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Speaker 1: Look man, oh I see you? Why why? Oh? And

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Speaker 1: look over there? How is that culture? Yes, goodness, culture's

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Speaker 1: calling and it's a moment for the pod. It's gonna

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Speaker 1: be a moment for the pod. Matt I think, um, well,

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Speaker 1: we've been sitting on this news for a while. I

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Speaker 1: would say, we've been sitting on it so much. Our

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Speaker 1: butts are, our little tushies are they're not? Well, okay,

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Speaker 1: let's just let's just like get down to like business

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Speaker 1: brass tacks with this business first. That's actually real culture

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Speaker 1: number sixties six. Business first. So the whole move to

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Speaker 1: my heart was sort of package to us, and we

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Speaker 1: were lured even the order, Lord, would you have the

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Speaker 1: unlot to the you, Matt, I would say, lured, Lord,

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Speaker 1: We were lured. And actually that's the way Lord the

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Speaker 1: singer pronounces her name now breaking as I'm getting that

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Speaker 1: in my ear. She wants to be known as Ludlord.

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Speaker 1: She's an artist's thing. Oh and it's so funny how

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Speaker 1: home louds in just that sort of dip thong valel

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Speaker 1: sound kind of relates to what our guests is promoting

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Speaker 1: right now anyway, right exactly, it really does, And and

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Speaker 1: that's part of the cultural crossover. Yes, And when I

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Speaker 1: say that, I take both my arms and I sort

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Speaker 1: of fold them over each other to sort of physicalize

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Speaker 1: them out. And this was the business that needed to

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Speaker 1: come first, by the way, for everyone, right, right, right,

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Speaker 1: So we're just saying that the whole the move to

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Speaker 1: my Heart was predicated on this lure that um our guests.

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Speaker 1: Let's just say there was a proverbial fishing hook because

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Speaker 1: the oh, I'm not, I'm not, I'm not familiar with fishing.

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Speaker 1: Um the line was cast. The line was cast, and

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Speaker 1: we being the fish, and we to varying degrees, we

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Speaker 1: both are fish because we are water signs astrologically, that's

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Speaker 1: right now, we bait the hook hook. Our guest was

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Speaker 1: starting a new podcast network with I Heart Radio. It's

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Speaker 1: called Big Money. Players were so happy, excited, honored to

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Speaker 1: be a part of the network work. Oh, we're thrilled.

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Speaker 1: And I have to say this was sort of this

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Speaker 1: was because you know that on this podcast we talked

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Speaker 1: about the culture that made us say culture was for us.

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Speaker 1: And it's actually interesting to have a guest that was

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Speaker 1: a part of the culture that I think for both

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Speaker 1: of us made us say culture was for us. Let's

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Speaker 1: just start off by saying you and I were both

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Speaker 1: high school intercommon announcers. My sign off lines, my sign

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Speaker 1: off lines treated off between have a good day in

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Speaker 1: a pleasant tomorrow, which is a weekend update, which is

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Speaker 1: ripped from Tina Fey, and it's theF well Chevy Chase

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Speaker 1: and it's def what you've done well. They they send

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Speaker 1: Jane Curtin, they said it in the in the first

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Speaker 1: did they? That wasn't it? Okay? Now I'm the one

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Speaker 1: being a brought it back. But then my my other

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Speaker 1: sign off line, which was my sisters sign off line

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Speaker 1: when she did it was you stay classy Smoky Hill

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Speaker 1: and that's ripped. And that's ripped, and that's ripped from

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Speaker 1: our guests. Now, now what's your How is it formative

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Speaker 1: for you? You go go, well, let's just say that.

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Speaker 1: Um well, I'd actually rather tell this to the guests. Okay,

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Speaker 1: So so I I'd rather just first let me say

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Speaker 1: so before this, but and I recorded a video trailer

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Speaker 1: for this podcast, thought Cultures, and I decided for that

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Speaker 1: video trailer to wear quote unquote a fun shirt. And

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Speaker 1: then I I was sort of volleying back and forth

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Speaker 1: with Bowen like, do I change out of my fun

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Speaker 1: shirt for the guests? And I realized I was nervous

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Speaker 1: and anticipated in the guest to that point where I

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Speaker 1: didn't know what shirt to wear. It like it was

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Speaker 1: a damn date or something. Because I want to represent

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Speaker 1: myself well, conservative but attractive, appealing, jumps off the screen,

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Speaker 1: but not obnoxious. These are the things we navigate. Oh

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Speaker 1: my goodness, And you had to tone yourself. You to

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Speaker 1: dial yourself back and code switching that I'm doing, you know.

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Speaker 1: But the thing about our guest is he I mean,

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Speaker 1: and and now you know, now it's sort of you've

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Speaker 1: sort of proved this out for yourself once you see him,

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Speaker 1: once you talk to him. It's a way. It all

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Speaker 1: amounts a way. He's not this. You know, a list,

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Speaker 1: he's not fast and a list now, yeah, he's not

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Speaker 1: fast and any list. You know, he's not down at

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Speaker 1: what's the cult the chateau, you know, sort of like

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Speaker 1: with his eyes down, like don't look at him like

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Speaker 1: he's very sort of you know, he's an approachable guy.

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Speaker 1: And I feel that he's wearing the appropriate hat for

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Speaker 1: the moment. Yes, we'll talk about that. Let's just quickly

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Speaker 1: go through the credits. What are his credits? Where we

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Speaker 1: we know him from? Well, he was a cast member

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Speaker 1: on sn L for seven seasons. He Um co founded

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Speaker 1: beloved comedy outlet Funny or Die, has produced so many

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Speaker 1: wonderful works. He is founding Big Money Players Network, which

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Speaker 1: we're so happy to be a part of. And he's

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Speaker 1: promoting his new film Your a Vision Song Contest the

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Speaker 1: story of Fire Saga, which we have seen, which we

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Speaker 1: have seen. We'd love it. It's so funny, is a

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Speaker 1: goof aloof fest. We love it. And it's based on

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Speaker 1: of course your Vision, which is amongst the gayer things

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Speaker 1: to happen in history. So we're very excited that there

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Speaker 1: is a film depicting the moment that is journal vision. Yes,

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Speaker 1: and so we're so excited to have the moment that

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Speaker 1: is our guest, welcome to your ears well fair, yes, yes,

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Speaker 1: Well tell everyone what you're wearing. What the hat you're wearing?

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Speaker 1: It that I am wearing a what appears to be

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Speaker 1: a Maga hat, the same font, uh, same red hat

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Speaker 1: with the white letters, but it says make America gay again,

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Speaker 1: and thank you. We need to make America gay again

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Speaker 1: again again. We need I I love that you know,

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Speaker 1: walking down the street could be a trumper and he

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Speaker 1: could look into your eyes and think there's one in me,

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Speaker 1: and then upon closer inspection, no, sir, here's the best thing.

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Speaker 1: I have worn this hat a couple of times, and

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Speaker 1: I would get so many looks from people who were like, wow,

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Speaker 1: he's actually wearing that hat, and then it would be

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Speaker 1: a double take once they saw what it actually said

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Speaker 1: so right, and then it just I got too many

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Speaker 1: of the the first round of looks, which were, uh,

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Speaker 1: please take that hat off, and so I stopped wearing it.

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Speaker 1: So this is fun to get to put it back

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Speaker 1: on again. Yeah, it's it's sort of um, it's a

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Speaker 1: trick of the eye because upon first glance, I mean

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Speaker 1: I actually saw Bowen before he had to go all

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Speaker 1: the way up close to his computer to say that

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Speaker 1: he can't possibly be wearing and make America great again hat.

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Speaker 1: And then I saw the look of sheer delight in

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Speaker 1: his eyes once he realized the the the the humor.

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Speaker 1: I was incredulous at first, and I saw what the

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Speaker 1: wording was and then I and then I sighed, you

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Speaker 1: were sort of internally this Will Ferrell where, oh do

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Speaker 1: I know him? I don't think I do. And wait, okay,

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Speaker 1: I do. I do know him? Yea, I know this guy.

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Speaker 1: So I have to tell you, um, the one of

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Speaker 1: this is very exciting to have you on because not

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Speaker 1: not only just because you are you Will Ferrell and

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Speaker 1: icon to us, a hero to us comedically, but also

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Speaker 1: you kind of did enter my personal life in a

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Speaker 1: time I really needed help because it was ninth grade.

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Speaker 1: I think I was in I needed help bad. So

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Speaker 1: it was like ninth grade. I was like a gay teen, young,

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Speaker 1: gay closeted teen. And then I remember I wasn't fitting

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Speaker 1: in with like everyone in school and Anchorman came out,

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Speaker 1: and I remember going into school and everyone was quoting Anchorman.

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Speaker 1: It kind of became one of those movies wherever everyone

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Speaker 1: universally was loving it, and it actually did make me

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Speaker 1: fit in and make friends. The fact that I had

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Speaker 1: like a knowledge of that movie, Oh, that you could

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Speaker 1: kind of throw down some Anchorman specific quotes. Yeah, it

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Speaker 1: was kind of just like because that was that was

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Speaker 1: very much like a thing. I think it's like, oh,

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Speaker 1: we can all quote the same movies, we all have

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Speaker 1: the same cultural language. But that that entered my life

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Speaker 1: at a time when I was like, yeah, I needed that.

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Speaker 1: That's nice to hear, because that's that's not exactly what

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Speaker 1: was happening in the theater's initial because we were getting

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Speaker 1: stories from friends and family who were who I literally

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Speaker 1: had one of my best friends in college go to

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Speaker 1: see it opening weekend with his wife and another couple,

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Speaker 1: and the other couple just halfway through just were like,

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Speaker 1: We're out of here. We don't get this movie. I'm

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Speaker 1: so sorry. Yeah, just um. I remember Adam telling a

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Speaker 1: story of a friend of his calling calling him up,

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Speaker 1: saying he had gone to the to the theater ahead

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Speaker 1: of time. He was he was watching something else, He's not,

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Speaker 1: I'll watch the last ten minutes of Anchor Man. He

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Speaker 1: poked his head into uh and he watched. He literally

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Speaker 1: as during the end credits, he heard like a verbal

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Speaker 1: altercation between people in the theater. One person was like, well, Farrell,

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Speaker 1: I want my money back, and someone else was like,

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Speaker 1: shut up. That move was funny, and so it really was.

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Speaker 1: You know, when it first kind of came out, people

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Speaker 1: were like either absolutely loved it or or or just

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Speaker 1: thought I do not know what to make of this,

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Speaker 1: which is kind of a good place to be. It

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Speaker 1: sounds like a cop out to say this, but I

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Speaker 1: feel like that's how you know you've done something correctly.

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Speaker 1: It's interesting you say that, though, because I actually went.

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Speaker 1: I remember, okay, this is the story of how I

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Speaker 1: saw Anchor Man. My family and my cousins were all

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Speaker 1: going to Coney Not Coney Island, We're going to a

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Speaker 1: dorney park. So we were we lived in Long Island,

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Speaker 1: and we were all driving up to go to Dorney Park,

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Speaker 1: and we were so excited. I'm like, always, thank god,

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Speaker 1: you were not going to Coney No, no, we park.

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Speaker 1: It was a dorney park trip and those are those

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Speaker 1: are singular. So we were on our way to Dorney

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Speaker 1: Park and it was I couldn't have been more excited

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Speaker 1: because I was like, I'm I still am to this

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Speaker 1: day like a theme park person, and when this becomes

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Speaker 1: a therapy session in five minutes, will unpack it. Um.

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Speaker 1: But I was so excited, and so we're all my

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Speaker 1: cousins to do roller coasters and like do the whole thing.

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Speaker 1: It downpoured the most in Pennsylvania history. It rained them.

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Speaker 1: I remember, like the the news was like, well, not

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Speaker 1: only is everything closed today, but it's raining more than

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Speaker 1: it ever has ever like kids days of ruined, especially

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Speaker 1: if you're going to Dorney Park and san um But anyway,

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Speaker 1: so we were devastated. It wasn't even like, oh, let's

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Speaker 1: still go to the theme park. The lines will be

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Speaker 1: short now. So me and all my family, including my

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Speaker 1: little cousins, went to the movie theater and there was

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Speaker 1: Anchorman playing, and so he thought, what the heck we're

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Speaker 1: watching it? And me and my cousin, who were like

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Speaker 1: like thirteen fourteen, were dying laughing htorical because we we

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Speaker 1: didn't know really what it was gonna be. And then

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Speaker 1: it turned out to be truly so fucking funny. But

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Speaker 1: my mother did have to take my little cousin and

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Speaker 1: my sister out. They did leave because my mother was like,

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Speaker 1: I can't be talking whales vagina to my young daughter,

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Speaker 1: like what is this? And just like it was so

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Speaker 1: it was so jarring, And I think that's part of

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Speaker 1: why I loved Yeah, because I did not know what

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Speaker 1: it was going to be, which maybe speaks to what

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Speaker 1: you're saying, it's funny because we are having come from

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Speaker 1: SNL where you're obviously given uh some leeway as to

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Speaker 1: what you can kind of you know, present to the table.

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Speaker 1: But for the most part, there are a lot of

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Speaker 1: that that shows governed by a lot of rules. And

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Speaker 1: I think it was our expression of like, we're just

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Speaker 1: why does it have to follow this way at this time?

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Speaker 1: We just we're like, let's break every comedy rule we

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Speaker 1: can think of and and just have this be this reckless,

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Speaker 1: kind of joyous experience and kind of come back to

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Speaker 1: the ensemble comedy that you know, I kind of grew

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Speaker 1: up loving and and we just had as much fun

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Speaker 1: making that movie as we could, partly because I think

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Speaker 1: there was a real feeling of like they may just

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Speaker 1: shut us down. This may be the last time we

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Speaker 1: get to do this, so let's uh, let's just go

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Speaker 1: out with a bang. You you thought that that early

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Speaker 1: on that and you're in your post SNL career that

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Speaker 1: like this the end, well, just because you know, you

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Speaker 1: have to remember, like I think we got we had

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Speaker 1: written the script and it wasn't We just went out

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Speaker 1: with it, and I think we got like ten twelve

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Speaker 1: rejection like that, that movie just kept getting Uh, no

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Speaker 1: one really wanted to buy a a comedy about a

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Speaker 1: newsroom comedy. Uh, they just couldn't add up, you know,

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Speaker 1: they I don't think they saw how absurd it was

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Speaker 1: going to be, and you know what, you know that

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Speaker 1: cast was gonna kind of bring to it and things

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Speaker 1: like that. So we just when we finally got to

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Speaker 1: make it, we thought, oh, this is like we're playing

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Speaker 1: with the house's money here. Yeah. Yeah, yeah, but yeah,

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Speaker 1: when you're talking about it's like you have to imagine

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Speaker 1: it wouldn't like pitch super well, you know what I mean,

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Speaker 1: like off the page, it doesn't feel like in the

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Speaker 1: studio would be like, yes, that is something that I

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Speaker 1: think it's we need that like um comedy about seventies

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Speaker 1: Anchorman like sort of navigating sexism right and throwing you know,

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Speaker 1: purpose littering, you know, things like that. But it really is,

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Speaker 1: like that's one of the reasons I love it so much,

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Speaker 1: is it really is about sort of like toxic masculinity

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Speaker 1: and like like it is like a it's a satire

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Speaker 1: of that taken all the way down the road. But

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Speaker 1: then like in recent years since that movie has come out,

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Speaker 1: you realize, like this, while it is a sort of

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Speaker 1: extreme caricature of that situation, it's actually really not dissimilar

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Speaker 1: to the way that women would be treated spoken to.

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Speaker 1: I mean it's it's just really it holds up any

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Speaker 1: any sort of news person I've run into, as has said, Oh,

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Speaker 1: we've I know people exactly like Ron Burgundy, which is

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Speaker 1: funny and scary all at the same time. But yeah,

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Speaker 1: I mean it was while it was a silly move.

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Speaker 1: I remember one of the worst reviews we got was

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Speaker 1: actually from the San Diego local paper and they they

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Speaker 1: were like, we're very disappoint waited in this movie. It

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Speaker 1: really really had an opportunity to say something and it

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Speaker 1: just it just missed the mark. And uh. But you know, conversely,

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Speaker 1: like the Guardian, a lot of the British papers, they

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Speaker 1: totally got what we're doing and they were like, this

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Speaker 1: is this is great satire. I'm wondering what I mean,

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Speaker 1: you and Adam writing it after us and now having

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Speaker 1: that mindset of let's break every rule because we have

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Speaker 1: been so used to like a pretty stringent environment, Like

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Speaker 1: was that did you guys? Were you guys aware of

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Speaker 1: that as you were both finishing up your ten years there,

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Speaker 1: Because I feel like once you're I don't know, not

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Speaker 1: to make it sound like this, watch it, watch it.

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Speaker 1: What I'm saying like working there, when you work, when

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Speaker 1: you work there you sort of like sort of like

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Speaker 1: abide by all the rules and you have to. And

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Speaker 1: I feel like, did you guys like intentionally bring that

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Speaker 1: with you once you guys left I that mindset? That's

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Speaker 1: a really good question. I think it was probably probably

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Speaker 1: I think it was still probably more subconscious, but yeah,

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Speaker 1: there was there was a feeling of of being sick

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Speaker 1: of the rules and quotes of common and why can't

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Speaker 1: we punt a dog off a bridge and have it

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Speaker 1: come back to life and save us from grizzly bears? Why?

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Speaker 1: Because if if I pitched that, uh, someone's gonna someone's

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Speaker 1: gonna laugh politely and then leave the room and go

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Speaker 1: that that's the worst I ever heard. So I think

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Speaker 1: it was probably an extension of both of them, you know,

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Speaker 1: both of of just executing that idea and wanting to

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Speaker 1: do something crazy and then also just uh yeah, wanting

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Speaker 1: wanting to kind of get away from something that has

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Speaker 1: such a form that it sticks to, right. Yeah. I

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Speaker 1: think that's something that Bowen and I respond to, like

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Speaker 1: and that when we whenever we're together and like we're

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Speaker 1: really laughing at something, we laugh at something because it

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Speaker 1: is so stupid, bid like and that's that's just our

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Speaker 1: funer together. And I think that's what's something I recognized

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Speaker 1: in it, like, um, from a very early age. Like

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Speaker 1: even like if you watch like the sort of outtakes,

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Speaker 1: I prefer to call them bloopers. I think bloopers is

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Speaker 1: the funniest word in the industry. I want to call

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Speaker 1: them bloopers, and actually, really culture number one hundred, they're

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Speaker 1: not outtakes, their bloopers, they're not They're bloopers, and they

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Speaker 1: can be shortened to bloops. Shortened bloops. Yeah, that's yes,

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Speaker 1: we'll add an addendum onto the rule. But we have

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Speaker 1: people that that do that. Um. So, like there was

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Speaker 1: a scene where like you're in the car with Christina Applegate, who,

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Speaker 1: by the way, is our queen, and she's so incredible

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Speaker 1: and oh my god, she's so amazing in that movie.

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Speaker 1: But there's a scene where you are doing the Whales

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Speaker 1: Regina san Diego thing to her in the car and

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Speaker 1: you start breaking down laughing and you say, it's just

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Speaker 1: so stupid. Yeah, this is so stupid. Yeah, And that's

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Speaker 1: that is I think something at gets a little lost nowadays,

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Speaker 1: which I think is sort of uh having a resurgence

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Speaker 1: or I hope it is because I almost feel like

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Speaker 1: or I'm hopeful that that we can return to sort

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Speaker 1: of like really going for the joke, big characters, Like

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Speaker 1: comedy is supposed to be funny, you know what I mean?

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Speaker 1: Like right right, yeah, that that was just, uh, you know,

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Speaker 1: the realization of of the moment that these stupid lines

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Speaker 1: that we'd written in a room in a in a

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Speaker 1: vacuum we now had there. We were parked on a

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Speaker 1: bluff in the middle of the night with a crew

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Speaker 1: of fifty people having to film this moment and you're

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Speaker 1: getting paid for it, and it's, uh, yeah, it's kind

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Speaker 1: of like, oh, this is you know, if I don't

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Speaker 1: ever get to do another thing again, I'll be good.

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Speaker 1: Yeah you know yeah, speaking of um, speaking of stupidity,

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Speaker 1: I would say or just like, um, a big budget comedy,

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Speaker 1: which I feel like is as a concept is like

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Speaker 1: waning from Hollywood. Right now. Um, let's talk about your

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Speaker 1: revision song contest the Story of Fire Saga. Do you

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Speaker 1: like that concise title? By the way, I love the title.

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Speaker 1: I love that, but that it's it's for that same reason.

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Speaker 1: It's like that's why we love Ricky Bobby. That's so

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Speaker 1: funny though, like a title should be titles should be

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Speaker 1: like fucking Fiona Apple album titles, like they go on

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Speaker 1: and on and on. Like the fact that it's such

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Speaker 1: an epic title I think only helps. That matters. So

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Speaker 1: I love it. It communicates something to the audience. You're like, Okay,

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Speaker 1: I know what I'm in for. This is gonna be

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Speaker 1: the entire paragraph. It's so fun. Okay, So I so,

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Speaker 1: but I was talking about about this before we started

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Speaker 1: recording over text. I was like, oh yeah, like I

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Speaker 1: can't remember. Maybe it's just because I have a million

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Speaker 1: blind spots with this, but I'm like, when was the

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Speaker 1: last like big budget comedy that like I've seen with

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Speaker 1: like international stars and like it's about and like it

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Speaker 1: just very It felt like a nice like comedy Frozen

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Speaker 1: and Amber kind of thing from like early to mid

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Speaker 1: odds where it's like, oh, yes, like I enjoyed this

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Speaker 1: kind of movie very very much. Um So was that

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Speaker 1: like was that kind of what you and because you

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Speaker 1: and Andrew were going to Andrew Steel, We're going to

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Speaker 1: your vision to like like figure out a story around

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Speaker 1: this or like like like what was the sea crystal

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Speaker 1: behind him? Yeah? I mean the crazy The crazy journey

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Speaker 1: of this is that so I uh, my wife Vivica

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Speaker 1: is Swedish. We've been going to Sweden uh for twenty

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Speaker 1: years every summer. Um. In fact, this summer will be

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Speaker 1: the first summer we haven't gotten to go. And that

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Speaker 1: first trip we went, we were with her cousin and

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Speaker 1: we were out. They had like a little cabin in

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Speaker 1: the country that we were out picking mushrooms, you know,

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Speaker 1: with rubber boots on, as you would do in Sweden.

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Speaker 1: It's right. And this is a good film. By the way,

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Speaker 1: have you written this down that this is the is

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Speaker 1: a really good this is a good film. There's a

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Speaker 1: feature in that. Um. So she just uh we had

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Speaker 1: dinner and she's like, oh, shall we sit down and

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Speaker 1: watch Eurovision And we're like, um, yes, of course, and

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Speaker 1: we It happened to be the night of the finale

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Speaker 1: because there's there's two semi final nights for for your listeners,

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Speaker 1: and then there's a final final night and we watched.

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Speaker 1: We sat there for three hours and watched the It's

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Speaker 1: a whole thing because the last twenty acts or so

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Speaker 1: they do their performance, then they have some special guests

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Speaker 1: and then they tabulated all the votes and each country

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Speaker 1: does this whole series of voting and it builds this tension.

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Speaker 1: But I was sitting there going, what is going on

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Speaker 1: is in um? And it's even gotten over the years

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Speaker 1: a little more um. You know, everyone pretty much things

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Speaker 1: in English now, and the acts are are kind of

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Speaker 1: you know, they're really trying to get played on the radio,

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Speaker 1: and yet there's still some just amazing moments between the staging,

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Speaker 1: the costumes. And so I was watching this, you know,

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Speaker 1: twenty years ago, going oh, this this has to be

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Speaker 1: a movie, and so that's going to make it and

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Speaker 1: no one ever did. I kept waiting to like, you know, reado.

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Speaker 1: Someone so finally made a comedy about your vision. And

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Speaker 1: it wasn't until yeah, four or five years ago that

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Speaker 1: I called up Andrew Steele, former SNL writer, and I

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Speaker 1: was like, Andrew, you gotta check this thing I'll called

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Speaker 1: your Vision. I've always wanted to make a movie. I

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Speaker 1: don't I'm not I'm not doing anything right now in

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Speaker 1: this moment of time. Let's fly out there. And so

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Speaker 1: we flew out to Copenhagen and that was the year

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Speaker 1: that con Cheeta versed watching for Austria and so we

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Speaker 1: we got to see it, you know, in its entirety

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Speaker 1: there and I was with Andrew and our producer Jessica album,

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Speaker 1: and I was like, do you guys see what I'm

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Speaker 1: I'm talking about here? And so yeah, and then from

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Speaker 1: that point on, that's when we sat down with the

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Speaker 1: Eurovision people and said, would would you let us make

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Speaker 1: a movie? Yeah? And what? But what was their response

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Speaker 1: because you have to imagine, like there's been nothing about it,

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Speaker 1: so this would be the first thing. It was, Um,

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Speaker 1: I think it was very it was very European. It

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Speaker 1: was well, we don't really need the publicity. We get

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Speaker 1: like two million viewers every year. Uh and uh. And

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Speaker 1: I said, you know, obviously be a comedy, but I

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Speaker 1: think would we'd be making fun but it is also

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Speaker 1: an homage and with love at the same time for

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Speaker 1: the process. And they were like, yeah, I don't see

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Speaker 1: why not and and that was kind of the agreement.

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Speaker 1: And then they let us kind of yeah, it's interesting

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Speaker 1: that you say that, like it's a comedy, but it's

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Speaker 1: also it is also an homage because something about the

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Speaker 1: movie that I didn't expect is it is actually a

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Speaker 1: very sweet movie, you know what I mean, Like it's

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Speaker 1: it's way sweeter than we then we really set out

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Speaker 1: to make it, and then we we really we started

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Speaker 1: uh um really kind of digging in deeper and making

426
00:23:15,880 --> 00:23:19,640
Speaker 1: it about a relationship between uh these two these two friends,

427
00:23:20,000 --> 00:23:24,199
Speaker 1: uh and and you know what the music means to

428
00:23:24,280 --> 00:23:26,760
Speaker 1: them and in terms of the competition and listening to

429
00:23:26,760 --> 00:23:30,280
Speaker 1: each other and things like that. It is surprisingly sweet

430
00:23:30,359 --> 00:23:33,840
Speaker 1: in a way that um in the final song that

431
00:23:33,960 --> 00:23:38,080
Speaker 1: Rachel's character sings. Uh. There I was at every single

432
00:23:38,119 --> 00:23:40,280
Speaker 1: test screening. I'm in the back of the theater crying,

433
00:23:41,320 --> 00:23:46,040
Speaker 1: uh kind of with how sweet the song is. I feel,

434
00:23:46,400 --> 00:23:49,639
Speaker 1: And it's actually a really good song. And then every

435
00:23:49,640 --> 00:23:53,120
Speaker 1: time I I would watch that moment, I just would

436
00:23:53,119 --> 00:23:55,639
Speaker 1: think about, Gosh, I can't believe we finally made this movie.

437
00:23:56,359 --> 00:23:59,920
Speaker 1: And um, anyway, all of those things kind of kind

438
00:24:00,240 --> 00:24:02,960
Speaker 1: or interwoven when I watched that moment, it's it's really

439
00:24:03,000 --> 00:24:04,960
Speaker 1: love Like, Okay, we should say, um. Your co stars

440
00:24:05,000 --> 00:24:09,320
Speaker 1: are Rachel McAdams, Dan Stevens, Pierce Brosn, and Demi Levado.

441
00:24:09,600 --> 00:24:13,119
Speaker 1: Demi Levado has fun moment. We endorsed Demi Levado on

442
00:24:13,160 --> 00:24:16,679
Speaker 1: this podcast. This is a podcast that loves endorses and

443
00:24:16,720 --> 00:24:20,760
Speaker 1: as the kids say, stands Demi Levado and something explosive

444
00:24:20,840 --> 00:24:23,760
Speaker 1: happens with her character. We love her. What's what's she like?

445
00:24:24,119 --> 00:24:27,480
Speaker 1: She was fantastic. I mean that was you know. David Dopkin,

446
00:24:27,520 --> 00:24:30,000
Speaker 1: our director, kind of has all these ties to the

447
00:24:30,080 --> 00:24:32,920
Speaker 1: music world because he's still uh does a lot of

448
00:24:33,000 --> 00:24:35,560
Speaker 1: music videos. And he was like, I think we can

449
00:24:35,560 --> 00:24:38,399
Speaker 1: get Demi to to play this role. And she was

450
00:24:38,520 --> 00:24:42,560
Speaker 1: so sweet and lovely and it was she was actually

451
00:24:42,560 --> 00:24:46,720
Speaker 1: shooting during her birthday. We kind of had this really

452
00:24:47,520 --> 00:24:52,120
Speaker 1: special moment where and and she had just come out

453
00:24:52,119 --> 00:24:56,920
Speaker 1: of her last for or rehab. Stant Yes, I really

454
00:24:56,960 --> 00:24:59,080
Speaker 1: wanted to work on this because I'm a fan, and

455
00:24:59,119 --> 00:25:01,320
Speaker 1: I go, you're so sweet. We can't believe you're doing this.

456
00:25:01,520 --> 00:25:04,040
Speaker 1: We just can't believe. And she said, but I have

457
00:25:04,080 --> 00:25:07,399
Speaker 1: to tell you, like watching your movies really kind of

458
00:25:07,440 --> 00:25:11,280
Speaker 1: helped me kind of go through what I had to

459
00:25:11,320 --> 00:25:14,480
Speaker 1: go through. And it's weird when you get hit in

460
00:25:14,520 --> 00:25:17,080
Speaker 1: the chest with something like that and it's uh and

461
00:25:17,160 --> 00:25:20,200
Speaker 1: it's so personal to her and uh, it was one

462
00:25:20,200 --> 00:25:22,439
Speaker 1: of the sweetest things ever. And I was like, and

463
00:25:22,520 --> 00:25:25,680
Speaker 1: now you're gonna do this crazy character in this movie

464
00:25:25,680 --> 00:25:27,239
Speaker 1: and she's like, I don't get to do things like this.

465
00:25:27,320 --> 00:25:31,280
Speaker 1: So it was it was really kind of beautiful and

466
00:25:31,320 --> 00:25:34,480
Speaker 1: she just was she was up for anything. And the

467
00:25:34,560 --> 00:25:39,399
Speaker 1: thing that struck us too was, uh, you forget that.

468
00:25:39,600 --> 00:25:43,920
Speaker 1: Oh my god, she is a she's an absolute pro. Yeah,

469
00:25:43,920 --> 00:25:47,000
Speaker 1: she's well, she's one of those kids like she was

470
00:25:47,040 --> 00:25:48,679
Speaker 1: like a Barney girl, you know what I mean. Like

471
00:25:48,720 --> 00:25:51,960
Speaker 1: she's been doing it since the jump. She hits the stage,

472
00:25:52,040 --> 00:25:55,920
Speaker 1: she knows exactly where the camera is, she's turning perfectly. Yeah,

473
00:25:56,440 --> 00:26:01,120
Speaker 1: she's a pop star. Oh my gosh, Stone Cole pro Yeah,

474
00:26:01,160 --> 00:26:04,880
Speaker 1: and would do like three takes and like, oh my god,

475
00:26:04,880 --> 00:26:07,119
Speaker 1: I don't know what else you're gonna do. And she

476
00:26:07,280 --> 00:26:11,000
Speaker 1: sounds unbelievable on the track that she sings like it's

477
00:26:11,040 --> 00:26:14,320
Speaker 1: just great. It's really cool. Um. But you mentioned like

478
00:26:14,440 --> 00:26:16,719
Speaker 1: just the behavior of a pop star on stage, and

479
00:26:16,880 --> 00:26:19,679
Speaker 1: actually that was something that I really really picking up

480
00:26:19,720 --> 00:26:23,720
Speaker 1: on during it. Like obviously Eurovision is a very European

481
00:26:24,119 --> 00:26:27,199
Speaker 1: show and the prop stars are very European, um, and

482
00:26:27,240 --> 00:26:31,040
Speaker 1: so there is like this element of like whimsy to everything,

483
00:26:31,080 --> 00:26:33,600
Speaker 1: and it's something that I love. It's like it's like

484
00:26:33,680 --> 00:26:37,000
Speaker 1: pop music taken all the way to that pop place,

485
00:26:37,080 --> 00:26:40,800
Speaker 1: like it is they're truly playing characters on Maximal Music.

486
00:26:41,119 --> 00:26:43,240
Speaker 1: So did you like sort of observe a lot of

487
00:26:43,480 --> 00:26:45,720
Speaker 1: a lot of performances. I would imagine that you've like

488
00:26:46,200 --> 00:26:48,719
Speaker 1: probably seen years going back. But did you and Rachel,

489
00:26:49,000 --> 00:26:51,160
Speaker 1: who also I would say, really embodied a pop star

490
00:26:51,200 --> 00:26:54,240
Speaker 1: on stage during their performances, Um, did you what did

491
00:26:54,280 --> 00:26:56,280
Speaker 1: you do for that? Yeah? We, I mean Andrew and

492
00:26:56,280 --> 00:26:59,479
Speaker 1: I we we we we attended three of them in person,

493
00:27:00,040 --> 00:27:04,919
Speaker 1: and just yeah, watching everything we forget because because we

494
00:27:05,000 --> 00:27:07,480
Speaker 1: have American idol, we have the voice, we have these

495
00:27:07,480 --> 00:27:12,440
Speaker 1: habitual kind of things that are happening all the time,

496
00:27:12,480 --> 00:27:15,520
Speaker 1: and and the US is kind of the epicenter of

497
00:27:15,920 --> 00:27:20,600
Speaker 1: pop music culture in so many ways. For this for

498
00:27:20,760 --> 00:27:25,439
Speaker 1: your vision there, it's it's forty seven countries and some

499
00:27:25,560 --> 00:27:29,960
Speaker 1: of the countries are so small and you know, might

500
00:27:30,000 --> 00:27:34,639
Speaker 1: be thousand people if that, And this is this moment

501
00:27:34,680 --> 00:27:39,280
Speaker 1: for them to get in front of fifty thousand people

502
00:27:39,280 --> 00:27:41,600
Speaker 1: in a worldwide audience, and you can tell it means

503
00:27:41,760 --> 00:27:46,399
Speaker 1: so much the moment, and they just don't have the

504
00:27:46,440 --> 00:27:49,600
Speaker 1: same platforms that I think we all take for granted,

505
00:27:49,760 --> 00:27:52,560
Speaker 1: whether it be the UK or over here. That's one

506
00:27:52,560 --> 00:27:56,560
Speaker 1: of the things you know, obviously we observed the funny

507
00:27:56,680 --> 00:27:58,680
Speaker 1: or interesting or kitchener how do we want to describe it?

508
00:27:58,760 --> 00:28:03,320
Speaker 1: Costumes and you know, uh, when we were in Tel Aviv,

509
00:28:03,600 --> 00:28:05,600
Speaker 1: I believe, which is where we shot a lot of

510
00:28:05,600 --> 00:28:07,959
Speaker 1: the crowd stuff. You know, one of the acts is

511
00:28:08,359 --> 00:28:10,960
Speaker 1: a guy. I couldn't figure out what the camera angle

512
00:28:11,160 --> 00:28:13,280
Speaker 1: was this guy singing and it looked like he was

513
00:28:13,320 --> 00:28:18,200
Speaker 1: kind of upside down and then he's being raised up

514
00:28:18,240 --> 00:28:21,399
Speaker 1: and he's a full vampire coming out of a flaming

515
00:28:21,440 --> 00:28:29,040
Speaker 1: grand piano. And uh, I was like, wow that they

516
00:28:29,080 --> 00:28:32,919
Speaker 1: thought of this, built it, they can They talked about it,

517
00:28:32,960 --> 00:28:37,840
Speaker 1: there was meeting and they pulled it off. And I

518
00:28:37,840 --> 00:28:42,000
Speaker 1: don't know that that kind of European style and flare

519
00:28:42,200 --> 00:28:45,280
Speaker 1: is just a whole another thing to comment on. It's

520
00:28:45,360 --> 00:28:48,680
Speaker 1: truly crazy, like to the well I want it's a spoiler,

521
00:28:48,720 --> 00:28:51,800
Speaker 1: but insane things happen on stage while you and Rachel

522
00:28:51,800 --> 00:28:56,680
Speaker 1: are performing, and like it's almost like you the audience

523
00:28:56,760 --> 00:28:59,720
Speaker 1: believe the insanity, like that could be part of the performance.

524
00:28:59,760 --> 00:29:02,400
Speaker 1: Like I seem crazier things in your revision than like

525
00:29:02,560 --> 00:29:04,880
Speaker 1: an actual disastrous thing happening as a plot point in

526
00:29:04,880 --> 00:29:08,200
Speaker 1: this movie. Like that is like what goes down because

527
00:29:08,200 --> 00:29:11,000
Speaker 1: it's it serves the comedy very well, especially in the

528
00:29:11,000 --> 00:29:13,280
Speaker 1: physical ways, or especially in like the slap sticky ways.

529
00:29:13,360 --> 00:29:16,240
Speaker 1: Like and I would say, well that this is I

530
00:29:16,280 --> 00:29:21,600
Speaker 1: think your your gayest film, your queerest film, Matt, would

531
00:29:21,640 --> 00:29:25,320
Speaker 1: you would you agree? I would have to agree, yes, yes,

532
00:29:25,400 --> 00:29:28,240
Speaker 1: And like there's there's, there's there's would you would put

533
00:29:28,280 --> 00:29:34,120
Speaker 1: it above Blades of Glory? Blades of Glory is Blades

534
00:29:34,120 --> 00:29:38,360
Speaker 1: of Glory is your most incestuous film. I feel like

535
00:29:39,040 --> 00:29:42,360
Speaker 1: I love of Glory. I feel Blades of Glory is

536
00:29:42,440 --> 00:29:45,800
Speaker 1: up there for me because it really again about something

537
00:29:45,840 --> 00:29:49,720
Speaker 1: super specific, super fun characters, big jokes, and also like

538
00:29:50,200 --> 00:29:53,720
Speaker 1: I fucking love Amy Poehler and Will Arnett. Yeah that

539
00:29:53,920 --> 00:29:57,360
Speaker 1: is the strang and fair child. She's like blowing out

540
00:29:57,440 --> 00:29:59,960
Speaker 1: the guns, like, well, I don't know, it's just so fun,

541
00:30:00,480 --> 00:30:04,280
Speaker 1: so stupid. I wanted to I wanted to ask, like,

542
00:30:04,560 --> 00:30:07,200
Speaker 1: so we as a podcast have our on record for

543
00:30:07,240 --> 00:30:10,320
Speaker 1: saying that Rachel McAdams deserved an Oscar for mean Girls.

544
00:30:10,720 --> 00:30:13,040
Speaker 1: So this is like a podcast that has for many

545
00:30:13,120 --> 00:30:15,080
Speaker 1: years wanted to see her return to like a big

546
00:30:15,120 --> 00:30:17,680
Speaker 1: comedy like this, and then it's so fun to see

547
00:30:17,720 --> 00:30:19,560
Speaker 1: her return to big comedy like this, because she has

548
00:30:19,560 --> 00:30:22,400
Speaker 1: become such a movie star and you know, that's kind

549
00:30:22,440 --> 00:30:24,600
Speaker 1: of just what happened after Mean Girls, and she's sure

550
00:30:24,640 --> 00:30:27,360
Speaker 1: she's done comedy, but to see her play a character

551
00:30:27,840 --> 00:30:31,880
Speaker 1: is fun. What's your experience with her? And please spare

552
00:30:31,920 --> 00:30:35,560
Speaker 1: no detail. We love Rachel, I mean Rachel. Yeah, she

553
00:30:36,000 --> 00:30:39,920
Speaker 1: you kind of forget, just like you said, She's probably

554
00:30:39,960 --> 00:30:43,880
Speaker 1: known more for the notebook and the serious actress and

555
00:30:43,880 --> 00:30:47,080
Speaker 1: that sort of thing, but she is so committed and

556
00:30:47,120 --> 00:30:52,120
Speaker 1: funny and specific and even to the point of singing

557
00:30:52,160 --> 00:30:56,240
Speaker 1: with a specific Iceland accent. And because we are fire,

558
00:30:56,280 --> 00:31:07,120
Speaker 1: saga is from Iceland. Yes, your readers, it's you're the readers, right,

559
00:31:02,360 --> 00:31:11,280
Speaker 1: thank you, right um. But she I think she was

560
00:31:12,920 --> 00:31:16,320
Speaker 1: a little bit like, oh, here we go. I haven't

561
00:31:16,320 --> 00:31:19,760
Speaker 1: been on the ship in a while. But then she

562
00:31:19,960 --> 00:31:24,080
Speaker 1: just she just dove right in and she's funny. She's

563
00:31:24,120 --> 00:31:28,320
Speaker 1: funny and so lovable to look at that she kind

564
00:31:28,360 --> 00:31:33,440
Speaker 1: of gives my character, Lars, you know, the the weight

565
00:31:33,520 --> 00:31:36,440
Speaker 1: behind it, because she's willing to go on his journey

566
00:31:36,440 --> 00:31:40,680
Speaker 1: with him, and and she brings such sincerity to how

567
00:31:40,760 --> 00:31:45,320
Speaker 1: much she loves this guy with this dream that you know,

568
00:31:45,360 --> 00:31:49,240
Speaker 1: he's tried twenty something years now to get in and

569
00:31:49,240 --> 00:31:51,920
Speaker 1: and and so it it allows you to believe in

570
00:31:52,000 --> 00:31:56,120
Speaker 1: my story and our story collectively. We had the best time.

571
00:31:56,160 --> 00:31:59,440
Speaker 1: I mean, she's all hands on deck, she's got kid

572
00:32:00,000 --> 00:32:03,840
Speaker 1: and a partner, and so I didn't get to see

573
00:32:03,840 --> 00:32:07,040
Speaker 1: her that much. I was out partying in London. She

574
00:32:08,600 --> 00:32:12,560
Speaker 1: could not answer the bell. No come on, she got

575
00:32:14,360 --> 00:32:16,880
Speaker 1: come on, waitchil come on, We're going to party. Also,

576
00:32:16,960 --> 00:32:19,120
Speaker 1: not for nothing, but I went. I went to Stockholm.

577
00:32:19,560 --> 00:32:21,200
Speaker 1: This is a couple of years ago, but we did,

578
00:32:21,240 --> 00:32:23,280
Speaker 1: like for the first Europe for the first time, we

579
00:32:23,360 --> 00:32:26,040
Speaker 1: landed in Stockholm. We were going to Amsterdam, but we

580
00:32:26,040 --> 00:32:27,560
Speaker 1: still had like a day and a half to spend

581
00:32:27,560 --> 00:32:31,720
Speaker 1: in Stockholm and such such a fun city. And also

582
00:32:31,920 --> 00:32:34,360
Speaker 1: we did go to the Pop Music Hall of Fame,

583
00:32:34,360 --> 00:32:36,080
Speaker 1: which I've talked about a little bit on this podcast,

584
00:32:36,120 --> 00:32:39,040
Speaker 1: but it's essentially like an Abba Hall of Fame, but

585
00:32:39,200 --> 00:32:41,680
Speaker 1: pop music Hall of Fame. But there's like, have you've

586
00:32:41,760 --> 00:32:45,400
Speaker 1: definitely been, I've been to the Abba exactly the euro

587
00:32:45,520 --> 00:32:47,840
Speaker 1: it's like a whole Eurovision section and you can watch

588
00:32:47,960 --> 00:32:50,560
Speaker 1: all the performances, and that I think was my first

589
00:32:50,560 --> 00:32:53,800
Speaker 1: experience with it. Like this is crazy, like finding out

590
00:32:53,840 --> 00:32:58,000
Speaker 1: that Celine Dion was in it. Sure truly, Like it's

591
00:32:58,000 --> 00:33:00,920
Speaker 1: like there's such such a deep well of pop music

592
00:33:01,040 --> 00:33:03,840
Speaker 1: history that I think Americans don't really know about that

593
00:33:04,080 --> 00:33:08,400
Speaker 1: is euro Vision, but it's it's an institution. Yeah yeah, yeah,

594
00:33:08,640 --> 00:33:13,280
Speaker 1: it's um um and which is which is why um

595
00:33:13,320 --> 00:33:17,960
Speaker 1: it's interesting something that's so viewed there. We don't really

596
00:33:18,640 --> 00:33:21,840
Speaker 1: we don't really know that much about it over here exactly.

597
00:33:21,880 --> 00:33:26,360
Speaker 1: It's so weird until two weeks from now, and then oh,

598
00:33:26,560 --> 00:33:29,360
Speaker 1: America will know whether whether they want to or not,

599
00:33:29,480 --> 00:33:31,720
Speaker 1: whether they want to or not. I do love I

600
00:33:31,800 --> 00:33:33,640
Speaker 1: do love the idea that you will Ferrell are the

601
00:33:33,680 --> 00:33:37,280
Speaker 1: ambassador for your vision. It's too good. It's perfect. Also

602
00:33:37,520 --> 00:33:39,480
Speaker 1: that I do want to I do want to say

603
00:33:39,520 --> 00:33:43,160
Speaker 1: that I have a deep appreciation for the fact that

604
00:33:43,200 --> 00:33:45,640
Speaker 1: the Dan Stevens character in this film is like a

605
00:33:45,760 --> 00:33:49,320
Speaker 1: baritone pop singer, because that is like, that is something

606
00:33:49,360 --> 00:33:51,880
Speaker 1: that is a very prevalent thing in euro Vision and

607
00:33:51,880 --> 00:33:54,120
Speaker 1: around the world. Is like, yeah, you men who are

608
00:33:54,200 --> 00:33:57,960
Speaker 1: singing like this, we don't really have that here. No,

609
00:33:58,080 --> 00:34:02,240
Speaker 1: it's all tenors. Yeah right, so guy, super super high voices. No,

610
00:34:02,600 --> 00:34:09,960
Speaker 1: he is he is all man and very sexualized and big, big,

611
00:34:10,000 --> 00:34:14,680
Speaker 1: deep powerful baritone. Yeah he is, he is there. He

612
00:34:14,880 --> 00:34:19,240
Speaker 1: is a masculine singing with his song Lion of Love,

613
00:34:19,800 --> 00:34:23,600
Speaker 1: Lion of Love, which had amazing I don't know when

614
00:34:23,640 --> 00:34:26,800
Speaker 1: you guys watched the movie if you noticed the video

615
00:34:27,239 --> 00:34:32,880
Speaker 1: screen behind the performances has amazing graphics lions and and

616
00:34:33,040 --> 00:34:39,640
Speaker 1: Paula's and animals from the from the African tundra jumping

617
00:34:39,880 --> 00:34:43,560
Speaker 1: behind his performance. The animal Kingdom is very much pleasant,

618
00:34:44,200 --> 00:34:46,719
Speaker 1: very much so. Um you guys try and wear like

619
00:34:46,800 --> 00:34:51,600
Speaker 1: Glasgow and and Edinburgh and like Iceland. You guys were

620
00:34:51,600 --> 00:34:54,280
Speaker 1: in Iceland. We actually were in Iceland for the last

621
00:34:54,480 --> 00:34:58,400
Speaker 1: four days. But yeah, we were in London and Scotland

622
00:34:58,480 --> 00:35:01,479
Speaker 1: and then uh ice Land for the last four days,

623
00:35:01,520 --> 00:35:05,520
Speaker 1: which was kind of amazing. We were literally in this

624
00:35:05,600 --> 00:35:09,239
Speaker 1: town of Housavic, where our characters are from. And I

625
00:35:09,280 --> 00:35:12,640
Speaker 1: think we could have found a place that looked similar

626
00:35:12,680 --> 00:35:14,680
Speaker 1: to a small town that would have been just twenty

627
00:35:14,719 --> 00:35:19,160
Speaker 1: miles out of Raakovic. Yeah, but instead we're four hours

628
00:35:19,200 --> 00:35:23,719
Speaker 1: away that and all the Icelandic actors I would talk

629
00:35:23,719 --> 00:35:26,600
Speaker 1: to that be like what you're actually shooting in Housavic.

630
00:35:26,920 --> 00:35:29,919
Speaker 1: I was like, yeah, isn't that great? Were like, why

631
00:35:30,040 --> 00:35:34,640
Speaker 1: there's nothing there. There's two restaurants, one hotel, and uh

632
00:35:34,760 --> 00:35:36,640
Speaker 1: so here we were. This big movie crew kind of

633
00:35:36,680 --> 00:35:39,960
Speaker 1: took over this small, little little town which had an

634
00:35:39,960 --> 00:35:43,640
Speaker 1: amazing Uh have you guys been to Iceland? It was

635
00:35:43,680 --> 00:35:45,719
Speaker 1: my first time, never know, but I've always wanted to go.

636
00:35:46,000 --> 00:35:48,480
Speaker 1: It's like sort of become like a very popular vacation

637
00:35:48,520 --> 00:35:50,239
Speaker 1: destination in the past couple of years. I've seen a

638
00:35:50,280 --> 00:35:53,920
Speaker 1: lot of install photos from there. These hot springs. Yeah,

639
00:35:54,480 --> 00:35:57,480
Speaker 1: this small town of maybe ten thousand people had this

640
00:35:57,640 --> 00:36:00,799
Speaker 1: incredible hot spring complex of the top of the hill.

641
00:36:01,520 --> 00:36:04,759
Speaker 1: Um so everyone would after shooting go up and have

642
00:36:04,840 --> 00:36:07,319
Speaker 1: a beer in the hot spring. Unbelievable that sounds. I

643
00:36:07,360 --> 00:36:09,600
Speaker 1: was literally I was wondering, like this Iceland, there is

644
00:36:09,640 --> 00:36:11,960
Speaker 1: this movie magic, because you know, they could do amazing

645
00:36:12,000 --> 00:36:14,200
Speaker 1: things in Hollywood. This movie magic. They can make you

646
00:36:14,239 --> 00:36:18,040
Speaker 1: believe anywhere in the world. We were. We were limping

647
00:36:18,040 --> 00:36:20,320
Speaker 1: to the finish line a little bit on the movie

648
00:36:20,360 --> 00:36:24,920
Speaker 1: because I went into my trailer and all of a sudden,

649
00:36:24,960 --> 00:36:30,440
Speaker 1: someone just came in and she starts. There was no knock,

650
00:36:30,640 --> 00:36:34,160
Speaker 1: It just burst into the trailer and uh, there's just

651
00:36:34,320 --> 00:36:37,560
Speaker 1: she starts putting a piece of paper on on the

652
00:36:37,560 --> 00:36:41,680
Speaker 1: bathroom door of my trailer. I'm like, oh, hello, She's

653
00:36:41,719 --> 00:36:45,680
Speaker 1: like hello, just keeps working of like, uh, can I

654
00:36:45,719 --> 00:36:49,200
Speaker 1: can I help you? And he's like, yes, you cannot

655
00:36:49,360 --> 00:36:54,920
Speaker 1: use your bathroom and uh and it's starting. This is

656
00:36:54,960 --> 00:36:57,560
Speaker 1: in October, so it's starting to get I don't think

657
00:36:57,560 --> 00:36:59,160
Speaker 1: it's cold for them, but it was cold for me.

658
00:37:00,080 --> 00:37:03,799
Speaker 1: Um And I'm like, oh, why like just for like

659
00:37:03,840 --> 00:37:07,319
Speaker 1: the next hour or like no, for the whole time.

660
00:37:08,160 --> 00:37:09,759
Speaker 1: I go can I ask why? She's like, well, we

661
00:37:11,040 --> 00:37:16,160
Speaker 1: the pipes will freeze. We can't so oh okay, so

662
00:37:17,719 --> 00:37:20,720
Speaker 1: but she said, but don't worry. There's a porta potty

663
00:37:21,360 --> 00:37:26,359
Speaker 1: that's you guys can share over here. And so I

664
00:37:26,440 --> 00:37:32,680
Speaker 1: didn't worry. I didn't understand. I didn't understand what was happening,

665
00:37:32,680 --> 00:37:34,120
Speaker 1: because I know they make a lot of movies in

666
00:37:34,160 --> 00:37:39,040
Speaker 1: Iceland now, but for some reason we could yeah, exactly

667
00:37:39,200 --> 00:37:43,120
Speaker 1: Hollywood or so. I think that meant that someone didn't

668
00:37:43,160 --> 00:37:45,880
Speaker 1: want to stay up all night long and run the heater.

669
00:37:46,400 --> 00:37:52,000
Speaker 1: Pipes don't freeze. And I think the toilets are unionized

670
00:37:52,040 --> 00:37:54,319
Speaker 1: in Iceland. I think that's what that's what the deal

671
00:37:54,400 --> 00:37:57,480
Speaker 1: is that's a huge that's a very strong union, big

672
00:37:57,560 --> 00:38:01,759
Speaker 1: union movie toilets. That has to be. Um. Okay, so

673
00:38:01,800 --> 00:38:04,719
Speaker 1: you finished shooting that in October and then you I

674
00:38:05,080 --> 00:38:07,319
Speaker 1: really before we asked the question, and to cut to

675
00:38:07,320 --> 00:38:09,720
Speaker 1: a break, I do want to ask or talk about

676
00:38:10,120 --> 00:38:12,360
Speaker 1: the sketch, which I think has taken on this weird

677
00:38:12,400 --> 00:38:15,040
Speaker 1: life of its own. Um. But well, you came and

678
00:38:15,080 --> 00:38:19,280
Speaker 1: hosted an November of this past season. It was highlight

679
00:38:19,320 --> 00:38:21,640
Speaker 1: for me and highlight for everybody there. We were so

680
00:38:21,680 --> 00:38:23,120
Speaker 1: excited that you were back. We did the sketch, a

681
00:38:23,200 --> 00:38:27,160
Speaker 1: dress rehearsal called cast list, and then it got cut

682
00:38:27,200 --> 00:38:29,879
Speaker 1: for time. But it's it's sort of has had it's

683
00:38:30,480 --> 00:38:33,000
Speaker 1: a weird like little at a moment online. It was

684
00:38:33,040 --> 00:38:34,160
Speaker 1: cut for time, but it was it was it was

685
00:38:34,160 --> 00:38:36,200
Speaker 1: where you were the drama teacher and then well we

686
00:38:36,200 --> 00:38:37,879
Speaker 1: were all the kids waiting for the cast. Did you

687
00:38:38,040 --> 00:38:40,480
Speaker 1: help write that or no? No, that was that was

688
00:38:40,520 --> 00:38:45,320
Speaker 1: Streeter and Mikey Streeter side and god, I love that sketch.

689
00:38:45,840 --> 00:38:47,680
Speaker 1: I looked it up last night just to put for

690
00:38:47,680 --> 00:38:49,040
Speaker 1: this interview, and I was just like, let's just like

691
00:38:49,120 --> 00:38:52,080
Speaker 1: relive this and watch it. But then in my YouTube search.

692
00:38:52,360 --> 00:38:54,480
Speaker 1: More like there's at least one video out there of

693
00:38:54,560 --> 00:38:57,280
Speaker 1: an actual drama club out of high school like doing

694
00:38:57,760 --> 00:39:01,520
Speaker 1: a line for line re enact smith of the sketch,

695
00:39:02,640 --> 00:39:04,640
Speaker 1: adding their own details in there. But like, I feel

696
00:39:04,640 --> 00:39:07,120
Speaker 1: like this is like part of like that little subculture

697
00:39:07,120 --> 00:39:09,799
Speaker 1: now of like actual high school drama departments who like

698
00:39:10,160 --> 00:39:12,359
Speaker 1: watch that sketch and are like, oh, this is so real,

699
00:39:12,400 --> 00:39:15,120
Speaker 1: because that was the response. Everyone's like, this is so accurate,

700
00:39:16,120 --> 00:39:20,080
Speaker 1: and and it was just kind of a collection of

701
00:39:20,080 --> 00:39:27,400
Speaker 1: of stereotypical memories, memories of of drama types. Yeah, yeah, yeah,

702
00:39:27,440 --> 00:39:29,760
Speaker 1: Oh my god. That's well, that's I mean, I guess

703
00:39:29,840 --> 00:39:33,279
Speaker 1: that's the good and bad part about the show is

704
00:39:33,320 --> 00:39:36,440
Speaker 1: that things cut for time now have this second life.

705
00:39:37,640 --> 00:39:42,040
Speaker 1: Um where in my in my day it was when

706
00:39:42,080 --> 00:39:44,120
Speaker 1: it's cut for time, it was just it was just gone.

707
00:39:44,160 --> 00:39:46,640
Speaker 1: You had to mourn it. You maybe would hopefully get

708
00:39:46,680 --> 00:39:51,000
Speaker 1: to bring it back. But I I probably I yeah,

709
00:39:51,040 --> 00:39:53,879
Speaker 1: I probably had as many people reacting to that as

710
00:39:54,120 --> 00:39:58,719
Speaker 1: anything that was on the actual show. That Yeah, that's

711
00:39:59,360 --> 00:40:01,720
Speaker 1: how do you guys feel about when stuff gets put online?

712
00:40:01,840 --> 00:40:03,920
Speaker 1: Would you rather have it have a second life on

713
00:40:03,960 --> 00:40:07,320
Speaker 1: the real show or oh that's a good question. Um,

714
00:40:07,640 --> 00:40:11,719
Speaker 1: I it depends. So for me, when it's when something

715
00:40:11,719 --> 00:40:15,480
Speaker 1: gets cut for time that can't really be recreated with

716
00:40:15,520 --> 00:40:17,879
Speaker 1: another host, I would say then, like that's when I've

717
00:40:17,920 --> 00:40:19,440
Speaker 1: only had to do that once. And that was when

718
00:40:19,560 --> 00:40:23,080
Speaker 1: RuPaul hosted in February and we he and I had

719
00:40:23,120 --> 00:40:24,279
Speaker 1: a sketch that was cut for time, and I was like,

720
00:40:24,280 --> 00:40:25,960
Speaker 1: I'm not gonna be able to do this with another host,

721
00:40:26,000 --> 00:40:30,320
Speaker 1: like she's like, and the fact that things are consumed

722
00:40:30,320 --> 00:40:33,000
Speaker 1: in so many different ways, it's not totally exactly and

723
00:40:33,000 --> 00:40:34,279
Speaker 1: like a lot of people are watching it the next

724
00:40:34,320 --> 00:40:37,160
Speaker 1: morning anyway. Um, but yeah, like I hadn't really and

725
00:40:37,160 --> 00:40:39,000
Speaker 1: and this is the myopic of me for not thinking that,

726
00:40:39,080 --> 00:40:44,680
Speaker 1: like oh yeah before YouTube, like you know, just we're gone, Yeah, yeah,

727
00:40:44,719 --> 00:40:48,160
Speaker 1: you're just How great is RuPaul? By the way, so

728
00:40:48,160 --> 00:40:51,279
Speaker 1: great are you? Interviewed him for Burgundy and we were

729
00:40:51,320 --> 00:40:54,680
Speaker 1: just blown away at how smart the guy. The guy

730
00:40:54,760 --> 00:40:58,080
Speaker 1: is so smart, he's kind of talk about anything. Yeah,

731
00:40:58,080 --> 00:41:03,080
Speaker 1: he really has. He's incredible. My school dropout, right, So

732
00:41:03,320 --> 00:41:06,239
Speaker 1: that's why I've been telling all like you, all the

733
00:41:06,239 --> 00:41:08,279
Speaker 1: readers that listen to this, everyone's got to drop out

734
00:41:08,280 --> 00:41:09,959
Speaker 1: of high school. This is what I keep you got.

735
00:41:10,080 --> 00:41:13,320
Speaker 1: That's the new that's the new movement. That's my big initiative,

736
00:41:13,480 --> 00:41:15,960
Speaker 1: and actually that we should make. We should say right

737
00:41:15,960 --> 00:41:17,840
Speaker 1: now the title of this episode is dropped out of

738
00:41:17,880 --> 00:41:21,400
Speaker 1: high school kids. Um. So just as we get that

739
00:41:21,400 --> 00:41:23,960
Speaker 1: message out there straight away, I always feel like whenever

740
00:41:24,719 --> 00:41:26,680
Speaker 1: did you tell me something is cut bowing it it

741
00:41:26,880 --> 00:41:30,319
Speaker 1: always and it appears online the next day. I think

742
00:41:30,360 --> 00:41:33,280
Speaker 1: that another thing we have to remember is not everyone

743
00:41:33,360 --> 00:41:36,279
Speaker 1: is watching it at Saturday night anyway, and so it's

744
00:41:36,320 --> 00:41:39,840
Speaker 1: like for them, for anyone, it's just like another SNL sketch.

745
00:41:40,040 --> 00:41:44,399
Speaker 1: You know, they're just consuming piecemeal and granularly. Anyway, did

746
00:41:44,440 --> 00:41:48,719
Speaker 1: the did the peaka boo jeans? Did that air on

747
00:41:48,760 --> 00:41:51,719
Speaker 1: the on air? Or was that cut for Was that later?

748
00:41:51,840 --> 00:41:53,640
Speaker 1: That also got cut for time? And I was very

749
00:41:53,640 --> 00:41:57,040
Speaker 1: sad about it. Yes, they were out to get you

750
00:41:57,080 --> 00:42:00,359
Speaker 1: that week, Bow and Yang. I didn't get any on

751
00:42:00,960 --> 00:42:04,200
Speaker 1: um I did. I did get to um stand next

752
00:42:04,239 --> 00:42:06,320
Speaker 1: to Will. Will was playing Tom Styer. I was playing

753
00:42:06,320 --> 00:42:10,640
Speaker 1: indury ing Um and my my terrible terrible injurying. But

754
00:42:10,719 --> 00:42:14,320
Speaker 1: then um but in this peakaboo, this rerangular peakaboose sketch

755
00:42:14,360 --> 00:42:17,480
Speaker 1: written by um Alex Moffatt Will Stephen. Um. I was

756
00:42:17,520 --> 00:42:19,840
Speaker 1: so excited because I there was a moment where you

757
00:42:19,840 --> 00:42:23,399
Speaker 1: and I Will had to walk down this bar, but

758
00:42:23,600 --> 00:42:26,600
Speaker 1: we just and we had bump butts and our our

759
00:42:26,680 --> 00:42:28,399
Speaker 1: ass cracks were showing, and I was like, I can't

760
00:42:28,400 --> 00:42:31,040
Speaker 1: believe I get to like, did your butt crack touch

761
00:42:31,600 --> 00:42:35,600
Speaker 1: touch his book cracks in touch? But yeah, it got

762
00:42:36,360 --> 00:42:39,480
Speaker 1: it got pretty close. It got close. Yeah yeah, yeah, yeah, okay,

763
00:42:39,640 --> 00:42:40,880
Speaker 1: but there wasn't. I was like, I can't believe I

764
00:42:40,920 --> 00:42:45,319
Speaker 1: get to air my asshole with Will and I got

765
00:42:45,360 --> 00:42:50,440
Speaker 1: to uh to hip check a jukebox with my rengular peekaboos.

766
00:42:50,760 --> 00:42:53,799
Speaker 1: Did that hurt? No? Not really. It was just like, hey,

767
00:42:53,840 --> 00:42:55,800
Speaker 1: what if I walked over here and gave the jukebox

768
00:42:55,800 --> 00:42:58,279
Speaker 1: a little, a little, a little how do you do?

769
00:42:58,960 --> 00:43:03,600
Speaker 1: And uh? And that stayed in the commercial. That's your

770
00:43:03,680 --> 00:43:07,200
Speaker 1: Your instincts are always perfect. Okay, let's no, no, not

771
00:43:07,960 --> 00:43:12,239
Speaker 1: one thing, which is that I can't believe that we

772
00:43:12,320 --> 00:43:15,480
Speaker 1: have not spoken about the sort of the sketch that

773
00:43:15,520 --> 00:43:19,480
Speaker 1: you did with Cecily, which was the sort of reality

774
00:43:19,520 --> 00:43:23,600
Speaker 1: show Bravo type thing James Anderson, and it also made

775
00:43:23,600 --> 00:43:25,960
Speaker 1: me think of the sketch called when you saying call

776
00:43:26,080 --> 00:43:30,239
Speaker 1: me a boy. Dot night that one years ago, like

777
00:43:30,280 --> 00:43:32,439
Speaker 1: the cabaret what was it called? It was Kristen Wig

778
00:43:32,480 --> 00:43:35,560
Speaker 1: and Bill were hosting like a jazz night. Oh I

779
00:43:35,600 --> 00:43:44,480
Speaker 1: should know this James Anderson, that guy, he's a legend. Yeah.

780
00:43:44,640 --> 00:43:48,680
Speaker 1: I actually listened to your guy's show with James. Uh,

781
00:43:48,960 --> 00:43:51,960
Speaker 1: and it's so funny to hear him be interviewed. Yeah,

782
00:43:52,000 --> 00:43:54,400
Speaker 1: well he's the best. We so you know, like we

783
00:43:54,400 --> 00:43:56,920
Speaker 1: we came to visit Sudi Sudie Green, who's one of

784
00:43:56,920 --> 00:44:00,799
Speaker 1: the writing supervisors, and we were upstairs. Eyes met yeah,

785
00:44:00,960 --> 00:44:02,920
Speaker 1: and we met him and it was it was like

786
00:44:02,920 --> 00:44:05,040
Speaker 1: one of those moments though, because that was another thing

787
00:44:05,080 --> 00:44:07,640
Speaker 1: like around the same time, the same kind of people

788
00:44:07,680 --> 00:44:10,880
Speaker 1: I was connecting with in high school over Anchorman also

789
00:44:11,120 --> 00:44:14,920
Speaker 1: loved the sketches that we would later find out he

790
00:44:15,000 --> 00:44:17,360
Speaker 1: was writing almost all of them, and so that was

791
00:44:17,440 --> 00:44:21,160
Speaker 1: like a true moment, like he is he is amazing, No,

792
00:44:21,440 --> 00:44:23,359
Speaker 1: And that was that was such a fun thing because

793
00:44:23,480 --> 00:44:25,799
Speaker 1: I would just remember, oh, this is Paula Pell's friend

794
00:44:25,880 --> 00:44:29,640
Speaker 1: James come by and then wait, James is now writing

795
00:44:29,800 --> 00:44:33,240
Speaker 1: great and uh, but it's crazy that he's been writing

796
00:44:33,239 --> 00:44:36,320
Speaker 1: for twenty years Yeah, he's a he's a hit machine

797
00:44:36,360 --> 00:44:38,480
Speaker 1: head factory. Okay, we'll take a quick break and we'll

798
00:44:38,480 --> 00:44:48,280
Speaker 1: be right back with Will. We'll ask the question. Okay,

799
00:44:48,280 --> 00:44:49,960
Speaker 1: and we're back with Will. Matt, why don't you ask

800
00:44:49,960 --> 00:44:53,080
Speaker 1: the questions? So here's the question that we've been alluding to,

801
00:44:53,280 --> 00:44:55,759
Speaker 1: and it is the moment that we're going to ask it.

802
00:44:56,040 --> 00:44:58,600
Speaker 1: So this is we're going to ask you, Will Ferrell,

803
00:44:58,800 --> 00:45:01,759
Speaker 1: what was the culture that made you say? Culture is

804
00:45:01,920 --> 00:45:04,399
Speaker 1: for me now to sort of boil this down, it's

805
00:45:04,440 --> 00:45:07,040
Speaker 1: just defining pop culture. It could be something you saw

806
00:45:07,120 --> 00:45:10,760
Speaker 1: as you were becoming you that sort of helped define

807
00:45:10,880 --> 00:45:18,960
Speaker 1: how you did become you. Oh my gosh. Um, you know, well,

808
00:45:19,000 --> 00:45:23,319
Speaker 1: there's probably a bunch of different answers. Okay, you mentioned, though, Matt,

809
00:45:23,520 --> 00:45:26,680
Speaker 1: theme parks, your love of theme parks. Okay, I'm gonna

810
00:45:26,680 --> 00:45:31,440
Speaker 1: e brace myself now. Okay. So, growing up in Orange County, California,

811
00:45:32,880 --> 00:45:38,880
Speaker 1: in the mean streets of Irvine, Um, which which is

812
00:45:39,040 --> 00:45:42,319
Speaker 1: Jason to Anaheim, home of Disneyland. So I grew up

813
00:45:43,080 --> 00:45:47,439
Speaker 1: going to Disneyland probably two to three times a year.

814
00:45:47,680 --> 00:45:55,000
Speaker 1: And in thinking about, um, this this actual question, Disneyland

815
00:45:55,080 --> 00:45:58,320
Speaker 1: was a huge that was a huge part of my life.

816
00:45:59,160 --> 00:46:03,319
Speaker 1: Think about amazing to hear. And I remember being five

817
00:46:03,400 --> 00:46:06,920
Speaker 1: years old and thinking at my first thought of, uh,

818
00:46:07,360 --> 00:46:09,320
Speaker 1: this is what I want to do with my life.

819
00:46:09,360 --> 00:46:13,360
Speaker 1: I came, but it wasn't being entertainment my my job

820
00:46:13,880 --> 00:46:17,080
Speaker 1: that I pictured in my little kid head. I wanted

821
00:46:17,120 --> 00:46:21,680
Speaker 1: to be a character, so that I wanted to dress

822
00:46:21,800 --> 00:46:26,919
Speaker 1: up as Goofy, Donald Duck, Mickey Mouse and just walk

823
00:46:26,960 --> 00:46:29,200
Speaker 1: around the park. And I was, I was. I was

824
00:46:29,239 --> 00:46:33,440
Speaker 1: thought that would be the most joy filled experience to

825
00:46:33,520 --> 00:46:38,360
Speaker 1: get to, even though I have no no consideration what's

826
00:46:38,400 --> 00:46:42,920
Speaker 1: for for temperature control or break time especially then, or

827
00:46:43,000 --> 00:46:44,720
Speaker 1: the fact that you don't get to say a word,

828
00:46:45,040 --> 00:46:48,360
Speaker 1: you just have to you are a silent human form.

829
00:46:48,760 --> 00:46:53,919
Speaker 1: But I was in love with those with that kind

830
00:46:53,960 --> 00:46:57,800
Speaker 1: of uh kind of watching, that kind of connection between

831
00:46:57,800 --> 00:47:02,320
Speaker 1: the meat and green experience. Yeah, exactly, And I remember

832
00:47:02,440 --> 00:47:08,240
Speaker 1: thinking that that those were probably the first seeds of

833
00:47:08,520 --> 00:47:14,440
Speaker 1: wanting to entertain. We're planted with our annual biennual you know,

834
00:47:14,640 --> 00:47:17,879
Speaker 1: three times a year forre lucky trips to Disneyland, which,

835
00:47:17,920 --> 00:47:21,920
Speaker 1: by the way, trips to Disneyland started with tears and

836
00:47:22,200 --> 00:47:25,920
Speaker 1: ended with tears because they're so damn tired, but tears

837
00:47:25,960 --> 00:47:28,600
Speaker 1: of anticipation of not being able to sleep the night

838
00:47:28,640 --> 00:47:33,960
Speaker 1: before going Tomorrow's the day we are gonna nothing like

839
00:47:34,080 --> 00:47:37,080
Speaker 1: waking up on that morning. Nothing like waking up and

840
00:47:37,160 --> 00:47:40,240
Speaker 1: nothing like I remember getting in the most ridiculous arguments

841
00:47:40,280 --> 00:47:43,080
Speaker 1: with my brother about which rides we've got to go

842
00:47:43,120 --> 00:47:45,759
Speaker 1: on first, And you know, the impulse is to go

843
00:47:45,800 --> 00:47:49,759
Speaker 1: on matter Mount. You knows Matterhorn, Matterhorn right out of

844
00:47:49,760 --> 00:47:52,239
Speaker 1: the game. I'm like, no, you gotta save it. You

845
00:47:52,360 --> 00:47:55,040
Speaker 1: can't do Matterhorn right away. We got to start with

846
00:47:55,080 --> 00:47:58,799
Speaker 1: the teacups and work our way up. And he's like,

847
00:47:58,880 --> 00:48:02,000
Speaker 1: why would we do the teacup They're terrible? Um, but

848
00:48:02,160 --> 00:48:05,319
Speaker 1: having fights about that and then before you know it,

849
00:48:05,920 --> 00:48:08,520
Speaker 1: moms saying one more ride and we're like, and we're

850
00:48:08,560 --> 00:48:11,080
Speaker 1: out what And it's tears and you've let go of

851
00:48:11,120 --> 00:48:14,040
Speaker 1: your helium balloon as you see it drift off into

852
00:48:14,080 --> 00:48:19,479
Speaker 1: the parking lot. So that's like a huge thing. Yeah,

853
00:48:19,520 --> 00:48:21,480
Speaker 1: I have to say I'm I'm more of your brother

854
00:48:21,600 --> 00:48:23,799
Speaker 1: type because I'm the kind of person, especially the way

855
00:48:23,840 --> 00:48:26,160
Speaker 1: that they do it now where it's like with the

856
00:48:26,200 --> 00:48:27,719
Speaker 1: fast pass of it all, where it's like you have

857
00:48:27,760 --> 00:48:29,919
Speaker 1: to kind of get a reservation to do these rides,

858
00:48:29,960 --> 00:48:32,160
Speaker 1: and if you don't get one, it's gonna run out

859
00:48:32,200 --> 00:48:33,560
Speaker 1: for the rest of the day. So you kind of

860
00:48:33,600 --> 00:48:36,680
Speaker 1: got to do that stuff early. That meet and great

861
00:48:36,719 --> 00:48:40,160
Speaker 1: experience that you that you describe, it's on a whole

862
00:48:40,160 --> 00:48:42,919
Speaker 1: other level now, especially in the past couple of years

863
00:48:42,920 --> 00:48:45,080
Speaker 1: as some of the movies have really popped off, Like

864
00:48:45,840 --> 00:48:49,960
Speaker 1: talking about Frozen. We went to Epcot one time and

865
00:48:49,960 --> 00:48:52,680
Speaker 1: obviously there's no kids in my and my family and

866
00:48:52,719 --> 00:48:55,600
Speaker 1: I don't really care about the meeting experience at this point,

867
00:48:55,960 --> 00:48:59,360
Speaker 1: but um, it was like the line to meet Elsa

868
00:48:59,840 --> 00:49:03,120
Speaker 1: was longer than any attraction line, Like it was like

869
00:49:03,120 --> 00:49:06,720
Speaker 1: a four hour imagine, I thought to myself, like, imagine

870
00:49:06,719 --> 00:49:08,399
Speaker 1: being a parent and you this is what you really

871
00:49:08,400 --> 00:49:11,160
Speaker 1: have to be a selfless person to be a parent

872
00:49:11,520 --> 00:49:15,120
Speaker 1: in Disney. But like standing in line for I'm not

873
00:49:15,200 --> 00:49:18,200
Speaker 1: kidding you four hours to meet a woman who is

874
00:49:18,400 --> 00:49:21,920
Speaker 1: dressed up as a character to get this experience for

875
00:49:21,960 --> 00:49:25,040
Speaker 1: your kid. But but the little girls you could see

876
00:49:25,040 --> 00:49:30,040
Speaker 1: it meant so much to exactly exactly, Yeah, it's pretty cool.

877
00:49:30,440 --> 00:49:34,360
Speaker 1: And then and then I, um, my dad. My dad's

878
00:49:34,360 --> 00:49:39,440
Speaker 1: a musician and played for years on and off with

879
00:49:39,480 --> 00:49:43,200
Speaker 1: the Righteous Brothers, and there were summers where they performed

880
00:49:43,239 --> 00:49:47,360
Speaker 1: at Disneyland. Uh. And so that was like a magical experience.

881
00:49:47,360 --> 00:49:50,839
Speaker 1: They have like the Tomorrowland stage which rises up out

882
00:49:50,840 --> 00:49:53,040
Speaker 1: of the center of the earth like it does in

883
00:49:53,120 --> 00:49:55,480
Speaker 1: the future, like like stage as well in the future

884
00:49:55,600 --> 00:49:58,280
Speaker 1: we should say. Uh. And I was like, Oh my god,

885
00:49:58,920 --> 00:50:02,320
Speaker 1: this is incredible. They had this like in Disney World.

886
00:50:02,360 --> 00:50:04,759
Speaker 1: They have it's called the Starlight Cafe. I think it's

887
00:50:04,760 --> 00:50:06,960
Speaker 1: called the Starlight Cafe where they have this like I've

888
00:50:06,960 --> 00:50:08,840
Speaker 1: never been to disney World, by the way, Oh you

889
00:50:08,960 --> 00:50:12,560
Speaker 1: must go. It's I mean, it's like Disneyland on true

890
00:50:12,960 --> 00:50:17,520
Speaker 1: Like it's like it's an acid it's like fully exploded.

891
00:50:17,560 --> 00:50:21,040
Speaker 1: It's ten thousand times bigger. It's like it's really a

892
00:50:21,080 --> 00:50:23,680
Speaker 1: little overwhelming and a little bit kind of scary how

893
00:50:23,719 --> 00:50:26,279
Speaker 1: big it is and what an expedition it is. But

894
00:50:26,400 --> 00:50:28,440
Speaker 1: it's something you should go at least once. But they

895
00:50:28,480 --> 00:50:31,319
Speaker 1: have this like alien playing the piano and sort of

896
00:50:31,360 --> 00:50:35,160
Speaker 1: like doing like a like sort of cabaret like sort

897
00:50:35,200 --> 00:50:38,440
Speaker 1: of thing while you eat your like fast food. And

898
00:50:38,560 --> 00:50:40,399
Speaker 1: I used to think it was the coolest thing ever

899
00:50:40,440 --> 00:50:42,279
Speaker 1: that they had an alien doing that. I was like,

900
00:50:42,320 --> 00:50:44,560
Speaker 1: that's such a good touch to get the alien coming

901
00:50:44,600 --> 00:50:49,720
Speaker 1: in the alien going. It was a full animatronic But Bowen,

902
00:50:49,800 --> 00:50:52,239
Speaker 1: do you did you have a family pilgrimage to do

903
00:50:52,440 --> 00:50:55,920
Speaker 1: to any of the Disney parks? We did. We um

904
00:50:56,160 --> 00:51:01,040
Speaker 1: understood the significance of Disney, So we nine d nine

905
00:51:01,680 --> 00:51:04,880
Speaker 1: when we we went and so um, but it was

906
00:51:04,880 --> 00:51:07,319
Speaker 1: a thing where and this was a too built up

907
00:51:07,400 --> 00:51:09,320
Speaker 1: It was not too built up. And I remember, I remember,

908
00:51:09,360 --> 00:51:13,000
Speaker 1: I remember remember even as like a nine year old

909
00:51:13,080 --> 00:51:15,560
Speaker 1: leaving and being like the succeed in my expectations, which

910
00:51:16,239 --> 00:51:18,880
Speaker 1: which never happens as a child, I thought this was

911
00:51:18,880 --> 00:51:21,480
Speaker 1: strictly like an immigrant thing. But I think this is

912
00:51:21,520 --> 00:51:26,080
Speaker 1: just like if you're middle class. Um. But we couldn't

913
00:51:26,120 --> 00:51:28,279
Speaker 1: eat in the park. We had to bring our sandwiches

914
00:51:28,960 --> 00:51:32,239
Speaker 1: into the park. I was talking like buying a commemorative

915
00:51:32,360 --> 00:51:40,200
Speaker 1: cup was a huge yes, huge deal and like my

916
00:51:40,239 --> 00:51:42,080
Speaker 1: sister and I would use all our powers of persuasion

917
00:51:42,120 --> 00:51:47,600
Speaker 1: to like get at universal um cup Jurassic Park with

918
00:51:47,600 --> 00:51:50,280
Speaker 1: a t Rex head like that was like the prize

919
00:51:50,440 --> 00:51:53,000
Speaker 1: that was yes, yes that was what you that was

920
00:51:53,040 --> 00:51:56,040
Speaker 1: what you like went there for. So you could theoretically

921
00:51:56,040 --> 00:51:58,480
Speaker 1: bring the cup home and bring it to school and

922
00:51:58,520 --> 00:52:00,960
Speaker 1: like show your friends. Yeah, it is all about the cup.

923
00:52:01,000 --> 00:52:02,799
Speaker 1: And remember the thing that they did to sell the

924
00:52:02,880 --> 00:52:05,359
Speaker 1: cup was to tell you this is a cup that

925
00:52:05,400 --> 00:52:08,880
Speaker 1: you can keep refilling. It was like, this is a

926
00:52:08,920 --> 00:52:12,800
Speaker 1: special cup. You know, these other cups, these other young girls,

927
00:52:12,960 --> 00:52:15,480
Speaker 1: you can't reveal them. This one you can fill back

928
00:52:15,560 --> 00:52:17,759
Speaker 1: up with any refreshment of your job. I almost I

929
00:52:17,840 --> 00:52:21,239
Speaker 1: almost worked there one summer in college and went through

930
00:52:21,280 --> 00:52:26,560
Speaker 1: the orientation and everything and um uh, only to not

931
00:52:26,640 --> 00:52:30,200
Speaker 1: show up for my first day of boy and because

932
00:52:30,239 --> 00:52:32,520
Speaker 1: I wanted to be one of the jungle cruise guys,

933
00:52:32,719 --> 00:52:35,239
Speaker 1: you know with the you know, so happy you brought

934
00:52:35,280 --> 00:52:38,839
Speaker 1: this up, with the jokes and the whole banter and

935
00:52:38,880 --> 00:52:40,839
Speaker 1: the I was like, I can do that. I could

936
00:52:40,960 --> 00:52:43,800
Speaker 1: nail that. And I didn't realize that that's one of

937
00:52:43,840 --> 00:52:45,560
Speaker 1: those jobs. You have to work there ten years at

938
00:52:45,600 --> 00:52:48,000
Speaker 1: the park to get those. And it's like a whole

939
00:52:48,000 --> 00:52:53,160
Speaker 1: audition process, hierarchy, it's the whole thing. And did you know,

940
00:52:53,560 --> 00:52:56,040
Speaker 1: speaking of things, you but when you walk down Main

941
00:52:56,120 --> 00:53:01,520
Speaker 1: Street the candy stores, they pump the scent of vanilla

942
00:53:01,760 --> 00:53:06,680
Speaker 1: out into the streets. Oh, it's a huge It's everything

943
00:53:06,719 --> 00:53:08,839
Speaker 1: about it is planned out. So I got a little

944
00:53:08,840 --> 00:53:10,920
Speaker 1: peek behind the curtain. I didn't like it as much

945
00:53:10,960 --> 00:53:12,719
Speaker 1: as when I was a kid. Well, I mean, if

946
00:53:12,719 --> 00:53:14,719
Speaker 1: you peek behind the curtain there, you're not gonna like

947
00:53:14,719 --> 00:53:16,319
Speaker 1: a lot of what's happening. I mean, those workers are

948
00:53:16,400 --> 00:53:18,360
Speaker 1: under paid. Let's flat outside that right now. It's a

949
00:53:18,440 --> 00:53:25,560
Speaker 1: rule of culture number those words under But this is

950
00:53:25,600 --> 00:53:27,960
Speaker 1: the thing about Disneyland, I think, and even let's say

951
00:53:28,000 --> 00:53:30,880
Speaker 1: Universal Studios or like not Sperry Farm, but like l

952
00:53:30,960 --> 00:53:34,719
Speaker 1: A or in the in the southern California area, like

953
00:53:35,200 --> 00:53:39,799
Speaker 1: Will talking about his dad playing gigs at Disneyland on

954
00:53:39,840 --> 00:53:42,400
Speaker 1: the Tomorrowland stage, I'm like, I don't know if this

955
00:53:42,560 --> 00:53:44,719
Speaker 1: does this track. It's like in New York you get

956
00:53:44,760 --> 00:53:46,920
Speaker 1: like a bunch of performance venues and like growing up there,

957
00:53:46,920 --> 00:53:50,240
Speaker 1: you get to like whatever, like engage with live performance

958
00:53:50,239 --> 00:53:51,879
Speaker 1: as much as you want and whatever what you want.

959
00:53:51,880 --> 00:53:54,719
Speaker 1: But I feel like in California it's like you go

960
00:53:55,560 --> 00:53:57,960
Speaker 1: to see the theater in l A. But like that's

961
00:53:57,960 --> 00:53:59,400
Speaker 1: not like what l A is known for, Like no,

962
00:53:59,480 --> 00:54:02,640
Speaker 1: you totally Disney And then you see street performers where

963
00:54:02,640 --> 00:54:05,799
Speaker 1: you see like people just performing live or even if

964
00:54:05,840 --> 00:54:09,000
Speaker 1: they're just like slinging jokes at the Jungle Cruise. No,

965
00:54:09,640 --> 00:54:14,040
Speaker 1: that was and and not s Very Farm. Another another

966
00:54:14,120 --> 00:54:18,879
Speaker 1: kind of watching performance moment they had Well, I don't

967
00:54:19,600 --> 00:54:21,360
Speaker 1: I'm I'm older than you guys, but I don't know

968
00:54:21,400 --> 00:54:25,920
Speaker 1: if you guys remember the song Convoy. We got a

969
00:54:25,960 --> 00:54:29,480
Speaker 1: great old Convoy trucking on down the line. It was

970
00:54:29,520 --> 00:54:31,879
Speaker 1: a song I love it. I just want to stop

971
00:54:31,920 --> 00:54:34,080
Speaker 1: everything and say I love that. That's my favorite song.

972
00:54:34,200 --> 00:54:36,320
Speaker 1: The guy's whole stick was he was it was music

973
00:54:36,360 --> 00:54:38,959
Speaker 1: for truckers and he had this number one hit. God,

974
00:54:39,080 --> 00:54:43,719
Speaker 1: we got a great old Convoy. It. He was performing

975
00:54:43,760 --> 00:54:46,319
Speaker 1: at not Spury Farm, and I said, I said to

976
00:54:46,320 --> 00:54:48,440
Speaker 1: my dad, like I gotta go see the show. I

977
00:54:48,480 --> 00:54:51,520
Speaker 1: just gotta go. And so I sat there alone as

978
00:54:51,560 --> 00:54:55,640
Speaker 1: a kid and watch and then found my I gave

979
00:54:55,680 --> 00:54:59,560
Speaker 1: my gave him a standing ovation like with of course

980
00:54:59,600 --> 00:55:01,879
Speaker 1: you did. Was like it was a damn good show. Yeah,

981
00:55:01,880 --> 00:55:04,719
Speaker 1: because they're great. That's the thing about those people that

982
00:55:04,800 --> 00:55:07,719
Speaker 1: performed is that they're great. And and a lot of

983
00:55:07,840 --> 00:55:11,120
Speaker 1: people that I know, um, you know they worked at

984
00:55:11,120 --> 00:55:14,239
Speaker 1: Disneyland or you know. I now that we now that

985
00:55:14,239 --> 00:55:16,319
Speaker 1: people have listened to this podcast and they know that

986
00:55:16,440 --> 00:55:18,680
Speaker 1: I like Junior World so much and and I actually

987
00:55:18,760 --> 00:55:20,520
Speaker 1: let them know when we're gonna be there. We've met

988
00:55:20,560 --> 00:55:23,240
Speaker 1: a bunch of people that performed there and they're awesome.

989
00:55:23,960 --> 00:55:26,680
Speaker 1: And um, it's funny that you bring up the Jungle

990
00:55:26,760 --> 00:55:29,600
Speaker 1: Cruise Skipper because you want to know when I was young,

991
00:55:30,480 --> 00:55:32,440
Speaker 1: my and Bowen knows this because I did a whole

992
00:55:32,520 --> 00:55:35,040
Speaker 1: show about it when we were in New York. Um,

993
00:55:35,239 --> 00:55:39,880
Speaker 1: I wanted to be a Universal Studios the Jaws ride.

994
00:55:40,520 --> 00:55:43,680
Speaker 1: The guy who was on the boat, like the skipper

995
00:55:43,719 --> 00:55:46,279
Speaker 1: of the Jaws, skipper who is like We're doing a

996
00:55:46,320 --> 00:55:49,120
Speaker 1: tour of amity and this I know every word. I'm

997
00:55:49,200 --> 00:55:51,719
Speaker 1: literally off book on it, not right now, but in

998
00:55:52,120 --> 00:55:55,000
Speaker 1: theory I am. And of course Jaws attacks the boat

999
00:55:55,000 --> 00:55:56,600
Speaker 1: and he has to kind of be like oh no,

1000
00:55:57,040 --> 00:55:59,680
Speaker 1: and fire a grenade launcher at like fake sharks and

1001
00:55:59,719 --> 00:56:02,879
Speaker 1: like you know, react to everything. But that was my

1002
00:56:03,400 --> 00:56:06,360
Speaker 1: whole dream for years, as I wanted when I was

1003
00:56:06,360 --> 00:56:08,239
Speaker 1: a little I wanted to move there and be that,

1004
00:56:08,360 --> 00:56:10,520
Speaker 1: and then years later I was. I did it as

1005
00:56:10,520 --> 00:56:14,320
Speaker 1: a bit on stage where Bowen played the shark. Bowen

1006
00:56:14,400 --> 00:56:16,239
Speaker 1: played the shark and I was the skipper, and I

1007
00:56:16,239 --> 00:56:18,200
Speaker 1: would just be wildly shooting, and we would take members

1008
00:56:18,239 --> 00:56:19,839
Speaker 1: for the audience and we put them on the boat

1009
00:56:19,880 --> 00:56:21,960
Speaker 1: in the stage and that would be the stipper and

1010
00:56:22,040 --> 00:56:24,439
Speaker 1: Bowen would come out at different points and you see

1011
00:56:24,440 --> 00:56:27,840
Speaker 1: be Chelsea and attack the boat. Inch in shark costume?

1012
00:56:28,040 --> 00:56:31,120
Speaker 1: Do you have like a minimal shark costume? Very minimal

1013
00:56:31,120 --> 00:56:33,280
Speaker 1: shark costume. But I mean it was all in the performance.

1014
00:56:33,280 --> 00:56:35,440
Speaker 1: It was all in the vocal placement of you know,

1015
00:56:35,680 --> 00:56:38,879
Speaker 1: you're screaming shark. But it was me. I played Jaws,

1016
00:56:38,920 --> 00:56:41,920
Speaker 1: but I had inherited the role from writer from and Dressen,

1017
00:56:41,960 --> 00:56:45,320
Speaker 1: who writes SNL now and A. Dressen was the first

1018
00:56:45,320 --> 00:56:47,520
Speaker 1: shark when I did it at the People's Improv Theater

1019
00:56:48,120 --> 00:56:50,759
Speaker 1: and she, I guess, was was too busy to play

1020
00:56:50,800 --> 00:56:53,400
Speaker 1: the shark, and Bowen actually stepped in as the shark

1021
00:56:53,440 --> 00:56:55,760
Speaker 1: and I played our friend Dave Mazzoni played the fire

1022
00:56:56,320 --> 00:57:00,239
Speaker 1: and Anna got the boot and got never to play

1023
00:57:00,320 --> 00:57:03,279
Speaker 1: the shark again. Now, yeah, and she's actually not doing well. Now,

1024
00:57:03,440 --> 00:57:08,040
Speaker 1: She's really not doing well. Now when she looks back,

1025
00:57:08,120 --> 00:57:10,440
Speaker 1: she knows what she where she made her mistake, that

1026
00:57:10,600 --> 00:57:13,040
Speaker 1: she made her mistake there. But Bowen was an amazing

1027
00:57:13,080 --> 00:57:15,280
Speaker 1: shark place I don't know if you know this about Bowen,

1028
00:57:15,320 --> 00:57:21,760
Speaker 1: but he's an amazing performer, and he's explosive. He's so explosive. Yes, yeah,

1029
00:57:22,000 --> 00:57:24,919
Speaker 1: he comes the way he would scream at the at

1030
00:57:24,920 --> 00:57:28,560
Speaker 1: the at the audience members, he was very scary. Well,

1031
00:57:28,680 --> 00:57:32,480
Speaker 1: I'm sure they're not expecting it from Bowen, who seems calm,

1032
00:57:32,520 --> 00:57:37,439
Speaker 1: cool and collected, and the next thing, you know, shark attack. Yeah,

1033
00:57:37,480 --> 00:57:39,920
Speaker 1: there were really many times where I felt he was,

1034
00:57:40,560 --> 00:57:43,280
Speaker 1: you know, endangering the people on stage. Would you just

1035
00:57:43,480 --> 00:57:47,120
Speaker 1: vocalize what you felt like a sharks that sound like

1036
00:57:47,200 --> 00:57:49,320
Speaker 1: or would you just say shark attack? Well, this is

1037
00:57:49,320 --> 00:57:51,640
Speaker 1: the thing. When Matt says he's off book, he's he's

1038
00:57:51,640 --> 00:57:54,200
Speaker 1: not only off book, but he's synchronized to the actual

1039
00:57:54,360 --> 00:57:58,360
Speaker 1: track that plays. That's impressive on the vehicle. So he

1040
00:57:58,360 --> 00:58:01,960
Speaker 1: would play the track at U C b um and

1041
00:58:02,320 --> 00:58:05,160
Speaker 1: it would I would have to synchronize. I had like

1042
00:58:05,560 --> 00:58:07,720
Speaker 1: you have to be ready to go, you can't. Ye,

1043
00:58:07,880 --> 00:58:12,680
Speaker 1: this was mariographed blocked thing. Yeah, no, we're not kidding.

1044
00:58:12,840 --> 00:58:16,360
Speaker 1: This is really true. This is very true. And in

1045
00:58:16,400 --> 00:58:19,560
Speaker 1: the track, jawns the sharks screams like this is like

1046
00:58:20,280 --> 00:58:23,760
Speaker 1: prime whatever they thought a shark noise was put in there.

1047
00:58:23,760 --> 00:58:26,120
Speaker 1: It was like a Jurassic Park roar, which surely does

1048
00:58:26,160 --> 00:58:29,240
Speaker 1: not happen with Sharks. But I had to sort of

1049
00:58:29,280 --> 00:58:32,400
Speaker 1: match my pitch, my tone to whatever was in the track,

1050
00:58:32,520 --> 00:58:35,640
Speaker 1: and I had to form audio cues, like internal like

1051
00:58:35,880 --> 00:58:39,000
Speaker 1: self made cues like oh, when when there's a rustle

1052
00:58:39,080 --> 00:58:43,200
Speaker 1: at this at like minute four, that's when I'll be right,

1053
00:58:43,520 --> 00:58:46,120
Speaker 1: you know, if you know, Jaws famously has a very

1054
00:58:46,320 --> 00:58:49,960
Speaker 1: signature soundtrack, and so there's points in the music where

1055
00:58:49,960 --> 00:58:52,560
Speaker 1: Bone would know, this is where I enter stage left

1056
00:58:52,600 --> 00:58:54,600
Speaker 1: and scream at the people that Maths put in the boat.

1057
00:58:55,040 --> 00:58:57,480
Speaker 1: And also we should say they were also multi sort

1058
00:58:57,520 --> 00:59:00,360
Speaker 1: of like four D elements where I would have buckets

1059
00:59:00,360 --> 00:59:02,280
Speaker 1: of water, I had a water gun I would set

1060
00:59:02,320 --> 00:59:04,760
Speaker 1: and the audience would get wet and I would Actually

1061
00:59:04,840 --> 00:59:06,720
Speaker 1: the show was called you Will Get Wet, and it

1062
00:59:06,840 --> 00:59:10,840
Speaker 1: is online. It is on YouTube. I'm I'm checking that

1063
00:59:10,920 --> 00:59:13,120
Speaker 1: out as soon as we're done here. You must check

1064
00:59:13,200 --> 00:59:14,840
Speaker 1: it out. It was and yes, by the way, it

1065
00:59:14,920 --> 00:59:19,880
Speaker 1: was a musical. So this was not just a four

1066
00:59:19,920 --> 00:59:23,520
Speaker 1: minutes This is a long. It started as a bit

1067
00:59:23,640 --> 00:59:25,880
Speaker 1: I was doing on stage where I just did the

1068
00:59:25,960 --> 00:59:28,760
Speaker 1: Jaws ride and it was like people would like book

1069
00:59:28,840 --> 00:59:31,160
Speaker 1: me for like a stand up set, and I was like, cool,

1070
00:59:31,200 --> 00:59:33,480
Speaker 1: I need time in the space beforehand here in my

1071
00:59:33,520 --> 00:59:36,320
Speaker 1: tech I need. It became too much of a thing.

1072
00:59:36,840 --> 00:59:39,080
Speaker 1: One's gonna do the show too. Yes, So I did

1073
00:59:39,080 --> 00:59:40,840
Speaker 1: it like several times, and then I was like, this

1074
00:59:40,920 --> 00:59:43,520
Speaker 1: will not sustain. I can't do this like on the scene.

1075
00:59:43,600 --> 00:59:47,040
Speaker 1: I must actually do it as part of its own show.

1076
00:59:47,080 --> 00:59:48,480
Speaker 1: And so I wrote a show. It was called You

1077
00:59:48,520 --> 00:59:51,680
Speaker 1: Will Get Wet. It was all about a fictionalized version

1078
00:59:51,720 --> 00:59:55,960
Speaker 1: of myself wanting to be the Jaws boat skipper, and

1079
00:59:56,240 --> 01:00:00,920
Speaker 1: it culminated in the Jaws performance, which was my addition together.

1080
01:00:03,640 --> 01:00:05,960
Speaker 1: And that's bone was incredible Shark and he's gone on

1081
01:00:06,080 --> 01:00:08,880
Speaker 1: to do amazing things as a result of playing of

1082
01:00:08,920 --> 01:00:11,920
Speaker 1: you and some of you. Um, but it's still it's

1083
01:00:11,920 --> 01:00:15,560
Speaker 1: still listened in your credits though, right, yes, yes, yeah, yeah,

1084
01:00:15,960 --> 01:00:22,920
Speaker 1: I am yeah, I am Broadway Broadway Dada perfect. It

1085
01:00:23,040 --> 01:00:28,800
Speaker 1: was Broadway, yeah, the Broadway database. Well no, but I

1086
01:00:28,840 --> 01:00:31,520
Speaker 1: mean I I do like this concept of like you

1087
01:00:31,600 --> 01:00:34,560
Speaker 1: like going to like as a destination performance, like I'm

1088
01:00:34,560 --> 01:00:37,600
Speaker 1: gonna go see the guy who sings convoy um, and

1089
01:00:37,760 --> 01:00:40,960
Speaker 1: like that's like that's like, what like sparks something in you.

1090
01:00:41,200 --> 01:00:44,440
Speaker 1: It was a bonus, a pleasant surprise that you know whatever.

1091
01:00:44,960 --> 01:00:48,360
Speaker 1: June afternoon, I just happened to see that that performer

1092
01:00:48,520 --> 01:00:52,480
Speaker 1: was at the you know, Silver Wagon show room and

1093
01:00:53,320 --> 01:00:58,000
Speaker 1: that not very farm and amazing. Yeah, yeah, before we do,

1094
01:00:58,080 --> 01:01:00,880
Speaker 1: I don't think so, honey, I want to asked about

1095
01:01:01,160 --> 01:01:04,560
Speaker 1: where you're placing. So okay, so big many Players Network,

1096
01:01:04,680 --> 01:01:07,160
Speaker 1: new podcast network network with I heart Media from Will

1097
01:01:07,360 --> 01:01:10,480
Speaker 1: and thank you for producing us, and thank god, thank

1098
01:01:10,520 --> 01:01:15,120
Speaker 1: you guys for coming on board. This is a a

1099
01:01:15,320 --> 01:01:25,720
Speaker 1: coupe all the time. And there's that that we were

1100
01:01:25,760 --> 01:01:30,720
Speaker 1: talking about, um making a way in that comedy. It's perfect.

1101
01:01:30,960 --> 01:01:33,320
Speaker 1: I feel like, okay, so so I like that. I

1102
01:01:33,360 --> 01:01:37,040
Speaker 1: feel I would say the flagship show is the Ron

1103
01:01:37,080 --> 01:01:41,520
Speaker 1: Burgundy podcast now. And and you have Carolina, who's your assistant,

1104
01:01:41,560 --> 01:01:45,800
Speaker 1: who's lovely, we've met, she's phenomenal. Perfect But okay, but Ron,

1105
01:01:46,120 --> 01:01:49,360
Speaker 1: let's place Ron like in space time here, so he

1106
01:01:49,760 --> 01:01:54,320
Speaker 1: is in the he's in like yeah yeah, but like

1107
01:01:54,440 --> 01:01:57,280
Speaker 1: but yeah, he hasn't really aged since the seventies, right, No,

1108
01:01:57,920 --> 01:02:01,800
Speaker 1: he hasn't aged. He's kind of yeah, he's stuck at

1109
01:02:01,880 --> 01:02:07,760
Speaker 1: whatever A g is a robust late forties Okay, I

1110
01:02:07,840 --> 01:02:11,440
Speaker 1: would say, yeah, and he's learning. He's like he's like

1111
01:02:11,520 --> 01:02:14,800
Speaker 1: learning so much about this world and like he's trying

1112
01:02:14,840 --> 01:02:19,680
Speaker 1: to evolve. Yeah, he um and he he ping pongs

1113
01:02:19,680 --> 01:02:27,320
Speaker 1: back and forth between. Sometimes he is incredibly enlightened, he's

1114
01:02:27,440 --> 01:02:30,360
Speaker 1: right with modern times and you kind of can't believe

1115
01:02:30,480 --> 01:02:33,840
Speaker 1: Ron's really this with it. And then other times he

1116
01:02:34,480 --> 01:02:39,040
Speaker 1: of course is is hopeless. Um, and poor Carolina suffers

1117
01:02:39,040 --> 01:02:43,439
Speaker 1: the brunt of a lot of Ron's uh misinformation. Yeah,

1118
01:02:43,600 --> 01:02:49,440
Speaker 1: it's perfect in that Carolina is straight manning you. But um,

1119
01:02:49,480 --> 01:02:51,680
Speaker 1: but also I feel like what Ron is going through

1120
01:02:52,360 --> 01:02:55,480
Speaker 1: is like a nice mental model. It's a nice blueprint

1121
01:02:55,480 --> 01:02:58,600
Speaker 1: for everybody to to see. Oh, I can be so

1122
01:02:58,680 --> 01:03:02,200
Speaker 1: far behind on something, but very as you said, enlightened

1123
01:03:02,200 --> 01:03:06,120
Speaker 1: in others and willing to learn, but prone to us

1124
01:03:06,640 --> 01:03:11,919
Speaker 1: to flare ups and abusive language and abusive behavior, which

1125
01:03:12,000 --> 01:03:15,160
Speaker 1: is not fair. But he's always apologetic. Yes, I think

1126
01:03:15,200 --> 01:03:18,560
Speaker 1: that's that's what we gotta take away. That's what we got.

1127
01:03:18,880 --> 01:03:22,200
Speaker 1: He's trying his best. Ultimately, Now, where does the Veronica

1128
01:03:22,240 --> 01:03:25,440
Speaker 1: corning Stone exist in this universe? Are they still married?

1129
01:03:25,600 --> 01:03:29,640
Speaker 1: Is that? As shame moved on Veronica isn't referenced that often.

1130
01:03:29,840 --> 01:03:34,080
Speaker 1: In fact, Ron is always talking about past girl friends.

1131
01:03:34,240 --> 01:03:37,880
Speaker 1: It kind of makes no sense. Um. And in fact,

1132
01:03:37,920 --> 01:03:44,120
Speaker 1: the last season Ron um uh Ron had a relationship

1133
01:03:45,040 --> 01:03:51,560
Speaker 1: with with Siah right yes, about two or three episodes

1134
01:03:51,640 --> 01:03:58,080
Speaker 1: he was dating Cia, which he Sia did tell Ron

1135
01:03:58,240 --> 01:04:00,160
Speaker 1: she was interested in hang out, but they and she

1136
01:04:00,200 --> 01:04:04,040
Speaker 1: had to break it off. And but I don't I

1137
01:04:04,120 --> 01:04:06,480
Speaker 1: don't think she was as serious about it as Ron

1138
01:04:06,680 --> 01:04:09,200
Speaker 1: was to be quite honestly. So he's a little broken

1139
01:04:09,240 --> 01:04:15,880
Speaker 1: hearted over that still, but he's technically still married, I think, yeah, yeah, yeah,

1140
01:04:15,920 --> 01:04:18,160
Speaker 1: well I would love to hear him discuss that. And

1141
01:04:18,400 --> 01:04:23,880
Speaker 1: Baxter's probably a hundred years old and been through so much.

1142
01:04:24,480 --> 01:04:29,760
Speaker 1: There's a lot of a lot of things are being bent, yeah,

1143
01:04:29,960 --> 01:04:33,520
Speaker 1: right in his reality. And this is not to say that,

1144
01:04:33,760 --> 01:04:38,120
Speaker 1: um the lawns of physics even applied in the original movies,

1145
01:04:38,560 --> 01:04:42,040
Speaker 1: right right, but they definitely don't apply in the podcast

1146
01:04:42,240 --> 01:04:45,240
Speaker 1: of course. Way with it. Yeah, yeah, it's a looser medium,

1147
01:04:45,720 --> 01:04:52,400
Speaker 1: write you, yeah, super loose ye. This medium there is

1148
01:04:54,720 --> 01:04:59,800
Speaker 1: amongst loose lips, loose lips medium, you know, loose lips medium.

1149
01:05:00,080 --> 01:05:02,280
Speaker 1: That's that's that's actually the sister network of big money

1150
01:05:02,320 --> 01:05:05,960
Speaker 1: players loose Lips medium and I'm starting it and it's

1151
01:05:06,040 --> 01:05:11,480
Speaker 1: only podcast with mediums. Yeah, exactly, exactly. I have Theresa Caputo. Uh,

1152
01:05:12,160 --> 01:05:14,800
Speaker 1: she's the Long Island medium and I have at least

1153
01:05:14,880 --> 01:05:19,360
Speaker 1: twenty podcast pitches from her already already since I've said it. Yeah,

1154
01:05:19,880 --> 01:05:21,840
Speaker 1: she already knew. She was like, I've been waiting for

1155
01:05:21,960 --> 01:05:24,720
Speaker 1: someone to say they had a podcast for mediums, and

1156
01:05:24,880 --> 01:05:28,440
Speaker 1: so she read ready to go, Ready to go. They

1157
01:05:28,480 --> 01:05:32,360
Speaker 1: all they sound, they sound okay, Um, okay, we're gonna

1158
01:05:32,400 --> 01:05:34,240
Speaker 1: take a quick break and we're gonna come back with

1159
01:05:34,720 --> 01:05:46,640
Speaker 1: I don't think so honey. Okay, and we're back even

1160
01:05:47,200 --> 01:05:48,960
Speaker 1: and we're back even, Okay. So I think it's time

1161
01:05:49,000 --> 01:05:51,600
Speaker 1: for I don't think so Honey. I don't know. I

1162
01:05:51,640 --> 01:05:53,640
Speaker 1: don't think so Honey. Is our one minute segment where

1163
01:05:53,680 --> 01:05:57,480
Speaker 1: we take one minute to rail against something in culture. Um,

1164
01:05:58,240 --> 01:06:00,440
Speaker 1: there's a lot going on, there's a lot to look

1165
01:06:00,440 --> 01:06:03,720
Speaker 1: forward to, there's a lot to feel some dread around.

1166
01:06:03,760 --> 01:06:06,200
Speaker 1: I would say there's a lot going on in the world. Um,

1167
01:06:06,320 --> 01:06:08,960
Speaker 1: I have chosen a topic that is not necessarily I

1168
01:06:09,000 --> 01:06:11,600
Speaker 1: would say topical per se. And I would say a

1169
01:06:11,680 --> 01:06:13,920
Speaker 1: lot of people might not even be thinking about this

1170
01:06:14,080 --> 01:06:16,880
Speaker 1: at all. And that's actually why I feel it's important,

1171
01:06:16,920 --> 01:06:20,080
Speaker 1: because in this time, something slipped through the cracks and

1172
01:06:20,480 --> 01:06:23,640
Speaker 1: and everyone I I'm ready now. I should just preface

1173
01:06:23,680 --> 01:06:25,640
Speaker 1: this by saying, as a result of my bike accident

1174
01:06:25,680 --> 01:06:27,680
Speaker 1: two weeks ago, my phone is still shattered, so bone,

1175
01:06:27,760 --> 01:06:31,560
Speaker 1: I will need you to what was your accident? Well, well,

1176
01:06:31,760 --> 01:06:34,560
Speaker 1: what happened was? Should I not ask? Am I opening

1177
01:06:34,560 --> 01:06:37,120
Speaker 1: a can of word? And I'm actually very open about

1178
01:06:38,000 --> 01:06:41,560
Speaker 1: my my injuries. Um, so I have flipped. I flipped

1179
01:06:41,680 --> 01:06:45,640
Speaker 1: over the bars. It was stupid too. It was I

1180
01:06:45,760 --> 01:06:48,080
Speaker 1: was riding my bike and I went to break so

1181
01:06:48,200 --> 01:06:50,400
Speaker 1: I could put directions in my phone, which is just

1182
01:06:50,560 --> 01:06:54,000
Speaker 1: not a way you should behave in life. And I

1183
01:06:54,120 --> 01:06:57,800
Speaker 1: flipped over the front and landed on my elbow and wrist. Luckily,

1184
01:06:57,880 --> 01:06:59,880
Speaker 1: we're fine. I just have some I've banged up a

1185
01:07:00,000 --> 01:07:02,640
Speaker 1: little bit. That's that's not so bad in the world

1186
01:07:02,720 --> 01:07:05,680
Speaker 1: of bike bike injuries. My boyfriend said it looked like

1187
01:07:06,040 --> 01:07:08,760
Speaker 1: I was dead. Like he said that it was. It

1188
01:07:08,880 --> 01:07:11,560
Speaker 1: was a kind of shocking that I didn't die. He

1189
01:07:11,600 --> 01:07:15,640
Speaker 1: sounds just a little disappointed, Um, but I was No,

1190
01:07:15,720 --> 01:07:19,040
Speaker 1: I'm just kidding. He he likes me, but he was like,

1191
01:07:19,200 --> 01:07:21,280
Speaker 1: I was so shocked that you were able to get

1192
01:07:21,400 --> 01:07:23,280
Speaker 1: up because I almost let me know how you are.

1193
01:07:23,320 --> 01:07:24,880
Speaker 1: But I'm the kind of person that I freak out

1194
01:07:24,920 --> 01:07:27,640
Speaker 1: about little things like my internet will be cutting out

1195
01:07:27,640 --> 01:07:29,200
Speaker 1: every now and then, like I can't get my Netflix

1196
01:07:29,280 --> 01:07:31,280
Speaker 1: to work, like it was a real m had a

1197
01:07:31,360 --> 01:07:34,200
Speaker 1: real time trying to get Eurovision to play because my

1198
01:07:34,280 --> 01:07:36,480
Speaker 1: internet was going in. And that's the kind of ship

1199
01:07:36,600 --> 01:07:39,280
Speaker 1: that I lose my mind about. But I flipped over

1200
01:07:39,360 --> 01:07:42,320
Speaker 1: the front scene of my handlebars on my bike and

1201
01:07:42,400 --> 01:07:44,280
Speaker 1: I was just like, it's cool. Just like drive back

1202
01:07:44,360 --> 01:07:45,840
Speaker 1: and drive back with the car and come get me.

1203
01:07:46,200 --> 01:07:48,520
Speaker 1: He's like, it's crazy that you didn't freak out about that,

1204
01:07:48,640 --> 01:07:51,360
Speaker 1: but like, wait he had to pick you up. Well,

1205
01:07:51,400 --> 01:07:53,200
Speaker 1: we were far away from the house, and so I

1206
01:07:53,320 --> 01:07:55,280
Speaker 1: was like, just continue to ride on your bike. I'm

1207
01:07:55,320 --> 01:07:57,880
Speaker 1: gonna sit here, you get the car, come back. And

1208
01:07:58,080 --> 01:07:59,960
Speaker 1: he was like, I can't believe you're being so measured

1209
01:08:00,000 --> 01:08:03,080
Speaker 1: because you're such a crazy idiot. I was like, well,

1210
01:08:04,040 --> 01:08:06,640
Speaker 1: it was this, It was this was not on such

1211
01:08:06,680 --> 01:08:09,360
Speaker 1: a busy road. I take it. It really wasn't. We

1212
01:08:09,440 --> 01:08:12,000
Speaker 1: actually we were on we were on vacation. We left

1213
01:08:12,160 --> 01:08:14,480
Speaker 1: l A for a little while, and it happened like

1214
01:08:14,840 --> 01:08:17,719
Speaker 1: far away in like the suburb area. So I flipped

1215
01:08:17,800 --> 01:08:19,720
Speaker 1: over and I was like, Okay, this wasn't like a

1216
01:08:19,880 --> 01:08:24,519
Speaker 1: busy intersection or any it was. It was very actually

1217
01:08:24,600 --> 01:08:26,280
Speaker 1: was very temcular, I would say, and I was, and

1218
01:08:26,360 --> 01:08:30,200
Speaker 1: I was about to say that, um so anyway, by

1219
01:08:30,240 --> 01:08:31,600
Speaker 1: antman John, he does not have to do with that,

1220
01:08:31,640 --> 01:08:35,479
Speaker 1: though I do feel it's important if you care about it. Okay,

1221
01:08:35,560 --> 01:08:37,799
Speaker 1: all right, that's a good profesce. This is Matt Robbers.

1222
01:08:38,080 --> 01:08:41,719
Speaker 1: Wasn't his time starts now? I don't think so, honey.

1223
01:08:42,080 --> 01:08:47,439
Speaker 1: The circus, it's bitch. There's nuts everywhere on the damn floor.

1224
01:08:47,640 --> 01:08:50,679
Speaker 1: Clean it up. How come the circus is something people

1225
01:08:50,800 --> 01:08:54,600
Speaker 1: go to circles? Circus is I'm gonna say controversially, Eurovision

1226
01:08:54,880 --> 01:08:59,960
Speaker 1: without singing? Excuse me. If you're expecting me to pay

1227
01:09:00,000 --> 01:09:02,599
Speaker 1: to watch someone flip over, excuse me. I could turn

1228
01:09:02,680 --> 01:09:05,040
Speaker 1: in once a year every May and see someone do flips.

1229
01:09:05,160 --> 01:09:08,400
Speaker 1: And also built a high G sharp. I bet you

1230
01:09:08,439 --> 01:09:10,920
Speaker 1: didn't think that note existed on the musical scales. Guess

1231
01:09:10,960 --> 01:09:16,080
Speaker 1: what bitch it do? Yes? I don't think so, honey.

1232
01:09:16,200 --> 01:09:19,000
Speaker 1: The circus. I have to sit in what is a

1233
01:09:19,200 --> 01:09:23,320
Speaker 1: circle to watch something, and oftentimes this is not an

1234
01:09:23,320 --> 01:09:25,920
Speaker 1: optimal way to watch things. I like to theater bit,

1235
01:09:26,160 --> 01:09:28,839
Speaker 1: I like to be seated and watch the audience perform

1236
01:09:29,040 --> 01:09:32,240
Speaker 1: out staging. Wise, I have problems with the circus. Now,

1237
01:09:32,360 --> 01:09:36,200
Speaker 1: let's get real. These animals are enslaved. They need to

1238
01:09:36,320 --> 01:09:38,920
Speaker 1: become free. I don't want to see an elephant in

1239
01:09:39,040 --> 01:09:41,160
Speaker 1: a big hat. I want to see an elephant with

1240
01:09:41,320 --> 01:09:45,880
Speaker 1: no hat in the what African wilderness or wherever they live.

1241
01:09:46,120 --> 01:09:48,479
Speaker 1: They also are in Thailand. If I'm to believe the

1242
01:09:48,600 --> 01:09:52,560
Speaker 1: many Instagram photos I see from hashtag white people, I

1243
01:09:52,680 --> 01:09:56,720
Speaker 1: don't think so, honey. The circus and the enslavement of elephants.

1244
01:09:56,840 --> 01:09:59,840
Speaker 1: And that's one minute in seventeen seconds. Well, I went

1245
01:10:00,000 --> 01:10:03,280
Speaker 1: a little over take that Greatest Showman. And can I

1246
01:10:03,360 --> 01:10:05,760
Speaker 1: say the reason I'm even thinking about this is because

1247
01:10:05,840 --> 01:10:07,760
Speaker 1: we just watched The Greatest Showman the other night and

1248
01:10:07,840 --> 01:10:11,080
Speaker 1: I was like, this is a circus of a film,

1249
01:10:11,479 --> 01:10:15,000
Speaker 1: right right. But I did enjoy it. I did enjoy

1250
01:10:15,280 --> 01:10:18,080
Speaker 1: I enjoyed it too, And some of the music is

1251
01:10:18,200 --> 01:10:21,280
Speaker 1: so damn good. Rewrite the stars. It's a moment we

1252
01:10:21,439 --> 01:10:23,880
Speaker 1: love Zendia. We love Zach Effron. We wish he would

1253
01:10:23,920 --> 01:10:26,800
Speaker 1: do more musical things. It's no double trouble. It's no

1254
01:10:27,920 --> 01:10:30,000
Speaker 1: thank you, it's no double trouble of the song from

1255
01:10:30,960 --> 01:10:35,040
Speaker 1: if we're ranking duets and film, double trouble stars is

1256
01:10:35,120 --> 01:10:39,320
Speaker 1: no double trouble. Gosh, that was a tour divorce there, Yes,

1257
01:10:39,400 --> 01:10:42,799
Speaker 1: it really was. I think it's a rule of culture.

1258
01:10:42,840 --> 01:10:48,680
Speaker 1: The circus is just your vision without singing that. The

1259
01:10:49,000 --> 01:10:55,640
Speaker 1: circus is just without And I would also say like

1260
01:10:56,040 --> 01:10:58,320
Speaker 1: the circus would be better if someone came out at

1261
01:10:58,360 --> 01:11:00,080
Speaker 1: the end and we all devote on the different an

1262
01:11:00,360 --> 01:11:03,320
Speaker 1: x and there was like a sort of Eurovision moment

1263
01:11:03,439 --> 01:11:06,640
Speaker 1: of actress because I need I need some competition at

1264
01:11:06,680 --> 01:11:09,080
Speaker 1: the circus. That's the way to bring the circus back

1265
01:11:09,240 --> 01:11:13,800
Speaker 1: is with the absolutely element. Und I want to say

1266
01:11:13,880 --> 01:11:16,720
Speaker 1: that anything that's circus themed, I'm also not on board with.

1267
01:11:16,800 --> 01:11:19,880
Speaker 1: I'm watching Legendary, that ballroom show, that being show on

1268
01:11:20,040 --> 01:11:23,840
Speaker 1: HBO Max. The every episode is great. My least favorite

1269
01:11:23,880 --> 01:11:25,920
Speaker 1: was the episode where they did a circus theme and

1270
01:11:25,960 --> 01:11:27,840
Speaker 1: I was like, I don't care for any of this.

1271
01:11:28,000 --> 01:11:31,080
Speaker 1: I don't actually care for the aesthetic of a circus

1272
01:11:31,240 --> 01:11:33,840
Speaker 1: or the fact that I'm supposed to be transported to

1273
01:11:33,920 --> 01:11:35,880
Speaker 1: a circus setting him like, I don't really, this doesn't

1274
01:11:35,920 --> 01:11:39,040
Speaker 1: mean anything to me. Well, circuses have dark of course,

1275
01:11:39,280 --> 01:11:41,519
Speaker 1: and we should say that. And also P. T. Barnham

1276
01:11:41,640 --> 01:11:44,680
Speaker 1: was not this magician that we all think. He had

1277
01:11:44,880 --> 01:11:48,680
Speaker 1: hashtag problems, but he was very handsome. He was very,

1278
01:11:48,720 --> 01:11:52,760
Speaker 1: very handsome and very convinced. According the Greatest Showman, I mean,

1279
01:11:52,800 --> 01:11:55,080
Speaker 1: if you looked anything like Hugh Jackman. Have you ever

1280
01:11:55,160 --> 01:11:58,600
Speaker 1: met Hugh Jackman. Yeah, I met him a couple of times. Delightful.

1281
01:11:58,840 --> 01:12:03,120
Speaker 1: Is it something to be hold? It is? Yeah? Yeah,

1282
01:12:03,240 --> 01:12:06,600
Speaker 1: he actually hosted the show when I was there and

1283
01:12:06,720 --> 01:12:09,720
Speaker 1: we did a Oh yeah, I bet back in his

1284
01:12:10,120 --> 01:12:13,439
Speaker 1: Wolverine days. Yeah, exactly. He's got pipes. He's got the

1285
01:12:13,479 --> 01:12:16,280
Speaker 1: pipes for real. Oh he's he's speaking of pipes. I

1286
01:12:16,360 --> 01:12:18,120
Speaker 1: was just gonna mention, remember that era when all the

1287
01:12:18,240 --> 01:12:21,400
Speaker 1: pop star girls were doing circus themed things like Brittany

1288
01:12:21,680 --> 01:12:24,840
Speaker 1: Spears had Circus, Pink had fun House. There was like

1289
01:12:24,880 --> 01:12:28,000
Speaker 1: in this era where all the pop stars were like

1290
01:12:28,560 --> 01:12:33,240
Speaker 1: in circuses. I think it's ongoing. Maybe it is. It's

1291
01:12:33,280 --> 01:12:36,640
Speaker 1: great to think about that. There was, wasn't there. CBS's

1292
01:12:36,880 --> 01:12:40,479
Speaker 1: evening of of the stars and they would do they

1293
01:12:40,520 --> 01:12:44,800
Speaker 1: would act, they would train and do circus acts. Oh yeah, yeah, yeah.

1294
01:12:44,960 --> 01:12:47,200
Speaker 1: It was like a thing. It was like, we're gonna watch,

1295
01:12:47,360 --> 01:12:51,479
Speaker 1: you know, Amy Brennaman do the exactly. Yeah, Amy Brennaman

1296
01:12:51,560 --> 01:12:55,120
Speaker 1: is gonna do the Strapeeze the stars of CBS shows

1297
01:12:55,320 --> 01:12:58,240
Speaker 1: within Yeah, they would, they would put them in circus scenarios.

1298
01:12:58,400 --> 01:13:03,280
Speaker 1: So that happened. I forgot about that. Yeah, that's it's

1299
01:13:03,280 --> 01:13:06,080
Speaker 1: almost like the entertainment industry thinks the circus is a

1300
01:13:06,160 --> 01:13:09,719
Speaker 1: thing it can bring back, sort of like variety shows

1301
01:13:09,800 --> 01:13:15,720
Speaker 1: or something. Were you ever served people at all? Do

1302
01:13:15,800 --> 01:13:17,920
Speaker 1: you have any appreciation for that? By the way, I

1303
01:13:18,200 --> 01:13:22,439
Speaker 1: I auditioned. I tried to audition for you know what,

1304
01:13:22,520 --> 01:13:25,920
Speaker 1: you'd be good at Blue Man Group? Oh, I that

1305
01:13:26,160 --> 01:13:29,680
Speaker 1: would be something that would be a limited run of

1306
01:13:29,760 --> 01:13:32,280
Speaker 1: Blue Man Group. I think that you would be really

1307
01:13:32,400 --> 01:13:35,760
Speaker 1: good in a group that I kid you not. The

1308
01:13:35,840 --> 01:13:37,680
Speaker 1: guy on the left is Will Ferrell. How do you know.

1309
01:13:37,920 --> 01:13:42,200
Speaker 1: I swear he was on Lost Culture. So about wanting

1310
01:13:42,240 --> 01:13:44,439
Speaker 1: to do a run on Blue Man Group, and I

1311
01:13:44,560 --> 01:13:47,120
Speaker 1: swear that's him. It would be very good. That'd be

1312
01:13:47,280 --> 01:13:50,240
Speaker 1: very meta. That'd be very meta. No, I don't know.

1313
01:13:50,280 --> 01:13:51,760
Speaker 1: I think they'd be happy. I think that your top

1314
01:13:51,800 --> 01:13:55,040
Speaker 1: credit from now on should be lost cultures. Is that okay? Okay?

1315
01:13:55,400 --> 01:13:59,880
Speaker 1: Number one? Yeah, I wanted to I wanted to ask

1316
01:14:00,000 --> 01:14:03,479
Speaker 1: before that became canon. Um bow and Yang. I think

1317
01:14:03,520 --> 01:14:05,080
Speaker 1: it might be time for you to do it. I

1318
01:14:05,120 --> 01:14:08,960
Speaker 1: don't think so okay, all right, this is Bowen yangs.

1319
01:14:09,600 --> 01:14:13,080
Speaker 1: I don't think so honey, and his time starts now.

1320
01:14:13,479 --> 01:14:18,000
Speaker 1: I don't think so honey. Family size anything. You don't

1321
01:14:18,080 --> 01:14:22,160
Speaker 1: know my life. Don't know my life and family size

1322
01:14:22,240 --> 01:14:25,320
Speaker 1: something is on the opposite spectrum of meals for one

1323
01:14:25,439 --> 01:14:28,640
Speaker 1: in the frozen aisle. Do not try to push this

1324
01:14:28,880 --> 01:14:32,280
Speaker 1: nuclear family narrative on me. Don't try to shape my

1325
01:14:32,479 --> 01:14:35,640
Speaker 1: lifestyle into something that I don't want or am not

1326
01:14:35,760 --> 01:14:39,000
Speaker 1: ready for quite yet. So let me buy the small,

1327
01:14:39,240 --> 01:14:42,640
Speaker 1: reasonably priced bag of hot cheetos. Let me buy the

1328
01:14:42,840 --> 01:14:46,360
Speaker 1: big bag, actually the moderately sized bag of pizza roles

1329
01:14:46,400 --> 01:14:50,479
Speaker 1: when I'm shopping at the grocery store. Grocery stores, as

1330
01:14:50,520 --> 01:14:55,479
Speaker 1: we know, are basically the most perilous, dangerous, precarious places

1331
01:14:55,520 --> 01:14:59,400
Speaker 1: in the world. Right now, bringing ground psychologically happen me

1332
01:14:59,680 --> 01:15:04,519
Speaker 1: for there with this ideological nightmare that you are trying

1333
01:15:04,600 --> 01:15:09,200
Speaker 1: to graft onto my lifestyle. Bitch, I'm gonna be single,

1334
01:15:09,280 --> 01:15:12,559
Speaker 1: and I might own two dogs, one fair who doesn't

1335
01:15:12,600 --> 01:15:16,880
Speaker 1: smell because of what genetic modification thing. And that's one minute.

1336
01:15:16,920 --> 01:15:20,240
Speaker 1: And I have to say family style is a psychological

1337
01:15:20,360 --> 01:15:23,320
Speaker 1: ideological attack. And then it's funny that it's great that

1338
01:15:23,400 --> 01:15:25,439
Speaker 1: we say that. It's important that we say that when

1339
01:15:25,520 --> 01:15:29,400
Speaker 1: you are a family style restaurant or food product service,

1340
01:15:30,240 --> 01:15:33,960
Speaker 1: it's an ideological I've never thought of it that way

1341
01:15:35,120 --> 01:15:38,680
Speaker 1: in agreement, thank you. There's no reason for it. It's

1342
01:15:38,760 --> 01:15:41,400
Speaker 1: normative and we don't need it. We only pizza should

1343
01:15:41,400 --> 01:15:44,639
Speaker 1: be personal only, and that's actually rule of culture number sixty.

1344
01:15:45,280 --> 01:15:50,160
Speaker 1: Pizza should be personal only, four little slices. Every anything

1345
01:15:50,240 --> 01:15:54,559
Speaker 1: else is normative family style ideological attack. Even though when

1346
01:15:54,600 --> 01:15:56,200
Speaker 1: I go to a restaurant, I always ask if that

1347
01:15:56,280 --> 01:15:59,120
Speaker 1: can be served family style? Whatever I'm eating, I will

1348
01:15:59,160 --> 01:16:01,800
Speaker 1: say I like the style at restaurants, even if you're not,

1349
01:16:01,880 --> 01:16:04,880
Speaker 1: even if you're not in a family. This is a betrayal. Hans,

1350
01:16:04,920 --> 01:16:07,720
Speaker 1: our producer, just said I love family style. Get the

1351
01:16:07,800 --> 01:16:11,240
Speaker 1: funk out of here. No one asked you. Who the

1352
01:16:11,320 --> 01:16:14,200
Speaker 1: hell asked you a head of Content Hans he is

1353
01:16:14,400 --> 01:16:19,040
Speaker 1: he is HC, so he is HFC, and I mean HFC.

1354
01:16:19,240 --> 01:16:22,559
Speaker 1: Hans can actually take several seats because no one asked him.

1355
01:16:24,320 --> 01:16:27,640
Speaker 1: No one asked him. Why did he have to chime in?

1356
01:16:28,080 --> 01:16:29,760
Speaker 1: I have to say, I think we've discussed this on

1357
01:16:29,800 --> 01:16:32,200
Speaker 1: the pod before, but it's true. It's like family style.

1358
01:16:32,800 --> 01:16:36,080
Speaker 1: You know, when and I am talking about restaurants, I'm sorry,

1359
01:16:36,080 --> 01:16:38,599
Speaker 1: I'm gonna go there, but you order family style, it's

1360
01:16:38,640 --> 01:16:41,880
Speaker 1: usually one person deciding everything that gets ordered, and then

1361
01:16:41,960 --> 01:16:46,439
Speaker 1: you'll see yah. No. Hans also says anti family stylist,

1362
01:16:46,479 --> 01:16:51,200
Speaker 1: anti immigrants out here. No one asked you, Oh my god,

1363
01:16:52,200 --> 01:16:57,800
Speaker 1: but how was an anti immigrant? Because family style is

1364
01:16:58,240 --> 01:17:02,639
Speaker 1: and tell him. Hans says, okay, okay. So the idea

1365
01:17:02,840 --> 01:17:06,400
Speaker 1: of like single plates, single serve is very much like

1366
01:17:06,920 --> 01:17:09,880
Speaker 1: I would say, I would say, it's it's kind of

1367
01:17:10,000 --> 01:17:12,519
Speaker 1: like not even a European concept, but it feels like

1368
01:17:12,520 --> 01:17:17,720
Speaker 1: an American concept, whereas if you eat family style, it's like, oh,

1369
01:17:17,840 --> 01:17:19,800
Speaker 1: this is just this is how a lot of this

1370
01:17:19,920 --> 01:17:22,439
Speaker 1: is a lot of like immigrant cultures around the world eat,

1371
01:17:22,720 --> 01:17:24,720
Speaker 1: and so you know, and the fact that we have

1372
01:17:24,800 --> 01:17:26,920
Speaker 1: to even call it family style to differentiate it from

1373
01:17:27,040 --> 01:17:30,519
Speaker 1: the norm is kind of you know, it's it's it's

1374
01:17:30,560 --> 01:17:32,840
Speaker 1: other rising language. I don't mean to together. I have

1375
01:17:32,880 --> 01:17:35,080
Speaker 1: an announcement to s j W about this, but that's

1376
01:17:35,120 --> 01:17:37,280
Speaker 1: my thing. What I actually have an announcement to make okay,

1377
01:17:37,920 --> 01:17:40,400
Speaker 1: As as a result of this conversation and the exchange

1378
01:17:40,439 --> 01:17:43,760
Speaker 1: of ideas, I've changed and I now have come to

1379
01:17:43,840 --> 01:17:46,000
Speaker 1: a place where I realized that family style is the

1380
01:17:46,080 --> 01:17:47,960
Speaker 1: only way that we should be eating at restaurants and

1381
01:17:48,200 --> 01:17:52,440
Speaker 1: absorbing food and time together. And I want to apologize

1382
01:17:52,479 --> 01:17:55,880
Speaker 1: for recent comments in which I and which I called

1383
01:17:56,200 --> 01:18:01,320
Speaker 1: family style not good. End of statement. I actually think too,

1384
01:18:01,560 --> 01:18:05,000
Speaker 1: this could be transcended into a new uh, a new

1385
01:18:05,560 --> 01:18:09,960
Speaker 1: positive euphemism, like, hey, what's up we all let's we're

1386
01:18:09,960 --> 01:18:14,320
Speaker 1: all family style? Right yet? Yeah, that's really good. I

1387
01:18:14,400 --> 01:18:17,560
Speaker 1: don't know what its specifically is about, but yeah, the

1388
01:18:17,640 --> 01:18:20,479
Speaker 1: new title of this episode is family family Style. What

1389
01:18:20,680 --> 01:18:23,120
Speaker 1: was it previously? I don't remember out of school to

1390
01:18:23,240 --> 01:18:25,720
Speaker 1: drop out of school kids. Well, I don't know, I do.

1391
01:18:26,000 --> 01:18:28,439
Speaker 1: I do want to send that message out. Well, it's

1392
01:18:28,439 --> 01:18:30,639
Speaker 1: pretty explicit in the episode. I think the title family

1393
01:18:30,680 --> 01:18:34,920
Speaker 1: style is nice. It's inviting. I want to point out Matt.

1394
01:18:35,280 --> 01:18:40,320
Speaker 1: That turn that was there, that was not only spectacular,

1395
01:18:40,400 --> 01:18:46,320
Speaker 1: that was very Ron Burgundy, very like you know, I

1396
01:18:46,439 --> 01:18:51,680
Speaker 1: aspire to be um late twenties gay Ron Burgundy. And

1397
01:18:51,760 --> 01:18:54,559
Speaker 1: I say that as a thirty year old man. Yes, yes,

1398
01:18:54,680 --> 01:18:57,360
Speaker 1: thank you. Will. I think it's time for Will to do.

1399
01:18:57,400 --> 01:19:02,599
Speaker 1: I don't think so. It's time for Gosh. Okay, okay, Well,

1400
01:19:02,640 --> 01:19:04,599
Speaker 1: you're gonna nail. You're gonna nail. It's gonna be great.

1401
01:19:04,600 --> 01:19:06,599
Speaker 1: I'm just supposed to launch into it, right, You're supposed

1402
01:19:06,600 --> 01:19:08,400
Speaker 1: to launch it. Here we go. We're gonna We're gonna

1403
01:19:08,439 --> 01:19:09,760
Speaker 1: kick you up. This is Will Ferrells. I don't think

1404
01:19:09,760 --> 01:19:13,000
Speaker 1: so many as time starts now, I don't think so. Honey.

1405
01:19:13,760 --> 01:19:18,439
Speaker 1: Let's talk about Lady G. Okay, let's talk about Senator

1406
01:19:18,720 --> 01:19:23,600
Speaker 1: Lindsay Graham from the great state of South Carolina. You

1407
01:19:23,840 --> 01:19:28,000
Speaker 1: can't show up with the beautiful blonde hair and the

1408
01:19:28,080 --> 01:19:32,760
Speaker 1: puffy hair do and not be Lady g. You are

1409
01:19:32,960 --> 01:19:36,920
Speaker 1: full on Lady G and just let it all go

1410
01:19:38,520 --> 01:19:43,719
Speaker 1: go and you will become a folk hero. You will

1411
01:19:43,760 --> 01:19:47,080
Speaker 1: be allowed back in South Carolina, that's fine, but you

1412
01:19:47,160 --> 01:19:51,960
Speaker 1: will be trumpeted, you will be heralded in New York

1413
01:19:52,439 --> 01:19:58,160
Speaker 1: l A, Miami, Philadelphia, any major city in America, and

1414
01:19:58,520 --> 01:20:05,639
Speaker 1: people will bow out to you Lady G five seconds.

1415
01:20:05,880 --> 01:20:10,320
Speaker 1: And that's what I don't think, So I agree. So

1416
01:20:10,560 --> 01:20:13,920
Speaker 1: so that's one minute. I have to say, I personally

1417
01:20:14,360 --> 01:20:17,519
Speaker 1: will never forgive him for doing the things that he's done,

1418
01:20:17,600 --> 01:20:20,519
Speaker 1: but I will say, if he wants to come hang out,

1419
01:20:20,960 --> 01:20:22,479
Speaker 1: he can go sit in the corner of the bar

1420
01:20:22,600 --> 01:20:25,080
Speaker 1: over there. But that's the thing. He could go sit

1421
01:20:25,120 --> 01:20:27,120
Speaker 1: in the corner and he could do a Lady G

1422
01:20:27,320 --> 01:20:30,479
Speaker 1: tour and he could go, Hey, you guys are right.

1423
01:20:31,360 --> 01:20:33,720
Speaker 1: I was wrong about this. I was wrong about that,

1424
01:20:34,000 --> 01:20:37,680
Speaker 1: and I was wrong, but I was too scared to

1425
01:20:38,080 --> 01:20:42,599
Speaker 1: just step out and be who I really am. And uh,

1426
01:20:43,360 --> 01:20:46,680
Speaker 1: that would be a powerful thing now for people his

1427
01:20:47,000 --> 01:20:49,599
Speaker 1: his his generation who may be struggling in the same way.

1428
01:20:49,720 --> 01:20:52,760
Speaker 1: I think that perhaps it would be very powerful. It

1429
01:20:52,800 --> 01:20:57,400
Speaker 1: would be because I think that's an epidemic. Absolutely. I

1430
01:20:57,520 --> 01:20:59,640
Speaker 1: would say that in order for Lady G to be

1431
01:20:59,760 --> 01:21:02,919
Speaker 1: full redeemable in my eyes, you have to do something

1432
01:21:03,160 --> 01:21:08,320
Speaker 1: to like to rescind the Brett Kavanaugh appointment. I think,

1433
01:21:08,600 --> 01:21:11,400
Speaker 1: like I think he was like, well he would, Yeah,

1434
01:21:11,439 --> 01:21:14,080
Speaker 1: he'd have to come clean on a list the whole

1435
01:21:14,160 --> 01:21:17,160
Speaker 1: list of things that goes without saying that can only

1436
01:21:17,280 --> 01:21:19,600
Speaker 1: be addressed in a one man show. I think I

1437
01:21:19,720 --> 01:21:21,320
Speaker 1: think he, I think he has to come out in

1438
01:21:21,400 --> 01:21:23,840
Speaker 1: a one way show Lady G like, well, what's that

1439
01:21:23,960 --> 01:21:26,599
Speaker 1: Lady Day Like the Dan McDonald play that she wanted

1440
01:21:26,600 --> 01:21:28,880
Speaker 1: Tony for. It has to be that, But Lady G. Okay,

1441
01:21:30,160 --> 01:21:32,479
Speaker 1: That's the only way I can forgive Lindsey Graham is

1442
01:21:32,520 --> 01:21:35,200
Speaker 1: if he does Lady G at at Emerson's Barn, grill

1443
01:21:35,840 --> 01:21:37,960
Speaker 1: at the Turkish Baths, at the Russian Lady g at

1444
01:21:38,000 --> 01:21:41,799
Speaker 1: the Russian Baths, And it has to be storytelling with songs,

1445
01:21:42,280 --> 01:21:45,320
Speaker 1: with songs, and then I can talk about forgiving Lady G.

1446
01:21:45,840 --> 01:21:49,640
Speaker 1: It would be the first step in frankness. Yeah, and

1447
01:21:49,720 --> 01:21:52,360
Speaker 1: I should say I'm not buying a ticket to the show,

1448
01:21:52,600 --> 01:21:55,920
Speaker 1: but he started to do the show, Yeah, right, as

1449
01:21:56,080 --> 01:21:59,840
Speaker 1: part of the mini steps. Yeah, just start with the show,

1450
01:22:00,320 --> 01:22:03,000
Speaker 1: start with the one man show, and then we'll talk

1451
01:22:03,360 --> 01:22:10,200
Speaker 1: and then we'll we'll we can begin a dialogue perchance. Yeah,

1452
01:22:10,320 --> 01:22:13,960
Speaker 1: I'm I was gobsmacked at the Platinum Blonde. Yeah. And

1453
01:22:14,080 --> 01:22:16,040
Speaker 1: here's the thing. I mean, there there's there's a lot,

1454
01:22:16,160 --> 01:22:19,240
Speaker 1: there's a lot going on there actually during quarantine, who's

1455
01:22:19,320 --> 01:22:21,840
Speaker 1: getting their hair worked on. I mean, look what's happening here.

1456
01:22:22,080 --> 01:22:24,400
Speaker 1: That looks great. Here's the thing, that's what gays in

1457
01:22:24,479 --> 01:22:28,519
Speaker 1: crisis do. They go platinum blonde. So to watch him

1458
01:22:28,600 --> 01:22:33,880
Speaker 1: sort of like live that tell tale sign. Yes, all

1459
01:22:33,960 --> 01:22:36,600
Speaker 1: the messes in my life, like you see them go

1460
01:22:36,800 --> 01:22:40,120
Speaker 1: platinum blonde the second let the second things start going south.

1461
01:22:40,360 --> 01:22:43,519
Speaker 1: So to see him like in the midst of like

1462
01:22:43,720 --> 01:22:47,080
Speaker 1: the gop I hope, finally finally tanking in front of

1463
01:22:47,120 --> 01:22:49,719
Speaker 1: our eyes, to see him go platinum on the world stage.

1464
01:22:49,800 --> 01:22:52,880
Speaker 1: It's just two on the nose. It's two on the nose. Yeah,

1465
01:22:54,120 --> 01:22:56,920
Speaker 1: and that's actually going to be the opening number. Two

1466
01:22:57,040 --> 01:23:00,800
Speaker 1: on the nose, on the nose, it's two on the

1467
01:23:00,960 --> 01:23:10,880
Speaker 1: nose me, Lady g G l G. Yeah, that's I

1468
01:23:11,000 --> 01:23:13,560
Speaker 1: think that's actually a really good opening number, and I

1469
01:23:13,640 --> 01:23:16,320
Speaker 1: think it would it would rival all that jazz as

1470
01:23:16,479 --> 01:23:19,479
Speaker 1: the great opening numbers of our time. Yeah, for sure.

1471
01:23:19,960 --> 01:23:24,080
Speaker 1: Is there any way to figure out who coined the

1472
01:23:24,360 --> 01:23:32,040
Speaker 1: moniker Lady G Well, supposedly that's his self self anointed name. Yeah, no, no, no, no,

1473
01:23:32,360 --> 01:23:35,000
Speaker 1: it's not self appointed. It's the sex workers that he

1474
01:23:35,040 --> 01:23:41,000
Speaker 1: allegedly hired right began calling him lady in order to

1475
01:23:41,200 --> 01:23:46,080
Speaker 1: refer to him without saying Senator Lindsay Graham of South Carolina,

1476
01:23:46,160 --> 01:23:48,920
Speaker 1: because they would be nervous about a paper trail. This

1477
01:23:49,120 --> 01:23:51,160
Speaker 1: is the thing, though, is this is the thing that's

1478
01:23:51,160 --> 01:23:55,360
Speaker 1: wrong with um. The allegations is that there's a lot

1479
01:23:55,439 --> 01:23:59,120
Speaker 1: of conflicting inform, contradicting information. Where what I read was

1480
01:23:59,240 --> 01:24:01,320
Speaker 1: Lady G was what he wanted the sex workers to

1481
01:24:01,479 --> 01:24:04,160
Speaker 1: call him. I feel that's see, that's a bridge too

1482
01:24:04,200 --> 01:24:07,200
Speaker 1: far from me. He was like, not only am I closeted,

1483
01:24:07,240 --> 01:24:09,519
Speaker 1: but I'd like to be referred as Lady G. I

1484
01:24:09,600 --> 01:24:13,519
Speaker 1: think he'd make up some boring name artist formally known

1485
01:24:13,640 --> 01:24:17,400
Speaker 1: as Lady G. Yeah. Well now, and I feel bad

1486
01:24:17,439 --> 01:24:19,280
Speaker 1: if Lady G is what he did want to be called,

1487
01:24:19,360 --> 01:24:20,960
Speaker 1: and now he kind of like has had that taken

1488
01:24:20,960 --> 01:24:24,439
Speaker 1: away from him. Actually just kidding, I don't feel bad. Well,

1489
01:24:24,640 --> 01:24:29,680
Speaker 1: it's just fascinating. Yeah, if if he's just stuck and

1490
01:24:30,000 --> 01:24:33,120
Speaker 1: cannot doesn't have the courage to kind of you know, look,

1491
01:24:33,240 --> 01:24:36,920
Speaker 1: I mean that that's it's really dark and sad, and

1492
01:24:37,000 --> 01:24:39,040
Speaker 1: I actually I mean then you get to all this,

1493
01:24:39,320 --> 01:24:43,160
Speaker 1: how do you pronounce it? Is it Matt gets this

1494
01:24:43,360 --> 01:24:46,519
Speaker 1: stuff with the nineteen year old quote unquote, son, I

1495
01:24:46,640 --> 01:24:49,639
Speaker 1: just I just learned about that yesterday. I I literally

1496
01:24:49,720 --> 01:24:52,439
Speaker 1: don't think so, honey. Yeah, know that there's a lot

1497
01:24:52,520 --> 01:24:56,479
Speaker 1: going on, and I always feel like, um, the people

1498
01:24:56,520 --> 01:24:59,560
Speaker 1: that feel the need to be the most publicly disparaging

1499
01:24:59,640 --> 01:25:02,840
Speaker 1: about certain group, you have to wonder what their complex

1500
01:25:02,960 --> 01:25:05,240
Speaker 1: is about that group. You know. It's like it's like

1501
01:25:05,360 --> 01:25:07,800
Speaker 1: with this kind of all this talk about you know,

1502
01:25:08,400 --> 01:25:11,680
Speaker 1: LGBT rights and um, you know, with the Supreme Court

1503
01:25:11,760 --> 01:25:14,400
Speaker 1: doing what they've done recently, it's like seeing people and

1504
01:25:14,560 --> 01:25:16,680
Speaker 1: thinking about people that would stand against that. It's like,

1505
01:25:17,080 --> 01:25:19,760
Speaker 1: what is your damage? Man? Like, what is your deal?

1506
01:25:19,880 --> 01:25:23,080
Speaker 1: Like why do you need to step in the way

1507
01:25:23,200 --> 01:25:25,960
Speaker 1: of someone's job being protected? And they always bring it

1508
01:25:26,040 --> 01:25:28,719
Speaker 1: back to well, people should have control over who they hire,

1509
01:25:29,120 --> 01:25:32,599
Speaker 1: and it's like, what this is such a redirection from

1510
01:25:32,640 --> 01:25:36,439
Speaker 1: what the issue is, which is equality and their treatment.

1511
01:25:37,280 --> 01:25:40,200
Speaker 1: So you have to wonder about these people that are

1512
01:25:40,320 --> 01:25:43,280
Speaker 1: the most vocal about an issue, and that's this is

1513
01:25:43,600 --> 01:25:46,840
Speaker 1: I'll stop short of saying more, but like, if someone

1514
01:25:46,920 --> 01:25:49,519
Speaker 1: out there is the most vocal about an issue and

1515
01:25:49,680 --> 01:25:52,519
Speaker 1: really makes themselves a figurehead, I always think we have

1516
01:25:52,600 --> 01:25:56,080
Speaker 1: to kind of question that that person, like, what's the deal? Well,

1517
01:25:56,840 --> 01:26:00,080
Speaker 1: you and I'm met are most vocal about Eurovision in

1518
01:26:00,200 --> 01:26:03,200
Speaker 1: song contest. The story of fire, Saga and our complex

1519
01:26:03,720 --> 01:26:06,680
Speaker 1: is that all of it. We hope everyone sees it.

1520
01:26:06,800 --> 01:26:11,439
Speaker 1: June the segue of the year. I was incredible. I

1521
01:26:11,840 --> 01:26:15,559
Speaker 1: was gonna say, my damage is that we weren't in it. Yeah,

1522
01:26:15,880 --> 01:26:18,040
Speaker 1: that's well what the fun was up? But they're bad.

1523
01:26:18,360 --> 01:26:21,800
Speaker 1: That's our that's my full Lady G. I pulled. That's

1524
01:26:21,840 --> 01:26:24,439
Speaker 1: your lady G. Yeah that was you were too afraid

1525
01:26:24,479 --> 01:26:25,880
Speaker 1: to put us in it because you knew we would

1526
01:26:25,880 --> 01:26:29,360
Speaker 1: shine right to exactly you knew we would shine too bright.

1527
01:26:30,000 --> 01:26:34,360
Speaker 1: I um, I'm gonna have to redeem myself. I have

1528
01:26:34,439 --> 01:26:36,679
Speaker 1: a way you can do that. Can you publicly stay

1529
01:26:36,840 --> 01:26:38,920
Speaker 1: right now that me and Bowen should be cast as

1530
01:26:39,000 --> 01:26:42,120
Speaker 1: the eels and Flotsam and Jetsam in the Little Mermaid movie.

1531
01:26:42,320 --> 01:26:46,080
Speaker 1: That's all we want. I want to go on record

1532
01:26:46,720 --> 01:26:50,639
Speaker 1: that Matt Rogers and Bowne Yang should be cast as

1533
01:26:50,760 --> 01:26:57,719
Speaker 1: the eels, Flotsam and Jetsam, Yes, in the upcoming Little

1534
01:26:57,760 --> 01:27:02,759
Speaker 1: Mermaid movie. And there there's kind of no other choice.

1535
01:27:03,560 --> 01:27:05,800
Speaker 1: I really think there is I don't think that was

1536
01:27:05,800 --> 01:27:09,479
Speaker 1: an And what you've done there as red has redeemed you.

1537
01:27:09,960 --> 01:27:12,240
Speaker 1: And I want to say it goes along with yeah,

1538
01:27:12,360 --> 01:27:15,519
Speaker 1: it's done, it's done. It's that feel like it's like

1539
01:27:15,640 --> 01:27:17,640
Speaker 1: my family style moment. It's like this is this is

1540
01:27:17,720 --> 01:27:22,799
Speaker 1: your family style moment. We've got a lot of redemption

1541
01:27:22,840 --> 01:27:26,080
Speaker 1: on the pod today. Wow, that's good. Well, Will Ferrell,

1542
01:27:26,160 --> 01:27:29,000
Speaker 1: thank you so much for coming on the podcast. So

1543
01:27:29,160 --> 01:27:31,880
Speaker 1: great to talk to you. And uh, you guys are

1544
01:27:31,920 --> 01:27:36,320
Speaker 1: so smart and funny and uh's really creative and it's

1545
01:27:36,400 --> 01:27:38,320
Speaker 1: just fun to finally be on here and great that

1546
01:27:38,479 --> 01:27:40,760
Speaker 1: you guys were willing to come on the platform and

1547
01:27:41,439 --> 01:27:44,240
Speaker 1: and no joke, you were one of the first ideas

1548
01:27:44,320 --> 01:27:46,960
Speaker 1: we thought of, and that was Carolina was like, you

1549
01:27:47,080 --> 01:27:50,160
Speaker 1: got you have to listen to last Coulturesta's and then

1550
01:27:50,240 --> 01:27:52,200
Speaker 1: my heart was like we already know who these guys are,

1551
01:27:52,280 --> 01:27:54,360
Speaker 1: so it was it was it's just great to kind

1552
01:27:54,360 --> 01:27:57,720
Speaker 1: of formally get to hang out, you know, totally, and

1553
01:27:57,800 --> 01:27:59,200
Speaker 1: we wish we could do it in person. We will,

1554
01:27:59,320 --> 01:28:02,360
Speaker 1: you'll be back. I think we should hang out in

1555
01:28:02,640 --> 01:28:08,040
Speaker 1: Bowen's yellow room there my parents my parents basement. Okay, yeah,

1556
01:28:08,200 --> 01:28:10,240
Speaker 1: that's where we have to do it. They would love that.

1557
01:28:10,400 --> 01:28:13,479
Speaker 1: I think I think they would actually really respond to

1558
01:28:13,600 --> 01:28:17,320
Speaker 1: that idea, to be honest. Um, Well, likewise, thank you

1559
01:28:17,720 --> 01:28:22,080
Speaker 1: for everything you've done making us laugh all these years,

1560
01:28:22,120 --> 01:28:24,280
Speaker 1: and for having us on this platform. Thank you so

1561
01:28:24,400 --> 01:28:27,240
Speaker 1: so much. And the movie is great. We love you. Well,

1562
01:28:27,400 --> 01:28:30,080
Speaker 1: let's close that every episode with the song. We close

1563
01:28:30,120 --> 01:28:33,439
Speaker 1: out each and every episode with the song. Okay great,

1564
01:28:35,200 --> 01:28:59,840
Speaker 1: huh huh u huh okay v okay you guys, Okay,

1565
01:29:05,320 --> 01:29:07,040
Speaker 1: I just like to put this down, sorry to read

1566
01:29:07,120 --> 01:29:09,240
Speaker 1: the soundtracking by the part just comes out. Everyone's gonna

1567
01:29:09,280 --> 01:29:10,799
Speaker 1: know it off word perfect