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Speaker 1: Where you be at Wrider.

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Speaker 2: I'm in Humboldts, the older redwoods along the Eel River.

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Speaker 1: Went the Eel River yesterday was so warm. I've never

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Speaker 1: been in a river so warm. Did you catch an eel? No?

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Speaker 2: Oh, I just called the eel River. It's not like

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Speaker 2: it's going to be a reason it's called the eel River.

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Speaker 2: I mean somebody was killed by an eel or something.

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Speaker 2: There might have been an eel at one time, you know,

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Speaker 2: but that's like you know, Bear Valley, big Bear mountains,

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Speaker 2: not like there's still one big bear.

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Speaker 1: On Boy's World. Lonnie tried to convince somebody to go

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Speaker 1: catch eel in a river. You don't have to scoff

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Speaker 1: at me for never made an eel, though, I mean,

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Speaker 1: have you ever seen an eel and a river?

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Speaker 3: Really?

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Speaker 4: And there's a il and I've seen it on my

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Speaker 4: plate at sushi me too, I've seen I'm not sure

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Speaker 4: i've but i've seen noy.

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Speaker 1: No, I have never been near a river. We're near

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Speaker 1: a river.

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Speaker 5: A river?

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Speaker 3: What well?

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Speaker 2: I've been whitewater rafting a bunch and then I took

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Speaker 2: Indy last year. And no, I've never seen an eel.

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Speaker 2: But we're not we're not rafting. We're just we just

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Speaker 2: have a cabin. We're on our way to Seattle, where

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Speaker 2: I depart for the first cruise I've ever been on

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Speaker 2: since my gosh, this is amazing fiftieth wedding anniversary and

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Speaker 2: they love cruises, So is it? Is it an eel cruise?

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Speaker 2: Eel themed cruise? Just go down the eel river nice,

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Speaker 2: up and down?

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Speaker 1: Wait, writer, I really do have a request. Could you

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Speaker 1: create an audio diary while like just into your phone? Okay,

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Speaker 1: just I want you to, like I want there to

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Speaker 1: be the anxiety and a diary of how this is going.

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Speaker 1: Like day one, we are in our room, I have

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Speaker 1: sweat all the liquid in my body out. I just

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Speaker 1: I want to dysentery. Still listening to Counting Cross.

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Speaker 3: Still.

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Speaker 1: Want that. I think it's going to actually be great.

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Speaker 2: I think it's going to be thartic and it's going

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Speaker 2: to feel like I'm overcoming something without having to do anything,

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Speaker 2: because it's the point of a cruise and as long

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Speaker 2: as I can just relax. And the main thing is

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Speaker 2: I think India is going to love it, right, and

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Speaker 2: so like when when I'm gonna be able to sit

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Speaker 2: back and watch my kid having fun, and we're going

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Speaker 2: to Alaska, which I've been to and I love and

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Speaker 2: is wonderful and is not a tropical place with breaches,

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Speaker 2: which is not my style, doesn't feel as culturally as

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Speaker 2: insensitive as you know, some of the issues that I

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Speaker 2: felt in the other cruises I've been on. So yes,

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Speaker 2: the problem is I might not get to go on

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Speaker 2: the cruise because I lost my passport.

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Speaker 1: What why you did not? So I'm dealing right now.

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Speaker 2: And and now this seemed fine six weeks ago when

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Speaker 2: we were like doing all the travel document like collection

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Speaker 2: and being like oh, and I was.

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Speaker 1: Like, where is it.

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Speaker 2: I just got back from Banff, like when my wife

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Speaker 2: broke her back, Like what and no idea. So I'm like, okay,

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Speaker 2: don't panic, just report it lost, file for a new one.

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Speaker 2: Report it lost, file for a new one. Should be

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Speaker 2: here in two to three weeks. Yes, the government's great.

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Speaker 2: And then like two or three weeks go by and

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Speaker 2: then I get a letter of being like, where's your

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Speaker 2: old one? I'm like, why file I filed the They

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Speaker 2: never got my first filing with the lost one, so

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Speaker 2: I'm like, anyway, long story shorts still hasn't happened. So

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Speaker 2: now I have to have like one of those last

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Speaker 2: minute emergency passport maybe in Seattle where I'm going. No,

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Speaker 2: I have to go like to the passport an agency

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Speaker 2: so I can just hand them all the documents and

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Speaker 2: they can you know. But I have the worst experience

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Speaker 2: with passports, Like twice I've had I've had to report

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Speaker 2: a mutilated passport because yeah, that's what the technical term. Okay,

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Speaker 2: don't don't leave your passport in your pants pocket when

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Speaker 2: you or your leather jackets.

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Speaker 1: Yeah, when you wash it, of course not.

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Speaker 2: I was in Spain once in my passport, I can't

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Speaker 2: took it out of the wash and it like peeled apart.

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Speaker 1: I can do this. I can glue this back together

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Speaker 1: and no, wow, we are okay, well we're chalking it up.

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Speaker 4: We got we don't want to give writers passports, so

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Speaker 4: when we travel internationally, either Danielle or with your information. Also,

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Speaker 4: we don't want to let you drive because we're going

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Speaker 4: to get pulled over. So there's there's two things we

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Speaker 4: know about. We just got to keep checking off the

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Speaker 4: travel guys.

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Speaker 1: I know is fun. You know I do have for

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Speaker 1: you though. There's a place locally called same day Passports.

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Speaker 1: And they really can turn it around for you very quickly. Yeah.

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Speaker 2: No, I know that there's agencies, and I probably should

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Speaker 2: have just done that because you know, you can just

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Speaker 2: dump a bunch of money and they like cut through

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Speaker 2: the bureaucracy for you, because they just basically like.

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Speaker 1: Paid to be in the front of the line. And

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Speaker 1: I've done that way, you know.

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Speaker 2: I mean that's how big companies get their executives overseas

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Speaker 2: or actors.

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Speaker 1: Into a show.

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Speaker 2: Yeah, I know, but I was just like, no, I

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Speaker 2: can do this all normally. I have all the stuff,

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Speaker 2: you know, I am a citizen. Shouldn't be that hard,

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Speaker 2: but yeah, no. And then of course I discovered my

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Speaker 2: parents don't actually have.

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Speaker 1: My birth certificate. They have a copy. So now I

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Speaker 1: have I.

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Speaker 2: Do like file to get like an emergency copy of

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Speaker 2: my certific copy my birth certificate. So but you know,

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Speaker 2: in the worst case scenario, my family gets to go

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Speaker 2: on the cruise and I take myselfs in my camera van,

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Speaker 2: which also sounds.

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Speaker 1: I know either way, I'm kind of like win win.

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Speaker 1: You know, I'm gonna I'll do the work.

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Speaker 2: I'll do the work, and I make sure my wife

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Speaker 2: sees me doing the work, you know, yeah, I.

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Speaker 1: Was gonna say, how much is Alex going to kill

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Speaker 1: you if you don't get to go on the cruise?

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Speaker 2: You know, part of the tension is she's the one

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Speaker 2: who holds our passports.

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Speaker 1: Oh so she's the one in there's a little debate.

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Speaker 1: There's a debate.

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Speaker 2: I'm not gonna you know, but yeah, she's the one

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Speaker 2: who's in charge of the travel documents when we go,

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Speaker 2: because there's three of us, you know, keep she's the keeper.

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Speaker 2: So but you know, maybe air jacket in the future,

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Speaker 2: can you do that? Are you allowed to stick something

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Speaker 2: to a passport?

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Speaker 1: Can you sport? I wonder that's a pretty good idea. Yeah,

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Speaker 1: Welcome to Pod Meets World. I'm Daniel Fisher, I'm rather strong,

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Speaker 1: and I'm Wilfordell. So today we are recapping season five,

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Speaker 1: episode six, No Guts, No Cory. It originally aired November seventh,

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Speaker 1: nineteen ninety seven. The synopsis A magical stray cat uses

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Speaker 1: a time worm to transport Corey and the gang back

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Speaker 1: to the nineteen forties, where Cory is shipped off to

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Speaker 1: fight in World War Two and must leave Topenga behind.

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Speaker 1: Sounds like a rumpus. It was directed by Alan Myerson.

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Speaker 1: It was written by Laura Runnels and Patty Carr. This

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Speaker 1: is their first Boy Meets World script. Welcome ladies. It

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Speaker 1: was cool to see their name. Yeah, yeah, yeah, very cool.

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Speaker 1: We were just two of the two of the Greatest

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Speaker 1: uh So guest starring Nick Baquay as the voice of

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Speaker 1: Salem saber Hagen. I did not know Salem had a

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Speaker 1: last name. I did not either, Yes, Salem saber Hagen

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Speaker 1: the cat. Now, this is a very popular character slash

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Speaker 1: puppet from Sabrina the Teenage Witch, and Nick was actually

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Speaker 1: a writer on Sabrina who was recruited to be the

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Speaker 1: voice of its most serial character. It was a puppet.

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Speaker 1: Did you think it was real? They trained? You thought

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Speaker 1: they had trained the cat to speak like that? Yes, well,

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Speaker 1: when Debbie Dunning was done scuba training.

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Speaker 2: They okay, the animatronics they got it was, Yeah, it

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Speaker 2: was I'm sure was.

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Speaker 1: Then next went to animatronics school and then trained the

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Speaker 1: real cat. She you know, puppet. I'm shocked. I'm sorry,

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Speaker 1: I'm sorry to sorry by saber Hagen bubble, I'm sorry.

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Speaker 1: So he was a writer on Sabrina who was recruited

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Speaker 1: to be the voice of its most surreal character and

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Speaker 1: now that'll probably end up being on his tombstone.

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Speaker 2: So yep.

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Speaker 1: He was also a writer on In Living Color, a

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Speaker 1: producer on the King of Queen's, a show he also

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Speaker 1: appeared on. He wrote Paul Blart too, and he has

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Speaker 1: a very long resume that includes the show Bookie that

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Speaker 1: he co created with Chuck Lorie that is now entering

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Speaker 1: its second season. Do you guys remember the cat being

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Speaker 1: on set?

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Speaker 2: Yep? Okay, no, yeah, no, I remember seeing the puppet,

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Speaker 2: the situation and like all the wires going to it

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Speaker 2: or whatever they had to do. I mean, because I

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Speaker 2: you know, I've always been into that that stuff, So

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Speaker 2: I remember watching them do it and thinking how far we've.

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Speaker 1: We've got fallen? Fallen or come? Yeah?

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Speaker 2: I was, yes, No, it was I remember. I mean,

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Speaker 2: this week was just hard. I just remember being like,

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Speaker 2: what are we doing? What is hastened to our show?

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Speaker 1: Yeah?

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Speaker 2: You know, but also that's you know, that was just

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Speaker 2: me being you know, I kind of feel that in everybody.

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Speaker 1: Oh yeah, we're all a little like but you.

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Speaker 2: Know, and I don't know how much of that has

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Speaker 2: to do with like quality and as I mean, I

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Speaker 2: think for me, maybe it did because I was always like,

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Speaker 2: what is I never had seen sabrinas, I was like.

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Speaker 1: What is this talking cat?

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Speaker 3: You know?

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Speaker 2: But I it also just feels like our show has

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Speaker 2: been hijacked by something that's not our show. Yeah, yeah,

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Speaker 2: And so I wonder how much of it was just

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Speaker 2: us feeling like we wouldn't have our own thing. It

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Speaker 2: was like, oh, we can't do our normal thing, we

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Speaker 2: have to do this.

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Speaker 4: So my guess is when he first come, when you

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Speaker 4: first see the cat, and he says like, oh damn

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Speaker 4: hippies or whatever, it was, family matters probably went back

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Speaker 4: to like the sixties or the seventies, yep. And so

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Speaker 4: he went to every show and it was that that

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Speaker 4: was guys.

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Speaker 1: This was probably a git. This was probably like, ooh,

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Speaker 1: all these shows are going to get that special cat

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Speaker 1: from Sabrina. And although we felt like our show had

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Speaker 1: been hijacked, because it had, it was probably a cool night.

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Speaker 1: And for a kids and families watching the fact that

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Speaker 1: Salem was gonna be a ribbon through all four shows

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Speaker 1: was probably really fun.

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Speaker 2: And I wonder how the other ones are, Like, I

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Speaker 2: would love to see them, I know, you know, because actually,

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Speaker 2: you know, like our fifties show in retrospect was like

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Speaker 2: great fun and sort of had this like absurdist like

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Speaker 2: humor to it and all these and like, clearly the

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Speaker 2: best parts of this are similar to that, you know,

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Speaker 2: It's like we're riffing on that. So I'm just curious,

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Speaker 2: like how the other ones turned out, Like maybe, you know,

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Speaker 2: maybe this family matters hippie episode was great. I don't know, like,

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Speaker 2: you know, because I don't mind that conceit if you're

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Speaker 2: just going to lean into like the absurdity of it.

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Speaker 1: But this episode just didn't quite work for me. But yeah,

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Speaker 1: I just thought they were missing some laughs here. I

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Speaker 1: thought it really could have used. I mean, will I

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Speaker 1: loved this episode, worked everything about it.

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Speaker 4: I loved I loved everything about it for completely different reasons.

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Speaker 1: I loved it.

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Speaker 4: I let myself go it was we were This was

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Speaker 4: the first episode where I felt like, as a asked,

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Speaker 4: we realized how absurd it was and we were just

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Speaker 4: making each other laugh.

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Speaker 1: Writer.

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Speaker 4: You and I broke one time, Matt Lawrence broke one time.

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Speaker 4: I'm just doing a bad Jim Carrey impression.

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Speaker 1: So good though, you're really working, but I me, you're

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Speaker 1: the only one with jokes.

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Speaker 2: It's one of those things though, where it was so

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Speaker 2: absurd and ridiculous, and I felt us as a cast

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Speaker 2: realizing it was absurd and ridiculous, so working to entertain

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Speaker 2: each other and because of that opposite me. Definitely, you

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Speaker 2: and Matt. Definitely you and Matt are having fun like

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Speaker 2: I mean it, literally.

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Speaker 1: Laughs and then looks at the camera.

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Speaker 2: No, he has to look away because I can't know

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Speaker 2: that is like, you guys are clearly having fun like

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Speaker 2: you know. And and even Ben to a certain extent

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Speaker 2: once he's in Paris, I feel like I was like

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Speaker 2: he was kind of I could feel like.

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Speaker 1: Oh, this is these guys are but for I.

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Speaker 2: Don't know, like I could tell I was just uncomfortable.

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Speaker 2: Oh no, I can tell that too. But for the

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Speaker 2: first time Rusty felt uncomfortable to me, I was like,

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Speaker 2: what are they making? And Rusty and Betsy it just

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Speaker 2: didn't work.

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Speaker 1: I was like, no, guys, don't make me do this.

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Speaker 1: This is love it, I don't. I loved it.

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Speaker 4: I thought Betsy was funny, I thought Rusty was absurd. Again,

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Speaker 4: it was it was the news radio episodes that they're like, hey,

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Speaker 4: we're going to do one this week where.

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Speaker 2: We're on that I wish they had really cranked it up,

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Speaker 2: Like I wish they had cranked it up like tent

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Speaker 2: you know, cranked it to eleven, because like it just

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Speaker 2: it wasn't absurd enough or like melodramatic enough for me.

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Speaker 1: It was like someone kind of committed Like.

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Speaker 2: That was the problem is like like the Sean Cory

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Speaker 2: stuff is so serious, it's played straight and then like, yeah,

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Speaker 2: we should have made it like we should have all

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Speaker 2: been doing what you were doing right, like if I

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Speaker 2: went and grabbed the dog tags. It was like like

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Speaker 2: if it could have been like if we were mocking

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Speaker 2: a World War two movie, it would have been great,

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Speaker 2: but we played it as if we were really in

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Speaker 2: World War two and happened.

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Speaker 4: It was like what I think what they were going

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Speaker 4: for is a boy meets World episode in World War two,

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Speaker 4: which is slightly melodramatic.

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Speaker 1: All you know, Corey and Topanga fighting, you.

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Speaker 2: Know, it's it's they tried to do a boy me

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Speaker 2: throll that which again, once I let go, I was like, okay,

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Speaker 2: it's once Topang at the very beginning doesn't even mention

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Speaker 2: that there's a cat in the hallway, I'm like, all right, fine,

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Speaker 2: I'm in like she literally doesn't even go hey, cat

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Speaker 2: like nothing like a coal lines and more lines in

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Speaker 2: that direction would have gone a million miles. Like my

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Speaker 2: favorite line of the episode is when Fien He's just like, oh,

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Speaker 2: I guess I can do this because.

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Speaker 1: I principle like more of that, do you know what

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Speaker 1: I mean?

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Speaker 2: Like just a slightly more like winking asides and I

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Speaker 2: would have been in especially from like me or Rusty.

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Speaker 2: It was like those of us who were playing it

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Speaker 2: straight just like missed the mark. And I guess that's

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Speaker 2: on us, you know, like I totally take responsibility.

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Speaker 4: This was also the first episode and I think I

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Speaker 4: think I talked about this at a live show.

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Speaker 1: I don't think we talked about this on the pod.

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Speaker 2: But this is the first episode where I walked into

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Speaker 2: Michael and said, I won't do it.

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Speaker 1: Oh, this is the one right you were supposed to

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Speaker 1: be in it, because I was supposed to be.

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Speaker 4: He he had me doing all this absurd stuff while

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Speaker 4: dressed in a military uniform with you guys in the

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Speaker 4: in the bunker, and I went to him and I

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Speaker 4: was like, dude from a military family, I can't, I

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Speaker 4: can't do this. And so they rewrote the entire thing

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Speaker 4: where he has flat feet and doesn't go.

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Speaker 2: Did we actually record that though, I mean read that

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Speaker 2: episode like, because I don't.

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Speaker 1: I think we did. We think table read?

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Speaker 2: No.

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Speaker 4: I think after the table read, I was like, I

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Speaker 4: can't do and I think they rewrote the my entire

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Speaker 4: part because it was just this ridiculousness while dressed in uniform,

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Speaker 4: and I was like, I'm not doing this. I'm not

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Speaker 4: And in all fairness to Michael, he was like okay,

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Speaker 4: and they changed it, like instantly changed it.

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Speaker 1: And it is so funny that you're on a secret

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Speaker 1: mission and all of it, all of this, all of

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Speaker 1: your stuff, you got all the laughs.

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Speaker 4: And you are you are just doing a bad Jim

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Speaker 4: Carrey impression at the beginning. I mean like even the

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Speaker 4: headshakes and like, all right, man, we're gonna It's like,

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Speaker 4: oh my god.

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Speaker 1: Intentional do you think? No idea? How do you just

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Speaker 1: absorbed his perform.

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Speaker 2: By that point I probably had just absorbed his But

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Speaker 2: as I'm watching and I'm just like, oh man, it's

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Speaker 2: just it's pretty.

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Speaker 1: Much like beat for beat. It's like, yeah, back to

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Speaker 1: the guest stars of Saving Private Corey. We have Yvonne

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Speaker 1: show as Versailles. An Italian model and actress Yvonne appeared

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Speaker 1: on two episodes of lefem Nikita. She was in the

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Speaker 1: two thousand and six Pink Panther movie, and in two

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Speaker 1: thousand and five she claimed she was physically attacked by

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Speaker 1: Naomi Campbell. Oh God. Yeah. And then we have Kevin

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Speaker 1: Brief as Maleman. He's one of those Hey, I know

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Speaker 1: that guy, that boy meets world so commonly hired. You've

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Speaker 1: seen him on wings Er, Will and Grace and The

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Speaker 1: Big Bang Theory. And then we have Brooke Mahilani Lee

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Speaker 1: as Dim a dance girl. She's nineteen ninety seven's Miss

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Speaker 1: Hawaii Usa. She was Miss USA and then she was

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Speaker 1: Miss Universe.

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Speaker 5: Yeah.

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Speaker 2: She was super cool by the way we talked the

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Speaker 2: whole time about Miss Universe and everything.

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Speaker 1: She could not have been nicer, so down to earth,

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Speaker 1: so cool. She was the first native Hawaiian to win

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Speaker 1: the title of Miss Universe, and she is now the

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Speaker 1: co host of the podcast It's a Hawaii Thing, and

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Speaker 1: she is the artistic director of the Hawaiian Music Hall

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Speaker 1: of Fame. Cool. So, what did you guys talk about

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Speaker 1: when you talked about Miss Universe?

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Speaker 4: What was just you know, because it was all the

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Speaker 4: I mean, I don't remember much, but I just remember

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Speaker 4: we talked about kind of the pageant circuit, because that's

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Speaker 4: the whole thing.

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Speaker 1: It's just such a.

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Speaker 4: Different I'm always fascinated with these tiny little worlds cultures. Yeah,

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Speaker 4: I saw it with the next girlfriend, who was a

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Speaker 4: championship figure skater, and so you had that kind of

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Speaker 4: little world.

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Speaker 1: And so the pageant world is a whole different thing.

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Speaker 2: And it's so high stakes, you know, and yet there's

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Speaker 2: it seems like there's not much you can really do.

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Speaker 2: You just kind of have to like go and compete

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Speaker 2: by being Oh my god, it sounds so stressful, it does.

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Speaker 4: But she I just remember her being so down to earth.

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Speaker 4: Could not have been nicer. We hung out the whole day.

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Speaker 4: We were laughing the whole time. She was really really sweet, cool.

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Speaker 1: And then we have Maurice LaMarsh as narrator slash radio

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Speaker 1: announcer voice MO. That's my boy Mo.

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Speaker 4: And also he's a huge voiceover actor and he is

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Speaker 4: one of Bluckman's best friends for years.

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Speaker 1: Oh nice. Well, he's one of the most famous voiceover

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Speaker 1: actors ever and arguably the greatest sound alike to ever Live.

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Speaker 1: He's most famously Brain from Pinky in the Brain, with

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Speaker 1: almost five hundred other credits, including thirty episodes of The Simpsons,

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Speaker 1: destro in g I, Joe Foot, Brute in Teenage Mutant,

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Speaker 1: Ninja Turtles, and Mister Big in Zootopia.

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Speaker 2: He's also a Kiff and a bunch of other voices

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Speaker 2: in Futurama.

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Speaker 1: Wow, oh, lieutenant. Yeah, he's amazing. He's literally him. I

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Speaker 1: think we met him once. Yeah, and you had him

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Speaker 1: do the Brain from Pinky and the Brain voice once.

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Speaker 4: One of the greatest guys you'll ever meet in your life.

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Speaker 4: He's a legendary voiceover actor. Yeah.

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Speaker 1: So, jumping into our recap, we start in John Adams

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Speaker 1: High Salem. The cat has made the TGIF trip over

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Speaker 1: to our set and is in our empty hallway. Why,

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Speaker 1: we don't know, but he frustratingly says, those darn hippies.

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Speaker 1: They talk about free love. Then they want me to

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Speaker 1: chip in for gas, like I've got a wallet. The

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Speaker 1: camera zooms in on his face as he opens his

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Speaker 1: mouth and says hipocrites. Now we're in Phoene's class, as

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Speaker 1: if that was normal, and mister Phoene is talking about

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Speaker 1: World War two specifically December seventh, nineteen forty one, deciding

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Speaker 1: as dr a day that will live in infamy. Then

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Speaker 1: the bell rings and Phoene thanks the students who brought

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Speaker 1: in family mementos from the war. Pearl Harbor was an

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Speaker 1: event that touched all of our lives. Filing out quoreasques

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Speaker 1: to Panga if he can see the picture she brought

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Speaker 1: of her grandparents from the war. He examines it and

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Speaker 1: says they look very much in love to Pega agrees.

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Speaker 2: And now this began the tradition HM of talking about

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Speaker 2: photos or paintings that we don't.

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Speaker 1: Get, don't ever see right now.

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Speaker 2: Besides Will's wonderful headshot, it's so weird it happen here.

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Speaker 2: And I was like, okay, and I was I thought

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Speaker 2: maybe they would do like you bend like dressed up

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Speaker 2: as the old people. I was like, that would be

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Speaker 2: great or you know, and it does. And then later

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Speaker 2: the Cory photograph as a Ghost was and then the painting.

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Speaker 1: Of like we got to see these.

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Speaker 2: Things, guys, and they spend so much money on redoing

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Speaker 2: our sets, you think they could have had enough for,

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Speaker 2: you know, at our department to make mock up a photo.

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Speaker 1: I don't know. It's so weird to me.

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Speaker 4: You think of a time that we would finish a

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Speaker 4: scene or do something and then they do inserts like

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Speaker 4: on like on a film. I can't think of a

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Speaker 4: time where they would come in and push in on

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Speaker 4: something in our hands or you know, I mean.

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Speaker 1: Now we do time because it I mean, you never

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Speaker 1: don't do the insert.

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Speaker 2: But back in the day, I don't recall them doing

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Speaker 2: like all right, let's get a close of his hands,

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Speaker 2: Like I don't see that ever, I don't remember that happened.

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Speaker 2: Does boy Meet's world ever? Has we done any insert

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Speaker 2: shots or does everything staying at all camera mode?

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Speaker 1: That's so funny.

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Speaker 4: Yeah, I think even when back in the season one

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Speaker 4: when he pulls out like the melted Barbie, there wasn't

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Speaker 4: like a shot the melting Well, it.

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Speaker 2: Just goes to show because like Danielle saying, you do

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Speaker 2: that all the time now, even a multicam you get

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Speaker 2: at least you just they want the coverage and then

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Speaker 2: they have it.

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Speaker 1: They do it if it helps the joke. So it's

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Speaker 1: it goes to show the progression of single cam into

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Speaker 1: the multicamp format because like back then it was kind

437
00:20:14,720 --> 00:20:16,879
Speaker 1: of just a rule. They just don't. Yeah, you just

438
00:20:16,880 --> 00:20:19,400
Speaker 1: didn't do it. Yeah, no, you didn't do it. And

439
00:20:19,400 --> 00:20:21,280
Speaker 1: and if you wanted it, because it was going to

440
00:20:21,320 --> 00:20:25,000
Speaker 1: help the joke, you strategically place it behind them, like

441
00:20:25,000 --> 00:20:27,639
Speaker 1: in the Uncle Sam joke. Later the Uncle Sam poster

442
00:20:27,720 --> 00:20:34,080
Speaker 1: is directly behind your head, so you can you They're like, well, yeah,

443
00:20:34,160 --> 00:20:36,560
Speaker 1: so interesting. I know. So now it's something for us

444
00:20:36,560 --> 00:20:38,840
Speaker 1: to pay attention to. Where and where and do you

445
00:20:39,040 --> 00:20:43,760
Speaker 1: ever get an insert? Okay. Tapanga agrees they are still

446
00:20:43,840 --> 00:20:46,280
Speaker 1: very much in love, and her grandfather asked her grandmother

447
00:20:46,359 --> 00:20:50,480
Speaker 1: to marry him. On December seventh, nineteen forty one. Corey perks, up, hey,

448
00:20:50,760 --> 00:20:53,359
Speaker 1: I know that date. Help me out here. Sean quickly

449
00:20:53,400 --> 00:20:56,040
Speaker 1: appears Pearl Harbor the day that we'll live in infamy.

450
00:20:56,400 --> 00:20:59,800
Speaker 1: Phenie was just talking about it. I know it happening.

451
00:21:00,920 --> 00:21:02,800
Speaker 1: Just give this joke to Sean, Like what you know,

452
00:21:02,840 --> 00:21:05,720
Speaker 1: I don't know this is or was it a possibility

453
00:21:05,720 --> 00:21:09,560
Speaker 1: that Corey was saying it to get Sean? Was it

454
00:21:09,600 --> 00:21:11,040
Speaker 1: a giving it?

455
00:21:11,240 --> 00:21:12,920
Speaker 2: I was just like they just go for the easy

456
00:21:12,960 --> 00:21:15,119
Speaker 2: dump joke and then the fact that my joke is

457
00:21:15,200 --> 00:21:17,600
Speaker 2: the one that we've done like the fifteenth Like.

458
00:21:17,760 --> 00:21:23,480
Speaker 1: Oh, I hate it over. Here's the other thing.

459
00:21:23,520 --> 00:21:26,280
Speaker 4: And I never say this because I don't ever call

460
00:21:26,359 --> 00:21:27,560
Speaker 4: people out of the performances.

461
00:21:27,600 --> 00:21:29,840
Speaker 1: But Ben was phoning it in a little bit.

462
00:21:29,960 --> 00:21:33,959
Speaker 2: This Yeah, this scene, this first scene, he's kind of

463
00:21:34,119 --> 00:21:37,640
Speaker 2: mumbling happy voice. He was unhappy with the I could

464
00:21:37,640 --> 00:21:39,320
Speaker 2: tell when he when it goes into the nineteen forties

465
00:21:39,359 --> 00:21:41,840
Speaker 2: for some reason, this this whole first scene in the hallway,

466
00:21:41,840 --> 00:21:45,879
Speaker 2: he is very unhappy. He did not want to do

467
00:21:46,040 --> 00:21:49,840
Speaker 2: like that cheek junk that he does, or that whatever

468
00:21:49,840 --> 00:21:51,280
Speaker 2: he does to to pay it like there's something going

469
00:21:51,320 --> 00:21:53,200
Speaker 2: on that he was, Yeah, you can.

470
00:21:53,119 --> 00:21:55,199
Speaker 1: Tell somebody with the dial of the wardrobe. But he

471
00:21:55,320 --> 00:21:55,879
Speaker 1: I thought he was.

472
00:21:56,040 --> 00:21:57,720
Speaker 2: He came out of it by the time we go

473
00:21:57,720 --> 00:21:59,600
Speaker 2: to Paris, like then I was here like, oh he's

474
00:21:59,640 --> 00:22:00,240
Speaker 2: in it.

475
00:22:00,720 --> 00:22:02,679
Speaker 4: Even in the some of the soldier stuff, he's in it.

476
00:22:02,720 --> 00:22:05,720
Speaker 4: But this first scene he was really it was like, oh, yeah,

477
00:22:05,720 --> 00:22:06,520
Speaker 4: what's wrong with Ben?

478
00:22:06,640 --> 00:22:12,000
Speaker 1: I I thought while watching it. I remember both Ben

479
00:22:12,040 --> 00:22:17,160
Speaker 1: and I disliking when our dialogue is literally nothing more

480
00:22:17,320 --> 00:22:21,919
Speaker 1: than propelling into story, just expositional dialogue. And as you say,

481
00:22:22,040 --> 00:22:24,359
Speaker 1: the fact that I don't even mention the cat, and

482
00:22:24,359 --> 00:22:27,440
Speaker 1: then I'm like and back to that topic about my grandparents,

483
00:22:27,480 --> 00:22:29,280
Speaker 1: which like he picks.

484
00:22:29,160 --> 00:22:32,160
Speaker 2: Up and he's holding a cat and it's not like, hey, cat,

485
00:22:31,560 --> 00:22:34,640
Speaker 2: So I have a feeling we were like, is there

486
00:22:34,680 --> 00:22:36,000
Speaker 2: any other way we could do this?

487
00:22:36,080 --> 00:22:37,920
Speaker 1: It may have just been that we were uncomfortable because

488
00:22:37,920 --> 00:22:39,679
Speaker 1: we felt like there was no real way to commit

489
00:22:39,720 --> 00:22:42,640
Speaker 1: to it, right, that's the way. Yeah, that's why. I think.

490
00:22:42,720 --> 00:22:44,520
Speaker 2: That's what I remember feeling this whole week, and that's

491
00:22:44,520 --> 00:22:46,520
Speaker 2: what I read on all of our faces, which is

492
00:22:46,520 --> 00:22:49,639
Speaker 2: a bummer because you know, I don't know how much

493
00:22:49,640 --> 00:22:51,159
Speaker 2: of that is on us, or how much of that

494
00:22:51,240 --> 00:22:53,720
Speaker 2: is the writing I think is watching Will. It's like

495
00:22:53,760 --> 00:22:55,800
Speaker 2: if you we had just all leaned into the absurdity,

496
00:22:55,800 --> 00:22:58,359
Speaker 2: but maybe they wouldn't let us because clearly they wanted

497
00:22:58,359 --> 00:23:01,119
Speaker 2: emotional stakes between Corey and to Pang and Corey and Sean,

498
00:23:01,160 --> 00:23:02,560
Speaker 2: which is a little weird.

499
00:23:02,400 --> 00:23:05,879
Speaker 1: Like just yeah, I do remember a lot of notes

500
00:23:05,960 --> 00:23:08,359
Speaker 1: back in the day where we would get an episode

501
00:23:08,400 --> 00:23:10,480
Speaker 1: like this and we would lean into it, and then

502
00:23:10,520 --> 00:23:12,960
Speaker 1: we would be told we're doing it wrong. You're playing

503
00:23:12,960 --> 00:23:15,480
Speaker 1: it as a joke. It's not a joke, play it real.

504
00:23:16,880 --> 00:23:19,879
Speaker 1: Oh really, you know, like where we would be like,

505
00:23:19,920 --> 00:23:23,280
Speaker 1: but it's clearly a romp, but you don't play it

506
00:23:23,359 --> 00:23:25,639
Speaker 1: like a romp. And I was like, oh, okay, and

507
00:23:25,720 --> 00:23:28,200
Speaker 1: so you we had I do. I don't know. I'm

508
00:23:28,200 --> 00:23:29,720
Speaker 1: not trying to say that for sure we got that

509
00:23:29,800 --> 00:23:33,200
Speaker 1: note this week, but I do remember those notes where

510
00:23:33,280 --> 00:23:37,040
Speaker 1: if we tried to be rompy, we were told that

511
00:23:37,359 --> 00:23:39,520
Speaker 1: the funniest way to play it is to play it real.

512
00:23:39,840 --> 00:23:42,480
Speaker 1: So that may have been what was going on here,

513
00:23:42,680 --> 00:23:47,600
Speaker 1: and we were just uncomfortable. Quite possible, Corey smiles, you

514
00:23:47,680 --> 00:23:51,080
Speaker 1: listen to Feanne. Sean looks disgusted. Oh my god, I

515
00:23:51,200 --> 00:23:54,400
Speaker 1: listened to Feanie and he walks away. Corey asks when

516
00:23:54,400 --> 00:23:58,080
Speaker 1: Tepega's grandparents got married, and she reveals they were their age,

517
00:23:58,520 --> 00:24:02,080
Speaker 1: which is what sixteen at this point? Yeah, seventeen? Maybe

518
00:24:02,119 --> 00:24:03,760
Speaker 1: are we supposed to be seventeen.

519
00:24:03,359 --> 00:24:03,800
Speaker 2: In the show?

520
00:24:04,359 --> 00:24:05,720
Speaker 1: Are you seniors now?

521
00:24:05,800 --> 00:24:05,879
Speaker 2: So?

522
00:24:06,160 --> 00:24:10,520
Speaker 1: Yeh yeah, so clear could be close seventeen eighteen. Okay.

523
00:24:11,200 --> 00:24:14,160
Speaker 1: Corey looks down and sees Salem the black cat at

524
00:24:14,160 --> 00:24:17,399
Speaker 1: his feet. Rather than utter surprise you'd assume he'd have

525
00:24:17,480 --> 00:24:20,200
Speaker 1: when a cat shows up in his school hallway, he

526
00:24:20,320 --> 00:24:23,080
Speaker 1: just picks him up and asks if he's lost to

527
00:24:23,200 --> 00:24:27,720
Speaker 1: Benga completely ignores the cat, which sure makes sense, and

528
00:24:27,760 --> 00:24:30,520
Speaker 1: then continues on, my grandpa didn't know if he'd make

529
00:24:30,560 --> 00:24:32,360
Speaker 1: it home. But that's the way it was back then.

530
00:24:32,640 --> 00:24:35,480
Speaker 1: People never knew how their lives would turn out. Hell,

531
00:24:35,680 --> 00:24:39,040
Speaker 1: a black cat may even just show up on your sitcom.

532
00:24:38,840 --> 00:24:41,879
Speaker 2: Also in the future. Now, now, do people know how

533
00:24:41,880 --> 00:24:43,040
Speaker 2: their lives are going to turn out?

534
00:24:43,160 --> 00:24:45,560
Speaker 1: Yes, I do. Like back then, people didn't know how

535
00:24:45,600 --> 00:24:48,119
Speaker 1: they're lives. They didn't turn out. You didn't have media.

536
00:24:52,119 --> 00:24:55,160
Speaker 4: Read Thank god we've got those tea leaves, because back

537
00:24:55,200 --> 00:24:56,880
Speaker 4: then they didn't know what they heard.

538
00:24:57,160 --> 00:25:01,879
Speaker 1: Yeah, that's so funny. A line that sounds like sense,

539
00:25:02,000 --> 00:25:07,800
Speaker 1: but exactly, Yeah, that's so funny. I didn't. It didn't

540
00:25:07,840 --> 00:25:09,639
Speaker 1: hit me either until you said it. And then it's

541
00:25:09,680 --> 00:25:13,760
Speaker 1: like a different than that. It's like three in the morning.

542
00:25:14,000 --> 00:25:20,240
Speaker 1: We get finished the stratch. Sure he'll do. Corey admits,

543
00:25:20,320 --> 00:25:22,280
Speaker 1: I don't know how I'd handle living back then. I

544
00:25:22,320 --> 00:25:24,680
Speaker 1: wonder what it was like during World War Two, and

545
00:25:24,720 --> 00:25:29,240
Speaker 1: then Salem the Cat enthusiastically declares, and away we go.

546
00:25:30,280 --> 00:25:34,240
Speaker 1: So again, this probably has already been set up by

547
00:25:34,280 --> 00:25:37,719
Speaker 1: the Family Matters episode before waiting for it. We're just

548
00:25:37,920 --> 00:25:40,880
Speaker 1: the audience who's watching is not as confused as we are.

549
00:25:41,000 --> 00:25:43,760
Speaker 1: Watching now. They're like, oh, here we go and and

550
00:25:43,800 --> 00:25:45,560
Speaker 1: it all makes sense. But watching it now, it's a

551
00:25:45,600 --> 00:25:46,520
Speaker 1: little like what is.

552
00:25:46,520 --> 00:25:50,280
Speaker 2: Then we get happening into a trippy camouflage.

553
00:25:49,960 --> 00:25:53,040
Speaker 1: Ye, it's a chimo hole.

554
00:25:53,119 --> 00:25:55,960
Speaker 2: I was I wonder if all the other ones did

555
00:25:55,960 --> 00:26:01,000
Speaker 2: this too, or keep because we're wars and the hippies

556
00:26:01,040 --> 00:26:03,119
Speaker 2: would have been like tight I swirls.

557
00:26:03,440 --> 00:26:06,159
Speaker 1: Yeah, but I was like, what is happening? It's a

558
00:26:06,280 --> 00:26:07,120
Speaker 1: very specific.

559
00:26:07,200 --> 00:26:11,280
Speaker 4: Okay, So this episode apparently aired after an episode of

560
00:26:11,280 --> 00:26:15,080
Speaker 4: Sabrina called In a Goddess Sabrina, an episode of Sabrina

561
00:26:15,119 --> 00:26:17,920
Speaker 4: the Teenage Witch that featured Salem transporting the cast back

562
00:26:17,960 --> 00:26:19,120
Speaker 4: to the nineteen sixties.

563
00:26:19,359 --> 00:26:22,199
Speaker 1: Okay, okay, so they must have done it. So instead

564
00:26:22,200 --> 00:26:25,440
Speaker 1: of family matters they started with Sabrina. Yeah, they must.

565
00:26:25,440 --> 00:26:29,600
Speaker 1: They must have initiate going through so she move her.

566
00:26:29,359 --> 00:26:32,520
Speaker 5: What a shake up to the Actually, I can tell

567
00:26:32,520 --> 00:26:36,720
Speaker 5: you the four shows that Salem appears on that night, okay, Okay,

568
00:26:37,280 --> 00:26:42,720
Speaker 5: Sabrina the Teenage Witch, yeah, the World you Wish okay,

569
00:26:42,960 --> 00:26:45,640
Speaker 5: and teen Angel and all of them are put into

570
00:26:45,680 --> 00:26:46,960
Speaker 5: wrong decades. O.

571
00:26:47,080 --> 00:26:47,840
Speaker 1: God, that's what it is.

572
00:26:47,880 --> 00:26:52,840
Speaker 4: Okay, all right, well, there's magic on every every single

573
00:26:52,880 --> 00:26:55,480
Speaker 4: show except boy Mes World in that lineup, aren't they

574
00:26:55,520 --> 00:26:56,600
Speaker 4: the rest of them magical?

575
00:26:56,680 --> 00:26:58,679
Speaker 2: Because the whole thing was that they you know, it

576
00:26:58,720 --> 00:27:01,119
Speaker 2: was like when Sabrina hit, it was like kids like

577
00:27:01,119 --> 00:27:03,320
Speaker 2: the magic. Yeah, so everybody had, you know, that was

578
00:27:03,359 --> 00:27:05,000
Speaker 2: like the Genie Show is in the next year. It

579
00:27:05,040 --> 00:27:07,439
Speaker 2: was like they kept trying to make something with a

580
00:27:07,480 --> 00:27:09,520
Speaker 2: magical element or twist work.

581
00:27:10,480 --> 00:27:13,440
Speaker 1: Wasn't the lead wasn't teen angel? Literally? Didn't that show

582
00:27:13,560 --> 00:27:16,320
Speaker 1: start with the cute kid who starred.

583
00:27:16,040 --> 00:27:18,679
Speaker 2: In the show dying from a hut from eating like,

584
00:27:18,800 --> 00:27:20,240
Speaker 2: chokes on a hamburger and dies.

585
00:27:20,280 --> 00:27:22,880
Speaker 1: That's how that show starts. I haven't either, but that's

586
00:27:22,920 --> 00:27:24,960
Speaker 1: like God, So then he comes back as an angel.

587
00:27:25,080 --> 00:27:27,480
Speaker 1: As an angel, right yeah, okay, so yeah, we're in

588
00:27:27,520 --> 00:27:29,920
Speaker 1: that weird camo hole. I described it as a green

589
00:27:29,960 --> 00:27:33,200
Speaker 1: and yellow tube. We find ourselves back and the John

590
00:27:33,240 --> 00:27:35,879
Speaker 1: Adams High Hallway, only now it's during the war, and

591
00:27:35,960 --> 00:27:41,400
Speaker 1: holy we've got ourselves a second time travel episode we're in.

592
00:27:41,600 --> 00:27:43,879
Speaker 1: We're in now. You can tell we've gone back in

593
00:27:43,920 --> 00:27:47,040
Speaker 1: time because Corey and Topanga and other passing students are

594
00:27:47,040 --> 00:27:50,240
Speaker 1: now wearing old timey clothing, and there is a big

595
00:27:50,280 --> 00:27:51,400
Speaker 1: poster behind them that.

596
00:27:51,400 --> 00:27:55,320
Speaker 2: Read I love it in the fifties episode, but I

597
00:27:55,320 --> 00:27:59,280
Speaker 2: think it's even better. I think it's like and I

598
00:27:59,280 --> 00:28:05,320
Speaker 2: mean it's great and everything the kitchen looks.

599
00:28:03,920 --> 00:28:05,960
Speaker 1: Looks so good. It really did. Yeah, I know, I

600
00:28:06,040 --> 00:28:08,359
Speaker 1: really loved it. I was and that is you know.

601
00:28:08,520 --> 00:28:11,119
Speaker 1: My one memory of this week was being like, I

602
00:28:11,160 --> 00:28:13,960
Speaker 1: was born in the wrong decade. I need to be

603
00:28:14,000 --> 00:28:15,120
Speaker 1: a nineteen forties gal.

604
00:28:15,320 --> 00:28:17,440
Speaker 4: I didn't want to say this, but you do kind

605
00:28:17,440 --> 00:28:20,320
Speaker 4: of have like forties movie star vibes.

606
00:28:21,040 --> 00:28:23,439
Speaker 1: Yeah, it kind of worked. It works, I know, I

607
00:28:23,520 --> 00:28:27,240
Speaker 1: really I missed my I missed my calling. Yeah, all right, agreed. Okay,

608
00:28:27,280 --> 00:28:29,560
Speaker 1: So we have a big poster behind us that reads,

609
00:28:29,640 --> 00:28:33,760
Speaker 1: by war bonds, we apparently had enough blood.

610
00:28:33,200 --> 00:28:37,280
Speaker 4: Well blood driver, which is ironic because I know during

611
00:28:37,280 --> 00:28:37,679
Speaker 4: the war.

612
00:28:37,560 --> 00:28:40,920
Speaker 1: Yeah, exactly. H So Cory sets down the black Cat

613
00:28:40,960 --> 00:28:44,680
Speaker 1: and to Panga asks come again. Corey, without hesitation, responds,

614
00:28:44,760 --> 00:28:47,000
Speaker 1: I said, I'm glad the US of A ain't mixed

615
00:28:47,080 --> 00:28:49,000
Speaker 1: up in this war because I could never be away

616
00:28:49,040 --> 00:28:53,080
Speaker 1: from my best gal. To Panga, also now wearing red lipstick,

617
00:28:53,320 --> 00:28:56,160
Speaker 1: grabs his chin and smiles, I could never be away

618
00:28:56,160 --> 00:29:00,200
Speaker 1: from you, kiddo. Then Feene, who is ageless and I'm

619
00:29:00,240 --> 00:29:04,000
Speaker 1: still dressed like modern day Phoene appears from around the

620
00:29:04,040 --> 00:29:06,680
Speaker 1: corner and he announces the United States has entered the war.

621
00:29:06,840 --> 00:29:08,160
Speaker 1: May God be with us all.

622
00:29:08,280 --> 00:29:11,200
Speaker 2: Now, drum this is the first of like some really

623
00:29:11,560 --> 00:29:15,520
Speaker 2: invasive sound music music. Yeah, and like there's a couple

624
00:29:15,560 --> 00:29:16,720
Speaker 2: of them, but this one, I was.

625
00:29:16,680 --> 00:29:20,960
Speaker 1: Like, yes, drums and trumpets play in the basically fife

626
00:29:20,960 --> 00:29:23,920
Speaker 1: and drum where where it's like wow, but this happens,

627
00:29:24,200 --> 00:29:24,360
Speaker 1: you know.

628
00:29:24,400 --> 00:29:26,880
Speaker 2: I was like, Wow, that's a really bold choice, but okay,

629
00:29:26,920 --> 00:29:29,280
Speaker 2: and then a caps a couple of times later when

630
00:29:29,320 --> 00:29:30,560
Speaker 2: I was like, oh, guys.

631
00:29:31,960 --> 00:29:33,680
Speaker 1: On the drums. But I think that.

632
00:29:33,560 --> 00:29:36,920
Speaker 2: That was an attempt to save the episode a little honestly,

633
00:29:36,920 --> 00:29:40,200
Speaker 2: because yeah, save the energy, because I think we all

634
00:29:40,240 --> 00:29:44,000
Speaker 2: played it to ye straightforward or most of us, sorry Will.

635
00:29:44,120 --> 00:29:46,000
Speaker 4: Yeah, I'm going to say I certainly you could say

636
00:29:46,000 --> 00:29:48,280
Speaker 4: a lot about my performance straightforward.

637
00:29:49,000 --> 00:29:51,760
Speaker 1: Understand it. I really really came under the jokes of

638
00:29:51,800 --> 00:29:54,960
Speaker 1: this one. Sewan immediately turns the corner and tells Corey

639
00:29:55,000 --> 00:29:57,840
Speaker 1: he's going down to enlist because Uncle Sam wants I

640
00:29:57,880 --> 00:30:02,800
Speaker 1: walked on. It was like, oh yeah, like carrying books

641
00:30:02,800 --> 00:30:04,800
Speaker 1: with a belt is one of the coolest things in

642
00:30:04,800 --> 00:30:06,560
Speaker 1: the world. I was like, I'm going to bring.

643
00:30:06,280 --> 00:30:11,680
Speaker 2: That back to carry five books in a belt, right

644
00:30:11,960 --> 00:30:13,440
Speaker 2: and like carry them over my shoulder.

645
00:30:13,520 --> 00:30:15,160
Speaker 1: I was like, because this, I actually do have this problem.

646
00:30:15,160 --> 00:30:18,600
Speaker 1: I still carry physical boots because I refused to use camels.

647
00:30:18,680 --> 00:30:20,720
Speaker 2: And I was like, this is perfect. This just goes

648
00:30:20,760 --> 00:30:23,760
Speaker 2: with everything about me. I'll just start carrying. But but then,

649
00:30:24,160 --> 00:30:26,000
Speaker 2: did you notice the way I'm carrying it? Because the

650
00:30:26,000 --> 00:30:27,680
Speaker 2: way you're supposed to carry it, which I do later,

651
00:30:27,880 --> 00:30:30,320
Speaker 2: is like over the shoulder. The way I walk around

652
00:30:30,360 --> 00:30:33,080
Speaker 2: the corner and I yell, it looks like I'm about

653
00:30:33,120 --> 00:30:35,320
Speaker 2: to hit him in the head with It looks like

654
00:30:35,360 --> 00:30:36,560
Speaker 2: I'm about to swing.

655
00:30:36,400 --> 00:30:39,000
Speaker 1: That thing right at him. I'm so and I'm like

656
00:30:39,160 --> 00:30:42,280
Speaker 1: cour and I was like, what am I? Oh, it

657
00:30:42,320 --> 00:30:44,840
Speaker 1: looks like I'm about to pound him. It's weird.

658
00:30:44,960 --> 00:30:47,360
Speaker 4: But to keep it on brand for you, and when

659
00:30:47,360 --> 00:30:49,520
Speaker 4: you do bring that back, and I fully believe that

660
00:30:49,560 --> 00:30:52,480
Speaker 4: you're going to, you've got to hand tool your own belt,

661
00:30:53,480 --> 00:30:55,160
Speaker 4: which I'm sure is going to happen.

662
00:30:55,240 --> 00:30:58,680
Speaker 2: I got, yeah, you got cut the leather egg, I

663
00:30:58,720 --> 00:30:59,960
Speaker 2: got to raise the cow first.

664
00:31:00,160 --> 00:31:03,240
Speaker 1: Well, that's we'll get right, we'll get there. Sean admits

665
00:31:03,280 --> 00:31:05,920
Speaker 1: he wasn't going to, but Uncle Sam was pointing right

666
00:31:05,960 --> 00:31:08,320
Speaker 1: at him. And then you see that in case you're

667
00:31:08,400 --> 00:31:12,160
Speaker 1: unfamiliar with the poster, it is strategically placed directly behind him.

668
00:31:12,400 --> 00:31:15,720
Speaker 1: Uncle Sam saying I want you for US Army nearest

669
00:31:15,720 --> 00:31:20,480
Speaker 1: recruiting station. Funny joke. Funny joke. I know. Sean's proud

670
00:31:20,520 --> 00:31:22,760
Speaker 1: to defend his country, and asks Corey in the most

671
00:31:22,960 --> 00:31:26,880
Speaker 1: suspenseful way possible, will you join us? Corey looks at

672
00:31:26,880 --> 00:31:29,680
Speaker 1: the Panga, who is sick at the thought. Corey's torn

673
00:31:30,200 --> 00:31:33,280
Speaker 1: a dilemma of these times that weighed heavy on many

674
00:31:33,320 --> 00:31:36,000
Speaker 1: a young man. Patriotism and putting your life on the

675
00:31:36,040 --> 00:31:39,280
Speaker 1: line meant everything. Corey Stair is looking more confused than

676
00:31:39,280 --> 00:31:48,080
Speaker 1: we've ever seen him. And then when is fo it

677
00:31:48,400 --> 00:31:52,720
Speaker 1: was so I literally hard.

678
00:31:58,640 --> 00:32:06,320
Speaker 6: When I truly go fad and then had to go

679
00:32:06,360 --> 00:32:08,400
Speaker 6: back and rewatch it and then insisted we pull the

680
00:32:08,440 --> 00:32:09,440
Speaker 6: clip because.

681
00:32:09,840 --> 00:32:14,160
Speaker 2: It's just I think the it's I mean, I wonder

682
00:32:14,200 --> 00:32:16,520
Speaker 2: who made the choice of what decade we get, because

683
00:32:16,560 --> 00:32:20,080
Speaker 2: having to do World War Two with a comedy is hard, right,

684
00:32:20,640 --> 00:32:23,200
Speaker 2: And then the decision to make it kind of serious,

685
00:32:23,360 --> 00:32:25,280
Speaker 2: like I just because.

686
00:32:25,200 --> 00:32:26,840
Speaker 1: Could you make a joke out of all of this stuff?

687
00:32:26,840 --> 00:32:28,480
Speaker 2: I mean, even Will as an actor was like, no,

688
00:32:28,520 --> 00:32:29,800
Speaker 2: I'm not going to make a joke out you know

689
00:32:29,840 --> 00:32:32,680
Speaker 2: what they originally wrote. Which might have been part of

690
00:32:32,720 --> 00:32:35,200
Speaker 2: the problem is that then everybody was on edge about

691
00:32:35,360 --> 00:32:38,320
Speaker 2: like you know what I mean, Oh, we can't make

692
00:32:38,320 --> 00:32:40,360
Speaker 2: a joke out of Corey dying or the war because

693
00:32:40,360 --> 00:32:41,920
Speaker 2: then we're making a joke out of World War Two.

694
00:32:42,280 --> 00:32:45,200
Speaker 2: So it feels like, yeah, I don't know, like where's

695
00:32:45,200 --> 00:32:47,720
Speaker 2: the fifties. We could just be like, ah, they thought

696
00:32:47,720 --> 00:32:50,720
Speaker 2: the bomb was gonna shy yeah, right right, And in

697
00:32:50,800 --> 00:32:53,160
Speaker 2: this it's like, I don't know, I just wish we'd

698
00:32:53,200 --> 00:32:55,560
Speaker 2: leaned more into making fun of World War two movies,

699
00:32:55,840 --> 00:32:58,880
Speaker 2: you know, like there was more like cliches from old movies, and.

700
00:32:58,840 --> 00:33:03,680
Speaker 1: They can't try that. They tried that with clear like yeah,

701
00:33:03,880 --> 00:33:05,200
Speaker 1: but it's not quite enough.

702
00:33:06,400 --> 00:33:19,120
Speaker 3: Ye yeah. Yeah.

703
00:33:19,160 --> 00:33:22,200
Speaker 1: Then we're into the Matthew's kitchen, still in the nineteen forties, Alan,

704
00:33:22,320 --> 00:33:25,200
Speaker 1: who appears to be in the Armed Forces, is loosening

705
00:33:25,200 --> 00:33:27,680
Speaker 1: his tie looking at the paper. So that's it. We

706
00:33:27,800 --> 00:33:30,240
Speaker 1: ship out tomorrow. Eric and Corey then walk in and

707
00:33:30,280 --> 00:33:33,040
Speaker 1: Corey repeats his dad's sentiment, So that's it. We ship

708
00:33:33,080 --> 00:33:36,280
Speaker 1: out tomorrow. Amy, with pin curls and bright red lipstick on,

709
00:33:36,400 --> 00:33:39,280
Speaker 1: quickly stands up. Oh no, surely the army can make

710
00:33:39,320 --> 00:33:42,080
Speaker 1: do without at least one of my men. Eric matter

711
00:33:42,160 --> 00:33:45,000
Speaker 1: of factly states they wouldn't take me. I have flat

712
00:33:45,000 --> 00:33:48,040
Speaker 1: feet and I'm too ticklish. Apparently I'm a torture risk.

713
00:33:48,480 --> 00:33:50,320
Speaker 1: Amy is relieved to hear this, and she goes in

714
00:33:50,360 --> 00:33:53,200
Speaker 1: for a hug, but Eric immediately starts to giggle. I

715
00:33:53,240 --> 00:33:58,840
Speaker 1: give up, I give up love shirt. Then an air

716
00:33:58,920 --> 00:34:02,440
Speaker 1: raid siren sound and the entire family stands alert. Feeni

717
00:34:02,560 --> 00:34:04,640
Speaker 1: runs into the house wearing a helmet and carrying a

718
00:34:04,720 --> 00:34:07,920
Speaker 1: large bullhorn. It's just him practicing to be the neighborhood

719
00:34:07,920 --> 00:34:10,360
Speaker 1: air raid warden. He gets to keep the bullhorn if

720
00:34:10,400 --> 00:34:14,359
Speaker 1: they win. Eric realizes everyone's doing their part in this war,

721
00:34:14,400 --> 00:34:16,680
Speaker 1: and he wants to help too. He's going back to

722
00:34:16,719 --> 00:34:18,799
Speaker 1: the recruitment office to tell them a little case of

723
00:34:18,840 --> 00:34:21,000
Speaker 1: flat feet isn't going to stop him from fighting those

724
00:34:21,040 --> 00:34:24,840
Speaker 1: evil Canadians. Alan admits, I have a feeling it's not

725
00:34:24,920 --> 00:34:29,200
Speaker 1: the flat feet, and then another one of those music

726
00:34:29,239 --> 00:34:34,000
Speaker 1: cues very sweet Music chimes in as Topenga gleefully walks

727
00:34:34,040 --> 00:34:36,960
Speaker 1: through the door. She tells Corey the good news. Glenn

728
00:34:37,000 --> 00:34:39,239
Speaker 1: Miller and his big band Orchestra A come into town.

729
00:34:39,520 --> 00:34:42,080
Speaker 1: Can they go together? Amy and Alan give each other

730
00:34:42,120 --> 00:34:45,120
Speaker 1: a look, and to Pega notices cheapers. Why you guys

731
00:34:45,120 --> 00:34:48,560
Speaker 1: looking at me? All funny? They realize Corey didn't tell Topanga,

732
00:34:48,680 --> 00:34:51,760
Speaker 1: and so Corey breaks the news that he's enlisted. Tapega

733
00:34:51,880 --> 00:34:54,560
Speaker 1: is devastated. But you said you couldn't be without me.

734
00:34:54,840 --> 00:34:58,040
Speaker 1: We were going to be together forever. Corey firmly tells

735
00:34:58,040 --> 00:35:00,640
Speaker 1: her this is something he's just gotta do. Penga runs

736
00:35:00,640 --> 00:35:04,640
Speaker 1: away without saying another word. And then we are at Chubby's.

737
00:35:04,920 --> 00:35:08,560
Speaker 1: Three USO singers stand on stage performing Boogie Woogie Bugle Boy,

738
00:35:08,640 --> 00:35:11,840
Speaker 1: and the entire restaurant is plastered with patriotic posters and

739
00:35:11,880 --> 00:35:15,120
Speaker 1: everyone is dancing. Men are standing around in full uniform,

740
00:35:15,200 --> 00:35:17,600
Speaker 1: two of them being Sean and Corey. Corey's on the

741
00:35:17,600 --> 00:35:20,360
Speaker 1: phone asking the operator to connect him to Panga Lawrence.

742
00:35:20,719 --> 00:35:23,600
Speaker 1: He eventually hangs up and sighs, Golly, you can drive

743
00:35:23,640 --> 00:35:26,120
Speaker 1: from Philly to Cleveland in a week, but you don't

744
00:35:26,160 --> 00:35:28,560
Speaker 1: have a machine that can take a message.

745
00:35:28,440 --> 00:35:31,000
Speaker 2: Not not good facting, even with the old timey phone.

746
00:35:31,160 --> 00:35:40,480
Speaker 2: I know, I thought maybe, I mean, it was like

747
00:35:40,520 --> 00:35:42,640
Speaker 2: he didn't even need to think of the okay, Like

748
00:35:42,680 --> 00:35:44,880
Speaker 2: he didn't even listen for a response. It was just

749
00:35:45,000 --> 00:35:47,600
Speaker 2: it's man ben in facting's so good.

750
00:35:47,680 --> 00:35:55,600
Speaker 1: But such a good actor, such a good actor. Sean

751
00:35:55,640 --> 00:35:57,960
Speaker 1: tries to cheer him up that Dame loves you up

752
00:35:57,960 --> 00:36:00,000
Speaker 1: to the sky and back. She wouldn't let you ship

753
00:36:00,040 --> 00:36:03,319
Speaker 1: out with saying without saying goodbye. Corey emphasizes, I ain't

754
00:36:03,360 --> 00:36:06,400
Speaker 1: just saying goodbye. Phoeni hears this and butts in, don't

755
00:36:06,440 --> 00:36:09,080
Speaker 1: say ain't your mother will faint. Just because they're in

756
00:36:09,080 --> 00:36:11,200
Speaker 1: the navy doesn't mean they need to talk like sailors.

757
00:36:11,840 --> 00:36:14,759
Speaker 1: Then we see Eric not in uniform, dancing with a

758
00:36:14,760 --> 00:36:17,560
Speaker 1: pretty girl. He's bragging, Yeah, I could have shipped out

759
00:36:17,600 --> 00:36:19,480
Speaker 1: with the other Joe's, but the fact is I'm on

760
00:36:19,520 --> 00:36:23,319
Speaker 1: a secret mission here. I'm guarding the Philadelphia Bell. The

761
00:36:23,400 --> 00:36:27,160
Speaker 1: girl corrects him, the Liberty Bell. Eric slily explains, I've

762
00:36:27,200 --> 00:36:31,680
Speaker 1: said too much already, and then so Jim Carrey too much.

763
00:36:31,680 --> 00:36:36,440
Speaker 1: It's like, oh my god, I'm not even trying to

764
00:36:36,480 --> 00:36:36,839
Speaker 1: hide it.

765
00:36:36,840 --> 00:36:37,280
Speaker 3: Anymore.

766
00:36:38,280 --> 00:36:40,920
Speaker 1: It's just Jim Carrey at this point, You at this

767
00:36:41,000 --> 00:36:44,560
Speaker 1: point thought, well, people who watch movies don't watch TV exactly,

768
00:36:45,920 --> 00:36:49,960
Speaker 1: that I'm sting Jim Carrey exactly.

769
00:36:50,480 --> 00:36:51,040
Speaker 3: Thank god.

770
00:36:52,800 --> 00:36:55,600
Speaker 2: I mean I even felt like when I had the

771
00:36:55,640 --> 00:36:57,640
Speaker 2: line earlier about he was pointing right at me, I

772
00:36:57,680 --> 00:36:59,680
Speaker 2: was like, I could tell that I was burying the

773
00:36:59,760 --> 00:37:01,759
Speaker 2: Joe because I could tell that they wanted me to

774
00:37:01,800 --> 00:37:05,160
Speaker 2: say he was pointy right at me, right, because that's

775
00:37:05,200 --> 00:37:07,160
Speaker 2: the way that's me to make it funnier, and I

776
00:37:07,280 --> 00:37:08,000
Speaker 2: just don't do it.

777
00:37:08,000 --> 00:37:09,759
Speaker 1: And I know that as an actor. I was like,

778
00:37:09,800 --> 00:37:13,120
Speaker 1: I'm not doing the shit it. We've already got our

779
00:37:13,239 --> 00:37:15,319
Speaker 1: Jim Carrey because it's right there.

780
00:37:15,360 --> 00:37:17,560
Speaker 2: You see the reading, and it's like he was pointy

781
00:37:17,640 --> 00:37:20,120
Speaker 2: right at me, Like you indicate as much as you get, Like.

782
00:37:20,080 --> 00:37:26,800
Speaker 1: It's a joke behind me. Yeah. Yeah. Then she tickles

783
00:37:26,840 --> 00:37:29,640
Speaker 1: him and Eric immediately breaks Okay, okay, it's the liberty bell.

784
00:37:30,200 --> 00:37:32,919
Speaker 1: Then Jack walks up. I just heard about the mental thing.

785
00:37:33,280 --> 00:37:37,560
Speaker 1: Eric asks, you mean my flat feet. Jack raises an eyebrow. Yeah,

786
00:37:37,680 --> 00:37:40,680
Speaker 1: that's it, the flat feet. The pretty girl walks away.

787
00:37:40,680 --> 00:37:43,880
Speaker 1: Immediately Eric wishes he was going to Jack nods he

788
00:37:43,920 --> 00:37:46,399
Speaker 1: would have loved having Eric by his side, so Eric

789
00:37:46,440 --> 00:37:48,920
Speaker 1: tells him he still can. He takes a picture of

790
00:37:48,960 --> 00:37:50,920
Speaker 1: himself out of his pocket, bring it with you and

791
00:37:50,960 --> 00:37:53,680
Speaker 1: put it in the foxhole over his bed. Jack hesitates,

792
00:37:54,120 --> 00:37:57,759
Speaker 1: people will talk. Eric agrees, I know that's a great

793
00:37:57,800 --> 00:37:58,319
Speaker 1: picture of me.

794
00:38:02,120 --> 00:38:04,840
Speaker 2: He takes the stage as the crowd, I'm so hoping

795
00:38:04,880 --> 00:38:07,480
Speaker 2: that you still had this photo.

796
00:38:07,960 --> 00:38:18,799
Speaker 1: It's so good. The crowd applauds. Before you ship out,

797
00:38:18,840 --> 00:38:21,560
Speaker 1: I want to wish our boys courage, perseverance, and a

798
00:38:21,600 --> 00:38:24,480
Speaker 1: safe trip home. And during the lull in the fighting,

799
00:38:24,520 --> 00:38:26,799
Speaker 1: I'd like a thousand word essay on what I did

800
00:38:26,840 --> 00:38:30,640
Speaker 1: in my summer in Europe. Then Amy and Allan enter,

801
00:38:30,680 --> 00:38:33,480
Speaker 1: and Amy yells out, remember please and thank you. Just

802
00:38:33,520 --> 00:38:35,760
Speaker 1: because you're a war doesn't mean you can't be polite.

803
00:38:36,080 --> 00:38:38,399
Speaker 1: Alan tells her he's the one who makes the orders. Now,

804
00:38:38,640 --> 00:38:41,240
Speaker 1: he sternly shouts to the recruits, let's load the buses

805
00:38:41,239 --> 00:38:43,480
Speaker 1: and head to Europe. None of them move, so he

806
00:38:43,560 --> 00:38:48,120
Speaker 1: begrudgingly adds please, and everyone complies. Corey can't leave yet.

807
00:38:48,360 --> 00:38:51,640
Speaker 1: Topanga isn't there. He tells Sean, maybe she doesn't love

808
00:38:51,640 --> 00:38:54,720
Speaker 1: me the way I thought. But then to Panga waltzes

809
00:38:54,760 --> 00:38:58,400
Speaker 1: in again with happy theme music. She responds, of course,

810
00:38:58,440 --> 00:39:00,719
Speaker 1: I love you you big lug wouldn't let you leave

811
00:39:00,719 --> 00:39:03,960
Speaker 1: without a proper goodbye. Corey gets serious, There's something I

812
00:39:04,000 --> 00:39:06,480
Speaker 1: need to ask you. He takes her hand. I know

813
00:39:06,520 --> 00:39:09,040
Speaker 1: we're young, but we still love each other. He gets

814
00:39:09,080 --> 00:39:12,200
Speaker 1: down on one knee as the background music escalates. Marry me

815
00:39:12,280 --> 00:39:15,760
Speaker 1: to Panga. She's shocked. You want me to be missus

816
00:39:15,800 --> 00:39:19,400
Speaker 1: Corey matthews. He nods more than anything in the world.

817
00:39:19,960 --> 00:39:23,640
Speaker 1: Then we hear high pitched giggling. It's Eric being tickle

818
00:39:23,680 --> 00:39:26,680
Speaker 1: pushed down the stairs by his daddy, telling him to

819
00:39:26,719 --> 00:39:31,759
Speaker 1: stay off the bus. Alan grabs Cory. They need to go.

820
00:39:32,080 --> 00:39:34,360
Speaker 1: As Corey is being dragged away, he begs to Panga

821
00:39:34,360 --> 00:39:37,200
Speaker 1: to give him an answer. She shouts after him. Yes, Corey,

822
00:39:37,320 --> 00:39:38,120
Speaker 1: I'll marry you.

823
00:39:39,200 --> 00:39:46,239
Speaker 2: We already had of cosal yes, and before the real one.

824
00:39:47,360 --> 00:39:48,319
Speaker 1: They're setting it up.

825
00:39:48,680 --> 00:39:53,600
Speaker 2: I think they kind of are right, but I feel

826
00:39:53,600 --> 00:39:57,720
Speaker 2: like to Pang his birthday, they set up that your

827
00:39:57,760 --> 00:40:01,600
Speaker 2: parents might they were going to get married sixteenth, their sixteenth,

828
00:40:02,480 --> 00:40:05,400
Speaker 2: your grandparents, Yes, so they're.

829
00:40:05,400 --> 00:40:07,440
Speaker 1: Oh it's Tapega's lineage. Well, she is the one who

830
00:40:07,520 --> 00:40:08,480
Speaker 1: eventually proposes.

831
00:40:08,719 --> 00:40:13,160
Speaker 2: Yeah, they're setting us up, definitely setting us up. Yeah,

832
00:40:13,200 --> 00:40:16,200
Speaker 2: it's just interesting to think that, like somehow because it's

833
00:40:16,200 --> 00:40:18,960
Speaker 2: in the past, like the fact that they're really young

834
00:40:19,040 --> 00:40:20,160
Speaker 2: getting married is not a.

835
00:40:20,120 --> 00:40:23,239
Speaker 1: Big deal, like and I think, yeah, it's but.

836
00:40:23,239 --> 00:40:25,080
Speaker 4: It is the end of this season, isn't it that

837
00:40:25,440 --> 00:40:28,920
Speaker 4: you propose? It's the end of season? No, No, when

838
00:40:28,920 --> 00:40:31,919
Speaker 4: we graduate is to graduate? I think is graduation five?

839
00:40:32,040 --> 00:40:32,200
Speaker 5: Right?

840
00:40:32,320 --> 00:40:34,480
Speaker 1: So what kind of is a template? It's a temperature?

841
00:40:34,560 --> 00:40:36,839
Speaker 1: Is the inspiration? Like did this happen? And then they

842
00:40:36,840 --> 00:40:38,960
Speaker 1: were like, we could do this, right, they could do

843
00:40:38,960 --> 00:40:41,399
Speaker 1: it in the nineteen forties and nobody bad than I.

844
00:40:41,400 --> 00:40:45,080
Speaker 1: I suspect that once Michael made the commitment back with

845
00:40:45,200 --> 00:40:48,400
Speaker 1: the like long Walk to Pittsburgh Long Walk to Pittsburgh episode,

846
00:40:48,760 --> 00:40:50,480
Speaker 1: the fact that it had already been set up in

847
00:40:50,520 --> 00:40:54,000
Speaker 1: My Sweet Sixteen episode that like that my parents I

848
00:40:54,040 --> 00:40:56,239
Speaker 1: think they were I think Michael had it in his

849
00:40:56,239 --> 00:40:58,319
Speaker 1: head that he was going to end the season high

850
00:40:58,360 --> 00:41:02,640
Speaker 1: school graduation with the proposal. I think, more than anything,

851
00:41:02,960 --> 00:41:07,640
Speaker 1: looking for a good we'll definitely get picked up. Great,

852
00:41:08,320 --> 00:41:11,120
Speaker 1: it is really smart. Yeah, So she poses at the

853
00:41:11,120 --> 00:41:13,399
Speaker 1: bottom of the staircase with one leg propped up. I'll

854
00:41:13,400 --> 00:41:15,520
Speaker 1: be right here waiting for you, and when you come back,

855
00:41:15,560 --> 00:41:18,279
Speaker 1: we'll have the rest of our lives together. Then we

856
00:41:18,320 --> 00:41:21,280
Speaker 1: see newsreel footage of the war. It's black and white

857
00:41:21,320 --> 00:41:24,759
Speaker 1: scenes of soldiers fighting and as a narrator explains, they

858
00:41:24,800 --> 00:41:27,680
Speaker 1: came from all forty eight states, are proud fighting men.

859
00:41:27,920 --> 00:41:30,439
Speaker 1: They have optimism in their hearts and only one thing

860
00:41:30,600 --> 00:41:32,759
Speaker 1: on their minds. And then we cut to Corey and

861
00:41:32,760 --> 00:41:35,200
Speaker 1: Sean at their station. The video still and black and white,

862
00:41:35,400 --> 00:41:38,080
Speaker 1: and Corey's looking longingly at a picture of Tapanga. The

863
00:41:38,120 --> 00:41:40,360
Speaker 1: camera pans to the other soldiers who are hanging pictures

864
00:41:40,360 --> 00:41:42,839
Speaker 1: of their girlfriends at their stations as well. But I'm

865
00:41:42,840 --> 00:41:45,120
Speaker 1: not looking at a picture of anybody. It kind of

866
00:41:45,160 --> 00:41:45,759
Speaker 1: kills the joke.

867
00:41:45,920 --> 00:41:48,640
Speaker 2: Like the joke should be, like you cut to everybody

868
00:41:48,640 --> 00:41:51,560
Speaker 2: looking at photos, right, but like I'm like pumping a gun.

869
00:41:52,840 --> 00:42:02,040
Speaker 1: You should have pictures of like seven girls. Joke wallet exactly.

870
00:42:03,440 --> 00:42:07,120
Speaker 1: Oh my god, Yeah, that's what it should have been.

871
00:42:08,320 --> 00:42:14,520
Speaker 1: Made it better. So then we're back to color. And

872
00:42:14,560 --> 00:42:17,520
Speaker 1: I'm assuming this whole episode wasn't in black and white

873
00:42:17,560 --> 00:42:21,120
Speaker 1: because ABC didn't want that. Yeah, probably not. Yeah, No,

874
00:42:21,920 --> 00:42:24,320
Speaker 1: So we see Jack who props up the framed picture

875
00:42:24,360 --> 00:42:26,799
Speaker 1: of Eric. The other soldiers give him a judgmental look,

876
00:42:26,840 --> 00:42:30,200
Speaker 1: and Jack defends himself. He's just my roommate, okay. Alan

877
00:42:30,360 --> 00:42:33,000
Speaker 1: enters from a nearby tunnel in full combat gear, chomping

878
00:42:33,000 --> 00:42:36,560
Speaker 1: on a cigar. He's quickly become General Patton. All right,

879
00:42:36,680 --> 00:42:39,319
Speaker 1: you dog faces. He sends a shoulder off to fetch

880
00:42:39,360 --> 00:42:42,000
Speaker 1: the k Rations, then hands his son a package from Amy.

881
00:42:42,120 --> 00:42:45,000
Speaker 1: It's a Waldorf salad dressing on the side. The other

882
00:42:45,080 --> 00:42:47,279
Speaker 1: men look on in disbelief. Corey admits, I have a

883
00:42:47,320 --> 00:42:50,480
Speaker 1: little trouble keeping the k Rations down. Sean asks if

884
00:42:50,480 --> 00:42:53,400
Speaker 1: Corey's heard anything from Tapanga. Not yet. He misses her

885
00:42:53,440 --> 00:42:56,120
Speaker 1: more every day. Sean yells to the group, this man's

886
00:42:56,200 --> 00:42:58,480
Speaker 1: hurting any of you. Other mugs got a hard luck

887
00:42:58,520 --> 00:43:00,839
Speaker 1: story of a loved one left behind. They all look

888
00:43:00,880 --> 00:43:04,680
Speaker 1: to Jack again, He's just my roommate. Corey says he

889
00:43:04,719 --> 00:43:06,719
Speaker 1: can't expect mail to be on time during a war.

890
00:43:06,920 --> 00:43:09,920
Speaker 1: Then right on cue, a mailman shows up. Mail call.

891
00:43:10,400 --> 00:43:13,160
Speaker 1: He's got something for Corey. Looks like this to Panga.

892
00:43:13,200 --> 00:43:15,920
Speaker 1: Girl's got a bed for you. Corey is furious you

893
00:43:15,960 --> 00:43:18,440
Speaker 1: read my mail. He snatches the letter and goes to

894
00:43:18,480 --> 00:43:21,200
Speaker 1: read it in peace. To Pega's voice reads the letter.

895
00:43:21,320 --> 00:43:23,840
Speaker 1: I liked this part. I liked the voiceover of the

896
00:43:23,920 --> 00:43:26,120
Speaker 1: letter being read out loud. I'm going into a whisper,

897
00:43:26,320 --> 00:43:28,319
Speaker 1: did you background to?

898
00:43:28,760 --> 00:43:31,359
Speaker 4: So obviously all the extras you're told don't open your

899
00:43:31,360 --> 00:43:33,959
Speaker 4: packages or your letters, and they're just holding.

900
00:43:33,640 --> 00:43:34,960
Speaker 1: Boxes and staring at them.

901
00:43:34,960 --> 00:43:37,799
Speaker 2: Matt Lawrence is pulling a full on writer, like just

902
00:43:38,160 --> 00:43:40,640
Speaker 2: vacant stop but he just stops acting. You can just

903
00:43:40,680 --> 00:43:42,960
Speaker 2: see behind him, he like just closes his mouth. He's

904
00:43:42,960 --> 00:43:44,719
Speaker 2: not even trying to talk to other soldiers and he's

905
00:43:44,719 --> 00:43:49,000
Speaker 2: like looking down. Yeah, and it's like what does he doing?

906
00:43:49,080 --> 00:43:50,120
Speaker 1: Like at least pretend to talk.

907
00:43:50,400 --> 00:43:51,880
Speaker 2: But it's like me when I when we did the

908
00:43:52,000 --> 00:43:55,759
Speaker 2: when I went to the pinball machine with the baby, and.

909
00:43:55,840 --> 00:43:58,239
Speaker 1: Like I just stopped acting. You can see that, just

910
00:43:58,280 --> 00:44:02,719
Speaker 1: like I'm just going to stand here. That's so funny.

911
00:44:03,480 --> 00:44:05,560
Speaker 1: She is counting down the days until he returns and

912
00:44:05,640 --> 00:44:08,640
Speaker 1: dreaming of their future. Alan interrupts to Panga's voice, Hey,

913
00:44:08,719 --> 00:44:12,040
Speaker 1: pipe down, we got letters too. To Panga's voice whispers

914
00:44:12,080 --> 00:44:14,279
Speaker 1: the rest of her letter. She begs Corey to come home.

915
00:44:14,640 --> 00:44:20,600
Speaker 1: Then boom, we hear an explosion incoming, everyone scrambles. Corey's panicked.

916
00:44:20,640 --> 00:44:22,960
Speaker 1: He tells Sean, I made to Panga a lot of promises.

917
00:44:23,040 --> 00:44:24,719
Speaker 1: If I don't come back and you do, I need

918
00:44:24,719 --> 00:44:27,800
Speaker 1: you to do something for me. Marry her. Sean can't.

919
00:44:27,960 --> 00:44:30,719
Speaker 1: She's your sweetheart. Kissing her would be like kissing you.

920
00:44:31,120 --> 00:44:33,600
Speaker 2: Corey emphasizes, what how do you guys feel about this

921
00:44:33,640 --> 00:44:35,160
Speaker 2: whole storyline?

922
00:44:36,360 --> 00:44:38,640
Speaker 4: It was it happened in the war a lot. It

923
00:44:38,680 --> 00:44:40,080
Speaker 4: happened in the war a lot. It's like, you go,

924
00:44:40,160 --> 00:44:41,560
Speaker 4: you got to go marry my best girl.

925
00:44:41,600 --> 00:44:43,480
Speaker 1: That kind of thing. That was actually a thing. Yeah,

926
00:44:43,480 --> 00:44:45,120
Speaker 1: it was a thing. It's so weird.

927
00:44:45,280 --> 00:44:49,479
Speaker 2: I know, this is the strangest thing. And I didn't

928
00:44:49,480 --> 00:44:51,680
Speaker 2: remember it at all, So I was like, what is

929
00:44:51,960 --> 00:44:53,680
Speaker 2: and I didn't. Okay, so this was a thing.

930
00:44:53,880 --> 00:44:56,600
Speaker 1: It was a thing, and it was a way of showing,

931
00:44:57,080 --> 00:44:59,720
Speaker 1: like truly, it's a way of showing how much Corey

932
00:44:59,760 --> 00:45:03,480
Speaker 1: cares about Topanga, that he really wants her to He

933
00:45:03,560 --> 00:45:05,839
Speaker 1: wants to know that she will be taken care of

934
00:45:06,360 --> 00:45:09,920
Speaker 1: and he trusts Sean to take care of her. And

935
00:45:11,480 --> 00:45:14,880
Speaker 1: I know, and also I was like, it's the forties.

936
00:45:15,239 --> 00:45:19,000
Speaker 1: It's like no other man would have that woman. I

937
00:45:19,080 --> 00:45:22,319
Speaker 1: must immediately know you can take that.

938
00:45:22,800 --> 00:45:25,440
Speaker 2: Talk about how many horrible marriages were the result of

939
00:45:25,440 --> 00:45:26,200
Speaker 2: this kind of thing.

940
00:45:26,320 --> 00:45:28,840
Speaker 1: Oh, no, awful to think about just these poor women,

941
00:45:28,960 --> 00:45:33,600
Speaker 1: like if they because if they refuse, who is yes,

942
00:45:34,000 --> 00:45:42,240
Speaker 1: you know, leather jacket wearing jacket, who's just trapped, trapped

943
00:45:42,239 --> 00:45:46,000
Speaker 1: in patriarchy. Corey emphasizes he said nothing about kissing. He

944
00:45:46,160 --> 00:45:50,080
Speaker 1: just wants Sean to marry the gal. Sean nods, okay,

945
00:45:50,239 --> 00:45:53,360
Speaker 1: oh marrier. Now we're in the Matthew's backyard. Amy is

946
00:45:53,440 --> 00:45:56,759
Speaker 1: dressed as Rosie the riveter. She's working outside. Poene walks

947
00:45:56,800 --> 00:45:59,520
Speaker 1: up and points out that she's riveting. They just send

948
00:45:59,560 --> 00:46:04,680
Speaker 1: her away. She took it home.

949
00:46:04,120 --> 00:46:06,920
Speaker 2: It's like, I'm just gonna take the one wing from

950
00:46:06,960 --> 00:46:07,719
Speaker 2: the plane with me.

951
00:46:08,280 --> 00:46:16,759
Speaker 1: I'll finish this at home. She thanks him for the compliment. No,

952
00:46:16,960 --> 00:46:20,800
Speaker 1: he means she's literally riveting. Oh yeah, she's decided to

953
00:46:20,880 --> 00:46:23,520
Speaker 1: join the war effort. Phoene asks why she isn't down

954
00:46:23,560 --> 00:46:26,080
Speaker 1: at the airplane factory with Rosie and the other ladies.

955
00:46:26,360 --> 00:46:29,520
Speaker 1: Amy scoffs those lazy so and sows they leave to

956
00:46:29,560 --> 00:46:32,359
Speaker 1: feed their kids as soon as the whistle blows. Then

957
00:46:32,520 --> 00:46:35,960
Speaker 1: she breaks down. She misses Corey and Allen. Phoene assumes

958
00:46:36,000 --> 00:46:39,160
Speaker 1: she must get some comfort from Eric. Eric proudly strolls

959
00:46:39,160 --> 00:46:41,839
Speaker 1: out from the kitchen. Well, the Liberty Bell is safe

960
00:46:41,840 --> 00:46:44,359
Speaker 1: for another day. He admits the enemy was able to.

961
00:46:44,280 --> 00:46:44,600
Speaker 2: Put a.

962
00:46:46,160 --> 00:46:49,839
Speaker 1: Will no pants. I was like, yeah, this is this

963
00:46:49,920 --> 00:46:50,959
Speaker 1: is a good look for will.

964
00:46:51,080 --> 00:46:54,160
Speaker 2: I know you got I mean you always do like preppy,

965
00:46:54,280 --> 00:46:56,400
Speaker 2: well but like the nineteen forties prep.

966
00:46:56,480 --> 00:47:00,759
Speaker 1: I was like, Rozi, yeah, yeah, So the enemy was

967
00:47:00,800 --> 00:47:02,399
Speaker 1: able to put a crack in it while his back

968
00:47:02,480 --> 00:47:05,359
Speaker 1: was turned. But he speckled that baby right up. Then

969
00:47:05,400 --> 00:47:09,600
Speaker 1: he swiftly flips a fedora onto his head. He's a

970
00:47:09,640 --> 00:47:12,240
Speaker 1: cure to go along with it. Thank you. I remember,

971
00:47:12,280 --> 00:47:14,000
Speaker 1: Betsy the first time I did that. When did you

972
00:47:14,000 --> 00:47:15,480
Speaker 1: see you see what he just did with his hat?

973
00:47:15,520 --> 00:47:17,120
Speaker 1: And I was like, I just flipped it around once.

974
00:47:17,120 --> 00:47:17,560
Speaker 5: It wouldn't like.

975
00:47:17,600 --> 00:47:20,680
Speaker 1: It's pretty impressive though, looks thank you. I know it's

976
00:47:20,719 --> 00:47:23,120
Speaker 1: not hard to do, but it looks great, and you

977
00:47:23,200 --> 00:47:38,280
Speaker 1: do it well, there's flair. Yes, we're in the Matthew's

978
00:47:38,360 --> 00:47:40,840
Speaker 1: kitchen Salem. The cat is perched up on the counter

979
00:47:40,920 --> 00:47:45,040
Speaker 1: speaking into a telephone. Sabrina pick up. It's a boy. Okay,

980
00:47:45,120 --> 00:47:47,399
Speaker 1: it's a cat. I'm stuck in the forties and I'm

981
00:47:47,480 --> 00:47:51,040
Speaker 1: dying here. They haven't invented kitty litter yet. The magic

982
00:47:51,080 --> 00:47:55,839
Speaker 1: cat weeps into the phone. He brought them there? Why

983
00:47:55,920 --> 00:47:57,400
Speaker 1: is he stopped?

984
00:47:57,840 --> 00:48:00,640
Speaker 2: And then when they go back, he doesn't do anything

985
00:48:00,680 --> 00:48:03,240
Speaker 2: like he can just make him go back, right.

986
00:48:03,160 --> 00:48:04,520
Speaker 5: Well, I do have a small note. I do have

987
00:48:04,520 --> 00:48:08,160
Speaker 5: a small note. He ate a magic time ball in

988
00:48:08,200 --> 00:48:11,160
Speaker 5: the Sabrina episode, and so he might I didn't watch

989
00:48:11,160 --> 00:48:13,280
Speaker 5: the Sabreen episode, but he might not have full control

990
00:48:13,360 --> 00:48:13,680
Speaker 5: over it.

991
00:48:13,920 --> 00:48:18,319
Speaker 1: So he's on acid time ball. So this is your

992
00:48:18,360 --> 00:48:21,240
Speaker 1: episode about him being on Guys, we got our answer.

993
00:48:21,280 --> 00:48:24,680
Speaker 1: He swallowed a time ball. Thank you, thank you, thank you.

994
00:48:26,120 --> 00:48:30,480
Speaker 1: Time is going to send him back, but this time ball.

995
00:48:30,560 --> 00:48:33,040
Speaker 5: Okay, okay, can see if you would have rather been

996
00:48:33,040 --> 00:48:34,320
Speaker 5: in one of the other show's decades.

997
00:48:35,320 --> 00:48:38,399
Speaker 2: Yeah, the sixties or seventies, eightiet would have been pretty fun.

998
00:48:38,440 --> 00:48:39,440
Speaker 1: It had been perfect for us.

999
00:48:39,440 --> 00:48:43,360
Speaker 5: Well, i'll tell you what they had. Sabrina had the sixties. Yeah,

1000
00:48:43,480 --> 00:48:47,919
Speaker 5: you wish had the fifties, and Teen Angel had the seventies, so.

1001
00:48:47,840 --> 00:48:49,360
Speaker 1: We could have had the seventies. We would have couldn't

1002
00:48:49,360 --> 00:48:51,120
Speaker 1: have done the fifties again, so we could have either

1003
00:48:51,160 --> 00:48:52,400
Speaker 1: had the seventies or the forties.

1004
00:48:52,760 --> 00:48:54,759
Speaker 5: You guys kind of got the shaft. I think seventies.

1005
00:48:55,000 --> 00:48:56,120
Speaker 1: Seventies would have been best.

1006
00:48:56,440 --> 00:48:58,080
Speaker 2: Wait, but what were it? I want to know what

1007
00:48:58,160 --> 00:49:00,880
Speaker 2: the big difference they did between the sixties in the seventies.

1008
00:49:00,880 --> 00:49:03,000
Speaker 2: It's not like it's the sixties and the twenties.

1009
00:49:03,040 --> 00:49:06,080
Speaker 5: It's right, you know, well, it's super weird because the sixties.

1010
00:49:06,120 --> 00:49:08,560
Speaker 5: One is, Sabrina goes back to the sixties to discover

1011
00:49:08,680 --> 00:49:11,000
Speaker 5: that the flower Power era was not so groovy for

1012
00:49:11,080 --> 00:49:14,200
Speaker 5: pre liberated women. That's I understand that plot, okay, and

1013
00:49:14,239 --> 00:49:17,359
Speaker 5: then teen Angel has a nice day in nineteen seventy six,

1014
00:49:17,400 --> 00:49:20,800
Speaker 5: which is roughly the vintage of Marty's Fonzie like Angel impression,

1015
00:49:20,800 --> 00:49:21,360
Speaker 5: which I don't know.

1016
00:49:21,560 --> 00:49:23,040
Speaker 1: Oh, that's why we couldn't do it. We couldn't do

1017
00:49:23,080 --> 00:49:24,160
Speaker 1: another Fonsie thing.

1018
00:49:24,560 --> 00:49:27,839
Speaker 2: But Sandy was the fifties, even though the fiftiesties, I mean,

1019
00:49:27,880 --> 00:49:29,359
Speaker 2: even though it was in the seventies when the show

1020
00:49:29,440 --> 00:49:32,000
Speaker 2: was on the air, it was actually set in the fifties.

1021
00:49:32,040 --> 00:49:35,200
Speaker 1: So it's very strange. I don't know, time time, ball time.

1022
00:49:35,680 --> 00:49:37,160
Speaker 2: You know. What's interesting is we wouldn't have done the

1023
00:49:37,160 --> 00:49:40,120
Speaker 2: eighties because they were like to recent. It was just

1024
00:49:40,360 --> 00:49:42,160
Speaker 2: that interesting. Now the eighties would be like one of

1025
00:49:42,200 --> 00:49:43,160
Speaker 2: the best to go back to.

1026
00:49:43,160 --> 00:49:47,520
Speaker 4: And yeah yeah, or the nineties, Oh god, if we

1027
00:49:47,560 --> 00:49:49,160
Speaker 4: ever find a time ball, we got to go back

1028
00:49:49,160 --> 00:49:49,320
Speaker 4: to that.

1029
00:49:50,239 --> 00:49:52,640
Speaker 1: Ye I have a camera. I wonder you should find

1030
00:49:52,640 --> 00:49:55,279
Speaker 1: me a time ball. You have a radioactive camera. Halfway there,

1031
00:49:55,800 --> 00:49:59,040
Speaker 1: way there, You're right. So then we're at the war.

1032
00:49:59,320 --> 00:50:01,480
Speaker 1: Corey sad. He plays a harmonica as the rest of

1033
00:50:01,520 --> 00:50:04,560
Speaker 1: the group sits in silence. Alan Patts's son on the shoulder,

1034
00:50:04,840 --> 00:50:07,719
Speaker 1: what apparently him not actually playing the harmonica, because then

1035
00:50:07,719 --> 00:50:12,120
Speaker 1: it keeps going throughout the scene playing it. But I

1036
00:50:12,200 --> 00:50:14,800
Speaker 1: was like, what is there a ghost? Coury? What you

1037
00:50:14,840 --> 00:50:18,360
Speaker 1: didn't bother you guys at all? It's not so harmonica.

1038
00:50:18,400 --> 00:50:19,799
Speaker 2: When he's walking, I was like, oh, that's you know,

1039
00:50:19,840 --> 00:50:22,440
Speaker 2: Ben blowing into harmonica. But then when he's sitting down

1040
00:50:22,480 --> 00:50:24,920
Speaker 2: and having the conversation, it still thoughts up again and

1041
00:50:24,920 --> 00:50:27,960
Speaker 2: it's like at the same volume, the same harmonica, and

1042
00:50:28,000 --> 00:50:30,319
Speaker 2: I was like, whoa. So they just were like, I

1043
00:50:30,320 --> 00:50:31,720
Speaker 2: don't know what happened.

1044
00:50:31,360 --> 00:50:36,960
Speaker 1: But that's great. Alan Pats's son on the shoulder and

1045
00:50:37,000 --> 00:50:39,279
Speaker 1: tries to cheer him up. The war will be over soon.

1046
00:50:39,719 --> 00:50:42,640
Speaker 1: Corey smiles, then brings something over to Sean. Also, there's

1047
00:50:42,680 --> 00:50:46,160
Speaker 1: a really big laugh at the war will be over soon.

1048
00:50:46,400 --> 00:50:49,120
Speaker 1: The audience likes a really big laugh, and I was like,

1049
00:50:50,440 --> 00:50:52,920
Speaker 1: I missed, I missed a joke. I guess, I don't think.

1050
00:50:52,960 --> 00:50:55,680
Speaker 1: I don't know, but also does doesn't this mean we

1051
00:50:55,719 --> 00:50:57,239
Speaker 1: would have had to have been in Europe for like

1052
00:50:57,440 --> 00:51:02,719
Speaker 1: years at this point if the war started, which because

1053
00:51:02,800 --> 00:51:05,480
Speaker 1: the war wasn't going to be oversued. Oh right, So

1054
00:51:05,520 --> 00:51:08,200
Speaker 1: they're laughing because we the war just started, but then

1055
00:51:08,239 --> 00:51:10,880
Speaker 1: we actually do end because this is supposed to be

1056
00:51:10,960 --> 00:51:12,560
Speaker 1: the end of the war. This is you guys have

1057
00:51:12,640 --> 00:51:14,680
Speaker 1: supposed to have been there now for years. I think

1058
00:51:14,800 --> 00:51:19,000
Speaker 1: how long? So Corey didn't hear Tapanga careers forty one

1059
00:51:19,040 --> 00:51:21,000
Speaker 1: to forty five, thirty nine?

1060
00:51:21,080 --> 00:51:23,880
Speaker 2: Well for America America forty one because we started with

1061
00:51:23,880 --> 00:51:25,759
Speaker 2: the day of infant five.

1062
00:51:25,840 --> 00:51:29,879
Speaker 1: Yeah, so four years. Yeah, so we've done Europe for

1063
00:51:29,880 --> 00:51:32,560
Speaker 1: four years and he hasn't heard from Topanga until he's

1064
00:51:33,320 --> 00:51:38,279
Speaker 1: just staying yes, I guess, so okay. Corey smiles, then

1065
00:51:38,320 --> 00:51:40,880
Speaker 1: brings something over to Sean. It's the ring he's planning

1066
00:51:40,880 --> 00:51:43,040
Speaker 1: to give to Topanga. Sean asks him where he got it,

1067
00:51:43,040 --> 00:51:46,920
Speaker 1: and Corey happily states cracker Jack Box. Sean admits, if

1068
00:51:46,920 --> 00:51:49,799
Speaker 1: ever two people belong together, it's you and Topanga, but

1069
00:51:49,880 --> 00:51:52,600
Speaker 1: Corey reminds him about that promise, you know, the creepy

1070
00:51:52,600 --> 00:51:54,480
Speaker 1: one where you have to marry your best friend's girlfriend

1071
00:51:54,480 --> 00:51:57,200
Speaker 1: if he dies. Jack runs in and turns on the radio.

1072
00:51:57,360 --> 00:52:01,160
Speaker 1: The announcer says, once again, the war in Europe is over.

1073
00:52:01,600 --> 00:52:05,520
Speaker 1: The soldier's cheer. Corey shouts to the clouds, Topanga, you

1074
00:52:05,600 --> 00:52:08,680
Speaker 1: hear that I'm coming home. He climbs the ladder and

1075
00:52:08,760 --> 00:52:11,280
Speaker 1: jumps out of their bunker. Last one back to Philly

1076
00:52:11,360 --> 00:52:15,879
Speaker 1: is a rotten egg shy giant boom mic in that shot. No, oh,

1077
00:52:15,920 --> 00:52:17,879
Speaker 1: coming in right from the corner. Just this big old

1078
00:52:17,880 --> 00:52:19,920
Speaker 1: boom mic coming. Well, there we go, and then pop

1079
00:52:20,000 --> 00:52:23,440
Speaker 1: it right out again. Yep, Sean yells back, Wait, you

1080
00:52:23,520 --> 00:52:27,839
Speaker 1: forgot your ring. Then the announcer continues a ceasefire will

1081
00:52:27,840 --> 00:52:33,040
Speaker 1: commence in twenty four hours. Oh no, Corey is long gone,

1082
00:52:33,320 --> 00:52:35,759
Speaker 1: but Sean tries to yell out to him. We then

1083
00:52:35,800 --> 00:52:39,040
Speaker 1: hear a large explosion and Sean looks out onto the battlefield.

1084
00:52:39,320 --> 00:52:41,640
Speaker 1: As he yells for Cory, a pair of dog tags

1085
00:52:41,719 --> 00:52:45,560
Speaker 1: drops into his hand. The worst has happened. The main

1086
00:52:45,760 --> 00:52:48,680
Speaker 1: character from Boy Meets World has died in a very

1087
00:52:48,840 --> 00:52:54,000
Speaker 1: weird episode. And then we see more newsreel footage of

1088
00:52:54,040 --> 00:52:56,160
Speaker 1: the end of the war. It's black and white video

1089
00:52:56,120 --> 00:52:58,400
Speaker 1: of soldiers reuniting with their loved ones and the country

1090
00:52:58,440 --> 00:53:01,560
Speaker 1: is celebrating. The narrator mentions that the transition from war

1091
00:53:01,680 --> 00:53:04,800
Speaker 1: can be hard for some. We're back in the Matthew's backyard.

1092
00:53:04,840 --> 00:53:07,320
Speaker 1: We return to color a few seconds in. Amy is

1093
00:53:07,360 --> 00:53:09,799
Speaker 1: still riveting and Alan begs her to stop. The war

1094
00:53:09,920 --> 00:53:12,400
Speaker 1: is over. There's nothing left to rivet. He tries to

1095
00:53:12,440 --> 00:53:14,640
Speaker 1: open the back door, but it won't Budge, did you

1096
00:53:14,719 --> 00:53:17,840
Speaker 1: rive at the door again, darling? Amy insists, if I

1097
00:53:17,880 --> 00:53:20,200
Speaker 1: stop riveting, it means the war really is over and

1098
00:53:20,239 --> 00:53:23,359
Speaker 1: Corey is not coming home. Jack and Eric appear from

1099
00:53:23,360 --> 00:53:26,160
Speaker 1: behind the bushes. Jack is in full uniform and Eric

1100
00:53:26,160 --> 00:53:29,600
Speaker 1: acknowledges his valiant efforts during the war. Jack commends him

1101
00:53:29,640 --> 00:53:31,560
Speaker 1: right back. The boys in Europe are really proud of

1102
00:53:31,600 --> 00:53:33,920
Speaker 1: the work you did defending the bell to Panga and

1103
00:53:33,920 --> 00:53:37,160
Speaker 1: Shaw arrive next. Tapanga asks Amy if she's heard anything

1104
00:53:37,160 --> 00:53:40,000
Speaker 1: about Corey yet. Amy is certain that any minute now

1105
00:53:40,040 --> 00:53:43,040
Speaker 1: he'll be walking through that door, but Alan reminds her

1106
00:53:43,239 --> 00:53:46,120
Speaker 1: he won't be able to open it. It's been riveted shut.

1107
00:53:46,840 --> 00:53:49,279
Speaker 1: Sean chimes in, I guess I put this on off

1108
00:53:49,360 --> 00:53:52,480
Speaker 1: long enough. He announces that he needs to ask Tapega something.

1109
00:53:52,760 --> 00:53:54,640
Speaker 1: He gets down on one knee and asks her to

1110
00:53:54,680 --> 00:53:58,719
Speaker 1: marry him. Everyone gasps in unison, and Topega slaps him

1111
00:53:58,719 --> 00:54:01,520
Speaker 1: across the face. Sean ads, I probably should have mentioned

1112
00:54:01,520 --> 00:54:04,520
Speaker 1: it was Corey's last wish, and then everyone nods, understanding me.

1113
00:54:06,040 --> 00:54:08,279
Speaker 1: I do think that that's a little bit of a

1114
00:54:08,320 --> 00:54:11,839
Speaker 1: wink and a joke about what's happening, like, oh my gosh,

1115
00:54:11,840 --> 00:54:13,560
Speaker 1: why would he do that? And then well Corey wanted

1116
00:54:13,600 --> 00:54:15,160
Speaker 1: and ride right? Right? Of course that makes sense, like

1117
00:54:15,239 --> 00:54:17,680
Speaker 1: that's that's that's leaning into it a little bit like right,

1118
00:54:17,719 --> 00:54:20,839
Speaker 1: that makes it to help sir, that is uh so,

1119
00:54:20,960 --> 00:54:24,120
Speaker 1: And then you guys get to do Will and Matt,

1120
00:54:24,200 --> 00:54:27,120
Speaker 1: you guys get to do to Penga. Yeah, later we

1121
00:54:27,120 --> 00:54:29,160
Speaker 1: can know that, which is great. It's so fun.

1122
00:54:29,520 --> 00:54:32,040
Speaker 4: But this is where Ryder and I so you and

1123
00:54:32,080 --> 00:54:33,640
Speaker 4: I obviously you can't look at me.

1124
00:54:34,000 --> 00:54:36,360
Speaker 1: I didn't notice that. Oh yeah, you can't look at me.

1125
00:54:36,520 --> 00:54:39,560
Speaker 4: And then when you finally do, your mouth starts and

1126
00:54:39,560 --> 00:54:41,520
Speaker 4: they cut back to me and I'm turned sideways that

1127
00:54:41,560 --> 00:54:42,960
Speaker 4: you could clearly tell that I'm laughing.

1128
00:54:43,040 --> 00:54:45,719
Speaker 1: Oh my god, which lines what I don't remember the

1129
00:54:45,760 --> 00:54:49,320
Speaker 1: exact lines. Penga says, if it's what Corey wanted, Sean

1130
00:54:49,320 --> 00:54:51,359
Speaker 1: pulls the ring out of his pocket. Corey couldn't wait

1131
00:54:51,360 --> 00:54:53,000
Speaker 1: to put this on your finger. If you blow into

1132
00:54:53,040 --> 00:54:56,120
Speaker 1: it, it makes a siren sound. Sean notices to Pega isn't happy.

1133
00:54:56,120 --> 00:54:58,640
Speaker 1: To Pega responds, you're not Corey. Before they can make

1134
00:54:58,680 --> 00:55:01,840
Speaker 1: plans to Panga runs off, Sean tells the group, Hey,

1135
00:55:01,960 --> 00:55:04,840
Speaker 1: if I had things my way, Corey would walk in

1136
00:55:05,040 --> 00:55:08,960
Speaker 1: the day after the honeymoon and have the whole thing annulled.

1137
00:55:09,560 --> 00:55:12,400
Speaker 1: I bet we had done that. It was a couple

1138
00:55:12,400 --> 00:55:18,879
Speaker 1: of times, and you guys, because yeah, I'm clearly to laugh,

1139
00:55:21,280 --> 00:55:23,200
Speaker 1: So I bet that that is. I bet that's what

1140
00:55:23,239 --> 00:55:25,520
Speaker 1: it was. I saw the later one with you and

1141
00:55:25,560 --> 00:55:32,600
Speaker 1: Matt that was way too had I also love that joke.

1142
00:55:33,200 --> 00:55:36,040
Speaker 1: If I had my way, he look in the day

1143
00:55:36,080 --> 00:55:40,360
Speaker 1: after the honeymoon. It's so funny. He's so smart, smart,

1144
00:55:40,680 --> 00:55:43,440
Speaker 1: Amy grabs Eric by the shoulders. Corey is Tapega's one

1145
00:55:43,520 --> 00:55:46,040
Speaker 1: true love. She knows Corey's out there just waiting for

1146
00:55:46,080 --> 00:55:48,640
Speaker 1: someone to rescue him. She tells Eric, if you want

1147
00:55:48,680 --> 00:55:50,279
Speaker 1: to be a hero, you go to Europe and you

1148
00:55:50,360 --> 00:56:04,920
Speaker 1: find him and bring him home. And then we are

1149
00:56:04,960 --> 00:56:10,160
Speaker 1: in Peris, France with an establishing shot of the Eiffel Tower.

1150
00:56:10,560 --> 00:56:12,720
Speaker 1: We're in a French cafe and a woman is kissing

1151
00:56:12,719 --> 00:56:16,399
Speaker 1: a Parisian man named Pierre. They had to have Corey

1152
00:56:16,480 --> 00:56:19,239
Speaker 1: cheat on Topanga even.

1153
00:56:20,680 --> 00:56:24,240
Speaker 2: Make out with another girl any anytime he slightly bumps

1154
00:56:24,280 --> 00:56:28,839
Speaker 2: his head, has a dream, whatever, he he just.

1155
00:56:28,800 --> 00:56:30,560
Speaker 1: Needs to have a little bit of space from her,

1156
00:56:30,760 --> 00:56:33,480
Speaker 1: and it's bound to happen. Boom.

1157
00:56:33,800 --> 00:56:36,200
Speaker 4: By the way, keep in mind, it's it's the straight

1158
00:56:36,320 --> 00:56:41,600
Speaker 4: up Homeric, you know, going back to Troy where Topanga

1159
00:56:41,680 --> 00:56:44,160
Speaker 4: of course has stayed completely and totally loyal to him

1160
00:56:44,680 --> 00:56:49,080
Speaker 4: and hasn't done anything for a year, but he instantly

1161
00:56:49,120 --> 00:56:49,600
Speaker 4: helps up.

1162
00:56:49,560 --> 00:56:50,120
Speaker 3: With another woman.

1163
00:56:50,640 --> 00:56:51,520
Speaker 1: It's unbelievable.

1164
00:56:51,960 --> 00:56:56,279
Speaker 2: Yeah, and she seems older, and like, I know, did

1165
00:56:56,280 --> 00:56:57,680
Speaker 2: she strike you guys as a little.

1166
00:56:58,360 --> 00:56:59,279
Speaker 1: An older French woman?

1167
00:56:59,560 --> 00:56:59,920
Speaker 5: Yeah?

1168
00:57:00,120 --> 00:57:02,319
Speaker 2: And then and that really hit me when like she

1169
00:57:02,360 --> 00:57:03,880
Speaker 2: and t Panga look at each other later and I

1170
00:57:03,920 --> 00:57:04,319
Speaker 2: was like, oh.

1171
00:57:04,320 --> 00:57:08,680
Speaker 1: The pang is the right stranger and this is weird,

1172
00:57:09,320 --> 00:57:12,360
Speaker 1: and yeah, I know a kid. So we quickly realized

1173
00:57:12,400 --> 00:57:15,520
Speaker 1: that Pierre is actually Corey. He leans in for another

1174
00:57:15,600 --> 00:57:17,480
Speaker 1: kiss and she tells him he must get back to

1175
00:57:17,520 --> 00:57:20,800
Speaker 1: his painting. Corey says, who cares about work when you're

1176
00:57:20,840 --> 00:57:23,280
Speaker 1: French and in love. The woman reminds him that the

1177
00:57:23,280 --> 00:57:26,440
Speaker 1: doctor believes the painting can help restore his memory. Corey

1178
00:57:26,480 --> 00:57:29,400
Speaker 1: assures her all I remember is waking up naked, my

1179
00:57:29,480 --> 00:57:32,600
Speaker 1: clothes burned to a crisp, and I was speaking perfect French.

1180
00:57:33,240 --> 00:57:36,080
Speaker 1: This runner of a joke about him speaking French is

1181
00:57:36,360 --> 00:57:40,280
Speaker 1: very funny to me. I love it. The woman laughs

1182
00:57:40,320 --> 00:57:42,600
Speaker 1: at the idea of him speaking perfect French. She then

1183
00:57:42,640 --> 00:57:45,440
Speaker 1: points out the woman in the portrait another thing we

1184
00:57:45,480 --> 00:57:47,800
Speaker 1: don't see. I kept waiting to see it.

1185
00:57:47,880 --> 00:57:52,240
Speaker 2: I was so frustrating, obviously, so waiting to do the

1186
00:57:52,320 --> 00:57:54,360
Speaker 2: reveal at the end of the epicaus reference is a

1187
00:57:54,360 --> 00:57:56,080
Speaker 2: painting that was like, oh, let's see I.

1188
00:57:56,040 --> 00:58:02,520
Speaker 1: Know odds yes, the girl a phantom from a dream.

1189
00:58:02,680 --> 00:58:04,880
Speaker 1: Every night I wake up in a cold sweat seeing

1190
00:58:04,920 --> 00:58:07,840
Speaker 1: her face, hearing her voice. The French woman insists that

1191
00:58:07,920 --> 00:58:10,760
Speaker 1: maybe this girl is his one true love, and then

1192
00:58:11,040 --> 00:58:13,960
Speaker 1: we're back in Chubbies. It's now Sean and Tapanga's wedding.

1193
00:58:14,440 --> 00:58:17,520
Speaker 1: Topanga walks down the aisle, clearly unhappy. She asks Alan

1194
00:58:17,520 --> 00:58:20,080
Speaker 1: and Amy if they've heard anything about Corey. Alan says no,

1195
00:58:20,360 --> 00:58:23,160
Speaker 1: they have to face it, but Amyan says, snow, she

1196
00:58:23,280 --> 00:58:25,880
Speaker 1: is sure her son is still alive and he loves Tapanga.

1197
00:58:26,240 --> 00:58:28,920
Speaker 1: Phoene stands before them holding a bible. Here comes the

1198
00:58:28,920 --> 00:58:31,400
Speaker 1: Bride begins to play and he somberly looks at Tapanga.

1199
00:58:31,720 --> 00:58:36,360
Speaker 1: It's time. Sean and Tapanga do not look ready? Yeah,

1200
00:58:36,400 --> 00:58:39,000
Speaker 1: this is this is where I wrote. I'm sorry. Can

1201
00:58:39,040 --> 00:58:41,840
Speaker 1: someone explain this tradition to be? What would exactly work?

1202
00:58:41,920 --> 00:58:44,880
Speaker 1: What no one else would take her? It has to

1203
00:58:44,920 --> 00:58:47,200
Speaker 1: be it has to be the best friend, okay, all right?

1204
00:58:47,680 --> 00:58:50,720
Speaker 1: And like, why would Tapanga ever told you? Why? Well,

1205
00:58:50,760 --> 00:58:56,120
Speaker 1: if it's what Corey wanted, yeah, oh exactly, you can''s

1206
00:58:56,160 --> 00:58:59,880
Speaker 1: not about your happiness. It's not about me. It's about

1207
00:59:00,160 --> 00:59:04,040
Speaker 1: my boyfriend, obviously, of course.

1208
00:59:04,360 --> 00:59:05,040
Speaker 5: So uh.

1209
00:59:05,320 --> 00:59:08,040
Speaker 1: We are then back in Paris, France. Eric and Jack

1210
00:59:08,160 --> 00:59:11,880
Speaker 1: walk into the same Parisian cafe. Where we saw Corey earlier.

1211
00:59:12,080 --> 00:59:15,360
Speaker 1: The two boys are very smart. There's only a one

1212
00:59:15,760 --> 00:59:18,200
Speaker 1: in Paris too, yep in Paris.

1213
00:59:18,280 --> 00:59:20,800
Speaker 4: And by the way, I have completely now dropped Jim Carrey,

1214
00:59:20,880 --> 00:59:21,400
Speaker 4: totally different.

1215
00:59:21,440 --> 00:59:24,480
Speaker 1: Now you're well, Now you're like a p I a

1216
00:59:24,520 --> 00:59:27,560
Speaker 1: funny bi The two boys are complaining about the French

1217
00:59:27,640 --> 00:59:30,400
Speaker 1: being rude and calling them ugly Americans. Why would they

1218
00:59:30,440 --> 00:59:34,080
Speaker 1: do that? Then Eric becomes a complete ugly American and

1219
00:59:34,160 --> 00:59:36,920
Speaker 1: yells to the familiar waitress, pounds his fists on the table,

1220
00:59:36,960 --> 00:59:40,480
Speaker 1: Hey lady, come on the regular. Jack reminds him they're

1221
00:59:40,520 --> 00:59:42,560
Speaker 1: there to find Corey, so he shows the waitress a

1222
00:59:42,560 --> 00:59:45,840
Speaker 1: picture of Corey. She examines it. He does look familiar,

1223
00:59:45,920 --> 00:59:48,560
Speaker 1: but ultimately she says, no, we don't get many ghosts

1224
00:59:48,600 --> 00:59:51,680
Speaker 1: in here. Jack takes the photo. You've been showing everyone

1225
00:59:51,720 --> 00:59:55,000
Speaker 1: a picture of Corey in his Halloween costume. Eric nods scary,

1226
00:59:55,080 --> 00:59:58,919
Speaker 1: huh boo another time where again insert would have been great.

1227
00:59:59,240 --> 01:00:02,920
Speaker 1: Don't see the picture. Then Corey, dressed like a mime,

1228
01:00:03,320 --> 01:00:05,840
Speaker 1: walks into the cafe and sits right next to the boys.

1229
01:00:06,080 --> 01:00:08,400
Speaker 1: Eric notices this, dude, I should just take a picture

1230
01:00:08,440 --> 01:00:11,680
Speaker 1: of that guy. After some inspection, Jack tells Eric to

1231
01:00:11,720 --> 01:00:16,000
Speaker 1: look closer. Eric screams, you're alive. He ecstatically embraces him.

1232
01:00:16,000 --> 01:00:20,880
Speaker 1: My Cory. So this is the plot of Muppets Take Manhattan,

1233
01:00:21,280 --> 01:00:21,440
Speaker 1: is it?

1234
01:00:21,480 --> 01:00:25,959
Speaker 4: Which is one of the good greatest Well because Kermak

1235
01:00:25,960 --> 01:00:28,960
Speaker 4: gets hit by a car and he doesn't you are

1236
01:00:29,240 --> 01:00:32,560
Speaker 4: doesn't know Yay Tordelini from Passaic, New Jersey.

1237
01:00:32,920 --> 01:00:33,920
Speaker 1: I don't feel Italian.

1238
01:00:34,160 --> 01:00:37,320
Speaker 2: Yeah, that's a great movie.

1239
01:00:37,440 --> 01:00:40,160
Speaker 1: Corey pushes him off. He doesn't know any Corey. He's Pierre,

1240
01:00:40,240 --> 01:00:43,680
Speaker 1: the tortured French speaking artist. Eric tries to jog his memory.

1241
01:00:43,720 --> 01:00:46,200
Speaker 1: He's Corey Matthews from the us of A to pang

1242
01:00:46,280 --> 01:00:48,120
Speaker 1: Us back home, about to get hitched. They've got to

1243
01:00:48,160 --> 01:00:51,440
Speaker 1: get him home. Corey turns to Versailles, tell these American

1244
01:00:51,440 --> 01:00:54,800
Speaker 1: tourists who I am. Forsie size, I knew this day

1245
01:00:54,800 --> 01:00:57,440
Speaker 1: would come. She says farewell to Corey and French, and

1246
01:00:57,480 --> 01:01:03,840
Speaker 1: he stops her. I'm sorry, I always. She decides, if

1247
01:01:03,840 --> 01:01:05,720
Speaker 1: this is the only way for him to find peace,

1248
01:01:05,800 --> 01:01:08,320
Speaker 1: he must go. Corey gets out of Eric's grip and

1249
01:01:08,320 --> 01:01:10,439
Speaker 1: assures her the only way for him to find peace

1250
01:01:10,480 --> 01:01:12,440
Speaker 1: is to put an end to the dreams of the

1251
01:01:12,480 --> 01:01:15,160
Speaker 1: girl that haunts him. He gets down on one knee.

1252
01:01:15,400 --> 01:01:18,280
Speaker 1: Make me the happiest tortured Frenchman in all of Paris.

1253
01:01:18,600 --> 01:01:20,840
Speaker 1: Marry me, and then we cut back to Sean and

1254
01:01:20,840 --> 01:01:25,600
Speaker 1: Tapanga's wedding. Phoene glumly states, well, Sean marrying Topanga this

1255
01:01:25,760 --> 01:01:28,760
Speaker 1: is weird. On the other hand, who would have thought

1256
01:01:28,760 --> 01:01:35,320
Speaker 1: that as principle I could perform marriages. It's so funny.

1257
01:01:35,720 --> 01:01:39,200
Speaker 1: Topanga raises her hand. Wait, I object, she can't do this.

1258
01:01:39,440 --> 01:01:42,240
Speaker 1: She knows Corey is still alive. When you love someone,

1259
01:01:42,280 --> 01:01:45,280
Speaker 1: you just know. Amy responds, that's why I sent Eric

1260
01:01:46,080 --> 01:01:50,760
Speaker 1: and Morgan, who is the flowers in the show. She

1261
01:01:50,800 --> 01:01:52,640
Speaker 1: was in the background of a couple of seats. She

1262
01:01:52,680 --> 01:01:53,200
Speaker 1: gets the talk.

1263
01:01:53,320 --> 01:01:53,920
Speaker 5: Yeah.

1264
01:01:54,000 --> 01:01:56,240
Speaker 1: Then back in Paris, France, Eric's at the podium in

1265
01:01:56,280 --> 01:01:59,080
Speaker 1: the cafe. He tells Jack he's likely ordained to perform

1266
01:01:59,120 --> 01:02:02,120
Speaker 1: the wedding ceremony, considering he's the brother. Why is Eric

1267
01:02:02,280 --> 01:02:05,680
Speaker 1: all of a sudden performing the ceremony that he didn't want.

1268
01:02:05,840 --> 01:02:08,720
Speaker 1: It's supposed to stop, Okay. I was just like, hey,

1269
01:02:09,240 --> 01:02:14,720
Speaker 1: this is the part you don't get. Versai grabs Corey's hand.

1270
01:02:14,960 --> 01:02:17,680
Speaker 1: This is what you want, Pierre, Corey yells yes, of course.

1271
01:02:18,000 --> 01:02:20,760
Speaker 1: Then he remembers something. A house in the country, kids

1272
01:02:20,800 --> 01:02:23,320
Speaker 1: playing in the field, someone to grow old with. These

1273
01:02:23,360 --> 01:02:25,800
Speaker 1: are all things to Panga wrote in her letter, is

1274
01:02:25,840 --> 01:02:28,920
Speaker 1: his memory coming back? Is this what also happened? To Kermit?

1275
01:02:29,880 --> 01:02:32,640
Speaker 1: Versailles asks him what's wrong, and Corey brushes it off.

1276
01:02:32,920 --> 01:02:34,560
Speaker 1: This is the woman he wants to spend the rest

1277
01:02:34,560 --> 01:02:39,520
Speaker 1: of his life with. Then somehow, to Panga has arrived

1278
01:02:39,560 --> 01:02:46,720
Speaker 1: and just says, oh, kermy Topega bursts through the door,

1279
01:02:46,800 --> 01:02:50,320
Speaker 1: still wearing her wedding dress. Is this what you want?

1280
01:02:50,520 --> 01:02:53,360
Speaker 1: Jack and Eric are shocked to Penga and that's where

1281
01:02:53,400 --> 01:02:54,800
Speaker 1: he's just he can't eat.

1282
01:02:55,280 --> 01:02:57,800
Speaker 2: Oh, he literally can't. It seems like you guys were

1283
01:02:57,800 --> 01:03:01,520
Speaker 2: like waiting, feeling your guys, you both do it and

1284
01:03:01,560 --> 01:03:03,440
Speaker 2: he just has to look away.

1285
01:03:03,120 --> 01:03:04,600
Speaker 1: And then he looks right at the camera. When he

1286
01:03:04,600 --> 01:03:06,360
Speaker 1: looks back, he's like, did anyone else see that?

1287
01:03:06,440 --> 01:03:06,600
Speaker 5: Oh?

1288
01:03:06,640 --> 01:03:11,720
Speaker 1: God, it was great. Eric boasts to his mom, I'm

1289
01:03:11,760 --> 01:03:14,920
Speaker 1: performing a wedding ceremony. She immediately tells him to go home.

1290
01:03:15,160 --> 01:03:18,000
Speaker 1: Versi recognizes her. She's the girl from your painting, but

1291
01:03:18,080 --> 01:03:22,600
Speaker 1: Corey cannot remember anything. To Pega exclaims, maybe you'll remember

1292
01:03:22,760 --> 01:03:30,120
Speaker 1: this and kids this time, and she grabs his face

1293
01:03:30,160 --> 01:03:34,800
Speaker 1: and ensorceles him. Corey admits it does seem familiar. Then

1294
01:03:34,960 --> 01:03:38,360
Speaker 1: he asks for Cy what she's got to. Pega grabs him.

1295
01:03:38,400 --> 01:03:40,720
Speaker 1: Corey matthews, if you think for one minute that I'm

1296
01:03:40,760 --> 01:03:44,320
Speaker 1: going to stand here, And apparently it was the nagging

1297
01:03:44,480 --> 01:03:50,240
Speaker 1: that helps him to recall his memories. He shouts to

1298
01:03:50,480 --> 01:03:54,320
Speaker 1: Penga for Ci hands her the bouquet. She knows her

1299
01:03:54,400 --> 01:03:56,920
Speaker 1: days are done. Corey says the last thing he remembers

1300
01:03:57,000 --> 01:03:59,080
Speaker 1: is climbing out of a foxhole to see her. He

1301
01:03:59,200 --> 01:04:02,840
Speaker 1: must be in heath. Tapega assures him he's alive. Corey

1302
01:04:02,880 --> 01:04:05,720
Speaker 1: wonders about the Shawn promise. Tapega says she could never

1303
01:04:05,760 --> 01:04:09,080
Speaker 1: be with anybody else. Her dreams mean nothing without Corey,

1304
01:04:09,600 --> 01:04:12,680
Speaker 1: and then triumphant music plays as Corey says, I told

1305
01:04:12,760 --> 01:04:15,960
Speaker 1: you i'd come back to Penga smiles I found you,

1306
01:04:15,960 --> 01:04:20,360
Speaker 1: you big lug, and they kiss, and then we're back

1307
01:04:20,360 --> 01:04:24,120
Speaker 1: in the tag at John Adams High, Back in time. Still,

1308
01:04:24,440 --> 01:04:26,720
Speaker 1: Sean asks Corey what he's going to do about Topanga

1309
01:04:26,720 --> 01:04:28,720
Speaker 1: now that the war's over. Corey says he's going to

1310
01:04:28,800 --> 01:04:31,040
Speaker 1: pop the question all over again. He wants to Panga

1311
01:04:31,080 --> 01:04:32,760
Speaker 1: to know that he really does care about her and

1312
01:04:32,800 --> 01:04:35,320
Speaker 1: that gesture wasn't just because of the war. So he

1313
01:04:35,360 --> 01:04:37,600
Speaker 1: makes his way Toto Panga and tells her there's something

1314
01:04:37,600 --> 01:04:40,400
Speaker 1: he'd really like to ask her. But then that green

1315
01:04:40,440 --> 01:04:44,959
Speaker 1: and Yellow Camo cartoon time warp strikes again, and we're

1316
01:04:45,160 --> 01:04:47,600
Speaker 1: magically back at John Adams High. In the present day,

1317
01:04:47,920 --> 01:04:49,959
Speaker 1: Corey and to Panga are standing in the exact same spot.

1318
01:04:50,000 --> 01:04:52,440
Speaker 1: She reminds Corey that he wanted to ask her something.

1319
01:04:52,720 --> 01:04:55,400
Speaker 2: He asks it, Wait, are they in the exact same spot?

1320
01:04:55,440 --> 01:04:57,040
Speaker 2: And are they wearing the same clothes?

1321
01:04:57,160 --> 01:04:57,280
Speaker 3: No?

1322
01:04:57,360 --> 01:05:01,640
Speaker 1: Not from before? Swap positions, actually swopping sides too, I think.

1323
01:05:01,760 --> 01:05:07,360
Speaker 2: So time kept going going in the present day.

1324
01:05:08,360 --> 01:05:10,240
Speaker 1: It's not you. No, we're not in the same positions

1325
01:05:10,240 --> 01:05:12,800
Speaker 1: we were at the beginning of the episode. Different, we're

1326
01:05:12,840 --> 01:05:14,760
Speaker 1: in the same positions we were right before the Camo

1327
01:05:14,840 --> 01:05:16,400
Speaker 1: time warp just happened again.

1328
01:05:16,520 --> 01:05:23,880
Speaker 2: Right, okay, so the time present kept going right, gotcha?

1329
01:05:24,000 --> 01:05:27,960
Speaker 1: Right? Okay? On it all right, I'm here. It's it's

1330
01:05:27,960 --> 01:05:30,040
Speaker 1: math now. It makes perfect. It's hard, but it makes sense.

1331
01:05:30,520 --> 01:05:31,000
Speaker 5: I got it.

1332
01:05:31,520 --> 01:05:34,200
Speaker 1: He asks Stepanga if she wants this cool siren ring

1333
01:05:34,280 --> 01:05:36,440
Speaker 1: he found in his crackerjack box. She put it on

1334
01:05:36,440 --> 01:05:39,280
Speaker 1: her finger and smiles, I'll treasure it forever, you big lug.

1335
01:05:39,640 --> 01:05:42,960
Speaker 1: She leans in and kisses him, and then we get

1336
01:05:42,960 --> 01:05:46,800
Speaker 1: a second tag. Back in Paris, France, Sabrina's cat Salem,

1337
01:05:46,840 --> 01:05:48,800
Speaker 1: is sitting in the cafe. He complains he's the only

1338
01:05:48,800 --> 01:05:51,360
Speaker 1: one who can't find love and romance in Paris. He

1339
01:05:51,400 --> 01:05:53,880
Speaker 1: has to go somewhere where people are real and down

1340
01:05:53,920 --> 01:05:57,680
Speaker 1: to earth. La, here I come, And then I guess

1341
01:05:57,760 --> 01:06:00,400
Speaker 1: perhaps this is yet a third tag. We're at the

1342
01:06:00,400 --> 01:06:04,240
Speaker 1: CBS Redford lot where we are currently shooting Boy Meets World.

1343
01:06:04,520 --> 01:06:07,600
Speaker 1: Salem is trotting across the lot. What a flight five

1344
01:06:07,640 --> 01:06:10,640
Speaker 1: and a half hours behind a screaming kid, five and

1345
01:06:10,640 --> 01:06:14,200
Speaker 1: a half hours from where Paris. Yeah, that doesn't make

1346
01:06:14,240 --> 01:06:16,480
Speaker 1: any sense from New York. You have to stopover in

1347
01:06:16,520 --> 01:06:21,760
Speaker 1: New York. Yeah, so the last leg, Okay, five and

1348
01:06:21,760 --> 01:06:24,400
Speaker 1: a half hours behind a screaming kid. Somebody ought to

1349
01:06:24,400 --> 01:06:28,480
Speaker 1: put him in a cage down below, because then I

1350
01:06:28,480 --> 01:06:30,240
Speaker 1: had to think about what that meant. And Salem was

1351
01:06:30,880 --> 01:06:34,720
Speaker 1: in a cage under where the luggage goes. Why couldn't

1352
01:06:33,880 --> 01:06:38,440
Speaker 1: you transport? Also, guys, why was he hearing a kid then?

1353
01:06:39,560 --> 01:06:42,160
Speaker 2: Exactly? And I don't did he not have a seat

1354
01:06:42,160 --> 01:06:44,160
Speaker 2: on the plane, because then he was You can be a.

1355
01:06:44,080 --> 01:06:46,600
Speaker 1: Cage under the seat, but he wouldn't be sitting behind Anna.

1356
01:06:47,720 --> 01:06:49,920
Speaker 2: Now I found a flo is so now we're seeing,

1357
01:06:50,240 --> 01:06:52,480
Speaker 2: we're seeing outside the Boy Meets World lot.

1358
01:06:52,560 --> 01:06:55,360
Speaker 1: So he traveled all the way to LA to where

1359
01:06:55,440 --> 01:06:57,880
Speaker 1: the show that he had just entered into the time

1360
01:06:58,240 --> 01:07:00,960
Speaker 1: was in film. There's a lot, which now a lot.

1361
01:07:01,320 --> 01:07:03,760
Speaker 1: If you're gonna do this kind of meta thing, shouldn't

1362
01:07:03,760 --> 01:07:08,000
Speaker 1: it be one of us throwing away from right home

1363
01:07:08,080 --> 01:07:11,400
Speaker 1: where he'd be like, ah, because it says boy Meets World?

1364
01:07:12,000 --> 01:07:13,600
Speaker 1: For like, I was like, I didn't remember this is

1365
01:07:13,640 --> 01:07:15,120
Speaker 1: Corey going to show up? But it's going to be

1366
01:07:15,120 --> 01:07:18,480
Speaker 1: Ben or something that would. Yeah, I like that joke. No,

1367
01:07:18,840 --> 01:07:21,360
Speaker 1: that's all we get, though. Salem hops into a dumpster.

1368
01:07:21,520 --> 01:07:23,680
Speaker 1: Above him reads a sign for Boy Meets World. It's

1369
01:07:24,080 --> 01:07:27,240
Speaker 1: maybe our most meta moment yet. An argument could be made.

1370
01:07:27,280 --> 01:07:30,320
Speaker 1: Maybe a man wearing a tuxedo and a top hat

1371
01:07:30,360 --> 01:07:32,880
Speaker 1: tosses a half eaten orange into the trash. The cat

1372
01:07:32,880 --> 01:07:35,120
Speaker 1: looks at him and asks, hey, are you famous? Where

1373
01:07:35,120 --> 01:07:37,760
Speaker 1: do I find Drew Carrey. I want to have lunch

1374
01:07:37,840 --> 01:07:40,480
Speaker 1: with this guy. I thought maybe he was gonna have

1375
01:07:40,520 --> 01:07:42,240
Speaker 1: a line, or that it was somebody we knew or

1376
01:07:42,280 --> 01:07:45,320
Speaker 1: had no famous No, I think was just a background actor.

1377
01:07:46,000 --> 01:07:48,000
Speaker 4: Yep, the man is just think he was one of

1378
01:07:48,000 --> 01:07:50,680
Speaker 4: the soldiers. Maybe maybe he looked familiar.

1379
01:07:50,720 --> 01:07:51,680
Speaker 1: He looks familiar to me.

1380
01:07:51,760 --> 01:07:54,560
Speaker 2: I think it might be somebody that was around a

1381
01:07:54,560 --> 01:07:56,720
Speaker 2: few times, or maybe friends with somebody on the show.

1382
01:07:56,800 --> 01:07:58,480
Speaker 2: Because he looked familiar, I was like, I think I

1383
01:07:58,600 --> 01:07:59,200
Speaker 2: know that guy.

1384
01:07:59,600 --> 01:08:02,560
Speaker 1: Well, the man is disturbed and he walks away as

1385
01:08:02,640 --> 01:08:06,880
Speaker 1: sale and yells out you gotta love La. And that's

1386
01:08:06,880 --> 01:08:11,440
Speaker 1: our episode nineteen forties baby, nineteen forties. So please join

1387
01:08:11,520 --> 01:08:13,919
Speaker 1: us for our next episode recap, which will be season five,

1388
01:08:13,960 --> 01:08:19,559
Speaker 1: episode seven, I Love You Donna Karen Part one? No

1389
01:08:19,680 --> 01:08:23,160
Speaker 1: idea what that is? No idea? Two part episode. It's

1390
01:08:23,360 --> 01:08:31,439
Speaker 1: the first episode is Donna Karen? Okay, we're getting it okay.

1391
01:08:31,479 --> 01:08:35,680
Speaker 1: It originally aired November fourteenth, nineteen ninety seven, so exciting

1392
01:08:36,360 --> 01:08:38,320
Speaker 1: as always. You can follow us on Instagram Pod Meets

1393
01:08:38,320 --> 01:08:40,280
Speaker 1: World Show. You can send us your emails pod Meets

1394
01:08:40,280 --> 01:08:43,240
Speaker 1: World Show at gmail dot com. And we have merch

1395
01:08:44,000 --> 01:08:49,120
Speaker 1: buy some merch allrighty then Pod Meets Worldshow dot com

1396
01:08:49,120 --> 01:08:52,720
Speaker 1: writer send us out. We love you all pod dismissed.

1397
01:08:54,840 --> 01:08:57,360
Speaker 2: Pod Meets World is an iHeart podcast produce and hosted

1398
01:08:57,400 --> 01:09:01,280
Speaker 2: by Danielle Fischel, Wilfordell and Ryder Straw Executive producers Jensen

1399
01:09:01,320 --> 01:09:04,759
Speaker 2: Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

1400
01:09:04,960 --> 01:09:08,640
Speaker 2: producer and editor, Taras Subasch, producer, Maddi Moore, engineer and

1401
01:09:08,640 --> 01:09:10,559
Speaker 2: boy Mets World Superman Easton Allen.

1402
01:09:10,680 --> 01:09:13,280
Speaker 1: Our theme song is by Kyle Morton of Typhoon.

1403
01:09:13,560 --> 01:09:16,479
Speaker 2: Follow us on Instagram at Podmets World Show or email

1404
01:09:16,600 --> 01:09:22,720
Speaker 2: us at Podmeats Worldshow at gmail dot com