 496 00:24:59,160 --> 00:25:00,520 Speaker 3: that he was like in the studio. 497 00:25:00,600 --> 00:25:03,399 Speaker 2: Well, how come no one can reach him? Kelly tried, 498 00:25:03,920 --> 00:25:07,800 Speaker 2: he was setting up for the band whatever, he. 499 00:25:07,680 --> 00:25:09,959 Speaker 3: Came with, all that Valentine's junk. 500 00:25:10,240 --> 00:25:11,960 Speaker 2: I'm so pissed right now in him. 501 00:25:12,240 --> 00:25:13,760 Speaker 3: I think he's pissed at you, Donna. 502 00:25:14,720 --> 00:25:18,320 Speaker 1: Well you mean last wait, last week you were already 503 00:25:18,359 --> 00:25:20,880 Speaker 1: mad at him about the girl, the singer girl, right, 504 00:25:21,160 --> 00:25:22,959 Speaker 1: and he was like he made it up. So this 505 00:25:23,000 --> 00:25:25,919 Speaker 1: week he comes in first seeing we see him all happy. 506 00:25:26,000 --> 00:25:27,920 Speaker 1: I love Donna, bringing her a bear and. 507 00:25:27,960 --> 00:25:29,639 Speaker 2: Can't wearing a flower red shirt. 508 00:25:30,200 --> 00:25:32,480 Speaker 1: He's really excited to see you on Valentine's Day morning 509 00:25:32,560 --> 00:25:36,080 Speaker 1: and you give him nothing. You say, I'll be out, 510 00:25:36,280 --> 00:25:37,440 Speaker 1: I'll be out in a minute. 511 00:25:37,640 --> 00:25:40,360 Speaker 2: I have two questions for you, Hey, is he really 512 00:25:40,400 --> 00:25:43,240 Speaker 2: excited to see me? Or does he one feel really 513 00:25:43,280 --> 00:25:45,200 Speaker 2: guilty that he completely wasn't? 514 00:25:45,200 --> 00:25:49,320 Speaker 3: I think he genuinely likes you or too love me. 515 00:25:49,400 --> 00:25:52,680 Speaker 2: But I mean, I'm just saying, do you think he 516 00:25:52,920 --> 00:25:55,879 Speaker 2: feels guilty about that? He wasn't present and in his 517 00:25:55,960 --> 00:25:59,439 Speaker 2: mind he was kind of giving attention to a girl. 518 00:25:59,800 --> 00:26:04,880 Speaker 2: And and I don't know, I mean, maybe I don't 519 00:26:04,880 --> 00:26:07,040 Speaker 2: buy it that he's just like, I'm hopelessly in love 520 00:26:07,080 --> 00:26:07,960 Speaker 2: with you at this point. 521 00:26:07,920 --> 00:26:11,720 Speaker 3: I didn't get a guilty vibe from him. I just. 522 00:26:13,920 --> 00:26:16,679 Speaker 1: He doesn't even know like you go. 523 00:26:16,760 --> 00:26:17,800 Speaker 2: To the cherry. 524 00:26:18,320 --> 00:26:20,240 Speaker 1: We talked about this before, so Dahn, I would like 525 00:26:20,440 --> 00:26:21,880 Speaker 1: to eat a cherry Danish, right. 526 00:26:21,840 --> 00:26:24,399 Speaker 2: Yeah, the same, but he made very special note of 527 00:26:24,600 --> 00:26:27,480 Speaker 2: and a cherry Danish her favorite. 528 00:26:28,160 --> 00:26:33,439 Speaker 1: You know you love cherries, you do. But anyways, I 529 00:26:33,480 --> 00:26:37,280 Speaker 1: think that you guys, something's not good just in general. 530 00:26:37,400 --> 00:26:40,040 Speaker 1: So both of you are like smucking around the corner 531 00:26:40,680 --> 00:26:43,359 Speaker 1: seeing what's out there. You saw him doing it, so 532 00:26:43,440 --> 00:26:45,880 Speaker 1: now you're a little more open to it. But that 533 00:26:45,960 --> 00:26:48,520 Speaker 1: cliff he does, like, you know, pull out your little 534 00:26:48,520 --> 00:26:49,879 Speaker 1: heart strings because he saved you. 535 00:26:50,880 --> 00:26:53,600 Speaker 3: He is cute, he's charming too. 536 00:26:54,040 --> 00:26:55,520 Speaker 2: You didn't even like him before. 537 00:26:57,200 --> 00:26:58,320 Speaker 1: She has nothing to say to that. 538 00:26:59,280 --> 00:27:01,640 Speaker 2: You did not like and you you didn't feel any 539 00:27:01,720 --> 00:27:04,320 Speaker 2: chemistry before is what you've said in the past for. 540 00:27:04,400 --> 00:27:08,160 Speaker 3: This time though, did you guys? That's a little bit like, hmm, 541 00:27:09,720 --> 00:27:11,920 Speaker 3: something's here more than David right now. 542 00:27:12,600 --> 00:27:14,439 Speaker 1: Yes, I feel chemistry with them. 543 00:27:14,760 --> 00:27:15,160 Speaker 3: Mm hmm. 544 00:27:15,680 --> 00:27:18,000 Speaker 1: Wait is this the guy you used to date in 545 00:27:18,000 --> 00:27:21,200 Speaker 1: real life or no, that was the last guy. Wait 546 00:27:21,440 --> 00:27:22,120 Speaker 1: a minute, that. 547 00:27:22,119 --> 00:27:24,680 Speaker 2: Was so but not date like he would probably say 548 00:27:24,680 --> 00:27:26,760 Speaker 2: if we talked to him, same thing Brian said, like, 549 00:27:26,760 --> 00:27:30,000 Speaker 2: we never dated, but as a young girl, I was like, oh. 550 00:27:29,960 --> 00:27:33,080 Speaker 1: We're badly in love and we're dating and it's exclusive. 551 00:27:33,640 --> 00:27:37,439 Speaker 2: In real life. And yeah, we went, we attended like 552 00:27:37,560 --> 00:27:40,359 Speaker 2: things together, we went to out things, we hung out, 553 00:27:40,520 --> 00:27:43,760 Speaker 2: we were Yeah, we've made out in real life. 554 00:27:43,800 --> 00:27:44,280 Speaker 3: Just a kiss. 555 00:27:44,320 --> 00:27:45,920 Speaker 2: That's all I've ever done with him in real life. 556 00:27:45,960 --> 00:27:53,280 Speaker 2: But hmmm, you think it happened between that last stay 557 00:27:53,280 --> 00:27:55,280 Speaker 2: on nine on two and zero and this one, and 558 00:27:55,320 --> 00:27:58,360 Speaker 2: that's why there was more chemistry. Is that what you're 559 00:27:58,440 --> 00:27:59,960 Speaker 2: am I picking up but you're putting down. 560 00:27:59,840 --> 00:28:02,119 Speaker 1: No, Yeah, I feel there's more chemist theory. 561 00:28:03,440 --> 00:28:10,280 Speaker 3: That is a theery. Wow, real life you had a 562 00:28:10,320 --> 00:28:15,000 Speaker 3: little chemistry and it's coming onto the screen now. But 563 00:28:15,200 --> 00:28:16,320 Speaker 3: you're shocked by that. 564 00:28:16,600 --> 00:28:19,919 Speaker 2: I think she's saying that's what happens pretty much on 565 00:28:19,960 --> 00:28:23,240 Speaker 2: every on the screen. Then we transferred it off screen, 566 00:28:23,760 --> 00:28:24,840 Speaker 2: and now, yeah, that. 567 00:28:25,000 --> 00:28:27,600 Speaker 3: Set must have just been a cold show. 568 00:28:28,280 --> 00:28:34,680 Speaker 1: This our set was constantly revolving doors, girlfriends and boyfriends. 569 00:28:34,760 --> 00:28:37,440 Speaker 1: Because you think about it, like right now, I can't. 570 00:28:37,440 --> 00:28:41,800 Speaker 3: Right out the gate. You're like Brandon's Jason Priestley's like 571 00:28:41,880 --> 00:28:45,640 Speaker 3: real life girlfriend was on the show writing the show. 572 00:28:46,360 --> 00:28:51,520 Speaker 3: Then Torri's dated half the cast, Like calm down, and 573 00:28:51,760 --> 00:28:55,760 Speaker 3: there's like brian girlfriend is on the show. Then they 574 00:28:55,800 --> 00:28:56,480 Speaker 3: break up. 575 00:28:56,720 --> 00:28:58,000 Speaker 1: Now she's still on the show. 576 00:28:58,200 --> 00:29:01,120 Speaker 3: Right, we're about to get another one of his girlfriends. 577 00:29:01,120 --> 00:29:02,560 Speaker 1: Oh my god, that is good. 578 00:29:02,600 --> 00:29:06,440 Speaker 3: I mean, oh makes my I feel. 579 00:29:06,160 --> 00:29:07,479 Speaker 1: So innocent all of a sudden. 580 00:29:07,680 --> 00:29:10,880 Speaker 3: I mean, yeah, you're just marrying other people. 581 00:29:11,240 --> 00:29:12,840 Speaker 1: That I Wasn't that innocent? 582 00:29:12,920 --> 00:29:14,560 Speaker 2: Weren't that innocent? 583 00:29:15,440 --> 00:29:15,840 Speaker 1: Oops? 584 00:29:16,680 --> 00:29:20,760 Speaker 2: Wait, Amy, from your perspective, because Jen and I, it's 585 00:29:20,800 --> 00:29:25,200 Speaker 2: hard for us to even we were in it. Where 586 00:29:25,240 --> 00:29:28,000 Speaker 2: else were we supposed to? Like we worked our asses off, 587 00:29:28,120 --> 00:29:30,360 Speaker 2: like we didn't have a life, Like we didn't have 588 00:29:30,400 --> 00:29:33,440 Speaker 2: a life. But imagine being in high school, imagine being 589 00:29:33,480 --> 00:29:36,680 Speaker 2: in college, imagine being in your first workplace. Isn't this 590 00:29:36,760 --> 00:29:37,600 Speaker 2: what does go on? 591 00:29:38,040 --> 00:29:41,280 Speaker 3: I'm not mad at it at all. I'm all for it. 592 00:29:41,440 --> 00:29:45,800 Speaker 2: I'm like, dude, I'm just I'm curious, like psychoanalyze it 593 00:29:45,840 --> 00:29:46,440 Speaker 2: a little bit. 594 00:29:47,600 --> 00:29:49,480 Speaker 1: Is that is that how it would be if we 595 00:29:49,520 --> 00:29:52,200 Speaker 1: had been in college or like that's what how you 596 00:29:52,240 --> 00:29:52,520 Speaker 1: grew up? 597 00:29:52,600 --> 00:29:56,320 Speaker 3: Yeah? You just right, like of course, and young people 598 00:29:56,640 --> 00:29:58,240 Speaker 3: do that the office a lot. 599 00:29:58,320 --> 00:30:00,280 Speaker 1: Yes, it's like especially back then. 600 00:30:01,080 --> 00:30:03,800 Speaker 3: Yeah, back then that was like a thing. I mean, 601 00:30:03,880 --> 00:30:07,440 Speaker 3: our own Danielle Romo married a guy. 602 00:30:06,880 --> 00:30:11,720 Speaker 1: Look at her. Wow wow yea like everybody with them. 603 00:30:11,880 --> 00:30:14,880 Speaker 3: Right, So it's like that's like, I get it. I'm 604 00:30:14,920 --> 00:30:18,240 Speaker 3: all for it, but it is it's kind of juicy 605 00:30:18,480 --> 00:30:19,960 Speaker 3: and messy. 606 00:30:20,120 --> 00:30:21,880 Speaker 1: That's called workplace romance. 607 00:30:22,640 --> 00:30:24,320 Speaker 3: Yeah, especially you actors. 608 00:30:25,000 --> 00:30:28,800 Speaker 2: That was the nineties, you guys, like there were things. 609 00:30:28,880 --> 00:30:29,800 Speaker 3: Yeah, it was. 610 00:30:30,160 --> 00:30:32,240 Speaker 2: We all sexualized each other back and forth. 611 00:30:32,320 --> 00:30:35,560 Speaker 3: It just now nobody didn't producers correct. I feel like 612 00:30:35,600 --> 00:30:39,400 Speaker 3: the producers were significantly older and directors. Nobody was doing 613 00:30:39,440 --> 00:30:42,760 Speaker 3: that or dating like the head of Fox or whatever. 614 00:30:42,880 --> 00:30:45,520 Speaker 3: Now I feel like it was all young actors. 615 00:30:45,600 --> 00:30:47,960 Speaker 1: We didn't get to see those people. We were in 616 00:30:47,960 --> 00:30:49,800 Speaker 1: a studio and Fan I's. 617 00:31:02,120 --> 00:31:03,800 Speaker 2: Our director on this episode. 618 00:31:03,960 --> 00:31:06,959 Speaker 1: Who what was that? I forgot already David Simmel. David Simmel, 619 00:31:06,960 --> 00:31:07,600 Speaker 1: who did he date? 620 00:31:08,200 --> 00:31:14,120 Speaker 2: Oh we're not saying, but whoa you remember. 621 00:31:13,960 --> 00:31:15,720 Speaker 3: Oh, he's like a cute young guy. 622 00:31:15,840 --> 00:31:18,360 Speaker 1: Then I didn't really remember that, but I just had 623 00:31:18,360 --> 00:31:19,480 Speaker 1: a feeling when you said it. 624 00:31:19,520 --> 00:31:24,240 Speaker 2: So, yeah, that's well. At least one of us was 625 00:31:24,280 --> 00:31:28,840 Speaker 2: aiming high, like I mean, I was just stuck dating 626 00:31:29,080 --> 00:31:32,760 Speaker 2: silly little actor boys, like I never was like thinking ahead, 627 00:31:32,840 --> 00:31:36,320 Speaker 2: like dating up. 628 00:31:37,960 --> 00:31:38,800 Speaker 3: For the directors. 629 00:31:39,720 --> 00:31:46,240 Speaker 2: Oh my god, directors becoming a producer in our show. Right, Yeah, 630 00:31:46,880 --> 00:31:48,000 Speaker 2: what have we not talked about? 631 00:31:48,080 --> 00:31:51,600 Speaker 1: Let me think here, let's talk about that Ian. I mean, 632 00:31:51,640 --> 00:31:55,320 Speaker 1: Steve makes another stupid decision in the faith, Like he's 633 00:31:55,360 --> 00:31:57,640 Speaker 1: got one, Like it's a y in the road. You 634 00:31:57,680 --> 00:32:00,600 Speaker 1: either go left and you stick on bound time's day, 635 00:32:00,840 --> 00:32:03,720 Speaker 1: or you may go right and you smoke weed with 636 00:32:03,880 --> 00:32:04,280 Speaker 1: She is. 637 00:32:04,320 --> 00:32:09,440 Speaker 3: Just constantly irritated by him, and it's just exhausting, and 638 00:32:09,520 --> 00:32:12,320 Speaker 3: like why would he become friends with Dick? And will Look, 639 00:32:13,520 --> 00:32:15,080 Speaker 3: we know what's coming for Dick. 640 00:32:15,360 --> 00:32:18,240 Speaker 2: He's back so he can die. 641 00:32:18,920 --> 00:32:20,520 Speaker 3: Yeah, Dick's gonna die. 642 00:32:21,640 --> 00:32:24,840 Speaker 2: He's back so that Cliff Jaeger could come back and 643 00:32:24,880 --> 00:32:27,920 Speaker 2: try to save him. Like this and all life does 644 00:32:27,960 --> 00:32:28,840 Speaker 2: not work this. 645 00:32:28,720 --> 00:32:31,200 Speaker 3: Way, Jenny, If you don't see it. 646 00:32:31,160 --> 00:32:33,160 Speaker 1: Already, Dick dies from drugs. 647 00:32:34,360 --> 00:32:43,160 Speaker 2: If you don't see it, he told us on a podcast. 648 00:32:40,800 --> 00:32:45,520 Speaker 1: In the writer's room. Did they were they like, Yeah, 649 00:32:45,680 --> 00:32:48,560 Speaker 1: let's have Dick come back. He has a drug problem. 650 00:32:48,680 --> 00:32:50,680 Speaker 1: Then Cliff is going to be there. He's a fireman. 651 00:32:50,680 --> 00:32:53,120 Speaker 1: He's gonna try to save him, and that will bring 652 00:32:53,160 --> 00:32:56,520 Speaker 1: these two characters closer and take these two clar characters 653 00:32:56,560 --> 00:32:58,640 Speaker 1: further apart. Is that is that what happened? 654 00:32:58,640 --> 00:33:01,280 Speaker 2: I think they actually thought and they said in the 655 00:33:01,280 --> 00:33:06,239 Speaker 2: writer's room and everyone was like, and it dropped. It 656 00:33:06,280 --> 00:33:08,600 Speaker 2: worked the doobie, this is gonna work. 657 00:33:09,440 --> 00:33:11,760 Speaker 3: I have a question for you guys though, because I 658 00:33:11,840 --> 00:33:16,360 Speaker 3: have a theory. When when Valerie moved to Beverly Hills 659 00:33:16,960 --> 00:33:20,840 Speaker 3: and the father had died, do you think the writers 660 00:33:20,920 --> 00:33:25,400 Speaker 3: knew then what they're doing now? I do not. No. 661 00:33:25,560 --> 00:33:27,160 Speaker 3: I think they made a hard pivot. 662 00:33:27,480 --> 00:33:29,880 Speaker 2: Yeah, Jen, you know they did not. 663 00:33:30,160 --> 00:33:33,120 Speaker 1: No, they gave her that backstory. Yeah, they knew they 664 00:33:33,160 --> 00:33:35,360 Speaker 1: could always reach into that pocket and fledge that out 665 00:33:35,360 --> 00:33:37,880 Speaker 1: if they need to do for storyline. So it makes 666 00:33:37,920 --> 00:33:41,720 Speaker 1: perfect sense, Like we all have those little little crumbs 667 00:33:41,880 --> 00:33:46,400 Speaker 1: in the characters, right right, and then. 668 00:33:46,640 --> 00:33:49,920 Speaker 2: The first episode Jen that Nadine has online. 669 00:33:50,800 --> 00:33:54,000 Speaker 1: No, I have honestly noticed that before Nadine is the 670 00:33:54,040 --> 00:33:55,720 Speaker 1: waitress at the Peach. 671 00:33:55,560 --> 00:33:59,120 Speaker 2: Oh yeah, I know, yes, Nancy Fernandez, who is sadly 672 00:33:59,160 --> 00:34:02,000 Speaker 2: not with us anymore more. But we loved her. 673 00:34:02,440 --> 00:34:07,400 Speaker 1: And Nancy was there, yeah, and Willie and Willy Yeah, 674 00:34:07,400 --> 00:34:10,920 Speaker 1: the girls longer with us, Oh god, and that's no 675 00:34:11,000 --> 00:34:11,480 Speaker 1: longer with this. 676 00:34:11,680 --> 00:34:13,640 Speaker 2: Oh my god, everyone behind the counter at the Peach 677 00:34:13,680 --> 00:34:14,320 Speaker 2: bed is gone. 678 00:34:14,840 --> 00:34:15,680 Speaker 1: It's really sad. 679 00:34:16,239 --> 00:34:18,880 Speaker 3: I noticed they really did significantly give her a line. 680 00:34:19,239 --> 00:34:22,120 Speaker 1: Yes, and I believe because she did start one or 681 00:34:22,120 --> 00:34:23,560 Speaker 1: two other times. 682 00:34:23,280 --> 00:34:26,480 Speaker 2: Because she did start as an extra, yeah, which is 683 00:34:26,480 --> 00:34:29,360 Speaker 2: a background player. Sorry, I don't think we say extra anymore. 684 00:34:29,400 --> 00:34:34,560 Speaker 2: But and then they just love those characters so much, 685 00:34:34,640 --> 00:34:37,920 Speaker 2: and the audience responded to them. They were there every week. 686 00:34:38,360 --> 00:34:40,680 Speaker 2: They love they built them. They started to give them lines, 687 00:34:40,719 --> 00:34:43,200 Speaker 2: which is so amazing. So she got her sack card on, 688 00:34:44,040 --> 00:34:44,760 Speaker 2: which is awesome. 689 00:34:45,560 --> 00:34:47,080 Speaker 1: You think that's what happened with the guy on the 690 00:34:47,440 --> 00:34:50,080 Speaker 1: on Friends, Gunther, who was. 691 00:34:50,080 --> 00:34:52,880 Speaker 2: Sadly no longer with us, Oh my god. 692 00:34:52,920 --> 00:34:55,000 Speaker 3: Had a real thing with Rachel. 693 00:34:55,440 --> 00:34:59,640 Speaker 2: But no, I feel like, say, Jen's right, that's probably 694 00:34:59,680 --> 00:35:00,080 Speaker 2: how it's. 695 00:35:00,239 --> 00:35:03,319 Speaker 1: Sort of just see him and then later on and 696 00:35:03,360 --> 00:35:05,799 Speaker 1: he was so great that. 697 00:35:06,280 --> 00:35:08,320 Speaker 3: Yeah, yeah, gun there became pretty major. 698 00:35:10,400 --> 00:35:14,040 Speaker 1: And it's cool that our show had the pea peach 699 00:35:14,120 --> 00:35:16,200 Speaker 1: Pit staff like that, Like because when you go to 700 00:35:16,239 --> 00:35:19,520 Speaker 1: your favorite restaurant, they're they're always there, you know, like. 701 00:35:19,640 --> 00:35:23,440 Speaker 2: Yeah, yeah, it's just like Cheers. Everybody knows their name exactly. 702 00:35:23,760 --> 00:35:25,440 Speaker 3: I like it. You're all eating the pie too. It 703 00:35:25,480 --> 00:35:28,000 Speaker 3: wasn't fake eating. It was like you're actually eating the pie. 704 00:35:28,040 --> 00:35:34,279 Speaker 1: We were starving to death, Amy, we had to eat this. 705 00:35:34,560 --> 00:35:36,600 Speaker 1: Whenever they gave us any kind of birds or French 706 00:35:36,600 --> 00:35:38,839 Speaker 1: fries or pie, we were like, move everybody, get out 707 00:35:38,840 --> 00:35:42,879 Speaker 1: of my way. I need eat this. I don't recall this, 708 00:35:43,760 --> 00:35:45,759 Speaker 1: I do I don't. I don't think I ever ate 709 00:35:45,840 --> 00:35:48,120 Speaker 1: like fast food like that, other than Taco Bell. That 710 00:35:48,320 --> 00:35:51,400 Speaker 1: was like, you know, that's not who considers fast food. 711 00:35:51,800 --> 00:35:52,359 Speaker 1: Taco Bell. 712 00:35:52,840 --> 00:35:55,880 Speaker 2: Well, I mean it's my lifeline. But other than that, 713 00:35:56,600 --> 00:35:57,520 Speaker 2: what was your order? 714 00:35:59,480 --> 00:36:00,560 Speaker 1: Wait? No at Taco Bell. 715 00:36:01,080 --> 00:36:03,279 Speaker 2: I do not remember you ever eating Taco Bell. This 716 00:36:03,400 --> 00:36:09,479 Speaker 2: is flooring me right now. Oh okay, yeah, yeah, okay, okay, 717 00:36:09,560 --> 00:36:12,040 Speaker 2: it's coming back, go ahead. What did you want to please? 718 00:36:12,760 --> 00:36:12,960 Speaker 3: Well? 719 00:36:13,080 --> 00:36:16,160 Speaker 2: Now I don't know what My order then was dig 720 00:36:16,200 --> 00:36:16,920 Speaker 2: deep you got this. 721 00:36:17,280 --> 00:36:19,239 Speaker 1: It was beans and rice, you know, the beans and 722 00:36:19,320 --> 00:36:22,040 Speaker 1: rice they had. Yes, I like the beans because they 723 00:36:22,080 --> 00:36:23,600 Speaker 1: had the cheese on the right, the jews. 724 00:36:23,760 --> 00:36:26,920 Speaker 2: Oh so you were talking pintos and cheese, my friend. 725 00:36:27,200 --> 00:36:30,680 Speaker 1: And then nachos with the little dipper of the cheesy 726 00:36:30,840 --> 00:36:35,000 Speaker 1: goo whatever. That definitely not cheese, but that was a classic. Yeah, 727 00:36:35,160 --> 00:36:35,600 Speaker 1: so good. 728 00:36:36,160 --> 00:36:36,560 Speaker 2: Yeah. 729 00:36:36,640 --> 00:36:42,240 Speaker 1: Oh oh the tostata, the tacol with just the beans. 730 00:36:42,320 --> 00:36:45,080 Speaker 3: Eat the bowl, eat the bowler. 731 00:36:46,680 --> 00:36:52,200 Speaker 1: No oh, the ball. I love a good edible bowl. 732 00:36:51,640 --> 00:36:53,719 Speaker 2: So what is your order now? 733 00:36:54,360 --> 00:36:58,120 Speaker 1: My order now, okay, is you're making me want this 734 00:36:58,280 --> 00:37:02,680 Speaker 1: so bad. The layer of burrito. Take off the seventh 735 00:37:02,800 --> 00:37:05,920 Speaker 1: layer of meat, so now it's a sick layer, sixth 736 00:37:06,000 --> 00:37:08,839 Speaker 1: layer of burrito. But add rice, so now it's back 737 00:37:08,880 --> 00:37:10,120 Speaker 1: to a seven layer of burrito. 738 00:37:11,000 --> 00:37:13,960 Speaker 2: Oh, good one, my friend, good one. Okay, Well, my 739 00:37:14,200 --> 00:37:16,879 Speaker 2: order is still the same as it always was, even 740 00:37:16,880 --> 00:37:19,680 Speaker 2: in the nineties. To tacos, it is a number one, 741 00:37:19,719 --> 00:37:23,080 Speaker 2: which is a burrito supreme, and then you can get 742 00:37:23,280 --> 00:37:25,279 Speaker 2: and you get the taco, you can supreme it on 743 00:37:25,320 --> 00:37:28,640 Speaker 2: the side. And I'm not a pepsi girl, so I'm 744 00:37:28,640 --> 00:37:32,880 Speaker 2: really sad that they don't have coke. But anyway, and 745 00:37:32,920 --> 00:37:36,000 Speaker 2: then the Mexican pizza, which they took off for years, 746 00:37:36,040 --> 00:37:37,920 Speaker 2: and it was I was really disappointed. 747 00:37:38,200 --> 00:37:40,320 Speaker 1: Right it's back. 748 00:37:40,360 --> 00:37:40,879 Speaker 2: Oh, it's back. 749 00:37:41,200 --> 00:37:44,280 Speaker 1: You got your mic rib back, You got your Mexican 750 00:37:44,320 --> 00:37:44,799 Speaker 1: pizza back. 751 00:37:44,840 --> 00:37:45,359 Speaker 3: You're good to. 752 00:37:45,360 --> 00:37:47,279 Speaker 2: Go live in the high life. 753 00:37:48,680 --> 00:37:51,440 Speaker 1: AnyWho, what did we talk about for this episode? 754 00:37:51,719 --> 00:37:52,680 Speaker 2: Hello? The ring? 755 00:37:53,520 --> 00:37:53,719 Speaker 1: Oh? 756 00:37:53,800 --> 00:37:54,279 Speaker 3: The ring? 757 00:37:54,400 --> 00:37:58,879 Speaker 1: My goshh wait. First of all, it didn't work. He said, 758 00:37:58,880 --> 00:38:00,640 Speaker 1: if you're cold, go get a T shirt out of 759 00:38:00,680 --> 00:38:03,359 Speaker 1: the drawer. If you'd you'll get a flannel out of the. 760 00:38:03,280 --> 00:38:05,120 Speaker 2: Closet or a sweatshirt. 761 00:38:05,560 --> 00:38:08,160 Speaker 1: It's the nineties, there's a flannel hanging right. 762 00:38:07,920 --> 00:38:12,040 Speaker 2: There, or a leather jacket and every single scene, you know. 763 00:38:12,840 --> 00:38:16,280 Speaker 1: But she had to open that drawer to find that ring. Right, 764 00:38:16,840 --> 00:38:18,680 Speaker 1: what did he just throw it in his sock drawer? 765 00:38:18,719 --> 00:38:21,480 Speaker 1: What is that? What happens if if you. 766 00:38:21,560 --> 00:38:24,279 Speaker 3: Get and then the whole like she thought he did 767 00:38:24,280 --> 00:38:27,320 Speaker 3: it on purpose. It's so awkward. And also why would 768 00:38:27,360 --> 00:38:29,359 Speaker 3: two people get engaged that have known each other for 769 00:38:29,400 --> 00:38:30,960 Speaker 3: like six months and they're in college. 770 00:38:31,000 --> 00:38:32,160 Speaker 1: Please, she's delirious. 771 00:38:32,680 --> 00:38:35,160 Speaker 2: But it goes back to their first scene where he's 772 00:38:35,239 --> 00:38:37,839 Speaker 2: like I've got something special for you. 773 00:38:37,960 --> 00:38:40,160 Speaker 1: Oh so there she was like that. 774 00:38:40,280 --> 00:38:42,760 Speaker 2: So she sees that and she's like, oh my gosh, 775 00:38:42,840 --> 00:38:45,160 Speaker 2: I feel so silly. I was like, you know what 776 00:38:45,239 --> 00:38:47,800 Speaker 2: date is, It's Valentine's Date. You better give me candy 777 00:38:47,840 --> 00:38:50,279 Speaker 2: and flowers. And he's like no, no, no, what time is it? 778 00:38:50,280 --> 00:38:52,200 Speaker 1: Because he didn't bring her anything. He didn't get her 779 00:38:52,239 --> 00:38:52,839 Speaker 1: anything for him. 780 00:38:52,880 --> 00:38:55,160 Speaker 2: He never did. I never did because she said all 781 00:38:55,200 --> 00:38:57,040 Speaker 2: I want is you. So he's like, eah, okay, that's 782 00:38:57,040 --> 00:38:57,920 Speaker 2: an easy out. 783 00:38:58,200 --> 00:39:02,400 Speaker 1: Don't ever say that. Girls don't ever say that early 784 00:39:02,440 --> 00:39:04,600 Speaker 1: in a relationship. Be there, because you're setting yourself up 785 00:39:04,640 --> 00:39:05,759 Speaker 1: for a lifetime on nothing. 786 00:39:06,960 --> 00:39:08,719 Speaker 2: I love Valentine's Day, do you guys? 787 00:39:09,080 --> 00:39:09,680 Speaker 1: In general? 788 00:39:10,440 --> 00:39:11,160 Speaker 2: Yeah, in general? 789 00:39:11,760 --> 00:39:14,520 Speaker 1: Stupid? It's why why why I like the little Saint 790 00:39:14,640 --> 00:39:18,320 Speaker 1: Valentine guy. He's pretty cool, but everything else is stupid. 791 00:39:18,719 --> 00:39:24,680 Speaker 3: Amy, I just see why somebody would think they're getting engaged, Like. 792 00:39:25,480 --> 00:39:28,560 Speaker 2: She found an engagement ring. It is in her brain. 793 00:39:28,840 --> 00:39:32,000 Speaker 3: Who nuts? 794 00:39:32,200 --> 00:39:34,839 Speaker 1: And she didn't know Kelly and Brandon like that. 795 00:39:35,040 --> 00:39:37,680 Speaker 3: But she's cute though, she's real cute. 796 00:39:38,280 --> 00:39:40,920 Speaker 1: She's so cute, like a little like she's like a 797 00:39:40,920 --> 00:39:44,120 Speaker 1: little little squirrel or something like a little. I like, 798 00:39:45,000 --> 00:39:46,799 Speaker 1: she's like so adorable. 799 00:39:46,719 --> 00:39:47,160 Speaker 2: She's a door. 800 00:39:47,400 --> 00:39:50,920 Speaker 3: Just no true, Like it's it still seems like they 801 00:39:50,960 --> 00:39:52,279 Speaker 3: met yesterday. 802 00:39:52,200 --> 00:39:53,440 Speaker 1: I feel bad for. 803 00:39:53,320 --> 00:39:55,360 Speaker 2: Her, I know, but we know where this is going. 804 00:39:56,680 --> 00:39:59,360 Speaker 2: I don't, yeah neither, but I'm assuming it's. 805 00:39:59,160 --> 00:40:02,279 Speaker 3: Going goes the way of me Susan, Like I think 806 00:40:02,320 --> 00:40:04,680 Speaker 3: she just leaves for a job or something like that. 807 00:40:05,120 --> 00:40:07,919 Speaker 2: Just wait, before we end this episode, can we give 808 00:40:08,040 --> 00:40:11,359 Speaker 2: a special shout out to Donna's hair curler Doom. 809 00:40:11,520 --> 00:40:13,520 Speaker 3: Oh my god, oh god? 810 00:40:13,960 --> 00:40:15,440 Speaker 2: Like what that that is? 811 00:40:15,480 --> 00:40:18,120 Speaker 1: If the rollers were in and then they took them 812 00:40:18,160 --> 00:40:20,600 Speaker 1: out and this pinned the little hair like it was 813 00:40:20,760 --> 00:40:25,680 Speaker 1: so weird. It was those rollers, you know, the bell 814 00:40:25,760 --> 00:40:26,360 Speaker 1: crow ones. 815 00:40:26,600 --> 00:40:29,560 Speaker 2: I believe so. And then I feel like it was sprayed. 816 00:40:29,760 --> 00:40:36,360 Speaker 2: It was they were lackered down, Like why that was? 817 00:40:36,520 --> 00:40:40,239 Speaker 2: I believe that Donna aka me always took chances and 818 00:40:40,280 --> 00:40:42,760 Speaker 2: I was always like, let's try something new, and always 819 00:40:42,760 --> 00:40:45,080 Speaker 2: wanted to do that, but that one I wasn't there 820 00:40:45,120 --> 00:40:45,360 Speaker 2: for it. 821 00:40:45,480 --> 00:40:47,520 Speaker 1: You're gonna have some misses, you know what you know, 822 00:40:47,640 --> 00:40:49,200 Speaker 1: if you if you're always taking chances. 823 00:40:49,840 --> 00:40:53,600 Speaker 2: It reminded me of what's what's the put on your fingers? 824 00:40:53,640 --> 00:40:59,799 Speaker 2: The the metal punch, punch a ring, it's a ring 825 00:41:00,320 --> 00:41:02,200 Speaker 2: any pulls. 826 00:41:01,560 --> 00:41:04,600 Speaker 1: And it's got the oh, the knuckles. 827 00:41:04,600 --> 00:41:09,640 Speaker 2: Brass knuckles, brass knuckles. It reminded me triant version of 828 00:41:09,719 --> 00:41:13,920 Speaker 2: brass knuckles. I'm gonna try to recreate. 829 00:41:14,280 --> 00:41:14,759 Speaker 1: Sorry I don't. 830 00:41:14,880 --> 00:41:16,400 Speaker 2: It's still it's still not gonna no. 831 00:41:16,560 --> 00:41:18,759 Speaker 1: That's it reminded me of like the time from my 832 00:41:18,800 --> 00:41:22,279 Speaker 1: wedding when I had a bad hairdoo for something and 833 00:41:22,320 --> 00:41:23,239 Speaker 1: then you have to see it for the. 834 00:41:23,239 --> 00:41:24,200 Speaker 2: Right I told you to do. 835 00:41:25,880 --> 00:41:28,000 Speaker 1: I'm sorry I disobeyed you. 836 00:41:28,800 --> 00:41:31,719 Speaker 2: I don't know. I just sorry that came out wrong. 837 00:41:32,640 --> 00:41:35,640 Speaker 2: You asked my opinion if this id you my opinion 838 00:41:35,880 --> 00:41:38,200 Speaker 2: that it wasn't the best. 839 00:41:38,719 --> 00:41:41,200 Speaker 1: You were right, you were right. I wanted to take 840 00:41:41,239 --> 00:41:43,120 Speaker 1: a chance, just like Donna. 841 00:41:42,880 --> 00:41:43,960 Speaker 2: And I'm proud of you for that. 842 00:41:44,200 --> 00:41:45,719 Speaker 1: But don't take a chance on your air on your 843 00:41:45,760 --> 00:41:49,840 Speaker 1: wedding day. Guys, cakes giving this episode. 844 00:41:50,120 --> 00:41:53,680 Speaker 3: If last week was a ten, I'm gonna go nine. 845 00:41:54,239 --> 00:41:56,640 Speaker 1: But why was last week at ten? Okus of the soccer? 846 00:41:56,760 --> 00:41:58,799 Speaker 3: It was so good? Please? Last week was a ten? 847 00:41:58,960 --> 00:42:00,799 Speaker 1: Yeah, you're right, So what really can't be a ten? 848 00:42:00,840 --> 00:42:02,640 Speaker 1: Because there was no That's how I feel, right, I'll 849 00:42:02,680 --> 00:42:05,239 Speaker 1: give it I'll give it a nine. I'll give it 850 00:42:05,280 --> 00:42:05,600 Speaker 1: a nine. 851 00:42:06,880 --> 00:42:08,680 Speaker 3: Still good, though, Red. 852 00:42:08,719 --> 00:42:12,279 Speaker 1: What do we got next week? We got episode twenty 853 00:42:12,360 --> 00:42:16,319 Speaker 1: of season seven, and you guys with with this ring? 854 00:42:17,080 --> 00:42:18,360 Speaker 3: Oh, whoa, whoa. 855 00:42:18,960 --> 00:42:19,480 Speaker 2: I loved it. 856 00:42:19,520 --> 00:42:22,160 Speaker 1: I loved this episode. I loved it. Valentine's Day Red, 857 00:42:22,200 --> 00:42:24,600 Speaker 1: pretty lipstick hair, dresses so cool. 858 00:42:24,960 --> 00:42:27,319 Speaker 2: Minds the hair. That's it. 859 00:42:27,400 --> 00:42:30,080 Speaker 1: You guys, thanks for listening. We love you.