1 00:00:00,080 --> 00:00:02,520 Speaker 1: Hey, everybody. Before we get started with this episode, we 2 00:00:02,600 --> 00:00:06,400 Speaker 1: have one last live show to announce for We will 3 00:00:06,440 --> 00:00:09,400 Speaker 1: be in New Orleans, Louisiana, at the National World War 4 00:00:09,400 --> 00:00:12,840 Speaker 1: Two Museum on Tuesday, November six. Okay, we know that 5 00:00:12,920 --> 00:00:16,320 Speaker 1: selection day, but we don't want coming to our show 6 00:00:16,360 --> 00:00:18,439 Speaker 1: to keep you from the polls. We are both going 7 00:00:18,520 --> 00:00:20,720 Speaker 1: to vote early before we leave for New Orleans, and 8 00:00:20,800 --> 00:00:23,759 Speaker 1: Louisiana offers early voting as well, so we encourage you 9 00:00:23,800 --> 00:00:26,120 Speaker 1: to do so. You can find out more about this 10 00:00:26,160 --> 00:00:28,480 Speaker 1: show and get a link to buy tickets at missed 11 00:00:28,520 --> 00:00:34,479 Speaker 1: in History dot com slash tour. Welcome to Stuff You 12 00:00:34,560 --> 00:00:44,280 Speaker 1: Missed in History class from how Stuff Works dot com. Hello, 13 00:00:44,320 --> 00:00:47,040 Speaker 1: and welcome to the podcast. I'm Holly Fry and I'm 14 00:00:47,120 --> 00:00:49,879 Speaker 1: Tracy view Wilson. Tracy, I have to ask you a 15 00:00:49,920 --> 00:00:51,559 Speaker 1: question right out of the gate. I'm putting you on 16 00:00:51,560 --> 00:00:56,280 Speaker 1: the spot. Okay, the Adams Family or the Monsters? Oh man. 17 00:00:56,480 --> 00:00:59,720 Speaker 1: So when I was a kid, I loved the Adams 18 00:00:59,760 --> 00:01:03,600 Speaker 1: famly most and I thought the Munsters were a weird knockoff. 19 00:01:03,920 --> 00:01:09,320 Speaker 1: That's not accurate, no, but but that's valid to think that. Um. 20 00:01:09,760 --> 00:01:12,080 Speaker 1: I will probably shock you by saying when I was 21 00:01:12,120 --> 00:01:15,680 Speaker 1: a kid, I liked the Munsters more, really I did. 22 00:01:15,760 --> 00:01:17,440 Speaker 1: It was not until I got older that I kind 23 00:01:17,440 --> 00:01:20,000 Speaker 1: of switched it over. And I think I realized I 24 00:01:20,040 --> 00:01:22,320 Speaker 1: was trying to figure out why that was. And I 25 00:01:22,360 --> 00:01:26,360 Speaker 1: think it was an aspirational gould Um where I mean, 26 00:01:26,440 --> 00:01:30,000 Speaker 1: I could never be like the long, willowy Mortitia, but 27 00:01:30,080 --> 00:01:34,480 Speaker 1: I could probably pull off a lily. Oh sure, like 28 00:01:34,520 --> 00:01:36,840 Speaker 1: Avond de Carlo with her little white stripe in her hair. 29 00:01:36,880 --> 00:01:39,960 Speaker 1: And she was shorter and she had that fabulous rush 30 00:01:40,120 --> 00:01:42,480 Speaker 1: dress and the bat necklace, and so I think that 31 00:01:42,600 --> 00:01:45,200 Speaker 1: was what it was. But I liked them both. Now 32 00:01:45,240 --> 00:01:48,160 Speaker 1: I love them both. But today we're going to talk 33 00:01:48,200 --> 00:01:51,560 Speaker 1: about Charles Adams, who was the creator of the Adams 34 00:01:51,640 --> 00:01:54,640 Speaker 1: Family as a cartoon, long before it was ever a 35 00:01:54,680 --> 00:01:59,040 Speaker 1: TV series or films, etcetera. And Charles Adams was, by 36 00:01:59,080 --> 00:02:03,400 Speaker 1: all accounts a compelling figure. He visited cemeteries for fun, 37 00:02:03,600 --> 00:02:06,600 Speaker 1: and he was a car enthusiast, and he raced cars 38 00:02:06,640 --> 00:02:10,160 Speaker 1: as an amateur, and he collected and shot crossbows. And 39 00:02:10,240 --> 00:02:13,080 Speaker 1: Alfred Hitchcock once just showed up on his doorstep with 40 00:02:13,120 --> 00:02:16,280 Speaker 1: no advanced warning, hoping to meet him and saying when 41 00:02:16,360 --> 00:02:19,119 Speaker 1: Charles Adams opened the door. I've just come to see 42 00:02:19,160 --> 00:02:23,280 Speaker 1: you in your natural Bailey Wick. But Adams very likely 43 00:02:23,400 --> 00:02:26,280 Speaker 1: surprised the filmmaker because he surprised a lot of people 44 00:02:26,320 --> 00:02:29,160 Speaker 1: who thought they could intuit what the creator of the 45 00:02:29,240 --> 00:02:32,760 Speaker 1: kinds of cartoons he made would be like, because he 46 00:02:32,880 --> 00:02:35,799 Speaker 1: was not an elusive sort of proto goth at all. 47 00:02:36,320 --> 00:02:39,000 Speaker 1: He was in fact, very dapper and sociable, and he 48 00:02:39,080 --> 00:02:43,840 Speaker 1: was irreverent but by all accounts, completely delightful to be around. Uh. 49 00:02:43,880 --> 00:02:46,000 Speaker 1: And there is so much great stuff to his story 50 00:02:46,400 --> 00:02:49,360 Speaker 1: that this is a two parter, so um, we had 51 00:02:49,400 --> 00:02:51,600 Speaker 1: to talk about all of his good and bad qualities. 52 00:02:52,000 --> 00:02:53,840 Speaker 1: And also I will just say that, after doing all 53 00:02:53,840 --> 00:02:56,160 Speaker 1: this research, if I build a time machine, my answer 54 00:02:56,200 --> 00:02:58,480 Speaker 1: might have changed again because I just want to go 55 00:02:58,520 --> 00:03:02,600 Speaker 1: back and maybe have cock pals with Charles Adams. I 56 00:03:02,600 --> 00:03:04,440 Speaker 1: think he would be just a super fun guy to 57 00:03:04,480 --> 00:03:09,160 Speaker 1: hang out with. I also feel like this is an interesting, um, 58 00:03:09,200 --> 00:03:11,639 Speaker 1: not exactly counterpoint, but that's the word that I can 59 00:03:11,639 --> 00:03:18,040 Speaker 1: think of to last Halloween's Edward Gory episode. Yeah, they 60 00:03:18,160 --> 00:03:21,959 Speaker 1: in terms of them both having sort of a maccab 61 00:03:22,480 --> 00:03:28,480 Speaker 1: fascination in their work and having very distinctive personalities. Yeah, 62 00:03:28,520 --> 00:03:32,640 Speaker 1: and it's interesting. Uh. It doesn't come up in either 63 00:03:32,680 --> 00:03:35,680 Speaker 1: of these episodes, but naturally people would ask him a 64 00:03:35,720 --> 00:03:39,880 Speaker 1: little bit about gory Um and other artists as well, cartoonists, 65 00:03:39,920 --> 00:03:42,920 Speaker 1: and and he always felt that um uh And I'm 66 00:03:42,960 --> 00:03:45,920 Speaker 1: paraphrasing based on stuff that I read that to him, 67 00:03:46,080 --> 00:03:48,600 Speaker 1: he was just to Charles Adams, he just thought he 68 00:03:48,680 --> 00:03:52,040 Speaker 1: was funny. He didn't really see himself necessarily as macab 69 00:03:52,080 --> 00:03:55,600 Speaker 1: at all, whereas he really thought that Edward Gorey had 70 00:03:55,640 --> 00:03:58,600 Speaker 1: this insight into like the darker side of humanity, and 71 00:03:58,600 --> 00:04:02,880 Speaker 1: he was like, I strap funny off. Which is kind 72 00:04:02,880 --> 00:04:05,240 Speaker 1: of interesting because a lot of his stuff, at least 73 00:04:05,240 --> 00:04:07,840 Speaker 1: for the time, it was very dark. Nowadays, it's probably 74 00:04:07,880 --> 00:04:10,840 Speaker 1: considered pretty mild by comparison, but it has sort of 75 00:04:10,880 --> 00:04:15,320 Speaker 1: a wonderful an unexpected nature of how it looks at 76 00:04:15,360 --> 00:04:18,599 Speaker 1: the world and humanity, and that some people often found 77 00:04:18,920 --> 00:04:22,040 Speaker 1: a little bit dark or a lot dark. Yeah, So 78 00:04:22,080 --> 00:04:24,800 Speaker 1: we'll start at the beginning, as we usually do. Charles 79 00:04:24,839 --> 00:04:27,800 Speaker 1: Samuel Adams was born in Westfield, New Jersey, on January 80 00:04:27,839 --> 00:04:32,280 Speaker 1: seventh nine. His father, Charles Hughey Adams, had studied to 81 00:04:32,279 --> 00:04:34,320 Speaker 1: be an architect, but then ended up working at a 82 00:04:34,320 --> 00:04:37,560 Speaker 1: piano company. He worked his way up from a salesman 83 00:04:37,600 --> 00:04:40,880 Speaker 1: to an executive, and he really traveled a lot. The 84 00:04:40,960 --> 00:04:44,919 Speaker 1: young Charles's mother was Grace M. Spear Adams, and he 85 00:04:45,000 --> 00:04:47,880 Speaker 1: went by the name Charlie. By all accounts, he was 86 00:04:47,960 --> 00:04:51,400 Speaker 1: a very jolly baby, and the Adams has had this 87 00:04:51,560 --> 00:04:54,799 Speaker 1: blue eyed child a little late considering the time. Grace 88 00:04:54,880 --> 00:04:57,080 Speaker 1: was in her thirties when he was born, and they 89 00:04:57,160 --> 00:05:00,280 Speaker 1: really just treasured him. Yeah, there's a great store. And 90 00:05:00,600 --> 00:05:03,240 Speaker 1: in the biography that I read of him that she 91 00:05:03,320 --> 00:05:05,640 Speaker 1: initially was very nervous and she bought a baby book 92 00:05:05,640 --> 00:05:07,760 Speaker 1: and was doing and she eventually just threw it out 93 00:05:07,760 --> 00:05:09,560 Speaker 1: because she was like, I just love this kid, and 94 00:05:09,560 --> 00:05:11,279 Speaker 1: we're just going to raise him that way. Um, like 95 00:05:11,320 --> 00:05:14,040 Speaker 1: that will be their guiding principle. Uh. He was also 96 00:05:14,160 --> 00:05:16,960 Speaker 1: really fascinated as a kid by some of the old 97 00:05:17,120 --> 00:05:20,720 Speaker 1: Rundown Victorian homes in their neighborhood. And when he was eight, 98 00:05:20,880 --> 00:05:23,719 Speaker 1: Charlie and a number of other boys broke into one 99 00:05:23,760 --> 00:05:26,680 Speaker 1: that was under renovation and they drew skeletons on the 100 00:05:26,720 --> 00:05:29,000 Speaker 1: walls and they caused all kinds of other mischief. They 101 00:05:29,000 --> 00:05:31,839 Speaker 1: messed with the some of the paint and resins that 102 00:05:31,880 --> 00:05:34,920 Speaker 1: the construction workers had left behind, and this got them 103 00:05:34,920 --> 00:05:36,839 Speaker 1: in a little bit of trouble with the local police. 104 00:05:37,480 --> 00:05:39,920 Speaker 1: Adams liked to tell people that he got arrested at 105 00:05:39,920 --> 00:05:42,560 Speaker 1: the age of eight for trespassing and vandalism, but there 106 00:05:42,600 --> 00:05:45,680 Speaker 1: was actually no arrest. The kids were instead rounded up 107 00:05:45,920 --> 00:05:48,080 Speaker 1: and they were taken to the courthouse and Mr Adams, 108 00:05:48,120 --> 00:05:51,160 Speaker 1: Charlie's father paid for the damages that the boys had done. 109 00:05:51,520 --> 00:05:55,400 Speaker 1: This is like an episode of the Andy Griffiths, totally. 110 00:05:55,839 --> 00:05:58,040 Speaker 1: A lot of his life sounds like that. Growing up, 111 00:05:58,040 --> 00:06:01,240 Speaker 1: he always stressed what a normal, sort of wholesome, happy 112 00:06:01,279 --> 00:06:04,240 Speaker 1: boyhood he had. Yeah, later on, as a young man, 113 00:06:04,279 --> 00:06:07,200 Speaker 1: he really did get arrested, though. He was arrested when 114 00:06:07,240 --> 00:06:10,000 Speaker 1: he removed the tank top part of his swimsuit at 115 00:06:10,000 --> 00:06:13,440 Speaker 1: the beach after having seen a photo of Italian men 116 00:06:13,480 --> 00:06:17,000 Speaker 1: who were wearing their swimsuits with just the shorts on. Yes, 117 00:06:17,040 --> 00:06:20,120 Speaker 1: for emulating fashion. He got in a little bit of 118 00:06:20,200 --> 00:06:26,240 Speaker 1: legal trouble. Charlie did remain fascinated with Victorian homes after 119 00:06:26,320 --> 00:06:29,240 Speaker 1: his childhood, even but during his childhood he liked to 120 00:06:29,279 --> 00:06:31,640 Speaker 1: wander the streets of their town, where there were a 121 00:06:31,720 --> 00:06:34,440 Speaker 1: lot of them, and he would imagine the secrets of 122 00:06:34,440 --> 00:06:36,919 Speaker 1: the people who lived there and thought about the sinister 123 00:06:37,040 --> 00:06:40,039 Speaker 1: possibilities of the things in their lives they might be hiding. 124 00:06:40,640 --> 00:06:43,239 Speaker 1: But his own family, like I said, was pretty happy 125 00:06:43,279 --> 00:06:47,720 Speaker 1: and even pretty ordinary. His parents were devoted to one another, 126 00:06:48,200 --> 00:06:50,440 Speaker 1: and he sometimes joked that he was strange because he 127 00:06:50,520 --> 00:06:54,400 Speaker 1: didn't have an unhappy childhood. He was a much beloved child, 128 00:06:54,800 --> 00:06:58,360 Speaker 1: and he also really loved his parents. The only thing 129 00:06:58,440 --> 00:07:01,320 Speaker 1: that seemed to darken this picture of perfection and happiness 130 00:07:01,440 --> 00:07:03,560 Speaker 1: was that his mother would get lonely when his father 131 00:07:03,640 --> 00:07:07,640 Speaker 1: traveled for work. Long past that home break in, Charles 132 00:07:07,640 --> 00:07:10,840 Speaker 1: continued to be a prankster. He liked to use the 133 00:07:10,920 --> 00:07:13,240 Speaker 1: dumb waiter in the family home to sneak into his 134 00:07:13,320 --> 00:07:16,920 Speaker 1: grandmother's room and then jump out and scare her, something 135 00:07:16,920 --> 00:07:22,160 Speaker 1: that he admitted doing the same. Eternal grandmother, Emma Louise 136 00:07:22,240 --> 00:07:25,000 Speaker 1: tough Spear, would go on to inspire the grand My 137 00:07:25,160 --> 00:07:27,640 Speaker 1: character in his famous work as an adult, and it 138 00:07:27,720 --> 00:07:31,720 Speaker 1: was through her that Charlie was related to not only 139 00:07:31,720 --> 00:07:36,360 Speaker 1: the Toughs family, but also very distantly to John Adams. Yeah, 140 00:07:36,400 --> 00:07:38,120 Speaker 1: so that's the other side of the family, not the 141 00:07:38,160 --> 00:07:40,280 Speaker 1: Adams from whence his name comes, which is a two 142 00:07:40,360 --> 00:07:43,120 Speaker 1: D situation um as in it has two d's in it. 143 00:07:44,040 --> 00:07:47,800 Speaker 1: But yeah, so he had a pretty illustrious family set 144 00:07:47,800 --> 00:07:51,080 Speaker 1: of connections on his mother's side. He also would say 145 00:07:51,120 --> 00:07:55,680 Speaker 1: that in the inspiring the Grandmother later on in Adams family, 146 00:07:55,840 --> 00:07:57,840 Speaker 1: that was his grandmother, Like when she first woke up 147 00:07:57,840 --> 00:07:59,560 Speaker 1: in the morning and hadn't combed her hair, she was 148 00:07:59,600 --> 00:08:03,480 Speaker 1: not always disheveled. But even as a kid, there were 149 00:08:03,520 --> 00:08:06,640 Speaker 1: also some clues that Charlie was really in tune with 150 00:08:06,680 --> 00:08:10,360 Speaker 1: the maccabre. So, in addition to thinking about those secret 151 00:08:10,400 --> 00:08:13,280 Speaker 1: lives of the people in the houses around him, he 152 00:08:13,400 --> 00:08:17,320 Speaker 1: adored things like skeletons and coffins and even iron maidens. 153 00:08:17,720 --> 00:08:19,640 Speaker 1: At one point he said he really believed that if 154 00:08:19,640 --> 00:08:21,560 Speaker 1: he had told his parents he wanted an iron maiden, 155 00:08:21,640 --> 00:08:24,520 Speaker 1: they probably would have bought one for him. But some 156 00:08:24,680 --> 00:08:27,640 Speaker 1: of his fascination with such things actually came from his 157 00:08:27,760 --> 00:08:31,680 Speaker 1: fear of them. He was actually pretty claustrophobic. He wrote 158 00:08:31,680 --> 00:08:34,120 Speaker 1: about it as a kid in his diary, and he 159 00:08:34,200 --> 00:08:37,360 Speaker 1: was afraid of snakes. But instead of trying to avoid 160 00:08:37,440 --> 00:08:40,880 Speaker 1: those things, he confronted them, and he drew his fears 161 00:08:40,880 --> 00:08:42,560 Speaker 1: to deal with them. One of the things that comes 162 00:08:42,600 --> 00:08:44,280 Speaker 1: up over and over when you read about his house 163 00:08:44,320 --> 00:08:46,200 Speaker 1: as an adult is that he had all kinds of 164 00:08:46,200 --> 00:08:49,160 Speaker 1: snake art in it, so he clearly really embraced that fear. 165 00:08:50,280 --> 00:08:53,760 Speaker 1: He also really loved art. He started drawing as a kid, 166 00:08:53,840 --> 00:08:57,160 Speaker 1: and his parents encouraged him in it even when Charlie 167 00:08:57,160 --> 00:08:59,920 Speaker 1: was still very young, younger than seven. He was drawing 168 00:09:00,080 --> 00:09:03,560 Speaker 1: pictures of World War One as it took place. He 169 00:09:03,600 --> 00:09:06,760 Speaker 1: was imagining the scenes that he heard about in news reports. 170 00:09:06,840 --> 00:09:08,880 Speaker 1: And he also liked to draw a lot of pictures 171 00:09:08,880 --> 00:09:12,360 Speaker 1: of KAISERVILLELM. The Second being killed in all kinds of ways. 172 00:09:12,760 --> 00:09:14,720 Speaker 1: He was hanged, he was run over by a car, 173 00:09:14,960 --> 00:09:19,440 Speaker 1: on and on. Yeah, yeah, he drew everything he heard, 174 00:09:19,640 --> 00:09:23,120 Speaker 1: and Grace and Charles really believed that their child had 175 00:09:23,160 --> 00:09:25,840 Speaker 1: a true and unique talent, so much so that at 176 00:09:25,880 --> 00:09:28,959 Speaker 1: one point Grace brought some of his drawings to Ht 177 00:09:29,120 --> 00:09:31,240 Speaker 1: Webster at the New York Herald and said, look at 178 00:09:31,280 --> 00:09:33,520 Speaker 1: my child and what he can do. But Webster was like, 179 00:09:33,559 --> 00:09:36,960 Speaker 1: this kid has no talent. It's such a common story 180 00:09:37,080 --> 00:09:40,440 Speaker 1: among parents being like my kid is amazing, and another 181 00:09:40,600 --> 00:09:46,360 Speaker 1: non related person is like, not really though throughout all 182 00:09:46,400 --> 00:09:48,960 Speaker 1: of his education, Charlie was a lot more likely to 183 00:09:49,040 --> 00:09:52,560 Speaker 1: draw humorous cartoons during class than to take notes, and 184 00:09:52,600 --> 00:09:55,840 Speaker 1: even in drawing class, he would hurry through assignments and 185 00:09:55,880 --> 00:09:58,680 Speaker 1: then scribble his humorous cartoons for the rest of the 186 00:09:58,720 --> 00:10:01,640 Speaker 1: class period. I did this all through school, but it 187 00:10:01,720 --> 00:10:07,000 Speaker 1: was with reading. His classmates found him to be fascinating 188 00:10:07,000 --> 00:10:09,320 Speaker 1: and fun and he really never lacked for company when 189 00:10:09,360 --> 00:10:12,120 Speaker 1: he wanted it. Yeah, he was one of those kids, 190 00:10:12,400 --> 00:10:15,880 Speaker 1: it's been described that kind of fit in with everybody. 191 00:10:15,920 --> 00:10:18,360 Speaker 1: Like he didn't have one click, he had kind of 192 00:10:18,400 --> 00:10:21,400 Speaker 1: people from each click that also hung out with him. Uh. 193 00:10:21,480 --> 00:10:23,720 Speaker 1: And at this point though he still thought like art 194 00:10:23,760 --> 00:10:25,640 Speaker 1: was probably a good plan, but that he was going 195 00:10:25,640 --> 00:10:28,440 Speaker 1: to be like a commercial illustrator. He didn't think all 196 00:10:28,480 --> 00:10:31,079 Speaker 1: of this doodling and cartooning would amount to much of anything. 197 00:10:31,760 --> 00:10:34,760 Speaker 1: And after graduating from Westfield High School, he enrolled in 198 00:10:34,840 --> 00:10:37,760 Speaker 1: Colgate College in Hamilton, New York. And this was actually 199 00:10:37,800 --> 00:10:41,120 Speaker 1: a really difficult transition for his mother, who was now 200 00:10:41,559 --> 00:10:44,480 Speaker 1: often without her traveling husband and her son who was 201 00:10:44,520 --> 00:10:48,800 Speaker 1: away at college. In his sophomore year, Adam's transferred to 202 00:10:48,880 --> 00:10:52,160 Speaker 1: University of Pennsylvania. But what he thought was going to 203 00:10:52,200 --> 00:10:55,000 Speaker 1: be an art program that would more closely suit his needs, 204 00:10:55,120 --> 00:10:58,520 Speaker 1: actually turned out to be more of an architecture program. 205 00:10:58,600 --> 00:11:00,840 Speaker 1: He only lasted a year there. He never finished his 206 00:11:00,920 --> 00:11:03,959 Speaker 1: undergraduate degree, and when he left college, he started taking 207 00:11:03,960 --> 00:11:07,120 Speaker 1: classes at the Grand Central School of Art in New York, 208 00:11:07,600 --> 00:11:10,920 Speaker 1: and this school still proudly lists him as an alumnus, 209 00:11:10,960 --> 00:11:14,120 Speaker 1: but he only stayed there a year. In nineteen thirty one, 210 00:11:14,200 --> 00:11:16,679 Speaker 1: he drew a sketch of a window washer from an 211 00:11:16,679 --> 00:11:19,680 Speaker 1: aerial point of view, and then, on a whim, dropped 212 00:11:19,679 --> 00:11:22,600 Speaker 1: it off at the New Yorker offices. Like you do. 213 00:11:23,200 --> 00:11:25,480 Speaker 1: He left it in an envelope, but he didn't include 214 00:11:25,480 --> 00:11:28,240 Speaker 1: a return address on it. And then several months later 215 00:11:28,280 --> 00:11:30,400 Speaker 1: he went back to the New Yorker hoping to just 216 00:11:30,440 --> 00:11:32,480 Speaker 1: pick up his sketch, and he found out that it 217 00:11:32,520 --> 00:11:34,720 Speaker 1: had been published in the space at the end of 218 00:11:34,720 --> 00:11:38,080 Speaker 1: a column that's what's called a decorative spot. It was 219 00:11:38,120 --> 00:11:41,800 Speaker 1: in the February sixty two issue. He got a check 220 00:11:41,880 --> 00:11:44,400 Speaker 1: for seven dollars and fifty cents. And he was twenty 221 00:11:44,520 --> 00:11:48,680 Speaker 1: when this happened. Yeah, he apparently went running to show 222 00:11:48,800 --> 00:11:50,400 Speaker 1: one of his friends, a young lady, that he had 223 00:11:50,400 --> 00:11:53,000 Speaker 1: met in art school that that he had become close 224 00:11:53,040 --> 00:11:55,319 Speaker 1: friends with this check and she actually thought he had 225 00:11:55,320 --> 00:11:58,720 Speaker 1: forged it. She's like, no, you didn't. Well, the idea 226 00:11:58,800 --> 00:12:00,800 Speaker 1: of a person just dropping something off at the New 227 00:12:00,880 --> 00:12:04,280 Speaker 1: Yorker office and then having it published smontage, like that's 228 00:12:04,280 --> 00:12:07,640 Speaker 1: pretty far fetched. Yeah. Um, But just a few months 229 00:12:07,679 --> 00:12:11,960 Speaker 1: after this this joyous milestone, Charlie's father died at the 230 00:12:12,000 --> 00:12:15,240 Speaker 1: age of fifty eight, and that sudden death. It wasn't 231 00:12:15,360 --> 00:12:18,000 Speaker 1: entirely sudden, but he became ill very quickly and died 232 00:12:18,040 --> 00:12:21,839 Speaker 1: not long thereafter. It really catalyzed a change for Charlie. 233 00:12:22,000 --> 00:12:24,480 Speaker 1: He kind of realized at that point the school was 234 00:12:24,559 --> 00:12:26,680 Speaker 1: never going to give him what he needed, and he 235 00:12:26,800 --> 00:12:29,000 Speaker 1: just wanted to go ahead and start earning a living. 236 00:12:29,280 --> 00:12:32,319 Speaker 1: And so to that end, he took a job retouching 237 00:12:32,400 --> 00:12:36,080 Speaker 1: crime scene photos for True Detective magazine. So in this case, 238 00:12:36,080 --> 00:12:38,080 Speaker 1: he would sometimes make them a little less gory and 239 00:12:38,080 --> 00:12:41,360 Speaker 1: gruesome before publication, or he would just do layouts where 240 00:12:41,360 --> 00:12:46,520 Speaker 1: he had to add captions or um any descriptive text 241 00:12:46,600 --> 00:12:50,040 Speaker 1: on the image to further explain it to readers. He 242 00:12:50,120 --> 00:12:53,200 Speaker 1: made fifteen dollars a week, and that wasn't super great money, 243 00:12:53,200 --> 00:12:55,800 Speaker 1: but it was a really secure job during the depression, 244 00:12:55,880 --> 00:12:59,160 Speaker 1: which was a very difficult thing to find. He submitted 245 00:12:59,160 --> 00:13:01,080 Speaker 1: to The New Yorker again, This time it was a 246 00:13:01,080 --> 00:13:03,520 Speaker 1: sketch of a hockey player who forgot his skates and 247 00:13:03,520 --> 00:13:05,800 Speaker 1: he's standing on the ice with his colleagues and his 248 00:13:05,920 --> 00:13:10,480 Speaker 1: stocking feet. This was published on January fourth, nineteen thirty three, 249 00:13:10,640 --> 00:13:13,280 Speaker 1: and he'd later talked about how unfunny this piece of 250 00:13:13,360 --> 00:13:16,439 Speaker 1: art was and wonder why the magazine ever went for it. 251 00:13:16,880 --> 00:13:19,560 Speaker 1: He continued to submit cartoons to The New Yorker, and 252 00:13:19,600 --> 00:13:23,520 Speaker 1: several more were published that year. Thirty four was leaner, 253 00:13:23,600 --> 00:13:26,839 Speaker 1: though the magazine only published one of his cartoons. In 254 00:13:26,960 --> 00:13:29,760 Speaker 1: nineteen thirty five, he submitted an image of a printing 255 00:13:29,840 --> 00:13:32,760 Speaker 1: press that was running a paper with the headlined sex 256 00:13:32,880 --> 00:13:35,880 Speaker 1: Fiend Slays tot. He submitted that to The New Yorker, 257 00:13:36,040 --> 00:13:38,280 Speaker 1: and The New Yorker published in on March twenty three. 258 00:13:40,000 --> 00:13:42,400 Speaker 1: It was a skewering of the press and the tendency 259 00:13:42,440 --> 00:13:45,200 Speaker 1: to run just the most lurid stories possible on the 260 00:13:45,200 --> 00:13:49,400 Speaker 1: front page. And from that point Adams, who had already 261 00:13:49,440 --> 00:13:52,360 Speaker 1: started signing his art chas Adams, simply because he liked 262 00:13:52,360 --> 00:13:54,240 Speaker 1: how it looked. He didn't actually go by chas in 263 00:13:54,280 --> 00:13:57,560 Speaker 1: his life, started to get a little more brazen with 264 00:13:57,600 --> 00:14:01,400 Speaker 1: the dark subjects of his cartoons. He did routinely get 265 00:14:01,480 --> 00:14:04,280 Speaker 1: notes that his drawing needed to be better, and so 266 00:14:04,320 --> 00:14:06,760 Speaker 1: he started working with ink wasashes, which added a lot 267 00:14:06,760 --> 00:14:10,080 Speaker 1: of depth to his images, and he started selling a 268 00:14:10,080 --> 00:14:13,040 Speaker 1: lot more art and making more money. Coming up, we 269 00:14:13,080 --> 00:14:16,000 Speaker 1: will talk more about Charlie's early work for The New Yorker, 270 00:14:16,240 --> 00:14:17,800 Speaker 1: but first we're going to take a little breaks so 271 00:14:17,840 --> 00:14:28,800 Speaker 1: we can hear from one of our sponsors. At the 272 00:14:28,840 --> 00:14:32,040 Speaker 1: age of twenty three, Adams was regularly publishing with The 273 00:14:32,080 --> 00:14:34,760 Speaker 1: New Yorker as a contributor. That was a job that 274 00:14:34,880 --> 00:14:38,239 Speaker 1: ended up really defining his career in the public's relationship 275 00:14:38,280 --> 00:14:41,880 Speaker 1: with his work. This wasn't a huge money gig. He 276 00:14:41,960 --> 00:14:44,760 Speaker 1: got paid ten dollars for spots, those little smaller ones 277 00:14:44,800 --> 00:14:47,400 Speaker 1: that were kind of fillers, and a fee per square 278 00:14:47,440 --> 00:14:51,280 Speaker 1: inch for larger images, which wasn't great money. It wasn't 279 00:14:51,280 --> 00:14:53,920 Speaker 1: a high volume business, and there was no guarantee that 280 00:14:53,960 --> 00:14:56,840 Speaker 1: submitted work was going to be accepted. And he also 281 00:14:56,920 --> 00:14:59,720 Speaker 1: submitted to other publications during this time and got published 282 00:14:59,720 --> 00:15:01,920 Speaker 1: in some of them, but The New Yorker was his 283 00:15:02,000 --> 00:15:06,320 Speaker 1: primary source of income, and as his popularity with readers grew, 284 00:15:06,600 --> 00:15:10,480 Speaker 1: the magazine started getting requests to purchase his original drawings, 285 00:15:11,040 --> 00:15:13,840 Speaker 1: and then on January one of eight, he had his 286 00:15:13,880 --> 00:15:17,440 Speaker 1: first cover with the magazine. Not all of adams drawings 287 00:15:17,440 --> 00:15:20,640 Speaker 1: were his own ideas. He collaborated with writers at The 288 00:15:20,640 --> 00:15:22,960 Speaker 1: New Yorker for some of his work, and he hired 289 00:15:23,000 --> 00:15:26,640 Speaker 1: gag writers on his own as well that included Richard McAllister. 290 00:15:27,480 --> 00:15:29,640 Speaker 1: This was a really common practice, and at the time 291 00:15:29,640 --> 00:15:32,600 Speaker 1: The New Yorker ran its cartoon division around this idea 292 00:15:32,640 --> 00:15:36,360 Speaker 1: of writers and artists working as collaborators. Yeah, sometimes people 293 00:15:36,400 --> 00:15:39,160 Speaker 1: are a little shocked. And I know, even later in life, 294 00:15:39,160 --> 00:15:41,240 Speaker 1: as like sort of the next generation of artists was 295 00:15:41,280 --> 00:15:43,960 Speaker 1: coming up in The New Yorker, many of whom had 296 00:15:43,960 --> 00:15:46,680 Speaker 1: been idolizing Charles Adams. They were like, what what do 297 00:15:46,680 --> 00:15:48,440 Speaker 1: you What do you mean he didn't write those jokes 298 00:15:48,840 --> 00:15:51,080 Speaker 1: and would be like, no, he would get somebody sometimes 299 00:15:51,120 --> 00:15:52,920 Speaker 1: to write the joke, and then he would illustrate the joke. 300 00:15:53,000 --> 00:15:55,880 Speaker 1: It's like an actor with a script. Uh. So it's 301 00:15:55,880 --> 00:16:00,440 Speaker 1: a little startling for some people. Uh. Mortitia Adams first 302 00:16:00,440 --> 00:16:04,040 Speaker 1: appeared in print on August six, Although she did not 303 00:16:04,200 --> 00:16:06,280 Speaker 1: have that name at the time, she kind of got 304 00:16:06,320 --> 00:16:09,360 Speaker 1: called all manner of things like ghoulish woman or you know, 305 00:16:09,440 --> 00:16:14,800 Speaker 1: creepy woman. Still her trademark long elegant look is unmistakable, 306 00:16:14,960 --> 00:16:17,840 Speaker 1: although her hair is pulled back. In that one, she 307 00:16:18,000 --> 00:16:21,000 Speaker 1: is being given a pitch by a vacuum salesman while 308 00:16:21,000 --> 00:16:25,359 Speaker 1: a large, imposing butler, a bat and a mysterious figure upstairs. 309 00:16:25,400 --> 00:16:28,400 Speaker 1: I'll look on and the scene plays out against what 310 00:16:28,480 --> 00:16:32,840 Speaker 1: is obviously a cobwebby haunted house background. And Adams, who 311 00:16:32,920 --> 00:16:35,640 Speaker 1: just called the work vacuum Cleaner when he recorded it 312 00:16:35,720 --> 00:16:38,960 Speaker 1: in his own personal records, was paid eighty five dollars 313 00:16:38,960 --> 00:16:42,320 Speaker 1: for it, and he had absolutely no idea where that 314 00:16:42,360 --> 00:16:45,120 Speaker 1: was eventually going to lead. Harold Ross, who was the 315 00:16:45,160 --> 00:16:47,320 Speaker 1: co founder and editor in chief of The New Yorker, 316 00:16:47,400 --> 00:16:50,520 Speaker 1: saw something in this, though he asked Adams to fill 317 00:16:50,600 --> 00:16:53,200 Speaker 1: the Victorian house he had created for the Vacuum Cleaner 318 00:16:53,240 --> 00:16:59,160 Speaker 1: cartoon with more characters. Things evolved immediately. The butler went 319 00:16:59,200 --> 00:17:02,400 Speaker 1: from this beard man who to the very clean shaven 320 00:17:02,440 --> 00:17:06,479 Speaker 1: look that was reminiscent of Frankenstein's Monster as that character 321 00:17:06,520 --> 00:17:11,040 Speaker 1: looks in James Whale's films, the surroundings got more dilapidated 322 00:17:11,080 --> 00:17:16,000 Speaker 1: and creepier, but new characters didn't appear. But Harold Ross 323 00:17:16,000 --> 00:17:18,240 Speaker 1: still liked it though, and it ran in the magazine 324 00:17:18,240 --> 00:17:21,520 Speaker 1: in November of nine, more than a year after that 325 00:17:21,640 --> 00:17:26,879 Speaker 1: first Ghoulish vacuum cleaner sale, and then on January twelve 326 00:17:27,000 --> 00:17:29,880 Speaker 1: of nineteen forty, The New Yorker published one of Adams's 327 00:17:30,080 --> 00:17:34,200 Speaker 1: most famous non Adams Family cartoons. It's kind of nicknamed 328 00:17:34,200 --> 00:17:36,240 Speaker 1: The Ski Tree or You'll see it referred to as 329 00:17:36,280 --> 00:17:39,840 Speaker 1: the Skier, and it features a skier who has just 330 00:17:39,920 --> 00:17:43,359 Speaker 1: passed a tree, and the skiers ski tracks can clearly 331 00:17:43,400 --> 00:17:46,240 Speaker 1: be seen going around each side of the tree uninterrupted, 332 00:17:46,600 --> 00:17:49,119 Speaker 1: and the skier is continuing on. And then a witness 333 00:17:49,280 --> 00:17:51,919 Speaker 1: in the form of a cross country skier traveling in 334 00:17:51,920 --> 00:17:56,159 Speaker 1: the opposite direction, looks on in bewilderment. Uh, though he 335 00:17:56,200 --> 00:17:59,080 Speaker 1: doesn't know quite how this person went around a tree 336 00:18:00,080 --> 00:18:04,440 Speaker 1: on its skis from both sides. Uh. It perfectly encapsulates 337 00:18:04,520 --> 00:18:07,800 Speaker 1: Charles adams as sense of the absurd and the mind bending, 338 00:18:08,000 --> 00:18:11,520 Speaker 1: and Adams became pretty instantly famous for The Skier, which 339 00:18:11,560 --> 00:18:14,520 Speaker 1: surprised him greatly. He thought it was just an incredibly 340 00:18:14,600 --> 00:18:18,080 Speaker 1: simple cartoon, and he couldn't quite grasp why people wanted 341 00:18:18,119 --> 00:18:21,560 Speaker 1: to analyze it so tirelessly. For meaning, it got written 342 00:18:21,600 --> 00:18:24,760 Speaker 1: up by professors. People wrote, you know, their thesis on it. 343 00:18:25,320 --> 00:18:28,480 Speaker 1: He heard about it being taught in like logic classes, 344 00:18:28,480 --> 00:18:30,439 Speaker 1: and he was like, it's just a weird cartoon. You 345 00:18:30,480 --> 00:18:36,720 Speaker 1: got well. And my embarrassing admission for this episode is 346 00:18:36,760 --> 00:18:40,000 Speaker 1: that I didn't really like, I'm familiar with that cartoon. 347 00:18:40,080 --> 00:18:43,320 Speaker 1: I'm I've seen it plenty of times before. When I 348 00:18:43,359 --> 00:18:45,760 Speaker 1: read the description in this outline, I could immediately call 349 00:18:45,840 --> 00:18:49,400 Speaker 1: it to mind. And I did not make the connection ever, 350 00:18:50,080 --> 00:18:52,119 Speaker 1: that that was the same guy as the Adams family. 351 00:18:52,440 --> 00:18:54,840 Speaker 1: I can understand that. I mean, it's it's an early 352 00:18:54,920 --> 00:18:57,359 Speaker 1: stage of when he was doing Inkwashes, so it didn't 353 00:18:57,400 --> 00:19:00,240 Speaker 1: have that same level of depths, And it is not 354 00:19:01,119 --> 00:19:03,359 Speaker 1: it's weird, and like I said, it's a little mind bendy, 355 00:19:03,440 --> 00:19:06,000 Speaker 1: but there's nothing of the sort of creepy stuff that 356 00:19:06,000 --> 00:19:09,040 Speaker 1: we more closely tied to him. So the nineteen forties 357 00:19:09,080 --> 00:19:12,280 Speaker 1: were really eventful for Adams. In nineteen forty he illustrated 358 00:19:12,280 --> 00:19:15,760 Speaker 1: the book But Who Wakes The Bugler by Peter Devrees. 359 00:19:16,359 --> 00:19:19,359 Speaker 1: Two years later he published his own anthology, Drawn and 360 00:19:19,480 --> 00:19:23,840 Speaker 1: Quartered That Random House, and after that he was constantly publishing. 361 00:19:23,840 --> 00:19:27,200 Speaker 1: He had a lot of books. Um That elegant woman 362 00:19:27,359 --> 00:19:31,119 Speaker 1: in adams Dark Victorian House, who would later become Morticia, 363 00:19:31,280 --> 00:19:35,159 Speaker 1: fell in love, almost in tandem with Charles Adams. The 364 00:19:35,240 --> 00:19:38,600 Speaker 1: artist came up with a round, old fashioned looking paramore 365 00:19:38,720 --> 00:19:42,080 Speaker 1: for his macab lady as his life was becoming entwined 366 00:19:42,080 --> 00:19:46,240 Speaker 1: with that of Barbara Jean Day. Barbara, who went by Bobby, 367 00:19:46,280 --> 00:19:50,040 Speaker 1: is often described as looking like Morticia, though Adams at 368 00:19:50,119 --> 00:19:52,520 Speaker 1: various times would list all of the many ways that 369 00:19:52,560 --> 00:19:55,680 Speaker 1: they were different. In early nineteen forty three, so World 370 00:19:55,720 --> 00:19:59,200 Speaker 1: War Two, Adams was drafted into the U. S. Army, 371 00:19:59,400 --> 00:20:01,840 Speaker 1: and just a month after he joined, his mother died 372 00:20:01,960 --> 00:20:05,600 Speaker 1: at sixty six, which was incredibly rough on him. Three 373 00:20:05,600 --> 00:20:08,159 Speaker 1: months later, perhaps to try to reclaim a little bit 374 00:20:08,160 --> 00:20:11,280 Speaker 1: of happiness, on May twenty nine, Charlie took leave to 375 00:20:11,320 --> 00:20:15,040 Speaker 1: marry Bobby in Westfield. They honeymooned in Manhattan, and then 376 00:20:15,119 --> 00:20:17,239 Speaker 1: Charlie returned to the base that he was stationed at, 377 00:20:17,280 --> 00:20:20,239 Speaker 1: which was just in a Storia. Barbara set up their 378 00:20:20,280 --> 00:20:22,840 Speaker 1: new home in an apartment at thirty six and a 379 00:20:22,920 --> 00:20:26,080 Speaker 1: half East seventy Street, and she also started to look 380 00:20:26,200 --> 00:20:29,920 Speaker 1: even more like Charlie's cartoon ghoul woman. She grew out 381 00:20:29,960 --> 00:20:32,359 Speaker 1: her hair, which was very dark, and she started wearing 382 00:20:32,359 --> 00:20:35,679 Speaker 1: a lot of black. Because Charlie's barracks were nearby, the 383 00:20:35,680 --> 00:20:37,840 Speaker 1: couple saw a lot of each other and they socialized 384 00:20:37,840 --> 00:20:40,680 Speaker 1: with other couples as well. Yeah, this isn't a time 385 00:20:40,680 --> 00:20:43,560 Speaker 1: where they were like separated. During his service time, he 386 00:20:43,680 --> 00:20:47,200 Speaker 1: stayed on the base, but it was apparent that many 387 00:20:47,320 --> 00:20:50,320 Speaker 1: of the soldiers who were stationed there that had wives 388 00:20:50,400 --> 00:20:53,760 Speaker 1: or girlfriends often left at night. He certainly was having 389 00:20:53,800 --> 00:20:57,280 Speaker 1: dinners with friends and colleagues during this time. But because 390 00:20:57,320 --> 00:20:59,960 Speaker 1: of his art background, Charlie was selected to work at 391 00:21:00,000 --> 00:21:03,879 Speaker 1: a Signal Core photographic center, making training films and pamphlets 392 00:21:03,880 --> 00:21:07,320 Speaker 1: and signs and similar types of things for the military. 393 00:21:07,520 --> 00:21:10,359 Speaker 1: And during this time he was also still submitting regularly 394 00:21:10,359 --> 00:21:13,919 Speaker 1: to The New Yorker. He occasionally produced war theme art, 395 00:21:14,080 --> 00:21:17,080 Speaker 1: usually the request of an editor, but he mainly stayed 396 00:21:17,119 --> 00:21:20,159 Speaker 1: true to his own grim humor and subjects. He wanted 397 00:21:20,200 --> 00:21:22,560 Speaker 1: his work to be timeless and not tied to the 398 00:21:22,640 --> 00:21:25,480 Speaker 1: era in which it was drawn, and the children of 399 00:21:25,480 --> 00:21:28,760 Speaker 1: the Little Monstrous Family, who would evolve into Pugsley and Wednesday, 400 00:21:28,920 --> 00:21:32,720 Speaker 1: appeared during this time as well. Charlie's army time ended 401 00:21:32,760 --> 00:21:35,919 Speaker 1: in after the war was over and he started a 402 00:21:35,960 --> 00:21:39,200 Speaker 1: life that was really pretty glamorous. Adams had moved into 403 00:21:39,240 --> 00:21:43,040 Speaker 1: a nicer apartment. He started buying cars and unique antiques. 404 00:21:43,480 --> 00:21:46,880 Speaker 1: He purchased a farm, spent months on Fire Island, and 405 00:21:47,000 --> 00:21:49,960 Speaker 1: party with friends, including old friends and new friends, some 406 00:21:50,040 --> 00:21:52,800 Speaker 1: of whom were very high profile in the art or 407 00:21:52,840 --> 00:21:56,040 Speaker 1: writing scene. Yeah, it seemed like he and Bobby really 408 00:21:56,040 --> 00:21:59,960 Speaker 1: had like that sort of charmed uh artsy power couple 409 00:22:00,119 --> 00:22:02,159 Speaker 1: life where they just hung out with everybody cool. They 410 00:22:02,200 --> 00:22:05,359 Speaker 1: hosted the coolest parties. He was busy getting into two 411 00:22:05,480 --> 00:22:08,760 Speaker 1: racing his expensive cars at this point, and in December 412 00:22:09,880 --> 00:22:12,080 Speaker 1: The New Yorker published one of the most famous of 413 00:22:12,119 --> 00:22:16,120 Speaker 1: the Adams family cartoons called Boiling Oil. And this features 414 00:22:16,119 --> 00:22:19,040 Speaker 1: an angled aerial view of a Victorian mansion with a 415 00:22:19,080 --> 00:22:21,639 Speaker 1: group of carolers clustered at the bottom of the image 416 00:22:21,640 --> 00:22:24,680 Speaker 1: at the door. They're kind of small in the picture. Lurch, 417 00:22:24,920 --> 00:22:27,520 Speaker 1: Gomez and Mortsia again not named this yet, but it's 418 00:22:27,560 --> 00:22:30,200 Speaker 1: easier to do that for shorthand are standing on a 419 00:22:30,320 --> 00:22:32,040 Speaker 1: ledge near the top of the house, and they have 420 00:22:32,080 --> 00:22:35,439 Speaker 1: a vat of boiling oil tipped just before it spills 421 00:22:35,440 --> 00:22:39,880 Speaker 1: out onto the merry singers. Huge numbers of requests came 422 00:22:39,880 --> 00:22:42,320 Speaker 1: in from fans after this was published, asking if they 423 00:22:42,359 --> 00:22:45,800 Speaker 1: could use it on their Christmas cards, and Adams always 424 00:22:45,840 --> 00:22:48,040 Speaker 1: granted permission so long as they were just doing it 425 00:22:48,080 --> 00:22:50,240 Speaker 1: for personal use and they were not mass producing it 426 00:22:50,280 --> 00:22:55,359 Speaker 1: for sale. Charlie really embraced the ghoulish eccentric identity that 427 00:22:55,440 --> 00:22:58,240 Speaker 1: his fans seemed to want him to have. He went 428 00:22:58,280 --> 00:23:01,800 Speaker 1: on picnics and graveyards and even snatched an old gravestone 429 00:23:01,880 --> 00:23:04,679 Speaker 1: which he later used as a table. Please do not 430 00:23:04,920 --> 00:23:11,640 Speaker 1: steal gravestones. His home filled up with ghoulish odds and ends, 431 00:23:11,680 --> 00:23:14,880 Speaker 1: and he got all manner of odd and creepy gifts. 432 00:23:15,240 --> 00:23:17,800 Speaker 1: He would tell reporters and friends about them, and he 433 00:23:17,920 --> 00:23:20,160 Speaker 1: was very conscious of how they added to this whole 434 00:23:20,200 --> 00:23:24,359 Speaker 1: macab mystique. These things included stuff like a human thigh 435 00:23:24,440 --> 00:23:28,280 Speaker 1: bone and a skull that was gilded with gold. Yeah, 436 00:23:28,320 --> 00:23:30,679 Speaker 1: all kinds of things. The human thigh bone I have 437 00:23:30,800 --> 00:23:33,800 Speaker 1: seen relate in two different ways. One that it was 438 00:23:33,840 --> 00:23:35,440 Speaker 1: a gift from a fan, and one that it was 439 00:23:35,480 --> 00:23:37,720 Speaker 1: a gift from one of his wives, but I never 440 00:23:37,760 --> 00:23:42,320 Speaker 1: saw like conclusive corroboration of either of those, so that 441 00:23:42,440 --> 00:23:46,040 Speaker 1: he had one um. By the late nineteen forties, though, 442 00:23:46,119 --> 00:23:48,960 Speaker 1: what had started as a small issue in the Adams 443 00:23:48,960 --> 00:23:53,600 Speaker 1: marriage loomed progressively larger. Bobby enjoyed their life, but she 444 00:23:53,720 --> 00:23:56,320 Speaker 1: really wanted to slow things down a little bit and 445 00:23:56,400 --> 00:23:59,879 Speaker 1: start a family. Charlie found it challenging enough to be 446 00:24:00,119 --> 00:24:02,280 Speaker 1: in a monogamous marriage and that was something that he 447 00:24:02,400 --> 00:24:05,640 Speaker 1: never quite managed to do, and he did not want 448 00:24:05,680 --> 00:24:08,840 Speaker 1: to add children to the equation. He was absolutely great 449 00:24:08,840 --> 00:24:11,560 Speaker 1: with kids, He enjoyed playing with kids, His friends kids 450 00:24:11,560 --> 00:24:13,879 Speaker 1: all loved him, but he thought having one of his 451 00:24:13,920 --> 00:24:15,879 Speaker 1: own in his life was going to really limit his 452 00:24:15,920 --> 00:24:19,120 Speaker 1: options and basically just prevent him from living the life 453 00:24:19,119 --> 00:24:21,480 Speaker 1: he wanted, and he later would say when this topic 454 00:24:21,480 --> 00:24:26,080 Speaker 1: would come up, I'm my own child. Eventually, Charlie agreed 455 00:24:26,160 --> 00:24:28,600 Speaker 1: that they could have a baby, but they weren't able 456 00:24:28,640 --> 00:24:32,760 Speaker 1: to conceive. Bobby wanted to adopt a child, and Charles 457 00:24:32,760 --> 00:24:35,080 Speaker 1: agreed on the condition that they get an older child 458 00:24:35,080 --> 00:24:37,960 Speaker 1: and not an infant. But then when a child fitting. 459 00:24:37,960 --> 00:24:41,240 Speaker 1: Their application finally became available, Charlie got cold feet about 460 00:24:41,280 --> 00:24:43,800 Speaker 1: it and he couldn't complete the paperwork, and this ended 461 00:24:43,840 --> 00:24:48,760 Speaker 1: their marriage. Bobby left shortly thereafter with another man. Yes, 462 00:24:48,880 --> 00:24:50,760 Speaker 1: so they had had eight years where they seemed like 463 00:24:50,800 --> 00:24:53,800 Speaker 1: the perfect couple and then it ended rather abruptly. Uh. 464 00:24:53,840 --> 00:24:56,720 Speaker 1: And that same summer that the marriage ended, Charlie's best 465 00:24:56,760 --> 00:25:00,159 Speaker 1: friend and fellow cartoonist died. That was Sam Kobeing, and 466 00:25:00,200 --> 00:25:03,760 Speaker 1: he died suddenly in a car accident, and Adams actually 467 00:25:03,800 --> 00:25:06,719 Speaker 1: felt somehow responsible for the death because he had been 468 00:25:06,760 --> 00:25:09,960 Speaker 1: the person who got Sam interested in cars, and even 469 00:25:09,960 --> 00:25:12,159 Speaker 1: though he was not driving dangerously, I guess he was 470 00:25:12,240 --> 00:25:14,720 Speaker 1: driving kind of fast down a straight away when another 471 00:25:14,800 --> 00:25:18,399 Speaker 1: car entered and hit his car. And Bobby and Charlie 472 00:25:18,440 --> 00:25:21,240 Speaker 1: attended Sam's funeral as a couple. It was their one 473 00:25:21,320 --> 00:25:25,240 Speaker 1: last appearance as a married couple. Despite all these personal setbacks, 474 00:25:25,320 --> 00:25:29,239 Speaker 1: Charlie's professional life was continuing to flourish. Not only were 475 00:25:29,280 --> 00:25:31,960 Speaker 1: there more books, but also merchandise. There was a line 476 00:25:31,960 --> 00:25:35,080 Speaker 1: of Chas Adams scarves and housewears that was launched in 477 00:25:35,080 --> 00:25:38,240 Speaker 1: the early nineteen fifties. He also worked on an assortment 478 00:25:38,240 --> 00:25:41,480 Speaker 1: of projects with his friends. Yeah, some of those came 479 00:25:41,520 --> 00:25:43,399 Speaker 1: to fruition and some did not, But he always just 480 00:25:43,440 --> 00:25:45,440 Speaker 1: had fun kind of noodling around with other people on 481 00:25:45,720 --> 00:25:49,919 Speaker 1: collaborations and projects. And it turned out that adams is 482 00:25:50,119 --> 00:25:53,440 Speaker 1: penchant for dark humor really connected with readers. He already 483 00:25:53,520 --> 00:25:55,439 Speaker 1: knew that based on the whole Christmas card thing, but 484 00:25:55,480 --> 00:25:58,920 Speaker 1: it continued to snowball. He got fan mail from all over, 485 00:25:59,000 --> 00:26:01,520 Speaker 1: and at one point he told James Thurber quote, I 486 00:26:01,560 --> 00:26:03,840 Speaker 1: have gotten a lot of letters about my work, most 487 00:26:03,880 --> 00:26:07,080 Speaker 1: of them from criminals and subhumans who want to sell ideas. 488 00:26:07,600 --> 00:26:10,720 Speaker 1: Some of the worst come from a minister in Georgia. 489 00:26:10,920 --> 00:26:13,520 Speaker 1: And all kinds of rumors are also started to follow 490 00:26:13,560 --> 00:26:15,720 Speaker 1: him around this time, like that he slept in a 491 00:26:15,760 --> 00:26:18,680 Speaker 1: coffin and sometimes that he would put eyeballs in his martinis. 492 00:26:18,720 --> 00:26:22,240 Speaker 1: Those were untrue, but the legendary tales of his drinking 493 00:26:22,320 --> 00:26:25,440 Speaker 1: and womanizing that started around this time were absolutely based 494 00:26:25,480 --> 00:26:29,280 Speaker 1: in reality. He was really fun, loving and famous, and 495 00:26:29,359 --> 00:26:31,959 Speaker 1: once his divorce became public knowledge, he was like a 496 00:26:32,000 --> 00:26:35,639 Speaker 1: magnet for prospective dates. He dated some women regularly, and 497 00:26:35,640 --> 00:26:38,280 Speaker 1: there were rumors of some possible engagements, but he was 498 00:26:38,320 --> 00:26:42,199 Speaker 1: never exclusive with anyone. Yeah, the list of women that 499 00:26:42,280 --> 00:26:45,679 Speaker 1: he was almost maybe engaged to is mighty long. I 500 00:26:45,680 --> 00:26:51,240 Speaker 1: mean we're talking dozens. And then he met a woman 501 00:26:51,359 --> 00:26:54,640 Speaker 1: named Barbara Barb in nineteen fifty three, and her full 502 00:26:54,720 --> 00:26:57,560 Speaker 1: name was actually a stell b Barb, and she was 503 00:26:57,600 --> 00:27:01,439 Speaker 1: a tall, dark haired, flashy beauty. She looked to a 504 00:27:01,480 --> 00:27:04,480 Speaker 1: lot of his friends like an ultra glamorized version of 505 00:27:04,560 --> 00:27:07,680 Speaker 1: Charlie's first wife, Bobby. He very clearly had a type. 506 00:27:07,800 --> 00:27:10,439 Speaker 1: Some of his friends really perceived her rather unkindly. She 507 00:27:10,560 --> 00:27:13,480 Speaker 1: was described by some of them as a bimbo. But 508 00:27:13,600 --> 00:27:16,840 Speaker 1: in fact, Barbara was smart as a whip and very ambitious, 509 00:27:16,880 --> 00:27:19,560 Speaker 1: and she had what seemed to be a very successful 510 00:27:19,640 --> 00:27:23,240 Speaker 1: law career. She did have a legitimate law degree, but 511 00:27:23,440 --> 00:27:26,280 Speaker 1: she also embellished her own life story in ways that 512 00:27:26,359 --> 00:27:28,800 Speaker 1: made it really hard to discern how much she was 513 00:27:28,840 --> 00:27:31,680 Speaker 1: a self made success and whether she may have gotten 514 00:27:31,720 --> 00:27:35,240 Speaker 1: her money from other means. But regardless of how anyone 515 00:27:35,240 --> 00:27:39,760 Speaker 1: else saw Barbara Barba, Charles Adams was completely captivated by her. 516 00:27:40,200 --> 00:27:44,679 Speaker 1: But one aspect of their courtship was always consistently relayed 517 00:27:45,160 --> 00:27:48,160 Speaker 1: based on accounts of all of Charlie's friends and Charlie. 518 00:27:48,560 --> 00:27:52,840 Speaker 1: It was a really tumultuous relationship. Charlie confided in friends 519 00:27:52,840 --> 00:27:56,640 Speaker 1: at various points that Barbara was sometimes violent when they fought, 520 00:27:56,720 --> 00:28:00,240 Speaker 1: hitting him and brandishing a knife at one point. They 521 00:28:00,280 --> 00:28:02,879 Speaker 1: also ended up having a number of false starts on 522 00:28:02,960 --> 00:28:05,240 Speaker 1: wedding dates. They would plan to get married, and then 523 00:28:05,240 --> 00:28:06,520 Speaker 1: they would get in a big fight and it would 524 00:28:06,560 --> 00:28:08,960 Speaker 1: fall apart, and they would just do that cycle over 525 00:28:09,000 --> 00:28:11,440 Speaker 1: and over. But they still did get married in South 526 00:28:11,440 --> 00:28:15,000 Speaker 1: Carolina at the end of nineteen fifty four. The marriage, 527 00:28:15,080 --> 00:28:18,919 Speaker 1: like the courtship, was really a roller coaster. Barbara lied 528 00:28:19,000 --> 00:28:22,280 Speaker 1: to Charlie about being pregnant when she wasn't. She told 529 00:28:22,320 --> 00:28:24,360 Speaker 1: him that she had no family when it turned out 530 00:28:24,359 --> 00:28:28,160 Speaker 1: that she did and they were nearby in Brooklyn. Police 531 00:28:28,240 --> 00:28:30,320 Speaker 1: had to intervene in fights between the two of them 532 00:28:30,320 --> 00:28:33,120 Speaker 1: on occasion, and throughout all of it. It turned out 533 00:28:33,119 --> 00:28:35,399 Speaker 1: that Barbara had maintained a romance with a man in 534 00:28:35,480 --> 00:28:38,320 Speaker 1: England who she saw whenever she was traveling to Europe, 535 00:28:38,640 --> 00:28:40,960 Speaker 1: which was a frequent part of her work, and the 536 00:28:41,040 --> 00:28:43,840 Speaker 1: Any Yorker at this time had first rights to any 537 00:28:43,880 --> 00:28:46,959 Speaker 1: of Charlie's cartoons, as outline in a contract that had 538 00:28:47,000 --> 00:28:50,600 Speaker 1: been put in place. In the nineteen forties, Barbara Barbe 539 00:28:50,680 --> 00:28:52,840 Speaker 1: set up a company of her own that would manage 540 00:28:52,840 --> 00:28:55,160 Speaker 1: the sale and distribution of any work that the New 541 00:28:55,240 --> 00:28:58,479 Speaker 1: Yorker had not taken. And under this set up, Barbara 542 00:28:58,600 --> 00:29:01,360 Speaker 1: was paid to manage the aagement and manage his art, 543 00:29:01,680 --> 00:29:04,480 Speaker 1: and she was entitled to fift of the earnings from 544 00:29:04,520 --> 00:29:09,240 Speaker 1: these sales. This marriage and all kinds of aspects of 545 00:29:09,280 --> 00:29:13,640 Speaker 1: their relationship were completely confusing to everyone in Adam's social circle, 546 00:29:13,640 --> 00:29:15,959 Speaker 1: and we'll talk a bit more about that after we 547 00:29:16,000 --> 00:29:26,840 Speaker 1: take a quick sponsor break. So, as we said before 548 00:29:27,000 --> 00:29:30,720 Speaker 1: we cut to our sponsor break, no one really understood 549 00:29:30,720 --> 00:29:33,200 Speaker 1: this marriage, which, as it turns out, was not even 550 00:29:33,240 --> 00:29:37,120 Speaker 1: common knowledge for reasons that are a little unclear. Barbara, 551 00:29:37,200 --> 00:29:40,840 Speaker 1: who Charlie's friends nicknamed Bad Barbara since they called his 552 00:29:40,840 --> 00:29:43,680 Speaker 1: first wife Good Barbara, just kind of a sticky situation 553 00:29:43,720 --> 00:29:46,280 Speaker 1: to be in. But she wanted to keep the wedding 554 00:29:46,280 --> 00:29:48,680 Speaker 1: a secret for a while, and of course there were 555 00:29:48,680 --> 00:29:50,400 Speaker 1: tons of rumors about why she might want that, but 556 00:29:50,440 --> 00:29:53,560 Speaker 1: we don't really know. But Charles also seemed a little 557 00:29:53,600 --> 00:29:55,840 Speaker 1: afraid of his second wife, and he was willing to 558 00:29:55,880 --> 00:29:58,680 Speaker 1: give in to her various demands just to keep the 559 00:29:58,760 --> 00:30:02,560 Speaker 1: peace and hopefully keep their various problems from getting out 560 00:30:02,600 --> 00:30:07,360 Speaker 1: and damaging his career. But he wasn't counter submissive. From 561 00:30:07,520 --> 00:30:10,560 Speaker 1: very early on, he was taking delivery of love letters 562 00:30:10,560 --> 00:30:13,960 Speaker 1: that were arriving from Barbara's British lover and then taking 563 00:30:14,000 --> 00:30:17,480 Speaker 1: those to his lawyers for safekeeping, without ever telling barb 564 00:30:17,600 --> 00:30:19,720 Speaker 1: that he had them. I feel like this is the 565 00:30:19,880 --> 00:30:24,280 Speaker 1: inspiration for a whole storyline on parks and recreation. It 566 00:30:24,400 --> 00:30:28,840 Speaker 1: absolutely could be the inspiration of so many different genres 567 00:30:28,880 --> 00:30:34,200 Speaker 1: of drama, comedy and horror. Well, it's specifically the multiple 568 00:30:34,280 --> 00:30:38,480 Speaker 1: wives with the same name um, with one of them 569 00:30:38,480 --> 00:30:41,840 Speaker 1: being the particularly bad one. So then in October of 570 00:30:43,200 --> 00:30:45,760 Speaker 1: Barbara insisted that Charlie take out a hundred thousand dollar 571 00:30:45,880 --> 00:30:50,840 Speaker 1: life insurance policy that named her as its irrevocable beneficiary. 572 00:30:51,080 --> 00:30:53,440 Speaker 1: Charlie talked to a lawyer and then he went along 573 00:30:53,440 --> 00:30:58,080 Speaker 1: with the policy and Barbara went into couples counseling. He also, though, 574 00:30:58,240 --> 00:31:02,200 Speaker 1: hired an investigator to follow o'barbara's activities in England, and 575 00:31:02,240 --> 00:31:04,840 Speaker 1: he told friends that he thought that Barbara was trying 576 00:31:04,880 --> 00:31:08,440 Speaker 1: to kill him. The marriage finally ended in nineteen fifty six, 577 00:31:08,480 --> 00:31:11,520 Speaker 1: with Barbara asking for the rights to fifty of Charlie's 578 00:31:11,560 --> 00:31:15,080 Speaker 1: cartoons and ownership of some of his properties. She promised 579 00:31:15,080 --> 00:31:17,040 Speaker 1: that she would return the real estate to him in 580 00:31:17,120 --> 00:31:20,840 Speaker 1: her will. He happily agreed, thinking this was a relatively 581 00:31:20,880 --> 00:31:24,000 Speaker 1: painless way to escape this whole marriage, and after a 582 00:31:24,040 --> 00:31:27,120 Speaker 1: quickie divorce, Barbara immediately left for England and moved in 583 00:31:27,160 --> 00:31:30,560 Speaker 1: with her lover there. Incidentally, they're quickie divorce, which happened 584 00:31:30,560 --> 00:31:33,720 Speaker 1: in Alabama at a time where Alabama was the place 585 00:31:33,760 --> 00:31:35,800 Speaker 1: you went to for a quickie divorce could because you 586 00:31:35,800 --> 00:31:37,600 Speaker 1: could just stand there and say yes, I'm a resident 587 00:31:37,640 --> 00:31:40,200 Speaker 1: of Alabama and no one would question it, and then 588 00:31:40,240 --> 00:31:43,200 Speaker 1: they would do the legal proceeding. Allegedly, their divorce took 589 00:31:43,240 --> 00:31:45,080 Speaker 1: like forty five minutes, and a lot of people were 590 00:31:45,080 --> 00:31:48,000 Speaker 1: doing exactly the same thing. But this became high profile 591 00:31:48,120 --> 00:31:50,320 Speaker 1: enough that people were like, wait a minute, we got 592 00:31:50,320 --> 00:31:53,360 Speaker 1: to change the loss. This is this is way too easy. 593 00:31:53,400 --> 00:31:57,080 Speaker 1: We can't be like the divorce destination and his legal 594 00:31:57,120 --> 00:31:59,400 Speaker 1: team that he would consult was always like, don't do this, 595 00:31:59,440 --> 00:32:01,280 Speaker 1: don't sign anything she gives you, and he would be like, 596 00:32:01,560 --> 00:32:03,200 Speaker 1: you're right, and then he would go back and sign 597 00:32:03,200 --> 00:32:07,600 Speaker 1: it um. But finally he thought he was free, and 598 00:32:07,680 --> 00:32:10,200 Speaker 1: by the end of ninety six, Charlie had started an 599 00:32:10,200 --> 00:32:12,600 Speaker 1: affair with a woman named t Davy, who was his 600 00:32:12,640 --> 00:32:15,520 Speaker 1: friend's wife and was also very pregnant at the time, 601 00:32:16,040 --> 00:32:18,600 Speaker 1: and this happened when he visited them in Tennessee during 602 00:32:18,600 --> 00:32:22,240 Speaker 1: the holidays. T whose name was Marilyn Matthews but she 603 00:32:22,280 --> 00:32:24,480 Speaker 1: had gone by Tea since she was a kid, had 604 00:32:24,520 --> 00:32:27,000 Speaker 1: known Charlie for about nine years at that point. She 605 00:32:27,040 --> 00:32:29,640 Speaker 1: had been introduced through her husband, Buddy Davy, who was 606 00:32:29,680 --> 00:32:33,240 Speaker 1: an heir to the Standard Oil fortune, and this affair 607 00:32:33,360 --> 00:32:36,200 Speaker 1: was not very serious for either of them. Tea's marriage 608 00:32:36,200 --> 00:32:38,440 Speaker 1: was struggling at the time, although they were working on 609 00:32:38,480 --> 00:32:41,520 Speaker 1: things with a therapist, and Charlie was still dealing with 610 00:32:41,600 --> 00:32:45,200 Speaker 1: his divorce. It was a brief and casual dalliance, but 611 00:32:45,360 --> 00:32:48,280 Speaker 1: a deepening friendship grew between the two of them as 612 00:32:48,360 --> 00:32:51,440 Speaker 1: Charles stayed there in Tennessee with a very pregnant Tea 613 00:32:51,480 --> 00:32:55,680 Speaker 1: while Buddy traveled for work. Meanwhile, Barbara, who had remarried 614 00:32:55,720 --> 00:32:58,680 Speaker 1: but not told Charlie about it, once again appeared in 615 00:32:58,800 --> 00:33:01,240 Speaker 1: his life. The two started trying to see each other 616 00:33:01,320 --> 00:33:03,640 Speaker 1: socially when she was in New York, and it's been 617 00:33:03,720 --> 00:33:06,240 Speaker 1: theorized that he was possibly trying to make nice with 618 00:33:06,280 --> 00:33:08,720 Speaker 1: her in order to get his properties back, but he 619 00:33:08,920 --> 00:33:14,640 Speaker 1: always remained really unfathomably friendly to her. Yeah, his friends 620 00:33:14,640 --> 00:33:17,480 Speaker 1: all had theories about why he might have social dates 621 00:33:17,520 --> 00:33:19,840 Speaker 1: with her, and that was one of them. That was 622 00:33:20,080 --> 00:33:21,960 Speaker 1: kind of the summation was maybe he's trying to get 623 00:33:21,960 --> 00:33:25,240 Speaker 1: his stuff back. We don't know she blackmailing you, right, 624 00:33:26,200 --> 00:33:30,280 Speaker 1: because she did seem a little snaky um. He also 625 00:33:30,400 --> 00:33:33,400 Speaker 1: had a project during this time called Dear Dead Days, 626 00:33:33,440 --> 00:33:35,880 Speaker 1: which was published in nineteen fifty nine, and this was 627 00:33:35,920 --> 00:33:38,840 Speaker 1: a concept book, and the concept was that it was 628 00:33:38,880 --> 00:33:41,880 Speaker 1: the memory album of the Adams family, and it featured 629 00:33:41,880 --> 00:33:45,400 Speaker 1: photographs that tied to their world and inspired the cartoons 630 00:33:45,400 --> 00:33:47,640 Speaker 1: that he had drawn of them. But there are only 631 00:33:47,720 --> 00:33:50,440 Speaker 1: a few pieces of his artwork within it. Some of 632 00:33:50,480 --> 00:33:53,800 Speaker 1: the photographs were eerie and unsettling, and it was not 633 00:33:53,840 --> 00:33:56,959 Speaker 1: what people expected. It was not what his fans wanted, 634 00:33:57,280 --> 00:34:00,320 Speaker 1: and this book did not sell very well, but Adams 635 00:34:00,360 --> 00:34:02,200 Speaker 1: thought it was great. He felt like this was a 636 00:34:02,280 --> 00:34:07,160 Speaker 1: very fulfilling artistic endeavor. Incidentally, maybe been formed by these 637 00:34:07,200 --> 00:34:11,000 Speaker 1: two failed marriages. Charles wanted it never to be actually 638 00:34:11,040 --> 00:34:15,200 Speaker 1: stated in captions or images that his gothic bride and 639 00:34:15,280 --> 00:34:19,680 Speaker 1: her odd, rotund paramore were married. As his characters that 640 00:34:19,719 --> 00:34:24,080 Speaker 1: he was starting to form into a group in these cartoons, Yeah, 641 00:34:24,120 --> 00:34:26,759 Speaker 1: they never were a family. Initially in his mind, they 642 00:34:26,760 --> 00:34:30,360 Speaker 1: were just like odd ghouls that lived together there. And 643 00:34:30,400 --> 00:34:33,799 Speaker 1: it wasn't until the press started calling them actually Adams 644 00:34:33,840 --> 00:34:37,560 Speaker 1: family that they started to take on that tone. Despite 645 00:34:37,560 --> 00:34:41,879 Speaker 1: the lackluster reception of Dear Dead Days and the end 646 00:34:41,920 --> 00:34:45,279 Speaker 1: of this really bad though reef marriage, Charles Adams was 647 00:34:45,400 --> 00:34:48,439 Speaker 1: entering a stage of his life that was again sort 648 00:34:48,480 --> 00:34:52,360 Speaker 1: of like the epitome of a glamorous, successful party lifestyle. 649 00:34:53,000 --> 00:34:55,440 Speaker 1: We are going to talk about all of that, and 650 00:34:55,520 --> 00:34:58,440 Speaker 1: of course the Adams Families transitions from the page to 651 00:34:58,440 --> 00:35:01,440 Speaker 1: the screen on our next step soon. Uh. I have 652 00:35:01,560 --> 00:35:04,000 Speaker 1: listener mail. It's a brief listener mail, but it felt 653 00:35:04,000 --> 00:35:05,839 Speaker 1: like it tied into this because it is from one 654 00:35:05,840 --> 00:35:08,120 Speaker 1: of our younger listeners and it has a drawing on 655 00:35:08,160 --> 00:35:11,719 Speaker 1: it and he writes, can you do an episode on 656 00:35:11,760 --> 00:35:14,879 Speaker 1: the Odinbach Castle. My ancestors owned it. I am also 657 00:35:14,960 --> 00:35:17,359 Speaker 1: named after it. This is from our listener Odin who 658 00:35:17,400 --> 00:35:20,160 Speaker 1: drew a beautiful castle at the bottom. I'll put it 659 00:35:20,200 --> 00:35:22,200 Speaker 1: on my list. You never know when those might pop up. 660 00:35:22,239 --> 00:35:26,279 Speaker 1: Everything's in sort of a long list, constant rotation situation 661 00:35:26,360 --> 00:35:29,479 Speaker 1: where it depends when we find resources and and when 662 00:35:29,520 --> 00:35:31,399 Speaker 1: things just work out with our schedule. But I will 663 00:35:31,440 --> 00:35:33,759 Speaker 1: put it on the list, Odin, I promise you. Uh. 664 00:35:33,840 --> 00:35:35,160 Speaker 1: If you would like to write to us, you can 665 00:35:35,200 --> 00:35:37,759 Speaker 1: do so at History Podcast at housetuf works dot com. 666 00:35:38,000 --> 00:35:40,040 Speaker 1: You can also find us pretty much everywhere on social 667 00:35:40,040 --> 00:35:43,279 Speaker 1: media as missed in History and Missed in History dot 668 00:35:43,280 --> 00:35:45,799 Speaker 1: com is also where you'll find our website where you 669 00:35:45,840 --> 00:35:48,360 Speaker 1: can get any episode of the show that has ever existed, 670 00:35:48,760 --> 00:35:51,799 Speaker 1: as well as occasional other goodies, and you should do 671 00:35:51,880 --> 00:35:54,120 Speaker 1: that at missed in History dot com. You can also 672 00:35:54,160 --> 00:35:57,440 Speaker 1: subscribe to this show on Apple, Podcast, Google Play, Spotify, 673 00:35:57,840 --> 00:36:00,440 Speaker 1: where wherever it is you get your podcasts m M. 674 00:36:04,600 --> 00:36:07,160 Speaker 1: For more on this and thousands of other topics, visit 675 00:36:07,200 --> 00:36:11,400 Speaker 1: how Stuff Works dot com. M